Synergy Percussion presents:
Synergy Percussion A selection of recent performances & reviews 2012-14
Š Synergy & TaikOz Ltd 2015
Synergy Percussion
Synergy Percussion 2012-14
The Composers - Steve Reich in Residence/Masterpieces of Time/ Vivid Sydney/OzAsia/City Jungle/ Canberra International & Bellingen Music Festivals/Check My Machine/ Schallmaschine Maximus/Xenakis vs Pateras/Steve Reich’s Drumming/.
Synergy Percussion : 2012 - 2014
The Composers - Steve Reich Sydney Opera House 29 Apr 2012 Steve Reich has been called “our greatest living composer” (New York Times). Reich is a particular hero to Synergy Percussion as his music popularised the contemporary percussion ensemble in a way that no composer has achieved before or since. It was therefore one of our ensemble’s historical highlights to have been a key organisation involved in securing Reich’s residency at the Sydney Opera House in 2012. Synergy was one
of two commissioning ensembles attached to Reich’s Mallet Quartet (the other being So Percussion, based in New Haven, Massachusetts) which the ensemble premiered at the Sydney Opera House. Synergy also performed Reich’s classic piece Music for 18 Musicians, which the composer described as “the best I ever heard the piece played. Really, I’m serious. It really is. It absolutely is”.
The best I ever heard the piece played.Really,I’m serious.It really is. It absolutely is. continued...
Far Temple - traditional, arr. Simon Barker Far Temple features Synergy’s condensed versions of four Korean traditional rhythmic forms from the nongak (lit: farmers band music) tradition popularized by the group SamulNori. Formed in 1978, SamulNori are undoubtedly Korea’s most popular and visible percussion ensemble. SamulNori perform a concertized version of the music of Korean percussion bands, known as p’ungmul or nongak. The name “SamulNori” refers to the number of instruments used in the group (samul – “four things” and nori – “play”) – changgo (hourglass drum), kwaenggwari (small hand held gong), ching (large gong) and puk (barrel drum). The work begins with an hourglass drum trio interpretation of tasŭrŭm, which will be followed by quintet interpretations of kutkŏri, chilgut (road ritual), and ch’ilch’ae (lit: 7 strikes). (note by Simon Barker)
- Steve Reich, 2012 Keyboard Suite in D minor HWV 428 (published 1720) - George Frideric Handel (1685 - 1759) arr. Timothy Constable Prelude Allegro Allemande Courante Air & Variations Presto Handel’s blistering performances at the keyboard and organ are well documented, and a sense of dramatic abandon often lurks close to the surface in the keyboard suites. Even in their serious movements, the chance to let your hair (wig) down never seems far off. This work is contemporary, roughly, with the Water Music, Acis and Galetea, and the Anthems for the Duke of Chandos. Posterity got to hear more about these larger commissions (which would increasingly occupy him as his career mushroomed) and the keyboard music would remain obscure by contrast. One has a sense in these pieces that he was, more or less, writing the music for himself. L’Orfeo (1607) Act III, Scene iii Possente Spirto - Claudio Monteverdi (1567- 1643) arr. Timothy Constable Monteverdi’s vibrant setting of the Orpheus & Euridice is the oldest opera worth talking about, and is the first in which the variety of the instruments used in first performance survives, demonstrating his aptitude to utilise instrumental timbre as a dramatic device. Thus we feel vaguely within reason to make a little drama of our own with the instruments and sounds we have to hand. Once again it is a great pleasure to welcome Tobias Cole to the stage. Spare a thought for Orpheus - at this point he’s desperately trying to gain passage across the River Styx to the underworld, so that he can rescue his deceased love. The aria unfolds with ever more elaborate supplications, and his ultimate success (albeit in putting the boatman to sleep) is a testament to the power of music, a theme which underpins the whole opera. Kid A (2000) - Radiohead Like the opener, the title track of the album is driven more by it’s harmonic content and ‘hooks’ than any melodic vocal. Kid A also explores the textural possibilities of the electronic/ processed voice sound world, and is altogether more romantic, albeit in a twisted sort of way, than Everything.... The restraint and elegance of this track, the otherworldly sonorities, and the emotional intimacy really stay with you. “Rats and children follow me out of town...” --Synergy will record selected pieces from this concert on CD. Find out when it is available to purchase by joining our mailing list at www.synergypercussion.com
2012
Synergy Percussion
The Composers: Steve Reich
Masterpieces of Time City Recital Hall, Sydney 17 Aug 2012 Described as “unconventional”, “improbable” and “incongruous”, Synergy’s Masterpieces of Time tackled the work of a handful of history’s greatest composers from baroque to 21st century including Bach, Monteverdi, Cage and Ligeti. In the constant search for new and challenging frontiers for percussion, Synergy members Timothy Constable and Bree van Reyk faithfully arranged works as varied as Handel’s Keyboard Suite in D
Minor (HWV 428) and Bach’s Partita in D Minor (Chaconne), to Ligeti’s piano etudes Fanfares and tunes by Radiohead. We were joined by the brilliant countertenor Tobias Cole.
Moments of magic… boldly imaginative - Macarthur Chronicle
Synergy Percussion : 2012 - 2014
Schallmaschine Maximus Basel, Switzerland 28 - 31 Aug 2013 Long time Swiss collaborator and percussionist extraordinaire Fritz Hauser invited Synergy to his hometown of Basel in Switzerland to perform as part of a very special and unusual concert - Schallmaschine Maximus. The site specific work was performed in an ancient Roman amphitheatre on the outskirts of Basel, and featured Synergy alongside ensembles from around the world including Speak Percussion from Melbourne, Ensemble XII from Lucerne, and artists Sylwia Zytynska, Rob Kloet and Bob Becker.
Schallmaschine Maximus
Synergy Percussion
Check My Machine 107 Projects, Redfern, Sydney 18 Sept 2013 Robotic drumsticks, midi-triggered lights, three drum kits and seventy audience members were all crammed into the tiny performance space at 107 Projects in Redfern to premiere Synergy’s ambitiously experimental electroacoustic project Check My Machine. Featuring Timothy, Bree, and long time Synergy collaborator Evan Mannell, the trio worked with an assortment of mad-scientist fringe artists including Annie McKinnon and Robbie Avenaim, and vocalists Ngaiire, Miss Little, DUNE and Sikkem Rex.
Canberra Intl Music Festival Canberra, ACT 10 - 19 May 2013 Synergy Percussion was one of the principle ensembles in residence at the Canberra International Music Festival, performing in nine different concert events over the festival’s duration. From the Renaissance through to the very edge of the avantgarde, the festival was a brilliant showcase of the ensemble’s flexibility, diversity and talent, and enabled the ensemble to collaborate with some of the finest musicians from around Australia and the world.
Breathtakingly beautiful, set a high benchmark for the rest of the concerts in this series. – Canberra City News, May 2013
Synergy Percussion : 2012 - 2014
Noreum Machi & Synergy OzAsia Festival, Adelaide 8 - 14 Sept 2014 Sacred and profane, traditional and original, contemporary Australian and traditional Korean. A dark, vibrant and transformative concert experience. In a world-first event, Noreum Machi and Synergy Percussion shared the stage in a program steeped in the centuries-old samul-nori drumming tradition of Korea. In an explosion of colour and movement, dance and music, each group presented a rare program of works in which this ancient music was re-imagined in a contemporary context, before performing together in a triumphant, world-first finale.
This was a fabulous experience...I could bang on all day about how great these performers are...I hope you found out yourselves when the beat went on for a final show on Saturday night. – Gordon Forester, Glamalaide
Synergy meets Collarbones Vivid Sydney, Seymour Centre 6 June 2014 Gen Y electro-pop artists Collarbones teamed up with Synergy Percussion to present a reimagining of the duo’s already off-the-wall tunes in this special concert as part of the Vivid Festival. The house was packed with one of Synergy’s most diverse audiences in recent memory, from Redfern hipsters to die-hard
Synergy fans from the baby boomer crowd. The two groups worked closely together for several weeks to carefully reconstruct intricate electro beats for acoustic instruments, climaxing in a finale work featuring Synergy members thrashing it out on three drum kits.
Synergy Percussion
Xenakis vs Pateras Carriageworks, Redfern, Sydney 22 - 23 Apr 2014
This was a brilliant and imaginative performance of one of the true masterpieces in the percussion repertoire – Peter McCallum Sydney Morning Herald April 2014
Synergy Percussion performed two powerhouse works back to back over two nights: one, Xenakis’ Pleiades, was a tried-and-true classic; while the other was a world premiere by one of Australia’s most inventive and ambitious composers Anthony Pateras. Pateras’ work Beauty Will Be Amnesiac Or Will Not Be At All is one of Synergy’s largest commissions in recent history, lasting for over an hour and featuring the instrumentation of Xenakis’ Pleiades plus a complex fixed-media electronic backing.
Pateras’ work is a commission of which Synergy is most proud to have initiated; it is our hope that the two works will be performed side by side for many years to come across the planet. With decades of dedication to their craft, each group is recognised as the premiere percussion ensemble of their respective homelands. This truly is a momentous meeting of two cultural powerhouses from opposite sides of the planet.
Synergy Percussion : 2012 - 2014
Xenakis’ Pleiades Bellingen Music Festival 19 Sept 2014 Since winning a Limelight Magazine award for our interpretation of Xenakis’ masterpiece Pleiades in 2011, Synergy Percussion has been committed to disseminating this amazing work as far and as often as possible. Non-metropolitan audiences in Bellingen were therefore privy to a very unusual performance of this utterly unique piece at the Bellingen Music Festival in September 2014.
Steve Reich’s Drumming
Synergy Percussion
City Jungle APAM, Brisbane Powerhouse 19 Feb 2014 Synergy’s City Jungle is an immense, immersive, electro-acoustic video experience. Created in collaboration with video artist Tokyo Love-in (Mike Chin), Synergy was invited with the rare opportunity to present a very special performance of this work at the Australian Performing Arts Market at the Brisbane Powerhouse in February 2014.
Steve Reich’s Drumming Pier 2/3, Walsh Bay, Sydney 9 Nov 2014 Synergy Percussion could think of no greater finale to our 40th anniversary year than to perform the piece that started it all: Steve Reich’s Drumming. The concert featured an assortment of current and previous Synergy members including Ian Cleworth, Alison Pratt, Rebecca Lagos
and Colin Piper, as well as contemporary vocal group Halcyon and flautist Lamorna Nightingale. Drumming was performed in the wooden cathedral-like environs of Pier 2/3 in Walsh Bay, a cavernous yet warm space that was filled to capacity by both audience and Reich’s mesmerising music.
On the occasion of our 40th, we celebrate that Reich’s Drumming kickstarted the spectacular creature now known as the percussion ensemble. – Timothy Constable, Artistic Director, 2013
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