TorontoHye #159

ĸ. î³ñÇ ÂÇõ 3 (159), ÚàôÜàô²ð 2019 Øß³ÏáõóÛÇÝ, ÀÝÏ»ñ³ÛÇÝ, ²Ûɳ½³Ý ä³ñµ»ñ³Ã»ñÃ

2018. ¸¿åù»ñ, Ò»éùµ»ñáõÙÝ»ñ

-²åñÇÉ Ø³ÛÇëÇÝ Ð³Û³ëï³ÝÇ Ù¿ç ï»ÕÇ áõÝ»ó³õ §Â³õß»³Û Û»Õ³÷áËáõÃÇõݦ, »ñµ ÅáÕáíñ¹³ÛÇÝ óáÛó»ñáõ ³ÝݳËÁÝóó ³ÉÇù ÙÁª ջϳí³ñáõû³Ùµ ÜÇÏáÉ ö³ßÇÝ»³ÝÇ, ϳ½Ù³ÉáõÍ»ó ÇßËáÕ í³ñã³Ï³ñ·Á:

Volume 14, No. 3 (159), JANUARY 2019 Toronto Armenian Community Newspaper

TO ADVERTISE IN CANADA s ONLY ARMENIAN MONTHLY NEWSPAPER CALL 416-878-0746

§ÂáñáÝÃáѳۦ ÎÁ ÞÝáñѳõáñ¿ Ò»ñ Üáñ î³ñÇÝ ºõ êáõñµ ÌÝáõݹÁ

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ºñ»õ³ÝÇ Ð³Ýñ³å»ñáõû³Ý Ðñ³å³ñ³ÏÇ ïûݳͳéÇ Éáõë³õáñÙ³Ý å³ÑÁª ¸»Ïï»Ùµ»ñ 21, 2018.

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ÃÇõÝÝ»ñ` ïÝï»ë³Ï³Ý« Ùß³ÏáõóÛÇÝ« ûñ»õë Ýáñ« ÷áùñ Ññ³ßùÝ»ñ: ìëï³Ñ³µ³ñ« ÝٳݳïÇå Ññ³ßùÝ»ñ åÇïÇ ëå³ë¿ ݳ»õ ³ÙµáÕç ÅáÕáíáõñ¹Á¦: ²Ý·³Ù ÙÁ »õë µáÉáñÁ ßÝáñѳõáñ»Éáí 2018Ý å³ïÙ³Ï³Ý ï³ñÇ ¹³ñÓÝ»Éáõ ѳٳñ` ݳ˳·³ÑÁ Ýß³Í ¿© §Î°áõ½»Ù Ù³Õûɫ áñ 2019Ý »°õ г۳ëï³ÝÇ Ñ³Ù³ñ« »°õ ÙÇç³½·³ÛÇÝ ³éáõÙáí ÏñÏÇÝ ÁÉÉ³Û Ñ³ÛÏ³Ï³Ý ï³ñǦ: ÜáÛÝ ÁݹáõÝ»Éáõû³Ý Çñ ËûëùÇÝ Ù¿ç г۳ëï³ÝÇ í³ñã³å»ïÇ å³ßïûݳϳï³ñ ÜÇÏáÉ ö³ßÇÝ»³Ý Áë³Í ¿© §ÐÇÙÝ³Ï³Ý Ñ³ñóÁ« áñ ÏÁ ͳ·Ç 2019Ç ë»ÙÇÝ` Ñ»ï»õ»³ÉÝ ¿© ³ñ¹»ûù Ïñݳ±ÝùÁÝ»É ³ÛÝ« áñáõÝ Ù³ëÇÝ ÏÁ ËûëÇÝù: ²Ûë ѳñóÁ« íëï³Ñ« áõÝÇ Ù¿Ï å³ï³ë˳ݫ ³ÝÇϳ ¹ñ³Ï³Ý ¿« µ³Ûó ³Û¹ å³ï³ë˳ÝÇÝ ½áõ·³Ñ»é ·áÛáõÃÇõÝ áõÝÇÝ å³ÛÙ³ÝÝ»ñ: ²Ûá°« ÏñݳÝù« »Ã¿ Ù»Ýù ϳñ»Ý³Ýù ѳõ³ï³É Ù»ñ áõÅÇÝ« ÇëÏ áñå¿ë½Ç ϳñ»Ý³Ýù ѳõ³ï³É Ù»ñ áõÅÇÝ` ³ÝÑñ³Å»ßï ¿« áñ ϳñ»Ý³Ýù ѳõ³ï³É Ù»ñ ³é³ù»Éáõû³Ý: Ø»ñ ϳé³í³ñáõÃÇõÝÁ ³é³ù»Éáõû³Ý ϳé³í³ñáõÃÇõÝ ¿« áñ åÇïÇ Ï³ï³ñ¿ Çñ ³é³ù»ÉáõÃÇõÝÁ« áñáíÑ»ï»õ ³ÝÇϳ Ó»õ³Ï»ñåáõ³Í ¿ Ù»ñ ÅáÕáíáõñ¹Ç ³Ýó»³ÉÇ »õ ³å³·³ÛÇ Ýϳïٳٵ áõÝ»ó³Í ѳõ³ïùÇ »õ íëï³Ñáõû³Ý íñ³Û: §²Û¹ ³é³ù»ÉáõÃÇõÝÁ Ó»õ³Ï»ñåáõ³Í

¿ ³ÛÝ ÁÝϳÉÙ³Ý íñ³Û« áñ ãÇ Ïñݳñ ÅáÕáíáõñ¹Á« áñ ³Ýó³Í ¿ ѳ½³ñ³Ù»³Û ³Õ¿ïÝ»ñáí« å³ñïáõÇÉ« áñáíÑ»ï»õ »Ã¿ ³ÝÇϳ ÁÉɳñ å³ñïáõáÕ ÅáÕáíáõñ¹« ³å³ ³Û¹ å³ñïáõÃÇõÝÁ í³Õáõó ѳë³Í åÇïÇ ÁÉɳñ: лï»õ³µ³ñ« Ñ³Û ÅáÕáíáõñ¹Á Û³ÕÃáÕ ¿ »õ Ñ³Û ÅáÕáíáõñ¹Á 2018ÇÝ ³å³óáõó»ó ³ïÇϳ: Ø»Ýù å¿ïù ¿ ѳëÏݳÝù« áñ µáÉáñ ³ÛÝ ËݹÇñÝ»ñÁ« ³é³ç³¹ñ³ÝùÝ»ñÁ« áñáÝù ÏÁ Ó»õ³Ï»ñå»Ýù` Ù»½Ç Ï°³é³ç³¹ñ¿ Ù»ñ ÅáÕáíáõñ¹Á: ²ÝáÝù µáÉáñÁ ÉáõÍ»ÉÇ »Ý« »õ Ù»Ýù å³ñï³õáñ »Ýù ÉáõÍ»É ³Û¹ ËݹÇñÝ»ñÁ ³ÛÝ Ñ¿ÝùÇ íñ³Û« áñ µáÉáñë å¿ïù ¿ ³ñӳݳ·ñ»Ýù »õ ѳëÏݳÝù` ³Û¹ ËݹÇñÝ»ñáõ ÉáõÍáõÙÁ ÏÁ ·ïÝáõÇ ³Ûëï»Õ »õ ³Ûëï»Õ (ËÙµ© áõÕ»ÕÇÝ »õ ëñïÇÝ Ù¿ç): ºÃ¿ Ù»Ýù ϳñ»Ý³Ýù Ñ»ï»õÇÉ ³Ûë µ³Ý³Ó»õÇÝ` ÙdzÝß³Ý³Ï Ù»ñ ³éç»õ ¹ñáõ³Í µáÉáñ ËݹÇñÝ»ñÁ åÇïÇ ÉáõÍ»Ýù¦: §ÎÁ ßÝáñѳõáñ»Ù µáÉáñÇë 2018Ç »õ 2019Ç ³éÇÃáí: гÙá½áõ³Í »Ù« áñ ÇÝãå¿ë 2018Ý« ³ÛÝå¿ë ³É 2019Ý åÇïÇ ÁÉÉ³Û Û³ÕóݳÏÝ»ñáõ ï³ñÇ« µ³Ûó ³ÝáÝù å¿ïù ¿ ÁÉÉ³Ý ß³ï ³õ»ÉÇ Ù»Í« ß³ï ³õ»ÉÇ Áݹ·ñÏáõÝ »õ ß³ï ³õ»ÉÇ é³½Ù³í³ñ³Ï³Ý Û³ÕóݳÏÝ»ñ¦« Áë³Í ¿ í³ñã³å»ïÇ å³ßïûݳϳï³ñÁ:

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ÚàôÜàô²ð 2019 ĸ. î²ðÆ, ÂÆô 159

ÂáñáÝÃáÛÇ Ð³ÛÏ³Ï³Ý »Ï»Õ»óÇÝ»ñáõ »õ γ½Ù³Ï»ñåáõÃÇõÝÝ»ñáõ ÞÝáñѳõáñ³Ï³Ý Ù³ÕóÝùÝ»ñ Üáñ î³ñáõ³Û »õ ê. ÌÝݹ»³Ý ïûÝ»ñáõ ³éÇÃáí Holiday Greetings From Organizations and Churches of The Toronto Armenian Community

øñÇëïáë Íݳõ »õ Û³ÛïÝ»ó³õ£ Ò»½Ç Ø»½Ç Ø»Í ²õ»ïÇë ê. ²ëïáõ³Í³ÍÇÝ Ð³Ûó. ²é³ù. ºÏ»Õ»óÇ

ê. ºññáñ¹áõÃÇõÝ Ð³Ûó. ²é³ù. ºÏ»Õ»óÇÝ ÏÁ ßÝáñѳõáñ¿ Ó»ñ µáÉáñÇÝ Üáñ î³ñÇÝ »õ ê. ÌÝáõݹÁ:

Merry Christmas and a Happy New Year.

St. Gregory The Illuminator Armenian Catholic Church

Wishing our global Armenian community a Merry Christmas and a prosperous 2019.

May the New Year bring Peace, Health and Happiness to All.

We wish you and your family a Merry Christmas and a New Year filled with abundant happiness, great health, good luck and much love.

Armenian Family Support Services

úÝóñÇáÛÇ ¶³Ý³ï³Ñ³Û ´ÅßÏ³Ï³Ý ÀÝÏ»ñ³ÏóáõÃÇõÝÁ ÎÁ ÞÝáñѳõáñ¿ ÂáñáÝÃáÑ³Û Â»ñÃÇ ÀÝûñóáÕÝ»ñáõÝ Üáñ î³ñÇÝ »õ êáõñµ ÌÝáõݹÁ« سÕûÉáí 2019 î³ñ»ßñç³ÝÁ ÀÉÉ³Û úñÑݳµ»ñª Ø»ñ гÛñ»ÝÇùÇÝ »õ ê÷ÇõéùÇ Ð³Ù³ÛÝ Ð³Ûáõû³Ý ѳٳñ:

гٳ½·³ÛÇÝÇ §¶É³Óáñ¦ Ù³ëݳ×ÇõÕÁ ÏÁ ÞÝáñѳõáñ¿ Ó»ñ Üàð î²ðÆÜ »õ êàôð´ ÌÜàôܸÀ

From all of us at St. Gregory Armenian Catholic Saturday School, wishing the Armenian Community heartfelt wishes for a happy, healthy and a prosperous year, and Blessed Christmas.

ÞÝáñѳõáñ Üáñ ï³ñÇ »õ êáõñµ ÌÝáõݹ ÐúØÇ ÂáñáÝÃáÛÇ §èáõµÇݳ¦ سëݳ×ÇõÕ

ЩةÀ©Ø©Ç ¶³Ý³ï³ÛÇ Þñç³Ý³ÛÇÝ ì³ñãáõÃÇõÝÁ ÏÁ ÞÝáñѳõáñ¿ Ó»ñ Üàð î²ðÆÜ »õ êàôð´ ÌÜàôܸÀ øñÇëïáë Ìݳõ »õ Ú³ÛïÝ»ó³õ« Ò»½ »õ Ø»½ Ø»Í ²õ»ïÇë

ÂáñáÝÃáÛÇ Ð³Û ²ÏáõÙµÇ ì³ñãáõÃÇõÝÁ ÞÝáñѳõáñáõÙ ¿ Ò»ñ Üáñ ï³ñÇÝ »õ êáõñµ ÌÝáõݹÁ

2019

ÂàðàÜÂàÐ²Ú Îº²Üø

ÚàôÜàô²ð 2019 ĸ. î²ðÆ, ÂÆô 159

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гÛÏ³Ï³Ý ë÷ÇõéùÇ ï³ñ³ÍùÇÝ Ñ³Ûáõ ÇÝùÝáõÃÇõÝÁ í³é å³ÑáÕ Ð³Ù³½·³ÛÇÝ Ð³Û ÎñÃ³Ï³Ý »õ Øß³ÏáõóÛÇÝ ÙÇáõû³Ý ÇÝÇëáõݳٻ³Û ÷³é³Ñ»Õ ³Ýó»³É« Ù»ñ Ùß³ÏáÛÃÇ ½³Ý³½³Ý ˳õ»ñÁ ¹ñë»õáñáÕ µ»ÕÙݳõáñ Ý»ñÏ³Û áõ ß¿ÝßáÕ« Ûáõë³ÉÇó ³å³·³Ûª »ñÏáõ ųÙáõ³Ý Ù¿ç£ ²Ýó»³É¿Ý ¹¿åÇ ³å³·³Û Ó·ïáÕª µÍ³Ëݹñûñ¿Ý ѳٳ¹ñáõ³Í áõ ß³Õϳåáõ³Í Íñ³·Çñ« áõñ ï»Õ ·ï³Í »Ý ÙÇáõû³Ýë ÑÇÙݳ¹ÇñÝ»ñ¿Ý ÙÇÝã ³Ûëûñáõ³Ý ³Ù»Ý³÷áùñÇÏ Ð³Ù³½·³ÛݳϳÝÁ£ гٳ½·³ÛÇÝÁª ϳ½Ù³Ï»ñåáõ³Í »õ Ý»ñϳ۳óáõ³Í ³é³õ»É³µ³ñ »ñÇï³ë³ñ¹ гٳ½·³ÛݳϳÝÝ»ñáõ ÏáÕÙ¿© ³ Ûë Ñ»é³Ýϳñáí ¿ áñ ׳ٵ³Û »É³õ §²ñÙ³ï »õ ê³Õ³ñæÁ£ ÆëÏ ³ÛÝ« ÇÝã áñ Ñ»ïÁ ï³ñ³õ ѳݹÇë³ï»ëÁª ³ÝÑáõÝ ·áÑáõݳÏáõÃÇõÝ£ ÎÇñ³ÏÇ« 9 ¸»Ïï»Ùµ»ñ 2018« »ñ»ÏáÛ»³Ý ųÙÁ 6-Ý ¿£ ÂáñáÝÃáÛÇ Ð³Û ºñÇï³ë³ñ¹³Ï³Ý λ¹ñáÝÇ ÙáõïùÇÝ Ù»½ ÏÁ ¹ÇÙ³õáñ¿ гٳ½·³ÛÇÝÇ Ññ³ï³ñ³ÏáõÃÇõÝÝ»ñ¿Ý µ³Õϳó³Í áõ ·»Õ»óÏûñ¿Ý ѳٳ¹ñáõ³Í ·Çñù»ñáõ µÉáõñ ÙÁ© ßáõñçÁ ÏÁ ¹³éݳÝù« ÏÁ ÝßÙ³ñ»Ýù ¹³ë³·Çñù»ñ« гٳ½·³ÛÇÝÇ ·ñ³Ï³Ý ѳݹ¿ë` §´³·Çݦ¿Ý µ³½Ù³ÃÇõ ûñÇݳÏÝ»ñ« í¿å»ñ áõ µ³Ý³ëï»ÕÍ³Ï³Ý Ñ³ïáñÝ»ñ« гٳ½·³ÛÇÝÇ Ñ³½³ñ³õáñ Ññ³ï³ñ³ÏáõÃÇõÝÝ»ñ¿Ý ÝÙáÛßÝ»ñ« áñáÝó ÙÇç»õ ÏáÏÇÏ ï»Õ³õáñáõ³Í ¿ гٳ½·³ÛÇÝÇ Ñ³Û»ñ¿Ý³Ëûë åáõåñÇÏÁª ȳɳݫ ÇëÏ áñáÝó í»ñÁª ·³·³ÃÁ µ³½Ù³Í ¿ ųٳݳÏÇÝ ·áñͳÍáõáÕ ÑÇÝ ï³é³·Çñ Ù»ù»Ý³Û ÙÁ« ϳñÍ»ë ѳëÏóÝ»Éáíª ½Çë ã¿ù Ïñݳñ Ùáéݳɣ ºïÇݪ ѳÛÏ³Ï³Ý á×áí« óáñ»ÝÇ Ñ³ëÏ»ñáí« å³ÝÇñ áõ ·ÇÝÇáí ½³ñ¹³ñáõÝ ÑÇõñ³ëÇñáõû³Ý »ñϳñ ë»Õ³ÝÁ« áõ ³Ýáñ »-

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ó³Ý ßáõñç 31«000 ѳۻñ »õ ³ÝïáõÝ Ùݳóáñ¹Ý»ñáõÝ ÃÇõÁ 514«000Á Ï ³ÝóÝ¿ñ: 30 ï³ñÇÝ»ñ ³é³ç« ѳϳé³Ï ³Ýáñ áñ ³ñ¹Ç tecknology-Ý ãϳñ Éáõñ»ñÁ ³Ûëûñáõ³Û ÝÙ³Ý »ñÏí³ÛñÏ»³ÝÇÝ ëï³Ý³Éáõ« ë³Ï³ÛÝ Ï³ñÍ¿ù êåÇï³ÏÇ ºñÏñ³ß³ñÅÇ ·áÛÅÁ ϳÛͳÏÇ ³ñ³·áõû³Ùµ ѳÕáñ¹áõ»ó³õ ѳٳÛÝ ³ß˳ñÑÇ ï³ñ³ÍùÇÝ »õ ýǽÇù³å¿ë óÝóáõ³Í гÛñ»ÝÇùÇ ¹Õñ¹ÇõÝÁ å³ï׳é ѳݹÇë³ó³õ ê÷ÇõéùÇ Ð³Û ÅáÕáíáõñ¹Ç гÛñ»ÝÇùÝ ûųݹ³Ï»Éáõ ÙdzëÝ³Ï³Ý ½·³ëïáõû³Ý: ²Ûë ÑÇÙ³Ý íñ³Û ¿ñ« »ñÏñ³ß³ñÅÇ Û³çáñ¹ ûñÝ ÇëÏ« ËáõÙµ ÙÁ ÝáõÇñ»³É µÅÇßÏÝ»ñ« ³ï³ÙݳµáÛÅÝ»ñ« ÑÇõ³Ý¹³å³ÑáõÑÇÝ»ñ ¹»Õ³·áñÍÝ»ñ »õ ³éáÕç³å³Ñáõû³Ý áÉáñïÇÝ Ù¿ç »ÕáÕ Ù³ëݳ·¿ïÝ»ñ« ÂáñáÝÃáÛÇ µáÉáñ Ð³Û ºÏ»Õ»óÇÝ»ñáõ »õ ·áñÍûÝ ØÇáõÃÇõÝÝ»ñáõ ÏáÕùÇÝ Ññ³õÇñáõ»ó³Ý ÂáñáÝÃáÛÇ Ð³Û Î»¹ñáÝÇ Õ»Ï³í³ñáõû³Ý ÏáÕÙ¿ »õ ϳ½Ù³Ï»ñå»óÇÝ ¹»Õáñ³ÛùÇ »õ ßï³å û·Ýáõû³Ý ³éáÕç³å³Ñ³Ï³Ý ϳñÇùÝ»ñáõ ·áñÍÁÝóóÁ: ²Ûë ûñÁ ÏÁ ½áõ·³¹ÇåÇ Ù»ñ ´ÅßÏ³Ï³Ý ÀÝÏ»ñ³Ïóáõû³Ý 30³Ù»³ÏÇÝ Ñ»ï: ²Û¹ ϳå³Ïóáõû³Ùµ 2 ß³µ³Ã ³é³ç Ù»Ýù ß³ñù ÙÁ Ó»éݳñÏÝ»ñ áõÝ»ó³Ýù ³ñ¹¿Ý: ê³Ï³ÛÝ ³Ûë á·»ÏáãÙ³Ý Û³ïáõÏ Ñ³õ³ùáí« Ù³ëݳõáñ³µ³ñ ϳ½Ù³Ï»ñåáõ³Í ÂáñáÝÃáÛÇ Ð³ÛÏ³Ï³Ý ºÏ»Õ»óÇÝ»ñáõ ØÇç-Ú³ñ³Ýáõ³Ý³Ï³Ý سñÙÝÇ ÏáÕÙ¿« ÏÁ ÷³÷³ùÇÝù ÃáñáÝÃáѳÛáõû³Ý Ñ»ï Ýß»É Ù»ñ ÀÝÏ»ñ³Ïóáõû³Ý ÍÝáõݹ ïáõáÕ ¹¿åùÁª ºñÏñ³ß³ñÅÁ« ³ÕûÃùáí« ËáñÑñ¹³Íáõû³Ùµ »õ Ýáñ Û³ÝÓݳñ³ñáõû³Ùµ гÛñ»ÝÇùÇÝ áõ ²ñó³ËÇÝ ûųݹ³Ï»Éáõ »õ Éáõë³ßáÕ ³å³·³ÛÇ ³é³çÝáñ¹»Éáõ í³é ÛáÛë»ñáí®¦: ²Ý Çñ ËûëùÁ ³õ³ñï»ó ³õ»ÉóÝ»Éáí© §²ÝÓÝáõ¿ñ á·Çáí ͳé³Û»Éáõ í»Ñ ³ñÅ¿ùÝ»ñÁ å³Ñ»Éáí« ·Çï³ÏóÇÝù ÿ г-

гÛÏ³Ï³Ý ³Ù¿Ýûñ»³Û »õ ß³µ³Ãûñ»³Û í³ñųñ³ÝÝ»ñáõ ³ß³Ï»ñïÝ»ñ »ÉáÛÃÇ å³ÑáõÝ:

Û³ëï³Ý »õ ê÷Çõéù ½Çñ³ñ ³ÙµáÕç³óÝáÕ ÙdzõáñÝ»ñ »Ý »õ ÙdzëÝ³Ï³Ý á·ÇÝ ÙdzÛÝ Ù»½ ÏÁ ½ûñ³óÝ¿: î¿ñÁ ûñÑÝ¿ Ù»ñ гÛñ»ÝÇùÁ »õ ÅáÕáíáõñ¹Á ³Ù¿Ýáõñ»ù¦: Ð³Û Î³ÃáÕÇÏ¿ ê© ¶ñÇ·áñ Èáõë³õáñÇã Þ³µ³Ãûñ»³Û í³ñųñ³ÝÇ ³ß³Ï»ñïÝ»ñÁ ջϳí³ñáõû³Ùµ ÐéÇ÷ëÇÙ¿ Âáíٳ뻳ÝÇ« ¹³ßݳÏÇ ÁÝÏ»ñ³Ïóáõû³Ùµ ì³ÝÇÏ ÚáíѳÝÝÇ뻳ÝÇ« »õ ÐúØÇ ¶áÉáÉ»³Ý í³ñųñ³ÝÇ ³ß³Ï»ñïÝ»ñÁ« ջϳí³ñáõû³Ùµ êûݳ Úáíë¿÷»³ÝÇ ËÙµ»ñ·»óÇÝ Ñ³Ûñ»Ý³ëÇñ³Ï³Ý »õ ³½·³ÛÇÝ »ñ·»ñ« ³ñųݳݳÉáí Ý»ñϳݻñáõ ·Ý³Ñ³ï³ÝùÇÝ: ö³ÏÙ³Ý Ëûëùáí ѳݹ¿ë »Ï³õ ¶»Õ³ñ¹ Ì© ìñ¹© øÇõëå¿Ï»³Ý, áñ ÷á˳Ýó»ó Çñ ëñïÇ ËûëùÁ: ÊûëùÇ ³õ³ñïÇÝ ßÝáñѳϳÉáõÃÇõÝ Û³ÛïÝ»ó ÑÇõñÁÝÏ³É ê© ºññáñ¹áõÃÇõÝ

гÛó© ²é³ù© ºÏ»Õ»óõáÛ ÐáíÇõÇÝ« ÌË³Ï³Ý ÊáñÑáõñ¹ÇÝ« ßÝáñѳõáñ»ó ØÇçÚ³ñ³Ýáõ³Ý³Ï³Ý سñÙÝÇ »õ úÝóñÇáÛÇ ¶³Ý³ï³Ñ³Û ´ÅßÏ³Ï³Ý ÀÝÏ»ñ³Ïóáõû³Ý (áñáÝó ÑÇÙݳ¹ñáõû³Ý 30³Ù»³ÏÝ ³É ÏÁ ½áõ·³¹Çå¿ñ ³Ûë ï³ñÇ) ѳٻñ³ßË ·áñͳÏóáõÃÇõÝÁ« ÇÝãå¿ë ݳ»õ îáùé гëÁñ×»³ÝÇ ËáñÇÙ³ëï Ëûëù»ñáõÝ Ñ³Ù³ñ« »õ Û³Ûï³·ñÇ Ù³ë ϳ½ÙáÕ Ñ³ÛÏ³Ï³Ý ³Ù¿Ýûñ»³Û »õ ß³µ³Ãûñ»³Û í³ñųñ³ÝÇ ïÝûñ¿Ýáõû³Ý« áõëáõóã³Ï³Ý ϳ½ÙÇÝ »õ ³ß³Ï»ñïÝ»ñáõÝ: ºÕdz Ì© ìñ¹© øÇñ¿ç»³ÝÇ §ä³Ñå³ÝÇã¦áí Ó»éݳñÏÁ Çñ ³õ³ñïÇÝ Ñ³ë³õ« áñÙ¿ »ïù ï»ÕÇ áõÝ»ó³õ ÑÇõñ³ëÇñáõÃÇõݪ »Ï»Õ»óõáÛ îÇÏݳÝó ØÇáõû³Ý ÏáÕÙ¿:

ÊÙµ³·ñáõû³Ý ÏáÕÙ¿ §ÂáñáÝÃáѳۦ å³ï³ë˳ݳïáõ ã¿ Çñ ¿ç»ñáõÝ Ù¿ç ÉáÛë ï»ë³Í ͳÝáõóáõÙÝ»ñáõ µáí³Ý¹³Ïáõû³Ý: Ø»½Ç ÛÕáõ³Í µáÉáñ ÃÕóÏóáõÃÇõÝÝ»ñÝ áõ ·ñáõÃÇõÝÝ»ñÁ »ÝÃ³Ï³Û »Ý áñáß ËÙµ³·ñáõÙÇ:

سÝÏ³Ï³Ý ¶Çñùª §èáõïÇÇ Ð»ï ²ñϳͳËݹñáõÃÇõÝÝ»ñ¦ лÕÇݳϪ ܳÛÇñÇ Þ³ÑÇÝ»³Ý §ÂáñáÝÃáѳۦ- ܳÛÇñÇ Þ³ÑÇÝ»³ÝÇ §èáõïÇÇ Ð»ï ²ñϳͳËݹñáõÃÇõÝÝ»ñ¦ (Adventures With Rudi) ·ÇñùÁ ÉáÛë ï»ë³õ »õ ³ñ¹¿Ý ÇëÏ Ñ³ë³Ý»ÉÇ ¿ ÁÝûñó³ë¿ñ Ù³ÝáõÏÝ»ñáõÝ Ñ³Ù³ñ£ سÝÏ³Ï³Ý ·ÇñùÇÝ ßÝáñѳݹ¿ëÁ ï»ÕÇ áõÝ»ó³õ ¸»Ïï»Ùµ»ñ 9ÇÝ« Chapters Indigo (Kennedy Commons) ·ñ³Ë³ÝáõÃÇÝ Ù¿ç« áõñ Ý»ñÏ³Û ¿ÇÝ Ý³»õ ÃáñáÝÃáѳۻñ« áñáÝù »Ï³Í ¿ÇÝ ù³ç³É»ñ»Éáõ ³Ûë ÇõñûñÇÝ³Ï Ý³Ë³Ó»éÝáõÃÇõÝÁ: Æõñ³ù³ÝãÇõñ ·ÇñùÇ í³×³éù¿Ý 2 ïáɳñ ÝáõÇñ³µ»ñáõ»ó³õ Love of Reading Foundation-ÇÝ£ ¶ÇñùÁ ѳë³Ý»ÉÇ ¿ ³éó³Ýóª Amazon-¿Ý« Indigo Chapter-¿Ý« ÇÝãå¿ë ݳ»õ HamazkayinÇ ·ñ³Ë³ÝáõÃÇÝ Ù¿ç£ èáõïÇÝ áõñ³Ë áõëÏ»·áÛÝ ßÝÇÏ ÙÁÝ

¿« »õ ÇÝãå¿±ë ³Ý ãÁÉɳñ© Ñá·³ï³ñ ÁÝï³ÝÇù« µ³½Ù³ÃÇõ ßÝÇÏ-ÁÝÏ»ñÝ»ñ ÙûïÇÏ ½µûë³Û·ÇÇÝ Ù¿ç »õ ß³ï-ß³ï ³ñϳͳËݹñáõÃÇõÝÝ»ñ« áñáÝù åÇïÇ µ³ó³Û³ÛïáõÇÝ Çõñ³ù³ÝãÇõñ ûñª ·ÇñùÇ ¿ç»ñáõÝ Ù¿ç£ èáõïÇÇ Ï»³ÝùÁ ÉÇ ¿ Ûáñ¹áÕ ½áõ³ñ×áõû³Ùµ« ÍÇͳÕáí »õ ëÇñáí£ èáõïÇÇ Ñ»ï³ùñùñáõÃÇõÝÁ« áõñ³ËáõÃÇõÝÁ »õ µ³ñáõÃÇõÝÁ ÏÁ ÷³ÛÉÇÝ Çõñ³ù³ÝãÇõñ å³ïÙáõû³Ý Ù¿ç£ ²ÝÇϳ ϳï³ñ»³É ÁÝï³Ý»Ï³Ý áõÕ»ÏÇó ÙÁÝ ¿ª ÁÉÉ³Û ½µûë³·ÇÇÝ Ï³Ù ·ÇñùÇÝ Ù¿ç£ ÚÇß»óÝ»Ýù ݳ»õ« áñ ÜáÛ»Ùµ»ñ 30ÇÝ« Þ³ÑÇÝ»³Ý ·ÇñùÁ Ý»ñϳ۳óáõó »õ ٳϳ·ñ»ó ݳ»õ ÂáñáÝÃáÛÇ ÐúØÇ í³ñųñ³ÝÇ ¶áÉáÉ»³Ý ݳ˳Ïñóñ³ÝÇ ²© ܳÛÇñÇ Þ³ÑÇÝ»³Ý §²ñϳͳËݹñáõÃÇõÝÝ»ñ` èáõïÇÇ Ð»ï¦ ÏÁ ٳϳ·ñ¿ Ù³ÝáõÏÝ»ñáõÝ` ´© »õ ¶ ϳñ·»ñáõ ³ß³Ï»ñïÝ»ñáõÝ: Chapters Indigo ·ñ³Ë³ÝáõÃÇÝ Ù¿ç« ¸»Ïï»Ùµ»ñ 9« ÂáñáÝÃû:

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Dr. Raffi Aynaciyan Orthodontist

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North York: 3333 Bayview Avenue, Suite 203 416-221-0660 Downtown Toronto: 11 King Street West, Suite C115 416-363-3018

Ara Graphics

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îáõÝ»ñáõ »õ γÉáõ³ÍÝ»ñáõ ѳٳñ ¹ÇÙ»ó¿ù Ù»½

Serving our Community for 30 years

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ARS Roubina Chapter s Annual Lottery

Winners List

Draw Date: Sunday 04 November 2018 Grand Prize Winners :1st Prize Apple iPad Mini 4 - 128 GB 2nd Prize Apple iPad Mini 4 - 128 GB 3rd Prize Diamond Ring 4th Prize Luggage Set 5th Prize NVU Boutique Gift Certificate

#0488 #04367 #00105 #02995 #00890

Alice Koraian Houry Zakarian Esmeralda Khachatryan Antranig Sharabkhanian Alice Khachikian

Other Prizes:6th Prize NVU Boutique Gift Certificate 7th Prize Gold Necklace 8th Prize Bohemia Decanter and Glasses 9th Prize Silver Zirconia Bracelet 10th Prize Decorative Plate 11th Prize Decorative Plate 12th Prize Pasta Bowl 13th Prize Pasta Bowl 14th Prize Adrianna Mug 15th Prize Adrianna Plates 16th Prize Set of 4 Decorative Plates 17th Prize Set of 4 Decorative Plates 18th Prize Shopping Cart 19th Prize 8 Crystal Glasses 20th Prize Set of Frying Pans 21st Prize Gift Basket 22nd Prize Gift Basket 23rd Prize Gift Basket 24th Prize Gift Basket 25th Prize Gift Basket 26th Prize Glass Bowl 27th Prize Glass Bowl 28th Prize Glass Bowl 29th Prize Glass Bowl 30th Prize Glass Bowl

#00131 #04599 #4789 #1987 #01298 #1786 #05125 #4221 #04664 #04456 #04437 #04839 #04113 #01912 #01097 #04035 #00942 #01296 #04132 #04537 #03627 #03451 #04172 #05245 #03729

Ani Saraphanian Kayanee Saraphanian Maya Ohannessian Silvana Babikian Silva Simon Arka Gragossian Angele Yeghiayan Maral Sethian Sona Artinian Johnny Derhovagimian Katya Derhovagimian Anahid Yahyayan Sonia Mirakian Odet Abdalian Allen Atamer Annie Ohanian Jack Sakarian Silva Simon L. Ternamian Njteh Dzadurian Hagop Kiljian Tigran Shahnazaryan Awadis Arpi Vesoian Hagop Sevakian

Winners can claim their Prizes every Monday 7:30-10pm from the ARS office located at:Armenian Community Centre, 45 Hallcrown Place, Toronto, Ont., by presenting their winning stub.

TORONTO-ARMENIANS

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The ARS 25th Heritage Day (Dohmig Or) In Toronto Sonia Poochikian-Sarkissian The Armenian Relief Society (ARS) Toronto Roubina Chapter s 25th Dohmig Or (Heritage Day) celebration was held on December 1, 2018 at the Armenian Community Centre (ACC) Hall in Toronto in the presence of over 400 community members. This year, Heritage Day was dedicated to the glory of Armenian Kingdoms: Urartu/Van, Artashesian (Artaxiad), Arshaguni (Arsacid), Bagratuni (Bagratid) and Cilician Kingdoms, on the occasion of the centennial celebration of the first Republic of Armenia.

Father Keghart Kusbekian, Pastor of St. Mary Armenian Apostolic Church in Toronto performed the dedication the traditional winepouring ceremony ( Kinetzon ) of the commemorative book, that was diligently prepared by the Dohmig Or Book Committee members on this festive occasion. The book reflects the rich history of the Armenian Kingdoms, published professionally both in Armenian and English languages, with a beautiful collection of pictures and colorful pages. The editing team of the publication consists of Houri Najarian, Zepure Dorna and Dr. Sonia Poochikian-Sarkissian.

The ACC Hall decoration was designed

by Razmig Titizian, reflecting the Erepuni Fortress , a Victory Arch and specially prepared banners representing the five Kingdoms of Armenia.

Armenian royal and national costumes displayed by organizers and youth.

Following the opening remarks by the Committee Chair, Houri Najarian, there was a display of beautiful selections of Armenian royal and national costumes, which were provided by the Deryan Cultural Centre in Yerevan, Armenia. The costumes were modelled by young members of our community in a procession narrated by Tamar Matossian.

The Armenian Educational and Cultural Society, Toronto Hamazkayin Klatsor Chapter s Erepuni Dance Group, with artistic director Nelly Garabedian, performed two

beautiful dances Haygazounner and Davigh , which were greatly appreciated by all.

The Consul General of the Republic of Armenia to Canada, Ara Mkertchyan, congratulated the members of the ARS Toronto Chapter and presented his words of appreciation for their successful and continuous contribution to the community and to the Armenian nation.

The Organizing Committee members had a special surprise to thank Najarian, the driving

force of the ongoing Heritage Day celebrations, by presenting her a certificate, which was specially requested from the Armenia Tree Project in her honor. On behalf of the ARS Toronto Chapter, a gift and a plaque of appreciation were also presented to her by its chairperson, Iren Telemi.

Following the blessing of the tables by Father Kusbekian, traditional and delicious Armenian dishes were served to all, including the famous ghapama . During dinner, there was a display of various video-segments from previous celebrations, projected on the screens.

The evening was enriched by the famous singer, Eli Berberian and his band from Montreal, with their lively, traditional and patriotic Armenian songs, creating great enthusiasm until early morning hours.

All those in attendance expressed their extreme delight and appreciation to the organizing committee members for such a memorable evening, which was enhanced by impressive and colorful presentations about the glorious history of the Armenian Kingdoms.

Words of appreciation go to the Toronto Dohmig Or Committee/Sub-Committee members, program participants, donors, as well as all those who made every effort to ensure the success of the celebration. This memorable event became a reality thanks to our very encouraging and supportive community.

90th Anniversary Celebration Of The Establishment Of The Holy Trintiy Armenian Apostolic Church Parish Armenianness is defined by the unified existence of Armenia, Artsakh and the Diaspora. Thus, our Homeland is stronger with its Diaspora, while the Diaspora is stable with its free Homeland. The Armenian Church, schools and community centres are the strongholds that operate in order to stand strong against assimilation created by globalization.

Holy Trinity Armenian Apostolic Church of Toronto one of these lighthouses, celebrated the 90th anniversary of the establishment of its parish on December 1, 2018, at the «Magaros Artinian» hall.

The celebration was under the auspices of Bishop Abgar Hovakimyan, Primate of the Armenian Holy Apostolic Church Canadian Diocese.

After the rendition of the national anthems of Canada and Armenia, Nareh Shahmouratyan (English) and Diran Parnakoglu (Armenian) made the opening remarks. Fr. Yeghia Kirijian conducted the blessing of the tables.

Seated at the table of honour were Bishop Abkar Hovakimyan, Primate; Archpriest Fr. Zareh Zargarian, Vicar of the Diocese of Canada and Parish Priest of Holy Trinity Armenian Apostolic Church; Yeretsgin Naira Zargarian; Ohan Ohannessian, Chairperson of the Diocesan Council; Mrs. Rosine, Chairperson of the Parish Council and Mr. Apic Imasdounian; Mrs. Sella , Chairperson of the Women's Guild, and Mr. Levon Kaltakjian; MPP Scarborough Agincourt Aris Babikian. Also present were Fr. Yeghia Kirijian, pastor of St. Gregory Armenian Catholic Church of Toronto; Fr. Harold Nahabedian of the Anglican Church; Hagop Janbazian, Chairperson of the Inter-Denominational Committee. Representatives of different organizations, former Parish Council members, godfathers, benefactors and members of the community were also attending.

About 40 students of Grades 6-8 of the St. Sahag-St. Mesrob Saturday School rendered three songs conducted by Nada Navasartyan.

In her welcoming remarks Rosine Imasdounian said that the establishment of

Guests at the 90th anniversary celebration of the Holy Trinity church, Toronto, December 1st, 2018.

Holy Trinity Armenian Church as a house of faith was the realization of the dream of a handful of Armenians. The attendants later watched a documentary prepared by David Tirharoutunian.

Knar Basmajian, the representative of the «Babayan» Foundation, delivered a brief speech and passed on the Foundation's donation to the Diocese and Holy Trinity Armenian Apostolic Church.

Artoun Miskjian played musical pieces by Komitas and Charles Aznavour on the piano.

Next, Ohan Ohannessian, Chairperson of the Diocesan Council, delivered his speech on the 90th anniversary of the church, passing on his best wishes. Following this, son and father Nver and Seyran Ghazaryan created a wonderful atmosphere by their rendition of musical songs accompanied by duduk.

Members of the «Sassoun» Ensemble lightened up the spirits by presenting a few dances under the professional leadership of Sevag and Sareen Avakian. The audience highly appreciated their performance.

Zaven Khachikyan, a photographer from Armenia, congratulated the audience on the 90th anniversary of the church. He thanked

the members of the committee who had organized an exhibition of his works in Toronto.

He also explained the story behind the photo that was on the silent auction that day.

Archpriest Fr. Zareh Zargarian emphasized the important role Holy Trinity Armenian Apostolic Church has had over the years in the life of the Armenian community in Toronto through its spiritual, educational and cultural input. By referring to the importance of the structure as a legacy left to us, he added that it is essential to keep and support the Armenian Church which has been a home for many generations and new Armenian families. He also thanked the Primate, the parish priests present, members of the Diocesan and Parish Councils, the organizing committee of the 90th anniversary, the committees of the church, the secretaries, the volunteers, the caretaker as well as the sponsors and the audience.

Seven members of the Parish Council, whose term was completed, were recognized for their dedication by the Primate and the Rev. Archpriest. Certificates of Appreciation were given to Yvette Panossian Woman of the Year; Ara Tir Haroutunian Man of the

Year; Nareh Shahmouratyan Young Woman of the Year; Aren Zargarian Young Man of the Year; Levon and Sella Kaltakjian and their children Sako and Elize Family of the Year.

The highest award of Holy Trinity Armenian Apostolic Church, the Holy Cross medal, was awarded to Jack Stepanian for his many years of dedicated input. Apet Alpay was awarded the Diocesan Holy Cross medal for her long years of service.

The 90th anniversary cake was cut by the Primate, the Parish Priest and the members of the Parish Council.

Bishop Hovakimyan made the closing remarks. He congratulated those who were recognized for their dedication and encouraged the members of the community to continue supporting the Armenian Church. He also appreciated the efforts of Fr. Zareh Zargarian and the Parish Council. He added that on Sunday, Decemeber 2, at the end of Liturgy he would be reading the Encyclical by His Holiness Karekin II addressed to Fr. Zargarian for his 22 years of service and the 27th anniversary of his ordination.

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ARTS AND CULTURE

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Timeless Music Heard through Powerful Voices By: Anna Vanesyan

The Armenian General Benevolent Union Toronto and AGBU Performing Arts Department have prepared many cultural surprises for its audience this year. On Sunday November 4th, many music lovers were once again gathered in Babayan Auditorium of AGBU Alex Manoogian Cultural Centre. This time, they gathered to witness a performance by rising Armenian opera starts Tigran Ohanyan (tenor) and his newlywed wife Marieta Korukhchian (soprano), as well as the accomplished pianist Gregory Chaverdian.

The performance was dedicated to the memory of their beloved Pedagogue and professor of Yerevan State Conservatory Rafael Akopyants. Many of Professor Akopyants' students sing on the biggest opera stages all over the world, and represent an homage to a truly great teacher, who used to repeat: "My students are my success". As Gregory Chaverdian mentioned before the concert: "Each of his lessons was as an inspirational pedagogy masterclass. The significance of Rafael Akopyants' remarkable life and accomplishments in music require much longer time to distill.

I am deeply honored to introduce today to Canadian audiences two of his last students - Tigran Ohanyan and Marieta Korukhchian .

At the opening of the concert, Ms. Isabelle Davidian invited the audience to honor the memory of the legendary French chansonnier of Armenian origin Charles Aznavour, who passed away on October 1st 2018, with a minute of silence. Ms. Davidian then talked about the AGBU Performing Arts and AGBU s mission to support Armenian art and culture as well as to promote its talented young artists.

She welcomed concert's sponsors and the honorable guest Nurhan Arman, the conductor of Sinfonia Toronto, one of the Canada's finest chamber orchestras.

Upon the conclusion of this warm opening, performers were invited to the stage where the intrigued audience met them with excitement and anticipation.

Musicians performed a compelling mix of musical masterpieces - arias, songs, romances, and duets. Listeners were particularly excited for significant emphasis on Armenian composers in the repertoire that evening - they enjoyed such gems of Armenian music as Le le yaman by Komitas, famous romances by Eduard Abrahamyan and Edvard Mirzoyan, arias and duet from Anush and David Bek operas by Armen Tigranyan.

Performances were rich and notable: singers successfully combined graceful lyricism with intense drama that is a cornerstone in Armenian music.

In addition to music by Armenian composers, performers also offered arias

by Verdi, Gunod, Lehar and Dvorjak, and songs by Lara, Puccini, and Leoncavallo.

Soprano Marieta Korukhchian was particularly noticeable for her lyrical tone that soared beautifully over the piano accompaniment in Moon Aria of Dvorjak (Rusalka) and in the Romance of Rimsky Korsakov.

Marieta was born in Armenian city Spitak, that was the epicenter of the devastating earthquake of 1988. That day, the town of Spitak was completely destroyed within 30 seconds. Marieta s parents with 4 children were faced with the problems of finding a place to live and

Tenor Tigran Ohanyan and soprano Marieta Korukhchian with pianist Gregory Chaverdian.

finding a new job. They decided to leave Armenia and start a new life in Russian city of Irkutsk. Mrs. Korukhchian graduated from Irkutsk Music College after Frederic Chopin and worked in Irkutsk Dramatic Theatre till 2013, when she returned to Armenia and continued her vocal studies at the Yerevan Komitas State Conservatory.

Marieta and Tigran performed glorious and uplifting duets - Ernesto de Curtis, Anush-Saro Duet from A. Tigranyan's Anush opera, and famous Libiamo Duet from La Traviatta Verdi.

Tigran s intense tone and eager personality contrasted with Marieta s rather clear and calm performance. The two voices blended in a magical way, whether singing in harmony and unison or as call and response. The pair emitted passion and harmony.

But if anyone can be said to have stolen the show, it's Tigran Ohanyan and his solo appearances. Tigran's voice was clear, powerful, flexible and dramatic. He felt each song and turned it inside out.

Tigran performed with such inspiration, he made every word sound important and made the listeners feel as if he was singing straight to them.

Everyone in the audience noticed that Tigran, while singing with considerable warmth, never pushed his voice. He demonstrated impressive consistency and control throughout his entire range.

Possessing an exceptional singing line, Tigran was able to combine spectacular power with the incredible ability to smoothen out sounds and breathing.

More than the technical aspects of his voice, the musicality behind it, his ability to tell a story, and his desire to communicate with the audience made the program especially memorable.

One of the famous quotes of American musician Frank Zappa states: "Music, in performance, is a type of sculpture. The air in the performance hall is sculpted into something". This could be applied beautifully to Tigran Ohanyan's performance - he sculpted melodies with his brilliant phrasing and unbelievable breath control. Knowing that breathing and singing go hand in hand, the audience was left wondering: does he take a breath at all?

Tigran Ohanyan's voice, artistism and ability to perform are more than unique, and everyone could feel that he loved his work, and was passionately fulfilling his destiny. "I am still working on developing my voice," Tigran said after the concert.

"I am learning from each of my performances.... It's a matter of strong breath control and yet making it sound as though it is the easiest thing in the world."

Tigran was developing his talent from early childhood, taking voice classes in Spendiaryan music school, then graduating with honors with Master's degree from the Yerevan State Komitas Conservatory. Tigran was a grandnephew of Professor Rafael Akopyants, who helped Tigran acquire important vocal techniques and taught him during all Conservatory years. Tigran, despite his young age, already appeared in many highest ranked stages of the opera world - Benjamin Britten Theatre in London, Bolshoy Theatre in Moscow, Verdi Theater in Italy. He is also a winner of many international vocal competitions, and nowadays is a member of Young Artist Opera Program of A. Spendiaryan Academic Theatre of Opera and Ballet in Yerevan, Armenia. And that is just the beginning of his career!

Alongside the rising stars was also the curator of the musical program for that night, the exceptional pianist Gregory Chaverdian. As the famous saying goes: "accompanists are the unsung heroes of the classical music world". Truly, Gregory created a virtual telepathy between him and the singers, he used the piano as a reservoir of colour that needed to create the infinite emotional variety required in every song. The audience witnessed him balancing sound level, momentarily adjusting for changes in the performance and to singers' breathing. The invisible connections that bind his fingers and singers' voices were amazing: "Gregory built up a kind of musical radar, delivered such a collaborative alchemy that any

professional soloist would struggle to create"- pointed out a professional musician after the concert.

Gregory, a graduate of Yerevan State Komitas Conservatory, is a dedicated pedagogue, outstanding performer, and an incomparable accompanist. All of these musical paths have brought to him international recognition. He is a soughtafter piano professor who is constantly invited to Masterclasses and festivals in Europe. Gregory is extremely busy in Montreal with different projects, concerts and competitions, that bring more and more prizes to his students. Despite his busy career, Gregory has never stopped promoting Armenian artists and Armenian music, and Toronto music lovers are thankful to him for his huge help in organizing this concert.

"There is not much interest towards the opera genre all over the world and this initiative is aimed to remind what a great opera potential Armenia has", proudly mentioned Gregory after the concert.

Perhaps it was the plangent vocal and piano tones and yearning emotions that captivated the ears and hearts of virtually all listeners. In response to the extremely vociferous and prolonged applause and enthusiastic standing ovation the performers returned for just one encore to perform one of the bestknown tenor arias - Nessun dorma, from Puccini's opera Turandot.

This performance expressed emotion, rich vocalism and energy in one single aria.

It was perfect!

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VARIETY

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ARS Appoints New UN Coordinators

Resolution time (and) again...

By: Talyn Terzian-Gilmour I ve always been fascinated with time. When I was growing up, time was not measured in minutes or hours but by all the places outside of the present. I would dream of a future world with teleportation so that I could be with my cousins in Canada one day, and my cousins in Europe and the Middle East, the next. I would dream of a past where I could have been a real medieval princess spending my days with my sister watching knights joust (and not to the death), listen to my dad, a very honourable and fair King, plan how to defend our territories, and see my fair and beautiful mother host visiting dignitaries intent on being a part of our magic.

Later, time took on a different meaning as I rebelled and sought to be a bigger part of the world in which I was living. I willed it to pass more quickly so I could get my driver s license, get into clubs, get my first apartment, my first promotion, and eventually get married. I imagined how big my life would be, and the future each of the steps I was taking, would lead me. I even toyed a little with existentialism as my anxieties grew about the choices I was making, exploring the possibility that time could exist not just as I knew it, but in a parallel or alternate universe where different choices would have different outcomes taking the pressure off my need for perfection.

Despite it all, time would do what it does without abandon and complete reliance: it moved on. My thoughts would have less time to develop as once again I willed it to pass quickly after having children. I needed to remember what it was like to be human and sleep through the entire night not awoken by the cry I would have to decipher among needing a change, needing to be fed, needing to be cuddled, needing to feel safe, needing to feel less wound up and agitated, and so on and so forth.

Despite feeling like an hour would take an eternity to pass, and a night would end in a fleeting moment, time continued to move at its own pace.

I have now reached where my very wise mom told me I would; I am now at the place where I am trying to find a way to slow time down. I feel like it s getting away with me like there s never enough of it When time is measured solely by our own achievements, it doesn t feel like it s moving fast enough; getting through high school takes an eternity (like all those pimples that NEVER really seem to disappear overnight!) or building a meaningful career also can take an eon. Yet, when we accept that some things will just happen at

their own pace, without interference, time takes on a more benign quality like the 8 foot pyramidal oak I planted in our backyard just 10 or so years ago which now stands over three times as high, but it got there ever so quietly; unnoticeably.

Now, I find myself on the edge of that same precipice again as time once again delivers us the end of another year. It is at this cusp when many of us and me included stop and take stock of all that has passed us by, all our achievements and regrets, and look hopefully towards our futures.

We all have our little traditions when it comes to marking those first moments in the new year. My family my uncles in particular like going to church on the first day of the year.

Personally, I ve always been fascinated by the stars, even at a very young age, and every year, I find a moment to look up at the sky and find one. That s when I give thanks for all that I have and think of a profound and meaningful wish for the year to come. Incidentally, my favourite tradition which I started as a teenager was to climb out of my window onto the roof of our garage (when it was safe enough to do so) and stare at the stars for as long as I could take and before I d turn into a human popsicle!

Being a little bit more cautious, and a little less tolerant of the cold, I now think to myself in preparation what will it be this year? More time with family? Finally learning to run ?

Taking better care of myself by making more time for pampering? Travel?

Or will I tackle that project that s been eating away at the back of my mind ?

Recently, I was at a bridal shower and the very animated and gregarious groom, as per tradition, arrived with flowers for his bride-to-be and made a speech. He said something like, all of us in this room are proof that we can control time. That we can leave whatever is going on in our lives and come together to celebrate this event His speech made me smile and gave me pause of course, at the beginning of our lives we seem to have power over time, but now, I know better.

While I haven t quite landed on what I will resolve to do this year, I will say this: I love the hustle and bustle and perhaps my greatest wish is that it never leaves me. Dear friends, I hope to see more of you, more of your laughter and share in more of your joys. I wish you all great achievements, adventure and excitement as your lives continue to unfold and perhaps what time has taught me most, is to wish for good health for all of us.

Happy New Year!

Christina Mehranbod and Maral Tutunjian

The Armenian Relief Society (ARS), Inc. announced the appointment of Christina Mehranbod as Coordinator of the ARS activities at the United Nations (UN) and of Maral Tutunjian as the ARS UN Assistant Coordinator. Mehranbod and Tutunjian will be based in New York City, representing the ARS at the UN Headquarters during meetings and projects initiated by various UN Missions, UN agencies, and NonGovernmental Organizations in affiliation.

Mehranbod is a graduate of the University of California, Berkeley. She holds a B.A. in Public Health, a minor in Spanish Language & Literatures and is currently pursuing a Master of Public Health in Epidemiology at the Columbia University Mailman School of Public Health. Tutunjian is a graduate of Montclair State University. She holds a B.A. in Psychology, and a minor in Leadership Development through Civic Engagement. The two coordinators are also multi-lingual and their combined languages include Armenian, English, Spanish, Arabic, Farsi, and Turkish.

Mehranbod and Tutunjian will work to develop strategic partnerships for the ARS at the UN in ways that promote the ARS mission, such as the optimal social, health, and educational well-being of women and children in Armenia, women s financial independence, global disaster preparation

and response, and human rights advocacy.

We are excited to welcome Christina and Maral to the ARS team. Their appointment further strengthens our resolve and dedication to the values and principles shared both by the ARS and the United Nations. As one of the 5,083 organizations world-wide recognized by the UN, we are excited that our new coordinators will bring their educational background and experience to advance our role within this global institution said ARS Executive Director, Verginie Touloumian.

I am honored to receive the opportunity to serve as the ARS UN Coordinator and look forward to working for an organization that serves Armenia and the Armenian communities worldwide through the advocacy and promotion of human rights, social justice, gender equality, economic development, and more. I wholeheartedly believe in the work of this organization, domestically and internationally, and am prepared to represent the ARS at the United Nations, said Mehranbod.

Established in 1910, the ARS is a non-profit organization that operates in 28 countries serving humanitarian needs of Armenians and nonArmenians alike. The organization was admitted into the ranks of UN s Economic and Social Commission (ECOSOC) in 1998.

Azerbaijan Must Be Held Accountable for the Destruction of Armenian Cultural Heritage

Ottawa- On December 8, the Armenian National Committee of Canada (ANCC) sorrowfully marks the 13th anniversary of Azerbaijan s destruction of the historic Armenian cemetery of Djulfa. The ANCC is calling on the Canadian government to hold Azerbaijan accountable for the systematic destruction of Armenian historical, cultural, and religious sites and monuments.

On December 10, 2005, in the framework of a state-sanctioned policy of hate and destruction, the government of Azerbaijan began its demolition project of the historic Armenian cemetery in Djulfa, an ancient Armenian city now located in Azerbaijan.

This marked the final blow to the 10,000 intricately hand carved khachkars (stone crosses) which

were erected since the 6th century all the way through the 17th century. Through khachkars is expressed a unique Armenian art form of stone carving, which UNESCO has recognized the cultural and religious significance to the Armenian people. Its beauty, detail, and importance are part of humanity s shared intangible cultural heritage, and the khachkars have been identified to need urgent safeguarding.

By December 15, 2005, the final destruction was complete. Approximately 200 Azerbaijani soldiers gathered at the Nakhichevan-Iran border to desecrate the remaining grave markers at the Djulfa Armenian cemetery. The cemetery has since been replaced with an Azerbaijani military training base.

Despite clear evidence and condemnation by international bodies such as the European Parliament and International Council on Monuments and Sites, Azerbaijani authorities continue to deny this crime, while still promoting the destruction of all Armenian religious and cultural sites in the country.

Shahen Mirakian, President of the ANCC, stated, As if Azerbaijan s continuous aggression towards the Republics of Armenia and Artsakh are not enough, their brazen denial of this heinous cultural crime comes to add insult to injury. This is not a behaviour that we, nor the international community, should stay silent about

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ARMENIAN GENOCIDE

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Armenian Genocide Museum-Institute and Canadian Museum for Human Rights to cooperate Armenpress - The Armenian Genocide Museum-Institute Foundation and the Canadian Museum for Human Rights signed a memorandum of understanding which will enable to upgrade the cooperation between them.

Director of the Armenian Genocide Museum-Institute Foundation Harutyun Marutyan said the Canadian Museum for Human Rights carries out major works. Mass violation cases of human rights in the form of genocides are presented in the Museum. We will try to put the cooperation between these two structures on a real basis, by making it more effective and useful for the two sides , he said, adding that this MoU is already the second.

President and CEO of the Canadian Museum for Human Rights John Young said the two structures will continue the collaboration. This MoU will allow to unite our efforts and continue the cooperation in different fields, education, public, which always needs

upgrading , John Young said.

Deputy director of the Armenian Genocide Museum-Institute Foundation Edita Gzoyan said several actions are planned by this MoU, one of which is the exchange of exhibits between the two structures, as well as providing certain materials on the Armenian Genocide and other genocides. The Canadian Museum for Human Rights has several educational programs and as we also attach great importance to education from early age, their experience will be useful for us in this regard. The third direction which we have already implemented with our partners, is the expansion of cooperation between the researchers , she said.

The MoU enters into force from the moment of signing for five-year term.

The members of the Canadian Museum delegation laid flowers at the Armenian Genocide Memorial and paid tribute to the memory of the innocent victims with a moment of silence.

Canadian Museum for Human Rights in Winnepeg.

Historian Taner Akcam Launches Digital Archive Documenting The Armenian Genocide (Clark now)- After the 1915 Armenian Genocide, Krikor Guerguerian, a priest and genocide survivor, traveled the world collecting evidence to document the atrocities. Taner Akçam, the Robert Aram and Marianne Kaloosdian and Stephen and Marian Mugar Professor in Armenian Genocide Studies at Clark University s Strassler Center for Holocaust and Genocide Studies, recently collaborated with Turkish experts and graduate students on a digital repository that makes Guerguerian s vast collection of incriminating documents available to scholars worldwide.

The newly launched Krikor Guerguerian Archive comprises thousands of original Ottoman documents and Guerguerian s extensive, unpublished writings. It includes the long-missing handwritten memoirs of Naim Bey, an Ottoman bureaucrat stationed in Aleppo who actively participated in the Doctoral candidates Anna Aleksanyan, Burçin Gerçek and Ani Ohanian (seated, from left) work with Professor Taner Akcam on the Krikor Guerguerian Archive. deportation and massacres of Armenians; documents from the Jerusalem Armenian outline the Ottoman government s planning candidates Ani Ohanian, Anna Aleksanyan, Patriarchate containing first-hand information and execution of the genocide. These killing and Burçin Gerçek, and former students Ümit about the Armenian genocide; and critical orders, considered the smoking gun of the Kurt, Ph.D. 16 and Emre Can Da l o lu in an papers from the Istanbul perpetrator trials Armenian Genocide, formed the basis of effort to create and launch the digital archive. held from 1919 to 1922 that were long Akcam s groundbreaking book Killing Orders: The group collaborated with others in Paris Talat Pasha s Telegrams and the Armenian and Istanbul to translate materials into English. assumed vanished.

Access to these materials has the Among the most noteworthy materials Genocide, released earlier this year.

Professor Akçam was granted access to potential to change scholarly and political are ciphered telegrams that the Ottoman Interior Minister Talat Pasha, army the unpublished collection in 2015 by Dr. discourse as well as to destroy Turkish denial, commanders, and the chief of the Edmund Guerguerian, nephew of Fr. wrote Professor Akçam. It is my duty to make government s paramilitary sent to governors Guerguerian, and he has worked diligently to this evidence accessible for the world to see.

Professor Akçam, whom the New York throughout the Empire. Some of these ensure that other scholars of the Armenian telegrams, written on government letterhead Genocide have access to these important Times referred to as The Sherlock Holmes stamped with the official Ottoman seal, clearly documents. He engaged his doctoral of the Armenian Genocide, was one of the

first Turkish intellectuals to acknowledge and openly discuss the Armenian Genocide. His book The Young Turks Crime Against Humanity: The Armenian Genocide and Ethnic Cleansing in the Ottoman Empire, was cowinner of the Middle East Studies Association s Albert Hourani Book Award and one of ForeignAffairs.com s Best Books on the Middle East.

Among his many honors, Akçam received the 2018 Outstanding Upstander Award from the World Without Genocide organization; the Hrant Dink Spirit of Freedom and Justice Medal from the Organization of Istanbul Armenians and the Hrant Dink Freedom Award from the Armenian Bar Association (both in 2015); and the Heroes of Justice and Truth award at the Armenian Genocide Centennial commemoration in May 2015.

Funding for the creation of the Krikor Guerguerian Archive was provided by the Caloust Gulbenkian Foundation, the Jirair Nishanian Foundation, the Armenian General Benevolent Union, the Knights & Daughters of Vartan, and the Dadourian Foundation.

Original materials included in the Guerguerian Archive were donated to the National Association for Armenian Studies and Research (NAASR) in Belmont, Mass., where they will become part of NAASR s Mardigian Library. Researchers will be able to access original materials included in the digital archive following the opening of the NAASR headquarters building in the fall of 2019.

The ANCA and the Baroness Cox Rehabilitation Center in Artsakh (Asbarez)- Armenian National Committee of America s Communications Director Elizabeth Chouldjian discusses the work the organization is doing to promote the work of the Baroness Cox Rehabilitation Center in Artsakh. Below is the interview.

for the U.S. Agency for International Development to continue de-mining efforts through HALO Trust and expand its support to the Baroness Cox Rehabilitation Center.

Asbarez: Why the focus on the Baroness Cox Rehabilitation Center?

E.C.: Without a doubt, among the most urgent humanitarian priorities in Artsakh today is the need to help children and adults with disabilities. In the face of rapidly growing local and regional demands for rehabilitation services, the Center lacks sufficient infrastructure and modern facilities to meet its pressing humanitarian mission.

Asbarez: The ANCA has backed direct U.S. funding for Artsakh for over 20 years, securing aid for everything from clean water, maternal health and, currently, demining. What is the ANCA s new initiative with the Baroness Cox Rehabilitation Center in Stepanakert all about?

Asbarez: And what is the quick Elizabeth Chouldjian: The short answer to your question is that we 4 11 o n t h e B a r o n e s s C o x are seeking funding for the 2019 Rehabilitation Center?

E.C.: The Baroness Cox federal fiscal year from Congress

Rehabilitation Center was first established in 1998 through a partnership of local health officials and then-Speaker of the United Kingdom s House of Lords, Baroness Caroline Cox. A nurse by training, Lady Cox is respected for her leadership on rehabilitation efforts around the world.

More than 15,000 patients have received treatment from the Baroness Cox Rehabilitation Center since it first opened. It s currently treating over 1,000 patients in-house and offering an additional 24,000 out-patient treatments annually.

Despite that, the Center only meets 20% of the needs of the local population, leaving as many as 60,000 regional patients without adequate rehabilitation services. cont. on page 21 A child being trained at Caroline Cox Rehabilitation Centre in Stepanakert.

ARMENIA

Armenia Reports Further Rise In Tourist Arrivals

Tourists at Noravank church.

By: Marine Khachatrian (RFE/RL)- The number of foreign tourists visiting Armenia has continued to grow this year, reaching a new high of almost 1.3 million in January-September, a senior government official said recently.

The figure represents a nearly 9 percent increase from the same period in 2017, Hripsime Grigorian, the head of the government s Tourism Committee, told a news conference.

Grigorian said that Russian nationals continued to account for the largest share of tourist arrivals (41 percent), followed by

residents of neighboring Georgia and Iran.

All three countries have sizable Armenian communities, as does the United States. More than 46,000 Americans visited Armenia in the ninth-month period, according to government data publicized by Grigorian.

Earlier this month, Prime Minister Nikol Pashinian hailed news reports saying that Armenia is a leading destination for Russians planning to spend their New Year and Christmas holidays abroad. This is certainly a chance for many Armenian businesspeople to do their share of economic revolution and lay the groundwork for a bigger tourism boom next summer, he wrote on Facebook.

Grigorian said that the influx of tourists intensified following this spring s velvet revolution which brought Pashinian to power.

We had a particularly high rate of growth in the period from July through October, said the official.

Official Armenian statistics shows that the number of foreign visitors rose by an average of 9 percent annually between 2012 and 2016.

This growth, which accelerated in 2017, appears to have been facilitated by the former Armenian government s decision in 2013 to liberalize the domestic civil aviation sector.

The average cost of air travel to and from Armenia has fallen considerably since then.

The last several years have also seen a major increase in new hotels and guesthouses across the country.

The Armenian authorities unilaterally scrapped visas for citizens of the European Union member states and the U.S. in 2012 and 2014 respectively. An agreement on visafree travel between Armenia and Iran came into effect in August 2016.

Yerevan also lifted visa restrictions for citizens of Japan, the United Arab Emirates, Qatar and several other nations last year. In addition, it allowed Russian citizens to visit Armenia with Russian internal passports.

In Grigorian s words, the new government is now trying to improve the domestic tourism infrastructure for the same purpose. In particular, she said, several country roads leading to Armenian tourist attractions are now being reconstructed.

IDeA partners with one of Europe°s top business schools to help Gyumri

ESMT building in Berlin.

area for locals. This initiative strives to contribute to the city s renewal, boost its economic activity, and ensure a sustainable future for Armenia s second-largest city. The project is unique in its combination of social entrepreneurship, charity and public-private partnerships.

ESMT Berlin, an international business school founded in Germany, educates talented and motivated students from around the world.

They are highly qualified to bring bright ideas and management knowledge for implementation of IDeA s ambitious projects in Gyumri. We are looking forward to our collaboration , says Yelena Muradyan, Project Manager of the Gyumri Development Program at the IDeA Foundation.

In the framework of IDeA-ESMT collaboration, the students will have the opportunity to invest their knowledge in the project scoping, evaluation of its social impact, development of a fundraising strategy and other spheres, contributing to improved project management practice in Armenia and gaining experience in large-scale project development.

This project will address ways to effectively utilize abandoned public space in the once flourishing city of Gyumri. Our masters students thus have the chance to contribute to one of the most ambitious urban regeneration projects in the region , Nick Barniville, Associate Dean of Degree Programs at ESMT Berlin says.

Panarmenian Initiatives for Development of Armenia (IDeA) Foundation and the European School of Management and Technology (ESMT Berlin) have launched a new partnership as part of projects being implemented by IDeA in Gyumri, Armenia. An announcement on the collaboration was made earlier in Decenber during the Aurora Dialogues event in Berlin attended by IDeA co-founder Ruben Vardanyan and ESMT

President Prof. Jorg Rocholl.

Based on the agreement, from April 2019, an international group of highly-qualified asters in Management students from 7 different countries studying at ESMT will be involved in the development of a project in Gyumri, a city affected by a devastating earthquake 30 years ago. IDeA is now pursuing an initiative to rebuild the Gyumri Friendship Park and transform it into a unique public recreation

The ANCA and ...

cognitive disabilities, helping them integrate regions, and with over 50 local ANCA chapters into local schools. all working together towards this same worthwhile goal.

Asbarez: What is the ANCA doing on Capitol Hill and with the Executive Branch on Asbarez: When is Congress going to this issue? finalize their Fiscal Year 2019 budget and E.C.: Specifically, we are lobbying the priorities?

House and Senate and speaking to officials E.C.: While much work has already been at the U.S. Department of State to ensure that done on this score, including by Senator Van federal funds are allocated to the Baroness Hollen and other legislators committed to Cox Rehabilitation this federal fiscal year. This prioritizing Artsakh rehabilitation programs in involves a lot of teamwork from our ANCA the Senate foreign aid measure, the decisions office here in Washington, DC, our ANCA are being made right now and in the upcoming Regional Offices in the Eastern and Western weeks.

cont. from page 20 Asbarez: Who are the people who receive treatment at the Center?

E.C.: Among those receiving treatment include patients from Artsakh, Armenia, Russia, and Georgia with spinal cord injuries, elderly stroke victims, and infants and children born with disabilities, such as cerebral palsy and spina bifida. They are also doing cuttingedge work with children with autism and other

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Armenia Named The Economist's 'Country Of The Year'

(RFE/RL)- The Economist magazine has named Armenia as its country of the year, saying the South Caucasus nation has a "chance of democracy and renewal" after street protests led to a peaceful change of government.

Nikol Pashinian, a former journalist and opposition lawmaker, "was swept into power, legally and properly, on a wave of revulsion against corruption and incompetence," the London-based weekly news magazine said on Tuesday.

He was elected to the prime minister's post in May after spearheading weeks of mass protests that forced his predecessor, longentrenched leader Serzh Sarkisian, to resign.

Pashinian s My Step alliance won more than 70 percent of the vote in December 9 snap parliamentary elections.

"A Putinesque potentate was ejected, and no one was killed. Russia was given no excuse to interfere," The Economist said, adding that "an ancient and often misruled nation in a turbulent region has a chance of democracy and renewal."

However, the weekly cautioned that Armenia s "nasty territorial dispute" with Azerbaijan over Nagorno-Karabakh "has not been resolved and could ignite again."

The Economist has picked a "country of the year" since 2013. The title goes to a country that "has improved the most in the past 12 months."

Travel + Leisure: Armenia among 50 best places to visit in 2019 (Armradio)- The Travel + Leisure has included Armenia in the list of 50 best places to travel in 2019.

The New-York-based magazine reminds that this past spring Armenians voted in a new, more liberal government, adding that the resulting energy has made the country all the more inviting to travelers.

The magazine points to the existence of world-class hostels and a number of restaurants in Armenia.

Armenia has a famously beautiful countryside landscape, and there s no better way to see it than on foot. The Transcaucasian Trail passes the spa town of Dilijan, the bucolic Dilijan National Park, and a pair of 10th-century Christian monasteries, Travel + Leisure notes.

Other placed the magazine advises to visit in 2019 include the Adirondacks (New York), Alberta (Canada), Alsace (France), the Andaman Islands, Berlin (Germany), Brisbane (Australia), Cambodia, Cambridge (England), Egypt, Etyek (Hungary), the Florida Keys, Georgia, the Grand Canyon, Guatemala, Helsinki (Finland), Ischia (Italy), Israel, Los Cabos (Mexico), Madeira (Portugal), Matera (Italy), Montecito (California), Prague (Czech Republic), Puerto Rico, Langkawi (Malaysia) and others.

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DIASPORA ARMENIANS

Kalavan: Once an Obscure Village in Armenia, Now Gaining International Fame By: Adroushan Andy Armenian (Armenian Weekly)- Far away in the mountains of the Gegharkunik Province of Armenia near Lake Sevan, there s an insignificant and inaccessible village known as Kalavan. Its population of 108 inhabitants are mostly survivors from Sumgait, Azerbaijan who resettled to Kalavan in the early 1990 s.

Reversing the Trend and Revitalizing the Village I was planning a trip earlier this month to Armenia and allocated three days to visit Kalavan to understand the excitement about this village. The declining village population is a major challenge in Kalavan and other villages in Armenia. Some countries have been successful in reversing the trend by providing various incentives, such as subsidized housing to attract young families to relocate to the villages. I don t believe there are such programs in Armenia, however Kalavan could serve as an excellent case study of how a village, with their own resources, could reverse the trend and set an example.

One man, Robert Ghukasyan, successfully placed Kalavan on the worldwide archaeological and eco-touristic destination lists. Rubo, as the villagers call him, grew up and earned his primary education in Kalavan and later obtained an archaeology degree and worked overseas in various countries. In 2013, he moved back to Kalavan to pursue his dream of revitalizing a dying and disappearing village.

Three elements helped Robert in his mission. First, the forests around Kalavan have several archaeological sites with both human and animal bones that date back some 5,000 years. Second, the mountains and forests provide magnificent hiking and trekking options. Third, Kalavan is an unspoiled village without even a single retail store, reminiscent of the forgone era.

Bed and Breakfast and Home-stays With Robert s guidance, archaeologists from Germany and Israel started visiting

Kalavan for extended stays and local digs.

This triggered the idea of providing visitors with basic bed and breakfast facilities and encouraged the building of extended restrooms attached to homes. The community also installed solar water heaters to provide hot water for overnight guests. Robert and the villagers have been adamant in maintaining the existing authentic village character while also offering basic comforts; the Kalavan community is not interested in building modern and extended-stay hotels.

The traffic generated by visitors for scientific and archaeological projects has generated such enthusiasm that there are currently no houses for sale in Kalavan.

Dilapidated houses that you could have previously purchased for a mere $1,000 are currently worth over $20,000. Of the 31 homes in the village, eight offer B&B options with a total capacity of 40 guests. This has provided an economic stimulus to the villagers and has prompted the modification of two additional houses to ultimately house 60 guests by the Kalavan school summer of 2019.

You should be warned that there are no Time Land Foundation and the New local grocery stores, bakeries or any retail Scientific Center stores in Kalavan. All supplies must be sourced The most significant and notable from nearby towns, which is how the villagers achievement for Robert and Kalavan is the would like to keep it. establishment of the non-profit Time Land Foundation and its two-story, 250 square The village school and the remains of the meters (2,700 sq. ft.) new building which will old Soviet-era House of Culture serve as a scientific and research center for The village school was clean, but I did visiting scientists. It will also house a library notice the classroom desks date back to the and cultural and community center for local Soviet times. The walls were also showing youth. The $150,000 project is being funded signs of humidity and decay. Two of the seven

by USAID, UNDP and private donors. classrooms were recently renovated and Our kids don t have to travel to Yerevan waterproofed, but the remaining five rooms or other major hubs to be able to experience needed new windows and weatherproofing. modern technologies, Robert explains. He There are currently 19 students enrolled; the believes in providing local youth with a stateprincipal was excited to share that there were of-the-art learning facility which will help them eight births in the village last year, which stay attached to the village and not rush to means eight additional students in a few short relocate to Yerevan at their earliest opportunity. years.

Adjacent to the school is the ruins of the Continuing Needs for the Village House of Culture and the blue Volga, other Kalavan still needs help and support to reminders of a forgone era. continue with its initiatives to stabilize the

village. The school needs repairs to make it a safe environment for both students and teachers, and the town has adamantly requested for aid from the provincial government to repair the seven-kilometer dirt road connecting the village to the main road.

A four by four vehicle is the best mode of transportation on the seven-kilometer dirt road.

It s about a 40-minute ride. The villagers have requested road repairs by compacting gravel, which should reduce the travel time by half.

With a $60,000 excavator or backhoe the villagers would be able to repair and maintain the dirt road, additionally provide basic irrigation channels for local farms and build hiking and biking trails around the village.

Kalavan is a truly unique town with ambition and opportunity. I encourage all to visit the village in the mountains of Lake Sevan to experience the excitement and growing projects. The new Scientific Center backdropped with breathtaking views provides an unforgettable experience.

ATP Continues to Make a Difference on the Landscape of Armenia, One Tree at a Time

By Ani Melkonian

STEPANAVAN, Armenia--The deadly fires in California force us to think about our forests and what we re doing to keep Armenia s precious natural resources safe. Though the cause of the fires is still under investigation, initial evidence points to manmade causes.

How safe are Armenia s forests? Let s just say that as long as there are individuals anywhere in the world who don t believe that their action or inaction can make a difference, nothing is ever safe.

While firefighting efforts may prove beneficial, too often wildfires in rural areas are ignored and can be left burning for days in Armenia due to lack of resources and infrastructure. Even the smallest fires cause huge damage as Armenia has a forest cover of just 11 percent, according to official statistics.

That is why Armenia Tree Project (ATP) gives great importance to preventative measures. On the education front, ATP is raising awareness and teaching young Armenians across the country about forest fires prevention, especially in targeted areas like Lori, Kotayk, Shirak, Tavush, and Gegharkunik.

Tchalo, the firefighting gampr shepherd dog who is the face of ATP s campaign, is actively involved in the process through an animated PSA and educational posters (visit www.tinyurl.com/tchalo to view the PSA).

Miles from California on the outskirts of Stepanavan, 19-year-old Angela Mkrtchyan is planting trees in ATP s afforestation plot with her mother and older brother. For the

ATP hired dozens of people like 19-year-old Angela Mkrtchyan to plant 257,910 trees this year, bringing the overall trees planted in Armenia and Artsakh to 5,722,562.

next 11 days, the Mkrtchyan family s livelihood will depend on the little seedlings of ash, apple, beech, maple, oak, and pear trees. ATP hires more than 150 workers each year to help with planting and maintenance.

It s a short-term job but for the Mkrtchyan family, who have no permanent work, it is vital.

It is Angela s second season with ATP but her family has been part of the planting brigade for the past four years.

Many things we do in our daily lives have a negative impact on the environment and on the lives of future generations. Planting trees is one of the few things the next generations will thank us for, so I m happy to be doing it,

says Angela.

Angela is planting close to 200 saplings each day. By the end of the 11-day journey she will earn about $180, which is slightly over the average monthly salary in rural Armenia.

Our cause becomes theirs. During this time they form a special relationship with the forest, and so they encourage others to preserve and protect it as well, says ATP Forester Vahe Martirosyan.

Similarly, over 40 men and women, young and old are working in Tashir on ATP s forestry plots and on a joint forestry project with GIZ in Aparan, Arayi, and Vardenut.

In total, ATP has planted another 187,845

trees this fall, bringing the total for 2018 to 257,910 trees. The overall total of trees planted in Armenia and Artsakh since 1994 is 5,722,562.

We re proud of our results, of our positive impact on the land and the livelihoods we are helping to improve, explains Executive Director Jeanmarie Papelian. Many of the trees we planted this year are fruit trees, or 6,640 to be exact. And the total harvest from ATP s trees was more than 1,600,000 pounds of fruit this year, which was distributed in the communities all for the benefit of local people.

Two hundred families in Lori s Ghursali Village received coppiced wood for the winter from ATP. The wood comes from a project done in the village on 10 hectares with HayAntar. Locals were hired and trained to cut tree stems which grow close together or from one stump to near ground level so the trees may grow to their full potential and thrive.

To get 5.7 million trees planted, ATP needed a lot of helping hands from people like Angela and her family. The organization s soon-to-be 25 year history shows us that not only are trees indispensable to our wellbeing but that there are ways you can afford a living through them as well, adds Papelian.

Today, more than ever, there is a renewed opportunity to create an Armenia where the people and the environment can coexist in harmony. ATP s work to help create an Armenia that is clean and green, with a healthy respect for people and the planet, continues stronger than ever as Armenia maps out its new future, concludes Papelian.

TOROTNO ARMENIANS

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23

Varak s Crescent Sometimes People Miss Their Wives After A Divorce (Part I) Written By : Aram Haigaz Translated By: Varak Babian There was a time where Hollywood produced lovely, sensible films. Interesting films. Sometimes I would head out to watch them and unwind. Or why not; maybe even enjoy myself.

Nothing like that exists now. The talented actors from yesteryear don t exist. No more artists striving to be apart of something special.

Being introduced to a good film now a days is nothing close to a miracle. Tastes have changed, much like the moral code. Most of the screens display some variation of lust or flesh.

I can understand being bored of many, or even most, things- I can even tolerate it.

But to be bored of the arts? That, I not only do not understand- but can t offer forgiveness for either. That s the reason why months will have passed by before I step foot in a movie theatre. Though the other members of my family don t share my sentiment. They go often, especially the kids.

When they return home, I act interested and inquire about the film. If my daughter has enjoyed what she s seen, if she says Dad, it was great, you have to definitely go see it that means- I ll definitely not be going.

Our tastes are different, so very different.

I haven t abandoned all hope. I'm sure I won't end up being sympathetic to her inclinations, but perhaps one day she ll reflect back and start to judge just like her father.

On the other side of fence, stands my wife. Trustworthy. Even though we ve co habituated for several years, I haven t been able to fully comprehend her. (I mean which husband has? A lifetimes worth of research is simply not enough to fully grasp this fickle topic) And sometimes, before I m even able to form a sentence, she ll say Before they stop screening that film, you should definitely make time to go see it. Don t miss it, it was a good one.

I often act on her suggestion. I ll carve out time in my schedule to see the film before the theatre stops running it, and I never end up being disappointed.

Sometimes, I ll even be so pleased, that I ll actually thank her for her recommendation. *** About two weeks ago, she came home one evening and shared some news.

The Drake (the name of a theatre that mostly plays double bills) is playing a great film. Tomorrow s the last day. Make sure you go see it. Don t miss out. It s two pictures.

One of them is nothing to write home about, but the other one is great. If you get there by 2:30, you ll be able to see the good one from the start. You won t be forced to sit through the bad one and end up cursing your spirit until it turns black.

Don t put too much stock in her cursing my spirit talk.

During the rare occurrence where we actually sit side by side at the movies, I ve been known to occasionally storm out halfway through a film s screening. Maybe even muttering Sons of bitches, wasting my time and money by serving up this colossal stupidity under my breathe. That s the worst thing she s ever heard me say. Believe me, she s far from ever hearing a proper display of swearing.

I ask her a simple question.

What s it about? What themes are behind the film?

You ll experience them first hand t o m o r r o w. I t s i n t e r e s t i n g . T h e

cinematography s powerful. It s really quite good, beautifully shot. The acting is top notch as well.

My, such praise. I simply won t be able to sleep wrestling all the anticipation. *** The following day, greeted by a cold and damp morning, I find myself in front of the theatre at the recommended time. There s a long, winding line by the entrance. Further proof that the film will surely be worth it, I convince myself and contently, enter my place in line.

Two women with flowing blonde hair reaching their slender waists, like flowers in wild fields, wait directly in front of me.

I take a glimpse and gander behind me, and spot a woman with what seems to be her two young children. The kids look like they re about eight and ten years of age, respectively.

She seems impatient. I say that because I notice her open up her large handbag, and use multiple fingers to count the required Aram Haigaz Photo by Kaloust Babian amount of money needed to purchase three mountain summits fracture, sending babbling tickets. She got the money sorted and streams below. squeezed it in her palm. She now places her I won t deny, all of these are beautiful. purse carefully under her arm, and turning to But on a summer s day, the way heavy rain her children she promptly tells them to zip up interrupts the lake s peaceful water nothing their jackets. matches this beauty.

Lola, Lilly, zip up please, you ll catch a Suddenly, I sense someone standing over cold. I don t have the time or energy to take me. Breathing on the back of my neck. care of a couple of sick kids.

Surveying my face.

The truth is I m feeling cold as well, but Do you need to pass? I ask, trying to my compassion is triggered, and when the mute my frustration. I pull back my legs, and time came for me to purchase my tickets, I compress myself to allow space for a offer them my place in line. newcomer to move by.

Miss, go ahead I insist , I can t help No, I don t need to pass. Says the but notice the little ones are shivering. I hope woman s voice. it s warm in the theatre.

I don t know how to say this, but please Thank you so much! I haven t had a Mister, please give back my money. chance to buy their winter coats yet. When What money? Who s money? What we left home, I didn t realize how cold it was money are you talking about? outside , explains the woman through a forced The money I m assuming you took when smile. we were chatting in line.

Following their mother s example, the When we were in line, I took your children offer their own individual thank you. money? When we were chatting?

They smile sweetly and head on inside.

Yes sir, please Give it back With benevolent induced satisfaction filling Are you sure you re speaking to the right my heart, I buy my ticket and march inside. person?

Navigating the theatre s entrance, as my eyes Yes, I m sure. Weren t you the one that recalibrate to adjust to the dark, I notice three offered your place in line to us? of them head towards the right corridor. I Yes, that was me. Was I wrong to do gravitate towards the middle. On the account so? of me being far-sighted, I count back about So then? twenty rows from the screen, and make my So then, what? way to the corresponding aisle. There s an So then it was you who stole my money. empty seat on the far right, which I make my When I was in line, I had twenty-three dollars own. on me. I spent three dollars on tickets. I m The loud music stops floating around the supposed to have twenty dollars left. I m spacious rooms impressive arches, and the missing that twenty dollars . grand screen greets the crowd with a rural, How am I to blame for your situation? countryside scenery. Even though I ve Sir please, I beg you me and my wondered through similar settings before, I children beg you, give back our money. We re have never witnessed such images first hand. poor, unlucky people. It s not often that we re Just this beautiful scenery alone was able to attend a play, or see a film. I was told worth the price of admission. that the film being screened today was good Shortly after, the screen depicts clouds intentioned and pure. For my children s sake greeting the horizon. Dark, dense clouds. we decided to make a day out of it. Especially The clouds plot in unison and decide to invade my eldest, it s her birthday today. All I wanted the skies. Rain scatters across the lake. to do was make them happy. That twenty My God, My God! Can there be a more dollars was a full week s worth of bread and beautiful sight than the unassuming lake milk. Please, please, I beg you Please sir, experiencing rainfall from above? Ideally, the give back the money. air isn t filled with unwanted noise. The rain Before having the opportunity to respond, doesn t come down quite so ambitiously I feel a warm tear drop on my hand. abundant, tame enough not to quell lightning s I m overwhelmed. God all mighty, what surge. From the heavens, light reflects from have I gotten myself into? the corners. Through ashy skies, droplets I raise my head and look towards them. glisten like suspended silver strings.

In three of their sets of eyes, reflecting It s true: echoing much of the beauty on under the screens brightness, glistening tears screen, sunsets are also beautiful. So too are can be seen. fields of wheat, billowing under the lukewarm P l e a s e e e , p l e a s e e e , M i s t e r. . breezes of summer. And in the spring, when Miss ..I barely get the word out without the water overflows, and the snow on top of succumbing to my own tears.

Not only did I not steal your money, but I do not possess the ability to do so even if I wanted to steal it. I did not know that you had any sort of money on you, how would I have known?

I opened up my purse right beside you, right in front of your eyes when I was trying to pay for the tickets.

Yes you did open it but don t the three of you collectively have 6 eyes? And yes it s true, I offered you my place in line, but I did so with no ulterior motive. I heard you advise your children to zip up their jackets so that they wouldn t catch a cold. This is how I m getting compensated for my good deed?

But apart from you absolutely nobody was ever near me after that moment in the lineup. So what, my money just disappeared?

Sir, give me back my money. I promise not to make a big deal out of it. I won t tell a soul, I won t complain to anybody. It ll be a secret between you and me. Nobody will ever know anything.

Are you trying to say that I promise, I promise on all things sacred, nobody will ever know anything.

You have such a big heart lady, so compassionate. Yet you continue to hurt me with your accusation. So you still believe that I m a notorious swindler? That s fine, believe what you must. And believe me, I feel bad for you and your children, because you say your misplaced money would have bought you a weeks worth of sustenance. I assure you, if I had that amount of money on my person, I would hand it over with no reservation but I don t. And just to quell any lingering doubts that you might have, I suggest no, I insist that we make our way to this establishment s appointed manager and request that they thoroughly search me. And if they were to find more than the dollar fifty that s on my person, I promise for every extra dollar that they find, I ll give you a hundred dollars. What do you say? Do you accept my proposal? You don t have anything to lose.

After noticing her hesitate, I grasp her forearm and say.

Whether you re convinced or not, we re going to speak to the manager. Either they or any other witness should hear your testimony.

Maybe we can even luck out and find a police officer to speak to.

----------------------------

* This short story is translated from Aram Haigaz s Armenian short story §²å³Ñ³ñ½³Ý¿Ý ºïù سñ¹ÇÏ ºñµ»ÙÝ ÎÁ γñûïÝ³Ý Æñ»Ýó ÎÇÝ»ñÁ¦ from a collection of Haigaz s short stories titled §ºñç³ÝÏáõÃÇõݦ.

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ART and CULTURE

ÚàôÜàô²ð 2019 ĸ. î²ðÆ, ÂÆô 159

New Novel, Letters to Barbra from Journalist Paul Chaderjian Meshag Publishing has just released Diasporan journalist Paul Chaderjian s new novel entitled Letters to Barbra.

Letters to Barbra explores the Armenian identity through the story of an outsider. It s told in a disjointed, Facebook-like timeline, spanning from the aftermath of World War I to the Soviet Union, from the Lebanese Civil War to a futuristic segregated dystopian society 300 years from now. Its non-traditional narration is cinematic, influenced by Micheline Aharonian Marcom and Atom Egoyan, who called it stirring and extremely moving.

Letters to Barbra depicts the protagonist, Adam, in his boyhood writing letters to his idol Barbra Streisand in war-ridden Beyrouth.

Its fictional epistolary offers readers rare insight into the mind of a 9-yearold experiencing a devastating civil war, who deals with the trauma in

the form of fan letters to an American Hollywood legend. It is an homage to all the frightened little boys and girls caught in inhumane situations as adults kill each other over real estate, financial gain, power, ego and religion. It is also a requiem to the millions of lives lost and generations of survivors traumatized by man s inhumanity against man.

Because wars and their consequences do not exist in a vacuum, Letters to Barbra offers readers hope and context by chronicling the life of the young writer, Adam, through adulthood. As he grapples with his extrication from the land of his birth, a mere 50 years after his grandparents displacement from their centuries-old ancestral homeland, Adam finds solace in immortalizing his experiences in letters to one of the brightest stars of the 20th century.

Letters to Barbra takes readers

from the dark days of the Word War II-era Soviet Union to the starstudded parties of Hollywood; from the streets of modern-day Paris, to the post-Civil War and newly rebuilt Paris of the Middle East, Beirut. This work of words captures that which is universal, but tells it from the perspectives of newly-birthed characters: young Armenian medical students boasting about their conquests in bed; brooding New York filmmakers hoping to find validation for their unique visions of the world; defeated, broken slaves, laboring in a grim, future megalopolis; and a songstress a modern-day minstrel singing her people s songs while making a name for herself across CNN, the New York Times and at concert venues in the Middle East, Europe and the Americas.

It s a world in which the past, the present, and the future co-exist in conflict, never in harmony; a world

that is marked with the trauma our parents and grandparents lived and unwillingly transmitted to us to shape our identity that we have to live with tragically, in conformity, if we object, if we turn away, we are doomed; we cannot find peace. The sense of belonging is displaced, meaningless, only a source of pain and compunction an anxiety, writes Armenian language and literature lecturer and researcher Dr. Rubina Peroomian.

Paul Chaderjian is a broadcast journalist with the Al Jazeera Network in Doha, Qatar, where he has covered politics, wars and natural disasters for the past five years. He has worked at ABC News in New York City and Armenia TV and CivilNet in Yerevan, Armenia. He also contributes occasionally to the Armenian Weekly and Asbarez newspapers. He s also one of the hosts of the annual Armenia Fund

Thanksgiving Day Telethon.

Letters to Barbra, published December 7, is available on Amazon and will soon be available at local bookstores.

Michael Boyajian Explores History of Armenians in Paris

By Gary A. Kulhanjian The Armenians in Paris The Joy

after the Sorrow

By Michael Boyajian N e w Yo r k : J e r a St u d i o s Publishing, 2018 Michael Boyajian continues to challenge his readers with a passion to learn about the Armenians. He is soon to be acclaimed as the master of non-fiction writing short paperbacks about the Armenians in their history and legacy.

The short narratives attract various age levels and are not for the erudite segment of readers who are knowledgeable of the research. He focuses on the general reader audience who are the group he appeals to most.

Those readers, who are unfamiliar with his works, can learn a great deal from his unpretentious literary style and foremost acclaims about the Armenians. Boyajian is a retired attorney and former human rights judge who lives in New York state. His command of writing and the computer makes him a twentyfirst century author. The material and substance of his works are reflected in his percipient production of books recently. At present, he has written fifteen books, co-author a sixteenth, and is working on a seventeenth. The author has written six of his books about the Armenians. Clearly, he has a unique quality for general audiences. First, he is a maverick among American-Armenian writers. Secondly, he writes like a journalist and historian but has a mastery of knowledge which is appealing to those who admire the relevancy of the Armenians from ancient to contemporary times.

The author divides his book into four

chapters along with a bibliography and index.

Having visited Paris, the author captivates the reader with a tour of the renowned world city.

He walks through its historic sites and touches upon its monuments. His appreciation of art, history, and literature is part of the milieu described within this experience in a contemporary time frame and reflects back to those intellectuals who lived in Paris in yesteryear who were non-Armenians and Armenians. He writes about historic monuments like the Eifel Tower, Arch de Triumph, Notre Dame, and so forth. The author did immerse into Paris with its art museums and gardens; however, Boyajian takes you into the past and exposes the writers who lived in Paris and who became world renowned like, to name a few, Joyce, Hemingway, Fitzgerald, Solito Solano, and others. He writes about the places these writers congregated like the pubs, streets, and areas which still exist. Yet, Paris was the center of the French writers during the nineteenth century when they dominated French literature which attracted Armenians from afar.

In sum, Paris did add hope for the writers of the 1920s for their future and literature to survive. Boyajian does not evade the Armenian Genocide of 1915. He explains the events in personal terms. He touches upon the inhumanity of the genocide but reiterates stories from his family s past on his paternal and maternal side. He tells about how his father always remarked about how the deniers have trashed history by not recognizing the Armenian Genocide when he reminded his family by saying: if it did not happen then what happened to all my uncles.

The author makes a transition from his personal history to the question of how the

Armenian genocide precipitated in a hostile atmosphere and even the killing of the Greeks and other ethnic groups. It is at this juncture in the book, Boyajian refers to U.S. Ambassador Henry Morgenthau, who was the ambassador to the Ottoman Turkey, and his heroic concern for the Armenians during the Armenian genocide. He reviews the brutality of the Ottoman Young Turk regime to eliminate the Armenians from their historic land.

Morgenthau s efforts were commendable.

Although, the Armenians were placed in caravans and many were removed from their locations and killed in the outskirts of towns and cities, the worldwide press in the United States and Europe reported the genocide. The resistance fighters should be credited for their courage.

The author enlightens readers with a narration of the Armenian intellectuals who immigrated to Paris in the 1920s. The Armenian writers and intellectuals were unique for many reasons ; however, the author emphasizes the post traumatic stress they suffered in finding an oasis of freedom after losing their families and friends in the genocide.

A great many Armenian intellectuals did not survive the genocide in 1915. Other writers and scholars who lived in Paris before or after the 1920s did not endure such a loss or experience. Boyajian reviews the names and works of some Armenian intellectuals and writers who made Paris their home to name a few are important here: Arshag Chobanian, Aram Andonian, Mguerditch Barsamian, Vasken Shushanian, Levon Shant, Zabel Yessayan, and others.

The story of the Armenian writers who survived and escaped to Paris, the City of Lights, where there were other intellectuals

The Migrant And The Maverick: An Allegory

By Abie Alexander; Publisher: AA Books

By: Lucine Kasbarian On the surface, this is a straightforward tale about Ken, a Rhode Island Red rooster whose life is forever altered by the arrival of migrant Canadian geese, and goose Helen with whom he develops a fond relationship.

Helen teaches Ken about migratory (and worldly) ways and not a moment too soon. Ken s keepers are readying to slaughter him, spurring him to prepare for flight.

Upon closer reading, we discover the

tale s moral and political underpinnings -particularly as they relate to trials undergone by refugees and immigrants who reinvent their lives on foreign soil, and to whom this book is dedicated.

Ken and Helen deliberate about how social attitudes around the world can differ depending on circumstances, culture and environment. They also express opinions on a range of issues dominating today s headlines, such as global hegemony, climate change, nationalism, immigration, reproductive rights, gun control and political correctness, giving readers much to weigh

and consider. Sometimes didactic, often touching and almost always thoughtprovoking, the Migrant and the Maverick is the product of a diplomatic, perceptive and sensitive soul. A financier by profession, Mr. Alexander became acquainted with Armenia through his work there with Christian relief organizations such as World Vision and the Fuller Center for Housing.

Though himself not ethnically Armenian, Alexander mentions the Armenians in every one of his six published books and is considered an honorary Armenian by Choice by his peers.

from other nationalities is what Hemingway said for Paris is a moveble feast especially for expatriate writers of the 1920s. The author says, Paris didn t just save a handful of writers who survived the genocide it restored an entire people called the Armenians. Another great read I cried when I read certain parts I really liked the material, substance, and focus.

Boyajian ends his book with the Armenian word: Apagan (in translation meaning forward to the future).

Gary A. Kulhanjian is social historian and educator, former member of the New Jersey Commission on Holocaust Education New Jersey Commission on Holocaust Education and appointee of three governors. The reviewer holds three degrees in history, social science, and humanities. He presently lives in California.

Êàв¶Æð

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25

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