TorontoHye #167 September 2019 by Torontohye/Թորոնթոհայ

Ä¸. î³ñÇ ÂÇõ 11 (167), êºäîºØ´ºð 2019 Øß³ÏáõÃ³ÛÇÝ, ÀÝÏ»ñ³ÛÇÝ, ²ÛÉ³½³Ý ä³ñµ»ñ³Ã»ñÃ

World Premiere of I Am Not Alone Brings Armenia s Velvet Revolution To TIFF

(TorontoHye)- Garin Hovannisian s new documentary, I Am Not Alone, about Armenia s popular movement which toppled the ruling regime in April-May of 2018, will premiere at this year s Toronto International Film Festival (TIFF). The documentary chronicles the 2018 Velvet Revolution combining gripping front-line reportage with interviews about events the cameras could not capture. Directed by Hovannisian, I Am Not Alone extracts fascinating commentaries from an array of individuals on both sides, including Pashinyan and Sargsyan. Defying one interview subject s characterization of Armenians as a people who had forgotten how to dream, the film ably demonstrates that fundamental change brought about by the people can be made manifest, reads TIFF website. Hugely informative, briskly paced, and offering a laudable balance of perspectives, I Am Not Alone is a feat of nonfiction storytelling and a must-see for anyone eager to make sense of recent history. The documentary is produced by Garin Hovannisian, Eric Israilian and others. Executive Producers are listed as Serj Tankian, Raffi Hovannisian, Joe Berlinger, Dan Braun, Alen Petrosyan and Suren Ambarchyan. Original score is by Serj Tankian. Garin Hovannisian is an Armenian-American writer and filmmaker. He co-wrote and co-directed the feature film 1915 (2015). I Am Not Alone (2019) is his latest film.

Volume 14, No. 11 (167), SEPTEMBER 2019 Toronto Armenian Community Newspaper

TO ADVERTISE IN CANADA s ONLY ARMENIAN MONTHLY NEWSPAPER CALL 416-878-0746

ÐúØÇ ²Ù¿Ýûñ»³Û ì³ñÅ³ñ³ÝÇ 41-ñ¹ ²é³çÇÝ ¼³Ý·Á ÐÝã»ó

ê»åï»Ùµ»ñ 3-ÇÝª ÐúØÇ ²Ù¿Ýûñ»³Û ì³ñÅ³ñ³ÝÇ µ³óÙ³Ý ûñÁ, ê. ²ëïáõ³Í³ÍÇÝ »Ï»Õ»óõáÛ Ù¿ç Ñ³õ³ùáõ³Í ³ß³Ï»ñïáõÃ»Ý¿Ý å³ïÏ»ñ ÙÁ:

ÂáñáÝÃáÛÇ ÐúØÇ §èáõµÇÝ³¦ Ø³ÝÏ³ÙëáõñÇ« ä³å³Û»³Ý Ù³ÝÏ³å³ñï¿½Ç« ¶áÉáÉ»³Ý Ý³Ë³ÏñÃ³ñ³ÝÇ »õ È³÷áÛ»³Ý ºñÏñáñ¹³Ï³Ý ì³ñÅ³ñ³ÝÇÝ 41-ñ¹ í»ñ³ÙáõïÇ ½³Ý·Á ÑÝã»ó »ñ»ùß³µÃÇ 3 ê»åï»Ùµ»ñ 2019-ÇÝ« ³é³õûï»³Ý Å³ÙÁ 9:00-ÇÝ: ÐúØÇ ²Ù¿Ýûñ»³Û ì³ñÅ³ñ³ÝÁ« Çñ 640 ³ß³Ï»ñïÝ»ñáí »õ 73 ³ÝÓÝ³Ï³½Ùáí áõ å³ßïûÝ»³Ý»ñáí« ÃáñáÝÃáÑ³Û ÙÇ³Ï ³Ù¿Ýûñ»³Û ÏñÃ³Ï³Ý Ñ³ëï³ïáõÃÇõÝÝ ¿« áñ ³é³õ»É³·áÛÝ ×Ç·»ñáí ÏÁ ß³ñáõÝ³Ï¿ Çñ³·áñÍ»É Ñ³Û³å³Ñå³ÝÙ³Ý Çñ ³é³ù»ÉáõÃÇõÝÁ: ì³ñÅ³ñ³ÝÇ ÎáÏáÝ ¹³ë³ñ³Ý¿Ý ÙÇÝã»õ 12-ñ¹ Ï³ñ·Ç ³ß³Ï»ñïÝ»ñÁ« Çñ»Ýó áõëáõóÇãÝ»ñáõÝ ÁÝÏ»ñ³ÏóáõÃ»³Ùµ« áõÕÕáõ»ó³Ý ê© ²ëïáõ³Í³ÍÇÝ »Ï»Õ»óÇ« áõñ ¹ÇÙ³õáñáõ»ó³Ý ÃáñáÝÃáÑ³Û »Ï»Õ»óÇÝ»ñáõ Ñá·»õáñ ÑáíÇõÝ»ñáõ »õ Ý»ñÏ³Û³óáõóÇãÝ»ñáõ« ì³ñÅ³ñ³ÝÇ ïÝûñ¿ÝáõÃ»³Ý« ÎñÃ³Ï³Ý Ù³ñÙÇÝÇÝ »õ ÍÝáÕÝ»ñáõÝ ÏáÕÙ¿: ì»ñ³Showtimes: September 7 (7:15pm), 9 (4:45pm) ÙáõïÇ å³ßïûÝ³Ï³Ý ³ñ³ñáÕáõÃ»³Ý Ý»ñÏ³Û ·ïÝáõ»ó³Ý ÐÚ¸ ¶³Ý³ï³ÛÇ and 15 (11:45am) at Scotiabank Theatre (259 Î»¹ñáÝ³Ï³Ý ÎáÙÇï¿Ç« ÐÚ¸ §êáÕáRichmond St W. Toronto).

ÙáÝ Â¿ÑÉÇñ»³Ý¦ ÎáÙÇï¿Ç« ÐúØÇ §èáõµÇÝ³¦ Ø³ëÝ³×ÇõÕÇ« Ð³Ù³½·³ÛÇÝÇ §¶É³Óáñ¦ Ø³ëÝ³×ÇõÕÇ« ÐØÀØ ÂáñáÝÃáÛÇ« Ð³Û ºñ¿óÝ»ñáõ ÀÝÏ»ñ³ÏóáõÃ»³Ý »õ ê© ²ëïáõ³Í³ÍÇÝ »Ï»Õ»óõáÛ Ñá·³µ³ñÓáõÃ»³Ý Ý»ñÏ³Û³óáõóÇãÝ»ñÁ: ºÏ»Õ»óõáÛ Ñá·»õáñ ÑáíÇõª ì³ñ¹³Ý ì³ñ¹³å»ï Â³ß×»³ÝÇ µ³ñÇ ·³ÉáõëïÇ Ëûëùáí »õ ³ÕûÃùáí ëÏë³õ µ³óÙ³Ý ³ñ³ñáÕáõÃÇõÝÁ: ì³ñÅ³ñ³ÝÇ ÎñÃ³Ï³Ý Ø³ñÙÇÝÇ ³ï»Ý³å»ïª ì³½ñÇÏ Þ³ñ³åË³Ý»³Ý áÕçáõÝ»ó ³ß³Ï»ñïÝ»ñáõ« áõëáõóÇãÝ»ñáõ »õ ÍÝáÕÝ»ñáõ ·³ÉáõëïÁ« »õ 2019-2020 áõëáõÙÝ³Ï³Ý 41-ñ¹ ï³ñ»ßñç³ÝÁ å³ßïûÝ³å¿ë µ³óáõ³Í Û³Ûï³ñ³ñ»ó: ²Ý Û³ÛïÝ»ó, áñ í³ñÅ³ñ³ÝÁ ï³ñáõ¿ ï³ñÇ í»ñ»ÉùÇ Ù¿ç ¿« µ³Ý ÙÁª áñ ÏÁ å³ñïÇ ³Ýó»³ÉÇ »õ Ý»ñÏ³Û ïÝûñ¿ÝÝ»ñáõÝ« áõëáõóÇãÝ»ñáõÝ« ù³ñïáõÕ³ñ³Ï³Ý Ï³½Ù»ñáõÝ »õ ÏñÃ³Ï³Ý Ù³ñÙÇÝÝ»ñáõÝ« áñáÝù ×Ç· ãËÝ³Û»óÇÝ áõ ã»Ý ËÝ³Û»ñ áñ í³ñÅ³ñ³ÝÁ Û³çáÕÇ ç³Ùµ»É ¶»ñ³½³Ýó àõëáõÙ« îÇå³ñ ÜÏ³ñ³·Çñ »õ ²½·³ÛÇÝ áõ Ð³ÛÏ³Ï³Ý ¶Çï³ÏóáõÃÇõÝ« ¹åñáó³Ï³Ý ³å³Ñáí

îÝûñ¿Ýª ð³ýýÇ ê³ñ·Çë»³Ý

ÙÇç³í³ÛñÇ ÙÁ Ù¿ç: ²Ý ßÝáñÑ³Ï³ÉáõÃÇõÝ Û³ÛïÝ»ó í³ñÅ³ñ³ÝÇ µáÉáñ µ³ñ»ñ³ñÝ»ñáõÝ »õ §êáÕáÙáÝ Â¿ÑÉÇñ»³Ý¦ ÎáÙÇï¿áõÃ»³Ý« ê© ²ëïáõ³Í³ÍÇÝ ºÏ»Õ»óõáÛ »õ áõÕ»ÏÇó ÙÇáõÃÇõÝÝ»ñáõÝ Çñ»Ýó ß³ñáõÝ³Ï³Ï³Ý ³Ýí»ñ³å³Ñ ³ç³ÏóáõÃ»³Ý áõ Ñá·³ï³ñáõÃ»³Ýª ÏñÃ³Ï³Ý ³Ûë û×³ËÇÝ í»ñ»ÉùÇÝ Ñ³ß³ñ. ï»ë. ¿ç 25

êºäîºØ´ºð 2019 Ä¸. î²ðÆ, ÂÆô 167

¶²Ü²î²Ð²Ú Îº²Üø

Ø³ï»Ý³¹³ñ³ÝÇÝ ³éç»õª ËÙµ³ÝÏ³ñ

ä³ï³ÝÇÝ»ñÁ Ï°³Ûó»É»Ý ²ñó³Ë

ÚáõÉÇë 11 »õ 12-ÇÝ, ÐÚ¸ ¶³Ý³ï³ÛÇ ä³ï³Ý»Ï³Ý ØÇáõÃ»³Ý ³Ý¹³Ù 44 å³ï³ÝÇÝ»ñ »õ 7 å³ï³ëË³Ý³ïáõÝ»ñ áõ í³ñÇãÝ»ñ ø»å¿·¿Ý, úÝÃ³ñÇáÛ¿Ý »õ ì³Ý·áõíÁñ¿Ý Ù»ÏÝ»ó³Ý Ð³Û³ëï³Ý, Ù³ëÝ³Ïó»Éáõ »ñÏáõ ß³µ³ÃÝ»ñáõ íñ³Û »ñÏ³ñáÕ 9-ñ¹ Ñ³Ûñ»Ý³·Ý³óáõÃ»³Ý: Þñç³åïáÛïÇ ÁÝÃ³óùÇÝ å³ï³ÝÇÝ»ñÁ ³Ûó»É»óÇÝ Ð³Û³ëï³ÝÇ å³ïÙ³Ï³Ý ï»ë³ñÅ³Ý í³Ûñ»ñÁ: ÊáõÙµÁ »ñ»ù ûñáí Ñ³Ý·ñáõ³Ý»ó Ý³»õ ²ñó³Ë: ä³ï³ÝÇÝ»ñÁ ³éÇÃ áõÝ»ó³Ý Ñ³Ý¹Çå»Éáõ ï»Õ³Ï³Ý å³ï³Ý»Ï³Ý ÙÇáõÃ»³Ý ³Ý¹³ÙÝ»ñáõÝ Ñ»ï »õ áõÝ»ó³Ý ³ßË³ï³Ýù³ÛÇÝ Ó»éÝ³ñÏÝ»ñ: ²Ûë ÇÙ³ëïáí, ÀÝ¹Ñ³Ýáõñ ì³ñÇã Ø³ñÙÇÝÁ Çñ »ñ³Ëï³·Çï³Ï³Ý Ëáñ ½·³óáõÙÝ»ñÁ ÏÁ Û³ÛïÝ¿ Ñ³Û³ëï³Ý³·Ý³óáõÃÇõÝÁ Ñ³Ù³Ï³ñ·áÕ Û³ÝÓÝ³ËáõÙµÇ ³Ý¹³ÙÝ»ñáõÝ` Çñ»Ýó Ñ»ï»õáÕ³Ï³Ý ³ßË³ï³ÝùÇÝ Ñ³Ù³ñ, ÍÝáÕÝ»ñáõÝ` Ù»ñ ³é³ù»ÉáõÃ»³Ý Ñ³Ý¹¿å Çñ»Ýó Ñ³õ³ïùÇÝ áõ íëï³ÑáõÃ»³Ý »õ å³ïÏ³Ý Ù³ñÙÇÝÝ»ñáõÝ »õ ·³ÕáõÃÝ»ñáõ ³Ý¹³ÙÝ»ñáõÝ Çñ»Ýó óáõó³µ»ñ³Í ³Ýí»ñ³å³Ñ ³ç³ÏóáõÃ»³Ý Ñ³Ù³ñ: êïáñ»õ ù³ÝÇ ÙÁ ïå³õáñáõÃÇõÝÝ»ñ, å³ï³ÝÇÝ»ñ¿Ý` ä³ï³ÝÇÝ»ñáí Ð³Û³ëï³Ý ³Ûó»ÉáõÃÇõÝë ³Ù¿Ý³ÛÇß³ï³Ï»ÉÇ ×³Ùµáñ¹áõÃÇõÝë ¿: ²ñó³ËÁ ³Ù¿Ý³ïå³õáñÇã í³ÛñÝ ¿ñ: È»éÝ»ñÁ ¹¿åÇ ²ñó³Ë ×³Ùµáõ íñ³Û »õ ²ñó³ËÇ É»éÝ»ñÁ Ø»ñ ×³Ùµáñ¹áõÃ»³Ý ³Ù¿Ý³Ñ³×»ÉÇ å³Ñ»ñÁ ÷áË³¹ñ³Ï³éùÇÝ Ù¿çÝ ¿ÇÝ, »ñµ Ï ÁÙµáßËÝ»ë Ñ³Ûñ»ÝÇ µÝáõÃÇõÝÁ »õ ÝáÛÝ ³ï»Ý ÏÁ Éë»ë Ñ³Ûñ»Ý³ßáõÝã »ñ·»ñ áõ ÁÝÏ»ñÝ»ñáí ÙÇ³ëÇÝ Ï »ñ·»ê: ´áÉáñë ÙÇ³ëÇÝ ëï»ÕÍ»óÇÝù ß³ï ë»ñï Ï³å»ñ, áõÝ»ó³Ýù Ý»ñùÇÝ Ï³ï³ÏÝ»ñ: Þ³ï ëÇñ»óÇ ×³ß³ñ³ÝÝ»ñÝ áõ ³ÝáÝó Ù¿çÇ ù¿ý»ñÁ, »ñ·»ñÝ áõ å³ñ»ñÁ: ÆëÏ Ù»½Ç ÁÝÏ»ñ³ÏóáÕ í³ñÇãÝ»ñÁ ß³ï Ñá·³ï³ñ ¿ÇÝ: ²ÝáÝù »Õ³Ý Ã¿ å³ï³ëË³Ý³ïáõ »õ Ã¿ ÁÝÏ»ñ µáÉáñÇë: -¶³ñÙ¿Ý îÇÝ (ÂáñáÝÃû) ²Ûë ³Ûó»ÉáõÃÇõÝÁ å³ï³Ý»Ï³Ý Ï»³ÝùÇë ³Ù¿Ý¿Ý ³ÝÙáé³Ý³ÉÇ ÷áñÓ³éáõÃÇõÝÝ»ñ¿Ý Ù¿ÏÝ ¿ñ: Þ³ï ïå³õáñáõ»ó³Û ²ñó³ËÇ ¼áÑáõ³Í ¼ÇÝáñÝ»ñáõ Â³Ý·³ñ³Ýáí: ÚÇß³ï³Ï»ÉÇ ¿ñ §Â³åáõÉ¿¦Ç Ù»ñ ÁÝÃñÇùÁ, »ñµ ËáõÙµáí Ó»éù-Ó»éùÇ ïáõ³Í Û»Õ³÷áË³Ï³Ý »ñ·»ñ »ñ·»óÇÝù: Ü³»õ ß³ï Ñ³×»ÉÇ ·ï³Û ¹¿åÇ ê»õ³Ý³Û ÈÇ× áõ ¶³éÝÇÇ ï³×³ñ Ù»ñ ³ÛóÁ: ì»ñç³å¿ë, Ù»ñ åïáÛïÁ ³ÝÙáé³Ý³ÉÇ ÷áñÓ³éáõÃÇõÝ ¿ñ, áñ ÙÇßï Ù»½Ç Ñ»ï ÏÁ ÙÝ³Û: Æñ³ñáõ Ñ»ï Ù»ñ Ùß³Ï³Í Ï³å»ñÁ Û³õÇï»Ý³Ï³Ý »Ý áõ ÛÇß³ï³ÏÝ»ñÁ ³ÝÙáé³Ý³ÉÇ: - ¾ÙÙ³ Ø³Ãáë»³Ý (ÂáñáÝÃû) ²Ûë ³Ù³é µ³Ëï³õáñ ¿Ç ³éÇÃÁ áõÝ»Ý³Éáí å³ï³Ý»Ï³Ý ÙÇáõÃÇõÝÝ»ñáí Ð³Û³ëï³Ý ×³Ùµáñ¹»Éáõ: ²Ýó»³ÉÇÝ Ð³Û³ëï³Ý ³Ûó»É³Í »Ù áõ íëï³ÑáõÃ»³Ùµ ÏñÝ³Ù Áë»É, áñ ³Ûë Ù¿ÏÁ ³Ù»Ý¿Ý ëÇñ³Í »õ ÛÇß³ï³Ï»ÉÇ ×³Ùµáñ¹áõÃÇõÝÝ»ñ¿Ý ¿ñ: ²Ûë ³Ûó»ÉáõÃÇõÝÁ ³õ»ÉÇ Ñ³×»ÉÇ ¿ñ Ý³Ëáñ¹Ý»ñ¿Ý ¹³ßÝ³Ïó³Ï³Ý ÙÃÝáÉáñïÇÝ áõ Ë³Ý¹³í³é í³ñÇãÝ»ñáõÝ ßÝáñÑÇõ. í»ñç³å¿ë ¶³Ý³ï³ÛÇ ï³ñµ»ñ Ù³ëÝ³×ÇõÕ»ñáõ å³ï³ÝÇÝ»ñÁ Ñ³õ³ùáõ³Í ¿ÇÝ Çñ»Ýó Ñ³Ûñ»ÝÇùÇÝ Ù¿ç: Ð³Û³ëï³-

ÝÇ Ù¿ç ÁÉÉ³Éáí` ßñç³å³ïáõ³Í ¿ÇÝù ß³ï ·»Õ»óÇÏ í³Ûñ»ñáí, áñáÝóÙ¿ ³Ù¿Ý¿Ý ïå³õáñÇãÁ »õ ³ÝÓÝ³å¿ë ëÇñ»ÉÇÝ ¶³õ³éÝ ¿ñ: ÐáÝ, áñµ³Ýáó ³Ûó»ÉáõÃÇõÝÁ Ûáõ½Çã ¿ñ, áñáíÑ»ï»õ ¹ÇÙ³õáñáõ»ó³Ýù µ³½Ù³ÃÇõ ÅåïáõÝ Ñ³ë³Ï³ÏÇóÝ»ñáõ ÏáÕÙ¿, áñáÝóÙ¿ Ù¿ÏÁ Ó»éùë µéÝ»Éáí ÇÝÍÇ áñµ³ÝáóÁ åïïóáõó` óáÛó ï³Éáõ Çñ ³ÝÏáÕÇÝÁ áõ ¹³ë³ñ³ÝÁ: -¶³éÝÇ øÇõ÷¿É»³Ý (ÂáñáÝÃû)

²Ûó»ÉáõÃÇõÝª Üáñ³í³Ýù

ÐÚ¸ ¶³Ý³ï³ÛÇ ä³ï³Ý»Ï³Ý ØÇáõÃ»³Ý ÀÝ¹³Ýáõñ ì³ñÇã Ø³ñÙÇÝÇ Ï³½Ù³Ï»ñå³Í Ñ³Û³ëï³Ý³·Ý³óáõÃÇõÝÁ ³éÇÃ ïáõ³õ ÇÝÍÇ »ñÏñáñ¹ ³Ý·³Ù Ñ³Ûñ»ÝÇùë ï»ëÝ»Éáõ , áõñ ³åñ»ó³Û ³ÝÙáé³Ý³ÉÇ ÛÇß³ï³ÏÝ»ñ »õ »ñ»õáÛÃÝ»ñ, áñáÝù ÇÝÍÇ Ñ»ï åÇïÇ ÙÝ³Ý Û³õÇï»³Ý: ²ÝÓÝ³å¿ë, å³ïÙ³Ï³Ý ï»ë³ñÅ³Ý í³Ûñ»ñáõ ³Ûó»ÉáõÃ»³Ý ÏáÕùÇÝ, áõÝ»ó³õ »ñÏáõ ïå³õáñÇã ³Ûó»ÉáõÃÇõÝÝ»ñ, áñáÝù Ù»Í ³½¹»óáõÃÇõÝ Ó·»óÇÝ íñ³ë, ³é³çÇÝÁ` ¶ÇõÙñÇÇ áñµ³ÝáóÝ ¿ñ 'b7 ß³ï Ñ³×»ÉÇ Å³Ù³Ýó áõÝ»ó³Ýù, Ëûë»ó³Ýù, Ë³Õó³Ýù, Í³ÝûÃ³ó³Ýù »ñ»Ë³Ý»ñáõ ³éûñ»³ÛÇÝ. ùÇã ÙÁ ó³õ³ÉÇ ¿ñ ï»ëÝ»É ÷áùñÇÏÝ»ñ Çñ»Ýó ÍÝáÕÝ»ñ¿Ý Ñ»éáõ: ÐáÝ` »ë µ³Ëï³õáñ ½·³óÇ, áñ Ï°³åñÇÙ ÁÝï³ÝÇùÇë Ñ»ï, áñ Ï°³å³Ñáí¿ ³Ù¿Ý å¿ïù»ñë, ÇëÏ »ñÏñáñ¹Á` êï»÷³Ý³Ï»ñïÇ ½ûñ³ÝáóÇ ³Ûó»ÉáõÃÇõÝÝ ¿ñ, »ñµ ½ÇÝáõáñÝ»ñáõÝ Ñ»ï »ñ·»óÇÝù áõ Ó»éù Ó»éùÇ ïáõ³Í å³ñ»óÇÝù 'b7 ÑáÝ ½·³óÇ, áñ »ñµ å¿ïù ÁÉÉ³Û, Çñ»Ýó ÏáÕùÇÝ å¿ïù ¿ ÝáÛÝå¿ë Ñ³Ûñ»ÝÇùÁ å³ßïå³Ý»Ýù: -ÈáéÇ øÇõÉÉ³Ñ»³Ý (ì³Ý·áõíÁñ)

were there we went on the longest zipline called the Wings of Tatev. My favourite part of the trip was visiting the orphanage and seeing the faces of the children light up in front of us as we handed them food. I had been to Armenia before and seen most of the places we visited, however this time it felt different because I was there with kids my age and I could connect with them as their presence made me feel like I was a part of something important. Finally, I would like to thank all the variches and my parents for being able to fund and send me on the trip and giving me a memorable experience. -¶³éÝÇ ø¿ûßÏ¿ñ»³Ý (ì³Ý·áõíÁñ) 2019-Ç ÐÚ¸ ¶³Ý³ï³ÛÇ ä³ï³Ý»Ï³Ý ØÇáõÃ»³Ý Ñ³Ù³·³Ý³ï³Ï³Ý Ñ³Û³ëï³Ý³·Ý³óáõÃÇõÝÁ ³éÇÃ ¹³ñÓ³õ, áñ Ù»Ýù ï³ñµ»ñ ï»ë³Ï»ïÝ»ñ¿ Ý³ÛÇÝù Ù»ñ Ñ³Ûñ»ÝÇùÇ Ñ³ñëïáõÃÇõÝÝ»ñáõÝ, áñáÝù ß³ï ïå³õáñ»ó Ù»½Ù¿ Çõñ³ù³ÝãÇõñÇÝ: úñÇÝ³Ï` Êáñ ìÇñ³å ³Ûó»É»É¿ »ïù µáÉáñë ³Ï³Ý³ï»ë »Õ³Ýù ï³ñÇÝ»ñáõ ÁÝÃ³óùÇÝ Ù»ñ ÁÙµéÝ³Í ·Çï»ÉÇùÝ»ñáõÝ` ¶ñÇ·áñ Èáõë³õáñÇãÇ ³åñ»É³Ï»ñåÇÝ: ²Ûë ÷áñÓ³éáõÃÇõÝÁ Ù»½Ç ÛÇß»óáõó Ï»³ÝùÇ ¹Åáõ³ñáõÃÇõÝÝ»ñáõÝ Ù³ëÇÝ, áñáÝó Ù»Ýù Çµñ»õ å³ï³ÝÇÝ»ñ ã»Ýù Ñ³Ý¹Çå³Í: ÜáÛÝå¿ë Ù»Í ³½¹»óáõÃÇõÝ áõÝ»ó³õ Ù»ñ íñ³Û ³ÛÝ ûñÁ, »ñµ ³Ûó»É»óÇÝù áñµ³Ýáó »õ ÏñÏÇÝ ³Ý¹ñ³¹³ñÓ³Ýù, Ã¿ áñù³Ý µ³Ëï³õáñ »Ýù Ù»Ýù µ³Õ¹³ïÙ³Ùµ áñµ»ñáõ Í³Ýñ Ï³óáõÃ»³Ý: ¶³õ³éÇ áñµ³ÝáóÇ ³Ûó»ÉáõÃ»³Ý Å³Ù³Ý³Ï, ³ÙµáÕç ËáõÙµÁ ³½¹áõ³Í ÷áùñ»ñáõÝ Çñ³íÇ×³Ï¿Ý, ÁÝÏ»ñ³ÛÇÝ Û³ñ³µ»ñáõÃÇõÝÝ»ñ Ñ³ëï³ï»óÇÝù ³ÝáÝó Ñ»ï: ºñµ Ù»ÏÝ»Éáõ Å³ÙÁ Ùûï»ó³õ, áã Ù¿Ï å³ï³ÝÇ ÷³÷³ù áõÝ¿ñ µ³ÅÝáõ»Éáõ Çñ»ÝóÙ¿: Þ³ï Ñ³×»ÉÇ Å³Ù³Ý³Ï ³ÝóáõóÇÝù å½ïÇÏÝ»ñáõÝ Ñ»ï: Þ³ñáõÝ³Ï»Éáí Ù»ñ ²ñó³ËÇ åïáÛïÁ Ñ³Ý¹Çå»ó³Ýù µ³Ý³Ï Ýáñ ÁÝ¹áõÝáõ³Í 18 ï³ñ»Ï³ÝÇ ½ÇÝáõáñÝ»ñáõÝ, áñáÝó Ñ»ï Å³Ù³Ý³Ï ³ÝóáõóÇÝù »õ å½ïÇÏ Ýáõ¿ñÝ»ñ ïáõÇÝù: ²ÝáÝù Ù»½Ç óáÛó ïáõÇÝ ½ûñ³ÝáóÇÝ ï³ñµ»ñ µ³ÅÇÝÝ»ñÁ »õ Ã¿ ÇÝãå¿ë ¹Åáõ³ñ å³Ñ»ñáõ ³É »ñ·»Éáí »õ å³ñ»Éáí ÏÁ ½áõ³ñ×³Ý³Ý: Ø»ñ Û³ñ·³ÝùÁ ÏÁ Ù³ïáõó»Ýù áã ÙÇ³ÛÝ ³ÝáÝó, áñáÝù ³Ýí»ñç ÏÁ å³ßïå³Ý»Ý Ù»ñ ë³ÑÙ³ÝÝ»ñÁ, ³ÛÉ Ý³»õ ³ÝáÝó, áñáÝù Ý³Ñ³ï³Ïáõ³Í »Ý ³å³·³Û ë»ñáõÝ¹Ý»ñáõÝ Ñ³Ù³ñ: ì»ñçÇÝ ûñÁ, å³ï³ÝÇÝ»ñáõ ËáõÙµ ÙÁ áñáß»ó ³Ûó»É»É ºé³µÉáõñ, Û³ñ·³ÝùÇ ïáõñù Ù³ïáõó»Éáõ ³ÛÝ ³½³ï³Ù³ñïÇÏÝ»ñáõÝ »õ ½ÇÝáõáñÝ»ñáõÝ, áñáÝù ½áÑáõ»ó³Ý Ñ³Û ÅáÕáíáõñ¹ÇÝ Ñ³Ù³ñ, ³å³Ñáí»Éáí Çñ»Ýó É³õ Ï»³Ýù »õ Ë³Õ³ÕáõÃÇõÝ: ÀÝ¹Ñ³Ýáõñ ³éÙ³Ùµ Ù»ñ Ñ³Û³ëï³Ý³·Ý³óáõÃÇõÝÁ ß³ï ¹ñ³Ï³Ý ³½¹»óáõÃÇõÝ áõÝ»ó³õ Ù»ñ íñ³Û, áñ ï³ñÇÝ»ñ ß³ñáõÝ³Ï åÇïÇ ³Ùñ³åÝ¹¿ Ù»ñ Ï³åÁ Ñ³Ûñ»ÝÇùÇ »õ Ñ³Û ÅáÕáíáõñ¹ÇÝ Ñ»ï: ÞÝáñÑ³Ï³ÉáõÃÇõÝ Ï`áõ½»Ýù Û³ÛïÝ»É ä³ï³Ý»Ï³Ý ØÇáõÃ»³Ý ³Ûë Ññ³ß³ÉÇ ³éÇÃÇÝ Ñ³Ù³ñ, ÇÝãå¿ë Ý³»õ µáÉáñ í³ñÇãÝ»ñáõÝ, áñáÝù »ñÏ³ñ Å³Ù»ñ ïñ³Ù³¹ñ»óÇÝ ³Ûë Íñ³·ÇñÁ Ù»½Ç Ñ³Ù³ñ Çñ³Ï³Ý³óÝ»Éáõ: -ÈáõëÇÝ ÊßËß»³Ý. Ü³ñoï Â³ëÉ³ù»³Ý, ²ÉÇù ²õ»ïÇë»³Ý, ¾ÉÇë³ ì»ñ¿ÉÇ (ØáÝÃñ¿³É)

During my trip to Armenia, I was very fortunate to have seen my motherland alongside my friends. We visited so many historical sites like Sartarabad, the Genocide Memorial monument, and Madenataran. We also had the privilege of driving to Artsakh which took ¶³Ý³ï³ÛÇ ä³ï³Ý»Ï³Ý ØÇáõÃÇõÝÝ»ñáõ ÀÝ¹8 hours after a few days of being in Yerevan. While we Ñ³Ýáõñ ì³ñÇã Ø³ñÙÇÝ

ÂàðàÜÂàÐ²Ú Îº²Üø

î³Ã»õ ²õ³· ø³Ñ³Ý³Û ØÇù³Û¿É»³Ý ÎÁ Üß³Ý³ÏáõÇ ÌË³ï¿ñ ø³Ñ³Ý³Û ºõ ú·Ý³Ï³Ý ÐáíÇõ ÂáñáÝÃáÛÇ ê© ²ëïáõ³Í³ÍÇÝ ºÏ»Õ»óõáÛ

êºäîºØ´ºð 2019 Ä¸. î²ðÆ, ÂÆô 167

î¿ñ Ð³Û³ñÇ øÑÝÛ© Â³Ý³ß»³ÝÇ ²Ý¹ñ³ÝÇÏ êáõñµ ä³ï³ñ³·Á ê© ºññáñ¹áõÃÇõÝ Ð³Ûó© ²é³ù© ºÏ»Õ»óõáÛ Ø¿ç

Ð³Û³ñÇ ùÑÝÛ© Â³Ý³ß»³ÝÇ Ðá·»õáñ ÐáíÇõÇ ú·Ý³Ï³Ý Ýß³Ý³ÏÙ³Ý ³éÇÃáíª ÁÝ¹áõÝ»ÉáõÃÇõÝ:

ê©º©Ð©²© ºÏ»Õ»óõáÛ Ø³ÙÉáÛ ¶ñ³ë»Ý»³Ï

î³Ã»õ ². øÑÝÛ. ØÇù³Û¿É»³Ý

´³ñÓñ îÝûñÇÝáõÃ»³Ùµ` ¶»ñß. î. ´³µ·¿Ý êñµ. ²ñù. â³ñ»³ÝÇ »õ Ñ³Ù³·áñÍ³ÏóáõÃ»³Ùµ ºÏ»Õ»óõáÛë Ðá·³µ³ñÓáõÃ»³Ýó »õ ²½·³ÛÇÝ ì³ñãáõÃ»³Ý ³Ý¹³ÙÝ»ñáõ, ²ñÅ. î. î³Ã»õ ²õ. øÑÝÛ. ØÇù³Û¿É»³Ý ÏÁ Ýß³Ý³ÏáõÇ ÌË³ï¿ñ ø³Ñ³Ý³Û »õ ú·Ý³Ï³Ý ÐáíÇõ ÂáñáÝÃáÛÇ ê. ²ëïáõ³Í³ÍÇÝ ºÏ»Õ»óõáÛ: ²õ³½³ÝÇ ³ÝáõÝáí Ü»ñë¿ë, ³Ý ÍÝ³Í ¿ Ð³É¿å 1959-ÇÝ: Ú³×³Ë³Í ²½·. ¼³õ³ñ»³Ý í³ñÅ³ñ³Ý: 1983-ÇÝ ÁÝ¹áõÝáõ³Í ` Ø»ÍÇ î³ÝÝ ÎÇÉÇÏÇáÛ Î³ÃáÕÇÏáëáõÃ»³Ý ¹åñ»í³ÝùÇ ø³Ñ³Ý³ÛÇó ¹³ë³ñ³Ý »õ 1985-ÇÝ ê³ñÏ³õ³· Ó»éÝ³¹ñáõ³Í ¹åñ»í³ÝùÇ ï»ëáõã ¶»ñß. î . î³Ã»õ ²ñù. ê³ñ·Çë»³ÝÇ Ó»é³Ùµ: ÜáÛÝ Ãáõ³Ï³ÝÇÝ ù³Ñ³Ý³Û Ó»éÝ³¹ñáõ³Í ´»ñÇáÛ Ð³Ûáó Â»ÙÇ ´³ñ»ç³Ý ²é³çÝáñ¹ ¶»ñß. î. êáõñ¿Ý ²ñù. ¶³Ã³ñáÛ»³ÝÇ Ó»é³Ùµ, í»ñ³Ïáãáõ»Éáí î³Ã»õ ø³Ñ³Ý³Û: 1985-1987 Ñá·»õáñ ÑáíÇõ Ýß³Ý³Ïáõ³Í ¿ êáõñÇáÛ ÐÇõëÇë³ÛÇÝ ßñç³ÝÇ è³ùù³ÛÇ »õ Â¿É ²å»³ïÇ, ÇÝãå¿ë Ý³»õ è³ùù³ÛÇ ²½·. Üáõå³ñ»³Ý ìñÅ. àõëáõóÇã »õ

ïÝûñ¿Ý ³å³ 1987-1995 Ðá·»õáñ ÑáíÇõ Ð³É¿åÇ ê. ¶ñÇ·áñ Èáõë³áñÇã ºÏ»Õ»óõáÛ: 1995-¿Ý ÙÇÝã 2018 Ðá·»õáñ ÐáíÇõ »Õ³Í ¿ Ð³É¿åÇ ê .²ëïáõ³Í³ÍÇÝ ºÏ»Õ»óõáÛ: êï³ó³Í ßÝáñÑ³µ³ßËáõÙÝ»ñ. 1992-ÇÝ` È³Ýç³Ë³ã Ïñ»Éáõ Çñ³õáõÝù: 2003-ÇÝ` Ì³ÕÏ»³É öÇÉáÝ Ïñ»Éáõ Çñ³õáõÝù: 2007-ÇÝ` ²õ³·áõÃ»³Ý ïÇïÕáë: êï³ó³Í ¿ ½³Ý³½³Ý å³ßïûÝÝ»ñ áõëáõã³Ï³Ý, Ñá·»õáñ ËáÑñ¹³ïáõÇÇ, ÙÇç»Ï»Õ»ó³Ï³Ý å³ßïûÝÝ»ñ, êáõñµ ¶ñáó ÀÝÏ»ñ³ÏóáõÃ»³Ý Ü»ñÏ³ÛáõóÇã »õ ³ÛÉÝ: ²åñÇÉ 2019-ÇÝ, î³Ã»õ ²õ³· ø³Ñ³Ý³Ý ÏÁ ÙÇ³Ý³Û ¶³Ý³ï³ÛÇ Ð³Ûáó Â»ÙÇ Ñá·»õáñ³Ï³Ý³ó ¹³ëáõÝ »õ ÏÁ í³é¿ ½³Ý³½³Ý å³ßïûÝÝ»ñ ¶³Ý³ï³ÛÇ Ð³Ûáó Â»ÙÇ ²½·³ÛÇÝ ²é³çÝáñ¹Ý³ñ³Ý¿Ý Ý»ñë: ú·áëïáë 2019-ÇÝ, ´³µ·¿Ý ²ñù»åÇëÏáåáëÇ ïÝûñÇÝáõÃ»³Ùµ ³Ý ÏÁ Ýß³Ý³ÏáõÇ ÌË³ï¿ñ ø³Ñ³Ý³Û »õ ú·Ý³Ï³Ý ÐáíÇõ ÂáñÝáÃáÛÇ ê. ²ëïáõ³Í³ÍÇÝ ºÏ»Õ»óõáÛ:

¶³Ý³ï³Ñ³Ûáó Â»ÙÇ ²é³çÝáñ¹ª ¶»ñß© î¿ñ ²µ·³ñ ºåë© Úáí³ÏÇÙ»³ÝÇ Ñ³Ûñ³Ï³Ý ûñÑÝáõÃ»³Ùµ« ÎÇñ³ÏÇ« ú·áëïáë 4« 2019-ÇÝ« êáõñµ ºññáñ¹áõÃÇõÝ Ð³Ûó© ²é³ù© ºÏ»Õ»óõáÛ Ù¿ç å³ï³ñ³·»ó »õ ù³ñá½»ó êáõñµ ºññáñ¹áõÃÇõÝ Ð³Ûó© ²é³ù© ºÏ»Õ»óõáÛ Ðá·»õáñ ÐáíÇõÇ Ýáñ³Ýß³Ý³Ï ú·Ý³Ï³Ýª ²ñÅ© î¿ñ Ð³Û³ñÇ øÑÝÛ© Â³Ý³ß»³Ý: ê© ä³ï³ñ³·Ç ÁÝÃ³óùÇÝ ¶³Ý³ï³Ñ³Ûáó Â»ÙÇ öáË³é³çÝáñ¹ »õ ºÏ»Õ»óõáÛë Ðá·»õáñ ÐáíÇõª ²ñÅ© î© ¼³ñ»Ñ ²© ùÑÝÛ© ¼³ñ·³ñ»³ÝÁ« ÁÝÃ»ñó»ó êñµ³½³Ý Ðûñ ïÝûñÇÝáõÃÇõÝÁª ²ñÅ© î© Ð³Û³ñÇ ùÑÝÛ© Â³Ý³ß»³ÝÇ Ðá·»õáñ ÐáíÇõÇ ú·Ý³Ï³Ý Ýß³Ý³ÏÙ³Ý ³éÝãáõÃ»³Ùµ: î¿ñ ¼³ñ»ÑÁ Çñ áõñ³ËáõÃÇõÝÁ Û³ÛïÝ»ó

³Ûë Ýß³Ý³ÏÙ³Ý ³éÃÇõ »õ Û³ÝáõÝ ºÏ»Õ»óõáÛ ÌË³Ï³Ý ÊáñÑñ¹Ç« Ú³ñ³ÏÇó Ø³ñÙÇÝÝ»ñáõ »õ Ñ³õ³ï³ó»³ÉÝ»ñáõ« µ³ñÇ ·³Éáõëï »õ Û³çáÕáõÃÇõÝÝ»ñ Ù³ÕÃ»ó î¿ñ Ðûñ Ç ÷³éë ²ëïáõÍáÛ« ²Ýáñ êáõñµ ºÏ»Õ»óõáÛ å³ÛÍ³éáõÃ»³Ý »õ Ñ³õ³ï³ó»³ÉÝ»ñáõÝ Ù³ïáõó³Í Çñ Í³é³ÛáõÃ»³Ý Ù¿ç: Ú³õ³ñï êáõñµ ä³ï³ñ³·Ç« Ñ³õ³ï³ó»³ÉÝ»ñÁ ßÝáñÑ³õáñ»óÇÝ î¿ñ Ð³ÛñÁ« áñÙ¿ »ïù ï»ÕÇ áõÝ»ó³õ µ³ñÇ ·³Éëï»³Ý Ùï»ñÙÇÏ ÁÝ¹áõÝ»ÉáõÃÇõÝª Ï³½Ù³Ï»ñåáõ³Í ÌË³Ï³Ý ÊáñÑáõñ¹ÇÝ ÏáÕÙ¿« ·ÉË³õáñáõÃ»³Ùµ ³ï»Ý³å»-ïáõÑÇ îÇÏ© èá½ÇÝ ÆÙ³ëïáõÝ»³ÝÇ: ÀÝ¹áõÝ»ÉáõÃ»³Ý ÁÝÃ³óùÇÝ Ý»ñÏ³Ý»ñÁ Û³çáÕáõÃÇõÝÝ»ñ Ù³ÕÃ»óÇÝ î¿ñ Ðûñ Çñ ³Ûë Ýáñ ³é³ù»ÉáõÃ»³Ý Ù¿ç:

²ëïáõ³Í³ÍÝ³Û îûÝÇ ²éÃÇõ ê. ä³ï³ñ³· »õ Ê³ÕáÕÇ úñÑÝáõÃÇõÝ

Ð²Ôàð¸²¶ðàôÂÆôÜ

²ëïáõ³Í³ÍÝ³Û îûÝÇ ²éÃÇõ ê© ä³ï³ñ³· »õ Ê³ÕáÕÇ úñÑÝáõÃÇõÝ

Ø³ï³Ã Ø³Ùáõñ»³Ý

www.torontohye.ca

Ð³Û »Ï»Õ»óõáÛ ÑÇÝ· ï³Õ³õ³ñ ïûÝ»ñ¿Ý ãáññáñ¹Ý ¿ ê. ÎáÛë ²ëïáõ³Í³ÍÝÇ í»ñ³÷áËÙ³Ý ïûÝÁ: ²Ûë ïûÝÁ ²ëïáõ³Í³ÍÝÇ ÝáõÇñáõ³Í ïûÝ»ñáõÝ ·ÉË³õáñÝ áõ ÑÝ³·áÛÝÝ ¿: §ì»ñ³÷áËáõÙÝ ê. ²ëïáõ³Í³ÍÝÇ¦ ïûÝÁ ÏÁ ÛÇß³ï³Ï¿ îÇñ³Ùûñ ³Ûë ³ßË³ñÑ¿Ý Ù»ÏÝÇÉÝ áõ »ñÏÇÝù í»ñ³÷áËáõÇÉÁ: 17 ú·áëïáë 2019-Ç »ñ»ÏáÛ»³Ý Å³ÙÁ 7:00-ÇÝ ï»ÕÇ áõÝ»ó³õ Ý³Ë³ïûÝ³ÏÁ ì»ñ³÷áËáõÙÝ ê. ²ëïáõ³Í³ÍÝ³Û ïûÝÇÝ, ÂáñáÝÃáÛÇ ê. ºññáñ¹áõÃÇõÝ Ð³Ûó. ²é³ù. ºÏ»Õ»óõáÛ Ù¿ç: 18 ú·áëïáëÇÝ, ê. ²ëïáõ³Í³ÍÝÇ ïûÝÇÝ ³éÃÇõ êáõñµ »õ ³ÝÙ³Ñ å³ï³ñ³· Ù³ïáÛó »õ ù³ñá½»ó ·³Ý³ï³Ñ³Ûáó Ã»ÙÇ ÷áË³é³çÝáñ¹ »õ »Ï»Õ»óõáÛë

Ñá·»õáñ ÑáíÇõ ¼³ñ»Ñ ². ùÑÝÛ. ¼³ñ·³ñ»³Ý: ²ñ³ñáÕáõÃ»³Ý Ý»ñÏ³Û ¿ñ Ý³»õ »Ï»Õ»óõáÛë ÑáíÇõÇ û·Ý³Ï³Ý î. Ð³Û³ñÇ ùÑÝÛ. Â³Ý³ß»³ÝÁ: ê. ê»Õ³ÝÇÝ ëå³ë³ñÏ»óÇÝ »Ï»Õ»óõáÛë ë³ñÏ³õ³·Ý»ñÝ áõ ¹åÇñÝ»ñÁ: ºñ·»óáÕáõÃÇõÝÁ Ý»ñ¹³ßÝ³Ï Ï»ñåáí Ï³ï³ñáõ»ó³õ ¹åñ³ó ¹³ëÇÝ ÏáÕÙ¿ Õ»Ï³í³ñáõÃ»³Ùµ` ¹åñ³å»ï Þ³Ñ¿ ²ÉÃáõÝ»³ÝÇ, »ñ·»ÑáÝÇ ÁÝÏ»ñ³ÏóáõÃ»³Ùµ` êáÝ³ ²ñÃÇÝ»³ÝÇ: Ú³õ³ñï ê. ä³ï³ñ³·ÇÝ, »Ï»Õ»óõáÛ ßñç³÷³ÏÇÝ Ù¿ç ï»ÕÇ áõÝ»ó³õ §Ê³ÕáÕûñÑÝ¿ù¦Ç ³ñ³ñáÕáõÃÇõÝ, áñáõÝ Û³çáñ¹»ó Ëáñáí³ÍÇ ëå³ë³ñÏáõÃÇõÝÁ: Ü»ñÏ³Û ·ïÝáõáÕ ÑáÍ µ³½ÙáõÃ»³Ý ·Ý³Ñ³ï³ÝùÇÝ ³ñÅ³Ý³ó³Ý ÌË³Ï³Ý ÊáñÑáõñ¹Á »õ îÇÏÝ³Ýó ÙÇáõÃ»³Ý ³Ý¹³ÙÝ»ñÁ Çñ»Ýó ï³ñ³Í µÍ³ËÝ¹Çñ ³ßË³ï³ÝùÇÝ ³éÃÇõ:

êºäîºØ´ºð 2019 Ä¸. î²ðÆ, ÂÆô 167

ÂàðàÜÂàÐ²Ú Îº²Üø

Úáõß»ñª ÐúØ-Ç ì³ñÅ³ñ³ÝÇ 40-³Ù»³ÏÇÝ ²éÇÃáí ²ÛÇ¹³ üñ³Ý·»³Ý

áñ ãáñë ³ÙÇë µ³ó³Ï³Û»Éáõ ¿ñ ¹åñáóÇó: 1982-83 ¹åñáó³Ï³Ý ï³ñ»ßñç³ÝÇÝ í³ñÅ³ñ³ÝÁ ÁÝ¹³Ù¿ÝÁ 4 ï³ñ»Ï³Ý ¿ñ ` ÎáÏáÝ ¹³ë³ñ³ÝÇ ï³ñÇù áõÝ¿ñ »õ ãáñë ÏáÕÙÇó áõß³¹ñáõÃ»³Ý Ï»¹ñáÝáõÙ ¿ñ, Ç Ù³ëÝ³õáñÇ ¸åñáóÇ ß¿ÝùÇ ßÇÝ³ñ³ñáõÃÇõÝÝ ¿ñ ï»ÕÇ áõÝ»ÝáõÙ: Ì³ÝûÃ³ó³Û µáÉáñ ³ÛÝ Ñá·³ï³ñ »õ Ï³Ù³õáñ ³ÝÑ³ïÝ»ñÇÝ, áñáÝù ³Ýí»ñ³å³Ñ ³ßË³ïáõÙ ¿ÇÝ ·Çß»ñ áõ ó»ñ»Ï ¹åñáóÁ áïùÇ å³Ñ»Éáõ: ¸Åµ³Ëï³µ³ñ ß³ï»ñÁ ³ÛÉ»õë Ù»½ Ñ»ï ã»Ý, µ³Ûó Ù»Í Ý»ñ¹ñáõÙ »Ý áõÝ»ó»É ¹åñáóÇ Ï»³ÝùáõÙ: äÇïÇ ÷áñÓ»Ù ÛÇß»É µáÉáñÇÝ: ÊÝ¹ñáõÙ

¿ñ` Í³é³ÛáõÙ ¿ÇÝ ¹åñáóÇÝ »õ ¹»é ï³ñÇÝ»ñ ß³ñáõÝ³Ïáõ»ó: ²ß³Ï»ñïáõÃ»³Ý Ñ³Ù³½·»ëï ·á·ÝáóÝ»ñÁ ï³ñÇÝ»ñáí Ï³ñáõÙ ¿ÇÝ ÐúØÇ ÁÝÏ»ñáõÑÇÝ»ñ îÇ³Ý³ »õ ²ÝÇ Â³·õáñ»³ÝÝ»ñÁ: ¸åñáóÇ µáÉáñ ·ñ³ë»Õ³ÝÝ»ñÁ, ·ñ³ï³Ëï³ÏÝ»ñÁ »õ óáõó³ï³Ëï³ÏÝ»ñÁ Ýáñá·áõÙ ¿ñ Ðñ³Ûñ Ø³ëå³Ý³×»³Ý Çñ ³ßË³ï³Ýù³ÛÇÝ Å³Ù»ñÇó ¹áõñë` ·Çß»ñÝ»ñÁ: ÂÕÃ³ÏóáõÃÇõÝÝ»ñÁ ·ñáõÙ ¿ñ ¶ñÇ·áñ ÐáÃáÛ»³ÝÁ: ¸åñáóÁ ³Û¹ ûñ»ñÇÝ áõÝ¿ñ ÙÇ ù³ÝÇ Éáõë³ÝÏ³ñÇãÝ»ñ` ä»ñ× ²ñ³å»³Ý, ê³ñ-

³å³Ñáí»Éáõ Ýå³ï³Ïáí: ²Û¹ Û³ÝÓÝ³ËáõÙµÇ ³Ý¹³ÙÝ»ñÝ ¿ÇÝ î¿ñ »õ îÇÏ ×áñ× »õ Ä³Ý»Ã î³Û»³Ý, î¿ñ »õ îÇÏ. Ø³ñ·³ñ»³ÝÝ»ñ, î¿ñ »õ îÇÏ. Ú³Ïáµ »õ ê»¹³ Â³ß×»³ÝÝ»ñ »õ î¿ñ »õ îÇÏ. Ê³ãÇÏ »õ ²Ûï³ ¶³ÝÓ³å»ï»³ÝÝ»ñÁ: ²Û¹ ûñ»ñáõÝª áõñÇß ÑëÏ³Û³Ï³Ý Ï³Ù³õáñ ³ßË³ï³Ýù ¿ñ Ýáñ³Ï³éáÛó ¹åñáóÇ µ³óÙ³Ý Ñ³Ý¹ÇëáõÃÇõÝÁ, áñÇ å³ïñ³ëïÙ³Ý Ù³ëÝ³ÏóáõÙ ¿ÇÝ Ð³Û Î»¹ñáÝÇ Û³ñÏÇ ï³Ï ³ßË³ïáÕÝ»ñÇ ÙÇ Ù»Í ËáõÙµ ï³ñµ»ñ Û³ÝÓÝ³ËáõÙµ»ñÇ Ù¿ç, ·ÉË³õáñáõÃ»³Ùµ` Ú³ñáõÃÇõÝ ÞÇÃÇÉ»³ÝÇ »õ ¼³õ¿Ý ê³ñ·ë»³ÝÇ, ¼áÑñ³å ê³ñ·Çë»³ÝÇ, Ø³ïÃ¿áë î¿ñï¿ñ»³ÝÇ ²µ·³ñ ØÇñ³ù»³ÝÇ, áñáÝù ß³ï ÙûïÇó ÑëÏáõÙ ¿ÇÝ í»ñçÇÝ ßÇÝ³ñ³ñ³Ï³Ý »õ µ³óÙ³Ý Ñ³Ý¹ÇëáõÃ»³Ý Ï³½Ù³Ï»ñåã³Ï³Ý ³ßË³ï³ÝùÝ»ñÁ: ²Û¹ Å³Ù³Ý³Ï³ßñç³ÝáõÙ ³Ù¿Ý ûñ äñÝ. ²Ý¹ñ³ÝÇÏ ²ñÃÇÝ»³ÝÁ Ñ³Ý¹ÇåáõÙ »õ ÅáÕáíÝ»ñ ¿ñ áõÝ»ÝáõÙ äñÝ. Ø³ñ·³ñÇ »õ àõëáõóã³Ï³Ý Î³½ÙÇ Ñ»ï µ³óÙ³Ý Ñ³Ý¹ÇëáõÃ»³Ý Ï³åáõ³Í Ñ³ñó»ñáí: 7 ÜáÛ»Ùµ»ñ 1982. ¸åñáóÇ Ýáñ³Ï³éáÛó ß¿ÝùÇ µ³óáõÙ ´³óÙ³Ý Ñ³Ý¹ÇëáõÃ»³Ý Ý³Ëûñ»³ÏÇÝª ÜáÛ»Ùµ»ñ 6-ÇÝ, äñÝ. Ø³ñ·³ñÇ »õ Ð³Ù³½·³ÛÇÝÇ ì³ñãáõÃ»³Ý ÙÇçáóáí Ï³½Ù³Ï»ñåáõ»É ¿ñ Ñ³Ý¹ÇåáõÙ µáÉáñ Ùï³õáñ³Ï³ÝÝ»ñÇ»õ Õ»Ï³í³ñÝ»ñÇ Ñ»ï, áñáÝù Û³ïÏ³å¿ë Ññ³õÇñáõ³Í ¿ÇÝ ¹åñáóÇ ß¿ÝùÇ µ³óÙ³Ý: ²Û¹ ûñÁ ³éÇÃÁ »Õ³õ ÇÝÓÇ ÙûïÇó Í³ÝûÃ³Ý³Éáõ Ú³Ïáµ Î³ñ³å»ÝóÇÝ, ÄÇñ³Ûñ ²Ã³ñ»³ÝÇÝ, î¿ñ »õ îÇÏ. ¾ÉáÛ»³Ý-

²Ûë ï³ñÇ Éñ³ÝáõÙ ¿ ÐúØÇ ²Ù¿Ýûñ»³Û ì³ñÅ³ñ³ÝÇ §èáõµÇÝ³¦ Ø³ÝÏ³ÙëáõñÇ, ä³å³Û»³Ý Ø³ÝÏ³å³ñï¿½Ç, ¶áÉáÉ»³Ý Ü³Ë³ÏñÃ³ñ³ÝÇ »õ È³÷áÛ»³Ý ºñÏñáñ¹³Ï³ÝÇ 40-³Ù»³ÏÁ: î³ñáõ³Ý ÁÝÃ³óùÇÝ í³ñÅ³ñ³ÝÇ µáÉáñ Ñ³Ý¹¿ëÝ»ñÁ, »ñ·ã³ËáõÙµÇ »õ Ýáõ³·³ËáõÙµÇ Ó»éÝ³ñÏÝ»ñÇ µ»Ù»ñÁ ½³ñ¹³ñáõ³Í ¿ÇÝ Ù»Í 40-áí: Ú³ÝÏ³ñÍ 40 ï³ñÇ Ý ÇÝÓ Ùï³Í»É ïáõ»ó, Ã¿ ÇÝãå¿ë ¿ñ í³ñÅ³ñ³ÝÁ 1982ÇÝ, »ñµ »ë »õ ì³ñ¹³ÝÁ Ñ³ëï³ïáõ»óÇÝù ÂáñáÝÃû »õ »ë ëÏë³Û ³ßË³ï»É í³ñÅ³ñ³ÝÇÝ Ù¿ç: ²Û¹ ûñ»ñÇÝ, í³ñÅ³ñ³ÝÁ ÏáãáõáõÙ ¿ñ ÐúØÇ ²Ù»Ýûñ»³Û ì³ñÅ³ñ³Ý, ä³å³Û»³Ý Ø³ÝÏ³å³ñï¿½ »õ ¶áÉáÉ»³Ý Ü³Ë³ÏñÃ³ñ³Ý: ²ß³Ï»ñïÝ»ñÁ µ³Å³Ýáõ³Í ¿ÇÝ ´áÕµáç, ÎáÏáÝ, Ì³ÕÇÏ »õ ²é³çÇÝÇó ÙÇÝã»õ âáññáñ¹ ¹³ë³ñ³ÝÝ»ñÇ Ù¿ç: Ø¿Ï ß³µ³Ã ¿ñ, áñ Ñ³ëï³ïáõ»É ¿ÇÝù ÂáñáÝÃû, »ñµ ú·áëïáë ³Ùëáõ³Û Ù¿ç ÙÇ ûñ Ù»ñ µ³ñ»Ï³ÙÝ»ñÇó Ù¿ÏÇ Ñ»ï Ð³Û Î»¹ñáÝ ³Ûó»É»óÇÝù: î»ÕÇ ¿ñ áõÝ»ÝáõÙ, ßÇÝáõÃÇõÝ, áñ ¹åñáóÇ Ýáñ ß¿ÝùÁ åÇïÇ ¹³éÝ³ñ: Ð³Û Î»¹ñáÝÝ ¿É Ýáñ ¿ñ, »ñ»ù-ãáñë ï³ñáõ³Û ßÇÝáõÃÇõÝ: Î»¹ñáÝÁ ßñç³·³Û»Éáõó Û»ïáÛ, Çç³Ýù ¹åñáóÇ Ù³ëÁ »õ Ñ³Ý¹Çå»óÇÝù äñÝ. îÝûñ¿ÝÇÝ, áñ ¹åñáóÇ í»ñ³ÙáõïÇ Ý³Ë³å³ïñ³ëï³Ï³Ý ³ßË³ï³ÝùÝ»ñÝ ¿ñ Íñ³·ñáõÙ: Æñ ·ñ³ë»- 7 ÜáÛ»Ùµ»ñ 1982. ¸åñáóÇ ß¿ÝùÇ µ³óáõÙ Ý»³ÏÁ (³ÛÅÙáõ ºñÇï³ë³ñ¹³Ï³ÝÇ ë»Ý»³ÏÁ)ª å½ïÇÏ ë»Ý»³Ï, Ù¿Ï Ñ³ï ·ñ³ë»Õ³Ý, Ù»Í ïå³·ñ³Ï³Ý Ù»ù»Ý³Û »õ »ñÏáõ ³Ãáé: Ì³ÝûÃ³ó³Ýù äñÝ Ø³ñ·³ñ Þ³ñ³åË³Ý»³ÝÇ Ñ»ï »õ ³Ûëå¿ë Ù¿Ï Å³Ù Ëûë»óÇÝù ï³ñµ»ñ ÝÇõÃ»ñÇ, Â»Ññ³ÝÇ ³½·³ÛÇÝ Ùß³ÏáõÃ³ÛÇÝ Ï»³ÝùÇ »õ ÂáñáÝÃáÛÇ Ñ³Û ·³ÕáõÃÇ å³ïÙáõÃ»³Ý Ù³ëÇÝ: Ú³çáñ¹ ûñÁª äñÝ. Ø³ñ·³ñ Ñ»é³Ó³ÛÝ»ó ÇÝÓ áõ Ñ³ñóñ»ó, ³ñ¹»ûù Ï'áõ½»±Ù ãáñë ³Ùëáõ³Û ï»õáÕáõÃ»³Ùµ ¹åñáóÁ ³ßË³ï»É. ³ÝÙÇç³å¿ë §³Ûá¦ ³ë»óÇ »õ ³Ñ³õ³ëÇÏ 4 ³ÙÇëÁ ¹³ñÓ³õ 37 ï³ñÇ...: Ú³çáñ¹ ûñÁ ·Ý³óÇ Ñ³Ý¹Çå»Éáõ ÎñÃ³Ï³Ý Ø³ñÙÝÇ Ñ»ï: ²ÏáõÙµÇ ¹é³Ý ³é³ç Ñ³×»ÉÇ ÅåÇïáí ³ÏÝáó³õáñ Ù¿ÏÁ Ùûï»ó³õ »õ Ñ³ñóñ»óª üñ³Ý·»³±Ý, »õ Ï³ï³Ï»ó Ñ³ñóÝ»Éáí` Ã¿ ³ñ¹»ûù áõ±ñ åÇïÇ ³åñ»Ýùª ØÇëÇëáÏ±³ (³Û¹ ï³ñÇÝ»ñÇÝ µáÉáñ å³ñëÏ³Ñ³Û»ñÁ µÝ³ÏáõÃÇõÝ ¿ÇÝ Ñ³ëï³ï»É ØÇëÇëáÏ³): ºë ¹»é ØÇëÇëáÏ³Ý áõñ ¿ñ ã·Çï¿Ç, ÍÇÍ³Õ»óÇ »õ Çç³Û Ñ³Ý¹ÇåáõÙÇª ÎñÃ³Ï³Ý Ø³ñÙÝÇ ³Û¹ ï³ñáõ³Û Ï³½ÙÇ Ñ»ï Í³ÝûÃ³Ý³- 1987. áõëáõóã³ó Ï³½ÙÇ »õ ³ß³Ï»ñïÝ»ñáõ ´³ñ»Ï»Ý¹³Ýª 30 ï³ñÇÝ»ñ ³é³ç. îÝûñ¿Ý Ø³ñ·³ñ Þ³ñ³åË³Ý»³Ý Ù³ÝÏ³å³ñï¿½Ç Ù³ÝáõÏÝ»ñáõ Ñ»ï: Éáõ: Ì³ÝûÃ³ó³Û îÇÏ. ²ñÙ»ÝáõÑÇ ¶áÉá- ÙÇç»õª å³ëù¿ÃÇ ÙñóáõÙ: É»³ÝÇÝ, (í»ñçÁ ÇÙ³ó³Û, áñ ¹åñáóÇ µ³- »Ù Ý»ñáÕ³ÙÇï ·ïÝáõ¿ù, »Ã¿ Ù¿ÏÁ Ùá- ·Çë ì³ñ¹³Ý»³Ý »õ ¶³Éáõëï ä³å»³Ý, Ý»ñÇÝ, ìñ¿Å-²ñÙ¿Ý ²ñÃÇÝ»³ÝÇÝ: Ü»ññ»ñ³ñÝ ¿) îÇÏ. Ø³ïÉ»Ý î³Û»³ÝÇ, îÇÏ. é³Ý³Ù ·ñáõÃ»³Ýë Ù¿ç: áñáÝù ëÇñ³ÛûÅ³ñ ·³ÉÇë »õ Éáõë³ÝÏ³- Ï³Û ¿ÇÝ Ý³»õ Ù»Í ÃÇõáí Ð³Ù³½·³ÛÇÝ³èá½ÇÏ ê³ñáÛ»³ÝÇ, ³ï»Ý³å»ïÁ äñÝ. Ï³ÝÝ»ñ: Ì³ÝûÃ³ó³Û Ý³»õ Ú³Ïáµ Ö³Ýú·áëïáëÇ í»ñçÇ ß³µ³ÃÁ ÇÝãå¿ë ñáõÙ ¿ÇÝ ³ß³Ï»ñïÝ»ñÁ: ²Ý¹ñ³ÝÇÏ ²ñÃÇÝ»³ÝÁ, áñ ÇÝÓ ÙáõïùÇÝ ÙÇßï Ý³Ë³å³ïñ³ëï³Ï³Ý ³ßË³ì³ñÅ³ñ³ÝÇ µáÉáñ Ý³Ù³Ï³·ñáõ- å³½»³ÝÇÝ, ¶³Éáõëï ä³å»³ÝÇÝ, ³Û¹ù³Ý Ñ³ñ³½³ï ÁÝ¹áõÝ»ó »õ ³Ýßáõßï ï³Ýù ¿ñ: ¸åñáóÇ Ýáñ ß¿ÝùÁ ¹»é ßÇÝáõ- ÃÇõÝÝ»ñÁ »õ ³ß³Ï»ñïÝ»ñÇ ³Ýáõ³Ý³- Ú³ëÙÇÏ »õ ²Ý¹ñ³ÝÇÏ Þ³ñ³åË³Ý»³ÝÝ»ñÏ³Û ¿ñ Ý³»õ îÝûñ¿Ý äñÝ Ø³ñ·³ñÁ: Ã»³Ý ï³Ï ¿ñ »õ Ýáñ ß¿Ýù ³ÝóÝ»ÉÁ Ý³- ó³ÝÏ»ñÁ Ù»ù»Ý³·ñáõÙ ¿ñ ¾ÉÇ½ Þ³ñ³å- Ý»ñÇÝ, êÇÙáÝ »õ Ø³ñ³É Ð³ëÁñ×»³ÝÇÝ, ÆÙ³ó³Û, áñ ¸åñáóÁ ÑÇÙÝáõ»É ¿ñ 1979- Ë³ï»ëõáõÙ ¿ñ ÚáõÝáõ³ñ 1983-ÇÝ, áõñ»ÙÝ Ë³Ý»³ÝÁ: È»õáÝ Ð³ëÁñ×»³ÝÇÝ »õ Ø³ñû Ø³ñïÇÇÝ. ÑÇÙÝ³¹ñáõÃ»³Ý Ùï³ÛÕ³óáõÙÁ »Õ»É ¹åñáóÁ Ð³Û Î»¹ñáÝÇ ß¿ÝùÇ ÅáÕáí³ë»²Ù¿Ý ûñ ß³Ï»ñïÝ»ñÇ Ö³ßÇ ÑëÏáÕáõ- ñáë»³ÝÇÝ: Ð³Ý¹ÇåáõÙÁ í³ñáõÙ ¿ñ äñÝ. ¿ñ ÐÚ¸ §êáÕáÙáÝ Â¿ÑÉÇñ»³Ý¦ ÎáÙÇï¿Ç Ý»³ÏÝ»ñáõÙ »õ Ú³ñáõÃÇõÝ Ø³ÝáõÏ»³Ý Ã»³Ý ¿ÇÝ ·³ÉÇë ö³é³ÝÓ»Ù Ø³ñïÇñá- îÝûñ¿ÝÁ: Þ³Ñ³õ¿ï Ñ³Ý¹ÇåáõÙ »õ Ï³ñáõ ÐúØ-Ç §èáõµÇÝ³¦ Ø³ëÝ³×ÇõÕÇ: º- ¶ñ³¹³ñ³ÝÇ Ù¿ç ¿ñ ï»Õ³õáñáõ³Í: àõ- ë»³ÝÁ, ê»¹³ Ø³ëå³Ý³×»³ÝÁ, Ø³- ÍÇùÝ»ñÇ ÷áË³Ý³ÏáõÙ Ð³Û ¸åñáó Ï³ñ»ù Ñá·ÇÝáó ³Ûë ³éÇÃáí ëï»ÕÍáõ³Í ëáõóÇãÝ»ñÁ Û³ñÙ³ñáõ»Éáí å³ÛÙ³ÝÝ»ñÇÝ ñ Ç ³ äáÛ»³×»³ÝÁ, Ø ³ Ý Ç Ï ñ»õáñáõÃ»³Ý Ù³ëÇÝ Ññ³õÇñáõ³Í ¹åñáÝ³ËÝ³Ï³Ý Û³ÝÓÝ³ËáõÙµÁ (ì³Ñ¿ Ø³- ÷áñÓáõÙ ¿ÇÝ ³ß³Ï»ñïÝ»ñÇÝ Ñ³Ù³ñ ¹³- Êáõ¹³í»ñ¹»³ÝÁ, Èáé»Ã ÊáõÙ³Û»³ÝÁ »õ ó³ë¿ñ Ùï³õáñ³Ï³ÝÝ»ñÇ »õ »ñÇï³ï»³Ý, ¶¿áñ· ²×¿Ù»³Ý »õ ¾ÉÇ½ Þ³ñ³å- ë³ñ³Ý³ÛÇÝ ÙÃÝáÉáñï ëï»ÕÍ»É »õ û·- ê»¹³ Â³ß×»³ÝÁ: ë³ñ¹ ³ßËáõÅ Ð³Ù³½·³ÛÇÝ³Ï³ÝÝ»ñÇ Ë³Ý»³Ý) ßáõïáí Ñ³Ù³Éñáõ³Í ¿ñ ÙÇ ï³Ï³ñ ÉÇÝ»Éª áõÝ»Ý³Éáõ Ñ»½³ë³Ñ í»1982-83 ï³ñ»ßñç³ÝÇ ¹åñáóÇ ³é³- Ñ»ï: ØÇ ³ÝÙáé³Ý³ÉÇ ·Çß»ñ: ËáõÙµ Ñ»é³ï»ë ³½·³ÛÇÝÝ»ñÇ ÏáÕÙÇó` ñ³Ùáõï: ¸åñáóÇ ³ÝÓÝ³Ï³½ÙÁ ÏÁ çÇÝ ½³Ý·Á ÑÝã»ó 7 ê»åï»Ùµ»ñ 1982ÜáÛ»Ùµ»ñ 7-Á áõñÇß µ³ó³éÇÏ ûñ Û³ÝÓÇÝë Ú³ñáõÃÇõÝ ÞÇÃÇÉ»³ÝÇ, ²Ý¹ñ³- Ï³½Ù¿ÇÝ îÝûñ¿Ý Ø³ñ·³ñ Þ³ñ³åË³- ÇÝ: Ü»ñÏ³Û ¿ÇÝ ÐúØÇ ²ï»Ý³å»ïáõÑÇÝ ÏÝùáõ»ó ÃáñáÝÃáÑ³Û ·³ÕáõÃÇ Ñ³Ù³ñ. ÝÇÏ ²ñÃÇÝ»³ÝÇ, Ø³ñ·³ñ Þ³ñ³åË³- Ý»³Ý »õ 11 Ñá·³Ýáó Ø³ÝÏ³å³ñï¿½Ç Þ³ù¿ êï»÷³Ý»³ÝÁ, î¿ñ »õ îÇÏ. ¶¿áñ· Ñ³½³ñÇó ³õ»ÉÇ Ý»ñÏ³Ý»ñ »Ï»É ¿ÇÝ Ù³ëÝ»³ÝÇ »õ î¿ñ »õ îÇÏ. ¶¿áñ· »õ ²ñÙ¿Ýáõ- »õ Ü³Ë³ÏñÃ³ñ³ÝÇ áõëáõóã³Ï³Ý Ï³½Ù. »õ ²ñÙ¿ÝáõÑÇ ¶áÉáÉ»³ÝÝ»ñÁ, ÐÚ¸ êáÕá- Ý³Ïó»Éáõ ²é³çÇÝ ê»÷³Ï³Ý ¸åñáóÇ ÑÇ ¶áÉáÉ»³ÝÝ»ñÇ, áñáÝù Çñ»Ýó ëñï³- îÇÏÇÝÝ»ñª ¼áõ³ñÃ Ð³Ùµ³ñÓáõÙ»³Ý, ÙáÝ Â¿ÑÉÇñ»³Ý ÎáÙÇï¿Ç Ñ»Ã³å³Ñ Ú³- Þ¿ÝùÇ µ³óÙ³Ý ³ñ³ñáÕáõÃ»³Ý »õ Ñ³ÝµáõË »õ ÇßË³Ý³Ï³Ý ÝáõáõÇñ³ïáõáõ- Ú³ëÙÇÏ ÊñÉ³ù»³Ý, Ü³ÝÇÏ Ü³×³ñ»³Ý, ñáõÃÇõÝ ÞÇÃÇÉ»³ÝÁ, ÏñÃ³Ï³Ý Ø³ñÙÝÇ ·³Ý³Ï³ÛÇÝ ×³ßÏ»ñáÛÃÇÝ: Ø»Ýùª áõëáõóÃ»³Ùµ Çñ³Ï³ÝáõÃÇõÝ ¹³ñÓñ»óÇÝ ·³- ê³ÉµÇ úÃ³×»³Ý (áñ µ³ó³Ï³Û áõëáõó- ²ï»Ý³å»ï ²Ý¹ñ³ÝÇÏ ²ñÃÇÝ»³ÝÁ »õ ã³Ï³Ý Ï³½ÙÁ »ñÏáõ ß³ñùÇ íñ³Û Ï³Ý·ÕáõÃÇ å³Ñ³çùÇó µË³Í »ñ³½Á: ²Ûë ù³Û- ãáõÑÇÝ ¿ñ) èá½ÇÝ ØÇÝ³ë»³Ý »õ äñÝ. ¾- ÍÝáÕÝ»ñ: Ý»É ¿ÇÝù Ýáñ³ß¿Ý ß¿ÝùÇ ³ÝóùÇ Ù¿çª ÉÇÝ Çñ ÝÇõÃ³Ï³Ý Ù»Í Ýå³ëïÝ ¿ñ µ»ñ»É ¹ÇÏ Úáíë¿÷»³Ý (ÙÇ ù³ÝÇ ³ÙÇë í»ñç ì³ñÅ³ñ³ÝÁ ³Û¹ ï³ñÇ áõÝ¿ñ ÃÇõáí Î»¹ñáÝÇó ¹¿åÇ ¹åñáó, áõñ ÐúØ-Ç ì³ñä³å³Û»³Ý Ñ³ëï³ïáõÃÇõÝÁ, áñ ÑÇÙ- Ù»½Ç ÙÇ³ó³õ îÇÏ. îÇ·ñ³ÝáõÑÇ ø¿ÝïÇñ- 115 ³ß³Ï»ñïÝ»ñ: Ø³ÝÏ³å³ñï¿½Áª 50, Å³ñ³ÝÇ Å³å³õ¿ÝÁ Ïïñ»ó ÐúØ-Ç Þñç³Ýáõ³Í ¿ñ î¿ñ »õ îÇÏ. È»õáÝ »õ ö»ñáõ½ ä³- ×»³ÝÁ): ²Ý·É»ñ¿ÝÇ áõëáõóãáõÑÇÝÝ»ñÝ ¿ÇÝ` ÇëÏ Ý³Ë³ÏñÃ³ñ³ÝÁª 65: Ý³ÛÇÝ ì³ñãáõÃ»³Ý ³ï»Ý³å»ïáõÑÇÝ, å³Û»³ÝÝ»ñÇ ÏáÕÙÇó: ²Û¹ ï³ñÇ ÎñÃ³Ï³Ý Ø³ñÙÝÇó µ³- ÇëÏ ÅáÕáíáõñ¹Á ÑÇ³óÙáõÝùáí Ùáõïù ·áñMs. Susan Dalton, Ms. Sueallen Silverman, ä³ßïûÝ³å¿ë ÁÝ¹áõÝáõ»óÇ ³ßË³- Ms. Sue Scott, Ms. Synthia Fink: óÇ ¹åñáóÁ í³Û»ÉáõÙ ¿ñ ÊÝ³Ù³Ï³É Ø³ñ- Í»ó ¹åñáóÇ Ýáñ ß¿ÝùÁ: ¶áÉáÉ»³Ý Ü³ï»Éáõ ÐúØÇ ²Ù¿Ýûñ»³Û ì³ñÅ³ñ³ÝÇ ¸åñáóÁ áõÝ¿ñ ëÇñ³ÛûÅ³ñ Ï³Ù³õáñ- ÙÇÝ Ïáãáõ³Í Û³ÝÓÝ³ËáõÙµÇ Ñáí³Ý³íá- Ë³ÏñÃ³ñ³ÝÇ óáõó³ï³Ëï³ÏÇ µ³óáõÙ¿ç` ÷áË³ñÇÝ»Éáí áõëáõóÇãÝ»ñÇó Ù¿ÏÇÝ, Ý»ñÇ ËÙµ³Ï, áñ ³ñ¹¿Ý ÙÇ ù³ÝÇ ï³ñÇ ñáõÃÇõÝÁ` ¹åñáóÇ Ñ³Ù³ñ ÝÇõÃ³Ï³Ý ß³ñ. ï»ë. ¿ç 7

ÂàðàÜÂàÐ²Ú Îº²Üø Úáõß»ñª ÐúØ-Ç ...

êºäîºØ´ºð 2019 Ä¸. î²ðÆ, ÂÆô 167

ß³ñ. 6ñ¹ ¿ç¿Ý

ÙÁ Ï³ï³ñáõ»óÇÝ î¿ñ »õ îÇÏ.¶¿áñ· ¶áÉáÉ»³ÝÝ»ñÇ »õ ä³å³Û»³Ý Ø³ÝÏ³å³ñï¿½Ç óáõó³ï³Ëï³ÏÇ µ³óáõÙÁ Ï³ï³ñáõ»ó ä³å³Û»³Ý Ð³ëï³ïáõÃ»³Ý îÝûñ¿Ý î¿ñ »õ îÇÏ. ê¿É»³ÝÝ»ñÇ ÏáÕÙÇó: ¸³ë³ñ³Ý ³é ¹³ë³ñ³Ý Å³å³õ¿Ý Ïïñ»óÇÝ ¹³ë³ñ³ÝÝ»ñÇ ÝáõÇñ³ïáõÝ»ñÁ »õ ³Ù¿Ý ¹³ë³ñ³ÝÇ Ù¿ç ÅáÕáíáõñ¹Á ÑÇõñ³ëÇñáõ»ó »õ ßÝáñÑ³õáñ»ó ÝáõÇñ³ïáõÝ»ñÁ: ¸³ë³ñ³ÝÝ»ñÇ ÝáõÇñ³ïáõÝÝ»ñÝ ¿ÇÝ` îáùÃ. ÄÇñ³Ûñ »õ ¾·Ç ÂéÝ³Ù»³Ý, Ð³Û Î»¹ñáÝÇ ºñ¿óÝ»ñÇ ÀÝÏ»ñ³ÏóáõÃÇõÝ, Ð³Û ÎñÃ³Ï³Ý ÐÇÙÝ³¹ñ³Ù (Èáë ²Ý×¿É¿ë), î¿ñ »õ îÇÏ. ¾ÙÇÉ »õ üÇÉû ´³ñë»Õ»³Ý, ÂÇÃÇ½»³Ý ºÕµ³ÛñÝ»ñ, î¿ñ »õ îÇÏ. ØÇÝ³ë àëÏ»ñÇã»³Ý, î¿ñ »õ îÇÏ. ¸³õÇÃ »õ ¾¹³ ¸³õÇÃ»³Ý, î¿ñ »õ îÇÏ. Úáíë¿÷ »õ ì»ñÅÇÝ ¸³õÇÃ»³Ý, î¿ñ »õ îÇÏ. èáõµ¿Ý »õ ´ñÉ³ÝÃ ÂáñÇÏ»³Ý: Ø¿Ï ï³ñÇ »ïù, ÝáõÇñ³ïáõÝ»ñÇ ó³ÝÏÇÝ ³õ»É³ó³Ýª äñÝ. ÂáÝÇ î¿ñ ä»ïñáë»³ÝÁ, ïÝûñ¿ÝÇ ·ñ³ë»Ý»³Ïª ¶Áñ· Ø³Ï³ñ»³ÝÁ »õ ·Çï³ßË³ÝáóÁª ÐúØÇ Þñç³Ý³ÛÇÝ ì³ñãáõÃÇõÝÁ: Ö³ßÏ»ñáÛÃÁ ëÏëáõ»ó µ³óÙ³Ý ³ñ³ñáÕáõÃÇõÝÇó ³ÝÙÇç³å¿ë Û»ïáÛ. ûñáõ³Û Ñ³Ý¹Çë³í³ñáõÃÇõÝÁ »õ Ñ³Ý·³Ý³ÏáõÃÇõÝÁ Ï³ï³ñ»ó ÁÝÏ. ²Ý¹ñ³ÝÇÏ ²ñÃÇÝ»³ÝÁ, ÇëÏ µ³Ý³Ëûë Ññ³õÇñáõ³Í ¿ñ äñÝ. ØÇÝ³ë Â¿ûÉûÉ»³ÝÁ: Ø»Í å³ëï³éÇ íñ³Û å³ï·³Ù»ó ÎÇÉÇÏÇáÛ Â»ÙÇ Î³ÃáÕÇÏáë ¶³ñ»·ÇÝ ´. ê³ñ·Çë»³ÝÁ: ÞÇÝ³ñ³ñ³Ï³Ý ³ßË³ï³ÝùÝ»ñÇ ·áñÍÁÝÃ³óùÇ Ù³ëÇÝ ½»ÏáÛó»ó ÀÝÏ. Ú³ñáõÃÇõÝ ÞÇÃÇÉ»³ÝÁ: à·»õáñáõÃÇõÝÁ ß³ï µ³ñÓñ ¿ñ »õ ß³ï Ù»Í ÃÇõáí Ý»ñÏ³Ý»ñ Ù³ëÝ³Ïó»óÇÝ Ñ³Ý·³Ý³ÏáõÃ»³Ý: Ö³ß»ñÇ »õ ëå³ë³ñÏáõÃÇõÝÁ ëï³ÝÓÝ»É ¿ÇÝ ÎñÃ³Ï³Ý Ø³ñÙÝÇ ³Ý¹³ÙáõÑÇÝ»ñÁª îÇÏ. ¶áÉáÉ»³ÝÇ ·ÉË³õáñáõÃ»³Ùµ »õ Ù»Í ÃÇõáí ÐúØÇ ÁÝÏ»ñáõÑÇÝ»ñáõ, áñáÝù ÙÇÝã»õ í»ñç ÑÇõñ³ëÇñ»óÇÝ Ñ³½³ñÇó ³õ»ÉÇ Ý»ñÏ³Ý»ñÁ: 7 ÚáõÝáõ³ñ 1983-Çó ÙÇ ù³ÝÇ ûñ ³é³ç ÷áË³¹ñáõ»óÇÝù Ýáñ ß¿Ýù: öáË³¹ñáõÃÇõÝÁ »Õ³õ ºñÇï³ë³ñ¹³ó ØÇáõÃ»³Ý ³Ý¹³ÙÝ»ñÇ` ·ÉË³õáñáõÃ»³Ùµ è³ýýÇ ÂÇÃÇ½»³ÝÇ, ÎñÃ³Ï³Ý Ø³ñÙÝÇ, áõëáõóã³Ï³Ý Ï³½ÙÇ »õ Ð³Û Î»¹ñáÝÇ¿ ÙÇ ËáõÙµ Ï³Ù³õáñ ³Ý¹³ÙÝ»ñÇ ÙÇçáóáí: Ø»ñ ¹åñáóÇ µáÉáñ Ñ³ßáõ³å³Ñ³Ï³Ý, ·³ÝÓ³å³Ñ³Ï³Ý ³ßË³ï³ÝùÝ»ñÁ ï³ñÇÝ»ñáí Ï³Ù³õáñ ³ßË³ï³Ýù ¿ñ, »õ ³Û¹ Å³Ù³Ý³Ï³ßñç³ÝáõÙ ³Ûë ·áñÍ»ñÁ í³ñ»óÇÝ îÇÏ. ²ñÙ»ÝáõÑÇ ¶áÉáÉ»³ÝÁ, ³å³ª îÇÏ. ¾·Ç ÂéÝ³Ù»³ÝÁ, »õ ÙÇ áñáß Å³Ù³Ý³Ï³Ñ³ïáõ³ÍáõÙª îÇÏ. ÄáõÉÇ»Ã Ö³Ýå³½»³ÝÁ: öáË³¹ñáõ»óÇÝù Ýáñ ß¿Ýù »õ ¹åñáóÇ å³ïÏ»ñÁ ÷áËáõ»ó: ²Ù¿Ý ³é³õûï ï³ñµ»ñ Ñ³ñó»ñáí ·ñ³ë»Ý»³Ï ¿ÇÝ ³Ûó»ÉáõÙ ÍÝáÕùÝ»ñ »õ µ³ñ»Ï³ÙÝ»ñ, Ñ³ñóÝáõÙ, Ã¿ ÇÝãå¿ë Ï³ñáÕ »Ý û·ï³Ï³ñ ÉÇÝ»É: ²Ù¿ÝÇó ³é³ç ·³ÉÇë ¿ñ ÁÝÏ. ì³ñáõÅ³Ý ä³ëï³×»³ÝÁ »õ ëïáõ·áõÙ, »Ã¿ ¹³ë³ñ³ÝÝ»ñÁ É³õ ï³ù³óáõ³±Í »Ý »õ µ³õ³ñ³ñ ï³ùáõÃÇõÝ áõÝ»±Ý, Û»ïáÛ ·³ÉÇë ¿ñ ê»ñÅ ê³ñáÛ»³ÝÁ, áñ Î»¹ñáÝÇ îÝûñ¿ÝÝ ¿ñ »õ Ñ³ñóÝáõÙ, »Ã¿ ³Ù¿Ý ÏáÕÙ ³Ù¿Ý ÇÝã Ï³ñ·ÇÝ ¿: ¶³Éáõëï ä³å»³ÝÁ Ý³Ëù³Ý ³ßË³ï³ÝùÇ ·Ý³ÉÁ ³Ýå³ÛÙ³Ý Ñ³Ý¹ÇåáõÙ ¿ñ ÙÇ³ÛÝ µ³ñ»õ»Éáõ »õ Çñ á×áíª Ññ³ßù Ù³ÝáõÏÝ»ñÁ ï»ëÝ»Éáõ: Î¿ëûñÇó Û»ïáÛ Å³ÙÁ 3-Ç ßáõñç ·³ÉÇë ¿ÇÝ ²µ·³ñ ØÇñ³ù»³ÝÁ »õ »ñµ»ÙÝª ìÇ·¿Ý ²×¿Ù»³ÝÁ` îÝûñ¿ÝÇÝ Ñ³Ý¹Çå»Éáõ: ØÇ ûñ ¿É, ³Ûó»É»ó Ú³Ïáµ Î¿ïÇÏ»³ÝÁ »õ ¹åñáóÇÝ ÝáõÇñ»ó »ñÏáõ Ñ³ï ³é³çÇÝ Ñ³Û³ï³é Apple Macintoch Classic Ñ³Ù³Ï³ñ·ÇãÝ»ñ »õ Ù»ñ Ñ³Û³ï³ñ ·ñ³Ù»ù»Ý³Ý ÷³Ë³ñÇÝáõ»ó Ñ³Ù³Ï³ñ·Çãáí: êÏë»óÇÝù Ññ³ï³ñ³Ï»É §¼³Ý·¦ ³ß³Ï»ñï³Ï³Ý å³ñµ»ñ³Ã»ñÃÁª ËÙµ³·ñáõÃ»³Ùµ äñÝ. îÝûñ¿ÝÇÝ: àõëáõóÇãÝ»ñÇ ù³ç³É»ñ³Ýùáí »õ áõÕÕáõÃ»³Ùµ ³ß³Ï»ñïÝ»ñÁ ëÏë»óÇÝ ·ñ»É §¼³Ý·¦ å³ñµ»ñ³Ã»ñÃÇ Ù¿ç, »õ ³Ýßáõßï ·ñáõÙ ¿ÇÝù Ý³»õ ¹åñáóÇ ³éûñ»³ÛÇ Ù³ëÇÝ, ¹åñáóÁ ³Ûó»É³Í ÑÇõñ»ñÇ Ù³ëÇÝ »õ µ³Å³ÝõáõÙ ¿ñ ÍÝáÕÝ»ñÇ »õ ·³ÕáõÃÇ ³Ý¹³ÙÝ»ñÇ Ù¿ç:

Üáñ í³ñÅ³ñ³Ý ÷áË³¹ñáõÃ»³Ý ûñÁ:

ìÇ·¿Ý ²×¿Ù»³ÝÇ ·³Õ³÷³ñÝ ¿ñ ÍÝáÕÝ»ñÇÝ û·Ý»Éáõ Ýå³ï³Ïáí` ÏñÃ³Ãáß³ÏÝ»ñÇ ¹ÇÙ³ó ÝáõÇñ³ïáõáõÃ»³Ý ³Ýáõ³Ý ï³Ï ïñáõÇ ïáõñù¿ ½»ñÍ ëï³ó³·ÇñÝ»ñ »õ Ï³½Ùáõ»ó ÙÇ Û³ÝÓÝ³ËáõÙµ Çñ ·ÉË³õáñáõÃ»³Ùµ` »õ Û³ÝÓÝ³ËáõÙµÇ ç³Ýù»ñÇ ßÝáñÑÇõª Íñ³·ÇñÁ Û³çáÕáõ»ó: 1983 ÃÇõÇ ²åñÇÉ 10-ÇÝ ³é³çÇÝ ä³-

ï³ñ³·Á Ù³ïáõóáõ»ó Ýáñ³Ï³½Ù ê. ²ëïáõ³Í³ÍÇÝ ºÏ»Õ»óÇÇ Ù¿ç »õ Ù»ñ ³ÝÓÝ³Ï³½ÙÇÝ ÙÇ³ó³õ Ê³Å³Ï ìñ¹. Ú³Ïáµ»³ÝÁ: ²Ù¿Ý ³é³õûï Ð³Ûñ Ê³Å³ÏÇ Ý»ñÏ³ÛáõÃ»³Ùµ ³ÕûÃáõÙ ¿ÇÝ ³ß³Ï»ñïÝ»ñÁ, »ñ·áõÙ ¶³Ý³ï³Ï³Ý »õ Ð³ÛÏ³Ï³Ý ù³ÛÉ»ñ·Ý»ñÁ »õ í»ñçáõÙª Øáõß»Õ ÆßË³ÝÇ §Ø»Ýù Ø³ÝáõÏÝ»ñ Ð³Ûáó ²½·ÇÝ¦

»õ ·ÝáõÙ ¹³ë³ñ³Ý: êÏ½µáõÙ, ÙÇ ù³ÝÇ ï³ñÇ ¹åñáóÇó Ý»ñë û·ïáõ»óÇÝù úÝÃ³ñÇáÛÇ Ï³é³í³ñáõÃ»³Ý ëå³ë³ñÏáõÃÇõÝÝ»ñÇó, ÙÇÝã»õ áñ ³Û¹ ëå³ë³ñÏáõÃÇõÝÝ»ñÁ Ù¿ÏÁ ÙÇõëÇ Ñ»ï»õÇó Ïñ×³ïáõ»óÇÝ: ². Þ³µ³Ã³Ï³Ý ¹ñáõÃ»³Ùµ ¹åñáóÇ Ù¿ç áõÝ»ó³Ýù ÑÇõ³Ý¹³å³ÑáõÑÇª Û³ÝÓÇÝ îÇÏ. øÇÙ ¶³õáõùÇ: ´. Ø¿Ï ³Ùëáõ³Û ¹ñáõÃ»³Ùµ ³ï³ÙÝ³µáõÅ³Ï³Ý ùÉÇÝÇù ÙÁ ëÇñ³ÛûÅ³ñ ¹åñáóÇ ³ß³Ï»ñïÝ»ñÇ ³Ïé³Ý»ñÁ ËÝ³ÙùÁ Ï³ï³ñ»ó. ³ÝÑñ³Å»ßï µáõÅáõÙÝ»ñÁ Ï³ï³ñáõÙ ¿ÇÝ ³ï³ÙÝ³µáõÅÝ»ñª îáùÃ. Î³ñåÇë Ø»ñ×³Ý»³ÝÁ, ä»ñ× ¸³ÝÇ¿É»³ÝÁ »õ îáùÃ. ²ñë¿Ý ø¿É¿ß»³ÝÁ »õ ³ÛÉ ·³Ý³ï³óÇ ³ï³ÙÝ³µáõÅÝ»ñ: ¶. î³ñÇÝ »ñÏáõ ³Ý·³Ù ÉëáÕáõÃ»³Ý ëïáõ·áõÙª ÎáÏáÝ »õ Ì³ÕÇÏ ¹³ë³ñ³ÝÝ»ñÇ ³ß³Ï»ñïáõÃ»³Ý Ñ³Ù³ñ Ó»é³Ùµª ÑÇõ³Ý¹³å³ÑáõÑÇ Mrs. Bell-Ç: ¸. î³ñÇÝ »ñÏáõ ³Ý·³Ù úÝÃ³ñÇáÛÇ Ï³é³í³ñáõÃ»³Ý ÏáÕÙ¿ å³ïáõ³ëïÝ»ñÇ ëïáõ·áõÙ: ²Ûë ËÝ³ÙùÁ ÏÁ ß³ñáõÝ³ÏáõÇ ÙÇÝã»õ ûñë: ²Û¹ ï³ñÇÝ»ñÇÝ í³ñÅ³ñ³Ý ³Ûó»É»óÇÝ µ³½Ù³ÃÇõ ·ñáÕÝ»ñ, Ùï³õáñ³Ï³ÝÝ»ñ, ³½·³ÛÇÝÝ»ñÁ »õ Ñ³Ý¹Çå»óÇÝ ³ß³Ï»ñïÝ»ñÇÝ. Ú³Ïáµ Î³ñ³å»Ýó, ÄÇñ³Ûñ ²ÃÃ³ñ»³Ý, ¾¹ÇÏ ÚáíÑ³ÝÝ¿ë»³Ý, ê³ñ·Çë ¼¿ÛÃÉ»³Ý, Ð³Ûñ È»õáÝ ¼¿1991-92 ï³ñ»ßñç³ÝÇ áõëáõóã³ó Ï³½ÙÁ: ùÇ»³Ý, Ðñ³Ûñ Ø³ñáõË»³Ý, Î³ñû ²ñÙ¿Ý»³Ý, ìñ¿Å ²ñÙ¿Ý ²ñÃÇÝ»³Ý, ¶ñÇ·áñ Þ³ÑÇÝ»³Ý »õ ³ÛÉù: Î ³ñÅ¿ ÛÇß³ï³Ï»É Ý³»õ ³ÛÝ µáÉáñÇÝ, áñáÝù ¹åñáóÇ ÑÇÙÝ³¹ñáõÃ»³Ý ³é³çÇÝ ï³ñÇÝ»ñÇÝ »õ Û»ïáÛ ³Ûó»É»É »Ý »õ Çñ»Ýó ëñïÇ ËûëùÁ ·ñ»É Ûáõß³ï»ïñÇ Ù¿ç. ì³Ñ¿ »õ ²ñëÇÝ¿ úß³Ï³Ý, ´Çõ½³Ý¹ Îé³Ý»³Ý, Ø³ñù Üß³Ý»³Ý, Øáíë¿ë äã³Ï×»³Ý, ¶³µñÇ¿É ÆÝ×¿×ÇÏ»³Ý, Âáñáë Âáñ³Ý»³Ý, È»õáÝ ì³ñ¹³Ý, ì»Ñ³ÝáÛß Â¿ù»³Ý, ². ²ñ÷ÇÝ¿, ÈáõëÇÏ, îáùÃ. Ðñ³Ý¹ Ø³ñ·³ñ»³Ý, ²ñëÇÝ¿ Ê³Ý×»³Ý »õ ²ïáÙ ¾ÏáÛ»³Ý: Ð³Ûñ»ÝÇùÇó ` ¼áñ³Ûñ Ê³É³÷»³Ý, è³½ÙÇÏ ¸³õáÛ»³Ý, Ðñ³Ý¹ Ø³Ã»õáë»³Ý, ²ñß³Ï, ²Õáõ³Ý ì³ñ¹³Ý»³Ý, èáõµ¿Ý Úáíë¿÷»³Ý, èáõµ¿Ý Ú³Ïáµ»³Ý, ì³Ñ³Ý ÚáíÑ³ÝÝ¿Çë»³Ý, êí»¹É³Ý³ Ü³õ³ë³ñ¹»³Ý, ÎÇÉÇÏ»³Ý Ã»ÙÇ Ï³ÃáÕÇÏáëÝ»ñª ¶³ñ»·ÇÝ ´. ºõ ²ñ³Ù ². »õ êñµ³½³ÝÝ»ñ` Ø»ëñáå ³ñù. ²ß×»³Ý, ÎáñÇõÝ ³ñù. ä³å»³Ý, ²ñï³Ï ³ñù. Ø³ÝáõÏ»³Ý »õ ê»åáõÑ ³ñù. ê³ñ·Çë»³Ý: ºñÏñáñ¹³Ï³ÝÇ ³ß³Ï»ñïÝ»ñ ÏÁ Ù³ëÝ³ÏóÇÝ ß³ñÅ³ÝÏ³ñÇ ¹³ëÁÝÃ³óùÝ»ñáõª êÇÉí³ ºõ ³Ñ³õ³ëÇÏ ³Û¹ ûñ»ñÇ 4 ï³ñ»Ï³Ý ä³ëÙ³×»³ÝÇ Ñ»ï: ÎáÏáÝÇ ï³ñÇù áõÝ»óáÕ í³ñÅ³ñ³ÝÁ 1986-ÇÝ ïáõ»ó Çñ ³é³çÇÝ 8-ñ¹ ¹³ë³ñ³ÝÇ ÑáõÝÓùÁ »õ 2005-ÇÝª ³é³çÇÝ 12-ñ¹ ¹³ë³ñ³ÝÇ ÑáõÝÓùÁ: ¸åñáóÁ ·³ÕáõÃÇÝ ïáõ»ó ÃÇõáí 600-Çó ³õ»ÉÇ ßñç³Ý³õ³ñïÝ»ñ, áñáÝù ³Ûëûñ Ñå³ñïûñ¿Ý å³ï³ëË³Ý³ïáõáõÃÇõÝ »Ý ëï³ÝÓÝ»É å³Ñ»Éáõ »õ ³õ»ÉÇáí ½³ñ·³óÝ»Éáõ 40 ï³ñ»Ï³Ý ¹åñáóÁ: ¸åñáóÁ ÑÇÙÝ³¹ñáõ»ó 72 ³ß³Ï»ñïáí »õ ³Ûë í»ñçÇÝ ï³ñ»ßñç³ÝÇÝ áõÝÇ 645-Çó ³õ»ÉÇ ³ß³Ï»ñïÝ»ñ: ºõ ³Ûë µáÉáñÁª ßÝáñÑÇõ ÐÚ¸ §êáÕáÙáÝ Â¿ÑÉÇñ»³Ý¦ ÎáÙÇï¿áõÃ»³Ý, ÐúØÇ §èáõµÇÝ³¦ Ø³ëÝ³×ÇõÕÇ ³Ýí»ñ³å ³ç³ÏóáõÃ»³Ý, ï»ëÇÉù áõÝ»óáÕ ÏñÃ³Ï³Ý Ù³ñÙÇÝÝ»ñÇ, Ñá·³ï³ñ ïÝûñ¿ÝÝ»ñÇ, ³ÝÓÝáõ¿ñ áõëáõóã³Ï³Ý Ï³½Ù»ñÇ, ê. ²ëïáõ³Í³ÍÇÝ ºÏ»Õ»óÇÇ, Ð³Û Î»¹ñáÝÇ Û³ñÏÇÝ ï³Ï ·áñÍáÕ µáÉáñ ÙÇáõÃÇõÝÝ»ñÇ »õ Ð³Û ¸åñáóÇÝ Ñ³õ³ï³óáÕ Ñ³½³ñ³õáñ ÍÝáÕÝ»ñÇ »õª ³ÝÏ³ëÏ³Í Ù»ñ í³ñÅ³ñ³ÝÇ ³é³ï³Ó»éÝ ÝáõÇñ³ïáõÝ»ñÇ ´áÉáñÇ ì³ñÓùÁ Î³ï³ñ: 2018. Ø³ÛÇë 28-Ç ïûÝ³Ï³ï³ñáõÃÇõÝ: æñí¿Å, ºñ»õ³Ý- ÚáõÉÇë 2019

êºäîºØ´ºð 2019 Ä¸. î²ðÆ, ÂÆô 167

¶²Ü²î²Ð²Ú Îº²Üø

ArtLinks ºñÇï³ë³ñ¹³Ï³Ý ò³Ýó 2019 èÇÃ³ Â³É³ÃÇÝ»³Ý

ÀÝÏ»ñ ÙÁ ÇÝÍÇ áõÕ³ñÏ»ó ²ïáÙ ¾ÏáÛ»³ÝÇ Ù³ëÝ³ÏóáõÃ»³Ùµ §ArtLinks »ñÇï³ë³ñ¹³Ï³Ý ó³Ýó¦ ³ÝáõÝáí Ó»éÝ³ñÏÇ ÙÁ Ù³ëÇÝ ·áí³½¹ ÙÁ, Ùï³Í»Éáí Ã¿ ÏñÝ³ñ ½Çë Ñ»ï³ùñùñ»É: ´³½Ù³ÃÇõ ï³ñÇÝ»ñ¿ Ç í»ñ Ñ»é³ó³Í ÁÉÉ³Éáí Ñ³ÛÏ³Ï³Ý ÙÃÝáÉáñï¿Ý, ûñ»ñáí ÏÁ ï³ï³Ùë¿Ç Ù³ëÝ³Ïó»Éáõ: ºñµ í»ñç³å¿ë ó³ÝÏáõÃÇõÝë Û³ÕÃ»ó Ùï³Ñá·áõÃÇõÝÝ»ñáõë (Ãáõ³Ï³Ý¿Ý »ñÏáõ ûñ ³é³ç ³Ýßáõßï), ÝßÙ³ñ»óÇ, Ã¿ ³ñÓ³Ý³·ñáõÃ»³Ý Ãáõ³Ï³ÝÁ Ù¿Ï ³ÙÇë ³é³ç ¿ñ. µ³Ûó Ï³½Ù³Ï»ñåÇãÝ»ñÁ ß³ï ³½ÝÇõ ·ïÝáõ»ó³Ý ÇÝÍÇ Ñ³Ý¹¿å »õ ÝáÛÝÇëÏ ¹³ë³õáñ»óÇÝ ×³Ùµáñ¹áõÃÇõÝë ¹¿åÇ ÂáñáÝÃû: ä³Ûáõë³ÏÇë Ù¿ç ¹Ý»Éáí ÇÝã áñ ÏÁ ·ïÝáõ¿ñ ³ãùÇë ³éç»õ ×³Ùµ³Û »É³Û, ÇëÏ »ïùÁ ÇÝã áñ å³ï³Ñ»ó³õ ³Ý³ÏÝÏ³É ÙÁÝ ¿ñ: ºûÃÁ Å³Ù »ïù Ùï³Ýù µÝáõÃ»³Ý »õ ÉéáõÃ»³Ý Ëáñ»ñÁ ³é³ÝÓÝ³ó³Í Ù»Í ïáõÝ ÙÁ, áõñ ¹ñ³Ý ³éç»õ Ù»½Ç ÏÁ ëå³ë¿ÇÝ ç»ñÙ áõ ³½ÝÇõ µ³ñ»õáÕÝ»ñ, áñáÝù ÅåÇïÝ»ñáí ÁÝ¹áõÝ»óÇÝ Ù»½ áõ áõÕÕ»óÇÝ ¹¿åÇ Ù»ñ ë»Ý»³ÏÝ»ñÁ: ºñ»ÏáÝ Í³é³Û»ó Ù»ñ ³Ûë Ýáñ ³ÝÍ³ÝûÃ ÁÝï³ÝÇùÇÝ ³Ý¹³ÙÝ»ñáõÝ Í³ÝûÃ³Ý³Éáõ ½ñáÛóÝ»ñáí, Ë³Õ»ñáí, »ñ·»ñáí, ùÇã ÙÁ ËÙÇãùáí, µ³Ûó Ù³Ý³õ³Ý¹` ÷áË³¹³ñÓ ÍÇÍ³ÕÝ»ñáí: Ú³çáñ¹ ûñÁ ëÏë³õ »ñµ Ê³ãÇÏ Øáõñ³ï»³ÝÁ Ù»½Ç Ý»ñÏ³Û³óáõó ³é³çÇÝ ³ßË³ï³ÝáóÇ í³ñÇãÁ` Öáñ× ²Õ×³Û»³ÝÁ, áñ Çñ Å³Ù³Ý³ÏÁ ÏÁ Û³ïÏ³óÝ¿ ²ñ»õÙï»³Ý Ð³Û³ëï³ÝÇ ÅáÕáíñ¹³·ñ³Ï³Ý ï»Õ»ÏáõÃÇõÝÝ»ñáõ ÷ïÝéïáõùÇÝ, ÇÝãå¿ë Ý³»õ ³Ûëûñ ³ÛÝï»Õ µÝ³ÏáÕ Ã³ùáõÝ Ñ³Û»ñáõÝ ÇÝùÝáõÃÇõÝÁ Ñ³ëï³ï»Éáõ. ³ÛëÇÝùÝ` Çñ Ýå³ï³ÏÝ ¿, áñ ·ïÝ»Ýù ÂáõñùÇáÛ Ù¿ç µÝ³ÏáÕ ³ÛÝ Ñ³Û»ñÁ, áñáÝóÙ¿ ËÉáõ³Í ¿ Çñ»Ýó Ñ³ÛÏ³Ï³Ý ÇÝùÝáõÃÇõÝÁ, ·ïÝ»É ³ÛÝ Ñ³Û»ñÁ, áñáÝó ³ÝáõÝÝ»ñÁ áõ å³ïÙáõÃÇõÝÝ»ñÁ çÝçáõ³Í »Ý ò»Õ³ëå³ÝáõÃ»Ý¿Ý »ïù, ÑÇõë»É Ù»ñ ³Ýç³ïáõ³Í ÍÝÝ¹³µ³Ý³Ï³Ý Ï³å»ñÁ Çñ³ñáõ Ñ»ï, áñå¿ë½Ç Ï³ñ»Ý³Ýù Ù»ñ ù³Ý¹áõ³Í Çñ³Ï³ÝáõÃ»³Ý ÷ßñáõ³Í ÏïáñÝ»ñÁ Çñ³ñ ÙÇ³óÝ»É »õ ½³ÝáÝù í»ñ³Ï³Ý·Ý»É: ä³ñáÝ ²Õ×³Û»³ÝÇ Ñ³Ù³ñ Ï³ñ»õáñ ¿, áñ Ù»ñ ³Ýó»³ÉÇ áïÝ³Ñ»ïù»ñáõÝ Ñ»ï»õÇÝù áõ Ïó»Ýù ½³ÝáÝù Ù»ñ Ý»ñÏ³ÛÇÝ, áñå¿ë½Ç Ù»ñ Ý³Ë³Ñ³Ûñ»ñÁ ³åñÇÝ Ù»ñ Ùïù»ñáõÝ áõ Ù»ñ ëñï»ñáõÝ Ù¿ç áõ »ñÏáõ ³Ý·³Ù ãÙ³Ñ³Ý³Ý: Ú³çáñ¹ ³ßË³ï³ÝáóÁ ÏÁ í³ñ¿ñ ÈÇë³ ÎÇõÉ»ë¿ñ»³Ý, ³Ûá` Harvard Ñ³Ù³Éë³ñ³ÝÇ ¹³ë³Ëûë, µ³Ûó ÇÝã áñ »ë ³ÝÙÇç³å¿ë ÝÏ³ï»óÇ, í³ñ³ÏÇã Ù³ÝÏ³Ï³Ý Ë³Ý¹³í³éáõÃ»³Ùµ ·ñ³Ï³ÝáõÃ»³Ý ëÇñ³Ñ³ñ ÙÁ, áñ Ù»½Ç Ý»ñÏ³Û³óáõó Ñ³Ûñ¿ÝÁ` Ñ³ÛÏ³Ï³Ý ÙÇçÝ³¹³ñ¿Ý Ù»½Ç Ñ³ë³Í ãáñë 15 í³ÝÏ»ñáí ÝáÛÝ³Û³Ý· ïáÕ»ñ¿` Ï³Ù áõÃ 7-8 í³ÝÏáí ïáÕ»ñ¿ µ³ÕÏ³ó³Í Ï³ñ× µ³Ý³ëï»ÕÍáõÃÇõÝÁ, áñ Ù»Í ³½¹»óáõÃÇõÝ áõÝ»ó³Í ¿ Ñ³Û µ³Ý³ëï»ÕÍ³Ï³Ý ³ßË³ñÑÇÝ íñ³Û: ºñÏñáñ¹ ûñÁ Ë³Õó³Ýù µ³é»ñáí, Ï³½Ù»óÇÝù Ñ³Ûñ¿ÝÝ»ñ Ù»ñ Ý³ËÁÝïñ³Í É»½áõáí »õ ËáõÙµÇÝ ³éç»õ Ï³ñ¹³óÇÝù ½³ÝáÝù, ÇëÏ ÈÇë³ ÎÇõÉ»ë¿ñ»³ÝÁ Ù»ñ ÅåÇïÝ»ñÁ áõ áÕçáÛÝÝ»ñÁ Çñ Ñ»ï ï³Ý»Éáí ³×³å³ñ»ó Çñ ÃéÇãùÇÝ Ñ³ëÝÇÉ, áõ Ù»Ýù ·áÑáõÝ³Ï ëñï»ñáí ëÏë³Ýù Ù»ñ Û³çáñ¹ ³ßË³ï³ÝáóÁ: ¸³ßÝ³Ï³Ñ³ñ »õ Nexus Center for the ArtsÇ ïÝûñ¿ÝáõÑÇ ²ÝÝ³ ØÇù³Û¿É»³ÝÇ Ñ»ï ³åñ»ó³Ýù ³ÛÝ ËÙµ³ÛÇÝ ËáñÑñ¹³õáñ Ùï»ñÙáõÃÇõÝÁ, áñ ÏÁ ëï»ÕÍáõÇ »ñµ ù³çáõÃÇõÝÁ ÏÁ ·ïÝ»Ýù Ù»ñ ³é³ÝÓÝáõÃ»³Ý Ëáñ íÇñ³åÁ ÇçÝ»Éáõ ÙÇ³ëÇÝ: ä¿ïù ¿ñ Ù»Ýù µáÉáñë Ñ³Ù³ßáõÝã »ñ·¿ÇÝù Ó»éù»ñáí, áïù»ñáí áõ µ»ñÝáí. µ³Ûó ÇÙ Ùï³Ñá·áõÃÇõÝ-

Ý»ñáíë Í³ÍÏáõ³Í` Ï³Ý·Ý³Í ¿Ç ³ñÓ³ÝÇ ÝÙ³Ý »õ ÙÇ³ÛÝ ßñÃÝ»ñë ÏÁ Ó»õ³óÝ¿Ç ß³ñÅ»É: ²Ýíëï³ÑáõÃ»³Ýë ³ÉÇùÝ»ñÁ ÁÝÏÕÙ³Í ¿ÇÝ Ó³ÛÝë: ²ÝÝ³Ý ÏñÏÝ»ó, Ã¿ ËáõÙµÁ ã¿ñ ÏñÝ³ñ ³ÙµáÕçáíÇÝ ÙÇ³Ý³É, »Ã¿ ³Ý¹³ÙÝ»ñ¿Ý Ù¿ÏÁ Ï»ÕÍ ÁÉÉ³ñ: ²é³çÇÝ ³Ý·³ÙÝ ¿ñ, áñ »ë ³ÝÏ»ÕÍûñ¿Ý Ï»ÕÍ ÏÁ ½·³ÛÇ: ²Û¹ ¹¿åùÁ Ùï³ÍáõÙÝ»ñë ·ñ³õ»ó ³ÙµáÕç »ñ»ÏáÝ: Ú³çáñ¹ ûñÁ, ²ÃáÙ ¾ÏáÛ»³ÝÇ µ³ó³Ï³ÛáõÃ»³Ý å³ï×³éáí, ³½³ï Å³Ù³Ý³Ï áõÝ¿ÇÝù: ¸³ßÝ³ÏÇÝ Ó³ÛÝÁ ½Çë Ï³Ýã»ó áõ Ñ»ï»õ»ó³Û ³Ýáñ »õ Éáõé Ýëï»ó³Û ²ÝÝ³ÛÇÝ Ùûï: Ø»ñ ËáõÙµ¿Ý »ñÏáõ ³ÕçÇÏÝ»ñ ÙÇ³ó³Ý Ù»½Ç áõ ëÏë³Ý »ñ-

³Ýû·áõïûñ¿Ý ½·áÛß Ëûëù»ñáí ÙËñ×áõ³Í ÉéáõÃÇõÝÁ: ÎÁ Ï³ñÍ»Ù, Ã¿ Ù³ñ¹Á »õ µÝáõÃÇõÝÁ Çñ³ñáõ ÙÇç»õ ÉéáõÃ»³Ùµ ¿, áñ ÏÁ ËûëÇÝ, ·³ÕïÝÇ Ñ³Ù³Ó³ÛÝáõÃ»³Ùµ ÙÁ: ²Ù¿Ý¿Ý ½ûñ³õáñ, ³ÝÏ»ÕÍ ½·³óáõÙÝ»ñÁ, Ñá·ÇÇÝ Ëáëïáí³Ý³ÝùÝ»ñÁ áõ µ³ñ»å³ßïÇÝ ³ÕûÃùÝ»ñÁ ÉéáõÃ»³Ý Ù¿ç ¿, áñ Ï ³ñï³Û³ÛïáõÇÝ: ²Ý ÙÇçáóÝ ¿, áñáí ÝÏ³ñÇãÁ ÏÁ ·ñ³õ¿ áõ Ï ³ÝÙ³Ñ³óÝ¿ Çñ ³åñ³Í ³Ýí»ñç »ñÏí³ÛñÏ»³ÝÁ. ³Ýáí ·ñáÕÁ ÏÁ Û³çáÕÇ áñë³É Çñ ³ÝÁÝ¹Ñ³ï ÷³ËãáÕ Ùáõë³Ý áõ í»ñ³µ³Ýï³ñÏ»É ½³ÛÝ Çñ Ã³÷³ÝóÇÏ µ³ÝïÇÝ Ù¿ç: ÐÇÙ³ ÏÁ Ñ³ëÏÝ³ù ÇÝã ÏÁ å³ï³Ñ¿ñ ÉéáõÃ»³Ýë ÁÝÃ³óùÇÝ: ÆÝãá±õ ³ÛÝ-

ArtLinks ºñÇï³ë³ñ¹³Ï³Ý ó³Ýó 2019

ÈÇë³ ÎÇõÉ»ë¿ñ»³Ý Ù³ëÝ³ÏÇóÝ»ñáõ ÏÁ Ý»ñÏ³Û³óÝ¿ ·ñ³Ï³Ý ëï»ÕÍ³·áñÍáõÃÇõÝ ÝÇõÃÁ:

·»Éáõ: êÏÇ½µÁ ³ÝáÝó »ñ»ëÝ»ñÁ ¹Çï»Éáí ëÏë³Û ÙéÙé³É, ÇëÏ »ïùÁ... »ïùÁ Ó»ñ »ñ»õ³Ï³ÛáõÃ»³Ý ÏÁ Ó·»Ù, áñ ·³ÕïÝÇùÁ ÙÝ³Û ë»Ý»³ÏÇÝ Ù¿ç: àí áñ ½Çë ×³Ýãó³Í ¿, íëï³Ñ³µ³ñ ½Çë ÏÁ ÛÇß¿ Çµñ ³ÙãÏáïÝ»ñáõÝ Ñå³ñï Ý»ñÏ³Û³óáõóÇã ÙÁ: ¸åñáóÇÝ Ù¿ç ³ÛÝù³Ý Éáõé ¿Ç, áñ áõëáõóÇãÝ»ñë ³å³Ñáí³µ³ñ ÏÁ Ï³ëÏ³Í¿ÇÝ, Ã¿ »ë ³ãù»ñë Ëáßáñ-Ëáßáñ µ³ó³Í ùÝ³Ý³Éáõ Ññ³ß³ÉÇ Ï³ñáÕáõÃÇõÝÁ áõÝ¿Ç: ÈéáõÃÇõÝë ÙÇßï »Õ³Í ¿ ÇÝÍÇ Ñ³Ù³ñ ³½³ïáõÃ»³Ý Û³ïáõÏ áõ Ý»ñùÇÝ ³Ýë³ÑÙ³Ý ï³ñ³ÍáõÃÇõÝ ÙÁ, áõñ Ùïù»ñë ÏñÝ³Ý µ³ñÓñ³Ó³ÛÝ ½ñáõó»É, ³ÕÙÏ»É »õ ÝáÛÝ ³ï»Ý Ñ³Ù»ñ· ÙÁ ëï»ÕÍ»É, áõñ Ó³ÛÝ»ñÁ áñù³Ý ³É µ³ñÓñ ÁÉÉ³Ý, Ù¿ÏáõÝ ³Ï³ÝçÁ Ï³Ù ëÇñïÁ ã»Ý ó³õóÝ»ñ, áñù³Ý ³ÝÇÙ³ëï ÁÉÉ³Ý` ï³Ï³õÇÝ ÇÙ³ëï áõÝÇÝ: ÈéáõÃÇõÝÁ Çñ »ñ·»ñÁ áõÝÇ: ÆÝãå¿ë »ñ³ÅÇßï ÙÁ áñ çáõÃ³Ï Ï³Ù ¹³ßÝ³Ï ÏÁ Ýáõ³·¿, ÉéáõÃÇõÝÝ ³É Çñ »ñ³Åßï³Ï³Ý Ýáï³Ý»ñÁ ÏÁ ß³ñ¿ áñ ëï»ÕÍ¿ ï³ñµ»ñ »Õ³Ý³ÏÝ»ñ: ìëï³Ñ³µ³ñ Éë³Í ¿ù ³Ù¿Ý¿Ý Í³ÝûÃÝ»ñÁ` ³ãùÇÝ ×³é³·³ÛÃÝ»ñÁ ·áÕóáÕ ÉéáõÃÇõÝÁ, Ù³ÝÏáõÃ»³Ý ù³ÕóñáõÃÇõÝÁ í»ñ³¹³ñÓÝáÕ ÉéáõÃÇõÝÁ, ·Çß»ñáõ³Ý ë³ñë³÷»ÉÇ Éáõé ÉéáõÃÇõÝÁ »õ

ù³Ý ÏÁ å³Ñå³Ý»Ù ÉéáõÃÇõÝÁ. áñáíÑ»ï»õ ÉéáõÃÇõÝÁ ÏÁ ÙËÇÃ³ñ¿, Ñ³ëï³ï ¿, ³å³Ñáí áõ ·áõß³Ï»ÉÇ. »õ Ï³Ù ³Ûë µáÉáñÁ ³ÝÇÙ³ëï ¿, ÇÝÍÇ Ñ³Ù³ñ å³ï×³é³µ³ÝáõÃÇõÝ ÙÁ, áñáíÑ»ï»õ ÇÝã áñ å³ï³Ñ»ó³õ ³Û¹ ë»Ý»³ÏÇÝ Ù¿ç »ñ»ëáõÝ ï³ñáõ³Ý ÉéáõÃÇõÝ ÙÁ Ñ»·Ýûñ¿Ý Ë³Ý·³ñ»ó »õ ¹³¹ñ»óáõó: ºë ã»Ù áõ½»ñ, áñ ³Ý Ï³ñÍ¿ Ã¿ »ë Çñ»Ý ¹³õ³×³Ý»óÇ: ÆÝãå¿±ë å³ñáÝ ìÇ·¿ÝÇÝ Ïáã³Í ³Ù¿Ý¿Ý Éáõé ³ß³Ï»ñïÁ ãáñë Å³Ù §»ñ·»ó¦, ã»Ù ·Çï»ñ. »Ã¿ §»ñ·»óÇ¦, Ïñó³Û ÙÇ³ÛÝ ³Ýáí, áñ ·ï³Û Ý»ñùÇÝ ×³Ùµ³Û ÙÁ, Ï³Ù ÇÝù ½Çë ·ï³õ, íëï³Ñ ã»Ù, µ³Ûó ½Çë ù³ß»ó, áõÕÕ»ó ¹¿åÇ ÇÝùÝáõÃ»³Ýë ³Ù¿Ý¿Ý ³ÝÏ»ÕÍ ½·³óáõÙÝ»ñáõ ³ÕµÇõñÁ, áõñ ëñïÇë ³ñÓ³·³Ý·Ý»ñÁ ï³ñ³Íáõ»ó³Ý Ù³ñÙÝ¿ë ¹áõñë áõ µ³ñÓñ³Ó³ÛÝ Éëáõ»ó³Ý ë»Ý»³ÏÇÝ Ù¿ç: ä³ñáÝ ìÇ·¿Ý ãáõ½»ó, áñ Ù»Ýù Ù»ÏÝÇÝù ³é³Ýó Ù»ñ Ùïù»ñáõÝ Ù¿ç Ûëï³Ï³óÝ»Éáõ Ù»ñ Ñ³ÛÏ³Ï³Ý ÇÝùÝáõÃ»³Ý ÇÙ³ëïÁ: ÆÝãå¿±ë ÏñÝ³Ýù ë³ÑÙ³Ý»É Ñ³ÛáõÃÇõÝÁ. ³ñ¹»ûù áñáßáõÙ ÙÁÝ ¿±, Û³ïáõÏ µ³Õ³¹ñáõÃÇ±õÝ ÙÁ ·ÇïáõÃÇõÝÝ»ñáõ, ëáíáñáõÃÇõÝÝ»ñáõ, É»½áõÇ áõ å³ïÙáõÃ»³Ý, Ï³Ù »ÝÃ³·Çï³Ïó³Ï³Ý å¿±ïù ÙÁ å³ïÏ³Ý»Éáõ ÑëÏ³Û ÁÝï³ÝÇ-

ùÇ ÙÁ, ×³Ï³ï³·ÇñÁ Ù»ñ ÍÝÝ¹»³Ý Ï³å»ñáõÝ Ï³Ù µ³ñáÛ³Ï³Ý å³ñï³Ï³ÝáõÃÇ±õÝÁ Ù»ñ Ñá·ÇÇÝ áõ Çñ Ø»Í ó³õÇÝ: Ð³±Û ÏÁ ÍÝÇÝù Ï³Ù Ñ³Û ÏÁ ¹³éÝ³Ýù. Ñ³ÛáõÃÇõÝÁ ÏñÝ³±Û µ³ÅÝáõÇÉ Ù³ñ¹¿Ý Ï³Ù Ù³ñ¹Á ÏñÝ³±Û ¹³¹ñÇÉ Çñ Ñ³Û ÁÉÉ³É¿Ý: ä³ñáÝ ìÇ·¿ÝÇ ³ßË³ï³ÝáóÁ ÑáõÝï»ñÁ ó³Ý»ó ÏÝ×éáï, µ³Ûó ³ÝÑñ³Å»ßï Ñ³ñóáõÙÝ»ñáõ, áñáÝó Ù³ëÇÝ »ñµ»ù ã¿ÇÝù Ùï³Í³Í: ì³ÛñÏ»³Ý ÙÁ ¹³¹ñÇÝù Ï³ñ¹³É¿ »õ Å³Ù³Ý³Ï ïñ³Ù³¹ñ»Ýù ³Ûë ÑÇÙÝ³Ï³Ý Ñ³ñóáõÙÝ»ñáõÝ Ù»ñ ³ÝÓÝ³Ï³Ý å³ï³ëË³Ý»ñÁ ·ïÝ»Éáõ... îñ³Ù³µ³Ý³Ï³Ý Ï³Ù ßûß³÷»ÉÇ å³ï³ëË³ÝÝ»ñ ã»Ù ÏñÝ³ñ ï³É Ó»½Ç. ÙÇ³ÛÝ ÏñÝ³Ù Ý»ñÏ³Û³óÝ»É Ùï³ÍáõÙ ÙÁ: ÆÝÍÇ Ñ³Ù³ñ Ñ³Û ÁÉÉ³ÉÁ ³Ýó³·ÇñÝ ¿ áõñÇß ½·³ó³Ï³Ý ³ßË³ñÑÇ ÙÁ, áñ ÏÁ ·ïÝáõÇ Ù»ñ Ñ³Û»ÉÇÇÝ ÙÇõë ÏáÕÙÁ, áñáõÝ óáÉ³óáõÙÁ ï»ë³Ý»ÉÇ ¿ ÙÇ³ÛÝ Ù»ñ ëñïÇÝ ÉáÛëáí: ¼·³óáõÙÝ»ñÁ áõÝÇÝ Çñ»Ýó Û³ïáõÏ Ï³Ûï³é ·áÛÝ»ñÁ »õ ÁÝ¹³ñÓ³ÏáõÃÇõÝÁ, ³Ýëå³é »õ µÝ³½¹³ÛÇÝ ËáñáõÃÇõÝ ÙÁ, áñ Ïáñëáõ³Í Ù³ÝáõÏÁ ÏÁ ½·³Û, »ñµ Éë¿ Çñ ÙûñÁ Ó³ÛÝÁ, áñ Çñ ³ÝáõÝÁ ÏÁ Ï³Ýã¿ Ñ»éáõ¿Ý: ÆëÏ ÉéáõÃÇõÝë... ÏÁ ÙÝ³Û ½Çë Ñ³ñµ»óÝáÕ Ë»ÝÃ ïÇ»½»ñùÁ áõ ³Ýáñ Ë³Õ³Õ í³ñ³·áÛñÁ, ³ÝÑ³×áÛ áõ ³Ýï³ñµ»ñ ³ßË³ñÑÝ»ñ¿ ½Çë ÷ñÏáÕ ³å³ëï³ÝÁ: ´³Ûó å¿ïù ¿ ÁÝ¹áõÝÇÙ, Ã¿ Ó³ÛÝë Éë»óÇ, å¿ïù ¿ Ó»½Ç Û³ÛïÝ»Ù, áñ ArtLinks¿Ý µ³ÅÝáõ»ó³Û ëñïÇë Ù¿ç ë»ÕÙ å³Ñ»Éáí ÇÝÍÇ ÷áË³Ýóáõ³Í ëáõñµ ËáñÑáõñ¹Á, áñÝ ¿` ÉéáõÃÇõÝÁ ëï»ÕÍáõ³Í ¿ áñå¿ë½Ç Ë³Ý·³ñáõÇ: ÞÝáñÑ³Ï³ÉáõÃÇõÝÝ»ñ ArtLinks-Ç Çõñ³ù³ÝãÇõñ Ù³ëÝ³ÏÇóÇÝ, ½³ÝáÝù Ý»ñßÝãáÕ Õ»Ï³í³ñÝ»ñáõÝ áõ Ï³½Ù³Ï»ñåÇãÝ»ñáõÝ, Ù»ñ å³ñáÝ ìÇ·¿ÝÇÝ, å³ñáÝ Ê³ãÇÏ Øáõñ³ï»³ÝÇÝ, Çñ ÏÇñùÇÝ, áñ ½ÇÝù ÏÁ ÙÕ¿ Çñ µ³ñ»·áñÍáõÃ»³Ý, Çñ Ñ³õ³ï³ñÇÙ Ñ³õ³ïùÇÝ, áñ Ù»ñ ³½·ÇÝ ³å³·³Ý áõ Çñ Ñ³ñóáõÙÝ»ñáõÝ å³ï³ëË³ÝÝ»ñÁ ÏÁ ·ïÝáõÇÝ Ù»ñ »ñÇï³ë³ñ¹áõÃ»³Ý Ó»éù»ñáõÝ Ù¿ç: ºÃ¿ »ñ³ÅßïáõÃÇõÝÁ, ·ñ³Ï³ÝáõÃÇõÝÁ Ï³Ù áñ»õ¿ áõñÇß ëñïÇ »õ ÙïùÇ ÙÇ³óÙ³Ý ³ñï³Û³ÛïáõÃÇõÝ ÙÁ ¹³éÝ³Û óÝóáõÕ ÙÁ, áñáí ÏÁ çñ»Ýù Ù»ñ ³ñÙ³ïÝ»ñÁ, ÏñÝ³Ýù Í³ÕÏ»óÝ»É Ù»ñ ×ÇõÕ»ñÁ. ÇëÏ »Ã¿ ÙÇ³Ý³Ýù, ÏñÝ³Ýù ³ÙµáÕç åïÕ³ïáõ å³ñï¿½ ÙÁ Ùß³Ï»É, áñå¿ë½Ç Û³çáñ¹ Ñ³Û ë»ñáõÝ¹ÇÝ Ùïù»ñÁ Ï»ñ³Ïñ»Ýù: ²Û¹ ¿ ArtLinks ºñÇï³ë³ñ¹³Ï³Ý ó³ÝóÇ Ýå³ï³ÏÝ áõ ÇÙ³ëïÁ: àõñ»ÙÝ, ·³É ï³ñÇ »ñµ ³ñ»õÁ ÅåïÇ, Ó»½ µáÉáñÁ ÏÁ Ññ³õÇñ»Ù Èáë ²Ý×»ÉÁë, Ñ³ÛÏ³Ï³Ý å³ñïÇ½³Ùß³ÏáõÃ»³Ý: ²Ûá°, ÇÙ ëÏ½µÝ³Ï³Ý Ýå³ï³Ïë` Ñ³Ùµ³õ³õáñ ²ÃáÙ ¾ÏáÛ»³ÝÇÝ Í³ÝûÃ³Ý³ÉÁ ãÇñ³·áñÍáõ»ó³õ, µ³Ûó ß³µ³Ã³í»ñç¿Ý í»ñ³¹³ñÓ³Û ³ÝÝÏ³ñ³·ñ»ÉÇ ÛÇß³ï³ÏÝ»ñáí, ëñïÇë Ùûï` µ³Ûó ï³ñµ»ñ Ý³Ñ³Ý·Ý»ñáõ Ù¿ç óñáõ³Í ÁÝÏ»ñÝ»ñáí, ³ÝÛ³ï³Ï ·³ÝÓ³ñ³Ýáí ÙÁ áõ ½³ÛÝ É»óÝ»Éáõ Ëáñ, Ëáñ ó³ÝÏáõÃ»³Ùµ ÙÁ:

ÊÙµ³·ñáõÃ»³Ý ÏáÕÙ¿ §ÂáñáÝÃáÑ³Û¦ å³ï³ëË³Ý³ïáõ ã¿ Çñ ¿ç»ñáõÝ Ù¿ç ÉáÛë ï»ë³Í Í³ÝáõóáõÙÝ»ñáõ µáí³Ý¹³ÏáõÃ»³Ý: Ø»½Ç ÛÕáõ³Í µáÉáñ ÃÕÃ³ÏóáõÃÇõÝÝ»ñÝ áõ ·ñáõÃÇõÝÝ»ñÁ »ÝÃ³Ï³Û »Ý áñáß ËÙµ³·ñáõÙÇ:

Øºð ÎàðàôêîÜºðÀ

êºäîºØ´ºð 2019 Ä¸. î²ðÆ, ÂÆô 167

ÀÝï³ÝÇùÇ Æñ³Ï³Ý ä³ïÙáõÃÇõÝÁ ì³Ñ³·Ý î³ïñ»³ÝÁ ¸³ñÓáõó ò»Õ³ëå³Ý³·¿ï Î³ñ¿Ý Ô³½³ñ»³Ý

§è³ïÇáÉáõñ¦- 93 ï³ñ»Ï³Ý Ñ³ë³ÏÇÝ Ï»³Ýù¿Ý Ñ»é³ó³Í ¿ ³Ù»ñÇÏ³Ñ³Û Ñ³Ýñ³Í³ÝûÃ ·ÇïÝ³Ï³Ý ì³Ñ³·Ý î³ïñ»³Ý£ ò»Õ³ëå³ÝáõÃ»Ý¿Ý í»ñ³åñ³Í Ñ³Û ÁÝï³ÝÇùÇ ÙÁ Ù¿ç ÍÝ³Í (äáÉÇë« 1926 Ã©) ì³Ñ³·ÝÇ Ñ³Ù³ñ ¹Åáõ³ñ »Õ³Í ¿ Ù³ëÝ³·ÇïáõÃ»³Ý ÁÝïñáõÃÇõÝÁ« Ã»ñ»õë ³Ûë Ù¿ÏÁ Ý³»õ ÏÁ íÏ³Û¿ áõëáõÙÝ³éáõÃ»³Ý ×³Ý³å³ñÑÇÝ »õ ·ÇïáõÃ»³Ý Ù¿ç ³Ýáñ ³Ýó³Í áõÕÇÝ£ î³ïñ»³ÝÁ Ý³Ë ³õ³ñï³Í ¿ ä»ñÉÇÝÇ Ñ³Ù³Éë³ñ³ÝÇ áõëáÕáõÃ»³Ý« ³å³ª ìÇ»ÝÝ³ÛÇ Ñ³Ù³Éë³ñ³ÝÇ å³ïÙáõÃ»³Ý »õ òÇõñÇËÇ Ñ³Ù³Éë³ñ³ÝÇ ÙÇç³½·³ÛÇÝ Çñ³õáõÝùÇ áõëáõÙÝ³ñ³ÝÝ»ñÁ£ î³ïñ»³Ý ·Çï³Ï³Ý ßñç³Ý³ÏÝ»ñáõÝ Ù¿ç Û³ÛïÝÇ ¿ñ« Ý³Ë áñå¿ë Ù³Ã»Ù³ÃÇùáë« ³å³ª ÁÝÏ»ñ³µ³Ý« ÁÝÏ»ñ³µ³ÝáõÃ»³Ý ¹áÏïáñ« Çñ³õ³·¿ï« å³ïÙ³µ³Ý« ÷ñáý»ëáñ« ÐÐ ¶²² ³ñï³ë³ÑÙ³Ý»³Ý ³Ý¹³Ù« Ð³Ûáó ò»Õ³ëå³ÝáõÃ»³Ý å³ïÙ³µ³Ý »õ ÂáñáÝÃáÛÇ ¼ûñ»³Ý ÐÇÙÝ³ñÏÇ ò»Õ³ëå³-ÝáõÃ»³Ý áõëáõÙÝ³ëÇñÙ³Ý µ³ÅÝÇ ïÝûñ¿Ý£ 2011-17 Ãáõ³Ï³ÝÝ»ñáõÝ ¶³Ý³ï³ÛÇ Ù¿ç ÐÐ ¹»ëå³Ý ²ñÙ¿Ý º·³Ý»³ÝÁ Ñ»ï»õ»³ÉÁ ÏÁ ÛÇß¿ª §ÆÝùÁ ÏÁ å³ïÙ¿ñ, Ã¿ (³å³·³Û ·ÇïÝ³Ï³ÝÁ) 20-ñ¹ ¹³ñ³ëÏÇ½µÇ áÕµ»ñ·áõÃ»³Ý Ù³ëÇÝ Éë³Í ¿ñ ìÇ»ÝÝ³ÛÇ Ù¿ç áõë³Ý³Í ßñç³ÝÇÝ« »ñµ ¹³ëÁÝÏ»ñÝ»ñ¿Ý Ù¿ÏÁ Ñ³ñóáõó³Í ¿ñ ³Ýáñ« Ã¿ª ³ñ¹»û±ù Ï³ñ¹³ó³Í ¿ üñ³Ýë ì»ñý¿ÉÇª §Øáõë³ È»é³Ý 40 ûñÁ¦£ ²Û¹ Å³Ù³Ý³Ï å³ï³ÝÇ î³ïñ»³ÝÇÝ ³ÝÛ³Ûï ¿ÇÝ Ã¿° Ñ³Ýñ³×³Ý³ã ³Û¹ ·áñÍÁ« Ã¿° ÁÝ¹Ñ³Ýñ³å¿ë áÕµ»ñ·³Ï³Ý ÷³ëï»ñÁ£ ²ÝÏ¿ »ïù« Í³ÝûÃ³Ý³Éáí Çñ ÁÝï³ÝÇùÇ Çñ³Ï³Ý å³ïÙáõÃ»³Ýª å³ïÙ³µ³Ý-Çñ³í³·¿ïÁ Ñ»ï³·³Û Çñ ·áñÍáõÝ¿áõÃ»³Ý ¿³Ï³Ý Ù³ëÁ ÝáõÇñ³Í ¿ úëÙ³Ý»³Ý Ï³ÛëñáõÃ»³Ý ßñç³ÝÇÝ ï»ÕÇ áõÝ»ó³Í á×ñ³·áñÍáõÃ»³Ý ÷³ëï³Ï³Ý ÑÇÙù»ñáõ »õ ³Ýáñ ÙÇç³½·³ÛÇÝ Çñ³õ³Ï³Ý ÑÇÙÝ³õáñáõÙÝ»ñáõ ÅËïá-

Õ³-Ï³ÝáõÃ»³Ý ¹¿Ù å³Ûù³ñÇ áõëáõÙÝ³ëÇñáõÃ»³Ý Ñ³ñó»ñáõÝ£ ¸Åáõ³ñ ¿ ·»ñ³·Ý³Ñ³ï»É ì³Ñ³·Ý î³ïñ»³ÝÇ ³õ³Ý¹Á á°ã ÙÇ³ÛÝ Ð³Ûáó ò»Õ³ëå³ÝáõÃ»³Ý« ³ÛÉ Ý³»õ ÁÝ¹Ñ³Ýñ³å¿ë Ù³ñ¹áõ Çñ³õáõÝùÝ»ñáõ å³ßïå³ÝáõÃ»³Ý« ÙÇç³½·³ÛÇÝ Çñ³½»Ïáõ³ÍáõÃ»³Ý µ³ñÓñ³óÙ³Ý Ñ³ñóÇÝ Ù¿ç¦£ Þ³ï»ñÁ ì³Ñ³·Ý î³ïñ»³ÝÇÝ ÏÁ Ñ³Ù³ñ»Ý Ð³Û ò»Õ³ëå³ÝáõÃ»³Ý é³ÑíÇñ³« ÝáõÇñ»³É£ ²Ý Ñ³Ù»Ù³ï³Ï³Ý ó»Õ³ëå³Ý³·ÇïáõÃ»³Ý ÑÇÙÝ³¹ÇñÝ»ñ¿Ý Ù¿ÏÝ ¿£ ºäÐ ò»Õ³ëå³ÝáõÃÇõÝÝ»ñáõ áõëáõÙÝ³ëÇñáõÃ»³Ý µ³ÅÇÝÇ Õ»Ï³í³ñ« Ð³Ûáó ò»Õ³ëå³ÝáõÃ»³Ý Â³Ý·³ñ³ÝÆÝëïÇïáõïÇ Ð³Ù»Ù³ï³Ï³Ý ò»Õ³ëå³Ý³·ÇïáõÃ»³Ý µ³ÅÇÝÇ í³ñÇã« ò»Õ³ëå³Ý³·¿ïÝ»ñáõ ØÇç³½·³ÛÇÝ ÀÝÏ»ñ³ÏóáõÃ»³Ý ËáñÑáõñ¹Ç ³Ý¹³Ùª êáõñ¿Ý Ø³ÝáõÏ»³ÝÁ Ñ»ï»õ»³ÉÁ ÏÁ Ýß¿ª §1970-³Ï³ÝÝ»ñáõÝ ëÏë³Ý Çñ ³ßË³ï³ÝùÝ»ñÁ ³Û¹ áõÕÕáõÃ»³Ùµ »õ ³Ý ÷³ëï³óÇûñ¿Ý ¹³ñÓ³õ Ð³Ûáó ò»Õ³ëå³ÝáõÃ»³Ý áõëáõÙÝ³ëÇñÙ³Ý ³é³ç³Ù³ñïÇÏÁ£ ²ÛÝ Å³Ù³Ý³Ï µ³õ³Ï³ÝÇÝ ½³ñ·³ó³Í ¿ñ ÐáÉáùáëïÇ áõëáõÙÝ³ëÇñáõÃÇõÝÁª áñå¿ë ·Çï³×ÇõÕ« »õ ì³Ñ³·Ý î³ïñ»³ÝÁ ³é³çÇÝÝ ¿ñ« áñ ÷áñÓ»óª §Ð³Ù»Ù³ï³Ï³Ý ò»Õ³ëå³Ý³·ÇïáõÃ»³Ý¦ ÙÇçáó³õ Ý³»õ Ð³Ûáó ò»Õ³ëå³ÝáõÃÇõÝÁ ÙïóÝ»É ³Û¹ áõëáõÙÝ³ëÇñáõÃÇõÝÝ»ñáõ ¹³ßï »õª Û³çáÕ»ó³õ£ Æñ ç³Ýù»ñáõÝ ßÝáñÑÇõ ¿« áñ Ù»Ýù ³Ûëûñ ÏñÝ³Ýù Áë»É« Ã¿ª ·áÝ¿ ó»Õ³ëå³ÝáõÃ»³Ý ÷³ëïÁ ³ÝíÇ×»ÉÇ ¿« ³ÛëÇÝùÝª áã áù Ï³ëÏ³ÍÇ ï³Ï ÏÁ ¹Ý¿ Ð³Ûáó Ø»Í ºó»éÝÇª ò»Õ³ëå³ÝáõÃ»³Ý ÷³ëïÁ¦£ ì³Ñ³·Ý î³ïñ»³ÝÇ ç³Ýù»ñáí Ð³Ûáó ò»Õ³ëå³ÝáõÃÇõÝÁ Ûáõ½³Ï³Ý ßÕ³ñß¿Ý ¹áõñë Ý»ñÏ³Û³óáõ»ó³õª áñå¿ë ·Çï³Ï³Ý« ÷³ëï³·ñ³Ï³Ý ëïáÛ·« ãáñ ÇñáÕáõÃÇõÝÝ»ñáõ íñ³Û ÑÇÙÝáõ³Í Ï³µÇï³É« ¹³ë³Ï³Ý ·áñÍ»ñ« áñáÝù Ù»Í³·áÛÝ Ý»ñ¹ñáõÙÁ ¹³ñÓ³Ý Ñ³Û ó»Õ³ëå³Ý³·ÇïáõÃ»³Ý Ù¿ç£ ²Ý Ïñó³õ

ò»Õ³ëå³Ý³·¿ï ì³Ñ³·Ý î³ïñ»³Ý ¹³ë³ËûëáõÃ»³Ý ÁÝÃ³óùÇÝ:

³ÛÝåÇëÇ ÙÃÝáÉáñï ÙÁ ëï»ÕÍ»É ³Û¹ ·ÇïáõÃ»³Ý Ù¿çª ³Ýáñ ûÅï»Éáí ·Çï³Ï³Ý ³ÝÑ»ñù»ÉÇáõÃ»³Ý ³Û¹ù³Ý Ï³ñ»õáñ Û³ïÏ³ÝÇßáí£ Ø»Í³ÝáõÝ ·ÇïÝ³Ï³ÝÁ Çñ Ý³å³ï³ÏÝ»ñáõÝ Ù³ëÇÝ Áë³Í ¿© §Ü³Ñ³ï³ÏÝ»ñáõÝ ÛÇß³ï³ÏÁ ³ÝÃ³é³Ù å¿ïù ¿ ÙÝ³Û£ ØÇ³Ï Ýå³ï³Ïëª ÇÙ ·áñÍ»ñáíë Ñ³Û Ý³Ñ³ï³ÏÝ»ñáõÝ ÛÇß³ï³ÏÁ Û³õ»ñÅ³óÝ»ÉÝ ¿£ Æñ³õáõÝù ãáõÝÇÝù ÙáéÝ³Éáõ¦£ ò»Õ³ëå³Ý³·ÇïáõÃ»³Ý ï»ë³ÝÏÇõÝ¿Ý Û³ïÏ³å¿ë ³ñÅ¿ù³õáñ ÏÁ Ñ³Ù³ñáõÇÝ ì³Ñ³·Ý î³ïñ»³ÝÇª §Ð³ÛÏ³Ï³Ý ò»Õ³ëå³ÝáõÃÇõÝÁ ËáñÑñ¹³ÛÇÝ »õ å³ïÙ³·Çï³Ï³Ý ùÝÝ³ñÏáõÙÝ»ñáí¦ Ëáñ³·ÇñÁ ÏñáÕ 1995 Ã©-ÇÝ Ññ³ï³ñÏáõ³Í Ñ³Û»ñ¿Ý ³ßË³ïáõÃÇõÝÁ« §Ð³Ûáó ò»Õ³ëå³ÝáõÃ»³Ý Ù¿ç ¶»ñÙ³Ý³Ï³Ý ä³ï³ëË³Ý³ïáõáõÃÇõÝÁ£ ä³ïÙ³Ï³Ý ²å³óáÛóÇ êïáõ·³µ³ÝáõÃÇõÝ¦ í»ñÝ³·ÇñÁ ÏñáÕ ³Ý·É»ñ¿Ý ³ßË³ïáõÃÇõÝÁ (1996 Ã©) »õ 1998-ÇÝ ³Ý·É»ñ¿Ýáí Ññ³ï³ñ³Ïáõ³Íª § ò»Õ³ëå³ÝáõÃ»³Ý ºñ³ßËÇùÁ£ Âáõñù-Ñ³ÛÏ³Ï³Ý Ð³Ï³Ù³ñïáõÃ»³Ý ¶ÉË³õáñ ´³Õ³¹ñ³ï³ññ»ñ¦

Ëáñ³·Çñáí Ù»Ý³·ñáõÃÇõÝÝ»ñÁ£ ØÇç³½·³ÛÇÝ Çñ³õáõÝùÇ Ñ³Ù³ï»ùëïÇÝ Ù¿ç Ð³Ûáó ò»Õ³ëå³ÝáõÃ»³Ý í»ñÉáõÍáõÃ»³ÝÁ ÝáõÇñáõ³Í ¿ª § ò»Õ³ëå³ÝáõÃÇõÝÁ àñå¿ë ²½·³ÛÇÝ »õ ØÇç³½·³ÛÇÝ Æñ³õáõÝùÇÐÑÇÙÝ³Ñ³ñó£ Ð³ÛÏ³Ï³Ý Ð³ñóÁ ²é³çÇÝ ³ßË³ñÑ³Ù³ñïÇ ï³ñÇÝ»ñáõÝ »õ ³Ýáñ ÝÏ³ïÙ³Ùµ Å³Ù³Ý³Ï³ÏÇó Çñ³õ³Ï³Ý í»ñ³µ»ñÙáõÝùÁ¦ 1989-ÇÝ Ññ³ï³ñ³Ïáõ³Í ³Ý·É»ñ¿Ý ³ßË³ïáõÃÇõÝÁ£ ì³Ñ³·Ý î³ïñ»³Ý å³ñ·»õ³ïñáõÍ ¿ ß³ñù ÙÁ Ù»ï³ÉÝ»ñáí« ³ÝáÝóÙ¿ ÏÁ ÛÇß»Ýùª ÐÐ Øáíë¿ë Êáñ»Ý³óÇÇ »õ êáõñµ ê³Ñ³Ï« êáõñµ Ø³ßïáó Ù»ï³ÉÝ»ñáí« ÐÐ Ý³Ë³·³ÑÇ áëÏ¿ Ù»ï³Éáí« ÇÝãå¿ë Ý³»õª Ð³ñíÁñïÇ Ñ³Ù³Éë³ñ³ÝÇª §ì»ñÇï³ë¦ áëÏ¿ Ù»ï³Éáí« ò»Õ³ëå³Ý³·¿ï ·ÇïÝ³Ï³ÝÝ»ñáõ ÙÇç³½·³ÛÇÝ ÏáÙÇï¿Ç üñÇï¿áý Ü³Ýë¿ÝÇ áëÏ¿ Ûáõß³Ù»ï³Éáí£ (²ñ»õÙï³Ñ³Û»ñ¿ÝÇ í»ñ³Í»óª îÇñáõÏ Ø³ñ·³ñ»³Ý Î³ñ³å»ï»³Ý)

Ð³Û Ø»Í³ÝáõÝ ºñ·Çã ²ïÇë Ð³ñÙ³Ýï»³Ýª àã ºõë ¾

²ïÇëÇ ·ÇñùÁª §ºñ·Ç Ö³Ùµáí¦

²ïÇë Ð³ñÙ³Ýï»³Ý£ Î³Ù å³ñ½³å¿ëª ²ïÇë£ ê÷ÇõéùÇ ï³ñ³ÍùÇÝ Ï³±Û Ù¿ÏÁ« áñ ã¿ Éë³Í ²ïÇëÇ ³ÝáõÝÁ« ã¿ áõÝÏÝ¹ñ³Í ³Ýáñ ¿ëïñ³ï³ÛÇÝ Ñ³Û³ßáõÝã »ñ·»ñÁ« ã¿ ÑÙ³Ûáõ³Í ³Ýáñ ÃáíÇã Ó³ÛÝáí£ Ð³Ýñ³Í³ÝûÃ »ñ·ÇãÁ ê»åï»Ùµ»ñ 1-ÇÝ, Û»ï »ñÏ³ñ³ï»õ ÑÇõ³Ý¹áõÃ»³Ý,

Çñ Ù³ÑÏ³Ý³óáõÝ ÏÝù»ó ØÇ³ó»³É Ü³Ñ³Ý·Ý»ñáõ Ù¿ç: ²Ý 74 ï³ñ»Ï³Ý ¿ñ: Æñ ³ëå³ñ¿½Ç 40 ï³ñÇÝ»ñáõÝ ÁÝÃ³óùÇÝ ²ïÇë »ñ·³Ñ³Ý¹¿ëÝ»ñ áõÝ»ó³Í ¿ ÈÇµ³Ý³Ý¿Ý ÙÇÝã»õ Ñ³ÛÏ³Ï³Ý ï³ñµ»ñ ·³ÕáõÃÝ»ñª êáõñÇ³« Æñ³ù« Æñ³Ý« ºõñáå³« ÐÇõëÇë³ÛÇÝ áõ Ð³ñ³õ³ÛÇÝ ²Ù»ñÇÏ³Ý»ñ« ²õëïñ³ÉÇ³ »õ ³ÛÉáõñ« Ý³»õª ÊáñÑ© Ð³Û³ëï³Ý« áõñ Ï'³Ûó»É¿ ³Ý 1974-ÇÝ »õ Ù»Í Ë³Ý¹³í³éáõÃÇõÝ ÏÁ ëï»ÕÍ¿ Çñ µ³½Ù³ÃÇõ »ñ·³Ñ³Ý¹¿ëÝ»ñáí£ ²ïÇë Ð³ñÙ³Ýï»³Ý ÏÁ ÝÏ³ïáõÇ Ñ³Û ÅáÕáíñ¹³ÛÇÝ »ñ·»ñáõ é³ÑíÇñ³Ý: ²Ý ÍÝ³Í ¿ 14 ÚáõÝáõ³ñ 1945-ÇÝ« ä¿ÛñáõÃÇ Ù¿ç: ²Ý 1960-¿Ý ëÏë»³É Ù»ÏÝ³µ³Ý³Í ¿ ³õ»ÉÇ ù³Ý 400 »ñ·»ñ: ²ñÅ³Ý³ó³Í ¿ ½³Ý³½³Ý Ùñó³Ý³ÏÝ»ñáõ: Æñ »ñ·³Í §Ì³ÕÇÏÝ»ñ¦« §ÜáõÝ¿¦« §¶³ñáõÝ ·³ñáõÝ¦« §²ÛÉ ³ã»ñ¦ »õ áõñÇß µ³½Ù³ÃÇõ »ñ·»ñ ³ñÅ³Ý³ó³Í »Ý ë÷Çõéù³Ñ³ÛáõÃ»³Ý ³ÝÙñó»ÉÇ ·Ý³Ñ³ï³ÝùÇÝ: ²Ý 60-³Ï³Ý Ãáõ³Ï³ÝÝ»ñáõ í»ñç³õáñáõÃ»³Ý Û»Õ³ßñçáõÙ ÏÁ Û³é³ç³óÝ¿ ÈÇµ³Ý³Ý³Ñ³Û ·³ÕáõÃÇÝ Ù¿çª Ñ³ÛÏ³Ï³Ý ïáõÝ»ñ¿Ý í³Ý»Éáí Ãñù»ñ¿ÝÝ áõ ³ñ³µ»ñ¿ÝÁ »õ ½³ÝáÝù ÷áË³ñÇÝ»Éáí Ñ³Û »ñ·áí: §²ïÇëÇÝ ¿ëïñ³ï³ÛÇÝ »ñ·»ñÁ ÑÇÙ-ÝáíÇÝ ÷áË»óÇÝ Ñ³Û Ù³ñ¹áó »ñ·Ç ÁÙ-µéÝáõÙÁ« »õ »ñ³Åßï³Ï³Ý ³ÛÝ Ýáñ

á×Á« áñ Ù³ñÙÇÝ Ï'³éÝ¿ñ ³ñ»õÙï»³Ý Ýáõ³·³ñ³ÝÝ»ñáõ (»É»Ïïñ³Ï³Ý ÏÇÃ³é« §×³½¦« »ñ·¿áÝ »õ³ÛÉÝ) û·ï³·áñÍáõÙáí« ßáõïáí ëÇñ»ÉÇ ÏÁ ¹³éÝ³ñ É³ÛÝ µ³½ÙáõÃÇõÝÝ»ñáõ áõ Ýá°ñ ÃéÇãù Ïáõ ï³ñ Ñ³Û³µ³ñµ³é »ñ·ÇÝ¦, ÏÁ ·ñ¿ È»õáÝ Þ³ñáÛ»³Ý §Ð³Ûñ»ÝÇù¦ ß³µ³Ã³Ã»ñÃÇÝ Ù¿ç: §²Û¹ ï³ñÇÝ»ñáõÝ« ³Ù¿ÝáõÝ ßñÃÝ»ñáõÝ íñ³Û ¿ñ ²ïÇëÇÝ §Ì³ÕÇÏÝ»¯ñ« Í³ÕÇÏÝ»¯ñ¦-Á« §²ÛÉ ³ã»ñ Ï³Ý ÇÙ ëñïáõÙ¦-Á« §Ø³Ýáõß³Ï ¿Çñª å³ñï¿½áõÙ µ³óáõ³Í¦Á« §¶Çß»ñ ¿« ·Çß»ñ¦-Á »õ³ÛÉÝ¦£ ²ïÇë Ð³ñÙ³Ýï»³Ý Û³×³Ë ÏÁ ·ñ»ñ »õ ÏÁ ÛûñÇÝ»ñ Çñ »ñ·»ñÁ: §²Ý ³Û¹ »ñ·»ñÁ ï³ñ³õ ³ßË³ñÑÇ ³ÛÝ µáÉáñ Í³Ûñ³Ù³ë»ñÁ« áõñ Ñ³Û Ù³ñ¹ÇÏ Ï'³åñ¿ÇÝ£ ºõ ³ëÇÏ³« Çñ ï»ë³ÏÇÝ Ù¿ç« Ñ³- ²ïÇë Ð³ñÙ³Ýï»³Ý Û³å³Ñå³ÝÙ³Ý ßÝáñÑ³Ï³É ³ßË³ñ³Ï»ó Çñ ·ÇñùÁª §²ïÇë. ºñ·Ç Ö³Ùï³Ýù ÙÁÝ ¿ñ¦, Ï°³õ»ÉóÝ¿ Þ³ñáÛ»³Ý: µáí¦, áñ Ï°³Ù÷á÷¿ Çñ »ñ³Åßï³Ï³Ý ²Ý 2015-ÇÝ ²ÝÃÇÉÇ³ëÇ Ù¿ç Ññ³ï³- Ï»³ÝùÇ 40-³Ù»³Û áõÕÇÝ:

w w w. t o r o n t o h y e . c a

êºäîºØ´ºð 2019 Ä¸. î²ðÆ, ÂÆô 167

Ð²Ú²êî²Ü

Ð³Ù³Ñ³ÛÏ³Ï³Ý Ê³Õ»ñáõ ´³óáõÙáíª êï»÷³Ý³Ï»ñï ²åñ»ó³õ ä³ïÙ³Ï³Ý úñ»ñ §ÂàðàÜÂàÐ²Ú¦- ú·áëïáëÇ ³é³çÇÝ ß³µ³Ãáõ³Ý ÁÝÃ³óùÇÝ« êï»÷³Ý³Ï»ñïÁ ³åñ»ó³õ ³ÝÝ³ËÁÝÃ³ó ûñ»ñ© Ñ³ÛÏ³Ï³Ý ÷áùñÇÏ å»ïáõÃ»³Ý Ù³Ûñ³ù³Õ³ùÇ ÷áÕáóÝ»ñÁ ³é³çÇÝ ³Ý·³Ù ÁÉÉ³Éáí É»óáõ»ó³Ý ³ßË³ñÑÇ ï³ñµ»ñ »ñÏÇñÝ»ñ¿ Å³Ù³Ý³Í Ñ³Ûáñ¹ÇÝ»ñáí: ²ñ¹³ñ»õ« 35 »ñÏÇñÝ»ñáõ 161 ù³Õ³ùÝ»ñ¿ 7ñ¹ Ð³Ù³Ñ³ÛÏ³Ï³Ý ³Ù³éÝ³ÛÇÝ Ë³Õ»ñáõÝ Ñ³Ù³ñ Ð³Û³ëï³Ý Å³Ù³Ý³Í 5000-¿ ³õ»ÉÇ Ù³ñ½ÇÏÝ»ñáõÝ Ï³ñ»õáñ Ù¿Ï Ù³ëÁ êï»÷³Ý³Ï»ñïÇ Ù¿ç Ù³ëÝ³Ïó»ó³õ Ë³Õ»ñáõ µ³óÙ³Ý å³ßïûÝ³Ï³Ý Ñ³Ý¹ÇëáõÃ»³Ý: àõñ³ËáõÃÇõÝÝ áõ Ë³Ý¹³í³éáõÃÇõÝÁ ³ÏÝ»ñ»õ ¿ÇÝ êï»÷³Ý³Ï»ñïóÇÝ»ñáõÝ Ùûï© ÑÇõñÁÝÏ³É ù³Õ³ùÇÝ Ù¿ç Ù³ñ¹ÇÏ ÅåÇïáí »õ Ï»Ýëáõñ³Ë ³ñï³Û³ÛñáõÃÇõÝ»ñáí ÏÁ ¹ÇÙ³õáñ¿ÇÝ ë÷Çõéù³Ñ³Û»ñáõÝ: ²éÇÃÇÝ û·ïáõ»Éáí ù³ÝÇ ÙÁ Ñ³ñóáõÙÝ»ñáí ¹ÇÙ»óÇ êï»÷³Ý³Ï»ñïÇ ÷áÕáóÝ»ñáõÝ Ù¿ç ßñçáÕ Ï³ñ· ÙÁ µÝ³ÏÇãÝ»ñáõ: §ê÷Çõéù³Ñ³Û»ñáõ ·³ÉÁ ß³ï ÛáÛë »õ áÛÅ ¿ ï³ÉÇë Ù»½: Üñ³Ýù »õ å³ï»ñ³½ÙÇ ³ï»Ý Ù»½ ß³ï »Ý û·Ý»É »õª ÑÇÙ³¦« Ï°Áë¿ ²ÝÅ»É³ ê³ñ·Çë»³Ý« áñáõÝ ³ÙáõëÇÝÁ ½áÑáõ³Í ¿ ²ñó³ËÇ ³½³ï³·ñáõÃ»³Ý ÏéÇõÇ ÁÝÃ³óùÇÝ: §Þ³ï áõñ³Ë »Ù« áñ Ù»ñ ²ñó³ËÁ Í³ÕÏáõÝ Ï»³Ýùáí ³åñáõÙ ¿: Ø»Ýù ½³ñ·³ÝáõÙ »Ýù »õ ³ßË³ñÑÁ Ù»½ ×³Ý³ãáõÙ ¿¦« Ï°Áë¿ »ñÇï³ë³ñ¹ Ü³ñÇÝ¿: §Æ Ñ³ñÏ¿ Ù»Í Ýß³Ý³ÏáõÃÇõÝ áõÝÇ© Ð³Û ÅáÕáíáõñ¹Á Ñ³õ³ùõáõÙ ¿ ÙÇ ï»Õ: Þ³ï

É³õ ÏÁ ÉÇÝÇ »Ã¿ ë»Ýó ³éÇÃÝ»ñ ß³ï ÉÇÝ»Ý áã ÙÇ³ÛÝ Ñ³Ù³Ñ³ÛÏ³Ï³Ý Ë³Õ»ñÇ ³éÇÃáíª ³ÛÉ ï³ñµ»ñ ³éÇÃÝ»ñáí¦« Ï°Áë¿ Ü³ñ»Ï« áñ ËáõÙµ ÙÁ å³ï³ÝÇÝ»ñáõ Ñ»ï ÏÁ ½µûëÝáõ êï»÷³Ý³Ï»ñïÇ Ø»ÍÝ îÇ·ñ³Ý ÷áÕáóÇÝ Ù¿ç: ú·áëïáëÇ 5-Ç ÇñÇÏáõ³Ý êï»÷³Ý³Ï»ñïÇ ì»ñ³ÍÝáõÝ¹ Ðñ³å³ñ³ÏÁ áÕáÕáõ»ó³õ ë÷Çõéù³Ñ³Û Ù³ñ½ÇÏÝ»ñáí« ³ñó³ËÇ ½³Ý³½³Ý ßñç³ÝÝ»ñ¿ Å³Ù³Ý³Í ³ñó³ËóÇÝ»ñáí »õ ù³Õ³ù³óÇÝ»ñáí: ²ñó³ËÇ å»ïáõÃ»³Ý Ý»ñÏ³Û³óáõóÇãÝ»ñÝ áõ Ð³Û³ëï³ÝÇ å³ßïûÝ³Ï³Ý å³ïáõÇñ³ÏáõÃÇõÝÁ« ·ÉË³õáñáõÃ»³Ùµ í³ñã³å»ï ÜÇÏáÉ ö³ßÇÝ»³ÝÇ ù³Õ³ù³Ï³Ý »ÉáÛÃÝ»ñáí µ³óáõ³Í Û³Ûï³ñ³ñ»óÇÝ 7ñ¹ Ð³Ù³Ñ³ÛÏ³Ï³Ý Ê³Õ»ñÁ: Ú³çáñ¹ ûñÁª ÇñÇÏáõ³Ý êï»÷³Ý³Ï»ñïÇ Ù³ñ½³ñ³ÝÇÝ Ù¿ç« áõñ Ñ³õ³ùáõ³Í ¿ñ ßáõñç 7000 Ñ³Û« ï»ÕÇ áõÝ»ó³õ Ê³Õ»ñáõ µ³óáõÙÁª Ï»Ý¹³ÝÇ å³ïÏ»ñÝ»ñáí« Ù³ñ½ÇÏÝ»ñáõ ïáÕ³Ýóáí« Ññ³í³éáõÃ»³Ùµ »õ ·»Õ³ñáõ»ëï³Ï³Ý Û³Ûï³·ñáí: ²å³ª Ë³Õ»ñáõ ù³ÝÇ ÙÁ Ù³ñ½³Ó»õ»ñ ï»ÕÇ áõÝ»ó³Ý êï»÷³Ý³Ï»ñïÇ« Ø³ñï³Ï»ñïÇ »õ ²ëÏ»ñ³ÝÇ Ù¿ç: ²Û¹ ß³µ³Ã ïûÝ³Ï³Ý ÙÃÝáÉáñï ¿ñ êï»÷³Ý³Ï»ñïÇ Ù¿çª Ðñ³å³ñ³ÏÇÝ íñ³Û áõß Å³Ù»ñáõ Ñ³Ù»ñ·³ÛÇÝ »ÉáÛÃÝ»ñáí« Ññ³í³éáõÃ»³Ùµ »õ »éáõ½»ñáí:

§Ø»Ýù Ñ½ûñ ³½· »Ýù, Ï³å ãáõÝÇ á°í áñ ï»Õ ¿, Ù»ñ áÛÅÁ Ñ»Ýó Ù»ñ ÙÇ³ëÝáõÃ»³Ý Ù¿ç ¿, ÇëÏ ³ÛëåÇëÇ ÙÇçáó³éáõÙÝ»ñ Ýå³ëï»Éáõ »Ý, áñå¿ë½Ç Ù»Ýù ³õ»ÉÇ Ñ³Ù³ËÙµáõ»Ýù¦, §ÂáñáÝÃáÑ³Û¦Ç Ï°Áë¿ ²ñó³ËÇ ÎñÃáõÃ»³Ý, ¶ÇïáõÃ»³Ý »õ Ø³ñÙÝ³Ù³ñ½³ÝùÇ Ü³Ë³ñ³ñ Ü³ñÇÝ¿ ²Õ³å³É»³Ý ú·áëïáë 4-ÇÝ, êï»÷³Ý³Ï»ñïÇ Ù¿ç Ã»ñÃÇ ËÙµ³·Çñ Î³ñÇÝ ê³ÕïÁ×»³Ý Ð³Ù³Ñ³ÛÏ³Ï³Ý Ê³Õ»ñáõ Ý³Ëûñ¿ÇÝ Ñ³ñó³½ñáÛó ÙÁ áõÝ»ó³õ ²ñó³ËÇ ÎñÃáõÃ»³Ý, ¶ÇïáõÃ»³Ý »õ Ø³ñÙÝ³Ù³ñ½³ÝùÇ Ü³Ë³ñ³ñ Ü³ñÇÝ¿ ²Õ³å³É»³ÝÇ Ð»ï: êïáñ»õ Ñ³ïáõ³ÍÝ»ñ.

ØÇáõÃ»³Ý ÷Éáõ½áõÙáí, ³Û¹ ¹áõéÁ »õ ×³Ý³å³ñÑÁ µ³óáõ»ó, µ³Ûó ³Ûëûñ ¿É ß³ï ùÇã »Ý Ù³ñ¹ÇÏ, áíù»ñ áñ ï»ë»É »Ý Ñ³Ûñ»ÝÇùÁ, ï»ë»É »Ý ²ñó³ËÁ: ºë áõ½áõÙ »Ù ¹³, áñå¿ë½Ç Ñ³Û Ýáñ ë»ñáõÝ¹Á ï»ëÝÇ, Ã¿ Ç±ÝãÇ Ñ³Ù³ñ »Ý å³Ûù³ñ»É Çñ»Ý ÍÝáÕÝ»ñÁ, ³õ³· ùáÛñ»ñÝ áõ »Õµ³ÛñÝ»ñÁ, ³ñÅ¿ñ ³ñ¹»û±ù ³Û¹ù³Ý ç³Ýù áõ »é³Ý¹, ³Û¹ù³Ý ¿Ý¿ñÏÇ³, ³Û¹ù³Ý ½áÑ»ñ ï³É ²ñó³ËÇ Ñ³Ù³ñ: ìëï³Ñ »Ù, áñ Î³ñÇÝ ê³ÕïÁ×»³Ý- Ò»ñ Ý³Ë³- Çñ»Ýù ²ñó³ËÁ ï»ëÝ»Éáí ß³ï ³õ»ÉÇ ñ³ñáõÃÇõÝÁ áõÕÕ³ÏÇûñ¿Ý ³éÝãáõ³Í ¿ ÏÁ Ï³åáõ»Ý Ñ³Ûñ»ÝÇùÇÝ »õ Çñ»Ýó Ñ³Û Ð³Ù³Ñ³ÛÏ³Ï³Ý Ë³Õ»ñáõ Ï³½Ù³- å³ïÏ³Ý¿ÉÇáõÃ»³Ùµ ÏÁ Ñå³ñï³Ý³Ý: Ï»ñåÙ³Ý Ñ»ï: àñù³Ýá±í Ï³ñ»õáñ »Ý Ë³Õ»ñÁ ²ñó³ËÇ Ñ³Ù³ñ: Î.ê.- àñù³Ýá±í Ï³ñ»õáñ ¿ Ù³ñÙÝ³Ù³ñ½³ÝùÁ: ²ñ¹»ûù Ô³ñ³µ³ÕÇ ¹åñáÜ³ñÇÝ¿ ²Õ³å³É»³Ý- ²é³çÇÝ ³Ý- ó³Ï³Ý ¹³ë³ÝÇõÃ»ñáõÝ Ù¿ç Ý»ñ³éá·³Ù ¿ Ñ³Ù³Ñ³ÛÏ³Ï³Ý Ë³Õ»ñÁ Ï³½- õ³±Í ¿ Ù³ñÙÝ³Ù³ñ½áõÃ»³Ý ¹³ë³ÝÇõÃÁ: Ù³Ï»ñåõáõÙ ²ñó³ËáõÙ »õ Ï³½Ù³Ï»ñåÜ.².- Ø³ñÙÝ³Ù³ñ½áõÃÇõÝÁ ¹åñáã ³ Ï ³ Ý ³ Ù µ á Õ ç ³ ß Ë ³ ï ³ Ý ù Á óáõÙ ýÇ½ÏáõÉïáõñ³ ¹³ëÝ ¿ »õ ³Ý Ý»Ñ³Ù³Ï³ñ·áõÙ ¿ Ñ»Ýó Ð³Ù³Ñ³ÛÏ³Ï³Ý ñ³éáõ³Í ¿ Ñ³Ýñ³ÏñÃ³Ï³Ý Íñ³·ñ»Ê³Õ»ñÇ Ð³Ù³ßË³ñÑ³ÛÇÝ ÎáÙÇï¿Ý: ñáõÙ, µ³Ûó µ³óÇ ³Û¹ ß³ï-ß³ï »Ý Ü³Ë³ñ³ñáõÃÇõÝÁ ÇÝãáñ ã³÷áí ÏáÕ- ²ñó³ËáõÙ Ù³ñ½³Ï³Ý ËÙµ»ñÁ` ï³ñùÇó û·ÝáõÙ ¿, Ï³ñ»ÉÇ ¿ ³ë»É: Ø»½ Ñ³- µ»ñ Ù³ñ½³Ó»õ»ñáí: àõÝ»Ýù ùë³Ý»ñÏáõÙ³ñ ß³ï Ï³ñ»õáñ ¿ ³Ûë ÙÇçáó³éáõÙÁ, ëÇó ³õ»ÉÇ Ù³ñ½³Ï³Ý ý»ï»ñ³óÇ³Ý»ñ, á°ã ¿Ýù³Ý Ù³ñ½³Ï³Ý ï»ë³ÝÏÇõÝÇó, ëÏë³Í ÃÇÙ³ÛÇÝ Ë³Õ»ñáí` å³ëù¿Ãáñù³Ý áñ ³ßË³ñÑ³ë÷Çõé Ñ³Û »ñÇï³- åáÉ, íáÉ¿åáÉ, Ñ¿ÝïåûÉ: ¸ñ³ÝÇó µ³óÇ ë³ñ¹áõÃ»³ÝÁ ²ñó³ËáõÙ Ñ³Ù³ËÙµ»- Ý³»õ áõÝ»Ýù Ù»Ý³Ù³ñï³ÛÇÝ Ù³ñï³Éáõ ï»ë³ÝÏÇõÝÇó, áñáíÑ»ï»õ Ù»Ýù` ñáõ»ëïÝ»ñÇ ËÙµ»ñ` ÁÙµß³Ù³ñï, 1980-³Ï³ÝÝ»ñÇÝ, »ñµáñ Ô³ñ³µ³- µéÝóù³Ù³ñï, Ã¿ùáõ³Ýïû, áõßáõ, Ù³ÛÕ»³Ý Þ³ñÅáõÙÁ ëÏëáõ»ó, ³Ûëï»ÕÇó ÙÇ Ã³Û, ë³Ùµû, Ù³ñÙÝ³Ù³ñ½áõÃÇõÝ, ëåáñÑáõÅÏáõ ³ÉÇù ï³ñ³Íáõ»ó ³ßË³ñÑáí ¹³ÛÇÝ å³ñ»ñ »õ ³ÛÉ: Ù¿Ï »õ ³ÙµáÕç ë÷ÇõéùÁ Ï³Ý·Ý»Éáí ²ñó³ËÇ ÃÇÏáõÝùáõÙ »õ å³ßïå³Ý»Éáí ²ñÎ.ê.- Ø³ÙáõÉÇÝ Ù¿ç »ñµ»ÙÝ ÏÁ Ï³ñó³ËÇÝ` Ñ³Û³å³Ñå³ÝáõÃ»³ÝÁ Ýáñ ¹³Ýù Ô³ñ³µ³ÕÇ Ù³ñ½ÇÏÝ»ñáõ Û³çáÃ³÷ ïáõ»ó: Î³ñ»õáñ ¿, áñ Å³Ù³Ý³Ï ÕáõÃÇõÝÝ»ñáõÝ Ù³ëÇÝ, ÁÝ¹Ñ³Ýñ³å¿ë ³é Å³Ù³Ý³Ï ³Û¹åÇëÇ ÉÇóù»ñ áõÕÕá- ºõñáå³ÛÇ »õ Ï³Ù ×³Ý³ãáõÙ ãáõÝ»óáÕ õ»Ý ²ñó³ËÇó ¹¿åÇ ë÷ÇõéùÇ Ù»ñ ·³Õ- »ñÏÇñÝ»ñáõ ÙñóáÛÃÝ»ñáõÝ Ù¿ç: ²Ù¿Ý¿Ý Ãû×³ËÝ»ñÁ, Ý³»õ Ýáñ ë»ñáõÝ¹Ý»ñÁ á- ß³ï á±ñ Ù³ñ½³Ó»õ»ñáõÝ Ù¿ç »Ý Û³ÕÃáÕ·»ßÝãáõ»Ý, ×³Ý³ã»Ý ²ñó³ËÁ, ½·³Ý Ý»ñÁ: Ñ³Ûñ»ÝÇùÇ ½ûñáõÃÇõÝÁ »õ å³Ñå³Ý»Ý Ü.².- ê³ÙµáÛÇó »õ áõßáõÛÇó áõÝ»Ýù Ñ³ÛÏ³Ï³Ý ÇÝùÝáõÃÇõÝÁ, Ý³»õ Ñ³Ù³ËÙ- ã»Ù÷ÇáÝÝ»ñ: ê³ÙµáÛÇ ²ñó³Ë»³Ý µáõ³ÍáõÃ»³Ý ³Û¹ Ñ½ûñ áÛÅÁ ãÏáñóÝ»Ý, ¹åñáóÁ ß³ï É³õÝ ¿ »õ Ï³Û³ó³Í ¿. ï³áñáíÑ»ï»õ Ù»Ýù Ñ½ûñ ³½· »Ýù, Ï³å ñÇ ãÏ³Û, áñ Ù»Ýù ãáõÝ»Ý³Ýù ³ßË³ñÑÇ ãáõÝÇ á°í áñ ï»Õ ¿, Ù»ñ áÛÅÁ Ñ»Ýó Ù»ñ Ï³Ù ºõñáå³ÛÇ ã»Ù÷ÇáÝ, ÇëÏ ³Ûë ï³ÙÇ³ëÝáõÃ»³Ý Ù¿ç ¿` ¹³ µ³½ÙÇóë ³ë»É ñÇ áõÝ»ó³Ýù Ý³»õ ä»É³éáõëÇ³ÛáõÙ Ï³»Ýù, µ³Ûó å¿ïù ¿ Ý³»õ ¹³ å³Ñ»É` ³Û¹ Û³ó³Í ºõñáå³Ï³Ý Ë³Õ»ñÇ Ùñó³Ý³ÙÇ³ëÝáõÃ»³Ý áÛÅÁ, ÇëÏ ³ÛëåÇëÇ ÙÇ- Ï³ÏÇñ »õ Ù»ñ Ù³ñ½ÇÏÁ ë³ÙµáÛÇó çáó³éáõÙÝ»ñ Ýå³ëï»Éáõ »Ý, áñå¿ë½Ç åñûÝ½¿ Ù»ï³ÉÇ ³ñÅ³Ý³ó³õ, ë³ Ù»ñ Ù»Ýù ³õ»ÉÇ Ñ³Ù³ËÙµáõ»Ýù: ºë ß³ï ¿Ç ³Ù»Ý³Ù»Í Û³ÕÃ³Ý³ÏÝ ¿ñ ³é ³Ûëûñ: áõ½áõÙ, áñ Ýáñ Ñ³Û ë»ñáõÝ¹Á ³Ýå³ÛÙ³Ý Ú³çáñ¹Á ³ñ¹¿Ý åÇïÇ ÉÇÝÇ ûÉÇÙµÇ³ï»ëÝÇ ²ñó³ËÁ, áñáíÑ»ï»õ »Ã¿ ËáñÑñ- Ï³ÝÁ: Æ Ñ³ñÏ ¿, Ù»Ýù áõñ³ËáõÃ»³Ùµ ¹³ÛÇÝ ï³ñÇÝ»ñÇÝ ³ñ·»Éáõ³Í ¿ñ Ð³- Ý»ñÏ³Û³ÝáõÙ »Ýù Ð³Û³ëï³ÝÇ ¹ñûßÇ Û³ëï³Ý ³Ûó»É»É »õ Çñ»Ýó ÍÝáÕÝ»ñÁ ³- Ý»ñùáÛ »õ Ð³Û³ëï³ÝÇ ¹ñûßÇ ï³Ï Ý»ñéÇÃ ã»Ý áõÝ»ó»É Ñ³Ûñ»ÝÇù ·³Éáõ, ³å³` Ï³Û³Ý³Éáí Ù»Ýù Çñ³Ï³ÝáõÙ Ý»ñÏ³²ñó³Ë»³Ý Þ³ñÅáõÙáí, ÊáñÑñ¹³ÛÇÝ Û³óÝáõÙ »Ýù »ñÏáõ Ñ³ÛÏ³Ï³Ý å»ïáõ-

ÊÙµ³·Çñ Î³ñÇÝ ê³ÕïÁ×»³Ý êï»÷³Ý³Ï»ñïÇ Ù¿ç Ý³Ë³ñ³ñ Ü³ñÇÝ¿ ²Õ³å³É»³ÝÇ Ñ»ï Ñ³ñó³½ñáÛóÇ ÁÝÃ³óùÇÝ:

ÃÇõÝÝ»ñÁ Ù¿Ï ÙÇ³ëÝ³Ï³Ý Ñ³Ûñ»ÝÇ- Ï³Ù üÇý³Ý ãÇ ×³Ý³ãáõÙ ³Ûë »ñÏñÝ»ùáí: ñÇ ÃÇÙ»ñÇÝ »õ ³ÝáÝù ã»Ý Ï³ñáÕ ÁÝ¹·ñÏáõ»É Çñ»Ýó Ï³½Ù»ñáõÙ, Ñ»ï»õ³µ³ñ Î.ê.- â×³Ý³ãáõ³Í ºñÏÇñÝ»ñáõ Ï³½ÙõáõÙ ¿ Ù¿Ï ³ÛÉ Ó»õ³ã³÷, áñÁ ÑÝ³ý á õ Ã å á É ³ Û Ç Ý ø á Ý ý » ï » ñ ³ ó Ç ³ Ý ñ³õáñáõÃÇõÝ ¿ ï³ÉÇë ³Û¹ »ñÏñÝ»ñÇÝ (CONIFA) ³Ûë ï³ñÇ ³Ûëï»Õ Ï³½Ù³- Ù³ëÝ³ÏÇó ¹³ñÓÝ»Éáõ ÝÙ³Ý ÙÇçáó³Ï»ñå»ó Ùñó³ß³ñù. Ç±Ýãå¿ë Ïñó³ù ³Û¹ éáõÙÝ»ñÇ »õ ë³ ÇÝãáñ ã³÷áí Ùñó³ÏÙÇçáó³éáõÙÁ ²ñó³ËÇ Ù¿ç Ï³½Ù³Ï»ñ- óáõÃÇõÝ ¿ Í³õ³ÉáõÙ, »õ ³ë»Ù áñ Ý³»õ ³Ûë å»É: Ó»õ³ã³÷»ñáí, ÙÇçáó³éáõÙÝ»ñÇó Û»ïáÛ, Ü.².- ØÇ ù³ÝÇ ï³ñÇ ³ßË³ï³Ýù Ý³»õ ÃÇÙ»ñ »Ý ÁÝ¹·ñÏõáõÙ àõ¿ý³ÛÇ Ï³½Ï³ï³ñáõ»ó »õ ²ÝÏ³Ë üáõÃåûÉ³ÛÇÝ ²- ÙáõÙ, ³ÛëÇÝùÝ` ¹³ Ýß³Ý³ÏáõÙ ¿, áñ µ³ëáõóÇ³óÇ³Ý»ñÇ øáÝý»ï»ñ³óÇ³Ý` øá- õ³Ï³ÝÇÝ Ù³ëÝ³·Çï³Ï³Ý Ù³Ï³ñ¹³Ï ÝÇý³Ý, »ññáñ¹ ³Ý·³Ù ºõñáå³Ï³Ý Ï³Û ³Ûë ³ÛÉÁÝïñ³ÝùÇÝ Ù¿ç: î»ë¿°ù, ²ñýáõÃåûÉÇ ³é³çÝáõÃÇõÝ Ï³½Ù³Ï»ñå»ó ó³ËÇ ÃÇÙÁ ³é ³Ûëûñ Çñ³õáõÝù ãáõÝ¿ñ »õ ³Û¹ »ññáñ¹ ³é³çÝáõÃÇõÝÁ Ï³½Ù³- »õ ãáõÝÇ ³Ý·³Ù Ð³Û³ëï³ÝÇ ³é³çÝáõÏ»ñåáõ»ó ²ñó³ËáõÙ: ²Û¹ å³ÛÙ³Ý³õá- Ã»³ÝÁ Ù³ëÝ³Ïó»Éáõ, ³Ûë ¹¿åùáõÙ Ç±Ýãñáõ³ÍáõÃÇõÝÁ Ó»éù ¿ µ»ñáõ»É Ù»ñ ÇßË³- ³Ý»Ý ³Ûëï»Õ ³åñáÕ Ù³ñ¹ÇÏ, áíù»ñ ÝáõÃÇõÝÝ»ñÇ »õ øáÝÇý³ÛÇ Õ»Ï³í³ñáõ- áñ áõ½áõÙ »Ý ÝáÛÝå¿ë ýáõÃåûÉ Ë³Õ³É Ã»³Ý ÙÇç»õ: Æ ëÏ½µ³Ý¿ ·ñ³Ýóáõ»É ¿ÇÝ »õ ÑÝ³ñ³õáñ ¿, áñ Ýñ³Ýó Ù¿ç Ï³Û Ù¿Ï ï³ëÝ»ñÏáõ ÃÇÙ»ñ, µ³Ûó ³ñ¹ÇõÝùáõÙ Ø¿ëëÇ Ï³Ù èáÝ³Éïû, ³ÛëÇÝùÝ` ï³áõÃ ÃÇÙ»ñ Ù³ëÝ³Ïó»óÇÝ áõ Ï³ñÍáõÙ Õ³Ý¹ áõÝ»Ý: È³õ ÇÝã ³Ý»±Ý Ï³Ù Ç±Ýãå¿ë »Ù ß³ï É³õ Ï³½Ù³Ï»ñåáõ³Í, Û³çáÕá- í³ñáõ»Ý, áõñ»ÙÝ å¿ïù ¿ Ýñ³Ýó Ñ³Ù³ñ õ³Í áõ Ï³Û³ó³Í ÙÇçáó³éáõÙ ¿ñ: ê³ ëï»ÕÍ»Ýù ³Û¹ ÑÝ³ñ³õáñáõÃÇõÝÁ: Ø»ñ ß³ï Ï³ñ»õáñ ¿, áñáíÑ»ï»õ ù³Õ³ù³- å³ñïùÝ ¿ ëï»ÕÍ»É ³Û¹ ÑÝ³ñ³õáñáõÏ³ÝáõÃ»³Ý å³ï×³éáí á°ã Ù¿ÏÁ å¿ïù ÃÇõÝÁ Ù»ñ »ñ»Ë³Ý»ñÇ »õ Ýáñ ë»ñÝ¹Ç ãÇ ½ñÏáõ³Í ÉÇÝÇ á°ã ÏñÃáõÃ»³Ý Çñ³õáõÝ- Ñ³Ù³ñ »õ Ù»Ýù ·ïÝáõÙ »Ýù ³ÛÉ ÁÝïùÇó, á°ã ëåáñ¹áí ½µ³Õáõ»Éáõ Çñ³õáõÝ- ñ³ÝùÁ: Ø»Ýù ãáñë ¹³ßï»ñ Ýáñá·»óÇÝù ùÇó, á°ã Ùß³ÏáõÃ³ÛÇÝ Çñ³õáõÝùÝ»ñÇó. ³Û¹ Íñ³·ñÇ Ñ³Ù³ñ »õ ³Ûëûñ áõÝ»Ýù ²ÛëÇÝùÝ` ë³ ¿Ý Ó»õ³ã³÷Ý ¿, áñÁ ÑÝ³- ³ñ¹¿Ý ãáñë, ÝáÛÝÇëÏ ÑÇÝ· Ù³ñ½³¹³ßï, ñ³õáñáõÃÇõÝ ¿ ï³ÉÇë µáÉáñ Ýñ³Ýó, áí- áñï»Õ Ï³ñ»ÉÇ ¿ ÉÇ³ñÅ¿ù Ó»õáí ýáõÃù»ñ Ù»Í ù³Õ³ù³Ï³ÝáõÃ»³Ý å³ï×³- åáÉÇ Ë³Õ»ñ ³ÝóÏ³óÝ»É, ÇëÏ ³Ûë ÙÇéáí ½ñÏáõ³Í »Ý ³Û¹ ÑÝ³ñ³õáñáõÃÇõÝÇó: çáó³éáõÙÇó Û»ïáÛ ³ñ¹¿Ý ³õ»É³ó»É »Ý ²Ûëûñ ³ßË³ñÑÁ ë³ÑÙ³ÝÝ»ñ ãÇ ×³Ý³- ³Û¹ ó³ÝÏ³óáÕÝ»ñÇ »õ ³Û¹ ÃÇÙ»ñÇÝ ãáõÙ »õ ó³ÝÏ³ó³Í »ñ»õáÛÃÇÝ Ó»õ³õáñ- ·ñ³ÝóáõáÕÝ»ñÇ ÃÇõÁ, µ³Ûó Ù»Ýù å¿ïù õáõÙ ¿ ³ÛÉ ÁÝïñ³Ýù. »Ã¿ ³ë»Ýù àõ¿ý³Ý ß³ñ. ï»ë. ¿ç 11

11 ÐØÀØ-Ç ²ñó³ËÇ Ø³ëÝ³×ÇõÕÇ ´³óáõÙ` êï»÷³Ý³Ï»ñïÇ Ø¿ç Ð²Ú²êî²Ü ²ðò²Ê

ú·áëïáë 22-ÇÝ, êï»÷³Ý³Ï»ñïÇ ì»ñ³ÍÝáõÝ¹Ç Ðñ³å³ñ³ÏÇÝ íñ³Û, å³ßïûÝ³Ï³Ý ³ñ³ñáÕáõÃ»³Ùµ ï»ÕÇ áõÝ»ó³õ ÐØÀØÇ ²ñó³ËÇ Ù³ëÝ³×ÇõÕÇÝ ÑÇÙÝ³¹ñáõÃ»³Ý å³ßïûÝ³Ï³Ý µ³óáõÙÁ: Ð³Ý¹ÇëáõÃ»³Ý Ý»ñÏ³Û ¿ÇÝ ²ñó³ËÇ Ý³Ë³·³Ñ ´³Ïû ê³Ñ³Ï»³Ý, ²ñó³ËÇ Ã»ÙÇ ³é³çÝáñ¹ ä³ñ·»õ ²ñù 'b7 Ø³ñïÇñáë»³Ý, å»ï³Ï³Ý ³Ûñ»ñ »õ ³ñï»ñÏñ¿Ý »õ Ð³Û³ëï³Ý¿Ý Å³Ù³Ý³Í ÑÇõñ»ñ: ²ñ³ñáÕáõÃÇõÝÁ ëÏÇ½µÁ ëÏ³áõï³Ï³Ý ß»÷áñ³ËáõÙµÇ ³é³çÝáñ¹áõÃ»³Ùµ Ññ³å³ñ³Ï Ùáõïù ·áñÍ»óÇÝ ¹ñûßÝ»ñÁ ²ñó³ËÇ, Ð³Û³ëï³ÝÇ »õ 25 »ñÏÇñÝ»ñáõ, áõñ ÐØÀØÁ ÏÁ ·áñÍ¿ Çñ 110 Ù³ëÝ³×ÇõÕ»ñáí: î»ÕÇ áõÝ»ó³õ ÐØÀØÇ, ëÏ³áõï³Ï³Ý ¹ñûßÇ »õ ÙÇáõÃ»³Ý Ï³ÝáÝ³·ÇñÇ Û³ÝÓÝáõÙ` Ýáñ³ëï»ÕÍ Ù³ëÝ³×ÇõÕÇ í³ñãáõÃ»³Ý: ¸ñûßÝ»ñÁ ûñÑÝ»ó ²ñó³ËÇ Ã»ÙÇ ²é³çÝáñ¹ ä³ñ·»õ ²ñù. Ø³ñïÇñáë»³Ý, áñ ³Ûë ³éÇÃáí Áë³õ, áñ ÐØÀØÁ Ñ³Ù³ßË³ñÑ³ÛÇÝ »õ Ñ³Ù³Ñ³ÛÏ³Ï³Ý Ï³½Ù³Ï»ñåáõÃÇõÝ ÙÁÝ ¿, áñ 100 ï³ñÇ¿ ÏÁ ·áñÍ¿` ³½·ÇÝ Ñ³Ù³ñ ÏñÃ»Éáí Ñ³Ûñ»Ý³ë¿ñ áõ Í³é³Û³ë¿ñ »ñÇï³ë³ñ¹Ý»ñ, áñáÝù ÙÇßï å³ïñ³ëï »Ý Û³ÕÃ³Ñ³ñ»Éáõ áñ»õ¿ ¹Åáõ³ñáõÃÇõÝ: §â³÷³½³Ýó áõñ³Ë »Ù, áñ í»ñç³å¿ë ÐØÀØÁ ÏÁ ·áñÍ¿ Ñ³Ûñ»ÝÇ ²ñó³Ë ³ßË³ñÑÇÝ Ù¿ç¦, Ýß»ó ä³ñ·»õ êñµ³½³Ý, Ù³ÕÃ»Éáí ³Ù»Ý³ÛÝ µ³ñÇù, Ñ³Ûñ»Ý³ëÇñáõÃÇõÝ, Ñ³õ³ïù »õ ³½·³ÛÇÝ ÙÇ³ëÝáõÃÇõÝ` Ûû·áõï Ù»ñ ³½·ÇÝ, ³ÛÝ Ï³ñ·³Ëûëáí, ½áñ Ù»½Ç Ïï³Ï³Í »Ý ì³ñ¹³Ý³Ýù, ³åñ»Éáõ »õ ·áñÍ»Éáõ §ì³ëÝ Ñ³õ³ïáÛ »õ í³ëÝ Ñ³Ûñ»Ý»³ó¦: ²ñó³ËÇ Ð³Ýñ³å»ïáõÃ»³Ý å»ïÝ³Ë³ñ³ñ ¶ñÇ·áñÇ Ø³ñïÇñáë»³Ý Çñ áÕçáÛÝÇ ËûëùÇÝ Ù¿ç Ù»Í³å¿ë ·Ý³Ñ³ï»ó ³ßË³ñÑáí Ù¿Ï ë÷éáõ³Í Ñ³Û »ñÇï³ë³ñ¹áõÃÇõÝÁ ÙÇ³õáñ»Éáõ ÐØÀØÇ å³ï³ëË³Ý³ïáõáõÃÇõÝÁ »õ Ù³ÕÃ»ó, áñ ²ñó³ËÇ Ýáñ³ëï»ÕÍ Ù³ëÝ³×ÇõÕÁ ÁÉÉ³Û ³Û¹ ³é³ù»ÉáõÃ»³Ý ß³ñáõÝ³ÏáÕÁ, Ù³ñ½³Ï³Ý »õ ëÏ³áõï³Ï³Ý ½³Ý³½³Ý ÙÇçáóÝ»ñáí ²ñó³ËÇ »ñÇï³ë³ñ¹áõÃ»³Ý Ùûï í³é å³Ñ»Éáõ Ñ³Ù³ñ ³½·³ÛÇÝ ¹ÇÙ³·ÇÍÇ Ñ³Ù³å³ï³ëË³Ý` Ñ³Ûñ»Ý³ëÇñ³Ï³Ý á·ÇÝ:

ÐØÀØ-Ç ²ñó³ËÇ Ø³ëÝ³×ÇõÕÇÝ ÑÇÙÝ³¹ñáõÃ»³Ý å³ßïûÝ³Ï³Ý µ³óáõÙÁ êï»÷³Ý³Ï»ñïÇ ì»ñ³ÍÝáõÝ¹Ç Ññ³å³ñ³ÏÇÝ íñ³Û:

²ñó³ËÇ Â»ÙÇ ²é³çÝáñ¹ ä³ñ·»õ ²ñù© Ø³ñïÇñáë»³Ý áÕçáÛÝÇ Ëûëùáí ÏÁ ¹ÇÙ¿ Ý»ñÏ³Ý»ñáõÝ:

ÐØÀØÇ Î»¹ñáÝ³Ï³Ý ì³ñãáõÃ»³Ý ³ï»Ý³å»ï ¶³éÝÇÏ ØÏñïÇã»³Ý Áë³õ, áñ 101 ï³ñ»Ï³Ý ÙÇáõÃ»³Ý Ñ³Ù³ñ ëáíáñ³Ï³Ý Çñ³¹³ñÓáõÃÇõÝ ÙÁ ã¿ ²ñó³ËÇ Ù¿ç Ù³ëÝ³×ÇõÕÇ ÙÁ ÑÇÙÝ³¹ñáõÃÇõÝÁ, áñáíÑ»ï»õ Ù³ëÝ³×ÇõÕÁ ëáíáñ³Ï³Ý Ù³ëÝ³×ÇõÕ ÙÁ ã¿, ÇÝãå¿ë ³ß-

Ë³ñÑÇ ï³ñ³ÍùÇÝ Ñ³ÛÏ³Ï³Ý áñ»õ¿ Ñ³Ù³ÛÝùÇ Ù¿ç ëï»ÕÍáõáÕ Ù³ëÝ³×ÇõÕ: §²ÝóÝáÕ 30 ï³ñÇÝ»ñáõÝ, ²ñó³ËÁ »Õ³Í ¿ ÏÇ½³Ï¿ïÁ Ñ³Ù³ÛÝ Ñ³ÛáõÃ»³Ý: Ð³ÛáõÃÇõÝÁ áãÇÝã ËÝ³Û³Í ¿ ²ñó³ËÁ Ñ½ûñ, ÇëÏ ³ñó³Ë³Ñ³ÛáõÃÇõÝÁ ³Ùáõñ ï»ëÝ»Éáõ Ñ³Ù³ñ: Ð³Û Ø³ñÙÝ³ÏñÃ³-

ß³ñ. 10ñ¹ ¿ç¿Ý ¿ Ýñ³Ýó Ñ³Ù³ñ ³å³·³Ý ï»ë³Ý»ÉÇ ¹³ñÓÝ»Ýù, ³ÛëÇÝùÝ` Çñ»Ýù ëáíáñ»óÇÝ, ÇëÏ Û»ïá±Û: ²Û¹ Û»ïáÛÇ Ù³ëÇÝ Ù»Ýù å¿ïù ¿ Ùï³Í»Ýù »õ Çñ»Ýó Ñ³Ù³ñ ×³Ý³å³ñÑ µ³ó»Ýù ¹¿åÇ Ù»Í ýáõÃåáÉ: Î.ê.- ÎñÃáõÃ»³Ý Ù³ñ½ÇÝ í»ñ³µ»ñ»³É Ñ³ñóáõÙ ÙÁ. Ùûï³õáñ³å¿ë ù³ÝÇ± ³ß³Ï»ñï áõÝÇ Ô³ñ³µ³ÕÁ »õ` ù³Ý±Ç ¹åñáó Ï³Ù Ñ³Ù³Éë³ñ³Ý: Ü.².- àõÝ»Ýù Ùûï³õáñ³å¿ë 23,500 ³ß³Ï»ñï, 216 Ñ³Ýñ³ÏñÃ³ñ³Ý: àõÝ»Ýù Ý³Ë³ÏñÃ³ñ³ÝÝ»ñ, ÙÇçÇÝ Ù³ëÝ³·Çï³Ï³Ý ÏñÃ³Ï³Ý Ñ³ëï³ïáõÃÇõÝÝ»ñ, áñï»Õ ³ñ¹¿Ý ï³ëÝ»ñÏáõ ï³ñ»Ï³ÝÇó ëÏë»³É Ï³ñáÕ »Ý ëáíáñ»É ï³ñµ»ñ ³ñÑ»ëïÝ»ñ Ï³Ù ³ñáõ»ëïÝ»ñ: àõÝ»Ýù µÅßÏ³Ï³Ý, »ñ³Åßï³Ï³Ý, å³ñ³ñáõ»ëïÇ ·áÉ¿×Ý»ñ: àõÝ»Ýù Ý³»õ Ý³ËÝ³Ï³Ý Ù³ëÝ³·Çï³Ï³Ý áõëáõÙÝ³Ï³Ý Ñ³ëï³ïáõÃÇõÝÝ»ñ, ûñÇÝ³Ï` ßÇÝ³ñ³ñ³Ï³Ý áõÕÕáõ³ÍáõÃ»³Ùµ, ï³ñµ»ñ- ï³ñµ»ñ ï»Õ»ñáõÙ ëå³ë³ñÏÙ³Ý áõÕÕáõÃ»³Ùµ: Ü»ñÏ³ÛÇë Éáõñç ³ßË³ï³Ýù »Ýù ï³ÝáõÙ ³Û¹ áõÕÕáõÃ»³Ùµ »õ áõ½áõÙ »Ýù ³Ùñ³óÝ»É ³ñÑ»ëï³õáñÝ»ñÇ å³ïñ³ëïÙ³Ý ûÕ³ÏÁ, áñáíÑ»ï»õ ³ÝáÝó å³Ñ³Ýç³ñÏÁ Ï³Û: ÞáõßÇáõÙ áõÝ»Ýù ß³ï É³õ áõëáõÙÝ³ñ³Ý` º½ÝÇÏ Øá½»³Ý ²ñÑ»ëï³·áñÍ³Ï³Ý àõëáõÙÝ³ñ³ÝÁ` ýñ³ÝëÇ³Ï³Ý Ùáï¿Éáí Ï³éáõóáõ³Í: Ø»Ýù áõ½áõÙ »Ýù µ³ñÓñ³ó-

Î.ê.- ÆëÏ ³ÝáÝù »±ñµ ëï»ÕÍáõ³Í »Ý, å³ï»ñ³½Ù¿Ý »±ïù: Ü.².- ä³ï»ñ³½ÙÇó Û»ïáÛ »Ý Û³é³ç³ó»É: Æñ³Ï³ÝáõÙ ß³ï ³õ»ÉÇ í³ï ¿ñ íÇ×³ÏÁ: ä³ï»ñ³½ÙÇó Û»ïáÛ Ù¿Ï ï³ëÝ»³ÏÇó ³õ»ÉÇ µáõÑ»ñ, Ñ³Ù³Éë³ñ³ÝÝ»ñ Ï³Ù Ù³ëÝ³×ÇõÕ»ñ ëï»ÕÍáõ»óÇÝ` ³Û¹ Å³Ù³Ý³Ï Ûëï³Ï å»ï³Ï³Ý ù³Õ³ù³Ï³ÝáõÃÇõÝ »õ í»ñ³ÑëÏáÕáõÃÇõÝ

Ï³Ý ÀÝ¹Ñ³Ýáõñ ØÇáõÃÇõÝÁ, Çñ Ï³ñ·ÇÝ, ²ñó³ËÁ ¹³ñÓáõó³Í ¿ ÙÝ³ÛáõÝ áõß³¹ñáõÃ»³Ý ³é³ñÏ³Û: ²ñó³ËÁ Çñ Ï³ñ»õáñ ï»ÕÁ áõÝ»ó³Í ¿ ÙÇáõÃ»³Ý ¹³ëïÇ³ñ³Ïã³Ï³Ý Íñ³·ÇñÝ»ñáõÝ Ù¿ç: ÐØÀØ³Ï³ÝÝ»ñ Ñ³ë³Ï ³é³Í »Ý ²ñó³ËÇ ë¿ñáí, ²ñó³ËÇÝ Í³é³Û»Éáõ »õ Ç Ñ³ñÏÇÝ ²ñó³ËÇÝ Ñ³Ù³ñ ½áÑáõ»Éáõ å³ïñ³ëï³Ï³ÙáõÃ»³Ùµ: àõ ãÙáéÝ³Ýù, áñ ÐØÀØ Çñ Ý³Ñ³ï³ÏÝ»ñÁ áõÝÇ ²ñó³Ë»³Ý å³Ûù³ñÇÝ. ì³ñ¹³Ý ´³Ëß»³ÝÁ, ì³ã¿ èáëïÙ»³ÝÁ, ìÇ·¿Ý ¼³ù³ñ»³ÝÁ »õ áõñÇßÝ»ñ Çñ»Ýó ³ñ»³Ùµ ·ñ»óÇÝ ²ñó³ËÇ Ýáñûñ»³Û Ù»ñ å³ïÙáõÃÇõÝÁ: §àõ »ñµ ÙÇáõÃÇõÝ ÙÁ ¹³ëïÇ³ñ³ÏáõÃ»³Ùµ, ½áÑ³µ»ñáõÃ»³Ùµ ²ñó³ËÇ Ñ»ï Ï ÁÉÉ³Û, µÝ³Ï³Ý ¿, áñ ³Ý Ý³»õ ²ñó³ËÇ Ù¿°çÁ ÁÉÉ³Û: Î³½Ù³Ï»ñå³Ï³Ý Ý»ñÏ³ÛáõÃÇõÝ »õ ÙÇáõÃ»Ý³Ï³Ý ·áñÍáõÝ¿áõÃÇõÝ áõÝ»Ý³Û: ´³Ý ÙÁ, áñ »ñÏ³ñ ï³ñÇÝ»ñ Ï³ñ»ÉÇ ã¿ñ Çñ³·áñÍ»É ½³Ý³½³Ý å³ï×³éÝ»ñáí¦, Û³ÛïÝ»ó ØÏñïÇã»³Ý: Þ³ñáõÝ³Ï»Éáí, ¶³éÝÇÏ ØÏñïÇã»³Ý Û³ÛïÝ»ó, áñ ³Ûëûñ µáÉáñÇÝ Ñ³Û»³óùÝ»ñÁ áõÕÕáõ³Í »Ý ³Ûëï»Õ, ³ñó³ËóÇ Çñ»Ýó ùáÛñ-»Õµ³ÛñÝ»ñáõÝ: ´áÉáñÁ Û³çáÕáõÃÇõÝ ÏÁ ó³ÝÏ³Ý Ýáñ³ëï»ÕÍ Ù³ëÝ³×ÇõÕÇÝ »õ ³ÝËïÇñ µáÉáñÁ Çñ»Ýó µáí³Ý¹³Ï Ï³ñ»ÉÇáõÃÇõÝÝ»ñÁ ÏÁ ¹Ý»Ý Ù³ëÝ³×ÇõÕÇÝ ïñ³Ù³¹ñáõÃ»³Ý ï³Ï, áñå¿ë½Ç ³Ý ³Ùñ³Ý³Û, Ñ½ûñ³Ý³Û, ÇñÙáí Ù»ñ ÅáÕáíáõñ¹Ý áõ å»ï³Ï³ÝáõÃÇõÝÁ ³Ùñ³Ý³Ý áõ Ñ½ûñ³Ý³Ý»: ²å³ª Î»¹ñáÝ³Ï³Ý ì³ñãáõÃ»³Ý ³ï»Ý³å»ïÁ ÁÝ¹áõÝ»ó Ýáñ³ëï»ÕÍ Ù³ëÝ³×ÇõÕÇ ëÏ³áõïÝ»ñáõÝ »ñ¹áõÙÁ: ²ñ³ñáÕáõÃÇõÝÁ ÷³Ïáõ»ó³õ ÐØÀØÇ ëÏ³áõï³Ï³Ý ß»÷áñ³ËáõÙµÇÝ ³½·³ÛÇÝ-Ñ³Ûñ»Ý³ëÇñ³Ï³Ý »Õ³Ý³ÏÝ»ñáí: ²å³ ØÏñïÇã»³Ý, Î»¹ñáÝ³Ï³Ý ì³ñãáõÃ»³Ý ³Ý¹³Ù ´³·ñ³ï ºë³Û»³Ý »õ ÐÚ¸ ²ñó³ËÇ Î»¹ñáÝ³Ï³Ý ÎáÙÇï¿Ç Ý»ñÏ³Û³óáõóÇã ¸³õÇÃ ÆßË³Ý»³Ý ³Ûó»ÉáõÃÇõÝ ÙÁ ïáõÇÝ Ý³Ë³·³Ñ ´³Ïû ê³Ñ³Ï»³ÝÇÝ »õ ßÝáñÑ³Ï³ÉáõÃÇõÝ Û³ÛïÝ»óÇÝ ÐØÀØ-ÇÝ óáõó³µ»ñ³Í Çñ ³ç³ÏóáõÃ»³Ý Ñ³Ù³ñ:

²Ûë ï³ñÇÝ»ñÇ ÁÝÃ³óùáõÙ ê÷ÇõéùÇ »õ Ð³Û³ëï³ÝÇ û·ÝáõÃ»³Ùµ »ñÏáõ Ï³ñ»õáñ ×³Ý³å³ñÑÝ»ñ Ï³éáõó»óÇÝù` ¶áñÇë-êï»÷³Ý³Ï»ñïÁ »õ ì³ñ¹»ÝÇëêï»÷³Ý³Ï»ñïÁ: ¸³ ß³ï É³õ ¿, µ³Ûó Ç í»ñçáÛ »Ã¿ Ù»ñ ·ÇõÕ»ñÁ Çñ³ñ Ï³åáÕ ×³Ý³å³ñÑÝ»ñÁ É³õ ã»Ý, ë³ Ýß³Ý³ÏáõÙ ¿, áñ ¿¹ ·ÇõÕ»ñÇ µÝ³ÏãáõÃÇõÝÁ Ñ³½áõ³¹¿å ¿ Ý»ñë áõ ¹áõñë ³ÝáõÙ »õ ë³ Ýß³Ý³ÏáõÙ ¿, áñ Ù¿Ïáõë³ë³Í »Ý ³åñáõÙ áõ ³ÝÁÝ¹Ñ³ï áõßù»ñÝÇÝ ¹áõñëÝ ¿ ÉÇÝ»Éáõ, áñ ·Ý³Ý: àñáíÑ»ï»õ ï»ëÝáõÙ »Ý Ó»ñ ³ë³Í ³Ù¿Ý É³õ, Û³ñÙ³ñáõÃÇõÝÝ»ñÁ »õ³ÛÉÝ »õ áõ½áõÙ »Ý Çñ»Ýó »ñ»Ë³Ý»ñÝ ¿É û·ïáõ»Ý ³Û¹ µ³Ý»ñÇó: ´³Ûó »Ã¿ ×³Ý³å³ñÑÝ»ñÁ É³õ ÉÇÝ»Ý ³õ»ÉÇ Ù»Í Ñ³Ù³ÛÝùÝ»ñ ÏÁ ÉÇÝ»Ý, Ï»³ÝùÁ ³õ»ÉÇ Ñ»ï³ùñùÇñ ÏÁ ÉÇÝÇ »õ µáÉáñ Û³ñÙ³ñáõÃÇõÝÝ»ñÁ ÏÁ ëï»ÕÍáõ»Ý, áñ Ù¿ÏÝ ¿É ãÇ Î.ê.- ÆëÏ ·ÇõÕ³Ï³Ý ßñç³ÝÝ»ñáõ Ù¿ç Ùï³ÍÇ áõñÇß ï»Õ ·Ý³Éáõ Ù³ëÇÝ: ÇÝãåÇëÇ±Ý ¿ ¹åñáóÝ»ñáõ Çñ³íÇ×³ÏÁ: Î.ê.- ²Ûëûñ Ð³Ù³Ñ³ÛÏ³Ï³Ý ÑÇÙÜ.².- Ø»Ýù ÑÇÙ³ ëïÇåáõ³Í »Ýù ³Ù¿Ý ùÇÉûÙ»ÃñÇ íñ³Û ¹åñáó å³Ñ»É, ÇëÏ Ý³¹ñ³ÙÁ Ñ³Ù³ÛÝù³ÛÇÝ Ï»¹ñáÝÝ»ñ Ï³³Ù¿Ý ¹åñáóÁ ¹³ Ýß³Ý³ÏáõÙ ¿, áñ µá- éáõó»Éáõ Ù»Í ×Ç· Ï°ÁÝ¿: Ð³õ³Ý³µ³ñ Û»Éáñ ³é³ñÏ³Ý»ñÇó áõëáõóÇãÝ»ñ áõÝ»Ý³É, ï³Ûëáõ »ÝÃ³Ï³éáÛóÝ»ñÁ å¿ïù ¿ ÉÇÝ»Ý áõ ãÝ³Û³Í ¿Ýï»Õ ï³ëÁ »ñ»Ë³Û »Ý, áõß³¹ñáõÃ»³Ý ³é³ñÏ³Û: Ü.².- Î³é³í³ñáõÃÇõÝÁ ÑÇÙÝ³¹ñ³å³ñï³õáñ »Ýù ³Û¹ ï³ëÁ, ÑÇÝ· »ñ»Ë³ÛÇ Ñ³Ù³ñ ¹åñáó å³Ñ»É, áñå¿ë½Ç ÙÇ ÙÇçáóáí ³Ù¿Ý ï³ñÇ Ý»ñÏ³Û³óÝáõÙ »ë ³õ»ÉÇ Ù»Í ¹åñáóÝ»ñ å³Ñ»Ù »õ ³õ»- ¿ å³Ñ³ÝçÝ»ñÁ: î»ëÝ»Ýù, ¹»é å³ñ½ ãÇ ÉÇ É³õ ÏñÃáõÃÇõÝ ï³Ù, É³õ ×³Ý³å³ñÑ- ÇÝãåÇëÇÝ ÏÁ ÉÇÝÇ Ð³Û³ëï³Ý Ð³Ù³Ý»ñ å¿ïù ¿ áõÝ»Ý³Ù: ÐÇÙ³ ß³ï íï³Ý- Ñ³ÛÏ³Ï³Ý ÐÇÙÝ³¹ñ³ÙÇ ³å³·³ÛÇ ·³õáñ ¿ ¿¹ ×³Ý³å³ñÑÝ»ñáí ¿¹ ·áñÍáõÝ¿áõÃÇõÝÁ: ÆëÏ ¶³Ý³ï³Ñ³Ûáõ»ñ»Ë³Ý»ñÇÝ ï³Ý»É ÙÇõë ·ÇõÕ áõ µ»ñ»É, ÃÇõÝÁ, Çñ³Ï³ÝáõÙ, ß³ï Ù»Í ·áñÍ»ñ ¿ áñáíÑ»ï»õ ×³Ý³å³ñÑÝ»ñÇ íÇ×³ÏÁ ³ÝáõÙ »°õ ÏñÃáõÃ»³Ý, »°õ ³é³Õç³å³ÑáõÃ»³Ý, »°õ ï³ñµ»ñ áÉáñïÝ»ñáõÙ: ß³ï í³ï ¿:

Ð³Ù³Ñ³ÛÏ³Ï³Ý Ê³Õ»ñáõ... Ý»É ³Û¹ Ù³Ï³ñ¹³ÏÇ ÁÝ¹Ñ³Ýáõñ Ù³ë- ãÏ³ñ »õ ³õ»ÉÇ ß³ï ¹³ åÇ½Ý¿ë ¿ñ Ý³Ý³·Çï³Ï³Ý ÏñÃáõÃÇõÝÁ, áñå¿ë½Ç ÑÝ³ñ³õáñáõÃÇõÝ ï³Ýù »ñ»Ë³Ý»ñÇÝ ³ÛÝåÇëÇ ÑÙïáõÃÇõÝÝ»ñ Ó»éù µ»ñ»É, áñáÝóáí Çñ»Ýù Ï³ñáÕ »Ý ³ßË³ï³Ýù ·ïÝ»É: ²ñó³ËáõÙ ãáñë Ñ³Ù³Éë³ñ³ÝÝ»ñ áõÝ»Ýù »õ Ù¿Ï ÇÝëïÇïáõï: ºñÏáõùÁ å»ï³Ï³Ý »Ý` Ø³Ûñ µáõÑ` êï»÷³Ý³Ï»ñïáõÙ »õ î»ËÝáÉáÏÇ³Ï³Ý Ñ³Ù³Éë³ñ³Ý` ÞáõßÇáõÙ, ÙÇõë »ñÏáõëÁ Ù³ëÝ³õáñ /³ÝÓÝ³Ï³Ý/ Ñ³Ù³Éë³ñ³ÝÝ»ñ »Ý` ¶ñÇ·áñ Ü³ñ»Ï³óÇ »õ Ø»ëñáå Ø³ßïáóÇ Ñ³Ù³Éë³ñ³ÝÝ»ñÁ »õ áõÝ»Ýù Ù¿Ï ÏÇñ³é³Ï³Ý ÇÝëïÇïáõï` Ú³Ïáµ ÎÇõñ×»³ÝÇ ²Ýáõ³Ý ÎÇñ³é³Ï³Ý ÇÝïÇïáõï ÞáõßÇáõÙ: ²Ûë áÉáñïáõÙ ¿É ÷á÷áËáõÃÇõÝ åÇïÇ ³Ý»Ýù, áñáíÑ»ï»õ ÷áùñÇÏ ²ñó³ËÇ Ñ³Ù³ñ ³Û¹ù³Ý Ñ³Ù³Éë³ñ³ÝÝ»ñÇ ³éÏ³ÛáõÃÇõÝÁ ×Çß¹ ã¿: Ø»Ýù å¿ïù ¿ ã³÷áñáßÇãÝ»ñÁ ³õ»ÉÇ µ³ñÓñ³óÝ»Ýù, áñå¿ë½Ç Ï³ñ»Ý³Ýù ³õ»ÉÇ áñ³Ï»³É ÏñÃáõÃÇõÝ ³å³Ñáí»É »õ Ù³ëÝ³õáñ µáõÑ»ñÁ ã»Ý Ï³ñáÕ áñ³Ï»³É ÏñÃáõÃÇõÝ ³å³Ñáí»É:

êºäîºØ´ºð 2019 Ä¸. î²ðÆ, ÂÆô 167

Ë³Ó»éÝáÕÝ»ñÇ Ñ³Ù³ñ, ÙÇõë ÏáÕÙÇó ¿É »ñÇï³ë³ñïáõÃ»³ÝÁ ²ñó³ËáõÙ å³Ñ»Éáõ ËÝ¹Çñ Ï³ñ, ¹ñ³ Ñ³Ù³ñ ï»ÕÍáõ»óÇÝ ³Û¹ µáõÑ»ñÁ, µ³Ûó Å³Ù³Ý³ÏÇ ÁÝÃ³óùáõÙ Ï³é³í³ñáõÃÇõÝÁ ·Ý³ó ÏïñáõÏ ù³ÛÉ»ñÇ »õ ÷³Ï»ó ÙÇ ß³ñù Ñ³Ù³Éë³ñ³ÝÝ»ñ, áñáÝù µáÉáñáíÇÝ ã¿ÇÝ Ñ³Ù³å³ï³ëË³ÝáõÙ, ãáõÝ¿ÇÝ å³ÛÙ³ÝÝ»ñ »õ Ý»ñáõÅ: ²Ûëûñ »ñ»ù Ù³ëÝ³õáñ µáõÑ ¿ ÙÝ³ó»É, áñáÝù ³é³ÛÅÙ ·áñÍáõÙ »Ý ï³ñµ»ñ ÏñÃ³Ï³Ý Íñ³·ñ»ñáí, µ³Ûó ÑÇÙ³ Ñ³õ³ï³ñÙ³·ñÙ³Ý ·áñÍÁÝÃ³ó »Ýù ëÏë»É, Ý³»õ Ýáñ ûñ¿Ýù åÇïÇ ÉÇÝÇ »õ Ï³ñÍáõÙ »Ù ³ñ¹¿Ý ¿¹ µáõÑ»ñÝ ¿É å¿ïù ¿ Ñ³Ù³å³ï³ëË³Ý ÷á÷áËáõÃÇõÝÝ»ñ ³Ý»Ý` Ñ³Ï³é³Ï ¹¿åùáõÙ Ýñ³Ýù Ñ³õ³ï³ñÙ³·ñáõÙ ã»Ý ëï³Ý³Éáõ:

êºäîºØ´ºð 2019 Ä¸. î²ðÆ, ÂÆô 167

²ðàôºêî

Ú³çáñ¹³Ï³Ý Üáõ³×áõÙÝ»ñÁ Üáñ Ú³ÝÓÝ³éáõÃÇõÝÝ»ñáõ ÏÁ ØÕ»Ý ºáõñá½Á Øáíë¿ë ÌÇñ³ÝÇ

îÝ³ÝÏÇª (homeless) Ï³ñ·³íÇ×³Ï¿Ý Ñ³½Çõ Ó»ñµ³½³ïáõ³Í »õ ßÝáñÑÇõ Çñ ³ñï³Ï³ñ· ï³Õ³Ý¹ÇÝ« Û³ÝÏ³ñÍª ³é³Ýó Ù³ëÝ³õáñ ×Ç·Ç« ºáõñá½Ç ï³ñÇÝ»ñáõ »ñ³½³ÝùÁ Çñ³Ï³ÝáõÃÇõÝ ÏÁ ¹³éÝ³ñ áõ »ñ÷Ý³·ñ»Éáõ Û³ñÙ³ñ³õ¿ï µ³ó³éÇÏ å³ÛÙ³ÝÝ»ñ ÏÁ ëï»ÕÍáõ¿ÇÝ Çñ»Ý Ñ³Ù³ñ: ²Û¹ ûñ¿Ý Ç í»ñ ³éÑ³õ³Ï³Ýûñ¿Ý Çñ Ù¿ç Ïáõï³Ïáõ³Í ÉÇóù³Ã³÷áõ»Éáõ Ý»ñùÇÝ ÙÕáõÙÝ»ñÁ Ñ³Ý·Çëï ã»Ý ï³ñ ³Ýáñ:ºÃ¿ Ñ»ïõÇÝù Çñ Ï»³ÝùÇ ÏßéáÛÃÇÝ« åÇïÇ ÝßÙ³ñ»Ýù« áñ ³Ý áã ÙÇ³ÛÝ ³ñ³ñã³Ï³Ý Ñ»ßï³ÝùÇ §³Ýµ³õ³ñ³ñáõ³ÍáõÃ»Ý¿¦ ÏÁ ï³é³åÇ« ³ÛÉ Ý³»õ Ç í»ñáõëï ·»Õ³·Çï³Ï³Ý Û³ñ³ï»õ áñáÝáõÙÝ»ñáõ §¹³ï³å³ñïáõ³Í¦ ÏÁ ÃáõÇ ÁÉÉ³É: ÖßÙ³ñïáõÃÇõÝÁ ³ÛÝ ¿« áñ ³Ûë ³ñáõ»ëï³·¿ïÁ áã ÏÁ ·áÑ³Ý³Û Çñ»ñ³Û³çáñ¹ Ýáõ³×áõÙÝ»ñáí ¨ áã ³É ÏÁ ßÉ³Ý³Û ÙÇç³½·³ÛÇÝ ·Ý³Ñ³ïáõÙÝ»ñ¿Ý« ÁÝ¹Ñ³Ï³é³ÏÁ« ³ÛëåÇëáí ³Ý ÇÝù½ÇÝù ëï»ÕÍ³·áñÍ³Ï³Ý Ýáñ Û³ÝÓÝ³ñ³éáõÃÇõÝÝ»ñáõ ï³Ï ÏÁ ¹Ý¿: Î³ñ»Ý³É Û³ÛïÝ³µ»ñ»Éáõ »õ ¹ñë»õáñ»Éáõ Ñ³Ù³ñ Çñ ¿áõÃ»³Ý Ù¿ç ³ÝÃ»Õáõ³Í á·»Õ¿Ý ·³ÝÓ»ñÁ« ³Ý Å³Ù³Ý³ÏÇ ÁÝÃ³óùÇÝ ³õ»ÉÇ áõ ³õ»ÉÇ ÏÁ ÙËñ×áõÇ Çñ »ÝÃ³·Çï³ÏÇóÇ Ñá·»Ùï³õáñ Í³Éù»ñ¿Ý Ý»ñë áõ ÏÁ ß³ñáõÝ³Ï¿ Çñ µ»ÕÙÝ³õáñ áõëáõÙÝ³ëÇñáõÃÇõÝÝ»ñÁ: Ð³ëÏÝ³ÉÇ ¿« áñ ³Ûë µáÉáñÁ ·»ñ³·áÛÝ ×Ç·« É³ñáõ³Í áõ Û³ñ³ï»õ ³ßË³ï³Ýù ÏÁ Ï'»ÝÃ³¹ñ»Ý: ²ÛÝáõ³Ù»Ý³ÛÝÇõ ºáõñá½ÇÝ áã ëï»ÕÍ³·áñÍ»Éáõ Ý»ñùÇÝ Ïñ³ÏÁ ÏÁ å³ÏëÇ« áã Ñ½ûñ »ñ»õ³Ï³ÛáõÃÇõÝÁ »õ áã ³É ³ßË³ï³ëÇñáõÃÇõÝÁ: Ðáë åÇïÇ ã³Ý¹ñ³¹³éÝ³Ýù ³Ýáñ ³Ýó»³ÉÇ ³ÛÝ Ýáõ³×áõÙÝ»ñáõÝ« áñáÝù ³ñ¹¿Ý ÇëÏ Í³ÝûÃ »Ý Ù»ñ ÁÝÃ»ñóáÕÝ»ñáõÝ: ²Ûë å³ñ³·³ÛÇÝ ³éÇÃÝ»ñÁ »ñ»ùÝ »Ý: ·. ²é³çÇÝÁª Ý³Ë ³Ýó»³É ï³ñáõ³Û ÜáÛ»Ùµ»ñÇÝ« ºáõñá½Ç Ù¿Ï ·ÉáõË ·áñÍáóÁª §Ì³é»ñáõ ä³ñÁ¦ Ùßï³Ï³Ý óáõó³¹ñáõÃ»³Ý ³ñÅ³Ý³ó³õ ³Ù»ñÇÏ»³Ý Coral Springs Museum of Art Å³Ù³Ý³Ï³ÏÇó ³ñáõ»ëïÇ Ã³Ý·³ñ³ÝÇÝ ÏáÕÙ¿: ÆõÕ³Ý»ñÏáí Ïï³õÇ íñ³Û »ñ÷Ý³·ñáõ³Í ³Ûë Ù»ÍÕÇ ·áñÍÁª §Ì³é»ñáõ ä³ñÁ¦ ÏÁ å³ïÏ³ÝÇ Symbiosis ß³ñùÇÝ: êÇÙåÇáëÇë ÑÇÝ ÛáõÝ³ñ¿Ýáí µ³é³óÇûñ¿Ý ÏÁ Ýß³Ý³Ï¿© §Ñ³Ù³Ï»ÝëáõÃÇõÝ¦: ºáõñá½ Ï'³ÏÝ³ñÏ¿ Ù³¹áõ »õ µÝáõÃ»³Ý Ñ³Ù³ï»Õ Ñ³Ù»ñ³ßË ·áÛ³ÏóáõÃ»³Ý: ö³ëïûñ¿Ý Ù³ñ¹Ý áõ µÝáõÃÇõÝÁ ëï»ÕÍáõ³Í »Ý ½Çñ³ñ ³ÙµáÕç³óÝ»Éáõ »õ Çñ³ñáõ ·áÛ³ï»õáõÙÁ ³å³Ñáí»Éáõ Ñ³Ù³ñ« ë³Ï³ÛÝ ³Ûëûñ ·³ÕïÝÇù ÙÁ ã¿ áñ µÝáõÃÇõÝÁ ³ÝËÝ³Û Ï»ñåáí ÏÁ ÷×³óáõÇ Ù³ñ¹áõ ÏáÕÙ¿ »õ Ù»Í³·áÛÝ ïáõÅáÕÝ áõ ½áÑÁ ÝáÛÝ ÇÝùÝ Ù³ñ¹ÏáõÃÇõÝÝ ¾: Ðáë ³ñáõ»ëï³·¿ïÁ Ñ³Ý¹¿ë Ïáõ ·³Û Çµñ¨ µÝáõÃ»³Ý »õ Ï»³ÝùÇ å³ßïå³Ý: ²Ûë ³éÇÃáí Ã³Ý·³ñ³ÝÇ ïÝûñ¿ÝÁª Julia Andrews Ï'Áë¿©§²Ýáñ Ì³é»ñáõ ä³ñÁ ·»Õ»óÇÏ ëï»ÕÍ³·áñÍáõÃÇõÝÁ ÏÁ ¹ñë»õáñ¿ Ëáñ á·»ÕÇÝ³Ï³ÝáõÃÇõÝ »õ Ï³ñ»Ïó³Ýù Ñ³Ý¹¿å µÝáõÃ»³Ý: Ø»Ýù Ñå³ñï »Ýù áõ å³ïÇõ áõÝÇÝù ºáõñá½Ç »ñ÷Ý³·ÇñÁ Ý»ñ³éÝ»Éáõ Coral Springs Museum of Art Ã³Ý·³ñ³ÝÇ ÙÝ³ÛáõÝ Ñ³õ³ù³ÍáÛ¿Ý Ý»ñë¦: Æ ¹¿å µ³ñÓñ Ñ»ÕÇÝ³ÏáõÃÇõÝ í³Û»ÉáÕ ³Ûë Ã³Ý·³ñ³ÝÁ) Çñ É³õ³·áÛÝ ï³ëÝ»³ÏÇ Ù¿ç« î¿ÛÉ âÇáõÉÇÇ »õ ÂáõÉáõ½ ÈáÃñ¿ùÇ ß³ñùÇÝ ÏÁ ÛÇß¿ Ý³»õ ºáõñá½Ç ³ÝáõÝÁ: ·. ºñÏñáñ¹ÁªÐÇÛ³ÃÃ ÑÇõñ³Ýáó³ÛÇÝ ó³ÝóÇ å³ïáõ¿ñÝ ¿ñ: ÞÝáñÑÇõ ºáõñá½Ç Ý»ñÏ³Û³óáõó³Í ÛÕ³óùÇª ë»ñïáõ³Í áõ Ù³ñ¹Ï³ÛÝ³Ï³Ý µáí³Ý¹³ÏáõÃ»³Ýª »õ Ù³Ý³õ³'Ý¹ ·»Õ³ñáõ»ëï³Ï³Ý

ÇÝùÝ³ïÇå ÉáõÍáõÙÝ»ñáõÝ« µ³½Ù³ÃÇõ Ã»ÏÝ³ÍáõÝ»ñ¿Ý Ý³Ë³å³ïáõáõÃÇõÝÁ ÏÁ ïñáõÇ Çñ»Ý: êï»ÕÍ³·áñÍ³Ï³Ý »ñÏ³ï»õ »ñÏáõÝù¿ ÙÁ »ïù Ç í»ñçáÛ §½ñáÛó¦ Ëáñ³·ñáõ³Í ³Ûë ·ÉáõË ·áñÍáóÇ å³ßïoÝ³Ï³Ý µ³óáõÙÁ ï»ÕÇ áõÝ»ó³õ ³ÝóÝáÕ ï³ñáõ³Û ÝáÛ»Ùµ»ñÇ 16-ÇÝ« ÎÉ¿Ýï¿ÛÉÇ Ù¿ç å»ï³Ï³Ý Ù³Ï³ñ¹³Ïáí: Æñ³Ï³ÝáõÃ»³Ý Ù¿ç ³ëÇÏ³ µ³ñ¹ »õ µáí³Ý¹³Ï³ÉÇó ÛûñÇÝáõÙ (installation) ÙÁÝ ¿« ÓûÝáõ³Íª Ø³ñ¹ ¿³ÏÇ »õ ÙÇç³í³ÛñÇ ÷áËÛ³ñ³µ»ñáõÃ»³Ý Ã»Ù³ÛÇÝ: äáÕå³ï³Ï»ñï ·ÉË³õáñ ÏáÃáÕÁ« áñ Ëûë³ÏóáõÃ»³Ý µéÝáõ³Í »ñÏáõ í»ñ³ó³ñÏáõ³Í ¹¿Ùù»ñ ÏÁ Ý»ñÏ³Û³óÝ»Ý« ½»ï»Õáõ³Í ¿ ê¾ÝÃñÁÉ »õ àõÇÉëÁÝ åáÕáï³Ý»ñáõ Ë³ãÙ»ñáõÏÇÝª Ýáñ³Ï»ñï ÐÇÛ³ÃÃ ÑÇõñ³ÝáóÇ ³ÝÏÇõÝÁ« áñáõÝ ×³ÏïáÝ³å³ïÁ ù³Ý¹³Ï³½³ñ¹áõ³Í ¿ Ý»ñë¿Ý Ã¿ ¹áõñë¿Ý« Çµñ»õ ß³ñáõÝ³ÏáõÃÇõÝÁ ÙáõïùÇÝ ëÏëáõ³Í §¼ñáÛó¦-ÇÝ: ºáõñá½ ³Ûë ³éÇÃáí Ñ»»õ»³É µ³ó³ïñáõÃÇõÝÁ Ïáõ ï³Û©§ ÚáÛë áõÝÇÙ áñ ÇÙ ÛÕ³óùÁ ÏñÝ³Û á·»õáñáÕ Ï³å ÙÁ ëï»ÕÍ»É ³ÏÝ¹ÇñÝ»ñáõª ÁÉÉ³Û ï»ëáÕ³Ï³Ý Ã¿ ½·³ó³Ï³Ý áÉáñïÝ»ñáõ ÙÇç»õ:²ÛëåÇëáí ³ñáõ»ëïÇ ·áñÍÁ ãÇ ÙÝ³ñ ÉáÏ Çµñ»õ ù³Ý¹³Ï ³ñáõ»ëï³ë¿ñÝ»ñáõ Ñ³Ù³ñ«³ÛÉ Çµñ»õ ³Ýµ³Å³Ý»ÉÇ Ù³ë« Ï'Á¹»Éáõ½áõÇ ³ÝáÝó ¿áõÃ»³Ý« ³ÛÝå¿ë ÇÝãå¿ë µ³ñÓñáñ³Ï ×³ñï³ñ³å»ï³Ï³Ý Ï³éáÛó ÙÁ Çñ ÙÇç³í³ÛñÇÝ: ²Ûë Ý³Ë³·ÇÍ Çñ³·áñÍÙ³Ý Ñ³Ù³ñ ÙÕáõ³Í »ûÃ ï³ñáõ³Û ï³ñµ»ñ µÝáÛÃÇ áñáÝáõÙÝ»ñÁ Ý»ñßÝã»óÇÝ ½Çë« áñå¿ë ½Ç Ï³ñáÕ³Ý³Ù ß³ñáõÝ³Ï»É áõ µ³ó³Û³Ûï»É áõñáÛÝ (·»Õ³·Çï³Ï³Ý) áõÅÁ Çõñ³ù³ãÇõñ ³ñï³Û³Ûïã³ÙÇçáóÇ »õ Ýáõ³×áõ³Í ÛÕ³óùÇ: ²ÛëåÇëáí ÇÙ Ï»³ÝùÇ §åá¿ÙÁ¦ ÏÁ Ã»õ³ÏáË¿ ¹¿åÇ (ëï»ÕÍ³·áñÍ³Ï³Ý) Ýáñ ï³ñ³Í³Ï³ÝáõÃÇõÝ: ·. ºññáñ¹Áª áñ ß³ï ³õ»ÉÇ Ù»Í ÙÇç³½·³ÛÇÝ Ýß³Ý³ÏáõÃÇõÝ »õ ï³ñáÕáõÃÇõÝ áõÝÇ« ³ÝóÝáÕ ÚáõÉÇëÇ 16-ÇÝ ½»ï»Õáõ»ó³õ âÇÝ³ëï³ÝÇ ¶³ÝÅáõ Ý³Ñ³Ý·Ç ØÇÝÏáõÇÝ ù³Õ³ùÇÝ ³Ýçñ¹Ç µ³ó³ïÇ ï³ñ³ÍùÇÝ: ê³Ï³ÛÝ ÇÝãá±õ Û³ïÏ³å¿ë ¶³ÝÅáõ Ý³Ñ³Ý·ÇÝ Ù¿ç: ²Ûë Ñ³ñóÁ Çñ ïñ³Ù³µ³Ý³Ï³Ý »õ Ñ³Ùá½Çã µ³ó³ïñáõÃÇõÝÁ áõÝÇ: ²ÝóÝáÕ ï³ñÇÝ»ñáõÝ µÝ³ÏÉÇÙ³Û³Ï³Ý ÷á÷áËáõÃÇõÝÝ»ñáõ Ñ»ï»õ³Ýùáí« ¶³ÝÅáõ Ý³Ñ³Ý·Á ÏÁ ½ñÏáõÇ çáõñ¿ »õ Ñ»ï»õ³µ³ñ Ý³¨ª µáõë³Ï³ÝáõÃ»Ý¿: Ü³Ñ³Ý·Á Ù³ñ¹³Ã³÷áõÙ¿ ÷ñÏ»Éáõ »õ ï³ñ³Í³ßñç³ÝÁ ß³Ñ³õ¿ï ¹³ñÓÝ»Éáõ Ñ³Ù³ñ« å»ïáõÃÇõÝÁ Ý³Ë Ï'áñáß¿ çñ³Ù³ï³Ï³ñ³ñÙ³Ý ³ñÑ»ëï³Ï³Ý ó³Ýó»ñ Ï³éáõó»É ¨ ³å³ ÛûñÇÝáõÙÝ»ñáõ »õ ÏáÃáÕÝ»ñáõ µ³óû¹»³Û Ã³Ý·³ñ³Ý ÙÁ ëï»ÕÍ»É« áñå¿ë ½Ç ù³ç³É»ñ»Ý Ý³»õ ½µûë³ßñç³ÛÇÝ Ùß³ÏáÛÃÁ: ´³½Ù³ÏáÕÙ³ÝÇûñ¿Ý ß³Ñ³õ¿ï ³Ûë ÙñóáõÙÇÝ ÏÁ Ù³ëÝ³ÏóÇÝ 2700 Ï»ñå³ñáõ»ëï³·¿ïÝ»ñ ³ÙµáÕç ³ßË³ñÑ¿Ý: Ø³ëÝ³·¿ïÝ»ñáõ ÏáÕÙ¿ Ý³Ë Ï'ÁÝïñáõÇÝ ÛÇëáõÝ ·áñÍ»ñ« áñáÝù ÏÁ íëï³ÑáõÇÝ Û³ïáõÏ ¹³ï³Ï³Ý Ï³½ÙÇ ÙÁ í»ñçÝ³Ï³Ý í×ÇéÇÝ: Ð³Ù³ÏáÕÙ³ÝÇ ùÝÝ³ñÏáõÙÝ»ñ¿ »õ í»ñÉáõÍáõÙÝ»ñ¿ »ïù Ï'áñáßáõÇ ï³ëÁ ÛÕ³óùÝ»ñ ÙÇ³ÛÝ ½»ï»Õ»É ËÝ¹ñáÛ ³é³ñÏ³Û ï³ñ³ÍùÇÝ íñ³Û: ²ÛëåÇëáí ºáõñá½Ç §öáËÛ³ñ³µ»ñáõÃÇõÝ¦(communication) ÛûñÇÝáõÙÁ (installation) ÏÁ ÙïÝ¿ ³ßË³ñÑÇ É³õ³·áÛÝ ï³ëÝ»³ÏÇÝ Ù¿ç: äáÕå³ï³Ï»ñï »õ áõÃÁ Ù»Ãñ µ³ñÓñáõÃÇõÝ áõÝ»óáÕ ³Ûë ÛÕ³óùÁ ÏÁ Ý»ñÏ³Û³óÝ¿ ãáñó³Í« µ³Ûó« µáÕáù»Éáõ ¨ í»ñ³Ï»Ý¹³Ý³Ý³Éáõ ÁÝ¹áõÝ³Ï Í³é ÙÁ« áñáõÝ »ñÏáõ ÏáÕÙ»ñÁ ½»ï»Õáõ³Í »Ý Ï³Ý³óÇ ¨ ïÕ³Ù³ñ¹áõ ·ÉáõËÝ»ñ« áñáÝù Ù¿Ï ÏáÕÙ¿ ÑáÕ¿Ý µáõë³Í ÏÁ ÃáõÇÝ ÁÉÉ³É ¨ ÙÇõë ÏáÕÙ¿ Ñ³Û»³óùÝÇÝ áõÕÕ³Í »Ý ¹¿åÇ í»ñ« ÏÁ ëå³ë»Ý áñ ³ÝÓñ»õ ·³Û« §Ì³éÁ¦ ÍÉÇ áõ

ºáõñá½Ç ëï»ÕÍ³·áñÍáõÃÇõÝÝ»ñ¿Ýª §öáË³µ»ñáõÃÇõÝ¦

§Ì³é»ñáõ ä³ñÁ¦

§¼ñáÛó¦

Í³ÕÏÇ »õ ÙÇç³í³ÛñÁ í»ñ³Ï»Ý¹³Ý³³Ý³Û: ²Ûë Ù¿ÏÁ ºáõñá½Ç ÏáÃáÕÝ»ñ¿Ý »ñÏñáñ¹Ý ¿« áñ ÏÁ ½»ï»ÕáõÇ âÇÝ³ëï³ÝÇ Ù¿ç: ²é³çÇÝÁª 2016-ÇÝ« ³Ýáñ Ù¿Ï ³ÛÉ ·ÉáõË ·áñÍáóÁª §Ú³õ»ñÅáõÃÇõÝ¦Á (Eternity)« ³Ûë ³Ý·³Ù Çñ»Ýó Ññ³õ¿ñáí »õ å³ïáõ¿ñáí« ¹³ñÓ»³É åáÕå³ï³Ï»ñï »õ ãáñë Ù»Ãñ µ³ñÓñáõÃ»³Ùµ ½»ï»Õáõ»ó³õ Chuangzhi-Ç GINO ½µûë³Û·ÇÇ µ³óû¹»³Û Ã³Ý·³ñ³ÝÇÝ Ù¿ç: Æ ¹¿å í»ñçÇÝ ï³ëÝ³Ù»³ÏÇÝ Ì³Ûñ³·áÛÝ ²ñ»õ»É»³Ý »ñÏÇñÝ»ñáõ ÇßË³ÝáõÃÇõÝÝ»ñáõÝ ÏáÕÙ¿ Û³ïáõÏ Ñ»ï³ùñùñáõÃÇõÝ »õ ³ßËáõÅáõÃÇõÝ ÏÁ óáõó³µ»ñáõÇ Ï»ñå³ñáõ»ëïÇ Ñ³Ý¹¿å« Û³ïÏ³å¿ëª ÙÇç³½·³ÛÇÝ óáõó³Ñ³Ý¹¿ëÝ»ñáõ ÍÇñÇ íñ³Û: Â¿ ³ñáõ»ëïÇ áõëáõóáõÙÁ ÏÁ ù³ç³É»ñáõÇ« Ã¿ Ýáñ Ï»¹ñáÝÝ»ñ áõ Ã³Ý·³ñ³ÝÝ»ñ ÏÁ ÑÇÙÝáõÇÝ »õ Ã¿ ³ñáõ»ëïÇ ·áñÍ»ñáõ Ñ³õ³ùáñ¹Ý»ñÁ ÏÁ µ³½Ù³-

Ý³Ý: ²ÛëåÇëáí Çñ»Ýó Ùß³ÏáÛÃÁ ÏÁ Ñ³ñëï³Ý³Û ³ñ»õÙï»³Ý ·»Õ³ñáõ»ëï³Ï³Ý É»½áõ³Ùï³ÍáÕáõÃ»³Ùµ »õë: Ì³Ûñ³·áÛÝ ²ñ»õ»ÉùÇ Ù¿ç ºáõñá½Ç ³ñÓ³Ý³·ñ³Í Û³çáÕáõÃÇõÝÝ»ñÝ áõ Ýáõ³×áõÙÝ»ñÁ å³ï³Ñ³Ï³Ý ã»Ý ÏñÝ³ñ ÁÉÉ³É: ²ÝáÝù Ï'áñáÝ»Ý áõ ÏÁ ·Ý³Ñ³ï»Ý ÙÝ³ÛáõÝ ³ñÅ¿ù Ý»ñÏ³Û³óÝáÕª Çõñ³Û³ïáõÏ áõ µ³ñÓñáñ³Ï ³ñáõ»ëï ÙÇ³ÛÝ: ²ÝóÝáÕ Çñ»ñ³Û³çáñ¹ ãáñë ï³ñÇÝ»ñáõ ÁÝÃ³óùÇÝ Üá³½ ²ñù óáõó³ëñ³ÑÇÝ ÏáÕÙ¿ ºáõñá½Ç ³ñáõ»ëïÁ Ý»Ï³Û³óáõ»ó³õ êÇÝÏ³÷áõñÇ Art Stage ÙÇç³½·³ÛÇÝ óáõó³Ñ³Ý¹¿ëÇÝ« ÙÇßï ³ñÅ³Ý³ÝÉáí ç»ñÙ ÁÝ¹áõÝ»ÉÇáõÃ»³Ý »õ µ³ñÓñ ·Ý³Ñ³ï³ÑùÝ»ñáõ: ÆÝãå¿ë Ç Û³Ûï Ïáõ ·³Û Çñ ëï»ÕÍ³·áñÍáõÃÇõÝÝ»ñáõ í»ñÉáõÍáõÙÝ»ñ¿Ý« ³Ýáñ ³ñáõ»ëïÁ ³ñï³Û³Ûïã³Ó»õ»ñáí Ñ³ñáõëï ¿ »õ µ³½Ù³ÏáÕÙ³ÝÇ« ÇëÏ µáí³Ý¹³ÏáõÃ»³Ùµª Ëáñ³å¿ë Ù³ñ¹Ï³ÛÇÝ »õ ÇÙ³ëï³ÉÇó:

êºäîºØ´ºð 2019 Ä¸. î²ðÆ, ÂÆô 167

¶Çï¿±Çù Ã¿ Â³ÕÙ³Ý Í³Ëë»ñÁ ·ñ»Ã¿ ÝáÛÝÝ »Ý »õ Ï³Ë»³Éª ÁÝï³ÝÇùÇ Ï³ï³ñ³Í ÁÝïñáõÃ»Ý¿Ý

ÂáñáÝÃáÛÇ Ð³Û Î»¹ñáÝÇ ºñ¿óÝ»ñáõ ÀÝÏ»ñ³ÏóáõÃÇÝÁ Ïáã Ï°áõÕÕ¿ ·³ÕáõÃÇë »ñ¿ó ³Ý¹³ÙÝ»ñáõÝ Ù³ë Ï³½Ù»Éáõ ÀÝÏ»ñ³ÏóáõÃ»³Ý »õ í³Û»É»Éáõ Ùï»ñÙÇÏ ÙÃÝáÉáñï

³Ù¿Ý »ñ»ùß³µÃÇ ³é. Å³ÙÁ 9:00¿Ý ÙÇÝã»õ Ï». Å³ÙÁ 2:00Á ÂáñáÝÃáÛÇ Ð³Û Î»¹ñáÝ¿Ý Ý»ñë£

´³ñ»õ § »ë ×áÝ ø¿ÛÝÝ »Ùª R.S.Kane Funeral Home-Ç Ý³Ë³·³ÑÁ: ºÃ¿ Û³õ»É»³É û·ÝáõÃ»³Ý å¿ïù áõÝÇù § ËÝ¹ñ»Ù Ï³åáõ»ó¿ù Ù»½Ç Ñ»ï Ð»é© 416-221-1159 Î³Ù e-mail: info@rskane.ca

TORONTO ARMENIANS

êºäîºØ´ºð 2019 Ä¸. î²ðÆ, ÂÆô 167

ARS Summer Camp Wrapped Up Another Great Run

A group of ARS Summer Camp children.

Pool day

Summer Camp children in the gym.

Summer adventures in the forest.

ARS Summer Camp (Jampar) had another successful summer this year from July 2 to August 23 at the Armenian Youth Centre. This year the camp welcomed more than 220 campers from kindergarten to grade 8 for a duration of eight weeks. The daily camp program included: arts and crafts, baking, interactive and engaging Armenian and music classes, computer lessons, and outdoor/indoor interactive plays and activities. On Tuesdays, grades 1-8 had swimming time while going to outdoor pools. On Wednesdays, the camp hosted diverse in-house activities and chess inhouse sessions and on Fridays, the camp went on exciting field trips. In addition to all this fun, on numerous

occasions, there were camp-wide games in the gym to promote inclusion and foster a safe, welcoming community. New this year, was the leadership and STEM program for grades 6-8. While the older campers developed their own leadership skills, they also fostered the younger campers' self-esteem through play and team-building. Campers and staff alike gained new relationships and unforgettable memories. All of this was made possible thanks to the dedication and support of the ARS Summer Camp Committee, the camp staff, the parents, and generous donors. It is a huge honour to serve our Armenian Community and to prepare our leaders-in-themaking.

Milk Fund For The Children Of Armenia This year s traditional, annual fundraising event of the Milk Fund was held on July 21st at the beautiful Edwards Gardens. Attendees were delighted with the delicious mezes, a buffet dinner, drinks and desserts. Singer Mher serenaded the crowd and Mubayad wowed us with his incredible violin playing. Unsurprisingly, everyone enjoyed the entertainment so much so that many took to the dance floor to celebrate. It was a great event and much fun was had by all. Thanks must be given to the organizers and supporters, for without them this year s event would not have been the incredible success it was. A brief history of the Milk Fund: It was founded 30 years ago, at the time of the devastating earthquake in Armenia, by a group of friends in Toronto unfortunately many of whom are no longer with us to offer immediate help needed. Powdered milk (thus

the birth of the MILK FUND), food and all necessities were to reach urgently to the orphaned children. Throughout the years, the Milk Fund has helped schools, orphanages, hospitals, injured soldiers and much more. With the support of our Community, the Milk Fund continues its modest but much needed help to Armenia. At the present time, regular help goes to a special school for mentally challenged children in Yerevan, the kindergarten in Chil Village, where about 40 children get to have breakfast and lunch every day, Mor Mangants Birthing Centre in Akhourian, Yerevan, the Rehab Hospital in Yerevan, three large families of injured soldiers in Gumri, whose living conditions are sub-standard. Also, one-time funds are allocated when need arises.

Heading for the ice crème truck.

Armenian Relief Society Marks World Humanitarian Day On August 19 Armenian relief Society marked World Humanitarian Day, as a day that recognizes the efforts of those people who sacrifice their lives to help people. The day focuses on the unsung heroes who work on the front lines in their own communities and in some of the most difficult places in the world. This year, the United Nations is saluting the efforts of women aid workers from across the world, who rally people in need. The Armenian Relief Society recognizes the compassion and bravery of humanitarian workers, including the members of our organization who continue to carry out our noble mission. What started with tiny steps to train volunteers sworn to assist Armenian villagers when self-determination and survival were at stake, in no time became the most prominent International Armenian Women s organization,

who continuously serves the needs of the Armenian people, diasporan communities, our homeland, and the world. Humanitarian workers provide life-saving assistance consisting of first aid, nutrition, shelter, and help rebuild after disaster has struck. Providing Relief and Radiating Hope has been a central focus of our mission, one that our members have carried out so diligently. So today and every day we recognize the important work that are carried out by our members and those humanitarian workers around the world, sometimes even under the worst of conditions.

www.torontohye.ca

ARMENIA

êºäîºØ´ºð 2019 Ä¸. î²ðÆ, ÂÆô 167

7th Pan-Armenian Games Opened In Stepanakert And Concluded In Yerevan

Opening ceremony of 7th Pan-Armenian Games in Stepanakert, August 6.

Thousands of crowds in the Stepanakert stadium watching the opening ceremony of the Pan Armenian Games.

Artsakh President Bako Sahagian, Armenian Prime Minister Nikol Pashinian accompanied with their spouses and other high ranking officials attend the opening ceremony of the 7th Pan-Armenian Games in Stepanakert.

A billboard in Stepanakert announcing the 7th Pan Armenian Games.

Meeting with organizers of the Games earlier, Pashinyan called it symbolic that this year the opening of the pan-Armenian sporting event takes place in the Nagorno-Karabakh capital. He said that the Games can become a good platform for our pan-national conversation. I think that it will be very useful if we really manage to expand the idea of panArmenianism. In this sense, of course, the Pan-Armenian Games have a very important and exceptional significance, the head of the Armenian government underscored. After 10 days of games and competitions, the closing ceremony of the 7th Pan-Armenian Games was held on 17 August at Freedom Square in Yerevan. The ceremony was attended by the Armenian Prime Minister Nikol Pashinyan, Armenian Parliament Speaker Ararat Mirzoyan and Armenian Deputy Prime Minister Tigran Avinyan. The Olympic flag was lowered by Olympic champions Hrachya Petikyan and Israel Militosyan. The fire of the Pan-Armenian Games is extinguished. (Sources: RFE/RL, others)

A scene from the closing ceremony in Yerevan, August 17.

Dr. Raffi Aynaciyan braces for children and adults

D.D.S., M.Cl.D., F.R.C.D.(C)

Orthodontist Richmond Hill (Hillcrest Mall): 9350 Yonge Street, Suite 216 905-884-4161 North York: 3333 Bayview Avenue, Suite 203 416-221-0660 Downtown Toronto: 11 King Street West, Suite C115 416-363-3018

Ara Graphics

The Seventh Summer Pan-Armenian Games opened in Stepanakert in a ceremony held at the Nagorno-Karabakh capital s stadium on August 6. The quadrennial Games bringing together hundreds of ethnic Armenian athletes from around the world are designed to foster closer relationships between Armenia and its farflung Diaspora. This year Stepanakert has been chosen to co-host the Games. Most of the competitions, however, will still be held in the Armenian capital of Yerevan. Summer Pan-Armenian games have been held in Armenia since 1999. In 2014, the first winter Pan-Armenian Games took place in the Armenian ski resort town of Tsaghkadzor. Nearly 5,300 athletes and sports delegation members coming from more than three dozen countries are attending the current Games that feature sports like soccer, basketball, volleyball, golf, swimming, badminton, tennis, track and field athletics, cycling and others. Armenian Prime Minister Nikol Pashinyan also attended the opening ceremony at Stepanakert s Stepan Shahumian Republican Stadium.

ARMENIA

êºäîºØ´ºð 2019 Ä¸. î²ðÆ, ÂÆô 167

Pashinyan Green Lights Amulsar Mining Project, But Asks For More Assurances Despite days of growing protests against a mining project in Amulsar, Prime Minister Nikol Pashinyan said his government will allow the Lydian International to move forward with mining gold, claiming that the mining operation will raise Armenia s environmental standards to unprecedented levels. Since the beginning of the Amulsar mining project, residents of nearby Jermuk, a resort town known for its mineral waters and natural springs, and surrounding areas have protested the effort, raising concerns about the environmental hazards of the operation and the impact it will have on Armenia s natural resources, the residents and the drinking water. While all roads leading to Amulsar have been blocked by residents since June of last year, Jermuk residents were joined by environmental activists beginning on Wednesday to protest the findings of an independent study commissioned by the government which concluded that the mining project did not pose significant environmental risks to the region, its habitat and its residents, specifically Jermuk and Lake Sevan. When local residents blocked the roadway to Amulsar in June, 2018, Lydian International, the British-American joint venture, threated legal action, which led the government to hire a Lebanon-based environmental consulting firm, ELARD, to conduct an environmental impact study of the mining. At the same time, Armenia s Investigative body launched a criminal probe of the government agency that green lit the project under the previous regime. The Amulsar project, which could be deemed as one the largest foreign investment efforts implemented in Armenia, began in 2016, with Lydian claiming that it has spent more than $400 million in preparation for the actual mining and dismissing environmental hazard concerns. Pashinyan s government said that it would wait for the report to make a decision. Summing up the results of the 200-page report prepared by ELARD, Grigoryan said that audit had found that the underground water at Amulsar has no physical connections with Jermuk s water sources, or, for that matter, canals or rivers that flow into Lake Sevan, saying that the lake could be contaminated with insignificant toxic waste in the event of a powerful earthquake. According to Grigoryan s briefing, the greater environmental risks to other rivers flowing through the Vayots Dzor Province, where Amulsar is located, may be minimized by Lydian enacting mitigating measures outlined in the ELARD report. Grigoryan claimed that Lydian has signaled its readiness to take all steps necessary.

the government has the levers to force those companies to do so.

Pashinian Wants Further Scrutiny Of Amulsar Mining Project Later, Pashinian cited the need for further evaluation of possible mining operations at Armenia s Amulsar gold deposit after a Lebanese-based consulting firm raised more questions about its environmental audit of the project. Joined by Armenian government and lawenforcements officials, lawmakers and Armenian executives of the British-registered mining company Lydian International, Pashinian held a video conference with experts from the ELARD consultancy contracted by his government in February. The experts were Gold mining facilities constructed by Lydian International company at Amulsar deposit, asked to give additional explanations of 18 May 2018 ELARD s report on the Amulsar project submitted to Armenia s Investigative Committee earlier this month. The committee cited the report as concluding that toxic waste from the wouldbe mine is extremely unlikely to contaminate mineral water sources in the nearby spa resort of Jermuk or rivers and canals flowing into Lake Sevan. According to the law-enforcement agency, ELARD found greater environmental risks for other rivers in the area but said they can be minimized if Lydian takes 16 mitigating measures recommended by ELARD. Lydian expressed readiness to take virtually of all those measures. ELARD experts offered a different interpretation of their report during the video conference, however. They said that they cannot definitively evaluate the Amulsar Prime Minister Nikol Pashinian chairs a video conference of Armenian officials and representatives of the Lebanese-based consulting firm ELARD, Yerevan, August 29, 2019. project s potential impact on the environment In light of the report, Grigoryan also said including a closed-door session with his ruling because Lydian had submitted flawed and that the agency, which originally gave the My Step faction, following which he took to incomplete information to the Armenian green light to the project in 2016, will not face Facebook to explain to the people the rationale authorities. Concluding the discussion, Pashinian for his decision to green light the Amulsar charges. said that the government will now wait and We are relieved that the Audit Report project. see whether the Armenian Ministry of In the event that Amulsar is developed has been made public, as the Government of Armenia has repeatedly conditioned Lydian s under existing conditions, it will be developed Environment decides to order Lydian to draw ability to advance the Amulsar Project on its under unprecedented environmental standards up another environmental impact assessment results, Lydian s interim chairman and chief for the Republic of Armenia, said Pashinyan and submit it to a relevant ministry division executive, Edward Sellers, was quoted in a adding that the so-called high standards would for approval. Meanwhile, Lydian s chief executive in statement as saying after the release of the force other mining companies to reform their Armenia, Hayk Aloyan, described the practices. ELARD report. Now the government has to go to the conference as the most unprofessional We look forward to reading the full text of the Audit Report and are confident it will low-level mines and tell them that they should discussion I have ever been to in my life. In a social media post, he claimed that confirm Lydian s prudential approach to elevate their operations to [comply with] the environmental stewardship, Sellers added. new standards. This is a political obligation, the ELARD experts have zero or limited experience in the mining sector and couldn t Soon, protesters clashed with law Pashinyan said Monday. Now the companies that are operating explain what standards were breached by the enforcement officers who arrested six people from the growing number of demonstrators. in lower levels will be forced to spend tens of company. (Sources: RFE/RL, Asbarez) Pashinyan held several consultations, millions of dollars elevate their standards and

Your Most Reliable Transportation Partner To/From Armenia & Worldwide · Ocean, Air & Land

METRAS SHIPPING & FORWARDING INC.

2175 Sheppard Ave. E. Suite 215 Toronto ON, M2J 1W8

Tel.: 416-497-0377 Fax: 416-497-0783 info@metrasshipping.com www.metrasshipping.com

Ara Graphics

· · · ·

Int'l Transportation Door to Door Services Available 20', 40', LCL and Break-Bulk Insurance Coverage Export Documentation, Letters of Credit Handling and Banking Negotiations Dedicated Agency Network Worldwide

ARMENIA

êºäîºØ´ºð 2019 Ä¸. î²ðÆ, ÂÆô 167

Armenia Unlikely To Ratify Contentious European Treaty In 2019 By: Ruzanna Stepanian (RFE/RL)- Justice Minister Rustam Badasian announced that Armenia s government is unlikely to seek parliamentary ratification before the end of this year of a European treaty strongly opposed by the Armenian Apostolic Church and other groups championing traditional family values. The treaty signed in 2011 and known as the Istanbul Convention commits Council of Europe member states to combatting violence against women. Armenia has still not ratified the convention despite being among its signatories. Prime Minister Nikol Pashinian s government indicated this summer its intention to ensure the treaty s quick ratification by the parliament. It immediately met with resistance from socially conservative groups and individuals, including the chairman of Armenia s national bar association. While supporting the protection of women, opponents object to the Istanbul Convention s definition of gender as social roles, behaviors, activities and characteristics that a particular society considers appropriate for women and men. They say this paves way for introducing transsexual or transgender as separate categories and legalizing same-sex marriage.

The top clergymen of the state-backed Armenian Apostolic Church added their voice to these objections in late July, urging the authorities not to ratify the convention. In a joint declaration, they said it poses a threat to traditional marriage defined by Armenian law as a union between a man and a woman. The outcry appears to have at least slowed down the ratification process, with the government deciding earlier this month to ask a Council of Europe body, the Venice Commission, for an advisory opinion on the treaty s conformity with Armenia s constitution. Badasian said the commission will present its arguments in October. The government will then have to discuss the matter in detail before sending the convention to the National Assembly for ratification, he said, adding that a parliamentary debate on it this year is Riot police confront anti-LGBT protesters outside the parliament building in Yerevan, therefore not realistic. April 8, 2019. Badasian at the same time continued to recognized by the state, namely a man and Council of Europe member states. Two of dismiss the critics arguments and insist that the convention s ratification could not obligate a woman, can adopt children. This is my them, Bulgaria and Slovakia, rejected it last year. the Armenian authorities to legalize same-sex position. In Croatia, the parliament ratified the Badasian also argued that neighboring marriages or adoption of children by LGBT people. He said he too is too opposed to such Georgia has not scrapped or amended its treaty in April 2018 amid protests by local legal provisions against same-sex marriage social conservatives. To placate them, the marriages. A family must continue to be a union of as a result of ratifying the Istanbul Convention. Croatian government adopted a separate a man and a woman, the minister told For the same reasons the convention has statement saying the treaty will not change reporters. Only members of a family also sparked controversy in several other Croatia s legal definition of marriage as a

Pashinian Aims For Faster Economic Growth

Housing Prices In Yerevan Rise

Prime Minister Nikol Pashinian visits a newly refurbished textile factory in Maralik, August 10, 2019.

New apartment blocks are constructed in Yerevan, 4 April 2015.

(RFE/RL)- Economic growth in Armenia could reach double-digit rates in the coming years, Prime Minister Nikol Pashinian claimed recently. The Pashinian government s comprehensive policy program adopted by the parliament early this year envisages that the Armenian economy will grow by at least 5 percent annually for the next five years. The World Bank forecast in January slightly lower growth rates for 2019 and 2020. The government recorded a growth rate of 5.2 percent last year. Official statistics shows growth accelerating to over 6.5 percent in the first half of this year. Speaking at a weekly cabinet meeting, Pashinian cited good macroeconomic indicators registered in July. Those include a 16 percent year-on-year surge in industrial output. What does analysis of this year tell us? he told government ministers. My personal conclusion is that recording double-digit economic growth is not a science fiction thing.

(RFE/RL)- Housing prices in Yerevan have increased by almost 10 percent in the past year, an Armenian government agency said on August 16. The Cadaster Committee also reported an even sharper rise in the number of real estate transactions in Armenia. It said it registered over 16,000 such deals last month, up by 17 percent from July 2018. This may well explain a 9.8 percent yearon-year rise in the average cost of Yerevan apartments recorded in July this year. The committee gave no such figure for other parts of the country where housing prices have always been much lower than in the Armenian capital. Prime Minister Nikol Pashinian was quick to seize upon these numbers, portraying them as a further indication of public confidence in his government and Armenia s future. According to Pashinian, the domestic housing market was stagnant before the 2018 Velvet Revolution as many Armenians had trouble finding buyers for their homes due to a high

Pashinian said that GDP would have increased more rapidly this year had the government s major capital spending projects not fallen behind schedule because of delays in the selection of contractors and signing of contracts with them. He said government agencies should therefore do a better job of organizing this infrastructure spending next year. The Armenian economy grew at doubledigit rates for seven consecutive years in the 2000s. That growth came to an end with the onset of a global financial crisis in 2008. It averaged 2.7 percent per annum from 20082018. Economy Minister Tigran Khachatrian sounded cautious about chances of renewed double-digit growth in the country. Bear in mind that everything will depend on the introduction of new technologies and the volume of investments in various sectors of the economy, he told reporters after the cabinet meeting.

rate of emigration from the country. Now the opposite process is underway: buyers are many and sellers few, Pashinian wrote on his Facebook page. Pashinian also said that the overall volume of mortgage lending in Armenia more than doubled in the first half of 2019. This is a record figure for at least the past decade, he said. Increased remittances from Armenians working abroad may have also contributed to the higher real estate prices. According to the Armenian Central Bank, they rose by 13 percent, to $705 million, in January-May 2019. Also, economic growth in the country appears to have accelerated in the first half of this year after slowing down to 5.2 percent last year. The Armenian economy expanded by 7.5 percent in 2017.

www.torontohye.ca

ÊÙµ³·ñáõÃ»³Ý ÏáÕÙ¿ www.torontohye.ca

§ÂáñáÝÃáÑ³Û¦ å³ï³ëË³Ý³ïáõ ã¿ Çñ ¿ç»ñáõÝ Ù¿ç ÉáÛë ï»ë³Í Í³ÝáõóáõÙÝ»ñáõ µáí³Ý¹³ÏáõÃ»³Ý: Ø»½Ç ÛÕáõ³Í µáÉáñ ÃÕÃ³ÏóáõÃÇõÝÝ»ñÝ áõ ·ñáõÃÇõÝÝ»ñÁ »ÝÃ³Ï³Û »Ý áñáß ËÙµ³·ñáõÙÇ:

ARMENIA-DIASPORA

êºäîºØ´ºð 2019 Ä¸. î²ðÆ, ÂÆô 167

Following Revolution, Armenia Becomes More Attractive To Diaspora (Eurasianet)- When Sarine Arslanian booked a trip to Armenia early last year, she didn t intend to stay longer than three weeks. Then, the revolution happened. More than a year later, Arslanian, a writer and documentary film director from Belgium, is still in Yerevan, where she has settled permanently. What I saw was what made me stay, she told Eurasianet. Armenia has long attracted members of the millions-strong global Armenian diaspora, but full repatriation the term used to describe ethnic Armenians permanently moving to the country has been a relatively fringe phenomenon. According to Repat Armenia, the country s largest NGO working to attract diaspora migrants and help them acclimatize in Armenia, roughly 50,000 repatriates have settled in Armenia since independence in 1991. But after last April s Velvet Revolution, which saw the government toppled following peaceful street protests, the trend appears to be growing and stories like Arslanian s are becoming more common. Exact immigration numbers are hard to come by, given the way official statistics are collected, but recent figures show a clear increase. Armenia s state statistical service shows that more than 15,000 people migrated to the country in 2018 the largest figure in 12 years, said Hrant Mikaelian, a statistician and researcher at the Yerevan think tank Caucasus Institute. An improved image and growing economy appear to be driving the increase, Mikaelian told Eurasianet. Armenia s diaspora is global, with communities of tens of thousands in countries as diverse as the United States, Iran, Lebanon, Russia, and France. The reasons for repatriation are correspondingly diverse. There are two main motivations driving recent repatriates, mainly depending on the income level of the country they are coming from, said Repat Armenia s executive director Vartan Marashlyan. The main countries [from which] we have seen a big increase [in repatriation] are Russia, Iran and Lebanon, Marashlyan told Eurasianet. In each of those countries there is a broad perception of a stagnant political and economic situation in which young people do not see opportunities for themselves, Marashlyan said.

Prime Minister Nikol Pashinian and wife Anna Hakobian host seventy Armenian tenth grade students from the Los Angeles AGBU Manoogian-Demirchian School in Yerevan, June 2019.

Until recently, that could be said of Armenia itself. But last year s change of government turned that perception on its head. Russia is home to the world s largest Armenian diaspora and continues to be a popular destination for labor migrants from Armenia. That draw has become weaker in the last two years as Russia s economy has suffered, however, and 2018 marked the first year that Russian-Armenians were the largest single group of repatriates, Marashlyan said. For the first time, Armenia had this wow effect on the diaspora, said Marashlyan, himself a longtime Muscovite. Young [Armenians] in Russia, they started to think that there are some opportunities there. A lot of middle-class young professionals, especially, began to have the idea of repatriation. Mikaelian, too, noted a rather big decrease in income levels in Russia since 2013 as being a key driver of migration to Armenia. While repatriation from Western countries has not jumped as significantly, Marashlyan says there has still been some growth. Armenians from richer countries like the U.S. and Canada have a different rationale for moving to Armenia. For them, economic prospects often take a back seat to other motivations. For American-Armenians, moving to Yerevan is more of an emotional decision, Marashlyan said. It s a combination of rational and emotional for everyone [who moves here],

but the economic factor is not as strong among repatriates from richer countries, he said. Instead, the pull factors for American repatriates tend to focus more on aspects like work-life balance something notoriously difficult to find in California, where the U.S. s Armenian population is concentrated. The ability to be a big fish in a small pond is also a draw. Many Armenian-American repatriates mention that it is difficult to stand out in America, Marashlyan said. With a country that size, there are less opportunities to make your mark. Last year s change of government boosted Armenia s image among AmericanArmenians as a place where they could meaningfully engage with their roots and their people. Diaspora communities in the U.S. are often focused on only the culture, language, and the genocide, without any real link to the modern-day Republic of Armenia, Marashlyan said. Now people are beginning to think about [establishing ties with] the country itself. Reality check While Armenia s improved image has buoyed enthusiasm in repatriation, economic realities still weigh on those looking to make the move. Armenia s GDP grew at an average of 6.2 percent over the past two years, but the average monthly wage is still only 179,000 drams (about $375).

This means that most successful repatriates have to look abroad for their earnings rather than relying on jobs in the republic. The growth of a borderless freelancing culture, particularly among IT professionals, has made repatriation more viable, Marashlyan said. The main opportunities [for repatriates] are in the external market, he said. The government has also sought to increase repatriation. The Ministry of Diaspora, which for years was widely maligned for its lack of tangible achievements and unclear strategy, was replaced in June by a High Commission for Diaspora Affairs. The new commission is headed by Zareh Sinanyan, a former mayor of Glendale, California. Introducing Sinanyan on June 14, Prime Minister Nikol Pashinyan said he wanted the new commission to place its main focus on expanding Diaspora-based Armenians involvement in the homeland s economic, social and political life. Pashinyan has repeatedly said he wants to reverse the country s decades-long brain drain, and has sought ambitious goals for attracting ethnic Armenians to Armenia. After initial statistics showed an increase of over 13,000 migrants to the country during a sixmonth period last year, Pashinyan said: I am hopeful that the 13,000 will increase to 130,000, 200,000, 1,300,000 in the period of our [government s] tenure. There is evidence that the shine of the revolution is beginning to fade. A recent survey showed that support for Pashinyan s government remains strong but is falling; respondents who said the country was moving in the right direction fell from 72 percent of those polled in October 2018 to 60 percent this May. The government needs to implement economic and political reforms, especially with regards to the judicial system, to maintain Armenia s attractiveness as a repatriation destination, Marashlyan said. Time is crucial now, he said. We need to use this moment. For now, though, the atmosphere remains conducive to enticing Armenia s diaspora back to the homeland. Arslanian has no plans to leave: Since arriving she has founded an arts organization and continues to put down roots in the country. You can sense that there is a lot of hope here, she said. Armenia is suddenly a land of opportunities.

120 Startups From Around The World At Sevan Startup Summit

The fourth annual tent-based Sevan Startup Summit took place on the shores of Lake Sevan, with 120 startups from Armenia and 45 countries of the world. An unprecedented number of 10,000 people attended the event which ran from July 28 to August 3. More than 100 mentors and successful entrepreneurs, venture and angel investors arrived in Armenia within the frameworks of Summit, who shared their experiences with the startups during 7 days, delivered lectures, and help to uncover the most efficient development secrets and best ways to enter international markets. The introduction of startups and

participants was followed by the opening ceremony, during which our organizers, partners and sponsors were also present. The Co-founder of Seaside Startup Summit Hakob Hakobyan mentioned during the opening evening that Sevan Startup Summit has been uniting around 1,000 people from Armenia and the whole world for already 4 years, which means that the Summit is a successful and much anticipated event in the startup world. Startups participating in Sevan Startup Summit this year competed for a $100,000 prize fund and will also have a $100,000 guaranteed investment fund, which will be invested in 2-3 starters. It is expected to acquire an investment agreement of more than $1,000,000. Addressing the participants, CEO of Sevan Startup Summit Vahagn Rapyan noted that Summit becoming bigger and bigger year by year promotes startup development and team-building. It enables teams to come together and test themselves. Prime Minister Nikol Pashinyan with his spouse Anna Hakobyan visited and attended the final startup competition. In a speech, he stressed the importance of fostering the tech environment in Armenia. Many in Armenia complain that there is no money. [ ] but if anyone has an idea that can triumph, the

money will come. He said that the Sevan Summit exemplifies his vision of an economic revolution. He explained: the economic revolution is, first of all, a revolution of thought; it all starts with an idea. President Armen Sarkissian joined the participants via skype: This is a wonderful initiative Maybe, one day, we will have a chance to declare Armenia the capital of the world s startup, he said. Startup is one of the institutes that unites the youth which is not only valuable, but important, as well. Sarkissian highlighted the necessity of high-quality education. High-quality education should be offered to everyone, from the center of Yerevan up to bordering villages. The main mission of each teacher is to find talents, and startups will help us in finding individuals with talent, noted Sarkissian. He also mentioned that the presence of leading international companies in Armenia, which will create an environment for the development of startups. We cannot properly create a startup without using new science and technological infrastructures. That s why we are working with a number of major companies, such as IBM, Google, Leonardo, to ensure their presence in Armenia. If major international companies operate in Armenia, they will give a special developmental quality, Sarkissian said.

An important factor is the mutual connection with the world. We are naturally connected with the world, as Armenians live everywhere. Many talented Armenians work in California, the Silicon Valley, he noted. President Sarkissian emphasized that Armenia is a promising place for talented youth. Young talents are always in search for a challenging environment, and that environment is the technological space of the 21st century. Thus, Armenia must provide this kind of space, he said. Sevan Startup Summit is organized by the Startup Armenia Foundation and Granatus Venturest as well as within the framework of the Support to SME Development in Armenia program co-financed by the European Union and the Federal Ministry of Economic Affairs and Energy of the Federal Republic of Germany. It is implemented within the framework of the GiZ Private Sector Development in the South Caucasus project. The Support to SME Development in Armenia program is part of the EU s EU for Business initiative. Sevan Startup Summit is a tent-based start-up assembly that unites start-up entrepreneurs, investors and other IT ecosystems, creating an unprecedented informal environment for education, business connections and investment transactions.

êºäîºØ´ºð 2019 Ä¸. î²ðÆ, ÂÆô 167

ART and CULTURE

By Way of Song

Honoring The Great Adiss By: Levon Ishkhanian Once in a while, amid our busy lives, something catches our attention and we become fully present in the moment to reflect, to think, and to be moved to action. Perhaps it s a poem, a book, a saying, or a photo. We commit it to our memory and that inspiration lives with us, forever changing our life. If we re lucky, we find other like-minded people that feel the same, connecting us together, forming a movement. Now imagine this something has the power to unite a culture under the most challenging of circumstances, aiding to preserve and shape identity, and inspiring generations to come. For the Armenians in the diaspora it came by way of song. Dzaghigner (flowers) by Adiss Harmandian, answered the musical uncertainty of the Armenian culture in the diaspora by creating a new Estradayin genre, and set in motion the modern Armenian music experience that maintained and preserved the Armenian identity throughout the globe. By the late 50s, the Armenian community in Lebanon was somewhat autonomous. It had established almost everything needed to maintain and sustain culture community centres, churches, schools, newspapers, radio stations and political parties. However, the Armenian music offered to the community limited to patriotic songs and performers from Armenia at organized events may have worked for the older generation, but the younger generation was assimilating to European and the music of the Americas, as well as indigenous Lebanese Arabic and neighbouring Mediterranean music. Essentially no outlet for contemporary modern Armenian music existed until the young upcoming singer, Adiss, entered into the Armenian music scene, with his song Dzaghigner , forever changing the Armenian music landscape of the diasporas. Dzaghigner resembled Western aesthetics with song form, instrumentation and vocal style, while maintaining Armenian melody and

language. This was the music that the Armenian youth demanded. Soon afterwards, other artists aimed to replicate this aesthetic, inaugurating Adiss as the pioneer of Armenian pop, creating an Armenian music industry in the diasporas, and establishing the barahantes as an Armenian musical forum. As Adiss gained stardom throughout the Armenian community worldwide, he formed his own record company Adisc records, and transformed his father s pastry shop into a record shop. By the age of 26, Adiss was in full control of his musical destiny. He composed, performed, produced, distributed and sold his records under his own terms. Where most artists can find examples and role models that have established conventional rules and protocol within their own local culture, Adiss did not have any of these; he became the role model. His inspirations were global; Havannes Badalian (for his voice range), Abed Al Halim Hafez (for his emotions in singing), and Elvis Presley (for his stage presence). At the young age of 14, Adiss was already singing international songs. By the age of 18 he had composed over a dozen French songs. Just as terroir affects the taste of wine due to local soil, climate and topography, the same can be said of the influence of Lebanon s musical terroir on Adiss Estradayin music. Adiss combined his knowledge of the local terroir, and international musical aesthetics, with Armenian melody and lyrics, pioneering the Armenian Estradayin genre. What he produced had global impacts and became universal in diasporic Armenian culture. To date Adiss has released over 35 albums, nearly 400 songs, multiple music videos, and even starred in a movie. Along with his first hit "Dzaghigner" (1968), his best known songs are "Nouné" (1970) and "Karoun Karoun" (1973), which has been covered by over 40 singers with versions from Arabic to French, and even as a soundtrack for Japanese Anime. Adiss music inspires discourse with

Adiss (centre) with father and son Levon and Edouard Ishkhanian in mid 1980s.

themes such as good times , totally different , and is multi-generational. As one Lebanese Armenian stated in a conversation: The first time I heard Adiss, I was probably 9 or 10 years old. It was totally different Armenian music that I had ever heard of, or listened to. Even though it was the music for the older crowd at the time; it was still enjoyable to listen to. In Lebanon we were raised by listening to his music, anticipating new singles or LP records to be released. It made our family gatherings with his music in the background warmer , and our parties livelier; where people danced to his tangos, sambas and waltzes. Before Adiss, most of the popular music that the elderly listened were either Turkish or Middle Eastern influenced. The Armenian folk music was not suitable for the chic gatherings, and not danceable in the 60s and 70s era. I believe that he single handedly changed the musical ambience. His sound always resonated good times during my pre- teenage years. (From an interview with a Lebanese émigré/community leader).

I am one of the fortunate ones that got access into the world of Adiss in Beirut at the young age of 8, as my father Edouard was his musical director. My first professional performance was with Adiss, in Toronto when I was 13. I remember it like it was yesterday. Over the years I have had the pleasure of traveling the world with him, I can attest to the fact that it doesn t matter where you come from as an Armenian, be it from Beirut, Sydney, Moscow, Tehran, Doha, Khartoum, Paris, Toronto, New York or Buenos Aires, Adiss is musically Armenian central. As Antonio Carlos Jobim helped create and spread the BossaNova movement, and as Frank Sinatra created his own brand of classy look and sound inspiring generations of followers, Adiss achieved the same in contemporary Armenian popular music. I have witnessed his artistry first hand, Adiss the pioneer, singer, composer, producer, actor, author, painter, and Prince (as bestowed on him by Catholicos Aram I), a testament to the centrality of Adiss to Armenian diasporic cultural identity by way of song.

ART and CULTURE

êºäîºØ´ºð 2019 Ä¸. î²ðÆ, ÂÆô 167

Petros Shoujounian Discusses Komitas Interview and translation by Dr. Araxie Altounian Araxie Altounian: What role does Komitas play in the history of Armenian music and culture? Petros Shoujounian: Komitas role can be defined as the cornerstone of 20th century Armenian music. His research elucidated the roots and characteristics of Armenian music and its place in the international musical family. Komitas is the only person to have had the opportunity to carry on his research locally, before the deportation and genocide of his people, and therefore his collection of peasant songs comes from a pure source. He established the theory of our music in such an extraordinary fashion as to distinguish it from that of neighbouring peoples. Contemporary Armenian composers who consider Komitas oeuvre as the foundation of their creative expression, adopt one or more of its attributes on which they build their own work. Vivid examples would be Aram Khachaturian and Alan Hovhannes, two musical titans who were polar opposites, and yet in whose work Komitas presence is irrefutable.

given that these were amateur choirs. As for Komitas role in laying the foundation for and inspiring the creative mind, in my opinion, no one has surpassed Alan Hovhannes in following Komitas path, not even those who studied with him or knew him personally. They all left a remarkable legacy worthy of public performance, but which cannot be closely related with Komitas who does not exist in their creative mind. A.A.: Komitas is best known as the preserver of our musical heritage. But he s also a composer who experimented a lot. In a letter to Marguerite Babayan, Komitas writes, We Armenians must yet create a national idiom, and only then confidently move forward. Could you comment on how important is Komitas contribution to creating that national idiom? P.Sh.: Komitas creative work should be compared to that of Maurice Ravel, Claude Debussy, Bela Bartok and in a way to Johann Sebastian Bach. Placing him in that context helps us understand his role in originating the renaissance of our music. a. Komitas was the first to raise [traditional] Armenian music to a classical level. The wonderful repertoire of songs with piano accompaniment, as well as his works for piano are brilliant examples. b. He initiated the concept of classical polyphony [multiple voices] in a wonderful repertoire such as his Mass for three voices and the numerous choral works with their complex structure requiring a highly specialized interpretation.

A.A.: What role does Komitas music play in preserving Armenian identity in the diaspora? P.Sh.:To me, Komitas legacy played a role in salvaging our culture when young Armenian children started singing his songs in the newly established diaspora, particularly in Middle Eastern countries. The repertoire was very small, but well known to all. After the 1950 s, when Armenian Church and educational institutions were established, newly A.A.: Would you consider Komitas as an formed choirs expanded the use of Komitas avant-garde composer in his time? music. Of course not much could be expected P.Sh.: Unquestionably. Komitas European from point of view quality of performance, connections and inspiration placed him in the

Resonating the Rural: Komitas and the Musical Reconstruction of Anatolia By: Michael Tourabian As a PhD candidate at McGill University in Montreal, my research owes a great deal to the musical practices of Canadian-Armenian performers who brought to life my interest in Komitas s music and his broader impact on the Armenian diaspora. In recent years, I have undertaken an analysis of musical traditions inspired by rural musical practices of the 19th century. Largely left outside of serious academic discussion, these musical traditions represent place (both real and imagined) for diaspora communities. It is through such a context that my research on Komitas has taken root. In this short piece, I would like to address why Komitas s music has inspired members of the Armenian diaspora and how his compositional process is linked with broader discourses of musical nationalism that took place in the final embers of the 19th century. Komitas s impact for Armenians abroad is undoubtedly crucial; firstly, his music resides on the boundary between folk and classical music, which continues to inspire contemporary performers to interpret and reinterpret his works in a variety of engaging ways. Secondly and perhaps crucially, his arrangements and original compositions present to contemporary diasporans a musical snapshot of Armenia that transcends the landscapes of the present-day Armenian Republic giving listeners access to the villages of Anatolia that remains so crucial to Armenia s past heritage. Although his compositions often addressed themes like Armenian exile (namely his art songs, Anduni and Groong ) his music also actively encouraged listeners to feel that what they are hearing is authentic to their own Armenian culture. This sense of authenticity was borne out

of his fieldwork excursions. From a compositional standpoint, like several composer-ethnographers of the fin de siècle, Komitas was not satisfied with leaving the music he encountered in the field, unadorned and simple. In order to achieve broader appeal, he consciously took folk melodies he encountered in rural Armenia and embellished them with nuanced and harmonically engaging accompaniment that never upset the folk melody. These folk melodies simple yet memorable became the mottos for Komitas s compositions. This practice of compositions is arguably why Komitas achieved appeal among Europe s elites during his frequent visits to France and Germany where he participated as a member of the International Music Society, for which he was the first nonEuropean member. By cloaking an Armenian melody with the accoutrements of western harmony, this presented to the European musical establishment, a sense of something new. Whilst, for members of the diaspora, it presented Komitas as the Armenian response to Western art music, something that gave them pride of ownership. Komitas is one example of a composer who dedicated his life to the pursuit of a national musical tradition: others include the celebrated Bela Bartok of Hungary, Antonin Dvorak and Bedrich Smetana of Moravia and Bohemia (Czechoslovakia), and later, the work of the Impressionists in France. During the mid-to-late 19th century, with the breakdown of the Hapsburg Empire, and the waning influence of the Ottoman Empire, music became an important way of demarcating place and national identity. Although a great deal of time has passed, Komitas s music continues to be the passport towards home, giving Armenian diasporans in particular, a music on which to lay claim.

Father Komitas

Petros Soujounian

rank of avant-garde creative minds of his time, as following in Komitas footsteps. and traced the path for those composers who follow him, and who still have a lot to give! A.A.: You have arranged and presented Komitas music to various audiences. A.A. Referring to the same quotation as Armenians definitely love his music because above, how have Armenian composers around it connects them to their ancestral roots. How the world followed in Komitas steps? do non-Armenian audiences receive it? P.Sh.: The fundamental points in Komitas P.Sh: You know, in his lifetime, Komitas music that nurture contemporary composers had conflicting relations with the leadership are: at Etchmiadzin and later in Constantinople, 1. Harmonic freedom and its elaboration because the latter were too far removed from 2. The use of Armenian thematic motifs the progressive steps of European art. By and its elaboration contrast, the European audience greeted him 3. Reproducing them in Komitas spirit with open arms, wondering where that 4. Komitas approach to rhythmic patterns powerfully expressive music was coming from. and its elaboration Today s context is not quite the same, but our 5. Certain similarities in the form of the Armenian audience who is not familiar with work contemporary music, and in particular 6. Similarities in the choice of instrumental Armenian art music, has trouble understanding colour and their elaboration my work. By contrast, the non-Armenian All of the above-mentioned points must listener feels that Armenian music has a great be present in a work if it is to be considered meditative power.

Varak s Crescent

Yearning for Armenian Written by: Shavarsh Nartouni Translated by: Varak Babian Thursday I haven t spoken Armenian for quite some time now. Similar to a musical instrument cast aside, my Armenian has begun to coil within the corners of my mind. Like boiled pieces of bone, lacking flesh and pallid, my words have turned into chalk. I strike them together in an attempt to unearth old sounds. All in vain. I don t even hear Armenian at night in my dreams. Perhaps because the people surrounding me in my dreams have changed. They re newly acquainted friends with whom I work with during the consciousness of the light of day. You will forget you language,"says the resident doctor at the men s department at the asylum. Greek by birth, he s long since assimilated after spending years living in the confines of French hospitals. Dejection blankets me as my lips tense up and strain. I want to cry out like a child one that surveys their surroundings in hopes of a protector, an advocate. Beneath my window, I stare out at the garden. The garden within my soul suddenly transforms into a poem in Armenian. Armenian! I sense the memories from within awaken. The words are rehabilitated, the colours ignite, the sounds oscillate, and I realize that my language still occupies the throne within my spirit. Hallelujah, my dear mother tongue: Armenian! Pure like the skies, worthy of worship just like the natural light. No, I will never forget you. Not ever. You will forget your language. And soon after that, you ll not even want to hear it . I hate my colleague. His persistence leads to chills down my spine. Even if his belief is guided by an implacable truth, I hate him nonetheless. I hate the truth as well. I prefer self-deception. Allow me to concede to my preferred delusions and bask in joy with the notion that I, as the exception, I will not forget my Armenian. I will not forget. I will not forget. Every day, like an old musical instrument, I will help it surface within the corners of my mind. I will practice it alone. I will cry and laugh with it, I will sing and yell. Oh, my sweet Armenian But, it s been a long, long time since I spoke Armenian Saturday I spoke in Armenian in my dream last night. I was seated across my window; my head soaked with the sun as its rays glided through the row of trees. My booklets, encased with details regarding every sickness and ailment in the world, were flickering with bright hues. Resting atop the garden wall, a black cat was hastily sharpening its claws. Using its paw, it abruptly scratched a piece of paper. Crinkled, it had taken the shape of a wilted leaf. The cat moved its other paw close, using it to unfurl the note. Cont. on page 25

êºäîºØ´ºð 2019 Ä¸. î²ðÆ, ÂÆô 167

êáÝÇ³ Â³ß×»³Ý

¶ñ³Ï³Ý Ñ³Û»ñ¿ÝÇ Ù¿ç §ëÙµáõÏ¦« ÇëÏ µ³ñµ³é³ÛÇÝ` å³ïÁÝ×³Ý« µ³¹ñÇç³Ý (ÂÇýÉÇë)« µ³Ý¹ÝçûÝ« í³ïñ×³Ý« í³ñ×³Ý« µ³¹ÁÙ×³Ý« ÷³ÃÉÇ×³Ý (äáÉÇë)« µ³¹áõÙç³Ý (²ñó³Ë)« åûñÁÝç³Ý (ºñ»õ³Ý)« å³ïÇ×³Ý (Øáõß)« »õ³ÛÉÝ£ ÜáÛÝÇëÏ ï³ñ³Íáõ³Í ¿ §ë»õ åûñÁÝç³Ý¦ ³ÝáõÝÁ áñå¿ë ëÙµáõÏ« ÇëÏ §Ï³ñÙÇñ åûñÁÝç³Ý¦ª áñå¿ë ÉáÉÇÏ« Ñ³õ³Ý³µ³ñ åûÙÇ¹áñ (ÉáÉÇÏ) »õ å³ïñÇç³Ý (ëÙµáõÏ) µ³é»ñáõ Ë³éÝáõñ¹áí ëï»ÕÍáõ³Í£ Ðñ³ã»³Û ²×³é»³ÝÇ »ÝÃ³¹ñÙ³Ùµ ëÙµáõÏ µ³éÁ »Ï³Í ¿ ÑÇÝ ³ñ³µ»ñ¿ÝÇ §³Ý³µ = µ³½ÇÝç³Ý¦ µ³éÇ Ó»õ³÷áËáõÙ¿Ý« ÷áË³Ýóáõ³Í ¿ Çµñ»õ §³ÙµáõÏ¦« Û»ïáÛ ¹³ñÓ³Í §ëÙµáõÏ¦£ ´³Ýç³ñ»Õ¿ÝÇ Ñ³Ûñ»ÝÇùÁ Ñ³õ³Ý³µ³ñ âÇÝ³ëï³ÝÝ ¿« ³ÛÝï»Õ¿Ý ï³ñ³Íáõ³Í ¿ ÐÝ¹Ï³ëï³Ý« áõñÏ¿ ³Ýó³Í ¿ ä³ñëÏ³ëï³Ý« Û»ïáÛ å³ñëÇÏÝ»ñ¿Ý ÷áË³Ýóáõ³Í ³ñ³µÝ»ñáõÝ. ³ñ³µ³Ï³Ý ïÇñ³å»ïáõÃ»³Ý Å³Ù³Ý³Ï« Ç ÃÇõë ³ÛÉ ÅáÕáíáõñ¹Ý»ñáõ« ëÙµáõÏÇ Ùß³ÏáÛÃÁ Ùï³Í ¿ Ñ³ÛÏ³Ï³Ý ËáÑ³Ýáó£ ²Ûë ÷³ëïÁ ³õ»ÉÇ ÏÁ ÑÇÙÝ³õáñáõÇ VII ¹³ñÇ µÅßÏ³å»ï ØËÇÃ³ñ Ð»ñ³óÇÇ ÛÇß³ï³ÏáõÙáí §å³ïÝ×³Ý¦ Ó»õáí£ àõñ»ÙÝ ¹»é»õë ³Û¹ ¹³ñ»ñ¿Ý Ù»ñ »ñÏñÇÝ Ù¿ç »Õ³Í ¿ ëÙµáõÏÇ Ùß³ÏáÛÃÁ »õ ·áñÍ³ÍáõÃÇõÝÁ£ Ð»ï³ùñùñ³Ï³Ý ¿ Ñ³Ù³éûï ÛÇß³ï³Ï»É Ý³»õ µ³éÇ Ó»õ³÷áËáõÙÁ ûï³ñ É»½áõÝ»ñáõÝ Ù¿ç. ë³ÝëÏñÇï»ñ¿Ý vatin - gana µ³éÁ ³ñ³µ»ñ¿Ý ¹³ñÓ³Í ¿ badinjan. ³å³ µ³éÁ ëå³Ý»ñ¿ÝÇ Ù¿ç í»ñ³Íáõ³Í ¿ al-badinjan« Û»ï³·³ÛÇÝ Ï³ñ¹³óáõ³Í ¿ alberginia« áõñÏ¿ Ó»õ³÷áËáõ»Éáí ³é³ç³ó³Í ¿ ³Ûëûñáõ³Û ³Ý·É»ñ¿ÝÇ (»õ »õñáå³Ï³Ý ß³ï É»½áõÝ»ñáõ Ù¿ç) aubergine Ñ³ëÏ³óáõÃÇõÝÁ£ ÆëÏ eggplant ÑáÙ³ÝÇßÁ ³é³ç³ó³Í ¿ ×»ñÙ³Ï ÏÉáñ³õáõÝ ëÙµáõÏÇ ï»ëù¿Ý£ Ð³ÛÏ³Ï³Ý ³õ³Ý¹³Ï³Ý ËáÑ³ÝáóÇÝ Ù¿ç ëÙµáõÏÁ ß³ï ï³ñ³Íáõ³Í µÝ³ÙÃ»ñù ÙÁÝ ¿. Ï°û·ï³·áñÍáõÇ ï³ñµ»ñ ×³ß»ñáõÝ Ù¿ç« Ý³»õ ÃÃáõ ÏÁ ¹ñáõÇ« ÝáÛÝÇëÏ ³Ýáõß ÏÁ å³ïñ³ëïáõÇ. Ù»Í Ù³Ûñë Ù³Ýñ ëÙµáõÏÝ»ñáõ ÙÇçáõÏÁ ÷áñ»Éáí« ÏÇñÇ Ù¿ç ÏÁ ¹Ý¿ñ« ³å³ Ï°»÷¿ñ Ñ³Ù»ÙáõÝùáí ß³ù³ñ³çáõñÇ Ù¿ç. Ù³ïáõó»ÉÇë Ù¿çÁ ÁÝÏáÛ½ ÏÁ ï»Õ³¹ñ¿ñ £ êÙµáõÏÁ Ï°»÷»Ý ï³ñµ»ñ »Õ³Ý³ÏÝ»ñáí. ßá·»Ë³ß³Í« ï³åÏáõ³Í« Ëáñáí³Í£ ØÇÝã»õ ³Ûëûñ ¹»é ÏÁ ß³ñáõÝ³ÏáõÇ ëÙµáõÏÇ å³Ñ³ÍáÛ³óáõÙÁ. Å³Ù³Ý³Ï³ÏÇó å³ÛÙ³ÝÝ»ñáí ë³éó³ËóÇÏ ÏÁ ¹ñáõÇ, µ³Ûó Ý³»õ ³õ³Ý¹³Ï³Ý »Õ³Ý³Ïáí ÏÁ ãáñóáõÇ. Û³×³Ë Ï»Õáõ»Éáí »õ ÏÇë»Éáí Ã»É¿Ý Ï°³ÝóÝ»Ý áõ ÏÁ Ï³Ë»Ý: àÙ³Ýù Ëáñ³Ý³ñ¹ÇÏÝ»ñáí ÏÁ Ïïñ³ï»Ý« íñ³Ý ³Õ ó³Ý»Éáí ÏÁ ãáñóÝ»Ý: Ú³ÛïÝÇ ¿ ³ñ³µÏÇñóÇÝ»ñáõÝ Û³ïáõÏ ï³ñµ»ñ³ÏÁª åáãáí ãáñóÝ»Éáõ« Çñ»Ýó Ýß³Ý³õáñ §åáãáí ³åáõñÇ¦ Ñ³Ù³ñ: Þ³ï ï³ñ³Íáõ³Í ¿ ÙÇçáõÏÁ ÷áñ»Éáí ãáñóáõ³Í ï³ñµ»ñ³ÏÁª ïáÉÙ³ÛÇ Ñ³Ù³ñ£ Âáõ÷»ñáõÝ íñ³Û ÙÝ³ó³Í Ù³Ýñ ëÙµáõÏÝ»ñÁ ÏÁ ¹ñáõÇ Ë³éÁ ÃÃáõÇÝ Ù¿ç: Î³Û Ý³»õ Ù»Í ëÙµáõÏÇ ÷áñÇÝ Ù¿ç ÉóáÝ³Í ÃÃáõÇ ï³ñµ»ñ³ÏÁ£ ´³½Ù³ÃÇõ »Ý ëÙµáõÏáí å³ïñ³ëïáõ³Í ³õ³Ý¹³Ï³Ý ×³ß³ï»ë³ÏÝ»ñÁ ³ÙµáÕç å³ïÙ³Ï³Ý Ð³Û³ëï³ÝÇ ï³ñ³ÍùÇÝ. Ï³ñ»ÉÇ ¿ Ãáõ³ñÏ»É ÛÇß³ñÅ³Ý áõ Çõñ³Û³ïáõÏ ×³ß»ñÁ£ ²Ûëå¿ë ûñÇÝ³Ïª Ø³ñ³ßÇ ³Õ³Ù³Õ ³Õó³ÝÁ« ãáñóáõ³Í ëÙµáõÏáí: ì³Ý»óÇù ³Ù³ÝáñÇ ë»Õ³ÝÇÝ áõÝÇÝ ãáñ ëÙµáõÏáí áõ ÁÝÏáÛ½áí Û³ÛïÝÇ ³Õó³Ý ÙÁ£ ²Ù³ëÇ³ÛÇ Ëá-

ÊàÐ²¶Æð

êØ´àôÎ - ´²¸ðÆæ²Ü Ñ³ÝáóÇÝ Ù¿ç Ï³Û ëÙµáõÏáí ãËñÃÙ³ ³ÝáõÝáí ÏáñÏáïáí ÷É³íÁ£ Ø³É³ÃÇ³ÛÇÝ ¿ Û³ïáõÏ ëÙµáõÏáí ÏÉáñãÇÏÁ, ÇëÏ Øáõë³É»é ø»ë³åÇÝª ëÙµáõÏáí Ù³Ý×ÇÏÁ »õ ÷ÁÉÁïáõÍ ïáÉÙ³Ý£ Æ Ñ³ñÏ¿ « µáÉáñ ßñç³ÝÝ»ñáõÝ Û³ïáõÏ ¿ ëÙµáõÏáí ³õ³Ý¹³Ï³Ý ïáÉÙ³Ýª »õ° Ùë³ÛÇÝ »õ; å³Ñù³ÛÇÝ£ àõñý³óÇÝ»ñáõ Ýß³Ý³õáñ Ëáñáí³ÍÁ ÏÁ å³ïñ³ëïáõÇ ëÙµáõÏáí: ²ÛÝÃ³åóÇÝ»ñáõ Ï³Ãë³ÛÇ Ëáñáí³ÍÁ ÝÙ³Ý³ïÇå ¿« ÙÇ³ÛÝ Ã¿ ³Õ³ó³Í ÙÇëÇÝ ùÇã ÙÁ µñÇÝÓ ÏÁ Ë³éÝáõÇ »õ Ï³Ãë³ÛÇ Ù¿ç ß³ñ»Éáíª Ï°»÷»Ý£ âáõÉ³Ù³Ý ÙÇ³ÛÝ Ëáñáí³Í ëÙµáõÏáí ³Õó³Ý ¿, ë³Ï³ÛÝ Ï³Û Ý³»õ ß³ï ï³ñ³Íáõ³Í ï³ñµ»ñ³ÏÁª Ëáñáí³Í ëÙµáõÏ« åÕå»Õ« ÉáÉÇÏ« Ã³ñÙ ëáËÇ áõ Ï³Ý³ãÇÝ»ñáõ Ñ»ï ÙÇ³ëÇÝ£ Ê³ñµ»ñ¹óÇÝ»ñÝ áõÝÇÝ ³ÛÉ ï³ñµ»ñ³Ï ÙÁª §Ã³·³õáñÇÝ Ñ³õÝ³ÍÁ¦« áõñ Ëáñáí³Í ëÙµáõÏÁ ÏÁ Ù³ïáõó»Ý íñ³Ý Ã»É -Ã»É »Õ³Í ïÑ³É - Õ³íáõñÙ³ÛÇ Ñ»ï£ Þ³ï ï³ñ³Íáõ³Í ×³ß³ï»ë³ÏÝ»ñ »Ý ÙÇëáí ÉóáÝ³Í ï³å³Ï³Í ëÙµáõÏÁª íñ³Ý ÉáÉÇÏ ¹ñáõ³Í »õ »÷áõ³Í ÷áõéÇÝ Ù¿ç« Ý³»õ ëÙµáõÏÇ ï³å³Ï³Ý« áñáõ ³õ»ÉÇ ³éáÕç³ñ³ñ ï³ñµ»ñ³ÏÇÝ Ù¿ç µ³Ýç³ñ»Õ¿ÝÁ (ëÙµáõÏ« ÉáÉÇÏ« åÕå»Õ« ëáË« ëËïáñ) ß»ñï ³é ß»ñï ¹³ë³õáñ»É Ï³Ãë³ÛÇÝ Ù¿ç« Ñ³Ù»Ù»É áõ Ïïáñ ÙÁ Ï³ñ³· Ï³Ù ùÇã ÙÁ Ó¿Ã ¹Ý»Éáíª ßá·»Ë³ß»É Ù³ñÙ³Ý¹ Ïñ³Ïáí£ î³ïÇÏë áëåáí µñ¹áõ×ÇÝ ÏáÕùÇÝ ÏÁ Ù³ïáõó¿ñ Ù³Ýñ ëÙµáõÏÝ»ñáí ÃÃáõ³ß ÙÁ« Ý³Ëáñ¹ ûñáõÁÝ¿ å³ïñ³ëïáõ³Í£ Æ ï³ñµ»ñáõÃÇõÝ ¹ñ³óÇ »ñÏÇñÝ»ñáõ ï³ñµ»ñ³ÏÝ»ñáõÝ« ëÙµáõÏáí Ùáõë³ùù³ÛÇ Ñ³ÛÏ³Ï³Ý ï³ñµ»ñ³ÏÇÝ Ù¿ç ÏÇë³ï³åÏáõ³Í ëÙµáõÏÝ áõ ·»ïÝ³ËÝÓáñÁ ÏÁ ß³ñáõÇ ÷áõéÇ ³÷ë¿ÇÝ Ù¿ç« ³é³ÝùÝ»ñÁ ÉáÉÇÏ« åÕå»Õ »õ ëáËëËïáñ ß³ñ»Éáí Ï°»÷»Ý ÷áõéÇÝ Ù¿ç£ Ø³ñÃ³ Ñûñ³ùáÛñë ä¿ÛñáõÃ ³åñ³Í ï³ñÇÝ»ñáõÝ ëáñí³Í ¿ñ ëÙµáõÏáí Çõñ³Û³ïáõÏ ×³ß³ï»ë³Ï ÙÁ« áñÁ Û³×³Ë ÏÁ å³ïñ³ëï¿ñ. ÏÁ Ï³ñÍ¿Ç áñ ³ÛÝ ÛáõÝ³Ï³Ý Ï³Ù Çï³É³Ï³Ý Ùß³ÏáÛÃ ¿£ ê³Ï³ÛÝ í»ñç»ñë ³ÛÉ µ³Ý Û³ÛïÝ³µ»ñ»óÇ. §î³ïÇÏÇ ÊáÑ³Ýáó¦ ýµ»³Ý ¿çÇÝ Ù¿ç Ñ³Ûñ»ÝÇ Ùï³õáñ³Ï³Ý ²ñÍáõÇ ´³ËãÇÝ»³ÝÁ« Çñ ëáíáñáõÃ»³Ý Ñ³Ù³Ó³ÛÝ« ß³ï Ñ»ï³ùñùñ³Ï³Ý »õ Ñ³½áõ³·Çõï å³ï³éÇÏ ÙÁ ÛÕ³Í ¿ñ §Ð³Û³ëï³ÝÇ ²ßË³ï³õáñáõÑÇ¦ ³Ùë³Ã»ñÃ¿Ý« áõñÏ¿ å³ñ½»óÇ« áñ Ð³Û³ëï³ÝÇ Ø³ï»Ý³¹³ñ³ÝÇ å³ÑáóÝ»ñáõÝ Ñ³ñáõëï ³ñËÇõÇÝ Ù¿ç ÏÁ å³Ñ-å³ÝáõÇ 19-ñ¹ ¹³ñáõ Ñ»ÕÇÝ³Ï ÚáíÑ³ÝÝ¿ë ²ÙÇñ³Û»³Ý - Ø³ÙÇÏáÝ»³ÝÇ Ó»é³·Çñ ³ßË³ïáõÃÇõÝÁ« áõñ Ñ»ÕÇÝ³ÏÁ Ñ³õ³ù³Í ¿ ³õ³Ý¹³Ï³Ý ËáÑ³ÝáóÇ µ³½Ù³ÃÇõ µ³Õ³¹ñ³ïáÙë»ñ£ Æ ÃÇõë ³ÛÉ ×³ß³ï»ë³ÏÝ»ñáõ« Ï³ñ¹³óÇ áñ í»ñáÛÇß»³É µ³Õ³¹ñ³ïáÙëÁ ÏÁ ÏáãáõÇ §´³¹ñÇç³Ýáí Ï³ñÏ³Ý¹³Ï¦ »õ Ñ³ÛÏ³Ï³Ý Í³·áõÙ áõÝÇ£ Æ ¹¿å« ÑÇÝ Ñ³Û»ñ¿ÝÇ Ù¿ç §Ï³ñÏ³Ý¹³Ï¦ µ³éÁ ·áñÍ³Íáõ³Í ¿ §ËÙáñ»Õ¿Ý¦ ÇÙ³ëïáíª ³ÛÅÙ

´³Õ³¹ñáõÃÇõÝÁ -1. ùÇÉûÏñ³Ù ëÙµáõÏ -Ó¿Ãª ï³åÏáóÇ Ñ³Ù³ñ -0.5 ùÇÉûÏñ³Ù ×»ñÙ³Ï ³ÕÇ å³ÝÇñ -2 Ñ³õÏÇÃ -Ï¿ë ÷áõÝç ³½³ïù»Õ -Ï³ñÙÇñ »õ ë»õ åÕå»Õ« µ³Ñ³ñ -÷áßÇ ãáñ³Ñ³ó/ µáÏ»Õ/bread crumbs ä³ïñ³ëïáõÃÇõÝÁ - êÙµáõÏÝ»ñÁ ß»ñï»É 1 ëÙ Ñ³ëïáõÃ»³Ùµ« ï³åÏ»Éáí Ã»Ã»õ³ÏÇ Ï³ñÙñ³óÝ»É« ß³ñ»É ÃÕÃ¿ ³ÝÓ»éáóÇÏÇ íñ³Û« áñå¿ë½Ç Û³õ»É»³É Ó¿ÃÁ ù³ÙáõÇ£ - ä³ÝÇñÁ ù»ñ»É« Ë³éÝ»É Ñ³õÏÇÃÁ« Ù³Ýñáõ³Í ³½³ïù»ÕÝ áõ Ñ³Ù»ÙáõÝùÁ£ - öáõéÇ ³÷ë¿ÇÝ Ù¿ç ó³Ý»É ÷áßÇ ãáñ³Ñ³ó« íñ³Ý ß³ñ»É ï³åÏáõ³Í ëÙµáõÏ« ï³ñ³Í»É å³ÝÇñÇ Ë³éÝáõñ¹Á« ³å³ ß³ñ»É ëÙµáõÏÇ »ñÏñáñ¹ ß»ñï ÙÁ« íñ³Ý Ýáñ¿Ý ó³Ý»É ÷áßÇ ãáñ³Ñ³ó£ - ÂË»É ÷áõéÇ Ù¿ç 10 - 15 í³ÛñÏ»³Ý£ (êÏ½µÝ³Ï³Ý µ³Õ³¹ñ³ïáÙëÇÝ Ù¿ç« ÷áË³Ý³Ï ÷áõéÇÝ Ù¿ç »÷»Éáõ« ëÙµáõÏÇ ³é³çÇÝ ß»ñïÇÝ Ù¿ç ÏÁ É»óáõÇ ÙÇçáõÏÁ« ÏÁ Í³ÍÏáõÇ »ñÏñáñ¹ ß»ñïáí ÙÁ. Ý³Ë Ã³ÃË»É ½³ñÝáõ³Í Ñ³õÏÇÃÇÝ Ù¿ç« ³å³ ÷áßÇ ãáñ³Ñ³óÇÝ Ù¿ç áõ Ýáñ¿Ý ï³åÏ»É)£

êÙµáõÏáí Øáõë³ùù³

àõñý³ÛÇ Êáñáí³Í

êÙµáõÏáí ÂÃáõ

Êáñáí³Í êÙµáõÏáí ²Õó³Ý

êÙµáõÏáí âËñÃÙ³

Â³·³õáñÇÝ Ð³õÝ³ÍÁ

Î³ñÏ³Ý¹³Ï êÙµáõÏª ä³ÝÇñáí

³ñ»õÙï³Ñ³Û»ñ¿ÝÇ Ù¿ç ù³Õóñ ËÙáñ»Õ¿ÝÇ ÇÙ³ëïÝ ¿ ëï³ó³Í£

êØ´àôÎàì ºõ ä²ÜÆðàì Î²ðÎ²Ü¸²Î

êÙµáõÏáí ²Ýáõß

êÙµáõÏáí îáÉÙ³

êºäîºØ´ºð 2019 Ä¸. î²ðÆ, ÂÆô 167

see the asnswers reversed on this page

PRIVATE TUTORING High School Math. and Physics

ÐúØÇ ²Ù¿Ýûñ»³Û ì³ñÅ³ñ³ÝÇ... ß³ñ. ² ¿ç¿Ý Ù³ñ: ²å³ Ëûëù ³é³õ îÝûñ¿Ýª ð³ýýÇ ê³ñ·Çë»³Ý« áñ Û³ÛïÝ»ó Ã¿ Ù»Í å³ïÇõ ¿ 18-³Ùë»³Û Ñ³Û Ù³ÝáõÏ¿Ý ÙÇÝã»õ 18 ï³ñ»Ï³Ý Ñ³Û »ñÇï³ë³ñ¹ÇÝ ·áõñ·áõñ³É« ¹³ëïÇ³ñ³Ï»É« Ñá·ÇÝ ³½Ýáõ³óÝ»É« Ñ³ÛÏ³Ï³Ý ßáõÝãáí ëÝáõó³Ý»É »õ ³Ýáñ ³å³·³ÛÇ Ù³ñï³Ññ³õ¿ñÝ»ñÁ ¹ÇÙ³·ñ³õ»Éáõ å³ïñ³ëï»É: ²Ý ßÝáñÑ³Ï³ÉáõÃÇõÝ Û³ÛïÝ»ó ÍÝáÕÝ»ñáõÝ, áñ í³ñÅ³ñ³ÝÇÝ ÏÁ å³ñ·»õ»Ý ³Û¹ Ñá·»å³ñ³ñ ³éÇÃÁ: ê³ñ·Çë»³Ý ³õ»Éóáõó« áñ í³ñÅ³ñ³ÝÇ ïÝûñ¿ÝáõÃÇõÝÝ áõ áõëáõóã³Ï³½ÙÁ å³ïñ³ëï »Ý Í³é³Û»Éáõ ³ß³Ï»ñïáõÃ»³Ý: ²õ³ñïÇÝ« áõÅ »õ Ïáñáí Ù³ÕÃ»ó áõëáõóÇãÝ»ñáõÝ »õ Û³ñ³-

ï»õ Û³çáÕáõÃÇõÝª ³ß³Ï»ñïÝ»ñáõÝ: ²å³ª ì³ñ¹³Ý ì³ñ¹³å»ï Â³ß×»³ÝÇ »õ Ð³Û Î³ÃáÕÇÏ¿ ê© ¶ñÇ·áñ Èáõë³õáñÇã ºÏ»Õ»óõáÛ Ñá·»õáñ ÑáíÇõª ºÕÇ³ Ì³Ûñ³·áÛÝ ì³ñ¹³å»ï ¶Çñ¿ç»³ÝÇ ëñïÇ Ëûëù»ñáí »õ î¿ñáõÝ³Ï³Ý ³ÕûÃùáí áõ ä³Ñå³ÝÇãáí ÷³Ïáõ»ó³õ ÐúØÇ ²Ù¿Ýûñ»³Û í³ñÅ³ñ³ÝÇ 41-ñ¹ í»ñ³ÙáõïÇ ³ñ³ñáÕáõÃÇõÝÁ« áñÙ¿ »ïù ³ß³Ï»ñïÝ»ñÁ áõëáõóÇãÝ»ñáõÝ ³é³çÝáñ¹áõÃ»³Ùµ áõÕÕáõ»ó³Ý Çñ»Ýó ¹³ë³ñ³ÝÝ»ñÁª Û³çáÕáõÃÇõÝÝ»ñáí É»óáõÝ áõëáõÙÝ³Ï³Ý Ýáñ ï³ñ»ßñç³Ý ÙÁ ëÏë»Éáõ Ñ³Ù³ñ: îÝûñ¿ÝáõÃÇõÝ

Flexible Hours

Contact: Hamo

Yeritsian P.Eng 647-713-3846 hamo.yeritsian@gmail.com

Yearning for Armenian Cont. from page 23

Armenian letters greeted my eyes. My heart spun about beneath my chest like a round plate. I felt a warm presence scampering towards every which way of my body. I hastily moved towards the garden, rescuing the piece of paper from within the cat s grasp. I had the pretentious habit of strictly reading the written work of distinguished authors; but I cast my eyes on the page before me. It was a short announcement clipped from a daily newspaper. A young orphaned

Torontohye Newspaper Publisher Torontohye communications Inc. 45 Hallcrown Place Willowdale, ON M2J 4Y4 Email:torontohye@gmail.com Phone: (416) 491- 2900 ext. 3215 Fax: (416) 491- 2211

ÊÙµ³·Çñ Î³ñÇÝ ê³ÕïÁ×»³Ý

²ßË³ï³ÏÇóÝ»ñ ²ñßû ¼³ù³ñ»³Ý Â³Ù³ñ îûÝ³å»ï»³Ý

¾ç³¹ñáõÙ

²ñ³ î¿ñ Ú³ñáõÃÇõÝ»³Ý

boy was searching for his mother. The other side of the paper revealed an ad for an Armenian grocery store. Similar to the first notice, I read the second ad to completion as well. And then, with enjoyment, I read them both in their entirety once more. I examined the Armenian letters, and then read the announcements one more time. The cat bothered me. Why are you tearing this piece of paper into shreds? I asked in Armenian. And the cat answered, also in Armenian (To be continued in next month s issue of TorontoHye)

Editor Karin Saghdejian

ì³ñã³Ï³Ý ä³ï³ëË³Ý³ïáõ ØÇë³Ï ¶³õÉ³·»³Ý

Ì³ÝáõóáõÙÝ»ñ ê»õ³Ï Ú³ñáõÃÇõÝ»³Ý Ð»é.ª 416-878-0746

sales.torontohye@gmail.com

Administrator Missak Kawlakian

Advertisements Sevag Haroutunian (416- 878-0746)

Design & Graphics: Ara Ter Haroutunian (aragraphics@gmail.com)

êºäîºØ´ºð 2019 Ä¸. î²ðÆ, ÂÆô 167