BARE
MINIMUM
BEAUTY IN ITS MOST NATURAL STATE
CLOTHED IN IDENTITY
KEEPING UP with the CRAWFORDS
NATIVE
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contents
Fall 2015 8
Made UP: Beyond the Roots
20
Fashion on Repeat
22
Man Code — J Crew U: A Shift of Expression
26
Clothed in Identity
36
Native is
48
We the People
52
Keeping Up With the Crawfords
70
We Dare You
34 3 | Fall 2015
staff list Editor-in-Chief Kelly Higginson
Creative Director Danielle Schaefer
Publisher
Francesca Peck
Photo Editor
Tiffany Visconti
Fashion Director
Karolina Ulasevich
Copy Editor Jenny Henderson
Marketing Director Brittany Czodli Claire Markley
Web Editor
Elizabeth Glover
Blog Editors
Blair Donovan Madelaine Wood
Event Planning Coordinators Jenna Mrocko Jessie Wolfe
Street Style Photographer Annie Aldrich Faculty Advisor Annie-Laurie Blair Finance Advisor Drew Davis Founders | 2008 Lauren Kelly Kelly Phelan
4 | Fall 2015
Writers Abbey Gingras Angela Hatcher Chase Bailey Liz O’Loughlin Emily Williams Emmy Silverman Francesca Peck Haley Jena Kev O’Hara Mary Schrott Molly Nicholas Olivia Lewis Phoebe Myers Sam Forsthoefel Adler Smith here Madysen George Nisa Muhammad Vivian Drury Ab Luther Layout Designers Mikayla Zancanelli Katharine Stodghill Morgan Lawrence Sara Meurer Maggie Suter Audrey Hall Libby Swofford Becca Nissen Corinne Brown Samantha Brunn Photographers Alyssa Sato David Malone Rob Donato Tiffany Visconti Francesca Peck Max Meals Shannon Pressler Kendall Erickson Olivia List Sydnie Reatherford Sidney Winzeler Leah Pentecost Edward Derrico Carder Gilbert Douglas Chan Event Planning Althea Perley Alexandra Standring Leah McCloud Coley Frommeyer Rachel Price Jessica Pembroke
Marketing Team Alaina Fliotsos Emily George Margot Dempsey Stephanie Dussias Katherine Ring Annie Lougheed Alexandra Bogut Colette Frommeyer Leah McCloud Caitlin Roth Ali McCann Rachel Steed Gabriela Meissner Ireland Bender Emily Carroll Brooke Bogucki-Figler Jessica Petersen Bloggers Chase Bailey Abbey Gingras Abby Cunningham Vivian Drury Liz Glover Tori Levy Hannah Wegman Angela Glover Allie Eames Megan Ashdown Azdaan Muqtadir Maddie Clark Tyler Aberle Sarah Jako Claire Vaughn Nina Franco Kat Holleran Madelyn Hopkins Pooja Ramchandari Kaylee Spahr Bella Douglas Nellie Given Hannah Blaze Allie Palm Megan Stapleton Stylists Josie Dondanville Coquise Frost Sofia Bazianos Scott Zhao Nikki Gundimeda Lily Sloan Ryan Steffen Erica How Gloria Zhu
editor’s letter Dear Readers, Back in August, our Publisher Francesca Peck and I sat at her dinner table in Minneapolis, Minnesota without any idea of how to start an issue from a blank page. We conjured up a list of words that we felt embodied certain trends that we had been noticing: natural, expressive, original, authentic, bare, organic, etc. And we did as all college students do- looked to the internet in hopes of finding one word that would encapsulate our fall issue. One of the first words the computer spat out at us was Native. Fran and I looked at each other, and an idea was born. In this issue, we honor a group of exceptionally eclectic individuals at a university with notoriously low diversity. We honor the idea that “less is more,” we honor the road less traveled, we honor being native to yourself. In a society where there is constant uncertainty: who to vote for, what to Instagram, what career to pursue, we wanted to make our readers certain of one thing- your authentic self is your best self. Humbling, powerful, and chilling, Sam Forsthoefel beautifully tributes Carol Hamoy’s art exhibit Welcome to America.
at the Miami University Art Museum. Engage in this cultural exhibition on page 26. Four ambitious Miami women talk about how they stay authentic and honor their heritage on campus. Be inspired by their refreshing outlooks on page 36. Senior Blog Editor, Blair Donovan talks with one of the coolest new people on campus, Renate Crawford, learn about Miami’s first lady on page 52. Remember your favorite pair of rainbow socks from your childhood? Bring them back to college for a playful and bold look. Styled by new UP staffer Josie Dondaville and photographed by Junho Moon, this photo editorial on page 62 is one of our favorite spreads and will inspire you to pair unlikely items this fall. To the amazing editorial team that graduated last spring- we miss you, and thank you for teaching us your ways… your shoes were so large to fill. And to the loyal members of our UP family and our 40 new UP hires- thank you for believing in this idea and taking the challenge of this crazy theme that we knew would be daunting, but nonetheless amazing because of all of your hard, meticulous work. Whatever we are all able to achieve during this year at Miami, let’s make sure to be authentic along the way. That’s why the staff of UP landed on the word Native for this issue in the first place—to help celebrate the diverse individuals that make Miami the refined, celebrated, unique campus that it is. Celebrate your genuine, native self. We think it’s pretty cool. Much UP love, Kelly Higginson Editor-in-Chief
upfashionmag@gmail.com Printer: RR Donnelley
5 | Fall 2015
na tive •
/nÄ div/ (adj) (of a quality) belonging to a person’s character from birth rather than acquired; intuitive, authentic, natural
6 | Fall 2015
7 | Fall 2015
MADE
UP Beyond the Roots
written by Angela Hatcher
styled by Josie Dondaville photographed by Shannon Pressler Model: Akosua Boadi-Agyemang 8 | Fall 2015
P
ossibly the most popular hairstyle on campus among the African and AfricanAmerican communities is braids — simple, yet incredibly chic and easy to maintain. Likewise, Miami sophomore Akosua BoadiAgyemang has hair that anyone would be jealous of. Her long, thick braids swing low on her waist and with every step she takes. People always tell her how jealous they are of her hair—how tight and sleek her braids are. Sophomore Blessing Famule’s braids are just as flawless in their own way, receiving compliments everyday on her walk to class. Everyone wants to know what her secret is. Blessing owns her hair, just like Boadi-Agyemang. The best part about their hair? Versatility. Famule and Boadi-Agyemang, proud African women who are the definition of #BlackGirlMagic, can rock it all: Afro, braids, cornrows, weaves, crotchet braids, twists, twist outs and completely natural. But with cornrows, french braids and dutch braids becoming an increasingly popular trend, spearheaded by fashion gurus like Kylie Jenner and Cara Delevingne, a culturally significant norm is increasingly becoming a trend. Kylie Jenner, nicknamed “King Kylie”, has widely expressed her appreciation for this beauty trend on her social media outlets with the caption, “feeling so African.”
BUT ‘AFRICAN’ ISN’T A FEELING, IT’S A CULTURE, AND BRAIDS ARE AT THE FOREFRONT OF FEMININE, AFRICAN CULTURAL AND HISTORICAL SYMBOLS.
Braiding is sacred, both a ritual and social service. Women would gather and braid each other’s hair without expectation of payment, but simply to bond and be with one another. It is a form of art and expression. It is history that you can wear. It is authentic. While white women, celebrities and average Joes alike are embracing the braiding trend with a simple four-step process: brush, braid and bind it all together and hope the look holds all day. For Boadi-Agyemang and so many others, it’s not that simple. “FOR MY BRAIDS I GET THEM DONE IN BOTSWANA. I GOT LAST YEAR’S BEFORE COMING TO SCHOOL AND THIS YEAR I GOT THEM DONE BEFORE COMING BACK,” SAID BOADI-AGYEMANG. Native to Botswana and the daughter of a salon owner, she was raised watching the techniques required for braiding and how to work with different hair textures. The nearest salon that Boadi-Agyemang and Famule can go to that will braid their hair (and get it right) is nearly an hour away in downtown Cincinnati. They rely on each other. “I have Mary [Ojerinde] and Blessing [Famule] who do it,” she said of her two best friends who are always willing to help out with her hair needs. Braids are not just a trend for Boadi-Agyemang, Famule, Ojerinde and the beautiful black women on Miami’s campus — the beautiful black women who sport these braids on a day-to-day basis. It’s a lifestyle that is rooted in much more—literally.
The history of braids traces back to the roots of African culture, with tribes like the Zulu of South Africa and the Maasai of East Africa using braid patterns to indicate social position, religion, power and marital status.
“I’VE BEEN DOING BRAIDS SO LONG … IT’S PART OF WHO I AM.”
9 | Fall 2015
SHAPE
UP Rooted:
Mind, Body & Soul
written by Molly Nicholas
photographed by Carder Gilbert 10 | Fall 2015
our vibe attracts your tribe”. This mantra is scrawled all over the red brick wall in Oxford’s Root Yoga Studio. A natural, wooden door opens into a dim studio lit only with candles that line the untouched brick walls. The instructor hands you a card inscribed with quotes of encouragement so you can set intention for your practice. The aroma from lit incense is in the air and the warmth opens your body as you sweat out the toxicity of the day during Hot Power Vinyasa class.
Y
Although she doesn’t teach restorative yoga, she sees the importance in taking the classes herself as often as she can.
Root Yoga is a local studio in uptown Oxford that offers many classes from sweaty, hot yoga to restorative, spiritual yoga.
“Bringing awareness to your breath is something everyone could use and restorative yoga gives you the opportunity to do that.”
The Power Flow Class is Vinyasa Yoga, an exercise where focused breathing synchronizes with movement, intending to “bring an inner aliveness into your body, mind and spirit,” according to the Root Yoga website. Vinyasa routines are more vigorous than the Restorative Yoga classes, providing a challenge while remedying the stress building up in your body.
This positive impact of controlling your breathing and relaxing the body has been looked at by The American Psychological Association. It points out on its website that yoga can help a person’s mental health because it “enhances resilience and improves mind-body awareness, which can help people adjust their behaviors based on the feelings they’re experiencing in their bodies.”
The Restorative Yoga Class reduces stress in a less challenging way. It uses fewer postures, breathing exercises and guided relaxation.
Laura Dziubyk, a junior at Miami, says Root Yoga’s classes have helped reduce stress levels in her life. She has been practicing there since the studio opened. Dziubka prefers the heated classes, for advanced students, because they sweat out her stress and toxins naturally.
RESTORATIVE YOGA IS, IN ROOT’S WORDS, “INTENDED TO SUPPORT A HEALTHY NERVOUS SYSTEM AND RELEASE DEEPLY HELD TENSIONS FROM THE BODY AND MIND.” Miami sophomore Paige Dewitt got involved as an instructor at Root Yoga in January of this year. “Connecting myself with Root Yoga only reassured me that Miami is the place or me, and it still does that every time I walk into the studio,” Dewitt said. “When I walk in, I get instantly relaxed. I smell incense burning and get a feeling of connection with the Root Yoga community.” Through her classes, Dewitt hopes to provide her students with relaxation on and off the mat. “I try to give my students a class filled with breath and freedom and that is where the natural healing comes in. It is my job as a teacher to try to teach students how to find comfort in poses of extreme discomfort, so that they can learn to find that in their lives off the mat,” Dewitt said.
“IT IS SO HARD TO FIND COMPLETE STILLNESS IN YOUR EVERYDAY LIFE NOWADAYS. THIS ALLOWS YOU TO GET INTO A DEEP, PERSONAL STATE OF MIND,” DEWITT SAID.
“Yoga is 100% a mental healer,” Dziubyk said. “I WILL GO INTO YOGA SUPER STRESSED OR ANXIOUS AND I COME OUT AS A RELAXED AND HAPPIER PERSON. I BREATHE OUT ALL THE NEGATIVES AND BREATH IN POSITIVES, AND WITH A HAPPY MIND, YOU HAVE A HAPPY BODY.” A drop-in class for students costs $15, but Root also offers a variety of packages if you want more. More information on pricing and class schedule can be found on their website at http://www. RootYogaOxford.com. As you end a class at Root Yoga, the instructor tells you to “breath in your happiness” and “breath out the darkness.” Laying in the final Savasana (Corpse Pose), the instructor comes around and massages your shoulders, leaving you with the scent of peppermint oil. Releasing any final tensions, you take in one final deep breath and say “Namaste.”
11 | Fall 2015
EAT
UP A Taste of Home
written by Abbey Gingras
12 | Fall 2015
photographed by Douglas Chan
F
or the past eight years, Holly Taylor has dedicated her life to her namesake restaurant 15 minutes from Oxford in College Corner, Indiana. It’s a no-frills business; don’t bother looking for cloth napkins on the table or a curated restuarant Instagram account. Holly’s Homestyle Eats & Sweets doesn’t need flash or gimmicks, just happy customers. Holly, who owns the restaurant and cooks the food, uses family recipes passed down by her mother and grandmother. She never studied cooking, but learned by watching and repeating — something her staff now does with her. “I don’t measure ingredients. It’s a pinch of this or a handful of that,” she laughed. “You just have to watch and learn.” Her methods seem to be working, judging by the full-house on weekend mornings. Holly also sells baked goods from the restaurant, usually an assortment of pies and cinnamon rolls. She mastered her knack for sweets by running the bakery at Oxford’s Wal-Mart. Although Holly’s is just outside of Oxford, down College Corner Pike and past Wal-Mart, the change of atmosphere is an immediate dose of comfort. It’s unlikely that the restaurant, with its “Faith, Hope and Love” wallpaper border dotted with happylooking sheep, would fit in Uptown surrounded by burger joints, greasy pizza and sports bars — and that’s why students love it.
“IT JUST HAS A NICE HOMETOWN FEEL RATHER THAN THE HUSTLE AND BUSTLE OF PATTERSON’S OR BOB EVANS,” SAID SENIOR KAITLYN FREDERICK, WHO HAS BEEN GOING TO HOLLY’S SINCE HER FRESHMAN YEAR. “I CHOOSE TO GO THERE RATHER THAN PLACES IN OXFORD.” For her homestyle food, Holly drives weekly to Restaurant Depot in Cincinnati and Oxford’s Wal-Mart to buy ingredients directly rather than having food delivered prepackaged to the restaurant. This allows her to keep her prices as low as possible.
“I won’t raise prices unless I have to. I just don’t believe in it,” Holly said. “I was raised on a tight budget, and I want people to be able to come and get a nice meal without worrying about money.” This benefits both College Corner residents and Miami University students, who fill tables and order catering from Holly’s regularly. “Every place in Oxford that’s open for breakfast is always packed,” Frederick said. “[Holly’s] food is amazing, and there’s never usually a long wait to be seated.” Each week, Holly goes through 400 pounds of potatoes and 120 dozen eggs. Everything on the menu is made from scratch, from the batter for the fried chicken to the rotating selection of pies. Holly refuses to do it any other way. “I grew up on a farm with chickens and eggs,” she said. “I DON’T WANT EGGS FROM A BAG. I WANT TO CRACK THEM. I CAN GET POTATOES THAT ARE ALREADY COOKED, BUT I WANT TO CUT THEM UP MYSELF. THAT’S COOKING.”
Holly’s piles on the home-cooked goodness in a restaurant that’s as friendly as they come. One time during an ice storm, it was the only place in town with electricity. Naturally, Holly made soup and coffee and invited all the neighbors inside. And it’s not just the locals that get Holly’s neighborly attitude — anyone that walks in is treated the same. Regular customers are known by name, and alumni come back to visit her and the restaurant just as frequently as they return for the charms of Oxford. After eight years, Holly’s business is doing better than ever. But whether she has one customer or 100, her focus has always been the same: “I JUST LIKE PEOPLE TO BE HAPPY AND HAVE A FULL BELLY.”
Her Sunday fried chicken dinner, served with mashed potatoes, vegetables and bread, costs just $6.96. Want pancakes? You can get three for less than $5. 13 | Fall 2015
The CLASSICS: FOREVER IN STYLE
styled by Lily Sloan photographed by Francesca Peck Model: Erica Grace Burnham 14 | Fall 2015
Back to Basics
15 | Fall 2015
16 | Fall 2015
Photo editorial 1
17 | Fall 2015
18 | Fall 2015
19 | Fall 2015
FASHION ON REPEAT HOW THE PAST DEFINES THE PRESENT AND FUTURE OF FASHION written by Francesca Peck
T
hey say history repeats itself—that there are recurring patterns in life and love and culture. They warn us to learn from the past. They tell us to be different and to be better. But due to lulls in modern fashion, the hunt for innovation and (fortunately) failed trends like Crocs and gauchos, many fashion enthusiasts find it’s best to stick to what we know, look to the past and repeat its history. Today’s fashion sneaker buzz, double-denim look and, my favorite, the sharply cut ass-kicking jumpsuit, are everywhere from editorial spreads of fashion magazines to the closets of Miami students. These breaking trends are at the height of today’s fashion, yet a sense of nostalgia hits when I slide on my brand-new denim skirt and Adidas sneakers. If you’ve experienced these
20 | Fall 2015
moments as I have, my answer for you is simple: you’ve probably worn this outfit before. Wonder why you feel an unwarranted déjà-vu as you slip into the latest, fresh off-the-runway looks? Isn’t it a bit strange how most of your bohemian Halloween costume was also your most recent music festival outfit? Well, believe it or not, today’s hottest trends, from the most fashion-forward designers and featured in international fashion weeks, were likely not only inspired by the fashion of past decades, but are quite literally the same looks; pattern, structure and all. You’ve put it on before, and you’ll likely wear it again; so set down your November issues of Vogue and ELLE, because the best guide to this fall’s leading trends are found in the history books. Here’s what they say:
“
As the counterculture movements and antiwar protests of the 1960s wound down, the “Me Decade” began. Men and women began focusing more on their personal well-being rather than shaping policy and fighting for social reform. Accordingly, individualism thrived—a theme reflected in 70s fashion. The comfort of the flower child look remained, while its trends developed an unfamiliar edge and subtle sexiness—loose tops dropped off-theshoulder, maxi skirts gained a side slit and casual sandals grew into platform heels. As women increasingly joined the workforce, menswear inspired looks, such as the tailored jumpsuit and women’s blazer, emerged. Tighter tops paired with flowy pants became wildly popular, women often dressing form-fitted tanks over widelegged bell-bottoms. Finally, denim-wear was no longer worn for practical use by laborers, but pants, jackets, skirts, tops, you name it, jumped to top of 70s fashion.
90s Unfortunately, many of these free-spirited looks died while neon fabrics and flashy designs took over the 80s’ fashion scene: knit legwarmers, power-shoulder jackets, metallic bodysuits and fluorescent leggings. But as we know, history repeats, former trends resurface and the relaxed style made its second go around in the 90s, which was a decade defined by minimalism. The easiness of platform shoes brought the look back on Americans’ feet and inspired casual sneakers as fashion statements. The comfort of widelegged pants brought this native 70s look back to life alongside several relaxing 90s staples: jogger athletic pants, plaid flannel tops and spaghetti strap swing dresses. And as any true Millennial knows, the decade was bursting with denim—anytime, anywhere. Some 16-years later, after another fashion forsaken era—studded belts, fishnet tops, trucker hats and the short-lived, but never forgotten, reign of Ed Hardy—all of these 70s (and then 90s) trends are back at it. This fall, women love to flaunt a little skin with off-the-shoulder tops, dresses and even swimwear. The only way to rock sweatpants are with a trendy pair of joggers and the all-denim-everything rage is back. But the reason these looks are taking yet another walk
These breaking trends are at the height of today’s fashion, yet a sense of nostalgia hits when I slide onmy brand new denim skirt and Adidas sneakers.
“
70s
down the runway isn’t so clear this time, other than acknowledging their history.
It may be the obvious appeal of these looks that we love: relaxed but flirty, natural yet edgy. Tight tops with loose bottoms are flattering on most body types, platform shoes are simply easier to walk in and just about any article of clothing looks great in denim. But this season, the core element driving these trends into today’s culture is history; that despite our parents’ oddly vague description of the 70s and the inevitable complaints we have over our frumpy 90s-child wardrobe, we get to relive the best of these times through its inherent fashion. We can celebrate another modern return of individualist, “Me Decade” attitudes and 90s minimalism. Trends native to these past decades are now our lookbooks, their genesis are our inspiration; and though it may be a few dozen years later, fall 2016 fashion has history to thank for its excellent taste in style.
21 | Fall 2015
MAN
CO D E J Crew U: A Shift of Expression written by Sam Hicks styled by Coquise Frost photographed by Ed Derrico Models: Tyler Aberle, Trey Buckingham, and Hannah Wagner 22 | Fall 2015
W
hen I stepped on campus for the first time in the fall of 2013, Miami still embodied the “J. Crew U” stereotype— an impression that overly enthusiastic high school seniors plastered all over the Class of 2017 Facebook page. While the student body was undeniably preppy, it felt unnatural; a kind of forced preppiness evident in the ubiquitous “Salty Dog Café” shirts worn by students who had likely never been to the Hilton Head restaurant, as well as the nonsensical Vineyard Vines shirts. Showy shirts aside, the preppy contingent seemed more the result of last minute trips to Polo Ralph Lauren made by outlets overeager freshmen than a natural extension of the student body’s personal style. While the pastel shorts and branded laptop sticker logos were congruous with the brick skeleton of Miami’s campus, they appeared in disharmony with the natural lifestyle of its students and the entire student body as a whole.
I see this sartorial shift as a combination of Miami men being more comfortable with straying from the preppy archetype that has typically dominated campus, as well as a stronger awareness of general fashion trends. In fact, the idea that this trend sprouted from the influence of upperclassmen becomes particularly poignant when considered in the context of professional growth. The majority of Miami students come from an upper-middle class, suburb-centric background, the likes of which has always had a propensity toward preppy clothes. This traditional style of dress is now being superseded by the evolving tastes of upperclassmen, who intern in large cities, where fashion progresses at a much faster pace than in the suburbs. After getting this exposure and adopting these styles over the summer, juniors and seniors return to campus in the fall, emulated by the younger classes.
“ While the student body was undeniably “unnatural. preppy, it felt Perhaps this was a product of the confidence inherent to being an upperclassmen, or a common progression for college students from a wealthy background—I’m neither worldly nor wise enough to know—but there has been a noticeable bifurcation from this unwritten Miami dress code in recent years. Miami has, somehow, become fashion forward.
Patrick Caufield, a sophomore student, acknowledges being introduced to modern men’s styles such as athleisure through his upperclassmen friends.
This shift in paradigm is most evident in the clothes of the male student body. While Brick Street used to be a bastion of khakis and button-downs, you are now much more likely to see modern trends, such as athleisure. Comfortable, athletics-oriented clothes have proliferated among the male student body at an impressive rate, and it has become impossible not to notice that these brands are now in the majority at uptown bars. Often, an athletic shirt from brands like Adidas, Kit and Ace or Under Armour, is paired with more traditional bar-wear like jeans or khakis; this has become the new norm.
As I prepare to leave Miami at the end of the academic year, it’s impossible to overlook the vast shift in the increasing diversity of the student body, both in background and in personal style. This is not a new form of conformity, but evidence that Miami’s student body has become willing to express itself— and this preppiness that once appeared unnatural has transformed into authentic Miami style.
“I’ve always thought of Lululemon as a girl’s brand until some of my older friends introduced me to it. Now I’m hooked,” says Caufield.
23 | Fall 2015
With the shifting of seasons and changing of wardrobes, everybody cherishes that one staple item in their closet that they can always trust. Four of UP’s trusty Staff Writers touch on their favorite fall items. ADLER SMITH
HALEY JENA
If you ask me what I love most about fall, I would give you the most cliché, sappy response of all time; the cool weather, the leaves turning brown, the smell of a bonfire after a high school football game would all be things I would tell you, doubtlessly earning an eyeroll from anyone within an earshot of me. But there is one item on my list that would catch your attention: plaid flannel shirts. This piece of clothing is my go-to almost everyday during the fall. Whether I’m going to class or out to a party, I always know I’m going to look great in my plaid flannel shirt.
The first chilly day of the fall season resembles Christmas morning to me. I tiptoe over to my closet, pry open the door and snatch up my beloved leather boots. Zipping them on, the casual sweater and skinny jeans I’m wearing are immediately upgraded, giving the outfit a (literal) leg up. Specifically, my buttery, brocade mahogany boots are the staple of my fall fashion apparel. A rather simple wardrobe component but the quintessential symbol for autumn classiness, riding boots pair perfectly with my lifestyle (and I’m guessing yours, too!).
Now, the key to looking good is choosing the color. My rule is that the piece must have the same amount of warm colors as cold colors. The best plaid designs always have a good balance of warm and cold colors, giving the shirt character while remaining classic, giving you that perfect, relaxed look. Plaid flannels are the perfect staple that allow you to seamlessly layer your outfit. Wearing a flannel over a sweater or sweatshirt gives you that comfortable feeling while still looking fashionable. That’s why, for this fall, it is a necessity to have a good-looking plaid flannel shirt in your closet.
Leather boots are excellent for a countless mixmatch of styles. A classic black leather riding boot creates a polished look when worn with tights and a skirt or dress. A shiny new pair of Fryes instantaneously improves a pair of jeans or leggings. Additionally, the shoes flatter each body type and are offered in a variety of colors, prices and styles.
24 | Fall 2015
And the best part is their versatility — I can’t think of a place where I couldn’t wear them. From going out to walking to class, riding boots are my go-to fall staple and have blessed my wardrobe for the better. I’m already dreading saying goodbye to them come springtime.
styled by Kelly Higginson photographed by Kelly Higginson Model: Catherine Plasket
MOLLY NICHOLAS
MADYSEN GEORGE
For me, fall means warmth in the midst of newly chilly weather. There is warmth to be found in every aspect of the season: hot apple cider, cozy layers of sweaters and the warm color palette of fallen leaves. There’s nothing better than the snug feeling as you grasp the last moments of beautiful weather, even as it becomes brisk and cold. As fall brings a new chill in the air, layers become a key part of my dayto-day outfits. As soon as the first red leaf falls to the ground, I reach for my favorite layering piece: a utility jacket. Utility jackets are one of the best items to have in your closet during the fall because they are extremely versatile and come in a variety of unique looks. These jackets can easily be paired with a dress and booties for a night out, as well as draped over a tee with leggings for walking to class. They also pair well with any type of denim pant, which is great for the in-between fall-to-winter weather.
Like a scarf sewn in a loop, the possibilities for this classic accessory are infinite. The humble scarf is a fashion cure-all; it can instantly elevate a simple top and jeans, act as a layer for a cozy fall ensemble, or take a dress from evening to daywear. If I ever find myself dissatisfied with an outfit, my salvation is often a patterned piece of linen. Though at times the “basics + scarf ” concept may sound formulaic, the look is prevented from ever tiring by not only the numerous ways to style a scarf, but the fresh, on-trend versions of the timeless article continually appearing on our Pinterest and Instagram feeds.
During the fall, stores are full of their own take on the military jacket, leaving shoppers with several options that fit any budget or style. Lately, my favorite is from Topshop in a green camo-print. I love this style specifically because the print matches most of the clothes in my closet, but still adds flair to a casual day of classes. It’s a different take on the standard olive cargo jacket, which proves the wide range of looks a utility jacket can work with. I don’t care if the temperature reaches 70 degrees in October (well-versed in Ohio’s weather), I am trying to wear my favorite utility jacket every day I can.my favorite utility jacket every day I can.
You can’t open a fall or winter issue of any magazine without seeing a flannel blanket scarf or knit infinity serving as the cherry on top of an in-season sundae, and for good reason; a scarf perfectly complements the bulkier footwear cooler weather demands and has the ability to set the entire tone of an outfit. If not for scarves, my autumn seasons would consist of me wandering around with overexposed collar bones and a look that is utterly incomplete. Honestly, spring and summer are the seasons in which I live in denial, wearing “light weight” scarves and pretending my neck sweat isn’t “that bad”. By the time the evenings are chilly and Pumpkin Spice Lattes are back on the Starbucks menu, I welcome my real scarves with an open neck and flannel-clad arms, ready for any hayride or family dinner the season may throw at me. 25 | Fall 2015
Clothed in
Welcome to America:
IDENTITY
photographed by Junho Moon written by Sam Forsthoefel
written by Sam Forsthoefel
W
ith familial and cultural histories inherent in each of us, we all coexist as natives at our very core. Our native story is what clothes and identifies us in a world of countless diversities. Collectively, we span the farthest reaches of humanity and never before has this diversity been more apparent within our own nation. As a matter of fact, since 1600 the United States has welcomed over 60 million immigrants to its shores, each representing a different ethnic identity and global experience. As a testament to the Americans who came before us, we are truly a nation of immigrants and natives in our own traditions, perspectives and individualistic beauty. Ruchel 1905 Pinchover, Russia “She came with her two babies and Sabbath candlesticks.” Floira Rosenthal/Rhonda Schaller
26 | Fall 2015
Making up less than half of these 60 million immigrants (although certainly not less than half of their importance), women constituted a vital portion of native identity. Serving as cultural conservers and mediators, women confronted assimilation by artfully balancing new traditions with the old customs that defined them. In the words of freelance writer Rosalind Jana, “For as long as women have been sewing, they’ve been using embroidery to tell their own stories - often in societies that refused to hear them otherwise.” Through the use of the needle, rather than the pen, women spanning both time and space are credited for the tradition of recording human stories on the very fabrics of their lives. Resonating with the threads of experience in artist Carol Hamoy’s own life, this form of narration is given a new awakening in her cultural exhibition Welcome to America.
Aldona and Gledre 1949 Kavnas, Lithuania “Her life history could be read by the patches on her clothes.” Aldona Rygelis
Chayah Soreh Pinsk, Poland “A design prodigy in Pinsk, her heart broke when she stopped working to please her husband.” Deborah Kruger
Featured in the Stanley and Agnes McKie Gallery at the Miami University Art Museum until Dec. 17, 2016, Welcome to America documents the stories of women who courageously left their homelands from the late 19th century to late 20th century in search of a better life attained through the American Dream. With stories spanning 49 countries and differences in ethnicity, religion, social class and native customs, some of the women portrayed in Welcome to America were fortunate enough to achieve fulfillment through improved jobs, educational opportunities and political liberties. Nevertheless, just as many proved less fortunate due to the disparities in opportunity that are often forgotten by history in the romanticization of the American Dream and its freedoms, which in reality were often quite limited.
Hamoy followed in the footsteps of this tradition. What originally began as a personal journey for Hamoy to shed more light on her family history, soon expanded to include the interviews and captured stories of countless emigres and their descendants. Using her interviewee responses, Hamoy took the heart of each immigrant story to create the one-two sentence phrases featured on each garment. As she elaborates, “I grew up thinking about clothing and how it was made. Making a dress as a foundation for telling the story of a woman was a very a natural thing for me…in my use of fabric, lace and articles of clothing as my media.”
Rose 1904 Krasilozka, Ukrain “She earned 50 cents a week in the sweatshops and sent half home to her mother.” Johanna Gillman To narrate this episode in history, Hamoy created “dresses” to serve as the vehicles of storytelling for the experiences of women who previously had few opportunities to voice their stories themselves. Each “dress” bears a name, year of arrival, place of origin and brief statement about the woman it features, capturing the raw essence of her émigré story and life in America. A first-generation American with Eastern European parents who emigrated through Ellis Island, Carol Hamoy wanted to express the clash of cultures through her art. Taking advantage of new opportunities for women not previously offered to females of the Old World in her family and many others, Hamoy used her “dresses” to voice the similar social dynamics experienced in American history. Zackia 1925 Aleppo, Syria “Married by proxy, her ‘husband’ brought her to America.” Carol Hamoy. Carrying traditional gender roles into their homes in addition to traditional customs, immigrant families sought to preserve the structured family unit accepted by the larger community and societal norms. Oftentimes, the intricate interaction of gender, social class, religion and ethnicity shaped the ways many immigrant women participated in all aspects American society. Shut out of the public realm occupied socially, politically and economically by men, women refined the power of the private, domestic spaces they were relegated to by documenting their histories in one of the best ways they knew how: sewing.
Maria Italy “She was a feminist before the word existed.” Vera Scallingi Representing the marriage between clothing and the written word, Hamoy’s “dresses” were never made to be worn. Rather, they reflect upon the desire to provoke questions while also preserving history. As a result, Hamoy constructed her dresses from unassuming materials used by the very immigrants she gathered stories from. These include wedding dresses, tablecloths, bed linens and more. Furthermore, she chose to leave the seams of her “dresses” raw as a stylistic choice in order to distinguish her work from wearable fashion. Rather, they remain an artistic statement that prompts modern-day viewers to reflect upon their own traditions and native origins. “My intent is to capture the viewer visually, to seduce them and draw their interest to the content of the piece,” Hamoy reveals. Esther 1913 Russian Pale “She worked alongside her husband her whole life.” Marilyn Cohen Despite surface appearances that point to Hamoy’s work as dealing solely with issues of central importance to women, the deeper significance of the exhibition expands horizons beyond gender and politics. The artwork of Hamoy’s Welcome to America exhibition challenges viewers to take on new explorations of native tradition and identity. Welcome to America incorporates a wide range of women to reflect on the individuality and universality of their journeys. Despite the varying distances they traveled, these women always held the same destination – America. A blank dress remains to commemorate all of the undocumented stories of countless others in their search for native fulfillment in a foreign land.
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styled by Tiffany Visconti photographed by Tiffany Visconti Models: Leigh Berndsen and Jill Stevens 28 | Fall 2015
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THE BEAUTY REVOLUTION:
ENOUGH Really Is ENOUGH
written by Haley Jena ENOUGH. One word with six letters and two syllables, but a radical concept for women when it comes to appearing as their natural selves. Our culture’s perception of “natural” is not the true definition of the word, but rather a skewed understanding: “natural” is bright, wide eyes, unblemished skin, rosy cheeks, tamed hair—all thanks to the assistance of beauty products. For decades, women have carried a pressure to fulfill an unattainable double standard of not feeling comfortable, not feeling confident, not feeling enough in their own skin. The world of conventional beauty is an unstable spectrum of rigid regulations. Society instructs women to wear makeup, but not too much. Implement a morning routine with ample time to get ready, but don’t appear as if you tried too hard. Attain the best “no makeup” look you can. But a new era has arrived, a beauty revolution has begun, and our natural self is finally enough. 34 | Fall 2015
A newfangled age catalyzed by the embracement of a real, raw look by celebrities and the average woman alike has inspired a movement that’s so much more than waking up 15 minutes later to get ready in the morning, or throwing away a few eyeshadow palettes. It is a movement to deconstruct a patriarchal double standard and embody a sense of beauty and identity in your own eyes—not the beholder’s. Welcome, bare skin, natural manes and Cara Delevingne eyebrows. Makeup is being offered as a palette of experimentation and self-expression for those who wish to wear it. Hair is allowed to hang freely and artlessly. Eyebrows don’t have to be perfectly trimmed or shaped, and nails need not be painted or faultlessly manicured. Time to embrace your authentic self. Time to greet your native aura warmly. Time to look how you want to look for you. A cri de coeur for embracing natural beauty is supported by celebs and Miami students alike.
styled by Karolina Ulasevich photographed by Sidney Winzeler Model: Brooke Hetman
Supermodel Dree Hemingway proudly embodies a minimalistic, natural look in her street style to reflect her laidback temperament. The Chloé it-girl lacks the elaborate coif and prodigious makeup routine typically expected of models. Erasing expectations and the double standard, Hemingway espouses an insouciant street style that looks much more striking than the standard held for women. With her offthe-cuff, effortlessly cool look, she not only subverts but rejects the presumption of a perfectly made up, immaculate guise of the stereotypical supermodel. Even better—she looks and feels amazing doing so. The ever-hilarious Amy Schumer produced a music video titled Girl, You Don’t Need Makeup, a feminist satire calling out society for its strict guidelines on makeup and beauty for women. The One Directionesque parody ridicules the recent tendency of men assuring women of their physical beauty, even without makeup. In doing so, Schumer illustrates the farcical notion behind the idea that beauty is determined only by the opinion of men, and that women look the way they look for guys’ approval and not for themselves. Lyrics include, “You’ll be the hottest girl in the nation with just a touch of foundation” and, “Just get up an hour earlier and you can make yourself much girlier.” Cheers to you, Amy, for calling out this double-sided compliment, the beauty myth, and all the while making us laugh. Additionally, Alicia Keys dove into the facial revolution and wrote an essay entitled Time to
Uncover in May about her #nomakeup movement. Tired of basing her appearance of how others wanted her to look, rather than how she wanted to look for herself, the fifteen-time Grammy award winner had had enough with feminine conformity and the social construct of conventional beauty forced upon women. “I was really starting to feel like that — that, as I am, I was not good enough for the world to see. This started manifesting on many levels, and it was not healthy,” wrote Keys in her article. “I don’t want to cover up anymore. Not my face, not my mind, not my soul, not my thoughts, not my dreams, not my struggles, not my emotional growth. Nothing.” Beyond mega-famous models and singers, an inclination of unaltered beauty resonates with women on campus, too. Sophomore Elayne Pruckno rocks an authentic allure in her day-to-day look. “I love the natural look because it’s simple and straightforward. It’s so nice to not worry about what you look like all day—like is my eyeliner smearing? Did my hair become uncurled? With the natural look, you’re just you. It’s easy and comfortable and so much less work,” Pruckno said. The time has come to be truly confident and rightly comfortable in your own skin. We now freely celebrate our most natural self being enough— whether that includes makeup or not. 35 | Fall 2015
NATIVE IS... By Olivia Lewis and Kelly Higginson
SHIVANI BHATT Senior Accounting major from Toledo, Ohio.
photographers: Mackenzie Meals and Tiffany Visconti
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What does the word “Native” mean to you? I would say it’s growing up. It’s learning about the heritage and culture and traditions specific to a location. For me, both of my parents grew up in India, and growing up was like bouncing two different cultures… the language, the history, the culture, the food. I am native to both India and America because I had the opportunity to experience both cultures. I have visited India four times - the last time was my freshman year over J-term. I love seeing the little villages, and it’s so cool seeing people in traditional dress. There’s so much history. We mostly go to the New Delhi area, Northern India and then Rajastan. How do you incorporate your background / culture into daily life at Miami? For my first two years here I participated in the Diwali, a show put on by the Indian Students Association, which I was in. It’s a mix of dancing and arts to celebrate the festival, the Festival of Lights, which is in the fall. It’s a beautiful show and when I came to Miami it was really nice to meet so many other students who were balancing the other cultures. You resonate most with people who are balancing both cultures. I did that for the first two years, and every time I go home and do more things with my temple. More recently, being an upperclassman, I still watch Bollywood movies and I’ve always been more inclined to order Krishna, which actually tastes very authentic. Who is a role model in your life that has influenced how you carry out your culture / heritage and background in your daily life? My mom, for sure. Without her we wouldn’t have gotten to get the Indian culture experience. My dad isn’t as involved but my mom definitely is, and they’re the ones who took us back to India to show us [its culture]. I think by her constantly teaching us, showing us the way that she grew up, it allowed us to identify more with out Indian culture and background. It must have been the hardest thing in the world coming to a different country and trying to uphold their values and coming here to raise their children, and language and everything. I think they did an amazing job allowing us to have both experiences, versus making us identify with one over another. What is your personal style and how is it different from the average “Miami stereotype?” I think I have a simple style, but I am more inclined to buy certain jewelry, tops and clothing that has an
Indian taste, whether that be the bright colors or detailed embroidery, just like Sari’s and Tapestries in India. I really like Nordstrom, and Free People, half of their stuff is modeled after Indian clothing. Any store you see, like Anthropologie sells these mugs that look so Indian and are like $30, and then I’ll go to India and you these outfits that are one dollar and it’s just interesting to see. I think a lot of stores now like that style, it’s a different colorful embellishment. What does the word “Authenticity” mean to you and how do you stay authentic? I think authenticity is twofold - it’s about being genuinely comfortable with the person that you are, and being able to fearlessly express yourself to be true to the person you were growing up and the values you have and the other half is about the relationships you make. I stay authentic by surrounding myself with who I am and surrounding myself with people who accept me and appreciate me for who I am. I think it’s almost a lesson to me and expressing my culture, where I came from and my values, etc. can be inspiring to others and they can learn so much that they wouldn’t have learned otherwise, and same vice versa. I’ve learned so much through my friends as well about my friends through their backgrounds and I think that’s really important in staying authentic is having that support system and having a genuine interest in learning about the culture. What personal or outside barriers, if any, do you feel you’ve had to face when it comes to expressing or accepting your background/culture? What’s helped you continue to thrive and grow? I’ve never had any personal barriers or outside barriers just because I think this day in age everyone is so accepting and takes interest in other cultures and allows me to be who I am without having any fears to be able to express that. And I think that that’s cool, people love diversity and different things now. What would be your advice for other students trying to be their most authentic, native selves? I think embracing who you are and not falling to the norms of just trying to be the average Miami student. I think it’s so much cooler and enjoyable to live to your true self - and I keep telling freshman to get involved and I think that allows you to embrace who you are and do things other than going to Miami and going out to the bars. I would say don’t forget where you came from and appreciate it, it makes you who you are. It’s not even a benefit for yourself and I think it will inspire other people and be open about who you are and loving where you came from.
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JOSEPHINE WEBB
Sophomore from Xenia in Dayton, Ohio. Double major in International Studies and East Asian Cultures and Languages.
UP: What does the word “native” mean to you? Zhang: Family. My family is very important to me and is a big part of who I am. But I also think of food and culture. Webb: To me, native means home. It can be your culture, your roots or something else. It’s what makes you who you are.” UP: How would you describe your native self and how do you incorporate this into daily life at Miami? Zhang: Since family is important to me, I try to bring that feeling here. I always feel at home when I have friends around or when I’m eating food with them, so I cook a lot. When food smells good, it brings people together. My mom cooks mostly because she is what I call a “professional housewife.” I try to do the same for my friends. I make Shanghai noodles, spicy potatoes and soup. Webb: My mom is Mexican and my dad is a mix of a lot of European nationalities. I definitely identify with both sides of my family. With that, I’m just me. I don’t really try to be more Mexican or more white. I am who I am and I can’t control that. It’s a matter of accepting that and living within your own self. UP: What would be your advice for other students trying to be their most authentic, native selves?
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UP: What would be your advice for other students trying to be their most authentic, native selves? Zhang: A: Having people who love you helps because you can’t let them down by not loving yourself. They want you to love you. But, you also don’t need other people to prove you’re a good person. You are already good and you have value. Webb: Wipe away the distractions. Look at yourself through your own eyes and have a sense of who you want to be. Know how you want to empower others. Look at that and ask yourself what you need to do to be the most authentic, powerful you. UP: Did you always have a picture of who your authentic self was? If not, what did it take for you to figure it out? Zhang: I’ve always known who I am, but I’ve had trouble being who I am. My family is very traditional. They think girls should stay at home and if they go to college, then they should major in something that would give them a stable job so they can marry and have children. They don’t see the point of me studying abroad, but I do. I travel because I love adventure and it helps me become a better person. I told them, “Quit telling me to be a banker!” Webb: For a while there, I told myself, ‘I don’t want to be white,’ and ‘I don’t want to be Mexican.’ The
moment where I actually started embracing both sides of myself was ironically, when my parents got divorced. At first, I started to be more Mexican with my mom’s side of the family and more white with my dad’s side of the family. Then I realized, I was being two separate people and I didn’t like being two separate people. It felt inauthentic. UP: What is your personal style and how does it reflect your most native, authentic self? Zhang: Definitely vintage clothing because it tells a story. Clothing is another type of culture. Whenever I buy a piece of clothing, I want to know where it comes from, who wore it and what it meant to them. I I once saw a pair of earrings that was made a hundred years ago and even though the gold was faded, it was still very beautiful. There were turtles on it and I could still see the details of their toes. Webb: I wear what I want to wear and when I want to wear it. Feeling cute and comfortable makes me feel good about myself, so I live in pants. I’ll sometimes wear skirts, but it depends on if I’m in a skirt mood. I don’t wear tank tops because I feel like I’m trying to hide myself when really, it’s not a secret what my body looks like. People might say, “Oh, you’re trying to hide your stomach fat,” when really, no, my stomach fat is just there and it’s a thing. UP: What barriers have you faced when it’s come to expressing and accepting your native self? What’s helped you to thrive and grow? Zhang: I didn’t believe in myself before because my family would tell me I was incapable. They’d say, ‘You are a girl. You should do this and this.’ I used to be afraid that my dad was going to hand over his company to my brother and that he’d shut me out. But with college, I realized I don’t need him. I live by myself, take exams, and my English is better than him. Webb: I went through a very serious depression stage in the past year and this last summer and I had to dig myself out of that. I did some soul searching and meditation to find who I was without feeling like I wasn’t good enough. Because of that digging, I now know who I am and I can walk with strength knowing that. UP: What does the word “authenticity” mean to you and how do you stay authentic? Webb: I think it’s just owning up to yourself and being truthful to yourself and others. During my freshman year, it was hard to express myself because I was so overwhelmed by the culture and stereotypes here. At first, I asked, ‘How do I fit into this?’ But then I realized, it’s not how I fit into it, it’s how it fits into my life.
ROSIE ZHANG Sophomore from Guangzhou, China. Majoring in East Asian Cultures and Languages with a minor in Geography.
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What does the word “Native” mean to you? For me, it’s definitely staying unique to your own identity and a cultural reference and understanding of where you came from. It’s about a basic knowledge of how you were brought up and how that is related to your everyday life in the environment that you reside in. How do you incorporate your background / culture into daily life at Miami? I get culture shock everyday, it’s a very different experience just being a little island girl growing up in the Caribbean and then coming to America and having the different traditions and coming into the Oxford bubble. My upbringing hones me into realizing what is important and not shifting gears and changing myself to fit any mold or stereotype that may be perceived as in what’s in and what’s in style. It’s just finding your own identity and owning that without having reservations or restrictions. Who is a role model in your life that has influenced how you carry out your culture / heritage and background in your daily life? My grandmother, she’s freaking amazing. It’s an island thing, I call my grandfather “Fatha”, and my grandmother “Mama.” She’s been such an influence, not only in my upbringing, but in fashion ways, too. She sews and from a young age, my mom would buy me clothes and my grandmother would grab it from her alter them to fit my body. She knew how to sew and she’s the bomb.com like literally if you need anything you need made on island, she’s got you covered. For our school uniforms, you have to find a seamstress to make your own uniform, and she always was so creative in terms of she will make a basic plaid skirt into something that you would love to see on the NYFW runway. What is your personal style and how is it different from the average “Miami stereotype?” I personally don’t think I’m different, but everyone around me begs to differ. I guess I’m doing something right? I think my outfits are casual, and others think I’m always dressed up. I’m very chic and trendy, but I’m not too overwhelmed with what status quo is in, if I like it, I’ll wear it. For me personally I would rather be comfortable in my own
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skin and standing out rather than fitting into that standard mold. My go-to is a basic white or black T-shirt. It can become so many different ensembles, and it forces you to make your own style and recycle basic items to be something much more. What does the word “Authenticity” mean to you and how do you stay authentic? I think in order to be authentic you have to be unique and be true to yourself, and in that aspect you shouldn’t compromise your happiness for the mere fact of fitting in. What personal or outside barriers, if any, do you feel you’ve had to face when it comes to expressing or accepting your background/culture? What’s helped you continue to thrive and grow? I think the cultural barriers. You walk to class and everyone has a staple: same bag, Tori Burch sandals, it’s nothing different. Through fall, winter and spring, the seasons change but the people look exactly the same. I conformed my freshman year and I didn’t feel like it was me - I felt like it was so purposeless to fit this mold knowing that I wasn’t that type of person. My advice is to defy the expectation on this campus. Miami totally changes you and it’s the choice of letting it change you… or defying the mold and break out to your own identity. If you have to stand alone to be your true self, do that confidently. What would be your advice for other students trying to be their most authentic, native selves? Your home is wherever you envision a place where you can be your most natural self. Find your home. I live at Miami Preserve and cook for my housemates every Friday so they get a little taste of the island life and good Caribbean food. They’ve all visited so they all know the island atmosphere, so what feels most at home is those individuals of those who are understanding of my culture. They know that I’m not from here, but they aren’t afraid to ask questions of my heritage. I still hide it from time to time and I have the worst accent ever from back home, but they make me feel like I’m home because I don’t have to change myself.
LYKA WILLIAMS Senior Architecture and Sustainability major from the St. Thomas U.S. Virgin Islands
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FALL
KICKBACK
styled by Karolina Ulasevich photographed by Rob Donato Model: Mwoyo Chinoda, Maggie Krebs, and Ryan Terhune 42 | Fall 2015
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Photo Editorial 3: Boy/ Girl shoot
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We the
People Americans in the World Today written by Kevin O’Hara
On April 19, 1775, a single shot altered the course of American history.
A
s the leaden bullet whizzed past its red-coated target, further shots pierced the air, signaling the start of the American Revolution. A year later, pen would meet parchment as intellectuals transcribed their ideas, the black ink giving way to words of independence. With the founders busy at work, a 24-year-old widow would come to sew the first colonial flag. The young woman carefully stitched 13 stars against a striking blue, seven stripes running red like the blood of patriots who had died for the freedom of a country they would never get to see. A country built upon the foundations of life, liberty and the pursuit of happiness; A country by and for the American people. 48 | Fall 2015
styled by Sofia Bazianos photographed by Rob Donato Models: KevinO'Hara, Raman Hothi, Abby Bowman, Buse Onen and Abbey Simonds
When 56 colonists signed the Declaration of Independence, a document that emphasized the equality of all men under God, no quill was offered to an African-American. Nor was there a signature that held the qualities of a female hand. Where were the signatures of the Native Americans who had fought alongside fallen soldiers? And what about the immigrants from various islands off the coast of Florida? Weren’t those the very same islands that gave birth to revolutionary voices like that of Alexander Hamilton’s? In hindsight, it seems as though the Founding Fathers left some key characters out of their American narrative. Nowadays, the kind of people who were overlooked by the Founding Fathers are more visible than before. For example, the first president of color, President Barack Obama, was elected into office in 2008 and was re-elected for a second term in 2012. Furthermore, women like Hillary Clinton have held a variety of powerful positions in government. Even Members of the LGBTQ community were granted their due rights when same-sex marriage was legalized by the Supreme Court in June of 2015. These instances show that the once straight, white and male mold of America’s past is being slowly shattered by the diversity of American life. However, the prejudices that the Founding Fathers had against groups of people are still the basis of many of today’s debates. Due to an uptick in social awareness, as well as the volatile nature of the 2016 presidential election, Americans began to re-evaluate the ideals in which our country had been established. People asked questions like, “How could a country that prided itself on creating boundless opportunities threaten to wall-off those in need of such prospects?” And, “What kind of country, especially one that shed blood in tearing away from an oppressive empire, denies its own people of their unalienable rights?” People searched for answers, mulling over the words of our founders as the chiseled forms of Washington and Jefferson remained stoic and silent in all their monumental glory. Little did America know that a Broadway show would seek to clarify some of its issues. Composed by Lin-Manuel Miranda, Hamilton: An American Musical was a box-office hit from the moment it premiered on Broadway in August of 2015. The Tony-winning musical follows
the life of Alexander Hamilton as he becomes the first Treasury Secretary of the United States. In an interview with The Atlantic, Miranda said that he wanted to write “a story [that was] about America then, told by America now.” Miranda, whose parents are Puerto Rican, played the infamous Founding Father and casted racially diverse actors to portray the other characters. The ensemble included African-American actors Leslie Odom Jr. and Renée Elise Goldsberry, as well as actress Phillipa Soo, of Chinese descent and openly-gay actor Jonathan Groff. Miranda’s casting of nontraditional actors in the parts of historical characters symbolizes how old American values must be reworked in order to fit the present state of society. Just as science has come a long way since its conception, so has America. Therefore, people must learn from one another and grow from that knowledge to ensure the betterment of the United States as a whole. Otherwise, ignorance and fear will blind Americans to the possibilities of what other cultures, perspectives and beliefs could bring to the table. As Jonathan Mandell said in his article on howlround.com, “[Having] these performers… portraying the 18th century founders… signals a new generation saying: We’re American too.” Thus, it would be unconstitutional to ignore the voices of citizens who deserve to be heard.
On Feb. 21, 1797, Alexander Hamilton wrote that, “the honor of a nation is its life.” As the tip of his pen tattooed the paper’s surface, his words and those of his colleagues forever imprinted upon history, Hamilton could never imagine what America would become. Over two hundred years later, paintbrush would meet poster board as protesters fought for their lives and the rights of their brothers, the painted message glistening in the hot sun. With the fight for justice ongoing, a 24-year-old newlywed would come to marry the love of his life. The young couple raised a flag of vibrant colors above their heads, their fingers intertwined as the flag veiled them in the pride of a country that allows for love of all kinds. A country that is, by no definition of the word, perfect, but holds endless possibilities if people are willing to look past their differences and work toward a better future—a future in which every person, regardless of where he or she comes from, what they believe or who they may love, has the chance to take their shot at changing the world.
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Finding Dory Movie and Trivia Night : October 21 Haunted Circus : October 28 The Mighty Ducks at Goggin : November 4 Falling for Goggin : November 11 Casino Night : November 17 Escape the Room : November 18 Holiday Fest : December 2 & 3 Suicude Squad Movie and Trivia : December 9
MOON CO OP Natural Food Market & Deli
Oxford’s Top Choice for Local & Organic Groceries Knowledgable Staff
High Quality Products
Open to Everyone! Try our in house deli for lunch! Store Hours
Mon - Sat 9am - 8pm Sun 10am - 6pm
Deli Hours
Mon - Sat 9am - 6pm Sun 10am - 3pm
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(513)280-5020 www.mooncoop.coop 512 South Locust St. Oxford OH 45056 (Down the courtyard behind Little Ceasars)
Visit us at upfashionmagazine.org/ 51 | Fall 2015
Keeping up with the
CRAWFORDS Dr. Renate Crawford talks running, growing up in the Netherlands, and becoming native to Oxford. written by Blair Donovan
D
ressed in a Miami pullover, black jeans and chic weather-resistant gray booties (from The North Face, of all places), Dr. Renate Crawford’s casual style appropriately matches her easygoing and sociable personality.
Her taste shows not only in her outfit, but also in her home office in Lewis Place, where she lives with her husband, President Greg Crawford. The historical house showcases deep colonial and traditional styles, yet Renate rebelled, taking a modern approach for her personal space—she replaced the old-school furniture with a sleek white sofa and armchairs. Of course, the new furniture wouldn’t be complete without red pillows to showcase her Miami spirit. Although she has only lived in Oxford since July, Renate resonates deeply with Miami. Her younger sister graduated from Miami and she always felt like an honorary Miamian. Now, as the president of the university’s wife, she is ready to put her own spin on the role, using her academic background and personal interests. She plans to focus on health and fitness, student success and recruiting more underrepresented students in the maths and sciences—especially women. The Crawfords have lived all over, from California to Indiana, but Renate says it was so easy to get sucked into Oxford from day one.
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photographed by Tiffany Visconti
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BD: How have you been welcomed into the Oxford community? RC: We’re just humbled by the warm reception we’re received from the overall Miami community. It’s been an incredibly warm welcome. We’ve been made to feel right at home from the beginning. We’ve lived in so many places, and some have been major cities, but what really defines the community is the people. Everyone we’ve met has been warm and welcoming and incredibly passionate about what they do.
BD: How have you adjusted to the community and made Oxford feel more like home? RC: We’re the new children on the block, so to speak. But after being out and about and letting people know that we’re here for them, we received people reaching out to us and letting us know they’re here for us. Meeting as many people as we could and forming connections early on gave us those strong ties that made it feel more like home. Being on bikes helps with that, too. You get a much more personal connection.
BD: Where are your favorite spots to ride your bike around campus? RC: We ride bikes everywhere, mostly for transportation purposes. It’s a great way to get around and have a personal interaction with people. But what I do every morning, even in the pouring rain, is go on a morning run around campus to try to learn as much as I can. That’s a hard question because I find a new favorite spot every time. I reversed one of my routes one day and noticed new things. My goal is to do a full Ironman, but that’ll be in the next few years because I don’t have time to train right now.
BD: What campus events have you and your husband attended? RC: It might be easier to ask which ones we haven’t gone to. We’ve tried to hit every event. I value how much students put in their athletics as well as their
academics. We’ve been to every football game, band practices, student talks—whatever we can possibly fit into our schedule. We’ve made it a dedicated effort to support students, as well as faculty and staff.
BD: How has your background shaped your time in Oxford? RC: I’m Dutch, so I moved to the U.S. from the Netherlands when I was 16. Cycling was the main mode of transportation there. It’s a cycling culture, so I’ve brought that here with me. When I moved to the U.S., I moved to the Cleveland area, so Ohio is my home. This is coming back home in so many ways.
BD: How would you describe your personal style? RC: Probably less formal. I’m definitely more casual in my style in all sense of the word. That’s sort of what the Dutch are known for, being a little more casual. They’re very personal, too. They really want to get to know people.
BD: What’s your go-to outfit? RC: That’s an easy answer—anything that shows Miami pride! From my red dresses, which I have a lot more of now, to wearing casual Miami gear, it makes me very proud to be able to wear the color. I’m always wearing a red accent somewhere. Today, it’s my red belt.
Renate feels honored to live in Lewis Place with its rich history and deep pride from so many Miamians. She also loves listening to alumni talk about their Miami experiences and the lifelong connections they’ve made. She knows that the students, faculty, and staff at Miami are extremely special, and that’s a highly noticeable quality about our school. With her strong Miami spirit and social Dutch upbringing, Renate is sure to be a powerful and successful native of the Oxford community.
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MM MIAMI MAN
PATRICK
SCHNEIDER King of Self-Expression written by Phoebe Myers
P
atrick Schneider, sophomore English major, has strong opinions about underwear. “Oh my god, Calvin Klein man thongs,” he said, lighting up at the very thought. “If you’re wearing a nice pair of underwear that you like and feel good in, you feel way more confident. At least for me.” Sexy underwear is just one component of Patrick’s ideal outfit for fall. In a sea of rather predictable Patagonia fleeces, baseball hats and work boots, Patrick’s fall look stands out of the crowd. “I notice my unique fashion mostly through my shoes,” he said. “I own blue suede shoes. I mean, not many people wear blue suede shoes.” Patrick, originally from Las Cruces, New Mexico, made sacrifices to bring those shoes practically half way across the country to Oxford, Ohio. “I think I have 14 pairs of shoes with me on campus,” he said, after pausing to calculate. “I have a whole tub of shoes, they’re my favorite clothing item. The tub took up a big portion of the car on my way here,” he laughed.
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photographed by Leah Pentecost
Fashion is inherently linked to self-expression. The way this individuality is manifested on Miami’s campus is very interesting, as the university is typically seen as homogeneously preppy. Yet, in Patrick’s eyes, there is much more diversity than what is seen recognized at first glance. “Everybody’s fashion is different. With me, if I’m wearing something it’s because I like it for one reason or another. Everything I wear is something that Patrick Schneider would approve of,” he explained. Patrick’s view is becoming increasingly relevant to authentic trends--to put on an outfit simply because you love it, and for that reason alone. This ideal is reflected in not only fashion, but in individualists’ lifestyles--to do what you love simply based on passion. Patrick is no stranger following his passions, even if it requires hard work. This semester he begins volunteering for Women Helping Women, an organization that supports and empowers victims of sexual assault and/or domestic violence.
“I’ll be on call for 12 hour shifts at a time,” he said. “What that means is if I get a call during that shift, I have to drive to one of eight hospitals in Butler County to accompany and support a victim, often while they’re waiting for the results of a rape test kit.” Rape and sexual assault are both prevalent on college campuses, making his call to action all the more necessary. Volunteers like Patrick are without a doubt integral—people deeply committed to propagate much needed change. “It felt like I had to help out in some way, as this is an issue I’ve always been passionate about,” he said. Working for Women Helping Women not only impacts the women Patrick will serve, but also lets him feel confident that his values are showing through his actions. As Patrick Schneider would say, do something because you love it. Whether it’s rocking blue suede shoes, or working for a cause you believe in, this standard is the key to being your most authentic self.
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Street Style Photographer; Annie Aldrich Model; Gretta Ebert 60 | Fall 2015
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styled by Josie Dondaville photographed by Junho Moon Model: Kenia Viezcas
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Natural Eyebrows
photographed by Carder Gilbert Models: Audrey Seminara and Juliana Skerl 70 | Fall 2015
Drop the tweezers, scissors, and eyebrow pencil, and let your eyebrows rage. The less manicured, the better. Pair this untamed look with a nude lip gloss or balm for a simple, dewy glow. 71 | Fall 2015
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