Torontohye#147 january 2018

SHOP IN ARMENIA Ķ. î³ñÇ ÂÇõ 3 (147), ÚàôÜàô²ð 2018 Øß³ÏáõóÛÇÝ, ÀÝÏ»ñ³ÛÇÝ, ²Ûɳ½³Ý ä³ñµ»ñ³Ã»ñÃ

100³Ù»³ÏÝ áõ ²ÝËáõë³÷»ÉÇ Æñ³Ï³ÝáõÃÇõÝÁ

Volume 13, No. 3 (147), JANUARY 2018 Toronto Armenian Community Newspaper

ÞÝáñѳõáñ Üáñ î³ñÇ ºõ êáõñµ ÌÝáõݹ

Merry Christmas and Happy New Year

гÛáõÃÇõÝÁ 2018 ÏÁ ¹ÇÙ³õáñ¿ ³Ýݳ˳¹¿å ˳éÝ ½·³óáõÙÝ»ñáí: ²Ûë ï³ñÇ ³½·áíÇÝ åÇïÇ Ýß»Ýù г۳ëï³ÝÇ ²ÝϳËáõû³Ý 100³Ù»³ÏÁª ѳٳѳÛÏ³Ï³Ý ï³ñµ»ñ ÙÇçáó³éáõÙ»ñáí »õ ѳٳËÙµáõÙÝ»ñáí: ¸³ñ¿ ÙÁ Ç í»ñ Ù»½Ç ѳë³Í å³ï·³ÙÁ ÝáÛÝ ¿. ·áõñ·áõñ³É ³ñѳõÇñù¿Ý Ññ³ßùÇ ÙÁ å¿ë ³½³ï³Í »õ µ³½áõÙ ½áÑáÕáõÃÇõÝÝ»ñáí Ï»ñïáõ³Í ѳÛñ»ÝÇùÇÝ Ùݳóáñ¹³óÇÝ: ê³Ï³ÛÝ, ïûÝ³Ï³Ý ÙÃÝáÉáñï¿Ý »õ ÇÝùݳ·áÑáõû³Ý Ùï³ÍáõÙÝ»ñ¿Ý ³ÝϳË, áñù³Ýáí Û³çáÕ³Í »Ýù ï¿ñ ÁÉÉ³É ³Û¹ ³õ³Ý¹ÇÝ: Æñ Çñ³·áñÍáõÙÝ»ñáí ѳݹ»ñÓ, ³Ûëûñ г۳ëï³ÝÇ Ð³Ýñ³å»ïáõÃÇõÝÁ ÏÁ ¹ÇÙ³·ñ³õ¿ Çñ ·áÛáõû³Ý »õ µ³ñûñáõû³Ý ëå³éݳóáÕ µ³½Ù³ÃÇõ ѳñó»ñ: ػͳ·áÛÝ íï³Ý·Á ÏÁ ÙÝ³Ý ÁÝÏ»ñ³ÛÇÝ »õ ïÝï»ë³Ï³Ý ³Ý³ñ³ñáõÃÇõÝÁ »õ ٳݳõ³Ý¹ª ѳÛñ»ÝÇùÇ ·á- Ðñ³í³éáõÃÇõÝ ºñ»õ³ÝÇ Ð³Ýñ³å»ïáõû³Ý Ðñ³å³ñ³ÏÇÝ í»ñ»õ: Ûáõû³ÝÝ ÇëÏ ëå³éݳóáÕ ³ñï³·³ÕÃÁ: ºñÏñáñ¹Á ³é³çÇÝÇÝ áõÕÕ³ÏÇ Ñ»ï»õ³ÝùÁ ÁÉɳÉáí, ѳÛñ»ÝÇ å»ï³Ï³ÝáõÃ»Ý¿Ý å¿ïù ¿ å³Ñ³Ýç³ï¿ñ ÁÉɳɪ ѳñóÇÝ Ñ»ï í»ñ³µ»ñ»Éáõ ϻݳó Ù³²½ñå¿Û׳ÝÇ Ý³Ë³·³Ñ ÆÉѳ٠²- ²½ñå¿Û׳ÝÇ Ï³½Ù¿Ý Ý»ñë« »ñ³ß˳õáÑáõ Éñçáõû³Ùµ: ÉÇ»õÇ Ñ³Ýñ³ÛÇÝ-ù³Õ³ù³Ï³Ý ѳñó»- ñ»Éáí ÑáÝ µÝ³ÏáÕ Ñ³Ûáõû³Ý ù³Õ³100³Ù»³ÏÇ ÝßáõÙÁ Ï°ÇÙ³ëï³õáñá- ñáí ËáñÑñ¹³Ï³Ý ²ÉÇ Ð³ë³Ýáí« §Ö»- ù³ódzϳݫ ÁÝÏ»ñ³ïÝï»ë³Ï³Ý »õ õÇ ÙdzÛÝ »ñµ ѳÛñ»ÝÇùÁ ¹³ñáõ ÙÁ ó- ñáõ½³É¿Ù öáëæ ûñÃÇÝ Ñ»ï ѳñó³- Ùß³ÏáõóÛÇÝ Çñ³õáõÝùÝ»ñÁ¦« Áë³Í ¿ õ³ÉáõÙáí ³õ»ÉÇ ³Ùñ³åÇݹ, µ³ñ·³õ³× ½ñáÛóÇ ÙÁ ÁÝóóùÇÝ Û³Ûï³ñ³ñ³Í ¿« ²ÉÇ»õÇ ËáñÑñ¹³Ï³ÝÁ: ÏÁ Ý»ñϳ۳ݳÛ: ê³Ï³ÛÝ, Çñ Çñ³·áñ- áñ ä³ùáõ å³ïñ³ëï ¿ ²ñó³ËÇÝ ïñ³²Ý ݳ»õ ÏñÏÝ³Í ¿« ÿ ѳÛÏ³Ï³Ý ÍáõÙÝ»ñáí ѳݹ»ñÓª г۳ëï³ÝÇ Ù³¹ñ»Éáõ ³Ýó»³É¿Ý ³°É ³õ»ÉÇ Áݹ³ñ- áõÅ»ñÁ å¿ïù ¿ Ñ»é³Ý³Ý ²ñó³Ë¿Ý« ïÝï»ë³Ï³Ý »õ Ù³ñ¹³·ñ³Ï³Ý å³ï- Ó³Ï ÇÝùݳí³ñáõÃÇõÝ: ²Ý Ýß³Í ¿« áñ ²½ñå¿Û׳ÝÇ ï³ñ³Íù³ÛÇÝ ³ÙµáÕç³Ï»ñÁ ³ÛÉ Çñ³Ï³ÝáõÃÇõÝ ÙÁ ÏÁ Ù³ïÝ¿. ä³ùáõ å³ïñ³ëï ¿ ÷á˽ÇçáõÙÝ»ñáõ ϳÝáõÃÇõÝÁ »õ ÇÝùÝÇß˳ÝáõÃÇõÝÁ å¿ïù Çñ³Ï³ÝáõÃÇõÝ ÙÁ, áñ ³ÛÝù³Ý ó³õ³ÉÇ ÑÇÙ³Ý íñ³Û ﳷݳåÇÝ ÉáõÍáõÙ ÙÁ ¿ í»ñ³Ï³Ý·ÝÇÝ« ÇëÏ ·³ÕóϳÝÝ»ñÁ ¿ª ã»Ýù áõ½»ñ ³Û¹ áõÕÕáõû³Ùµ ݳÛÇÉ: ·ïÝ»Éáõ: å¿ïù ¿ í»ñ³¹³éÝ³Ý Çñ»Ýó µÝ³Ï³´³Ûó å¿ïù ¿ ݳÛÇÝù. ëïÇåáõ³Í §ØÇç³½·³ÛÇÝ ûñ¿ÝùÝ»ñáõ ѳٳ- í³Ûñ»ñÁ: »Ýù ݳۻÉáõ: å³ï³ë˳ÝáÕ ù³ÛÉ»ñáí »õ ÑÇÙݳËÝØÇõë ÏáÕÙ¿, ²½ñå¿Û×³Ý ¹ñ³Ï³Ý ¸³ñÓ»³É ÏñÏÝ»Ýù. ÇÝã ß³Ñ³Í Ï°ÁÉ- ¹ÇñÇÝ ³ñ¹Çõݳõ¿ï áõ ³ñ¹³ñ ÉáõÍáõÙ ÙÁ Ï»ñåáí ÏÁ Ùûï»Ý³Û Ô³ñ³µ³Õ»³Ý ɳÝù »Ã¿, í»ñ³åñáõÙÇ Ï³Ù Çñ³·áñ- ·ïÝ»Éáõ ѳٳñ« ϳñ»ÉÇ ¿ È»éݳÛÇÝ Ñ³Ï³Ù³ñïáõû³Ý ·ûïÇÇÝ Ù¿ç ¹ÇïáñÍáõÙÇ 100³Ù»³ÏÝ»ñ Ýß»Ýù, µ³Ûó г- Ô³ñ³µ³ÕÇÝ ïñ³Ù³¹ñ»É ݳËÏÇÝ¿Ý ¹³Ï³Ý ³é³ù»Éáõû³Ý ÁݹɳÛÝÙ³Ý í»Û³ëï³ÝÇ µÝ³ÏãáõÃÇõÝÁ ÏáñëÝóÝ»Ýù: ³õ»ÉÇ Áݹ³ñÓ³Ï ÇÝùݳí³ñáõÃÇõÝ ÙÁª ñ³µ»ñ»³É º²ÐÎ ØÇÝëÏÇ ËÙµ³ÏÇ Ñ³-

ä³ùáõ ä³ïñ³ëï ¾ Àݹ³ñÓ³Ï ÆÝùݳí³ñáõÃÇõÝ §î³Éáõ¦ ²ñó³ËÇÝ, гٳӳÛÝ ¿ ¸Çïáñ¹Ý»ñáõ ¸»ñÇ ÀݹɳÛÝÙ³Ý Ù³Ý³Ë³·³ÑÝ»ñáõ ³é³ç³ñÏÇÝ, Áëï ³ñï³ùÇÝ ·áñÍáó ݳ˳ñ³ñáõû³Ý ËûëÝ³Ï ÐÇùٻà г×Ç»õ£ Ødzųٳݳϫ ³Ý Áݹ·Í³Í ¿« áñ ³Û¹ §·áñÍÁÝóóÁ å¿ïù ¿ ÁÝÃ³Ý³Û Ô³ñ³µ³Õ»³Ý ѳϳٳñïáõû³Ý ϳñ·³õáñÙ³Ý áõÕÕáõ³Í µáí³Ý¹³Ï³ÛÇÝ »õ ³ßËáÛÅ µ³Ý³ÏóáõÃÇõÝÝ»ñáõÝ ½áõ·³Ñ»é¦: г×Ç»õ Ýß³Í ¿« áñ Õ³ñ³µ³Õ»³Ý ѳϳٳñïáõû³Ý ·ûïÇÇÝ Ù¿ç Ññ³¹³¹³ñÇ å³Ñå³ÝÙ³Ý Ñ³Ù³ñ å³ñµ»ñ³µ³ñ ÑëÏáÕáõÃÇõÝ Çñ³Ï³Ý³óÝáÕ ¹Çïáñ¹³Ï³Ý ³é³ù»Éáõû³Ý ÁݹɳÛÝÙ³Ý Ñ³ñóÁ ³Ûë ï³ñÇ ù³ÝÇ ÙÁ ³éÇÃÝ»ñáí ùÝݳñÏáõ³Í ¿£ ß³ñ. ï»ë ¿ç 4

2

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

îáõÝ»ñáõ »õ γÉáõ³ÍÝ»ñáõ ѳٳñ ¹ÇÙ»ó¿ù Ù»½

Serving our Community for 30 years

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

ÂàðàÜÂàÐ²Ú Îº²Üø

гٳ½·³ÛÇÝÇ §Ì³ÕÏáõÝù¦Á

§Ì³ÕÏ³Í ´³É»ÝǦ ÏÁ ϳï³ñ¿ ØÇÝ¿ ̳ïáõñ»³Ý« ³ÉÇÝ ²ñÃÇÝ»³Ý ¶ÁÉÁåá½»³ÝÇ« Time to say goodbye. ØÇÝ¿ ̳ïáõñ»³Ý »õ È»õáÝ Ø³ïdzݳ Âáñá뻳ÝÇ »õ гٳ½·³ÛÇÝÇ ¾ñ»µáõÝÇ å³ñ³ËáõÙµÇ ³ÕçÇÏÝ»ñáõ Ñ»ï: ¶³ñ³ÏÇõÉ¿»³Ý

سñ³ÃáõÏ

âÏ³Û ³ñųݳõáñ í»ñ»Éùª ³é³Ýó ïùݳç³Ý ³ß˳ï³ÝùÇ© »õ ³Û¹ ³ß˳ï³ÝùÁ ³õ»ÉÇ Ï'ÇÙ³ëï³õáñáõÇ« ³å³·³Û Û³çáÕáõÃÇõÝÝ»ñÁ ³õ»ÉÇ Ï'³Ùñ³åݹáõÇÝ Ù»ñ ѳõ³ù³Ï³Ý áÛÅáí« Çõñ³ù³ÝãÇõñë ÇñÁ ï³Éáí« µ³ÅÝ»ÏÇó ¹³ñÓÝ»Éáí áõñÇßÇÝ£ Æ í»ñçáÛª ¿ù¿»³ÝÇ ËáñÑáõñ¹ÇÝ Ñ³Ù³Ó³Ûݪ Ù»½Ç ÏÁ ÙÝ³Û ³ÛÝ ÇÝã áñ Ïáõ ï³Ýù áõñÇßÇÝ£ гٳ½·³ÛÇÝÇ ¶É³Óáñ Ù³ëݳ×ÇõÕÇ §Ì³ÕÏáõÝù¦ »ñ³Åßï³Ï³Ý »ñ»ÏáÝ« ÷á˳¹³ñÓ ëÇñáÛ« íëï³Ñáõû³Ý« Û³ñ·³ÝùÇ« µ³ñÓñ³óÇñ-µ³ñÓñ³óáõñÇ« ÙdzëÝ³Ï³Ý ×Ç·»ñáõ ïûݳËÙµáõÃÇõÝ ¿ñ£ ²ñÑ»ëï³í³ñÅ« ï³Õ³Ý¹³õáñ ³ñáõ»ëï³·¿ïÇÝ áõ Ýáñ³Ñ³ë« ËáëïÙݳÉÇó « Í³ÕÏáÕ »ñÇï³ë³ñ¹ÇÝ Ï³ÙñçáõÙÝ ¿ñ« ³ÙÇëÝ»ñáõª ÇëÏ áÙ³Ýó ѳٳñ ï³ñÇÝ»ñáõ ³ß˳ï³ÝùÇÝ ³ñ·³ëÇùÝ ¿ñ« гÛñ»ÝÇ îáõÝ ¿ñ« ̳ÕÏ³Í ´³É»ÝÇ ¿ñ« ë¿ñ áõ ˳ճÕáõÃÇõÝ ¿ñ« ·áÛ³ï»õáõÙ ¿ñ « ³Ýó»³É¿Ý ¹¿åÇ ³å³·³Û Ó·ïáÕ« ³ñÙ³ïÝ»ñ¿Ý ¹¿åÇ ë³Õ³ñÃÝ»ñ »ñϳñáÕ ÛáÛëÇ áõ ÉáÛëÇ ¹ñë»õáñáõÙ ¿ñ« áñáõÝ í³Û»Éùáí ç»ñÙ³ó³Ýù ïûÝ³Ï³Ý ûñ»ñáõ ë»ÙÇÝ« µáõù áõ µáñ³ÝÁ Ù¿Ï ¹Ç ¹Ý»Éáí£ Þ³µ³Ã« 16 ¸»Ïï»Ùµ»ñ« 2017© Ð³Û ºñÇï³ë³ñ¹³Ï³Ý λ¹ñáÝÇ §Ð³Ù³½·³ÛÇݦ óï»ñ³ëñ³ÑÁ É»óáõÝ ¿ Ñ³Û »õ ûï³ñ ѳݹÇë³ï»ëÝ»ñáí« áñáÝù Ñ»ï³ùñùñáõû³Ùµ ÏÁ ûñÃ»Ý ËݳÙùáí å³ïñ³ëïáõ³Í Û³Ûï³·ÇñÇÝ ¿ç»ñÁ© ¸³ë³Ï³Ý« ùݳñ³Ï³Ý« ÅáÕáíñ¹³Ï³Ý »ñ·»ñª ѳۻñ¿Ý« ³Ý·É»ñ¿Ý« ýñ³Ýë»ñ¿Ý« Çï³É»ñ¿Ý« éáõë»ñ¿Ý É»½áõÝ»ñáí« ¹³ßݳÙáõñÇ« ïáõïáõÏÇ« ù³ÝáÝÇ ÁÝÏ»ñ³Ïóáõû³Ùµ« ѳٻÙáõ³Íª ݳÛÇñ»³Ý Ñ»½³×ÏáõÝ ³ÕçÇÏÝ»ñáõ å³ñ»ñáí£ ²õ»Éáñ¹ ¿ Áë»É« ÿ áñù³Ý ѳñáõëï« µ³½Ù»ñ³Ý· »ñ»ÏáÛ ÙÁ Ù»½ ÏÁ ëå³ë¿£ ػݳϳï³ñÁª ßÝáñѳÉÇ ØÇÝ¿ ̳ïáõñ»³Ý« гٳ½·³ÛÇÝÇ §Ð³Û ²ëïÕ»ñ¦ Ù³Ýϳå³ï³Ý»Ï³Ý »ñ·ã³ËáõÙµÇÝ Ù¿ç ½³ñ·³óáõó³Í ¿ »ñ·³ñáõ»ëïÇ Ñ³Ý¹¿å ë¿ñÝ áõ Ñ»ï³ùñùñáõÃÇõÝÁ« Ù³ëݳÏó³Í ¿ Royal Conservatory of MusicÇ ÙñóáÛÃÝ»ñáõÝ ÷³ÛÉáõÝ ³ñ¹ÇõÝùÝ»ñáõ ѳëÝ»Éáí© Ó³Ûݳٳñ½áõû³Ý ÏÁ Ñ»ï»õÇ ËÙµ³í³ñ ÐéÇ÷ëÇÙ¿ Âáíٳ뻳ÝÇ Ùûï£ 12ñ¹ ¹³ë³ñ³ÝÇ ³ß³Ï»ñï ØÇÝ¿ ³ñ¹¿Ý ÇëÏ Ùñó³Ý³ÏÝ»ñáõ ³ñųݳó³Í »õ ù³ÝÇóë ǵñ ٻݳϳï³ñ µ»Ù µ³ñÓñ³ó³Í ¿£ ØÇÝ¿Ç åÇïÇ ÙÇ³Ý³Ý Ð³Ù³½·³ÛÇÝÇ §Ð³Û ²ëïÕ»ñ¦ »ñ·ã³ËáõÙµÇ Ù»Í»ñÁ« áñáÝù µ³½ÙÇóë Çñ»Ýó Ý»ñ¹³ßÝ³Ï Ï³ï³ñáÕáõû³Ùµ« ·»Õ»óÇÏ Ó³ÛÝ»ñáí ÑÙ³Û³Í »Ý Ù»½© ê»õ³Ï Ú³ñáõÃÇõÝ»³ÝÁ« áñ Çñ Û³ïáõÏ Ó³ÛÝáí ïå³õáñÇã Ù»Ïݳµ³ÝáõÃÇõÝÝ»ñáí ³ñųݳó³Í ¿ ѳݹÇë³ï»ëÇ µ³ñÓñ ·Ý³Ñ³ï³ÝùÇÝ© гɿåÇ ÍÝáõݹª È»õáÝ ¶³ñ³ÏÇõÉ¿»³ÝÁ« í»ñç»ñë ѳëï³ïáõ»ó³Í ¿ ÂáñáÝÃû »õ ³ñ¹¿Ý ÇëÏ ï³ñµ»ñ ³éÇÃÝ»ñáí Çñ ·»Õ»óÇÏ Ó³ÛÝáí ѳñëï³óáõó³Í Ù»ñ Ó»éݳñÏÝ»ñÁ£ Ú³Ûï³·ÇñÇÝ Çñ»Ýó Ù³ëݳÏóáõÃÇõÝÁ ÏÁ µ»ñ»Ý ù³Ýáݳѳñ سïdzݳ Âáñá뻳ÝÁ« áñáõÝ Ù»Ïݳµ³ÝáõÃÇõÝÝ»ñÁ í³Û»É³Í »Ýù Ù»ñ Ùß³ÏáõóÛÇÝ Ó»éݳñÏÝ»ñáõÝ ÁÝóóùÇÝ© Ù»ñ ½áõï ѳÛÏ³Ï³Ý ïáõïáõÏÁ ѳ½³ñ³Ù»³ÏÝ»-

ñáõ å³ïÙáõÃÇõÝ áõÝÇ »õ ³Ûëûñ Ýáñ ßáõÝã åÇïÇ ëï³Ý³Û ê»Ûñ³Ý Ô³½³ñ»³ÝÇ Ï³ï³ñáÕáõû³Ùµ© ³ñÑ»ëï³í³ñÅ ¹³ßݳϳѳñ ³ÉÇÝ ²ñÃÇÝ»³Ý ¶ÁÉÁåá½»³Ý« áñáõÝ Ù»Ý³Ñ³Ù»ñ·Ý»ñÝ áõ Ýáõ³·³ÏóáõÃÇõÝÝ»ñÁ í³Û»É³Í »Ýù ï³ñÇÝ»ñáõ ÁÝóóùÇÝ£ §Ì³ÕÏáõÝù¦ÇÝ Û³õ»É»³É µáõñÙáõÝù Ïáõ ï³Ý ³Ûë »ñ»ÏáÛ Ð³Ù³½·³ÛÇÝÇ §¾ñ»µáõÝǦ å³ñ³ËáõÙµÇ Ñ»½³×ÏáõÝ« Ù³ËÙáõñ ³ÕçÇÏÝ»ñÁ« µ»Ù³¹ñÇã »õ å³ñáõëáÛó ²ñ»õÇÏ Ø³ñïÇñá뻳ÝÇ Õ»Ï³í³ñáõû³Ùµ£ ´³Ëï³õáñáõÃÇõÝ ¿ Ù»ñ ÏáÕùÇÝ áõÝ»Ý³É Ð³Ù³½·³ÛÇÝÇ §Ð³Û ²ëïÕ»ñ¦ »õ §¶áõë³Ý¦ »ñ·ã³ËáõÙµ»ñáõ ï³ñÇÝ»ñáõ ï³Õ³Ý¹³õáñ ¹³ßݳϳѳñ áõ Ùß³Ï ì³ÝÇÏ ÚáíѳÝݿ뻳ÝÁ£ §Ì³ÕÏáõÝù¦Ç ջϳí³ñÝ áõ Ùï³ÛÕ³óáÕÁª ÐéÇ÷ëÇÙ¿ Âáíٳ뻳ݫ ï³ñÇÝ»ñáõ ï³Õ³Ý¹³õáñ« ³ñÑ»ëï³í³ñÅ ËÙµ³í³ñ »õ Ó³Ûݳٳñ½áÕ ¿« гٳ½·³ÛÇÝÇ §Ð³Û ²ëïÕ»ñ¦ »õ §¶áõë³Ý¦ »ñ·ã³ËáõÙµ»ñáõ ËÙµ³í³ñÁ£ úñáõ³Ý ѳݹÇë³í³ñª ³ٳñ îûݳå»ï»³Ý ¶áõ½áõ»³ÝÇ »ñÏÉ»½áõ« ѳٳå³ñ÷³Ï µ³óÙ³Ý Ëûëù¿Ý »ïù« ϳñÙÇñ« óõß»³Û í³ñ³·áÛñÁ ÏÁ µ³óáõÇ áõ »ïÇݪ µ»ÙÇÝ ËáñùÁ« »ñÏÇÝùÇ Ï³åáÛïÇÝ Ù¿ç« â³ñ»ÝóÇ Ï³Ù³ñÇÝ Ý»ñù»õ« ÉáõëÇÝÁ Çñ ÏÉáñ ¹¿ÙùÁ å³ñ½³Í« Ù»Í áõ ÷áùñ سëÇëÇÝ Ñ»ï ͳé»ñáõÝ Í³ÕÏáõÝùÁ Ï'³õ»ï¿ Û³ñ¹³ñáõÙÁ ²ñ÷Ç ¶³Ãñ×»³ÝÇ£ ̳÷»ñáõÝ Ñ»ï µ»Ù³Ñ³ñóÏÇÝ íñ³Û ÏÁ Û³é³ç³Ý³Ý ¹³ßݳϳѳñ ³ÉÇÝ ²ñÃÇÝ»³Ý ¶ÁÉÁåá½»³ÝÝ áõ ٻݳϳï³ñ ØÇÝ¿ ̳ïáõñ»³ÝÁ£ ²é³çÇÝ »ñÏáõ ϳñ× Ý»ñϳ۳óáõÙÝ»ñ¿Ý »ïù (vocalise)« Ï'³ÝóÝÇÝù Let there be peace on earth« Già La Notte S avvicina« Sometimes I feel like a motherless child« Old Irish blessing« Empty chairs at empty tables »ñ·»ñáõÝ« áñáÝù Çñ»ñ³Û³çáñ¹ Ï»ñåáí« ÇÝùݳíëï³Ñûñ¿Ý Ý»ñϳ۳óݻɿ Û»ïáÛ ¿çÁ ÏÁ ¹³ñÓÝ»Ýù ¹¿åÇ ß³ï»ñáõÝ ëÇñ»ÉǪ Ave MariaÝ£ ̳÷»ñÁ Çõñ³ù³ÝãÇõñ Ý»ñϳ۳óáõÙ¿ Û»ïáÛ ³õ»ÉÇ áõ ³õ»ÉÇ ÏÁ µ³ñÓñ³Ý³Ý£ ¸Åáõ³ñ ¿ ѳõ³ï³É« áñ Ù»ñ ³ãù»ñáõÝ ³éç»õ ϳݷÝáÕ »ñϳñ« ϳñÙÇñ ½·»ëïáí« Ñ³ëáõÝ« ·»Õ»óÇÏ Ó³ÛÝáí å³ñÙ³ÝáõÑÇÝ« »ñ¿Ïáõ³Ý §Ñ³Û ³ëïÕ¦ÇÏÝ ¿« ÝáÛÝÇÝùÝ ØÇÝ¿Ý£ §Ø³ËÙáõñ ³ÕçÇϦÁ Ýáñ ¿ç ÙÁ ÏÁ µ³Ý³Û »ñ»ÏáÛÇÝ Ù¿ç© ù³Ýáݳѳñ سïdzݳ Âáñá뻳ݫ ¹³ßݳϳѳñ ³ÉÇÝ ²ñÃÇÝ»³Ý ¶ÁÉÁåá½»³Ý« ٻݳϳï³ñ ØÇÝ¿ ̳ïáõñ»³ÝÝ áõ гٳ½·³ÛÇÝÇ ¾ñ»µáõÝÇ å³ñ³ËáõÙµÇ ³ÕçÇÏÝ»ñ¿Ýª ì³ÝÇ º³·áõ廳ÝÁ« سñdz سÝáõÏ»³ÝÝ áõ ȳݳ î¿ñ ä»ïñá뻳ÝÁª Çñ»Ýó »ñ³½³ÛÇÝ Ï³åáÛï ½·»ëïÝ»ñáí« ÑáÛ³Ï³å ³ÙµáÕçáõÃÇõÝ ÙÁ ÏÁ ëï»ÕÍ»Ý µ»ÙÇ íñ³Û£ ä³ñÇÝ µ»Ù³¹ñáõÃÇõÝÁª ²ñ»õÇÏ Ø³ñïÇñá뻳ÝÇ£ Îáõ ·³Û Û³çáñ¹»É ëñï³×ÙÉÇÏ îÉ¿ º³Ù³ÝÁ« ïáõïáõÏÇ ÁÝÏ»ñ³Ïóáõû³Ùµ ê»Ûñ³Ý Ô³½³ñ»³ÝÇ£ ØÇÝ¿Ç áõ ê»Ûñ³ÝÇ Ñ³ñ³½³ïáõ ѳٻñ³ßË Ù»Ïݳµ³ÝáõÃÇõÝÁ å³Ñ ÙÁ ÙáéóÝ»É Ïáõ ï³Û« ÿ Ù»ñ ³ãù»ñáõÝ ¹ÇÙ³ó ϳݷÝáÕÝ»ñÁ ï³Ï³õÇÝ ã»Ý ûõ³ÏáË³Í »ñÇï³ë³ñ¹áõû³Ý ï³ñÇùÁ£

3

Èáõë³ÝϳñÝ»ñÁª Ú. ¶áõ½áõ»³ÝÇ

§àñï»Õ ·ïݻ٠ù»½¦. ê»õ³Ï Ú³ñáõÃÇõÝ»³Ý

ÊÙµ³í³ñ ÐéÇ÷ëÇÙ¿ Âáíٳ뻳Ý, ØÇÝ¿ ̳ïáõñ»³Ý, ¹³ßݳϳѳñÝ»ñª ì³ÝÇÏ ÐáíѳÝÝÇë»³Ý »õ ³ÉÇÝ ²ñÃÇÝ»³Ý Ï°ÁݹáõÝÇÝ Í³ÕÏ»÷áõÝç»ñª Û»ï ѳٻñ·:

§Ì³ÕÏ³Í µ³É»ÝÇ¦Ý íñ³Û ÏÁ ѳëÝÇ© ù³ÝáÝ« ¹³ßݳÙáõñ« »ñ· áõ å³ñ ÏÁ ËÉ»Ý µáÉáñÇë áñáïÁݹáëï ͳ÷»ñÁ£ سïdzݳݫ ³ÉÇÝÁ« ØÇÝ¿Ý »õ ¾ñ»µáõÝÇ å³ñ³ËáõÙµ¿Ý ȳݳ î¿ñ ä»ïñá뻳ÝÁ« ²ïñÇÝ¿ ²ñÃÇÝÁ« ¾ÙÙ³ Ôáõå³Ã»³ÝÁ« ì³ÝÇ º³·áõ廳ÝÁ« سñdz سÝáõÏ»³ÝÝ áõ ´»ñɳ ´áõßٳݻ³ÝÁ í³ñ¹³·áÛÝ« ͳÕϳõáñ ½·»ëïÝ»ñáí« ùÝùáÛß« Ñ»½³ë³Ñ å³ñáí (µ»Ù³¹ñáõÃÇõݪ ²ñ»õÇÏ Ø³ñïÇñá뻳ÝÇ) Û³Ûï³·ÇñÇ ³é³çÇÝ µ³ÅÇÝÁ ÏÁ ѳëóÝ»Ý Çñ å³ÝͳÉÇ ³õ³ñïÇÝ£ гݹÇë³ï»ëÁ ãÛ³·»ó³Íª ³Ýѳٵ»ñ ÏÁ ëå³ë¿ »ñÏñáñ¹ µ³ÅÇÝÇÝ£ §ÆÙ ³Ýáõߦ ѳÛñ»ÝÇù¦Á ÏÁ ·ñ³õ¿ Ù»ñ Ñá·ÇÝ»ñÁ£ ¸³ßݳÙáõñÇ íñ³Û ¿ ì³ÝÇÏ ÚáíѳÝݿ뻳ÝÁ« ØÇÝ¿Ç Ï'ÁÝÏ»ñ³ÏóÇ Ð³Ù³½·³ÛÇÝÇ §Ð³Û ²ëïÕ»ñ¦áõ ٻͻñáõ ËáõÙµÁ£ ´³ñÓñáñ³Ï Ù»Ïݳµ³ÝáõÃÇõÝ« Çñ³ñáõ ³ÙµáÕç³óÝáÕ Ó³ÛÝ»ñ Ù»½ Ûáõ½áõÙݳÉÇó §ä³ïñ³ÝùÇ Ã»õáí¦ ÏÁ ÷á˳¹ñ»Ý Ùûñ ·ÇñÏÁ áõ ³å³ª §îáõÝ Ç٠ѳÛñ»ÝǦ£ ÐdzóÙáõÝùÇ Ù»Í³·áÛÝ ³å³óáÛóÁª ѳݹÇë³ï»ëÇÝ Ã³ó ³ãù»ñÁ áõ ëñ³ÑÁ Ãݹ³óÝáÕ Í³÷»ñÝ »Ý£ âÙáéݳÝù Ý߻ɫ áñ »ñ·ã³ËáõÙµÇ µ³ÅÇÝÝ»ñáõ Ùß³ÏáõÙÇÝ Ù¿ç Çñ ϳñ»õáñ Ý»ñ¹ñáõÙÁ áõÝÇ ì³ÝÇÏ ÚáíѳÝݿ뻳ÝÁ£ ºûóݳëáõݳϳÝÝ»ñáõ I will survive-Á ï³ñµ»ñ ÙÃÝáÉáñïÇ Ù¿ç ÏÁ ¹Ý¿ Ù»½£ ¸³ßݳÙáõñÇ íñ³Û ¿ ÐéÇ÷ëÇÙ¿ Âáíٳ뻳ݫ ØÇÝ¿ Çñ ³ß˳ñÑÇÝ Ù¿ç ¿£ ØÇÝ¿Ç »õ ê»õ³Ï Ú³ñáõÃÇõÝ»³ÝÇ ½áõ·»ñ·Áª §¾É»·Ç³¦Ýª ¹³ßݳϳѳñ ì³ÝÇÏ ÚáíݳÝݿ뻳ÝÇ ÁÝÏ»ñ³Ïóáõû³Ùµ« ³ÛÝù³Ý Ñ᷻ѳñ³½³ï áõ ³Ýå³×áÛ× ¿£ ¸³ñÓ»³É ÏÁ í»ñ³¹³éݳÝù »ûóݳëáõݳϳÝÝ»ñáõÝ« ³Ûë ³Ý·³Ù ABBAÇ Winner takes it all-Á ÏÁ ÑÝã¿« ϳï³ñáÕáõû³Ùµ ØÇÝ¿ ̳ïáõñ»³ÝÇ« ì³ÝÇÏ ÚáíѳÝݿ뻳ÝÇ ÁÝÏ»ñ³Ïóáõû³Ùµ£ È»õáÝ ¶³ñ³ÏÇõÉ¿»³ÝÝ ¿ ØÇÝ¿Ç ÁÝÏ»ñ³ÏóáÕÁ« What a wonderful world Ñéã³Ï³õáñ »ñ·ÇÝ Ù¿ç£ È»õáÝÝ áõ ØÇÝ¿Ý Çñ»Ýó ïå³õáñÇã ½áõ·»ñ·áíÛ³çáÕ³Í »Ý Ññ³ß³ÉÇ ³ß˳ñÑ ÷á˳¹ñ»É ѳݹÇë³ï»ëÁ£ §àñï»Õ ·ïݻ٠ù»½¦ÇÝ ¹³ñÓ»³É ³éÇÃÁ Ï'áõݻݳÝù í³Û»É»Éáõ ê»-

õ³Ï Ú³ñáõÃÇõÝ»³ÝÇ Ó³ÛÝÁ© ê»õ³Ï »õ ØÇÝ¿ ³Ûë »ñ·ÇÝ Ïáõ ï³Ý Ýáñ ³õÇõÝ£ Padonne-Moi« Maybe I maybe you« Love is like a dream ýñ³Ýë»ñ¿Ý« ³Ý·É»ñ¿Ý »õ éáõë»ñ¿Ý »ñ·»ñáõÝ Ù»Ïݳµ³ÝÝ ¿ ØÇÝ¿ ̳ïáõñ»³ÝÁ© »ñ·»ñáõÝ ³Ûɳ½³ÝáõÃÇõÝÁ ½·³ÉÇ ¿£ ²ÙÇñ˳ݻ³ÝÇ §ø»½ Ñ»ï ÇÙ ë¿ñ¦ÇÝ« ØÇÝ¿Ç Ï'ÁÝÏ»ñ³ÏóÇÝ ¸áõÇÝ ¶³Ãñ×»³ÝÝ áõ ²ÉÃÇݳ º³ÉïÁ½×»³ÝÁ ¹³ñÓ»³É« Ùß³ÏáõÙÇÝ Ù¿ç Çñ Ý»ñ¹ñáõÙÁ áõÝÇ ì³ÝÇÏ ÚáíѳÝݿ뻳ÝÁ£ ØÇÝ¿ Ëûëù Ï'³éÝ¿ ßÝáñѳϳÉáõÃÇõÝ Û³ÛïÝ»Éáí гٳ½·³ÛÇÝÇÝ« Çñ áõëáõóÇãÝ»ñáõÝ« Ó³Ûݳٳñ½áõû³Ý áõëáõóÇã ËÙµ³í³ñ ÐéÇ÷ëÇÙ¿ Âáíٳ뻳ÝÇÝ »õ µáÉáñ ³ÝáÝó áñáÝù Ý»óáõÏ Ï³Ý·Ý³Í »Ý Çñ»Ý£ Con te partirò (Time to Say Goodbye)ÇÝ ØÇÝ¿ Çñ »Ã»ñ³ÛÇÝ ·áÛÝ»ñáí ßù»Õ ½·»ëïáí« È»õáÝ ¶³ñ³ÏÇõÉ¿»³ÝÇ Ñ»ï ëÇñáÛ ½·³óáõÙÝ»ñáõ ï³ñ³÷ ÙÁ ÏÁ ëï»ÕÍ»Ý µ»ÙÇ íñ³Û£ §²åñ»¯É« ²åñ»¯É« ³ÛÝå¿ë ³åñ»É áñ áõñÇßÇ ËݹáõÃÇõÝë Ëݹ³ë« áõñÇßÇ óÝÍáõÃÇõÝáí ÇÝù¹ ¿É óÝÍ³ë« ÇÝù¹ ¿É Ãݹ³ë®£ ²åñǯ Ù»ñ ̳ÕÏáõÝùÁ®¦£ ÞÝáñÑ³Ï³É³Ï³Ý Ñ³ÏÇñ× ËûëùÇÝ Ù¿ç« Â³Ù³ñ îûݳå»ï»³Ý ¶áõ½áõ»³Ý ÏÁ Ýß¿ µáÉáñ Ù³ëݳÏóáÕÝ»ñÁ« ³é³õ»Éª »ñ³ÅÇßï ʳãÇÏ ´³µ³Û»³ÝÁ« ·É˳õáñ ÝáõÇñ³ïáõ È»õÇÏ »õ ê»õ³Ý³ سûõá뻳ÝÝ»ñÁ« ê³Ùáõ¿É »õ ÈÇÉÇà ޳Ñå³½»³ÝÝ»ñÁ« µáÉáñ ÝÇõóå¿ë »õ µ³ñáÛ³å¿ë ûųݹ³ÏáÕÝ»ñÁ« ØÇÝ¿Ç ÍÝáÕùÁª ì³Ñ¿ »õ ²Ý³µ»É ̳ïáõñ»³ÝÝ»ñÁ« »ñ·ã³ËáõÙµÇ í³ñã³Ï³Ý ϳå ÈáñÇÏ ¶³Ãñ×»³ÝÁ£ ´áÉáñÁ µ»ÙÇ íñ³Û »Ý« í»ñçÇÝ »ñ·Áª Happy Christmas© Let it be a good one« without any fear© ̳ÕÏ»÷áõÝç»ñáõ ïáõãáõû³Ý Å³Ù³Ý³Ï Í³÷»ñÁ ÏÁ ß³ñáõݳÏáõÇÝ »ñϳñ© ßÝáñѳõáñ³ÝùÇ Ëûëù»ñÁ« Ûáõ½Çã áÕç³·áõñáõÙÝ»ñÁ« Ï'»ñϳñÇÝ ·áõݳõáñ ËÙÇãùÝ»ñáõ áõ ÙÇñ·»ñáõ ×áË ë»Õ³ÝÇÝ ßáõñç£ §Ì³ÕÏáõÝù¦ÇÝ Áݹٿç¿Ý Ýáñ ûõ»ñ ³éÝ»Éáíª Ð³Û³ëï³ÝÇ Ð³Ýñ³å»ïáõû³Ý 100³Ù»³ÏÝ áõ гٳ½·³ÛÇÝÇ ÑÇÙݳ¹ñáõû³Ý 90³Ù»³ÏÁ ÏÁ ¹ÇÙ³õáñ»Ýù í³é ÛáÛë»ñáí« ß³ñáõݳϻÉáõ ³ÛÝ ÇÝã áñ Ù»½Ç íëï³Ñáõ³Í ¿` ïûݳËÙµ»É« í³é å³Ñ»É Ù»ñ Ùß³ÏáÛÃÁ »õ Ý»ñßÝã»É Ù»ñ Ýáñ³Ñ³ë ë»ñáõݹÁ ¹¿åÇ Éáõë³õáñ ³å³·³Û£

4

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

ÂàðàÜÂàÐ²Ú Îº²Üø

§Hidden Treasure¦. î³Õ³Ý¹³õáñ æáõóϳѳñª ÜáõÝ¿ Ø»ÉÇùÇ ºÉáÛÃÁ ÂáñáÝÃáÛÇ Ø¿ç Þ³ï»ñáõ ͳÝûà ¿ çáõóϳѳñ ÜáõÝ¿ Ø»ÉÇùÇ ³ÝáõÝÁ« гÛáó ò»Õ³ëå³Ýáõû³Ý 100³Ù»³ÏÇÝ« Çñ Ý»ñϳÛáõÃÇõÝÁ í³Û»É»óÇÝù ÂáñáÝÃáÛÇ Ford Centre-ÇÝ Ù¿ç ϳ۳ó³Í Ýáõ³·³Ñ³Ý¹¿ëÇÝ« ÜáõñÑ³Ý ²ñÙ³ÝÇ Õ»Ï³í³ñáõû³Ùµ£ ²Ý µ³½Ù³ÃÇõ ÙÇç³½·³ÛÇÝ µ»Ù»ñ¿ ѳݹ¿ë »Ï³Í ¿« ÙÇßï ÑÙ³Û»Éáí ѳݹÇë³ï»ëÁ£ ´³½Ù³ÃÇõ ÛÇß³ñÅ³Ý Ùñó³Ý³ÏÝ»ñáõ ³ñųݳó³Íª êÇå»ñÇáÛ Ù¿ç ÍÝ³Í ÜáõÝ¿ Ø»ÉÇùÁ íϳÛáõ³Í ¿ ØáëÏáõ³ÛÇ å»ï³Ï³Ý »ñ³Åßï³Ýáó¿Ý« ³å³ ØáÝÃñ¿³ÉÇ Ñ³Ù³Éë³ñ³ÝÇÝ Ù¿ç »ñ³Åßïáõû³Ý Ù³ñ½ÇÝ Ñ»ï»õ»É¿ »ïù« ·»ñ³½³Ýóáõû³Ùµ ïÇñ³ó³Í ¿ Ù³·Çëïñáë ÏáãáõÙÇÝ: àõëÙ³Ý Û³çáñ¹ ѳݷñáõ³ÝÁ ïáùÃáñ³ÛÇ ÏáãáõÙÝ ¿« áñáõÝ ¹³ëÁÝóóùÇÝ ³Ý ÏÁ Ñ»ï»õÇ ³ÛÅÙ« ǵñ ³ß˳ïáõû³Ý ÝÇõà áõݻݳÉáí ѳÝñ³×³Ý³ã ²éÝû ´³µ³ç³Ý»³ÝÇ ëï»Õͳ·áñÍáõÃÇõÝÝ»ñÁ£ ÜáõÝ¿ ÏÁ Ó·ïÇ Ñ³Û ¹³ë³Ï³Ý »ñ³ÅßïáõÃÇõÝÁ ûï³ñÇÝ Í³Ýûóóݻɩ ³Û¹ Ýå³ï³Ïáí ¿ñ« áñ í»ñç»ñë ³Ý Ññ³å³ñ³Ï»ó Hidden Treasure Ëï³ë³ÉÇÏÁ« áñáõÝ ÃáÕ³ñÏÙ³Ý ³éÇÃáí« Ð³Ù³½·³ÛÇÝÇ Ññ³õ¿ñáí ³Ý ³Ûó»É»ó ÂáñáÝÃû: ºÉáÛà ÙÁ ϳ½Ù³Ï»ñå»Éáõ ÙÇ³Ï Û³ñÙ³ñ Ãáõ³Ï³ÝÁ ß³µÃáõ³Ý Ù¿ç âáñ»ùß³µÃÇ ¸»Ïï»Ùµ»ñ 6Ç »ñ»ÏáÝ ¿ñ« ·³ÕáõÃÇë« ÇÝãå¿ë ݳ»õ ÜáõÝ¿Ç µ³½Ù³½µ³Õáõû³Ý å³ï׳éáí: Ð³Û ºñÇï³ë³ñ¹³Ï³Ý λ¹ñáÝÇ §Ð³Ù³½·³ÛÇݦ óï»ñ³ëñ³ÑÇÝ Ù¿ç ѳõ³ùáõ³Í

Èáõë³ÝϳñÝ»ñÁª Ú. ¶áõ½áõ»³ÝÇ ÜáõÝ¿ Ø»ÉÇù

ØÇß¿É ²É»ùë³Ýïñ äñáù³ñ

¿ÇÝ Ñ³Û ¹³ë³Ï³Ý »ñ³ÅßïáõÃÇõÝÁ ·Ý³Ñ³ïáÕ ³ÝѳïÝ»ñ« áñáÝù ѳ×áÛùÁ áõÝ»-ó³Ý ³Ûë ï³Õ³Ý¹³õáñ ѳÛáõÑÇÇÝ ·ñ³õÇã Ý»ñϳÛáõÃÇõÝÁ í³Û»É»Éáõ£ ÜáõÝ¿Ç ÏÁ Ùdzݳñ ¹³ßݳϳѳñ ¹áÏï© ØÇᯐ ²É»ùë³Ý¹ñ äñáù³ñÁ© »ñÏáõùÇÝ Ý»ñ¹³ßݳϫ Ýáõñµ áõ µ³ñÓñáñ³Ï Ù»Ïݳµ³ÝáõÃÇõÝÝ»ñÁ ٻͳå¿ë ïå³õáñ»óÇÝ ÝáÛÝÇëÏ ³Ù»Ý¿Ý µÍ³ËݹÇñ Ý»ñϳݻñÁ£ Ü»ñϳ۳óáõ³Í Û³Ûï³·ÇñÁ ËݳÙùáí å³ïñ³ëïáõ³Í ¿ñ© ´³µ³ç³Ý»³Ý« ʳã³ïáõñ»³Ý« ÎáÙÇï³ë« 굻ݹ»³ñ»³Ý »õ³ÛÉÝ: Ð³Û ¹³ë³Ï³Ý »ñ³ÅßïáõÃÇõÝÁ ûï³ñÇÝ Í³ÝûóóÝ»Éáõ ÙÇïáõ-

Ùáí ¿, áñ ÜáõÝ¿ Çõñ³ù³ÝãÇõñ Ïïáñ¿ ³é³ç ѳÏÇñ× µ³ó³ïñáõÃÇõÝÝ»ñ ÷á˳Ýó»ó© µ³ó³ïñáõÃÇõÝÝ»ñÁª ÝáÛÝÇëÏ Ñ³Û áõÝÏݹÇñÝ»ñáõÝ Ñ³Ù³ñ« ã³÷³½³Ýó ¹³ëïdzñ³ÏÇã »õ Ñ»ï³ùñùñ³Ï³Ý ¿ÇÝ: Üß»Ýù áñ ÜáõÝ¿ ÏÁ Ýáõ³·¿ 1750 Ãáõ³Ï³ÝÇ Carlo Ferdinando Landolfi ÏÝÇùÁ ÏñáÕ çáõóÏÇ íñ³Û« áñáõÝ ³ñųݳó³Í ¿ Canada Council for the Arts-Ç ÏáÕÙ¿£ ÜáõÝ¿Ç ï³Õ³Ý¹ÇÝ Ñ³Ù³å³ñ÷³Ïûñ¿Ý ͳÝûÃ³Ý³É Ï³ñ»ÉÇ ¿ ÙdzÛÝ Ý»ñÏ³Û ÁÉɳÉáí Çñ ѳٻñ·Ý»ñáõÝ« ÁÙµáßËÝ»Éáí Çñ çáõóϳѳñÇ ÑÙïáõÃÇõÝÁ »õ ³Ûë ³ñáõ»ëïÇÝ Çñ µ³ó³ñÓ³Ï ïÇñ³å»ïáõÃÇõÝÁ:

Ü»ñϳݻñÁ Ó»éݳñÏÇ ³õ³ñïÇÝ ³éÇÃÁ áõÝ»ó³Ý ³ÝÓݳå¿ë ͳÝûóݳÉáõ ÜáõÝ¿ÇÝ © ÜáõÝ¿ »õ ØÇß¿É-²É»ùë³Ý¹ñ ëÇñáí ٳϳ·ñ»óÇÝ Ëï³ë³ÉÇÏ¿Ý ûñÇݳÏÝ»ñ£ Î'³ñÅ¿ ݳ»õ ÛÇᯐ áñ ÜáõÝ¿ áã ÙdzÛÝ ï³Õ³Ý¹³õáñ çáõóϳѳñ ¿ ³ÛÉ Ý³»õ ³ñ¹¿Ý Ññ³ï³ñ³Ï³Í ¿ µ³Ý³ëï»ÕÍáõû³Ý ѳïáñ ÙÁ éáõë»ñ¿Ýáí áñ ݳ»õ óñ·Ù³Ýáõ³Í ¿ ѳۻñ¿ÝÇ« ³Ý·É»ñ¿ÝÇ »õ ýñ³Ýë»ñ¿ÝÇ£ ÜáõÝ¿ Ø»ÉÇùÇ Û³çáÕáõÃÇõÝÝ»ñáõÝ Ï³ñ»ÉÇ ¿ Ñ»ï»õÇÉ ³éó³Ýó« ³Ûó»É»Éáí Çñ ϳÛù¿çÁ ϳ٠YouTubeÇ ÙÇçáóáí£

гٳ½·³ÛÇÝÇ ¶ñ³ë¿ñÝ»ñáõ ÊÙµ³ÏÇ Ñ³õ³ù - гٳëï»Õ Ú³ëÙÇÏ ä³å»³Ý

ÎÇñ³ÏÇ« 4 ¸»Ïï»Ùµ»ñ« 2017Ç Û»ïÙÇçûñ¿ÇÝ« гٳ½·³ÛÇÝ Ð³Û ÎñÃ³Ï³Ý »õ Øß³ÏáõóÛÇÝ ØÇáõû³Ý ¶É³Óáñ Ù³ëݳ×ÇõÕÇ ·ñ³Ï³Ý Û³ÝÓݳËáõÙµÇ Ï³½Ù³Ï»ñåáõû³Ùµ« ϳï³ñáõ»ó³õ ³ñ¹¿Ý ÇëÏ í»ñçÇÝ ï³ñÇÝ»ñáõÝ ³õ³Ý¹áõÃÇõÝ ¹³ñÓ³Í ·ñ³ë¿ñÝ»ñáõ ѳõ³ùÝ»ñ¿Ý ³é³çÇÝÁª í»ñ³Ýáñá·áõ³Í §Ú³ñáõÃÇõÝ Ø³ÝáõÏ»³Ý¦ ·ñ³¹³ñ³ÝÇÝ Ù¿ç£ ¶ñ³Ï³Ý ¹¿ÙùÁ гٳëï»ÕÝ ¿ñ, ÇëÏ Ý»ñϳ۳óÝáÕÁª ·ñ³ë¿ñÝ»ñáõ ËÙµ³ÏÇ »ñÇï³ë³ñ¹ ³Ý¹³ÙÝ»ñ¿Ýª ²ñï³ î¿ñ Ú³Ïáµ»³ÝÁ£ ´³óÙ³Ý »õ µ³ñÇ ·³ÉáõëïÇ Ëûëùáí ѳݹ¿ë »Ï³õ ¶É³Óáñ Ù³ëݳ×ÇõÕÇ í³ñã³Ï³Ý »õ ·ñ³Ï³Ý Û³ÝÓݳËáõÙµÇ ³Ý¹³Ùª ì³ñ³· ä³å»³Ý: ¶Ý³Ñ³ï»Éáí

·ñ³ë¿ñ ѳë³ñ³Ïáõû³Ý Ý»ñϳÛáõÃÇõÝÁ« ³Ý Û³ÛïÝ»ó áñ ÝÙ³Ý Ó»éݳñÏÝ»ñáí« Ð³Ù³½·³ÛÇÝÁ ÏÁ ß³ñáõݳϿ í³é å³Ñ»É Ù»ñ Ùß³ÏáÛÃÇ Ï³ÝûÕÁ« ³å³ ë»ÕÙ ·ÇÍ»ñáõ Ù¿ç« Ý»ñϳ۳óáõó гɿå Íݳͫ ø³ñ¿Ý º÷÷¿ ×»Ù³ñ³Ý¿Ý »õ ³å³ гɿåÇ ä»ï³Ï³Ý ѳٳÉë³ñ³Ý¿Ý biotechnology ×ÇõÕÁ ³õ³ñï³Íª ²ñï³ î¿ñ Ú³Ïáµ»³ÝÁ« áñ Ý»ñϳÛÇë ÂáñáÝÃû ѳëï³ïáõ³Í ¿ »õ Ù³ë ÏÁ ϳ½Ù¿ гٳ½·³ÛÇÝÇ Ù»Í ÁÝï³ÝÇùÇÝ£ ²ñï³Ý ëå³éÇã »õ µÍ³ËݹÇñ å³ïñ³ëïáõû³Ùµ Ù»½ ÷á˳¹ñ»ó ʳñµ»ñ¹Ç ö¿ñã¿Ý× ·ÇõÕÁ« áõñ 1895ÇÝ« ÍÝ³Í ¿ñ ·ÇõÕ³·ñ³Ï³Ý ë»éÇÝ ³Ù»Ý¿Ý ï³Õ³Ý¹³õáñ Ñ³Û ·ñ³·¿ïÝ»ñ¿Ýª гٳëï»Õ« ³õ³½³ÝÇ ³ÝáõÝáí гٵ³ñÓáõ٠οɿݻ³Ý£ ²Ý Ûëï³Ï ³éᷳϳÝáõû³Ùµ, ³Ýë»Ã»õ»Ã ѳۻñ¿Ýáí

ä³ùáõ ä³ïñ³ëï ... ß³ñ. ². ¿ç¿Ý ÆÝãå¿ë Ýß³Í ¿ÇÝù« ¸»Ïï»Ùµ»ñ 25ÇÝ« èáõëÇáÛ ³ñï³ùÇÝ ·áñÍáó ݳ˳ñ³ñÇ ï»Õ³Ï³É ÎñÇÏáñÇ ø³ñ³ëÇÝ Áë³Í ¿ñ« áñ ѳϳٳñïáÕ ÏáÕÙ»ñáõÝ ÷á˳Ýóáõ³Í »Ý º²ÐÎÇ ¹Çïáñ¹³Ï³Ý ³é³ù»Éáõû³Ý ÁݹɳÛÝÙ³Ý Ñ»ï ϳåáõ³Í Ûëï³Ï ³é³ç³ñÏÝ»ñ: Ü»ñϳÛÇë« º²ÐÎ ¹Çïáñ¹³Ï³Ý ³é³ù»ÉáõÃÇõÝÁ µ³Õϳó³Í ¿ 6 Ñá·Ç¿: ²é³ù»Éáõû³Ý ÁݹɳÛÝÙ³Ý Ù³ëÇÝ Ñ³Ù³Ó³ÛÝáõÃÇõÝ Ó»éù µ»ñáõ³Í ¿ñ 2016Ç ²åñÇÉ»³Ý å³ï»ñ³½Ù¿Ý »ïù« ìÇ»ÝݳÛÇ »õ ê© ö»Ã»ñ½åáõñÏÇ Ù¿ç ϳ۳ó³Í г۳ëï³ÝÇ »õ ²½ñå¿Û׳ÝÇ Ý³Ë³·³ÑÝ»ñáõ ѳݹÇåáõÙÝ»ñáõÝ ÁÝóóùÇÝ« ë³Ï³ÛÝ ó³ñ¹ å³ßïûÝ³Ï³Ý ä³ùáõÝ Ëáõë³÷³Í ¿ ³Û¹ ù³ÛÉÇÝ Çñ³Ï³Ý³óÙ³Ý Ù³ëÇÝ áñ»õ¿ Û³Ûï³ñ³ñáõÃÇõÝ Ï³ï³ñ»É¿:

²ñï³ î¿ñ Ú³Ïáµ»³Ý

Join us

www.facebook/ Torontohye newspaper

Ý»ñϳ۳óáõó гٳëï»ÕÇ Ï»³ÝùÝ áõ ·áñÍ»ñÁ« ³é³õ»É³µ³ñ ͳÝñ³Ý³Éáí гٳëï»ÕÇ »õ ³ÛÉ Ùï³õáñ³Ï³ÝÝ»ñáõª ÇÝãå¿ë ÜÇÏáÉ ²Õµ³É»³ÝÇ« êÇÙáÝ ìñ³ó»³ÝÇ« ²ñ³Ù гÛϳ½Ç« Ú© ʳßٳݻ³ÝÇ« ²õ© Æë³Ñ³Ï»³ÝÇ »õ áõñÇßÝ»ñáõ Ñ»ï »Õ³Í Ý³Ù³Ï³·ñáõÃÇõÝÝ»ñáõÝ« áñáÝù Ñ»ï³ùñùñáõû³Ùµ áõÝÏݹñáõ»ó³Ý Ý»ñϳݻñáõÝ ÏáÕÙ¿£ ÐúØÇ ¶áÉáÉ»³Ý ݳ˳Ïñóñ³ÝÇ áõûñáñ¹ ϳñ·Ç ³ß³Ï»ñïÝ»ñ¿Ýª ¾Éǽ ¶³Ýï³Ñ³ñ»³Ý (гÛáõ á·ÇÝ) »õ ì³ñ³· Ø»ëñáå»³Ý (γåáÛï áõÉáõÝù) ÁÝûñóáõÙÝ»ñáí Ý»ñϳݻñáõÝ ·Ý³Ñ³ï³ÝùÇÝ ³ñųݳó³Ý£ ì³ñ³· ä³å»³Ý ÁÝûñó»ó ÜÇÏáÉ ²Õµ³É»³ÝÇ Ý³Ù³ÏÁ« ·ñáõ³Í 193-ÇÝ »õ áõÕÕáõ³Í

гٳëï»ÕÇÝ« Çñ Ñûñ Ù³Ñáõ³Ý ³éÃÇõ£ Ò»éݳñÏÇ í»ñç³õáñáõû³Ý« ä³å»³Ý í³ñãáõû³Ý ÏáÕÙ¿« ²µ¿É íñ¹© úÕÉáõ·»³ÝǪ §¶ñ³Ï³Ý Ýß˳ñù ÎáÙÇï³ë ì³ñ¹³å»ïÇ µ»ÕáõÝ ·ñã¿Ý¦ »õ гٳëï»ÕǪ §¶ÇõÕÁ¦« §²ÝÓñ»õ¦ ·Çñù»ñÁ áñå¿ë Ûáõß³Ýáõ¿ñ Û³ÝÓÝ»ó гٳëï»ÕÁ Ý»ñϳ۳óÝáÕ ²ñï³ÛÇÝ »õ ÁÝûñóáÕÝ»ñáõÝ« áñÙ¿ »ïù Ý»ñϳݻñÁ ÑÇõñ³ëÇñáõ»ó³Ý ëáõñ×áí »õ µÉÇÃÝ»ñáí£ ¸»Ïï»Ùµ»ñ ³Ùëáõ³Û ÎÇñ³ÏÇ ûñáõ³Ý ³Ûë Û»ïÙÇçûñ¿ÇÝ« ʳñµ»ñ¹¿Ý ѳ½³ñ³õáñ ÙÕáÝÝ»ñ Ñ»éáõª ÂáñáÝÃáÛÇ ³Ûë ѳ۳µáÛñ §áí³ëÇëÇݦ Ù¿ç« ²ñï³Ý Û³çáÕ»ó³õ ö¿ñã¿Ý× ·ÇõÕÇ ç»ñÙáõû³Ùµ í³ñ³Ï»É Ù»½ »õ ËÝϳñϻɪ гٳëï»ÕÇ ³ÝÙ³ñ ÛÇß³ï³ÏÇÝ£

5 гٳ½·³ÛÇÝÇ Ú© سÝáõÏ»³Ý ¶áñÍáõÝ»³Û ¶ñ³¹³ñ³Ý-¶ñ³ï³ñ³ÍÁ ÂàðàÜÂàÐ²Ú Îº²Üø

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

²ñßû ¼³ù³ñ»³Ý

-ØáÉáñ³ÏÝ»ñáõ Ù³ëÇÝ ·Çñù áõÝDZù« ÏÁ ѳñóÝ¿ 4ñ¹ ϳñ·¿Ý í³éíéáõÝ ³ãù»ñáí ³ß³Ï»ñï ÙÁ£ -º·Çåïáë¿Ý« ²É»ùë³Ý¹ñ ê³ñáõ˳ÝÁ ÏÁ ׳Ýãݳ±ù« ѳñó Ïáõï³Û ³ß³Ï»ñïáõÑÇ ÙÁª ½³ñÙ³óÝ»Éáí ·ñ³¹³ñ³ÝÇ å³ï³ë˳ݳïáõÝ£ -Þ¿ùë÷ÇñÇ Ð³Û»ñ¿Ý ·Çñù»ñÁ áõ±ñ ¹ñ³Í ¿ù« ÏÁ ѳñóÝ¿ 5ñ¹ ϳñ·¿Ý áõñÇß ÙÁ£ -êáõñµ ¶Çñù »õ ³ÕûÃùÇ ·Çñù»ñ áõÝDZù« ѳñó Ïáõï³Û ɳõ³ï»Õ»³Ï ³ß³Ï»ñïáõÑÇ ÙÁ£ ²Ûë Ñ»ï³ùñùñ³Ï³Ý ѳñóáõÙÝ»ñÁ Ï'áõÕÕáõÇÝ ÐúØÇ ³Ù¿Ýûñ»³Û í³ñųñ³ÝÇ ³ß³Ï»ñïÝ»ñáõÝ ÏáÕÙ¿ гٳ½·³ÛÇÝÇ Ú© سÝáõÏ»³Ý ·ñ³¹³ñ³Ý ·ñ³ï³ñ³ÍÇ Û³ÝÓݳËáõÙµÇ Ù¿Ï ³Ý¹³ÙÇÝ£ ÜáÛ»Ùµ»ñ 30ÇÝ, 4ñ¹ »õ 5ñ¹ ϳñ·»ñáõ ³ß³Ï»ñïÝ»ñÁ« Çñ»Ýó гۻñ¿ÝÇ áõëáõóãáõÑÇÇݪ ¼³ÝÇ Ø»ëñáå»³Ý Þ³ÑÇÝ»³ÝÇ ³é³çÝáñ¹áõû³Ùµ Ï'³Ûó»É»Ý ·ñ³¹³ñ³ÝÁ£ ²ß³Ï»ñïÝ»ñÁ Çñ»Ýó Ó»é³ÛÇÝ ³ß˳ï³Ýùáí ßÝáñÑ³Ï³É³Ï³Ý µ³óÇÏÝ»ñ å³ïñ³ëï³Í »Ý ·ñ³¹³ñ³ÝÇ å³ï³ë˳ݳïáõÇÝ£ ²Ý ³É« Çñ Ñ»ñÃÇÝ« ÏÁ µ³ó³ïñ¿ ·ñ³¹³ñ³ÝÇ µ³ÅÇÝÝ»ñÁ ÇÝãå¿ë í¿å»ñáõ« ù»ñÃáõ³ÍÝ»ñáõ« ³ñáõ»ëïÇ« ó»Õ³ëå³Ýáõû³Ý »õ ÑݳïÇå ·Çñù»ñáõ Ù³ë»ñÁ£ ܳ»õ ÏÁ ï»Õ»Ï³óÝ¿, áñ Fairview »õ Bridlewood ѳÝñ³ÛÇÝ ·ñ³¹³ñ³ÝÝ»ñÁ Û³ïáõÏ µ³ÅÇÝ áõÝÇÝ Ñ³Û»ñ¿Ý ٳݳϳå³ï³Ý»Ï³Ý ·Çñù»ñáõ£ ²Ý ÏÁ ß»ßï¿ Ñ³Û»ñ¿Ý ·Çñù»ñáõ ϳñ»õáñ ¹»ñÁ »õ ³ñÅ¿ùÁª Ù»ñ Ùß³ÏáÛÃÁ å³Ñå³Ý»Éáõ Ù¿ç£

¸»Ïï»Ùµ»ñ 8ÇÝ« ¹³ñÓ»³É Ï'³Ûó»É»Ý 4ñ¹ »õ 5ñ¹ ϳñ·»ñÁ« ÇÝãå¿ë ݳ»õª 6ñ¹ »õ 7ñ¹ ϳñ·»ñÁ Çñ»Ýó áõëáõóãáõÑÇÝ»ñáí£ ²Ûë ³Ý·³Ù ³ñ¹¿Ý áñáß³Í »Ý Çñ»Ýó ÁÝïñáõÃÇõÝÝ»ñÁ£ ì³ñ³·Ç« ä³ñáÝ ÜÇÏáÕáëÇ »õ ÚáíѳÝÝ¿ë Âáõٳݻ³ÝÇ ·Çñù»ñáõ ß³ñù»ñÁ ³Ù»Ý¿Ý ÷Ýïéáõ³ÍÝ»ñÁ »Ý£ ¸»Ïï»Ùµ»ñ 8-10-Á Ð³Û ¶ÇñùÇ ï³ñ»Ï³Ý ³õ³Ý¹³Ï³Ý ß³µ³Ã³í»ñçÝ ¿£ Î³Ý ÝáñáõÃÇõÝÝ»ñ ÇÝãå¿ëª Øáíë¿ë äã³ù×»³ÝÇ 8 ѳïáñÝ»ñáõ ѳõ³ù³ÍáÝ« The memoirs of of Roustam« áñ ܳ÷áÉÇáÝÇ Ñ³Û³ÍÇÝ å³Ñ³Ï »õ ËáñÑñ¹³ïáõÇ Ûáõß³·ÇñÝ ¿£ ܳ»õ Ï³Ý ï³Õ³Ý¹³õáñ çáõóϳѳñ ÜáõÝ¿ Ø»ÉÇùÇ Ýáñ Ëï³ë³ÉÇÏÁ Hidden Treasure Ëáñ³·Çñáí« »ñÏÉ»½áõ ø³ñ¿Ý âÇõÃ×»³ÝÇ §²é³çÇÝ ºñ·³ñ³Ýë¦ Ù»Í³¹Çñ ·ÇñùÁª Çñ Ëï³ë³ÉÇÏáí£ ÀÝûñóáÕÝ»ñáõ Ëݹñ³Ýùáí üñ³Ýó ì¿ñý¿ÉÇ §Forty Days of Musa Dagh¦-Áª óñ·Ù³ÝáõÃÇõ-

öáùñ»ñáõ ä³ïÙáõû³Ý ij٠³ٳñ îûݳå»ï»³Ý

ä³ïÙ»Éáõ ëáíáñáõÃÇõÝÁ ¹³ñ»ñáõ Ëáñù¿Ý ѳë³Í ¿ Ù»½Ç© ·Çñ áõ ·ñ³Ï³ÝáõÃ»Ý¿Ý ß³ï ³é³ç« µ»ñ³Ý³óÇ å³ïáõÙÝ»ñáõ ÙÇçáóáí µ³½Ù³ÃÇõ ·Çï»ÉÇùÝ»ñ ë»ñáõݹ¿ ë»ñáõݹ ÷á˳Ýóáõ³Í »Ý« ë»ñáõݹݻñ ¹³ëïdzñ³Ïáõ³Í »Ý ³Ûë Ó»õáí£ ä³ïÙáÕÝ»ñÁ Ýϳïáõ³Í »Ý áñå¿ë áõëáõóÇã« ËáñÑñ¹³ïáõ« ½áõ³ñ׳óÝáÕ« ¹³ëïdzñ³Ï« µ³ñáÛ³Ï³Ý ¹³ë»ñ ÷á˳ÝóáÕ« ³ÙáùáÕ« Ûáõë³¹ñáÕ£ Ø»ñ Çñ³Ï³Ýáõû³Ý Ù¿ç« ó³ÛïáõÝ ûñÇݳÏÁ ê³ëáõÝóÇ ¸³õÇà ѻñáë³í¿åÝ ¿« áñ µ³Ý³ÑÇõëáõ³Í áõ µ»ñ³Ý³óÇûñ¿Ý ÷á˳Ýóáõ³Í¿ ųٳݳÏÇ ÁÝóóùÇÝ« Ç í»ñçáÛ ·ñÇ ³éÝáõ»Éáí ¶³ñ»·ÇÝ ºåë© êñáõ³ÝÓﻳÝóÇ ÏáÕÙ¿« ³Ù÷á÷áõ»Éáí ãáñë ³é³ÝÓÇÝ ×ÇõÕ»ñáõ Ù¿çª ê³Ý³ë³ñ ä³Õï³ë³ñ« Ø»Í ØÑ»ñ« ê³ëáõÝóÇ ¸³õÇà áõ öáùñ ØÑ»ñ£ гٳ½·³ÛÇÝÇ ¶É³Óáñ Ù³ëݳ×ÇõÕÇ ¶ñ³Ï³Ý Û³ÝÓݳËáõÙµÁ« 2017-ÇÝ Û³é³ç³óáõó öáùñ»ñáõ å³ïÙáõû³Ý ų٠Íñ³·ÇñÁ© ¸»Ïï»Ùµ»ñ 18-ÇÝ« ãáññáñ¹ ѳõ³ùÝ ¿ñ áñ ï»ÕÇ áõÝ»ó³õ« ³é³çÇÝÁª гٳ½·³ÛÇÝÇ Ýáñá·áõ³Í áõ µ³ñ»½³ñ¹áõ³Í §Ú³ñáõÃÇõÝ Ø³ÝáõÏ»³Ý¦ ·ñ³¹³ñ³Ý¿Ý Ý»ñë£ ä³ïÙáÕÁ ³Ûë ³Ý·³Ù îáùà ²ÝÇ Ð³ëÁñ×»³ÝÝ ¿ñ« ÝÇõÃÁª γճݹÁ£ Ú³Ûï³·ÇñÇÝ Ù¿ç Áݹ·ñÏáõ³Í ¿ñ ݳ»õ Ó»é³ÛÇÝ ³ß˳ï³Ýù« ¶ñ³Ï³Ý Û³ÝÓݳËáõÙµ¿Ýª ²ñï³ î¿ñ Ú³Ïáµ»³ÝÇ áõ ²ñÙÇÝ¿ ÂáñÇÏ»³ÝÇ ³é³çÝáñ¹áõû³Ùµ£ îáùé ²ÝÇ Ð³ëÁñ×»³Ý« Û³ïáõÏ« ·ñ³õÇã á×áí å³ïÙ»ó ê© ÌÝݹ»³Ý áõ Î³Õ³Ý¹Ç Ù³ëÇÝ© ÷áùñÇÏÝ»ñÁ Ñ»ï³ùñùáõû³Ùµ Éë»óÇÝ å³ïÙáõÃÇõÝÁ »õ Ù»Í Ë³Ý¹³í³éáõû³Ùµ ³ÙµáÕç³óáõóÇÝ Ó»é³ÛÇÝ ³ß˳ï³ÝùÁ£ γëϳͿ í»ñ ¿« áñ ÿ å³ïÙáÕÇÝ »õ ÿ áõÝÏݹñáÕÇÝ Ñ³Ù³ñ« å³ïÙáõû³Ý ųٻñÁ û·ï³ß³ï »Ý© ÁݹѳÝáõñ ·ÇÍ»ñáõ Ù¿ç« ûñÇݳϪ »ñ»õ³Ï³ÛáõÃÇõÝ ÏÁ ½³ñ·³óݻݫ µ³ñáÛ³Ï³Ý ¹³ë»ñ ÏÁ ÷á˳Ýó»Ý« ÁÝûñó³Ýáõû³Ý ³éÝãáõû³Ùµ Ñ»ï³ùñùñáõÃÇõÝ

²ÝÇ Ð³ëÁñ×»³Ý ÏÁ Ý»ñϳ۳óÝ¿ ÷áùñ»ñáõ å³ïÙáõû³Ý ųÙÁ:

Ï'³ñÃÝóݻݫ áõÝÏݹñ»Éáõ« ѳٵ»ñáõû³Ý ÏÁ í³ñÅ»óݻݣ ²ëáÝóÙ¿ ³Ý¹ÇÝ ë³Ï³ÛÝ« гٳ½·³ÛÇÝÇ öáùñ»ñáõ å³ïÙáõû³Ý ų٠Íñ³·ÇñÁ ÏÁ Ñ»ï³åݹ¿ »ñÏáõ ·É˳õáñ Ýå³ï³Ï©- ³é³çÇݪ÷áùñ»ñáõÝ ³éÇà ÙÁ »õë ÁÝÍ³Û»É Ñ³Û»ñ¿Ý Éë»Éáõ« ѳۻñ¿Ýáí ³ñï³Û³Ûïáõ»Éáõ© »ñÏñáñ¹ª ÁÝÏ»ñ³ÛÇÝ Ñ³×»ÉÇ ÙÃÝáÉáñïÇ Ù¿ç ½³Ý³½³Ý ¹åñáóÝ»ñ¿ (Ñ³Û Ã¿ ûï³ñ) ÷áùñÇÏÝ»ñÁ Ùï»ñÙÇÏ ÙÇç³í³ÛñÇ Ù¿ç ѳٳËÙµ»É« Çñ³ñáõ ͳÝûóóݻɫ ÁÝÏ»ñ³ÛÇÝ Ï³å»ñ ëï»ÕÍ»Éáõ ³éÇà ï³É£ ¶ñ³ë¿ñÝ»ñáõ ÊÙµ³ÏÇ Ñ³õ³ùÝ»ñáõÝ ³éÁÝûñª öáùñ»ñáõ å³ïÙáõû³Ý ųÙÁ »õë« ³Ùë³Ï³Ý Ñ»ñóϳÝáõû³Ùµ Íñ³·Çñ ÙÁ ¹³éݳÉáõ ÙÇïáõÙáí ¿ áñ ׳ٵ³Û »É³Í ¿© ѳٻëï ù³ÛÉ ÙÁ »õëª Ð³Ù³½·³ÛÇÝÇ ÏñóÙß³ÏáõóÛÇÝ ÍÇñ¿Ý Ý»ñë£ Î'³å³õÇÝÇÝù ÍÝáÕÝ»ñáõ ù³ç³É»ñ³ÝùÇÝ£

ÝÁ ϳï³ñ»³É« ³é³Ýó Ïñ׳ïáõÙÝ»ñáõ£ ²ÛÝï»Õ ¿ ݳ»õ êáÙ»ñë¿Ã Øá»ÙÇ §ì»ñ»íáõÙª ²é³ÝÓݳï³ÝÁ¦ ·ÇñùÇÝ Ð³Û»ñ¿Ý óñ·Ù³ÝáõÃÇõÝÁª ²Ý³ÑÇï ä³å³Û»³ÝÇ ÏáÕÙ¿£ ²ãù³éáõ ¿ Ûáõß³Ýáõ¿ñÝ»ñáõ »õ µ³óÇÏÝ»ñáõ µ³ÅÇÝÁ£ ¼»Õã»³É ·ÇÝ»ñáí ·Çñù»ñÁ ÏÁ Ñ»ï³ùñùñ¿ ³ÝÛ³Ûï ·³ÝÓ»ñ ÷ÝïéáÕÝ»ñÁ£ ºñÇï³ë³ñ¹áõÑÇÝ»ñÁ ÏÁ ëÇñ»Ý г۳ëï³Ý å³ïñ³ëïáõ³Í ½³ñ¹»Õ¿ÝÝ»ñÁ£ àõëáõóÇãÝ»ñÁ Çñ»Ýó ¹³ë³ñ³ÝÝ»ñáõÝ Ñ³Ù³ñ Ï'ÁÝïñ»Ý ·Çñù»ñ« áñÙݳ½³ñ¹»ñ »õ ¹³ëïdzñ³Ïã³Ï³Ý ˳ջñ£ Ú³çáñ¹ ÐÇÝ·ß³µÃÇ »õ àõñµ³Ã ûñ»ñÁ« ¸»Ïï»Ùµ»ñ 14 »õ 15« ·ñ³ï³ñ³ÍÁ ÐúØÇ ä³å³Û»³Ý »õ ¶áÉáÉ»³Ý ݳ˳Ïñóñ³ÝÇ ²é³çÇÝ« ºñÏñáñ¹ »õ ºññáñ¹ ϳñ·»ñáõÝ Û³ñÙ³ñ ·Çñù»ñ« ï»ë³ÑáÉáí³ÏÝ»ñ »õ ѳݻÉáõÏÝ»ñ ÏÁ óáõó³¹ñ¿ »õ ÏÁ í³×³é¿ ¹åñáóÇ ³ñÓ³Ï-

Ù³Ý å³ÑáõÝ£ êñï³åݹÇã ¿, »ñµ ÷áùñÇÏ ³ß³Ï»ñï ÙÁ Ù³ïÇÏáí óáÛó Ïáõï³Û ÍÝáÕùÇÝ« ²Ý³ÑÇï ê³ñ·Ç뻳ÝÇ ½áõ³ñ³×³ÉÇ ·Çñù»ñ¿Ý Ù¿ÏÁ£ гÛñ ÙÁ ÏÁ ÷Ýïé¿ §³Ùå¦áí ·ÇñùÁ£ سÛñ ÙÁ Çñ ½³õ³ÏÇÝ ³ÝáõÝáí Ëáñ³·Çñ ÙÁ ÏÁ ï»ëÝ¿« ³ÝÙÇç³å¿ë ·³Õïݳµ³ñ Ï'³åëåñ¿, áñå¿ë½Ç γճݹ ä³åáõÏÇÝ ïáåñ³ÏÇÝ Ù¿ç ¹ñáõÇ£ Ø»Í Ñ³ÛñÇÏ ÙÁ Çñ ÃáéÝÇÏÝ»ñáõÝ ³½³ïáõÃÇõÝ Ïáõï³Û ÁÝïñ»Éáõ Çñ»Ýó µáÉáñ ÷³÷³ù³ÍÝ»ñÁ£ гٳ½·³ÛÇÝÇ Ú© سÝáõÏ»³Ý ·ñ³¹³ñ³ÝÁ µ³½Ù³ï»ë³Ï áñÙݳ½³ñ¹»ñ »õ ¹³ë³ñ³Ý³ÛÇÝ ·Çñù»ñ ÏÁ ÝáõÇñ¿ ݳ»õ ¹åñáóÇ ½³Ý³½³Ý ϳñ·»ñáõÝ£ ¸åñáóÇ ïÝûñ¿ÝáõÃÇõÝÁ« áõëáõÙÝ³Ï³Ý Ù³ñÙÇÝÁ »õ гٳ½·³ÛÇÝÁ Ï'³ß˳ïÇÝ, áñå¿ë½Ç гۻñ¿ÝÁ ÙdzÛÝ ¹³ë³å³ÑÇ É»½áõ ãÁÉÉ³Û ³ÛÉ»õ ³åñáÕ« ѳ׻ÉÇ« û·ï³ß³ï »õ ·³Õ³÷³ñÝ»ñ áõ ½·³óáõÙÝ»ñ ³ñï³Û³ÛïáÕ Ù³Ûñ»ÝÇ É»½áõ ÙÁ£

6

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

ÂàðàÜÂàÐ²Ú Îº²Üø

ê© ºññáñ¹áõÃÇõÝ ºÏ»Õ»óõáÛ ÌáõËÇ Î³½Ù³õáñÙ³Ý ºõ Ü»ñÏ³Û ºÏ»Õ»óõáÛ úÍÙ³Ý ¼áÛ· î³ñ»¹³ñÓÝ»ñáõ îûݳϳï³ñáõÃÇõÝ Ø³ï³Ã ´© سÙáõñ»³Ý

ÎÇñ³ÏÇ« 3 ¸»Ïï»Ùµ»ñ 201-ÇÝ« »Ï»Õ»óõáÛë ÍáõËÇ Ï³½Ù³õáñÙ³Ý 89ñ¹ »õ Ý»ñÏ³Û »Ï»Õ»óõáÛë (Scarbourough) ûÍÙ³Ý 30ñ¹ ï³ñ»¹³ñÓÝ»ñáõ ³éÃÇõ êáõñµ »õ ²ÝÙ³Ñ ä³ï³ñ³·Á Ù³ïáÛó »õ Û³õáõñ å³ïß³×Ç ù³ñá½»ó ¶³Ý³ï³Ñ³Ûáó »ÙÇ ²é³çÝáñ¹ª ¶»ñß© î© ²µ·³ñ ºåë© Úáí³ÏÇÙ»³Ý Çñ»Ý ³éÁÝûñ³Ï³Û áõݻݳÉáí »ÙÇë öá˳é³çÝáñ¹ »õ »Ï»Õ»óõáÛë ÐáíÇõª ¼³ñ»Ñ ²õ³· øÑÝÛ© ¼³ñ·³ñ»³ÝÁ£ ÚÁÝóóë ê© ä³ï³ñ³·Ç« îdzñ ÖáÝ ê³ÃáõñÇ ³ñųݳó³õ ¶³ñ»·ÇÝ ´© ²Ù»Ý³ÛÝ Ð³Ûáó γÃáÕÇÏáëÇ ëñµ³ï³é Îáݹ³ÏÇÝ »õ §ê© Ü»ñë¿ë ÞÝáñѳÉǦ ßù³Ýß³ÝÇÝ£ ²å³« ê© Êáñ³Ý ³é³çÝáñ¹áõ»ó³õ »Ï»Õ»óõáÛë ¹åñ³ó ¹³ëÁ« ëï³Ý³Éáõ ѳٳñ êñµ³½³Ý Ðûñ »õ î¿ñ Ðûñ ûñÑÝáõÃÇõÝÝ»ñÁ£ Ú³õ³ñï ê© ä³ï³ñ³·Ç ï»ÕÇ áõÝ»ó³õ Ñ᷻ѳݷëï»³Ý Û³ïáõÏ å³ßïûÝ ¸»Ïï»Ùµ»ñ 7« 1988ÇÝ Ð³Û³ëï³ÝÇ »ñÏñ³ß³ñÅÇ ½áÑ»ñáõÝ« »Ï»Õ»óõáÛë í³Ë׳ݻ³É Ñá·»õáñ³Ï³ÝÝ»ñáõÝ« ݳËÏÇÝ ÌË³Ï³Ý ÊáñÑáõñ¹Ý»ñáõ ³Ý¹³ÙÝ»ñáõÝ« ÏÝù³Ñ³Ûñ»ñáõÝ« ÇÝãå¿ë ݳ»õ µ³ñ»å³ßï ѳõ³ï³ó»³ÉÝ»ñáõ å³ñ³·³Ý»ñáõ Ñá·ÇÝ»ñáõÝ Ç Ñ³Ý·Çëï£ ä³ï³ñ³·¿Ý »ïù« »Ï»Õ»óõáÛ §Ø³Ï³ñáë ²ñÃÇÝ»³Ý¦ ëñ³ÑÇÝ Ù¿ç ï»ÕÇ áõÝ»ó³õ å³ßïûÝ³Ï³Ý ×³ßÏ»ñáÛã ¶³Ý³ï³ÛÇ »õ г۳ëï³ÝÇ ù³ÛÉ»ñ·Ý»ñáõ ÛáïÝϳÛë áõÝÏݹñáõÃ»Ý¿Ý »õ ë»Õ³ÝÝ»ñáõ ûñÑÝáõÃ»Ý¿Ý »ïù« µ³óÙ³Ý Ëûëùáí ѳݹ¿ë »Ï³Ý ûñáõ³Û ѳݹÇë³í³ñÝ»ñÁª ûñ¹© ²É»ùëdz âÇóù (³Ý·É»ñ¿Ý) »õ µñß© î³ñÇÛáõë ëñÏ© ÎÇõÙÇõß×»³Ý (ѳۻñ¿Ý)£ ä³ïáõáÛ ë»Õ³ÝÇݪ ²é³çÝáñ¹ ²µ·³ñ êñµ³½³Ý Ñûñ ÏáÕùÇÝ ï»Õ ·ñ³õ³Í ¿ÇÝ ·³Ý³ï³Ñ³Ûáó ûÙÇ ÷á˳é³çÝáñ¹ »õ »Ï»Õ»óõáÛë ÑáíÇõª ¼³ñ»Ñ ²õ³· ùÑÝÛ© ¼³ñ·³ñ»³Ý« ³½Ýáõ³÷³ÛÉ »ñ¿óÏÇݪ ܳÛÇñ³ ¼³ñ·³ñ»³Ý« Â»Ù³Ï³Ý ÊáñÑáõñ¹Ç ²ï»Ý³å»ïáõÑǪ ²µ¿Ã ²Éµ³Û »õ ²ñ³ ²Éµ³Û« ÌË³Ï³Ý ËáñÑáõñ¹Ç ²ï»Ý³å»ïª úÑ³Ý úѳÝÝ¿ë»³Ý »õ ²ÝÇó úѳÝݿ뻳ݫ »Ï»Õ»óõáÛë îÇÏݳÝó ØÇáõû³Ý öáË ³ï»Ý³å»ïáõÑǪ ij·ÉÇÝ Æë³ÕáÉ»³Ý »õ سëÇë Æë³ÕáÉ»³Ý£ Æ å³ïáõÇ ¿ÇÝ Ý³»õ ê³ñ·Çë ²õ³· ùÑÝÛ© ÎÇõÉ»³Ý« гñáÉï øÑÝÛ© ܳѳ-

å»ï»³Ý (³ÝÏÉÇ·³Ý Ñá·»õáñ³Ï³Ý)« ·³ÕáõÃÇë Ù¿ç ·áñÍáÕ Ï³½Ù³Ï»ñåáõÃÇõÝÝ»ñáõ Ý»ñϳ۳óáõóÇãÝ»ñ« ݳËÏÇÝ ÌË³Ï³Ý ÊáñÑáõñ¹Ç ³Ý¹³ÙÝ»ñ« ÏÝù³Ñ³Ûñ»ñ »õ µ³ñ»ñ³ñÝ»ñ£ ¶»Õ³ñáõ»ëï³Ï³Ý Û³Ûï³·ñÇÝ Ù³ëݳÏó»ó³Ý ÚáíѳÝÝ¿ë Øáõå³Û¿ï (çáõóÏ)« ØÑ»ñ ØÇÝ³ë»³Ý (»ñ·»óáÕáõû³Ùµ)« »õ »Ï»Õ»óõáÛë §´³ñ»õ¦ Ï»¹ñáÝÇ §ê³ëáõݦ å³ñ³ËáõÙµ¿Ý å³ñÙ³Ýå³ñÙ³ÝáõÑÇÝ»ñ« ջϳí³ñáõû³Ùµª å³ñáõëáÛó ê»õ³Ï ²õ³·»³ÝÇ« áñáÝù ѳÛÏ³Ï³Ý Ë³Ý¹³í³é å³ñ»ñáí »ÉáÛà áõÝ»ó³Ý ³ñųݳݳÉáí µáõéÝ Í³÷³Ñ³ñáõÃÇõÝÝ»ñáõ£ Î»Ý³ó µ³Å³ÏÝ»ñ µ³ñÓñ³ó³Ý ê© ¾çÙdzÍÝÇ µ³ñûñáõû³Ý »õ ²Ù»Ý³ÛÝ Ð³Ûáó гÛñ³å»ï ¶³ñ»·ÇÝ ´© γÃáÕÇÏáëÇÝ áõÕÕáõ³Í ³ñ»õß³ïáõû³Ý Ù³ÕóÝùÝ»ñáí£ ²å³« §´³ñÇ î³ñ»¹³ñÓ¦ »ñ·»óáÕáõû³Ùµ Ý»ñë µ»ñáõ»ó³õ ϳñϳݹ³ÏÁ£ Ú³çáñ¹³µ³ñ Ëûëù ³éÇÝ úѳÝÝ¿ë»³Ý »õ ³å³ ²Éµ³Û »õ ßÝáñѳõáñ»óÇÝ »Ï»Õ»óõáÛ 89ñ¹ ï³ñ»¹³ñÓÁ£ ¼³ñ»Ñ ²õ³· ùÑÝÛ© ¼³ñ·³ñ»³Ý ÷á˳Ýó»ó Çñ å³ï·³ÙÁ Û³ïϳå¿ë í»ñÛÇß»Éáí ³ÛÝ ³ÝÓ»ñÁ« áñáÝù 89 ï³ñÇÝ»ñ ³é³ç ½áѳµ»ñáõÃÇõÝÝ»ñáõ ßÝáñÑÇõ« Ï»ñï³Í áõ Ù»½Ç ųé³Ý·³Í »Ý ѳõ³ïùÇ ³Ûë ïáõÝÁ£ ²å³ ³éáÕçáõÃÇõÝ Ù³Õûó ÑÇÙݳñÏÇ ²ï»Ý³å»ïª гÛÏ ê»É»³ÝÇÝ »õ ïÇÏÝáçÁª ²ÉÇëÇÝ£ Ú³ïáõÏ ßÝáñѳ-Ï³É³Ï³Ý Ëûëù áõÕÕ»ó ݳ»õª Þ³ù¿ ä³ëÙ³×»³ÝÇÝ »õ ¸áÏï© Æ½³ ä³ëÙ³×»³ÝÇÝ »Ï»Õ»óõáÛë ÑÇÙݳ¹ñ³ÙÇÝ ëñï³µáõË Çñ»Ýó Ýáõdzñ³ïáõáõû³Ý ³éÃÇõ£ ²Ý ßÝáñѳϳÉáõÃÇõÝ Û³ÛïÝ»ó ݳ»õ Ý»ñϳݻñáõÝ« Ñáí³Ý³õáñÝ»ñáõÝ ÇÝãå¿ë ݳ»õª ÌË³Ï³Ý ÊáñÑáõñ¹Ç ³Ý¹³ÙÝ»ñáõÝ, ï³ñ»¹³ñÓÇ Ï³½Ù³Ï»ñåÇã Û³ÝÓݳËáõÙµÇ ³Ý¹³ÙÝ»ñáõÝ« Û³ñ³ÏÇó Ù³ñÙÇÝÝ»ñáõÝ« »Ï»Õ»óõáÛ ù³ñ-ïáõÕ³ñáõÑÇÝ»ñáõÝ« ·ñ³ë»Ý»³ÏÇ Ï³Ù³õáñ ³ß˳ïáÕÝ»ñáõÝ »õ »Ï»Õ»óõáÛë Ñá·³ï³ñÇÝ£ Ú³çáñ¹³µ³ñ å³ñ·»õ³ïñáõ»ó³Ý ij·ÉÇÝ Æë³ÕáÉ»³Ýª §î³ñáõ³Û ÎÇݦÁ« È»õáÝ ¶³É»Ùù»ñ»³Ýª §î³ñáõ³Û سñ¹Á¦ Û³ïáõÏ Ûáõß³ï³Ëï³ÏÝ»ñáí£ ºñÇï³ë³ñ¹ ë»ñáõݹ¿Ý å³ñ·»õ³ïñáõ»ó³Ý ²ñÇÝ Ø³ñïÇñáë»³Ý »õ 껹ñ³Ï ²Ã³ß»³Ýª ǵñ»õ §î³ñáõ³Û »ñÇï³ë³ñ¹áõÑÇ »õ ºñÇï³ë³ñ¹¦£ §î³ñáõ³Û úñÇݳϻÉÇ ÀÝï³ÝÇù¦ ·Ý³Ñ³ï³·Çñ Ûáõß³ï³Ë-

ÖáÝ ê³ÃáõñÇ ³ñųݳó³õ ¶³ñ»·ÇÝ ´© ²Ù»Ý³ÛÝ Ð³Ûáó γÃáÕÇÏáëÇ ëñµ³ï³é Îáݹ³ÏÇÝ »õ §ê© Ü»ñë¿ë ÞÝáñѳÉǦ ßù³Ýß³ÝÇÝ:

ê© ºññáñ¹áõÃÇõÝ »Ï»Õ»óõáÛ ÍáõËÇ Ï³½Ù³õáñÙ³Ý 89ñ¹ »õ Ý»ñÏ³Û »Ï»Õ»óõáÛ ûÍÙ³Ý 30ñ¹ ï³ñ»¹³ñÓÝ»ñáõ ïûݳϳï³ñáõÃÇõÝ£

ï³ÏÇÝ ³ñųݳó³Ý ÚáíÇÏ »õ ÐéÇ÷ëÇÙ¿ ³ÑÙ³½»³Ý »õ Çñ»Ýó ½³õ³ÏÝ»ñÁª ܳñ¿« è³ýýÇ »õ ²ñÃáõñ£ ä³ïáõáÛ ¶Çñ ëï³ó³Ý ÌË³Ï³Ý ÊáñÑáõñ¹Ç ßñç³Ý³õ³ñï ³Ý¹³ÙÝ»ñÁ« ÐáõñÇ ²½Ý³õáñ»³Ý »õ ÖáÝ ê³ÃáõñÇ£ êñµáõÑÇ ¾íñ³Ý å³ñ·»õ³ïñáõ»ó³õ ê© ºññáñ¹áõÃÇõÝ ºÏ»Õ»óõáÛ §ê© ʳ㦠ßù³Ýß³Ýáí« ³é Ç ·Ý³Ñ³ï³Ýù »ñϳñ³Ù»³Û Çñ ͳé³Ûáõû³Ý£ ¾íñ³Ý ßÝáñѳϳÉáõÃÇõÝ Û³ÛïÝ»ó î¿ñ Ðûñ »õ ÌË³Ï³Ý ÊáñÑáõñ¹ÇÝ ëáÛÝ å³ñ·»õ³ïñáõÙÇÝ Ñ³Ù³ñ£ ²é Ç ·Ý³Ñ³ï³Ýù« Â»Ù³Ï³Ý ÊáñÑáõñ¹Ç ݳËÏÇÝ ²ï»Ý³å»ïÝ»ñ¿Ý ²ñ³ äáÛ³×»³ÝÇ »õ Çñ ïÇÏÝáçª ¶³É³åñÇ-

ݳÛÇ µ³ó³éÇÏ ÝáõÇñáõÙÇÝ« ѳݹ¿åª سÛñ ²Ãáé ê© ¾çÙdzÍÝÇ« êñµ³½³Ý ѳÛñÁ ²é³çÝáñ¹³ñ³ÝÇ ³é³çÇÝ Ï³ñ·Ç §ê© ʳ㦠ßù³Ýß³Ýáí å³ñ·»õ³ïñ»ó äáÛ³×»³ÝÁ£ ²õ³ñïÇÝ« ²é³çÝáñ¹ êñµ³½³Ý ѳÛñÁ ßÝáñѳõáñ»ó å³ñ·»õ³ïñ»³ÉÝ»ñÁ« »õ ³Ý¹ñ³¹³éݳÉáí »Ï»Õ»óÇ¿Ý Ý»ñë ï³ñáõ³Í ·áñÍáõÝ¿áõû³Ý« µ³ñÓñ ·Ý³Ñ³ï»ó ¼³ñ»Ñ ²© øÑÝÛ© ¼³ñ·³ñ»³ÝÇ Ñá·³ï³ñáõÃÇõÝÁ Çñ ÍáõËÇÝ »õ ·³ÕáõÃÇÝ Ýϳïٳٵ£ àõñ³Ë »õ ·áÑ ÙÃÝáÉáñïÇ Ù¿ç ÁÝóó³Í ׳ßÏ»ñáÛÃ-ѳݹÇëáõÃÇõÝÁ í»ñç ·ï³õ êñµ³½³Ý Ðûñ §ä³Ñå³ÝÇã¦áí£

λ¹ñáÝ³Ï³Ý ì³ñãáõû³Ý ÎñûÝ³Ï³Ý ºõ ø³Õ³ù³Ï³Ý Üáñ ÄáÕáíÝ»ñÁ ΰÁÝïñáõÇÝ Ü³Ë³·³Ñáõû³Ùµ Ø»ÍÇ î³ÝÝ ÎÇÉÇÏÇáÛ Ï³ÃáÕÇÏáë ²ñ³Ù ². í»Ñ³÷³é ѳÛñ³å»ïÇÝ, ²½·³ÛÇÝ ÀݹѳÝáõñ ÅáÕáíÁ ¸»Ïï»Ùµ»ñ 2017ÇÝ Çñ Û³ñÏÇÝ ï³Ï ³é³õ ßáõñç 100 å³ï·³Ù³õáñÝ»ñ, Ã»Ù³Ï³É ³é³çÝáñ¹Ý»ñ »õ ÑÇõñ»ñ, áñáÝù ãáñë ûñáõ³Ý íñ³Û ùÝݳñÏ»óÇÝ ²½·³ÛÇÝ ÀݹѳÝáõñ ÅáÕáíÇ Î»¹ñáÝ³Ï³Ý í³ñãáõû³Ý ÎñûÝ³Ï³Ý »õ ø³Õ³ù³Ï³Ý ÅáÕáíÝ»ñáõÝ ù³é³Ù»³Û ·áñÍáõÝ¿áõÃÇõÝÁ, ÇÝãå¿ë ݳ»õ Û³ïáõÏ ½»Ïáõó³µ»ñÝ»ñáõ ÙÇçáóáí Ý»ñϳ۳óáõóÇÝ Ï³ÃáÕÇÏáëáõû³Ý ÑÇÙݳËݹÇñÝ»ñ¿Ý` ùñÇëïáÝ¿³Ï³Ý »õ ѳۻóÇ ¹³ëïdzñ³ÏáõÃÇõÝ, »ñÇï³ë³ñ¹áõÃÇõÝ, å³Ñ³Ýç³ïÇñáõÃÇõÝ »õ ê÷ÇõéùÇ í»ñ³Ï³½Ù³Ï»ñåáõÙ: Æñ ûñ³Ï³ñ·»ñáõ ³õ³ñïÇÝ, ÅáÕáíÁ ÁÝûñó»ó ³ÝÏ¿ µË³Í µ³Ý³Ó»õ»ñÁ, ϳï³ñ»ó ³ÝáÝó ùÝݳñÏáõÙÁ »õ ëï³ó³õ ³é³çÝáñ¹³ñ³ÝÝ»ñ¿Ý »õ ÅáÕáí¿Ý »Ï³Í ³é³ç³ñÏÝ»ñ: ²å³ ï»ÕÇ áõÝ»ó³õ ÁÝïñáõÃÇõÝÁ λ¹ñáÝ³Ï³Ý í³ñãáõû³Ý ÎñûÝ³Ï³Ý »õ ø³Õ³ù³Ï³Ý ÅáÕáíÝ»ñáõÝ: гÛñ³å»ï³Ï³Ý ÷³ÏÙ³Ý ËûëùÇÝ Ù¿ç ²ñ³Ù ². ϳÃáÕÇÏáë µ³ñÓñ ·Ý³Ñ³ï»ó ÅáÕáíÇÝ ÁÝóóùÁ »õ íëï³Ñ»óáõó, ÿ Û³é³çÇÏ³Û ãáñë ï³ñÇÝ»ñáõÝ

ÎñûÝ³Ï³Ý »õ ø³Õ³ù³Ï³Ý ÅáÕáíÝ»ñÁ ç³Ýù åÇïÇ ãËÝ³Û»Ý Í³é³Û»Éáõ ³½·ÇÝ: ²Ý Ýß»ó, áñ ÅáÕáíÁ ùÝݳñÏáõÙÝ»ñáõ ׳ٵáí Éáõñç Ùï³Ñá·áõÃÇõÝÝ»ñ ³ñͳñÍ³Í ¿, ÇÝã áñ Ýáñ Íñ³·ÇñÝ»ñáõ Ùß³ÏÙ³Ý ÙÕÇã áõÅ åÇïÇ Ñ³Ý¹Çë³Ý³Û: ì»Ñ³÷³éÁ ÛÇß»óáõó ÝáñÁÝïÇñ ÅáÕáíÝ»ñáõÝ, ÿ ϳÃáÕÇÏáëáõû³Ý ³ß˳ï³ÝùÝ»ñÁ ѳٳÛÝ Ñ³Ûáõû³Ý ѳٳñ »Ý »õ ³Ýáñ ѳٳñ ѳñÏ ¿ ó÷ ï³É ûٻñáõ í»ñ³Ï³½Ù³õáñÙ³Ý áõ Ýáñ áñ³Ïáí å³ñáõñ»É ³ß˳ï³ÝùÝ»ñÁ, ÇÝãå¿ë ݳ»õ Û³é³ç³óÝ»É Ï³ÃáÕÇÏáëáõÃÇõÝ-ûٻñ ·áñͳÏóáõû³Ý Ýáñ³ñ³ñ ÙÇçáóÝ»ñ: гÛñ³å»ïÁ ³é³çݳѻñÃáõÃÇõÝ Ýϳï»ó êáõñÇáÛ Ñ³Ûáõû³Ý í»ñ³Ï³Ý·ÝáõÙÁ ϳï³ñ»É Íñ³·ÇñÝ»ñáõ ׳ٵáí áõ ³õ³ñï»ó Çñ ËûëùÁ Áë»Éáí, áñ §Ñ³Û ÅáÕáíáõñ¹Á ϳÃáÕÇÏáëáõû³Ý Ïǽ³Ï¿ïÝ ¿ »õ áã` Éáõë³Ýóù³ÛÇÝ. Ù»ÏÝ»Éáí Ñ³Û ³½·Ç ·»ñ³·áÛÝ ß³Ñ»ñ¿Ý` ѳٳѳÛÏ³Ï³Ý Ùûï»óáõÙáí Áë»ÉÇù áõ ÁÝ»ÉÇù áõÝÇ ê. ²ÃáéÁ¦: êïáñ»õª ²½·³ÛÇÝ Î»¹ñáÝ³Ï³Ý ÝáñÁÝïÇñ í³ñãáõÃÇõÝÁ. ÎðúÜ²Î²Ü ÄàÔàì ÎáÙÇï³ë ³ñù. úѳݻ³Ý, úß³Ï³Ý ³ñù. âûÉáÛ»³Ý, ì³ñáõÅ³Ý ³ñù. лñÏ»-

É»³Ý, ê»åáõÑ ³ñù. ê³ñ·Ç뻳Ý, Øáõß»Õ ³ñù. سñïÇñá뻳Ý, ¶»Õ³Ù ³ñù. ʳã»ñ»³Ý, ܳñ»Ï ³ñù. ²É»¿Ù¿½»³Ý, Êáñ¿Ý ³ñù. îáÕñ³Ù³×»³Ý, Þ³Ñ³Ý ³ñù. ê³ñ·Ç뻳Ý, ´³µ·¿Ý ³ñù. â³ñ»³Ý, ޳ѿ »åë. ö³Ýá뻳Ý, Ø»ÕñÇÏ »åë. ´³ñÇù»³Ý, ¶ñÇ·áñ »åë. âÇýÃ×»³Ý, ì³ÕÇÝ³Ï Ì. íñ¹. Ø»ÉáÛ»³Ý, Ø»ëñáå Ì. íñ¹. ê³ñ·Ç뻳Ý, äûÕáë íñ¹. ÂÇÝù×»³Ý »õ ä»ïñáë íñ¹. سÝáõ¿É»³Ý: ø²Ô²ø²Î²Ü ÄàÔàì ¸áÏï. Üáñ³ ä³Ûñ³·ï³ñ»³Ý-¶³å³·»³Ý (ä¿ÛñáõÃ), 껹³ سñÏá뻳ÝÊïÁß»³Ý (ä¿ÛñáõÃ), îÇ·ñ³Ý ÖÇÝå³-

ß»³Ý (ä¿ÛñáõÃ), êï»÷³Ý î¿ñ ä»ïñáë»³Ý (ä¿ÛñáõÃ), ìñ¿Å ê³åáõÝ×»³Ý (ä¿ÛñáõÃ), Ú³Ïáµ º³÷áõ×»³Ý (ä¿ÛñáõÃ), ²ñÃÇõñ ܳ½³ñ»³Ý (ä¿ÛñáõÃ), ²õ»ïÇë ÎÇï³Ý»³Ý (ä¿ÛñáõÃ), Ú³Ïáµ ¶ÁÉå³ß»³Ý (ä¿ÛñáõÃ), ì³Ñ¿ Ô³½³ñ»³Ý (гɿå), ïáùÃ. ²ñÙ¿Ý î¿ñ»³Ý (²Ã¿Ýù), ÂáíÙ³ë ÂáíÙ³ë»³Ý (»Ññ³Ý), ì³Ñ¿ º³·áõå»³Ý (Èáë ²Ý×»ÉÁë), γÛÍ³Ï ¼¿ÛÃÉ»³Ý (Èáë ²Ý×»ÉÁë), ïáùÃ. îñ¹³ï سÝÏÇÏ»³Ý (àõ³ßÇÝÏÃÁÝ), ïáùÃ. ÄÇñ³Ûñ ä³ëÙ³×»³Ý (ØáÝÃñ¿³É, ¶³Ý³ï³) »õ ¶ñÇ·áñ سÑë¿ñ¿×»³Ý (²åáõ î³åÇ):

вڲêî²Ü

§àñù³Ý ²É Ø»ñ ìÇñ³õáñ ¼ÇÝáõáñÝ»ñáõÝ ú·Ý»Ýù, ¸³ñÓ»³É ä³ñï³Ï³Ý ÎÁ ØݳÝù ²ÝáÝó¦. Ð³Û ìÇñ³õáñ лñáëÝ»ñáõ üáÝï¦Ç ¶áñͳ¹Çñ îÝûñ¿Ý

ê³ÉµÇ ê³ÕïÁ×»³Ý

1994Ç ½Çݳ¹³¹³ñ¿Ý Ç í»ñ, г۳ëï³Ý ÏÁ ·ïÝáõÇ á°ã å³ï»ñ³½Ù-á°ã ˳ճÕáõÃÇõÝ Çñ³íÇ׳ÏÇ Ù¿ç: ²Ûë 23 ï³ñÇÝ»ñáõÝ ÁÝóóùÇÝ, гÛÏ³Ï³Ý ½ÇÝáõ³Í áõÅ»ñÁ ¹¿Ù ÏÁ ¹Ý»Ý ²½ñå¿Û׳ÝÇ áïÝÓ·áõÃÇõÝÝ»ñáõÝ: ¸»é 2016Ç ²åñÇÉÇÝ ÃßݳÙÇÝ Ù»Í áõÅ»ñáí »õ ³ñ¹Ç³Ï³Ý ½ÇÝáõáñ³Ï³Ý ë³ñù»ñáí Û³ñӳϻó³õ г۳ëï³ÝÇ ë³ÑÙ³ÝÝ»ñáõÝ íñ³Û: ø³ÝÇ ÙÁ ûñáõ³Ý µáõéÝ Ù³ñï»ñ¿Ý »ïù` ÏñÏÇÝ §½Çݳ¹³¹³ñ¦ ѳëï³ïáõ»ó³õ: ê³Ï³ÛÝ, ³é ³Ûëûñ, ³½»ñÇ áõÅ»ñÁ Ïñ³ÏáóÇ ï³Ï ÏÁ å³Ñ»Ý гÛÏ³Ï³Ý µ³Ý³ÏÇ ¹Çñù»ñÁ, áñáõÝ Ñ»ï»õ³Ýùáí Ï°áõݻݳù µ³½Ù³ÃÇõ ½áÑ»ñ »õ íÇñ³õáñÝ»ñ: ¼áÑáõ³Í ½ÇÝáõáñÝ»ñáõ ÁÝï³ÝÇùÝ»ñÁ` ÏáñáõëïÇ ó³õÁ Çñ»Ýó ëñï»ñáõÝ Ù¿ç` ÏÁ ß³ñáõÝ³Ï»Ý ³åñÇÉ, ÇëÏ íÇñ³õáñÝ»ñ¿Ý ß³ï»ñ ï³ñµ»ñ ³Ý¹³éݳÉÇ íݳëáõ³ÍÝ»ñáí ÏÁ ¹³éÝ³Ý Ñ³ßٳݹ³Ù: г۳ëï³ÝÇ Ù¿ç ³Ûëûñ áõÝÇÝù ½ÇÝáõáñ³Ï³Ý ͳé³Ûáõû³Ý ÁÝóóùÇÝ Ñ³ßٳݹ³Ù ¹³ñÓ³Í µ³½Ù³ÃÇõ »ñÇï³ë³ñ¹Ý»ñ, áñáÝó Çñ»Ýó ϳñ»ÉÇáõû³Ý ë³ÑÙ³ÝÝ»ñáõÝ Ù¿ç Ó»éù ÏÁ Ù»ÏÝ»Ý å»ïáõÃÇõÝÁ, ϳ½Ù³Ï»ñåáõÃÇõÝÝ»ñ »õ ³ÝÑ³ï µ³ñ»ñ³ñÝ»ñ: 2016Ç ²åñÇÉ»³Ý å³ï»ñ½Ù¿Ý »ïù, ä³ßïå³Ýáõû³Ý ݳ˳ñ³ñáõû³Ý ³é³ç³ñÏáí ÑÇÙÝáõ»ó³õ ½áÑáõ³Í »õ íÇñ³õáñáõ³Í ½ÇÝͳé³ÛáÕÝ»ñáõ ÑÇÙݳ¹ñ³Ù` ³ç³Ïó»Éáõ г۳ëï³ÝÇ å³ßïå³Ýáõû³Ý Å³Ù³Ý³Ï ½ÇÝͳé³ÛáÕÝ»ñáõ Ï»³ÝùÇÝ Ï³Ù ³éáÕçáõû³Ý å³ï׳éáõ³Í íݳëÝ»ñáõ ѳïáõóÙ³Ý Ñ³Ù³ñ: ÐÇÙÝáõ»ó³Ý ݳ»õ ϳ½Ù³Ï»ñåáõÃÇõÝÝ»ñ, áñáÝù ä³ßïå³Ýáõû³Ý ݳ˳ñ³ñáõû³Ý Ñ»ï ·áñͳÏó³µ³ñ Ï°³ç³óÇÝ µ³Ý³ÏÇÝ »õ íÇñ³õáñ ½ÇÝáõáñÝ»ñáõÝ: ²ÛëåÇëÇ Ï³½Ù³Ï»ñåáõÃÇõÝÝ»ñ¿Ý ¿ §Ð³Û íÇñ³õáñ Ñ»ñáëÝ»ñáõ ýáÝï¦ (Armenian wounded heroes fund)Á: 2016 ²åñÇÉÇÝ ÑÇÙÝáõ³Í ³Ûë µ³ñ»ëÇñ³Ï³Ý ϳ½Ù³Ï»ñåáõû³Ý Ýå³ï³ÏÝ ¿ ÷ñÏ»É, ³ç³ÏóÇÉ »õ ½ûñ³ÏóÇÉ íÇñ³õáñ ½ÇÝáõáñÝ»ñáõÝ: ²Ý ÑÇÙÝáõ³Í ¿ Ødzó»³É ܳѳݷݻñáõ Ù¿ç` ³ÙµáÕçáõû³Ùµ ϳٳõáñ³Ï³Ý ëϽµáõÝùáí, ÇëÏ ýáÝïÇÝ ÝáõÇñáõ³Í Çõñ³ù³ÝãÇõñ Ïáå»ÏÁ` ÏÁ ÝáõÇñ³µ»ñáõÇ Ñ³Û ½ÇÝáõáñÇÝ: ¶áѳµ³Ýáõû³Ý ûñáõ³Ý (Thanks giving) ³éÇÃáí, ÜáÛ»Ùµáñ 24ÇÝ, í»ñáÝß»³É ϳ½Ù³Ï»åáõÃÇõÝÁ ϳ½Ù³Ï»ñå³Í ¿ñ µ³ó »ñ»ÏáÛÃ-ѳÝåÇåáõÙ ÙÁ` Ç å³ïÇõ г۳ëï³ÝÇ µ³Ý³ÏÇ íÇñ³õáñ ½ÇÝáõáñÝ»ñáõÝ: ºñ»ÏáÛÃÇÝ Ý»ñÏ³Û ¿ÇÝ í»ñçÇÝ ï³ñÇÝ»ñáõÝ ½ÇÝáõáñ³Ï³Ý ͳ-

é³Ûáõû³Ý ÁÝóóùÇÝ ï³ñµ»ñ íݳëáõ³ÍÝùÝ»ñ ëï³ó³Í Ùûï »ñÏáõ ï³ëÝ»³Ï ½ÇÝͳé³ÛáÕÝ»ñ, ½ÇÝͳé³ÛáÕÝ»ñáõ Ù³Ûñ»ñ, Ødzó»³É ܳѳݷݻñáõ ¹»ëå³Ýáõû³Ý ½ÇÝáõáñ³Ï³Ý Ïóáñ¹Ý»ñ, ½ÇÝáõáñ³Ï³ÝÝ»ñ »õ ÑÇõñ»ñ: üáÝïÇ ·áñͳ¹Çñ ïÝûñ¿Ý è³½ÙÇÏ ²ñ½áõٳݻ³Ý` µ³ñÇ ·³Éáõëï Ù³ÕûÉáí Ý»ñϳݻñáõÝ, Û³ÛïÝ»ó, áñ ³Ûë ѳݹÇåáõÙÁ ϳ½Ù³Ï»ñå³Í »Ý` ßÝáñѳϳÉáõÃÇõÝ Û³ÛïÝ»Éáõ Ù»ñ íÇñ³õáñ Ñ»ñáëÝ»ñáõÝ »õ ³ÝáÝó ï³é³å³Í ÍÝáÕÝ»ñáõÝ, Û³ïϳå¿ë Ù³Ûñ»ñáõÝ, ÇÝãå¿ë ݳ»õ, áñå¿ë½Ç Ù»ñ Ñ»ñáëÝ»ñÁ ß÷áõÇÝ ÅáÕáíáõñ¹ÇÝ Ñ»ï »õ ÇٳݳÝ, áñ Çñ»Ýù ³é³ÝÓÇÝ ã»Ý »õ µáÉáñÁ Çñ»Ýó ÏáÕùÇÝ »Ý: ²ñ½áõٳݻ³Ý §Ð³Û íÇñ³õáñ Ñ»ñáëÝ»ñáõ ýáÝï¦Ç ·áñÍáõÝ¿áõÃÇõÝÁ ÁݹѳÝáõñ ·ÇÍ»ñáõ Ù¿ç Ý»ñϳ۳óÝ»Éáí, Ýß»ó.

-üáÝïÁ ²ØÜ ¹»ëå³Ý³ï³Ý Ñ»ï ѳٳ·áñͳÏó³µ³ñ` ¼ÇÝáõ³Í áõÅ»ñáõÝ Ñ³Ù³ñ ϳ½Ù³Ï»ñå³Í ¿ ³é³çÇÝ µáõÅû·Ýáõû³Ý ¹³ëÁÝóóù: Àëï ³Ýáñ, ³é³çÇÝ û·ÝáõÃÇõÝÁ ã³÷³½³Ýó ϳñ»õáñ ¿ ½ÇÝáõáñÇÝ Ï»³ÝùÁ ÷ñÏ»Éáõ ѳٳñ: ²Û¹ ÇëÏ å³ï׳éáí` ϳ½Ù³Ï»ñåáõÃÇõÝÁ, ݳ»õ ³é³çݳ·ÇÍÇ ½ÇÝáõáñÝ»ñáõÝ Ñ³Ù³ñ ÝáõÇñ³Í ¿ 7500 ³é³çÇÝ µáõÅû·Ýáõû³Ý å³Ûáõë³ÏÝ»ñ` 400 ѳ½³ñ ïáɳñÇ åÇõï׿áí ÙÁ: ÆëÏ Û³çáñ¹ ï³ñÇ, ÝáÛÝå¿ë ÝϳïÇ ³éÝáõ³Í ¿ 150 ѳ½³ñ ïáɳñÇ åÇõï׿áí ÙÁ ß³ñáõ³ÝÏ»É å³Ûáõë³ÏÝ»ñáõ ÝáõÇñ³µ»ñáõÙÁ: -ú·ÝáõÃÇõÝ ÑÇõ³Ý¹³ÝáóÝ»ñáõÝ 'b7Øáõñ³ó³ÝÇ ½ÇÝáõáñ³Ï³Ý ÑÇõ³Ý¹³ÝáóÇÝ »õ ØÇù³Û¿É»³Ý í»ñ³Ï³Ý·ÝáÕ³Ï³Ý Ï»¹ñáÝÇÝ, áõñ å³éÏ³Í »Ý íÇñ³õáñ »õ í»ñ³Ï³Ý·Ù³Ý Ù¿ç »ÕáÕ ½ÇÝáõáñÝ»ñÁ: Àëï ³Ýáñ, ϳ½Ù³Ï»ñåáõû³Ý ·áñÍáõÝ¿áõû³Ý Û³çáñ¹ ÷áõÉÁ åÇïÇ ÁÉÉ³Û û·Ýáõû³Ý Ó»éù Ù»ÏÝ»É Ñ³ßٳݹ³Ù ½ÇÝáõáñÝ»ñáõÝ, ëáñí»óÝ»É, å³ïñ³ëï»É, áñå¿ë½Ç ³ÝáÝù ÙïÝ»Ý ëáíáñ³Ï³Ý Ï»³Ýù: §Î³Ý ϳٳõáñÝ»ñ, áñáÝù ½ÇÝáõáñÝ»ñáõÝ ÏÁ ëáñí»óÝ»Ý Ñ³ßáõ³å³ÑáõÃÇõÝ, ûï³ñ É»½áõÝ»ñ: ÆëÏ »Ã¿ Ï³Ý ·áñͳïáõÝ»ñ, áñáÝù ó³ÝÏáõÃÇõÝ áõÝÇÝ ³ß˳ï³ÝùÇ ÁݹáõÝ»Éáõ Ù»ñ Ñ»ñáëÝ»ñÁ, Ù»Ýù Áëï ³ÛÝÙ ÏÁ å³ïñ³ëï»Ýù ½³ÝáÝù¦, Áë³õ ³Ý: ²Ý Çñ ËûëùÇ í»ñç³õáñáõû³Ý Áë³õ 'b7§êÇñ»ÉÇ Ñ»ñáëÝ»ñ` Ù»Ýù, áñù³Ý ³É Ó»½Ç û·Ý»Ýù, ¹³ñÓ»³É ÏÁ ÙݳÝù Ó»½Ç å³ñï³Ï³Ý¦: üáÝïÁ ³ç³Ïó³Í ¿ ß³ï ÙÁ íÇñ³õáñ ½ÇÝáõáñÝ»ñáõ` Ï»³ÝùÇ í»ñ³¹³ñÓÝ»Éáí ½³ÝáÝù »õ Ï»³ÝùÇÝ Ñ³Ý¹¿å ³ÝáÝó ѳõ³ïù Ý»ñßÝã»Éáí:

Ò»éݳñÏÇÝ Ý»ñÏ³Û Ùûï »ñÏáõ ï³ëÝ»³Ï ѳßٳݹ³Ù »ñÇï³ë³ñ¹Ý»ñ¿Ý Çõñ³ù³ÝãÇõñÁ áõÝÇ Çñ ÷áñÓáõÃÇõÝÁ, Çõñ³ù³ÝãÇõñÁ ³ñųÝÇ ¿ Ù»Í áõß³¹ñáõû³Ý »õ Ý»óáõÏÇ: ¸Åáõ³ñ ¿ ³Ûë ¿ç»ñáõÝ Ù¿ç ·ñ»É µáÉáñÇÝ Ù³ëÇÝ, ³Û¹ ÇëÏ å³ï׳éáí, åÇïÇ ³Ý¹ñ³¹³éݳ٠ù³ÝÇ ÙÁ Ñá·ÇÇ ÙdzÛÝ: ²õ³· ëå³Û ê³ñ·Çë êï»÷³Ý»³ÝÁ íÇñ³ñáõ³Í ¿ 2014 Ãáõ³Ï³ÝÇ ³Ùñ³Ý, ²ñó³ËÇ Ù¿ç ³½ñå¿Û×³Ý³Ý³Ï³Ý Ý»ñó÷³ÝóÙ³Ý ÷áñÓÇÝ ¹¿Ù ¹Ý»Éáõ ÁÝóóùÇÝ` Çñ íÇñ³õáñ ÁÝÏ»ñÁ ³Ï³Ý³å³ïáõ³Í ï³ñ³Íù¿Ý ¹áõñë ѳݻÉáõ ųٳݳÏ: ²Ý ÏáñëÝóáõó³Í ¿ Çñ »ñÏáõ áïùÁ »õ Ù¿Ï Ó»éùÁ: ê³ñ·ÇëÁ, ßÝáñÑÇõ Çñ ½ûñ³õáñ ϳÙùÇÝ, Ïñó³Í ¿ Û³Õóѳñ»É Çñ ýǽÇù³Ï³Ý ¹Åáõ³ñáõÃÇõÝÝ»ñÁ: ²Ý Ù³ñ½áõ³Í ¿ »õ í»ñç»ñë Ù³ëݳÏó³Í ¿ ѳßٳݹ³ÙÝ»ñáõ ³ß˳ñÑÇ µ³Å³ÏÇ ³ËáÛ»³Ýáõû³Ý, áõñ Ýáõ³×³Í ¿ »ñÏáõ áëÏ¿ »õ Ù¿Ï ³ñͳÿ Ù»ï³É: §Ð³ßٳݹ³ÙáõÃÇõÝ áõÝ»óáÕ Ù³ñ¹ »ë ϳ٠áã, ϳñ»õáñÁ ó³ÝÏáõÃÇõÝÝ ¿, Ó·ïáõÙÁ, ѳõ³ïùÁ ùáõ áõÅ»ñáõ¹: ºÃ¿ ¹áõÝ Ýå³ï³Ï³ëɳó »ë »õ Ï°áõ½»ë áñ»õ¿ µ³Ý ÁÝ»É ³Ûë Ï»³ÝùÇÝ Ù¿ç »õ ù»½Ç ѳٳñ Ýå³ï³Ï ÏÁ ¹Ý»ë, ³Ýå³ÛÙ³Ý ÏÁ ѳëÝÇë¦, ÏÁ íëï³Ñ»óÝ¿ ê³ñ·ÇëÁ »õ Ï°³õ»ÉóÝ¿, áñ Û³ïáõÏ ßÝáñѳϳÉáõÃÇõÝ Ï°áõ½¿ Û³ÛïÝ»É «Ð³Û íÇñ³õáñ Ñ»ñáëÝ»ñáõ ÑÇÙݳ¹ñ³Ù»ÇÝ, áñ Çñ»Ý Ñݳñ³õáõÃÇõÝ ÁÝÓ»éÝ»ó Ù³ëݳÏó»Éáõ ³ËáÛ»³Ýáõû³Ý` Ñá·³Éáí Çñ µáÉáñ ͳËë»ñÁ: ¸³õÇà ê³ñ·ë»³ÝÁ áÕݳѳñÇ íݳëáõ³Íù ëï³ó³Í ¿ 2015Ç ú·áëïáëÇÝ: Ø¿Ï ï³ñáõ³Ý Ù³ñëáõÙÝ»ñ¿ »ïù, ³ÛÅÙ ÇÝù½ÇÝù ³õ»ÉÇ É³õ ÏÁ ½·³Û, ÏñÝ³Û Ñ³Ý·Çëï ÝëïÇÉ ë³ÛɳÏÇÝ: ´áõÅÙ³Ý »õ íÇñ³Ñ³ïáõû³Ý ѳٳñ å¿ïù ¿ ³ñï³ë³ÑÙ³Ý Ù»ÏÝÇ, µ³Ûó ÝÇõÃ³Ï³Ý ¹Åáõ³ñáõÃÇõÝÝ»ñáõ å³ï׳éáí ãÇ Ïñݳñ: ÆÝùݳß˳ïáõû³Ùµ ³Ý·É»ñ¿Ý ëáñí³Í ¿ »õ ù³ÝÇ ÙÁ ³ÙÇë¿ Ç í»ñ Ï°³ß˳ïÇ ²ñï³Ï³ñ· Çñ³íÇ׳ÏÝ»ñáõ ݳ˳ñ³ñáõû³Ý Ù¿ç: §Â¿»õ ÏÁ Ûá·ÝÇÙ, µ³Ûó ѳ׻ÉÇ Ûá·ÝáõÃÇõÝ ¿¦, Ï°Áë¿ ³Ý: ì»ñáÝß»³É ýáÝïÇ Ï³½Ù³Ï»ñå³Í ¹³ëÁÝóóùÝ»ñáõÝ ÏÁ Ù³ëݳÏóÇ »õ ѳßáõ³å³ÑáõÃÇõÝ ÏÁ ëáñíÇ: ¸³õÇÃÁ íëï³Ñ ¿, áñ ¹»é ß³ï ÁÝ»ÉÇùÝ»ñ áõÝÇ, ÛáÛëáí ¿` áñ ûñ ÙÁ ³Ýå³ÛÙ³Ý áïùÇ åÇïÇ Ï³Ý·ÝÇ: èáɳÝï ê³Ñ³Ï»³ÝÁ íÇñ³õáñáõ³Í ¿ ³ÉÇßÇ Ù¿ç, ²åñÇÉ 4ÇÝ, ù³éûñ»³Ý å³ï»ñ³½ÙÇÝ Å³Ù³Ý³Ï: سÛñÁ Ï°Áë¿, »ñµ áñ¹Çë µ»ñÇÝ, ÙdzÛÝ ëÇñïÁ Ï°³ß˳ï¿ñ, Ùݳó»³É ³Ù¿Ý ûñ·³ÝÝ»ñÁ íݳëáõ³Í ¿ÇÝ: 12 íÇñ³Ñ³ïáõû³Ý »ÝóñÏáõ³Í ¿: ØáëÏáõ³ áõÕ³ñÏáõ³Í ¿ µáõÅÙ³Ý: ´ÅÇßÏÝ»ñáõ ·Ý³Ñ³ïٳٵ` Ù³ñëáõÙÝ»ñáí ųٳݳÏÇ ÁÝóóùÇÝ åÇïÇ í»ñ³Ï³Ý·ÝÇ: §´³Ûó ³Û¹ µáÉáñáí ѳݹ»ñÓ ö³éù ²ëïáõÍáÛ Ï°Áë»Ýù¦, Ï°³õ»ÉóÝ¿ èáɳÝïÇ Ù³ÛñÁ: ²õ»ïÇë ¼³ñ·³ñ»³ÝÁ ù³éûñ»³Û å³ï»ñ³½ÙÇ Ù³ëݳÏÇóÝ»ñ¿Ý ¿: ¶»ï³ß¿ÝóÇ ÍÝáÕÝ»ñáõ ½³õ³Ï 19³Ù»³Û »ñÇï³ë³ñ¹Á, áñ í»ñçÇÝ ï³ñÇÝ»ñáõÝ ÁÝï³ÝÇùÇÝ Ñ»ï èáõëdz Ï°³åñ¿ñ, ͳé³Û»Éáõ »õ ѳÛñ»ÝÇùÇ Ñ³Ý¹¿å Çñ å³ñïùÁ ϳï³ñ»Éáõ Ýå³ï³Ïáí í»ñ³¹³ñÓ³Í ¿ г۳ëï³Ý: 2016Ç ²åñÇÉÇÝ, ³ÉÇßÇ Ù¿ç ÁÝóóáÕ Ù³ñï»ñáõÝ ÁÝóóùÇÝ Í³Ýñ íÇñ³õáñáõ³Í ¿: ¶Ý¹³ÏÁ Ùï³Í ¿ñ ³Ýáñ ÍÝáï¿Ý, ÃÇÏáõÝùáí Ý»ñù»õ Çç³Í` íݳë»Éáí ù³ÝÇ ÙÁ áÕ »õ áÕÝáõÕ»ÕÁ: ´ÅÇßÏÝ»ñÁ ÛáÛë ã»Ý ïáõ³Í, ÿ Ï'³åñÇ, µ³Ûó ²õ»ïÇëÁ Ï»³ÝùÇ í»ñ³¹³ñÓ³Í ¿ »õ ³ÛÅÙ ÏÁ å³Ûù³ñÇ Çñ ³éáÕçáõÃÇõÝÁ í»ñ³·ïÝ»Éáõ ѳ-

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

7

²Ù³ÝáñÇݪ Ò»ñ êÇñ»ÉÇÝ»ñáõÝ ÜáõÇñ»ó¿ù Ð³Û ìÇñ³õáñ ¼ÇÝáõáñÝ»ñáõ ²éáÕçáõÃÇõÝÁ

زêܲÎòºò¾°øºñ»õ³ÝÇ §Ð»ñ³óǦ ÑÇõ³Ý¹³ÝáóÇ ì»ñ³Ï³Ý·ÝáÕ³Ï³Ý Ï»¹ñáÝÇ Í³Ëë»ñáõÝ£ ²Ûë Ýáñ Ï»¹ñáÝÁ Ñݳñ³õáñáõÃÇõÝ Ïáõ ï³Û« áñ íÇñ³õáñ ½ÇÝáõáñÝ»ñáõÝ (rehabilitative) í»ñ³Ï³Ý·ÝáÕ³Ï³Ý µáõÅáõÙÁ ëÏëÇ ³ÝÙÇç³å¿ë »õ ϳï³ñáõÇ ³Ýí׳ñ£ ܳ˳ӻéÝáõû³Ùµ ÐÚ¸ ¶ºØÇ Î»¹ñáÝ³Ï³Ý ì³ñãáõÃÇõÝÁ ÏÁ ϳ½Ù³Ï»ñå¿ §ÜáõÇñ³·Çñ ÷áË³Ý Ýáõ¿ñǦ Íñ³·ÇñÁ« ½ûñ³Ïó»Éáõ í»ñ³Ï³Ý·ÝáÕ³Ï³Ý Ýáñ Ï»¹ñáÝ Ï³éáõóÙ³Ý ³ß˳ï³ÝùÝ»ñáõÝ£ Æزêî²ôàðº°Üø غð Üàô¾ðܺðÀª ²æ²ÎòºÈàì غð ¼ÆÜàôàðܺðàôÜ ´àôÄØ²Ü Æµñ»õ ͳËë»ñáõÝ Ù³ëݳÏÇóª åÇïÇ ëï³Ý³ù Ñ»ï»õ»³É ÝáõÇñ³·ÇñÁ« ÝáõÇñ»Éáõ Ó»ñ ëÇñ»ÉÇÝ»ñáõÝ »õ µ³ñ»Ï³ÙÝ»ñáõÝ£ Ò»ñ Ýáõ¿ñÝ»ñáõ ÝáõÇñ³·ÇñÝ»ñÁ ³å³Ñáí»ó¿ù ¹ÇÙ»Éáí Ñ»ï»õ»³É ϳÛù¿çÇÝ© www©heratsirehab©com/ §²ç³ÏóáõÃÇõÝ íÇñ³õáñ ½ÇÝáõáñÝ»ñÇݦÁ áã-ϳé³í³ñ³Ï³Ý ϳ½Ù³Ï»ñåáõÃÇõÝ ¿ (Non Governmental Organization (NGO)): www©facebook©com/wounded©heroes/ Ù³ñ: §Ð³Û íÇñ³õáñ Ñ»ñáëÝ»ñáõ ýáÝï¦Ç ÝÇõÃ³Ï³Ý ÙÇçáóÝ»ñáí áõÕ³ñÏáõ³Í ¿ ØáëÏáõ³ íÇñ³Ñ³ïáõÃÇõÝÝ»ñáõ: ²ÛÅÙ ³Ý Çñ µáõÅáõÙÝ»ñÁ ÏÁ ß³ñáõݳϿ ºñ»õ³ÝÇ ØÇù³Û¿É»³Ý ÑÇõ³Ý¹³ÝáóÇ í»ñ³Ï³Ý·ÝáÕ³Ï³Ý Ï»¹ñáÝÇÝ Ù¿ç: §ä³ï»ñ³½ÙÁ ÿ»õ ÇÙ ýǽÇù³Ï³ÝÇë íݳë»ó, µ³Ûó Ï»³ÝùÇ Ñ³Ý¹¿å Ç٠ɳõ³ï»ëáõÃÇõÝÁ áõ ѳõ³ïùÁ ãÙ³ñ»ó: ºë ³é³çáõ³Ý å¿ë áõÅ»Õ »Ù, ¹³ñÓ³Í »Ù ³õ»ÉÇ Ýå³ï³Ï³ëɳó »õ ѳÙá½áõ³Í »Ù, áñ ûñ ÙÁ ³Ýå³ÛÙ³Ý áïùÇ åÇïÇ Ï³Ý·ÝÇÙ¦, ѳٳ½áõ³Í Ï`Áë¿ ²õ»ïÇëÁ: ºñÇï³ë³ñ¹Ý»ñ, áñáÝù Ñ»ñáë³µ³ñ ¹¿Ù ¹ñÇÝ ÃßݳÙÇÇÝ` ßåñï»Éáí ½³ÝáÝù ë³ÑÙ³Ý¿Ý ³ÛÝ ÏáÕÙ, ³Ûëûñ ÝáÛÝù³Ý ù³çáõû³Ùµ »õ Ù»Í Ï³Ùùáí ÏÁ å³Ûù³ñÇÝ Çñ»Ýó ³éáÕçáõÃÇõÝÁ í»ñ³Ï³Ý·Ý»Éáõ »õ áñå¿ë ÉÇÇñ³õ ³ÝÓ Ï»³ÝùÇÝ µ³óáõ»Éáõ: ²ÝáÝó í»ñ³Ï³Ý·ÝáõÙÁ µ³õ³Ï³Ý ͳËë³ÉÇó ¿, áñáõ ѳٳñ ϳñÇù Ï³Û Çõñ³ù³ÝãÇõñÇë ÝÇõÃ³Ï³Ý »õ µ³ñáÛ³Ï³Ý ³ç³Ïóáõû³Ý: Ü»óáõÏ Ï³Ý·ÝÇÝù Ù»ñ íÇñ³õáñ ½ÇÝáõáñÝ»ñáõÝ` í»ñ³·ïÝ»Éáõ Çñ»Ýó ³éáÕçáõÃÇõÝÁ:

8

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

вڲêî²Ü

Øûï 7000 Ðá·Ç ²Ûë î³ñÇ Ð³Û³ëï³Ý Ø¿ç ºñÏù³Õ³ù³óÇ ¸³ñÓ³Í ¿ §²ñÙ»Ý÷ñ»ë¦- г۳ëï³ÝÇ Ð³Ýñ³å»ïáõû³Ý ù³Õ³ù³óÇáõÃÇõÝ ëï³Ý³Éáõ ѳٳñ` 2017Ç ³é³çÇÝ ÇÝÝ ³ÙÇëÝ»ñáõÝ ÁÝóóùÇÝ` ¹ÇÙ³Í ¿ 6866 ³ÝÓ: 2016Ç ³ÙµáÕç ï³ñáõ³Ý ÁÝóóùÇÝ ` 7229 ³ÝÓ: ÐÐ áëïÇϳÝáõû³Ý ³ÝÓݳ·ñ³ÛÇÝ »õ íǽ³Ý»ñáõ í³ñãáõû³Ý å»ï Øݳó³Ï³Ý ´Çã³Ëã»³Ý Áë³Í ¿, áñ 2017 ÚáõÝáõ³ñ-ê»åï»Ùµ»ñÇÝ Ù»ñÅáõ³Í ¿ 356 ³ÝÓÇ ¹ÇÙáõÙ, 2016ÇÝ` 840 ¹ÇÙáõÙ: гϳé³Ï ³Ýáñ, áñ å³ßïûÝ³Ï³Ý íÇ׳ϳ·ñáõÃÇõÝ ãÇ í³ñáõÇñ, ë³Ï³ÛÝ §ì»ñ³¹³ñÓ Ð³Û³ëï³Ý¦ ÑÇÙݳ¹ñ³ÙÇ ïÝûñ¿Ý ì³ñ¹³Ý سñ³ßÉ»³Ý ï»Õ»Ï³óáõó³Í ¿, áñ »ñÏù³Õ³ù³óÇáõÃÇõÝ ëï³Ý³Éáõ ѳٳñ ³õ»ÉÇ Û³×³Ë ÏÁ ¹ÇÙ»Ý êáõñÇáÛ, Èǵ³Ý³ÝÇ, ìñ³ëï³ÝÇ Ñ³Û»ñÁ: §ºñÏù³Õ³ù³óÇáõû³Ý ÑÇÙݳñÏÁ ųٳݳÏÇÝ ëï»ÕÍáõ³Í ¿ ³Ýáñ ѳٳñ, áñ ϳå»Ý ê÷ÇõéùÁ г۳ëï³ÝÇ Ñ»ï: à°ã áõÕÕ³ÏÇ Ó»õáí` ³ïÇϳ ݳ»õ ÏÁ í»ñ³µ»ñÇ Ñ³Ûñ»Ý³¹³ñÓáõû³Ý ½³ñ·³óÙ³Ý, áñáíÑ»ï»õ Ù³ñ¹ÇÏ, »Ã¿

Ó»éù ÏÁ µ»ñ»Ý »ñÏù³Õ³ù³óÇáõÃÇõÝ, Çñ»Ýù ÏÁ ëÏëÇÝ »ñóÉ-·³É г۳ëï³Ý »õ »ñóÉ-·³Éáí г۳ëï³Ý ϳåáõ³Íáõû³Ý ³ëïÇ׳ÝÁ ß³ï Éáõñç Ï`ÁÉÉ³Û »õ Ù³ñ¹ÇÏ ÏÁ ëÏëÇÝ Ùï³Í»É ï»Õ³÷áËáõ»Éáõ Ù³ëÇݦ, Áë³Í ¿ ³Ý: سñ³ßÉ»³Ý Ýß³Í, áñ ß³ï å»ïáõÃÇõÝÝ»ñ Ï`³ñ·ÇÉ»Ý Ù³ñ¹áó ³ÛÉ »ñÏñÇ ù³Õ³ù³óÇ ÁÉɳÉÁ: §ÆëÏ Ð³Û³ëï³ÝÇ Ù¿ç ³ÝáÝù ÏÁ ѳٳñáõÇÝ Çµñ»õ г۳ëï³ÝÇ ù³Õ³ù³óǦ, ³õ»Éóáõó³Í ¿ ³Ý: г۳ëï³ÝÇ Ð³Ýñ³å»ïáõû³Ý »ñÏù³Õ³ù³óÇ ÏÁ ѳٳñáõÇ ³ÛÝ ³ÝÓÁ, áñ ÐÐ ù³Õ³ù³óÇáõÃ»Ý¿Ý µ³óÇ, áõÝÇ Ý³»õ ³ÛÉ å»ïáõû³Ý (»ñÏÇñÝ»ñáõ) ù³Õ³ù³óÇáõÃÇõÝ: г۳ëï³ÝÇ Ð³Ýñ³å»ïáõû³Ý »ñÏù³Õ³ù³óÇÝ Ð³Û³ëï³ÝÇ Ð³Ýñ³å»ïáõû³Ý ѳٳñ ÏÁ ׳ÝãóáõÇ ÙdzÛÝ Çµñ»õ г۳ëï³ÝÇ Ð³Ýñ³å»ïáõû³Ý ù³Õ³ù³óÇ: úï³ñ»ñÏñ³óÇÝ»ñáõ ѳٳñ ÏÁ ·áñÍ¿ г۳ëï³Ý Ùáõïù ·áñÍ»Éáõ, »ñÏñÇÝ Ù¿ç ·ïÝáõ»Éáõ »õ µÝ³Ï»Éáõ ûñ¿Ýë¹ñ³Ï³Ý ϳéáõó³Ï³½Ù: ÆëÏ ì³ñã³Ï³Ý Çñ³-

õ³Ë³ËïáõÙÝ»ñáõÝ í»ñ³µ»ñ»³É ÐÐ ûñ¿Ýë·Çñùáí ³É ë³ÑÙ³Ýáõ³Í ¿ í³ñã³Ï³Ý å³ï³ë˳ݳïõáõÃÇõÝ` ûï³ñ»ñÏñ³óÇÝ»ñáõ ÏáÕÙ¿ г۳ëï³ÝÇ Ð³Ýñ³å»ïáõû³Ý Ù¿ç ³é³Ýó í³õ»ñ³Ï³Ý ³ñïûݳ·ñÇ Ï³Ù Ï³óáõû³Ý ϳñ·³íÇ׳ÏÇ Ï³Ù ³Ýí³õ»ñ ÷³ëï³ÃáõÕûñáí µÝ³Ï»Éáõ ѳٳñ: ÜáÛÝÇëÏ ³ÛÝ å³ñ³·³ÛÇÝ, »ñµ г۳ëï³ÝÇ Ð³Ýñ³å»ïáõû³Ý ù³Õ³ù³óÇÝ áõÝÇ Ý³»õ ³ÛÉ »ñÏñÇ ù³Õ³ù³óÇáõÃÇõÝ, г۳ëï³ÝÇ Ù¿ç ÏñÝ³Û µÝ³ÏÇÉ ³é³Ýó ųÙÏ¿ï³ÛÇÝ ë³Ñٳݳ÷³ÏÙ³Ý: ºÃ¿ Éñ³ó³Í ¿ ³Ýáñ ÐÐ ù³Õ³ù³óÇÇ ³ÝÓݳ·ñÇ í³õ»ñ³Ï³Ýáõû³Ý ųÙÏ¿ïÁ ϳ٠½³ÛÝ ÏáñëÝóáõó³Í ¿ »õ ¹»é ÝáñÁ ã¿ ëï³ó³Í, áñ»õ¿ å³ï³ë˳ݳïõáõÃÇõÝ ãÇ Ïñݳñ ÏÇñ³éáõÇÉ ³Ýáñ ѳݹ¿å: ÐÐ ù³Õ³ù³óÇáõÃÇõÝ ëï³Ý³Éáõ ¹ÇÙáõÙ Ý»ñϳ۳óÝ»Éáõ ѳٳñ §ÐÐ ù³Õ³ù³óÇáõû³Ý Ù³ëÇݦ ÐÐ ûñ¿Ýùáí ë³ÑÙ³Ýáõ³Í ¿ ÁݹѳÝáõñ å³ÛÙ³Ý, å¿ïù ¿ Éñ³ó³Í ÁÉÉ³Û ³ÝÓÇ 18 ï³ñÇÝ, ÁÉÉ³Û ·áñÍáõݳÏ, í»ñçÇÝ »ñ»ù ï³ñÇÝ

Ùßï³å¿ë µÝ³Ï³Í ÁÉÉ³Û Ð³Û³ëï³ÝÇ Ù¿ç, ϳñ»Ý³Û µ³ó³ïñáõÇÉ Ñ³Û»ñ¿Ý É»½áõáí, ͳÝûà ÁÉÉ³Û Ð³Û³ëï³ÝÇ Ð³Ýñ³å»ïáõû³Ý ê³Ñٳݳ¹ñáõû³Ý:

г۳ëï³Ý гëï³ïáõ³Í êáõñdzѳÛÁ ΰÁݹɳÛÝ¿ Çñ ¶áñÍÁ §²ñÙ»Ý÷ñ»ë- Þ³Ýà ʳ۳ɻ³ÝÁ ³ÛÝ µ³½Ù³ÃÇõ ëáõñdzѳۻñ¿Ý ¿ñ, áñ ëáõñÇ³Ï³Ý å³ï»ñ³½ÙÇ å³ï׳éáí ѳñϳ¹ñáõ³Í ï»Õ³÷áËáõ»ó³õ г۳ëï³Ý: 2013 Ãáõ³Ï³ÝÝ ¿ñ, »ñµ ³Ý »Ï³õ ºñ»õ³Ý: êáõñÇáÛ Ù¿ç ³Ý ÏÁ ½µ³Õ¿ñ ·áí³½¹Ç Ó»õ³õáñáõÙáí, áõÝ¿ñ ÓÇóåïáõÕÇ ³ñï³¹ñ³Ù³ë »õ ³ÛÉ ·áñÍ»ñ: ²ïÏ¿ ½³ï, ëÇñáÕ³Ï³Ý Ó»õáí ÏÁ ½µ³Õ¿ñ µÝ³Ï³Ý ÙÇçáóÝ»ñ¿ û׳é å³ïñ³ëï»Éáí: ²ÛÝ Å³Ù³Ý³Ï ½³ÝáÝù ÏÁ ÝáõÇñ¿ñ Çñ ͳÝûÃÝ»ñáõÝ, µ³ñ»Ï³ÙÝ»ñáõÝ, ÏÁ Ý»ñϳ۳óÝ¿ñ óáõó³Ñ³Ý¹¿ëÝ»ñáõ Ù¿ç: ²Ý·³Ù ÙÁ Þ³ÝÃÇ å³ïñ³ëï³Í û׳éÝ»ñÁ Ý»ñϳ۳óáõ»ó³Ý Úáñ¹³Ý³ÝÇ Ù¿ç ï»ÕÇ áõÝ»ó³Í óáõó³Ñ³Ý¹¿ëÇ ÙÁ »õ Ù»Í ·áí»ëïÇ ³ñųݳó³Ý: г۳ëï³ÝÇ Ù¿ç áñáß»ó Çñ ëÇñá- Þ³Ýà ʳ۳ɻ³Ý Õ³Ï³Ý ½µ³ÕáõÙÁ ³õ»ÉÇ ³ñÑ»ëï³í³ñŠٳϳñ¹³Ïáí ÁÝ»É »õ ¹³ñÓÝ»É ÑÇÙݳ- ³åñ³ÝùÇë: ÆÙ å³ïñ³ëï³Í ³åñ³ÝÏ³Ý ·áñÍÇ: ²Ý ¹ÇÙ»ó г۳ëï³ÝÇ ù³ï»ë³ÏÁ ùÇã-ùÇã ׳ݳã»ÉÇ ¹³ñÓ³õ, ÷áùñ »õ ÙÇçÇÝ Ó»éݳñϳïÇñáõû³Ý ëÏë³Û ³õ»ÉóÝ»É ï»ë³Ï³ÝÇÝ: ú׳éÝ»½³ñ·³óÙ³Ý ³½·³ÛÇÝ Ï»¹ñáÝ, ó³Í ïá- ñ¿Ý µ³óÇ, µÝ³Ï³Ý ÙÇçáóÝ»ñ¿ ëÏë³Û Ïáë³¹ñáÛùáí í³ñÏ ëï³Ý³Éáõ ѳٳñ: å ³ ï ñ ³ ë ï » É Ù ³ ½ Ç û × ³ é Ý » ñ §´Ý³Ï³Ý³µ³ñ, ¹Åáõ³ñáõÃÇõÝÝ»ñ (shampoo)¦, Ï°Áë¿ ³Ý: ºñÇóáõÏ¿, ËÝϳͳÕÇÏ¿, ëï»åÕÇϳÛÇÝ, Ýáñ ·áñÍ ÏÁ ëÏë¿Ç, ÇÝÍÇ Å³Ù³Ý¿, ³½³ïù»Õ¿ »õ ³ÛÉ ÙÇçáóÝ»ñ¿ å³ïÝ³Ï å¿ïù ¿ñ, áñ ßáõÏ³Ý ×³ÝãݳÛÇ »õ ñ³ëï³Í ·ÉËáõ áõ ëáíáñ³Ï³Ý û׳éݻѳϳé³ÏÁ` Ù³ñ¹ÇÏ Í³ÝûóݳÛÇÝ

²õëïñ³ÉÇáÛ Î³Ý³ãÝ»ñÁ ä³ßïûݳå¿ë Ö³Ýãó³Ý ²ñó³ËÇ Ð³Ýñ³å»ïáõÃÇõÝÁ ²õëïñ³ÉÇáÛ Î³Ý³ãÝ»ñáõ Ïáõë³ÏóáõÃÇõÝÁ Ïáõë³Ïó³Ï³Ý ù³Õ³ù³Ï³Ýáõû³Ý Íñ³·ñÇÝ Ù¿ç Ý»ñ³é³Í ¿ ²ñó³ËÇ Ð³Ýñ³å»ïáõû³Ý µÝ³ÏÇãÝ»ñáõ ÇÝùÝáñáßÙ³Ý Çñ³õáõÝùÁ: Îáõë³ÏóáõÃÇõÝÁ, áñ ׳Ýãó³Í ¿ гÛáó ò»Õ³ëå³ÝáõÃÇõÝÁ, Ïáã Áñ³Í ¿ ϳé³í³ñáõû³Ý §Ö³ÝãݳÉáõ È»éݳÛÇÝ Ô³ñ³µ³ÕÇ ³ÝϳËáõÃÇõÝÁ »õ ½ûñ³óÝ»Éáõ ²õëïñ³ÉÇáÛ Û³ñ³µ»ñáõÃÇõÝÝ»ñÁ È»éݳÛÇÝ Ô³ñ³µ³ÕÇ »õ ³Ýáñ ù³Õ³ù³óÇÝ»ñáõÝ Ñ»ï¦: §²õëïñ³ÉÇáÛ Î³Ý³ãÝ»ñÁ Ï°³ñӳݳ·ñ»Ý È»éݳÛÇÝ Ô³ñ³µ³ÕÇ ·áñͳ¹ñ³Í ç³Ýù»ñÁ` ϳéáõó»Éáõ ³½³ï »õ ÅáÕáíñ¹³í³ñ³Ï³Ý ѳë³ñ³ÏáõÃÇõÝ ûñÇݳõáñ ËáñÑñ¹³ñ³Ý³Ï³Ý ÁÝïñáõÃÇõÝÝ»ñáõ ÙÇçáóáí, ÇÝãå¿ë ݳ»õ ß³ñáõÝ³Ï³Ï³Ý ³ß˳ï³ÝùÝ»ñÁ å³ï³ë˳ݳïáõ ϳé³í³ñáõÃÇõÝ áõݻݳÉáõ ѳñóáí¦, Ï°ÁëáõÇ Ïáõë³Ïóáõû³Ý Û³Ûï³ñ³ñáõû³Ý Ù¿ç: ²õëïñ³ÉÇáÛ Ð³Û ¸³ïÇ Û³ÝÓݳ-

ËáõÙµÇ ïÝûñ¿Ý ì³ã¿ Ô³Ññ³Ù³Ý»³Ý áÕçáõÝ³Í ¿ Ïáõë³Ïóáõû³Ý áñáßáõÙÁ` Ýß»Éáí, áñ È»éݳÛÇÝ Ô³ñ³µ³ÕÁ ѳ½³ñ³Ù»³ÏÝ»ñ ß³ñáõÝ³Ï »Õ³Í ¿ Ù»Í Ñ³ÛÏ³Ï³Ý Ñ³Ûñ»ÝÇùÇ Ù¿Ï Ù³ëÁ: ²õëïñ³ÉÇáÛ Ù¿ç ²ñó³ËÇ Ùßï³Ï³Ý Ý»ñϳ۳óáõóÇã ø³Ûɳñ ØÇù³Û¿É»³Ý »õë ²ñó³ËÇ Ï³é³í³ñáõû³Ý ³ÝáõÝ¿Ý áÕçáõÝ³Í ¿ ù³Õ³ù³Ï³Ý áõÅÇ áñáßáõÙÁ: §ê³ Çëϳå¿ë å³ïÙ³Ï³Ý ×³Ý³ãáõÙ ¿: ²ñó³ËÇ Ð³Ýñ³å»ïáõû³Ý ÅáÕáíáõñ¹Á ³ñ¹¿Ý 26 ï³ñÇ¿ Ï°³åñÇ ³Ýíï³Ý·áõû³Ý Ùßï³Ï³Ý ëå³éݳÉÇùÇ ï³Ï: ²Û¹áõѳݹ»ñÓ, ³ÝáÝù Ïñó³Í »Ý ϳéáõó»É ÅáÕáíñ¹³í³ñ³Ï³Ý å»ïáõÃÇõÝ, áñ ÏÁ ëå³ë¿ ³ß˳ñÑÇ ÏáÕÙ¿ ׳ݳãٳݦ, Áݹ·Í³Í ¿ ³Ý: ²õëïñ³ÉÇáÛ ¹³ßݳÛÇÝ ËáñÑñ¹³ñ³ÝÇÝ Ù¿ç ²õëïñ³ÉÇáÛ Î³Ý³ãÝ»ñÁ Ý»ñϳ۳óáõ³Í »Ý ì»ñÇÝ å³É³ïÇÝ Ù¿ç ÇÝÁ Í»ñ³Ïáõï³Ï³Ýáí »õ Ü»ñϳ۳óáõóÇãÝ»ñáõ å³É³ïÇÝ Ù¿ç Ù¿Ï ³Ý¹³Ùáí:

ñÁ ßáõïáí ÁݹáõÝ»ÉáõÃÇõÝ ·ï³Ý: Ò»éùÇ ³ß˳ï³ÝùÁ ÁݹɳÛÝ»ÉáõÝ ½áõ·³Ñ»é Þ³ÝÃÁ Ù³ëݳÏó³Í ¿ ³é»õïáõñÇ, ·áñͳñ³ñáõû³Ý ¹³ëÁÝóóÝ»ñáõ: §²Ûë ÁÝóóùÇÝ, û·ï³·áñÍ»Éáí ï³ñµ»ñ ³éÇÃÝ»ñ, ù³ÝÇ ÙÁ »ñÏñÇ Ù¿ç Ý»ñϳ۳óáõó³Í »Ù ÇÙ ³åñ³Ýùë: سëݳõáñ³å¿ë, Æñ³ÝÇ, Ô³½³Ëëï³ÝÇ, Û³é³çÇϳÛÇÝ ÏÁ ݳ˳ï»ë»Ù Ý»ñϳ-

Û³óÝ»É ìñ³ëï³ÝÇ, Èǵ³Ý³ÝÇ Ù¿ç: Æ ¹¿å, ³ñ¹¿Ý ·áñÍÁÝÏ»ñ ·ï³Í »Ù èáõëÇáÛ Ù¿ç, ÏÁ ݳ˳ï»ë»Ù ³åñ³ÝùÝ»ñÁ ùÇã-ùÇã ¹áõñë µ»ñ»É ݳ»õ éáõë³Ï³Ý ßáõϳÛ, áñ »ñÏáõ ³ÙÇë¿ Ç í»ñ Ï° áõëáõÙݳëÇñ»Ýù: ²ÛÝï»Õ Ù»Í Ý»ñáõÅ ÏÁ ï»ëÝ»Ù, ³ÛÅÙ ÃÕóµ³Ýáõû³Ý ѳñó»ñáí ÏÁ ½µ³ÕÇÙ¦, Ï°Áë¿ Þ³ÝÃÁ: ²Ý ÏÁ ó³ÝÏ³Û ³õ»ÉóÝ»É µÝ³Ï³Ý ÙÇçáóÝ»ñ¿ å³ïñ³ëï³Í ³åñ³ÝùÝ»ñáõ ï»ë³Ï³ÝÇÝ, Éá·³ÝùÇ û׳éÝ»ñ , Ó»éùÇ Ñ»ÕáõÏ û׳éÝ»ñ, Û³é³çÇϳÛÇÝ ³É` ³õ»ÉÇ áõß, Ù³ÝÏ³Ï³Ý Éáõ³óùÇ ÷áßÇ: ²Ý ݳ»õ ϳÛù¿ç áõÝÇ, áõñ Ý»ñϳ۳óáõ³Í »Ý ï³ñµ»ñ ³ÝÓ»ñáõ Ó»éùÇ ³ß˳ï³ÝùÝ»ñÁ: §¶áñÍÁ ϳٳó-ϳٳó ³é³ç Ï°»ñóÛ, ï»ÕÇ ëáíáñáõÃÇõÝÝ»ñáõÝ Ï°ÁÝï»É³Ý³Ù, ûñÇݳÏ` ²Ù³ÝáñÇÝ ëÏë³Í »Ù Ëá½Ç µáõ¹ å³ïñ³ëï»É (ÏÁ ÍÇͳÕÇ)¦: §Ð³Û³ëï³ÝÁ ß³ï ëÇñ»óÇ: êáõñdz åÇïÇ ãí»ñ³¹³éݳÙ: ØdzÛÝ ÏñÝ³Û ÁÉÉ³É »ñóÙ` ï»ëÝ»Éáõ, ÿ ³ÛÝï»Õ ÇÝã Ùݳó³Í ¿, ÇÝã Ïñݳ٠í³×³é»É »õ í»ñ³¹³éݳɦ, Ï°³õ»ÉóÝ¿ ³Ý: Æ ¹¿å, Þ³Ýà ʳ۳ɻ³ÝÇ ùáÛñÝ ³É ÁÝï³ÝÇùáí ÏÁ ÷áñÓ¿ г۳ëï³Ý ѳëï³ïáõÇÉ: ²ÛÅÙ Ï°áõëáõÙݳëÇñ»Ý ßáõϳÝ` ËÙáñ»Õ¿ÝÝ»ñáõ ³ñï³¹ñáõû³Ùµ ½µ³Õ»Éáõ ѳٳñ:

3.6 ØÇÉÇáÝ îáɳñ` Æ Üå³ëï г۳ëï³ÝÇ ¶ÇõÕ»ñáõÝ ¸»Ïï»Ùµ»ñ 16ÇÝ Ð³Û³ëï³ÝÇ Ø³ÝáõÏÝ»ñáõ ÐÇÙݳ¹ñ³ÙÇ (COAF) 14ñ¹ ï³ñ»Ï³Ý »ñ»ÏáÛÃÇ ÁÝóóùÇÝ Ñ³Ý·³Ý³Ïáõ»ó³õ 3.6 ÙÇÉÇáÝ ïáɳñ: ÜÇõ ºáñùÇ Û³ÛïÝÇ êÇ÷ñdzÝÇÇ ¹³ÑÉÇ×ÇÝ Ù¿ç ï»ÕÇ áõÝ»ó³Í »ñ»ÏáÛÃÇ ·É˳õáñ ÑÇõñ»ñáõ ß³ñùÇÝ ¿ÇÝ ÂáÝÇ Þ³ýñ³½, ¹»ñ³ë³ÝáõÑÇ ²Ýïñ¿³ سñÃÇÝ, Ó»õ³õáñáÕ Ø³ÛùÁÉ ²ñ³Ù, Ëáѳñ³ñ Ö¿áýñÇ ¼³ù³ñ»³Ý, ¹»ñ³ë³Ý áõ »ñ·Çã ì³Ý»ë³ àõÇÉÇÁÙ½ »õ áõñÇßÝ»ñ: ºñ»ÏáÛÃÇ ÁÝóóùÇÝ á·»õáñáÕ »ÉáÛÃáí ѳݹ¿ë »Ï³õ »õ г۳ëï³ÝÇ Ø³ÝáõÏÝ»ñáõ ÑÇÙݳ¹ñ³ÙÇÝ Çñ »ñ³Ëï³·ÇïáõÃÇõÝÁ Û³ÛïÝ»ó È»éݳ·á· ·ÇõÕ¿Ý 16³Ù»³Û ܳñ¿ ¶³ÉëﻳÝ: ºñ»ÏáÛÃÇ ÁÝóóùÇÝ Ñ³Ý·³Ý³Ïáõ³Í ³ÙµáÕç ·áõÙ³ñÁ åÇïÇ Û³ïϳóáõÇ ·ÇõÕ³Ï³Ý ßñç³ÝÝ»ñáõ Ù¿ç ÐÇÙݳ¹ñ³ÙÇ Ó»éݳñÏ³Í ÏñóϳÝ, ³éáÕç³å³Ñ³Ï³Ý »õ ÁÝÏ»ñ³ÛÇÝ Íñ³·ÇñÝ»ñáõ Çñ³Ï³Ý³óÙ³Ý: ²é³ÝÓÇÝ áõß³¹ñáõû³Ý åÇïÇ ³ñÅ³Ý³Ý³Û Ýáñ³ñ³ñ

SMART ݳ˳ӻéÝáõÃÇõÝÁ, áñ Ï`³é³ç³¹ñ¿ Ãáõ³ÛÇÝ ³ñÑ»ëï³·Çïáõû³Ý ÏñÃáõÃÇõÝ ç³Ùµ»É ·ÇõÕ³óÇ »ñ»Ë³Ý»ñáõÝ: Üß»Ýù, ÿ г۳ëï³ÝÇ Ø³ÝáõÏÝ»ñáõ ÐÇÙݳ¹ñ³ÙÇ Ý³Ë³·³ÑÝ áõ ÑÇÙݳ¹ÇñÝ ¿ ïáùÃ. γñû ²ñÙ¿Ý:

ÊÙµ³·ñáõû³Ý ÏáÕÙ¿ §ÂáñáÝÃáѳۦ å³ï³ë˳ݳïáõ ã¿ Çñ ¿ç»ñáõÝ Ù¿ç ÉáÛë ï»ë³Í ͳÝáõóáõÙÝ»ñáõ µáí³Ý¹³Ïáõû³Ý: Ø»½Ç ÛÕáõ³Í µáÉáñ ÃÕóÏóáõÃÇõÝÝ»ñÝ áõ ·ñáõ-ÃÇõÝÝ»ñÁ »ÝÃ³Ï³Û »Ý áñáß ËÙµ³·ñáõÙÇ:

²Ü¸ð²¸²ðÒ

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

9

гÛñ»Ý³Ñ³ÝáõÙÁ Ø»ñ ÄáÕáíáõñ¹Ç ²Ù¿Ý úñ ²åñáõáÕ ²Õ¿ïÝ ¿ Ú. ä³É»³Ý

гÛñ»ÝÇùÇ ë¿ñÁ ·áÛáõÃÇõÝ áõÝÇ ÙdzÛÝ Ù»Í Ñá·ÇÝ»ñáõ Ù¿ç, ß³ÑÇ ë¿ñÁ ÏÁ Ý»ñÍÍ¿ ·é»ÑÇÏ Ñá·ÇÝ»ñÁ: öÇ¿ñ-ÄÇõÉ êóÑÉ ÆÝãá±õ »ñµ»ÙÝ Ñ³Ý¹Çë³õáñáõû³Ùµ, Ù³ÙáõÉáí, ËáñÑñ¹³ÅáÕáíÝ»ñáí »õ ·Çï³ÅáÕáíÝ»ñáí ã»Ýù Ýß»ñ гÛáó гÛñ»Ý³Ñ³ÝÙ³Ý úñÁ, áñå¿ë½Ç ËûëáõÇ, ·Çï³ÏóáõÃÇõÝ ³ñÃÝÝ³Û ²½·Ç ÙÁ Ù»ÕÙ »õ ³Ýó³õ Ù³ßáõÙÇÝ Ù³ëÇÝ: гÛñ»Ý³Ñ³ÝÙ³Ý ÁÙµéÝáõÙÁ µáí³Ý¹³ÏáõÃÇõÝ Ïáõ ï³Û ½·³ó³Ï³Ý ѳÛñ»Ý³ëÇñáõû³Ý »õ ׳ٵ³Û ÏÁ ѳñÿ Û³ÝÓݳéáõ ѳÛñ»Ý³ëÇñáõû³Ý ³éç»õ, ÛÇß»óÝ»Éáí ïÇñáç å³ñï³Ï³ÝáõÃÇõÝÁ: ò»Õ³ëå³Ýáõû³Ý ½áÑ ÙÇÉÇáÝÁ ëáëÏ ÛÇß³ï³Ï ¿, ½³Ý³½³Ý áñ³ÏáõÙÝ»ñáí. Ù³ñ¹Ïáõû³Ý ¹¿Ù á×Çñ, ëñµ³óáõÙ: ¶áõÙ³ñ»ó¿°ù µ³ñáÛ³Ï³Ý ÙËÇóñáõû³Ý Û³ñ³×áõÝ ×³Ý³ãáõÙÝ»ñÁ, áñáÝù ³ÝÑ»ï»õ³Ýù ³ÕÙáõÏ »Ý ó³ñ¹, ÏÁ ͳé³Û»Ý ÃáõÕà ë»õóÝ»Éáõ: ²ÝáÝù å³ïÙáõÃÇõÝÁ í»ñëïÇÝ Çñ ÑáõÝÇÝ Ù¿ç ¹ÝáÕ ³½¹³Ï ã»Ý, ³½·Ç áñå¿ë ³Û¹åÇëÇÝ í»ñ³Ï³Ý·áõÙÇÝ íñ³Û ù³ñ ã»Ý ³õ»ÉóÝ»ñ: ¶¿Ã ãÏñó³Ý ³Û¹ ÁÝ»É ó³ñ¹: гñÇõñ ï³ñÇ¿ Ç í»ñ Ï ³åñÇÝù гÛñ»Ý³ÑÝÙ³Ý ²Õ¿ïÇÝ Ù¿ç, µ³Ûó ϳñÍ¿ù ³Û¹ »ñ»õáÛÃÁ Ù»½ ã ³Ýѳݷëï³óÝ»ñ, Áݹѳϳé³ÏÝ: ´³óáñáß Ï³Ù Éáõé ·áÑáõݳÏáõû³Ùµ ÁݹáõÝ³Í »Ýù гÛñ»Ý³Ñ³ÝáõÙÁ, ù³ÝÇ áñ ×áÕáåñ³Í »Ýù ûëٳݻ³Ý ѳñëï³Ñ³ñáõÃÇõÝÝ»ñ¿, ç³ñ¹¿, ¹³ñÓ³Í »Ýù Û³é³ç³¹¿Ù »ñÏÇñÝ»ñáõ ù³Õ³ù³óÇ, Ï ³åñÇÝù ³å³Ñáí å³ÛÙ³ÝÝ»ñáõ Ù¿ç, Ó»éù ÏÁ µ»ñ»Ýù µ³ñÓñ Ï»Ýë³Ù³Ï³ñ¹³Ï: ²Ûë ·áÑáõݳÏáõÃÇõÝÁ ³ÛÝ ³ëïÇ×³Ý Ù»½ ·»ñ³Í ¿, áñ ³ÛÅÙ áõÝÇ Çñ Ýáñ³·áÛÝ Ñ»ï»õ³ÝùÝ»ñÁ γٳõáñ гÛñ»Ý³Ñ³ÝÙ³Ý Çñ Ó»õáí, ½áñ ÏÁ Ïáã»Ýù ²ñï³·³ÕÃ: ²½·Ç áñ³ÏÇ »õ ѳÙñ³ÝùÇ ï»ë³ÝÏÇõÝ¿, ²ñï³·³ÕÃÁ ÏÁ ß³ñáõݳϿ гÛñ»Ý³Ñ³ÝáõÙÁ: гÛñ»ÝѳÝÙ³Ý »õ ²ñï³·³ÕÃÇ ù³Õ³ù³Ï³Ý, ÁÝÏ»ñ³ÛÇÝ »õ Ùß³ÏáõóÛÇÝ Ñ»ï»õ³ÝùÝ»ñÁ ѳٳå³ï³ëË³Ý í»ñ³µ»ñáõÙÇ ã»Ýù ³ñųݳóÝ»ñ, ù³ÝÇ áñ ³Ýѳï³Ï³Ý »õ ѳõ³ù³Ï³Ý ٳϳñ¹³ÏÝ»ñáõ íñ³Û, ³ÝáÝó Ýϳïٳٵ ãáõÝÇÝù ÁÝÏ»ñ³ÛÇÝ ·ÇïáõÃÇõÝÝ»ñáõ ÉáÛëÇÝ ï³Ï Ùß³Ïáõ³Í ³½·³ÛÇÝ ·³Õ³÷³ñ³Ëûëáõûݿ Ý»ñßÝãáõ³Í Ï»óáõ³Íù: ²õ»ÉÇ å³ñ½ Ëûë»Éáí, ó»Õ³ëå³Ýáõû³Ý ½áÑ»ñÁ ³½·ÇÝ Ñ³Ù³ñ Ù»Í Ïáñáõëï »Õ³Ý, ù³ÝÇ áñ ³½·Á Ï ³åñÇ Çñ ѳÙñ³Ýùáí: ƱÝã åÇïÇ ÁÉÉ³Ý Ð³Ûñ»Ý³Ñ³ÝÙ³Ý »õ ²ñï³·³ÕÃÇ Ñ»ï»õ³ÝùÝ»ñÁ ²½·ÇÝ Ñ³Ù³ñ, ųٳݳÏÇ ·ÇÍÇÝ íñ³Û, »ñµ ÏÁ ¹³¹ñÇÝù ³ÝÙÇç³Ï³ÝÇ Ñ³õÏáõñáõû³Ùµ ½³ÝáÝù ¹Çï»É¿ »õ ¹³ï»É¿: ²ëÇáÛ Ù¿ç, ÏñûÝ³Ï³Ý ï³ñµ»ñáõ-

ÃÇõÝÝ»ñáõ »õ ÙáÉ»é³Ý¹áõû³Ý å³ï׳éáí, »ñÏñÇ µÝÇÏÝ»ñ ³å³ëï³Ý ÏÁ ·ïÝ»Ý ¹ñ³óÇ »ñÏñÇ ÙÁ Ù¿ç (èáÑÇÝϳݻñÁ Ï ³å³ëï³ÝÇÝ ä³ÝÏɳï¿ß): ÆÝãå¿ë »ñ¿Ï, ݳ»õ ³Ûëûñ, ØÇç³½·³ÛÇÝ Ñ³Ù³ÛÝùÁ Çñ ûñ¿ÝùÝ»ñáõ ³Ýµ³õ³ñ³ñáõÃÇõÝÁ »õ Çñ ³ÝϳñáÕáõÃÇõÝÁ ÏÁ ßÕ³ñÅ¿ µ³ñ»ëÇñáõû³Ùµ »õ ù³Õ³ù³Ï³Ý »ñûõ»Ïáí: гÛñ»Ý³Ñ³ÝÙ³Ý Ï³Ý˳ñ·ÇÉÙ³Ý, ëñµ³·ñáõû³Ý, »õ гÛñ»Ý³Ñ³Ýáõ³ÍÝ»ñáõ Çñ³õáõÝùÇ å³ßïå³-Ýáõû³Ý ûñ¿ÝùÝ»ñ ãϳÝ: ºõ Ù»Í Êûë³ñ³ÝÇÝ Ù¿ç, áñ زΠÏÁ ÏáãáõÇ, ³Ûë Ù³ëÇÝ áã áù ÏÁ ËûëÇ: àã Ù¿Ï áõÅ, áã Ù¿Ï ûñ¿Ýù, ÇÝù½ÇÝù ³ß˳ñÑÇ Çñ³õ³ñ³ñáõû³Ý Ïáã³Í áã Ù¿Ï å»ïáõÃÇõÝ, гÛñ»Ý³Ñ³ÝáõÙÝ»ñÁ áñå¿ë ûñ³Ï³ñ· ãáõÝÇÝ: »ñ»õë ûñ ÙÁ, ³ß˳ñÑÇ µáÉáñ å»ïáõÃÇõÝÝ»ñÁ, زÎÁ »õ ³ÝáÝó ß³ñùÇÝ ÂáõñùdzÝ, ÏñÝ³Ý ×³ÝãÝ³É Ð³Ûáó ó»Õ³ëå³ÝáõÃÇõÝÁ, ó³õ³ÏóÇÉ, µ³Ûó áã áù Ó³ÛÝ-ÍåïáõÝ åÇïÇ Ñ³Ý¿ гÛñ»Ý³Ñ³ÝáõÙ ³Õ¿ïÇ Ù³ëÇÝ, áñáõÝ ³Ûëûñ ·áÑáõÝ³Ï ½áÑ»ñÝ »Ý гÛñ»Ý³Ñ³Ýáõ³ÍÝ»ñÁ »õ ³ÝáÝó Û»ïÝáñ¹Ý»ñÁ: ò»Õ³ëå³Ýáõû³Ý ׳ݳãáõÙÝ»ñáõÝ Ù¿ç ï»Õ ÙÁ, Ù»ñ »õ ³ÛÉáó ÏáÕÙ¿, ãÇ ÛÇßáõÇñ, ÿ ÇÝãá±õ ó»Õ³ëå³ÝáõÃÇõÝ ·áñÍáõ»ó³õ: Îñݳ±Ýù Ù¿Ï ïáÕ ·ïÝ»É »Õ³Í »õ µ³½Ù³å³ïÏáõáÕ ×³Ý³ãáõÙÝ»ñáõÝ Ù¿ç, Ù¿Ï ïáÕ, áñ ËûëÇ Çñ³õ å³ï׳éÇ Ù³ëÇÝ, áñáõÝ Ñ»ï»õ³ÝùÝ ¿ ݳ»õ ³Ûëûñáõ³Ý ë÷Çõéù(Ý»ñ)Á: ´³Ûó ÇÝãá±õ Ù»½Ç µ³õ³ñ³ñáõÃÇõÝ ïáõáÕ ³Û¹ ׳ݳãáõÙÝ»ñáõÝ Ñ»ÕÇݳÏÝ»ñÁ åÇïÇ ËûëÇÝ Ù»ñ ÏáÕÙ¿ ³Ý·Çï³óáõáÕ »õ ãå³Ñ³ÝçáõáÕ Ñ³ñó»ñáõ Ù³ëÇÝ: ¸ÇåáõÏ ¿ 2001ÇÝ üñ³Ýë³ÛÇ ÏáÕÙ¿ гÛÏ³Ï³Ý ò»Õ³ëå³Ýáõû³Ý ׳ݳãÙ³Ý å³ñ³·³Ý, áñ ãÇ ÛÇß»ñ áã ó»Õ³ëå³ÝáõÃÇõÝ ·áñÍáÕÁ, áã ³ÛÝ »ñÏÇñÁ áõñ ³Ý ·áñÍáõ³Í ¿, áã ³É å³ï׳éÁ ³Û¹ ó»Õ³ëå³Ýáõû³Ý: Ø»Ýù Ù»½Ç ѳñó Ïáõ ï³±Ýù, ÿ DZÝã ÏÁ å³Ñ³Ýç»Ýù, ÇÝãá±õ ÏÁ å³Ñ³Ýç»Ýù, DZÝã ÏÁ ׳ÝãÝ³Ý Ï³Ù åÇïÇ ×³ÝãݳÝ: ´³Ûó å³ï׳éÇ »õ Ýå³ï³ÏÇ ³Ý·Çï³óÙ³Ý Ñ³Ù³ñ ÙÇÿ± ó»Õ³ëå³ÝáõÃÇõÝÁ ³Ûë ϳ٠³ÛÝ Ó»õáí ûñ³óáÕÝ»ñÁ ׳ÝãóáÕÝ»ñÝ »Ý, ÿ ³Û¹ ׳ݳãÙ³Ý Ñ³Ù³ñ ¹ÇÙáÕÝ»ñÁ, ³ß˳ïáÕÝ»ñÁ: ä³Ñ ÙÁ »ñ»õ³Ï³Û»Ýù, ÿ DZÝã åÇïÇ Ùï³Í»Ý »õ ÇÝã忱ë åÇïÇ Ñ³Ï³½¹»Ý ó»Õ³ëå³ÝáõÃÇõÝÁ ׳ÝãóáÕ Ù»ñ µ³ñ»Ï³ÙÝ»ñÁ, »Ã¿ ѳñóÁ Ý»ñϳ۳óÝ»Ýù Áë»Éáí, áñ ó»Õ³ëå³Ýáõû³Ý å³ï׳éÁ ÑáÕÝ ¿ñ, »õ ѳÛáó ѳÛñ»ÝÇùÇ µéݳ·ñ³õÙ³Ý »õ ó»Õ³ëå³Ýáõû³Ý ׳ݳãÙ³Ý Ñ³ñó»ñÁ ³Ý³Ýç³ï»ÉÇ »Ý: Ø»ñ µ³ñ»Ï³ÙÝ»ñÁ »õ Ëûë³ÏÇóÝ»ñÁ ³éÝáõ³½Ý Ù»½Ù¿ Ýáõ³½ ÙdzÙÇï »Ý: ²ÝáÝù ÏñÝ³Ý Ñ³ñó ï³É, áñ »Ã¿ ³Û¹ µéݳ·ñáõ³Í ÑáÕ»ñÁ ³½³ï³·ñáõÇÝ, ³Ûëûñáõ³Ý ë÷Çõéù(Ý»ñ)Á, ѳÛñ»Ý³Ñ³-

Ýáõ³ÍÝ»ñÁ »õ ³ÝáÝó Û»ïÝáñ¹Ý»ñÁ ÏÁ í»ñ³¹³éݳ±Ý: ø³ÛÉ ÙÁÝ ³É ³é³ç »ñóÉáí, ÏñÝ³Ý ¹Çï»É ï³É, ÿ ÇÝãá±õ å¿ïù ¿ å³Ñ³Ýç»É ³Û¹ ÑáÕ»ñÁ, »ñµ ³Ûëûñ áõñÇßÝ»ñ Ï ³ñï³·³ÕûÝ, ÑáÕÁ ÏÁ Éù»Ý, Ï ³×»óÝ»Ý Ñ³Ûñ»Ý³Ñ³Ýáõ³ÍÝ»ñáõ ѳÙñ³ÝùÁ: ²õ»ÉÇÝ ³É ÏñÝ³Ý Áë»É: г۳ëï³Ý »õ ²ñó³Ë Ùdzó»³É ï³ñ³Íáõû³Ý íñ³Û ³ÙµáÕç ë÷ÇõéùÇ µÝ³Ï»óÙ³Ý ï»Õ ϳÛ: ²Ûë ³Ý·Çï³óáõ³Í ÇëÏ³Ï³Ý å³ï׳éáí ÏÁ µ³ó³ïñáõÇÝ Ñ³Ûáó ó»Õ³ëå³Ýáõû³Ý µ³ñáÛ³ÙËÇóñ³Ï³Ý ׳ݳãáõÙÝ»ñÁ, áñáÝù áã Ù¿Ï ù³Õ³ù³Ï³Ý Ýϳñ³·Çñ áõÝÇÝ »õ ã»Ý ³Ýѳݷëï³óÝ»ñ áã Ù»ñ µ³ñ»Ï³ÙÝ»ñÁ áã ³É Ù»½: ÊûëÇÉ ó»Õ³ëå³Ýáõû³Ý å³ï׳éÇ Ù³ëÇÝ åÇïÇ ëïÇå¿ñ, áñ Ù»Ýù áñå¿ë ³ÝÙÇç³Ï³Ý ûñ³Ï³ñ· áõݻݳÛÇÝù ѳÛñ»Ý³ïÇñáõÃÇõÝ »õ ѳÛñ»Ý³¹³ñÓáõÃÇõÝ ½áÛ·Á: лï»õ³µ³ñ Ï¿ë-µ»ñ³Ý »Õ³Í å³Ñ³ÝçÇÝ ÏÁ ïñáõÇ Ï¿ë-µ»ñ³Ý µ³õ³ñ³ñáõÃÇõÝ: гÛñ»Ý³Ýáõ³Í ÅáÕáíáõñ¹Ç ÇëÏ³Ï³Ý Ï³óáõû³Ý ·³Õ³÷³ñ³Ëûë³Ï³Ý å³ï³ë˳ÝÁ ѳÛñ»ÝÇùÇ ³ÙáµÕç³óáõÙÝ áõ µÝ³Ï»óáõÙÝ »Ý: ò»Õ³ëå³Ýáõû³Ý ³Ûëûñáõ³Ý ÇñáÕ³Ï³Ý ù³Õ³ù³Ï³Ý µáí³Ý¹³ÏáõÃÇõÝÁ »Õ³Í »õ ï»õáÕ Ñ³Ûñ»Ý³Ñ³ÝáõÙÝ ¿: ²ÛëÇÝùÝ ÑáÕ³ÛÇÝ å³Ñ³ÝçÝ ¿, áñ ÇëÏ³Ï³Ý ÇÙ³ëï Ïáõ ï³Û ó»Õ³ëå³Ýáõû³Ý ׳ݳãáõÙÝ»ñáõÝ, ɳó¿Ý »õ ëáõ·¿Ý, Ûáõß¿Ý »õ Ûáõß³·ñáõÃÇõÝÝ»ñ¿Ý ³Ý¹ÇÝ, ³½·³ÛÇÝ Çñ³õáõÝùÇÝ »õ ·áÛáõû³Ý Ïáõ ï³Û ù³Õ³ù³Ï³Ý áñ³Ï: ºõ Ç Ñ³ñÏ¿, å¿ïù ¿ ËûëÇÉ ë÷Çõéù(Ý»ñ)Ç ù³Õ³ù³Ï³Ý ݳ˳ӻéÝáõÃÇõÝÝ»ñáõ ÝϳïÇ ³éÝáõ»ÉÇù Éñçáõû³Ý µáí³Ý¹³Ïáõû³Ý Ù³ëÇÝ: ÀëÇÝù, ù³Õ³ù³Ï³Ý ݳ˳ӻéÝáõÃÇõÝÝ»ñ, áñáÝù ѳÛñ»Ý³Ïó³Ï³Ý ÙÇáõÃÇõÝÝ»ñáõ áã Ñ»ñÇë³Ûáí »õ áã ïáõïáõÏ-½áõéݳÛáí ÏÁ ë³ÑÙ³ÝáõÇÝ: ƱÝã ÁÝ»É »õ ÇÝã忱ë, áñå¿ë½Ç ³½·Ç ³õ»ÉÇ ù³Ý ë÷Çõéù(Ý»ñ)Á ÏáõÉ ã»ñÃ³Û Ñ³Ù³ß˳ñѳÛݳóÙ³Ý Ñ»Õ»ÕÇÝ: ²Û¹ ÁÝ»Éáõ ѳٳñ Ù»Ýù å¿ïù ¿ ¹³¹ñÇÝù µ³õ³ñ³ñáõ»É¿ µ³Å³ÏÇ Ï¿ë ϳ٠ù³éáñ¹

É»óáõÝ Ù³ëáí, ³ÛÉ µáÉáñ ÙÇçáóÝ»ñáí Ùï³Í»É »õ ·áñÍ»É áñå¿ë½Ç ³Û¹ ¹³ï³ñÏ Ù³ëÁ ÏñÏÇÝ É»óáõÇ, É»óáõÝ Ù³ëÝ ³É ³Ù¿Ý ûñ ùÇã ÙÁ ³õ»ÉÇ ã¹³ï³ñÏáõÇ: ²Ûë Ýå³ï³Ïáí, Çñ³å¿ë å¿ïù ¿ ϳ½Ù³Ï»ñå»É ѳÛÏ³Ï³Ý ë÷Çõéù(Ý»ñ)Á áã áñå¿ë ³Ûë ϳ٠³ÛÝ Ó»õÇ Ñ³ÛÏ³Ï³Ý Í³·áõÙáí Ù³ñ¹áó ÇÝùݳ·áÑ Ñ³Ù³ÛÝùÝ»ñ, áñáÝù Çñ»Ýù ½Çñ»Ýù ÏÁ ï»ëÝ»Ý Û³õ»ñųóáÕ »õ Û³õ»ñÅ³Ï³Ý ë÷Çõéù³óÙ³Ý Ù¿ç: ê»ñáõݹ å¿ïù ¿ å³ïñ³ëï»É ѳÛñ»Ý³ïÇñáõû³Ý »õ ѳÛñ»Ý³¹³ñÓáõû³Ý »ÝóÑáÕÇ íñ³Û, ûñÇݳÏ, ¹åñáóÝ»ñáõ, ÙÇáõÃÇõÝÝ»ñáõ, Ïáõë³ÏóáõÃÇõÝÝ»ñáõ, »Ï»Õ»óÇÝ»ñáõ Íñ³·ñ³ÛÇÝÏñÃ³Ï³Ý ³é³ç³¹ñ³ÝùÝ»ñáõÝ Ù¿ç å¿ïù ¿ ³ñӳݳ·ñ»É ÝáÛÝ Ñ³Ûñ»Ý³ïÇñáõÃÇõÝ-ѳÛñ»Ý³¹³ñÓáõÃÇõÝÁ: ²ÛëÇÝùÝ, ѳÛñ»Ý³Ñ³Ýáõ³Í ÁÉɳÉáõ ·Çï³ÏóáõÃÇõÝÁ å¿ïù ¿ ûɳ¹ñ¿ ³ÛÝ ³é³çÝáñ¹áÕ ÙÇïùÁ, áñ ë÷Çõéù(Ý»ñ)Á ųٳݳϳõáñ ëå³ëÙ³Ý Ï»¹ñáÝÝ»ñ ¿ ѳÛáõÝ Ñ³Ù³ñ: ºÃ¿ ³Ûë ųٳݳϳõáñÇ ëáõñ ½·³óáÕáõÃÇõÝÁ ÏáñëáõÇ, ë÷Çõéù(Ý»ñ)Á ÇÝù½ÇÝù ÏÁ ¹³ï³å³ñï¿ ¹»é Å³Ù³Ý³Ï ÙÁÝ ³É ÁÉɳÉáõ ͳ·áõÙáí ѳÛ, ûñ ÙÁ ³Û¹ ³Ý·³Ù ÙáéݳÉáõ: ÀÝÏ»ñáõÃÇõÝÝ»ñáõ Ó»õ³õáñÙ³Ý Ù¿ç ųٳݳÏÁ ³Ý·áõà ¿: гÛñ»Ý³Ñ³ÝáõÙÁ ³½·Ç ÙÁ ѳݹ¿å ·áñÍáõ³Í Ûáé»·áÛÝ á×ÇñÝ ¿: ²Ý ³½·Ç ³Ý¹³ÙÝ»ñÁ ÏÁ ¹³ï³å³ñï¿ ³Ûɳë»ñÙ³Ý, ³½·ÇÝ Ñ³Ù³ñ áÕç ٻ黳ÉÝ»ñáõ: гÛñ»Ý³Ñ³ÝÙ³Ý ³õ»ñ ·áñÍ³Í »õ ·áñÍáÕ Ñ»ï»õ³ÝùÝ»ñáõÝ, »õ ³ÝáÝó í»ñ³óÙ³Ý Ï³ñ»ÉÇáõÃÇõÝÝ»ñáõ ùÝÝáõû³Ý ѳٳñ, ã ³ñÅ»±ñ ѳϳ-³Ùµá˳í³ñ³Ï³Ý »õ ѳϳ-ÇÝùݳ˳µ¿³Ï³Ý ËáñÑñ¹³ÅáÕáí ÙÁ ·áõÙ³ñ»É, »õ ËûëÇÉ ½³Ý·áõ³ÍÝ»ñáõÝ, ¹áõñë ·³Éáí µçÇçÝ»ñáõ ûճϿÝ: ¼³Ý·áõ³ÍÝ»ñáõÝ. Ù¿Ï ³é Ù¿Ï: Æõñ³ù³ÝãÇõñÇÝ Çñ Û³ñÏÇÝ ï³Ï, áã ÙdzÛÝ Û³Ûï³ñ³ñáõÃÇõÝÝ»ñáí »õ ѳÕáñ¹³·ñáõÃÇõÝÝ»ñáí, áñáÝù ÏÁ ѳëÝÇÝ ·ÇïóáÕÝ»ñáõÝ »õ ѳÙá½áõ³ÍÝ»ñáõÝ: гٳÅáÕáíÁ å¿ïù ¿ ³ñï³Û³ÛïáõÇ Éáõé ٻͳٳëÝáõû³Ý »õ ³Ýï»ë³Ý»ÉÇ ¹³ñÓ³ÍÝ»ñáõÝ Ù³ëÇÝ, ½ÇÝáõ»Éáí ѳÛñ»Ý³ïÇñáõû³Ý »õ ѳÛñ»Ý³¹³ñÓáõû³Ý ³é³ç³¹ñ³ÝùÝ»ñáí:

Ø»Ýù ä¿ïù ¿ γñ»Ý³Ýù Ðݳñ³õáñáõÃÇõÝÝ»ñ êï»ÕÍ»É Ü»ñ·³ÕÃÇ Ð³Ù³ñ. ê»ñÅ ê³ñ·ë»³Ý ÐРݳ˳·³Ñ ê»ñÅ ê³ñ·ë»³Ý` §²ñÙ»Ýdz¦ Ñ»éáõëï³ÁÝÏ»ñáõû³Ý ïáõ³Í ѳñó³½ñáÛóÇ ÁÝóóùÇÝ Çñ³ï»ë³Ï³Ý ·Ý³Ñ³ï³Í ¿ 2040ÇÝ Ð³Û³ëï³ÝÇ µÝ³ÏãáõÃÇõÝÁ 4 ÙÇÉÇáÝ ¹³ñÓÝ»Éáõ Çñ Ý»ñϳ۳óáõó³Í é³½Ù³í³ñáõÃÇõÝÁ: §²ïÇϳ Ù»½ µÝ³Ï³ÝáÝ ½³ñ·³Ý³Éáõ ÃÇõÝ ¿, áñ »ë ÏÁ ѳٳñ»Ù Çñ³ï»ë³Ï³Ý: Úëï³Ï ·áñÍáÕáõÃÇõÝÝ»ñáõ Íñ³·Çñ ãϳÛ, ÿ ³Ù¿Ý ï³ñÇ Ù»Ýù ÇÝã å¿ïù ¿ ÁÝ»Ýù, áñáíÑ»ï»õ, »ÉáÛÃ¿Ý Û»ïáÛ ëï»ÕÍáõ³Í ¿ ³ß˳ï³Ýù³ÛÇÝ

ËáõÙµ »õ ³Û¹ ³ß˳ï³Ýù³ÛÇÝ ËáõÙµÁ ³ïáí ½µ³Õ³Í ¿: ÎÁ ϳñÍ»Ù` Ù»ñ Û³é³çÇÏ³Û ËݹÇñÝ ¿ ³Ûë ÑÇÝ· ï³ñÇÝ»ñáõÝ ÁÝóóùÇÝ ³ñï³·³ÕÃÁ ѳëóÝ»É, ³Ûëå¿ë Ïáãáõ³Í ½»ñáÛ³Ï³Ý Ù³Ï³ñ¹³ÏÇ, áñå¿ë½Ç ·³óáÕÝ»ñáõ-»ÏáÕÝ»ñáõ ï³ñµ»ñáõÃÇõÝÁ ¹ñ³Ï³Ý ÁÉÉ³Û Ð³Û³ëï³ÝÇ Ñ³Ù³ñ, ϳ٠·áÝ¿ ½»ñá۳ϳݦ: ܳ˳·³ÑÁ Ýß³Í ¿, áñ ³ÝÑñ³Å»ßï ¿ å³ÛÙ³ÝÝ»ñ ëï»ÕÍ»É Ý»ñ·³ÕÃÇ Ñ³Ù³ñ: §Ø¿Ï ÏáÕÙ¿, Ç Ñ³ñÏ¿, ß³ï Éáõñç áõß³¹ñáõÃÇõÝ ¹³ñÓÝ»Éáí ³éáÕç³å³Ñ³-

Ï³Ý ËݹÇñÝ»ñáõÝ, ß³ï Éáõñç áõß³¹ñáõÃÇõÝ ¹³ñÓÝ»Éáí ÁÝï³ÝÇùÝ»ñáõÝ, ³ÝáÝó ³Ùñ³åݹٳÝ, ѳë³ñ³Ï³Ï³Ý íÇ׳ÏÇÝ, »ñÇï³ë³ñ¹Ý»ñáõ ½µ³Õ³Í ÁÉɳÉáõÝ »õ ³ÛÉÝ, Ù»Ýù å¿ïù ¿ ϳñ»Ý³Ýù ³Ûë ųٳݳϳѳïáõ³ÍÇÝ Ñݳñ³õáñáõÃÇõÝÝ»ñ ëï»ÕÍ»É Ý»ñ·³ÕÃÇ Ñ³Ù³ñ: ºë ³ëÇϳ ß³ï Çñ³ï»ë³Ï³Ý ÏÁ ѳٳñ»Ù, áñáíÑ»ï»õ ß³ï-ß³ï Ù³ñ¹ÇÏ, áñáÝù ³ñï³·³ÕÃ³Í »Ý г۳ëï³Ý¿Ý ã»Ý ·ï³Í ³°ÛÝ, ÇÝã ÏÁ ÷Ýïé¿ÇÝ: ºõ ³Û¹ Ù³ñ¹ÇÏ Ï³ñ»ÉÇ ¿ í»ñ³¹³ñÓݻɦ, Áݹ·Í³Í ¿ ݳ˳·³ÑÁ:

10

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

²ðàôºêîܺð

´»Ù³¹ñÇã æÇõ³Ý ²õ»ïÇ뻳ÝÇ Ð»ï гñó³½ñáÛó. §²ñáõ»ëïáõÙ ä¿ïù ¿ Ø»Ýù ²ÛÝù³Ý Ú³çáÕáõû³Ý гëÝ»Ýù, àñ γñáճݳÝù ²Ùáõñ ä³Ñ»É Ø»ñ ê³ÑÙ³ÝÇÝ Î³Ý·Ý³Í ¼ÇÝáõáñÇ ÂÇÏáõÝùÁ¦ гñó³½ñáÛóÁ í³ñ»ó` γñÇÝ ê³ÕïÁ×»³Ý

гٳ½·³ÛÇÝÇ ÂáñáÝÃáÛÇ Üáõé ýÇÉÙÇ ÷³é³ïûÝÇÝ (ÜáÛ»Ùµ»ñ 15-19), ÏÁ Ù³ëݳÏó¿ñ ݳ»õ ѳÝñ³Í³Ýûà µ»Ù³¹ñÇã æÇõ³Ý ²õ»ïÇë»³Ý Çñ The Last Inhabitant (ì»ñçÇÝ ´Ý³ÏÇãÁ) ýÇÉÙáí, áñ ߳ѻó³õ »ñÏñáñ¹ Ùñó³Ý³ÏÁ ɳõ³·áÛÝ ýÇÉÙ Ùñó³Ï³ï»ë³ÏÇÝ Ù¿ç: Üß»Ýù, ÿ ²õ»ïÇ뻳ÝÇ §Â»õ³ÝÇϦ ýÇÉÙÁ 2014ÇÝ ß³Ñ»ó³õ §àëÏ¿ ÌÇñ³Ý¦ Ùñó³Ý³ÏÁ ѳٳÝáõÝ ýÇÉÙÇ ÷³é³ïûÝÇÝ: ²Ùñ³Ý, ³Ýáñ` The last Inhabitant ýÇÉÙÁ êϳÝï³Ý³õ»³Ý ýÇÉÙÇ ÷³é³ïûÝÇÝ ß³Ý»ó³õ ȳõ³·áÛÝ üÇÉÙ Ùñó³Ý³ÏÁ. ³ÝÇϳ óáõó³¹ñáõû³Ý ¹ñáõ»ó³õ ݳ»õ ì»Ý»ïÇÏÇ ³ß˳ñѳÑéã³Ï ýÇÉÙÇ ÷³é³ïûÝÇÝ: The Last Inhabitant ÑÇÙÝáõ³Í ¿ ÌáíÇݳñ ʳã³ïñ»³ÝÇ §ÎÇõñç»õ³ÝÇ ì»ñçÇÝ ´Ý³ÏÇãÁ¦ å³ïÙáõ³ÍùÇÝ íñ³Û: ºñ³Åßïáõû³Ý Ñ»ÕÇݳÏÝ ¿ ê»ñŠ³Ýù»³Ý, ÇëÏ Ýϳñ³Ñ³ÝáõÙÝ»ñÁ ϳï³ñáõ³Í »Ý µ»Ù³¹ñÇãÇÝ å³å»Ý³Ï³Ý` ʳãٳ㠷ÇõÕÇÝ Ù¿ç: ²éÇÃ¿Ý û·ïáõ»Éáí, §ÂáñáÝÃáѳۦ ûñÃÇ ËÙµ³·Çñ γñÇÝ ê³ÕïÁ×»³Ý ѳݹÇåáõÙ ÙÁ áõÝ»ó³õ ²õ»ïÇ뻳ÝÇ Ñ»ï` Ëûë»Éáí ³Ýáñ Ùß³Ï³Í ýÇÉÙ³ñáõ»ëïÇÝ »õ ³Ûë ׳ݳå³ñÑÇÝ` ³Ýáñ ѳݹÇå³Í ¹Åáõ³ñáõÃÇõÝÝ»ñáõÝ Ù³ëÇÝ: *** ÂáñáÝÃáÑ³Û -ÆÝãá±õ Ó»ñ ýÇÉÙ»ñáõÝ Ù¿ç ³é³õ»É³µ³ñ ²ñó³ËÇ Ù³ëÇÝ ÏÁ å³ïÙ¿ù: æÇõ³Ý ²õ»ïÇ뻳Ý.- ºë ¹ñ³ ѳٳñ áõݻ٠Ç٠ѳëï³ïáõÝ å³ï³ë˳ÝÁ, áñáíÑ»ï»õ, Áëï ÇÙ å³ïÏ»ñ³óÙ³Ý` »Ã¿ ѳÛáõû³Ý Ûáõ½áÕ ³é³çݳϳñ· ï³ëÁ ѳñó»ñ ϳÝ, ï³ëÝ ³É ÷áËϳå³Ïóáõ³Í, ϳ٠áõÕÕ³ÏÇûñ¿Ý ϳåáõ³Í »Ý ²ñó³ËÇ Ñ»ï: гõ³ï³ó¿ù, ÇÙ å³ïÏ»ñ³óٳٵ, Ù»Ýù Çõñ³ù³ÝãÇõñë å¿ïù ¿ Ù»ñ ûñÁ, Ù»ñ ³éûñ»³Ý, Ù»ñ ·áñÍáõÝ¿áõÃÇõÝÁ ³ÛÝå¿ë ͳõ³É»Ýù, áñ ϳñáճݳÝù Çõñ³ù³ÝãÇõñë Ù»ñ Ï»³ÝùÇ ÁÝóóùÇÝ ÇÝã áñ ã³÷áí ·áñÍ»Ýù Ç Ýå³ëï ѳÛñ»ÝÇùÇ, Ù³ëݳõáñ³å¿ë ÑÇÙ³` ²ñó³ËÇ Ñ³Ù³ñ: àñáíÑ»ï»õ å³ï»ñ³½ÙÁ ãÇ ³õ³ñïáõ»É: ÆÙ Ûáõß»ñÇó ã»Ý Ñ»é³ÝáõÙ ³ÛÝ Ù³ñ¹ÇÏ, ³ÛÝ ¹¿åù»ñÁ, áíù»ñ ³é³Ýóù³Ï³Ý ϳñ»õáñ ï»ÕáõÙ »Ý ÇÙ Ï»³ÝùáõÙ, »Õ»É »Ý áõ ϳÝ: Ø»Ýù áõÕÕ³ÏÇûñ¿Ý å³ñï³õáñ »Ýù ÛÇß»É, Ý»ñϳ۳óÝ»É, »õ ù³ÛÉ ³é ù³ÛÉ ³ß˳ñÑÇÝ å³ïÙ»É Ù»ñ å³ï»ñ³½ÙÇ Ù³ëÇÝ: ØÇ Ý³Ë³¹³ëáõû³Ùµ ³ë³Í` ³ñáõ»ëïáõÙ, Ùß³ÏáÛÃáõÙ å¿ïù ¿ Ù»Ýù ϳñáճݳÝù ³ÛÝù³Ý Û³çáÕáõû³Ý ѳëÝ»É, áñ ϳñáճݳÝù ³Ùáõñ å³Ñ»É Ù»ñ ë³ÑÙ³ÝÁ Ï³Ý·Ý³Í ½ÇÝáõáñÇ ÃÇÏáõÝùÁ: ê³ ß³ï ϳñ»õáñ, ÷áËϳå³Ïóáõ³Í, ÙÇÙ»³Ýó Éñ³óÝáÕ ·áñÍÁÝóó ¿: àñù³Ý ϳñáÕ »Ýù ºõñáå³ÛáõÙ, ²Ù»ñÇϳÛáõÙ, ºñÏÇñ ÙáÉáñ³ÏÇ ó³Ýϳó³Í ³ÝÏÇõÝáõÙ Û³çáÕ³óÝ»É ýÇÉÙ, áñáí Ù³ñ¹ÇÏ ëÇñ»Ý »õ ÁÝÏ³É»Ý ²ñó³ËÁ, ³ÛÝù³Ý ³õ»ÉÇ ß³ï ÏÁ ÙûïÇϳݳÝù ³ÛÝ µ³ÕÓ³ÉÇ »ñ³½³ÝùÇÝ` ²ñó³ËÇ ³ÝϳËáõû³Ý »õ ÙÇç³½·³ÛÇÝ µáÉáñ »ñÏñÝ»ñÇ ÏáÕÙÇó ׳ݳã»ÉÇáõû³Ý: ²Ûë ¿ å³ï׳éÁ, Û»ïáÛ Ý³»õ »ë ²ñó³ËÇó »Ù »õ ÇÝÓ Ñ»ï³ùñùÇñ ¿ å³ïÙ»É ÇÙ ·ÇõÕÇ Ù³ëÇÝ. áã ÿ ÙdzÛÝ ·ÇõÕÁ, ³ÛÉ` ·ÇõÕ Çñ ¹ñ³Ï³Ý áõ ³ÙµáÕç³Ï³Ý ÇÙ³ëïáí: üñ³ÝëdzóÇÝ»ñÇ ÝÙ³Ý Ù»Ýù ã»Ýù ϳñáÕ ëÇñ³ÛÇÝ å³ïÙáõÃÇõÝÝ»ñ å³ïÙ»É, ³Ù»ñÇϳóÇÝ»ñÇ ÝÙ³Ý Ù³ñï³ýÇÉÝ»ñ ë³ñù»É: ¾¹ Çñ³Ýó Ï»³ÝùÝ ¿, Çñ³Ýó ¿áõÃÇõÝÝ ¿: Ø»Ýù å¿ïù ¿ ϳñáճݳÝù Ëûë»É Ù»ñ Ù³ëÇÝ. ѳñóÁ å³ï»ñ³½ÙÁ ãÇ, ѳñóÁ Ùß³ÏáÛÃÝ ¿, Ù³ñ¹ÇÏ »Ý, µ³ñù»ñÁ: ²Ûë ³Ù¿ÝÁ ÙÇ ³ÙµáÕçáõû³Ý Ù¿ç, Ù³ñ¹Ï³ÛÇÝ µÝ³õáñáõÃÇõÝÝ»ñÇ »ñ³Ý·, í³ñù³·ÇÍ, ׳ϳﳷÇñ. ¿ë Ù»Ýù »Ýù: ÆÝÓ Ñ»ï³ùñùÇñ ¿ ¹ñ³ Ù³ëÇÝ Ëûë»É: Æ Ñ³ñÏ¿, Ù³ëݳõáñ³å¿ë Ù»Ýù` »ë, ·áñÍÁÝÏ»ñÝ»ñë, å¿ïù ¿ å³ï»ñ³½ÙÁ, Ù»ñ ùáÝýÉÇùÃÁ Ñݳñ³õáñÇÝë ϳñ»Ý³Ýù Ý»ñϳ۳óÝ»É ³ß˳ñÑÇÝ:

Â.- ä³ï»ñ³½ÙÇ Ù³ëÇÝ Ó»ñ ýÇÉÙ»ñáõÝ Ù¿ç ß³ï ³½·³ÛÝ³Ï³Ý Ñé»ïáñáõÃÇõÝ ã¿ù ÁÝ»ñ, ³ÛÉ ÇÝã áñ ѳٳٳñ¹Ï³ÛÇÝÁ ÏÁ ß»ßï¿ù: æ.².- Ðé»ïáñáõÃÇõÝÁ ÇÝãDZ ϳ٠á±õ٠ѳٳñ ³Ý»ë, »ñµ ³ß˳ñÑáõÙ ß³ï ï¿ñáõÃÇõÝÝ»ñ, ß³ï-ß³ï Ù³ñ¹ÇÏ ã·Çï»Ý ³Û¹ ѳñóÇ Ù³ëÇÝ, »ñÏñáñ¹` Ù»½ Çñ³õ³óÇ ã»Ý ѳٳñáõÙ: à±õ٠ѳݹ¿å ëáõñ ×á×»ë: ºÏ¿ù å³ñ½ Ëûë»Ýù, Ù³ñ¹ÇÏ Ï³Ý, áñ ³ëáõÙ »Ý, ÇÝãÇ ¿ù ÏéõáõÙ, ³åñ¿ù Ó»½ ѳٳñ. ·Ý³ó¿ù ÙÇ Ñ³ï ûï³ñÝ»ñÇ Ñ»ï Ëûë¿ù: â»Ý ÁÝϳÉáõÙ Ù»ñ ËݹÇñÁ: Ø»Ýù ¿Ýù³Ý »Ýù ϻݳó ËÙ»É »õ »ñ·»É, áñ Ùáé³ó»É »Ýù ·áñÍ ³Ý»Éáõ Ù³ëÇÝ, »Ï¿ù ¹ñ³ ÷á˳ñ¿Ý ·áñÍ ³Ý»Ýù: Ø»Ýù ³ÝÁݹѳï ÷ñá÷³Ï³ÝïáõÙ »Ýù ÇÝùÝ»ñë Ù»½, ÇÝùÝ»ñë Ù»½ »Ýù å³ïÙáõÙ, Ù»ñ Ñ»ñáëáõÃÇõÝÝ»ñÇ Ù³ëÇÝ, Ù»ñ ³ñѳõÇñùÝ»ñÇ Ù³ëÇÝ: лñÇù ¿ Ù»Ýù ÇÝùÝ»ñë Ù»½ å³ïÙ»Ýù, Ù»Ýù Ù»½ ·áí³Ýù, Ó»éÝ»ñÁ ·ÇÝáõ ë»Õ³ÝÇÝ Ë÷»Éáí` ³ë»Ýù Ù»Ýù ½ûñ»Õ »Ýù: ä¿ïù ¿ ³ß˳ï»É »õ ³ÙµáÕç ³ß˳ñÑÇÝ ¹³ ³å³óáõó»É: Ø»Ýù ¿¹ ßñç³Ý³ÏÇó å¿ïù ¿ ¹áõñë ·³Ýù, ÇÝã ÷ñá÷³Ï³Ýï³, ÇÝã Éá½áõÝùÝ»ñ: ²ß˳ñÑÇ ó³Ýϳó³Í ù³Õ³ù³óáõ ϳñáÕ »ë ÙdzÛÝ ÙÇ Ó»õáí Ùûï»Ý³É` Ûáõ½»Éáí Ýñ³ Ý»ñ³ß˳ñÑÁ: ²Ûë ¿ ׳ݳ-

å³ñÑÁ: سñ¹Ï³ÛÇÝ ×³Ï³ï³·ÇñÁ, áñ ݳ ϳñáÕ³Ý³Û ³åñ»É ùá Ñ»ñáëÇ Ñ»ï, áñ ¿ë ³ñѳõÇñùÁ, ¿ë íÇßïÁ ϳñáÕ ¿ Çñ³ Ñ»ï ¿É å³ï³ÑÇ »õ ݳ ¿É ³å³Ñáí³·ñá³Í ãÇ ³Ûë ³Ý³å³Ñáí ³ß˳ñÑáõÙ: ¸ñ³ ѳٳñ »ë å³ïÙáõÙ »Ù å³ï»ñ³½ÙÇ Ù³ëÇÝ` ù³ñá½»Éáí ˳ճÕáõÃÇõÝ: ºõ ÷áñÓáõÙ »Ù ¿ë ³Ý³å³Ñáí ³ß˳ñÑÁ Ù¿Ï ³ÏÝóñÃ, ÇÙ ³ñáõ»ëïÇ ÙÇçáóáí ë³ñù»É ³õ»ÉÇ ³å³Ñáí: Â.- Ò»ñ ýÇÉÙ»ñáõÝ Ù¿ç ³ñó³ËóÇÝ ³õ»ÉÇ ÏÁ Ù³ñ¹Ï³ÛݳݳÛ: ²Ý áã ÙdzÛÝ ÏéáõáÕ ¿, Ù³ñï³Ï³Ý³ó³Í ѳõ³ù³Ï³ÝáõÃÇõÝ, ³ÛÉ Ù³ñ¹ ¿, ÇÝÍÇ, ù»½Ç å¿ë, áñ Çñ ·áÛáõÃ»Ý³Ï³Ý å³Ûù³ñÁ ÏÁ ÙÕ¿: Ò»ñ ýÇÉÙ»ñáõÝ Ã»Ù³Ý»ñÁ ÇÝã忱ë ÏÁ Û³é³ç³Ý³Ý Ó»ñ Ùûï: ÆÝã忱ë ÏÁ ϳï³ñ¿ù ÝÇõÃÇ ÁÝïñáõÃÇõÝÁ: æ.².- ÆÝÓ Ñ»ï³ùñùñáÕ Ã»Ù³Ý»ñ ϳÝ, áñ »ë ϳñ¹³ó»É »Ù, ϳ٠Éë»É, ϳÙ` ѳݹÇå»É »Ù ß³ï ï³ñµ»ñ Ó»õ»ñáí: гݹÇå»Éáõó, ÙïùáõÙë Ùß³Ïáõ»Éáõó, Û³×³Ë ËáñÑñ¹³Ïó»Éáõó Û»ïáÛ, áñáßáõÙ »Ù, ϳݷ »Ù ³éÝáõÙ ïáõ»³É ÝÇõÃÇ íñ³Û »õ áñáßáõÙ »Ù, áñ ïáõ»³É ÝÇõÃÇ íñ³Û ýÇÉÙ å¿ïù ¿ ë³ñù»Ù: ÆÝùë »Ù ÁÝïñáõÙ` ÷áñÓ»Éáí ѳëÏ³Ý³É ÇÝùë ÇÝÓ, ÿ »ë ÇÝãDZ Ù³ëÇÝ »Ù ÑÇÙ³ áõ½áõÙ Ëûë»É, ÇÝãDZ Ù³ëÇÝ »Ù ó³ÝϳÝáõÙ å³ïÙ»É, ÇÝÍÇ Ñ³Ù³ñ DZÝã ¿ Ñ»ï³ùñùÇñ, áñáíÑ»ï»õ »ë ÇÙ µáÉáñ ýÇÉÙ»ñÁ ·Ý³Ñ³ïáõÙ »Ù »õ ѳٳñáõÙ »Ù ß³ï ï»ÕÇÝ ëï»ÕÍáõ³Í ýÇÉÙ»ñ: ´³Ûó ³Ûá, »ë ÑÇÝ· ï³ñÇ ³é³ç ëï»ÕÍ³Í ýÇÉÙë, å¿ïù ¿ ë³ñù¿ÇÝ ÑÇÝ· ï³ñÇ ³é³ç, áñáíÑ»ï»õ ¿¹ ųٳݳÏ, ÇÙ ³åñáõÙÝ»ñÁ, ÇÙ ÙïáñáõÙÝ»ñÁ, ½·³ó³Ï³Ý ³ß˳ñÑÁ ¿¹åÇëÇÝ ¿ñ: ÆëÏ ÑÇÙ³ »ë ÷áñÓáõÙ »Ù ³°ÛÉ µ³ÝÇ Ù³ëÇÝ Ëûë»É, µ³Ûó ³Ûë ãÇ Ý߳ݳÏáõÙ, áñ ¹ñ³Ýù ųٳݳϳíñ¿å »Ý: Ø»Ýù ³ß˳ïáõÙ »Ýù ëï»ÕÍ»É ýÇÉÙ»ñ, áñáÝù ųٳ-

æÇõ³Ý ²õ»ïÇ뻳Ý

ݳϳíñ¿å ã»Ý, áñáÝù ß³ï ³ñ³· ã»Ý Û³ÛïÝõáõÙ youtubeáõÙ, ³ÛÉ å³Ûù³ñáõÙ »Ý ÷³é³ïûÝÝ»ñáõÙ, ï³ñµ»ñ ÏÇÝû³ß˳ñÑÇ, ýÇÉÙ³ß˳ñÑÇ ßáõϳݻñáõÙ: Ø»ñ å³ïÏ»ñ³óñ³Í ýÇÉÙÁ ²ñó³ËÇ Ù³ëÇÝ ÏéáõáÕ ýÇÉÙ ¿, µ³Ûó á°ã ÿ ÏéáõÇ Ù³ëÇÝ, ³ÛÉ` ýÇÉÙ, áñ ϳñáÕ³Ý³Û Ïéáõ»É Çñ Çñ³õáõÝùÝ»ñÇ Ñ³Ù³ñ: àñáíÑ»ï»õ Ù»Ýù ýÇÉÙ ã»Ýù Ýϳñ»É, áñ

¹Ý»Ýù Ù»ñ å³Ñ³ñ³ÝÇ Ù¿ç áõ Ñå³ñï³Ý³Ýù: ØdzÛÝ ÙÇ µ³Ý Ï³Û Ñå³ñï³Ý³Éáõ, »ñµ ûï³ñÝ»ñÁ ÁÝϳɻÝ, ͳÝûóݳÝ, ëÇñ»Ý ùá ÅáÕáíñ¹ÇÝ ÇÝãåÇëÇÝ ¹áõ ϳë, ѳëÏ³Ý³Ý ÅáÕáíñ¹Ç ó³õÁ ½áÑáõ³Í ½ÇÝáõáñÇ Ñ³Ù³ñ` ¿ë ¿ ÉñÇõ ·³Õ³÷³ñÁ: êñ³ÝÇó ³õ»ÉÇ Ï³ñ»õáñ µ³Ý ϳ±Û: ¸ñ³ ѳٳñ å¿ïù ¿ áõݻݳÝù ÏéáõáÕ, Ù³ñïÝãáÕ ýÇÉÙ, áñ á°ã ÿ ÏéáõÇ Ù³ëÇÝ ¿, ³ÛÉ` ˳ճÕáõû³Ý: Ø»Ýù å¿ïù ¿ ϳñáճݳÝù, ³Ûá°, å³ïÙ»É Ù»ñ ¹³Å³Ý, ¹³éÝ Çñ³Ï³ÝáõÃÇõÝÁ, Ù»ñ å³Ûù³ñÇ Ù³ëÇÝ Û³×³Ë ß³ï ãáñ, ß³ï ÏïñáõÏ, ß³ï ËáóáÕ Ã»Ù³Ûáí ËûëáõÙ »Ýù Ù»ñ ѳñ»õ³Ý ÅáÕáíáõñ¹ÇÝ Ù³ëÇÝ: ´³Ûó ·Çï¿ù, áñ Éá½áõÝù³ÛÇÝ, áã ÷ñá÷³Ï³Ýï³ÛÇÝ Ù³Ï³ñ¹³ÏáõÙ, áñ Ù»Ýù ɳõÝ »Ýù, Ýñ³Ýù í³ïÝ »Ý, á°í ³ë³ó: ¸ñ³ ѳٳñ åÇïÇ Ï³ñáճݳÝù ×Çß¹ Ó»õáí Ùûï»Ý³É, áñáíÑ»ï»õ ¿ë ³ß˳ñÑÁ ¿ÝåÇëÇ Ë³éÝ Å³Ù³Ý³Ï ¿ ³åñáõÙ, áõñ Ùïù»ñÇ, ó³ÝÏáõÃÇõÝÝ»ñÇ µ³ËÙ³Ý »½ñ³·ÍáõÙ ¿, áñ Ù»Ýù ã»Ýù ϳñáÕ Ùûï»Ý³É ѳñÇõñ ï³ñáõ³Û ³é³çáõ³Û γñÙÇñ Ú»Õ³÷áËáõû³Ý ëϽµáõÝùáí, Ù³ñ¹Ï³Ýó ³ë»É, áñ Ó»ñ ò³ñÁ í³ïÝ ¿: Þ³ï Ýáõñµ å¿ïù ¿ Ùûï»Ý³É ¿ëûñáõ³Û Ù³ñ¹Ï³Ýó: سñ¹Á ¿ëûñ ³ÛÝù³Ý ·»ñÛ³·»ó³Í ÇÝýáñÙ³ódz áõÝÇ, áñ ¹Åáõ³ñ ¿ Ýñ³Ý ÇÝã áñ µ³Ý ѳÙá½»É: гñÇõñ ï³ñÇ ³é³çáõ³Û ·ÇõÕ³óÇÝ ãÇ, áõ٠ϳñáÕ »ë ·³É áõ ³ë»É, áñ ò³ñÁ Ó»½ ëáí³Í ¿ å³ÑáõÙ, áñ ¹áõù Ýñ³Ý å¿ïù ¿ ëå³ÝÝ¿ù, áñ гٳÛݳí³ñáõÃÇõÝ ïÇñÇ »õ ¹áõù ɳõ Ï°³åñ¿ù: ¿ëûñáõ³Û Ù³ñ¹Á µ³ñ¹ ¿, ³Ù¿Ý ÇÝã ·ÇïÇ, ¿ëûñ áãÇÝã å¿ïù ã¿ ¿¹ Ù³ñ¹áõÝ ³ë»É, ÇÝùÁ ·ÇïÇ: ¸áõÝ Çñ³Ý ³ë³ genocide, ÇÝùÁ genocideÇ µáÉáñ ٳϳñ¹³ÏÝ»ñÁ, ëå³Ýáõû³Ý µáÉáñ Ó»õ»ñÁ Çñ áõÕ»ÕÇ Ù¿ç ·ÇïÇ, Çñ³Ý ³ë³ å³ï»ñ³½Ù, ÇÝù µáÉáñ å³ï»ñ³½ÙÇ ³ñѳõÇñùÝ»ñÁ Çñ áõÕ»ÕÇ Ù¿ç µáÉáñ ٳϳñ¹³ÏÝ»ñáí ·ÇïÇ: ²Û ¹áõ ÇÝãå¿ë ϳñáÕ »ë óáÛó ï³É Ù¿ÏÇÝ Ù¿Ï Ù³Ýñ³Ù³ëÝáõÃÇõÝ, Ù¿Ï Ñ³Û³óù, áñ ÇÝùÁ ³Û¹ ¹³éÝáõÃÇõÝÁ, ³Û¹ ó³õÁ ³å-

ñÇ, ³ÛÉ áã ÿ Çñ³Ý óáÛó ï³ë, ÿ ÇÝãå¿ë »Ý ·ÉáõËÝ»ñ ÏïñáõÙ »õ ³ë»ë, ï»ë¿ù ÇÝã ¹³Å³Ý ¿, á°ã: ¾ëûñáõ³Ý Ù³ñ¹áõÝ áãÇÝãáí ã»ë ½³ñÙ³óÝÇ, å¿ïù ¿ ÙdzÛÝ Ûáõ½»É: Úáõ½»ÉÁ ¹³ å³ñï³¹Çñ ãÇ áñ ×Çß¹ »ë, ϳñáÕ »ë ÙdzÛÝ »ñÏáõ µ³é ³ë»É Ýñ³ ³Ï³ÝçÇÝ, ݳ ÏÁ Ûáõ½áõÇ: ܳ Ù³ñ¹ ¿, ³Ûá Çñ³ ³¹³Ù³Ï³Ý Ù»Õùáí, µ³Ûó ²ëïáõÍáÛ å³ïÏ»ñáí ¿ ßÇÝáõ³Í. ݳ ³õ»ÉÇ ½·³ÛáõÝ ¿, ³õ»ÉÇ ß³ï Ù³ñ¹ ¿: ÆÙ å³ïÏ»ñ³óáõÙÁ ¹³ ¿ ÏÇÝáÛÇ Ù³ëÇÝ, ÏÇÝáÛÇ ³å³·³ÛÇ ýÇÉÙ»ñÇ Ù³ëÇÝ: Â.- ƱÝã ¹Åáõ³ñáõÃÇõÝÝ»ñáõ ÏÁ ѳݹÇåÇù Ó»ñ ýÇÉÙ»ñáõ å³ïñ³ëïáõû³Ý ÁÝóóùÇÝ: æ.².- ò³õûù, ëï»Õͳ·áñÍ»ÉÁ ݳ»õ ó³õáï ÏáÕÙ áõÝÇ, ¹³ ýÇݳÝëÇ Ñ³ÛóÛÃáõÙÝ ¿: ºõ ¹³ ÓÇ· ÷ñáó»ë ¿ »õ Ù»Ýù ÷áñÓáõÙ »Ýù Ù³ñ¹Ï³Ýó Ù¿Ï ³é Ù¿Ï Ñ³Ùá½»É, »õ ë³ñù»É ²ñó³ËÇ ·³Õ³÷³ñ³ÏÇóÁ, ç³ï³·áíÁ: ܳ»õ ÷áñÓáõÙ »Ýù ³ÙµáÕç ³ß˳ñÑáõ٠ѳÙá½»É, ÷Ýïé»É, ·ïÝ»É Ù³ñ¹ÇÏ, áñ Çñ»Ýó Ý»ñ¹ñáõÙÁ Ï°³Ý»Ý ýÇÉÙÇ ëï»ÕÍÙ³Ý Ñ³Ù³ñ: ¾¹ ³Ñ³õáñ µ³ñ¹ ¿, áñáíÑ»ï»õ ¹áõù ·Çï¿ù ýÇÉÙ»ñÁ óÝÏ »Ý »õ ÙÇç³½·³ÛÇÝ Ù³Ï³ñ¹³ÏÇ ýÇÉÙ ëï»ÕÍ»ÉÁ Ý߳ݳÏáõÙ ¿ áõÝ»Ý³É µ³õ³Ï³Ý Ù»Í ·áõÙ³ñ: àã ÿ ¹áõ áõÝ»ë »ñÏáõ ù³Ù»ñ³Ù³Ý »õ »ñÏáõ ¹»ñ³ë³Ý, »Ï ÏÇÝû Ýϳñ»Ýù: ê»Ý³ñÁ ½³ñ·³ÝáõÙ ¿, ë»Ý³ñÁ Ùß³ÏõáõÙ ¿, ë»Ý³ñÇ Ù³Ï³ñ¹³ÏáõÙ ß÷õáõÙ »ë ÇÝëïÇïáõïÝ»ñÇ Ñ»ï, ÷áñÓáõÙ »ë ·ïÝ»É ÷ñáï³ùßÁÝ Ñ³áõë»ñ, ÷ñáïÇõëÁñÝ»ñ, áíù»ñ áñ Ù³ë »Ý Ï³½ÙáõÙ ÷ñá»ùÃÇÝ. ¹»ñ³ë³Ý³Ï³Ý ÇÝÃÁñÝ»ßÁÝÁÉ ù³ëÃ, áñ ýÇÉÙÁ Ñ»ï³ùñùñ³óÝÇ Û»ï³·³ÛáõÙ. ¿¹ ³, ùɳëÇù ÏÇÝáÛÇ ëϽµáõÝùáí ï³ñáõáÕ ³ß˳ï³Ýù ¿, áñ ³ÝáõÙ »Ù: ä³ïÏ»ñ³óñ¿ù ¹³ áñù³Ý ¹Åáõ³ñ ¿, áñáíÑ»ï»õ ¹³ ͳËë³ï³ñ ¿, ÑÇõÍáÕ, ¹Åáõ³ñÇÝ: àã ÿ ÙdzÛÝ »ë áõݻ٠ɳõ ýÇÉÙ ëï»ÕÍ»Éáõ ËݹÇñ, »ë áõݻ٠·áõÙ³ñ ·ïÝ»Éáõ ËݹÇñ ýÇÉÙÇ Ñ³Ù³ñ »õ »ñÏñáñ¹` ù³Õ³ù³Ï³Ý ËݹÇñÝ»ñ, ³ñ·»ÉùÝ»ñ` ¹»ñ³ë³ÝÇÝ Ñ³Ùá½»Éáõ ²ñó³ËÇ ÝáõÇñáõ³Í ûٳÛáí ýÇÉÙáõ٠˳ճÛ, Û»ïáÛ åÉ¿ù ÉÇëïáõÙ Û³ÛïÝáõÇ, Çñ³ ѳٳñ áãÇÝã, ѳÙá½»É ï³ñµ»ñ ýáÝï»ñÇ Ý»ñϳ۳óáõóÇãÝ»ñÇÝ, ÷ñáï³ùßÁÝ Ñ³áõë»ñÇÝ, áñáÝù û·ÝáõÙ »Ù ýÇÙÇÝ Ñ³Ù³³ñï³¹ñáÕÇÝ, áñ Çñ³Ýù ãí³Ë»Ý³Ý ³ïñå¿Û×³Ý³Ï³Ý ³Ïñ»ëdzÛÇó: ²ÛëÇÝùÝ` ë³ ÏÇÝû Ýϳñ»É ãÇ, ·áõÙ³ñ ·ïÝ»É »õ ù³Õ³ù³Ï³Ý ¹³ßïáõÙ Ù³Ýáíñ»É` ·ïÝ»É ¿¹ ˳ճÉáõ ýáñÙáõɳÝ, áñ ãÓ³ËáÕ»ë; ²ÛëÇÝùÝ` »Ã¿ Ù¿ÏÁ ·Ý³Ñ³ïáõÙ ³ ÇÙ ³ñáõ»ëïÁ, ßÝáñÑ³Ï³É »Ù Çñ»Ý, µ³Ûó ß³ï ϳñ»õáñ µ³Ý»ñ ϳÝ, áñ áõÕÕ³ÏÇ ³ñáõ»ëïáí ãÇ ë³Ñٳݳ÷³ÏõáõÙ, ë³ áõÕÕ³ÏÇ å³Ûù³ñ ¿, å³ï»ñ³½Ù ¿, áñ ÙÕáõÙ »Ù: àñáíÑ»ï»õ Çõñ³ù³ÝãÇõñ ûï³ñ Ù³ñ¹áõ, áñ ϳñáÕ ¿ Ù³ë ϳ½ÙÇ ùá ýÇÉÙáõÙ, ÇÝù ¿¹ í³ËÁ áõÝÇ, áñ í³ÕÁ ³ïñå¿Û׳ÝóÇÝ»ñÁ ¹áõéÁ ͻͻÉáõ »Ý: Â.-²ëáÝù ³ñ¹¿Ý ëáíáñ³Ï³Ý ýÇÉÙ¿ ß³ï ³õ»ÉÇ ï³ñµ»ñ ¹Åáõ³ñáõÃÇõÝÝ»ñ »Ý... æ.².- ¶É˳õáñ ¹»ñ³ë³ÝáõÑÇÝ, áñ ÈÇÃáõ³ÝdzóÇ ¿, åÉ¿ù ÉÇëÃÇáõÙ ¿: î³ñÇÝ»ñ ³ÕçÏ³Ý Ý»ñϳ۳óñ»É »Ýù Ù»ñ ùáÝýÉÇùß³ñ. ï»ë. ¿ç 11

вڲêî²Ü

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

11

г۳ëï³ÝÇ ²Õù³ï ºñ»Ë³Ý»ñÁ §ö³Ýáñ³Ù³¦- г۳ëï³ÝáõÙ ³Ýó³Í ï³ñÇ ÙÇÝã»õ 18 ï³ñ»Ï³Ý »ñ»Ë³Ý»ñÇ 2 ïáÏáëÁ ³åñáõÙ ¿ ͳÛñ³Û»Õ ³Õù³ïáõû³Ý« ÇëÏ 34©2 ïáÏ»ëݪ ³Õù³ïáõû³Ý Ù¿ç: ÀÝï³Ý»Ï³Ý Ýå³ëïÁ ³Ý»Éáõ ¹¿åùáõÙ« ͳÛñ³Û»Õ ³Õù³ï ãѳٳñáõáÕ »ñ»Ë³Ý»ñÇ 16 ïáÏáëÁ ÏÁ ѳٳñáõÇ Í³Ûñ³Û»Õ ³Õù³ï: ØÇ»õÝáÛÝ Å³Ù³Ý³Ï« ³Õù³ï ãѳٳñáõáÕ »ñ»Ë³Ý»ñÇ 13 ïáÏáëÁ ÏÁ ѳٳñáõÇ ³Õù³ï: ²Õù³ï »ñ»Ë³Ý»ñÇ Ù»Í Ù³ëÁ ½ñÏáõ³Í ¿ ѳݷëï³Ý³Éáõ« ·ñù»ñ áõݻݳÉáõ« Ùëáí ×³ß áõï»Éáõ« ÍÝáõݹ Ýß»Éáõ Ñݳñ³õáñáõÃÇõÝÇó: ²Õù³ï »ñ»Ë³Ý»ñÇ Ù»Í Ù³ëÝ ³åñáõÙ ¿ µ³½Ù³Ý¹³Ù áõ µ³½Ù³½³õ³Ï ÁÝï³ÝÇùÝ»ñáõÙ ²½·³ÛÇÝ íÇ׳ϳ·ñ³Ï³Ý ͳé³Ûáõû³Ý ïáõ»³ÉÝ»ñÇ Ñ³Ù³Ó³Ûݪ ÙÇÝã»õ 18 ï³ñ»Ï³Ý »ñ»ù ϳ٠³õ»ÉÇ »ñ»Ë³Û áõÝ»óáÕ ÁÝï³ÝÇùÝ»ñáõÙ ³Õù³ï ¿ »ñ»Ë³Ý»ñÇ 44©6 ïáÏáëÁ ϳ٠µáÉáñ »ñ»Ë³Ý»ñÇ 34©2 ïáÏáëÁ« ÇëÏ Ù»Í ÁÝï³ÝÇùÝ»ñáõ٠ͳÛñ³Û»Õ ³Õù³ï ¿ »ñ»Ë³Ý»ñÇ 3©8 ïáÏáëÁ ϳ٠µáÉáñ »ñ»Ë³Ý»ñÇ 2 ïáÏáëÁ: î³ñÇùáí ³õ»ÉÇ ÷áùñ »ñ»Ë³Ý»ñÇ ³Õù³ï ÉÇÝ»Éáõ ѳõ³Ý³Ï³ÝáõÃÇõÝÝ ³õ»ÉÇ µ³ñÓñ ¿: ²Õù³ïáõû³Ý éÇëùÝ ³õ»ÉÇ Ù»Í ¿ ³ÛÝ ÁÝï³ÝÇùÝ»ñÇ »ñ»Ë³Ý»ñÇ ßñç³ÝáõÙ« áñáÝóáõÙ Ïñïë»ñ »ñ»Ë³Ý ÑÇÝ· ï³ñ»Ï³Ý ¿ ϳ٠³õ»ÉÇ ÷áùñ: Üßáõ³Í ÁÝï³ÝÇùÝ»ñáõÙ ³Õù³ï ¿ »ñ»Ë³Ý»ñÇ 36©3 ïáÏáëÁ« ÙÇÝã¹»é ³ÛÝ ÁÝï³ÝÇùÝ»ñáõÙ« áñáÝóáõÙ Ïñïë»ñ »ñ»Ë³Ý 6-14 ï³ñ»Ï³Ý ¿« ³Õù³ï ¿ »ñ»Ë³Ý»ñÇ 32©2 ïáÏáëÁ: ÎÝáç ·É˳õáñáõû³Ùµ ïݳÛÇÝ ïÝï»ëáõÃÇõÝÝ»ñáõÙ »ñ»Ë³Ý»ñÇ ³Õù³ï ÉÇÝ»Éáõ ѳõ³Ý³Ï³ÝáõÃÇõÝÁ µ³ñÓñ ¿: ºñ»Ë³Ý»ñÇ ÁݹѳÝáõñ Ãáõ³ù³Ý³ÏÇ Ùûï Ù¿Ï ù³éáñ¹Á (24©3 ïáÏáë) ³åñáõÙ ¿ ÏÝáç ·É˳õáñáõû³Ùµ ïݳÛÇÝ ïÝï»ëáõÃÇõÝÝ»ñáõÙ« áñáÝó 41©6 ïáÏáëÝ ³Õù³ï ¿« ÇëÏ ïÕ³Ù³ñ¹áõ ·É˳õáñáõû³Ùµ ïݳÛÇÝ ïÝï»ëáõÃÇõÝÝ»ñáõÙ ³åñáÕ »ñ»Ë³Ý»ñÇ ßñç³ÝáõÙ ³ÛÝ Ï³½ÙáõÙ ¿ 31©8 ïáÏáë: سÝÏ³Ï³Ý ³Õù³ïáõû³Ý íñ³Û ³½¹áÕ Ï³ñ»õáñ ·áñÍûÝÝ»ñÇó ¿ Ý³»õ ïݳÛÇÝ ïÝï»ëáõû³Ý ·É˳õáñÇ ³ÙáõëÝ³Ï³Ý Ï³ñ·³íÇ׳ÏÁ: ²ÙáõñÇ (ã³Ùáõëݳó³Í)« ³ÛñÇ Ï³Ù ³ÙáõëݳÉáõÍá-

´»Ù³¹ñÇã æÇõ³Ý... ß³ñ. 10ñ¹ ¿ç¿Ý ÃÁ: ²Ý áã ÿ ÙdzÛÝ ýÇÉÙ ³ ˳ճó»É, ³ÛÉ Ù»ñ ùáÝýÉÇùÃáõÙ Çñ ¹ÇñùáñáßáõÙÝ ¿ ÁÝïñ»É: ¸áõù ѳëϳÝáõÙ ¿ù, ë³ ýÇÉÙ ãÇ ÙdzÛÝ: ä³ñëÇÏ ¹»ñ³ë³ÝÝ»ñÇ Ñ»ï »Ù ³ß˳ïáõÙ. å³ñëÇÏ ¹»ñ³ë³ÝÁ ¿ë ùáÝýÉÇùÃáõÙ ÇÙ ¹ÇñùáñáßáõÙÁ ÁÝïñ»É ¿, »õ ³ÛÉ»õë ²ïñå¿Û×³Ý ãÇ ·Ý³Éáõ ¹»ñ ˳ճÛ: ²ÛëÇÝùÝ` Ù³ñ¹Á áñáßáõÙ ³ ϳ۳óñ»É. ÁÝïñ»É ¿ ÏáÕÙÁ áõ ·áñÍÁÝÏ»ñÝ»ñÇÝ µáÉáñÁ ÁÝïñáõÃÇõÝ ¿ ϳï³ñ»É. ÇÝÓ ã»Ý ½³Ý·áõÙ, ³ë»Ý` ÇÝÓ Ë³µ»óÇñ, ÑÇÙ³ ³ïñå¿Û׳ÝóÇÝ»ñÁ ¹áõéë Í»Í»É »Ý »õ »ë ã·Çï»Ù ÇÝ㠳ݻ٠¸áõù å³ïÏ»ñ³óñ¿ù ¹³ ÇÝã ¿, ѳٳñ¿ù ë³ Ð³Û ¸³ïÇ Íñ³·Çñ, Ð³Û ¸³ïÇ å³Ûù³ñ, ¹³ ÏéÇõ ¿, ¿Ýå¿ë ãÇ, áñ áõÕÕ³ÏÇ ·áõÙ³ñ áõÝ»ë »õ ýÇÉÙ »ë ÝϳñáõÙ. ¿¹ ·áõÙ³ñÝ ¿É ãÏ³Û ¹»é, ·áÛ³óÝáõÙ »Ù: ¶áõÙ³ñÇó Û»ïáÛ ·ïÝ»É Ñ³Ù³ËáÑÝ»ñÇÝ: Â.-´Ý³Ï³Ý³µ³ñ, ÝÙ³Ý ýÇÉÙ»ñ ÑëÏ³Û³Ï³Ý åÇõï׿ݻñáõ ÏÁ ϳñûïÇÝ: г۳ëï³ÝÇ »õ ²ñó³ËÇ Ù¿ç ³åñáÕ µ»Ù³¹ñÇã ÙÁ, ¹áõù, ÇÝãå¿ë ÏÁ ÉáõÍ¿ù ³Û¹ ѳñó»ñÁ: æ.².- ²Ù»Ý³å³ñ½, ³Ù»Ý³Ù³ñ¹Ï³ÛÇÝ »õ ³Ù»Ý³³½ÝÇõ Ï»ñåáí: ¸³ ÙÇ ù³ÝÇ µ³ÅÇÝÝ»ñÇó ¿, å¿ïù ¿ ³ë»Ù, áñ ÇÙ ÙÇçáóÝ»ñÇ ÑÇÙÝ³Ï³Ý Ù³ëÁ ·áÛ³ÝáõÙ ¿ ýÇÉÙÇ óáõó³¹ñáõÃÇõÝÝ»ñÇó, ¹³ ϳñáÕ ¿ ÉÇÝÇ Ù³ëݳõáñ óáõó³¹ñáõÃÇõÝÝ»ñ ë÷ÇõéùáõÙ, ³ñïñ»ÏñáõÙ, ¹³ ϳñáÕ ¿ ÉÇÝÇ ÏÇÝûóïñáÝÝ»ñáõÙ: ºñÏñáñ¹Á` ÝáõÇñ³ïáõáõÃÇõÝÝ»ñÝ »Ý. »ë ËûëáõÙ »Ù ï³ñµ»ñ Ù³ñ¹Ï³Ýó Ñ»ï, ï³ñµ»ñ ýáÝï»ñÇ, ÁÝÏ»ñáõÃÇõÝÝ»ñÇ »õ ³ñ¹¿Ý ÇÝÓ ×³Ý³ã»Éáí` Ù³ñ¹ÇÏ ß³ï

õ³Í ·É˳õáñáí ïݳÛÇÝ ïÝï»ëáõÃÇõÝÝ»ñáõÙ ³åñáÕ »ñ»Ë³Ý»ñÇ ³Õù³ï ÉÇÝ»Éáõ ѳõ³Ý³Ï³ÝáõÃÇõÝÝ ³õ»ÉÇ µ³ñÓñ ¿ (40©8 ïáÏáë)« ù³Ý ³Ùáõëݳó³Í ϳ٠ѳٳï»Õ µÝ³ÏáõáÕÝ»ñÇÝÁ (32©5 ïáÏáë): ²Õù³ïáõû³Ý éÇëÏÁ Ýáõ³½áõÙ ¿« »ñµ »ñ»Ë³Ý ³åñáõÙ ¿ ³ÛÝåÇëÇ ïݳÛÇÝ ïÝï»ëáõÃÇõÝáõÙ« áñï»Õ ·É˳õáñÇ ÏñÃ³Ï³Ý Ù³Ï³ñ¹³ÏÁ µ³ñÓñ ¿: ÆÝã å³ÛÙ³ÝÝ»ñáõÙ »Ý ³åñáõÙ ³Ûë »ñ»Ë³Ý»ñÁ© ²ñ³·³ÍáïÝáõ٠ͳÛñ³Û»Õ ³Õù³ï »ñ»Ë³Ý»ñ ãϳݫ ³Ù»Ý³µ³ñÓñ óáõó³ÝÇßÝ ³Ûë ³éáõÙáí ÞÇñ³ÏáõÙ ¿: ²Ûë Ù³ñ½áõÙ »Ý ³åñáõÙ ³Õù³ï »ñ»Ë³Ý»ñÇ 50©9 ïáÏáëÁ: êï³óõáõÙ ¿« ³Ù¿Ý »ñÏñáñ¹ »ñ»Ë³Ý ÞÇñ³ÏáõÙ ³åñáõÙ ¿ ³Õù³ïáõû³Ý Ù¿ç: ²Õù³ï ïݳÛÇÝ ïÝï»ëáõÃÇõÝÝ»ñÇ »ñ»Ë³Ý»ñÝ ³õ»ÉÇ Û³×³Ë µÝ³ÏõáõÙ »Ý ϳñ»õáñ Û³ñÙ³ñáõÃÇõÝÝ»ñÇó ½áõñϪ ÑáëáÕ ï³ù çáõñ« Ï»Ýïñáݳóáõ³Í ·³½³Ù³ï³Ï³ñ³ñáõÙ« ëï³óÇáݳñ (ϳÛáõÝ« ï³Ý-ÊÙµ©) Ñ»é³Ëûë« Éá·³ñ³Ý ϳ٠óÝóáõÕ ãáõÝ»óáÕ Ï³ó³ñ³ÝÝ»ñáõÙ): ̳Ûñ³Û»Õ ³Õù³ï »ñ»Ë³Ý»ñÝ ³õ»ÉÇ Û³×³Ë« ù³Ý ³Õù³ï »ñ»Ë³Ý»ñÁ« ½ñÏáõ³Í »Ý ³ÛÝåÇëÇ Ï³ó³ñ³Ý³ÛÇÝ ³Û¹ Û³ñÙ³ñáõÃÇõÝÝ»ñÇó: ²Õù³ï »ñ»Ë³Ý»ñÇ 56 ïáÏáëÁ »õ ͳÛñ³Û»Õ ³Õù³ï »ñ»Ë³Ý»ñÇ 48 ïáÏáëÝ ³åñáõÙ »Ý ³Ýµ³õ³ñ³ñ ç»éáõóٳٵ ïݳÛÇÝ ïÝï»ëáõÃÇõÝÝ»ñáõÙ: Êáݳõ ïݳÛÇÝ ïÝï»ëáõÃÇõÝÝ»ñáõÙ ¿ ³õ»ÉÇ Ñ³õ³ïáí »õ ³õ»ÉÇ ëÇñáí »Ý ÁݹáõÝáõÙ ³é³ç³ñÏÁ` ³ç³Ïó»É, ûųݹ³Ï»É ýÇÉÙÇÝ: ØÇõë µ³ÅÇÝÁ, ¹³ Ù»Ýù ÷áñÓáõÙ »Ýù »õñáå³Ï³Ý ѳٳ·áñͳÏóáõÃÇõÝ Ó»õ³õáñ»É, áñå¿ë½Ç ϳñáճݳÝù ÿ° ýÇÉÙÁ »õñáå³Ï³Ý »õ ÇÝÃÁñÝ¿ÛßÁÝÁÉ ÷ñáï³ùßÁÝ ¹³éݳÛ, ѳٳ·áñͳÏóáõÃÇõÝ ÉÇÝÇ, ÿ° ݳ»õ åÇõï×¿Ç áñáß³ÏÇ Ñ³ïáõ³ÍÁ ·á۳ݳÛ: ÐÇÙ³ ûñÇݳÏ` Û³çáñ¹ ýÇÉÙÁ Ýáñ Ù»Ãáïáí, crowd fundingÇ ÙÇçáóáí ÏÁ ϳñáճݳÝù ·áõÙ³ñ ·áÛ³óÝ»É: ´³Ûó ¿Ýå¿ë ãÇ, áñ ¿¹ ÇÙ Ãáõ³ñÏ³Í ³ÙµáÕç ·áõÙ³ñÁ ÏÁ µ»ñÇ: Ø»Ýù ÷áñÓáõÙ »Ýù ¿¹ ·áõÙ³ñÁ Ù³ëÙ³ë, ï³ñµ»ñ ׳ݳå³ñÑÝ»ñáí ·áÛ³óÝ»É: ܳ»õ, »ë Ç٠ݳËáñ¹ »ñÏáõ ýÇÉÙ»ñÇ Ñ³Ù³ñ áõÝ»ó»É »Ù г۳ëï³ÝÇ Ð³Ýñ³å»ïáõû³Ý Øß³ÏáÛÃÇ Ý³Ë³ñ³ñáõû³Ý ýÇݳÝë³Ï³Ý ³ç³ÏóáõÃÇõÝÁ: Ø»Í ÛáÛë áõÝ»Ù, ÉdzÛáÛë »Ù, áñ Gate to Heaven ýÇÉÙÇ Ñ³Ù³ñ ¹³ñÓ»³É ³ç³ÏóáõÃÇõÝ ÏÁ ëï³Ý³Ýù, áñáíÑ»ï»õ ³é³Ýó å»ï³Ï³Ý ³ç³Ïóáõû³Ý ß³ï ¹Åáõ³ñ ¿ áïùÇ Ï³Ý·Ý»É: §Â»õ³ÝÇÏ¦Ç »õ §ì»ñçÇÝ ´Ý³ÏÇã¦Ç Û³çáÕáõÃÇõÝÁ ¹³ ³ÏÝÛ³ï ¿: ºõ »ë ÛáÛë áõÝ»Ù, áñ Çñ³Ýù ï»ëÝáõÙ »Ý ¹³: Â-àñù³±Ý ï³ñ³ÍáõÙ ·ï³õ The Last Inhabitant ýÇÙÁ. г۳ëï³Ý¿Ý µ³óÇ áõñÇß á±ñ »ñÏÇñÝ»ñáõÝ Ù¿ç óáõó³¹ñáõ»ó³õ: æ.².- ²Ù»ñÇϳÛÇ Ødzó»³É ܳѳݷݻñáõÙ, ÐáɳÝïdzÛáõÙ, Þáõ¿ïdzÛáõÙ, Èǵ³Ý³ÝáõÙ, ä³ñëϳëï³ÝáõÙ: ÐÇÙ³ Íñ³·ñáõÙ »Ýù ýÇÉÙÁ ²Ù»ñÇϳÛÇ ³ñ»õ»É»³Ý ³÷ ѳëóÝ»É, áñáíÑ»ï»õ ³ñ»õÙï»³Ý ³÷áõÙ »Ýù óáõó³¹ñ»É: öáñÓáõÙ »Ýù ÑÇÙ³ ²õëïñ³ÉdzÛáõÙ Ëûë»É, Íñ³·ñáõÙ »Ýù, ï»ëÝ»Ýù ÇÝãå¿ë ÏÁ ëï³óáõÇ:

µÝ³ÏõáõÙ ³Õù³ï »ñ»Ë³Ý»ñÇ 36 »õ ͳÛñ³Û»Õ ³Õù³ï »ñ»Ë³Ý»ñÇ 42 ïáÏáëÁ« ÇëÏ ÁݹѳÝáõñ »ñ»Ë³Ý»ñÇ 31 ïáÏáëÇ Ñ³Ù»Ù³ï: ²ÛëÇÝùÝ« г۳ëï³ÝáõÙ ³Ù¿Ý »ññáñ¹ »ñ»Ë³Ý ³åñáõÙ ¿ Ëáݳõ å³ÛÙ³ÝÝ»ñáõÙ: ÆÝãÇó »Ý ½ñÏáõ³Í Ýñ³Ýù© г۳ëï³ÝáõÙ ³Õù³ï »ñ»Ë³Ý»ñÇ 72 ïáÏáëÁ« ͳÛñ³Û»Õ ³Õù³ï »ñ»Ë³Ý»ñÇ 90 ïáÏáëÁ ïÝÇó Ñ»éáõ Ù¿Ï ß³µ³Ã»³Û ³ñÓ³Ïáõñ¹ ã»Ý áõÝ»ó»É: ²Ûë óáõó³ÝÇßÁ ÁݹѳÝáõñ »ñ»Ë³Ý»ñÇ ¹¿åùáõÙ 67 ïáÏáë ¿: êï³óõáõÙ ¿« áñ 10 »ñ»Ë³Ý»ñÇó 7Á ÝÙ³Ý Ñ³Ý·Çëï ã»Ý áõÝ»ó»É: êåáñï³ÛÇÝ ³ÏáõÙµ ϳ٠ÝÙ³Ý ËÙµ³Ï ³ÙÇëÁ Ù¿Ï ³Ý·³Ù ã»Ý ³Ûó»É»É »ñ»Ë³Ý»ñÇ 59 ïáÏáëÁ: ²Õù³ï »ñ»Ë³Ý»ñÇ ¹¿åùáõÙ ³Û¹ óáõó³ÝÇßÁ 68 ïáÏáë ¿« ͳÛñ³Û»Õ ³Õù³ï »ñ»Ë³Ý»ñÇÝÁª 76 ïáÏáëÁ: ̳Ûñ³Û»Õ ³Õù³ï »ñ»Ë³Ý»ñÇ 88 ïáÏáëÁ ½ñÏáõ³Í »Ý ųٳÝóÇ Ñ³Ù³ñ å³ñ³·³Ý»ñÇó« ûñÇÝ³Ï Ñ»Í³ÝÇõ« ˳ջñ »õ ³ÛÉÝ: àã ³Õù³ï »ñ»Ë³Ý»ñÇ 23

ïáÏáëÁ ãáõÝ»Ý ÝÙ³Ý å³ñ³·³Ý»ñ: ̳Ûñ³Û»Õ ³Õù³ï »ñ»Ë³Ý»ñÇ 73 ïáÏáëÁ ½ñÏáõ³Í »Ý ëÇñáõ³Í ½µ³ÕÙáõÝùÇ (ÑáµµÇ) ³é³ñϳݻñÇó« áã ³Õù³ï »ñ»Ë³Ý»ñÇ 36 ïáÏáëÁ ÝÙ³Ý ³é³ñϳݻñ ãáõÝÇ: ̳Ûñ³Û»Õ ³Õù³ï »ñ»Ë³Ý»ñÇ 50©3 ïáÏáëÁ ãáõÝÇ ·ñù»ñ« áñáÝù ϳñáÕ ¿ ÁÝûñó»É ³½³ï ųٳݳÏ: ÀݹѳÝáõñ »ñ»Ë³Ý»ñÇ ¹¿åùáõÙ ³Û¹ óáõó³ÝÇßÁ 1©1 ïáÏáë ¿« ³Õù³ï »ñ»Ë³Ý»ñÇ ¹¿åùáõÙª 13©5 ïáÏáëÁ: ̳Ûñ³Û»Õ ³Õù³ï »ñ»Ë³Ý»ñÇ 69©1 ïáÏáëÁ ãÇ ïûÝáõÙ Û³ïáõÏ ³éÇÃÝ»ñ« ³Û¹ ÃõáõÙ ÍÝáõݹ« ³Õù³ï »ñ»Ë³Ý»ñǪ 27©9 ïáÏáëÁ: ̳Ûñ³Û»Õ ³Õù³ï »ñ»Ë³Ý»ñÇ 89 ïáÏáëÁ ã»Ý ϳñáÕ Çñ»Ýó ÃáÛÉ ï³É áñáß Ýáñ ѳ·áõëïÝ»ñ áõݻݳɫ 71 ïáÏáëÁª ëïáõ·Ù³Ý Ýå³ï³Ïáí ï³ñÇÝ ³éÝáõ³½Ý Ù¿Ï ³Ý·³Ù ³Ûó»É»É ³ï³ÙݳµáÛÅÇ« ÇëÏ 61 ïáÏáëÁª áõï»É óñÙ Ùñ·»ñ ϳ٠µ³Ýç³ñ»Õ¿Ý ûñ³Ï³Ý Ù¿Ï ³Ý·³Ù: ²ìÌ ë³ÑÙ³Ýٳٵ« ³Õù³ï »Ý ·Ý³Ñ³ïáõ»É Ýñ³Ýù« áõÙ ëå³éáõÙÁ Ù¿Ï ã³÷³Ñ³ë ³ÝÓÇ Ñ³ßáõáí ó³Íñ ¿ »Õ»É ³Õù³ïáõû³Ý í»ñÇÝ ·ÍÇó« ß³ï ³Õù³ï »Ý ·Ý³Ñ³ïáõ»É Ýñ³Ýù« áõÙ ëå³éáõÙÁ Ù¿Ï ã³÷³Ñ³ë ³ÝÓÇ Ñ³ßáõáí ó³Íñ ¿ »Õ»É ³Õù³ïáõû³Ý ëïáñÇÝ ·ÍÇó« ÇëÏ Í³Ûñ³Û»Õ ³Õù³ï ϳ٠ûñëÝáõ³Í ·Ý³Ñ³ïáõ»É »Ý Ýñ³Ýù« áõÙ ëå³éáõÙÁ Ù¿Ï ã³÷³Ñ³ë ³ÝÓÇ Ñ³ßáõáí ó³Íñ ¿ »Õ»É ³Õù³ïáõû³Ý å³ñ¿Ý³ÛÇÝ ·ÍÇó: ²Õù³ïáõû³Ý í»ñÇÝ ·ÇÍ ¿ ë³ÑÙ³Ýáõ³Í 40«867¹ñ³Ù/³Ùë³Ï³Ý« ³Õù³ïáõû³Ý ëïáñÇÝ ·ÇÍÝ ¿ 33«418 ¹ñ³Ù/³Ùë³Ï³Ý« å³ñ¿Ý³ÛÇÝ ³Õù³ïáõû³Ý ·ÇÍÝ ¿ 23«313 ¹ñ³Ù/³Ùë³Ï³Ý: îáõ»³ÉÝ»ñÁª §Ð³Û³ëï³ÝÇ ëáóÇ³É³Ï³Ý å³ïÏ»ñÁ »õ ³Õù³ïáõÃÇõÝÁ« 2017¦ ½»ÏáÛóÇó:

12

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

вڲêî²Ü

Ø»ñ ìï³Ý·áõ³Í ¶³ÝÓÁ` ²ñ³ÙÇ îáõ°ÝÁ γñû ²ñٻݻ³Ý

ijٳݳϿ ÙÁ Ç í»ñ, Ëáñ Ùï³Ñá·áõû³Ùµ ÏÁ Ñ»ï»õÇÝù §ÐÇÝ ºñ»õ³Ý¦ ³ÝáõÝÁ ÏñáÕ ßáõÏ³Û³Ï³Ý Ñ³Ù³ÉÇñÇ Íñ³·ñ³ÛÇÝ Ï³½Ù³õáñÙ³Ý ÷áõÉ»ñáõÝ: ػͳͳËë ³Ûë Íñ³·ñÇÝ ï¿ñ»ñÁ Ñ»ï»õáճϳÝûñ¿Ý ÏÁ åݹ»Ý, áñ ѳϳé³Ï Û³çáñ¹³Ï³Ý Ó·Ó·áõÙÝ»ñáõÝ` Íñ³·ÇñÁ ϻݹ³ÝÇ ¿ »õ ßáõïáí åÇïÇ ÙïÝ¿ ßÇݳñ³ñ³Ï³Ý ÷áõÉ: Î ÇٳݳÝù ë³Ï³ÛÝ, áñ ¹»é ѳñó»ñ Ï³Ý ÉáõÍáõ»ÉÇù, áñáÝó µÝáÛÃÁ Û³ÛïÝÇ ã¿ Ñ³Ýñáõû³Ý: àñÙ¿ ÏÁ Ñ»ï»õÇ, áñ ³Ûë Ï¿ïÇÝ íñ³Û ѳÝñáõû³Ý å³ñï³õáñáõÃÇõÝÝ ¿ ÁÉÉ³É ³ñÃáõÝ, ³ã³Éáõñç »õ áõß³¹Çñ, áñå¿ë½Ç Û³ÝϳñÍ Íñ³·ñÇ Ý»ñùÇÝ µ³Ý³ÏóáõÃÇõÝÝ»ñáõ ù³ßùßáõùÇÝ ½áÑ ã»ñÃ³Û Ù»ñ ³½·³ÛÇÝ Ñ³ñëïáõÃÇõÝÁ` ²ñ³ÙÇ îáõ°ÝÁ, áñ ׳ϳﳷñÇ ïËáõñ ˳Õáí ÙÁ Û³ÛïÝáõ³Í ¿ §ÐÇÝ ºñ»õ³Ý§Ç ë»÷³Ï³Ý³ï¿ñ»ñáõ ³÷ÇÝ Ù¿ç ÷áË³Ý³Ï Çñ ÇëÏ³Ï³Ý Çñ³õ³ïÇñáç` ³½·Ç°ÝûñÇÝ³Ï³Ý ë»÷³Ï³ÝáõÃÇõÝÁ ÁÉɳÉáõ: ÎÁ ËûëÇÝù Ñ³Û ³ÝÏ³Ë å»ï³Ï³Ýáõû³Ý é³ÑíÇñ³Û »õ Ñ³Û ÅáÕáíáõñ¹Ç ³½·³ÛÇÝ Ñ»ñáë` ²ñ³Ù سÝáõÏ»³ÝÇ Ù³ëÇÝ: лñá°ë` áñ Çñ Ñ»ñáëÇ ÏáãáõÙÁ ã¿ ëï³ó³Í ųٳݳϳõáñ áñ»õ¿ Çß˳Ýáõû³Ý å³ñ·»õ³ïñáõÙÝ»ñ¿Ý: ²Ý кðàê ¿ Çñ ÇëÏ ÅáÕáíáõñ¹Ç ³Ýµ»Ï³Ý»ÉÇ í×Çéáí: ÄáÕáíáõñ¹Ç ųٳݳϳٻñÅ »õ ·»ñûñÇÝ³Ï³Ý Ñ»ÕÇݳÏáõû³°Ùµ: ²ÝóÝáÕ Ñ³ñÇõñ ï³ñáõ³Ý ÁÝóóùÇÝ, ê÷ÇõéùÇ Ù¿ç, ¹Åáõ³ñ ÿ ·ïÝáõ¿ñ Ù¿ÏÁ, áñ ã·Çïݳñ, ÿ á±í ¿ñ ²ñ³ÙÁ: ²ñ³ÙÁ í³Õáõó §ÏáñëÝóáõó³Í¦ ¿ñ Çñ ³½·³ÝáõÝÁ: ²Ý å³ñ½³å¿ë ²ð²°ØÜ ¿ñ Ñ³Û ³½·Ç µáÉáñ Çñ»ñ³Û³çáñ¹ ë»ñáõݹݻñáõÝ Ñ³Ù³ñ »õ í»°ñç: Æñ ³Ýáõ³Ùµ Ïáãáõ³Í »Ý ÁݹѳÝñ³å¿ë ê÷ÇõéùÇ Ù¿ç ѳë³Ï ³é³Í µáÉáñ ²ñ³ÙÝ»ñÁ: ìëï³Ñ³µ³ñ ݳ»õ` Ø»ÍÇ î³ÝÝ ÎÇÉÇÏÇáÛ ê. ²ÃáéÇ ·³Ñ³Ï³É Üêúîî ²ñ³Ù ². ì»Ñ³÷³é гÛñ³å»ïÁ: Êáñ ó³õáí å¿ïù ¿ ³ñӳݳ·ñ»É, áñ ¹Åµ³Ëï³µ³ñ ÝáÛÝÁ ã¿ »Õ³Í å³ñ³·³Ý Ù»ñ ѳÛñ»ÝÇùÇÝ: ÆÝã áñ ï»Õ` µáÉß»õǽÙÁ Ïñó³°Í ¿ Û³çáÕÇÉ Ñ³Ûñ»ÝÇ Ýáñ³Ñ³ë ë»ñáõݹݻñáõ Ù¿Ï É³ÛÝ ½³Ý·áõ³ÍÇ ÛÇßáÕáõÃ»Ý¿Ý çÝç»É ²ñ³ÙÇÝ ³ÝáõÝÁ »õ Û³ïϳå¿ë ²ñ³ÙÇ Ñ³Ûñ»Ý³ëï»ÕÍ ·áñÍÇ ï³ñáÕáõû³Ý Ûëï³Ï ·Çï³ÏóáõÃÇõ°ÝÁ: ´áÉß»õÇÏ»³Ý Çß˳ÝáõÃÇõÝÝ»ñÁ Áñ³Í »Ý ³Ù¿Ý µ³Ý Ù»ñ ÅáÕáíáõñ¹Ç ѳõ³ù³Ï³Ý ÛÇßáÕáõÃ»Ý¿Ý çÝç»Éáõ ²é³çÇÝ Ð³Ýñ³å»ïáõû³Ý ѳñ³½³ï å³ïÙáõÃÇõÝÁ ï»ÕÁ ¹Ý»Éáí Çñ»Ýó ³Ûɳݹ³Ï ݻݷ³÷áËáõÃÇõÝÁ: ä³ïÇ°õ Ù»ñ ÅáÕáíáõñ¹ÇÝ` áñ ³ÛÝáõ³Ù»Ý³ÛÝÇõ Ù»ñÅ³Í ¿ ÁݹáõÝÇÉ ³Û¹ å³ñï³¹Çñ ½ñϳÝùÁ »õ Çñ ëñïÇ Ã³ùáõÝ Ëáñù»ñáõÝ Ù¿ç å³Ñ³Í ¿ Çñ ëñµáõÃÇõÝÝ»ñÁ: ²Ûëûñ ³Û¹ ÝáÛÝ ÅáÕáíáõñ¹ÇÝ ½³õ³ÏÝ»ñÝ »Ý, áñ ¹ñáõ³· ³é ¹ñáõ³· »õ Ù»Í Ý³Ë³ÝÓ³Ëݹñáõû³Ùµ ÏÁ í»ñ³Ï³Ý·Ý»Ý Ù»ñ ³½·³ÛÇÝ ÛÇßáÕáõÃÇõÝÁ: ²ñ³ÙÇÝ ÍÝÁݹ³í³ÛñÝ ¿ ³ÛÅÙáõ êÇõ-

²ñ³ÙÇ ÷áÕáó 1920³Ï³ÝÝ»ñáõÝ »õ...

Ý»³ó سñ½Ç ¸³õÇà ´¿Ï ·ÇõÕÁ (ݳ˳å¿ë` ¼¿Ûí³): ²Ý ÍÝ³Í ¿ 1879ÇÝ: ºõ ë³Ï³ÛÝ ³Ý ѳë³Ï ³é³Í ¿ ÞáõßÇÇ Ù¿ç »õ ÑáÝ ¿, áñ ³Ýó³Í ¿ Ð³Û Ú»Õ³÷áË³Ï³Ý ¸³ßݳÏóáõû³Ý ß³ñù»ñÁ, »ñµ ¹»é ³ß³Ï»ñï ¿ñ ÞáõßÇÇ Û³ÛïÝÇ Â»Ù³Ï³Ý ì³ñųñ³ÝÇÝ: ¸»é í³Õ »ñÇï³ë³ñ¹áõû³Ý ï³ñÇÝ»ñáõÝ, ²ñ³Ù óáõó³µ»ñ³Í ¿ ջϳí³ñ»Éáõ µÝ³ÍÇÝ ßÝáñÑÝ»ñ »õ áõÝ»ó³Í` µ»ÕáõÝ Û»Õ³÷áË³Ï³Ý Ï»³Ýù: 1904ÇÝ, ³Ý ÏÁ Ý߳ݳÏáõÇ ÐÚ¸ ì³ÝÇ Áݹ۳ï³Ï»³Û ϳ½Ù³Ï»ñåáõû³Ý å³ï³ë˳ݳïáõ: ÆëÏ 1915-ÇÝ, ²ñ³Ù Ï»¹ñáÝ³Ï³Ý ¹¿ÙùÝ ¿ ì³ÝÇ Ñ»ñáë³Ï³Ý ÇÝùݳå³ßïå³Ýáõû³Ý, áñ åë³Ïáõ»ó³õ í³Ý»óÇÝ»ñáõ ç³Ëç³ËÇã Û³ÕóݳÏáí: èáõë³Ï³Ý µ³Ý³ÏÇÝ ³éÁÝûñ` Ñ³Û Ï³Ù³õáñ³Ï³Ý áõÅ»ñáõ ì³Ý Ùáõïù¿Ý »ïù, ²ñ³Ù ÏÁ Ý߳ݳÏáõÇ ³½³ï³·ñáõ³Í Ù³ñ½Ç ϳé³í³ñÇã, ÇëÏ »ñµ ÏÁ ëÏëÇ éáõë³Ï³Ý ݳѳÝçÁ (áñ µ³Ëïáñáß åÇïÇ ÁÉɳñ ²ñ»õÙï»³Ý Ð³Û³ëï³ÝÇ Ñ³Ûáõû³Ý ѳٳñ), ¹³ñÓ»³É ²ñ³ÙÝ ¿, áñ Ù»Í Ó»éÝѳëáõû³Ùµ ÏÁ ջϳí³ñ¿ ù³Õ³ùÇÝ å³ñåáõÙÝ áõ ÅáÕáíáõñ¹Ç ½³Ý·áõ³Í³ÛÇÝ ·³ÕÃÁ ¹¿åÇ ²ñ³ñ³ï»³Ý ¸³ßï: ÎÁ ï»Õ³Ñ³ÝáõÇ Ùûï 200,000 Ù³ñ¹ »õ ²ñ³ÙÝ ¿, áñ ÏÁ ϳ½Ù³Ï»ñå¿ ³Û¹ ï»Õ³Ñ³Ý ÅáÕáíáõñ¹ÇÝ ï»Õ³õáñÙ³Ý ·áñÍÁ ºñ»õ³ÝÇ Ù¿ç »õ ³ÛÉáõñ: 1918Ç Ù»Í ù³áëÇÝ Ù¿ç »õ ³Ûë ³Ý·³Ù ºñ»õ³ÝÇ ÅáÕáíáõñ¹Ç°Ý ÇëÏ ÁÝïñáõû³Ùµ - ²ñ³Ù Û³ÝÓÝ Ï ³éÝ¿ ßñç³ÝÇ Ï³é³í³ñÙ³Ý ¹Åáõ³ñÇÝ ·áñÍÁ: ºõ »ñµ Ãñù³Ï³Ý ½ÇÝ»³É áõÅ»ñáõ Û³ñÓ³ÏáճϳÝÁ ÏÁ ëÏëÇ ¨ ÃßݳÙÇÝ ³ñ¹¿Ý ÏÁ ͻͿ ºñ»õ³ÝÇ ¹éÝ»ñÁ, ÏñÏÇÝ ²ñ³ÙÝ ¿, áñ åÇïÇ Ññ³ß³·áñÍ¿ Ù»ñ ÅáÕáíáõñ¹Ç ѳٳÅáÕáíñ¹³Ï³Ý ѳϳ¹³ñÓáõÃÇõÝÁ Û³ïϳå¿ë ê³ñ¹³ñ³å³ïÇ »õ ´³ß ²å³ñ³ÝÇ Û³ÕÃ³Ï³Ý ×³Ï³ï³Ù³ñï»ñáí: ä³ïÙ³Ï³Ý ³Ûë Ù»Í Çñ³¹³ñÓáõÃÇõÝÝ»ñáõ µ³ñ¹ µÝáÛÃÁ Çñ ¿áõÃ»Ý¿Ý ½»Õç»Éáõ áñ»õ¿ ¹Çï³õáñáõÃÇõÝ ÃáÕ ãí»ñ³·ñáõÇ Ù»½Ç: Ø»Í ÃÇõáí ѳÛñ»Ý³Ýáõ¿ñ ½ÇÝáõáñÝ»ñáõ, Ññ³Ù³Ý³ï³ñÝ»ñáõ, ½ûñ³í³ñÝ»ñáõ, ³ß˳ñÑ³Ï³Ý »õ Ñá·»õáñ ·áñÍÇãÝ»ñáõ ³ñ¹³ñ

ÑÇÙ³

Ý»ñ¹ñáõÙÁ Ï³Û ³Ûë µáÉáñÇÝ Ù¿ç: ´³Ûó ³Û¹ µáÉáñÁ Ç ÙÇ µ»ñáÕ »õ ½³ÝáÝù µéáõÝóùÇ í»ñ³ÍáÕ Ï»¹ñáÝ³Ï³Ý Ñ»ÕÇݳÏáõÃÇõÝÝ ¿ ²ñ³ÙÁ Çñ ³ÙµáÕç³Ï³Ý ÝáõÇñáõÙáí, ϳ½Ù³Ï»ñå³Ï³Ý Çñ ѳÝ׳ñáí »õ Çñ ³Ýë³ÑÙ³Ý ÇÙ³ëïáõû³Ùµ: ºõ ǯÝã Ñ»·Ý³Ýù »õ ·³Õ³÷³ñ³Ï³Ý ǯÝã Ãßáõ³éáõÃÇõÝ` áñ ³Ûëûñ Û³ÝϳñÍ ëÏë³Í »Ýù ë³Ï³ñÏáõû³Ý ÝÇõà ¹³ñÓÝ»É Ñ³Ù³½·³ÛÇÝ Û³ñ·³ÝùÇ Ù»ñ µ³ñáÛ³Ï³Ý å³ñï³õáñáõÃÇõÝÁ ²ñ³ÙÇÝ »õ Çñ å³ïÙ³Ï³Ý ³Ûë ÑëÏ³Û Å³é³Ý·áõû³Ý ѳݹ¿å: àñá±Ýù »Ý ³ÛÝ Ù³ñ¹ÇÏ, áñáÝù ÏÁ Ù»ñÅ»Ý Ð³Ýñ³å»ïáõû³Ý Ðñ³å³ñ³ÏÁ µ³óëñïûñ¿Ý µ³Ý³É ³Ûë Ù»Í Ñ³Ûáñ¹ÇÇÝ ³éç»õ: àñá±Ýù »Ý ¹³ñÓ»³É ³Ûë å³ñáÝÝ»ñÁ, áñáÝù гÝñ³å»ïáõû³Ý ß÷áà ûñ»ñáõÝ ù³ÝÇ ÙÁ ³ñͳÃáí »õ Ù¿ç¿-Ù¿ç ϳñ·³¹ñáõû³Ùµ »õ ·³Õï³·áÕÇ Çõñ³óáõó³Í »Ý ²é³çÇÝ Ð³Ýñ³å»ïáõû³Ý γé³í³ñáõû³Ý îáõÝÁ, áñáõÝ å³ïß·³Ù¿Ý ²ñ³Ù ¹¿åÇ ê³ñ¹³ñ³å³ï ÙÕ³Í ¿ ºñ¨³ÝÇ ÅáÕáíáõñ¹Á: ƯÝã ³Ùµ³ñï³õ³Ýáõû³Ùµ ³ÝáÝù ÅåñÑ³Í »Ý ˻ճÃÇõñ»É ³Ûë ³½·³ÛÇÝ Ûáõß³ñÓ³ÝÇ ×³ñï³ñ³å»ï³Ï³Ý ÛÕ³óùÁ »õ ǯÝã ÷óáõÝ ß³Ñ³ÙáÉáõû³Ùµ ½³ÛÝ í»ñ³Í³Í` ÷Çó³Û³ñ³ÝÇ: ºõ áíù»±ñ »Ý Ç í»ñçáÛ ³ÛÝ ßáõϳ۳ï¿ñ»ñÁ, áñáÝù ÏÁ ß³ñáõÝ³Ï»Ý Ñ³Ýñáõû³Ý Ñ»ï í»ñ³µ»ñáõÇÉ ³ÛÝå¿ë áñå¿ë ÿ ²ñ³ÙÇ îáõÝÁ Çñ»Ýó Ñûñ»Ý³Ï³Ý ë»÷³Ï³ÝáõÃÇõÝÁ ÁÉɳñ, ½áñ ÏñÝ³Ý ³Ûëûñ Áëï ϳÙë ߳ѳñÏ»É Ï³Ù ÷׳óÝ»É ²½·³ÛÇÝ ÇÝùݳ·Çï³Ïóáõû³Ý á±ñ ÝáñÙ»ñáí ï»ÕÇ Ï áõÝ»Ý³Û ³½·³ÛÇÝ Ñ³ñëïáõû³Ý ³Ûë µ³ó³Û³Ûï ç³ñ¹Á: âÇ µ³õ»ñ, áñ ³½·³ÛÇÝ ³Ûë ëñµ³í³ÛñÁ ËáñÑñ¹³ÛÇÝ Çß˳Ýáõû³Ý ûñáí Éùáõ³Í ÁÉÉ³Û Çñ µ³ËïÇÝ, ³Ñ³õ³ëÇÏ ³õ»ÉÇ ù³Ý ù³éáñ¹ ¹³ñáõ Ù»ñ ³ÝÏ³Ë å»ï³Ï³Ýáõû³Ý ջϳí³ñ áõÅ»ñÁ µ³ó³ñӳϳå¿ë áãÇÝã Áñ³Í »Ý ½³ÛÝ Ñ³Ýñáõû³Ý ûõ³ñÏáõû³Ý ï³Ï ³éÝ»Éáõ »õ ½³ÛÝ ß³ñáõÝ³Ï³Ï³Ý ù³Ûù³ÛáõÙ¿ ÷ñÏ»Éáõ: Ø»ñ ³ãù»ñáõÝ ³éç»õ³Ý ³Ýó³Í ¿ Ó»éù¿ Ó»éù áñå¿ë ëáëÏ ³åñ³Ýù

³Ù¿Ý ûñ ³õ»ÉÇ Ó»õ³½»ÕÍáõ»Éáí »õ ³õ»ñ³ÏÇ í»ñ³Íáõ»Éáí: ²Ûë ³å³ßÝáñÑ ·áñÍÁÝóóÁ å¿ïù ¿ ϳݷ ³éÝ¿ ³é³Ýó ³ÛÉ»õ³ÛÉÇ: Ìáõé ¹³ñÓ³Í ³Ûë ³ÝÇõÁ å¿ïù ¿ ³ÝÛ³å³Õ »ï ßñçáõÇ »õ ²ñ³ÙÇ îáõÝÁ í»ñ³¹³ñÓáõÇ Çñ ÇëÏ³Ï³Ý Çñ³õ³ïÇñáç` Ñ³Û ÅáÕáíáõñ¹Ç°Ý: ä»ï³Ï³Ý Ï»³ÝùÇ ×ß·ñÇï µ³é³å³ß³ñáí` ³Ýáñ ÇëÏ³Ï³Ý ï¿ñÁ ѳÝñáõÃÇõÝÝ ¿ »õ ³Ûë Ù¿ÏÁ ³ÛÉÁÝïñ³Ýù ãáõÝÇ: ²Ý ãÇ Ïñݳñ ͳËáõÇÉ Ï³Ù ·ÝáõÇÉ Ï³Ù Ó»õ³½»ÕÍáõÇÉ: ÖÇßï ÇÝãå¿ë ÌÇÍ»éݳϳµ»ñ¹Ý ¿ ϳ٠ê³ñ¹³ñ³å³ïÇ Ûáõ߳ѳٳÉÇñÁ: ²õ»ÉÇ óÝóÇ°ã: ÖÇßï ÇÝãå¿ë ê. ÐéÇ÷ëÇÙ¿Ç ï³×³ñÝ ¿: ²Ý Ùdzݷ³ÙÁݹÙÇßï å¿ïù ¿ í»ñ³¹³ñÓáõÇ Ñ³Ýñáõû³Ý »õ ÙßïÝç»Ý³õáñáõÇ ³½·³ÛÇÝ Ñ³ñëïáõû³Ý Çñ í»ñçÝ³Ï³Ý Ï³ñ·³íÇ׳Ïáí: ²é³õ»°É. ³Ý å¿ïù ¿ í»ñ³Ï³Ý·ÝáõÇ Çñ ëϽµÝ³Ï³Ý ׳ñï³ñ³å»ï³Ï³Ý ÛÕ³óùáí, Çñ Ý»ñùÇÝ Ó»õ ³õáñٳٵ, Çñ å³ïß·³ÙÝ»ñáí áõ µ³Ïáí: ºõ ³Ý å³ßïûݳå¿ë å¿ïù ¿ ÙÏñïáõÇ áñå¿ë Ù»ñ ³ÝÏ³Ë å»ï³Ï³Ýáõû³Ý ÐÇÙݳ¹Çñ Ðûñ` ²ñ³Ù سÝáõÏ»³ÝÇ îáõÝ-³ݷ³ñ³ÝÁ: ºõ ³Ûë ·áñÍÁ Ëáݳñѳµ³ñ åÇïÇ ³é³çÝáñ¹¿ áã ³ÛÉ áù, ù³Ý г۳ëï³ÝÇ Ð³Ýñ³å»ïáõû³Ý ³é³çÇÝ ¹¿ÙùÁ` ÜáñÇÝ ¶»ñ³½³ÝóáõÃÇõÝ ÐРݳ˳·³ÑÁ: ø³Õ³ù³ÏÇñà ³½·»ñÁ ³Ûëå¿ë ¿, áñ ÏÁ ½³Ý³½³ÝáõÇÝ ÙÇõëÝ»ñ¿Ý: ²ÝáÝù ÏÁ Û³ñ·»Ý Çñ»Ýó å³ïÙáõÃÇõÝÁ »õ ·áõñ·áõñ³Ýùáí ÏÁ å³Ñå³Ý»Ý Çñ»Ýó å³ïÙ³Ï³Ý ÛÇßáÕáõÃÇõÝÁ: ²ñ³ÙÇ îáõÝÁ »õ ²é³çÇÝ Ð³Ýñ³å»ïáõû³Ý γé³í³ñáõû³Ý îáõÝÁ Çñ»Ýó å³ï»ñáõÝ ÙÇç»õ ÏÁ å³ñ÷³Ï»Ý Ù»ñ å³ïÙ³Ï³Ý ÛÇßáÕáõÃÇõÝÁ: ²ÝáÝù ÏÁ å³Ñå³Ý»Ý ÛÇßáÕáõÃÇõÝÁ Ù»ñ ³ÛÝ å³ïÙáõû³Ý, áñ Ù»ñ ³½·³ÛÇÝ ³Ý˳éÝ Ñå³ñïáõÃÇõÝÝ ¿ ³Ûëûñ »õ ³éáÕç ÃÃËÙáñÁ Ù»ñ ³ÝÏ³Ë å»ï³Ï³Ýáõû³Ý ·³Õ³÷³ñÇÝ: ºõ ³ÝíÇ×»ÉÇûñ¿Ý` ѳݷ³Ý³°ÏÁ Ødzó»³É, ²½³ï »õ ²ÝÏ³Ë Ð³Û³ëï³ÝÇ Ù»ñ ³ÝųٳÝó»ÉÇ å³ñï³õáñáõû³Ý:

سï»Ý³¹³ñ³ÝÁ гٳÉñáõ³Í ¿ ²ñÅ¿ù³õáñ Üáñ һ鳷ñ»ñáí« ö³ëï³ÃáõÕûñáí 2017 Ãáõ³Ï³ÝÁ Ø»ëñáå سßïáóÇ ³Ýáõ³Ý سï»Ý³¹³ñ³ÝÇÝ Ñ³Ù³ñ Çñ³¹³ñÓáõÃÇõÝÝ»ñáí ѳñáõëï ï³ñÇ ¿ñ« Û³ÛïÝ³Í ¿ Ø»ëñáå سßïáóÇ ³Ýõ³Ý سï»Ý³¹³ñ³ÝÇ ïÝûñ¿ÝÇ å³ßïûݳϳï³ñ ì³Ñ³Ý î¿ñ Ô»õáݹ»³Ý: §Ø»Ýù ëáíáñ³µ³ñ ѻﳽûï³Ï³Ý ·áñÍáõÝ¿áõû³Ý ³ñ¹ÇõÝùÝ»ñÁ Ϫ³Ù÷á÷»Ýù ٻݳ·ñáõÃÇõÝÝ»ñáõ« ÅáÕáí³ÍáõÝ»ñáõ« Ûû¹áõ³ÍÝ»ñáõ« ÇÝãå¿ë ݳ»õ ï³ñµ»ñ ·Çï³ÅáÕáíÝ»ñáõ Ù¿ç Ù»ñ ³ß˳ï³ÏÇóÝ»ñáõ ½»ÏáõóáõÙÝ»ñáõÝ ï»ëùáí:

²Ûë ³éáõÙáí 2017 Ãáõ³Ï³ÝÁ ÏÁ ·»ñ³½³Ýó¿ ݳËáñ¹ ï³ñÇÝ»ñáõÝ ³ñ¹ÇõÝùÝ»ñÁ: Ø¿Ï ïáõ»³É Ý»ñϳ۳óݻ٩ Ññ³ï³ñ³Ïáõ³Í ·Çï³Ï³Ý Ûû¹áõ³ÍÝ»ñáõ ÃÇõáí ³Ûë ï³ñÇÝ »ñ»ù ³Ý·³Ù ÏÁ ·»ñ³½³Ýó¿ 2015 Ãáõ³Ï³ÝÁ: ºÃ¿ 2015 Ãáõ³Ï³ÝÇÝ Ññ³ï³ñ³Ïáõ³Í ¿ 50 Ûû¹áõ³Í« ³Ûë ï³ñÇ` 150¿Ý ³õ»ÉÇ« 2016 Ãáõ³Ï³ÝÇÝ` ßáõñç 90: ²Ûë Ûû¹áõ³ÍÝ»ñÁ ï³ñµ»ñ áõÕÕáõ³Íáõû³Ý »Ý` µ³Ý³ëÇñáõÃÇõÝ« å³ïÙ³·ÇïáõÃÇõÝ« ³ñáõ»ëï³µ³ÝáõÃÇõÝ« ³ëïáõ³Í³µ³ÝáõÃÇõÝ«

µÝ³·ñ³·ÇïáõÃÇõÝ« ӻ鳷ñ³·ÇïáõÃÇõÝ »õ ³ÛÉݦ« Áë³Í ¿ ì³Ñ³Ý î¿ñ Ô»õáݹ»³Ý: ²Ûë ï³ñÇ Ø³ï»Ý³¹³ñ³ÝÇ Ù¿ç ϳ½Ù³Ï»ñåáõ³Í ¿ ãáñë ÙÇç³½·³ÛÇÝ ·Çï³ÅáÕáí: ²ÝáÝóÙ¿ Ù¿ÏÁ ÏÁ í»ñ³µ»ñ¿ñ ѳۻñ¿Ý ²ëïáõ³Í³ßáõÝãÇ ïÁå³·ñáõû³Ý 350³Ù»³ÏÇÝ: ØÇõë ·Çï³ÅáÕáíÇÝ ÍÇñ¿Ý Ý»ñë ѳٳËÙµáõ³Í ¿ÇÝ Û³ïϳå¿ë ²äÐ »ñÏÇñÝ»ñáõ Ù³ëݳ·¿ïÝ»ñÁ« áñáÝù ÏÁ ½µ³ÕáõÇÝ Ó»é³·ñ»ñáõ« ÷³ëï³ÃáõÕûñáõ å³Ñå³Ýٳݫ í»ñ³Ï³Ý·ÝÙ³Ý áõ Ãáõ³Ûݳó-

Ù³Ý Ñ³ñó»ñáí: Ú³çáñ¹Á` ܳñ»Ï³óÇ³Ï³Ý 3ñ¹ ÁÝûñóáõÙÝ»ñÝ ¿ÇÝ« áñáõÝ ÑÇÙùÁ ¹ñ³Í ¿ سï»Ý³¹³ñ³ÝÇ Ý³ËÏÇÝ ïÝûñ¿Ý ѳݷáõó»³É Ðñ³ã»³Û ³Ùñ³½»³ÝÁ 2015 Ãáõ³Ï³ÝÇÝ: ²Ûë ï³ñÇ Ý³»õ Çñ³Ï³Ý³ó³õ »ñÇï³ë³ñ¹³Ï³Ý 3ñ¹ ·Çï³ÅáÕáíÁ« áñáõÝ ÍÇñ¿Ý Ý»ñë Ý»ñϳ۳óáõ»ó³Ý µ³ñÓñ ٳϳñ¹³ÏÇ ½»ÏáõóáõÙÝ»ñ: سï»Ý³¹³ñ³ÝÇ ·Çï³ß˳ïáÕÝ»ñÁ ³Ûë ï³ñÇ Ù³ëݳÏó³Í »Ý ³ß˳ñÑÇ Ëáßáñ ѳٳÉë³ñ³ÝÝ»ñáõÝ ÏáÕÙ¿ ϳ½Ù³Ï»ñåáõ³Í ÙÇç³½·³ÛÇÝ ùáÝÏñ¿ëÝ»ñáõ« ·Çï³ÅáÕáíÝ»ñáõ:

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

¶ð²Î²Ü

Úáõß³ï»ïñ© سÝÏáõû³Ý àëÏÇ Þñç³ÝÁ

æáõñÁ г٠âáõÝÇ è© Ð©

ì³ñ³· ä³å»³Ý

-ܳñÇÝçDZ ÑÇõë ϳ٠çáõñ© -ÀÙÙÙ®²Ù³®Coca Cola áõÝÇÝ« ¹áõÝ ÁëÇñ áñ ÙdzÛÝ ÑÇõà ϳ٠çáõñ Ï³Û © ëï³Ëûë »ë ù»éÇ© ¹åñáóÁ Ù»½Ç ëáñí»óáõóÇÝ áñ ëáõï ËûëÇÉÁ ɳõ µ³Ý ã¿: -êï³Ëû±ë® ²Ùû°Ã ²ñßÇÉ©© ºë ãÁëÇ áñ ÙdzÛÝ©©. ƱÝã á×áí ß³ñáõݳϻ٩ ë³ëï»Éáí ÛÇß»óÝ»±Ù ɳÏáïÇÝ áñ Û³ñ·³ÝùÁ ÙÇßï ϳñ»õáñ ¿© ÿ Ý»ñáÕ³Ùïáõû³Ùµ®ËáßÇë »Ï³õ áñ ѳݷÇëï ѳۻñ¿Ýáí ÇÝù½ÇÝùÁ ³ñï³Û³Ûï»ó »õ Áëï »ñ»õáÛÃÇÝ« Ù»ñ ïÕ³Ý ¹åñáóÁ ÙïÇÏ Ï ÁÝ¿ Ïáñ£ -²ñ³· áñáß¿°« çáõ±ñ ϳ٠ÑÇõã Þ³ñùÁ« ûñáõ³Ý å¿ë ó³õ³ÉÇûñ¿Ý »ñϳñ ¿ñ£ ´³Ûó í»ñç³õáñáõÃÇõÝÁ ϳñÍ»ë ï»ë³Ý³ÉÇ ¿ñ© ßáõïáí« ³éÇÃÁ åÇïÇ áõݻݳÛÇ §å³ï³ë˳ݳïáõ ù»éÇǦ ѳٳ½·»ëïë Ù¿Ï ÏáÕÙ Ý»ï»É« »õ Û³ÝÓÝáõÇÉ ë³éó³ñ³ÝÇë Ù¿ç ÇÝÓ ëå³ëáÕ ß³ñáõ³Í« ѳõ³ï³ñÇÙ §ùÇõýÿ¦ Ý»ñáõÝ£ ¸ñ³Ù³ñÏÕÇÝ ¹ÇÙ³ó ÝëïáÕ« ³Ý÷áÛë ÙÇçÇÝ ï³ñÇù áõÝ»óáÕ ÏÇÝÝ ³É ÏÁ Ùûï»Ý³ñ£²Ý¹ÇÝ« ù³ÝÇ ÙÁ í³ñë³Û³ñ¹áõ³Í ·áõݳõáñ ·ÉáõËÝ»ñ£ -ÐÇõÃÁ ÷áñÇÏë ÏÁ ó³õóÝ¿« »õ çáõñÁ ѳÙáí ã¿°£ -Àë³Í¹ ³Ýѻûà ¿« çáõñÁ ѳ٠ãáõÝÇ© ²ñѳٳñÑ»ÉÇûñ¿Ý ͳÝñ ³Ýáõß³Ñáï ëñëÏáõ³Í« ÇÝÓÙ¿ ³é³ç Ï»ó³Í ÏÇÝÁ Ññ³Å³ñ»ó³õ ß³ñù¿Ý« Çñ Ñ»ï ѳõ³ù»Éáí »ñ»ù µ³ñ»Ï³Ù-۳׳Ëáñ¹Ý»ñ£ ²Ñ³õ³ëÇÏ Å³ÙÁ ѳë³Í ¿ñ£ -ê»õ ëáõñ× »õ ßÇß ÙÁ çáõñ ѳ×Çë® -´³Ûó 7up áõÝÇÝ »õ »ë »ûÃÁ ï³ñ»Ï³Ý »°Ù£ ºûÃÁ ÷áùñ« ³Õïáï »ÕáõÝ·áí Ù³ïÝ»ñ óáÛó ïáõ³õ« ß»ßï»Éáõ Çñ ϳñ»õáñ ·ÇõïÁ£ ²ñï³Û³Ûï³Í µ³é»ñÁ í³ËݳÉÇù Ëáñ³Ù³ÝÏáõû³Ùµ óÃËáõ³Í ¿ÇÝ£ öáùñ ¹»ñ³ë³ÝÁ ¹ÇÙ³õáñ»ó ½Çë §·Çï»Ù áñ ѳÙáíÇÏ »Ù¦Ç ݳÛáõ³Íùáí ÙÁ£ ²Û¹ ÝáÛÝ ³Ýï³ñµ»ñ« Ó³ÝÓñ³ó³Í ÏÇÝÁ« áñ ùÇã ³é³ç ù³ó³Ë ËÙáÕÇ Ý³Ûáõ³Íù áõÝ¿ñ« ÑÇÙ³®©³Ï³Ýç ѳëÝáÕ Ù»Í ÅåÇïá±í£ ºë ã¿Ç Ïñó³Í ³ÙÇëÝ»ñáí ÏÝáç ÙÁ ³Û¹ Ó»õáí ÅåÇï å³ñ·»õ»É£ ²ï»Ý ÙÁ ³ÉÇÝÇÝ ÅåÇï ÏÁ å³ï׳é¿Ç« µ³Ûó ³Ý Ïáåïûñ¿Ý ëÏë³õ ½Çë ³Ýï»ë»É£ FacebookÇ ÙÇçáóáí ѳëÏó³Û áñ ³Ý í»ñç»ñë Ýß³Ýáõ³Í ¿ñ ù³Ý¹³Ï³·áñÍÇ ÙÁ Ñ»ï® ø³Ý¹³Ï³·áñÍ ÁÉɳÉÁ ·Çï»Ù áñ µÝ³Ï³Ý³µ³ñ ï³Õ³Ý¹ »õ ³åñáõÙ áõÝ»óáÕ ³ÝÓ ÙÁ ÏÁ ûɳ¹ñ¿« µ³Ûó Øáõß»ÕÁ ß³ïáÝó ÏÁ ׳Ýãݳ٫ »õ ³é³Ýó á»õ¿ ¹³éÝáõû³Ý Ïñݳ٠Áë»É áñ ³åáõßÇÝ Ù¿ÏÝ ¿£ гóÇ ÷ßñ³ÝùÇ ã³÷ »ñ»õ³Ï³ÛáõÃÇõÝ ãáõÝÇ£ àõñ»ÙÝ »ë ³É ÷ßñ³Ýù¿Ý ³õ»ÉÇ ãÝãÇÝ µ³±Ý ÙÁÝ »Ù »Õ»ñ£ öáùñ« ß³ï ÷áùñ Ïá×³Ï »Ù£ àã ïå³õáñÇã ·áõݳõáñ ï»ë³ÏÁ£ Øáéóáõ³Í« å³ÑáõÁï³Í »Ù ³Û¹ Éùáõ³Í óõÇß ï³÷³ïÇ Ù¿ç« áñ ï³ñÇÝ Ù¿Ï ³Ý·³Ù ÏÁ ѳ·óáõÇ£ ¶ñå³ÝÇ Ù¿ç ÏÁ ëå³ë»Ù« ٻɳٳÕÓáï ÇÝùÝáõû³Ùµ£ -سٳ° -Ðá·Ç°ë« Ù¿Ï Ñ³ïǯÏë© Ø³Ûñ áõ ïÕ³Û Ï áÕç³·áõñáõÇÝ£ øáÛñë ÇÝÓ Ý³Ûáõ³Íùáí ãëå³ÝÝ»ó« µ³Ûó ͳÝñ íÇñ³õáñ»ó£ -²µ³ñ® 7 up ±© ÐÇõë ϳ٠çáõñÇ å¿ë µ³Ý ÙÁ ãϳ±ñ®

Î³Õ³Ý¹Ç ÆñÇÏáõÝ ÒÇõÝÝ »ñÏÇÝù¿Ý ßáõß³ÝÇ å¿ë ³Ý¹áññáõû³Ùµ ÏÁ Ãáñ³Û« ÒÇõÝÝ ³ëïÕ»ñ¿Ý áõ ²ëïáõÍÙ¿Ý Ù³ñ·³ñÇïÇ å¿ë ÏÁ ѻջÕÇ« ºõ µ³ñ»³ó³Ï³Ù áõ ½áõ³ñÃáõÝ áõ Éáõë³µáÛñ ÉáõëÝÏ³Ý ºñ¹ÇùÝ»ñáõÝ Ï³Ù ëåÇï³Ï µ³ñïÇÝ»ñáõÝ Ï³ï³ñ¿Ý Æñ ٻͳ÷³é áõ Ùï»ñÇÙ ÅåÇïáíÝ Ûáõë³ÉÇóª Öá˳ϻ³óÇÝ ³Ýå»ñ×ÇÝ Éáõë³Ùáõï¿Ý Ý»ñë ÏÁ ݳÛÇ® سñ¹»ñÁ ¹»é »ñç³ÝÇÏ »Ý® Ù³ñ¹»ñÁ ¹»é µÝáõû³Ý µ³ñÇùÇÝ Ñ»ï ؿϽٿÏáõ ݳÛáõ³ÍùÇÝ Ù¿ç Çõñ³ù³ÝãÇõñÝ Çñ ¹ñ³ËïÁ ÏÁ ï»ëÝ¿® Üáñ î³ñÇÇ ÇñÇÏáõÝ ¿: ²Ù¿Ý »ñ¹Çù Çñ Ëñ³Ë׳ÝùÇ Å³ÙÝ áõÝÇ« ÂáÝÇñÇÝ ßáõñç« áñáõÝ íñ³Û ³Û·ÇÝ»ñáõÝ Ùñ·»Õ¿ÝÝ»ñÁ ÏÁ µáõñ»Ý ø³é³ëáõÝ ³ÝÓª Ù¿Ï ï³Ý ½³õ³Ïª µáÉáñ³ÏÇ Ýëï»ñ »Ý: ²Ù¿Ý Ñá·Ç Çñ ³éç»õÁ óÝÍáõû³Ùµ ÙÁ ÏÁ ëÏëÇ« Æñ ³ñͳû³Û ³ßï³Ý³ÏÇÝ Ï³åáÛï ×ñ³·Á í³é»É« àñáíÑ»ï»õ ³Û¹ å³ÑáõÝ« »ñ³½Ý»ñáõ ͳÕÏ»åë³Ï ׳ٵ³Ý»ñ¿Ý« Ú³õ»ñųѳñëÁ ϳÃݳٳñÙÇÝ« Ù»ñÏ áïù»ñáíª ÛáÛëÁ Ó»éùÇÝ ÏÁ Ùûï»Ý³Û® àõ Ù»Í Ù³ÛñÁ ÏÁ ëÏëÇ ïÝ»óÇÝ»ñÝ Çñ»Ýó ïÝáíÝ ûñÑÝ»Éáõ« -§Ê³Õ³ÕáõÃǯõÝ« ³ß˳ñÑÝ»ñáõ ³Ý·áõÃÝ»ñáõÝ »õ Ó»ñ ëÇñïÁ Ó»½ ³å³õ¿Ý¦: Ú»ïáÛ áïùǪ Ù³ïÕ³ß ÏáÛë»ñÝ áõ ѳñë»ñÁ ѳٵáõñ»Éáí ³ÝáÝó ϪÁë¿« -§ì³ÕÝ ³é³õûïª ³ñ»õͳ·ÇÝ ÏáõÅÝ áõë»ñáõ¹« çñÇ ·³ó¿°ù« Ø¿Ý ÙÇ ï³ñÇ Çñ ³é³çÇÝ ³ñ»õÇÝ Ñ»ïª Çñ µ³ñÇùÁ ÏÁ µ»ñ¿: àñå¿ë ½Ç Ó»ñ ûñ»ñÁ çñÇ ÝÙ³Ý »ñϳñ ÁÉÉ³Ý »õ ³ñ»õÇÝ å¿ë å³ÛÍ³é« ì³ÕÝ ³é³õûïª ÙÃÝß³ÕÇÝ ³Û·áõÝ »ñ·Ý »ñ·»Éáí æñÇ ·³ó¿ù: Üáñ î³ñÇÇÝ ³ÕµÇõñÝ»ñ¿Ý« ³ÏÝóñà ÙÁª áëÏÇ ¿ áñ ÏÁ í³½¿¦:® êdzٳÝÃû

13

سñ¹Á ³ß˳ñÑ Ïáõ ·³Û áñå¿ë Ýáñ³ÍÇÝ« ³å³ µÝ³Ï³ÝáÝ å³ÛÙ³ÝÝ»ñáõ Ù¿ç ÏÁ ¹³éÝ³Û Ù³ÝáõÏ« ³å³ ÏÁ ¹³éÝ³Û å³ï³ÝÇ« ³å³ ÏÁ ¹³éÝ³Û »ñÇï³ë³ñ¹ »õ ³ÝÏ¿ í»ñç ³É Ï°ÁÝÃ³Ý³Û ¹¿åÇ ã³÷³Ñ³ëáõÃÇõÝ »õ ϳٳó Ï³Ù³ó ¹¿åÇ Í»ñáõÃÇõÝ: ´áÉáñ ³Ûë ßñç³ÝÝ»ñÁ áõÝÇÝ Çñ»Ýó Ù³ëݳ۳ïÏáõÃÇõÝÁ« ÿ»õ ³ëáÝóÙ¿ á°ã Ù¿ÏÁ Ù³ñ¹áõë Ñá·ÇÝ ³ÛÝù³Ý ÏÁ ··áõ¿« áñù³Ý ÏÁ ··áõ¿ Ù³ÝÏáõÃÇõÝ Ïáãáõ³Í ßñç³ÝÁ: γñûïáí ÏÁ ÛÇß»Ýù Ù»ñ Ù³ÝÏáõû³Ý ßñç³ÝÁ« ³ïÏ¿ ½³ï` ß³ï ÏÁ ëÇñ»Ýù Ù³ÝáõÏÝ»ñÁ: Ø»ñ ëÇñïÁ ÏÁ µ³óáõÇ« Ù»ñ Ý»ñ³ß˳ñÑÁ áõñ³Ëáõû³Ùµ ÏÁ É»óáõÇ« »ñµ ëÇñ»ÉÇ Ù³ÝáõÏ ÙÁ áõÝÇÝù Ù»ñ ³ÝÙÇç³Ï³Ý ßñç³Ý³ÏÇÝ Ù¿ç: ºÃ¿ Ù¿ÏÁ ѳë³Í ¿ ã³÷³Ñ³ëáõû³Ý ßñç³ÝÇÝ« ÏÁ Ý߳ݳϿ« áñ ³Ý áõÝ»ó³Í ¿ Çñ Ù³ÝÏáõû³Ý ßñç³ÝÁ: ´³Ûó Ï»³ÝùÇë Ù¿ç ³é³çÇÝ ³Ý·³Ù ³Ûë §Ù³ÝÏáõÃÇõݦ µ³éáí óÝóáõ»ó³Û« »ñµ ϳñ¹³óÇ Éǵ³Ý³Ý³Ñ³Û ·ñ³·¿ï ²Ý¹ñ³ÝÇÏ Ì³éáõÏ»³ÝÇ Ý߳ݳõáñ §Ø³ÝÏáõÃÇõÝ ãáõÝ»óáÕ Ù³ñ¹ÇϦ ÇÝùݳϻÝë³·ñ³Ï³Ý í¿åÁ: ²Û¹ ·ÇñùÁ ϳñ¹³É¿ í»ñç ³Ý¹ñ³¹³ñÓ³Û« áñ ÙdzÛÝ Ï³ÝáõË Ù³Ñ³ó³Í »ñ»Ë³Ý»ñÁ ã¿ÇÝ« áñ Ù³ÝÏáõÃÇõÝ ã¿ÇÝ áõÝ»ó³Í« ³ÛÉ Ï³ÛÇÝ ã³÷³Ñ³ë áõ ï³ñÇùáï Ù³ñ¹ÇÏ ³É« áñáÝù Ù³ÝÏáõÃÇõÝ ã¿ÇÝ áõÝ»ó³Í: ²ÛëÇÝùÝ ã¿ÇÝ Ïñó³Í Ïáõßï áõ Ïáõé ³åñÇÉ Ù³ÝÏáõû³Ý »ñç³ÝÇÏ ßñç³Ý ÙÁ: гëÏݳÉÇ ¿« áñ Ñáë ËûëùÁ ÏÁ í»ñ³µ»ñÇ 1915-ÇÝ áñµ³ó³Í Ñ³Û ³Ýµ³Ëï Ù³ÝáõÏÝ»ñáõ: ²Ý¹ñ³ÝÇÏ Ì³éáõÏ»³Ý` ä¿ÛñáõÃÇ §Ü³ÛÇñǦ ß³µ³Ã³Ã»ñÃÇ Ý߳ݳõáñ ËÙµ³·ÇñÁ« ³ÝáÝóÙ¿ Ù¿ÏÝ ¿ñ: ²Ý ¿ñ« áñ Ù»½Ç ÛÇß»óáõó ϳ٠ëáñí»óáõó Ù³ÝÏáõÃÇõÝ ãáõÝ»óáÕ Ù³ñ¹áõ Ï»ñå³ñÁ: ÐÇÙ³ ·Çï»Ýù ³ÛÉ»õë« Ï³Ù ÑÇÙ³ ÏÁ ÛÇß»Ýù ³ÛÉ»õë: ²ß˳ñÑÇ ³Ù¿Ý ÏáÕÙÁ Ù³ñ¹Ï³ÛÇÝ Ù»Í áÕµ»ñ·áõÃÇõÝÝ»ñÁ ÏÁ å³ÛÃÇÝ Ý³»õ Ù³ÝáõÏÝ»ñáõ ·ÉËáõÝ íñ³Û« »õ ³Ù¿Ýáõñ»ù Ï°³åñÇÝ Ù³ÝÏáõÃÇõÝ ãáõÝ»óáÕ Ù³ñ¹ÇÏ« µ³Ûó Ù»½Ç ѳٳñ Ù³ÝÏáõÃÇõÝ ãáõÝ»óáÕ Ù³ñ¹Á ³Ù¿Ý¿Ý ³é³ç 1915-Ç Ñ³Û Ù³ÝáõÏÝ ¿« áñ ãÏñó³õ ³åñÇÉ Çñ ³ÛÝ Ù³ÝÏáõÃÇõÝÁ« ½áñ áõñÇß »ñç³ÝÇÏ ßñç³ÝÝ»ñáõ ÙÇÉÇáݳõáñ Ù³ÝáõÏÝ»ñÁ Ï°³åñÇÝ: سÝÏáõÃÇõÝ áõÝ»ó³Í ãÁÉɳÉÁ« ³ÛëÇÝùÝ Çñ Ù³ÝÏáõû³Ý ßñç³ÝÁ »ñç³ÝÏûñ¿Ý ³åñ³Í ãϳñ»Ý³É ÁÉɳÉÁ ³Ýµ³ËïáõÃÇõÝ ÙÁÝ ¿« áñáõÝ ó³õÁ ÙÇßï åÇïÇ Ïáïï³óÝ¿ »ÝóϳÛÇÝ ëÇñïÁ: ¿»õ ϳñ»ÉÇ ¿ åݹ»É« ÿ Ù³ÝáõÏÝ»ñÁ ß³ï ³É ·Çï³ÏÇó ã»Ý« ÿ Çñ»Ýó Ï»³ÝùÇÝ ³Ù¿Ý¿Ý ³Õáõáñ ßñç³ÝÁ Ï°³åñÇÝ« »õ ÿ` ³å³·³ÛÇÝ ÙÇßï ϳñûïáí åÇïÇ ÛÇß»Ý Çñ»Ýó Ù³ÝÏáõû³Ý ³Û¹ ßñç³ÝÁ« µ³Ûó »õ ³ÛÝå¿ë Ñá·»µ³Ýûñ¿Ý ·Çï»Ýù« ÿ ³Ù¿Ý Ù³ÝáõÏ Ï°áõ½¿ ÉÇáõÉÇ í³Û»É»É Ù³ÝÏáõû³Ý µ³ñÇùÝ»ñÝ áõ Çñ³õáõÝùÝ»ñÁ: ²Ûá°« Ù³ÝÏáõû³Ý µ³ñÇùÇÝ ùáí Ï³Û Ù³ÝÏáõû³Ý Çñ³õáõÝùÁ: ²Ù¿Ý Ù³ÝáõÏÇ Çñ³õáõÝùÝ ¿ ³åñÇÉ Çñ Ù³ÝÏáõÃÇõÝÁ: ºõ ³ëÇϳ ³Ý·Çñ ûñ¿Ýù ¹³ñÓ³Í Ï³ÝáÝÝ»ñáõ ѳٳӳÛÝ« ͳÝñ å³ï³ë-

˳ݳïáõáõÃÇõÝ ÏÁ ¹Ý¿ ÍÝáÕÝ»ñáõÝ íñ³Û: ²Ù¿Ý ÍÝáÕ å³ñï³õáñ ¿ Çñ ½³õÏÇÝ ³å³Ñáí»É »ñç³ÝÇÏ Ù³ÝÏáõû³Ý ßñç³Ý: ÌÝáÕÇÝ ·É˳õáñ Ùï³Ñá·áõÃÇõÝÝ ¿ ³Ýßáõßï ɳõ ³å³·³Û ÙÁ ³å³Ñáí»É Çñ ½³õÏÇÝ« µ³Ûó ³ïÇϳ ÍÝáÕÁ ãÇ ÷ñÏ»ñ ݳ»õ Çñ ½³õÏÇÝ »ñç³ÝÇÏ Ù³ÝÏáõû³Ý ßñç³Ý ÙÁ ³åñ»óÝ»Éáõ å³ñï³õáñáõûݿÝ: гñϳõ µ³õ³Ï³Ý ¹Åáõ³ñ ѳõ³ë³ñ³ÏßéáõÃÇõÝ ÙÁ Ï³Û ³Ûëï»Õ« ÍÝáÕ³Ï³Ý ·Çï³Ïóáõû³Ý áõ ѳëáõÝáõû³Ý« ݳ»õ µÝ³Ï³Ý³µ³ñ ÝÇõÃ³Ï³Ý Ï³ñ»ÉÇáõÃÇõÝÝ»ñáõ ·áÛáõû³Ý ѳñó ÙÁ Ï³Û Ñáë« áñ µ³Ëïáñáß ÏñÝ³Û ÁÉÉ³É Ý³»õ ½³õÏÇÝ Ñ³Ù³ñ: î·¿ï Ù³ñ¹áõ ÙÁ« ³Õù³ï Ù³ñ¹áõ ÙÁ« ÍÝáÕ³Ï³Ý å³ï³ë˳ݳïáõáõû³Ý ÇÝã ÁÉɳÉÁ ã·ÇïóáÕ Ù³ñ¹áõ ÙÁ ½³õ³ÏÁ ³ÛÝù³Ý µ³Ëï³õáñ ã¿« áñù³Ý µ³Ëï³õáñ åÇïÇ ÝϳïáõÇ ·Çï³ÏÇó« ˻ɳóÇ« ѳñáõëï »õ ÍÝáÕ³Ï³Ý å³ñï³Ï³ÝáõÃÇõÝÝ»ñáõ ³éáÕç ·Çï³ÏÇó Ù³ñ¹áõ ÙÁ ½³õ³ÏÁ: سÝáõÏÁ Çñ Ù³ÝÏáõû³Ý ßñç³ÝÇ ·»Õ»óÏáõû³Ý ß³ï ·Çï³ÏÇó ÏñÝ³Û ãÁÉɳɫ µ³Ûó »Ã¿ µ³ËïÁ åÇïÇ áõÝ»Ý³Û Ï»³ÝùÇ Ù¿ç »ñϳñ ׳ٵ³Û Ïïñ»Éáõ« ûñ ÙÁ ³Ýå³ÛÙ³Ý Ï³ñûïáí åÇïÇ ÛÇß¿ Çñ Ù³ÝÏáõû³Ý áëÏÇ ûñ»ñÁ »õ åÇïÇ ³Ý¹ñ³¹³éݳ۫ áñ ³Û¹ áëÏÇ ßñç³ÝÇÝ ³ñÅ¿ùÁ ã¿ ·Çïó³Í: ºÃ¿ ·Çïó³Í ÁÉɳñ« DZÝã åÇïÇ ÁÝ¿ñ« ï³ñµ»±ñ ׳ϳﳷÇñ ÙÁ ëï»ÕÍ³Í åÇïÇ ÁÉɳñ Çñ»Ý ѳٳñ« ³Û¹ ã¿ ËݹÇñÁ: ÊݹÇñÁ å³ñ½³å¿ë Çñ Ï»³ÝùÇÝ ³Ù¿Ý¿Ý ³Õáõáñ Ù¿Ï ßñç³ÝÁ ÏáñëÝóáõó³Í ÁÉɳÉáõ ³Ý¹ñ³¹³ñÓáõÙÝ ¿: ²Ûë å³ï׳éáí ¿« áñ Ù³ñ¹« »Ã¿ ß³ï ¹Åµ³Ëï Ù³ÝÏáõÃÇõÝ ÙÁ ã¿ áõÝ»ó³Í« ϳ٠ûñ»õë ÝáÛÝÇëÏ »Ã¿ ¹Åµ³Ëï Ù³ÝÏáõÃÇõÝ ÙÁ áõÝ»ó³Í ¿« ϳñûïáí ÏÁ ÛÇß¿ Ù³ÝÏáõû³Ý Çñ ßñç³ÝÁ »õ ÏÁ Ùï³Í¿ áõ Ï°Áë¿« áñ »ñ³½Ç å¿ë ³Ýó³õ Ù³ÝÏáõû³Ý ³Û¹ ßñç³ÝÁ: гٳß˳ñѳÛÇÝ ·ñ³Ï³ÝáõÃÇõÝÁ ÙÇÝã»õ µ»ñ³ÝÁ É»óáõÝ ¿ Çñ»Ýó Ù³ÝÏáõû³Ý áëÏÇ ßñç³ÝÁ ϳñûïáí å³ïÙáÕ ·ñ³·¿ïÝ»ñáõ ·áñÍ»ñáí: سÝÏáõû³Ý ßñç³ÝÁ »ñç³ÝÇÏ ßñç³Ý ¿ ٳݳõ³Ý¹ ³Ýáñ ѳٳñ« áñ Ù³ÝáõÏÁ ï³Ï³õÇÝ ãáõÝÇ ³ÛÝ å³ñï³Ï³ÝáõÃÇõÝÝ»ñÝ áõ å³ï³ë˳ݳïáõáõÃÇõÝÝ»ñÁ« ½áñë åÇïÇ áõݻݳ۫ »õ áñáÝó ï³Ï åÇïÇ ÁÝÏ×áõÇ Çñ Û³é³ç³ó»³É ï³ñÇùÇÝ: سÝáõÏÝ»ñÁ ÿ»õ ß³ï ˻ɳóÇ Ï°ÁÉÉ³Ý ÁݹѳÝñ³å¿ë« ³ÝáÝù Ù»½ ÏñÝ³Ý ½³ñÙ³óÝ»É Çñ»Ýó Ý»ñ³ß˳ñÑ¿Ý µËáÕ Ï³ñ· ÙÁ ³ñï³Û³ÛïáõÃÇõÝÝ»ñáí áõ óáõóÙáõÝùÝ»ñáí« µ³Ûó ³Ýßáõßï ã»Ýù Ïñݳñ ëå³ë»É« áñ ³ÝáÝù áõÝ»Ý³Ý ³ß˳ñÑÇ ·áñÍ»ñÁ »õ Çñ»Ýó ë»÷³Ï³Ý ·áñÍ»ñÁ ϳé³í³ñ»Éáõ ³ÛÝ ÁݹáõݳÏáõÃÇõÝÁ« áñ Çñ»ÝóÙ¿ åÇïÇ ëå³ëáõÇ ³õ»ÉÇ Ñ³ëáõÝ ï³ñÇùÇÝ: سÝáõÏÁ ï³Ï³õÇÝ ÷áñÓ³éáõÃÇõÝ ãáõÝÇ: î³ëÁ Ñ³ï ¹åñáó ³õ³ñï³Í ÁÉɳÉáõ ã³÷ µ³Ý »Ã¿ ëáñíÇ« ÷áñÓ³éáõÃÇõÝÁ áõñÇß µ³Ý ¿: ºõ »Ã¿ Û³é³ç³ó»³É ï³ñÇùÁ Ù³ñ¹Á ß³ï ÙÁ ϳñ»ÉÇáõÃÇõÝÝ»ñ¿ ÏÁ ½ñÏ¿« ·áÝ¿ ³Ýáñ ߳ѻóáõó³Í Ï°ÁÉÉ³Û ÷áñÓ³éáõÃÇõÝ ÙÁ« áñ óÝϳ·ÇÝ ¿ á°ã ÙdzÛÝ Çñ»Ý ѳٳñ« ³ÛÉ Ý³»õ` ½ÇÝùÁ ßñç³å³ïáÕÝ»ñáõ ѳٳñ:

Find us on facebook

www.facebook/Torontohye newspaper

14

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

²ÚȲ¼²Ü

гÛÏ³Ï³Ý Þ³ñųå³ïÏ»ñÇ Â³Ý·³ñ³ÝÁ äÇïÇ ÀÉÉ³Û È³õ³·áÛÝ Â³Ý·³ñ³ÝÝ»ñ¿Ý Ø¿ÏÁ §²ñÙ¿Ý÷ñ¿ë¦- гÛÏ³Ï³Ý ß³ñųå³ïÏ»ñÇ Ã³Ý·³ñ³ÝÁ åÇïÇ ÁÉÉ³Û Ï»Ý¹³ÝÇ Ã³Ý·³ñ³Ý, áõñ ³Ûó»ÉáõÝ»ñÁ åÇïÇ ¹Çï»Ý ýÇÉÙ»ñ, åÇïÇ Éë»Ý ¹³ë³ËûëáõÃÇõÝÝ»ñ, ÇÝãå¿ë ݳ»õ åÇïÇ Ñ³Ý¹ÇåÇÝ ß³ñųå³ïÏ»ñÇ ·áñÍÇãÝ»ñáõ Ñ»ï: ¸»Ïï»Ùµ»ñ 14ÇÝ ï»ÕÇ áõÝ»ó³õ ß³ñųå³ïÏ»ñÇ Ã³Ý·³ñ³ÝÇ ³é³çÇÝ ËáñÑñ¹³Ýß³Ï³Ý ÝÙáõßÝ»ñáõ Û³ÝÓÝÙ³Ý ³ñ³ñáÕáõÃÇõÝÁ: §Úáõ½Çã ¿ ³ÛÝ »ñ»õáÛÃÁ, áñ Ù»ñ ß³ñųå³ïÏ»ñÇ ß³ï ϳñ»õáñ Ù³ëáõÝùÝ»ñ åÇïÇ Ñ³õ³ùáõÇÝ Ù¿Ï Û³ñÏÇ ï³Ï: Þ³ñųå³ïÏ»ñÇ Ã³Ý·³ñ³-

ÝÁ åÇïÇ ãÁÉÉ³Û Ù»é³Í, ³ÛÉ` ϻݹ³ÝÇ, áõñ ýÇÉÙ»ñ åÇïÇ í»ñ³Ýáñá·áõÇÝ, ¹³ë³ËûëáõÃÇõÝÝ»ñ åÇïÇ ïñáõÇÝ »õ ýÇÉÙ»ñáõ óáõó³¹ñáõû³Ý ѳٳñ åÇïÇ Û³ïϳóáõÇ ÷áùñÇÏ ¹³ÑÉÇ×: ²Ýáñ ßÝáñÑÇõ Ù»Ýù åÇïÇ ß³ñáõݳϻÝù Ù»ñ »ñ³½Á` ѳÛÏ³Ï³Ý ß³ñųå³ïÏ»ñÁ Ù³ñ¹áó ѳëóÝ»Éáõ¦, Áë³õ Þ³ñųå³ïÏ»ñÇ Ù³ëݳ·¿ïÝ»ñáõ ÙÇáõû³Ý ݳ˳·³Ñ Ú³ñáõÃÇõÝ Ê³ã³ïñ»³Ý` ³õ»ÉóÝ»Éáí, áñ ³ß˳ï³ÝùÝ»ñÁ åÇïÇ ï»õ»Ý Ù¿Ï-»ñÏáõ ï³ñÇ: Àëï í»ñçÇÝÇë` г۳ëï³ÝÇ Ùß³ÏáÛÃÇ Ý³Ë³ñ³ñ ²ñÙ¿Ý ²ÙÇñ»³Ý »õë

Ù»Í á·»õáñáõû³Ùµ ÁݹáõÝ³Í ¿ ß³ñųå³ïÏ»ñÇ Ã³Ý·³ñ³Ý ÑÇÙÝ»Éáõ ·³Õ³÷³ñÁ: ²ñÙ¿Ý ²ÙÇñ»³Ý ßÝáñѳõáñ»ó óݷ³ñ³Ý ÑÇÙÝ»Éáõ ³é³çÇÝ ù³ÛÉ»ñÁ »õ Û³ÛïÝ»ó, áñ Çñ»Ýù ³ñËÇõÝ»ñáõÝ Ù¿ç ëïáõ·³Í »Ý, ³ÛÝ Çñ»ñÁ, áñáÝù ÏñÝ³Ý ËûëÇÉ ß³ñųå³ïÏ»ñÇ å³ïÙáõû³Ý Ù³ëÇÝ, »õ ·ï³Í »Ý Ù»Í ÃÇõáí óáõó³ÝÙáõßÝ»ñ: ³ݷ³ñ³ÝÇÝ Ù¿ç åÇïÇ óáõó³¹ñáõÇÝ ßáõñç 100-120 ϳñ»õáñ ÝÙáõßÝ»ñ, Ùݳó»³ÉÁ åÇïÇ ÁÉÉ³Ý í»ñ³ó³Ï³Ý: ³ݷ³ñ³ÝÁ åÇïÇ ·áñÍ¿ Þ³ñųå³ïÏ»ñÇ Ù³ëݳ·¿ïÝ»ñáõ ÙÇáõû³Ý ß¿ÝùÇÝ Ù¿ç:

§Google Play¦Á 2017Ç ²Ù¿Ý¿Ý ¼áõ³ñ׳ÉÇ Ìñ³·ÇñÁ ÀÝïñ»ó гÛÏ³Ï³Ý §PicsArt¦Ç §Animator¦Á

гÛáó ò»Õ³ëå³Ýáõû³Ý ³ݷ³ñ³Ý-ÑÇÙݳñÏÁ äÇïÇ ì»ñ³ÍáõÇ ÐÇÙݳ¹ñ³ÙÇ

г۳ëï³ÝÇ Ï³é³í³ñáõû³Ý ¸»Ïï»Ùµ»ñ 21Ç áñáßáõÙáí« ¶ÇïáõÃÇõÝÝ»ñáõ ³½·³ÛÇÝ ³Ï³¹»ÙÇáÛ Ð³Ûáó ò»Õ³ëå³Ýáõû³Ý óݷ³ñ³Ý-ÑÇÙݳñÏ å»ï³Ï³Ý áã-ß³Ñáõóµ»ñ ϳ½Ù³Ï»ñåáõÃÇõÝÁ åÇïÇ í»ñ³Ï³½Ù³õáñáõÇ »õ åÇïÇ ¹³éÝ³Û ÑÇÙݳ¹ñ³Ù: гÛáó ò»Õ³ëå³Ýáõû³Ý óݷ³ñ³ÝÁ ÑÇÙݳ¹ñ³ÙÇ åÇïÇ í»ñ³ÍáõÇ«

áñå¿ë½Ç ³õ»ÉÇ Ýå³ëï³õáñ å³ÛÙ³ÝÝ»ñ ëï»ÕÍáõÇ ò»Õ³ëå³Ýáõû³Ý óݷ³ñ³ÝÇ ½³ñ·³óÙ³Ý Íñ³·ÇñÝ»ñÁ Çñ³Ï³Ý³óÝ»Éáõ ѳٳñ: γñ·³íÇ׳ÏÇ ÷á÷áËáõÃÇõÝÁ ÏÁ Ýå³ëï¿ Ã³Ý·³ñ³Ý-ÑÇÙݳñÏÇ Ï³é³í³ñÙ³Ý ³ñ¹Çõݳõ¿ïáõÃÇõÝÁ µ³ñÓñ³óÝ»ÉáõÝ« ï³ñµ»ñ ³ÕµÇõñÝ»ñ¿« ݳ»õ ê÷Çõéù¿Ý Ý»ñ¹ñáõÙÝ»ñ ³å³Ñáí»ÉáõÝ:

ΰ³ÏÝϳÉáõÇ« áñ ÑÇÙݳ¹ñ³ÙÇ Ï³ñ·³íÇ×³Ï ëï³ó³Í óݷ³ñ³ÝÁ í»ñ³ÍáõÇ ÇÝùݳí³ñ ³õ»ÉÇ µ³ñÓñ ٳϳñ¹³Ï áõÝ»óáÕ ·Çï³Ï³Ý Ï»¹ñáÝǪ гÛáó ò»Õ³ëå³Ýáõû³Ý áõëáõÙݳëÇñáõû³Ý áÉáñï Ý»ñ·ñ³õ»Éáí ݳ»õ ûï³ñ áõëáõÙݳëÇñáÕÝ»ñ« ·ÇïݳϳÝÝ»ñ« Ó»õ³õáñ»É ÙÇç³½·³ÛÇÝ Ñ³ë³ñ³Ïáõû³Ý í»ñ³µ»ñÙáõÝù гÛáó ò»Õ³ëå³Ýáõû³Ý Ýϳïٳٵª ³ñï³ùÇÝ ³ß˳ñÑÇ Ù¿ç ³ÝÑñ³Å»ßï ÁÝϳÉÙ³Ý Ñ³ëÝ»Éáõ Ýå³ï³Ïáí: §Î³½Ù³Ï»ñå³Ï³Ý »õ Çñ³õ³Ï³Ý ϳñ·³íÇ׳ÏÇ ÷á÷áËáõÃÇõÝÁ ɳÛÝ Ñݳñ³õáñáõÃÇõÝ åÇïÇ ï³Û ³õ»ÉÇ ×ÏáõÝ áõ ³ñ¹Çõݳõ¿ï û·ï³·áñÍ»Éáõ ÝÇõÃ³Ï³Ý ÙÇçáóÝ»ñÁ« óݷ³ñ³ÝÇÝ Ù¿ç ͳõ³É»Éáõ Éñ³óáõóÇã Ý»ñ¹ñáõÙÝ»ñ å³Ñ³ÝçáÕ ³ß˳ï³ÝùÝ»ñª ³ÛÝï»Õ Ý»ñ·ñ³õ»Éáí ݳ»õ ë÷Çõéù³Ñ³Û ·³ÕÃû׳ËÝ»ñáõ Ý»ñϳ۳óáõóÇãÝ»ñ« µ³ñ»ñ³ñÝ»ñ: ÐÇÙݳ¹ñ³ÙÇ Ï³ñ·³íÇ׳ÏÁ Ϫ»Ýó¹ñ¿ ³õ»ÉÇ µ³ñÓñ ÇÝùÝáõñáÛÝáõÃÇõÝ »õ ÇÝùݳϳé³í³ñáõÙª Ç ¹¿Ùë Ñá·³µ³ñÓáõÝ»ñáõ ËáñÑáõñ¹ÇÝ« áñ Çñ³õ³ëáõ ¿ ë³ÑٳݻÉáõ Ó»éݳñϳïÇñ³Ï³Ý ·áñÍáõÝ¿áõû³Ý Ýáñ ï»ë³ÏÝ»ñ¦« Ýßáõ³Í ¿ ϳé³í³ñáõû³Ý ÑÇÙݳõáñÙ³Ý Ù¿ç:

гÛÏ³Ï³Ý øáã³ñÇÝ Àݹ·ñÏáõ³Í ¿ ºáõÝ»ëùû-Ç àã ÜÇõÃ³Ï³Ý Ä³é³Ý·áõû³Ý ò³ÝÏÇÝ Ø¿ç

гÛÏ³Ï³Ý ùáã³ñÇÝ Áݹ·ñÏáõ³Í ¿ ºàôܺêøúÇ Ù³ñ¹Ïáõû³Ý áã ÝÇõÃ³Ï³Ý Ùß³ÏáõóÛÇÝ Å³é³Ý·áõû³Ý ó³ÝÏÇÝ Ù¿ç: øáã³ñÇ å³ñÁ ѳÛÏ³Ï³Ý áã ÝÇõÃ³Ï³Ý Ùß³ÏáõóÛÇÝ Å³é³Ý·áõû³Ý µÝáõó·ñ³Ï³Ý ¹ñë»õáñáõÙÝ»ñ¿Ý ¿ »õ ï³-

ñ³Íáõ³Í ¿ г۳ëï³ÝÇ Ð³Ýñ³å»ïáõ-û³Ý áõ ѳÛÏ³Ï³Ý ë÷ÇõéùÇ Ù¿ç: ²Ý ³õ³Ý¹³Ï³Ý Ùß³ÏáÛÃÇ ³ÛÝ Ñ³½áõ³¹¿å ¹ñë»õáñáõÙÝ»ñ¿Ý ¿, áñáõÝ ë»ñáõݹ¿-ë»ñáõݹ ÷á˳ÝóÙ³Ý ßÕÃ³Ý ã¿ Áݹѳïáõ³Í, Ï»ÝëáõÝ³Ï ¿ »õ ÏÁ Ù¿Ïï»Õ¿ ³½·³ÛÇÝ ÇÝùÝáõû³Ý, ÙdzëݳϳÝáõû³Ý

áõ ѳٻñ³ßËáõû³Ý µáÉáñ ¹ñë»õáñáõÙÝ»ñÁ` áñå¿ë ϳï³ñ»³É ÅáÕáíñ¹³Ï³Ý ëï»Õͳ·áñÍáõÃÇõÝ: г۳ëï³ÝÇ Ð³Ýñ³å»ïáõÃÇõÝÁ ºàôܺêøúÇ 2003 Ãáõ³Ï³ÝÇ §àã ÝÇõÃ³Ï³Ý Ùß³ÏáõóÛÇÝ Å³é³Ý·áõû³Ý å³ßïå³Ýáõû³Ý Ù³ëÇݦ ѳٳӳÛݳ·ÇñÁ í³õ»ñ³óáõó³Í ¿ 2006ÇÝ »õ ÙÇÝã»õ ³Ûëûñ ºàôܺêøúÇ Ù³ñ¹Ïáõû³Ý áã ÝÇõÃ³Ï³Ý Ùß³ÏáõóÛÇÝ Å³é³Ý·áõû³Ý Ý»ñϳ۳óáõóã³Ï³Ý ó³ÝÏÇÝ Ù¿ç ³ñ¹¿Ý ³ñӳݳ·ñáõ³Í ¿ §îáõïáõÏÝ áõ Çñ »ñ³ÅßïáõÃÇõÝÁ¦ (2008), §Ð³ÛÏ³Ï³Ý Ë³ãù³ñÇ ³ñáõ»ëï. ˳ãù³ñÇ ËáñÑáõñ¹Ý áõ ˳ãù³ñ³·áñÍáõÃÇõÝÁ¦ (2010), §ê³ëÝ³Û Íé»ñ ϳ٠ê³ëáõÝóÇ ¸³õÇà ¿åáëÇ Ï³ï³ñáÕ³Ï³Ý ¹ñë»õáñáõÙÝ»ñÁ¦ (2012), §È³õ³ß. ³õ³Ý¹³Ï³Ý ѳóÇ å³ïñ³ëïáõÙÁ, Ý߳ݳÏáõÃÇõÝÁ »õ Ùß³ÏáõóÛÇÝ ¹ñë»õáñáõÙÝ»ñÁ г۳ëï³ÝÇ Ù¿ç¦ (2014) ï³ññ»ñÁ: ºàôܺêøúÇ Ù³ñ¹Ïáõû³Ý áã ÝÇõÃ³Ï³Ý Ùß³ÏáõóÛÇÝ Å³é³Ý·áõû³Ý å³Ñå³Ýáõû³Ý ѳñó»ñáí ÙÇçϳé³í³ñ³Ï³Ý Û³ÝÓݳÅáÕáíÇ ³Ù»Ý³Ù»³Û Ýëï³ßñç³ÝÁ ï»ÕÇ Ï°áõÝ»Ý³Û ¸»Ïï»Ùµ»ñ 4-9, гñ³õ³ÛÇÝ øáñ¿³ÛÇ â»çáõïû ÏÕ½ÇÇÝ íñ³Û:

Èáõë³ÝϳñÝ»ñ ËÙµ³·ñ»Éáõ »õ ï³ñ³Í»Éáõ ɳõ³·áÛÝ Íñ³·ÇñÝ»ñ¿Ý Ù¿ÏÝ ¿ ѳÛÏ³Ï³Ý §öÇùë²ñæ ÁÝÏ»ñáõû³Ý §¾ÝÇÙ¿ÛÃÁñ¦ Íñ³·ÇñÁ, áñ §ÎáõÏÁÉ öÉ¿Û¦Ç ÏáÕÙ¿ ÁÝïñáõ³Í ¿ ǵñ»õ 2017Ç ³Ù¿Ý¿Ý ½áõ³ñ׳ÉÇ Íñ³·ÇñÁ, Û³ïϳå¿ë` §Ë»É³óǦ Ñ»é³Ó³ÛÝÝ»ñáõ (smart phone) ѳٳñ: ²ÝáÝù, áñáÝù ÏÁ ·áñÍ³Í»Ý ³Ûë Íñ³·ÇñÁ, ÏñÝ³Ý §ÇÙá×ǻݻñáí¦, §ëÃÇùÁñ¦Ý»ñáí áõ ³ÛÉ å³ïÏ»ñÝ»ñáí áõ ·ñáõÃÇõÝÝ»ñáí ß³ñÅáõÝ ÝϳñÝ»ñ »õ ï»ë³ÝÇõûñ å³ïñ³ëï»É: ÐáÏï»Ùµ»ñ 2017Ç ¹ñáõû³Ùµ, Éáõë³ÝϳñÝ»ñÁ ËÙµ³·ñ»Éáõ §öÇùë²ñæ ÁÝÏ»ñáõû³Ý Íñ³·ÇñÝ»ñÁ áõÝÇÝ ³õ»ÉÇ ù³Ý 100 ÙÇÉÇáÝ û·ï³ï¿ñ»ñ: ²ÙµáÕç ³ß˳ñÑÇ Ù¿ç ³Ûë Íñ³·ÇñÁ 2017ÇÝ Ý»ñµ»éÝáõ³Í ¿ 450 ÙÇÉÇáÝ ³Ý·³Ù »õ ÏÁ ·áñͳÍáõÇ 30 É»½áõÝ»ñáí: §öÇùë²ñæÁ 2011ÇÝ Ùß³Ïáõ³Í ¿ Ñ³Û Íñ³·ñ³õáñáÕÝ»ñáõ ÏáÕÙ¿ »õ µ³óÇ ³Ýáñ ½áõ³ñ׳ÉÇ ÏáÕÙ»ñ¿Ý` ûÅïáõ³Í ¿ ݳ»õ ³ÛÉ Ï³ñ»ÉÇáõÃÇõÝÝ»ñáí, áñáÝù ÏñÝ³Ý ·áñͳÍáõÇÉ Ñ³Ù³Ï³ñ·ã³ÛÇÝ ³ñÑ»ëï³í³ñÅ Íñ³·ÇñÝ»ñáõ Ù¿ç:

Fodor`s-Á ¼µûë³ßñçÇÏÝ»ñáõÝ ÊáñÑáõñ¹ Îáõ ï³Û 2018ÇÝ Ð³Û³ëï³Ý ²Ûó»É»Éáõ гٳß˳ñѳÛÇÝ ½µûë³ßñçáõû³Ý Û³ÛïÝÇ Fodor`s ï»Õ»Ï³ïáõ³Ï³Ý ϳÛùÁ« 2018 Ãáõ³Ï³ÝÇ ï³ëÁ ݳËÁÝïñ»ÉÇ ½µûë³ßñç³ÛÇÝ áõÕÕáõÃÇõÝÝ»ñáõÝ Ù¿ç Ý»ñ³é³Í ¿ ݳ»õ г۳ëï³ÝÁ: §²Ý ÷áùñÇÏ« ÑÇõñÁÝÏ³É ÏáíÏ³ë»³Ý »ñÏÇñ ¿« áñ áõÝÇ Ñ³ñáõëï Ùß³ÏáÛà áõ å³ïÙáõÃÇõݦ« Ýß³Í ¿ ϳÛùÁ »õ Ïáã ÁÝ»-Ïáí ½µûë³ßñçÇÏÝ»ñáõÝ` ³Ûó»É»Éáõ г-Û³ëï³Ý: §Ð³Û³ëï³ÝÁ µÝáõû³Ý ½µû-ë³ßñçáõû³Ý ѳٳñ »ñ³½³ÝùÇ »ñÏÇñ ¿« ³Ûëï»Õ ³ñß³õÝ»ñáõ ÙÇçáóáí ¹áõù Ïñݳù ï»ëÝ»É »ñÏñÇ ½³ñٳݳÑñ³ß µÝáõÃÇõÝÁ® ºñ»õ³ÝÁ 3000 ï³ñ»Ï³Ý ¿« µ³Ûó ³ÝÇϳ ÏÁ ù³É¿ ³ß˳ñÑÇÝ Ñ³ÙÁÝ-óó` Çñ µ³½Ù³ÃÇõ Ýáñ ·ÇÝ»ïáõÝ»ñáí« Ë³ÝáõÃÝ»ñáí« ×³ß³ñ³ÝÝ»ñáí« áñ µ³ó »Ý ³Ù¿Ý ûñ¦« Ýßáõ³Í ¿ ϳÛùÇÝ Ù¿ç: Fodor`s ÏÁ ûɳ¹ñ¿ г۳ëï³Ý ³Ûó»É»É ·³ñÝ³Ý Ï³Ù ³ßݳݫ »ñµ ÏÁ ϳ½Ù³Ï»ñåáõÇÝ ÷³é³ïûÝÝ»ñ` µ³ó »ñÏÝùÇ ï³Ï:

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

15

TO ADVERTISE IN CANADA s ONLY ARMENIAN MONTHLY NEWSPAPER CALL 416-878-0746

16

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

17

Grant Tour of

SPAIN & Charters Ltd.

Madrid, Barcelona, Cordoba, Gibraltar Gibraltar,, Granada, Sevilla ... ÚáõÝÇë 28- ÚáõÉÇë12 î»Õ»ñÁ ë³Ñٳݳ÷³Ï »Ý

سÝñ³Ù³ëÝáõû³Ýó ѳٳñ ¹Çٻɪ ´»Ýݳ ³ñ½ÇÇÝ 416-494-4067 ϳ٠416-496-0606

¶Ç￱Çù ÿ ³ÕÙ³Ý Í³Ëë»ñÁ ·ñ»Ã¿ ÝáÛÝÝ »Ý »õ ϳ˻³Éª ÁÝï³ÝÇùÇ Ï³ï³ñ³Í ÁÝïñáõûݿÝ

´³ñ»õ § »ë ×áÝ ø¿ÛÝÝ »Ùª R.S.Kane Funeral Home-Ç Ý³Ë³·³ÑÁ: ºÃ¿ Û³õ»É»³É û·Ýáõû³Ý å¿ïù áõÝÇù § Ëݹñ»Ù ϳåáõ»ó¿ù Ù»½Ç Ñ»ï Ð»é© 416-221-1159 γ٠e-mail: info@rskane.ca

18

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

ÂáñáÝÃáÛÇ Ð³Û Î»¹ñáÝÇ ºñ¿óÝ»ñáõ ÀÝÏ»ñ³ÏóáõÃÇÝÁ Ïáã Ï°áõÕÕ¿ ·³ÕáõÃÇë »ñ¿ó ³Ý¹³ÙÝ»ñáõÝ Ù³ë ϳ½Ù»Éáõ ÀÝÏ»ñ³Ïóáõû³Ý »õ í³Û»É»Éáõ Ùï»ñÙÇÏ ÙÃÝáÉáñï ³Ù¿Ý »ñ»ùß³µÃÇ ³é. ųÙÁ 9:00¿Ý ÙÇÝã»õ Ï». ųÙÁ 2:00Á ÂáñáÝÃáÛÇ Ð³Û Î»¹ñáÝ¿Ý Ý»ñë£

CANADIAN ARMENIANS

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

19

Tony Clement Called for Artsakh Peace in Parliament On December 11, on the occasion of International Human Rights Day, Conservative MP Tony delivered a statement in the House of Commons, calling for peace and security in Artsakh, while harshly condemning the mass human rights atrocities committed by Azerbaijan.

I travelled to the region this summer with One Free World International and observed first-hand the conflict there, and the horrific human rights abuses inflicted upon people who ultimately only wish to live in peace. said Clement.

In his statement to the house, Clement mentioned the consequences of the indescribable human rights violations that he recently observed, while on a fact-finding mission to the Republic of Artsakh.

Furthermore, he called upon the government to remain highly vigilant to the alarming situation in the region and condemn all types of violations in order deter the further escalation of the conflict.

The Artsakh conflict is currently mediated through the Organization for Security and Cooperation in Europe, of which Canada is a full member. I urge the government to condemn human rights abuses in the region and work to deter further escalation of the conflict.

concluded Clement.

Earlier this year, from August 29th to September 1st, Mr. Clement, joined by fellow parliamentarian colleague, MP Rachael Harder, travelled to the Republic of Artsakh for an unprecedented fact-finding mission, led

by Rev. Majed El-Shafie of One Free World International. During the mission, MP Clement and the rest of the delegation carefully observed the human rights atrocities committed

by Azerbaijan during the Four-Day War of April 2016 and met with local officials to offer their solidarity and support.

We sincerely thank Mr. Clement for his principled stance on this matter and echo his words in condemning these war crimes and in calling upon the Canadian government to properly address Azerbaijan s awful human rights record and uphold the right to selfdetermination of the Republic of Artsakh and its peace-loving people. , said Shahen Mirakian, President of the ANCC. After the collapse of the Soviet Union, the people of Artsakh declared independence from the Soviet Union and established the current day republic. On December 10, 1991, based on article 70 of the Soviet Constitution, which affirms the right to self-determination of the peoples of the USSR, Artsakh held an

Tony Clement responds to a question during question period in the House of Commons on Parliament

independence referendum in which 99% voted in favour of independence. In response, Azerbaijan launched an all-out war against the newly independent republic, targeting civilians and recruiting mercenaries to join the A z e r b a i j a n i a r m y a g a i n s t A r ts a k h .

Despite the 1994 ceasefire agreement, Azerbaijan has steadily carried out attacks against Artsakh. The most recent large-scale

ceasefire violation, which occurred in April 2016, was unprecedented in its scale, duration, and number of civilian casualties and human rights violations.

Unless we distinguish between perpetrators and victims, we create incentives for further human rights violations by Azerbaijan and reduce the chances of a peaceful resolution." concluded Mirakian.

ANCC Highlights the Alarming Situation of the Rohingya Community in Annual Statement on Human Rights Day The Armenian National Committee of Canada (ANCC) joined with all Canadians in marking International Human Rights Day and the 69th anniversary of the adoption of the UN Convention on Genocide.

Today, we stand firm in our belief that all human beings, irrespective of their race, religion, ethnicity, sexual orientation and background are entitled with equal and unassailable rights while believing that the persistent advancement of those rights will make the world safer and more prosperous for us all , said Shahen Mirakian, President of the ANCC. As we work together to eliminate all human rights abuses around the world, we ought to realize that there still remains considerable challenges and obstacles ahead of us.

On this day, we call upon the international community to follow Canada s example of actively monitoring and responding to the alarming situation of the Rohingya Muslims in Myanmar, who continue to be denied some of the most basic human rights said Mirakian.

Catholicos of the Holy See of Cilicia of

Rohingya refugees this month near the Naf River, which separates Myanmar and Bangladesh.

Villages in Myanmar burned in the background. Credit Adam Dean for The New York Times

the Armenian Orthodox Church, His Holliness Aram I said, "What's happening in Myanmar against the Rohingya Community is a genocide. Harrowing stories of rape, violence, hunger, persecution, massacre are not just horrifying words or imagination but concrete

facts. Indeed, history repeats itself" Despite considerable international pressure, the Myanmar Military continues to mercilessly deprive the innocent population of its fundamental freedoms, while attempting to advance a state-sponsored policy of ethnic

cleansing and genocide.

We are proud that the current Government of Canada highlighted these kinds of issues within the realm of politics, however, when we elevate the standards of moral issues to the highest grounds, we need to have a principled stance on all issues equally said Mirakian.

Last year, after extensive deliberations, the Canadian government recognized the atrocities faced by the Yezidi minority in Iraq and Syria as an act of Genocide.

While we commend the government s rightful decision on the Yezidi issue, we urge them to follow the same example and reasoning in recognizing the Pontic Greek and Assyrian Genocides of the early 20th century and the ongoing genocidal atrocities that are being committed against the Assyrians and other Christian minorities in Iraq and Syria today added Mirakian.

As we decry repression and violence anywhere around the world, we stand resolute in our fight against injustice and reinstate our commitment to our shared values of respect, tolerance and justice

Azerbaijan Continues to Deny the Destruction of Religious and Cultural Heritage of Armenians The Armenian National Committee of Canada (ANCC) marked the 12th anniversary of Azerbaijan s destruction of the historic Armenian cemetery of Djulfa by calling on the Canadian government to hold Azerbaijan accountable for the systematic destruction of Armenian historical, cultural and religious sites and monuments.

On December 10, 2005, the government of Azerbaijan began the final demolition of the historic Armenian cemetery in Djulfa, an ancient Armenian city now located in Azerbaijan. This marked the final blow to the 10,000 intricately hand carved khachkars (stone crosses) which were erected between the 6th through the 17th centuries. Khachkars are a uniquely Armenian form of stone carving which UNESCO has recognized as being both culturally and religiously significant to the Armenian people and constituting part of humanity s shared intangible cultural heritage in need of urgent

safeguarding.

President of the ANCC, Shahen Mirakian stated The Armenian monuments represent unique architectural value and the international community should be aware of the policy of their destruction that can only be defined as cultural genocide

By December 15, 2005, the final destruction was complete. Approximately 200 Azerbaijani soldiers gathered at the Nakhichevan-Iran border to desecrate the remaining grave markers at the Djulfa Armenian cemetery. The cemetery has since been replaced with an Azerbaijani military training base.

Despite clear evidence and condemnation by international bodies such as the European Parliament and International Council on Monuments and Sites (ICOMOS), Azerbaijani authorities continue to deny this crime, while still promoting the destruction of all Armenian

religious and cultural sites in the country.

Mirakian called upon the Canadian government to exert the necessary pressure on the Azerbaijani government to end this campaign. The annihilation of the civilization of a people is incompatible with any country

aspiring to become an honest broker for peace, justice and equality around the world.

Azerbaijan cannot be regarded as such, until it faces its own history, and respects the rights and freedoms of other nations concluded Mirakian.

20

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

CANADIAN ARMENIANS

The Armenian Prelacy Of Canada Marked The 350th Anniversary Of The First Printed Armenian Bible (H.W) Under the auspices of His Eminence Archbishop Papken Tcharian, Prelate of Canada, the Armenian Prelacy proudly marks the 350thaanniversary of the first printed Armenian Bible, through the Canadian documentary film premiere of Voskan and a scientific conference in Montreal and Toronto.

The epic story of the first Armenian printed Bible unfolds in 17th century Europe, when the son of a deportee by Shah Abbas to the Persian city of New Julfa, Bishop Voskan Yerevantsi, is dispatched to Rome and Amsterdam to publish a Bible. The Amsterdam Bible, as it was commonly known, had a significant impact on the revival of faith and culture amongst Armenians living on all continents. It was published in 5000 copies from March 1666 to October 1668 and consisted of 1462 two-columned pages with 159 images.

The Canadian premiere of Voskan is part of a trilogy on the history of Armenian printing produced by TES Foundation in cooperation

with the Mechitarist Congregation of Venice and a number of scientific institutions and experts. The storyline tracks earlier attempts to establish a printing house in Amsterdam and how it ends up in the hands of Voskan Yerevantsi. From Etchmiadzin to Rome, it shows how intricate and difficult was this endeavour. The movie s length is 42 minutes, narrated in English. The history of Armenian printing in Europe symbolizes the very renaissance of the Armenian nation and the homeland they were deprived of, says film director Hakop Papazyan.

Conference speakers are: Dr. Adriana Barra, Executive Director, Canadian Centre for Ecumenism, and Professor of theological studies at Concordia University. Rev. Dr. Manuel Jinbashian, Scholar, Bible Society consultant, and university lecturer. Archbishop Papken Tcharian, Prelate of Canada and author of The Great Loss of the Armenian Clergy during the Armenian Genocide .

Archbishop Khajak Hagopian, Member, bible translation into Western and Eastern Armenian

Project, Catholicossate House of Cilicia.

The conference and the film premiere dedicated to the 350th anniversary of the Armenian printed Bible are sponsored by a generous donation from Mr. & Mrs. Arto and Alice Markarian.

The Montreal event will be held at the

ANCA Outraged over Reduced Charges in Turkish Embassy Attack Plea Agreement

Erdogan bodyguards attack peaceful protesters in Washington, DC , May 2017.

Armenian National Committee of America (ANCA) Executive Director Aram Hamparian, a witness to the May 16 attacks on peaceful protesters in Washington, D.C., sharply criticized a plea agreement to drop multiple hate and bias charges against two of the assailants in return for a guilty plea and one year of imprisonment.

A proposed one year sentence for a brutal, unapologetic foreign government directed assault against Americans on U.S. soil is an absolute travesty, said Hamparian.

The [Turkish President Recep Tayyip] Erdogan-ordered attack wasn t just a violent hate crime against Americans but an open assault on American values. This sentence, if approved by the court, will effectively serve as a green light to Erdogan and other foreign dictators intent on exporting their violence to American shores.

Hamparian and representatives of the Armenian Legal Center for Justice and Human Rights (ALC) were on hand at District of Columbia Superior Court when the plea deal was registered for Eyup Yildirim and Sinan Narin, two of the 19 perpetrators indicted for the brutal beatings, which included 15 members of Turkish President Erdogan s security detail, and two Canadians, who have reportedly since repatriated to Turkey. All 19 defendants were indicted on charges of

conspiracy to commit a crime of violence, with a bias crime enhancement charges of hate crimes which carry a maximum 15 years prison sentence. The plea deal would remove the hate-crimes component of the charges, which have been reduced to one charge of assault.

The final sentencing, to be issued by DC Superior Court Judge Marisa Demeo, is set March 15, 2018, at 10 a.m.

Hamparian was videotaping live at the scene of the May 16 attack, which took place in front of the Turkish Ambassador s residence where President Erdogan was scheduled to have a closed-door meeting with think tank leaders. Hamparian s video showed proErdogan forces crossing a police line and beating peaceful protesters elderly men and several women who were on the ground bleeding during most of the attack.

Hamparian testified before a May 25 Foreign Affairs Subcommittee hearing on this matter. Joining him at the hearing were Ms. Lusik Usoyan, Founder and President of the Ezidi Relief Fund; Mr. Murat Yusa, a local businessman and protest organizer; and Ms. Ruth Wedgwood, Edward B. Burling Professor of International Law and Diplomacy, at Johns Hopkins University School of Advanced International Studies. Usoyan and Yusa were victims of the brutal assault on May 16th by

President Erdogan s bodyguards.

On June 6, with a vote of 397 to 0, the U.S. House of Representatives unanimously condemned Turkey in response to the attacks, taking a powerful stand against Ankara s attempts to export its violence and intolerance to America s shores. H.Res.354, spearheaded

by House Foreign Affairs Committee Chairman Ed Royce (R-Calif.), Ranking Democrat Eliot Engel (D-N.Y.), House Majority Leader Kevin McCarthy (R-Calif.) and Democratic Whip Steny Hoyer (D-Md.), has received the public backing of House Speaker Paul Ryan (RWis.). On July 14, the U.S. House also unanimously adopted an amendment to the National Defense Authorization Bill, championed by Armenian Caucus CoChairman David Trott (R-Mich.), raising objections to a proposed U.S. sale of handguns for use by the very Erdogan security detail involved in the May 16th attack.

On July 19th, senior members of the U.S. House Foreign Affairs Committee Dana Rohrabacher (R-Calif.) and Ted Poe (R-Tex.), Tom Lantos Human Rights Commission CoChairman Jim McGovern (D-MA), and Representatives Jim Costa (D-Calif.) and John Sarbanes (D-Md.) condemned Turkish President Erdogan s violent actions both in Turkey and the U.S. during A Stand for Free Speech held at the site of the May 16 attacks.

The press conference and rally was organized by the ANCA, in coordination with the Sheridan Circle May 16 Initiative (including many victims of the beatings), and a host of Kurdish, Armenian, Greek, Assyrian, and Christian groups including the American Kurdish Association (AKA), In Defense of Christians, American Hellenic Council, Armenian Legal Center for Justice and Human Rights, A Demand for Action, Hellenic American Leadership Council, AHEPA, and the Armenian Youth Federation.

The May 16 protest in front of the Turkish Ambassador s residence was a continuation of a demonstration held earlier in the day in front of the White House, co-hosted by the ANCA. As President Trump met with President Erdogan. Human rights and religious rights groups were joined by representatives of the Kurdish, Yezidi and Armenian communities to call attention to the Erdogan regime s escalating repression against free press, the Kurdish and other ethnic communities, as well as Turkey s ongoing obstruction of justice for the Armenian Genocide.

Sourp Hagop School s Pastermajian Theatre on January 13, and at the Armenian Youth Centre of Toronto on January 20. Both events are scheduled at 11:00am and are followed by conference. Church leaders, foreign dignitaries are expected to attend the events, which are open to the public at large.

AYF Western US Launches Internship in Artsakh

The Armenian Youth Federation Western United States announced an internship program for 2018 in Artsakh.

The program provides an opportunity for young diasporan Armenians to participate in professional internship and volunteer placements in Artsakh, while strengthening ties between diasporan Armenians and the citizens of Artsakh.

Through the AYF Internship in Artsakh, we hope to give young people an opportunity to jump-start or develop their careers by doing meaningful work in the homeland; said Nazeli Khodabakhsh, a member of the Armenian Youth Federation Central Executive.

Applicants will have the ability to gain substantive work experience while making a tangible difference in Artsakh through their career placements.

Selected applicants will be matched with a six-week internship in a field of their choosing in Artsakh. Possible sectors of work include the government, non-profit/non-governmental organizations (NGO), health and medicine, education, information technologies sector, agriculture sector, and multimedia development.

Interns will live together and be provided educationals, excursions, and forums. The cost of housing, excursions, and meals will be covered by the AYF-WUS. Interns must be at least 18 years old. The deadline to apply is May 1, 2018. Applications will be processed on a rolling basis.

The Republic of Artsakh provides an exciting opportunity for individuals to start or expand their careers. In whatever field they choose, interns will participate in nationbuilding while learning more about Artsakh s past, present and future.

To apply, please visit www.ayfwest.org/internship.

ARMENIAN GENOCIDE

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

21

Armenian Genocide is Historical Fact Destroying Identity Structure of Turkish Society: Taner Akcam The Turkish authorities are obliged to face their own history if they want to establish a democratic and human rights respecting system. Without facing the history public peace and democratic system are impossible to establish, Turkish historian Taner Akcam, who recognized the Armenian Genocide, says in his new article in T24.com.

In the article titled Obligation to face history and barriers for it , the historian says at present it is an authoritarian and dictatorial regime in Turkey, fundamental human rights and freedoms, and especially the freedom of thought are being violated. Hundreds of intellectuals, writers, journalists are jailed, the main democratic structures and laws do not operate, the judiciary is completely under the control of one person, the principle of the rule of law has been eliminated. The ethnic-religious issues, in particular, the

Kurdish issue, the issues of Alevi, Christian and Jewish minorities are in poor situation, the historian writes.

He highlighted four means reasons to face the history. The first one is that if you want to have a democratic regime respecting the human rights, you have to face the human rights violations committed during the history. If you are unable to face the violations of the past, today you will not be able to establish a society that will respect the human rights. You will build the future the way you look at the past. If you discuss the issues existing in the history, stating that Armenians betrayed , Greeks deserved it , Kurds play an imperialists game , Those are traitors who want to divide the country and are a serious threat to our country , now as well such issues will be perceived from this perspective. As you previously violated the fundamental rights, you will

do the same today, Akcam said.

As a second reason the historian stated that the societies, who had bad and painful relations within the course of the history, will be able to live jointly only in case of talking to each other. According to the third reason, it s necessary to return the human dignity of people killed in the past. And finally, as a fourth reason the Turkish historian mentions that refusal from facing the history can lead to bad consequences. Denial of facing the history means to have a potential to repeat the same crime.

Talking about the Armenian Genocide, Taner Akcam writes: We have established a nation-state in 1923 and created an identity in accordance with it.

And today this identity turned into a reality determining our thinking, feelings, in other words, the whole socialcultural relations of the society. But if we, for example, start

Taner Akcam

talking about the Armenian Genocide, we will see how this reality begins to collapse. The Armenian Genocide is a historical fact totally destroying the identity structure of the Turkish society. This is the reason that we avoid facing the history .

Armenian Legal Center Highlights Link between Property and Religious Rights at International Conference in D.C Kate Nahapetian, executive director of the Armenian Legal Center for Justice and Human Rights (ALC), spoke on a Dec. 6 panel on the Protection of Sacred Sites and Property Rights at the Archon International Conference on Religious Freedom in Washington D.C., organized by the Order of St. Andrew, Archons of the Ecumenical Patriarchate.

The overarching theme of this year s discussions was Persecution of Christians in the Holy Lands and the Middle East: Consequences and Solutions. Dr. Elizabeth Prodromou of Tufts University Fletcher School for Law & Diplomacy and a former Commissioner with the U.S. Commission on International Religious Freedom opened the conversation by highlighting the purpose of the frequent destruction of sacred sites, (L to R) Dr. Elizabeth Prodromou, Rabbi Arthur Schneier, Kate Nahapetian, Ambassador Patrick occurrences that are designed to humiliate Theros, and Archbishop Vicken Aykazian (Photo: Anna Mehrabyan) to remind [religious minorities] that they are this day not a single piece has been given reminding the audience that [treaties second-class citizens. protecting the Christian community] are not In her opening remarks, Nahapetian back.

In a similar vein, Nahapetian further noted, enough. Before the genocide there were outlined the historic weight of the issue, telling the audience, Property issues were integral Of the over 2,000 Armenian churches that treaties that protected the Christian community to realizing the [Armenian] Genocide because existed before the Armenian Genocide, less of the Ottoman Empire.

Instead, Nahapetian offered another if you dispossess the community, you ensure than 50 of them are operational today in that they are impoverished and that they Turkey. Only three of those 50 are outside of possible solution: to document the properties cannot resist the persecution. If you take away Istanbul, and it s no coincidence that there to make them toxic for third-party use. She their religious sites, you ensure that they will are very few Armenians outside of Istanbul. argued that even in the absence of proper Nahapetian suggested several solutions legal remedies, which will inevitably take time not return.

Other panelists, including Archbishop to the issue, including creating third-party to establish, you can decrease the profit Vicken Aykazian, Ecumenical Director and arbitration for issues of religious minority motive in using these properties by third parties Diocesan Legate of Diocese of the Armenian property confiscation, as the court systems in who care including corporations or other Church of America (Eastern), touched on the offending countries like Turkey are frequently investors. If these properties came with confiscation of church properties in Turkey, hostile to such claims and often mount significant political consequence down the pointing out, The Armenian Patriarchate in numerous bureaucratic and judicial obstacles road, investing in them, repurposing them, would become too expensive an endeavor for Jerusalem has 950 pieces of property in to pursuing them.

However, she also explained the frequent third parties to undertake, increasing the Constantinople, Smyrna, and some parts of Asia Minor. [They] have been trying to get in insufficiency of treaties in protecting religious incentive to voluntarily return them to the touch with the Turkish authorities for the last minorities and their properties from politically expelled communities.

Nahapetian went on to introduce the 10 years. According to the Archbishop, to motivated destruction and dispossession,

New draft law on recognition of Armenian Genocide in Israel Yesh Atid, the Israeli opposition party, will present to the country s parliament a new bill envisaging the official recognition of the Armenian Genocide. Party leader Yair Lapid noted that Israel should have recognized that historic truth a long time ago.

He said the bill was already ready, and that the Knesset was collecting signatures to support the draft law, as the party wanted the bill to receive much support from the Israeli parliament.

We believe that very soon we will have a progress in this case. Many Israeli authorities have personally accepted the Armenian Genocide, which is historical truth. Recently, the Knesset Education Committee has also announced the recognition of the Armenian Genocide. The former Israeli governments avoided official recognition of the Armenian Genocide due to incorrect strategic calculations.

Leader of the Israeli Yesh Atid party, Yair Lapid.

ALC s long-term project for doing just that, its Property Documentation Database, announced earlier this year, which catalogues stolen and confiscated properties in modernday Turkey. To submit documentation concerning stolen or lost properties from the Armenian Genocide, individuals can visit: https://armenianlegal.org/documentpreservation-form/.

Other panelists included Ambassador Patrick Theros, Representative of the Greek Orthodox Patriarchate of Jerusalem in the United States, and Rabbi Arthur Schneier, founder of the Appeal of Conscience Foundation. The panel was chaired by Dr. Anthony Limberakis, Commander, Order of Saint Andrew, Archons of the Ecumenical Patriarchate.

Members of Congress from both the Senate and House Foreign Relations Committee, academics from across the country, and religious leaders and human rights advocates from the Greek, Armenian, Syriac, and Coptic communities addressed other panels during the three-day conference from Dec. 4 to 6.

The Armenian Legal Center for Justice and Human Rights (ALC) fights to redress human rights violations emanating from the Armenian Genocide that continue to this day and undermine stability in a region that has for far too long been marred by policies founded on genocide, not human rights and justice. ALC promotes scholarship on the legal avenues for addressing the challenges emanating from the Armenian Genocide, in addition to pursuing cases in national and international courts, while promoting the protection of Armenian cultural heritage through the return of stolen properties and artifacts.

22

VARIETY

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

European Court of Human Rights Penalizes Both Armenia and Azerbaijan

New Year...New You? By: Talyn Terzian-Gilmour As I sit here, in my dining room, and look out the window at the large flakes of snow falling, I can t help but think about snow globes and their simplicity. Snow globes capture a moment, a place they re so very one dimensional. There s nothing too complex about one and when the snow stops swirling or falling, one need only turn it upside down again and start the magic once more.

That s kind of how many of us view a new year. At the start, it s quite one dimensional. We make our resolutions, and some of us (not me) even outline the steps to accomplishing those resolutions (Mr. Niceguy). Things seem quite simple and we re full of hope as we set out to achieve a promotion, buy a new house, lose weight, run a marathon, and so on.

Only the flurries stop swirling as quickly sometime in the middle of January, and by the time February has started, they ve settled to the bottom of the globe.

This year I have decided to NOT make any resolutions. Not a single one.

Despite the fact that Mr. Niceguy got me a Fitbit sensing my envy over his reach of a goal five years in the making (ok, I admit it, not sensing. I flat out stated them and continue to at once admire and envy his discipline, his capabilities and his achievement of 50 miles in 24 hours!)

This is Mr. Niceguy s way of helping me to achieve my unstated goals he reads me like a book of being more healthy and taking more time out for myself a near impossible task for mothers of young-ish children and those who are more inclined to please others rather than themselves. Yes, yes, I m a true martyr!

No. No resolutions. While you get to shake a snow globe again and start over, the let down of abandoned resolutions just feels tragic. (Forgive some of the turns of phrases, during the holiday season I watched and then re-watched both seasons of the Crown).

Why, then, are we as a society, so inclined to make resolutions? Is it all just about the promise of starting over?

Erasing the past and getting a clean slate?

A few years ago, I was asked to write an article about resolutions why we made them, how many of us kept them and so on. I found that the history behind making New Year s resolutions predates Christian times when it was celebrated in March under the Babylonian calendar.

Along with celebrating the New Year, many ancient Babylonians made resolutions in the form of promises to gods which mainly involved the return of borrowed objects and the payment of

debts. Today, many of us make resolutions to spend less, pay off debts, gain financial control, or be a better neighbour or friend.

Then the Romans moved New Year to January, a month named after the twofaced god, Janus, who looks backward into the year that passed, and forward into the coming year. The setting of resolutions during Roman times evolved to be mostly morally based, i.e. be good to others. Again, this has modern day parallels: spend quality time with friends and family, help those less fortunate, be a volunteer, help others achieve their dreams.

The act of making resolutions is also found in religious holidays like during Lent, when sacrifices are made as a form of penance and many give up a vice such as smoking, drinking, even chocolate.

Or during the Jewish New Year, Rosh Hashanah, and up to Yom Kippur, observers seek forgiveness for their wrongdoings over the year.

Whatever the motivation, making resolutions seems to be part of our DNA! The promise of something new and better is overwhelming But even once made, once declared, don t resolutions just fizzle into February?

My research led me to discover that sometimes, our resolutions are just too lofty in other words, some goals are just too big - and while there's nothing wrong with dreaming big, to increase the probability of achieving the dream, it must be broken down into smaller parts. When I had asked my now 11 year old all those years ago while researching resolutions what his resolution was going to be when he was just 7, his response was to run faster. When I asked him how he would make that happen, he simply said, "by practicing, a little bit every day." Wise words from a then 7 year old. My dad always said, practice makes perfect.

I am the queen of the lofty resolution.

And so, this is why I resolve to not resolve. I m just not going to make any.

Not a single one. Except It would be nice to finally take some more time to myself real time. Not just time fending off firefighters in Paris. I mean, not wait for girls nights or major events and really learn to carve some quality, mindful time on a regular basis.

It would also be nice to make a list of all the things I ve been putting off window coverings, painting, updating my website, getting a proper skincare regimen going, sorting out my resume and future career, planning our next big getaway Or, I could just shake the snow globe and prolong the magic a little longer

ÊÙµ³·ñáõû³Ý ÏáÕÙ¿ §ÂáñáÝÃáѳۦ å³ï³ë˳ݳïáõ ã¿ Çñ ¿ç»ñáõÝ Ù¿ç ÉáÛë ï»ë³Í ͳÝáõóáõÙÝ»ñáõ µáí³Ý¹³Ïáõû³Ý: Ø»½Ç ÛÕáõ³Í µáÉáñ ÃÕóÏóáõÃÇõÝÝ»ñÝ áõ ·ñáõÃÇõÝÝ»ñÁ »ÝÃ³Ï³Û »Ý áñáß ËÙµ³·ñáõÙÇ:

European Court of Human Rights in Strasbourg, France.

By: Harut Sassounian On December 12, 2017, the European Court of Human Rights (ECHR) issued two rulings covering similar lawsuits: one against Armenia and the other against Azerbaijan.

Not surprisingly, the Azeri press deceptively reported only the ruling against Armenia, hiding from its readers the fact that a similar judgement was issued against Azerbaijan.

Minas Sargsyan, a refugee from the village of Gulistan in the Shahumyan region of formerly Soviet Azerbaijan, just North of Nagorno-Karabagh (Artsakh), filed a lawsuit against Azerbaijan in the European Court of Human Rights on August 11, 2006. During the Artsakh conflict in 1992, Mr. Sargsyan and his family were forced to flee their home and orchard. Mr. Sargsyan passed away in 2009 in Yerevan. His widow, his son and two daughters continued the lawsuit. When their mother died in 2014, the son and one of the daughters pursued the proceedings.

The Sargsyan family demanded compensation for their property losses.

The ECHR referred the case to its Grand Chamber on March 11, 2010. Rejecting various objections from the government of Azerbaijan, the Grand Chamber ruled on June 16, 2015, that the Sargsyan family was entitled to compensation for their property losses. However, no amount was decided until Dec. 12, 2017, when the Grand Chamber ruled that the Sargsyans should be paid by Azerbaijan 5,000 euros to compensate for their property in Gulistan and 30,000 euros for legal costs and expenses.

The Court emphasized that the two conflicting Republics, Armenia and Azerbaijan, were asked by the Court s Grand Chamber in its 2015 ruling to submit their observations and notify the Court if they had reached any mutual agreement on the Artsakh conflict. Not having reached a political settlement, the two Republics were considered responsible for the property losses of refugees on both sides. The Court stated that Armenia and Azerbaijan prior to their accession to the Council of Europe in 2002, had committed themselves to the peaceful settlement of the NagornoKarabagh conflict. Because they had failed to come to a resolution of the conflict, the Court was obliged to assess a monetary compensation for the property losses of the refugees.

The Grand Chamber of the ECHR was composed of 17 judges from various European countries, including judges from

Armenia (Armen Harutyunyan), and Azerbaijan (Latif Huseynov). Interestingly, the Azeri judge added a note at the end of the ruling, stating that while he disagreed with the ruling made before he joined the Grand Chamber, he had no choice but to support its decision of allocating compensation. It is clear that the Azeri judge was trying to protect himself from accusations by Azerbaijan that he had ruled in favor of paying compensation to an Armenian family.

In a parallel case, six Kurds who are Azeri citizens filed a joint complaint to the ECHR on April 6, 2005, under the heading: Chiragov and Others vs. Armenia. They complained that because the Armenian forces had taken over the Lachin corridor, they were forced to flee their homes which used to be a part of Soviet Azerbaijan during the Artsakh conflict in 1992.

Similar to the Sargsyan vs. Azerbaijan case, ECHR s Grand Chamber ruled on June 16, 2015, that Armenia was responsible for the losses of the properties of the six Azeri citizens. They had asked for millions of Euros in compensation. On Dec. 12, 2017, the Grand Chamber ruled that the Armenian Government had to pay 5,000 euros to each of the six Azeri citizens and a total of 28,642 British Pounds for legal costs and expenses.

Once again, both Armenian and Azeri judges were part of the 17 judges that formed the Grand Chamber of ECHR. They both voted in favor of the ruling.

The real issue for the ECHR is what to do with the hundreds of thousands of Armenian and Azeri refugees who had also fled their homes during the Artsakh conflict.

Will each refugee receive 5,000 euros as compensation and 30,000 euros for legal costs and expenses? The Grand Chamber stated in its ruling that more than one thousand individual applications lodged by persons who were displaced during the conflict are pending before the Court, slightly more than half of them being directed against Armenia and the remainder against Azerbaijan. The applicants in these cases represent just a small portion of the persons, estimated to exceed one million, who had to flee during the conflict and have since been unable to return to their properties and homes or to receive any compensation for the loss of their enjoyment.

The only solution is that when someday the Artsakh conflict is resolved, the settlement will include a solution to the situation of the large number of Armenian and Azerbaijani refugees!

ARMENIANS IN TURKEY

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

23

Genocide Denied, Armenians Denied: Rejecting the Very Existence of Armenians in Turkey

By Raffi Bedrosyan (Armenian Weekly)- Last week, while criticizing Israel and the United States on President Trump s recent recognition of Jerusalem as Israel s capital, Turkish President Recep Tayyip Erdo '67an stated with great conviction, There has never been any genocide, holocaust, massacre, ethnic cleansing, or torture in our [Turkish] history.

He said this without even batting an eye Over the years, there has been an effort to deny the very existence of the Armenians and their contributions to Turkey This wholesale denial of historic facts regarding the treatment of minorities by the state is nothing new, but with each act of denial, history keeps repeating itself with sickening regularity the massacres of Armenians were followed by the massacres of Greeks, Assyrians, Alevis, and Kurds.

This article will focus not on the denial of genocide, but on the denial of the very existence of the Armenians and the many contributions they have made in the country.

In a previous article ( The Untold Stories of Turkey: An Armenian Island on the Bosphorus ), I had touched upon how a single family of Armenian architects, the Balyans, had shaped the skyline of Istanbul, particularly along the Bosphorus, with their creations of palaces, mansions, military barracks, and mosques.

Although revered and respected as Royal Architects during Ottoman reign, their Armenian identity was denied by the Republic of Turkey and they were referred to as the Italian Balianis by official tour guides until the early 2000s.

Even more famous than the Balyan family, an architect living in the 16th century, Mimar (architect) Sinan (1489-1588) has left his mark all over the Ottoman Empire. He built 92 mosques, 55 schools, 36 palaces, 48 hamams (bathhouses), three hospitals, 20 inns, 10 bridges, six water channels, and hundreds of other government buildings almost all of them still standing after five centuries. His masterpieces are the Suleymaniye Mosque in Istanbul and Selimiye Mosque in Edirne, which are both registered UNESCO World Heritage sites.

The average Turk knows Mimar Sinan as the Great Turkish Architect Sinan, and his name is given to fine

Clockwise: A Turkish 10,000 lira note, featuring Mimar Sinan, The interior of the Sehzade Mosque, Armenian athletes Mgrditch Migiryan and Vahram Papazyan, Adile Necit, Dikran Cuhaciyan.

arts and architecture universities.

But little is known about the fact that he was an Armenian from the Agirnas village of Kayseri province, seized from his parents as a boy, Islamized, circumcised, and raised as soldier and subsequently as an architect by the state. When he died at the ripe age of 99, he was buried near Suleymaniye Mosque.

During the 1930s, the Turkish state was dominated by racist intellectuals who claimed that the Turkish race was superior to all other races and that there was a definable set of Turkish race characteristics in shape of skull and other features.

To prove their point and to demonstrate that historically intelligent Turks match their defined racial characteristics, these so-called anthropology experts decided to exhume the remains of Architect Sinan, a most prominent Turk from the past. Unfortunately, Sinan s skull did not match these experts theoretical Turkish skull dimensions, and as a result the skull was kept hidden. To this day, the whereabouts of the skull is still unknown, and Sinan s body lies in his grave without a head.

Again in the 1930s, when President Mustafa Kemal decided to introduce the Latin alphabet and modernize the Turkish language, he turned to professor Hagop (Agop) Martayan, a prominent linguist, to head the Turkish Language Council.

As a reward for his services to the Turkish language, Kemal gave him a new surname, Dilaçar, meaning language opener [i.e., one who bestows language]. In return, Martayan proposed the surname

Ataturk to Kemal, which was eventually adopted by Parliament.

When Martayan passed away in 1979, Turkish media announced his name as A. Dilaçar, without ever mentioning his Armenian identity. In fact, some newspapers further distorted his name, calling him Adil Acar. After Mustafa Kemal became Ataturk, he needed to create a new signature, and he called upon another Armenian, master calligrapher Vahram Çerçiyan (Jerjian). Cerciyan s Ataturk signature was adopted in 1934, and it appears on everything from Turkish banknotes to parliamentary records.

Today, nearly nobody in Turkey remembers Cerciyan. Çerçiyan s Ataturk signature was adopted in 1934, and it appears on everything from Turkish banknotes to parliamentary records In 1932, the Turkish government commissioned a prominent Armenian musicologist and conductor, Edgar Manas, to create the harmony and orchestration for the Turkish National Anthem based on a melody by a Turkish musician. Today, nobody remembers Edgar Manas in Turkey, even though his composition of the national anthem is sung every week in schools, stadiums, and Parliament.

In Turkish cinema, movie stars Adile Nasit, Toto Karaca, Vahi Oz, Sami Hazinses, and Kenan Pars are known all over Turkey, after making millions laugh or cry in their films over the years. But very few Turks know or acknowledge that these stars are all Armenian. They all had unique reasons for hiding their Armenian identities, and many of their true roots were revealed only

after they passed away. Adile Nasit was Adile Keskiner (1930-1987), Toto Karaca was Irma Felegyan (1912-1992), Vahi Oz was Vahe Ozinyan (1911-1969), Sami Hazinses was Samuel Agop Ulucyan (1925-2002), and Kenan Pars was Kirkor Cezveciyan (1920-2008).

The first opera in Turkey was staged in 1874 in Istanbul by an Armenian; it was composed, conducted, and produced by Dikran Çuhac '69yan (Tchoukhajian) (18371898). Turkish sources deny this and cite Turkish singers for much later dates. The first theater production in Istanbul was staged six years earlier, in 1868, again by an Armenian, by the name of Agop (Hagop) Vartovyan (1840-1902), also known as Gullu Agop and Yakub. Though it is safe to call Vartovyan the founder of modern Turkish theater, most Turkish sources deny this fact.

The first athletes representing Ottoman Turkey on the international stage were two Armenians and a Greek at the 1912 Olympic Games in Stockholm. The Armenians were Vahram Papazyan and Mgrditch Migiryan, both competing in track and field. Most Turkish sources deny this and cite Turkish athletes at later dates.

Examples of Armenian contributions, innovations, or accomplishments, denied or forgotten in Turkey, can be seen in nearly every imaginable field of arts, science, business, finance, banking, engineering, and publishing in Ottoman or Republican Turkey. One of the best sources to comprehend the role of Armenians in Turkey is an incredibly detailed series of four

books called Western Armenians Throughout History (Tarih boyunca Bat '69 Ermenileri), in Turkish, authored by Professor Parsegh Tuglaciyan (1933-2016), better known as Pars Tuglac '69.

Tuglaciyan is the author of the first Turkish Encyclopedia, called The Ocean Encyclopedia Dictionary, and several other books. However, perhaps his lifetime achievement is this four volume history of Armenians, based on hundreds of thousands of meticulously researched documents.

Each volume totals about 900 pages, covering the periods of 289-1850 (Vol. 1), 1850-1890 (Vol. 2), 18901923 (Vol. 3), and 1923-1966 (Vol. 4). His last volume was published in 2009 in Istanbul.

Unfortunately, after being diagnosed with Alzheimer s disease, he was not able to publish the fifth volume, which would have covered the period of 1966-2010.

The most dramatic and indisputable evidence of the Armenian Genocide is in Tuglaciyan s third volume (18901923), which reveals thousands of documents showing Armenian achievements in nearly every field imaginable, including within the Ottoman government. Until the mid1910s, Armenians were prominent in all levels of the Ottoman foreign ministry and embassies, indispensable in state enterprises and the central bank, and highly influential in the fields of business, art, science, academic institutions in Istanbul as well as all the Ottoman provinces. The dramatic disappearance of all these Armenian names in 1915 is evidence enough of the Armenian Genocide.

When I once asked Professor Tuglaciyan how he was allowed to publish such a critical book in Turkey, he simply stated: I am just presenting state documents showing promotions or rewards of Armenians in state bureaucracy, achievements of Armenians in arts, sciences, and business, promotional ads of Armenian enterprises or cultural events. They all existed before 1915, but no more after 1915. Who can dispute that?

In conclusion, I urge all Armenian scholars in Armenia and the Diaspora to consider translating Professor Tuglaciyan s hidden treasure to English and Armenian for future generations to better understand what we had, what we lost, and perhaps most important why we lost it.

Rare Photos from Battle of Musa Dagh Uncovered The Armenian Genocide Museum Institute announced the discovery of 25 never-beforeseen photographs depicting the battle of Musa Dagh.

According to Hayk Demoyan, the former director of the museum, the pictures depict the evacuation of the peaceful Armenian population on to French warships, their rush to board the boats as well as other scenes.

Demoyan posted the information on his Facebook page and said that the photographs were taken in September 1915 by an officer of the French Navy.

The Museum plans to exhibit the photos in April of next year.

In a rare photo recently discovered at the Armenian Genocide Museum and Institute, Armenian are rushing to board French boats in Musa Dagh in 1915

24

ARMENIA

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

U.S.-Based Firm Gears Up For Gold Mining In Armenia A U.S.-British company said on Monday that it expects to finish next year the ongoing construction of a massive gold mine in Armenia that will sharply increase the country s gold exports.

The company, Lydian International, started building its gold mining and smelting facilities at the Amulsar deposit in the southeastern Vayots Dzor province in August 2016 after years of preparation and a licensing process administered by the Armenian government. It has since hired more than 1,000 Armenian workers for the construction which it says will cost $370 million in investments.

We are constructing the mine and we are about half way through the construction, Howard Stevenson, Lydian s chairman and chief executive, told RFE/RL s Armenian service in an interview.

Stevenson said the company has already become Armenia s 19th largest corporate taxpayer. Amulsar s success will also be a success for Armenia because our positive economic impact on this country will be significant, he said.

Hayk Aloyan, the executive director of Lydian s Armenian subsidiary, said last month that the company plans to produce 210,000 ounces of gold annually, which will be worth over $260 million at current international prices.

According to government statistics,

The U.S.-based company Lydian International builds a gold mine at the Amulsar deposit, 9Dec2017.

(Photo by Lydian Armenia)

Armenia exported around $100 million worth of gold in 2015. The bulk of that export revenue, equivalent to 6.5 percent of overall Armenian exports, was generated by a Russian company operating big gold mines at Sotk, eastern Armenia. The company, GeoProMining, also owns a gold processing plant in Ararat, a small town 50 kilometers southeast of Yerevan.

The Armenian government gave the green light for the Amulsar project despite strong opposition from local environment protection

Armenia Opens Tax-Free Zone On Iranian Border

groups which say that it poses a serious threat to the local ecosystem and livelihoods of farmers living in nearby villages. They also point to the gold deposit s proximity to Jermuk, the country s most famous spa resort.

Stevenson, whose company is registered in a British tax haven but headquartered in the U.S. state of Colorado, sought to allay those fears. He insisted that the forthcoming mining operation is a zero emissions project that will use advanced technology and meet

environmental standards. Our project will have no impact on water resources in the area and on Jermuk as well, he said.

Stevenson also ruled out any potential impact on Armenia s ecologically vital Lake Sevan which is fed by one of the rivers flowing through Vayots Dzor. There is no risk that even if we have an industrial accident we would impact Lake Sevan, he said.

Levon Galstian, one of the environmentalists fiercely resisting the project, dismissed these assurances. He insisted that with the kind of technology that it is planning to use Lydian cannot guard against contamination of soil and water with toxic waste from the Amulsar mine. That will put Jermuk s famed resorts and mineral water industry at serious risk, Galstian told RFE/RL s Armenian service.

The U.S. and British governments strongly support the Amulsar project. The U.S. ambassador to Armenia, Richard Mills, said earlier this year that it has been deemed fully compliant with environment protection standards set by the World Bank and the European Bank for Reconstruction and Development (EBRD).

A senior EBRD executive said in August 2016 that that Lydian has committed itself to meeting the strictest environmental conditions set by the London-based lending institution.

First-Ever Farmer Insurance Planned In Armenia

A newly established free economic zone near Meghri, 15Dec2017.

(RFE/RL)- The Armenian government inaugurated on December 15 a free economic zone on Armenia s border with Iran, saying that it will attract more foreign investment in the domestic economy and expand commercial ties with the Islamic Republic.

Businesses operating in the zone close to the southeastern Armenian town of Meghri will be exempt from virtually all types of taxes. They will be allowed to engage in not only manufacturing but also trade, cargo transport and even tourism.

Speaking at the opening ceremony, Prime Minister Karen Karapetian indicated that his government expects the tax haven to attract Iranian companies seeking to capitalize on Armenia s tariff-access to Russia s market and privileged trade regime with the European Union. It will also allow other foreign investors to do business with Iran, he said.

I am sure that the free economic zone has very good prospects, Karapetian told reporters. But this is just the beginning. We must now work hard every day, he added.

Minister for Economic Development Suren Karayan, who also attended the ceremony, said the government anticipates that between 50 and 70 firms will set up shop in the tax haven in the coming years. He said their combined output should increase Armenia s exports by around $250 million annually.

Vahe Hakobian, the governor of the Syunik province encompassing the border area, estimated that this should translate into 2,000

new jobs. That will definitely be an addition boost for the socioeconomic development of our region, he said.

Hakobian also told journalists that businesspeople from Georgia, Ukraine and Belarus have already expressed readiness to invest in the Meghri zone. And a large delegation of Iranian government officials and entrepreneurs will arrive in the provincial capital Kapan on Wednesday, he added.

A separate statement released by Karapetian s press office said that the business zone will be expanded by 70 hectares in the next few years.

The Armenian premier discussed the upcoming launch of the zone with Iranian officials during an official visit to Tehran in October. He called on Iranian firms to set up branches there.

Economic issues were also high on the agenda of Iranian Foreign Minister Mohammad Javad Zarif s November 28 trip to Yerevan.

Zarif arrived with a large group of Iranian businessmen who held a one-day conference with fellow entrepreneurs from Armenia.

There are quite good opportunities for expanding economic relations between the two countries, Zarif said after talks with his Armenian counterpart Edward Nalbandian.

According to official Armenian statistics, Armenian-Iranian trade stood at a relatively modest $211 million in the first ten months of this year. Iran accounted for less than 5 percent of Armenia s overall foreign trade.

A fruit orchard in Aragatsotn province, 3Sep2014.

(RFE/RL)- The Armenian government announced plans to start gradually introducing next year a national system of agricultural insurance increasingly seen as a vital necessity for struggling farmers across the country.

Thousands of low-income villagers lose their crops each year due to hailstorms, droughts and other natural disasters. They receive little compensation from the cashstrapped government.

According to Deputy Agriculture Minister Armen Harutiunian, the government will launch at the end of 2018 a pilot project that will insure some farmers growing fruits, vegetables or cereals against one or two types of risks. The government will subsidize insurance premiums with a special 10 million-euro ($11.8 million) fund set up for that purpose, he said.

Germany s state-owned development bank KfW will contribute half of that money through a grant allocated to the Armenian Finance Ministry. The two sides signed a relevant agreement in Yerevan on Monday at a ceremony attended by Prime Minister Karen Karapetian.

During the first year the [agricultural insurance] bureau will select the main risks and the main crops for the pilot project, Harutiunian told a news conference. In the first phase there will be [insurance coverage for] maybe one or two risks and several crops:

vegetables or cereals. We will test the system within that framework and see which model works best.

Harutiunian said that the government is inclined to prioritize hailstorms as the number one natural risk. He also announced that the Central Bank of Armenia, which is also involved in the effort, is already working with private insurance firms. The latter are interested in the scheme despite the high risks involved, added the official.

Harutiunian could not say which rural areas will be first covered by the agricultural insurance program and whether it will be mandatory or optional for local farmers. The insurance bureau will work out these and other details in the coming months, he explained.

Some farmers cautiously welcomed the government plans while warning that agricultural insurance will not work if it places a heavy financial burden on them. They also said that it must not be mandatory.

It all depends on the amount of premiums, Haykaz Asatrian, a grape farmer from the southeastern Vayots Dzor province, told RFE/RL s Armenian service (Azatutyun.am).

Right now villagers finance 90 percent of their agricultural work with loans [extended by commercial banks.] If they had cash they would already be able to buy insurance.

ARMENIA

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

25

Armenia Debates Shift Away From Nuclear Power By: Oksana Musaelyan (EurasiaNet)- Armenia's Metsamor Nuclear Power Plant is the only nuclear plant in the Caucasus. Armenian officials have long debated building a new nuclear power plant, but the staggering cost has the country's government eyeing renewable energy as an alternative.

With its aged nuclear power plant scheduled to close in a decade, Armenians are discussing the feasibility of a shift to renewable energy.

A new Comprehensive and Enhanced Partnership Agreement with the European Union has helped catalyze the renewables discussion. Metsamor, the only nuclear plant in the Caucasus, provides about one-third of Armenia's energy needs, but it is already past its original retirement date. As of now it is scheduled to close in 2026.

A provision in the EU partnership document calls for: the closure and safe decommissioning of Metzamor [sic] nuclear power plant and the early adoption of a road map or action plan to that effect, taking into consideration the need for its replacement with new capacity to ensure the energy security of the Republic of Armenia and conditions for sustainable development.

Armenia's Justice Minister Davit Harutyunyan recently raised eyebrows by suggesting, contra previous government assurances, that the country wasn't necessarily committed to nuclear power.

Imagine that tomorrow a new technology emerges allowing us to get the same amount of energy, but without a nuclear power plant, Harutyunyan told reporters in October. Which path should we take? Definitely that of new technology.

Such comments, along with the EU pact, have fed concerns ginned up by Russia, many believe that the EU was forcing Armenia to forego nuclear energy. An article in Sputnik Armenia, headlined Agreement with the EU as a Threat to Armenia's Energy Security: They Will Take Away Armenia's Nuclear Power Plant? suggested that the EU was under the influence of a Turkish-Azerbaijani lobby intent on depriving Armenia.

As unfounded as those claims are, they nevertheless have provoked debate about Armenia's energy future.

Metsamor entered service in 1976, and was shut down after a massive earthquake in 1988 the epicenter of which was about 100 kilometers (62.1 miles) from the power plant raised fears that another earthquake could cause a nuclear accident. But in 1993, newly independent Armenia, impoverished and in the midst of fighting a war against Azerbaijan, felt compelled to reopen the plant.

In 2011, following the accident at the Fukushima nuclear plant in Japan, Armenia announced that it would shut down Metsamor in 2016. But in 2015, Russia offered a $30

million grant and $270 million loan to extend the plant's life another 10 years. If, as scheduled, a Russian nuclear plant on the Kola Peninsula near the Arctic city of Murmansk is shut down in 2019, Metsamor would be the only remaining plant of its generational type still in operation.

Armenia has long debated building a new nuclear power plant, but it's unclear where the money would come from. Estimates on the cost of a new plant run upwards of $5 billion.

More recently, Armenia has started to look at a new technology of modular reactors, which are a fraction of the size of a plant like Metsamor. By means of this technology we could construct a station of whatever strength, said Ashot Manukyan, minister of energy and natural resources in October.

This means a substantial reduction in investment expenditure for constructing a nuclear power station, and we also get the possibility of constructing small nuclear power plants with the possibility of subsequent expansion.

Advocates of renewable energy say that it is particularly well suited for Armenia because of its particular geopolitical situation: its borders with Azerbaijan and Turkey are closed, and its dependence on natural gas and uranium from Russia has led to an uncomfortable degree of political dependence on Moscow.

Armenia was the first country in the region to easily offer permits to construct small solar, wind, and hydro power generation plants, and today renewable energy accounts for about 12 percent of Armenia's total power consumption. That's projected to grow to up to 18 percent in the next two years, according to Astghine Pasoyan, head of the Armenian Foundation to Save Energy.

Most of Armenia's renewable energy today comes from small hydropower plants; solar and wind represent only a tiny portion of Armenia s total electricity generation. But that portion is growing: Solar panels with a capacity of 3.5 megawatts have been installed over the last 10 years, with more than two-thirds of that total built only over the last year, Pasoyan said.

is extremely complicated, not least because power from renewable sources is intermittent and depends on weather conditions, she added.

Armenia may also not have to build a new nuclear plant just yet, said Armen Manvelyan, an energy geopolitics expert at the Armenian National Academy of Sciences. It sometimes happens that nuclear power plants are extended not by 10 years but 20, 30, and even 40 years, he said. With the Eurasian Economic Union planning to adopt a common energy market by 2019, the export potential of Armenian nuclear energy will become increasingly attractive, he said.

If we use [Metsamor] better, and supply electricity to Eurasian and Iranian markets, it's likely that in 2022 or 2023, we could see the question of extending the life of this plant Further expansion is in the cards: in May, another 10 years, he said.

Armenia's Energy Ministry issued a tender for a 55 megawatt solar power facility and a contractor, Arpi Solar, said in December that it will start work on the plan very soon.

We started with a very small number and the trend is huge, Pasoyan said. I hope that the growth is not just in large-scale generation, but in average individual families, taking control of their energy needs and by doing that also helping the country strengthen its energy security.

Pending changes in legislation would further liberalize the energy market. For a lot of local communities and local businesses this will be a good opportunity to invest in renewable energy, said Alen Amirkhanyan, director of the Acopian Center for the Environment at the American University of Armenia.

Amirkhanyan said that with sufficient investment in renewables, there will no longer be a rationale for investing in very expensive technology, like building a new power plant. Traffic in Yerevan, 28 Sep 2017.

Despite Justice Minister Harutyunyan's (RFE/RL)- An Italian company has won a apparent endorsement of new technology, $33 million contract to build a section of a new other Armenian officials have said that Yerevan highway that will bypass central Yerevan and remains committed to nuclear energy. President connect two major highways leading to the Serzh Sargsyan, speaking October 27 at a meeting in Yerevan of the Council of Nuclear Armenian capital.

The highway is constructed as part of a Energy Safety, said that the current agreement loan agreement signed by the Armenian with Russia foresees the operation of Metsamor government and the Asian Development Bank until 2027 and later to implement phased installation of new nuclear blocks. (ADB). The first 5-kilometer stretch of the road Prime Minister Karen Karapetyan, as well, was inaugurated a year ago.

The government went on to call an said recently that security issues are extremely international tender for its second section that important for us and we intend to always have will be about 10 kilometers long. The Italian nuclear power.

While the government may not be ready construction firm, Tirrena Scavi, was declared to abandon nuclear power altogether, its interest the winner.

Yerevan Mayor Taron Markarian and a in renewables is genuine, Pasoyan said.

The approach of the Armenian senior Tirrena executive, Giacomo Lombardi, government is that Armenia will try to maintain signed a construction contract recently.

Work on the four-lane road will start early nuclear power generation in its mix, simply next year and take two years. because it is a national security issue, she The road will pass through Yerevan s said.

No matter how much we talk about southern and western suburbs close to the renewable energy, supplying the base load [of two national highways. It will reduce traffic the country's energy needs] with renewables congestion in the city.

Italian Firm To Build New Road Around Yerevan

Your Most Reliable Transportation Partner To/From Armenia & Worldwide · Ocean, Air & Land

·

METRAS SHIPPING & FORWARDING INC.

2175 Sheppard Ave. E. Suite 215 Toronto ON, M2J 1W8

Tel.: 416-497-0377 Fax: 416-497-0783 info@metrasshipping.com www.metrasshipping.com

Ara Graphics

· · · ·

Int'l Transportation Door to Door Services Available 20', 40', LCL and Break-Bulk Insurance Coverage Export Documentation, Letters of Credit Handling and Banking Negotiations Dedicated Agency Network Worldwide

26

ARMENIA

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

With Opening of Turkish Border, Georgia's Armenians Grow Uneasy

By: Bradley Jardine A few weeks ago, residents of the village of Dadash, on Georgia's border with Turkey, blocked the main highway connecting the two countries. Their aim, they said, was to call attention to rampant lawlessness in the area since the opening of the border post with Turkey in 2015.

In particular, they assert that their livestock is being stolen, blaming Turks in neighboring towns.

A member of Georgia's parliament, Enzel Mkoyan, visited the village the day after the protest to hear out their grievances.

A large majority of area residents is ethnic Armenian.

Residents told him that cameras on the Turkish side showed that the stolen animals had indeed been taken over the border.

They also maintained that local authorities have been of little help.

We live on the border and are very worried, one of the villagers, Tsolak Martirosyan said at the meeting, according to an account by local news website JNews.ge. Why is the Turkish side equipped with video cameras, and our side isn t? What century do we live in?

The problem is not new, residents complained. A village nearby, Kartsakhi, staged a similar protest in 2015, threatening to obstruct the construction of a new international railway through the area unless the authorities took action to find stolen property.

Mkoyan promised help. I called all ministries the Ministry of Internal Affairs, the Foreign Ministry, and also the border police, he told the crowd. They are all worried about what happened and they promised to help. The state is behind you.

But residents across the area say they want more than government assurances.

It used to be much safer here, but now the police are doing very little, said Rima Gharibyan, the director of JNews. Robberies have increased dramatically in recent years but no one will help us.

The municipality of Akhalkalaki, which contains Dadash and Kartsakhi, is highly dependent on remittances from Russia and has been badly affected by the ruble s decline. This has resulted in a rising crime rate. Ever since the border with Turkey

An old Ottoman fortress watches silently over Akhalkalaki. In 2015, red graffiti appeared in Turkish, warning local Armenians "We Will Return!". (Photo by Bradley Jardine/Eurasianet)

opened we ve had nothing but trouble, said Kristina Marabyan, a reporter for JNews.

Corruption is growing here it s like a return to the Soviet era.

The nearby border crossing, between C '69ld '69r in Turkey and Kartsakhi, was reopened in 2015, after being closed for 10 years, amid growing ties between Tbilisi and Ankara. Georgia s leadership has been cultivating its relationship with Ankara in recent years, in a bid to attract foreign direct investment and further its own NATO ambitions.

The situation around Akhalkalaki is particularly sensitive due to the high density of Armenians living there. After the Russian Empire conquered the area in 1828, many Muslims fled to the Ottoman Empire and the tsarist government resettled the area with Armenians, seeing them as more reliable than the local Muslims, according to Timothy Blauvelt, a historian of Georgia at Ilia State University in Tbilisi.

Amid the genocide against Armenians in the Ottoman Empire during the First World War, the south of Georgia took in many people who were fleeing the massacres.

Most of us have family from Kars and

Erzerum in Turkey, Marabyan said. We became a region of refugees.

Fear of Turkey has only heightened in recent years. Shortly after the border opened, someone using red paint wrote we will return in Turkish on the old Ottoman fortress silently watching over Akhalkalaki, local media reported.

The problem is that [the Turks] have no respect for our local traditions, Marabyan said. I don t want my country to be somebody s playground.

Many in the region saw the Russian military base in Akhalkalaki, which closed in 2007, as an important bulwark against Turkey. An old Soviet military base stands in ruins in Kartsakhki, overlooking the border.

Communism begins here! is inscribed on its wall, for the benefit of the NATO soldiers who used to be based on the other side.

Now, the town is in decline.

Despite the town s new asphalt road, designed to help speed cargo across the border into Turkey, the village has experienced little economic benefit from the border s opening. Locals complain that the growing number of heavily loaded trucks passing through the town are actually

causing damage to the surrounding houses.

Others complain the open border is accelerating Akhalkalaki s economic malaise. Turkish citizens regularly visit to buy food, cigarettes and gasoline, all of which are cheaper than in Turkey. Prices are reportedly rising as a result.

There s also the issue of brothels and prostitution. Several brothels have opened in Akhalkalaki and neighboring Akhaltsikhe, which locals say was unheard of before the Turkish border opened.

In November, residents of Akhaltsikhe held a protest against the Turkish-oriented sex trade. But it was only ethnic Georgians who participated, Gharibyan said.

Armenians didn t take part, she said.

Every time we are involved in protests such as these local officials dismiss it as national hostility toward Turks, so it s better for us to leave it to the Georgians.

One of the most controversial symbols of Turkey s growing presence in the region is the new Baku-Tbilisi-Kars (BTK) railway, which passes through the area and was built with largely Turkish and Azerbaijani labor.

On the one hand, people in Akhalkalaki are afraid of the BTK strengthening Turkish influence in the region, said Ghia Nodia, a political scientist at Ilia State University.

But on the other hand they are hoping it will lead to economic opportunities.

But many have felt left out by the project. In 2016, a local Armenian activist Vahagan Chakhalyan released a public statement attacking the Georgian government s Turkification policies. In Chakhalyan's words, Turkish-Azeri capital is taking over the business market, and not hiring Christians.

Chakhalyan and his party, the United Javakh Democratic Alliance, have long had a tense relationship with Georgian authorities, who accuse them of harboring separatist tendencies. Several party activists, including Chakhalyan, were even arrested in 2008 following a fatal bombing at the home of Akhalkalaki s chief of police.

Locals say that Tbilisi exaggerates the separatist threat. If we are separatists then where do we go? Marabyan asked. Would we join Armenia? They re in an even worse position than we are.

Poll Finds Strong Support For Armenian Military The Armenian military remains the most trusted institution in Armenia, according to an opinion poll conducted recently.

The Armenian branch of the U.S.funded Caucasus Resource Research Center (CRRC) interviewed more than 1,600 randomly chosen households across the country in November as part of the CRRC s annual Caucasus Barometer survey. The survey gauged public opinion in Armenia and Georgia on a wide range of issues facing the two neighboring countries.

According to its findings released last week, 51 percent of Armenians fully trust and another 26 percent rather trust their armed forces. The CRRC s previous surveys found similarly strong popular support for the Armenian army, a sentiment that appears to reflect the unresolved Nagorno-Karabakh conflict.

The latest CRRC poll shows that the Armenian Apostolic Church and other religious organizations active in the country

were the second most trusted institution, with 74 percent of respondents having confidence in them.

The poll found much lower degrees of public trust towards the executive and legislative branches of government. In particular, only 18 percent of those polled said they trust President Serzh Sarkisian, according to the CRRC. Public confidence in the Armenian parliament was found to be even weaker.

Respondents were also asked questions relating to foreign policy. Twothirds of them said they approve, in one way or another, of Armenia s membership in the Russian-led Eurasian Economic Union. Accordingly, 64 percent described Russia as Armenia s friendliest foreign partner.

At the same time, 55 percent of those polled voiced varying degrees of support for Armenia s potential accession to the European Union.

ARTS AND CULTURE

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

27

Varak s Crescent

Flying across Oceans By: Varak Babian The Cranes had tried, several times, to bring new life into the world, but failed.

Mrs. Crane suggested that perhaps Mr. Crane leave her and try his luck with another willing female. I know having children is important to you, I don t want you to resent me, she had declared one spring afternoon.

Mrs. Crane realized her suggestion reinforced the martyr complex she had grown weary of, but she meant it.

He listened, knowing that his reaction was and would be surveyed, then analyzed, and then analyzed once more. He took her head gently into his chest and crooned her favorite song. Their love of harmony had been the catalyst for their maiden conversation. He had sang for her by the shallow wetlands. She responded, quite cheekily with a tune herself. The rest was sorted.

As long as we re together, I m the luckiest male in the world. And with that anecdotal compliment, Mr. Crane had put his lovely life-partners worry to a momentary rest.

Their love was intense, and in due time their passion for one another was rewarded with a beautiful set of twins. They coparented beautifully. He was the worrier, she was pragmatic. Both felt their life had purpose now, and they would catch each other staring at the twins, with admiration blanketing their young.

She was proud of the nest she had built.

It hadn t been easy. If she had one strong characteristic, it was her resourcefulness.

She had once overheard that Scorpios were often resourceful. Mrs. Crane didn t know what a Scorpio was, but she liked identifying as one. It made her feel exotic, a far cry from her very matter-of-fact existence. Her home was cozy: a suitable place where her little ones would be provided for and supported until they would be strong enough to just pick up and go.

She had gifted two miniature versions of herself into the world, and she often worried about them. She was told they resembled her in looks and personality, but all she could see in their little faces was her significant other.

Their romanticized, postcard-worthy existence was often compromised. Mr. Crane couldn t provide his family with what he thought they deserved, though not for lack of trying. His sharpened sense of frugality made him feel both proud and defeated. He routinely worried about the future, as sadness started to play a weightier role in his day-to-day life. He loved his offspring uncontrollably. That same love proved to be the stepping stone toward his insecurities. Was he worthy of being a father? A mate?

He had flown far, far away with the

hopes of recalibrating his reality, finding a more suitable place to live. A place worthy enough for my beautiful family. A place where shelter came easy, the weather was serene, and all they would have to worry about was what kind of protein they would devour for breakfast. He had gone with the promise of returning, and she managed to find comfort in that.

Mrs. Crane had tried to make him understand that things would probably never be ideal. Life wasn t supposed to be constant bliss. Whatever hardships they encountered, they were strong enough as a pair to make it work. She could have spent more time scavenging the streets, finding useful knickknacks and such. He could have looked for work with the undesirable crowd, showing off his pitch and charm for the humans huddled around park benches all across the city. They were known to offer bread and salty snacks to performers who would saunter past their feet. He didn t listen, he was stubborn. Filled with too much pride.

He believed the answer was waiting somewhere else, someplace different.

She often felt alone. She had moved quite a lot during her life. She had met some fine living souls, souls she would even consider sharing secrets with. But they were scattered all around the world. She couldn t locate them even if she tried. Whenever her reality got too overwhelming, she would chirp the same song her husband chirped when he tried to comfort her. She had a beautiful singing voice, and anytime she produced a song the foot traffic beneath them would come to a halt as the passersby would raise their heads and admire the melody.

They lived near the airport. She could see the impressive chrome-plated sign from her stoop. She loved examining the people coming in and out of those big, shiny glass doors. She would often make up stories about each of them.

The couple holding hands saying farewell were star-crossed lovers. She gave them an imaginary makeover to assist with the improvised fiction. The tall man was wearing a navy brimmed hat. The woman was wearing a charming sequined skirt.

Their respective families never showed an inclination to be cordial, and forbade them from starting a life together. She had the luxury of bearing witness to the last time the couple would ever hold each other in their arms. He was moving away. Flying across oceans. He couldn t bear live so close to his soulmate knowing they couldn t wake up to each other. She quit her job, abandoned her hobbies, muted her passions. She would never entertain the idea of companionship with anybody ever again.

Mrs. Crane set her glare on an ivoryhaired, heavyset man with impressive bags

under his eyes. He was in the process of hailing a cab. She decided his name was Steve. Steve had been adopted, a secret unlatched and communicated to him on his 18th birthday. He desperately wanted to learn the language of his birth parents, but it proved too difficult. Who would teach him?

He had managed to learn how to say hello, and he offered the greeting confidently to the man who was maneuvering to make room for the suitcases in his trunk. When Steve was younger, he hated that he looked so different from his peers at school. All of them fair-skinned, with light eyes. His hair the shade of coffee. His eyes chestnut brown. As he grew older, he decided to research his family origin and fell in love with its history, culture, food. It was his first time laying eyes on where his people had come from. The old man started to get tearyeyed, missing the parents he had never met.

Mrs. Crane was ready to take a break from the unknowing subjects and their various story arcs when she spotted a young boy sprinting out of the airport. The boy dropped his luggage, kneeled down, and kissed the pavement. The boy howled I m home, I m home! She couldn t help but feel bad for him. That specific spot was under a huge tree, and she had witnessed firsthand a group of roughnecks squeezing out their waste from above. She realized that the cleansing action had to be done, but have some class, she thought. There were ample places where that conduct would not be seen. She hated all things tacky, and she moved her beak side to side in pity as the young boy smooched the shit-stained sidewalk.

ÊÙµ³·ñáõû³Ý ÏáÕÙ¿ §ÂáñáÝÃáѳۦ å³ï³ë˳ݳïáõ ã¿ Çñ ¿ç»ñáõÝ Ù¿ç ÉáÛë ï»ë³Í ͳÝáõóáõÙÝ»ñáõ µáí³Ý¹³Ïáõû³Ý: Ø»½Ç ÛÕáõ³Í µáÉáñ ÃÕóÏóáõÃÇõÝÝ»ñÝ áõ ·ñáõÃÇõÝÝ»ñÁ »ÝÃ³Ï³Û »Ý áñáß ËÙµ³·ñáõÙÇ:

Over the course of her time spent by the impressive chrome-plated sign, she started to notice more people than usual making their way toward the building. More crying, more luggage, more disheartened looks. She would often hear more goodbyes than hellos. She remembered saying goodbye to her husband, and how she didn t want to cry in front of him. He had a long journey ahead, and she didn t want him to be worried. She assured him they d be fine, and wished him a speedy return.

When most other mothers on the block were probably fast asleep, she would be perched on her usual spot. Her little ones fast sleep just outside her field of vision, her stare fixated on the same path in the sky where he had flown away that sad afternoon.

She would issue forth her melancholy song as the groups of people below would walk toward the shiny glass doors. They would start to cry. As they hugged and kissed each other, they would hear her voice. They would look up at her, at her unassuming home, and start to cry even more.

She was convinced that the pain she felt on her own quill must be palpable. She thought of happy times. She thought how Mr. Crane would say something like, They re crying because your voice is so bad it s hurting their feelings! Always so sarcastic.

She d had enough of feeling sorry for herself for that specific night. She nestled her body on top of the twins. Mrs. Crane veiled her ears with her stained feathers, trying to drown out the sadness rising from below.

(This short story was first published in The Armenian Weekly)

Join us www.facebook/ Torontohye newspaper

28

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

ARTS AND CULTURE

Jivan Avetisyan: We need to find a way to present our reality- the war, our conflict to the rest of the world Jivan Avetisyan s The Last Inhabitant was screened at Hamazkayin Toronto s Pomegranate Film Festival, Nov 15-19. It received an honorable mention in the Best Feature Film category for its intimate storytelling, brilliant acting and stunning cinematography.

TorontoHye editor Karin Saghdejian caught up with the director and had a chat with him regarding his films and the struggles behind their making.

Interview by: Karin Saghdejian Translation by: Varak Babian T.H.- The lion s share of your films content is focused on Artsakh. Why is that?

J.A.-There s a pretty straight forward reason. As I see it, if there are 10 issues that cause the Armenian people a certain level of concern; all 10 of them either directly or indirectly have a connection with Artsakh.

It s my opinion that each one of us have a responsibility to sort our every day, or some part of our existence, in a way that allows us to give back to our motherland. In some capacity, we need to work towards the betterment of Armenia, and specifically Artsakh; particularly because the war there is very much still alive and ongoing.

I d be remiss to try and forget about the people that have left an impact on my life; personally, I wouldn t be able to forget certain events that have shaped my reality. We have an obligation to remember and inform the world about our war.

Simply put- with art, with culture, we have to achieve a certain level of prestige.

This will, in turn, allow us to be able to stand side by side and support the soldiers that are risking their lives to make sure our borders are safe. This is a crucial, allencompassing process. We need to strive for greatness, and the success we achieve in Europe, in the United States, in any corner of the world- will make it that much easier for people to love and accept Artskah in their hearts. This way, we ll get that much closer to the desired dream of an independent Artsakh, recognized unanimously by the international world.

Finally, I m from Artsakh. It s fulfilling for me to craft stories about my village. Not only the village, but everything good that surrounds and is associated with it as well.

We can t share stories of love and romance, like the French. We can t do action films like the Americans. That s their life, their reality. We have the ability to speak about ourselves. The talking point is not only the war. It s the culture, the people, the traditions. All this, under a common umbrella and highlighted by the vibrancy of the human disposition.

We need to find a way to present our reality- the war, our conflict to the rest of the world.

T.H.- On that note, in your films, though you deal with war, you tend to stay away from nationalistic rhetoric; focusing more on the universal angle.

J.A.- That rhetoric might fall on deaf ears. There are many people worldwide who are ignorant on the matter. They might not consider our opinion to be a plausible observation. Who do you try to sharpen and aim your sword towards?

Let s be frank. There s a certain viewpoint that critiques the soldier. Asking, Why would they risk their lives? Let them live a life free of combat. If you were to speak with the non-Armenian, in most cases

they don t comprehend the issue.

We have a tendency to do a lot of romanticizing. We have focused on toasting ourselves, getting lost in songs. We ve forgotten to put in the work. We need to put in the work. We constantly engage in patting ourselves on the back. We ve become our own number one fan. We re satisfied with our own stories of heroism, our recollection of dismay and horror. Enough of circulating the same stories. Congratulating ourselves, fists pounding on the dinner table, proclaiming our strength.

We need to roll up our sleeves and prove what we believe to be true to the rest of the world. You can only connect to a wider audience by tapping into their innermost world.

This is the journey. They have to breathe through your character. The terror has to be felt by their own psyche. They need to realize that this unpredictable world is not bubble wrapped for their protection. Anything can happen.

That s why I share stories about war, always preaching peace. I try to package this unsafe, unpredictable world into a safer one- even if it s only for a moment.

T.H.- This was very noticeable. That might be the reason why people enjoy your work. It s not a one-dimensional position on an issue, but the suffering of human struggle.

The villager has a relationship with his Azeri neighbor. Sometimes the villager is right, sometimes his neighbor is. The people of Artsakh becomes real in your films, they re humanized. The individual is not only a soldier, not only a member of a military front, but a person. A person not unlike me or you, dealing with their own personal quarrel with existence.

How do you collect your stories? How do you decide which topic or idea is worthy enough to create a film around? What is your selection process like?

J.A.- I come across different ideas and topics in a variety of ways. After familiarizing myself with the subjects that seem to stick, I let it percolate. I come back to the story that moved me the most in the first place, and I have an honest conversation with myself. Can the idea blossom into a subject for a film? Do I have a desire to share the story? Do I find it captivating? I trust myself, because all the films that I ve created mean something to me, I appreciate them. I consider them timely created films.

The film that I decide to embark on five years ago, ideally would be finished five years ago. Because my feelings, my thought process, my senses were moved in a specific way during that time.

I constantly try to submerge myself in fresh, different topics. That doesn t mean the work that I ve already created should reflect anachronism. We strive to create content that won t quickly be uploaded to Youtube, or any other online platform.

Rather, the films should circulate different film festivals, and be a part of the dialogue

Director Jivan Avetisyan at the premiere of The Last Inhabitant at the Venice International Film Festival in September

focusing on films across the world.

Our conceived film idea has to do with Artsakh, but not about the physical battle itself. The film has the aptness to battle for its own justice, it s warranted rights.

It s not a film that we ve shot for the purpose of just being a shiny trophy that boosts our ego. The best way to attain pride through film, is in it reaching and making an impression on a wider audience. If the other can understand, appreciate and recognize the struggles of our tribe; if they can grasp the pain felt by a nation after losing a soldier in battle, that s the end goal.

Is there anything more important than that?

For this reason, we have to have a film that encapsulates the fighting spirit. Not one that glorifies the carnage, but rather lauds peace.

Of course, we have to have the ability to educate the masses about our sometimes bitter and harsh reality. There s often a very dry, slanted perspective offered towards our neighboring country. We believe that once you call a spade a spade, we re ultimately in the right. Who gets to give that final conclusion?

We need to approach the subject matter the right way. We re currently experiencing complicated times. 100 years ago, when facing the Red Genocide, the masses were easily influenced. They would be told that their tzar is evil, and that was that. Today s individual has to be captivated in a more delicate manner. People today are swamped with information, and it makes it difficult for them to be convinced of anything. It s not the same villager of 100 years ago, where you would be able to say You re high ranking official is starving you, you must kill them so that Communism can prosper, and in turn you will too.

Today s individual is complex. They are all-knowing. If you ask them about genocide, they will tell you all about the different stages, the different methods of extermination. If you ask them about war, they know all too well about the devastation that comes along with it.

You try to impart a specific isolated detail, a single gaze; a moment that can be

compared to the viewer s already existing internal conflict. There s no need to show how skulls are bashed, or preach the enemy s lack of moral fiber. The modernday human is rarely shocked. You must rev their emotions, make them feel. It doesn t have to be a grand gesture, sometimes all you need to do is whisper a word or two.

We, as humans, have the ability to harness emotion. A human being, granted affected by the universality of sin, was created using God as a template. The human is sensitive.

T.H.-What kind of difficulties do you encounter during the process of completing your films?

J.A.- Unfortunately, the process of creating art has its limitations. To put it simply, the most considerable roadblock is the procuring of necessary finances. It s an arduous process.

We try to spread the word, and relay the importance of Artsakh to whoever will listen. We try to locate individuals that have the desire to leave their impact on the film by helping to make the completion of it a reality. The whole process can be overwhelming. Making a film is expensive.

Making a film with the production value comparable to its international counterparts takes a lot of money. It s not enough to have two cameramen, two actors, and a director.

You need production assistants, producers.

You need a cast arranged with internationally recognized talent, so that the film gains attention on the international market. Many, many cogs in the wheel.

So, you have to worry about not only creating the best possible film, but being able to secure the necessary financial help.

On top of that, there are political matters.

Trying to persuade an actor to be featured in a film that deals with Artsakh, all the while knowing that the actor being blacklisted is a likely possibility. Also, you need to convince the people on the production and distribution side not to be intimidated by the aggression and bullying tactics of Azerbaijan.

The truth is- every single person who has cont. on page 29

Êàв¶Æð

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

29

Jivan Avetisyan: ...

cont. from page 28

êáõñµ ÌÝݹ»³Ý ²õ³Ý¹áõÃÇõÝÝ»ñ êáÝdz ³ß×»³Ý

êáíáñ³µ³ñ µáÉáñ ѳÛÏ³Ï³Ý ßñç³ÝÝ»ñáõ Ù¿ç, ÚáõÝáõ³ñÇ 5Ç »ñ»ÏáÛ³Ý ÅáÕáíáõñ¹Á ÏÁ ѳõ³ùáõÇ »Ï»Õ»óõáÛ Ù¿ç, Öñ³·³ÉáÛÍÇ å³ï³ñ³·áí Ùdzëݳµ³ñ á·»Ïáã»Éáõ ÚÇëáõë øñÇëïáëÇ ÍÝݹ»³Ý ï³ñ»¹³ñÓÁ: ²õ³Ý¹áõû³Ý ѳٳӳÛÝ, å³ÑùÇ ßñç³Ý ¿ »õ ³Û¹ ûñ å³ÑùÁ ÏÁ ÉáõͳñáõÇ »õ ѳõ³ï³ó»³ÉÝ»ñÁ ÏÁ ëï³Ý³Ý êáõñµ гÕáñ¹áõÃÇõÝ: سëݳÏÇóÝ»ñÁ Çñ»Ýó Ñ»ï í³éáõáÕ ÙáÙ»ñ ÏÁ ï³ÝÇÝ ïáõÝ, ïûÝ³Ï³Ý ÁÝÃñÇùÇ ë»Õ³ÝÇ ÙáÙÁ í³é»Éáõ ѳٳñ, ³Û¹åÇëáí øñÇëïáëÇ ÉáÛëÁ µ»ñ»Éáí ûç³Ë: ²å³ ¹åñ³ó ¹³ëÁ ÏÁ ßñçÇ ïáõÝ¿ ïáõÝ »õ §²õ»ïÇë¦ »ñ·»Éáí Ù³ñ¹Ï³Ýó ÏÁ ÷á˳Ýó¿ ÚÇëáõëÇ ÍÝݹ»³Ý ³õ»ïÇëÁ: ²ÙëÇ 6ÇÝ ÏÁ Ù³ïáõóáõÇ ä³ï³ñ³·. ÏÁ ϳï³ñáõÇ çñûñÑÝ¿ùÇ ³ñ³ñáÕáõÃÇõÝ »õ ÚÇëáõëÇ ÙÏñïáõû³Ý Í¿ëÁ: ²õ³Ý¹áõû³Ý ѳٳӳÛÝ ûñáõ³Û ³Ù»Ý³Ëáßáñ ÝáõÇñ³ïáõÝ ³éÇà ϰáõÝ»Ý³Û ÁÉɳÉáõ ûñáõ³Û ÏÝù³Ñ³ÛñÁ: гõ³ï³ó»³ÉÝ»ñÁ ÏÁ ËÙ»Ý çñûñÑÝ¿ùÇ çáõñ¿Ý »õ Çñ»Ýó Ñ»ï ÷áùñ ëñáõ³ÏÝ»ñáí ÏÁ ï³ÝÇÝ Çñ»Ýó ïáõÝ, ï³ñáõ³Û ÁÝóóùÇÝ ÑÇõ³Ý¹áõÃÇõÝÝ»ñáõ ¹¿Ù áñå¿ë ëå»Õ³ÝÇ: Ú³çáñ¹áÕ ûñ»ñáõÝ ù³Ñ³Ý³Ý ³Ûó»É»Éáí µáÉáñ ÍáõË»ñÁ ÏÁ ϳï³ñ¿ ïÝûñÑÝ¿ùÇ ÍÇë³Ï³ñ·: êáíáñ³µ³ñ ïûÝ³Ï³Ý ×³ß³ï»ë³ÏÝ»ñÝ »Ý. µñÇÝÓáí ÷ɳõ, ÓáõÏ, ï³å³Ï³Í ϳݳãÇ, ³Ýáõß³åáõñ, ï³ñ»Ñ³ó ϳ٠ϳÃݳÑáõÝó: Æ ¹¿å, áñáß ßñç³ÝÝ»ñáõ Ù¿ç å³ÑùÁ ÏÁ Éáõͳñ»Ý ³ÙëÇ 5Ç ·Çß»ñÁ, ÇëÏ ³ÛÉ ï»Õ»ñª ³ÙëÇ 6ÇÝ, ä³ï³ñ³·¿Ý ïáõݹ³ñÓÇÝ: ê³Ï³ÛÝ ³é³ÝÓÇÝ ßñç³ÝÝ»ñáõ Ù¿ç, ¹³ñ»ñáõ ÁÝóóùÇÝ Ó»õ³õáñáõ³Í ¿ ݳ»õ ³ÛÉ ëáíáñáõÃÇõÝÝ»ñ, áñáÝù Ñ»ï³ùñùÇñ ³Ûɳ½³ÝáõÃÇõÝ ÏÁ ëï»ÕÍ»Ý Ù»ñ ³Û¹å¿ë ³É ѳñáõëï ³õ³Ý¹áõû³Ýó Ù¿ç: ¼¿ÛÃáõÝÇ Ù¿ç, »Ï»Õ»óÇ¿Ý í»ñ³¹³ñÓÇÝ, å³ÑùÁ ÏÁ Éáõͳñ»Ý ׳߳ϻÉáí ãáñ ÝáõÇÏÇ (í³ÛñÇ µ³Ýç³ñ) ï³å³Ï³Û. ³ÛÝ ÛÇßáÕáõû³Ùµ, áñ ÚÇëáõë ÍÝ³Í ÁÉɳÉáí ÙëáõñÇ Ù¿ç, ²ëïáõ³Í³ÍÇÝÁ Çñ»Ý å³ñáõñ³Í ¿ ³Û¹ µ³Ýç³ñÇ ï»ñ»õÝ»ñáí: ²å³ »ñ»ù³Ï³Ý ·³õ³Ã ÏÁ ËÙ»Ý Çñ»Ýó ïÝ³Ï³Ý ûÕÇ¿Ý »õ ÏÁ ×³ß³Ï»Ý Ù³ï³ÕÇ ÙÇëÝ áõ ³ñ·³Ý³ÏÁ, µñÇÝÓ-³åáõñ, Óáõ³Í»Õ, ù³Ù³Í Ù³ÍáõÝ, ϳñ³· áõ Ù»Õñ: ʳñµ»ñ¹Ç Ù¿ç ëáíáñáõÃÇõÝ ¿ñ ³Û¹ ·Çß»ñ ×³ß³Ï»É ÷»ñ÷»ñ (÷Ç÷»ñÃ) ³åáõñ: ²õ»ïÇë »ñ·áÕ å³ï³ÝÇÝ»ñÁ, ï³ÝïÇÏÇÝÝ»ñáõ ÏáÕÙ¿ ÏÁ í³ñÓ³ïñáõÇÝ ëï³Ý³Éáí ÏáñÏáï, ïÑ³É - Õ³õáñÙ³Û, ·ÇÝÇ, ѳõÏÇÃ, ѳó, éáõå, »õ³ÛÉÝ... ²Ûë ûñÁ ÏÁ ÝßáõÇ Ý³»õ §²õ»ïÇë¦ »õ §îûݳå»ï¦ ³ÝáõÝÁ ÏñáÕ Ù³ñ¹Ï³Ýó ³Ýáõ³Ý³Ïáãáõû³Ý ûñÁ: ÆëÏ Ô½É³ñÇ Ñ³Û»ñÁ, çñûñÑÝ¿ùÇ ³ñ³ñáÕáõû³Ý Å³Ù³Ý³Ï ëáíáñáõÃÇõÝ áõÝ»ó³Í »Ý ³Õ³õÝÇÝ»ñ ÃéóÁÝ»É: г×ÁÝÇ Ù¿ç ëáíáñáõÃÇõÝ ¿ ³Û¹ »ñ»ÏáÛ³Ý áõËïÇ »ñÃ³É ù³Õ³ùÇÝ Ù»ñÓ³Ï³Û ê. Ú³ÏáµÇ í³ÝùÁ: Î¿ë ·Çß»ñÇÝ ½³Ý·»ñÁ ÕûÕ³Ýç»Éáí Ï°³õ»ï»Ý ÚÇëáõëÇ ÍÝáõݹÁ. ³ÛÝáõÑ»ï»õ ÏÁ ëÏëÇ ä³ï³ñ³·Á, áñáõ ÁÝóóùÇÝ å³ï³ÝÇ ÑáíÇõÝ»ñ ¹åÇñÇ ß³åÇÏ Ñ³·³Í, Çñ»Ýó Ñáíáõ³Ï³Ý ëñÇÝ·Ý»ñÁ Ýáõ³·»Éáí ÏÁ Û³é³ç³Ý³Ý ¹¿åÇ Ëáñ³ÝÁ, ³å³ Ï'»ñ·»Ý §ÊáñÑáõñ¹ Ù»Í »õ ëù³Ýã»ÉǦ ß³ñ³Ï³ÝÁ, áñáõÝ ÏÁ ÙÇ³Ý³Û í³ÝùÇ ßñç³µ³ÏÇÝ Ù¿ç Ù³ÛáÕ áã˳ñÝ»ñáõ Ó³ÛÝÁ, ëï»ÕÍ»Éáí ÚÇëáõëÇ ÍÝݹ»³Ý å³ïÏ»ñÁ: Ú³çáñ¹ ûñÁ, ÚÇëáõëÇ ÙÏñïáõû³Ý ³ñ³ñáճϳñ·Á ÏÁ ϳï³ñáõÇ ·»ï»½»ñùÇÝ: Ì¿ëÇ ÁÝóóùÇÝ, »Ï»Õ»ó³Ï³ÝÁ ÙÇõéáÝ ÏÁ ϳûóÝ¿ ·»ïÇÝ Ù¿çª ûñÑÝ»Éáí çáõñÁ, ³å³ ÁÝïñ»³É ÏÝù³Ñ³ÛñÁ ˳ãÁ ÏÁ Ý»ï¿ çáõñÇÝ Ù¿ç, áñáõÝ ÏÁ ëå³ë»Ý »ñÇï³ë³ñ¹Ý»ñÁ, áñáÝù ³ÝÙÇç³å¿ë ÏÁ Ý»ïáõÇÝ çáõñª ˳ãÁ ѳݻÉáõ å³ïÇõÁ »õ ûñÑÝáõÃÇõÝÁ í³ëï³Ï»Éáõ ѳٳñ: ºá½Ï³ïÇ Ù¿ç í³ñųñ³ÝÇ áõëáõóÇãÁ ³ß³Ï»ñï³Ï³Ý »ñ·ã³ËáõÙµÇÝ Ï°³é³çÝáñ¹¿ ïáõÝ»ñÁ »ñ·»Éáõ ûñáõ³Ý Û³ñÇñ ß³ñ³Ï³ÝÝ»ñ: ´Ý³Ï³Ý³µ³ñ ïÝ»óÇù ÏÁ ÑÇõñ³ëÇñ»Ý å³ï³ÝÇÝ»ñáõÝ »õ Ýáõ¿ñÝ»ñ ³É Ï°ÁÝͳۻÝ: ØdzųٳݳÏ, áõñÇß å³ï³ÝÇÝ»ñ, ·ûï»Ï³ËÇ ëáíáñáõû³Ùµ, ÍÝ»ÉáÛ½¿Ý ÏÁ Ï³Ë»Ý Çñ»Ýó ïáåñ³ÏÝ»ñÁ, »ñ·»Éáí. §øñÇëïáë Íݳõ »õ Û³ÛïÝáõ»ó³õ, ³õ»ïǯë, Ï»ñ ·³Ã³ë ϳ˿¦. ï³ÝïÇÏÇÝÝ»ñÁ Éë»Éáí ³Ûë »ñ·Á, ïáåñ³ÏÝ»ñÁ ÏÁ ÷áõÃ³Ý É»óÝ»É ï³Ý ë»Õ³ÝÇ µ³ñÇùÝ»ñáí: Î¿ë ·Çß»ñÝ ³Ýó, ÏáãݳÏÇ Ó³ÛÝÁ Ù³ñ¹Ï³Ýó ÏÁ ï³ÝÇ »Ï»Õ»óÇ, ѳõ³ù³Ï³Ý ³ÕûÃùáí Ýß»Éáõ øñÇëïáëÇ ÍÝáõݹÁ: îáõݹ³ñÓÇÝ, Ù³ñ¹ÇÏ ÷áÕáóÇÝ Ù¿ç ½Çñ³ñ ÏÁ ßÝáñѳõáñ»Ý. §øñÇëïáë Íݳõ »õ Û³ÛïÝ»ó³õ, Ó»½Ç Ù»½Ç Ù»Í ³õ»ïÇë¦ Ëûëù»ñáí: ì»ñ³¹³ñÓÇÝ, ÁÝï³ÝÇùÝ ³ÙµáÕç ÏÁ ѳõ³ùáõÇ ï³Ý ÑÇõñ³ë»Ý»³ÏÁ, áõñ µáÉáñÁ, Ñ»ñóµ³ñ ÏÁ Ùûï»Ý³Ý ѳٵáõñ»Éáõ ï³Ý ³õ³·Ç Ó»éùÁ »õ ëï³Ý³Éáõ Ýáõ¿ñ: î¿ûñûûÉÇ Ù¿ç ÍÝݹ»³Ý ³õ»ïÇëÁ »ñ·»Éáõ ѳٳñ, µ³½Ù³ÃÇõ ËáõÙµ»ñ ÏÁ ѳõ³ùáõÇÝ, ÏÁ ßñçÇÝ ÷áÕáóÝ»ñáí áõ ïáõÝ»ñáí: ä³ï³ÝÇÝ»ñÁ Ó»éù»ñÝÇÝ µéÝ³Í Ï°ÁÉÉ³Ý ÑáíÇõÇ ËáñÑñ¹³Ýß³Ï³Ý Ó»éݳ÷³Ûï ¨ ٳ˳Õ. Ù³ñ¹ÇÏ ßÝáñ-

ѳϳÉáõÃÇõÝ ÏÁ Û³ÛïÝ»Ý »ñ·áÕÝ»ñáõÝ ÑÇõñ³ëÇñ»Éáí Ùñ·»Õ¿Ý »õ ã¿ûñ¿Ï: ܳËûñ¿ÇÝ, »ñÇï³ë³ñ¹ ³ÕçÇÏÝ»ñÁ »ñ·áÕ å³ï³ÝÇÝ»ñáõÝ Ñ³Ù³ñ ÑÇõë³Í Ï°ÁÉɳÛÇÝ ÷áùñÇÏ å³Ûáõë³ÏÝ»ñ Ï³Ù Ù»Í ·áõÉå³Ý»ñ, áñå¿ë½Ç ÁÝͳݻñÁ Ù¿çÁ É»óÝ»Ý: æñûñÑÝ¿ùÁ ÏÁ ϳï³ñáõÇ ·»ï»½»ñùÇÝ, áñÙ¿ »ïù ï³Ý µáÉáñ ϳñ³ëÝ»ñÝ áõ ϳÃë³Ý»ñÁ ÏÁ É»óáõÇ ÙÇõéáÝáõ³Í ëáõñµ çáõñáí. ÁÝï³ÝÇùÇ µáÉáñ ³Ý¹³ÙÝ»ñÁ ÏÁ Éá·Ý³Ý ³Û¹ ëñµ³·áñÍáõ³Í çáõñáí: àÙ³Ýù ³Û¹ çáõñÁ ÏÁ å³Ñ»Ý ³ñͳû³Û ë³÷áñÝ»ñáõ Ù¿ç, áñå¿ë½Ç ³Ù¿Ý ûñ ϳûóÝ»Ý ³Ù»Ýûñ»³Û ËÙ»Éáõ çáõñÇ Ï³ñ³ëÇÝ Ù¿ç: Øáõë³É»ñ³Ý ÅáÕáíáõñ¹Á §îáõÝ¿Ý ¼¿ï¿Ï¦ (ï³Ý ½³ïÇÏÁ) ÏÁ Ïáã¿ ³Ûë ïûÝÁ: ÊÃÙ³Ý ·Çß»ñÁ, ³õ»ïÇë »ñ·áÕ å³ï³ÝÇÝ»ñ, »ñµ Éáõë³µ³óÇÝ ÏÁ ѳõ³ùáõÇÝ »Ï»Õ»óõáÛ µ³ÏÇÝ Ù¿ç Ýáõ¿ñÝ»ñÁ µ³ÅÝáõ»Éáõ ѳٳñ, Ýáõ¿ñ ëï³ó³Í ¹·³ÉÝ»ñÁ ÏÁ ÝáõÇñ³µ»ñ»Ý »Ï»Õ»óáõÝ: î³ñ³Íáõ³Í ѳõ³ï³ÉÇù ÙÁÝ ¿, áñ ³Ûë Ùá·³Ï³Ý ·Çß»ñáõ³Ý ³ÛÝ ³ÏÝóñÃÇÝ, »ñµ ͳé»ñÁ ÏÁ ËáݳñÑÇÝ, »Ã¿ á»õ¿ Ù¿ÏÁ ÇÝã áñ µ³Ý Ëݹñ¿, ³Ýå³ÛÙ³Ý ÏÁ ϳï³ñáõÇ: ºñÇï³ë³ñ¹Ý»ñ ëáíáñáõÃÇõÝ áõÝÇÝ ÙáõÃÝáõÉáÛëÇÝ, ÏáãݳÏÇ ½³Ý·ÇÝ Ñ»ï ÇçÝ»É Óáñ³Ï, ÉáÕ³Éáõ íï³ÏÇÝ Ù¿ç, áñù³Ý ³É å³Õ ÁÉÉ³Û ³Ýáñ çáõñÁ: æñûñÑÝ¿ùÇ å³ï³ñ³·¿Ý Û»ïáÛ, ·ÇõÕ³óÇù Çñ³ñáõ ßÝáñѳõáñ³Ï³Ý ϳñ× ³Ûó»ÉáõÃÇõÝÝ»ñ Ïáõ ï³Ý. ÙÇÙ»³Ýó ÏÁ ¹ÇÙ»Ý` §²Ù¿Ý ï³ñÇ ³Ûë ûñÁ áÕç-³éáÕç Ùݳù¦ µ³ñ»Ù³ÕûÉáí: îûÝÇ Û³ïáõÏ ×³ßÝ ¿ ÏáÉáɳÏáí Ù³ÍݳåáõñÁ: ø»ë³åÇ Ù¿ç, Áëï ÑÇÝ ³õ³Ý¹³½ñáÛóÇ, ·Çß»ñáõ³Û ÙÃáõû³Ý Ù¿ç, »ñÇï³ë³ñ¹Ý»ñÁ ·³Õï³·áÕÇ ÙïÝ»Éáí ·»ïÇÝ Ù¿ç, Çñ»Ýó Ñ»ï µ»ñ³Í »Ý ï³÷³Ï ù³ñ ÙÁ »õ Ã³Õ³Í Çñ»Ýó ïݳٻñÓ å³ñ�ÇÝ Ù¿ç, ³Õ»ñë»Éáí µ»ñùÇ ³é³ïáõÃÇõÝ: سñ³ßÇ Ñ³ÛáõÃÇõÝÁ êáõñµ ÌÝáõݹÇÝ Ý³Ëáñ¹áÕ ûñÁ ëáíáñáõÃÇõÝ áõÝÇ ·³éÝáõÏ Ï³Ù áõÉ ½áѳµ»ñ»É, áñå¿ë½Ç ïûÝ³Ï³Ý ë»Õ³ÝÇÝ å³ïñ³ëï»Ý µñÇÝÓáí, ãÇñ»ñáí »õ ÁÝÏáõ½»Õ»Ýáí ÷áñÁ É»óáõ³Í ³ÙµáÕç³Ï³Ý Ëáñáí³ÍÁ: Üáñ ܳËÇç»õ³ÝóÇù ïûÝÇ ³éÇÃáí ÏÁ ÃË»Ý §Ã»Éµ³ó Ïáõµ³ÃǦ ³ÝáõÝáí ÓáõÏáí ѳóÁ: ì³ÝÇ ³õ³Ý¹³Ï³Ý ËáѳÝáóÇÝ Ù¿ç ³Û¹ ³éÇÃáí å³ïñ³ëï³Í »Ý ¹áß³µáí »÷³Í ³Éñ»×³ß áõ éßï³ Ó³õ³ñáí ÷ɳõ:

¶Ü¸ÆΠزÌܲäàôð

´³Õ³¹ñáõÃÇõÝÁ ·Ý¹ÇÏÇ Ñ³Ù³ñª 1 ·³õ³Ã Ù³Ýñ ÏáñÏáï 1 ·³õ³Ã Í»Í³Í ÙÇë 50 Ïñ³Ù ϳñ³· ϳñÙÇñ »õ ë»õ åÕå»Õ ùÇÙÇáÝ ³Õ ³åáõñÇ Ñ³Ù³ñª 1 ÉÇïñ Ù³ÍáõÝ 1 ÉÇïñ çáõñ 1 ѳõÏÇà 1/4 ·³õ³Ã µñÇÝÓ ÷áßÇ ³Ý³ÝáõË ä³ïñ³ëïáõÃÇõÝÁ -¶Ý¹ÇÏÇ Ù¿ç ¹ñáõ»ÉÇù ϳñ³·Á ÷áùñ Ëáñ³Ý³ñ¹Ý»ñáõ í»ñ³Í»É, Áëï ó³ÝÏáõû³Ý íñ³Ý ϳñÙÇñ ÏÍáõ ååÕå»Õ ó³Ý»É: ʳéÝ»É ·Ý¹ÇÏÇ ËÙáñÇ µ³Õ³¹ñÇãÝ»ñÁ »õ ß³Õ»É: ²å³ í»ñ³Í»É ÷áùñ ·Ý¹ÇÏÝ»ñáõ, Çõñ³ù³ÝãÇõñÝ Ù¿ç Ïïáñ ÙÁ ϳñ³· ¹Ý»Éáí: -²åáõñÇÝ Ñ³Ù³ñ, Ù³ÍáõÝÁ ½³éÝ»É Ñ³õÏÇÃáí »õ »é³óÝ»É. ³å³ ˳éÝ»É »éÙ³Ý çáõñÁ, Ù¿çÁ »÷»É µñÇÝÓÁ, ³å³ ·Ý¹ÇÏÝ»ñÁ »õ Ù³ïáõó»É ï³ù:

his or her name attached to the film might be flirting with danger. At one point, the Azeri will come by your door and huff, and puff, and try to blow your house down.

So, if somebody think I m a worthy film maker, I ll take the compliment, but it is simply not enough. I can t be satisfied. The artistic side is rarely enough. It is an ongoing quest. From the birth of the idea of the film, to actually getting it out there for the world to see.

T.H.-The issues you have to deal with seem more complicated than those of your average production.

J.A.-The main actress in the film is Lithuanian. She is now blacklisted . For years she s been presented with the story of our conflict. Not only does she act in the film, but by doing so she s chosen to display an allegiance to a certain side of the issue.

So, you have to understand, this isn t only a film. I ve worked with actors from Iran.

These actors have been presented with my thought process, my narrative dealing with the conflict. They ve chosen not to go to Azerbaijan for future work. It s a multi-faceted struggle. I consider it to be an important segment of the Armenian Cause.

T.H.-Naturally, films that are similar to yours, demand enormous budgets in order to succeed. You re a director that lives in Artskah, in Armenia. Does your current geographical place of residence make the process of securing pertinent funds even more difficult?

J.A.- I ll try to answer in the most simple, delicate manner. The majority of help is acquired with the film being showcased at different festivals and exhibitions- specific showcases domestically and at other times, in the Diaspora. Donations also help. I m constantly in touch with different people, representatives of different funds, organizations. I ve been lucky enough to have relationships with individuals that believe in both me and my craft. They re keen to accept the invitation to be a part of the completion of the work. We re trying to garner the interest of European counterparts in hopes of transitioning production to a larger scale. There would be cooperation on the creative process, with a certain level of financial assistance as well.

There isn t one singular way. For example, for our next film we re using a crowd-funding page in hopes of securing financial help. Of course, this method won t bring all the required funds. We try to find help where we can. Bit by bit, using different avenues.

Also, for my next two films, I ve secured financial assistance and support from the Ministry of Culture of the Republic of Armenia. State sponsored help truly makes an impact.

T.H.-How much of a wide release did The Last Inhabitant enjoy? Apart from Armenia, where else was the film screened?

J.A.-We ve had the pleasure of having the film enjoyed by audiences in the United States, Sweden, the Netherlands, Iran, Lebanon, and Canada. There s talks of Australia being a possibility. A couple of other countries seem to be an option as well. We ll have to wait and see how it all pans out

30

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

see the asnswers reversed on this page

Dr. Raffi Aynaciyan

braces D.D.S., M.Cl.D., F.R.C.D.(C) for children and adults

Orthodontist

Richmond Hill (Hillcrest Mall): 9350 Yonge Street, Suite 216 905-884-4161

Downtown Toronto: 11 King Street West, Suite C115 416-363-3018

Ara Graphics

North York: 3333 Bayview Avenue, Suite 203 416-221-0660

Editor

Torontohye Newspaper ÊÙµ³·Çñ Publisher Torontohye communications Inc. 45 Hallcrown Place Willowdale, ON M2J 4Y4 Email:torontohye@gmail.com Phone: (416) 491- 2900 ext. 3215 Fax: (416) 491- 2211

Karin Saghdejian

ì³ñã³Ï³Ý ä³ï³ë˳ݳïáõ

γñÇÝ ê³ÕïÁ×»³Ý

Ð»É¿Ý Ü³×³ñ»³Ý

²ß˳ï³ÏÇóÝ»ñ

̳ÝáõóáõÙÝ»ñ

²ñßû ¼³ù³ñ»³Ý ³ٳñ îûݳå»ï»³Ý

¾ç³¹ñáõÙ

²ñ³ î¿ñ Ú³ñáõÃÇõÝ»³Ý

ê»õ³Ï Ú³ñáõÃÇõÝ»³Ý лé.ª 416-878-0746

sales.torontohye@gmail.com

Administrator

Helen Najarian

Advertisements

Sevag Haroutunian (416- 878-0746)

Design & Graphics:

Ara Ter Haroutunian (aragraphics@gmail.com)

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

31

32

ÚàôÜàô²ð 2018 Ķ. î²ðÆ, ÂÆô 147

DR. PAYAM AKHAVAN ( Keynote Speaker) Payam Akhavan, Professor of International Law at McGill University, has served as counsel and advocate in leading cases before the International Court of Justice, the International Criminal Court, the Permanent Court of Arbitration, the European Court of Human Rights, and the Supreme Courts of Canada and the United States.

He PRESENTED AMICUS CURIAE BRIEF TO European Court of Human Rights IN THE CASE OF Switzerland v. Perincek, on behalf of Armenian and Turkish Human Rights Organizations and the case of the Catholicosate of Cilicia for return of Sis Catholicosate lands in Turkey

Friday, January 26, 2018 at 8:00pm St. Gregory Armenian Catholic Church, 100 Northdale Road, North York, Ont.

· · · · · · ·

ORGANIZED BY: Bolsahay Cultural association and the Zoryan Institute With the participation of Armenian Association of Toronto Armenian General Benevolent Union Toronto Canadian Armenian Business Council Hamazkayin Armenian Educational and Cultural Society Klatsor Chapter Mekhitarian Alumni Association Toronto Nor Serount Cultural Association Tekeyan Cultural Association