Private Collections 20 September 2014
Discovering Extraordinary Objects For 85 Years
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Private Collections at Auction Property from Florida, Georgia, Illinois, New Hampshire, New York, Pennsylvania, Texas, Virginia and the Carolinas
SALE DATE & TIME: Saturday 20 September, beginning at 10am
PREVIEW EXHIBITION: Opening Reception: Saturday 13 September (4pm–7pm) Wednesday 17 September (12noon–8pm) Thursday 18 September (10am–6pm) Friday 19 September (10am–6pm) Saturday 20 September (8am–12noon) and by prior appointment
CHARLTON HALL AUCTIONEERS 7 Lexington Drive West Columbia, South Carolina 29170 Tel: (803) 779-5678 Fax: (803) 733-1701 info@CharltonHallAuctions.com Auctioneer & Firm Licenses Charlton Hall Galleries, Inc., Firm 1316F Ronald D. Long, SCAL No. 509 Jeffery C.D. Long, SCAL No. 3942 Betsy J. Hackett-Davis, SCAL No. 4229
Catalogue $30 at gallery Sale No. SC273
Always Accepting Quality Consignments CELEBRATING 85 YEARS
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DISCOVERING EXTRAORDINARY OBJECTS
Featured Collections Ft. Lauderdale, Florida Oldsmar, Florida Sarasota, Florida Tampa, Florida Vero Beach, Florida Atlanta, Georgia Augusta, Georgia Evans, Georgia Fitzgerald, Georgia Grovetown, Georgia Martinez, Georgia Savannah, Georgia Chicago, Illinois New Hampshire New York City Asheville, North Carolina Charlotte, North Carolina Matthews, North Carolina
Wilmington, North Carolina Zebulon, North Carolina Pennsylvania Aiken, South Carolina Camden, South Carolina Cameron, South Carolina Charleston, South Carolina Edgefield, South Carolina Columbia, South Carolina Lexington, South Carolina Myrtle Beach, South Carolina Orangeburg, South Carolina St. George, South Carolina Sumter, South Carolina Houston, Texas Arlington, Virginia Lynchburg, Virginia West Virginia
W W W.C H A R LT O N H A L L A U C T I O N S . C O M
1 GEORGE NELSON MID-CENTURY MODERN THIN-EDGE CABINET WITH DESK DRAWER, FOR HERMAN MILLER circa 1955, rectangular case with fallfront opening to fitted interiors and writing surface, above drawers and flanked by cabinet door concealing shelves and drawers; designed by George Nelson and manufactured by Herman Miller; H40 3/4” W56” D18 1/2”
$1,000-2,000 Provenance: Columbia, South Carolina estate
2 FINN JUHL MID-CENTURY MODERN LOW TABLE-BENCH, FOR BOVIRKE (Danish, 1912-1989) rosewood slab top with raised brass edge on blackened metal and turned wood legs, no label present, designed 1953 and manufactured by Bovirke; H16 1/2” L88 3/4” W17 3/4”
$1,500-3,000 Provenance: Matthews, North Carolina private collection by descent Purchased in 1963 by present owner’s parents from Reese Palley, Atlantic City, New Jersey
3 MAHOGANY AND GLASS DINING TABLE, BY TOM WILLIAMS organic free-form base, with triangular supports and glass top; H29 1/4” W42” L97”
$1,000-1,800 Provenance: Atlanta, Georgia private collection Other Notes: Tom H. Williams is a bronze and wood sculptor based in of Atlanta, Georgia. His work has been exhibited and sold throughout the southeast and in Oregon. Currently, he is an instructor at Spruill Center for the Arts in Atlanta.
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4 ROCHE BOBOIS BLACK LEATHER AND LUCITE DESK, WITH ACCOMPANYING CHAIR curved paneled top on slab sides with pairs of small drawers, together with black leather chair on swivel base with casters; desk H30” W74 3/4” D35”, chair BH35 3/4” SH20” W31” D25” (2pcs)
$1,000-2,000 Provenance: Atlanta, Georgia private collection Other Notes: Purchased from Roche Bobois in the mid 1980’s by current owner’s family.
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5 FINN JUHL MID-CENTURY MODERN LOW TABLE-BENCH, FOR BOVIRKE (Danish, 1912-1989) rosewood slab top with raised brass edge on blackened metal and turned wood legs, paper label partly visible: BO-EX 1767, designed 1953 and manufactured by Bovirke; H16 1/4” L44 1/8” D17 3/4”
$1,000-2,000 Provenance: Matthews, North Carolina private collection by descent Purchased in 1963 by present owner’s parents from Reese Palley, Atlantic City, New Jersey
6 PAIR WARREN PLATNER SIDE TABLES FOR KNOLL circa 1966, pattern #3710, wire and glass design, H18 1/2” Dia.16” (2pcs)
$800-1,400 Provenance: Atlanta, Georgia private collection
7 ART DECO STYLE ROSEWOOD AND IRON DINING TABLE, RALPH LAUREN BY HENREDON rectangular square-edge top fitted with one 22” leaf, on iron trestle base with wood plinth; accompanying table pads; H29 3/4” W50 1/8” L112” open
$1,000-2,000 Provenance: Atlanta, Georgia private collection
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8 PAIR MID-CENTURY MODERN FREDRIK KAYSER
9 SET WASSILY STYLE CHAIRS
ROSEWOOD ARMCHAIRS
chromed steel & stitched leather; BH28 1/2” W28 1/2” D28 1/2” (4pcs)
(Norwegian, 1924-1968) Model 711 with original upholstered back and seat, no label present; BH28” SH15” W27 1/2” D22 1/2” (2pcs)
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Provenance: Deaccessioned from a South Carolina museum to benefit the acquisitions fund
$700-1,000 Provenance: Matthews, North Carolina private collection by descent Purchased in 1963 by present owner’s parents from Reese Palley, Atlantic City, New Jersey
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$500-800
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10 BLUE PEARL SQUARE-TOPPED GRANITE
12 FRENCH ART DECO ARMCHAIR
COFFEE TABLE
circa 1930, rounded back and arms flanking loose seat cushion, upholstered in leopard print fabric; BH27” SH151/2” W37” D34”
20th century; H16” Sq.42”
$500-700 Provenance: Atlanta, Georgia private collection
$300-500 Provenance: Atlanta, Georgia private collection
11 YRJO KUKKAPURO MID-CENTURY MODERN TWO-SEAT ATELJEE SOFA, FOR HAIMI (Finnish, b. 1933) rosewood with loose cushions, designed by Yrjo Kukkapuro and manufactured by Haimi, metal label: Suomi, Haimi; H27 1/2” W62” D31”
$500-900 Provenance: Matthews, North Carolina private collection by descent Purchased in 1963 by present owner’s parents from Reese Palley, Atlantic City, New Jersey 13
13 PAIR STEEL OCCASIONAL TABLES late 20th century, trapezoid form; H21” Sq.13 7/8” (2pcs)
$200-300 Provenance: Atlanta, Georgia private collection
13A PAIR GEORGE KOVACS FEATHER FLOOR LAMPS
black finish with adjustable arm, H58” W37” (2pcs)
$300-600 Provenance: Atlanta, Georgia private collection
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14 BOAZ VAADIA (New York, b. 1951) YIG’AL, 1998 bronze, bluestone, and boulder, signed & marked on base: BV, AP H26” W19 1/2” D19 1/2”
$10,000-15,000 Provenance: Atlanta, Georgia private collection
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CELEBRATING 85 YEARS
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DISCOVERING EXTRAORDINARY OBJECTS
15 JIM DINE (New York/Ohio, b. 1935) A ROBE IN LOS ANGELES, 1984 color lithograph, framed, signed, numbered & dated 41/50 sheet size H54” W34”
$3,000-5,000 Provenance: Atlanta, Georgia private collection
16 LEONOR FINI (French, 1908-1996) three works: BOOK ILLUSTRATIONS watercolor and gouache, unframed, signed lower right, and backing paper with notations reading: To Chapter XII, page 153, another To Chapter II, page 37; and the last To Chapter II, page 45 sheet size H11 1/2” W16 1/4” to H18” W14” (3pcs) 17
$1,000-1,500 Provenance: Property of a gentleman
17 CLAES THURE OLDENBURG (New York, b. 1929) ROLLING COLLAR AND TIE color lithograph, shadowbox frame, signed & numbered 17/52 sheet size H37 1/2” W27 1/4” 15
$800-1,200 Provenance: Atlanta, Georgia private collection
18 PHILIP CAMPBELL CURTIS
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(Arizona/Michigan, 1907-2000) ABSTRACT oil on board, unframed, signed lower right H4” W3 1/2”
$500-1,000 Provenance: Arlington, Virginia private collection Other Notes: Accompanied by 1967 handwritten letter from the artist addressed to Mrs. Margaret Parker.
19 BERNARD VILLEMOT ADVERTISING POSTER (French, 1911-1989) BALLY, c 1974 lithograph, framed, signed in plate sight size H61 3/4” W44”
$700-900 16 (one of three)
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Provenance: Isle of Palms, South Carolina private collection Omnibus Gallery, Aspen, Colorado, 1987
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20 GLENN GOLDBERG (New York, b. 1953) OP-87 pencil, ink, acrylic and enamel on paper, framed, unsigned, verso with M. Knoedler & Co label sheet size H31 1/2” W22”
$500-800 Provenance: Atlanta, Georgia private collection
21 HAKAN REHNBERG 20
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(Swedish, b. 1953) UNTITLED, 1989 oil on concrete, signed & dated on verso H15 3/4” W14” D2 1/2”
23 MID-CENTURY MODERN SCULPTURE BY WILLIAM FRIEDLE
$500-800
(New York, circa 1960s), FISH, copper and glass, signed H25” W25” D10”
Provenance: Atlanta, Georgia private collection
$400-600 Provenance: Atlanta, Georgia private collection
22 YAACOV AGAM (Israel, b. 1928) COORDINATION I, c. 1979 multicolor kinetic screenprint and gold paper, framed, signed, sheet size H28 1/2” W51”
$400-600 Provenance: Atlanta, Georgia private collection
24 BABS ARMOUR (American, 20th century) RUSHING BY color ektachrome photo montage, framed, signed & titled image size H33 1/2” W50”
$400-600 Provenance: Atlanta, Georgia private collection 21
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25 SCOTT HADFIELD
28 JOHN A. OKULICK
(Rhode Island, b. 1953) LAW LIKE LOVE, 1986 enamel on wood, signed, dated & titled on verso H48 1/2” W35”
(California, b. 1947) ROUNDABOUT carved wood and painted metal construction, signed and marked: on base, J. Okulick, Roundabout, F6-07-08 H38” W16”
$400-600 Provenance: Atlanta, Georgia private collection Other Notes: Verso bearing Barbara Krakow Gallery, Boston MA, gallery label, inventory # 2358. 25
26 CUBIST SCHOOL, MID 20TH CENTURY
$300-500 Provenance: Atlanta, Georgia private collection
29 RICHARD LINDNER
STILL LIFE oil on canvas, original frame, indiscernibly signed lower right H26” W16”
(New York/German, 1901-1978) PROFILE (from After Noon) color lithograph, framed, matted with no visible signature sight size H23 1/2” W19 1/2”
$300-500
$200-400
Provenance: Columbia, South Carolina private collection
Provenance: Atlanta, Georgia private collection
27 QUANTE AND WALCOT ETCHINGS
30 PETER HALLEY
Otto Quante (German, 19th cent.) MARKET SCENE William Walcot (Russian/British, 1874-1943) LOWER BROADWAY framed, image sizes H6 1/4” W5 3/4” and H5 1/2” W4 1/2” (2pcs)
(New York, b.1953) FLUKE, 1991 lithograph & silkscreen, framed, signed & numbered 42/50 image size H24” W34”
$300-500
Provenance: Atlanta, Georgia private collection
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Provenance: Chicago, Illinois private collection Arthur Ackermann & Co, Chicago
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$200-300 28
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31 GEORGIAN STYLE MAHOGANY AND BRASS-BOUND WINE COOLER late 19th century, coopered oval form with lion’s-head ring pulls and lead liner, on cabriole legs with pad feet; H22” W25 1/2” D17 1/2”
$800-1,200 32 GEORGIAN MAHOGANY BOX 19th century, bail handle on hinged lid; H6 1/2” W10” D5 1/2”
$300-400 Provenance: Charlotte, North Carolina private collection
33 ENGLISH INLAID MAHOGANY COLLECTOR’S
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CABINET ON STAND
first half 19th century, leather-inset molded edge top over reeded frieze and two doors, on stand with chamfered legs joined by pierced molded stretcher. H45” W18 1/2” D10 1/4”
$600-800 Provenance: Camden, South Carolina collection
34 ENGLISH INLAID MAHOGANY BOX
35 ENGLISH INLAID MAHOGANY BOX AND TEA CADDY 19th century, square caddy, H4 1/2” W3 3/4” D3 1/2”; and chamfered box, H5” (2pcs)
$300-400 Provenance: Charlotte, North Carolina private collection
circa 1840, hinged lid with urn inlay, drop-bail handles, on brass ball feet; H7 3/4” W11” D7 1/2”
$300-400
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Provenance: New Hampshire collection
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36 ENGLISH INLAID MAHOGANY DOUBLE TEA CADDY
38 GEORGIAN STYLE MAHOGANY CELLARETTE
40 CONTINENTAL ENAMELED COPPER TRINKET BOX
19th century, floral and cartouche designs; H6” W9” D5 1/4”
19th century, octagonal hinged lid opening to brass fitted interior, on tapered legs; H27 1/2” W18” D17 1/2”
19th century, hinged lid with port scene of ships at harbor, bowl with floral sprigs; H1 3/4” Dia.5”
Provenance: Charlotte, North Carolina private collection
$500-800
Provenance: Camden, South Carolina collection
37 ENGLISH MAHOGANY AND BRASS-BOUND TRAY
39 ENGLISH INLAID MAHOGANY BOX
circa 1820, oval form with handles and scalloped gallery; H3 7/8” W19 3/4” D13 1/2”
19th century, coffered hinged lid and with brass escutcheon; H7” W12” D5 1/2”
$300-400
$200-400
$300-400
$200-300
Provenance: Camden, South Carolina collection
41 MAHOGANY SILVER CHEST hinged top inset with brass plaquette engraved with initials EDG; H10 1/2” W19 1/2” D15”
$200-400 Provenance: Fitzgerald, Georgia private collection
Provenance: Charlotte, North Carolina private collection
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42 BURLWOOD BOX AND DISH 19th century, box, H3” and dish, Dia.5 3/4” (2pcs)
$100-200 Provenance: Oldsmar, Florida private collection
43 VICTORIAN CANE COLLECTION 19th century, comprising: horn and silver, L32 1/2” 2 metal-bound bamboo, H31 1/2” and 34” faux shell and bamboo, L35 1/2” (4pcs)
$200-400 Provenance: Charlotte, North Carolina private collection
44 GEORGE II PARCEL-GILT MIRROR mid to late 18th century, broken-arch and floral pediment above Classical frieze and offset corners, scroll and bellflower frame inset with looking glass plate; H66” W29 1/2”
$2,000-4,000 Provenance: Columbia, South Carolina private collection 44
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CELEBRATING 85 YEARS
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DISCOVERING EXTRAORDINARY OBJECTS
45 REGENCY GILTWOOD BULL’S-EYE MIRROR 18th century, molded circular frame surmounted with eagle and scrolling acanthus, installed with ball accents and enclosing black fillet and convex mirror; H35 1/2” W25”
$1,000-2,000 Provenance: Atlanta, Georgia private collection Purchased in Atlanta in 1983
46 ADAM STYLE CARVED GILTWOOD LOOKING GLASS
first half 19th century, carved pineapple and urn pediment, with leaf swags, gadroon oval frame and girandoles, molded lower part with bow and drapery decorations; H29 1/4” W11 1/2” D5 1/2”
$600-800 Provenance: New Hampshire collection
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47 CHIPPENDALE STYLE MAHOGANY AND PARCEL-GILT MIRROR, COLONIAL WILLIAMSBURG
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48 REGENCY STYLE MAHOGANY TRIPLE-PEDESTAL DINING TABLE
scrolling frame surmounted with crest of plumes, enclosing beveled mirror; H47” W28 3/4”
mid 19th century, crossbanded rounded rectangular top on baluster turned pedestals with reeded saber legs and brass casters; fitted with two 21-inch leaves; H27 3/4” W48” L142” (open)
$400-600
$4,000-6,000
Provenance: Charlotte, North Carolina private collection
Provenance: Isle of Palms, South Carolina private collection
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49 GEORGIAN INLAID MAHOGANY SIDEBOARD circa 1840, serpentine top over drawers and tapered legs with spade feet; H36” W60” D29”
$1,500-2,500 50 CHIPPENDALE STYLE CARVED MAHOGANY DINING CHAIRS, SET OF TWELVE late 19th century, shaped shell-carved crestrail, scrolling armrests, molded seatrail centering shell motif, on cabriole legs with ball-and-claw feet; BH41” SH18” W24” D20” (12pcs)
$3,000-4,000 Provenance: Isle of Palms, South Carolina private collection
51 GEORGE III INLAID MAHOGANY BOWFRONT CHEST OF DRAWERS
circa 1800, shaped top with boxwood purfling, on conforming case with three short and three long graduated drawers, with shaped apron and splay feet; H39 7/8” W43 3/4” D23 1/8”
$800-1,100
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CELEBRATING 85 YEARS
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52 ENGLISH INLAID MAHOGANY CORNER CABINET late 19th century, dentil molded crown above divided glazed panel doors; on molded panel door lower part with bracket feet; H88 1/2” W39” D28”
$900-1,400 Provenance: Isle of Palms, South Carolina private collection
53 PAIR REGENCY STYLE MAHOGANY AND CANE ARMCHAIRS
late 19th century, beaded frame with cane seat panel, turned legs unified by X-stretcher; BH32 1/2” SH17” W21 1/4” D21” (2pcs)
$500-800 54 HEPPLEWHITE MAHOGANY BREAKFAST TABLE, PROBABLY AMERICAN first quarter 19th century, hinged D-shaped drop-leaves, fitted drawer on tapered legs with casters; H28” D40” W22” and open 40”
$500-800 55 GEORGE II INLAID WALNUT CHEST ON CHEST
late 18th century, molded cornice with canted corners over conforming case with three over three drawers flanked by stop-fluted corners with lamb’s tongues, on waist-molded lower part with brushing slide and three long drawers, on bracket base; H76” W42 1/2” D22 1/2”
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$3,000-5,000 Provenance: Fitzgerald, Georgia private collection
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56 GEORGE III MAHOGANY BUREAU circa 1800, fallboard conceals interior fitted with drawers and pigeonholes, over four long graduated drawers, on bracket base; H41 3/4” W37 1/4” D19 1/4”
$700-1,000
57 GEORGE III CARVED MAHOGANY LINEN PRESS, POSSIBLY IRISH circa 1800, dentil molded and blind fretwork crown, molded panel doors, fitted interiors; on lower part with drawer and bracket feet; H73 1/2” W48” D24”
$1,500-2,000 59
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58 PAIR ADAM STYLE PAINTED SATINWOOD CONSOLE
59 ADAM STYLE CARVED PINE MANTEL SURROUND
TABLES
$600-900
late18th/early 19th century, lamb’s-tongue edge over fluted urn-carved frieze, on carved and molded supports; H50 1/2” W61 1/2” D8 1/4” inside H34” W33 3/4”
Provenance: Mount Pleasant, South Carolina private collection
Provenance: Camden, South Carolina collection
crossbanded ribbon-and-urn painted D-shaped top, on turned fluted legs joined by molded stretchers; H31 3/4” W36 1/2” D15 1/2” (2pcs)
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$700-1,000
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61 ENGLISH CARVED MAHOGANY AND LEATHER LIBRARY ARMCHAIR
topnailed back and seat flanked by outscrolled arms terminating in bird’s heads, on cabriole legs with shell-carved knees, scaled legs and ball-and-claw feet; BH39” SH21” W30 3/4” D28”
$500-700 Provenance: Ft. Lauderdale, Florida private collection Literature: A similar example can be seen in THE SHORTER DICTIONARY OF ENGLISH FURNITURE, p.136, fig.77.
62 QUEEN ANNE STYLE WALNUT LOWBOY
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60 REGENCY STYLE ROSEWOOD AND BRASS TIERED CHIFFONIER
late 19th century, superstructure of two shelves with three-quarter galleries, X-form supports and mirrored back, on cabinet with doors having wire inserts, on plinth; H54 1/2” W42” D16”
$800-1,200 Provenance: Charleston, South Carolina private collection
early 19th century, rectangular molded top over case with three drawers and scalloped skirt, on cabriole legs with pad feet; H29 1/2” W39” D23”
$500-800 Provenance: Charlotte, North Carolina private collection
63 ADAM STYLE BOWFRONT CARVED MAHOGANY
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64 ENGLISH INLAID MAHOGANY WINE CABINET last quarter 19th century, serpentine crossbanded top over configuration of drawers and doors including bottle drawer, on tapered legs with spade feet; H29 3/4” W31 1/2” D21”
$700-1,000
CONSOLE TABLE
late 19th century, shaped and banded top with guilloche-carved edge, over conforming skirt with central drawer embellished with bellflower drapery, on tapered fluted legs with spade feet; H36” W45” D23 7/8”
$800-1,200 Provenance: Charleston, South Carolina private collection
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65 GEORGE III MAHOGANY PEMBROKE TABLE first half 19th century, rectangular top with square-edge drop leaves, with single frieze drawer, on chamfered legs terminating in lamb’s tongues and unified by X-stretcher, on casters; H27 5/8” W41 3/8” open D24”
$400-600
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68 VICTORIAN PAPIER-MACHE AND NACRE TEA TABLE WITH PAIR SIDE CHAIRS
early 20th century, table with scalloped tilt top, baluster pedestal and three shaped legs, decorated with mother-of-pearl, gilt and floral designs, H26” Dia.27 1/2”; accompanied by pair black lacquer side chairs with cane seats, BH34 1/4” (3pcs)
Provenance: Charlotte, North Carolina private collection
$400-700
66 WILLIAM IV MAHOGANY AND NEEDLEWORK
69 GEORGIAN INLAID
FIRESCREEN
MAHOGANY CORNER
19th century, framed panel of hunting party on turned pole and tripod base; H61 1/2” Dia.18”
WASHSTAND
$300-500 Provenance: Fitzgerald, Georgia private collection
67 ENGLISH MAHOGANY BOWFRONT CHEST OF DRAWERS
mid 19th century, shaped top and conforming case with two short and two long drawers, on splay feet; H35 7/8” W35 3/4” D20”
$700-900
Provenance: Atlanta, Georgia private collection
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first half 19th century, shaped gallery with shelf, drawer, platform stretcher and splay feet; H48 1/2” W25” D17”
$300-500 70 MAHOGANY HANDKERCHIEF TABLE
19th century, square top with triangular drop leaf on octagonal legs; H28” Sq.34”
$300-500 Provenance: Charlotte, North Carolina private collection 70
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71 VICTORIAN CHINOISERIE DECORATED TILT-TOP TABLE circa 1890, figural landscape-decorated quatrefoil top on pedestal with saber legs and pad feet; H27” W20” D26 1/2”
$300-500 Provenance: Pennsylvania private collection
72 THOMAS GAINSBOROUGH (CIRCLE OF) (British, 1727-1788) PORTRAIT OF LADY IN BLUE SILK oil on canvas, framed, unsigned H50” W40”
$3,000-5,000 71
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73 BRITISH SCHOOL, LATE 18TH/EARLY 19TH CENTURY LADY IN BLUE GOWN, circa 1800 oil on canvas, framed, unsigned H49” W39 1/2”
$1,000-1,500 Provenance: New York private collection Christie’s New York Columbus Museum of Art, Ohio, #7.025, gift of Mr. and Mrs. Oppenheimer
Provenance: New York private collection
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74 J. MURDAY (British, 19th century) TARTAR OF HULL oil on canvas, framed, signed & dated lower left 1842 H24” W36”
$1,500-3,000
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76 JOSEPH HORLOR (British, 1809-1887) LANDSCAPE oil on canvas, framed, signed lower left H18” W26”
$700-900
Provenance: Camden, South Carolina collection
Provenance: Columbia, South Carolina private collection
75 J. MURDAY
77 WILLIAM RUSSELL FLINT
(British, 19th century) PRINCE OF SAXE COBURG oil on canvas, framed, signed & dated lower left 1819 H24” W36”
$1,500-3,000
(Scottish, 1880-1969) SLIPPERY STEPS drypoint, framed, signed & numbered lower margins, XXI image size H9 1/2” W6 1/2”
$600-900
Provenance: Camden, South Carolina collection
Provenance: Chicago, Illinois private collection Arthur Ackermann & Co, Chicago (D16-65, 6657)
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78 A. DE BREANSKI (British, late 19th century) EARLY MORNING oil on canvas, framed, signed: lower left: A. de Breanski H20” W30”
$500-800 Provenance: Evans, Georgia private collection
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CELEBRATING 85 YEARS
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79 CHARLES PARSONS KNIGHT (British, 1829-1897) ISLE OF ARRAN oil on canvas, framed, signed lower right H11” W22”
$500-800 79
Provenance: Charlotte, North Carolina private collection
80 BASIL NIGHTINGALE (British, 1864-1940) NOW THEN UNCLE! pencil and watercolor, framed, signed & dated upper right 1908 sight size H23 1/2” W29 1/2”
84 (one of nineteen)
$700-1,000 Provenance: Pennsylvania private collection
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84 WILLIAM HOGARTH (AFTER)
81 J. D. MORRIS (British, late 19th century) IN THE HIGHLANDS oil on canvas, framed, signed lower right: J.D. Morris H20” W30”
$500-800 Provenance: Evans, Georgia private collection
$400-800
82 JOHN CHARLES MAGGS 82
(British, 1697-1764) nineteen works: MARRIAGE A LA MODE, THE FOUR STAGES OF CRUELTY, A HARLOT’S PROGRESS (suite of 6); SARAH MALCOLM, SHRIMPS, and ROYAL SPORT PIT TICKET etchings, unframed, signed & titled lower margin in plate image sizes H14” W17 1/2”, H14” W11 1/2”, H19 1/4” W25” (19pcs) Provenance: South Carolina private collection
(British, 1819-1895) FOX HUNT oil on canvas, signed & dated lower right with initials M, 99 H9” W12”
$400-800 Provenance: Pennsylvania private collection
83 EQUESTRIAN MEZZOTINTS AFTER EDWARD TROYE REVENUE & ASTEROID from Twenty Hand-Colored Prints after Original Paintings of Famous American Thoroughbreds, published 1932. framed alike, both numbered 100/110 sight size H17” W20 1/2” (2pcs)
$300-500 83
Provenance: Charlotte, North Carolina private collection
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87 BRITISH SCHOOL, 19TH CENTURY COWS IN STREAM oil on canvas, framed, unsigned H12” W19”
$300-500 Provenance: Charlotte, North Carolina private collection
88 ALFRED WILDE 85
89
(British, late 19th/early 20th century) VIEW OF LAXEY GLEN, ISLE OF MAN, 1901 oil on canvas, framed, signed & dated lower right H12” W18”
$300-500 Provenance: Charlotte, North Carolina private collection
89 EDWIN H. BODDINGTON JR. 90
86
85 CHARLES EDWARD JOHN LESLIE (British, 1839-1886) MOUNTAIN LAKE, 1868 oil on canvas, period frame, signed & dated lower right H12” W18”
$400-600 Provenance: Charlotte, North Carolina private collection
(British, 1836-1905) BY THE SHORE oil on canvas, framed, signed lower right H14 1/2” W20 3/4”
$300-500 Provenance: Columbia, South Carolina private collection
90 ENGLISH SCHOOL, 20TH CENTURY RIVER LANDSCAPE oil on board, framed, signed lower left: R. Halls H9 1/2” W16 1/2”
$300-500 87
86 BRITISH SCHOOL, 19TH CENTURY
Provenance: Charlotte, North Carolina private collection
MOEL HEBOG, BEDDGELGERT, NORTH WALES oil on canvas, framed, indiscernible monogram lower right, titled on stretcher H12” W20”
91 BRITISH SCHOOL, 19TH CENTURY
$300-500 Provenance: Charlotte, North Carolina private collection
VILLAGE oil on panel, framed, unsigned H10” W14”
$300-500 Provenance: Charlotte, North Carolina private collection
88
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CELEBRATING 85 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
94 DIAMOND AND PLATINUM RIVIERA NECKLACE 15.5ctw round and baguette-cut diamonds, color I-J, clarity VS; L17”
$15,000-20,000
92
94
95 ART DECO DIAMOND AND PLATINUM BROOCH
93
92 ANTHONY JOHN MOORE (British, 1852-1915) CANAL, 1911 watercolor, framed, signed & dated lower left sight size H12 1/2” W17 1/2”
first half 20th century, approx. 0.90ct center diamond and approx. 180 side diamonds 5.5ctw in open geometric design setting, accompanied by Van Cleef & Arpels red leather box; H1 1/2” L2 3/8” and 0.9ozT
$2,500-4,500 Provenance: Charleston, South Carolina private collection
96 PLATINUM AND DIAMOND ENGAGEMENT RING 2.8ct emerald step-cut diamond, color FG, clarity SI2, surrounded by trapezoidal and round brilliant-cut diamonds weighing 1.47ctw, color F-H, clarity VVS2-SI2; size 6.75
$14,000-18,000 Other Notes: Accompanied by UGS gemological report #US910989511D.
$200-300 Provenance: Columbia, South Carolina private collection
93 BRITISH SCHOOL WATERCOLOR OF JAPAN, 19TH CENTURY TEMPLE BY THE WATER watercolor, elaborate giltwood frame, signed lower right: F.K. H9 3/4” W13 1/4”
$200-400 Provenance: Columbia, South Carolina private collection
95
96
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97
97 TANZANITE AND DIAMOND
98
99
99 NATURAL EMERALD AND DIAMOND
101 PINK TOURMALINE AND DIAMOND
103 NATURAL BLUE SAPPHIRE AND
COCKTAIL RING
RING
RING
DIAMOND FASHION RING
12.25ct oval tanzanite surrounded by 1.75ctw round brilliant-cut diamonds in 18K white gold setting; size 6.5
7.03ct oval emerald surrounded by 1.35ctw diamonds in 18K white gold setting
$11,000-18,000
$9,000-12,000
7X11mm pear-shape tourmaline surrounded by baguette and round diamonds in 18K gold setting, marked: MAG, 18K; size 7.5
4.5ct deep blue oval sapphire surrounded by French-cut sapphires and round brilliant-cut diamonds 1.75ctw in 18K white gold setting; size 6
$1,000-1,500 98 ART DECO JADE, DIAMOND AND
Provenance: Columbia, South Carolina private collection
100 ART DECO PLATINUM AND
PLATINUM RING
DIAMOND ENGAGEMENT RING
circa 1940, 20x14mm oval cabochon jade surrounded by approx. 1.7ctw diamonds in tiered platinum setting; size 7
1.25ct round brilliant-cut diamond, color E-F, clarity VS1, in filigree setting with diamonds and sapphires; size 8.5
$2,000-3,000
Other Notes: Accompanied by UGS gemological report #US910891104D.
Provenance: Chicago, Illinois private collection
$8,000-12,000
102 DIAMOND SOLITAIRE ENGAGEMENT RING
2.2ct pear-shaped brilliant-cut diamond, color G-H, clarity VS2 in 14K white gold setting, size 6.25
$8,000-12,000 Other Notes: Accompanied by UGS gemological report #US911085207D.
100
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101
102
CELEBRATING 85 YEARS
$7,000-10,000 104 REGENCY INLAID MAHOGANY RENT TABLE
mid 19th century, circular banded top over frieze with four working and four faux drawers, on baluster pedestal and quadripartite base with four saber legs, paw feet and casters; H28 3/4” Dia.42 1/2”
$3,000-5,000
103
OF
DISCOVERING EXTRAORDINARY OBJECTS
106
105 REGENCY LACQUER AND CANE SET OF ARMCHAIRS
104
early 19th century, bead-and-channel frame with topnailed padded back and cane seat flanking by scrolling arms, on saber legs; BH32 1/2” SH16 1/2” W21 1/4” D23” (4pcs)
$2,000-3,000 Provenance: Atlanta, Georgia private collection
106 GEORGE III MAHOGANY BUTLER’S SECRETARY BOOKCASE
circa 1830, molded crown over divided glazed panel doors, lower part with desk drawer opening to fitted interiors, three long drawers, on bracket feet; H96” W48” D24 3/8”
$1,800-3,000 Provenance: Griffin, Georgia private collection
105
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107
108
107 GEORGIAN INLAID WALNUT CHEST OF DRAWERS
110 ENGLISH MAHOGANY WRITING DESK ON STAND
circa 1800, rectangular crossbanded top with canted corners, over conforming case with three short and three long drawers flanked by fluted pilasters, on bracket base; H41” W40 1/4” D21”
late 18th/early 19th century, rectangular slant-front case with fitted interior and brass handles, on associated stand with blind fretwork legs; H42 1/4” W18 1/4” D28 1/2”
$2,000-3,000
Provenance: Fitzgerald, Georgia private collection
$800-1,200
Provenance: Charlotte, North Carolina private collection
108 PAIR HEPPLEWHITE INLAID MAHOGANY AND UPHOLSTERED LOVESEATS
arched wingback, on tapered inlaid legs joined by molded stretchers; BH38 1/2” SH20” W58 1/2” D25”
111 GEORGIAN INLAID MAHOGANY SIDEBOARD circa 1830, breakfront top over drawers and doors, supported by tapered legs with spade feet; right side fitted with small drawers; H37 1/2” W84 1/2” D28 1/2” 109
$1,500-3,000 Provenance: Isle of Palms, South Carolina private collection
$1,800-2,500 Provenance: Atlanta, Georgia private collection
109 WILLIAM IV CARVED MAHOGANY DROP-LEAF TABLE
circa 1835, hinged drop leaves above drawers, barley-twist pedestal and reeded saber legs on casters; H29” W21” W35 1/2”
$500-700 111
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CELEBRATING 85 YEARS
110
OF
DISCOVERING EXTRAORDINARY OBJECTS
112 COUNCILL CRAFTSMAN INLAID MAHOGANY DOUBLE PEDESTAL DINING TABLE
crossbanded top with rounded corners, fitted with three 22” leaves, on acanthus-carved vasiform pedestals with saber legs terminating in ball-and-claw feet; H29” W48” L138” open
$1,500-2,500 112
Provenance: Fitzgerald, Georgia private collection
113 COUNCILL CRAFTSMAN CHIPPENDALE STYLE MAHOGANY DINING CHAIRS, SET OF TEN waved crest and strapwork splat, slip seat in plain rails, on chamfered legs with H-stretcher; BH39” SH20” W20 1/4” D20 1/4” (10pcs)
$800-1,200
115
Provenance: Fitzgerald, Georgia private collection
116 PAIR REGENCY STYLE ROSEWOOD SOFA TABLES 113
114 GEORGIAN INLAID MAHOGANY BOOKCASE ON CABINET
rectangular molded top over frieze with candleslides, on X-form trestle base unified by scrolling stretcher; H27” W27 1/8” D17 1/8” (2pcs)
$1,000-1,500 Provenance: New York City private collection
circa 1810, dentil molded crown, divided glazed panel doors; on lower part with raised and inlaid panel doors, fitted sliding shelves, on bracket feet; H87” W48 1/2” D24”
$1,500-2,500 Provenance: Columbia, South Carolina estate
115 HEPPLEWHITE INLAID AND MIXED WOOD SEWING TABLE
circa 1790, hinged oval top over conforming frieze with faux drawer and fabric bag, on tapered legs with spade feet unified by shaped undertier; H29 1/2” W21 1/8” D15”
$700-900 114
116
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119
118 REGENCY MAHOGANY AND BRASS-MOUNTED
120
CHIFFONIER
circa 1820, superstructure of scalloped backsplash with brass rosettes over two tiers with turned supports, over case with pair of doors with pleated fabric panels, on turned feet; H53 1/2” W30 3/4” D17 1/4”
$1,000-1,500
118
119 GEORGE III INLAID MAHOGANY BOWFRONT CHEST OF DRAWERS
117 PAIR CHIPPENDALE STYLE MAHOGANY
circa 1820, molded edge top, over configuration of drawers and bracket feet; H43” W49” D23 1/2”
FOOTSTOOLS
$800-1,200
last half 19th century, slip seat in plain rails with pierced corner blocks, chamfered legs unified by H-stretcher; H18 1/2” W20 3/4” D15 3/4” (2pcs)
$600-900
120 GEORGIAN STYLE CARVED MAHOGANY CORNER CHAIR
121
19th century, continuous arm, crest carved with shell and acanthus, with strapwork splats, slip seat in gadroon rails with ball-and-claw front leg; BH30 7/8” SH17 1/2” W29 1/2” D28”
$300-600 Provenance: Charlotte, North Carolina private collection
121 GEORGE III INLAID MAHOGANY BOWFRONT CHEST OF DRAWERS
circa 1820, bowed top with boxwood purfling on conforming case with four long drawers and ogee-bracket feet; H39 1/4” W38 1/8” D21 7/8”
$800-1,200
117
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CELEBRATING 85 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
123 CHIPPENDALE STYLE MAHOGANY TALL POST BED, KITTENGER pencil posts flanking D-form headboard, frontal fluted posts terminating in ball-and-claw feet, unified by plain rails; with tester and toile hangings; H90” W60” L88”
$1,000-2,000 Provenance: Charlotte, North Carolina private collection
124 REGENCY MAHOGANY GAMES TABLE first quarter 19th century, D-shaped hinged top on reeded baluster pedestal, saber legs with turned feet and casters; H29 1/2” W36” D18” and 36” open
$500-800 125 MAHOGANY BREAKFRONT SECRETARY BOOKCASE, BAKER FURNITURE
123
stepped cornice over conforming cabinet with four thirteen-light doors, on stepped out lower part with fitted secretary drawer over doors, flanked by pairs of drawers over doors, on plinth; H80 1/2” W62 1/4” D16”
122
$1,000-1,500 Provenance: Charleston, South Carolina private collection
126 REGENCY CARVED 124
GILTWOOD
122 GEORGE III UPHOLSTERED AND MAHOGANY WING CHAIR
late 18th century, rectangular back flanked by shaped wings extending to outscrolled arms, with loose box cushion, on square chamfered legs joined by H-stretcher; BH45” SH20” W33” D32 1/2”
$1,000-1,500 Provenance: Atlanta, Georgia private collection Purchased from Alfred Bullard, Philadelphia in 1986
GIRANDOLE MIRROR
first half 19th century, eagle-andleaf pediment above molded round frame supporting scrolling candlearms fitted with prisms; H35” Dia.18” D8 1/2”
$1,000-2,000 Provenance: Aiken, South Carolina private collection 125
126
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127
128
127 PAIR ADAM STYLE GILTWOOD MIRRORS urn issuing foliage and tendrils surmounting beaded and lappett-carved oval frame enclosing beveled looking glass; H48” W25 3/4” (2pcs)
$800-1,200 Provenance: Charlotte, North Carolina private collection
128 ADAM STYLE CARVED GILTWOOD CUSHION MIRROR
surmounted with urn issuing anthemion and leafy tendrils, rectangular frame enclosing faceted and beveled mirror panels; H56” W32”
$400-700 Provenance: Fitzgerald, Georgia private collection
129 CHIPPENDALE STYLE MAHOGANY AND PARCEL-GILT LOOKING GLASS scrolling frame with phoenix crest and apron with oval shell inlay, enclosing gilt liner and beveled mirror; H36” W20”
$300-500
129
131 RARE PAIR DERBY PORCELAIN VASES circa 1810, rare form with ram’s-head and acanthus handles, enameled and gilt floral, leaf and scroll motifs, marked; H10”
$500-900 Provenance: Camden, South Carolina collection
Provenance: Charlotte, North Carolina private collection
130 FINE ENGLISH PORCELAIN URN
Literature: Twitchett, John. DERBY PORCELAIN. Woodbridge, UK: Antique Collector’s Club, 2002. illustrated p.60.
19th century, applied floral mask designs on square vessel flanked by bound intwined handles, unmarked; H9 1/2” W13”
$500-900 Provenance: Columbia, South Carolina private collection
130
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131
CELEBRATING 85 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
134 LIVERPOOL TRANSFERWARE JAMES LEECH TANKARD
mid 19th century, adorned with the Great Seal of the United States above JAMES LEECH cartouche opposing floral spray, strap handle anchored with flowerheads, unmarked; H5”
$400-700 Provenance: New Hampshire collection
135 ENGLISH TRANSFERWARE PLATTERS AND PLATES 19th century, comprising: 5 platters, L11” to 17 1/2” stand, Dia.12 1/2” 10 plates, Dia.8 1/2” to 10 1/2” (16pcs)
$300-500 133
Provenance: Charlotte, North Carolina private collection
134
137 ENGLISH JAPAN OPAQUE PATTERN TUREEN circa 1814-30, probably Ridgway, vibrantly decorated floral transfer pattern with gilt accents, marked on underside; H9 1/2” L13”
132 137
132 WEDGWOOD JASPERWARE ARTICLES 19th century, tri-color vase, H7”; Portland vase, H8”; and silverplate-mounted biscuit box, H9 1/2”; each impressed WEDGWOOD (3pcs)
$500-700 Provenance: Houston, Texas private collection
133 UNUSUAL FULHAM POTTERY SALT-GLAZED TULIPIERE-COVER CACHEPOT circa 1890, molded dome cover with removable buds on massive jardiniere decorated with foliate fruit and shell motifs; impressed mark on underside HBS, 1877, Fulham; H14”
$300-400 Provenance: Camden, South Carolina collection
136 DERBY PORCELAIN VASE AND DISHES Imari pattern, comprising: vase, H5 1/2” 2 oblong dishes, L11” 3 plates, Dia.8” to 9 1/2” 2 saucers, Dia.6 1/2” (9pcs)
$300-400 Provenance: Charlotte, North Carolina private collection
$400-700 Provenance: Fitzgerald, Georgia private collection 136
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138 ARMORIAL PORCELAIN COVERED SOUP TUREEN late 19th century, arms of Boume with gilt vine and spearhead design and floral sprays; H10” W13” D10”
$400-600 Provenance: Camden, South Carolina collection Literature: Howard, David S. CHINESE ARMORIAL PORCELAIN. London: Faber & Faber, 1974. p.425. Howard, David S. CHINESE ARMORIAL PORCELAIN (vol.II). Chippenham, UK: Heirloom & Howard Ltd., 2003. p.177.
139
Sandon, John. THE DICTIONARY OF WORCESTER PORCELAIN (vol. I). Woodbridge, UK: Antique Collectors’ Club, 1996. p.112.
140 PAIR ARMORIAL PORCELAIN COVERED JARS
139 ARMORIAL PORCELAIN COVERED WARMING DISH
$300-500
late 19th century, arms of Boume with gilt vine design; H7 1/2” W16” D11 3/4”
$400-600 Provenance: Camden, South Carolina collection Literature: Howard, David S. CHINESE ARMORIAL PORCELAIN. London: Faber & Faber, 1974. p.425. Howard, David S. CHINESE ARMORIAL PORCELAIN (vol.II). Chippenham, UK: Heirloom & Howard Ltd., 2003. p.177. Sandon, John. THE DICTIONARY OF WORCESTER PORCELAIN (vol. I). Woodbridge, UK: Antique Collectors’ Club, 1996. p.112. Other Notes: The original Chinese armorial service (c.1765) was supplemented by a small number of Dr. Wall Worcester replacement pieces, probably within a decade of the original order. Subsequent orders were placed from China after the initial heraldic design. The Boume family name does not exist in public records except for the coat of arms, although it has been suggested that a Mr. Boome [sic] of Putney, documented accountant and “writing master”, might have administered the first order.
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138
20th century, arms of Boume with gilt vine design and floral sprays; H8” W6 1/4” D6” (2pcs) Provenance: Camden, South Carolina collection Literature: Howard, David S. CHINESE ARMORIAL PORCELAIN. London: Faber & Faber, 1974. p.425. Howard, David S. CHINESE ARMORIAL PORCELAIN (vol.II). Chippenham, UK: Heirloom & Howard Ltd., 2003. p.177.
140
Sandon, John. THE DICTIONARY OF WORCESTER PORCELAIN (vol. I). Woodbridge, UK: Antique Collectors’ Club, 1996. p.112.
141 ARMORIAL PORCELAIN PLATTER late 19th century, gilt interlocking leaf band and floral sprays centering possible impaled arms of Jones; H2” W13 1/4” D11”
$300-500 Provenance: Camden, South Carolina collection Literature: Howard, David S. CHINESE ARMORIAL PORCELAIN (vol.II). Chippenham, UK: Heirloom & Howard Ltd., 2003. p.477.
CELEBRATING 85 YEARS
141
OF
DISCOVERING EXTRAORDINARY OBJECTS
142 CHINESE ARMORIAL PORCELAIN PLATES circa 1780-1800, octagonal soup plate bearing the arms of Morieux of Suffolk, H1 3/4” Dia.9”; together with American market pseudo-armorial plate, Dia.10” (2pcs)
$300-500 Provenance: Fitzgerald, Georgia private collection Literature: Howard, David S. CHINESE ARMORIAL PORCELAIN. London: Faber & Faber, 1974. p.657. Other Notes: The Morieux family were important gentry in the 14th century and Sir Thomas Morieux served as a constable of the Tower of London. The porcelain service was likely ordered by an 18th century descendant. Morieux family history courtesy of Heirloom & Howard Ltd.
143 ARMORIAL PORCELAIN CHARGER 20th century, arms of Boume, gilt interlocking leaf bands and floral sprays; H2 1/2” W14 3/4”
$200-400 Provenance: Camden, South Carolina collection Literature: Howard, David S. CHINESE ARMORIAL PORCELAIN. London: Faber & Faber, 1974. p.425. Howard, David S. CHINESE ARMORIAL PORCELAIN (vol.II). Chippenham, UK: Heirloom & Howard Ltd., 2003. p.177. 143
Sandon, John. THE DICTIONARY OF WORCESTER PORCELAIN (vol. I). Woodbridge, UK: Antique Collectors’ Club, 1996. p.112.
144 CHINESE PORCELAIN MASONIC DISH, PROBABLY AMERICAN MARKET 18th/19th century, oval vignette of Masonic device; H1 1/8” Dia.5 3/4”
$100-200 Provenance: Camden, South Carolina collection
142
144
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145
146
147
145 ANTIQUE PERSIAN SERAPI CARPET
148 SEMI-ANTIQUE PERSIAN TABRIZ CARPET
151 SEMI-ANTIQUE RUSSIAN TURKMEN CARPET
circa 1890 11’10” x 14’9”
circa 1930 12’6” x 24’2”
7’3” x 11’1”
$14,000-20,000
$8,000-15,000
Provenance: Wilmington, North Carolina private collection
$700-1,000
Provenance: West Virginia collection
146 ANTIQUE PERSIAN TABRIZ CARPET 7’10” x 11’4”
149 TURKISH OUSHAK CARPET
$3,000-5,000
8’1” x 9’9”
$1,000-2,000 147 ANTIQUE INDO TABRIZ CARPET 19th/early 20th century 10’ x 12’8”
150 ANTIQUE PERSIAN HERIZ CARPET 9’5” x 12’5”
$3,000-5,000
$5,000-7,000
148
Provenance: Atlanta, Georgia private collection
149
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150
CELEBRATING 85 YEARS
151
OF
DISCOVERING EXTRAORDINARY OBJECTS
152
155
152 INDIAN AMRITZAR CARPET
154 SERAPI CARPET
156 ANTIQUE PERSIAN HERIZ CARPET
circa 1890 13’9” x 19’3”
12’ x 14’9”
8’6” x 11’6”
$2,000-3,000
$2,000-3,000
$7,000-10,000 Provenance: Atlanta, Georgia private collection
153 PERSIAN KASHAN CARPET
155 ANTIQUE PERSIAN SAROUK CARPET 9’ x 14’8”
$4,000-7,000
Provenance: Wilmington, North Carolina private collection
157 SERAPI CARPET
9’5” x 12’10”
9’3” x 11’11”
$500-1,000
$1,200-1,800
Provenance: Atlanta, Georgia collection
153
156
157
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Rare Georgian Desk
158 GEORGE III MAHOGANY TAMBOUR CYLINDER DESK circa 1790, domed tambour slides back to reveal writing surface with gilt-tooled olive-black leather panels, with central adjustable easel, having two frieze drawers, on square tapered legs with brass caps and casters; H39 1/2” W36 1/4” D24 1/4”
$3,000-5,000 Provenance: Atlanta, Georgia private collection Purchased from Alfred Bullard, Philadelphia in 1988
159 REGENCY MAHOGANY SIDE CHAIRS, SET OF EIGHT circa 1815, curved and beaded backslats, with slip seat on turned legs unified by block-and-ring turned X-stretcher; BH32 3/4” SH19 1/2” W20 1/4” D19” (8pcs)
$1,800-2,800 160 ENGLISH MAHOGANY LINEN PRESS
late 18th/early 19th century, rectangular molded top over pair flat-panel doors before linen slides, on bracket base; H43 3/4” W47 3/4” D21 3/4”
$800-1,200
160
158
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159
CELEBRATING 85 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
161 SHERATON STYLE MAHOGANY GAMES TABLE mid 19th century, scalloped folding top with conforming skirt centered with tablet, on reeded legs; H28 3/4” W36 1/2” D18”
$400-700 Provenance: Charlotte, North Carolina private collection
162 GEORGE III MAHOGANY SECRETARY BOOKCASE circa 1820, dentil-molded crown over divided glazed panel doors, lower part with slant front before fitted interior, over three long drawers, on bracket feet. H88” W42” D20 1/2”
$2,000-3,000 Provenance: Sarasota, Florida collection 163
163 WILLIAM XIV MAHOGANY SEWING STAND first half 19th century, hinged drop leaves, above drawer and sewing basket, supported by reeded and turned legs with casters; H29 1/2” W18 3/4” D18 1/4”
$700-1,000 164 GEORGIAN MAHOGANY BOWFRONT CHEST OF DRAWERS
162
second quarter 19th century, bowfront top over two short and three long graduated drawers, on bracket feet. H42 1/2” W42 1/2” D20 3/4”
$900-1,200 Provenance: Sarasota, Florida collection
165 CHINESE CHIPPENDALE STYLE CAMELBACK SOFA, POSSIBLY KITTENGER
164
late 19th century, serpentine back and outscrolled arms flanking bowed bench seat, on straight legs with blind fretwork unified by stretchers; BH34” D32” L81”
$700-1,000 Provenance: Charlotte, North Carolina private collection 161
165
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166 ENGLISH LEATHER TOP WRITING DESK
mid 19th century, rectangular top with inset crimson gilt-tooled leather panel, frieze with two drawers and opposing faux drawers, on trestle base with brass paw casters, joined by ring-turned stretcher; H29” W45 5/8” D21 3/8”
$700-1,000 Provenance: Charleston, South Carolina private collection 166
167 GEORGE III STYLE INLAID MAHOGANY CORNER CABINET
late 19th century, molded crown with canted corners, upper case with glazed door, lower case with paneled door, on bracket base; H78 1/4” W26 1/2” D15”
$800-1,200 168 GEORGE III MAHOGANY HANGING CORNER CABINET
circa 1810, molded crown inlaid frieze intricate mullion design with glazed panels; H46” W35” D20 3/8”
$500-800 168
169 GEORGIAN STYLE INLAID MAHOGANY CHEST OF DRAWERS
last half 19th century, molded edge top over configuration of drawers, shaped skirt and bracket feet; H38” W46 1/2” D23”
$700-1,000
167
169
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CELEBRATING 85 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
170 GEORGIAN INLAID MAHOGANY SERVER
circa 1810, oblong D-shaped top above frieze with drawer raised on tapered cuffed legs; H32 3/4” W58 1/4” D27”
$800-1,200 Provenance: Isle of Palms, South Carolina private collection
170
171 GEORGE III INLAID MAHOGANY BUREAU BOOKCASE
circa 1830, molded crown divided glazed panel doors; lower part with fitted desk drawer and long drawers on bracket feet; H86 1/2” W43 1/2” D22”
173 GEORGIAN STYLE CARVED OAK CORNER CHAIR 19th century, shaped crestrail above two vasiform splats flanked by ring-turned columns to shaped seatrail retaining slip seat, on turned legs with pad feet; BH33 1/2” SH18” W30” D25”
$1,500-2,500 172 PAIR HEPPLEWHITE STYLE MARQUETRY INLAID 171
$200-400 Provenance: Charleston, South Carolina private collection
CONSOLE TABLES
scrolling floral D-shaped inlaid top and skirt, on tapered legs; H31” W45” D19” (2pcs)
$700-1,000 Provenance: Mount Pleasant, South Carolina private collection
173
172
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174
174 ENGLISH MAHOGANY BOWFRONT CHEST OF
175
176
175 WILLIAM IV CIRCULAR MAHOGANY CENTER
178 GEORGE III MAHOGANY DUMBWAITER
DRAWERS
TABLE
mid 19th century, shaped and molded top over case with two short and three long drawers, with shaped skirt and splay feet; H41 1/4” W41 1/2” D20 1/2”
mid 19th century, bookmatched top on tulip-form pedestal and trefoil platform base, with turned feet; H29” Dia.50 3/4”
circa 1810, pie-crust tapered revolving tiers, supported by baluster column and saber legs with snake pad feet; H44 3/4” Dia.26”
$800-1,200
$1,200-1,800
$700-1,000 Provenance: Isle of Palms, South Carolina private collection
Provenance: Fitzgerald, Georgia private collection
176 ENGLISH INLAID SATINWOOD AND MAHOGANY DEMILUNE GAMES TABLE
early 19th century, circular hinged top with green baize playing surface, conforming skirt and tapered legs; H28 3/4” Dia.36 3/4”
$500-800 177 CHINESE CHIPPENDALE STYLE MAHOGANY KETTLE STAND
late 19th century, two tiers with pierced fretwork galleries unified by square legs with blind fretwork; labeled “Carvills, est. 1770”; H29 1/2” Sq.16”
$500-700 Provenance: Charlotte, North Carolina private collection
177
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178
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DISCOVERING EXTRAORDINARY OBJECTS
179 HEPPLEWHITE STYLE PAINTED SATINWOOD ARMCHAIR
19th century, pierced shieldback, sloping armrests, tapered legs with trumpet feet; BH39” SH18” W23” D18 1/2”
$300-600 Provenance: Camden, South Carolina collection
180 GEORGIAN MAHOGANY PEMBROKE TABLE 179
circa 1780, rectangular top with square-edged drop leaves, on frieze drawer, on tapered legs; H28 1/4” W37 3/7” open D33 3/4”
$500-700 181 GEORGIAN STYLE MAHOGANY SERVING TABLE
last half 19th century, rectangular top over three drawers, on molded chamfered legs with bun feet; H32” W54” D24”
$700-900 Provenance: Sarasota, Florida collection
182 HEPPLEWHITE STYLE INLAID MAHOGANY CURIO CABINET
180
arched crown, glazed panel doors and side lights, on tapered legs; H64 1/4” W25 1/4” D14”
$400-600 Provenance: Columbia, South Carolina estate
181
182
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183
184
183 EMERALD AND DIAMOND FASHION RING
186 FANCY COGNAC DIAMOND RING
floral-form design with diamond cluster center and emerald and diamond-set petals, approx. emeralds 3.7ctw and diamonds 2.7ctw; in 14K gold triple band setting; size 6.5
approx. 1.0ct round orange/brown color diamond, clarity VS1, flanked by approx. 0.08ct round diamonds in 14K gold setting; marked: MCJ
$1,000-1,500
Provenance: Oldsmar, Florida private collection
186
$1,000-1,500
Provenance: Oldsmar, Florida private collection
184 DIAMOND PENDANT ON CHAIN
187 PAIR DIAMOND CHANDELIER EARRINGS
2.2ct heart-shaped diamond, color JK, clarity VS2 in 14K white gold setting and accompanying chain; L16”
7.5ctw round, marquise and baguette-cut diamonds, color GH, clarity VS-SI, with pierced backs; H2 1/8” (2pcs)
$7,000-9,000
$6,000-9,000
185 ART DECO PLATINUM AND DIAMOND BRACELET
188 SAPPHIRE AND DIAMOND BRACELET AND RING
approx. 5.5ctw old European-cut diamonds, color FG, clarity VS; L8”
14K gold free-form link bracelet set with alternating diamonds and blue sapphires in various faceted cuts, L6 3/4”; together with 7.9 x 5.9mm oval sapphire surrounded by diamonds in 18K gold setting; size 5.5 (2pcs)
$7,000-10,000
187
$800-1,200 Provenance: Chicago, Illinois private collection 188
185
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DISCOVERING EXTRAORDINARY OBJECTS
189 PAIR SOUTH SEA PEARL AND DIAMOND EARRINGS 12.5mm white pearl surrounded by diamond pave-set round pierced mounts, diamonds approx. 4.5ctw, color D-E and clarity VS (2pcs)
$5,000-7,000 190 PAIR DIAMOND, SAPPHIRE AND PLATINUM EARRINGS
approx. 6.0ctw round and baguette diamonds, G-H color, accented by 4.5ctw deep blue sapphires in platinum pierced-ear clips; L3/4” (2pcs)
$500-1,000 Provenance: Chicago, Illinois private collection
191 DIAMOND LINE BRACELET 5.0ctw round brilliant-cut diamonds, color F-G, clarity VS in 18K white gold; L7”
$5,000-7,000
189
192 CULTURED WHITE PEARL NECKLACE
193 MIKIMOTO AND HERITAGE CULTURED PEARL
9.5-11.5mm graduated pearls ending with diamond and 14K white gold clasp; L19”
NECKLACES
$500-800 Provenance: North Carolina private collection
Mikimoto single strand of 5mm white pearls with sterling clasp, L15”; and Heritage single strand of 7mm white pearls with 14K white gold clasp, L16 1/4”; with original boxes (2pcs)
$400-800 Provenance: Mount Pleasant, South Carolina private collection
190
192
193 9one of two)
191
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194 ENGLISH MAPLE AND MIXED WOOD HORSE-DRAWN BUGGY
late 19th/early 20th century, fully restored, two-seat design with storage compartment and rack; H69” W60” L145”
$1,000-2,000 Provenance: Camden, South Carolina private collection
194
195 WALLACE GRAND BAROQUE PATTERN STERLING FLATWARE SERVICE circa 1941, comprising: 11 hollow handle steak knives, L9 1/2” 17 hollow handle knives, L8 1/2” 15 hollow handle spreaders, L6 1/4” 18 forks, L7 1/2” 19 forks, L6 1/2” 16 round soups, L6” 10 iced teaspoons, L7 1/2” 25 teaspoons, L6” 4 demitasse, L4” sugar spoon, L6 1/4” master butter, L6 1/4” Total 132.0oz Troy weighable (137pcs)
$3,000-4,000 Provenance: Atlanta, Georgia private collection 195
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DISCOVERING EXTRAORDINARY OBJECTS
198 GORHAM STERLING TEA AND COFFEE SERVICE WITH TRAY dated 1909-1957, Plymouth pattern, comprising: hot water kettle, H14” coffeepot, H9 1/2” teapot, H7” covered sugar, H5 1/2” creamer, H6 1/4” wastebowl, H3 3/4” silverplate waiter, L25 1/2” each marked and engraved initials on kettle Total 110.0ozT weighable all in (7pcs)
$2,000-3,000 Provenance: Lynchburg, Virginia private collection 196
196 MEXICAN STERLING COFFEE SERVICE, BY P. LOPEZ G.
197 TUTTLE ONSLOW PATTERN
highly designed set with wood handles, comprising: coffeepot, H9 1/2” creamer, H5 1/2” sugar, H5 1/2” tray, L25” marked: P. LOPEZ G., MADE IN MEXICO, STERLING 0.925 Total 117.0ozT (4pcs)
circa 1931, comprising: 12 hollow handle knives, L9 1/2” 12 hollow handle knives, L8 3/4” 12 spreaders, L6” 12 forks, L8” 12 forks, L7 1/4” 12 forks, L6” 12 oval soups, L7” 12 round soups, L6 1/2” 12 iced teaspoons, L7” 12 teaspoons, L6” 4 serving spoons, L8 1/4” Total 177.0ozT weighable (124pcs)
$2,000-3,000 Provenance: Atlanta, Georgia private collection
STERLING FLATWARE
$3,000-4,000 Provenance: Griffin, Georgia private collection
198
197
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199 GEORGIAN STERLING TRAY BY WILLIAM STROUD London, dated 1926, gadroon edged oval design; complete hallmarks; L22” W16” and 100.0ozT
$1,500-2,000 Provenance: Griffin, Georgia private collection
200 AMERICAN COIN SILVER CAKE BASKET, WILLIAM GALE & SON New York, dated 1856, oval on pedestal with rope-twist bands and handle, engraved MN 15TH MAY, 1856; marked on base, H4 1/2” L13 1/4” W8 1/2”, and 18.0ozT
$700-1,000 Provenance: Charlotte, North Carolina private collection 199
201 VICTORIAN STERLING PEDESTAL PUNCH BOWL London, dated 1884, ribbon and reed bowl flanked by ring and mask handles; complete hallmarks and worn maker’s punch; H6 1/4” Dia.12”, and 38.5ozT
$600-900 Provenance: Savannah, Georgia private collection
202 GEORGE III STERLING TANKARD BY WILLIAM BURCH OR WALTER BRIND London, dated 1791, domed-hinged cover with plain thumbpiece, scroll handle and banded flared body, complete hallmarks; H5 1/2” and 14.5ozT
200
$600-900 Provenance: New Hampshire collection
202
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201
CELEBRATING 85 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
205 REED & BARTON STERLING BOWL, FLATWARE AND SERVING PIECES Reed & Barton bowl, H4” L12 1/2” set of 11 Chambord pattern cocktail forks, L15 1/4” baby cup, H2” infant spoon pair Gorham shakers, H4 1/2” 4 sterling napkin rings pair Danish enameled silver salt sets filigree basket of flowers, H3” 3 spoons, L6” and 7” coin silver salt spoon, L3 3/4” hollow handle orange knife and hook, L8 1/2” and 6” silverplate napkin ring Total 35.0ozT weighable (29pcs)
$400-600 Provenance: Savannah, Georgia private collection
206 GEORGE II STERLING CREAMER AND RARE EARLY PAIR POLISH SILVER SALTS 203
203 ENGLISH SILVERPLATE CENTERPIECE late19th century, Henry Wilkinson & Co Ltd epergne, H23 1/2” Dia.15”; and well-matched pair of tazza stands by another maker; H10” Dia.8” (3pcs)
$500-900 Provenance: Pennsylvania private collection
creamer with partially worn marks c. 1755, H3 3/4”; and pair Polish silver salts, dated 1797; H1 1/2” W2 1/8” D2”; total 6.5ozT (3pcs)
$300-400 204 COLLECTION STERLING, SILVER AND PLATED PICTURE FRAMES
Provenance: New Hampshire collection
various designs, makers and sizes from H3 3/4” W3” to H13” W9 1/2” (32pcs)
$1,000-2,000 Provenance: Charlotte, North Carolina private collection
206
204 (part of 32pcs total)
205
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207
208
207 TIFFANY & CO STERLING INDIVIDUAL COFFEEPOT AND CREAMER New York, circa 1891-1902, flared form with elongated handle and spout adorned with acanthus die-rolled band and engraved with initials GHS; marked: Tiffany & Co, 5250/4338, sterling silver, 925-1000, T; and the other 5230/3519; coffeepot H5 1/2”, creamer H4”, and 14.0ozT (2pcs)
$300-500 Provenance: South Carolina collection
208 SILVERPLATE CANDLESTICK SET, PROBABLY FRENCH 19th/20th century, acanthus design, indistinctly marked; H9 1/4” (4pcs)
$300-500 Provenance: Charlotte, North Carolina private collection
209 GEORGIAN STYLE INLAID MAHOGANY BREAKFRONT BOOKCASE mid 19th century, dentil-molded crown, above divided glazed panel doors, on molded inlaid lower part with panel doors and bracket feet; H90 1/4” W80” D21”
$3,000-6,000 Provenance: Isle of Palms, South Carolina private collection
209
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DISCOVERING EXTRAORDINARY OBJECTS
210 GEORGIAN MAHOGANY REVOLVING DRUM/RENT TABLE first half 19th century, round crossbanded leather-inset top, on turned baluster pedestal, saber legs with brass casters; H28 3/4” Dia.47 1/2”
$1,800-2,500 Provenance: Sarasota, Florida collection
211 ENGLISH INLAID MAHOGANY PEDESTAL BRANDY BOARD circa 1880, rectangular top with beaded edge over configuration of drawer and doors, on splay feet; H36 1/2” W43 1/2” D19 3/4”
$600-900 210
212 PAIR BAKER LIBRARY ARMCHAIRS upholstered carved mahogany frame; BH40” SH18” (2pcs)
$600-900 Provenance: Camden, South Carolina collection
213 HEPPLEWHITE STYLE INLAID MAHOGANY SIDEBOARD late 19th century, brass gallery above bowfront top and configuration of drawers and doors, tapered legs and spade feet; H48” W54 1/4” D21”
$1,000-1,500
212
213
211
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214 ENGLISH WALNUT CHEST OF DRAWERS late 18th century, rectangular molded top over five-drawer case, on base with ogee bracket feet; H34 1/2” W37 1/4” D18 3/4”
$1,200-1,800 Provenance: Fitzgerald, Georgia private collection
215 PAIR GEORGE III MAHOGANY AND UPHOLSTERED SIDE CHAIRS
circa 1770, serpentine crest over strapwork splat, overupholstered seat on tapered legs with H-stretcher; BH39” SH20” W21 1/2” D20 1/2” (2pcs)
$600-900 214
216 REGENCY LEATHERTOP MAHOGANY WRITING TABLE
circa 1810, rectangular form with gilt-tooled olive leather writing surface, on tapered legs with boxwood stringing; H27 1/2” W18 1/8” D28 3/8”
$500-700 217 HEPPLEWHITE STYLE PAINT-DECORATED MAHOGANY LINEN PRESS
circa 1840, pierced swan’s-neck pediment centering finial, over pair of doors decorated with cartouches of musical instruments and scrolling ribbons, lower part with three drawers, with shaped skirt and splay feet; H92” W51 1/2” D23”
217 215
$1,500-2,000 Provenance: Fitzgerald, Georgia private collection
218 ADAM STYLE PAINTED SATINWOOD CABINET
breakfront rectangular top above doors opening to shelves, adorned with musical trophy vignettes and floral swags; H36” W54” D19”
$800-1,200 Provenance: Columbia, South Carolina private collection 218
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DISCOVERING EXTRAORDINARY OBJECTS
219 REGENCY STYLE MAHOGANY DROP-LEAF TABLE
19th century, rectangular top with canted corners over opposing frieze drawers, on four-column platform base with saber legs, brass caps and casters; H29 3/4” W38 3/4” open D50 1/4”
$500-800 Provenance: Fitzgerald, Georgia private collection
220 GEORGE III MAHOGANY SECRETARY BOOKCASE
late 18th century, dentil-molded swan’s-neck pediment over pair astragal-glazed doors before adjustable shelves, lower part with fall front concealing interior fitted with drawers and pigeonholes, central mirrored door flanked by pullouts faced with twist half columns, over four long graduated drawers, two small upper drawers supporting lowered fallboard, with bracket base; H92” W45 1/4” D21”
219
$2,000-4,000 Provenance: Charlotte, North Carolina private collection
221 CHIPPENDALE STYLE CHINOISERIE BLACK LACQUER WRITING DESK
220
last half 19th century, gadroon gilt edge and leather top over three drawers, on pedestals with doors and bracket bases; H32” W59” D24 1/2”
222
$600-900 Provenance: Camden, South Carolina collection
222 GEORGIAN STYLE MAHOGANY BOWFRONT CHEST OF DRAWERS mid 19th century, shaped top over conforming case with two short and three long graduated drawers, on bracket base; H38” W41 3/4” D21”
$700-1,000 Provenance: Fitzgerald, Georgia private collection
221
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223 ENGLISH MAHOGANY BEAU BRUMMELL/DRESSING TABLE mid 19th century, hinged divided lift top, opening to fitted interior, above drawers, tapered legs with casters; H35” W30” D19”
$500-1,000 224 SHERATON MAHOGANY BOWFRONT SIDEBOARD circa 1820, bowfront top over long drawer and two doors, on tapered legs with spade feet; H39” W54” D25”
$1,800-2,500 Provenance: Sarasota, Florida collection
225 PAIR CHINESE CHIPPENDALE STYLE MAHOGANY SILVER TABLES
223
full gallery and piercework frieze, on bundled reeded legs unified by scrolling stretchers centering finial, on block feet; H26 1/2” W24 1/2” D16 1/2” (2pcs)
$800-1,200 Provenance: Charleston, South Carolina private collection
226 GEORGIAN MAHOGANY DINING CHAIRS circa 1790, assembled set of eight, comprising two sets of four; carved crestrail, pierced splat, tapered reeded legs joined by molded stretcher; BH34” SH18” W20” D17” (8pcs)
$1,500-2,200
224
226
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225
CELEBRATING 85 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
227 CHINESE CHIPPENDALE STYLE MAHOGANY GAMES TABLE
circa 1800, hinged top, molded skirt, carved molded legs; H29” W36” D17 1/2” and 35” open
$800-1,200 228 LOUIS XVI STYLE BOULLE AND BLACK LACQUER CARD TABLE
late 19th century, hinged top with lobed corners opening to green baize playing surfact, with conforming skirt, on tapered fluted legs with trumpet feet; H30 1/4” W35 1/2” D17 3/4”
227
$700-1,000 231
229 PAIR CHIPPENDALE STYLE LEATHER-UPHOLSTERED WINGBACK CHAIRS, BY CENTURY serpentine back and seat, on stop-fluted legs; BH44 1/4” SH22” W35” D34” (2pcs)
$600-900
228
19th century, garland, leaf and balustrade design; H22” W11 1/2” D27” (2pcs)
$1,000-2,000
Provenance: Fitzgerald, Georgia private collection
Provenance: Mount Pleasant, South Carolina private collection
230 WILLIAM & MARY STYLE NEEDLEWORK
232 PAIR FRENCH GILT-BRONZE MOUNTED MARBLE
UPHOLSTERED WALNUT ARMCHAIR
URNS
rectangular back with serpentine arms and scroll handrests, on turned supports, overupholstered seat on block-and-turned legs; BH45 1/2” SH18” W25” D31”
late 19th century, Classical design; H9 1/2” W8 1/2” (2pcs)
$500-800
Provenance: Fitzgerald, Georgia private collection
Provenance: Columbia, South Carolina private collection
229
231 PAIR LOUIS XVI STYLE GILT-BRONZE CHENETS
$300-500
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234
236 ENGLISH CAST-IRON FIGURAL BOOTSCRAPE 19th century, bronze standing horse atop cast-iron stand and scrape; H17” W17” D11”
$300-500 Provenance: Fitzgerald, Georgia private collection
237 PAIR RENAISSANCE REVIVAL CAST-IRON BRACKETS 233
233 PAIR AUSTRIAN ORMOLU-MOUNTED BRONZE FOUR-LIGHT CANDELABRA, STAMPED first half 20th century, decorated in the French taste; stamped: Made in Austrian MRR(?); H22 1/2” Dia.6” (2pcs)
$300-500 Provenance: Pennsylvania private collection
19th century, pierced shelf and back supported by gargoyle mask; H9” W7” D5” (2pcs)
$300-500 Provenance: Augusta, Georgia private collection 235
238 ENGLISH BRASS JARDINIERES 19th century, each similar design with lion’s mask and hairy-paw feet; H6” W10” to H8” L20” (4pcs)
$300-500 234 LOUIS XVI STYLE GILT-METAL CHENETS
Provenance: Mount Pleasant, South Carolina private collection
late 19th century, flame-and-urn pedestal with lion’s-mask and swag designs, on adjustable balustrade fender; H14” L46” (3pcs)
$600-800 237
235 COLLECTION OF IRONWORK AND WEATHERVANE pair andirons, H12” hook, H24” stake, H9” weight, H6” weathervane, H14” W19” (6pcs)
$200-400 Provenance: St. George, South Carolina private collection 236
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240
239
239 ENGLISH AND CONTINENTAL BRASS CANDLESTICKS, CANDELABRA AND INKWELL 19th/20th century, comprising: 11 candlesticks, H6” to 12 1/2” 3 candelabra, H7” to 12 1/2” inkwell H2 1/2” L9” (15pcs)
$300-500 Provenance: Mount Pleasant, South Carolina private collection
240 ENGLISH AND CONTINENTAL BRASS CANDLESTICK
243 CLASSICAL BRONZE STANDING FIGURE
COLLECTION
late 19th century, woman with headdress and draped robe; H13 1/2”
19th century, comprised of six pairs in various patterns; H9” to 21” (12pcs)
$300-500
$200-400 Provenance: Pennsylvania private collection
Provenance: Mount Pleasant, South Carolina private collection
241 CAST-METAL INKWELL AND CANDLESTICK SET late 19th century, reeded design with patinated finish; inkwell, H5” and pair candlesticks, H6 1/2” (3pcs)
$200-400 Provenance: New Hampshire collection
242 PAIR CLASSICAL BRONZE-METAL FIGURES H18” and 20” (2pcs)
$200-300 Provenance: Aiken, South Carolina private collection
242
241
243
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Extraordinary Dining Table
244 WILLIAM IV INLAID MAHOGANY AND BRASS BANQUET TABLE
circa 1835, crossbanded rectangular top fitted with three 25 1/2” leaves, supported by double pedestal and quatrefoil base on winged paw brass feet with casters; H28 1/2” W61 1/2” L147” open
$4,000-7,000 Provenance: Columbia, South Carolina private collection Purchased in England in the 1980s
244
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246
245
245 GEORGE III INLAID MAHOGANY DINING CHAIRS circa 1800, assembled set of ten, comprising: suite of six and four similar; concave crestrail, tapered legs joined by stretcher; BH35” and 34”, SH19” and 18” (10pcs)
$1,500-2,000
246 SCOTTISH CARVED MAHOGANY BOWFRONT
247 GEORGE III INLAID MAHOGANY BOWFRONT
SIDEBOARD
CHEST OF DRAWERS
circa 1800, superstructure of sliding panels centering tablet with recessed oval centering relief-carved urn issuing bunches of grapes and vines, on breakfront case with three drawers flanked by wine drawers with lion’shead ring pulls, on tapered legs with elongated feet; H42 7/8” W81 1/2” D33”
first half 19th century, crossbanded top, configuration of drawers, shaped skirt and spade feet; H43” W43” D21”
$700-1,000
$2,000-4,000
247
248
249
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250
248 REGENCY STYLE MAHOGANY BRASS-MOUNTED
252
250 FOUR CHIPPENDALE STYLE CARVED MAHOGANY
253 GEORGIAN STYLE CARVED MAHOGANY BOOKCASE
CHIFFONIER
SIDE CHAIRS
late 19th/early 20th century, gallery top with mirrored back and turned brass column supports, over doors with brass latticework panels, on brass paw feet; H52” W36” D20”
circa 1790, serpentine crest and latticework splat, with slip seat in plain rails, on straight legs with H-stretcher; BH38” SH19” W21” D19” (4pcs)
mid 19th century, molded crown over pair of thirteen-light doors, on shaped base carved with acanthus and leafy tendrils, with ball-and-claw feet; H76 1/4” W46 1/2” D15 1/8”
$1,000-2,000
$1,200-1,600
$600-900 Provenance: Camden, South Carolina collection
249 GEORGE III MAHOGANY RENT TABLE first quarter 19th century, red leather inset top, over skirt with four short drawers, on turned pedestal on saber legs with elaborate brass ball-and-claw feet; H29 3/8” Dia.42”
$3,500-5,000
251 ENGLISH INLAID MAHOGANY BOWFRONT CHEST OF DRAWERS
first half 19th century, shaped top over conforming case with four long graduated drawers, on bracket base; H37 1/2” W43 1/2” D24 3/4”
$800-1,200 Provenance: Charlotte, North Carolina private collection
Provenance: Sarasota, Florida collection
252 WILLIAM IV CARVED ROSEWOOD RECAMIER circa 1835, outturned scrolling headrest and support, molded skirt with rosettes on reeded tapered legs with casters; H35” W78” D29”
$800-1,200
253
251
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254
255
254 REGENCY INLAID MAHOGANY BOWFRONT
255 GEORGE III MAHOGANY DROP-LEAF WAKE TABLE
SIDEBOARD
circa 1800, hinged oval top with thumbnail edge, on square beaded legs; H29” W82 1/4” D54” open
circa 1800, brass gallery on shaped top, over corresponding case with central and valanced drawers flanked by curved door and wine drawer, on ringturned legs; overall H52 1/4” H36 1/2” W60 1/8” D24 1/2”
$1,200-1,600 Provenance: Charleston, South Carolina private collection
$1,400-1,800
256 ENGLISH INLAID MAHOGANY BOWFRONT CHEST
Provenance: Ft. Lauderdale, Florida private collection
OF DRAWERS
mid 19th century, with four graduated drawers on bracket feet; H43 1/2” W37 1/2” D20”
$600-900 257 CHIPPENDALE STYLE CARVED PINE CHEST ON CHEST BY CHAPMAN broken-arch pediment over configuration of drawers; on lower part with shell-carved drawers on ogee bracket feet; H91” W4” D21”
$1,000-2,000 Provenance: Columbia, South Carolina private collection
256
257
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260
258
258 ENGLISH CHINOISERIE AND BLACK LACQUER CORNER CABINET
18th/19th century, bowfront, with molded cornice over two doors, decorated with extensive scenes of everyday Chinese life; H37 5/8” W24 1/4” D15 3/4”
$400-600 Provenance: Charlotte, North Carolina private collection
261
259 ENGLISH MAHOGANY SERVER
262 ENGLISH MAHOGANY BEDSIDE CABINET
late 19th century, rectangular top with thumbnail edge over case with three ogee-form drawers, on tapered legs; H42 3/8” W49” D17”
early 19th century, tray top with pierced handles, case with cupboard doors over faux slide-out drawer, on beaded legs; H29 3/4” W21 1/2” D18 1/2”
$700-900
$300-500
Provenance: Fitzgerald, Georgia private collection
Provenance: Charlotte, North Carolina private collection
260 HEPPLEWHITE MAHOGANY BREAKFAST TABLE first quarter 19th century, hinged leaves over short drawer on tapered legs with casters; H28” D39” W21” and 40” open
$500-700 261 HEPPLEWHITE STYLE INLAID MAHOGANY SIDEBOARD
last quarter 19th century, crossbanded breakfront top over two drawers and door, on tapered legs; H36 1/2” W54 3/4” D22”
$1,400-2,000 Provenance: Sarasota, Florida collection
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DISCOVERING EXTRAORDINARY OBJECTS
264 HEPPLEWHITE STYLE INLAID MAHOGANY SILVER CHEST
hinged top over long drawer opening to fitted lined interior, on tapered legs with spade feet; H32 1/2” W27 1/2” D12 1/2”
$400-600 Provenance: Griffin, Georgia private collection
265 AFGHAN CARPET 6’ x 6’4’’
$2,000-3,000 266 PERSIAN ISFAHAN CARPET 3’6” x 5’
$700-1,000 Provenance: Columbia, South Carolina private collection
263
263 GEORGIAN MAHOGANY COMMODE STAND circa 1820, top with three-quarter gallery over case with door concealing chamberpot and two drawers, on square legs; H30 1/4” W20 1/2” D20 1/4”
268
268 ANTIQUE PERSIAN OASHGAI CARPET
267 CAUCASIAN KAZAK RUNNER
6’8’’ x 9’11’’
late 19th century 3’8” x 7’2”
$600-900
$1,500-2,500 Provenance: Atlanta, Georgia private collection
$300-500 Provenance: Charlotte, North Carolina private collection
264
265
267
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269
271
272
269 ANTIQUE PERSIAN SULTANABAD CARPET
271 OUSHAK CARPET
273 KAZAK CARPET
7’1” x 9’10”
6’ x 8’10”
5’4” x 9’6”
$2,000-3,000
$600-900
$600-800
270 PERSIAN HAMEDAN CARPET
272 KASHAN CARPET
274 CAUCASIAN SHIRVAN RUNNER
5’5” x 6’7”
6’2” x 9’1”
$300-500
$1,000-1,500
first half 20th century 4’3” x 5’10”
$300-500
Provenance: Atlanta, Georgia collection
Provenance: Atlanta, Georgia private collection
270
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273
CELEBRATING 85 YEARS
274
OF
DISCOVERING EXTRAORDINARY OBJECTS
275 STEINWAY & SONS MODEL B GRAND PIANO WITH PIANO DISC SYSTEM
circa 2003, serial no. 567304, accelerated action hexagrip pinblock diaphragmatic soundboard in ebony finish with bench; piano H39” L84” W57 1/2” and bench H19” W24” D16”
$15,000-25,000 Provenance: Columbia, South Carolina private collection
275
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277 SOUTHERN STONEWARE STORAGE JAR, DAVE SIGNED LM South Carolina, circa 1840, well-formed rim and neck leading to ovoid body flanked by high handles; incised: LM and opposing side with double slash; H13 1/2”
$2,000-3,000 Provenance: Edgefield, South Carolina private collection
278 SOUTHERN STONEWARE STORAGE JAR, ATTRIBUTED TO RHODES South Carolina, circa 1830, outturned rim above pronounced shoulder flanked by ear-form handles on ovoid body, shoulder with incised numeral 5; H15”
278
$1,000-2,000 Provenance: Edgefield, South Carolina private collection
276
276 SOUTHERN DECORATED STONEWARE STORAGE JAR, THOMAS CHANDLER Edgefield District, South Carolina, circa 1845, wide outturned rim on ovoid body flanked with wide handles, each side slip-decorated with floral motif; H15”
$4,000-6,000 Provenance: Sumter, South Carolina private collection
279 COPPER-GLAZED REDWARE POTTERY JUG, POSSIBLY NORTH CAROLINA MORAVIAN 19th century, narrow top over bulbous body and strap handle; H6 1/2”
$300-400 Provenance: Oldsmar, Florida private collection
280 PREHISTORIC MIMBRES POTTERY circa 950-1150 AD, maize-decorated interior; H5” Dia.10 3/4”
$500-800
279
Provenance: Atlanta, Georgia private collection
281 SEMINOLE DECORATED STONEWARE VESSELS BY MIKE DANIEL each signed, H2 1/2” to 5 1/2” (6pcs)
$300-500 Provenance: Atlanta, Georgia private collection Other Notes: Mike Daniel’s work can be found in the collection of the National Museum of the American Indian-Smithsonian Institution, Washington, DC.
277
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280
CELEBRATING 85 YEARS
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DISCOVERING EXTRAORDINARY OBJECTS
284 ALICE RAVENEL HUGER SMITH (South Carolina, 1876-1958) CHARLESTON MARSH SCENE watercolor, framed, signed lower right; Alice R. H. Smith sight size H8 1/2” W11”
$2,000-3,000 Provenance: Columbia, South Carolina private collection
282
282 CHARLESTON SWEETGRASS BASKETS AND BOWLS
284
2 baskets, H16” and 17” bowl, H3 1/2” Dia.13” centerbowl, H3” Dia.21” vase, H5” Dia.7” (5pcs)
285 ALFRED HUTTY
$300-600 Provenance: Isle of Palms, South Carolina private collection
(South Carolina, 1877-1954) ALONG THE HUDSON monoprint, framed, pencil signed lower right image size H8” W10”
283 WILLIAM MELTON HALSEY
$800-1,200 Provenance: Isle of Palms, South Carolina private collection Carolina Prints, Charleston, South Carolina
(South Carolina, 1915-1999) SCREEN, 1984 oil & collage on panel, framed, signed lower right, dated, titled & signed verso H40 1/2” W19”
$4,000-6,000 Provenance: Myrtle Beach, South Carolina private collection
281
283
285
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289 FRANK GALSWORTHY (South Carolina/British, 1863) SPRING GARDEN SCENE watercolor, framed, signed lower left sight size H14 1/4” W19 1/4”
$600-900 Provenance: Vero Beach, Florida private collection
290 ALFRED HEBER HUTTY
287
287 DAVID SILVETTE
(South Carolina/New York, 1877-1954) SOUTH PINES etching, framed, signed in pencil image size H8” W7”
$600-900
(Virginia, b, 1909) WORKSHOP oil on board, unframed, signed upper left and verso H22” W28”
Provenance: Vero Beach, Florida private collection
$400-600 Provenance: Arlington, Virginia private collection
288 VIRGINIA FOUCHE BOLTON (South Carolina, 1929-2004) SPANISH COURTYARD watercolor, framed, signed lower right sight size H20 1/2” W13 1/2” 289
$400-600 Provenance: Myrtle Beach, South Carolina private collection 286
286 TOM H. WILLIAMS SCULPTURE (Georgia, 20th century) STANDING NUDE FEMALE carved mahogany on base, signed: THW 94 H70” W26” D19”
$500-1,000 Provenance: Atlanta, Georgia private collection Other Notes: Tom H. Williams is a bronze and wood sculptor based in of Atlanta, Georgia. His work has been exhibited and sold throughout the southeast and in Oregon. Currently, he is an instructor at Spruill Center for the Arts in Atlanta. 288
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290
OF
DISCOVERING EXTRAORDINARY OBJECTS
291
293
292
291 ELIZABETH O’NEILL VERNER
293 ELIZABETH O’NEILL VERNER
(South Carolina, 1883-1979) BIT OF LEGARE STREET, CHARLESTON etching, framed, signed & titled in pencil lower margins image size H5” W3 1/4”
(South Carolina, 1883-1979) ST PHILIPS GATEWAY, CHARLESTON etching, framed, signed & titled in pencil lower margins image size H2 1/2” W2”
$600-900
$500-800
Provenance: Charleston, South Carolina private collection
Provenance: Charleston, South Carolina private collection
295
294 JOSEPH WALLACE KING VINCIATA (North arolina/Washington, DC, 1911-1996) PORTRAIT OF JENNIFER oil on canvas, framed, signed lower left H30” W40”
$400-800 Provenance: Atlanta, Georgia private collection
292 ELIZABETH O’NEILL VERNER
296
295 VIRGINIA FOUCHE BOLTON
(South Carolina, 1883-1979) THROUGH WINTER BRANCHES etching, framed, signed & titled in pencil lower margins image size H4” W2 1/2”
(South Carolina, 1929-2004) ST. PHILLIPS PORTICO, LOOKING SOUTH mixed media, framed, signed sight size H17” W12 1/2”
$600-900
$400-600
Provenance: Charleston, South Carolina private collection
Provenance: Myrtle Beach, South Carolina private collection
296 JAMES FOWLER COOPER (ATTRIBUTED TO) (South Carolina, 1907-1968) LIVE OAK NEAR PLANTATION HOUSE etching, framed, unsigned image size H5” W7 1/2”
$400-600 Provenance: Columbia, South Carolina private collection
294
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297 ROBERT MILLS (South Carolina, 1920-1981) GIRL ON BEACH oil on canvas, framed, signed lower left H20” W24”
$300-500 Provenance: Columbia, South Carolina private collection
298 CARSON SUTHERLIN DAVENPORT (Virginia, 1908-1972) QUARRY watercolor, unframed, signed & titled lower right and verso H17 3/4” W22 1/4”
$300-500 Provenance: Arlington, Virginia private collection
298
301 GEORGE DANIEL HOFFMAN (South Carolina/New York, 1915-1999) FLORAL STILL LIFE pastel on paper, unframed, signed lower right H25 1/2” W19 1/2”
$200-300 Provenance: South Carolina collection 302
299 CHARLES WILLIAM SMITH
302 FEDERAL MAHOGANY CARD TABLE
(Virginia, 1893-1987) six works: STAIRCASE, SHIP BUILDING, ROWING, FISHING, and ABSTRACT, wood cut, unframed, signed and some titled, sheet sizes H9” W11” to 12 1/2” W9 1/2” together with two Southern scenes by unidentified artist, image sizes H7 1/2” W6” and H6” W6” (8pcs)
circa 1800, shaped elliptical top with chevron banding, over conforming skirt on reeded legs headed by flattened ball turnings and leaf-carved flange, with ring-and-ball turned feet upon brass ball caps; tulip poplar and white pine secondary woods; H30 1/4” W36” D37” open
$2,000-4,000 Provenance: Atlanta, Georgia private collection
$300-500 301
Provenance: Arlington, Virginia private collection
Literature: See DUNCAN PHYFE AND THE ENGLISH REGENCY, 1795-1830, by Nancy McClelland, p.149, pl.129. Other Notes: The five-leg arrangement is characteristic of New York City, and is seen on card tables made by both Duncan Phyfe and John Dolan.
300 MICHAEL BURTON (Georgia, 20th century) UNTITLED, RIVER color ektachrome photographic print on paper, framed, signed lower right image size H28” W40”
$200-400 Provenance: Atlanta, Georgia private collection
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299 (one of eight)
300
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DISCOVERING EXTRAORDINARY OBJECTS
306 FEDERAL INLAID MAHOGANY CARD TABLE circa 1800, folding elliptical top over conforming skirt centered with banded tablet, on tapered reeded legs extending to elongated feet with brass caps and casters; cherry and white pine secondary woods; H30 7/8” W36” D36” open
$2,000-4,000 Provenance: Atlanta, Georgia private collection Literature: See DUNCAN PHYFE AND THE ENGLISH REGENCY, 1795-1830, by Nancy McClelland, p.149, pl.129.
303
Other Notes: The five-leg arrangement is characteristic of New York City, and is seen on card tables made by both Duncan Phyfe and John Dolan.
303 FEDERAL INLAID MAHOGANY BOWFRONT CHEST OF DRAWERS, POSSIBLY MARYLAND/EASTERN VIRGINIA
307 AMERICAN MAHOGANY BOWFRONT CHEST OF DRAWERS, NEWPORT, RHODE ISLAND
early 19th century, bowfront top over four long graduated drawers, with scalloped skirt and splay feet; H35 3/4” W41” D21 1/2”
early 19th century, shaped top over conforming case with four graduated drawers, on valanced skirt with splayed feet; H38” W41” D22 5/8”
$1,500-2,500
$1,500-2,000
Provenance: New Hampshire collection
Provenance: Charleston, South Carolina private collection
305
304 AMERICAN EMPIRE MAHOGANY DROP-LEAF BREAKFAST TABLE
circa 1840, rectangular top with shaped leaves over frieze with single drawer and opposing faux drawer, with ring-turned column issuing four beaded saber legs with paw feet and casters; H29 1/8” W52 1/4” open D36 1/4”
306
$700-1,000 Provenance: New York City private collection
305 AMERICAN MAHOGANY LINEN PRESS 19th century, molded cornice over pair of paneled doors, on waist-molded lower part with two short and two long drawers, on bracket base; H81” W53 1/2” D22 1/2”
$2,000-3,000 Provenance: Charleston, South Carolina private collection 304
307
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Lincoln Wh ite House Dining Ch air s
308
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CELEBRATING 85 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
309 AMERICAN MAHOGANY PEMBROKE TABLE, ATTRIBUTED TO GEORGE WOODRUFF
308 ABRAHAM LINCOLN RENAISSANCE REVIVAL
circa 1840, rectangular top with shaped leaves, frieze and opposing faux drawers, tapered reeded legs with ankle collars and casters; H28 1/2” W46 1/2” open D35 7/8”
CARVED MAHOGANY CHAIRS
$800-1,200
American, circa 1860, arched crestrail flanked by rosette and carved drop designs, molded arched backrest and overupholstered seat, on tapered turned legs; BH38 1/2” SH19” W20” D18” (3pcs)
Provenance: New York City private collection
310 FEDERAL STYLE MAHOGANY TALL POST BED
$2,500-3,500 Provenance: President Abraham and Mary Todd Lincoln, The White House Robert Todd Lincoln (1843-1926) Hildene, Manchester, Vermont, son Robert Todd Lincoln Beckwith (1904-1985), Manchester, Vermont, grandson Owen Moon, Woodstock, Vermont, purchase Woodstock Country School, purchase Whitney’s Antiques, Woodstock, Vermont, by trade Pearl Williams Conn, Bethlehem, New Hampshire, 1962 purchase Roberta M. Carr, Concord, New Hamphire, 1976 purchase to present owner, an Oldsmar, Florida private collector
heavy beaded and ring-turned posts carved with acanthus and surmounted with finials, flanking arched headboard and unified by square-edged rails; with tester and additional headboard; H93” W66 1/2” L83 1/2”
$1,000-2,000 Provenance: Charleston, South Carolina private collection Other Notes: Handcrafted in the Charlton Hall Galleries cabinet shop, circa 1970.
310
311 LATE FEDERAL MAHOGANY CHEST OF DRAWERS circa 1825, rectangular top over two short and three long drawers, with scalloped skirt and turned legs; H42” W37 1/2” D20”
$800-1,000
Other Notes: These chairs originally from a suite of fourteen which were used at The White House in the formal dining room during the Lincoln administration.
Provenance: New Hampshire collection
Their succession of ownership is documented by several bills of sale and related papers, copies of which are available to purchaser. Present owner sold an armchair from this suite at Christie’s New York.
309
311
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312 ENGLISH NEOCLASSICAL INLAID MAHOGANY SECRETARY BOOKCASE
19th century, broken-arch pediment with inlaid shell oval, above glazed doors before adjustable shelves, on lower part with secretary drawer fitted with drawers and valanced pigeonholes, with shaped skirt having corresponding inlay and splayed feet; H93 1/2” W43” D20 3/4”
$2,000-3,000
315 HEPPLEWHITE MAHOGANY SECRETARY BOOKCASE, MASSACHUSETTS circa 1800, upper case with pair thirteen-light doors, on lower part with hinged writing surface over four long graduated drawers, with shaped skirt and splay feet; H74” W41 1/8” D20”
$1,000-1,500 Provenance: Charleston, South Carolina private collection
Provenance: New Hampshire collection
313 FEDERAL INLAID MAHOGANY PEMBROKE TABLE 19th century, drop-leaf top, frieze drawer and opposing faux drawer, on tapered legs with ankle banding, with fan medallions; H28 1/2” W40 3/4” open D32 1/2”
316 REGENCY STYLE CANE AND FRUITWOOD RECAMIER scrolling frame with cane panels, on C-scroll feet, with loose cushion; H34” W30” L73”
$700-1,000 Provenance: Fitzgerald, Georgia private collection
$700-1,000 Provenance: Fitzgerald, Georgia private collection
314 AMERICAN CHIPPENDALE STYLE CARVED MAHOGANY SIDE CHAIR
312
late 18th century, shaped crestrail, pierced splat, molded seatrail on square legs joined by molded stretchers; BH38” SH18” W22” D18 1/4”
$200-300 Provenance: Camden, South Carolina collection
313
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316
315
314
CELEBRATING 85 YEARS
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DISCOVERING EXTRAORDINARY OBJECTS
317 CLASSICAL MAHOGANY BREAKFAST TABLE, MANNER OF PHYFE-LANNUIER circa 1835, rectangular top with shaped drop leaves, frieze and opposing faux drawer, on urn-form pedestal issuing reeded acanthus-carved legs, with brass paw feet and casters; H29” W47 1/2” open D38”
$800-1,200 Provenance: New York City private collection Purchased at Doyle Auction
318 AESTHETIC BRASS-MOUNTED MAHOGANY CABINET, POSSIBLY HERTER BROS. OR COLLINSON & LOCK third quater 19th century, stepped galleried superstructure with glazed doors, on two-drawer lower part with tapered legs with corner fans, unified by corresponding H-stretcher; H64” W33” D23”
$1,000-1,500 Provenance: Charleston, South Carolina private collection Literature: Dubrow, Eileen and Richard Dubrow. AMERICAN FURNITURE OF THE 19TH CENTURY, 1840-1880. Atglen, PA: Schiffer Publishing Co.,1983. p.216. Howe, Katherine S., et al. HERTER BROTHERS: FURNITURE AND INTERIORS FOR A GILDED AGE. New York: Harry N. Abrams, Inc., 1994. p.223-224. Other Notes: Escutcheon hardware and mounts appear to be related to the Herter Brothers of New York City.
318
317
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322
321
321 REGENCY GILTWOOD TRUMEAU MIRROR 19th century, architecturally detailed frame with Classical motifs, enclosing looking glass; H45 1/2” W26”
323
323 CHIPPENDALE STYLE MAHOGANY AND PARCEL-GILT WALL MIRROR
$400-600
architectural frame with swan’s-neck pediment, gilt moldings and drapery, enclosing beveled mirrored plate; H50 1/2” W27 3/4”
Provenance: Fitzgerald, Georgia private collection
$600-800
319
319 AMERICAN/ENGLISH CARVED GILTWOOD BULL’S-EYE MIRROR
322 FEDERAL STYLE CARVED MAHOGANY AND GILT-DECORATED LOOKING GLASS
early 19th century, elaborately carved eagle pediment over round molded frame, convex mirror and gadroon starburst-carved lower part; H40” Dia.23”
late 19th century, gilt eagle-carved pediment over shaped frame with floral decorations; H43 1/2” W21”
$2,000-3,000
Provenance: Aiken, South Carolina private collection
Provenance: Charlotte, North Carolina private collection
$400-700
Provenance: New Hampshire collection
320 AMERICAN CLASSICAL GILTWOOD OVERMANTEL MIRROR
19th century, half columns and corner blocks with rosettes, acanthus molding enclosing divided looking glass; H25 3/4” W66”
$400-600 Provenance: Lexington, South Carolina private collection 320
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CELEBRATING 85 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
324 AMERICAN INLAID MAHOGANY TABLETOP WINE CABINET
early 19th century, rectangular case with single door before interior fitted for wine bottles, with brass handles, on bracket base; H17 7/8” W17 3/8” D13”
$800-1,200 Provenance: Charleston, South Carolina private collection
325 AMERICAN WILLOW TREE FIRE MARK Pennsylvania, circa 1930, painted cast-iron tree, mounted on shield-shaped backplate; H4 1/2” W10 1/2”
$300-600 Provenance: New Hampshire collection Other Notes: Related to marked example sold, James D. Julia, August 22, 2013, lot 3241.
326 ENGLISH VICTORIAN MAHOGANY CELLARETTE late 19th century, hinged octagonal top with brass knob opening to interior fitted with lead liner, tapering case with lion’s-mask ring pulls, on brass ball feet; H20” W16 1/4” D14”
$800-1,200
324
327
327 ENGLISH WALNUT COLLECTOR’S/SILVER CABINET ON STAND
328 NORTH CAROLINA GOOSE DECOY BY BLANTON SAUNDERS
first half 19th century, molded top with canted corners lifts to reveal shallow storage well, with pair of raised panel doors before three drawers, on coffered plinth; with associated stand; overall H32 1/2” W24” D20”
(Poplar Branch, NC, 1910-1982) painted canvas-covered wire and carved wood design, stamped: BLANTON SAUNDERS, POPLAR BRANCH, NC; H9” L24” W10”
$600-900
$300-500
Provenance: Charleston, South Carolina private collection
Provenance: Orangeburg, South Carolina private collection Other Notes: Accompanied by WILDLIFE IN NORTH CAROLINA (Nov. 1981) magazine, which includes an autographed article on Blanton Saunders, pp.8-12.
325
326
328
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332
330 FOUR STAINED GLASS PANELS
332 NEW YORK CLASSICAL MAHOGANY SIDE CHAIRS
pair H29” W13 1/2” and pair 39 3/4” W22 1/2” (4pcs)
circa 1830, serpentine crestrail above lyre-form splat and shaped stiles to serpentine seatrail on serpentine front legs, sweeping rear legs; BH31 3/4” SH17” W18 1/4” D19” (6pcs)
$150-250 Provenance: Atlanta, Georgia private collection
$1,400-2,000
329
Provenance: Aiken, South Carolina private collection
331 STAINED GLASS PANEL
329 STAINED GLASS PANEL
early 20th century, Gothic arch form; H31” W38”
$200-300
H76” W52”
$500-700 Provenance: Atlanta, Georgia private collection
Provenance: Columbia, South Carolina private collection Knoxville, Tennessee church
Literature: The serpentine crestrail and leg configuration of these chairs closely resembles sets Duncan Phyfe made for his daughter, Eliza Vail as illustrated in: McClelland, Nancy. DUNCAN PHYFE AND THE ENGLISH REGENCY 1795-1830. New York: William R. Scott, 1939, p.126.
333 CLASSICAL MAHOGANY MARBLETOP PARLOR TABLE circa 1835, black and beige-veined marble top with clipped corners, over inverted tulip pedestal on quadripartite plinth with scroll feet; H27 1/4” Sq.33 1/2”
$700-1,100 Provenance: New York City private collection
330
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331
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DISCOVERING EXTRAORDINARY OBJECTS
334
334 LATE CLASSICAL MAHOGANY CARD TABLE, MANNER OF DUNCAN PHYFE circa 1837, D-shaped folding top over shaped frieze and inverted tulip column, on tripartite base with block feet on casters; H29 3/4” W36” open D36”
$500-800 Provenance: New York City private collection
335 CLASSICAL MAHOGANY TABORET, MANNER OF DUNCAN PHYFE circa 1837, saddle seat on curule supports joined by turned stretcher; H15 3/4” W20 1/2” D15”
$800-1,200 Provenance: New York City private collection Literature: A similar example may be found in DUNCAN PHYFE, MASTER CABINETMAKER IN NEW YORK, p.235, pl.47.
333
337
336 AMERICAN CLASSICAL MAHOGANY BREAKFAST
337 CLASSICAL INLAID MAHOGANY KLISMOS CHAIRS,
TABLE
SET OF SIX
circa 1830, rectangular top with butterfly drop leaves over drawer, on carved turned legs with brass casters; H29” W26” W53 34” open D38”
19th century, with carved splat, slip seat and saber legs, BH33 1/4” SH18 1/2” W19” D19” (6pcs)
$700-900
Provenance: Ft. Lauderdale, Florida private collection
Provenance: New Hampshire collection
335
$1,800-2,800
336
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338
339
338 CLASSICAL CARVED AND INLAID MAHOGANY CARD TABLE, NEW YORK
341 PAIR AMERICAN RENAISSANCE CARVED WALNUT SIDE CHAIRS BY POTTIER & STYMUS
circa 1825, crossbanded D-shaped top over twist-turned standard with brass anthemion collar, on four acanthus-carved saber legs with paw feet and brass casters; H30 1/2” W36” D36 1/2” open
New York, circa 1870, shaped and molded back adorned with drapery and scrolled embellishments, overupholstered seat on lappett-carved legs with paw feet; BH35 1/2” SH19”
340
$700-1,000
$1,500-2,500
Provenance: New York City private collection
Provenance: Aiken, South Carolina private collection
339 AMERICAN CLASSICAL MAHOGANY CARD TABLE, ATTRIBUTED TO ANTHONY QUERVELLE circa 1825-1835, folding D-end top over bolectionmolded frieze with rosette corners, on turned acanthuscarved pedestal and quadripartite plinth, with foliate paw feet; H30” W35 3/4” D17 3/4”
$800-1,400 Provenance: Aiken, South Carolina private collection
340 CLASSICAL ROSEWOOD FIRESCREEN, MANNER OF DUNCAN PHYFE circa 1837, block-and-ring turned frame with bee fabric banner, on trestle base with casters; H37 3/4” W20 3/4” D15 1/2”
$500-700 Provenance: New York City private collection
341
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DISCOVERING EXTRAORDINARY OBJECTS
342 carving detail
342
342 AMERICAN CLASSICAL CARVED MAHOGANY SIDEBOARD, ATTRIB. TO ANTHONY QUERVELLE
343 AMERICAN CLASSICAL MAHOGANY CARD TABLE, MANNER OF ANTHONY QUERVELLE
344 PAIR CLASSICAL MAHOGANY BALLOON-BACK CHAIRS, MANNER OF PHYFE & SONS
Philadelphia, circa 1825, anthemion and fruit pierce-carved backsplash supported by pedestal cabinets with columns centering marble top and mirrored serving slab on long drawer and paneled door, on platform base and hairy-paw feet; H58” L84” D26”
circa 1820, crotch mahogany-veneered and crossbanded folding top, over molded frieze, boldly carved pedestal with acanthus on incurvate plinth, on foliate-carved paw feet with casters; H29” W36” D18”
circa 1837, shaped back with vasiform splat, with overupholstered seat, on saber legs; BH31 3/4” SH18” W17 1/4” D18 1/2” (2pcs)
$800-1,400
Provenance: New York City private collection
$1,500-2,500
Provenance: Aiken, South Carolina private collection
Provenance: Aiken, South Carolina private collection
$500-700
345 LATE CLASSICAL MAHOGANY DROP-LEAF TABLE
Literature: Boor, Allison. PHILADELPHIA EMPIRE FURNITURE. Hanover: Univ. Press of New England, 2006. pp.396-400.
circa 1835, round-cornered top, over skirt with breastplate molding on ring-turned legs with ankle collars; H28 1/4” W49 3/4” D44” open
$300-500 Provenance: Charleston, South Carolina private collection
343
344
345
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346
346 AMERICAN CLASSICAL CARVED MAHOGANY GAMES 347
TABLE
circa 1840, D-shaped hinged top supported by acanthus-carved pedestal and legs ending in paw feet with brass casters; H28 1/2” W36” D17 3/4”
349
349 SOUTHERN WALNUT CHINA CABINET, RANDY MEDFORD, UNION, SOUTH CAROLINA circa 1987, dentil-molded crown over glazed panel doors, on bracket feet; H97” W42 1/2” D21”
$400-700 Provenance: Columbia, South Carolina private collection
$600-900 Provenance: Cameron, South Carolina private collection
347 AMERICAN CLASSICAL MAHOGANY KLISMOS CHAIR, MANNER OF DUNCAN PHYFE
350 OAK REVOLVING BOOKCASE circa 1900, two tiers joined by slat supports, with casters; H37” W18 1/2” D21”
circa 1835, bead-and-channel frame with cornucopia-carved rail, slip seat on saber legs; BH33 3/4” SH19 1/2” W18 7/8” D21”
$200-300 Provenance: Columbia, South Carolina private collection
$400-600 Provenance: New York City private collection
348 RALPH LAUREN CARVED MAHOGANY SAFARI POSTER BED
urn finial above leaf-carved and turned posts leading to turned legs and joined by turned and carved rails; H90” W64 1/2” L85 1/2”
$500-1,000 Provenance: Matthews, North Carolina private collection
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348
351
CELEBRATING 85 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
351 FEDERAL STYLE INLAID MAHOGANY DEMILUNE CARD TABLE
hinged shaped top over conforming skirt with central bird’s-eye maple tablet, on tapered legs with boxwood stringing; H30 1/2” W36” D15 3/4”
$200-400 Provenance: Charleston, South Carolina private collection
352 GEORGE LORING BROWN
355
352
(Massachussetts, 1814-1889) LAKE OF NEMI, NEAR ROME, 1876/7 oil on canvas, antique frame, signed & dated lower left , inscribed verso: “Lake of Nemi” near/Rome, Italy/morning/painted by geo. L. Brown/ 1876-7 H28” W48”
$3,000-5,000 Provenance: Augusta, Georgia private collection Sotheby’s New York, May 27, 1998, lot 42 Deaccessed from the Santa Barbara Museum, California, label verso Gift of Mrs. Herbert T. King, 1942 354
353
353 GEORGE HETZEL (German/Pennsylvania, 1826-1899) WOODLAND STREAM oil on canvas laid to board, framed, signed lower right H14 1/4” W22 3/4”
$2,000-3,000 Other Notes: Harry Eichleay Art Co, Pittsburgh, PA label verso.
356
354 GEORGE LORING BROWN
355 ALLEN DEAN COCHRAN
(Massachussetts, 1814-1889) VIEW OF THE TOWN OF TIVOLI AT SUNSET, 1848 oil on board, antique frame, signed & dated left of center, inscribed verso: View of Tivoli at Sunset/painted from nature by/G.L. Brown 1848 H14 3/4” W19 1/4”
(New York/ Ohio, 1888-1971) THE FOREST, circa 1911 oil on canvas, framed, signed lower right: Allen D. Cochran H32” W40”
$1,800-3,000 Provenance: Augusta, Georgia private collection Sotheby’s New York, May 27, 1998, lot 15 D. Wigmore Fine Art, label verso Deaccessed from the High Museum, Atlanta, Georgia Exhibitions: TWILIGHT OF ARCADIA, Bowdoin College Museum of Art, Brunswick, Maine, Apr 3-Jul 5, 1987, label verso.
$1,000-2,000 Provenance: New York private collection
356 JOE FERRARA (Connecticut, 1932-2004) THE GALLOP DOWN MAIN STREET oil on canvas, framed, signed and dated: Ferrara ‘89 H9” W12”
$1,000-1,500 Provenance: New York private collection
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359
357
358
357 JOAQUIN RAMIREZ
359 ROBERT WATSON
(Mexican, 19th century) GALILEO, 1863, after the original by Justus Sustermans (1597-1681) oil on canvas, framed, signed & dated lower left H24 1/2” W19 1/2”
(Arizona/California, 1923-2004) FISHERMAN’S SHACK, 1982 oil on board, framed, signed & dated lower right H16” W24”
$1,000-1,500
Provenance: Isle of Palms, South Carolina private collection Purchased from Magna Gallery, San Francisco, California
Provenance: Myrtle Beach, South Carolina private collection
$800-1,200
361
360 HUDSON RIVER SCHOOL, 19TH CENTURY
358 AGAPITO LABIOS
LANDSCAPE oil on canvas laid to board, framed, unsigned H24” W32”
(Mexican, 1898-1996) NINA PROVINCIANA oil on canvas, framed, signed lower left H15 1/2” W12 1/2”
$700-1,000 Provenance: Columbia, South Carolina private collection
$500-800 Provenance: Camden, South Carolina collection
361 JOE FERRARA (Connecticut, 1932-2004) GOLD ON THE ASPENS oil on canvas, framed, signed and dated lower right, Ferrara, 1995 H16” W20”
$700-900 360
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CELEBRATING 85 YEARS
Provenance: New York private collection OF
DISCOVERING EXTRAORDINARY OBJECTS
362 GEORGE RENOUARD (New York, 1885-1954) PAIR OF LANDSCAPES oil on canvasboard, framed alike, one signed lower right & dated: 1954 each H12” W16” (2pcs)
$600-900 Provenance: Martinez, Georgia private collection
363 AMERICAN SCHOOL, MID 20TH CENTURY
WILDFLOWER STILL LIFE IN VASE oil on canvas, framed, unsigned H32” W22”
365
$500-800 Provenance: New York private collection
364 HANKEY, HEINTZELMAN AND TOBIN ETCHINGS William Lee Hankey (British, 1869-1952) AWAKE, drypoint, signed Arthur W. Heintzelman (Massachusetts/California, 1890-1965) CONVALESCENCE, etching, signed George Timothy Tobin (Vermont, 1864-1956) THE STREAM, etching, signed framed, image sizes H12” W9”, H11” W7 3/4” and H8” W6 3/4” (3pcs)
363
$500-800 Provenance: Chicago, Illinois private collection Arthur Ackermann & Co, Chicago
365 CHARLES JAMES RYAN (California, 1865-1949) LOG CABIN IN FOREST oil on board, framed, signed lower right H9 1/2” W12 1/2”
$500-800
364
362
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366 CHARLES S. DORION
369 BIRGER SANDZEN
(American, 19th/ 20th century) THE MARSHLAND oil on canvas, framed, signed lower left H12” W18”
(Kansas/Colorado, 1871-1954) MOUNTAIN ASPEN lithograph, unframed, signed & titled lower margin sheet size H25” W19 1/2”
$400-700
$400-600
Provenance: New York private collection Purchased from Christie’s New York
Provenance: Arlington, Virginia private collection
370 E. LAWSON
367 MYRON LECHAY
(American, 19th century) ROCKY COAST oil on canvas, framed, signed lower left H16” W24”
(Russian/ New York, 1898-1972) FLORAL STILL LIFE oil on canvas, framed, signed lower left H36” W24” Provenance: New York private collection
$300-600
366
$400-600
Provenance: Charlotte, North Carolina private collection
368 LOIS HOGUE SHAW (Texas, 1897-2001) LONG WINTER’S ROAD oil on canvas, framed, signed, inscribed & dated lower right: Millais and lower left: Lois Hogue, 1924 H14” W11”
$400-800 Provenance: Matthews, North Carolina private collection Other Notes: Verso bearing Houghton Brothers, Temple, Texas, gallery label.
369
367
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368
CELEBRATING 85 YEARS
370
OF
DISCOVERING EXTRAORDINARY OBJECTS
371 AMERICAN SCHOOL, FIRST HALF 20TH CENTURY SPRING FLOWERS IN BLUE VASE oil on canvas, framed, signed illegibly lower right H32” W24”
(early 20th century) SNOWSCAPE oil on canvas, framed, signed lower left: WL Palmer H18” W12”
$300-500
$200-400
Provenance: New York private collection
Provenance: Augusta, Georgia private collection
372 COLLECTION AMERICAN 19TH
375 J. J. MATTERN, JR
CENTURY DEPICTIONS OF CHILDREN
371
LITTLE GIRL IN PLAID & CHILD WITH FLOWER, painted photographs LITTLE GIRL IN BLUE, watercolor, signed & dated: A. Dembinsky, 1853 framed sizes ranging from H12” W10 1/2” to H11” W9” (3pcs)
$300-500
(American, 20th century) two works: LOOKING UP and VIRGINIA MUSEUM OF FINE ART etchings, unframed, signed, titled & numbered in lower margin image sizes H8” W6” and H6” W8” (2pcs) Provenance: Arlington, Virginia private collection
373 AMERICAN SCHOOL, 19TH CENTURY
Other Notes: Mattern’s etching can be found in the Smithsonian American Art Museum collection.
$300-500 Provenance: Savannah, Georgia private collection
375 (one of two)
$200-400
Provenance: Savannah, Georgia private collection
PORTRAIT OF TWO CHILDREN oil on canvas, period frame, unsigned, New York canvas stamp verso H30” W25”
372 (part of)
374 AMERICAN SCHOOL PAINTING
376 THEODORE BALLOU WHITE (Pennsylvania, 1902-1978) three works: WILLIAMSBURG, PORTICO ROW, BRIDGE SCENE watercolor and other lithographs, unframed, sheet sizes H12” W15”, H12” W19 1/2” and H20 1/2” W15 1/4” (3pcs)
$200-400 Provenance: Arlington, Virginia private collection
376 (part of)
378 STEPHEN WHITE AND CHIQUILA BROYLES Stephen White (American, b.1944) LADY HOLDING A BABY, woodcut, unframed, signed & marked lower margin, paper size H26” W17” Chiquila Broyles (American, 20th century) WASH ELEPHANT, print, unframed, signed & marked lower margin, paper size H14” W12 1/8” (2pcs)
$150-300 Provenance: Michigan private collection
377 ALFRED A. MATTHEWS (California, fl. 1900) FARMYARD SCENE watercolor, framed, signed lower right sight size H12” W21”
$200-400 373
374
Provenance: Camden, South Carolina collection
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379 ENGLISH INLAID MAHOGANY TALL CASE CLOCK mid 19th century, broken-arch crown over arched glaze-panel door, lower part with inlaid molded door, on turned feet; H83” W19” D10”
$700-1,000 Provenance: San Antonio, Texas private collection
380 SOUTHERN CALENDAR CLOCK CO. “FASHION NO. 4” SHELF CLOCK circa 1880, 8 days, time and strike, double-dial calendar design, gilt text, and ornate case; H27 1/2” W16” D6”
$1,000-1,500 Provenance: Asheville, North Carolina private collection
381 AMERICAN GOLD POCKET WATCHES, BENJAMIN FRANKLIN AND WALTHAM late 19th century, 14K and 18K gold ornately decorated case with enameled dials; H2 3/4” and 3” (2pcs)
$300-600
380
Provenance: Charleston, South Carolina private collection
382 BOOK: BARON DOMINIQUE VIVANT DENON’S EGYPTIAN SCENES
Denon, Dominique Vivant; Baron. VOYAGE DANS LA BASSE ET LA HAUTE EGYPTE. First edition, 1802, comprising 59 of 110 sheets with various views, scenes and architectural details of Egypt.
$1,000-2,000 Provenance: Atlanta, Georgia private collection
381
Literature: Nowinski, Judith. BARON DOMINIQUE VIVANT DENON (1747-1825); HEDONIST AND SCHOLAR IN A PERIOD OF TRANSITION. Rutherford, Fairleigh Dickinson University Press [1970]. Other Notes: When Napoleon Bonaparte and his army embarked on his Egyptian Campaign in 1798, their ultimate goal was to establish an alternative route to India and its riches. However, their defeat by the British at Abuqir left them stranded in Egypt for three years. Having brought with them not only soldiers, but scientists and artists as well, they recorded virtually everything they encountered. It is thanks to the work of this commission that ancient and modern Egyptian monuments, as well as many aspects of Egypt’s natural history were recorded in an exacting and historically important manner. It took thirty years for these illustrative records to be prepared and published. 382
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CELEBRATING 85 YEARS
379
OF
DISCOVERING EXTRAORDINARY OBJECTS
383 MOSBY ’S MEN REUNION BADGE AND AUTOGRAPH
circa 1895, gold and silver badge reading: Reunion 43rd Battalion Va. Cav. Mosby’s Men, Marshall, VA. (Old Salem) August 14, 1895; framed with autographed illustrated card depicting the house in which Col. John S. Mosby captured Gen. Stoughton, Fairfax, Virginia, signed Yours Truely Jn. S. Mosby; contained within single frame; overall size H14 2/3” W17 1/2”
$1,500-2,500
386
Provenance: Tampa, Florida private collection
386 BOOK: THE CONQUEST OF EVEREST, SIGNED FIRST EDITION
Other Notes: Verso with old label reading: May 6, 1987, This Mosby reunion ribbon was owned and worn by Pvt. Ludwell Lake Jr. of the 43rd VA Cav. the command in Marshall, VA in 1895. He presented the ribbon to Mary B. Smith, his niece and Mary gave the ribbon to Minnie Gott, the niece of Mary. Minnie gave the ribbon to John Gott who sold the ribbon to Mike Morton on May 6, 1987. “Mary B. Smith was the daughter of Sarah Lake Smith. Sarah Lake Smith lived at Lakeland and was there the night Mosby was shot,” signed Mike Morton.
Hunt, Sir John. THE CONQUEST OF EVEREST. New York: E.P. Dutton & Co., Inc., 1954 with dustjacket, signed by New Zealand mountaineer Sir Edmund Hillary , illustrator Charles Evans, British mountaineer George Lowe, and Times correspondent James Morris.
383
$200-300 Provenance: Property of a gentleman
387 RARE SET OF BOOKS: R. E. LEE, A BIOGRAPHY Freeman, Douglas Southall. Published Charles Scribner, New York, 1936. Gilt decorated gray-blue and red leather binding. (4vols)
385
384 ABRAHAM LINCOLN SIGNATURE
385 BABE RUTH AUTOGRAPH
AND PHOTOGRAPH
circa 1940s, endorsed check cutting signed in ink: George H Babe Ruth; H2 1/2” W3”
small note reading: Approved, A. Lincoln, Dec. 10, 1864; and Alexander Gardner, photo of Abraham Lincoln, signed and dated in pencil, Washington, D.C. Nov. 15, 1863, on Herbert George Studio backing papers, image size H9 1/4” W7” (2pcs)
$200-300 Provenance: Orangeburg, South Carolina private collection
$500-800 Provenance: Columbia, South Carolina private collection Other Notes: Accompanied by Academy of Manuscript and Autograph, LLC letter of authentication, dated 08/15/2013.
$400-800 Provenance: Property of a gentleman 384
387
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388
389
388 ANTIQUE PERSIAN SERAPI CARPET
391 ANTIQUE PERSIAN KASHAN CARPET
8’4” x 11’7”
circa 1930 7’7” x 9’7”
$5,000-7,000
9’1” x 12’2”
$1,000-1,500 389 TURKISH SERAPI CARPET circa 1940 9’5” x 12’6”
$4,000-5,000
Provenance: Charlotte, North Carolina private collection
392 ANTIQUE PERSIAN KASHAN CARPET
$1,000-2,000
9’3” x 14’9”
390 ANTIQUE PERSIAN LILLIHAN CARPET
390
394 ANTIQUE PERSIAN HERIZ SERAPI CARPET
$4,000-6,000
circa 1900 8’6” x 16’10”
393 AUBUSSON CARPET
$4,000-6,000
10’2” x 13’11”
395 ANTIQUE KASHAN CARPET
10’8” x 13’4”
$3,000-4,000
395
$1,000-2,000
391
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393
CELEBRATING 85 YEARS
394
OF
DISCOVERING EXTRAORDINARY OBJECTS
398
396
402
396 SERAPI CARPET
398 ANTIQUE PERSIAN MAHAL
401 TURKISH OUSHAK CARPET
12’ x 14’9”
CARPET
9’ x 12’
$2,000-3,000
10’9” x 14’2”
$1,000-2,000
$1,500-2,500 397 ANTIQUE PERSIAN KERMAN CARPET
399 KASHMIR HERATI CARPET
402 INDIAN BIDJAR CARPET
9’5” x 12’9”
9’10” x 13’11”
8’9” x 12’2”
$3,500-4,500
$2,000-3,000
$500-1,000
400 TURKISH OUSHAK CARPET
Provenance: Atlanta, Georgia collection
8’11” x 11’11”
$1,000-1,500 397
399
400
401
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404
403 MONUMENTAL BRONZE FIVE-LIGHT TORCHERE
404 PAUL CHARLES EMANUEL GALLARD-LEPINAY
scrolling arms and central stem terminating in flame-form glass globes, on column bearing figural saints, raised on urn with putti and trefoil base, electrified; H95” Dia.40”
(French, 1842-1885) SHIPS WITH PIAZZA SAN MARCO IN DISTANCE, VENICE oil on canvas, original monumental giltwood frame, signed lower right H59 1/2” W44”
$2,500-3,500 Provenance: Columbia, South Carolina private collection
$7,000-10,000 Provenance: Property of a Southern collector, Savannah, Georgia Whisnant Galleries, New Orleans, purchased 1992 403
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DISCOVERING EXTRAORDINARY OBJECTS
Marquis & Marquise de Coigny
405
405 PAIR EARLY FRENCH PORTRAITS OF MARQUIS AND MARQUISE DE COIGNY (18th/19th century) LOUISE MARTHE DE CONFLANS (1758/9-1832) and LOUIS DE CONFLANS, MARQUIS OF ARMENTIERES (1711-1774) oil on canvas, molded oval oak frames, unsigned, one with verso inscribed: Chateau de Coigny and both stamped: 15 on stretcher H25 1/2” W21 1/2” (2pcs)
406 ORESTE COSTA (Italian, 1851-1901) HARVEST OF GRAPES ON RUSTIC TABLE STILL LIFE oil on canvas, framed, signed upper right: O. Costa Firenze H31” W25”
$3,000-5,000 Provenance: Isle of Palms, South Carolina private collection
$4,000-7,000 Provenance: Columbia, South Carolina private collection Le Trianon Gallery, San Francisco Oshkosh Museum (accession # 6746-3 and 6746-2)
Other Notes: Closely related to painting sold at Chrisie’s New York, 15 June 1999, lot 33.
406
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409
407
407 JAN FRANS VAN DAEL
409 LEON ESPERANCE BROQUET
(Flemish, 1764-1840) pair works: FLORAL STILL LIFES oil on vellum mounted to panel, framed, signed & dated lower left: J. Vandael, 1795 H10 1/2” W8”
(French, 1869-1936) LANDSCAPE oil on canvas, original French Impressionist frame, signed lower left H26” W32”
$2,000-4,000
$1,800-2,500
Provenance: Isle of Palms, South Carolina private collection
Provenance: Columbia, South Carolina private collection
410
408 ATTRIBUTED TO JAN
PEETER VERDUSSEN
410 ADOLF BAUMGARTNER, WORKING UNDER THE PSEUDONYM CONSTANTIN STOILOFF
(Flemish, c. 1700-1763) HARVEST TIME oil on canvas, framed, unsigned H17” W21 1/2”
(Bulgarian, 1850-1924) CONVOY OF GOLD, SIBERIA oil on canvas, antique frame, signed lower right, titled on label verso H27” W41 1/2”
$2,000-3,000
$2,500-3,500
Provenance: Houston, Texas private collection
Provenance: Property of a Southern collector, Savannah, Georgia
Other Notes: Accompanied by sales catalogue page, purchased at unidentified auction in the first half of the 20th century.
408
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DISCOVERING EXTRAORDINARY OBJECTS
411
413
411 LOUIS LEOPOLD ROBERT (AFTER)
412 MARIE LAURENCIN
(Swiss, 1794-1835) PILGRIMAGE TO THE MADONNA OF THE ARCH oil on canvas, framed, unsigned H36” W37 1/2”
(French, 1885-1956) PORTRAIT OF WOMAN WITH PEARLS watercolor on paper, signed lower right sight size H10” W8”
$2,000-3,000
$2,000-4,000
Provenance: New York private collection
Provenance: Oldsmar, Florida private collection
414
413 EUGENE AUGUSTE FRANCOIS DEULLY (French, 1860-1933) SOLDIER oil on canvas laid to board, framed, signed lower center H36” W24”
$1,500-3,000 Provenance: Myrtle Beach, South Carolina private collection
415
414 PIERRE JOSEPH REDOUTE
415 HENDRICK SAVRY
(French, 1759 -1840) five works from LES LILIACEES, c. 1802-16 handcolored stipple engraving, framed, marked in margins sight size H19 1/2” W13” (5pcs)
(Dutch, 1823-1907) CATTLE WATERING oil on canvas, framed, unsigned H20” W30”
$1,500-2,500 412
$1,000-1,500 Provenance: New York private collection
Provenance: Atlanta, Georgia private collection
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417
416
416 MARIE LAURENCIN (MANNER OF)
419 F. FRANCKER
(French, 1885-1956) LADIES oil on canvas, framed, unsigned H25” W18”
(Continental, 19th century) MEETING THE KING oil on canvas, framed, signed lower right: F. Francker H37” W45”
$1,000-2,000
$1,000-1,500
Provenance: Savannah, Georgia private collection
Provenance: New York private collection
418
420 FORAIN (French, late 19th century) FIGURES watercolor and gouache on paper, framed, signed lower right: Forain sight size H7 1/4” W6”
$900-1,300 Provenance: Oldsmar, Florida private collection
417 ALEX DE ANDREIS (Belgium/British, 1880-1929) PORTRAIT OF CAVALIER IN RED oil on canvas, framed, signed lower right H32 1/2” W26”
$1,000-2,000 Provenance: Savannah, Georgia private collection
418 ALEX DE ANDREIS (Belgium/British, 1880 -1929) PORTRAIT OF A CAVALIER IN BLUE oil on canvas, framed, signed lower right H32” W25 1/2”
$1,000-2,000 Provenance: Grovetown, Georgia private collection
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419
CELEBRATING 85 YEARS
420
OF
DISCOVERING EXTRAORDINARY OBJECTS
421 CONTINENTAL SCHOOL, 19TH CENTURY
424 CONTINENTAL SCHOOL, MID 20TH CENTURY FLOWER ARRANGING oil on canvas, framed, signed lower right: Luna Tob H38” W52”
GRAND CANAL, VENICE oil on canvas, framed, unsigned H27 1/2” W35 1/2”
$800-1,200
$800-1,200
Provenance: New York private collection
Provenance: New York private collection
422 ANTON RAUFER-REDWITZ (German, 1871-1965) THE VIOLINIST oil on canvas, framed, signed lower left: A Raufer H32” W19 1/2”
$800-1,400 Provenance: New York private collection
421
423 CONTINENTAL SCHOOL, FIRST HALF 20TH CENTURY
SHEPHERDS IN LANDSCAPE oil on canvas, framed, unsigned H28” W40”
424
$800-1,400 Provenance: New York private collection
422
423
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425 FRENCH CARVED GILTWOOD MIRROR mid 19th century, cherub-and-urn pediment and floral festoons above intricate arched divided frame centering divided looking glass; H71” W43”
$2,000-3,000 Provenance: Isle of Palms, South Carolina private collection
426 CONTINENTAL CARVED GILTWOOD MIRROR, PROBABLY NORTHERN ITALIAN 17th/18th century, heavy foliate-and-scroll cartouche-form frame embellished with putti masks and centering looking glass; H23” W22”
$600-900 Provenance: Pennsylvania private collection
427 LOUIS XVI STYLE CARVED WALNUT TRUMEAU MIRROR 19th century, molded crown and floral-carved frieze, with fluted pilasters on molded plinths; H67 1/4” W44 1/2”
$700-1,000 Provenance: Camden, South Carolina collection
425
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426
CELEBRATING 85 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
428 ITALIAN CARVED WOOD AND PAINT-DECORATED MIRROR
19th century, scrolling frame surmounted with rocaille cresting, with painted floral panels, enclosing looking glass; H30” W19”
$300-600 Provenance: Fitzgerald, Georgia private collection
429 WATERFORD CRYSTAL TEN-LIGHT CHANDELIER H33” Dia.28”
$1,000-2,000 Provenance: Charlotte, North Carolina private collection Purchased in Ireland in the mid 1970’s
430 LALIQUE DEUX POISSONS SCULPTURE entwined fish, marked: LALIQUE FRANCE; H11” W10”
$800-1,000 Provenance: Atlanta, Georgia private collection
430
431 NO LOT 432 ST LOUIS TOMMY PATTERN CRYSTAL STEMS
427
15 stems H7 1/2”, and 15 stems H7” (30pcs)
$300-500 Provenance: Atlanta, Georgia private collection
433 PAIR WROUGHT-METAL AND STAINED GLASS
432
HALL LANTERNS
early 20th century, hexagonal form with domed top supporting arched panels; H41” Dia.16” (2pcs)
$300-400 Provenance: Charleston, South Carolina private collection
428
429
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434 PAIR NAPOLEON III BRONZE-MOUNTED MARQUETRY INLAID BURL WALNUT SIDE CABINETS
third quarter 19th century, rectangular top above mask and floral frieze, bronze-mounted intricate floral-inlaid panel door, chamfered corners, on plinth base; H44” W33 1/4” D15 3/4”
$3,000-5,000 Provenance: Pennsylvania private collection
435 PAIR BEIDERMEIER BIRCH ARMCHAIRS circa 1840, arched and shaped crest and splat with ebony medallion, downscrolled arms flanking overupholsted seat, on saber legs; BH36” SH20” W21 1/2” D19” (2pcs)
$1,200-1,800 Provenance: Atlanta, Georgia private collection Purchased from York House Antiques, New York in 1986
436 RUSSIAN PAINTED AND GILT-DECORATED CARVED WOOD TABOURET
late 19th/early 20th century, upholstered seat above plain apron and valance of swagged drapery with tassels, tendon-emphasized legs with carved hairy knees and paw-and-claw terminals; H22 3/4” Dia.16”
434
$1,500-2,500 Provenance: Atlanta, Georgia private collection Literature: Similar examples can be found in RUSSIAN FURNITURE: THE GOLDEN AGE 1780-1840, by Antoine Cheneviere. Made for the Greek Hall, Pavlovsk Palace, in imitation of an antique bronze; carved and gilded. The design is by Voronikhim, the sculpture by the workshop of Karl Scheibe, and the gilding by the workshop of F. Koelner, 1803-1804. p.157, illus.153. Chair from the Hillwood Museum with sculpted wood drapery hanging from rail, circa 1800. p.178, illus.179. The painted rails are very similar to this stool, circa 1810-1825. p.214, illus.228.
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436
435
CELEBRATING 85 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
437
437 LOUIS XV FAUX-PAINTED MARBLETOP MIXED
438 PAIR LOUIS XV STYLE CARVED AND PAINTED
440 ITALIAN CARVED WALNUT AND TAPESTRY CHAIRS 18th/19th century, latticework back with cartouche cresting, slip seat in serpentine rails, cabriole legs with carved knees and ball-and-claw club feet, all in similar design; BH40 3/4”, 39 1/2”, and 40 1/2” (3pcs)
WOOD BUFFET
ARMCHAIRS
18th century, rectangular molded top with round corners, over conforming frame-and-panel case with single drawer and three doors embellished with C-scrolls, tendrils and rosettes, with shaped skirt and short cabriole legs; H42” W80 1/4” D19 3/8
arched back, carved armrests, serpentine seatrail, on cabriole legs; BH49” SH18” W28” D23” (2pcs)
$1,500-2,500
439 CONTINENTAL MARQUETRY INLAID WALNUT TABLE
Provenance: Atlanta, Georgia private collection
$900-1,200 Provenance: Sarasota, Florida collection
$600-900 Provenance: Columbia, South Carolina private collection
late 19th century, figural inlaid octagonal top above apron drawer, turned pedestal and saber legs with scroll feet; H29” Dia.27 3/4”
$300-500 Provenance: Charlotte, North Carolina private collection
438
439
440
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441
443
441 FRENCH PROVINCIAL CARVED OAK DESK
443 DIRECTIORE MAHOGANY GAME TABLE
late 18th/early 19th century, hinged fallfront lid opening to fitted interiors, above long drawers and paneled sides and cabriole legs; H44” W48” D21”
early 19th century, hinged rectangular top concealing baize-lined playing surface upon frieze with false drawer front, back legs slide to reveal drawer, on fluted tapered legs terminating in round brass feet; H28 3/4” W30 3/4” D15 1/4”
$1,000-2,000 442 DIMINUTIVE PAIR LOUIS XV STYLE PAINT-DECORATED BERGERES late 19th century, bead-and-channel upholstered frame with loose seat cushion, on cabriole legs with scroll toes; BH33 1/2” SH19” W27 3/4” D25 1/2” (2pcs)
$600-900
$700-1,000 Provenance: Columbia, South Carolina private collection Estate of the late Francis D. “Skeeter” McNairy, Savannah, Georgia
444 NAPOLEON III BRONZE-MOUNTED MAHOGANY CURIO CABINET
late 19th century, marble top with brass gallery, glazed panel door and side lights on cabriole legs; H59 1/2” W24 1/2” D12 1/2”
444
$600-900 Provenance: Charlotte, North Carolina private collection
445 PAIR FRENCH DIRECTOIRE STYLE FRUITWOOD FAUTEUILS
circa 1820, topnailed back panel and padded seat, with downswept arms, on saber legs; BH37” SH19” W23 1/2” D20 1/2” (2pcs)
$800-1,200 Provenance: New York City private collection 442
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445
CELEBRATING 85 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
447 PAIR CONTINENTAL CARVED FRUITWOOD ARMCHAIRS
pierce-carved toprail, caned back with carved oval medallion, bowed and upholstered seat, on turned fluted legs; BH41” SH20” W25” D21” (2pcs)
$300-600 Provenance: Mount Pleasant, South Carolina private collection
448 PORTUGUESE CARVED OAK TRIPLEBACK SETTEE late 18th century, arched and molded crest over three solid splats, scrolling arms carved with acanthus flanking bench seat with corresponding seatrail, on cabriole legs with paintbrush feet unified by block-and-ring turned stretcher; BH43 1/4” SH20” D25” L65 3/4”
446
$1,500-3,000 Provenance: Atlanta, Georgia private collection
446 LOUIS XVI STYLE BRONZE-MOUNTED MAHOGANY SERVING TABLE
449 DIMINUNTIVE FRENCH PROVINCIAL CARVED
mid to late 19th century, pierced gallery over marble top above drawer and concave sides, reeded supports joined by platform stretcher base and turned feet with brass cuffs; H33 1/2” W63 1/2” D20”
19th century, molded carved crown above three tiers, spindled rail and two drawers, on molded base; H33 1/2” W23 3/4” D7 1/2”
$800-1,200
$400-600
Provenance: Charlotte, North Carolina private collection
Provenance: Camden, South Carolina collection
WALNUT HANGING CUPBOARD
449
447
448
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450 PAIR CONTINENTAL CARVED OAK SIDE CABINETS
19th century, rectangular molded top over case with extensively carved drawer over door, flanked by leaf-carved stiles surmounted with lion’s heads, on beadand-lozenge stepped plinth; H41” W35 1/2” D20 1/4” (2pcs)
$1,400-2,000 Provenance: Columbia, South Carolina private collection
450 453
451 DIMINUTIVE CONTINENTAL CARVED WALNUT SETTEE
circa 1890, carved toprail, scrolling handrests, bowed seatrail and turned legs; BH29” SH15” W38” D24”
$300-500 Provenance: Charlotte, North Carolina private collection
451
452 CONTINENTAL MAHOGANY AND MARQUETRY-INLAID SIX-DRAWER TALL CHEST 19th century, rectangular form with outset corners, case with six long drawers inlaid with putti, shells, flowers and foliage; H60 1/4” W39” D18 1/8”
$1,000-2,000 Provenance: Charleston, South Carolina private collection
453 CONTINENTAL KINGWOOD AND ROSEWOOD CHEST OF DRAWERS
454
454 CONTINENTAL PAINTED CANVAS TWO-PANEL SCREEN
late 19th/ early 20th century, romantic Renaissance scene of young lovers; H40 3/4” W38 1/2”
$300-500 Provenance: Fitzgerald, Georgia private collection
early 20th century, chamfered-corner rectangular top above long drawers and shaped legs; H32” W33” D18”
$700-1,000 452
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Provenance: Charlotte, North Carolina private collection
CELEBRATING 85 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
457 ANTIQUE RUSSIAN KARABAUGH RUNNER circa 1900 3’4” x 11’5”
$700-1,000 Provenance: Columbia, South Carolina private collection
458 BIDJAR RUNNER 2’9” x 13’8”
$700-1,000 455
459 TABRIZ RUNNER
455 PAIR LOUIS XV STYLE KINGWOOD PEDESTALS green-veined marble trefoil top, cabriole legs, bronze mounts; H34” W14 1/2” D16” (2pcs)
462
2’6” x 17’7”
461 SERAPI CARPET
$500-800
$400-600 Provenance: Mount Pleasant, South Carolina private collection
3’11” x 12’2”
460 TRIBAL KAZAK RUNNER
$300-500
3’6” x 10’1”
$500-800
456 KASHMIRI SERAPI RUNNER
Provenance: Atlanta, Georgia private collection
462 PERSIAN HAMEDAN CARPET 4’6” x 11’4”
2’7” x 21’
$200-400
$700-1,000
Provenance: Atlanta, Georgia collection
456
457
458
459
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465
463
463 ALFRED DUBUCAND
465 CHARLES MARION RUSSELL
(French, 1828-1894) LE RETOUR DE LA CHASSE A COURRE bronze cast from model, signed on base: A. Dubucand H16 1/2” W21” D13”
(Montana/California, 1864-1926) SMOKIN’ UP bronze, signed: C.M. Russell and underside numbered: 15 H11 1/2” W8 1/2”
$4,000-6,000 Provenance: Zebulon, North Carolina private collection by inheritance Murrells Inlet, South Carolina estate Acquired in Far Hills, New Jersey in 1969
$1,000-2,000
466
Provenance: Oldsmar, Florida private collection
466 SHERRY SALARI SANDER (Montana, b. 1941) ELEPHANT, 1985 patinated bronze on marble and wood base, signed, dated & numbered: 15/80 H18 1/2” W9” D7”
464 ROBERT TAIT MCKENZIE (Pennsylvania, 1867-1938) THE JOY OF EFFORT, 1914 gilt bronze, signed & dated, Gorham Foundry mark on edge Dia.18”
$800-1,200 Provenance: Columbia, South Carolina private collection
$2,000-4,000 Provenance: Atlanta, Georgia private collection 464
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CELEBRATING 85 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
470 LOUIS MOREAU (French, 1855-1919) LADY IN LIBRARY bronze, on slate base, signed overall H13” W15 1/4” D6”
$500-700 Provenance: Savannah, Georgia private collection
471 CHARLES ANFRIE
467
467 LOUIS NAVATEL VIDAL (French, 1831-1892) BULL bronze with dark patina, signed on base: Vidal H6 3/4” W10”
$500-800
(French, 1833-1905) GYPSY DANCER copper patinated bronze, mounted as lamp, signed H17 1/2”
470
$400-700
472 LUDWIG EISENBERGER
Provenance: Fitzgerald, Georgia private collection
(German, fl. 1895-1920) WARRIOR WITH SHIELD bronze with dark patina, signed on base H8” W3 1/4”
Provenance: Fitzgerald, Georgia private collection
$400-600 468 AUGUSTE NICOLAS CAIN
Provenance: Fitzgerald, Georgia private collection
(French, 1822-1894) COQ (Rooster) bronze with golden brown patina on marble base, signed and marked: Susse Freres edition H12” W8”
468
$500-900 Provenance: Fitzgerald, Georgia private collection
469 BRONZE PIQUEUR AU RELAIS SCULPTURE, AFTER MOREAU AND LECOURTIER bearing cast signature; H31”
$700-900 Provenance: Charleston, South Carolina private collection
469
471
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473 JUAN CLARA (Spanish, 1875-1958) CHILD ON CHAIR bronze, signed H12 1/2”
$200-400 Provenance: Savannah, Georgia private collection
474 AMERICAN SCHOOL CARVED MARBLE RAM’S-HEAD SCULPTURE
mid 20th century, signed: RITTS 50 H12 1/2” W16” D10 1/2”
$300-500 Provenance: Savannah, Georgia private collection
475 RARE PAIR CONTINENTAL CHINOISERIE CARVED CARYATIDS, PROBABLY ITALIAN 19th century, female figures with ornate hairstyles and trophy-adorned breastplates; H35 1/2” W21” D12” (2pcs)
$3,000-5,000 Provenance: Camden, South Carolina collection 475
476 MINIATURE FRENCH PROVINCIAL OAK ARMOIRE 19th century, arched crest above molded doors, opening to reveal shelves and drawers, on scrolling feet; H22” W16” D9 3/4”
$400-600 Provenance: New Hampshire collection
474
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473
CELEBRATING 85 YEARS
476
OF
DISCOVERING EXTRAORDINARY OBJECTS
477 CHAINMAIL HELMET AND SHIRT pelt and horn helmet, shirt with associated leather articles; mail L38” (7pcs)
$500-800 Provenance: Charleston, South Carolina private collection
478 ENGLISH CARVED OAK OVERDOOR 19th century, lion’s mask centering pierce-carved ribbon, scroll and cornucopia crest, shaped panel inset with marble plaquette; H16” W51 1/2”
$200-400 Provenance: Aiken, South Carolina private collection
479 FORTUNY PAINTED VELVET DECORATIVE THROW PILLOWS
2 rectangular, L15” and 30”; round, Dia.16 1/2”; and 2 bolsters, L28” (6pcs)
480
$400-600 Provenance: Atlanta, Georgia private collection
480 LOUIS VUITTON DAMIER STEAMER TRUNK, OF SOUTHERN INTEREST circa 1895, serial no. 125118, iron and wood slat-bound brown and tan checkerboard canvas exterior and red-striped fabric interior with two trays and paper label; H27 1/2” L43 1/2” D24”
$3,000-5,000 Provenance: Sumter, South Carolina private collection Gift to the present owner’s mother who worked for the Clark family at Millford Plantation for over 38 years Other Notes: Belonged to Mary Clark Thompson, daughter of New York governor M.H. Clark and wife of F.F. Thompson, co-founder of the First National Bank of New York, now Citicorp. Mrs. Thompson traveled widely and spent winters away from New York at Millford Plantation in Pinewood, South Carolina. 477
479
478
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482
481 CONTINENTAL CARVED GILTWOOD BRACKET MIRROR mid 19th century, pierce-carved crown over seven brackets and shelf, with reeded supports; H52” W25”
483
484 NEOCLASSICAL PAINTED AND PARCEL-GILT TRUMEAU MIRROR
$1,500-2,500
19th century, rectangular architectural frame with Classical figures and mounts, enclosing mirrored plate; H83” W54 1/2”
Provenance: Camden, South Carolina collection
$1,500-2,500 Provenance: Atlanta, Georgia private collection
482 CONTINENTAL CARVED GILTWOOD MIRROR 19th century, scrolling frame carved with putti, shells and leafy foliage, centering circular mirror; H31” W21”
$700-1,000 Provenance: Charleston, South Carolina private collection
481
485 RENAISSANCE STYLE GESSO MIRROR leaf-carved pediment above scrolling floral-and-shell design frame centering rectangular looking glass; H47 1/2” W33 1/2”
$500-900 Provenance: Property of a gentleman
483 LOUIS XVI PAINTED AND PARCEL-GILT TRUMEAU MIRROR
late 18th century, rectangular frame with architectural detailing and Classical motifs, enclosing looking glass; H59 3/8” W46 3/8”
$1,000-1,500 Provenance: Fitzgerald, Georgia private collection
485
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CELEBRATING 85 YEARS
484
OF
DISCOVERING EXTRAORDINARY OBJECTS
488 ITALIAN CARVED WALNUT CASSONNE 18th century, hinged rectangular top over carved floral-and-cartouche paneled case, on carved feet; H26” W55 1/2” D20 1/2”
$1,800-2,500 Provenance: Sarasota, Florida collection
489 FRENCH EMPIRE BRONZE-MOUNTED MAHOGANY ARMCHAIR
late 19th century, square back and bowfront seat with topnailed upholstery, on saber legs, with casters and Classical mounts; BH36” SH20 1/2” W24” D23”
$500-700 489
Provenance: Charleston, South Carolina private collection
486
486 DUTCH INLAID WALNUT DISPLAY CABINET
487
early 19th century, molded crown with canted corners over inlaid frieze, glazed doors and sidelights, on conforming waist-molded base with doors and panels decorated with cartouches of urns issuing flowers, on suppressed bun feet; H79 1/2” W61” D16”
$2,000-3,000 487 CONTINENTAL CARVED WALNUT SOFA, POSSIBLY VENETIAN late 18th century, shaped and carved crestrail to outscrolled arms above carved seatrail, on tapered, turned and fluted legs; BH39 3/4” SH19” W76” D24”
$1,500-2,500 Provenance: Columbia, South Carolina private collection 488
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490 LOUIS XV STYLE SATINWOOD MARBLETOP SIDE
493 PAIR LOUIS XVI STYLE GILTWOOD
CABINET
FAUTEUILS
early 20th century, rouge and beige-veined bowfront top, over long drawer and doors, with carved legs and scrolling feet; H35” W53 1/4” D21 1/2”
20th century, bowfront bead-and-channel frame with padded back, arms and seat, on stop-fluted legs with elongated ball feet; BH39 3/4” SH19 1/2” W26 1/2” D27 1/2” (2pcs)
$600-900 Provenance: Mount Pleasant, South Carolina private collection
491 CONTINENTAL PAINT-DECORATED SATINWOOD BERGERE
tablet crest and inscrolled arms flanking bowed seat on turned legs, with topnailed upholstery and painted floral swags; BH36 3/4” W28” D27”
$300-600 Provenance: Fitzgerald, Georgia private collection
$500-700 Provenance: Atlanta, Georgia private collection
494 FRENCH PROVINCIAL CHERRY SIDE CABINET
late 18th century, rectangular top over two drawers and two doors, on cabriole legs; H40” W51 1/2” D24 3/8”
$900-1,400 492 LOUIS XV PROVINCIAL CARVED OAK ARMOIRE
Provenance: Sarasota, Florida collection
490
18th century, arched and molded cornice over case with conforming glazed doors with brass hinges, scrolling panels and scalloped skirt with volute moldings, on short cabriole legs; H83” W61” D19 1/2”
$1,000-2,000 Provenance: Charleston, South Carolina private collection
493
491
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494
CELEBRATING 85 YEARS
492
OF
DISCOVERING EXTRAORDINARY OBJECTS
496
495
497
496 PAIR LOUIS XV STYLE SILK BATIK-UPHOLSTERED
497 PAIR LOUIS XVI STYLE CANE AND BEECHWOOD
ARMCHAIRS
BERGERES
bead-and-channel frame with cartouche-form back, padded arms and serpentine seat, on shaped skirt and cabriole legs with acanthus carving and scroll toes, silk upholstery printed with koi; BH43” SH19” W26 3/4” D28” (2pcs)
bead-and-channel frame with cane panels, on tapered fluted legs, with bronze molding and mounts; needlepoint seat cushion and armrests; BH37” SH37 1/4” W21” D21” (2pcs)
$300-500
Provenance: Charlotte, North Carolina private collection
Provenance: Columbia, South Carolina private collection
$500-700
498 LOUIS XV STYLE KINGWOOD BRONZE-MOUNTED VITRINE
hinged shaped top with beveled glazed panel, conforming skirt with sidelights and bronze mounts, on cabriole legs; H35” W34 1/2” D18 1/2”
498
$400-700 495 CONTINENTAL MAHOGANY SERVING CABINET/BAR
Provenance: Mount Pleasant, South Carolina private collection
last half 19th century, molded edge hinged top with chamfered corners, opening to fitted interiors over molded panel doors on fluted tapered legs; H38” W46” D21 1/2”
499 ITALIAN BLACK LACQUER AND PARCEL-GILT
$600-900
OCCASIONAL TABLE
circular ivory, green and red shaped marble top, over conforming skirt upon scrolling supports issuing from cachepot, on quadripartite base with scroll feet; H28” Dia.29”
Provenance: Charlotte, North Carolina private collection
$300-500 Provenance: Atlanta, Georgia private collection 499
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500 CONTINENTAL PAINT-DECORATED CORNER CABINET
late 19th century, case with canted corners and single door, with floral panels; H55 1/4” W27 1/2” D16 1/2”
$400-700 Provenance: Fitzgerald, Georgia private collection
501 PAIR FRENCH NEEDLEWORK UPHOLSTERED FRUITWOOD ARMCHAIRS
reed-and-ribbon frame with cartouche back and serpentine seat, on cabriole legs with scroll feet; BH38 1/4” (2pcs)
$300-500 Provenance: Columbia, South Carolina private collection
502 LOUIS XV STYLE CARVED GILTWOOD ONYXTOP late 19th/early 20th century, serpentine molded top and skirt, on cabriole legs; H29 1/2” W33 1/2” D24 1/2”
$400-600 Provenance: Mount Pleasant, South Carolina private collection
504
500
CENTER TABLE
503 LOUIS XVI STYLE CARVED GILTWOOD MARQUISE
504 FRENCH BRONZE AND MARQUETRY-INLAID
arched backrail and bow front, on turned legs; H31” W33” D21”
MARBLETOP CABINET
$300-400 Provenance: Mount Pleasant, South Carolina private collection
shaped green marble top over conforming case with drawer and door on plinth, with marquetry and chevron panels set with bronze moldings and mounts; H34” W24 3/4” D13”
$300-500 Provenance: Charleston, South Carolina private collection
501
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502
CELEBRATING 85 YEARS
503
OF
DISCOVERING EXTRAORDINARY OBJECTS
505 SERAPI RUNNER
509 CAUCASIAN SHIRVAN RUNNER
2’7” x 23’7”
late 19th century 4’11” x 9’3”
$800-1,000
$600-1,000 Provenance: Atlanta, Georgia private collection
506 KAZAK RUNNER 2’4” x 11’2”
510 SEMI-ANTIQUE PERSIAN HERIZ
$300-600
RUNNER
507 ANTIQUE PERSIAN BIDJAR RUNNER
3’4” x 9’10”
$500-800
2’5” x 16’
$800-1,200
511 CAUCASIAN KAZAK/AZERBAIJAN
Provenance: Wilmington, North Carolina private collection
RUNNER
dated 1868 4’3” x 7’4”
508 TURKISH OUSHAK RUNNER
$400-700
2’7” x 23’9”
Provenance: Atlanta, Georgia private collection
$700-1,000
512 CAUCASIAN RUNNER
513
513 PAIR CONTINENTAL PAINTED BISQUE FIGURES, SIGNED VIENNA WORLD EXPOSITION
2’9” x 10’8”
circa 1873, large pair romantic figures in 18th century costume; marked on underside: EXP DE VIENNE AUTRICHE, 1873; H23 1/2” (2pcs)
$400-700
$1,000-2,000 Provenance: Pennsylvania private collection
505
506
507
508
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512
Private Collections at Auction
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514 GALLE DECORATED FAIENCE CAT late 19th century, seated figure with smug expression, dressed in a pale blue-ground robe painted with polychrome flower sprays, black lace bonnet, gilt pendant with portrait of dog, with applied green glass eyes; signed: E. Galle, Nancy; H13 1/8” W7”
$500-900 Provenance: Columbia, South Carolina private collection
515 PAIR DELFT COVERED URNS 19th century, floral garland and mask-decorated hexa-form and insect decorated covers; marked: AD spaced by starburst; H15 1/2” (2pcs)
$500-800 Provenance: Camden, South Carolina collection
516 MEISSEN BLUE ONION PATTERN PORCELAIN PARTIAL SERVICE
514
late 19th/ early 20th century, comprising: platter, L20” 4 oblong serving dishes, L8 3/4” to 13 1/2” 3 round serving dishes, Dia. 8 3/4” to 13 1/4” covered serving dish on stand, Dia.8” teapot, H5 1/2” cream pitcher, H5 1/2” 4 cups with 4 saucers 12 plates, Dia.9 1/4” to 10” 6 plates, Dia.6” to 8 1/4” 6 salts, H2 1/4” berry bowl, Dia.5” (48pcs)
$500-800 Provenance: Lexington, South Carolina private collection
516
517 MEISSEN BLUE ONION PATTERN PORCELAIN PARTIAL SERVICE
Meissen Oven and Porcelain Manufactory, late 19th/20th century, comprising: covered tureen with underplate, H9 1/2” L15” warming dish, L19” 3 round serving dishes, Dia.9 1/4” to 12 3/4” square bowl, H3 3/4” L8” triangular dish, L9” covered box, H4” 9 cups with 9 saucers 7 plates, Dia. 9 1/2” to 10” 9 plates, 8 1/4” to 8 1/2” 5 soups, Dia.9 3/4” to 10” 2 bread & butters, Dia.6 1/4” 8 small bowls, Dia.6 1/2” together with well-matched Blue Onion pattern pieces by other manufacturers, comprising: divided dish, L12” 2 plates, Dia.9 1/2” 11 plates, Dia.5” 3 soups, Dia.9” to 9 3/4” 10 demitasses with 9 saucers 5 egg cups, H2 1/2” individual creamer, H2 1/2” salt dish, L5” (100pcs)
$300-500 Provenance: Lexington, South Carolina private collection
515
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517
CELEBRATING 85 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
520 WILLIAM & MARY STYLE OAK CHEST OF DRAWERS late 18th/early 19th century, molded top over graduated drawers and bun feet; H35 1/2” W38 1/2” D23”
$600-900 521 ENGLISH OAK DROP-LEAF GATELEG TABLE 18th century, D-shaped drop leaves over short drawer, turned legs joined by molded stretcher; H27” W38 1/8” open L49 1/2”
$600-900 Provenance: Atlanta, Georgia private collection
520
518 TERRACOTTA FIGURE, PROBABLY UTZSCHNEIDER & CIE circa 1900, young boy resting beside foliate-clad pedestal; stamped on underside U&C, 620
$300-400 519
Provenance: Pennsylvania private collection
519 ENGLISH WASHED PINE LINEN PRESS 19th century, molded cornice over paneled doors, on waist-molded lower part with two short and two long drawers, shaped skirt and bracket feet; H81 1/4” W53 1/2” D23 3/4”
523
$900-1,400
522 ENGLISH PINE ARMOIRE late 19th century, molded crown over dovetailed cornice, upper and lower cases with paneled doors, on bracket base; H76 1/2” W53 1/2” D23 1/2”
$700-900 Provenance: Charleston, South Carolina private collection
523 ENGLISH WASHED PINE BLANKET CHEST 18th century, dovetailed case with hinged top over storage well, two drawers, brass handles and block feet; H26 1/2” W45 1/2” D20 3/4”
$600-900 522
518
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526 524
525
PORTRAIT OF LOVELY YOUNG WOMAN oil on canvas, framed, signed and dated illegibly lower left H28 1/4” W24 1/4”
524 FOUR ENGLISH OAK BOBBIN CHAIRS circa 1830, block-and-ring turned frame with plank seat; BH37 1/2” SH19” W19 1/8” D18 1/2” (4pcs)
$800-1,200
$400-700
Provenance: New York private collection
525 ENGLISH OAK DESK ON FRAME late 18th century, hinged slant top over storage well and single drawer, on straight chamfered legs; H33 1/2” W29” D20 1/2”
$500-700
528 CONTINENTAL SCHOOL, POSSIBLY GERMAN, 1885
529 HELENE GEVERS
527
Provenance: Fitzgerald, Georgia private collection
(Belgian, 19th century) YOUNG GIRL WITH BOUQUET OF FLOWERS oil on canvas, signed and dated lower left, 1880 H25” W171/2”
$700-900 Provenance: New York private collection
526 WILLIAM & MARY OAK FOOTSTOOL 18th century, overupholstered seat, on block-and-ring turned frame; H16 1/2” W17” D16”
$200-400 Provenance: Fitzgerald, Georgia private collection
527 PAINTED PINE SEA CHEST early 19th century, hinged top and strap hinges, decorated with anchor and name “IAN THOMAS”; H17 1/4” W37” D17 1/2”
$300-400 Provenance: Fitzgerald, Georgia private collection
528
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CELEBRATING 85 YEARS
529
OF
DISCOVERING EXTRAORDINARY OBJECTS
532 CONTINENTAL OR BRITISH SCHOOL, MID 20TH CENTURY PORTRAIT OF BLUE EYED GIRL oil on canvas, framed, signed H31 1/2” W23 1/2”
$600-800 Provenance: New York private collection
533 OLD MASTER SCHOOL RELIGIOUS PAINTING 530
530 CONTINENTAL SCHOOL (LATE 19TH CENTURY )
NATIVITY SCENE oil on canvas, framed, unsigned H40” W40”
$600-800 Provenance: New York private collection
FLORAL STILL LIFE oil on canvas, framed, signed with indistinct initials H32” W25 1/2”
$500-1,000
532
Provenance: Aiken, South Carolina private collection
531 BASILIUS BESLER (German, 1561-1629) five works from HORTUS EYSTETTENSIS engravings, framed, marked in margins sight size H20” W16 1/2” (5pcs)
$1,500-2,500 Provenance: Atlanta, Georgia private collection
534
534 CONTINENTAL SCHOOL, MID 20TH CENTURY PORTRAIT OF A VIOLINIST oil on canvas, framed, unsigned, H33 1/2” W47 1/2”
$600-900 Provenance: New York private collection 533
535 CONTINENTAL SCHOOL, 19TH CENTURY SHORE oil on canvas, framed, indiscernible signature lower left H20” W42”
$500-800 Provenance: Charlotte, North Carolina private collection 531
535
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539 CONTINENTAL SCHOOL (LATE 19TH CENTURY )
541 THORVALD LONDAL (Danish, 1891-1957) MILKING STALL BY HAVERING oil on canvas, framed, signed and dated: Th. C. L. 1941 H29 1/2” W37 1/2”
ICE SKATING IN THE PARK oil on board, framed, unsigned H14” W18”
$500-700
$400-800
Provenance: New York private collection
Provenance: New York private collection
539
540 GYORGY HORVATH
536
(Hungarian, mid 20th century) RECLINING NUDE oil on panel, framed, signed and dated lower right: JFJ. Horvath Gyrorgy, 1958 H24” W39 1/2”
536 CONTINENTAL SCHOOL, 19TH CENTURY LOST LOVE oil on canvas, framed, unsigned H37 1/2” W27”
$500-800
$500-700
Provenance: New York private collection
Provenance: New York private collection
537 HUNGARIAN SCHOOL, LATE 19TH/EARLY 20TH CENTURY IMPRESSIONIST INTERIOR WITH WOMAN READING oil on canvas, framed, signed lower right illegibly H39 1/2” W33”
541
538
$500-800 Provenance: New York private collection
538 K. HORDE (Italian, 19th century) FLIRTATION BY THE HARBOR oil on canvas, framed, signed and dated lower right: K. Horde, Firenze, 1889 H37 1/2” W22 1/2”
$500-700 Provenance: New York private collection
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537
540
CELEBRATING 85 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
544 ISTVAN TAKACS (Hungarian, 1901-1985) PASSING ON TRADITIONS oil on canvas, framed, signed lower left H32” W26”
$400-600 Provenance: New York private collection
545 CONTINENTAL SCHOOL, 19TH CENTURY
542
542 CONTINENTAL SCHOOL, LATE 19TH CENTURY PORTRAIT OF EXOTIC BEAUTY oil on canvas, framed, unsigned H27 3/4” W22 1/2”
UNE FEMME A SA TOILETTE oil on canvas, framed, signed illegibly lower left H30” W40”
$400-700 Provenance: New York private collection
Provenance: New York private collection
546 CONTINENTAL SCHOOL, EARLY 20TH CENTURY
543 CONTINENTAL SCHOOL, POSSIBLY ITALIAN, 1902
PORTRAIT OF MAN oil on canvas, signed lower right: F. Doman H20” W16”
$400-700
BABY IN CORAL NECKLACE oil on canvas, framed, signed lower left: BonaPini 1902 H24” W31 3/4”
$300-500
$400-600
Other Notes: Verso bearing old label from J.W. Burger Co. and metal tag from Darlington House, Toledo, OH 1249.
Provenance: New York private collection
543
544
Provenance: New York private collection
545
546
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547
548
549
547 CONTINENTAL SCHOOL, EARLY 20TH CENTURY
548 CONTINENTAL SCHOOL, 19TH
549 CONTINENTAL SCHOOL, LATE 19TH
CENTURY
CENTURY
PORTRAIT OF CHRIST oil on canvas, framed, unsigned H27” W21 1/2”
THE SCOLDING oil on canvas, framed, unsigned & dated: 1865 H15 3/4” W12”
THE APPLE PICKERS oil on panel, framed, signed: Wolfe H16” W12”
$300-500
Provenance: New York private collection
$300-500 Provenance: New York private collection
Provenance: New York private collection
550
$300-500
550 CONTINENTAL SCHOOL, 19TH CENTURY
THE MANDOLIN PLAYER oil on canvas, framed, signed and dated lower left illegibly H15” W10”
$300-500
551
Provenance: New York private collection
551 ITALIAN SCHOOL, LATE 19TH CENTURY
PORTRAIT OF BEAUTY oil on canvas, framed, signed lower right: Casanova H24” W20”
$300-400
552 J. A. KRUSEMAN (Continental, early 20th century) COASTAL SCENE oil on board, framed, signed H18 1/2” W22 1/2”
$200-400 Provenance: Charlotte, North Carolina private collection
Provenance: New York private collection 552
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CELEBRATING 85 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
554 PAIR CHINESE BLUE-AND-WHITE PORCELAIN COVERED JARS
Qing or Republic period, hexagonal form decorated with extensive scene and text; H12”
$500-900 Provenance: Camden, South Carolina collection
555 FINE SATSUMA EARTHENWARE VASES, PROBABLY KYOTO SCHOOL Meiji period, unusual pair molded vases with finely detailed expansive scenes, H6 1/2”; and pictorial vignette on brocade ground, H6” (3pcs)
$500-800 Provenance: Houston, Texas private collection
556 CHINESE PORCELAIN AND CINNABAR SNUFF BOTTLE COLLECTION AND CURIO CABINET
Qing and Republic periods, various designs and some marked, H2” to 3”; accompanied by carved hardwood hanging curio cabinet, H33” W20” D3 1/4” (35pcs) 557
$500-800 553
553 PAIR CHINESE PORCELAIN PALACE VASES Republic period or later, ruffled rim and elongated body decorated with central harbor scene flanked by floral and bird vignettes on field of flowers and waves on black ground; unmarked; H72” (2pcs)
$800-1,200 Provenance: West Columbia, South Carolina private collection
Provenance: Charlotte, North Carolina private collection
557 CHINESE BLUE-AND-WHITE PORCELAIN VASE, KANGXI SIX-CHARACTER MARK Qing dynasty, plum blossom and bird design, underglaze-blue six-character mark within double ring; H18 1/2”
$500-900 Provenance: Charlotte, North Carolina private collection
554
555
556
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558
559
560
558 CHINESE MANDARIN PORCELAIN BOWL
560 CHINESE FAMILLE ROSE PORCELAIN BOWL
562 IMARI PORCELAIN CHARGER
Qing dynasty, scenic panels in vibrant coloration; H4 1/2” Dia.11”
Qing dynasty, unusual band design; H5” Dia.11 1/4”
late 19th century, floral and butterfly designs; Dia.18 1/2”
$400-600
Provenance: Charlotte, North Carolina private collection
Provenance: Charlotte, North Carolina private collection
559 CHINESE BLUE-AND-WHITE PORCELAIN MOON FLASK AND COVERED JAR, SIGNED Qing dynasty, moon flask with four-character mark, H8”; and covered jar with six-character mark, H9” (2pcs)
$400-600
$400-600
561 CHINESE CERAMIC, STONE AND BRASS FIGURES Qing or Republic periods, Sancai glaze shishi, H7”; stone Buddha, H6”; and brass Buddha on wood stand, H3 1/2” (3pcs)
$300-500 Provenance: Columbia, South Carolina private collection
563 CHINESE PORCELAIN CHARGER Republic period, decorated with dragon motif; Dia.18 1/2”
$300-500
$300-500
Provenance: Charlotte, North Carolina private collection
Provenance: Columbia, South Carolina private collection
Provenance: Charlotte, North Carolina private collection
562
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561
CELEBRATING 85 YEARS
563
OF
DISCOVERING EXTRAORDINARY OBJECTS
567
566 CHINESE FAMILLE VERTE PORCELAIN PICTORIAL
564
564 ANCIENT THAI BAN CHIANG POTTERY VESSEL
567 JAPANES IMARI PORCELAIN CHARGER, BOWLS AND
VASE
DISHES
Qing dynasty, vignette of children playing and another with gaming scene; H13 1/2”
Meiji period, comprising: 4 chargers, Dia.12 1/4” 4 shallow bowls, Dia.5 1/2” to 10” plate, Dia.8 1/2” 3 shaped dishes, L7 1/8” to 9 1/2” saucer, Dia.4 1/8” (13pcs)
$300-600 Provenance: Charlotte, North Carolina private collection
$300-400
circa 100-200 AD, red continuous swirl design; H16 1/2”
Provenance: Charlotte, North Carolina private collection
$300-500 Provenance: Atlanta, Georgia private collection
568 PAIR JAPANESE IMARI PORCELAIN VASES
565 IMARI PATTERN PORCELAIN VASES CONVERTED TO
CONVERTED TO LAMPS
LAMPS
Meiji period, electrified; H13” (2pcs)
electrified; vase sizes H12”, 13” and 14” (3pcs)
$300-500
$300-600
Provenance: Charlotte, North Carolina private collection
Provenance: Charlotte, North Carolina private collection
565
566
568
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569
570
574
569 CHINESE METAL-MOUNTED BLUE-AND-WHITE
570 CHINESE JADE PENDANT
574 INDIAN PAINTED PANEL
PORCELAIN OIL LAMP
carved floral and bird ruyi-head white, green and lavender mottled stone; H2 3/4” W3 1/8”
late 18th/early 19th century; H24” W16 1/2”
$100-200
Provenance: Fitzgerald, Georgia private collection
Qing dynasty, dragon motif and Persian inspired metal mounts, signed on base, H5 1/2”
$200-300 Provenance: Charleston, South Carolina private collection
$200-400
Provenance: Columbia, South Carolina private collection
571 CHINESE EMBROIDERED SILK PANELS, FRAMED Qing dynasty, pair depicting figures in garden and another pair with flowers and insects; framed sizes H31” W16 1/2” and H18” W18” (4pcs)
$400-600 Provenance: Charlotte, North Carolina private collection
572 MASSIVE CHINESE CLOISONNE PALACE URN floral designs on vibrant blue ground; H47”
$300-500 Provenance: Pennsylvania private collection
573 BURMESE CARVED GILTWOOD BUDDHA probably British Colonial period, standing figure in robe with extended hands, adorned with small mirrored beads; H63”
$200-400 571
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Provenance: Irmo, South Carolina private collection
CELEBRATING 85 YEARS
572
OF
DISCOVERING EXTRAORDINARY OBJECTS
575 CHINESE PICTORIAL LACQUERED TRAY
577 CHINESE CARVED STOOL
19th century, oblong tray decorated with court scene; W19” L24”
Qing dynasty, possibly huanghuali or elm, square molded seat, carved cloud-design skirt on cylinder legs; H13” W12 1/2” D12 1/2”
$200-400 Provenance: Columbia, South Carolina private collection
576 CHINESE EXPORT GILT-DECORATED BLACK LACQUER CURIO CABINET
late 19th century, pagoda inspired design with glazed panel doors and sidelights, above cabinet and bracket feet; H76” W38” D15”
$1,000-1,500 Provenance: Columbia, South Carolina private collection
$600-1,000 Provenance: Atlanta, Georgia private collection
578 CHINOISERIE-DECORATED SIX-PANEL SCREEN gold and silver-gilt landscapes on red ground; H89” W120”
$700-900 Provenance: Charleston, South Carolina private collection 578
579 CHINESE EXPORT GILT-DECORATED BLACK LACQUER WRITING DESK
19th century, broken arch crown and shaped pediment, above paneled doors, opening to fitted interiors of drawers, doors and pigeonholes, front with double hinged top concealing fitted interiors, on stand with cabriole legs; H66” W22 3/4” D22 3/4”
$900-1,400 Provenance: Charleston, South Carolina private collection
576
579
577
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581 CHINESE CARVED WOOD MARRIAGE BED
Qing Dynasty, latticework canopy above two compartments fitted with doors and drawers, carved and spindle-turned side panels with marquetry-inlaid scenes, on highly carved scrolling feet; H92” W82”, exterior D82” and interior D66”
$800-1,200 Provenance: Atlanta, Georgia private collection
582 CHINESE EIGHT-PANEL COROMANDEL LACQUER AND ENAMEL SCREEN
late 19th century, decorated with village scenes, flora and fauna; H97” L140”
$1,000-2,000 Provenance: Charlotte, North Carolina private collection
582
583 CHINESE BLACK LACQUER AND GILT-DECORATED SHRINE ON STAND
19th century, cabinet with doors opening to fitted interiors, on stand with pierced skirt, carved legs with ball-and-claw feet; H47 1/2” W27 1/2” D18”
$400-600 Provenance: Camden, South Carolina collection
580
580 CHINESE RED LACQUER AND GLASS DISPLAY CABINET
circa 1880, rectangular form with glazed doors and sidelights, over configuration of five drawers and pair paneled doors, decorated overall with scrolling tendrils, floral motifs and figures in gardens; H70 1/4” W35” D18”
$800-1,200 Provenance: Charlotte, North Carolina private collection
583
581
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CELEBRATING 85 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
584 CHINESE HARDWOOD
588 TSUKIOKA YOSHITOSHI
CONSOLE TABLE
(Japanese, 1839-1892) two triptych scenes: CHRONICLE OF BOLD PUNISHMENT and BATTLE SCENE color woodcut, each framed as triptych, marked and stamped sight size, each H14” W9 1/2” and framed size H22” W37” (2pcs framed)
19th century, rectangular top over drawers, carved molded legs, joined by latticework platform base; H32 1/2” W47 1/2” D26 1/2”
$800-1,200
$400-700
Provenance: Atlanta, Georgia private collection
Provenance: Charleston, South Carolina private collection 584
585 CHINESE CARVED HARDWOOD AND MARBLETOP PEDESTAL
late 19th century, octagonal top over pierce-carved skirt, cabriole legs joined by molded stretcher; H35 1/2” Dia.13 1/2”
$300-600 Provenance: Mount Pleasant, South Carolina private collection
586 CHINESE CARVED HARDWOOD CENTER TABLE Qing Dynasty, square molded-edge top over carved pierced skirt on square legs; H34 1/2” W28 1/4” D28 1/4”
$300-400 Provenance: Columbia, South Carolina private collection
588
587 CHINESE CARVED GILTWOOD PANEL
19th century, elaborately carved Chinese figures in garden scenes, gilt on red lacquer ground; H18 1/2” W35 1/4”
$200-400 Provenance: New Hampshire collection
585
586
587
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589 UTAGAWA YOSHITORA AND UTAGAWA SADAHIDE (Japanese, fl. 1850-1880 and 1807-1873) TWO UNTITLED TRIPTYCHS, color woodcut, framed as one, marked each sheet size H14” W9 1/2” and H14” W9 1/2”, and framed sizes H36 1/2” W21” and H22 1/2” W37 1/2” (2pcs framed)
$500-800 Provenance: Atlanta, Georgia private collection
589
590 UTAGAWA YOSHITORA AND UTAGAWA SADAHIDE (Japanese, fl. 1850-1880 and 1807-1873) TWO UNTITLED TRIPTYCHS, color woodcut, framed as one, marked each sheet size H13 1/2” W9 1/2” and H13 3/4” W9 1/4”, and framed size H20” W34 1/2” (2pcs framed)
$500-800 Provenance: Atlanta, Georgia private collection
590
591 UTAGAWA KUNIHISA (Japanese, 1832-1891) HUNTING THE NINE-TAILED FOX TRIPTYCH color woodcut, framed as one, marked each H14 1/2” W9 1/2” and framed H21” W36 1/2”
$500-800 Provenance: Atlanta, Georgia private collection
591
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CELEBRATING 85 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
593
592
594
592 PAIR CHINESE GOUACHE PAINTINGS
593 KIYOSHI SAITO
594 CHINESE WATERCOLOR PAINTINGS
late Qing or Republic period PAIR SCENIC LANDSCAPES gouache, framed, unsigned sight size H35” W25 1/2” (2pcs)
(Japanese, 1907-1997) two works: AUTUMN IN AIZU and CAT, color woodcuts, unframed sheet sizes H11 1/2” W16” and H16” W11 1/2” (2pcs)
Qing or Republic period PAIR OF HORSES watercolor on paper, unframed, signed overall H15 3/4” W12 1/8” (2pcs)
$500-800
$300-500
$200-300
Provenance: Camden, South Carolina collection
Provenance: Arlington, Virginia private collection
Provenance: Camden, South Carolina collection
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Terms & Conditions of Sale REGISTRATION FOR BIDDING. All prospective bidders must have an active Charlton Hall Account in good standing, sign Registration Form and provide government issued photo ID for each sale. *If you would like to establish an account with our firm, please complete Account Setup Form and provide government issued photo ID. *At the discretion of Charlton Hall Galleries, Inc., prospective bidders may be required to provide a deposit against bids. 1. ALL SALES ARE FINAL and all lots are sold as shown and “AS IS”, “WHERE IS”, with all faults, imperfections, and errors of description. Charlton Hall Galleries, Inc., their employees and/or agents are not responsible for errors of description, genuineness or authenticity, and fault or defect in any lot. No warranties or representations whatsoever are given by Charlton Hall Galleries, Inc., its employees and/or agents, to any buyer in respect to any lot. 2. ALL PAYMENTS ARE DUE IMMEDIATELY FOLLOWING AUCTION, and all merchandise must be removed from the premises the day of the auction. Payment can be made with cash, money order, cashier’s check, bank wire transfer, or pre-approved US bank drawn check. Merchandise paid for with US bank drawn pre-approved check or foreign cashier’s check will be held for 10 days banking days. Charlton Hall Galleries, Inc. DOES NOT accept credit cards for auction purchases. International buyers are required to pay bank wire transfer. 3. We do not give refunds. Charlton Hall Galleries, Inc. represents and sells consigned property on behalf of sellers, estates, public and private institutions and other entities. Charlton Hall Galleries, Inc. recommends prospective bidders examine all items in which they have an interest. All lots offered are available for your examination prior to auction date. Registering for a sale and placing bids on any lot signifies that you or your agent have examined the property as fully as you desire. Written and oral descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, materials or any other feature of any lot being sold. If you require absolute certainty in all areas of authenticity, and the results of your evaluation leave uncertainty in your mind, we recommend you not bid on the lot in question. All sales are final, and no refunds will be given. No statement written or oral made by the auctioneer shall be deemed a warranty or assumption of liability by Charlton Hall Galleries, Inc. or by any seller represented by Charlton Hall Galleries, Inc. 4. The highest bidder acknowledged by the auctioneer will be the buyer of that lot. In the event of any dispute, the auctioneer shall have sole discretion to either determine the successful bidder or to re-offer for bidding, the lot in dispute. Charlton Hall Galleries, Inc. has sole discretion to refuse any bid, to divide any lot, to combine any two or more lots, and to withdraw any lot or lots from the sale. 5. Some lots may be offered subject to a reserve, which is a minimum price below which such lot will not be sold. Charlton Hall Galleries, Inc. may implement such reserves by bidding on behalf of the seller. 6. Charlton Hall Galleries, Inc., reserves the right to allow its employees to bid competitively at all auctions. 7. A buyer’s premium of 20% of the successful bid price will be added to each lot thereto and is payable by the purchaser as part of the total purchase price of each lot. 8. All purchases, including buyer’s premium, are subject to the collection of South Carolina state and local sales taxes. Buyers will be required to pay 7% sales tax at the time of payment unless one of the two following conditions is
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9.
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met: 1) Items purchased will be shipped out of the State of South Carolina by a registered ICC carrier, or 2) The registered buyer provides Charlton Hall Galleries, Inc. with a valid South Carolina Retail License Number or valid sales tax exception number from another state and properly fills out form ST-8A Resale Certificate submitted with a copy of said retail license. CONDITION REPORTS: Charlton Hall Galleries, Inc., and its employees will provide, upon request, condition reports and additional photographs for items contained within the current auction catalog. This service is provided as a courtesy only and requesting a condition report in no way changes article #1 of Conditions of Sale. Since we are not professional conservators or restorers, we urge you to inspect each lot yourself or have an agent do so on your behalf. Prospective buyers should satisfy themselves as to condition and must understand that any statement made by Charlton Hall Galleries, Inc., or its employees is merely a subjective qualified opinion, notwithstanding written reports or any discussion concerning condition in this catalog. Condition reports are provided by request on a “first come, first served” basis, making it imperative that requests are submitted early. Requests submitted close to auction date may not be completed. TELEPHONE & ABSENTEE BIDDING: As a service, Charlton Hall Galleries, Inc. provides several absentee bidding formats to those who cannot or choose not to attend the auction in person. Written absentee bids are accepted and must be submitted on a Charlton Hall Absentee Bid Form, copies of which can be found in the printed catalog or on our website. Bidding by telephone can also be arranged by completing the Charlton Hall Bid Form which can also be found in the printed catalog or on our website. Due to processing time constraints, these bid forms must be submitted before 24-hours prior to the auction. Additional terms are outlined on these Absentee Bid Forms. By submitting an Bid Form, prospective purchasers consent and agree to the Conditions of Sale. Absentee bidding is a convenience offered to Charlton Hall Galleries, Inc. customers and while we make every effort to execute your instructions regarding your Absentee or Telephone Bid, Charlton Hall Galleries, Inc. is not liable or responsible for any errors or failure to execute such instructions. LIVE INTERNET BIDDING: Live internet bidding is also possible through our website www.CharltonHallAuctions.com and via ArtFact. Online bidders will pay a Buyer’s Premium of 23% in addition to the hammer price. Charlton Hall undertakes the execution of online bidding as a convenience for clients and is not responsible for any failure or error in the execution of bids. In the event of a tie bid, the floor bidder will be the winning bidder of record. SHIPPING: Charlton Hall Galleries does not ship any merchandise purchased at auction. We will be pleased to provide a list of shippers and packers that our worldwide base of clients has successfully used, or you can have your own shipper handle your purchases. Please contact the shipper of your choice to arrange for pick up and packing of your items. Your items will be released as soon as payment clears our bank. We request that your shipper schedules pick up times at least 24 hours in advance; this will ensure no delays in pick up, and release of your purchases. EXPORT LICENSES AND PERMITS: Certain property sold at auction may be made of or contain elements of endangered and other protected species of wildlife. Such material includes, among other things, tortoiseshell, ivory, crocodile skin, whale bone, certain species of coral and other animal bone. These materials may be subject to laws governing export from the United States or import into a foreign country (i.e.: endangered species). Several
CELEBRATING 85 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
14.
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countries prohibit the importation of property containing these materials altogether and other countries require a permit (e.g., a CITES permit) from their respective regulatory agency. For example, the United States generally prohibits the importation of articles less than 100 years of age that contain material from any species listed as endangered or threatened. It is the buyer’s responsibility to obtain any and all export or import licenses, permits or documentation required by any local authority for export from the United States or import into any other country for any object requiring same. The denial or delay in obtaining any license or permit from any agency shall not justify the cancellation or rescission of any sale or any delay in making payment for the total purchase price of any lot in accordance with these Conditions of Sale. FIREARMS: All post-1898 firearms must be registered in compliance with Federal and South Carolina State Laws. Buyers of post-1898 firearms must complete State and Federal registration forms at Charlton Hall Galleries, Inc., unless otherwise specified; processing of such forms may require a waiting period. Dealers and out-of-state buyers must have in their possession, on the day of sale, signed copies of their FFL (Federal Firearms License) in order to accept same-day delivery of modern weapons. Buyers who act as agents for FFL dealers must have a letter as well as an original signed copy of the dealer’s FFL, and must present it to Charlton Hall Galleries, Inc., no less than 24 hours prior to auction date. Such lots may be denoted with special symbols and or verbiage in printed and digital catalogues. Charlton Hall Galleries, Inc. makes no warranties or representations whatsoever and no employee or consultant of Charlton Hall Galleries, Inc. has the authority to do otherwise, concerning the operation or firing condition, fitness of use, safety to store, or reliability of any firearms, ammunition, or parts. Use of any firearms purchased at Charlton Hall Galleries, Inc. is entirely at the user’s risk. Charlton Hall Galleries, Inc. offers for sale the lots as COLLECTOR items only. We strongly recommend that all weapons, ammunition, etc. purchased at auction be examined by a competent gunsmith. Charlton Hall Galleries, Inc. expressly disclaims any liability whatsoever for accidents, injury and damage resulting to any person from the storage or subsequent use of any such lots. While Charlton Hall Galleries, Inc., their employees and representatives, make every effort to accurately describe all lots offered for sale, it is incumbent upon the bidder to satisfy themselves in all areas of authenticity, originality, condition and imperfections. Bidders should also acknowledge that condition reports are often subjective and any item offered at auction may be subject to normal wear consistent with age that may not be specified in a condition report. If a bidder is uncertain about any of these issues, we would recommend that they not bid on lots in question. We would further urge that all potential bidders become familiar with “Commonly Used Terms and Abbreviations” printed in each catalog or available upon request. These Conditions of Sale and the purchaser's and our respective rights and obligations hereunder are governed by the laws of the State of South Carolina. By bidding at an auction, each purchaser and bidder agrees to be bound by these Conditions of Sale. Any dispute, controversy, or claim arising out of or relating to this agreement, or the breach, termination, or validity thereof, brought by or against Charlton Hall Galleries, Inc., (but not including claims brought against the consignor by the purchaser of lots consigned hereunder) shall be resolved by the Columbia, South Carolina legal system. In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor(s) by law, including without limitation the right to hold the purchaser liable for the total
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purchase price, with the purchaser to be responsible for all costs of collection (including attorneys' fees and disbursements), we, at our option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser or (b) resell the property at public auction without reserve, and the purchaser will be liable for any deficiency, costs including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder, and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser's obligations to us, any property in our possession, owned by such purchaser. We shall have all of the rights accorded a secured party under the South Carolina Uniform Commercial Code with respect to such property, and we may apply against such obligations all monies held or received by us for the account of, or due from us to, such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier's checks, we have con firmed their authenticity. All property must be removed from our premises by the purchaser at their expense no later than 5 business days following its sale and, if it is not removed, Charlton Hall Galleries, Inc., reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser's expense. Charlton Hall Galleries, Inc., shall have no liability for any damage to property left on its premises for more than 5 days following the sale. If property is uncollected within 60-days of auction purchase date, buyer authorizes Charlton Hall to re-sell ALL purchases. Storage fees, handling charges, and seller’s commission rate of 20% will be deducted from the proceeds. Your bid is a legally binding contract. If you are the successful bidder, you have entered into a contract to purchase the property bid on from the seller. You should contact Charlton Hall Galleries, Inc. to resolve any questions prior to placing any bids. The use of a live internet bidding service will subject your bid to an additional buyer’s premium. Please be aware of this and be sure to read all the terms published by the service providing online bidding. The Conditions of Sale as written in this printed catalog will take precedence over any other conditions, whether printed or posted on internet websites. Conditions of Sale may be amended by posted notices in the salesroom or by announcement from the auctioneer. Bid increments: Bidding generally opens at half the low estimate and generally advances in the following increments: Bid Range Increment $0-99 $10 $100-499 $25 $500-999 $50 $1,000-2,999 $100 $3,000-4,999 $200 $5,000-9,999 $500 $10,000-19,999 $1,000 $20,000-49,999 $2,000 $50,000-99,999 $5,000 $100,000-199,999 $10,000 $200,000 Auctioneer’s discretion
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C HARLTON H ALL
First Name
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Discovering Extraordinary Objects Since 1929
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Secondary Phone
Fax
Email My signature below indicates my willingness to open bidding at half the low estimate and bid as indicated below. I have read and understand the Terms & Conditions governing this sale.
Expiration Date
Valid Credit Card Number
132
WE DO NOT ACCEPT BIDS THAT ARE LESS THAN HALF THE LOW ESTIMATE
Date
Signature
Lot Number
CV Code
•All bids must be placed following the increments listed below. Bid Range Increment $0-99 $10 $100-499 $25 $500-999 $50 $1,000-2,999 $100 $3,000-4,999 $200 $5,000-9,999 $500 $10,000-19,999 $1,000 $20,000-49,999 $2,000 $50,000-99,999 $5,000 $100,000-199,999 $10,000 over $200,000 Auctioneer’s discretion
Lot Description
WWW.CHARLTONHALLAUCTIONS.COM
CELEBRATING 85 YEARS
Absentee Bid (Top Limit, not including
Phone Bid
premium)
(Please Check)
OF
Back-Up Bid (Required for all phone bids)
DISCOVERING EXTRAORDINARY OBJECTS
Guide for Prospective Buyers Bidding and buying at auction is an exciting and fast-paced process. If you have never participated in a live sale before, we encourage you to consult with one of our staff members to discuss how the process works. Terms & Conditions of Sale: Charlton Hall encourages prospective buyers to read the Conditions of Sale printed in the back of this catalogue for more complete information. Registration: All prospective bidders must have an active Charlton Hall account in good standing, complete a Registration Form and provide government-issued photo ID for each sale. First-Time Registration: If you have never registered to bid at Charlton Hall, you must complete our Account Setup Form, present a government-issued photo ID and be approved. At the discretion of Charlton Hall, prospective bidders may be required to provide a deposit against bids. Preview Exhibition: Charlton Hall offers auction previews leading up to every sale. Galleries are open to the public for preview during printed dates and by appointment. Condition Reports: Charlton Hall and its staff will be pleased to issue Condition Reports for any lot offered. Please note that our staff and specialists are not professional conservators, and that statements of condition are only our opinion. Please remember all lots are sold “AS IS”, and as stated in the Terms & Conditions governing each sale. We strongly encourage bidders or their agents to examine property first-hand prior to bidding. Bidding: We are pleased to offer various bidding platforms at Charlton Hall. You may wish to attend and bid in person, or make prior arrangements to bid by Phone, Absentee, or view the sale live via Live Internet bidding. Please keep in mind the highest bidder acknowledged by our auctioneer will be the purchaser of the item. Although our auctioneer is highly skilled and competent, due to technology and human error, there is always the possibility a bid may be seen or entered too late, and the bidder must acknowledge that once the auctioneer closes bidding, the sale is final. Please see Terms & Conditions of Sale for bid increments, and additional information governing each sale. Payment: In addition to the hammer price, the winning bidder agrees to pay Charlton Hall a buyer’s premium, as well as any applicable taxes. All payments are due immediately following the auction. Payment may be made with cash, money order, cashier’s check, bank wire transfer or a pre-approved US bank-drawn check. Charlton Hall does NOT accept credit cards as payment. Pickup & Shippings: We request all purchased lots be removed from the premises within 5 business days. Charlton Hall and its staff will provide a list of recommended shippers and packers whom our worldwide clients have successfully used. For prompt service, we request 24-hour notification of a scheduled pickup appointment. Pickup Hours: Monday-Friday (10:00 to 11:30am and 1:00 to 4:30pm) UPS Store Artex Atelier 4 Alexander Services
803-254-1601 800-652-7839 305-685-9797 888-656-6838
Plycon Richard Wright Ltd. US Art, Inc. Westbrook Deliveries
336-854-1832 (or) 954-978-2000 800-247-9744 800-872-7826 404-877-2870 (or) 843-991-6738
Should you have additional questions, please feel free to contact our client services specialists at 803-779-5678 20 SEPTEMBER 2014 -
Private Collections at Auction
133
Commonly Used Terms and Abbreviations ac: Active
manner of: Although this work is in the appropriate manner or style of the artist, it is probably of a later period.
after: This work is a later copy of one of the artist’s works. note: Additional information we are able to provide about any particular item. after the antique: A later facsimile. oz Troy: Unit of measuring precious metals. attributed to: This work is probably by the named artist. Technically, this work is of the period and may be wholly or even partly by this artist.
period: Works will be followed by a date, which means that the object is, in our opinion, the date indicated, and made in the time frame.
b: Date of birth provenance: History of ownership, or additional information which we have obtained.
BH: Back height circa: Approximate date of object.
studio of: This work is of the correct period, and may have been made under the artist’s supervision.
circle of: This work is of the correct period, and exhibits the stylistic influence of the named artist.
school of: This work is of the general style of the artist, and may possibly even be by a student of the artist, even if from a slightly later, but not too distant period.
ct: Carat (single gemstone weight) SH: Seat height ctw: Carats (total gemstone weight) D: Depth
sizes: All sizes, weights and other measurements are approximate; we are not responsible for mis-measurements or typographical errors.
d: Date of death
Sq: Square
dates: All dates are approximate. The absence of a date for any item indicates that the item is either modern or we are uncertain of the age.
style: The inclusion of the word “style” in the heading indicates that, in our opinion, the object was made as an intentional reproduction of an earlier form.
Dia: Diameter
W: Width
DJ: Dust jacket
wk: Worked
fl: Flourished
**: Property approved for de-accession
follower of: This work is executed in the artist’s style, but is not necessarily by one of his students. g: Grams H: Height K: Karat, the fineness of gold. L: Length
134
WWW.CHARLTONHALLAUCTIONS.COM
CELEBRATING 85 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
Visit Our Houses To schedule a tour, please go to:
www.classicalamericanhomes.org EDGEWATER
GEORGE F. BAKER HOUSES
Edgewater, built in 1825 on the Hudson River in upstate New York, combines classical architecture with a dramatic setting to create one of the Hudson Valley’s most charming river residences.
The George F. Baker Houses comprise a block of adjoining residences owned by the Baker Family on the corner of Park Avenue and East 93rd Street in New York City, dating from 1917-1932.
EDGEWATER BAKER HOUSES
AYR MOUNT
AYR MOUNT Ayr Mount, a Federal-style plantation house built in 1815 just outside historic Hillsborough, N.C. was home to William Kirkland and four generations of the Kirkland family for the next 170 years.
MILLFORD PLANTATION Built between 1839-41, Millford Plantation is one of the finest examples of Greek Revival architecture in America and still retains most of its documented Duncan Phyfe furniture.
MILLFORD PLANTATION ROPER HOUSE
ESTATE CANE GARDEN
ROPER HOUSE Roper House, built in 1838 on the recently completed High Battery, commands a sweeping view of the Charleston, South Carolina harbor.
Classical American Homes Preservation Trust 69 East 93rd Street, New York, NY 10128 Phone (212) 369-4460 • Fax (212) 369-4462
www.classicalamericanhomes.org Classical American Homes Preservation Trust, founded by Richard Hampton Jenrette, seeks to preserve, protect and open to the public examples of classical American residential architecture as well as fine and decorative arts of the first half of the 19th century.
ESTATE CANE GARDEN Located on a high hilltop in St. Croix, U.S. Virgin Islands, Cane Garden is a classic example of a small Palladian villa, circa 1784, featuring expansive Caribbean views.
Accepting Quality Consignments Forthcoming Auction Schedule
S
d
Style + Design January 2015
Magnificent Antiques September 2015
Consignment Deadline: October 1
Consignment Deadline: July 1
Americana at Auction March 2015
Important Collections December 2015
Consignment Deadline: January 2
Consignment Deadline: October 1
Important Collections June 2015 Consignment Deadline: April 1
S
SD
Style + Design January 2016 Consignment Deadline: October 1
Style + Design July 2015
Americana at Auction March 2016
Consignment Deadline: April 1
Consignment Deadline: January 2
For more information, please contact consignment specialists Kinga Bender • Erica Guillebeau 803-779-5678 or info@charltonhallauctions.com
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WWW.CHARLTONHALLAUCTIONS.COM
CELEBRATING 85 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
CHARLTON HALL Celebrating Our 85th Year
7 Lexington Drive • West Columbia, South Carolina 29170 Tel: 803.779.5678 Fax: 803.733.1701
www.CharltonHallAuctions.com