ARCHITECTURE PORTFOLIO
Luciano Barsuglia González
Luciano Barsuglia González.
Nationality:
Argentina - Spain
Age:
31
Birthday:
03 - 30 - 1992
ID:
XDE097163
University:
Graduated as an architect from the National University of the Littoral, Argentina.
Professional practice:
-Architect in the technical ofce of the city council of Paraná / 2019. Argentina
-Andrés Milos Architects (AMA) / 2020-2022. Argentina
-Research assistant to Leire Asensio Villoria and David Mah at the University of Melbourne / 2023. Australia
-Own projects. Argentina
Experience in the academic eld:
-Intern in Architectural project workshop II - Cabrera/Trlin - National University of LitoralArgentina 2016 - 2022.
Language:
-Spanish (Mothertongue)
-English (Advance)
-Italian (Basic)
Software:
Autocad, Sketchup, Rhino3d, V-Ray, Lumion, Corel Draw, Photoshop, Power Director, Vegas Pro, Lightroom, Excel & Microsoft Word.
Gmail:
barsuglia1992@gmail.com
u n i v e r s i t y P r o f e s s i o n a l
Throughout the portfolio, ve projects will be exhibited that will attempt to demonstrate certain criteria for thinking and making architecture and city on different scales, supported mainly by noble tools such as the model and the sketch. The rst part corresponds to the university level, while the second corresponds to the professional level.
T h e h a n d t h a t t h i n k s , t h e h a n d t h a t m a k e s
CONTENTS
A PROJECT
- International competition for students.
Wind structures in the Patagonian landscap. 2° prize.
B PROJECT
- Final thesis work. Architectural heritage.
C PROJECT
- Dwelling in Nature.
D PROJECT
- Steel storage and distribution industry.
E PROJECT
- Housing for Corina.
International competition for architecture students
Organised by REDSUR - 2016
Wind structures in the Patagonian landscap - 2nd prize
Luciano Barsuglia González + Emiliano Ripodas + Ramiro Isaurralde
Comodoro Rivadavia City and surrounding. At certain times of the year, winds in excess of 110 kilometres per hour can be recorded.
The intervention is structured along 18.2 linear kilometres acting as a suturator of the different existing natural and urban instances, which are currently disaggregated, taking advantage of the landscape and environmental resources provided by the different geographic features. This is carried out in blocks of cured compressed earth (BTC), in a hilly area and in the city. To generate alternative situations during these temporary periods and within the prototypes, the BTCs would be waterproofed with different grades and dosages of used vehicle oils, a material that slows down the entry of water into the masonry and thus collaborates with the action of the wind in the differentiated disintegration of these artefacts. To enhance this factor, the blocks were manufactured with the same thickness, although they varied in the rest of their dimensions.
The morphology of the device is conceived from the search for a monolithic and heavy perception, while the wind is interpreted as a modelling agent of space and matter.
The proposal aims to raise awareness of the consequences of the anthropisation of the landscape, understanding this process as a limitation for nature.
With the passage of time, the prototypes that are further away from the city, which means greater height due to the intervention of the hills and a greater incidence of high winds, will erode faster than those that are within the city and at less altitude.
Emiliano Ripodas and Ramiro Isaurralde participated in the competition in the development of the renders.
Final thesis work - Architectural heritage
Luciano Barsuglia González National University of Litoral-Arg-2020
Between 1854 and 1861 the city of Paraná used to be the capital of Argentina. Of all the institutional buildings of that time, the only one still standing is the former senate of the nation, nowadays Nuestra Señora del Huerto School. Beyond its current private domain by the school, this architectural object has a declaration of national heritage, which gives us Argentine citizens the power to make use of it.
In the rst place, the thesis work seeks to disseminate to the community the transcendence of a building that, beyond being visible to everyone in the historic center of the city, seems to be invisible. Although in 1861 the national government was the one who donated the building to the school, at present it is possible to observe an incompatibility of the educational functions in relation to the heritage that over time has caused a physical and typological wear through the shabbiness it has suffered.
Therefore, through a work of research and project simulation, it seek to enhance and reintegrate the former senate in the public environment.
Current state of the heritage building. The trays are there due to the crumbling of the cornice over the pavement.
In order to make the architectural project as reliable as possible, the rst step is to relocate the educational functions to another sector of the city.
In addition to revitalizing the old, contemporary architectures are emerging to accommodate new uses.
The next step is to eliminate the annexes that have been added to the old Senate building, thus returning it to its original L typology. This generates, on the one hand, a square inside one of the most important blocks of the city. On the other, it frees up the north facade of the city's Cathedral.
A- Patriomonial building of the Old Senate of the Argentinian Confederation. B- Chapel of Huerto school. C- New bulding. D- Cathedral. E- City government headquarters.
F- Main square 1 de Mayo.
Return the Federal Chamber to its original function
It is proposed that national senators should be able to meet on the oor at least once a year A federal gesture intended to eventually deconcentrate the polarization of Buenos Aires.The rest of the building will also function as a support for the chamber and museum.
The project strategy is based on placing on an irregular terrain, with signicant unevenness and preexisting vegetation of different characteristics, a typology of dissimilar elements linked by a corridor.
This architectural object of protrusions at different scales begins at street level, near the basin, then continues a proliferation between the trunks and foliage of the trees approximately six meters below
Conforming the morphology in this way, each protuberance is assigned a specic sector of the program.
Nikolái Suetin Photographer: Matias Loglio. Model scale: 1:75 Material exhibited in the project developed by Luciano Barsuglia González Intellectual process of the project developed with the architects: Mg Andres Milos & Boris Bacaluzzo.The circulation that acts as the backbone of the project is regulated by specic parameters. Some sections of it are developed parallel to the party walls, others are subordinated to the trees that guide these geometries, while other sections are made parallel to the rst two types. From this central spine, which is the corridor of the house, the other morphologies are gestated, which open up to the distant landscape or regulate more contained and intimate views.
The social, which is close to the street, gradually transforms into intimate spaces as the o b j e c t e n t e r s n a t u r e .
Burnt wood is an ancient oriental technique. Repels external threats. It is congured as an aesthetic factor.
Predominant color palette on the exterior of the house. Of burnt wood and black steel.
Predominant color palette in the interior of the house. Of the phenolic wood planks and the white.
D e v e l o p m e n t o f the facades and roofs of the house
Study of the conguration of the fty facades of the house based on the superposition of seven p a r a m e t e r s .
Priority visuals
Observer height
Spaces of permanence
Displacement spaces
Intimate spaces
Technical and working spaces
Diffuse visuals
Steel storage and distribution industry
Luciano Barsuglia González Paraná-Argentina-2022
The project consists of two volumes (A and B) articulated by circulations for heavy trafc vehicles. Sector C is land that is going to be purchased soon to expand the program.
Taking into account that the main activity of the client is the storage and distribution of different metals in the region, and that for this reason they have relatively cheap access to said elements, it was decided to congure the building to a large extent based on this raw material. Almost like an Oulipian gesture, the project begins to take shape under certain selfimposed restrictions in relation to modules and measurements of such standardized materials (six meters and/or multiples). Freedom in the constriction.
About to the second level. Ofce space
Each workplace opens towards its respective expansion, thus generating an indirect relationship
b e t w e e n t h e i n t e r i o r a n d t h e e x t e r i o r.
Also, taking into account the architectural shortcomings exposed during the covid 19, this alternation of solids and voids allows natural lighting, cross ventilation and, if necessary, being able to work outdoors in spaces with adequate proportions.
Throughout the program, the performance of these modules varies depending on the effect I need to generate locally In some sectors they act as voids to give rise to yards, in others they sink to store water, they form part of the geometry that contains the vegetation, or they rise as skylights. They are also structure, matter and voids. This series of conditions manifests different patterns.
If they all maintain a uniform height as we get closer to the epicenter of the building, the light ow decreases. It is for this reason that the growth gradient increases as a function of displacement t o w a r d s t h a t e p i c e n t e r
In sheds, diffused light is needed, evenly distributed throughout its surface, so the study of the growth variables of skylights is essential to satisfy this need
The roof of the shed
When making the model, conditions emerged that are directly linked to manual creation, and that no other instance of the project offers us. We have the case of metallic paper. Accidentally a piece of this paper was crumpled, then the following question arises: what happens if you take advantage of this "mistake" and manage to systematize this wrinkling process in some way? The process and the results are interesting and are nally used. The simple process of folding and crumpling gives us another texture and therefore another refraction of light, generating a new effect that is subtly different from the original. Although it was not considered necessary for this case, this technique enables different wrinkling gradients to be generated.
The beauty of failure
Model scale: 1:100
Photographer: Sasha Heinrich.
THE MODEL AS A COMMUNICATION TOOL, TRIES TO HIGHLIGHT IN AN ARTISTIC WAY THE ESSENTIAL CONCEPTS OF THE PROJECT, WITHOUT IGNORING RIGOROUS QUALITIES SUCH AS SIZE, SCALE AND GEOMETRY
Parallelepipeds, sieves and voids, contained between two planes.
Stay spaces contained between two corridors
T h e c l i e n t w a n t e d t w o t h i n g s m a i n l y :
-That the social area be close to the backyard
-An entrance next to the storage room and the kitchen, and another for the social sector of the house
