Journal grand theatre 04 preview by Bohumil KOSTOHRYZ

INVESTIGATION # 5

LUXEMBOURG PAVILION

ISBN 978-2-919906-21-5

MODERNITY - LOVED, HATED OR IGNORED?

INVESTIGATION # 5

research, concept, text Stéphanie Laruade, Sophie Langevin, Bohumil Kostohryz layout Bohumil Kostohryz, Stéphanie Laruade scans and image editing Bohumil Kostohryz photographs of the exhibition © Bohumil Kostohryz translation Textra, Hamburg proofreading Andrea Rumpf, Thomas Miller, Iyoshi Kreutz printing and Binding Imprimerie Reka, Ehlerange, www.reka.lu publisher LUCA Luxembourg Center for Architecture 1 rue de l’Aciérie, L-1112 Luxembourg www.luca.lu This book was produced as part of the Exhibition „Modernity – loved, hated or ignored?“ at the Luxembourg Pavilion 14th International Architecture Exhibition Biennale di Venezia 2014 and published in conjunction with its show at the LUCA Luxembourg Center for Architecture 03.-31.07.2015/ 18.08.-19.12.2015 Documents and images from Archives and Collections duplicated with the kind permission of: Archives de la Ville de Luxembourg - Photothèque de la Ville de Luxembourg - Administration des Ponts et Chaussées – Administration du Cadastre et de la Topographie - Archives de la Ville de Dudelange - La Fabrique d’Eglise de Dudelange - Service architecte de la Ville de Dudelange Centre culturel “Opderschmelz” - Service architecte de la Ville de Luxembourg - Musée d’Histoire de la Ville de Luxembourg - Statec - Bibliothèque nationale de Luxembourg - Bibliothèque municipale de la Ville de Luxembourg - Administration des bâtiments publics - Musée national d’histoire et d’art Les Théâtres de la Ville de Luxembourg - Union Internationale des Architectes - Centre de documentation sur les migrations humaines - Hörgeschädigten Beratung - Caroline Bourbonnais, La Fabuloserie Every effort has been made by the researchers to trace copyright holders for documents and images in accordance with the relevenant statuary provisions. Anyone who has been inadvertently overlooked is invited to get in touch with the publisher. 1st Edition, 100 copies, Luxembourg July 2015 with the ﬁnancial support of the Ministry of Culture, Luxembourg © 2015 Laruade - Kostohryz – Langevin © 2015 LUCA Luxembourg Center for Architecture / Fondation de l’Architecture et de l’Ingénierie au Luxembourg

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher.

LUXEMBOURG PAVILION

L’exposition « Modernity - loved, hated or ignored ? » s’inscrit dans la thématique de la 14 ème édition de la Biennale, dirigée par l’architecte néerlandais Rem Koolhaas et intitulée « Fundamentals ». Son objectif était de mettre en place un véritable projet « d’expositionrecherche ». Pour favoriser la cohérence entre les contributions des pavillons nationaux, Koolhaas a donc introduit un sujet commun : « Absorbing Modernity - 1914-2014 ». Chaque pays a été invité à examiner ses cent dernières années d’architecture en plaçant ses propres accents et en déÄnissant une approche originale. Le résultat consiste à raconter l’histoire de l’impact de la « modernité » d’une manière qui aide à appréhender la situation actuelle. C’est à une équipe interdisciplinaire composée par l’architecte Stéphanie Laruade, le photographe Bohumil Kostohryz et la metteure en scène et comédienne Sophie Langevin que la Fondation de l’Architecture et de l’Ingénierie au Luxembourg – mandatée pour la 6ème fois par le Ministère de la Culture pour organiser la contribution luxembourgeoise à la Biennale d’Architecture de Venise – a conÄé en juillet 2013 la conception et la production de cette exposition suite à un appel à projets international.

The exhibition “Modernity - loved, hated or ignored?” responds to the general theme of the 14th Biennale edition, directed by Dutch architect Rem Koolhaas and entitled “Fundamentals”. His aim was to create a real research-exhibition. Thus, to encourage coherence between the contributions of the national pavilions, Koolhaas introduced the speciÄc, common topic of “Absorbing Modernity - 1914-2014”. Each country was invited to study its’ last hundred years of architecture by choosing its’ own accents and deÄning its’ own original approach to the subject. The result of this is a collective story telling about the impact of “modernity”, supposed to help understanding the current situation. The conception and production of this exhibition was trusted to a multidisciplinary collective based in Luxembourg, made up of the architect Stéphanie Laruade, the photographer Bohumil Kostohryz, the director and actor Sophie Langevin in July 2013. Their designation as curators of the exhibition was the result of an international call for projects launched by the Luxembourg Foundation for Architecture and Engineering, charged as in the previous years by the Ministry of Culture to act as commissioner for this sixth national participation in the Venice Architecture Biennale.

Comment la modernité s’est-elle imposée dans notre quotidien ? Quel regard portons-nous sur les bâtiments que nous côtoyons chaque jour ? Rejet, appropriation ou indifférence ? How has modernity come to dominate everyday experience? How do we view the buildings that we pass every day? Do we reject them or embrace them? Or are we merely indifferent to them?

A la manière de l’agent Dale Cooper débarquant en terre inconnue dans la petite ville frontalière de Twin Peaks dans la célèbre série de David Lynch, Jane Doe arrive à Luxembourg. Cinq enquêtes l’attendent. Toutes poursuivent le même objectif : retracer le chemin sinueux emprunté par les hommes dans leur insatiable quête de modernité. Ces parcours dans le temps et dans l’espace croisent progrès et résistance, ouverture et repli.

Like special agent Dale Cooper arriving in unknown territory in the small border town of Twin Peaks in the famous TV series by David Lynch, Jane Doe arrives in Luxembourg, where Äve investigations await her. Each investigation has the same goal, that of retracing the meandering path followed by human beings in their insatiable quest for modernity. This journey through space and time is an encounter with progress and resistance, openness and withdrawal.

L’aventure commence par la recherche de la première maison moderne du Luxembourg. A l’issue de l’enquête un épais dossier est dévoilé. Il contient, pêle-mêle : Une masse de documents hétéroclites ; lettres, anciens plans, photographies..., 120 Äches contenant chacune des bribes d’informations tapées à la machine, 5 images énigmatiques. Un à un les documents se relient…

La route se poursuit dans le sud du Pays, où une enquête de voisinage révèle une masse de souvenirs. Ils racontent l’enthousiasme et la nostalgie d’un quartier à travers la construction d’une chapelle et dévoilent la dimension humaine de la modernité.

The adventure starts by researching into the Ärst modern house in Luxembourg. At the outcome of the enquiry a thick Äle is revealed. It contains, at random: A mass of various documents: letters, old plans, photographs…., 120 forms each containing typed snippets of information, 5 mysterious pictures. One by one the documents are linked…

The path continues in the south of Luxembourg, where a neighbourhood survey reawakens a mass of memories. They describe the enthusiasm and nostalgia in the neighbourhood when the community was involved in the construction of a chapel. This reveals the human dimension of modernity.

L’architecture se trouve au centre, elle est le cœur de l’investigation, le théâtre des évènements. A partir d’elle se déchaînent les passions et se nouent les intrigues.

Architecture is at the centre of all this, it is the heart of the investigation and the theatre of events. It is the starting point that triggers passions and the weaving of intrigues.

Un métronome rythme le parcours, la ville déÄle, insaisissable. Tels des instantanés, les bâtiments se superposent les uns aux autres dans un Åux continu. Avant même d´être absorbé un nouveau fragment tombe et le remplace.

A metronome marks the passage of time, the town marches past, elusive. Like snapshots, the buildings overlap in an unending Åux. Before being absorbed, a new fragment falls and is replaced.

Finally, two emblematic projects from the 1960s plunge the investigation into the depth of the archives. The history of the plots, the competitions, the rejected projects, the utopias of a time, the difÄculties encountered on the construction site, the ofÄcial inauguration, the miscellaneous news items, the joys and sorrows, resurface.

EnÄn, deux projets emblématiques des années 60 plongent l’enquête dans la profondeur des archives. L’histoire du terrain, les concours, les projets non retenus, les utopies d’un temps, les difÄcultés rencontrées sur le chantier, l’inauguration ofÄcielle, les faits divers, les joies, les peines refont surface. L’examen de ces archives, ces « activités, sourdes et en même temps bavardes des choses dites à travers une culture » décrites par Michel Foucault révèlent la tension qui a accompagné les hommes dans leur quête de modernité. En contrepoint à l’amnésie contemporaine, l’objectif est de faire ressurgir, par le biais des articles de presse, des témoignages, des documents oubliés au fond des archives, les évènements qui ont construit la mémoire des lieux.

The study of these archives, these “silent yet eloquent activities of things expressed through a culture” described by Michel Foucault reveal the tension that always goes hand in hand with the quest for modernity. In contrast with contemporary amnesia, the goal is to resurrect events that formed the memory of a place by means of press reports, personal accounts and documents retrieved from archives.

Ces éléments sont retranscrits dans le journal. A l’issue de l’enquête, le journal se dénoue, ses pages s’éparpillent telles les pièces d’un puzzle géant. L’enjeu est alors d’organiser cette substance et de reconstruire l’histoire sous un nouveau jour. De lien en lien, l’enquête se dessine. Ces murs, composés sur le principe des mindmapping offrent aux visiteurs l’occasion de se perdre dans leur propre histoire de la modernité.

These elements are transcribed in the journal. At the end of the investigation the journal unravels itself, its pages scatter, like the pieces of a jigsaw puzzle. The challenge is to organise this material and to reconstruct the story under a different light. The investigation takes shape from link to link. These walls, constructed on the principle of mind-mapping, offer to the visitors the opportunity to lose themselves in their own story of modernity.

14th International Architecture Exhibition Biennale di Venezia 2014

LUXEMBOURG PAVILION

07.06 - 23.11. 2014 Luxembourg Pavilion, Ca’ del Duca San Marco, Venezia

03. - 31.07. 18.08 - 19.12. 2015 LUCA Luxembourg Center for Architecture 1, rue de l’Aciérie, Luxembourg

www.architecturebiennale.lu www.loved-hated-ignored.com

Curators and exhibitors

Stéphanie Laruade architect, urban planner

Sophie Langevin actress, stage director

Commissioner Fondation de l’Architecture et de l’Ingénierie Luxembourg LUCA Luxembourg Center for Architecture With the support of Ministère de la Culture, Luxembourg Collaborators Nuno Lucas da Costa, journalist - David Debrinay, light designer - Denis Jousselin, exhibition technician Vojtech Dvorak, architect - Amine Jaber, ﬁlm editor - Alexandre Kopoev, architect - Matej Spacek, architect - Bruno Vahalik, electrical management Frantisek Veseli, IT technician Experts committee Joseph Abram - Gabriele Diana Grawe - Jill Mercedes Nico Steinmetz - Tatiana Fabeck - Andrea Rumpf Organization Fondation de l’Architecture et de l’Ingénierie: Andrea Rumpf, director - Thomas Miller, program assistant - Iyoshi Kreutz, executive assistant Coordination in Venice Caterina De Cesero

Bohumil Kostohryz photographer, architect

Thanks to Evamarie Bange, Cédric Géraud, Archives de la Ville de Luxembourg - Photothèque de la Ville de Luxembourg Viviane Thill, Centre National de l’Audiovisuel Administration des Ponts et Chaussées - Administration du Cadastre et de la Topographie - Claude Kugeler, Archives de la Ville de Dudelange - Fernand Champagne, La Fabrique d’Eglise de Dudelange - Service architecte de la Ville de Dudelange - Centre culturel “Opderschmelz” Service architecte de la Ville de Luxembourg - Musée d’Histoire de la Ville de Luxembourg - Statec - Bibliothèque nationale de Luxembourg - Bibliothèque municipale de la Ville de Luxembourg - Administration des bâtiments publics Edmond Thill, Musée national d’histoire et d’art Frank Feitler, Les Théâtres de la Ville de Luxembourg Casino Luxembourg Forum d’art contemporain Union Internationale des Architectes - Centre de documentation sur les migrations humaines Hörgeschädigten Beratung - Caroline Bourbonnais, La Fabuloserie Frederike Huth - Christian Weier - Adrien Théato Fredo Roeser - Annicka Shapiro - David Liaudet

Translations Textra, Hambourg

Doris Kalmes - Michel Petit - Sandra Cellina Jean Cellina - Sophie Hosteing - Michel Hosteing Théo Leydenbach - Rafael Springer - Jako Raybaut - Marc Mangen - Jean-Marie Kraus - André Maillet André Dziezuk - Eric Langevin - Christian Aschman Mr Tomassini - Jacques and Danièle Laruade - Bohumil and Jirina Kostohryz - Monique and Bernard Langevin - Metzi Bechet - Petra Esser-Dannhauer - Gilles Guézo

Lightening lent by

Special thanks to

Casino Luxembourg, Kevin Muhlen, Jo Kox

Family Le Gallais, Venice

Supplies D’Co Signmaking - Deﬁnizioni - Arnaud Mouriamé Dominici - Lorang Transports - Imprimerie REKA Riato Impianti

INVESTIGATION # 5

31 December 1958 Launch of an international competition for the construction of the new theatre of the City of Luxembourg

10-11-12 September 1959 Meeting of the Jury in the new school in Bonnevoie

12 September 1959 Telegram sent to the Parisian architect, Alain Bourbonnais: „Have won – ¿rst prize – warm – and sincere – congratulations.”

Spring 1960 Start of building works

1 November 1962 The architect suddenly left the country in the middle of the night

15 April 1964 Of¿cial opening

1999 Closure of the theatre to carry out modernisation and removal of asbestos

26 September 2003 Re-opening to the public

15 January 2014 Celebration of the 50th anniversary

MULTI-FUNCTIONAL BUILDING

FESTIVAL TO MARK THE MILLENNIUM OF THE TOWN

CECA HEADQUARTERS

GRAND DUCAL FAMILY

BUDGET To be worthily represented at the Brussels world exhibition in 1958, the State, quite rightly, did not hesitate to give yet more funding to it.

A SINGLE COURSE OF ACTION First meeting for the building of a new theatre

ÂŠ Archives de la Ville de Luxembourg

EXAMPLES

1000 YEARS

THEÂTRE DES CAPUCINS © Photothèque de la Ville de Luxembourg

1950, Main theatre in the city with 600 seats.

INSALUBRIOUS THEATRE

PETITION 12 January 1927 ... dressing rooms without basins, the actors have to make up and change costumes in corridors and stairwells. ... Drafts which make people wear coats during performances. ... an entrance foyer that is more basic that the simplest of country cafĂŠs. ... narrow and twisting corridors with low ceilings. ... with heavy wooden doors. ... makeshift cloakrooms set up in odd corners ...

A THOUGHT FOR THE „CAPUCINS ” „...It replaces the revered room in rue des Capucins, to which we nevertheless owe some affection. It had been opened on 15 February 1869 in the presence of Prince Henri and Princess Amélie following bitter controversy over the designation of the disused church of the convent of the Capucins friars.” Speech by Pierre Werner on the occasion of the inauguration of the Grand-Théâtre.

A FEW REMARKS ...a few remarks regarding the problem of the city theatre, such as it is seen today...

ASPIRATIONS © E. Kutter, Photothèque de la Ville de Luxembourg

CULTURAL ENTERTAINMENT 21 May 1958 Cultural entertainment for the whole country... and in particular for civil servants of CECA.

POPULAR THEATRE © La Revue, photo M. Tockert

EUROVISION SONG CONTEST 1973 7 April 1973 22:00

The 18th edition of the Eurovision Song Contest took place on the stage of the „Grand Théâtre” of the City of Luxembourg

1973 EUROVISION WINNER 7 April 1973 22:00

Anne-Marie David wins ¿rst prize with her song „You’ll recognise yourself”.

EVENING BALL AT THE „GRAND THEATRE” © E. Kutter, Photothèque de la Ville de Luxembourg

NATIONAL EVENTS 21 May 1958 Handed over to the Government to organise national events, conferences, receptions...

POPE JOHN PAUL II 15 May 1985 9:00 Arrival of Pope John Paul II at Luxembourg airport.

POPE JOHN PAUL II 15 May 1985 16:00

Signing of the town’s golden book and reception in the entrance foyer of the „Grand Théâtre”.

POPE JOHN PAUL II 16 May 1985 13:00

High Mass celebrated on the Glacis car park outside the „Grand Théâtre”.

POPE JEAN PAUL II 16 May 1985 10:00

„Morgengebet” on the stage of the main hall of the theatre.

QUEEN ELIZABETH II

9 November 1976 Her Majesty Queen Elizabeth II and HRH the Duke of Edinburgh and the family of the Grand-Duke of Luxembourg.

BANQUET FOR QUEEN ELIZABETH II 9 November 1976 20:00

The queen brought over her famous golden dinner service, gift from a Russian tsar, and also all the table decoration: candlesticks, vases, tablecloths…

QUEEN ELIZABETH II’S GOLDEN DINNER SERVICE © La Revue, photo M. Tockert

9 November 1976 23:00 The doors to the rooms where these valuable objects are placed are guarded night and day by members of the armed forces.

12 March 1981

QUEEN BEATRIX OF NETHERLANDS

10 July 1980

KING JUAN CARLOS AND QUEEN SOPHIE OF SPAIN

16 July 1966

THE HONORABLE HABIB BOURGUIBA President of the Republic of Tunisia

15 July 1975

THE HONORABLE RUDOLF KIRCHSCHLÄGER President of the Republic of Austria

27 April 1971

THE VERY HONORABLE ROLAND MICHENER Canadian Governor and his wife

7 July 1971

QUEEN JULIANA OF THE NETHERLANDS

4 May 1972

THE HONORABLE GEORGES POMPIDOU President of the French Republic

22 September 1983

KING CARL XVI GUSTAVE AND QUEEN SYLVIA OF SWEDEN

OUTSIDE

INSIDE

HISTORIC CENTRE

INSIDE OR OUTSIDE CITY CENTRE ?

THEATRE OUTSIDE CITY CENTRE Intense debate about the building of the new theatre outside the historic centre.

NEW PLACE 2 SOLUTIONS

THE SHOPKEEPERS AGAINST let’s protest... vehemently...transfer... city theatre...outside... the town centre © Archives de la Ville de Luxembourg

AGAINST

THE ACTORS FOR © Archives de la Ville de Luxembourg

FOR

ÂŠ Archives de la Ville de Luxembourg

FOR

THE ARCHITECTS FOR

FOR

ÂŠ Archives de la Ville de Luxembourg

TRANSFORMATION PROJECT

looking for an architect

1951 PRELIMINARY DRAFT FOR THE EXPANSION OF THEATRE Michel Wolf and Arthur Thill

TRANSFORMATION OF THE KUTTER VILLA 1942 Arthur Thill

THEÂTRE DES CAPUCINS ©Photothèque de la Ville de Luxembourg

SKETCH OF A NEW THEATRE © Archives de la Ville de Luxembourg

1936 PROJECT OF A NEW THEATRE Project of a new theatre, unobstructed on all sides, with a scenery room, workshop and room for 800-1000 people.

PROJECT 1936 CONSTRUCTION ON THE SQUARE

PROJECT 1941 TRANSFORMATION

1941 TRANSFORMATION PROJECT © Archives de la Ville de Luxembourg

Architect Jean Lammar Transformation project for the „Capucins theatre”

GERMAN OCCUPATION

1942 PROJECT FOR A NEW THEATRE II © Musée d’Histoire de la Ville de Luxembourg, photo Christof Weber

Architect Dr.ing.Hentrich and Heuser Convict Parc

SITE

The town requests from the Government the use of

THE GROUND BEHIND THE PESCATORE FOUNDATION.

EXCHANGE Sale on 29 March, 1940 The state has agreed to give the town, in part-exchange, the land behind the J.-P. Pescatore institution and which was originally intended for the building of the new secondary school.

NEW SITE FOR THE SECONDARY SCHOOL „The acquisition by the state had been motivated by the plan to build the new secondary school, for which the various construction proposals had so roused pre-war public opinion. The increase in the numbers of pupils and modern ideas regarding the building of schools led the Government in the mid-¿fties to ¿nd another site for the secondary school.” Speech by Pierre Werner at the inauguration of the „Grand Théâtre”.

1938 COMPETITION FOR THE NEW SECONDARY SCHOOL Award-winning architect H.Schumacher Award-winning project © Archives Nationales de Luxembourg, Administration des Bâtiments Publics

HUBERT SCHUMACHER 1896-1961

1964 COMPETITION FOR THE NEW SECONDARY SCHOOL © E. Kutter, Photothèque de la Ville de Luxembourg

Award-winning architect Schmit-Noesen

2014 ENERGY-EFFICIENT RENOVATION ©Tageblatt

TEMPORARY TRANSFER ©Tageblatt

INTERNATIONAL COMPETITION

UIA ORGANISERS

OPENING THE PUBLIC PROJECTS TO FOREIGNERS You had to be naĂŻve to think that a foreigner even remotely capable would agree to undergo the humiliating test that a competition for anyone over thirty represents. A foreign architect will carry off the prize in all probability! ÂŠ Archives de la Ville de Luxembourg

INTERNATIONAL COMPETITION © L’apogée des concours d’architecture, Aymone Nicolas

List of competitions submitted to the UIA 1956-1959

PARTICIPANTS

RULES OF THE COMPETITION

LIST OF PARTICIPANTS © Archives de la Ville de Luxembourg

INVITED ARCHITECTS

NATIONAL ARCHITECTS

CHOICE OF INVITED ARCHITECTS Foreign architects are not allowed to compete alone, except for 8 named „guest participants”...from BENELUX countries and from our two large neighbours, France and Germany.

ASSOCIATIONS ... contact an architect from Luxembourg seeking to go into partnership with foreign specialists...

PAUL NIEPOORT Architect, Copenhagen

ÂŠ Archives de la Ville de Luxembourg

request to take part in the competition

ANDRE JACQMAIN ÂŠ Archives de la Ville de Luxembourg

Architect, Brussels request for participation in the competition

LUCIEN DUBOIS Architect, Geneva

ÂŠ Archives de la Ville de Luxembourg

request to take part in the competition

ATBAT „L’ATELIER DES BATISSEURS”

V. BODIANSKY

EXPO 58 ÂŠ Archives David Liaudet

MEETINGS

Prouvé, Gillet, Maillet, Eiermann, the Grand Duchess, politicians...

FRENCH PAVILLON © Paris-Match, mai 1958, auteurs de l’article : Jean-Paul Penez et Jacques de Potier

Guillaume Gillet

GUILLAUME GILLET

DUTCH PAVILION Le Corbusier © Photothèque de la Ville de Luxembourg

GERMAN PAVILION Egon Eiermann

LUXEMBOURG PAVILION © Photothèque de la Ville de Luxembourg

André Maillet and Jean Prouvé

JURY

MEMBERS OF THE JURY

J.J.P OUD J.TSCHUMI

H.BECK

G.REUTER

W. KALLMORGEN

H.SCHUMACHER

H.J Le MEME

V.ENGELS

WERNER KALLMORGEN

Kaiserhรถft 1962-1966

Elbphilarmonie 2014 HAMBURG

PARTICIPATION OF J.J.P OUD ARCHITECT ÂŠ Archives de la Ville de Luxembourg

...I would have great pleasure in being available during June 1959 to be part of your jury...

J.J.P OUD

DR J.J.P OUD 1890 - 1963

DEATH OF PROFESSOR BARTNING

J.MEYER Actor, director and ¿lm director. „Comédie française” 1914-2003

J.TSCHUMI ARCHITECT

HOTELS... © Christian Aschman, Lëtzebuerg Moderne, Edition Maison Moderne. 2013

CIGARS...

AGENDA OF THE JURY 10:00 11:00 13:00 14:30 19:00

visit of the site 1st work session cold buffet 2nd work session dinner at the AIRFIELD restaurant 22:00 Luxembourg by night

FINAL CONSIDERATIONS The jury congratulates the Luxembourg authorities for having organised this competition on an international scale. 22:00 Luxembourg by night

RESULTS

1ST PRIZE Architect Alain Bourbonnais Paris

1ST PRIZE

2ND PRIZE Architects Jean Lammar, Luxembourg François Mayer and Gérard Benoit, Paris

3RD PRIZE Architects Pierre Gilbert, Luxembourg, Florian Vischer et Georges Weber, Basle

4TH PRIZE Architects Pierre Guillaume Gillet, Paris, René Mailliet, Luxembourg, Jean Prouvé

GUILLAUME GILLET IN VALENCIENNES ...asks to be able to use our project to build a theatre in Valenciennes...

AGREEMENT IF IT IS NOT A COPY

GUILLAUME GILLET

LUXEMBOURG PROJECT

VALENCIENNES PROJECT

GERARD WEBER National Theatre Mannheim 1957

MENTION Professor Gerhard Weber, BDA architect, Oberallmannshausen

MENTION Laurent Schmit, architect DPLG Luxembourg Nicolas Schmit-Noesen architect DPLG Luxembourg

MENTION Léonard Knaff, architect DPLG, Luxembourg

MENTION Prof. Egon Eiermann, Karlsruhe

DISAPPOINTMENT Professor Egon Eiermann

BERLIN ERNST-REUTER-PLATZ

MENTION Bernard Weber architect, Luxembourg, Rudi Feltes architect, Luxembourg

INVITED Ernst + G端nther G.Huhn D端sseldorf

INVITED Er.B. Bijvoet Haarlem

INVITED Bureau ATBAT

INVITED Albert J. De Doncker and Robert P.Michiels, Brussels

EXHIBITION OF WINNING PROJECTS WINNER’S TELEGRAMME ... very warm and sincere congratulations...

1100 VISITORS

PERFECT ORGANISATION An event organised in the highceilinged and bright village hall in Bonnevoie, late afternoon on Friday. The public were invited to sample a delicate delicious local wine and tasty sandwiches that the kind, likeable caretaker of the town hall took it upon himself to serve to the guests extremely well.

VISIT OF THE MODEL BY PRINCE FELIX 30 November 1959

ARCHITECT

ALAIN BOURBONNAIS The architect in a „Turbulé ” costume. © Edition „La Fabulosie” Dicy-Yonne

DEPARTURE Thursday 10 November 2013 The name of Monsieur Alain Bourbonnais makes you think of an amazing place called „La Fabuloserie”. I read from the website that it would refer to the architect’s country home in Burgundy, a house he allegedly transformed into a temple of Art Brut with the help of his wife Caroline. Coincidence, I will cross Burgundy the next day.

THE LUXEMBOURG FILE

MEETING Friday 11 November 2013 Armistice Day. Journey via Dicy, on the edge of Burgundy. Finding „La Fabuloserie” and meeting with Caroline Bourbonnais, wife of the architect Alain Bourbonnais.

„LA FABULOSERIE“

„La Fabuloserie” is an indescribable world, a meeting of exquisite objects and of elegance: lace, random collations of wood and iron.

The architect in the midst of his â&#x20AC;&#x17E;Turbulentsâ&#x20AC;?

1965 ST-CLOUD CHURCH

1969 TRAIN STATION NATION - PARIS

1963 CAEN THEATRE

JOSEPH LEYDENBACHâ&#x20AC;&#x2122;S VILLA Alain Bourbonnais stayed for two years in Luxembourg. Monsieur Leydenbach, president of the International Bank in Luxembourg, contacted him to build his villa.

NINI Caroline and Alain never returned to Luxembourg after their hurried departure in the autumn of 62. They did not see the Âżnished theatre, only a few kindly glimpses from a mysterious Nini allowed them to believe in the projectâ&#x20AC;&#x2122;s success.

YOUR LETTER OF 17 MAY IS A RED ROSE FOR ME!

CONSTRUCTION

EXECUTION PLAN ÂŠ Archives de la Ville de Luxembourg

ÂŠ Archives de la Ville de Luxembourg

FACADE

ÂŠ Archives de la Ville de Luxembourg

TRADITIONAL? „The College of Aldermen has certain concerns regarding the durability of the prefabricated sections ...it asks you to look for a more traditional way of building... material of tested durability...in this ¿eld natural stone seems to offer more guarantees.” © T. Mey, Photothèque de la Ville de Luxembourg

OR PREFABRICATED? „I cannot yet see any reason to review the problem of the fronts of the buildings ... allow me to build prototypes that will be assessed.”

PREFABRICATED SECTIONS © T. Mey, Photothèque de la Ville de Luxembourg

A. BOURBONNAIS

CHOICE OF CEILINGS

REPORT N° 33 „In his of¿cial report dated 04.08.1962 had asked the architect to suggest several foreign ¿rms to him...Notes that until now this has not been followed up... remind the architect of the urgent nature of this matter...”

STUDY TRIPS TO GERMANY The working group ceiling.

in search of a modern ÂŠ Archives de la Ville de Luxembourg

DEUTSCHE BANK FRANKFURT Ceilings retained by the working group ÂŠ Archives de la Ville de Luxembourg

A. BOURBONNAIS „... I wanted to have ceiling vaults in the entrance foyer and it was then that people, wanting their stupid little pyramids stuck to the ceiling, turned up.” Interview D’Land, April 1964

CHOICE OF CHANDELIERS

PROPOSAL I

PROPOSAL II

PROPOSAL III

PROPOSAL IV

PROPOSAL V

PROPOSAL VI

PROPOSAL IIX

PROPOSAL X PROPOSAL VII

PROPOSAL IX

PROPOSAL XI

PROPOSAL XII

PROPOSAL XIII

PROPOSAL XIV

CHOICE OF DIAMONDS

MADE IN AUSTRIA

FINAL CHOICE

WORKSITE REPORT EXTRACT

REPORT N° 30 „In his of¿cial report of 04 August 1962 had asked the architect to suggest several foreign ¿rms to him….Notes that until now this has not been followed up.. remind the architect of the urgent nature of this matter...”

REPORT N° 33 „In his of¿cial report dated 04 August 1962 had asked the architect to suggest several foreign ¿rms to him….Notes that until now this has not been followed up... remind the architect of the urgent nature of this matter...”

REPORT N° 31 „Notes that for some time now the Bourbonnais Agency in avenue Pasteur employs no more than two technicians which is obviously not matched to the scale of the task to be currently carried out...”

REPORT N° 34 19 September 1962 „...Organisation of a second submission for the decorative lighting...”

REPORT N° 50 REPORT N° 48 05 October 1962 „Hears Monsieur Bourbonnais explain that the ¿rm FIBROCIT of Brussels has just created a prototype for a seat for the main hall, according to his speci¿cations. A prototype that the architect will inspect very soon when he travels to Brussels.”

11 October 1962 „Hears Monsieur Bourbonnais revealing that he intends to have made as soon as possible a scale model specially focusing on the material and color layouts of the entrance foyer; that, as from now, he thinks that the main color of the whole building should be white...”

REPORT N° 53

REPORT N° 59

19 October 1962

4 December 1962

„Considering that, as a result of a letter dated 18.10.62 from the ¿rm FIBROCIT of Brussels, the architect, having viewed on site a prototype built to his speci¿cations, chose a different model made up of another prototype that FIBROCIT had under construction...”

„Thinks that there is good reason to ditch the proposal of Monsieur Bourbonnais aiming at creating a new model of a chair for the main hall and that we should limit the choice to good quality yet up-todate models...that are, of course, very comfortable...”

REPORT N° 60

REPORT N° 61

4 December 1962 „Believes that the only solution that will still allow the main hall to be completed before the deadline and that will thus allow the inauguration to take place during 1963 would comprise of putting a highly specialised ¿rm, such as the Coene company of Courtrai, in charge of completing the layout and decoration...”

4 December 1962 „Besides he remembers that for reasons of simpli¿cation and to avoid possible complications it would be preferable not to base oneself on elements (drafts, sketches…) drawn up for certain sections by the Bourbonnais agency...”

CONFLICT WITH THE PROJECT TEAM

ARCHITECT ON THE RUN

LUXEMBOURG, AUTUMN 62 The tension between the working group and the architect had reached its breaking point. The situation had become untenable. On the evening before 1 November, Alain Bourbonnais, Caroline and their associates loaded all the plans for the completion of the „Grand Théâtre” project into the boot of their car.

At nightfall they fled Luxembourg. Caroline describes to me, still trembling, crossing the border, butterÀies in her stomach, and also the great “beanfeast” that ensued early in the morning on arrival in Paris.

„The secretary... asked in the entrance foyer for some coffers with gilded mouldings in the entrance foyer: Poor man!... So the arguments came back ¿ercer and ¿ercer and I was taken over by suggestions from engineers, they wanted to cover three sides of the pillars with marble and one side with mirrors so that the ladies could gaze at themselves. All that, in my view,

has no place in a modern building.” A. Bourbonnais

„...for the pastel colors used instead of the natural materials that I wanted, for the chandeliers that replaced the indirect lighting, for all that

I don’t feel responsible.” A. Bourbonnais

AMAZEMENT IN LUXEMBOURG ! â&#x20AC;&#x17E;So what has happened, would to God, has happened. Monsieur Bourbonnais lost patience and, certain that art can ignore boundaries, he disappeared and ran off to the French capital. Fine example of internationalism!â&#x20AC;?

FAREWELL SONG TO BOURBONNAIS Review Extract 1963

It’s sad but true, How it’s sad, so sad Oh, how it’s sad He’s cleared off Bourbo…Bourbon…Bourbonnais The town had a dog Found him abroad He got the ¿rst prize He was from Paris Chorus

The town thought This little dog will guard your new building very well Because dogs are loyal God knows why Those town dogs squabbled Because of the sausage With that foreign dog Chorus

The stranger said Now there is nobody who grumbles in this building Everything goes by me or I bear my teeth Our dogs all barked as you are annoyed at shit When you think you have let the sausage escape Chorus Every dog in town Scrapped with him The foreigner was all alone There were lots of us

SATURDAY 3 NOVEMBER 1962 8:00 The mail contains a letter from Bourbonnais dated 31 October 1962, terminating the contract as an architect and giving notice of the closure of the Luxembourg Agency from 1 November 1962.

12:00 Messieurs S., B. and R. go to the local Bourbonnais ofÂżce to see it closed.

SUNDAY 4 DECEMBER 1962 18:00 Discussions on the measures needed

20:00 Messieurs S and B return to the agency and contact an associate of the architect, Monsieur M. who lives in this house with his family. The result of the following interview shows that Monsieur Bourbonnais has emptied the premises during the days off and has taken all the plans, documents and models, partly in his private car, partly in a van with a French number plate. The result of information gleaned later shows that this van was left at Longwy.

5 NOVEMBER 1962 Report by bailiffâ&#x20AC;&#x2122;s writ, drawn up by Madame J.J.H on 5 November 1962 which ensures that the Bourbonnais Agency is closed. Local enquiry by the Police ViceCommissioner

FILE RETURNED

RESUMPTION OF NEGOTIATIONS Wednesday 7 November 1962 Letter from Bourbonnais in which he states his readiness to resume talks.

ITEMS RECEIVED Tuesday 15 January 1963

File N째11

File N째1

File N째4

File N째13

ITEMS RECEIVED Tuesday 16 January 1963

File N째6

File N째5

File N째2

File N째3

File N째4

File N째7

File N째10

File N째14

COMPLETION

CHOICE OF CARPET

GRAND DUCAL LOGE

ETERNIT BUSINESS ... a briefcase as a gift from the 多rm

ETERNIT

FRANZ KINNEN LOOKS FOR A BOARD 35 X 2,5M TO REST HIS STAINED GLASS WINDOW

©La Revue

THE INVITATION

GRANDE DUCHESSE CHARLOTTE

INAUGURATION WHERE IS THE ARCHITECT?

ACT I â&#x20AC;&#x17E;..I am extremely surprised not to have received an invitation yetâ&#x20AC;?

ACT II „...sending things as attachments…doesn’t fall within our remit...”

ACT III â&#x20AC;&#x17E;...the circumstances surrounding your precipitated departure from Luxembourg do not allow us to invite you to these celebrations...â&#x20AC;?

©La Revue

1964 INAUGURATION

GRANDE DUCHESSE CHARLOTTE

Deputy mayor

â&#x20AC;&#x153;It is a gallery given over to mirrors fashioned in the style of the 20th century. Tonight in this huge hall the two large central chandeliers, the Âżtted spotlights and the wall lights are shining brightly. On the ceiling, following the huge vista, there is a show of dancing light and shadow on the white diamond-shaped forms of the ceiling. We blissfully lose ourselves in this splendid space that so widely opens up before us. We others from Luxembourg are not yet accustomed to its vastness here. We breathe deeply and we can look way into the distanceâ&#x20AC;?

SPEECH BY MARCEL FISCHBACH

SPEECH BY PIERRE WERNER Prime Minister „It is widely recognised that the moral and cultural consciousness of a civilisation is best reÀected in its theatre... It is beneath the emblem of dramatic art that this palace has been planned and justi¿ed... We must make this palace of the millennium a centre of good things and intelligence.”

DISPLAY BY MAURICE BEJART

BOLERO BY RAVEL

©La Revue

INAUGURATION R E T A E H T NEW

GRANDE DUCHESSE CHARLOTTE

2014 50TH ANNIVERSARY

ISBN 978-2-919906-21-5

MODERNITY - LOVED, HATED OR IGNORED?

INVESTIGATION # 5