TorontoHye # 166

Volume 14, No. 10 (166), AUGUST 2019 Toronto Armenian Community Newspaper

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Animating History: How the Zoryan Institute Brings Testimonies Of Genocide Survivors To Life (TORONTO)- Can you imagine if you, as a kid, could see the animated story of your grandparents on screen? What if you could watch them recount their life story and learn more about who you are and where you come from? What if you could not only listen to the testimonies of Armenian genocide survivors, your grandparents or great-grandparents, from the survivors personally, but also watch the story in animation on screen?

The Zoryan Institute is working to make that a reality! The Institute, in partnership with BARS Media of Armenia, is converting its oral history accounts of the survivors of the Armenian genocide into animation. To illustrate the courageous and inspiring life story of one such survivor, Aurora Mardiganian's testimony will be the first to be made into an animated film, titled Aurora's Sunrise, to be shown worldwide some 100 years later since the first silent movie of 1919.

Aurora Mardiganian was one of the biggest celebrities of the Golden Age of silent film. She was a survivor of the 1915-1918 Armenian Genocide, a refugee turned actress, and the unlikely star of one of the highest grossing films of her time.

As described in her interview, three years after her escape from the Armenian Genocide, Aurora wrote the best-selling book, Ravished Armenia, in which she shared her harrowing experiences. A year later, she starred in a film adaptation of the book which became one of

the biggest blockbusters of the silent era.

Aurora was also the face of an unparalleled humanitarian campaign for victims of the genocide that raised awareness and over $30 million in 1919.

Along with breathtaking animation and recovered segments of Aurora s original silent film, Aurora's Sunrise resurrects her inspiring story of female empowerment. Aurora stands alongside figures such as Anne Frank, Malala Yousafzai, Nadia Murad as a champion of human dignity. She is not a victim but a hero a fighter for justice and humanity.

Through this medium, future generations will be exposed to engaging and visceral adaptations of the Zoryan Institute s Oral History Archives. The Archive can be used to illustrate not only Aurora s story, but the thousands of hours of filmed interviews in the collection including the Institute s interview with nonArmenian survivors of the Armenian Genocide such as Eleanor Ussher-Baker.

Ussher-Baker was the daughter of the medical missionary, Clarence Ussher, who served as a doctor and missionary in Marsovan, Harput and Van from 1898 to 1915 and was a witness during the massacres of Van in 1915.

This project is a massive undertaking and still requires a great deal of time as well as human and financial resources. A project of this caliber and importance can cost upwards of $1 million. Aurora s Sunrise has received

Auroras Sunrise

a commitment from ZDF/ARTE, one of the biggest public broadcasters in Europe to include Aurora s Sunrise in one of the six spots on their channel dedicated to theatrically released documentaries. The film has also won support from Eurimages, Best Pitch at the Belgrade Women in Film s Film Festival and the Best Project award from the ArmeniaTurkey Cinema Platform. The film is scheduled

to be premiered in 2020.

The Institute is especially excited about its Oral History archives and this initiative to convert Oral History testimonies, which the Institute has been preserving for the past three decades, into animated film. This will come to life through the artistic and cinematic talents of its partners at BARS Media in Armenia.

Zoryan Institute's University Program Armenian Ambassador Presents Develops A Global Network of Human Credentials To The Governor General Rights And Genocide Specialists

MAP -GHRUP countries and cases (The map above highlights the variety of cases covered in the course and the gray dots indicate the countries represented by GHRUP alumni (the larger the dot, the more students that have attended the course from these countries).

(TORONTO)- The Zoryan Institute s global network continues to grow as it welcomes new graduate-level students from 11 different countries to its 18th annual Genocide and Human Rights University Program at the University of Toronto in August 2019. Dr. Doris Bergen of the University of Toronto s Department of History has this to say about the program: As a professor at the University of Toronto, I m especially proud that the GHRUP takes place on our campus. It s an honour to host distinguished scholars like Joyce Apsel, Bill Shabas, Jim Waller, and others to welcome the wonderful participants, man of whom are in Canada for the first time. Our university is enlivened by their presence. Over the years, I ve recommended the program to many people, and every one of them has found it profoundly meaningful to be part of this dynamic group.

The Institute has partnered with reputable institutions such as the American University of Armenia, the University of São Paulo in Brazil, the Luisa Hairabedian Foundation in Argentina and the Armenian Genocide Museum-Institute in Armenia. These university relationships have led to ground-breaking publications, cutting-edge lectures,

conferences and symposia and long-term research projects that have helped to put the Institute s work on an international stage.

The GHRUP Program Director, Professor Roger W. Smith, had this to say when asked about the global reach of the course: Genocide is not restricted to any people: the Armenian genocide was the first modern genocide of the 20th century in which a state turned against its own inhabitants, but there have many more examples around the world. Our assumption was in teaching our students from many different national ethnic, and religious groups, many of whom had experienced genocide, that genocide was a crime against humanity, not just committed against a particular people or group, but against all humans.

Since the program s inception, the GHRUP has had over 400 alumni graduate from the course from 45 countries, many of whom have become professors in some 31 countries. Other students have been active in their communities and in their schools across the globe. Over the years, the course has been taught by more than 50 faculty members from a variety of disciplines coming from several academic institutions worldwide.

Armenia s Ambassador to Canada Anahit Harutyunyan with Governor General Julie Payette

Armenia s Ambassador to Canada Anahit Harutyunyan on July 9 presented her credentials to Governor General Julie Payette, the Armenian foreign ministry told Armenpress.

The Governor General of Canada congratulated the Ambassador on appointment and wished success in her important mission.

Touching upon the warm friendly relations between Armenia and Canada, Julie Payette expressed hope that the Ambassador will bring her contribution to the strengthening and deepening of bilateral ties.

Ambassador Anahit Harutyunyan thanked the Governor General for the wishes and

assured that her activity is going to focus on deepening the bilateral relations and expanding the mutually beneficial cooperation.

The sides highly valued the role of the Canadian-Armenian community for the formation and development of the bilateral friendly ties.

Ambassador Harutyunyan reaffirmed the gratitude of the Armenian authorities and people for the recognition and condemnation of the Armenian Genocide by Canada s executive and legislative powers, as well as for declaring April 24 as Armenian Genocide Remembrance Day.

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The Aurora Humanitarian Initiative Launches The #Araratchallenge, A Global Crowdfunding Campaign The Aurora Humanitarian Initiative has announced the #AraratChallenge, a new crowdfunding campaign aimed at supporting those in urgent need of basic humanitarian aid around the world.

The #AraratChallenge is a video-based crowdfunding campaign set to increase the impact and reach of the Aurora Humanitarian Initiative, whose projects combat poverty, improve healthcare and provide education to those in need. This call-to-donate seeks to inspire and engage people to embrace Aurora s mission of empowering successive generations of humanitarians.

At the core of the campaign is Mount Ararat, a universal symbol of renewal and second chances. Just as the 100,000 Armenian orphans that survived the Genocide had a chance to start a new life, the #AraratChallenge provides an exceptional opportunity for everyone to join this movement and give a second chance to those who need it most.

Mount Ararat is the biblical mountain where Noah s ark is said to have landed and a crucial part of the story about humanity s second chance. As we know, a century ago our ancestors were also given a second

chance to survive the Armenian Genocide.

Many people, including my grandfather, owed their survival to the generosity of others. One hundred years later, we founded the Aurora Humanitarian Initiative and the Aurora Prize for Awakening Humanity on behalf of the survivors and in gratitude to their saviors. We

are committed to giving a second chance to those who are in need today. The #Ararat Challenge is a unique opportunity to continue the cycle of Gratitude in Action together, said Noubar Afeyan, Co-Founder of the Aurora Humanitarian Initiative.

The Aurora Humanitarian Initiative kicks

off the #AraratChallenge crowdfunding campaign on July 19, 2019, inviting people from all over the world to take part in this movement and donate any sum, even $1 per month, to give a second chance to the vulnerable and destitute. All funds received in the form of donations will be directed to the Aurora Humanitarian Initiative s programs that directly benefit those in need.

Everyone deserves a second chance, and the #AraratChallege is a call to help us give that chance to people around the world.

I myself and many other Armenians are alive today only because some courageous and compassionate people saved our grandparents one hundred years ago. Today, we continue to see victims of violence, war and genocide around the world. Most often, children are the first victims of these heinous atrocities. And just as we sought help a century ago, today we can be those that help; we can make a difference. Today, we are fortunate to have a turn at making the world a safer place for the generations to come. Join the #AraratChallenge and put your Gratitude into Action, said Ruben Vardanyan, Co-Founder of the Aurora Humanitarian Initiative.

NSW Premier Hopes Australia Will Recognize Armenian Genocide In Near Future - Interview Interview by Norayr Shoghikyan

Gladys Berejiklian

do everything. I m always asked what is the -No, my position as PM is enough. But secret, I say there is no secret. You need to 17 years ago when I was elected as member work day and night and should always be of parliament, I didn t imagine that one day I optimistic, these two things are very important. will become a premier. But gradually when you are recording one success, you -Do you have any plans and goals to understand that you can achieve another as occupy higher positions in the future? well. Thus, I achieved this position in that way.

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optimistic about Armenia and feel that the Diaspora-Armenians always stand together Premier of New South Wales, Australia, with Armenia.

Gladys Berejiklian is in Armenia for already the fourth time. This time she pays a private -What impressed you most in Armenia? visit, but meetings were already held with And what can attract NSW tourists to visit Armenia s President and Prime Minister. Armenia?

Berejiklian gave an interview to -I think Armenia s history, beautiful sites Armenpress talking about the future can be attractive. Armenia should show its programs, the Armenian community of New wealth in a better way, especially the South Wales, the recognition of the Armenian monuments with a historical value. For Genocide and other topics. instance, if the western world is informed that there are churches here dating back to the -Mrs. Berejiklian, as a result of elections 4th-5th centuries, they will be interested in held in New South Wales on March 23, 2019, visiting here. you become the first female and ethnic -Last time you also visited Artsakh. Are Armenian Premier of NSW. NSW exceeds Armenia with its size and number of population you planning a similar visit this time?

-Unfortunately no. This time the visit is for several times, as well as exceeds a number of leading countries with its economy. What very shot, I came here for a week to attend a cooperation prospects do you see with wedding. But I will visit Artsakh in the future, Armenia? Are there any mutual partnership I have been there for two times and always programs which you already discussed with urge my friends to visit there. Another group the Armenian President or the PM? of Australian lawmakers will visit Armenia in -The programs are very broad, but I hope the near future, and I hope they will visit we will be able to establish strong ties at the Artsakh as well. official level in the future, because at a non-You proudly state that you are the official level our hearts are very close. The Armenian community of New South Wales is granddaughter of a family who survived the very powerful. The members of the community 1915 Armenian Genocide. During your always want not only to visit Armenia, but also activities you repeatedly called on the be useful for the country. We have thoroughly Australian authorities to recognize the discussed the issue of deepening the relations Armenian Genocide. What do you think when at an officials level both with the PM and the Australia will recognize the Armenian President, and I hope that we will be able to Genocide, what are the possibilities for that give an official status to our relations in the and what actions do you take on this direction? future.

-It s already 20 years New South Wales has recognized the Armenian Genocide and -You visited Armenia also in 2013 with is recognizing the independence of Artsakh. the delegation of Austrian politicians. Six years We hope that Australia will also recognize, if have passed since that visit, what change do Germany and some countries can recognize, you see in Armenia and what are your and I always raise this issue among my impressions today? parliamentarian friends. I hope Australia will -This is the first time I am visiting Armenia recognize the Armenian Genocide in the near as a PM, but, in general, this is my 4th visit. future.

I have relatives here and always try to visit -What will be your advice to Armenians Armenia. I saw a lot of changes in Armenia.

I think the people here are more optimistic, living in Diaspora who are just starting their full of hope about the future, construction is activities in politics?

-Two things have always helped me, the developing, but there are some issues which need to be solved in the future. But I am belief and diligence. If you work hard, you can

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First-Ever International Forestry Summit Heading To Yerevan Armenia Tree Project (ATP) and the American University of Armenia (AUA) Acopian Center for the Environment announced plans for an upcoming conference which will bring global leaders in forest conservation and restoration to Yerevan, Armenia this October.

Forest Summit: Global Action and Armenia will be held from October 20 to 23 at the AUA and will feature three days of discussion and collaborative dialogue on the conservation and reforestation efforts much needed in countries across the world.

The inaugural conference will showcase successful conservation and reforestation projects and their respective champions, bringing together the world s best minds to collaborate on effective practices and industry innovations that help save trees and forests around the globe.

ATP has helped protect Armenia s environment, empower its citizens, and invigorate local economies since its establishment in 1994. Since the group s inception, more than 5.7 million trees have been planted across the country and hundreds of jobs have been created through tree-related programming.

While we are very proud of our work in Armenia over the past 25 years, we recognize that our next 25 years are equally important, says Jeanmarie Papelian, ATP s Executive Director. This summit with reforestation leaders from around the world will provide us the platform to share our best practices, learn from other nations and continue to make the planet a more verdant place.

The October conference will provide a first-hand look at the success of reforestation

Forest in Lori, photo by Jason Sohigian

accomplished to date and the work that lies ahead in Armenia and other countries around the world. While success stories like the one in Armenia are gradually becoming more universal, efforts must be sustained to combat deforestation that continues to plague so many areas globally. The conference will offer sightseeing tours to Dilijan National Forest and ATP s Mirak Family Reforestation Nursery in Margahovit Village, where attendees can observe reforestation work in action.

There have been many conservation and restoration initiatives in Armenia and the wider region for decades, and this Summit will enable us to review this experience, learn from mistakes and successes and plan for the future, says Alen Amirkhanian, Director of the AUA Acopian Center for the Environment.

The AUA Acopian Center has been on the forefront of organizing such policy discussions and debates. The Summit is an example of our deep commitment to open and multistakeholder deliberations on critical environmental issues.

Further details on speakers and programming will be announced in the weeks ahead. In addition to hosting the conference in October, ATP will celebrate the planting of its six millionth tree in Armenia this fall.

The AUA Acopian Center for the Environment, a research center of the American University of Armenia (AUA), promotes the protection and restoration of the natural environment through research, education, and community outreach. The AUA Acopian Center s focus areas include sustainable natural resource

management, biodiversity and conservation, greening the built environment, clean energy, and energy efficiency, as well as information technology and the environment. Founded in 1991, the American University of Armenia (AUA) is a private, independent university located in Yerevan, Armenia, and affiliated with the University of California. AUA provides a global education in Armenia and the region, offering high-quality graduate and undergraduate studies, encouraging civic engagement, and promoting public service and democratic values.

Armenia Tree Project (ATP), a non-profit program based in Woburn and Yerevan, conducts vitally important environmental projects in Armenia s cities and villages. Since 1994, ATP has made enormous strides in combating desertification in the biologically diverse but threatened Caucasus region. More than 5,700,000 trees have been planted and restored, and hundreds of jobs have been created for Armenians in seasonal tree-related programs. ATP works to further Armenia s economic and social development by mobilizing resources to fund reforestation.

These vital new trees provide food, wood, environmental benefits, and opportunities for economic growth. ATP has a full time staff of over 80 in Armenia. The Yerevan office manages four state-of-the-art tree nurseries and two environmental education centers, partners with villagers to create tree-based micro-enterprise opportunities, creates urban green belts for public use, restores degraded forest lands, and employs hundreds of parttime workers to plant new forests.

Another Armenia-Karabakh Highway Planned (RFERL)- Armenia and NagornoKarabakh have agreed to build a third highway connecting them, a senior Armenian official announced on July 24.

Armen Grigorian, the secretary of Armenia s Security Council, said the issue was high on the agenda of his very productive talks with Karabakh leaders held in Stepanakert last week.

As a result of preliminary discussions, we are planning to build a 150-kilometer road in 2020, Grigorian told RFE/RL s Armenian service. A decision has already been made.

I hope that before the end of this year we will finish these discussions and have a roadmap on how we are going to build that road, he said.

Armenia and Karabakh are already connected by two highways passing through former Azerbaijani districts that were occupied

by Karabakh Armenian forces during the 19911994 war.

One of them stretches for more than 80

kilometers from the Karabakh capital Stepanakert to the southeastern Armenian town of Goris. It was built in 1997 with the financial assistance of the Armenian Diaspora and the late U.S.-Armenian billionaire Kirk Kerkorian in particular.

The other, 115-kilometer -long road runs from the northern Karabakh town of Martakert to Vartenis in eastern Armenia. It was inaugurated in 2017 following a $36 million reconstruction mostly financed by the Armenian and Karabakh governments.

The Vartenis-Martakert road has not only shortened travel time between Yerevan and northern Karabakh but also brought more tourists to the area which is home to two medieval Armenian monasteries.

Grigorian said the third road will link Kapan, the administrative center of Armenia s Syunik province bordering Iran, to Karabakh s Cars on a newly constructed highway connecting Karabakh to Armenia authorities in Yerevan and Stepanakert will southern Hadrut district. He said it will boost territory.

The Armenian official did not specify the have no trouble raising funds for its Karabakh s security and create new economic opportunities for the Armenian-populated cost of the project. He said only that the implementation.

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ARMENIA

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Armenia s Iconic Lake On Verge Of Destruction, Environmentalists Warn Over the past several days Lake Sevan has turned an alarming shade of green. The algae bloom is a symptom of the dire, complex ecological situation around the country s biggest body of water.

By: Ani Mejlumyan (Eurasianet)- Satellite images of Lake Sevan, published by Armenia's Environment Ministry, show a significant algae bloom. (photo: Facebook, Armenian Environment Ministry) Armenia s iconic Lake Sevan has turned an alarming shade of green in recent days, spurring a nationwide debate about how to save the country s scenic jewel and major water source.

The algae bloom was first reported in late June, the latest recurrence of a problem that has existed since the 1960s. Heavy use of the lake s water for irrigation has caused its level to drop, and overfishing and sewage dumped into the lake have further degraded the water quality.

But in the last several years, the problem has accelerated and many

scientists fear that the lake may be on the verge of dying.

We are still destroying Lake Sevan through our thoughtless actions, environmentalist Karine Danielyan told a press conference on July 8.

Danielyan said that environmentalists had warned the government months ago about the dire situation around Sevan, but that they did not take action. No one was interested, she said. We do not see a systematic strategy toward solving any problem in the country, especially ecological ones.

The Ministry of Environment has been calling attention to the problem and claims to be working on a solution. On July 4 the ministry shared satellite photos on its Facebook page of a dramatic greening of the lake over just several days at the end of June. The ministry said it was trying to reduce the amount of water taken from the lake for irrigation, and that it was working with German scientists to study the problem. It noted that the European Union had given Armenia a five million Euro grant to address the problem.

While on a tour around the region, EU President Donald Tusk was in Yerevan on July 10 and visited Sevan along with Prime Minister Nikol Pashinyan.

Environment Minister Erik Grigoryan, speaking on July 4, said that the water would begin to clear up within 7-10 days. An RFE/RL

Satellite images of Lake Sevan, published by Armenia's Environment Ministry, show a significant algae bloom. (photo: Facebook, Armenian Environment Ministry)

dispatch from the lake on July 10 reported that the situation was slowly improving.

The head of the State Water Commission, Vardan Melkonyan, told reporters that the amount of water being taken out of the lake for irrigation has substantially declined: 29 million cubic meters so far this year, compared with 43.5 million cubic meters in the same period last year.

Grigoryan also said that global climate change was causing similar problems in other bodies of water, like the Black Sea and Russia's Lake Baikal. The government s initiatives should cause the lake s level to rise

six meters, solving the problem, he said.

But many were critical of Grigoryan s efforts. If we don t see a change in the Sevan issue in the next five days, the minister of environmental destruction should resign, wrote activist Arman Gharibyan on his Facebook page.

A former head of Armenia s environmental inspection body has alleged corruption around environmental management of the lake. Artur Grigoryan, who was hired

by Pashinyan last June, said that he informed the prime minister in January about large-scale illegal fishing operations in Sevan, in a July

9 Facebook post. Grigoryan also posted photos of canned whitefish that he said were illegally fished from Sevan.

Grigoryan said the issue was discussed at a meeting of the government and that Pashinyan angrily demanded that regional authorities and police deal with the situation. But Grigoryan said that he was fired shortly thereafter, while Pashinyan was at the World Economic Forum in Davos, Switzerland. And the thorough inspections that were promised around Sevan never happened, he wrote.

Armenia Introduces Tougher Penalties For Illegal Logging RFE/RL)- The upcoming entry into force of a bill criminalizing illegal logging in Armenia will put the government in a much stronger position to stop the country s deforestation, Environment Protection Minister Erik Grigorian said.

Armenian law has until now envisaged only fines for the practice that has been widespread since the 1990s. A package of amendments to the criminal and administrative codes unanimously passed by the National Assembly earlier this month made it a crime punishable by two years in prison in cases where damage caused to forests exceeds 100,000 drams ($210).

Individuals illegally cutting a smaller number of trees for a second time will also face imprisonment. In addition, the amendments, which will take effect next week, will introduce criminal liability for collective logging not authorized by relevant authorities.

This will have a substantial impact on illegal logging and we will see in the coming year how many people stop using wood as a source of heating, Grigorian told RFE/RL s Armenian service. He predicted that firewood will become much more expensive than it is now.

The existing legal rules have left many loopholes for people to periodically cut trees and get away with that, argued the minister.

Nazeli Vartanian, who runs the nongovernmental organization Forests of Armenia,

disagreed, saying that many poor residents of small towns and villages located near forests have not been able pay the existing fines.

This has not prevented them from cutting trees on a regular basis, Vartanian said. She suggested that they will ignore or revolt against the heavier penalties.

Grigorian countered that poverty cannot be an excuse for not punishing such people.

He also argued that much of the illegal logging in Armenia has been done by organized groups linked to the underworld or corrupt government and security officials.

The Shikahogh forest preserve in Syunik province, September 4, 2018 In its drive to protect the country s endangered forests, the minister went on, the government will not only enforce the new penalties but also deploy more forest guards and step up logging inspections.

Government efforts to curb logging have already met with fierce resistance in the northern Tavush province.

Hundreds of local residents rallied and blocked a major highway there last week in protest against the crackdown. More than a dozen of them were arrested after clashing with riot police.

Following the unrest, Prime Minister Nikol Pashinian ruled out any concessions to the organizers of illegal logging and pledged to end the practice in the most resolute manner.

Grigorian acknowledged that the crackdown could spark more protests in this Environment Protection Minister Erik Grigorian, Yerevan, July 23, 2019 or other parts of Armenia.

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ARMENIANS

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Border Village Relishes Lull In Armenia-Azerbaijan Conflict Over the last year, it s gotten much better I don t remember a length of time so quiet for so long since the ceasefire in 1994.

By: Joshua Kucera In 2016, during what became known as the four-day war between Armenia and Azerbaijan, Sonia Matinyan s pregnant daughter-in-law fell ill. Her son bundled his wife into their car and started driving up the rutted road out of the village to take her to a doctor. But the village, Berkaber, sits directly on Armenia s border with Azerbaijan, and Azerbaijani positions fired on the road as the family was driving. They weren t hit, but the close call was so frightening that, Matinyan says, her daughter-in-law had a miscarriage.

After that, my son moved to Yerevan, she said.

For residents of border villages like Berkaber, regular exchanges of fire had become a common, if never comfortable, experience. Matinyan s house, on a hillside from which Azerbaijani territory is easily visible, has collected several bullet holes over the years.

But lately, she and other Berkaber residents say, the firing has stopped. Now it s peaceful, they don t shoot, she said. When that new president came in, they stopped shooting.

Matinyan was referring to Prime Minister Nikol Pashinyan, who came to power last spring. While there hadn t been a serious shooting in Berkaber for more than a year before that, since January 2017, many in the village still attribute the longevity of the peaceful spell to his arrival.

No one knows why the firing has stopped, Berkaber s mayor, Argam Arzumanyan, told Eurasianet. It was after the revolution. Maybe Azerbaijan changed something, maybe it s connected with politics, maybe people just got tired of war.

In any case, he said, over the last year, it s gotten much better I don t remember a length of time so quiet for so long since the ceasefire in 1994.

A quarter century after their bloody war over the territory of Nagorno-Karabakh as the Soviet Union collapsed, Armenian and Azerbaijani forces continue to face off against one another across several different front lines.

Here, in the northern Armenian province of Tavush, there is an international border with Azerbaijan. In southwestern Armenia there is another international border with the

Map of Berkaber

Berkaber. Across the water is a small slice of Armenian territory that has been controlled

by Azerbaijan since the war in the early 1990s. (photos Joshua Kucera)

Azerbaijani exclave of Nakhchivan. And surrounding the territory of Nagorno-Karabakh, controlled by Armenian forces since the 1994 ceasefire, is the most heavily militarized front line between the two sides, which saw heavy fighting in the 2016 war.

Ceasefire violations along the various front lines are difficult to measure, as there is no independent monitoring. But by all accounts violence between the two sides did decrease substantially last year, in particular after Pashinyan met Azerbaijan President Ilham Aliyev in September and agreed to set up an operational hotline on which the two sides could talk military issues.

The two leaders have talked about it and I think they came to some terms to keep the ceasefire permanently, said Bishop Bagrat

Galstanyan, the primate of the Tavush diocese who has carried out a variety of social ministries in border villages like Berkaber. Probably it has to do with the fact that they are talking and negotiating and proposing some ideas.

We can t definitely say but over the last year, since the Velvet Revolution, it has deepened.

It s obvious that that s the fact, he told Eurasianet.

The Azerbaijan Ministry of Defense and the Nagorno-Karabakh armed forces regularly publish statistics about ceasefire violations; while these figures are widely regarded as fictitious on both sides, they both did decrease dramatically after the September meeting.

In recent weeks the rate of ceasefire violations has risen again around NagornoKarabakh and, to a lesser extent, Nakhchivan.

But this part of the border has remained calm.

(Both the Armenian and the Azerbaijani defense ministries declined to comment for this article.)

The Azerbaijani villages on the other side of the border are tightly controlled, and outsiders who want to visit have to apply for special permission that takes months even in the case it is granted. In Armenia, by contrast, the border villages are being turned into a tourist attraction of sorts.

High on a hilltop in Berkaber sits the Extreme Café, covered in colorful murals and featuring a deck where patrons can enjoy drinks and snacks overlooking Azerbaijani territory. The café was opened in April by a local group, called Berkaber NGO, and is aimed at serving tourists mainly from Armenia s worldwide diaspora who come to visit the village.

The café is to get visitors to come and see the border and to see what border villagers life looks like, said George Tabakyan, one of the officers of Berkaber NGO and a Lebanese Armenian repatriate who bought a house in the village and lives there two days a week.

Everything we re doing is to reaffirm that nobody is leaving that land.

The cafe sells a selection of locally made handicrafts and treats, and one of its unique attractions is military-style body armor that tourists can try on. It s the idea of experiencing the uniform, Tabakyan said. The conflict obviously is not over yet . Our village is under their fire and their village is under our fire.

Another affiliated NGO, Sahman ( Border ), has set up some small enterprises for village residents to make a living. Matinyan runs a small textile enterprise out of her house making T-shirts and uniforms and her first sewing machines were provided by Sahman.

The organization also set up greenhouses for other residents. If it weren t for them, there would be nothing here for young people to do, Matinyan said. The homeland starts at the border, and if people don t have work, how can they live on the border?

Still, Matinyan hopes that the situation can somehow return to the way it was before the conflict started. She recalled that there were 20 Azerbaijani families at her wedding in Berkaber. We were very, very close. They would bring us fruit, watermelon, cherries, a lot. And we would give them pork! she said with a laugh. We lived very well together. It s not just me, but the whole village wants it to be like it was then. They re simple people like us.

-----------------------Joshua Kucera is the Turkey/Caucasus editor at Eurasianet, and author of The Bug Pit.

Armenia s Officially Registered Crime Rate Rising enforcement authorities recorded 12,225 crimes in this period, up by 9 percent from January-June 2018. Burglaries and thefts accounted for the bulk of this increase, he told reporters.

The police reported an 11 percent rise in crimes last year. The chief of the national police service, Valeri Osipian said in November that many crimes were underreported under his predecessors. Besides, he said, victims of petty crimes are now less reluctant to report them because of greater public trust in the police.

Ghukasian echoed that statement when he commented on the reasons for the increased crime rate at a joint news conference with Osipian. He argued that the number of The the entrance to a bank in Yerevan is cordoned off by police after an attempted robbery, crime reports submitted by Armenians to police May 3, 2018. stations across the country rose by more than (RFE/RL)- The number of various crimes a senior police official said.

16 percent in the first half of 2019. committed and officially registered in Armenia The chief of the Armenian police staff, In Ghukasian s words, a general amnesty continued to grow in the first half of this year, Colonel Armen Ghukasian, said law- declared by the Armenian authorities in

October also had some impact on crime statistics.

The amnesty led to the early release from prison of some 650 convicts. In Ghukasian s words, 88 of them have been arrested again for committing more offenses.

We can presume that the individuals freed under the amnesty may have also committed other crimes that have not yet been solved, added the police official.

Osipian noted, for his part, that since January 2018 more than a thousand other convicts have been freed because of completing their prison sentences or being granted parole.

Critics of the current government say that the police have been softer on crime after the 2018 Velvet Revolution.

Osipian has repeatedly dismissed such claims. He again stated on Wednesday that he has practically eliminated corruption in the police ranks since taking office in May 2018.

ARMENIA/ARTSAKH 22 Canadian Artist Teams Up With PATMI NGO To Brighten Up Armenian Village Of Meghradzor ú¶àêîàê 2019 ĸ. î²ðÆ, ÂÆô 166

By: Harout Manougian A Canadian street artist, who goes by the name of Sloast, finished a week-long visit to the Armenian village of Meghradzor in the Kotayk region. Sloast is not Armenian but was invited by the PATMI Cultural NGO as part of their program to preserve Meghradzor s cultural heritage.

PATMI was cofounded in 2018 by Meghradzor native Naira Harutyunyan and Belgian-Armenian Sarine Arslanian. Their mission is to record the oral stories of rural Armenia and transmit them to the next generation visually with painted murals. In doing so, they aim to strengthen the bond between people and village while also creating new economic opportunities by attracting tourism.

For example, the first of two murals painted by Sloast in July depicts a cyclops standing over the mountains. Most of Meghradzor s 2000 inhabitants can trace their roots to ancestors who left the Bayazit region of the Ottoman Empire, following retreating Russian soldiers during the Russo-Turkish War of 1829. However, ruins of a fortress on a nearby mountainside date back much earlier.

According to local legend, the rocks used to build the fortress were too heavy to have been placed there by humans. Instead, village elders tell a tale of how a prehistoric race of cyclops giants were the original settlers of the area.

Sloast s second mural memorializes Arevik Gevorgyan, the first Meghradzor native interviewed by PATMI. Though Arevik passed away in June after a long fulfilling life, the painting pays tribute to a story from her youth when a relative, who was battling an unknown sickness, climbed up to a monastery praying to be cured and washed himself with the rain runoff dripping off the roof of the church.

Spoiler alert: He was cured. The meaning of

the mural goes one step further, encouraging young people to learn from their grandparents about the wild plants that grow around them and their healing properties. Indeed, in our short walk up a hillside, we encountered St. John s Wort and chamomile flowers.

Sloast grew up in Toronto and attended the French Immersion program at Lawrence Park Collegiate Institute. Her love of art started at a very young with encouragement from her father, a lawyer with his own basement art studio. She went on to study Art History at McGill University and settled in Montreal after graduation, where she joined the local art scene and developed her own style. This September, she will start a new Master in Fine Arts program at NYU in Art Education and Community Practice. One of her inspirations is to provide the same freedom for young people to express themselves through art that was so important to her growing up. Canadian Artist teams up with PATMI NGO to brighten up Armenian village of Meghradzor.

During her seven days in Meghradzor, Sloast also taught local children aged 9 to 13 as part of PATMI s summer camp program.

She helped them get over their initial selfconsciousness and just enjoy the process of sketching and doodling, without feeling that they would be evaluated by others. They got to post their work on a different wall of the same one-room table tennis club that hosts the cyclops mural and PATMI s first project, a mural of Nazan Tatik, who was an orphan brought to Meghradzor by an Armenian soldier after the Battle of Sartarapat.

The children, who can now name all the colours in English, were sad to see Sloast leave. She does hope to return one day to walk the trail that PATMI is developing from mural to mural.

The plan is for the paintings to also get a scannable QR code that visitors can use to learn more about the stories that inspired the Sloast with one of her murals art.

Zucklight: Armenian Engineers Developing Prototype For Zuckerberg s Sleep Box

Zuckerberg s sleep box

(CNBC, Armradio),- A team of Armenian engineers and builders have developed a prototype for Zuckerberg s sleep box and launched a Kickstarter campaign to fund the

Alexis Ohanian To Moderate Panel At WCIT 2019 In Yerevan

built his wife, Priscilla Chan, a device he called a sleep box, a wooden box that sits on the bedside table and emits a soft light between the hours of 6 a.m. and 7 a.m., when it s time to go get theit kids. That way Chan doesn t have to constantly wake up and check the time on her phone.

Zuckerberg said a bunch of his friends seemed interested in having one, so he posted his creation on Facebook in case another Alexis Ohanian entrepreneur wants to run with this and build The Reddit and Initialized Capital cosleep boxes for more people, he said. founder Alexis Ohanian will moderate a panel

By May 18, Armenian engineer Greg at the World Congress on Information Hovannisyan had a prototype, on June 13 he Technology (WCIT 2019) which will take place launched the Kickstarter campaign and with in Yerevan, Armenia, on October 6-9.

27 days left it has already raised $108,000, Great news to brighten up your week! more than 21 times its $5,000 goal. Alexis Ohanian Sr., co-founder of Reddit and Hovannisyan and the founding team are Initialized Capital, is going to moderate a panel Armenian, so the devise dubbed Zucklight is discussion during WCIT2019. Alexis now helps being developed by team of engineers in pave the path for brand new startups with Armenia. The company s headquarters, fresh ideas , the WCIT 2019 said on Facebook.

WCIT is the signature event of the World meanwhile, are in New Jersey.

Early bird pricing for the basic Zucklight Information Technology & Services Alliance is $29, which is more than half off the expected (WITSA), a consortium of ICT associations $60 retail price, according to the Kickstarter from 83 countries, representing 90% of the industry. campaign.

For 40 years, technology leaders CEOs Early bird pricing for the Zucklight Plus, and investors, policymakers and government which includes wireless charging, is $39, which officials, academics and technologists have is more than half off the expected retail price joined in this annual event to discuss the state of $80. of the industry, where it is headed and what The Zucklight Pro, which has wireless as it means for our future. well as environmental sensors to measure The Congress will be held in Yerevan, production in June. the level of humidity, carbon dioxide and Armenia from October 6 to 9 and will include Facebook CEO Mark Zuckerberg threw temperature in the room as well as alerts, is sessions on topics ranging from artificial out the idea for a business in April. available to early bird backers for $47 and is intelligence, virtual reality, and smart cities to Mark Zuckerberg CEO shared that he expected to retail at $100. cybersecurity, climate change, and more.

ART and CULTURE

By Lilly Torosyan

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Hamazkayin Artlinks 2019: Where Art And Authenticity Create A New Armenian Experience

It s hard to believe that there ever was a time when the Hamazkayin ArtLinks retreat program didn t exist. Since 2015, for just three whirlwind (some would say, sleepless) summer days, dozens of young Armenians from across the U.S. and Canada flock to a secluded location in North America to immerse themselves in all things art, culture, identity, music, literature, poetry, dance, song, and any other creative outlet you could think of.

The program, organized by the Hamazkayin Western Region, Eastern Region, and Canada Regional Boards, aims to foster interest in the fields mentioned above for the next generation of Diasporan Armenians, as well as to encourage said group to lend their voices, bodies, and minds towards the creation of a new Diasporan Armenian experience.

Established leaders in these fields lead interactive workshops on various topics and themes regarding Armenian art, culture, and identity. The result is nothing short of extraordinary.

This year, the fifth installment of the program was held at a retreat center in the quiet forested town of Paris (not that Paris), an hour outside of Toronto, Canada, from June 20 to 23. On the schedule was a discussion on Armenian genealogy with one of the foremost experts in this field, George Aghjayan; a creative writing workshop with Harvard University lecturer, Dr. Lisa Gulesserian; a music session with pianist and music director Anna Mikaelian; a film workshop with Academy Award-nominated director Atom Egoyan; and a dialogue on Armenian identity with scholar and educator Dr. Viken Tufenkjian.

Though the age range for participants is officially listed as 21 to 35, this year s participants skewed a little on the older side, with most in their mid-to-late 20s. This fact, in and of itself, is not so important until you hear them rattle off their vocations: independent filmmakers, designers, musicians, voice actors, makeup artists, comedy screenwriters the caliber of this year s list was so incredible, that pretty much all of the participants could have also served as workshop leaders.

And that is the point. ArtLinks program director, Dr. Khatchig Mouradian, has repeatedly said that the structural nature of ArtLinks is horizontal, not vertical. The word lecture is nowhere to be heard at any point throughout the weekend. Workshop leaders engage with participants in a relaxed, informal way, and most of them spend the entire weekend at the retreat with the group, discussing, bonding, playing, and jamming at all hours of the day (and often, into the late night).

The weekend program began early, on Thursday evening. Admittedly, my friend and fellow four-time ArtLinks alum, Helena Bardakjian, and I strolled into the retreat center quite late, missing the formal introductions.

Perhaps it was for the best since everyone had already done the tough task of breaking the proverbial ice. We were greeted with cheers by fresh and familiar faces alike; all were gathered around the couches in the entrance hall, drinking and chatting like close buds. ArtLinks had begun.

family trees. In the days leading up to ArtLinks, he generously offered to do some research for others, and he went over some of his findings during the workshop.

When the conversation turned to Hidden Armenians Armenians who were left behind during the Genocide and forcibly converted to Islam Aghjayan got emotional. Looking around the room, one could feel the weight of his words seeping into the hearts of these young Armenians, who realized in that moment that all that separated them from those strangers was a momentary fluke in history that they, too, could have been among the hidden.

During the lunch break, participants, lecturers, and organizers mixed and mingled, chatting about the morning s workshop and, like a family tree, different conversations sprouted as offshoots. The workshops then continued with Dr. Gulesserian. For the past

pushed the boundaries of the cultural and societal norms of his time. The symbolism of selecting the works of a man who challenged dogma and feudalism did not evade our group.

After some fun exercises of decoding and analyzing existing hayrens, then putting together one as a group, the tension in the room eased. Just as we were getting comfortable, our leader told us that during tomorrow s session, we will all compose our own hayrens (in whichever language we feel most comfortable) and present them to our peers. Anxiety levels shot back up.

After a short break, the program resumed outside, with Anna Mikaelian, founder and executive director of Armenia s Nexus Center for the Arts, which provides all children regardless of background or socio-economic status a quality musical education. Our group formed a wide circle and, handed nothing but a few makeshift instruments, began to create

Hamazkayin ArtLinks 2019- arts sessions and lectures.

two years, Dr. Gulesserian has been the Armenian lecturer at Harvard University. Her efforts modern, innovative, hip, and inviting have propelled the Armenian activities at the school to new heights. No doubt, she would bring that same excitement to ArtLinks. In the beginning of her presentation, one could sense some trepidation from the crowd (admittedly, Day One: Growing through Art The next morning, Dr. Mouradian kicked off I was among that group). A nearly two-hour the official start of the program by introducing discussion on Armenian poetry seemed George Aghjayan, the Director of the Armenian daunting, even to the most astute Armenian Historical Archives and an expert in the student.

We learned about the hayren, an demographics and geography of Western Armenia. His passion project has been to Armenian poetry style from the 13th century, educate other Armenians on modern which saw its heyday in the 16th century. We genealogy and DNA testing so that they, too, read and analyzed examples from Nahapet can find their lost branches and repair their Kuchak, a Medieval Armenian monk who

music together. Mikaelian facilitated, by providing a rhythm or a beat and told us to listen to each other, to follow each other, and to silence the filters that tell us how something should sound. After a little struggling, the vibe slowly changed. Getting out of our own heads, we were able to transcend our insecurities and enter a space of unison if only for a brief, fleeting moment.

Day Two: From Anxiety to Authenticity The second day of the program began with another poetry session. Dr. Gulesserian reminded us of the simple structure of the hayren four lines of 15 syllables each and set us off to compose our own. If only writing one were as simple as the structure itself! We

were given 15 minutes to compose our masterpieces, and then received feedback on them from our small groups of three; ultimately, though, the exercise was a solo activity.

After immersing ourselves in the ego, we shifted gears with the second music workshop. Mikaelian announced that we would be recording an improvisational song as a group. But participants struggled to find the rhythm and harmony their leader was searching. By the end, it seemed like everyone had given up trying.

The truest skill some would say gift of an artist is the act of listening. Writers, musicians, dancers: they all observe and listen. To other voices, bodies, and words. To their own voices, bodies, and words.

Judgment, insecurity, and hesitation have no space in this equation. Perhaps the true lesson of both activities was to get us out of our own heads and just listen to the voices around us and within us.

Unfortunately, due to a family death, Atom Egoyan and his wife, actress Arsinee Khanjian, were not able to make it to the ArtLinks program. However, their time slot was not wasted. Everyone filled it with something that brought them joy some played soccer and frisbee outside, others went for a hike on the picturesque trail that cut through our retreat center, one group chose to cool down in the swimming pool on site, and a few others elected to resume the morning s music session.

What ensued was a three-hour non-stop musical journey, where Armenian folk tunes like Sareri Hovin Mernem and Garun A by Komitas served as the seeds for an improvisational journey that crossed genres and that pesky, ever-present mental barrier.

By the end of it, nearly everyone was in tears.

Anxiety washed away, and out came our truest selves. What the morning s session failed to do, this one made up for and then some.

In the evening, many participants gathered in the entrance hall to watch one of Egoyan s films, Calendar , which was shot in newlyindependent Armenia, in 1992. After the screening, a lively discussion developed about the various themes presented by Viken Tufenkjian, especially the concept of identity, which the main character struggled with deeply. One of the ArtLinks organizers from Montreal, Salpy Markarian, shared an anecdote of how she accompanied photographer Norayr Kasper to the film set in Armenia. Sometime after that, they married and their son, Arshen, born a few years later, is a two-time ArtLinks participant. The world is small but even smaller for Armenians.

Call me biased, but I was giddily excited for the last session. Viken Tufenkjian, one of the organizers and most ubiquitous faces at ArtLinks, gave a talk on Armenian identity. His question of who or what is the Armenian? raised more questions than answers which, as any professor or scholar would try to reassure you, is actually a good thing. He listed eight elements integral to Armenianness , assigned us to groups, and asked us if we could rank them in a hierarchy.

I remembered Dr. Mouradian s words: that ArtLinks is a lateral program, that we do not rank people that everyone here (even the PhDs) preferred to be called by their first names. This was perhaps the most vertical moment of the entire program and coming right at the very end, no less! It caught most of us off guard, but again, maybe that was the point?

What is Armenianness? Who is (the) Armenian? Who gets the right to decide? How does one measure these elements anyway?

What about the exceptions? Indeed, could cont. page 26

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ú¶àêîàê 2019 ĸ. î²ðÆ, ÂÆô 166

ART and CULTURE

Perpetuating Komitas Legacy Compiled by Dr. Araxie Altounian Father Komitas stands at the crossroads of the traditional and contemporary, being both the saviour of the millennial Armenian musical culture and the founder of the Armenian school of classical music. He incessantly searched for a style of composition that would preserve the unique qualities of Armenian music, and yet be perfectly well understood by musicians and music lovers of different national backgrounds. Both a precursor in the field of ethnomusicology and a progressive composer, Komitas was also a perceptive pedagogue who understood the importance of preparing a generation of researchers and composers who would carry on the work that he had begun. His pupils did, indeed, continue the work after the musician priest s illness confined him to an asylum, providing Armenians worldwide with a significant wealth of both recovered folklore and classical repertoire, which played an essential role in perpetuating Armenian culture both in Armenia under Soviet rule, and in the newly formed diasporas during the 20th century.

Is Komitas legacy still relevant to the young generation of Armenian musicians? We asked a few up-and-coming performers what Komitas meant to them, and this is what they had to say.

Artun Miskciyan, pianist

I really appreciate how Komitas s piano music and the piano parts in his songs are optimized for the piano s capabilities as an instrument. Sustained notes create a certain atmosphere (as in Krunk and Kele Kele), and his use of a wide range of notes from very low bass notes to very high treble, achieves special tonal effects. Chopin was another composer who was well known for his careful usage of the piano s unique capabilities. In that regard, they are quite similar although their musical output is stylistically very different.

Listeners who are familiar with Komitas s music are used to hearing it in a certain way but most of these interpretations are not necessarily faithful to Komitas original indications. I see this as a challenge to musicians who want to try out new interpretations that are unique and at the same time more loyal to the composer s intentions, just because the audience is used to hearing them in a certain way.

It is sometimes difficult to tell if someone is enjoying the music itself or the text when they know the language it is written in. I have witnessed it quite frequently with various genres of music that feature text/lyrics.

Therefore, it is much easier to tell if someone who doesn t know Armenian enjoys Armenian music.

Though language might be considered as a barrier, I believe that most of the time, the way a syllable is pronounced, the instrumentation, the tone of the voice, the contrasts of musical phrasing and dynamics can make a piece stand out without needing any literal meaning. Komitas s music features those qualities quite extensively and that s what grants his music the potential to become universal even though its text is in Armenian a language spoken almost solely by Armenians.

For example, at a recent recording session, out of all the Armenian music that we recorded, the recording engineer, who was not an Armenian, enjoyed Komitas s music the most. This really shows the influence and potential of Komitas s music.

Both as a solo performer, and in collaboration with Soprano Lynn Isnar, this year I have concert and recording projects that will feature some of the memorable pieces written for voice and piano, and for solo piano

by Komitas. Some of his works that I enjoy the most include Vagharsahapat Dance, Krunk, a simple melody, which has engrained itself and Kele Kele. into my memory. Komitas extensive work on the transcription of our folk songs was essential Artur Chakhmakhchyan, violinist for our cultural connection to our fatherland, our mother tongue, and for those of us in the Diaspora, our home away from home.

Komitas was taken to Etchmiadzin because of his singing voice. He was given the chance to sing and learned how to read and write music, which he used to transcribe songs sung by Armenian villagers near the seminary. This led him to create original compositions, gain acceptance to the prestigious Frederick William University and eventually become an influential and active member of the International Musical Society (Berlin Chapter). All of which contributes to his success in sharing with the world our beloved folksongs and his own compositions, which still remain unique and present in Armenian culture today. As a performer, I can relate to Komitas in this experience of gaining vocal education through church and community. It was the haunting beauty of the Armenian Liturgy by Komitas which had me Komitas Vardapet s legacy lives on as the waiting impatiently, even at the age of 8 years, preserver of Armenian classical music. It was for the chance to join our church choir. Many he who cleansed our musical tradition of years later as an adult, it is through this music Turkish and Kurdish influences and established that I sense the deepest spiritual connection. a truly unique musical genre that is distinctly It was there that I felt comfortable enough to Armenian. Komitas can also be attributed for really sing, as a soloist and a choir member, decrypting the ancient Armenian musical which led me to pursuing higher education in notation system of Khaz in its original form, music, performing with choirs throughout my which was out of practice due to its complexity. years as a student and then as a professional, Evidently, Komitas has not only influenced, and ultimately the chance to compose and but also become part of our nation s identity. arrange my own work.

The formation of a structured Armenian musical During my time at The Glenn Gould tradition paved the way for composers such School of The Royal Conservatory, we were as Aram Khachaturian, Arno Babajanyan, lucky enough to host our own recitals. I was Edward Mirzoyan, and many others. sure to include a set of Armenian music, It is clear that Komitas works are specifically Komitas, because I wanted to perceived in a positive light to western share a piece of my home in this diverse, audiences. After a concert in Paris in 1906, pulsing city. And perhaps more importantly, I Claude Debussy went to Komitas, knelt and wanted to share this music because it is full kissed his right hand, proclaiming You're a of truth. Truth about love, life, and loss. genius, Holy Father . Furthermore, Sometimes it s hard to speak the words, but performances of Komitas music have taken when there s a melody, especially the ones place by world renowned, non-Armenian Komitas gathered and fostered into social musicians such as Evgeny Kissin, Maxim existence, his communication of emotion is Vengerov, Mischa Maisky, Montserrat Caballé, honest and clear. and Grigory Sokolov. Such performances are To the young generation of our time I d indicative of a thirst for Armenian music by say, it is our responsibility to ensure that both international musicians and their Komitas remains relevant in our society today respective audiences. by continuing to perform these classics. Our My top three favourite Komitas works: challenge is to reinterpret them using our own Vagharshapati par, Kakavik, and Al Ayloughs past experiences to bring forth our truth. especially the string quartet arrangements Working on his pieces with many nonby Sergey Aslamazyan!

Armenians, and ultimately performing to a diverse audience, it s easy to see the reception Ani Athena Babayan, Soprano is overwhelmingly positive and there s an Being a musician at heart, my earliest energy around hearing something different. memories are musical ones. One of the first Top three favourite Komitas works: Groung songs I remember learning is the popular folk (The Crane), Anduni (Homeless), Yes Saren song Gakavik . Simple words combined with Gukai (I Was Coming From the Mountain).

Lynn Anoush Isnar, soprano

Komitas Vartabet has preserved Armenian culture and heritage through music. He is the reason why we have so much traditional Armenian music today. He has showcased Armenian life, trauma, love and loss through his music.

Komitas Vartabet holds a special place for me, because of my family history with him.

He is a cousin of my great grandfather, Dr. Stepan Ziver, and would stay with his family when visiting Costantinopoli (Istanbul). Komitas had a great influence on Stepan and his brothers and he inspired them to love and study music. I feel proud to sing his music today and to carry on the story of my heritage.

I love his arrangements - they are simple, but quite detailed. I have noticed that everyone interprets his works differently and no recording or live performance is the same. When looking through his original piano and vocal scores, there is a minimalist compositional feel to the music. There usually isn t a lot of heavy instrumentation in the piano parts. It s usually light, filled with quick passing notes, chromatics, large use of the piano range, and octaves. One of the main challenges in the vocal parts is sustaining a long line and breath, keeping the accuracy of the chromatic and sometimes atonal pitches, and quick coloratura.

My top 3 favourite works by Komitas are Adouni, Krunk and Tsain door ov dzovag. As an Armenian musician, I have to say that I feel like I connect on a deeper spiritual level and understanding to this music as opposed to non-Armenian music. Although I sing music of multiple languages and cultures, Armenian always feels different. It feels like home.

I ve always tried to incorporate Komitas music in my recitals open to the public and I ve had great feedback each time. I finally did one recital with no Armenian music at the Arts and Letters Club last fall, and I had complaints from some of the Canadians who wanted to hear it. I have noticed that Komitas works have been becoming more and more popular in Western classical music repertoire. I ve had multiple requests to send in translations and recordings of pronunciations of his works to classical musicians across Canada and the USA. There s also the Komitas International Festival Competition in Germany, as well as the Komitas Music Society of Japan. His works are celebrated world-wide, and I wouldn t be surprised if it did become mainstream one day.

To celebrate Komitas 150th anniversary, I performed in a concert with the Barev Centre this past June, and will be performing in KOMITAS: A CANADIAN TRIBUTE this October 25th in Koerner Hall.

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´³Õ³¹ñáõÃÇõÝÁ 3 ëÙµáõÏ 3 ÉáÉÇÏ3 ëáË 1 åÕå»Õ ØÇçÇÝùÇ Ãá÷ÇÏ 1 ·ÉáõË ëËïáñ ϳñÙÇñ »õ ë»õ åÕå»Õ Ó¿Ã ÏÉáñãÇÏÝ»ñáõ ѳٳñ1 ·³õ³Ã Ù³Ýñ ÏáñÏáï0©5 ·³õ³Ã Ù³Ýñ³Ó³õ³ñ (ëÇÙÇï) 0©5 ·³õ³Ã ³ÉÇõñ ϳñÙÇñ »õ ë»õ åÕå»Õ ÃÃáõ ÏÉ»Ûûñ ùÇÙÇáÝ ³Ý³ÝáõË ³Õä³ïñ³ëïáõÃÇõÝÁ - ÎÉáñãÇÏÇ µ³Õ³¹ñÇãÝ»ñÁ ˳éÝ»É, çáõñáí ߳ջɫ å³ïñ³ëï»É ·Ý¹ÇÏÝ»ñÁ ï³åÏ»É Ó¿ÃÇ Ù¿ç Ï³Ù Ë³ß»É ³ÕçáõñÇÝ Ù¿ç: -êÙµáõÏÝ»ñÁ Ëáñ³Ý³¹³Ó»õ Ïïñ³-

ëËïáñáí ÏáÉáɳÏ

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ú¶àêîàê 2019 ĸ. î²ðÆ, ÂÆô 166

see the asnswers reversed on this page

www.torontohye.ca Hamazkayin Artlinks ... cont. from page 23

there ever *be* exceptions? Here, Mr. Aghjayan s voice was in my head. His plea to welcome hidden Armenians into the fold, to embrace them as our long-lost relatives, to not shun their chosen identities kept ringing as the angel to the devil who wished to conquer and divide to say that one must be this, do this, work towards this, in order to be Armenian . That there have to be standards.

The conversation rolled over nicely to my impromptu presentation on , another Hamazkayin initiative, a new online platform which aims to present Armenian arts and culture in an innovative way for a young diasporan audience, as well as to create a

space for emerging and established Armenian artists from across the globe to meet, discuss, and present their works. Our defining mantra is that Armenianness is not so easily defined it shifts and ebbs and means different things to different people. Indeed, Armenianness to me could be radically different than Armenianness to you. Like the hayren and harmony exercises, we fear the unfamiliar, and on some level, are afraid that we, ourselves, can never measure up to our own standards . Reckoning with that can seem daunting scary, even but it can also be very beautiful.

In previous years, I have noted that ArtLinks is a space that welcomes, respects, and accepts young Armenians who may not fit the neat mold of Armenianness or the

conceptualized diasporan. But this year, I realized that it goes even deeper than that.

ArtLinks is one of just a few places let alone, Armenian places where authenticity reigns supreme. Just as much as it is a forum to learn about Armenian art and culture and network with others in those fields, it is also an opportunity to form authentic connections with people; to reflect on the raw truths of our inner selves, our identities, and our family stories; and to marry art and pain and history in creative, innovative, and deeply intentional ways. Just two weeks after this year s program ended, one of my friends commented that she did not want this aura of authenticity to go away. We re all holding on until next year.

ArtLinks 2020 will be in the Los Angeles area. We ll see you there!

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Photos by: Edgar Khalatian

²ß˳ï³Ýùª ËáѳÝáóÇÝ Ù¿ç

ä³Ñå³ÝáÕ³Ï³Ý Ïáõë³Ïóáõû³Ý ջϳí³ñ ²ÝïñÇõ ÞÇñ سÝáõÏÝ»ñáõ ½áõ³ñ×áõÃÇõÝ

سëݳÏÇóÝ»ñª ö³é³ïûÝÇ ßñç³÷³Ï¿Ý Ý»ñë

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ú¶àêîàê 2019 ĸ. î²ðÆ, ÂÆô 166