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Style Design
UNRESERVED AUCTION Saturday 12 September at 10am
Museum, Estate & Private Collections Southern Institutional Library Deaccessions Edward Morrison Brown Collection Dr. Joseph T. Harris Collection Joseph Tullie Holleman, Sr. Estate Tennessee Estate Canadian Private Collection Also Including Property, Private and Public Collections From Arizona, California, Florida, Georgia, Kansas, Maryland, Massachusetts, Minnesota, Nevada, New York, North Carolina, Pennsylvania, South Carolina, and Virginia
W W W.C H A R LT O N H A L L A U C T I O N S . C O M
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Style Design UNRESERVED AUCTION Sale Date & Time: Saturday 12 September, at 10am (Lots 1000-1266) Preview Exhibition: Opening Reception: Saturday 5 September (4–7pm) Wednesday 9 September (12noon–8pm) Thursday 10 September (10am–6pm) Friday 11 September (9am–12noon) Saturday 12 September (9am-10am) and by prior appointment
Charlton Hall Auctioneers 7 Lexington Drive West Columbia, SC 29170 Tel: 803-779-5678
Catalogue $10 at gallery Sale No. SC278
Now Accepting Quality Consignments CELEBRATING 86 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
1000 PAIR CHINESE EXPORT ORMOLU-MOUNTED FAMILLE ROSE
1005 CHINESE SANCAI-GLAZE POTTERY BOWL
18th/19th century, court scenes with gilt mounts; H13 1/2” (2pcs)
Qing dynasty, flared rim bowl with mottled glaze in the “egg and spinach” pattern, H3” Dia.6 1/2”
$500-800
$400-600
Provenance: Canadian private collection
Provenance: New York private collection
1001 CHINESE WATERCOLOR COSTUME
1006 CHINESE FAMILLE VERTE
PAINTINGS
PORCELAIN VASE
19th century, standing male and female figures in ornate robes, painted on silk, set of 4 framed H16” W13 1/2” and set of 4 framed H16 1/2” W14” (8pcs)
late Qing dynasty, decorated with scenes of figures in garden and verso with text panel; H16 3/4”
PORCELAIN VASES
$500-700 Provenance: South Carolina private collection
1000
$300-500 1007 CHINESE COROMANDEL AND LACQUERED CABINET
1002 TANG STYLE CARVED MARBLE KYLIN
H36” W24 1/2” D12”
$300-500 Provenance: South Carolina private collection
Qing dynasty, H6” L5 1/4” D3 3/4”
$500-700 Provenance: Atlanta, Georgia collection
1008 CHINESE COROMANDEL AND BLACK LACQUERED SCREEN
depicting court scene, H72” W64”
1003 CHINESE ORMOLU-MOUNTED BLANC DE CHINE COVERED BOWL
19th century, applied flowering vine motif and gilt mounts; H9” Dia.7”
$400-700 Provenance: South Carolina private collection
$300-600 Provenance: South Carolina private collection
1002
1009 PAIR ASIAN BLUE-AND-WHITE PORCELAIN VASES, AND IMARI CHARGERS
1004 JAPANESE PAINTED COURT SCENE 20th century, framed, sight H68” W19”
late 19th/early 20th century, H9”; and four chargers, Dia.13” to 16” (6pcs)
$300-500 Provenance: North Carolina private collection
$400-800 Provenance: South Carolina private collection 1003
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CELEBRATING 86 YEARS
1004
OF
DISCOVERING EXTRAORDINARY OBJECTS
1013 PAIR CHINESE FAMILLE ROSE PORCELAIN COVERED JARS
early 20th century, H21” (2pcs)
$300-500 Provenance: Atlanta, Georgia collection
1014 CHINESE FAMILLE ROSE PORCELAIN VASE
early 20th century, H22 1/2”
$300-500 1010
1016
Provenance: Atlanta, Georgia collection
1018 CHINESE BLUE-AND-WHITE
1015 CHINESE CARVED WOOD PANELS
early 20th century, dragon design, H16”; and figural design, H15 1/2” (2pcs)
pierce-decorated with figures and flowers; H42 1/2” W42 1/2” and H47” W14” (3pcs)
Provenance: Atlanta, Georgia collection
PORCELAIN JARS
$200-400
$300-400 Provenance: South Carolina private collection
1019 CHINESE GILT-DECORATED BLACK LACQUERED PEDESTAL
1012
1010 JAPANESE IMARI PORCELAIN CHARGERS, SIGNED
1012 JAPANESE WOODBLOCK COLLECTION, 19TH/20TH CENTURY
Meiji period, signed with six characters, Dia.15 3/4”; signed with four characters, Dia.18” (2pcs)
Utagawa Kunisada (1786-1864) DISTANT VIEW OF OJI, triptych, frame H19 1/4” W36” Utagawa Hiroshige (1797-1858) FUJIEDA [from The Fifty Three Stations of the Tokaido], sight H4 1/8” W6 1/4” Katsukawa Sunsho (1726-1792) UNTITLED [from 100 Poets of Edo], sight H9” W6 1/4” SEATED FIGURE WITH BEADS, sight H14 3/4” W9 3/4” MOTHER AND CHILD diptych, H11” W13” all signed and framed (5pcs)
$300-500 Provenance: North Carolina private collection
1011 CHINESE EXPORT BLUE-AND-WHITE PORCELAIN TABLEWARES
18th century and later, comprising: platter, L14 1/2” 10 plates, Dia.9” to 10 1/2” bowl, H2 1/2” Dia.7” (12pcs)
$300-500
$300-500
Provenance: North Carolina private collection
Provenance: Florida private collection
1016 CHINESE CARVED AGATE WATER
H33” W20” D16”
COUPE
Provenance: South Carolina private collection
Qing dynasty, rust and white mottled naturalistically carved brush washer on conforming wood stand, H1 1/4” W3” D2”
$200-400
$300-400 Provenance: South Carolina private collection
1017 CHINESE SCHOOL LATE 19TH CENTURY
four works: ASIAN CEREMONIAL SCENES gouache on silk panels, framed, unsigned sight H4 1/4” W12” (4pcs)
$300-400 Provenance: Massachusetts private collection 1019
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1024 RELIGIOUS PAINTING IN THE OLD MASTER MANNER
1030 PAIR BRITISH GENRE PAINTINGS, LATE 19TH CENTURY
first half 20th century, oil on canvas, framed, unsigned, H23” W18”
STREET SCENE and INTERIOR SCENE, oil on board, framed, unsigned, framed size H16 1/2” W24” (2pcs)
$500-1,000 Provenance: South Carolina private collection
1020
1020 PAIR CHINESE FAMILLE ROSE PORCELAIN JARS ON STAND
$300-500
1025 MADONNA DELLA SEGGIOLA, AFTER RAPHAEL
1031 THE BIRTH OF VENUS PAINTING AFTER SANDRO BOTTICELLI
oil on board, framed, unsigned, Dia.29 1/2”
$600-900
oil on canvas, framed, unsigned H23 1/2” W36”
Qing dynasty, jars, H9” Dia.8”; and carved wood stands, H4 1/2” Dia.7” (2pcs)
Provenance: South Carolina private collection
$200-300
1026 AMERICAN OR BRITISH LANDSCAPE
Provenance: Edward Morrison Brown collection
Provenance: North Carolina private collection
1024
PAINTINGS
1021 CHINESE SILK EMBROIDERED ROBE
first half 20th century, oil on panel, framed, one signed lower right, H14” W18 1/2” and H14 1/2” W18 1/2” (2pcs)
CONTAINED IN FRAME
$500-800
late Qing dynasty, robe H37” W48” and framed size H50” D59”
Provenance: South Carolina private collection
$200-300
$300-500
1028 FRENCH IMPRESSIONIST
Provenance: South Carolina private collection
STYLE LANDSCAPE PAINTING
oil on canvas, framed, unsigned, H22” W28”
$400-700 Provenance: South Carolina private collection
1029 PAIR BRITISH LANDSCAPE PAINTINGS, SIGNED
Provenance: Edward Morrison Brown collection
1031
early 20th century, RIVERBANK SCENES, oil on panel, framed, signed: F. Rutter, H30” W20” (2pcs)
1022 CHINESE PORCELAIN VASE,
$300-500
CONVERTED TO LAMP
Provenance: Georgia private collection
19th century, vase H11” and overall H16”
1032 CONTINENTAL SCHOOL, 19TH CENTURY
INTERIOR SCENE, MOTHER WITH CHILDREN, oil on canvas, framed, unsigned, H20” W24”
$200-300
$300-400
Provenance: South Carolina private collection
Provenance: North Carolina private collection 1025
1023 PAIR JAPANESE CARVED BONE AND MOTHER-OF-PEARL INLAID PANELS Meiji period, H34” W20 3/4” (2pcs)
1027 CONTINENTAL SCHOOL, LATE 19TH/EARLY 20TH CENTURY
$100-200
HEADED TO MARKET, oil on canvas, framed, unsigned, H14” W18”
Provenance: Charleston, South Carolina private collection
$500-800
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Provenance: North Carolina private collection
WWW.CHARLTONHALLAUCTIONS.COM
1027
CELEBRATING 86 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
1035 ORNITHOLOGY PRINTS BY GEORGE EDWARDS AND OTHERS (British, 18th/19th century) two works UNKNOWN BIRD, handcolored, framed, one marked in margins, framed size H16” W13 1/2” Vincent Brookes after Ludlow BROWN-BREASTED RED GAME, chromolithograph, framed size H17 1/2” W14 1/2” and another THE CHAMPION, color litho, framed H11 3/4” W11” (4pcs)
$200-400 1035
1033 PARISIAN PAINTINGS BY RENE CHANEL (French, 20th century) LE MOULIN DE GALETTE and LE MARCHE ET LA CONCIERGERIE, oil on canvas, signed, framed size H32” W44” and H35” W47” (2pcs)
$300-400
1039 WEDDING FESTIVAL BY ORESTE CORTAZZO (Italian, 1836-1889) LA FESTA DI NOZZE, color engraving, signed in plate, framed size H27” W39 1/2”
1039
$200-300 Provenance: South Carolina private collection
Provenance: Edward Morrison Brown collection
1041
1036 WATERCOLOR BY MATTEO BRONDY (French, 1866-1944) MOULAY IDRISS, framed, signed and titled lower right, H11 1/4” W15 1/2”
$200-400 Provenance: South Carolina private collection
Provenance: North Carolina estate
1034 HORSE RACING SCENES, AFTER BENJAMIN HERRING JR. SILKS AND SATINS OF TURF and SILKS AND SATINS OF THE FIELD, color prints, framed size H30 1/2” W53”; together with another after John F. Herring, Jr. FOX HUNTING-FULL CRY, framed size H32” 37 1/2” (3pcs)
1037 OWL COLOR ENGRAVINGS, AFTER JEAN GABRIEL PRETRE (French, 1768-1849) CHOUETTE and HIBOU, framed size H22 1/2” W19 1/2” (2pcs)
$200-300 Provenance: South Carolina private collection
$200-400 Provenance: Edward Morrison Brown collection
1038 ENAMEL PAINTED PORCELAIN PORTRAIT PLAQUE, SIGNED LAURE LEVY (French, 1866-1954) WOMAN IN BLUE BONNET, signed upper left, framed size H15 1/2” W13”
$200-300 Provenance: South Carolina private collection
1037 1041
1040 RICHARD TEMPLE (British, 19th/20th century) ROUGH SEAS oil on board, framed, signed lower right H12” W16”
$200-300 Provenance: Georgia private collection
BOTANICAL PRINT COLLECTION, BY BRADBURY Henry Bradbury (1831ñ1860) three leaves (from The Ferns of Great Britain and Ireland) framed size H11 3/4” W8 3/4” Bradbury & Evans (1855-57) nature-printed ferns, framed size H26” W 19 1/4” (4pcs)
$200-300 Provenance: South Carolina private collection
1036
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1045 LOUIS XV STYLE BRONZE-MOUNTED
1050 ITALIAN PARQUETRY INLAID SIDE
AND MARBLETOP VITRINE
TABLE
early 20th century, H45” W25” D14”
early 20th century, H28 1/2” Dia.19 1/2”
$400-600
$200-300
Provenance: South Carolina private collection
Provenance: North Carolina private collection
1046 FRENCH PROVINCIAL STYLE BAR CABINET
1051 CONTINENTAL CARVED GILTWOOD
with fitted interior, H82” W47” D19”
AND PORCELAIN SIDE CHAIR
$600-900
early 20th century, BH33” SH17” W16 1/2” D15”
Provenance: South Carolina private collection
1042
Provenance: North Carolina private collection
1047 DIMINUTIVE FRENCH PROVINCIAL
1052 NAPOLEON III STYLE EBONY AND GILT-DECORATED THREE-TIER SIDE
STYLE BOMBE COMMODE
1042 CONTINENTAL INLAID WALNUT
H28 1/2” W32” D13 1/2”
SECRETAIRE A ABATTANT
Provenance: South Carolina private collection
19th century, molded crown over fallfront, opening to fitted interiors, over doors and molded base with bracket feet, H60” W31” D14 1/2”
$200-300
$300-500
1046
TABLE
H31” W27” D15”
$200-300
$800-1,200
1048 BAKER CONTINENTAL STYLE INLAID
Provenance: Georgia private collection
SIDE TABLE
Provenance: South Carolina private collection
marked; H28” Dia.30”
$300-400 1043 FRENCH EMPIRE CARVED
Provenance: North Carolina private collection
MAHOGANY SET OF CHAIRS
first half 19th century, BH32 3/4” SH19” W18” D18 1/2” (4pcs)
$400-800
1047
Provenance: Florida private collection
1049 CLASSICAL CARVED MARBLE
1044 FRENCH PROVINCIAL FRUITWOOD SLANT-FRONT DESK
PEDESTAL
H37” W15” D14”
$200-300
last half 19th century, H39 1/2” W39 5/8” D19”
Provenance: Georgia private collection
$200-400 Provenance: South Carolina estate
1043
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1049
CELEBRATING 86 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
1059 HUNTING DRAWING, SIGNED W. GUTHRIE late 19th/early 20th century, pencil, framed size H12” W10”
$100-200 Provenance: Edward Morrison Brown collection
1060 DRAY & HORSE ADVERTISEMENT SIGNAGE
overall H37 1/2” W31 1/2”
$100-200 Provenance: Edward Morrison Brown collection 1053
1054
1053 LOUIS XVI STYLE CARVED
1056 EMIL CARLSEN (AFTER)
BEECHWOOD AND UPHOLSTERED
(Danish/New York, 1848-1932) CHINESE JAR AND VASES, color offset, framed, signed in print, overall H33” W29”
ARMCHAIR
BH40” SH20” W28” D24”
$300-400 Provenance: South Carolina private collection
1054 BOTANICAL PRINTS, HORTO VAN HOUTTEANO (Belgium, 19th century) RHODODENDRON, color lithographs, framed size H33 1/2” W27” (3pcs)
$200-300 Provenance: Edward Morrison Brown collection
1055 DUTCH WINDMILL PAINTING, SIGNED ILLEGIBLY
(late 19th/early 20th century) oil on board, framed size H29 1/2” W37 1/2”
$150-300 Provenance: Edward Morrison Brown collection
$100-200 Provenance: Dr. Joseph T. Harris collection
1057 J. B. WARING PRINT, FRAMED (British, circa 1862) PERSIAN FAIENCE EWER (from Masterpieces of Industrial Art & Sculpture at the International Exhibition, 1862) chromolithograph, marked in margins, framed size H14” W17”
$100-200 Provenance: South Carolina private collection
1058 EARLY ANTIPHONAL LEAF ON VELLUM
probably 18th century, framed size H30” W23”
$100-200 Provenance: Georgia private collection
1061 FINE ART PRINT AND EXHIBITION POSTER, FRAMED Raoul Dufy L’ENTREE DU CHATEAU color print, framed size H31” W39”; together with National Gallery exhibition poster, framed size H30” W33” (2pcs)
$100-200 Provenance: Edward Morrison Brown collection
1060
1064 LUIGI LUCIONI, COLOR LITHOGRAPH
(Italian/American, 1900-1988) SUMMER LANDSCAPE, 1940, framed size H28” W32”
$50-100 Provenance: Edward Morrison Brown collection
1065 MASSIVE FRENCH STYLE FIGURAL FIGURE HOLDING COVERED VESSEL
H42” W16”
1062 CONTINENTAL ICE SKATING PAINTING
$300-500 Provenance: South Carolina private collection
early 20th century, oil on Masonite, signed with initials: JP, framed size H19” W26”
$100-200 Provenance: South Carolina private collection
1063 TUSCAN LANDSCAPE PAINTING, FRAMED
on canvas, unsigned, H16” W12”
$50-100 Provenance: Georgia private collection
1065
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1076 INDO SERAPI RUNNER 2’7” x 9’11”
$300-400 1077 KAZAK CARPET 3’4” x 6’1”
$100-200 Provenance: South Carolina private collection
1066
1068
1069
1066 PAIR CLASSICAL FIGURAL
1070 RUSSIAN SHIRVAN CARPET
1073 SAROUK CARPET
SCULPTURES
circa 1900, 3’1” x 4’5”
5’6” x 7’9”
H18” (2pcs)
$200-400
$300-400
$300-500
Provenance: Edward Morrison Brown collection
Provenance: North Carolina collection
Provenance: South Carolina private collection
1067 BRONZE AND MARBLE INKWELL spread eagle flanking double wells, H7” W16 1/2” D12 1/2”
$200-300
1074 PERSIAN MALAYER CARPET
1071 PERSIAN MAHAL CARPET
circa 1910, 2’5” x 3’10”
circa 1960, 9’1” x 11’10”
$200-400
$200-400
Provenance: North Carolina collection
Provenance: Edward Morrison Brown collection
Provenance: Georgia private collection
1068 BRONZE FIGURAL SCULPTURE, AFTER AUGUSTE MOREAU H30”
1072 PERSIAN BIDJAR CARPET
1074
1075 ANTIQUE PERSIAN MALAYER CARPET 4’ x 6’6”
$200-400
circa 1930, 4’1” x 6’1”
Provenance: South Carolina private collection
$300-500 Provenance: North Carolina collection
$200-400 Provenance: South Carolina private collection
1069 AUSTRIAN COLD-PAINTED BRONZE FIGURE
circa 1900, on marble base, unsigned, H4” W4”
$100-300 Provenance: North Carolina private collection 1072
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1073
CELEBRATING 86 YEARS
1076
OF
DISCOVERING EXTRAORDINARY OBJECTS
1080 CAROLYNE HAWLEY (Illinois/California, 20th century) AVENTURERO oil on canvas, signed & titled lower left and verso H36” W24”
$400-800 Provenance: North Carolina private collection 1078
1078 COASTAL SCENE PAINTING, SIGNED O.G. WALES (American, early 20th century) oil on canvas, framed, signed, H27 1/4” W30”
$800-1,200 Provenance: South Carolina private collection
1079 STILL LIFE PAINTING SIGNED SERGON (California/Filipino, b. 1945) FLOWER AND TEAPOT ON TABLE, oil on canvas, framed, signed, H50” W37”
$400-800 Provenance: North Carolina private collection
1081 BIRDS OF PREY ELEPHANT FOLIO SHEETS, AFTER JOHN JAMES AUDUBON GOSHAWK-STANLEY HAWK and BLACK WARRIOR, color lithographs, later Havell editions, framed size H42” W29 1/2” and H43” W29 1/2” (2pcs)
$300-500 Provenance: South Carolina private collection
1082 AMERICAN SCHOOL LANDSCAPE PAINTING
early 20th century, oil on canvas, framed, unsigned, H18” W24”
$300-600 Provenance: South Carolina private collection
1083 AMERICAN WESTERN GORGE LANDSCAPE PAINTING
late 19th/early 20th century, oil on board, framed, signed illegibly lower middle, H24” W16 1/2”
$300-500 Provenance: South Carolina private collection
1081
1080
STREAM PAINTING
1087 AMERICAN WATERFALL LANDSCAPE PAINTING, SIGNED G. FAIRFIELD
early 20th century, oil on board, framed, unsigned, H22” W10 1/2”
dated 1900, oil on canvas, framed, signed and dated lower left, H20” W24”
$300-500
$200-400
Provenance: South Carolina private collection
Provenance: South Carolina private collection
1085 PORTOFINO VIEW PAINTING BY SHARI HATCHETT BOHLMANN
1088 AMERICAN SCHOOL HYDRANGEA PAINTING
(American, 20th century) oil on canvas, signed, framed size H40” W48”
early 20th century, oil on canvas, framed, unsigned, H30” W15”
$300-500
$200-400
Provenance: North Carolina private collection
Provenance: South Carolina private collection
1084 AMERICAN LANDSCAPE WITH
1086 AMERICAN HARBOR SCENE PAINTING, SIGNED ILLEGIBLY oil on canvas, framed size H29” W34”
$200-300 Provenance: Edward Morrison Brown collection
1079
1085
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1089 EASTLAKE VICTORIAN WALNUT SLANT-FRONT DESK
1093 AMERICAN INLAID MAHOGANY
circa 1875, H52 1/2” W36 1/8” D24”
circa 1850, H33 3/4” W50” D25”
$300-500
$200-400
Provenance: South Carolina private collection
Provenance: South Carolina private collection
1090 AMERICAN CLASSICAL CARVED
1094 LATE CLASSICAL MAHOGANY
WRITING TABLE
MAHOGANY WORK TABLE
DRESSING TABLE
circa 1835, H29” W20 1/4” D16 3/4”
circa 1850, H55 1/2” W40 1/4” D21 1/2”
$300-400 Provenance: South Carolina private collection
1091 AMERICAN MAHOGANY SERPENTINE
1096
$400-600 Provenance: South Carolina private collection
CHEST
1095 PAIR MARTHA WASHINGTON STYLE
circa 1850, H38” W41” D20”
MAHOGANY AND UPHOLSTERED
$300-500
ARMCHAIRS
Provenance: South Carolina private collection
BH45” SH19” W26” D23” (2pcs)
1092 AMERICAN WALNUT TILT-TOP TABLE circa 1800, H28 1/2” Dia.18 3/4”
$200-300 Provenance: North Carolina private collection
$300-500 Provenance: North Carolina private collection
1096 AMERICAN MARQUETRY AND
1097 HENKEL HARRIS DINING TABLE
1099 PAIR UPHOLSTERED ARMCHAIRS
H29 1/2” W48” L84”
marked: T.R.S. Furniture, Inc., BH32” W34” D32” (2pcs)
$300-500 Provenance: South Carolina private collection
$500-700 Provenance: South Carolina private collection
1098 AMERICAN CHERRY DROP-LEAF TABLE
19th century, H27 1/2” D36” W35” open
$200-400 Provenance: Florida private collection
ROSEWOOD CENTER TABLE
third quarter 19th century, H38 1/4” W47” D28”
$500-900 Provenance: South Carolina private collection
1089
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1090
1095
1091
CELEBRATING 86 YEARS
1094
OF
DISCOVERING EXTRAORDINARY OBJECTS
1100 BJORN EGELI (AFTER) (District of Columbia, b. 1900) PORTRAIT OF A GENTLEMAN oil on canvas, framed, inscribed on verso: Copy by Stapko from original after B. Egeli H39” W29”
$200-400
1103 CALIFORNIA LANDSCAPE PAINTING BY VIOLA M. ALLEN (California/New York, 1906-1997) LANDSCAPE WITH FIGURES, oil on canvas, framed, H8” W10”
$200-300 Provenance: North Carolina private collection
Provenance: South Carolina private collection
1101 AMERICAN PLEIN-AIR FIGURAL PAINTING, SIGNED
1104 WATERCOLOR BY CHARLOTTE HACKIN AND PRINT BY ANOTHER
WOMAN IN ARCHITECTURAL COURTYARD oil on panel, framed, signed lower right, H8” W10”
(Illinois, 20th century) DOCK MARKET, signed & dated 10/74, framed size H24” W32”; together with DANCERS lithograph #70/120, signed illegibly, framed size H21 1/2” W27” (2pcs)
$200-300
$200-300
Provenance: North Carolina private collection
Provenance: South Carolina private collection
1102 AMERICAN SCHOOL FLORAL STILL
1105 WATERCOLOR PAINTING SIGNED J.W. MULLER
1109
LIFE PAINTING
(late 19th/early 20th century, MORNING GLORIES, oil on canvas, framed, unsigned, H30” W10”
$200-300 Provenance: South Carolina private collection
(American, 20th century), LOWCOUNTRY MARSH framed, signed and dated lower right, sight H11 1/4” W18”
$100-200 Provenance: South Carolina private collection
1106 WATERCOLOR PAINTING SIGNED M. COST
1108 AMERICAN FLORAL STILL LIFE PAINTING
(American, 20th century) BOY EATING GRAPES, watercolor and graphite, framed, signed & dated, sight H13 3/4” W18”
early 20th century, oil on canvas, framed, signed: B. Bright, lower right, H30” W20”
$100-200
Provenance: South Carolina private collection
Provenance: South Carolina private collection
1107 CHIPPEWAY INDIAN CHIEF LITHOGRAPH, BY CHARLES BIRD KING (American, 1785-1862) OKEE-MAAKEE QUID, framed size H26 1/2” W19 1/2”
$100-200
$100-200
1109 EDWARD MCGREGOR (Maryland, 19th century) PORTRAIT OF CHILD IN LANDSCAPE, oil on board, framed, signed and dated lower right: 1849, H32” W36”
$400-600 Provenance: South Carolina private collection
Provenance: Edward Morrison Brown collection
1105
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1110 SOUTHERN BANK NOTES, FRAMED Merchants Planters Bank State of Georgia one dollar note, dated 1857; Confederate States of America Richmond five dollar note, dated 1861; Confederate States of America Richmond fifty dollar note, dated 1864; all framed as one, framed size H31” W18”
$100-200 Provenance: South Carolina private collection
1113 CHINESE CHIPPENDALE STYLE
1116 ENGLISH MAHOGANY
GILTWOOD MIRROR
BOOKCASE
early 20th century, pagoda hung with bells atop frame of openwork foliate scrolls, enclosing looking glass; H65” W32”
circa 1900, divided glazed panel doors; H49 1/2” W49 1/2” D13”
$400-600
$500-800
Provenance: North Carolina private collection
1117 ENGLISH MAHOGANY BUTLER’S TRAY ON
1114 ENGLISH MAHOGANY CHEVAL
1120
STAND
MIRROR
mid 19th century, silvered looking glass; H61” W32” D20”
circa 1800, on later stand; overall H26” W19 1/4” D29 1/4”
$400-600
$200-400
Provenance: South Carolina private collection
Provenance: Edward Morrison Brown collection
Provenance: South Carolina private collection
1115 CHIPPENDALE STYLE GILT-DECORATED BEVELED MIRROR
1118 PAIR CHIPPENDALE STYLE UPHOLSTERED MAHOGANY
1112 FRENCH STYLE GILTWOOD OVER-
H62” W37”
WINGBACK CHAIRS
$300-600
BH20” SH43” W31” D32”
Provenance: South Carolina private collection
$400-600
1111 RAY GOODBRED (South Carolina, 1928-2011) GENERAL MARK W. CLARK, 1979, oil on canvas, unframed, signed, lower right and inscribed verso, H36” W30”
$100-200
MANTLE MIRROR
rectangular frame with acanthus motifs and leafy corner ornaments, enclosing beveled mirror; H55 1/2” W37 1/4”
Provenance: North Carolina private collection 1116
$500-700 Provenance: Georgia private collection
1119 GEORGIAN STYLE MAHOGANY
1121 REGENCY STYLE INLAID MAHOGANY
DOUBLEBACK SETTEE
POLE SCREEN
late 19th century, BH41 1/2” SH20” W51” D22”
late 19th century, H61 1/2” W14 1/2” D13”
$200-400
$150-250
Provenance: Edward Morrison Brown collection
Provenance: North Carolina collection
1120 ENGLISH MAHOGANY WRITING DESK circa 1870, leather writing surface and five drawers; H29” W50” D28 1/2”
1122 GEORGE III MAHOGANY SIDE TABLE circa 1810, H32” W15” D15”
$200-300
$500-700
1112
12
WWW.CHARLTONHALLAUCTIONS.COM
1113
CELEBRATING 86 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
1123
1125
1126
1123 ENGLISH PINE CHEST OF DRAWERS
1127 SHERATON STYLE MAHOGANY FOUR-
1129 CONTINENTAL CARVED FRUITWOOD
1131 ENGLISH OAK SMOKING STAND
mid 19th century, H39” W40 1/4” D20 1/4”
POSTER BED WITH CANOPY
JARDINIERE
late 19th century, H12” W16” D9”
Provenance: North Carolina collection
$300-500
first half 19th century, in the Baroque taste, carved masques, foliate and shield designs, fitted with liner; H12” W32” D15 1/2”
$200-300
$200-400
first half 20th century, H82” W58 1/2” L83 1/2”
1124 ENGLISH MAHOGANY SERVER early 20th century, H38” W42” D22”
$300-400
Provenance: South Carolina private collection
1128 ENGLISH AND FRENCH TEA CADDIES
mid 19th century, BH42” SH15” W36” D26”
19th century, oval hinged inlaid caddy, H4 1/2” W4 3/4”; Georgian hinged rectangular caddy, H4 1/2” W4 1/2” D3 1/2”; French hinged rectangular tea caddy converted into perfume box, fitted interior with two crystal scent bottles, H6” W7 5/8” D4 3/8” (3pcs)
$300-500
$400-600
Provenance: Georgia private collection
Provenance: North Carolina private collection
1125 ENGLISH UPHOLSTERED MAHOGANY WINGBACK CHAIR
1130
Provenance: Georgia private collection
$400-600 Provenance: North Carolina private collection
1130 ENGLISH MAHOGANY TRAVELING NECESSAIRE WITH SECRET COMPARTMENTS
19th century, vacant nacre shield inset in hinged lid on rectangular case, green velvet and leather-lined fitted interior with compartments, canisters, and tray; H6 1/2” W11 3/4” D9”
1131
$300-500
1126 PAIR EDWARDIAN CARVED WOOD
Provenance: Georgia private collection
PEDESTALS
early 20th century, H43” W11 1/2” D11 1/2” (2pcs)
$400-600 Provenance: Georgia private collection
1128
1127
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13
1132 ENGLISH MAHOGANY
1136 MAHOGANY INLAID WRITING BOX
1139 CONTINENTAL METAL BOX
BOXES
late 19th/ early 20th century, inlaid satinwood fans and boxwood stringing with rectangular hinged lid opening to fitted interiors, compartments, inkwell, and leather writing slope; H8” W13” D7 1/4”
COLLECTION
18th century and later, comprising: Dutch brass box, L5 1/2”; covered box, H4 1/2” L8 1/2” D4 1/2”; hinged covered box, H2” L6 1/2”; copper box, W3 1/8” (4pcs)
$200-400
$100-200
Provenance: North Carolina private collection
Provenance: Edward Morrison Brown collection
1137 BRASS AND COPPER VESSELS
1140 COPPER KETTLE WITH BURNER ON WROUGHT-IRON STAND
19th century, comprising: coffer form, H6” W10 1/2” D5 1/2” 2 nacre inlaid, H4” W10” D7” and H4 1/4” W11 1/2” D8 1/2” document box, H7” W15 1/2” D12” (4pcs)
$300-400 Provenance: North Carolina private collection
1133 CHINESE EXPORT GILT-DECORATED LACQUER BOXES
Qing dynasty, H4 1/2” W8” D5 1/4”; and 6” W12” D9” (2pcs)
$200-400 Provenance: North Carolina private collection
1132
1134 RUSSIAN PICTORIAL-DECORATED LACQUER BOX COLLECTION, SIGNED most signed, H2” W5 1/2” D4” to H2” Dia.1 1/2” (12pcs)
$200-300 Provenance: South Carolina private collection
$200-300 Provenance: Edward Morrison Brown collection
1135 TOLEWARE TRAY, SIGNED C.P. FEURER late 19th century, L28 1/2” W22 1/2”
$200-300 Provenance: South Carolina private collection
brass jardiniere, H10” Dia.18” brass footed vessel, H8” Dia.9” pair tool rests, H10” W2 3/4’ D7 1/4” copper kettle, H13” W19” (5pcs)
1138 PAIR AMERICAN WROUGHT-IRON ANDIRONS
early 20th century, H28 1/2” W12” D28” (2pcs)
$200-300
late 19th century, H48” W11” D17”
$100-200 Provenance: Georgia private collection
1141 BREWSTER & CO WOOD AIRPLANE PROPELLER
New York, early 20th century, marked: BREWSTER & CO, NEW YORK, #SC55603, 8FT4-OX5- PITCH 5-3; L100” W8”
$300-500 Provenance: Georgia private collection
Provenance: Georgia private collection
1142 REGENCY STYLE POLISHED METAL AND BRASS COAL GRATE
early 20th century, H24” W29” D15”
$300-400 Provenance: South Carolina private collection
1133
1136
1141
14
WWW.CHARLTONHALLAUCTIONS.COM
1142
CELEBRATING 86 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
1146 BAROQUE STYLE MIRROR
1150 SHERATON STYLE
H23 3/4” W17 3/4”
INLAID MAHOGANY
$100-200
SERPENTINE
Provenance: South Carolina private collection
SIDEBOARD
1147 CHIPPENDALE STYLE CARVED MAHOGANY BLOCKFRONT LOWBOY
early 20th century, in the Rhode Island taste; H30 1/4” W32 1/8” D19 7/8”
$300-500 Provenance: Eastern North Carolina collection
1148 GEORGE III STYLE MAHOGANY AND 1143
1143 REGENCY STYLE GILT-DECORATED AND BEVELED GLASS MIRROR
H59” W35”
MARBLETOP CONSOLE TABLE
H33” W52 1/2” D22”
$500-800 Provenance: South Carolina private collection
two central drawers flanked by pullouts for wine and doors, on tapered legs with spade feet; H38 1/4” W72” D24”
$500-800 1148
Provenance: South Carolina private collection
1152 SHERATON STYLE UPHOLSTERED
1151 GEORGE III STYLE CARVED
SOFA
MAHOGANY DINING TABLE
BH34 1/2” SH19” W78” D28”
with three 10” leaves; H30” W38” L70” open
$400-600
$300-600
Provenance: South Carolina private collection
Provenance: South Carolina private collection
$300-600 Provenance: South Carolina private collection
1149 PAIR CHIPPENDALE STYLE MAHOGANY SIDE CHAIRS
1144 CHIPPENDALE MAHOGANY MIRROR early 19th century, scrolling frame centering gilt eagle crest, enclosing mirror plate; H31 1/4” w16 5/8”
early 20th century, BH39 3/4” SH18 1/2” W22” D22” (2pcs)
$150-250 Provenance: North Carolina collection
$200-300 Provenance: North Carolina private collection
1150
1145 EGYPTIAN REVIVAL STYLE MIRROR gold and silver-accented ebonized frame, H51” W25”
$200-400 Provenance: South Carolina private collection
1147
1152
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15
1153 CHIPPENDALE STYLE CARVED
1157 PAIR CHINESE CHIPPENDALE
MAHOGANY AND UPHOLSTERED
MAHOGANY SIDE CHAIRS
LIBRARY ARMCHAIR
BH39” SH18” W29” D25”
circa 1800, BH37 1/2” SH17 1/2” W21” D17” (2pcs)
$300-500
$200-300
Provenance: South Carolina private collection
1154 ENGLISH INLAID WALNUT DROP-LEAF
1158 PAIR ENGLISH OAK SINGLE BEDS circa 1900, H49” W36” L79” (2pcs)
$300-400
TABLE
early 19th century, H28” W 33” open D33 1/8”
$200-300
1159 ENGLISH CARVED MAHOGANY 1161
LIBRARY CHAIR
1155 ADAM STYLE MAHOGANY VENEER
last half 19th century, BH35 1/2” SH17” W27 1/2” D29”
1162 GEORGIAN STYLE MAHOGANY
$400-600
BIRDCAGE AND PIECRUST TILT-TOP
PEDESTAL
H36” W13” D13”
$200-300 Provenance: Georgia private collection
TABLE
late 19th century, H28” Dia.32 1/4”
1160 ENGLISH MAHOGANY NEST OF
$300-500
TABLES
19th century, H27” W21” D14” (3pcs)
1156 GEORGIAN STYLE CARVED MAHOGANY SINGLE DROP-LEAF
$200-300
CHAIRS
H28 1/2” W31” D15”
1161 HEPPLEWHITE STYLE INLAID
$300-500
MAHOGANY SIDE TABLE
GAMES TABLE
1163 PAIR SHERATON MAHOGANY SIDE circa 1820, BH37 1/2” SH18” W19” D19” (2pcs)
$200-300
late 19th century, H29” W39 1/2” D23 1/2”
$400-600
1153
16
WWW.CHARLTONHALLAUCTIONS.COM
1159
1156
1158
CELEBRATING 86 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
1165
1164 PAIR CHINESE CHIPPENDALE STYLE
1166
1171
1168
1169 DIMINUTIVE GEORGIAN STYLE
1173 FRENCH ORMOLU CLOCK WITH CANDLEHOLDERS
PAINTED CHAIRS
SERPENTINE FRONT SIDEBOARD
BH37” SH17” W22” D18” (2pcs)
circa 1900, H34” W45 1/2” D22 1/2”
late 19th/early 20th century, clock on wood stand, H18 1/4” W13 1/4”; and pair two-light candleholders, H11 1/4” W6” (3pcs)
$100-200
$500-800
$200-400 Provenance: South Carolina private collection
1165 ENGLISH MAHOGANY CHEST OF
1170 CARVED MAHOGANY ARMCHAIR
DRAWERS ON BUN FEET
18th century, BH34” SH17” W24 1/4” D21”
1174 BRASS SHIP’S CLOCK
$200-300
early 20th century, H5” Dia.8”
late 19th century, H48” W48” D22 1/2”
$500-700 1166 CHARLES X STYLE PAINTED X-BRACE
1171 DIRECTOIRE STYLE BRASS-MOUNTED AND BLACK-VEINED MARBLETOP
BENCH
ROUND TABLE
H20” W16” L25”
H28 1/2” Dia.29”
$200-300
$300-600
Provenance: Canadian private collection
Provenance: South Carolina private collection
1167 GEORGE II STYLE UPHOLSTERED
1172 POCKET WATCHES, DIAMOND BAR PIN, AND COINS
CARVED MAHOGANY ARMCHAIR
BH36” SH17” W25” D21”
1168 ENGLISH MAHOGANY WORKTABLE
Hebdomas Wyss Freres 8-Days pocket watch, H2 1/2”; Hamilton openface pocket watch, H2 3/4”; diamond and filigree bar brooch, L2 1/2”; 1860 silver dollar coin set as key-chain; 1858 California gold half dollar coin (5pcs)
WITH FLIP TOP
$300-400
circa 1900, H28 1/4” W15 1/2” D20”
Provenance: South Carolina private collection
$200-300
$300-500
$200-300 Provenance: South Carolina private collection 1173
1169
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Style + Design
17
1175 BRASS MANTLE CLOCK AND PAIR
1181 CHAPMAN REGENCY STYLE BRASS
CANDELABRA
LAMP
late 19th century, clock, H14” and candelabra, H14” (3pcs)
H29”; together with basalt and gilt-decorated urn-shaped lamp, H32 1/2” (2pcs)
$200-400 Provenance: Charleston, South Carolina private collection
1176 LARGE HUNGARIAN CERAMIC JARDINIERE SIGNED FISCHER
1186 PAIR CHARLES X STYLE CANDELABRA, ELECTRIFIED overall H32” (2pcs)
$200-300 Provenance: South Carolina private collection
$300-600 Provenance: South Carolina private collection
1182 CLASSICAL CANDELABRA AND
early 20th century, H11” Dia.18”
EPERGNE
$200-300
two figural electrified candelabra, H32” Dia.12” and H28” Dia.10”; and centerpiece, H19” Dia.17” (3pcs)
Provenance: South Carolina private collection
1181
$300-500 1177 AMERICAN OGEE SHELF CLOCK with eglomise seascape panel; H28” W15 1/4” D4”
$100-200 Provenance: Georgia private collection
1178 AMERICAN SLATE MANTEL CLOCK circa 1900, H12” W9 1/2” D5 1/4”
$100-200
Provenance: South Carolina private collection
1183 PAIR FRENCH SIX-LIGHT CANDELABRA
early 20th century, draped with prisms, H25” Dia.10”
$300-500 Provenance: South Carolina private collection 1183 1179
Provenance: Georgia private collection
1179 ENGLISH ANEROID BAROMETER H33” W10”
$100-200
1184 FRENCH STYLE CRYSTAL AND BRONZE HALL FIXTURE
H36” Dia.17”
$300-500
Provenance: Georgia private collection
Provenance: South Carolina private collection
1180 ITALIAN MURANO GLASS SIX-LIGHT
1185 PAIR AND SINGLE WALL SCONCES
CHANDELIER
pair French with prisms, H15” W11” D8”; and lyre and laurel design, H21” W35” D8” (3pcs)
baluster stem issuing scrolling candlearms interspaced by leaf and scroll motifs; H28” Dia.20”
$300-500 Provenance: Georgia private collection
$200-400 Provenance: South Carolina private collection
1180
18
WWW.CHARLTONHALLAUCTIONS.COM
CELEBRATING 86 YEARS
1184
OF
DISCOVERING EXTRAORDINARY OBJECTS
1187 HINKS DUPLEX NO.2 BRASS PIANO FLOOR LAMP
circa 1890, H72”
$200-300 Provenance: North Carolina private collection
1188 CARVED ALABASTER URN, CONVERTED TO LAMP
urn H14” and overall H27”
$100-200 Provenance: South Carolina private collection
1189 CHAPMAN BRASS OIL LAMP-FORM TABLE LAMP
H18” Dia.10”
$100-200 Provenance: Georgia private collection
1190 CONTINENTAL CONTEMPORARY PAINTING (20TH CENTURY ) KRISTA VENTANIA acrylic on rag laid to board, framed, signed illegibly, H50” W62”
1190
1192 CONTEMPORARY SOUTHERN ART COLLECTION
Kay P. Casey, RED DRESS, litho, framed H22 1/2” W13 1/2” FREEDOM, screen print, signed illegibly, framed H19 1/8” W16” RECLINING NUDE, graphite, unsigned, framed H14” W32” Stephen Nevitt, REPOSE, serigraph, signed, framed size H20 1/4” W24 1/4” SEATED NUDE, color litho, signed illegibly, framed size H41” W30” (5pcs)
1195 SOUTHERN VIEW PAINTING BY YVONNE KIRKLAND STARK
(20th century) oil on canvas, framed size H43” W55”
(Georgia/Colorado, 20th century) VIEW OF BIRCH, oil on canvas, unframed, signed, H48” W30”
$300-500 Provenance: North Carolina private collection
$300-500 Provenance: South Carolina private collection
1194 FLOWER MARKET PAINTING BY STEPHEN KAYE (Canadian, 20th century) oil on canvas, signed, framed size H49” W61”
$500-900 Provenance: Dr. Joseph T. Harris collection
1195
1192
1193 SAILING BOATS IN HARBOR PAINTING, SIGNED ANTONIO
$300-400 Provenance: South Carolina private collection
1191 JEANET STECKLER DRESKIN (South Carolina, b. 1921) MAGIC CARPET: JERUSALEM EXPERIENCE and MAGIC CARPET B-IX, stone lithograph, the other handcolored monotype, framed, signed & numbered in pencil, 42/45 and other signed & titled in pencil, image H30” W22” and H25” W19 1/4” (2pcs)
$300-400 Provenance: South Carolina private collection
1196 SOUTHERN WORK OF ART, BY KENDALL GEORGE SHAW (Louisiana, b. 1924) MEDIA, charcoal and conte crayon, framed, unsigned, sight H34” W23”
$300-400 Provenance: South Carolina private collection Other Notes: Verso bearing Orleans Gallery label.
$400-600 Provenance: South Carolina private collection
1191
1193
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Style + Design
19
1197 SCOTT HADFIELD
1203 ART DECO STYLE DRESSER, MOUNT AIRY FURNITURE CO
(Rhode Island, b. 1953) LAW LIKE LOVE, 1986, enamel on wood, signed, dated & titled on verso, H48 1/2” W35”
H47 3/4” W42” D21”
$300-500 Provenance: South Carolina private collection
$200-400 Provenance: South Carolina private collection
1204 ART DECO STYLE CHEST OF DRAWERS, MOUNT AIRY FURNITURE CO
Other Notes: Verso bearing Barbara Krakow Gallery, Boston Massachusetts, gallery label, inventory # 2358.
H32” W61” D20”
$300-500 1198 PAINTING BY HAL SINGER (Pennsylvania/New Jersey, 1919-2003) NUDE, oil on canvas, signed, framed size H24” W17”
$200-400 Provenance: South Carolina private collection
1199
1201 BABS ARMOUR, COLOR (American, 20th century) RUSHING BY, framed, signed & titled, image H33 1/2” W50”
$200-300 1199 ZAMY STEYNOVITZ
Provenance: Georgia private collection
(Israeli/Polish, 1951-2000) WOMAN AND MAN, serigraph, framed, signed & numbered in pencil: 39/350; image H28 1/2” W21”
1202 CHAPMAN TWO-TIERED COFFEE
$200-300 Provenance: Georgia private collection
polished metal, brass, and glass with ball-and-claw feet; H18 1/2” W42” D26”
$400-600 1200 ARCHITECTURAL ABSTRACT, SIGNED FLAHERTY
1207 PAIR UPHOLSTERED SIDE CHAIRS
1205 FAUX-BAMBOO AND GLASSTOP TABLE
EKTACHROME PHOTO MONTAGE
TABLE
1207
Provenance: South Carolina private collection
H29” W36” L58”
$300-500 Provenance: South Carolina private collection
1206 JOE D’URSO GRANITE TOP AND METAL TABLE FOR KNOLL gray granite top on metal base; H28” Dia.48”
BH38” SH19” W23” D20” (2pcs)
$200-300 Provenance: South Carolina private collection
1208 C-FORM UPHOLSTERED BENCH H25 5/8” W44 1/2” D17 1/2”
$100-200 Provenance: Edward Morrison Brown collection
$200-400 Provenance: Georgia private collection
Provenance: South Carolina private collection
ink wash, framed size H12 1/4” W16 1/4”
$200-300 Provenance: North Carolina private collection
1203
20
WWW.CHARLTONHALLAUCTIONS.COM
1204
CELEBRATING 86 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
1209 MASSIVE ART POTTERY CHARGER
1215 ABSTRACT PAINTING SIGNED ENGSTROM
blue and white glaze, unsigned, Dia.21”
$200-300
20th century, ARCHITECTURE, acrylic on canvas, framed, signed lower left, H34” W23”
Provenance: Dr. Joseph T. Harris collection
$200-400 Provenance: South Carolina private collection
1210 GLASS VASES AND BOX pale blue opaline covered box, H5” Dia.9 1/2” cased glass vase, H7” blue and colorless vase, H20” (3pcs)
1216 AMARANTH EHRENHALT TRIPTYCH FRAMED
$200-300
1209
(New York/French, b. 1928) LOVE, color lithograph, signed, titled & numbered in pencil: 21/100, overall framed size H27” W48”
Provenance: South Carolina private collection
1213 VAL ST. LAMBERT CRYSTAL
1211 MURANO GLASS ANIMALS
vase, H10”; pair ashtrays, H3” Dia.5” and two ashtrays, H3” Dia.5” and 3 1/2” W8” 1/4” D5 1/2”; Waterford picture frame, H10 1/2” W8 1/2”; and another vase signed illegibly, H9” (7pcs)
COLLECTION
Verti seal, H6” L13”; and Veneto elephant, H9” W8 1/2” (2pcs)
$100-300 Provenance: North Carolina private collection
1212 CRYSTAL BOWLS, VASES AND OBJECTS, LALIQUE, ORRESFORS AND BACCARAT Lalique pedestal centerbowl, H7 1/2” Dia.11” Orrefors vase, H11” Orrefors bowl, H5” Dia.8 1/8” Orrefors pen holder, H10” Dia.3 1/2” pair Val St. Lambert candlesticks, H9 1/2” Baccarat vase in box, H12 1/2” reeded vase, H11” Dia.7 3/4” unmarked decanter, H12” (9pcs)
$200-300 Provenance: North Carolina private collection
1214 VICTORIAN BLUE-GLASS EPERGNE 19th century, H18” Dia.10”
$200-300 Provenance: South Carolina private collection
1215
1217 VINCENT VAN GOGH (AFTER) (Dutch, 1853 -1890) IRISES acrylic on canvas, framed, signed: Watts H24” W36”
$200-400 Provenance: Dr. Joseph T. Harris collection
1218
$100-200 Provenance: South Carolina private collection
1218 MODERNIST PAINTING, SIGNED WOODALL (20th century) ROOFTOPS, oil on canvas, framed size H34” W40”
$200-400 Provenance: Arizona private collection
$400-600 Provenance: Dr. Joseph T. Harris collection
1212
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21
1223 ORIGAMI SCULPTURE AND COLLAGE IN SHADOWBOX FRAME
paper and metalwork, signed illegibly, overall H12 3/4” W12 1/2” D6”
$100-200 Provenance: South Carolina private collection 1219
1219 C. BROWN (North Carolina, 20th/21st century) COASTAL VIEW, oil on canvas, framed, signed & dated: CB, 2000, H30” W40”
$200-400 Provenance: Edward Morrison Brown collection
1220 SOUTHERN SILKSCREEN BY LOUISE CECIL (North Carolina, 20th century) OCTOBER, signed & dated, framed size H21 1/2” W14 3/4”
$100-200 Provenance: South Carolina private collection
1221 MODERNIST COLOR ETCHING, BY RENEE LUBAROW (French, b. 1923) LE REPAS DU SOLEIL, signed, numbered and titled in pencil, framed size H24” W19 1/4”
$100-200 Provenance: South Carolina private collection
1222 SOUTHERN STILL LIFE PASTEL BY FRANCES S. WOODSIDE
1224 CUBIST PAINTING OF WOMAN, SIGNED ILLEGIBLY
(20th century) oil on canvas, framed size H15” W27”
$100-200
1223
1227 CALIFORNIA COASTLINE PHOTOGRAPH, FRAMED
Provenance: South Carolina private collection
color photograph, unsigned, framed size H12” W15”
1225 GEORGES BRAQUE (AFTER)
$50-100 Provenance: Dr. Joseph T. Harris collection
(French, 1882-1963) LES OISEAUX color prints, framed, both signed in plate, one dated 1953 in plate print H19 1/4” W15 1/4” (2pcs)
$100-300 Provenance: Dr. Joseph T. Harris collection
1226 COLLECTION OF WORKS FROM THE FIVE SCROLLS, LEONARD BASKIN
1228 MASSIVE GERMAN PORCELAIN CLASSICAL FIGURE late 19th/early 20th century, H27”
$500-800 Provenance: South Carolina private collection
1228
1229 COLLECTION DECORATED CERAMIC CHARGERS
pair Art Nouveau style, Dia.18” metal-mounted, Dia.14 1/2” pair Renaissance style, Dia.18” (5pcs)
$400-600
(Massachusetts/New York, 1922-2000) MORDECAI, EAGLE OF HEAVEN, SONG OF SONGS, HAMAN, and QUEEN VASHTI, copyright 1984, Central Conference of American Rabbis, prints framed, overall H30” W21” (5pcs)
Provenance: South Carolina private collection
$50-100 Provenance: Georgia private collection
(South Carolina, 20th century) APPLES, pastel, framed, signed & dated: 1985, sight H15” W13”
$100-300 Provenance: South Carolina private collection
22
WWW.CHARLTONHALLAUCTIONS.COM
1229
CELEBRATING 86 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
1230
1233
1230 AMERICAN ATELIER CELEBRATIONS
1232 VIENNA PORCELAIN URNS
1234 ROYAL WORCESTER VASES AND
1235 PORCELAIN PICTORIAL PLATES AND
PATTERN DINNERWARE
late 19th century, marked; pair burgundy H10 1/4”; and pair blue H15” (4pcs)
VESSELS
VASES
6 vases, H5” to 12 3/4” pair of shelves on stand, 8 1/4” pitcher, H8” covered jar, H10” 2 potpourris, H2 1/2” and 4” cup and saucer 2 Imari pattern dishes, W3 3/4” (16pcs)
late 19th/early 20th century, comprising: Vienna plate, Dia.9 3/4” Vienna portrait plate, Dia.9” pictorial charger, Dia.11 1/2” 4 Nippon vases, H8” to 11” (7pcs)
$300-500
Provenance: South Carolina private collection
Judaica Hanukkah design, comprising: 13 plates, Dia.10 1/2” 15 plates, Dia.7 3/4” 15 soup plates, Dia.8” 16 cups with saucers pair shakers (77pcs)
$300-500 Provenance: South Carolina private collection
$400-600 Provenance: Georgia private collection
1233 CAPODIMONTE URNS, PLAQUE AND PLATES
1231 PAIR ENGLISH PORCELAIN FRUIT COOLERS, PROBABLY DERBY
pair covered urns, H15” wall plaque, H19 1/2” W13” pair plates, Dia.10 1/2” (5pcs)
19th century, Imari pattern double handle squat-form on pedestal, unmarked, H9 1/2” W13 1/2” (2pcs)
$300-500
Provenance: South Carolina private collection
$300-400
Provenance: South Carolina private collection
$300-500
1231
1234
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23
1236
1236 MINTON’S ABERDEEN PATTERN
1238 ENGLISH TUREENS AND PITCHER
DINNERWARE
late 19th century, comprising: Derby sauce tureen, H6” Copeland Garrett sauce tureen on stand, H7” W7” poppy-painted pitcher, attributed to Minton, H9” (3pcs)
circa 1897, comprising: 8 plates, Dia.10 1/2” 8 plates, Dia.9 1/4” covered tureen, H9” L14” covered vegetable, H6” L12” 5 platters, L13” to 18” (23pcs)
$200-400 Provenance: Edward Morrison Brown collection
1237 SPODE IRENE PATTERN PORCELAIN DINNER SERVICE
8 plates, Dia.10 3/4” 8 plates, Dia. 9” 8 plates, Dia.8” 8 bread and butters, Dia.6 1/4” 8 berry bowls, Dia.5” 8 cream soups with saucers 2 butter pats 8 coffee cups with saucers 8 tea cups with saucers covered sugar creamer gravy boat on stand covered tureen, L12” 2 oval vegetables, L10” square dish, H2 1/2” W9 1/2” 2 platters, L12 1/2” and 14 1/4” (99pcs)
$200-400 Provenance: South Carolina private collection
1241
1244
1240 PAIR OVERSIZED STAFFORDSHIRE STYLE SPANIELS
STANDS AND DISHES
H23” W18 1/2” D10” (2pcs)
circa 1900, four on pedestals, H4” to 8 1/4” and two dishes W3 1/2” (6pcs)
$200-300
1239 CONTINENTAL PORCELAIN CENTERBOWL, AND PAIR MONKEY
Provenance: South Carolina private collection
$200-300 Provenance: South Carolina private collection
FIGURES
flowering vine encrusting reticulated basket on pedestal, H12” Dia.12”; and pair metal-mounted porcelain monkey figures, H21” (3pcs)
1241 CONTINENTAL CERAMIC VASE, PROBABLY HUNGARIAN BY FISCHER
1244 UNUSUAL ROYAL WORCESTER
late 19th/early 20th century, H14 3/4”
AMPHORA VASE ON STAND
$200-300
$200-300
late 19th century, on winged dragon stand, green mark; H9 1/2” W4 1/2”
Provenance: Estate of Mrs. J. Donald Dial, Columbia, South Carolina
Provenance: South Carolina private collection
1242 FLORA DANICA STYLE PORCELAIN TUREEN ON STAND, CHELSEA HOUSE tureen, H12” W17 1/2” D11”, and underplate, L18” W14” (2pcs)
$200-300 Provenance: Walter & Harriet Keenan collection
Provenance: Georgia private collection
1245 EUROPEAN PORCELAIN FIGURES 19th/20th century, comprising: Chelsea style Neptune, H13” pair German Classical female figures, H11” chinoiserie figural vase, H9 1/2” (4pcs)
$100-200 Provenance: Edward Morrison Brown collection
1237 WWW.CHARLTONHALLAUCTIONS.COM
$200-300 Provenance: South Carolina private collection
$200-400
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1243 ROYAL WORCESTER SHELL-FORM
CELEBRATING 86 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
1246 PAIR FRENCH FAIENCE RETICULATED CACHEPOTS
H7” Dia.8 1/4” (2pcs)
$100-200 Provenance: South Carolina private collection
1247
1250 PAIR ROYAL WORCESTER SCENIC-PAINTED PLATES, SIGNED JOHN STINTON circa 1915, Blackness Castle and Norham Castle, Dia.9 1/2”; contained in shadowbox frame, H13” W13” D2” (2pcs)
$100-200
1247 ROSENTHAL BJORN WIINBLAD WEIHNACHTSTELLER PLATES
Provenance: South Carolina private collection
dated 1980 and 1981, Engel mit Glockenspiel, and Das Kind bei den Gelenrten im Tempel, Dia.11 1/4” (2pcs)
1251 BROWN-GLAZED FLASK
$100-200
with jockey on horseback scene, signed, H5 1/2” W4”
Provenance: Georgia private collection
$50-100 Provenance: Edward Morrison Brown collection
1248 PAIR ENGLISH BOTANICAL-PAINTED SOUP PLATES
19th century, H2” Dia.10”
$100-200 Provenance: South Carolina private collection
1252 JOHN WIDDICOMB REGENCY STYLE MAHOGANY AND BRASS-MOUNTED D-SHAPE CONSOLE H38” W44 1/2” D22”
$500-800 1249 ROYAL CROWN DERBY IMARI
Provenance: South Carolina private collection
PATTERN TABLEWARE
1252
consisting of: platter, Dia.13 3/4” 7 plates, Dia.6 1/8” to 10 1/4” teapot, H5” covered sugar, H2 1/2” creamer, H3 1/2” (11pcs)
$100-200
1253 QUEEN ANNE STYLE BAKER UPHOLSTERED DINING CHARS, SET OF TWELVE
BH41 1/2” SH18” W24 1/2” D24” (12pcs)
$1,000-2,000
Provenance: North Carolina private collection
Provenance: South Carolina private collection
1254 LOUIS XVI STYLE CARVED GILTWOOD AND UPHOLSTERED ARMCHAIR
BH39 1/2” SH18” W30” D27”
$200-400 1253
Provenance: North Carolina private collection
12 SEPTEMBER 2015 -
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1255 PAIR LEATHER UPHOLSTERED WINGBACK ARMCHAIRS
BH45” SH16” W33” D27” (2pcs)
$500-700 Provenance: North Carolina private collection
1256 UPHOLSTERED SOFA
1255
WITH ACCOMPANYING CHAIR
1260 CLASSICAL STYLE PARCEL-GILT
sofa H33” D35” L61”, chair BH37 1/2” SH21” W27 1/2” D24” (2pcs)
CARVED WOOD ARMCHAIR
$300-500
BH34 3/4” W22” D21 1/2”
Provenance: Edward Morrison Brown collection
$100-200
1257 MAHOGANY URN-FORM JARDINIERE AND SIDE TABLE
circa 1900, H21” Dia.14” and H25” W19” D13” (2pcs)
$200-300 1258 BAKER MAHOGANY HANDKERCHIEF
1261
1262 ENGLISH SHEFFIELD PLATE PLATEAU 19th century, rectangular pierced gallery with chamfered corners centering mirrored panel, on bun feet; H2” W21” W17 1/2”
Provenance: South Carolina private collection
$300-500 Provenance: Georgia private collection
1261 AMERICAN STERLING TRAYS AND BEAKERS
Black, Starr & Frost tray, L14” Gorham tray, Dia.10” hand-hammered bread tray, L11 1/2” pair beakers, H4 1/2” Total 41.0ozT (5pcs)
$400-600 Provenance: Georgia private collection
TABLE
1263 ENGLISH SHEFFIELD PLATE HOT
1264
WATER URN AND PAIR CANDLESTICKS
urn, H19”; candlesticks, H10” (3pcs)
$300-500 Provenance: North Carolina private collection
H27” W17” D17”
1264 ARGENTINIAN SILVER PRESENTATION
$200-300 Provenance: North Carolina private collection
STIRRUP
incised signatures and marked: 900; H5” L9 1/2” W4 1/2”, 17.5ozT
1259 BAKER UPHOLSTERED CARVED
$300-400 Provenance: Georgia private collection
PLATEAU
GILTWOOD BENCH
Historic Charleston Foundation, SC Reproduction, H31 1/2” W33” D17”
1265 GORHAM SILVERPLATE DOUBLE-
$400-600 Provenance: North Carolina private collection
1265
1266 ENGLISH SILVERPLATE EPERGNE AND
HANDLE FOOTED SERVING TRAY
epergne, H 9 3/4” Dia.20”; and plateau, H2” Dia.15” (2pcs)
$100-200 Provenance: North Carolina private collection
W19” L30”
$200-300 Provenance: South Carolina private collection
- End of Auction -
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CELEBRATING 86 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
introducing
Live Online Only Auctions starting This Winter
Always Accepting Quality Consignments To submit property for consideration, please visit the Consignment Inquiries page at www.CharltonHallAuctions.com or call 803-779-5678 12 SEPTEMBER 2015 -
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Always Accepting Quality Consignments To submit property for consideration, please visit the Consignment Inquiries page at www.CharltonHallAuctions.com or call 803-779-5678
Always Accepting Quality Consignments To submit property for consideration, please visit the Consignment Inquiries page at www.CharltonHallAuctions.com or call 803-779-5678
Commonly Used Terms and Abbreviations ac: Active
manner of: Although this work is in the appropriate manner or style of the artist, it is probably of a later period.
after: This work is a later copy of one of the artist’s works. note: Additional information we are able to provide about any particular item. after the antique: A later facsimile. oz Troy: Unit of measuring precious metals. attributed to: This work is probably by the named artist. Technically, this work is of the period and may be wholly or even partly by this artist.
period: Works will be followed by a date, which means that the object is, in our opinion, the date indicated, and made in the time frame.
b: Date of birth provenance: History of ownership, or additional information which we have obtained.
BH: Back height circa: Approximate date of object.
studio of: This work is of the correct period, and may have been made under the artist’s supervision.
circle of: This work is of the correct period, and exhibits the stylistic influence of the named artist.
school of: This work is of the general style of the artist, and may possibly even be by a student of the artist, even if from a slightly later, but not too distant period.
ct: Carat (single gemstone weight) SH: Seat height ctw: Carats (total gemstone weight) D: Depth
sizes: All sizes, weights and other measurements are approximate; we are not responsible for mis-measurements or typographical errors.
d: Date of death
Sq: Square
dates: All dates are approximate. The absence of a date for any item indicates that the item is either modern or we are uncertain of the age.
style: The inclusion of the word “style” in the heading indicates that, in our opinion, the object was made as an intentional reproduction of an earlier form.
Dia: Diameter
W: Width
DJ: Dust jacket
wk: Worked
fl: Flourished
**: Property approved for de-accession
follower of: This work is executed in the artist’s style, but is not necessarily by one of his students. g: Grams H: Height K: Karat, the fineness of gold. L: Length
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CELEBRATING 86 YEARS
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DISCOVERING EXTRAORDINARY OBJECTS
Guide for Prospective Buyers Bidding and buying at auction is an exciting and fast-paced process. If you have never participated in a live sale before, we encourage you to consult with one of our staff members to discuss how the process works. Terms & Conditions of Sale: Charlton Hall encourages prospective buyers to read the Conditions of Sale printed in the back of this catalog for more complete information. Registration: All prospective bidders must have an active Charlton Hall account in good standing, complete a Registration Form and provide a government-issued photo ID for each sale. First-Time Registration: If you have never registered to bid at Charlton Hall, you must complete our Account Setup Form, present a government-issued photo ID and be approved. At the discretion of Charlton Hall, prospective bidders may be required to provide a deposit against bids. Preview Exhibition: Charlton Hall offers auction previews leading up to every sale. Galleries are open to the public for preview during printed dates and by appointment. Condition Reports: Charlton Hall and its staff will be pleased to issue Condition Reports for any lot offered. Please note that our staff and specialists are not professional conservators, and that statements of condition are only our opinion. Please remember all lots are sold “AS IS”, and as stated in the Terms & Conditions governing each sale. We strongly encourage bidders or their agents to examine property first-hand prior to bidding. Bidding: We are pleased to offer various bidding platforms at Charlton Hall. You may wish to attend and bid in person, or make prior arrangements to bid by Phone, Absentee, or view the sale live via Live Internet bidding. Please keep in mind the highest bidder acknowledged by our auctioneer will be the purchaser of the item. Although our auctioneer is highly skilled and competent, due to technology and human error, there is always the possibility a bid may be seen or entered too late, and the bidder must acknowledge that once the auctioneer closes bidding, the sale is final. Please see Terms & Conditions of Sale for bid increments, and additional information governing each sale. Payment: In addition to the hammer price, the winning bidder agrees to pay Charlton Hall a buyer’s premium, as well as any applicable taxes. All payments are due immediately following the auction. Payment may be made with cash, money order, cashier’s check, bank wire transfer or a local pre-approved check. Charlton Hall does NOT accept credit cards as payment. Pickup & Shippings: We request all purchased lots be removed from the premises within 5 business days. Charlton Hall and its staff will provide a list of recommended shippers and packers whom our worldwide clients have successfully used. For prompt service, we request 24-hour notification of a scheduled pickup appointment. UPS Store Artex Atelier 4 Alexander Services
803-254-1601 800-652-7839 305-685-9797 888-656-6838
Plycon Richard Wright Ltd. US Art, Inc. Westbrook Deliveries
336-854-1832 (or) 954-978-2000 800-247-9744 800-872-7826 404-877-2870 (or) 843-991-6738
Should you have additional questions, please feel free to contact our client services specialists at 803-779-5678 12 SEPTEMBER 2015 -
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31
Conditions of Sale REGISTRATION FOR BIDDING. All prospective bidders must have an active Charlton Hall Account in good standing, sign Registration Form and provide government issued photo ID for each sale. *If you would like to establish an account with our firm, please complete Account Setup Form and provide government issued photo ID. *At the discretion of Charlton Hall Galleries, Inc., prospective bidders may be required to provide a deposit against bids. 1. ALL SALES ARE FINAL and all lots are sold as shown and “AS IS”, “WHERE IS”, with all faults, imperfections, and errors of description. Charlton Hall Galleries, Inc., their employees and/or agents are not responsible for errors of description, genuineness or authenticity, and fault or defect in any lot. No warranties or representations whatsoever are given by Charlton Hall Galleries, Inc., its employees and/or agents, to any buyer in respect to any lot. 2. ALL PAYMENTS ARE DUE IMMEDIATELY FOLLOWING AUCTION, and all merchandise must be removed from the premises the day of the auction. Payment can be made with cash, money order, cashier’s check, bank wire transfer, or local pre-approved checks. Merchandise paid for with US bank drawn pre-approved check or foreign cashier’s check will be held for 10 days banking days. Charlton Hall Galleries, Inc. DOES NOT accept credit cards for auction purchases. International buyers are required to pay bank wire transfer. 3. We do not give refunds. Charlton Hall Galleries, Inc. represents and sells consigned property on behalf of sellers, estates, public and private institutions and other entities. Charlton Hall Galleries, Inc. recommends prospective bidders examine all items in which they have an interest. All lots offered are available for your examination prior to auction date. Registering for a sale and placing bids on any lot signifies that you or your agent have examined the property as fully as you desire. Written and oral descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, materials or any other feature of any lot being sold. If you require absolute certainty in all areas of authenticity, and the results of your evaluation leave uncertainty in your mind, we recommend you not bid on the lot in question. All sales are final, and no refunds will be given. No statement written or oral made by the auctioneer shall be deemed a warranty or assumption of liability by Charlton Hall Galleries, Inc. or by any seller represented by Charlton Hall Galleries, Inc. 4. The highest bidder acknowledged by the auctioneer will be the buyer of that lot. In the event of any dispute, the auctioneer shall have sole discretion to either determine the successful bidder or to re-offer for bidding, the lot in dispute. Charlton Hall Galleries, Inc. has sole discretion to refuse any bid, to divide any lot, to combine any two or more lots, and to withdraw any lot or lots from the sale. 5. Some lots may be offered subject to a reserve, which is a minimum price below which such lot will not be sold. Charlton Hall Galleries, Inc. may implement such reserves by bidding on behalf of the seller. 6. Charlton Hall Galleries, Inc., reserves the right to allow its employees to bid competitively at all auctions. 7. A buyer’s premium of 20% of the successful bid price will be added to each lot thereto and is payable by the purchaser as part of the total purchase price of each lot. 8. All purchases, including buyer’s premium, are subject to the collection of South Carolina state and local sales taxes. Buyers will be required to pay 7% sales tax at the time of payment unless one of the two following conditions is
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9.
10.
11.
met: 1) Items purchased will be shipped out of the State of South Carolina by a registered ICC carrier, or 2) The registered buyer provides Charlton Hall Galleries, Inc. with a valid South Carolina Retail License Number or valid sales tax exception number from another state and properly fills out form ST-8A Resale Certificate submitted with a copy of said retail license. CONDITION REPORTS: Charlton Hall Galleries, Inc., and its employees will provide, upon request, condition reports and additional photographs for items contained within the current auction catalog. This service is provided as a courtesy only and requesting a condition report in no way changes article #1 of Conditions of Sale. Since we are not professional conservators or restorers, we urge you to inspect each lot yourself or have an agent do so on your behalf. Prospective buyers should satisfy themselves as to condition and must understand that any statement made by Charlton Hall Galleries, Inc., or its employees is merely a subjective qualified opinion, notwithstanding written reports or any discussion concerning condition in this catalog. Condition reports are provided by request on a “first come, first served” basis, making it imperative that requests are submitted early. Requests submitted close to auction date may not be completed. NOTICE TO BIDDER: Estimated Weights and Measurements: All weights in our catalog descriptions have been estimated through volumetric proportions and are to be considered approximations and are not to be relied on to be exact. The term “all-in” relating to weight means the weight includes all the components of the item. Jewelry: Unless stated otherwise, all diamonds and other precious stones have been measured and graded in their settings. Some jewelry and/or stones are accompanied by certificates prepared by gemological laboratories. These certificates are provided as a convenience to our clients and are not warranted by Charlton Hall Galleries, Inc. Metal weights given for jewelry includes stones unless stated otherwise. Buyers should be reminded that many colored gemstones have historically been treated to enhance their appearance. Clocks and Watches: No guarantee is given as to the working order of clocks or watches. Most of these items have been repaired over the course of time and may now have parts not original to them. Unless stated otherwise, weight measurements include the works. TELEPHONE & ABSENTEE BIDDING: As a service, Charlton Hall Galleries, Inc. provides several absentee bidding formats to those who cannot or choose not to attend the auction in person. Written absentee bids are accepted and must be submitted on a Charlton Hall Absentee Bid Form, copies of which can be found in the printed catalog or on our website. Bidding by telephone can also be arranged by completing the Charlton Hall Bid Form which can also be found in the printed catalog or on our website. Due to processing time constraints, these bid forms must be submitted before 24-hours prior to the auction. Additional terms are outlined on these Absentee Bid Forms. By submitting an Bid Form, prospective purchasers consent and agree to the Conditions of Sale. Absentee bidding is a convenience offered to Charlton Hall Galleries, Inc. customers and while we make every effort to execute your instructions regarding your Absentee or Telephone Bid, Charlton Hall Galleries, Inc. is not liable or responsible for any errors or failure to execute such instructions. LIVE INTERNET BIDDING: Live internet bidding is also possible through our website www.CharltonHallAuctions.com and via Invaluable. Online bidders will pay a Buyer’s Premium of 25% in addition to the hammer price. Charlton Hall undertakes the execution of online bidding as a convenience for clients and is not responsible for any failure or error in the execution of bids. In the
CELEBRATING 86 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
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event of a tie bid, the floor bidder will be the winning bidder of record. SHIPPING: Charlton Hall Galleries does not ship any merchandise purchased at auction. We will be pleased to provide a list of shippers and packers that our worldwide base of clients has successfully used, or you can have your own shipper handle your purchases. Please contact the shipper of your choice to arrange for pick up and packing of your items. Your items will be released as soon as payment clears our bank. We request that your shipper schedules pick up times at least 24 hours in advance; this will ensure no delays in pick up, and release of your purchases. EXPORT LICENSES AND PERMITS: Certain property sold at auction may be made of or contain elements of endangered and other protected species of wildlife. Such material includes, among other things, tortoiseshell, ivory, crocodile skin, whale bone, certain species of coral and other animal bone. These materials may be subject to laws governing export from the United States or import into a foreign country (i.e.: endangered species). Several countries prohibit the importation of property containing these materials altogether and other countries require a permit (e.g., a CITES permit) from their respective regulatory agency. For example, the United States generally prohibits the importation of articles less than 100 years of age that contain material from any species listed as endangered or threatened. It is the buyer’s responsibility to obtain any and all export or import licenses, permits or documentation required by any local authority for export from the United States or import into any other country for any object requiring same. The denial or delay in obtaining any license or permit from any agency shall not justify the cancellation or rescission of any sale or any delay in making payment for the total purchase price of any lot in accordance with these Conditions of Sale. FIREARMS: All post-1898 firearms must be registered in compliance with Federal and South Carolina State Laws. Buyers of post-1898 firearms must complete State and Federal registration forms at Charlton Hall Galleries, Inc., unless otherwise specified; processing of such forms may require a waiting period. Dealers and out-of-state buyers must have in their possession, on the day of sale, signed copies of their FFL (Federal Firearms License) in order to accept same-day delivery of modern weapons. Buyers who act as agents for FFL dealers must have a letter as well as an original signed copy of the dealer’s FFL, and must present it to Charlton Hall Galleries, Inc., no less than 24 hours prior to auction date. Such lots may be denoted with special symbols and or verbiage in printed and digital catalogs. Charlton Hall Galleries, Inc. makes no warranties or representations whatsoever and no employee or consultant of Charlton Hall Galleries, Inc. has the authority to do otherwise, concerning the operation or firing condition, fitness of use, safety to store, or reliability of any firearms, ammunition, or parts. Use of any firearms purchased at Charlton Hall Galleries, Inc. is entirely at the user’s risk. Charlton Hall Galleries, Inc. offers for sale the lots as COLLECTOR items only. We strongly recommend that all weapons, ammunition, etc. purchased at auction be examined by a competent gunsmith. Charlton Hall Galleries, Inc. expressly disclaims any liability whatsoever for accidents, injury and damage resulting to any person from the storage or subsequent use of any such lots. While Charlton Hall Galleries, Inc., their employees and representatives, make every effort to accurately describe all lots offered for sale, it is incumbent upon the bidder to satisfy themselves in all areas of authenticity, originality, condition and imperfections. Bidders should also acknowledge that condition reports are often subjective and any item offered at auction may be subject to normal wear consistent with age that may not be specified in a condition report. If a bidder is uncertain about any of these issues, we would recommend that they not bid on lots in question. We would further urge that all potential bidders become familiar with “Commonly Used Terms and
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Abbreviations” printed in each catalog or available upon request. These Conditions of Sale and the purchaser's and our respective rights and obligations hereunder are governed by the laws of the State of South Carolina. By bidding at an auction, each purchaser and bidder agrees to be bound by these Conditions of Sale. Any dispute, controversy, or claim arising out of or relating to this agreement, or the breach, termination, or validity thereof, brought by or against Charlton Hall Galleries, Inc., (but not including claims brought against the consignor by the purchaser of lots consigned hereunder) shall be resolved by the Columbia, South Carolina legal system. In addition to the other remedies available to us by law, we reserve the right to impose a late charge of 2% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. If any applicable conditions herein are not complied with by the purchaser, in addition to other remedies available to us and the consignor(s) by law, including without limitation the right to hold the purchaser liable for the total purchase price, with the purchaser to be responsible for all costs of collection (including attorneys' fees and disbursements), we, at our option, may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser or (b) resell the property at public auction without reserve, and the purchaser will be liable for any deficiency, costs including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder, and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser's obligations to us, any property in our possession, owned by such purchaser. We shall have all of the rights accorded a secured party under the South Carolina Uniform Commercial Code with respect to such property, and we may apply against such obligations all monies held or received by us for the account of, or due from us to, such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier's checks, we have con firmed their authenticity. All property must be removed from our premises by the purchaser at their expense no later than 5 business days following its sale and, if it is not removed, Charlton Hall Galleries, Inc., reserves the right to charge a minimum storage fee of $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser's expense. Charlton Hall Galleries, Inc., shall have no liability for any damage to property left on its premises for more than 5 days following the sale. If property is uncollected within 60 days of auction purchase date, buyer authorizes Charlton Hall to re-sell ALL purchases. Storage fees, handling charges, and seller’s commission rate of 20% will be deducted from the proceeds. Your bid is a legally binding contract. If you are the successful bidder, you have entered into a contract to purchase the property which you bid from the seller. You should contact Charlton Hall Galleries, Inc. to resolve any questions prior to placing any bids. The use of a live internet bidding service will subject your bid to an additional buyer’s premium. Please be aware of this and be sure to read all the terms published by the service providing online bidding. The Conditions of Sale as written in this printed catalog will take precedence over any other conditions, whether printed or posted on internet websites. Conditions of Sale may be amended by posted notices in the salesroom or by announcement from the auctioneer. Bid increments: Bidding generally opens at half the low estimate and generally advances as indicated on bid sheet. All bids submitted out of increment will be rounded to the nearest increment.
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Friends of Millford and Classical American Homes Preservation Trust present
MUSIC AT M ILLFORD Sunday Afternoon, September 13, 2015
Amy Schwartz Moretti Violin Chair and Director, Mercer’s McDuffie Center for Strings
Robert deMaine Principal Cello, Los Angeles Philharmonic
James Wilhelmsen Piano
Grounds Open – Noon • Concert – 2:30 pm Pre-Concert Exclusive: Phyfe Unveiled – 12:30 pm Benefit lecture and tour of two newly installed bedrooms with Peter Kenny, Duncan Phyfe expert and CAHPT Co-President.
MILLFORD PLANTATION 7320 Millford Plantation Road, Pinewood, S.C. 29125 Millford Plantation, built in 1839-41 in Sumter County, is considered one of America’s finest examples of early 19th century Greek Revival architecture with its extraordinary collection of original Duncan Phyfe furniture. Millford is 45 minutes from Columbia, SC and two hours from Charleston, SC and Charlotte, NC. Round-trip bus transportation is available from Charleston based on guests’ interest. For more information, bus reservation and to purchase tickets, go to
www.classicalamericanhomes.org
Photo credits: Jerry Davis (left); Paul Rocheleau (right).
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CELEBRATING 86 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
C HARLTON H ALL
First Name
Last Name
Discovering Extraordinary Objects Since 1929
Client ID#
BID FORM - SALE 278 Company Name (Only if you are purchasing for a business)
BID DEADLINE THURDSAY 10 SEPTEMBER AT 12NOON Billing Address
Important Information •Please complete this form to ensure that your bids are accepted.
City
State
Postal Code
•Bid forms are to be accompanied by a copy of your Government Issued photo ID and credit card. •Please fax bids to 803-733-1701.
Country
•All bids are processed in the order in which they are received and are bid competitively during the sale.
Primary Phone
•Email Confirmation will be sent to the email address on this form, usually within a few hours.
Secondary Phone
Fax
Email My signature below indicates my willingness to open bidding at half the low estimate and bid as indicated below. I have read and understand the Terms & Conditions governing this sale.
Expiration Date
Valid Credit Card Number
Date
Signature
Lot Number
CV Code
Lot Description
•All bids must be placed following the increments listed below. Bid Range Increment $0-99 $10 $100-499 $25 $500-999 $50 $1,000-2,999 $100 $3,000-4,999 $200 $5,000-9,999 $500 $10,000-19,999 $1,000 $20,000-49,999 $2,000 $50,000-99,999 $5,000 $100,000-199,999 $10,000 over $200,000 Auctioneer’s discretion
WE DO NOT ACCEPT BIDS THAT ARE LESS THAN HALF THE LOW ESTIMATE
Absentee Bid (Top Limit, not including premium)
Sorry No Telephone Bidding Available
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C H A R LT O N H A L L A U C T I O N E E R S Staff Director y
Specialists for this Sale Ronald D. Long Kinga Bender Catherine A. Carlisle Administrative Assistant Margaret E. Malik Jenn S. Robertson Consulting Specialists Prof. Ronald E. Bridwell Thomas P. Crowther Donnie F. Garrett Roger W. Powell Hermann L.A. Sommersell Consignments Director Erica E. Guillebeau Erica@CharltonHallAuctions.com 803-779-5678 Client Services Specialist Vicky L. Smith Tel: 803-779-5678 Fax: 803-733-1701 info@CharltonHallAuctions.com Photography Director Stephen W. Ivey
Gallery & Offices 7 Lexington Drive West Columbia, SC 29170 Tel: 803-779-5678 Fax: 803-733-1701 Email: info@CharltonHallAuctions.com Website: www.CharltonHallAuctions.com Gallery & Office Hours Monday - Friday 10am to 5pm (Please note pickup hours below) Property Pickup Hours Please schedule pickup at least 24-hours in advance of arrival Monday - Friday morning 10:00 to 11:30am afternoon 1:00 to 4:30pm Corporate Officials Charlton F. Hall, Jr., Director Ronald D. Long, President Auctioneer & Firm Licenses Charlton Hall Galleries, Inc., Firm 1316F Ronald D. Long, SCAL No. 509 Erica E. Guillebeau, SCAL No. 4523 Betsy J. Hackett-Davis, SCAL No. 4229 Jeffery C.D. Long, SCAL No. 3942
Support Staff Larry A. Byrd Justin E. Keisler Anthony Mack Michael McNeil Perry Schumpert
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WWW.CHARLTONHALLAUCTIONS.COM
CELEBRATING 86 YEARS
OF
DISCOVERING EXTRAORDINARY OBJECTS
Accepting Quality Consignments Winter & Spring Scheduled Sales
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Internet Only Auctions
Museum Vaults December 2015
Americana at Auction Spring 2016
Consignment Deadline: October 1
Consignment Deadline: December 1
Style + Design December 2015 Consignment Deadline: October 1
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Style + Design Spring 2016 Consignment Deadline: December 1
Collection Online December 2015
Collection Online Spring 2016
Consignment Deadline: October 1
Consignment Deadline: December 1
Internet Only Auctions
Important Collections (Three-Day Auction) Early Summer 2016 Consignment Deadline: February 1
For more information, please contact consignment specialists Kinga Bender • Erica Guillebeau 803-779-5678 or info@charltonhallauctions.com
CHARLTON HALL Celebrating Our 86th Year
7 Lexington Drive • West Columbia, South Carolina 29170 Tel: 803.779.5678 Fax: 803.733.1701
www.CharltonHallAuctions.com