Important Fall Estates Auction September 14 & 15 by Neal Auction

Neal Auction Company

Neal Auction

September 14 & 15 - 2019

Fall Estates Auction September 14 & 15, 2019

Neal Auction Company John R. Neal Neal Alford Katherine Hovas President Senior Vice President Founder (1940-2018) Marc Fagan Vice President Consignments

Michelle LeBlanc Leckert, CAI Vice President

Bettine Field Carroll Vice President Business Development

Administration

Auctioneers

Director of Administration & Finance Michelle LeBlanc Leckert, CAI Database Manager Jackie Hernandez Client Services Rebekah Abernathy Administrative Assistant/Internet Auction Administrator Lisa Weisdorffer Administrative Assistant/Social Media Coordinator Cameron McHarg

Neal Alford #797 Michelle LeBlanc Leckert #1514 Bettine Field Carroll #1874

Marc Fagan #1935

General manager

Jason Leckert

Graphics Graphics Director / Catalogue Design David Roberts Graphics Assistant Muffin Bernstein Photography Jason Leckert Gerard Lewis Owen Murphy

Operations Director of Operations Stephen Dewey Operations Staff Corey Brown Charlie Clay Kelvin Gibson Jerry Majors Benjamin Rhodes Marvin Varnado

Exhibition staff

Cecile Ballard Ann Mahorner Cammie Mayer Margo Phelps Yvette Semmes Clare Stewart Carolyn Wogan

Consignments Furniture & Decorative Arts Neal Alford; Polly Rolman-Smith Paintings, Prints & Photography Marney Robinson; Sophie Hirabayashi Beth Sherwood Casey Foote Books, Maps & Natural History Prints Marc Fagan Silver & Decorative Arts Katherine Hovas Asian Arts Bettine Field Carroll Inventory Coordinator Stephen Dewey

Auction services Director of Museum Services & Research Douglas Lewis, Ph.D., F.A.A.R. Trust & Estates Advisor Henry G. McCall Senior Appraiser Fine Arts Amanda Mantle Winstead Appraisals Marc Fagan

Catalogue consultants Paintings & Fine Arts Amie Strickland Furniture & Decorative Arts Josh Broussard; Doris Mollenkopf Newcomb Pottery & Decorative Arts Sally Main Silver Carey Mackie Decorative Arts & Victoriana Ann M. Masson Asian Arts Richerson Rhodes Jewelry Stephen A. Moses, GIA Graduate Gemologist

Fall Estates Auction September 14 & 15, 2019 ~ On Our Premises ~ 4038 Magazine Street & 3923 Carondelet Street

Featuring: A Fine Collection of Important Decorative Arts from a Prominent Antiquarian and Connoisseur Extensive Property from the Estates of George and Mary Beth Thomson, Franklin, LA Part II, Property from the Collection of Dr. and Mrs. Frederick Schwitz, Franklin, LA Important American Classical Furniture from a Natchez, MS Collection Property from the Estate of Noted Antiquarian James D. “Don” Didier Contemporary American Folk Art from the Doug and Cathy Gitter Collection Part II, Estate of Noted Collector Caroline Ireland Property of Others EXHIBITION EXHIBITION both galleries beginning Tuesday, September 3, 10 a.m. to 5 p.m. Special Saturday Preview, September 7, 10 a.m. to 5 p.m. Evening Preview Reception Thursday, September 12, 5 to 7 p.m. AUCTION SCHEDULE Saturday, September 14, 10 a.m., 4038 Magazine Street Sunday, September 15, 11 a.m., 3923 Carondelet Street

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 • 504-899-5329

1-800-467-5329 • Fax: 504-897-3808 • www.nealauction.com LA Auc. Lic., Neal Auction Co. #AB-107, Alford #797, LeBlanc #1514, Carroll #1874, Fagan #1935

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THE ESTATES OF GEORGE AND MARY BETH THOMSON Neal Auction Company is honored to present property

from the Estates of George and Mary Beth Thomson, beloved residents and preservationists of Franklin, Louisiana. The most important wish that I have for Franklin and its future is to pass on to the younger generation the motivation and desire to maintain and care for the homes here… my life’s work here has been fun and I have loved doing it all. Mr. Thomson took great pleasure and pride in purchasing and renovating historic homes in Franklin, working on over one hundred buildings in fifty-five years. As a result of his tireless efforts, he was awarded the Louisiana Landmarks Society Preservation Award as well as the Preservationist of the Year Award in 1996 from the Louisiana Chapter of the National Trust for Historic Preservation. His contributions to his community also yielded an eponymous award the George B. Thomson Lifetime Achievement Award given by the city of Franklin to those residents involved in local restoration. Married for almost sixty years, Mr. and Mrs. Thomson often worked together on projects, with the most notable being Oaklawn Manor. An 1837 plantation home built by Judge Alexander Porter who immigrated to the United States from Ireland in 1798, Oaklawn Manor was purchased by the Thomsons in 1963 with the intention of residing in it with their three sons. They completely restored and refurbished the property to its original splendor, while at the same time fitting it with air-conditioning and other modern luxuries. They furnished it with excellent antiques and fine art, many of which can be found within these pages. Oaklawn Manor, currently owned by Governor Murphy “Mike” Foster, Jr., was dubbed a “sportsman’s paradise” due to its expansive grounds and one-half-mile frontage on the Bayou Teche and was kept open to the public by the Thomsons, who only closed one day a year, on Christmas. The Thomsons moved from Oaklawn Manor to Three Oaks on historic Main Street in Franklin to have a more central location in 1980. Originally built on the site of the present Franklin post office by the Hine family in 1857, the house was moved to its current location in 1910 with the four massive free-standing Corinthian columns that define the property being moved intact. After yet another renovation, Three Oaks served as the beloved Thomson family home for many years and was routinely the site of entertaining and tours by Mrs. Thomson.

Session One Saturday, September 14, 10 a.m. 4038 Magazine

2. Suite of Four American Late Classical Carved Mahogany Side Chairs, mid‑19th c., scrolled crest, and medial rail, sabre legs, h. 33 in., w. 21 in., d. 20 in. $500/1000

1. American Federal Mahogany Bottle Case, late 18th c., hinged top, dovetailed case, molded base, h. 18 3/4 in., w. 17 in., d. 12 in. $800/1200

Provenance: The Friedle‑Garrison Collection, New Orleans.

3. Antique English Mahogany Revolving Bookmill, inset molded top, shaped spindles, blocked base, porcelain casters, h. 32 1/2 in., w. 21 in., d. 21 in. $400/600 Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

4. George III Inlaid Mahogany Pembroke Table, late 18th c., shaped drop‑leaf top, single drawer, tapered legs, brass cuffs, casters, h. 28 in., w. 33 in., d. (closed) 21 in., d. (open) 40 1/2 in. $500/700

6. Biedermeier-Style Oyster Veneered, Bronze‑Mounted and Parcel Ebonized Sécrétaire à Abattant, labeled Baker, pedimented cornice, fall front, arcaded interior, ebonized stiles flanking three drawers, blocked base, h. 58 1/2 in., w. 33 in., d. 30 in. $400/800 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

5. George III Figured Mahogany Concertina-Action Games Table, early 19th c., serpentine foldover top, inset leather playing surface, conforming frieze, elegantly carved cabriole legs, h. 29 in., w. 36 5/8 in., d. (closed) 18 1/2 in., d. (opened) 37 in. $600/900

8. Pair of Antique German Gilt Metal Plaques, each allegorical relief marked “K.St.” and “J. Kalmar”, original ebonized frame, h. 245 1/2 in., w. 19 1/2 in. $600/900 Provenance: Schwitz Collection, Franklin, LA.

7. American Classical Patinated Steel, Argenté and Brass Mounted Fire Fender, 19th c., centered by a masked urn foliate mount, flanked by anthemia, above Ionic bases, h. 8 1/2 in., w. 44 1/2 in., d. 19 in. $400/600 Estate of Noted Antiquarian James D. “Don” Didier.

10.Russian or French Gilt Bronze and Amethyst Glass Jardinière, early 19th c., oblong form, pierced surround with griffins and wreaths, h. 3 in., w. 7 3/4 in., d. 4 in. $1000/1500 9. Pair of Empire-Style Bronze and Marble Tazzas, 19th c., marked “F. BARBEDIENNE”, on octagonal fluted bases, h. 15 1/4 in., w. 12 in., d. 10 in. $800/1200

Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

11. Grand Tour Bronze and Sienna Marble Model of the Vendôme Column, surmounted by Napoleon, h. 22 3/4 in., w. 5 1/4 in., d. 5 1/4 in. $1000/2000 12. Collection of Grand Tour Plaster Intaglios, 19th c., presented in 15 gilt shadowbox frames, each with manuscript number and gilt liner, framed en suite, 12 in. x 8 1/4 in. $1000/2000

13. Napoleon III .800 Silver Ewer and Basin, Emile Hugo, Paris, act. 1853‑1880, export hallmarks, ewer with hollowcast C‑scroll handle, both with engine‑turned decoration, foliate cartouches and handsome period monograms, ewer h. 12 1/2 in., basin h. 4 1/2 in., dia. 14 7/8 in., total wt. 56.75 troy ozs. $500/750

14. Imperial Russian 84 Kokoshnik (.875 Fine) Silver and Serpentine Encrier, St. Petersberg, reign of Nicholas II, retains gilt wash interior, h. 4 1/8 in., w. 4 5/8 in., d. 4 5/8 in. $700/1000

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Additional information at www.nealauction.com

17. English Carved Mahogany Architect’s Desk, mid‑19th c., inset tooled leather lift top, adjustable easel support, one drawer under fixed drawer, ring-turned legs, casters, h. 30 in., w. 31 in., d. 18 1/2 in. $700/1000

15. Pair of Georgian Sheffield Plate Three‑Light Candelabra, c. 1800, “French” gadroon borders, hinged candlearms, convertible to single candlesticks, h. 20 1/4 in. $500/700 Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Provenance: Collection of Charles S. and the late Janie P. Houser, The Governor’s Club, Magnolia Springs, AL.

16. Regency Inlaid Satinwood Firescreen, 19th c., urn finials, embroidered silk panel, sabre legs, h. 41 1/2 in., w. 28 1/4 in., d. 15 3/4 in. $300/500 Provenance: Schwitz Collection, Franklin, LA.

20. Antique Louis XVI‑Style Bronze‑Mounted and Inlaid Kingwood Bouillotte Table, Brêche d’Alep marble top, two candle slides with tooled leather tops, guilloche frieze, stop‑fluted tapered legs, brass cuffs, h. 29 1/2 in., dia. 32 in. $800/1200

18. George III‑Style Mahogany Writing Table, tooled leather top, three frieze drawers, tapered legs, spade feet, h. 30 1/2 in., w. 54 1/2 in., d. 33 1/2 in. $400/600

Provenance: Manheim Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

19. George III Carved Mahogany Diminutive Trolley, early 19th c., turned finials, three shelves, ring‑turned supports, casters, h. 29 1/2 in., w. 18 1/2 in., d. 11 in. $300/500

21. Antique Pair of Provincial Louis XV Carved Walnut Fauteuils, diapered shell and scroll crest, conforming rail, caned back and seat, acanthine cabriole legs, h. 39 1/2 in., w. 25 1/2 in., d. 19 1/4 in. $800/1200 Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

24. Louis Philippe Inlaid Rosewood Occasional Table, mid‑19th c., stamped “Alphonse Giroux”, drop leaf top, two drawers, spherule and ring turned legs, h. 26 in., w. (open) 28 in., w. (closed) 14 in., d. 19 1/2 in. $800/1200

22. Pair of Edwardian Painted and Inlaid Satinwood Demilune Tables, early 20th c., Neoclassical motifs, tapered legs decorated with urns and bellflowers, h. 33 in., w. 45 in., d. 22 5/8 in. $2000/3000 Provenance: Schwitz Collection, Franklin, LA.

25. Pablo Picasso (Spanish, 1881‑1973), “Autoportrait Trois Formes: Peintre Couronné, Sculpteur en Buste et Minotaure amoreux (Bloch 191)”, 1933/1939, etching, pencil‑signed lower margin, dated in plate, Vollard watermark, printed by Lacourière, Paris, sheet 13 7/16 in. x 17 1/2 in., unframed. $2000/3000

23. Empire Bronze‑Mounted Mahogany Bureau, early 19th c., fitted superstructure, leather writing surface, columnar supports, frieze drawer, shaped base, h. 33 1/2 in., w. 28 1/2 in., d. 21 in. $500/700

26. Pablo Picasso (Spanish, 1881‑1973), “Trois Femmes Nues et une Coupe d’Anémones (Bloch 176)”, 1933/1939, etching, pencil‑signed lower margin, dated in plate, Vollard watermark, printed by Lacourière, Paris, sheet 17 3/4 in. x 13 1/4 in., unframed. $2000/3000

27. Pablo Picasso (Spanish, 1881‑1973), “Dans l’Arène: Jeune Homme Achevant le Minotaure (Bloch 197)”, 1933/1939, etching, pencil‑signed lower margin, dated in plate, Vollard watermark, printed by Lacourière, Paris, sheet 13 5/16 in. x 17 7/8 in., unframed. $2000/3000

28. Pablo Picasso (Spanish, 1881‑1973), “Sculpteur, Garçon et Modèle avec un Groupe Sculpté Représentant le Rapt d’Europe (Bloch 165)”, 1933/1939, etching, pencil‑signed lower margin, dated in plate, Vollard watermark, printed by Lacourière, Paris, sheet 13 5/8 in. x 17 1/2 in., unframed. $2000/3000

29. Pair of Bronze‑Mounted Baccarat‑Style Diamond Point Cut Crystal Jardinières, ram’s head handles, h. 10 1/2 in., dia. 13 1/2 in. $1500/2500

30. Antique Louis Vuitton Trunk, c. 1910, Vuittonite cloth, all clasps marked, interior with paper label, fitted with 2 removable webbed compartments, on oblong metal rollers, h. 25 1/2 in., w. 25 3/4 in., d. 24 1/2 in. $1800/2500

31. Rare and Monumental French Gilt Bronze and Glass Cave à Liqueur in the Form of a Carriage, late 19th c., the glass in the style of Baccarat, possibly for L’Exposition Universelle de Paris of 1878, hinged two‑door roof opening to removable mirrored stand fitted with 4 decanters and 16 cordials, driver’s seat opening to tufted silk interior, undercarriage suspension with buckled leather straps, working wheels and steering, h. 15 1/2 in., w. (excl. moveable handle) 26 1/4 in., d. 14 1/4 in. $12000/18000

32. French Grand Tour Gilt Bronze Model of the Arc de Triomphe, mid‑19th c., pediment with concealed hinged lid opening to reveal silk‑lined coffer, argenté relief figural groups, h. 7 1/2 in., w. 8 3/4 in., d. 5 3/4 in. $2000/3000

33. Pair of Louis Philippe Gilt and Patinated Bronze Urns, early 19th c., dragon handles, embellished with Gothic motifs, h. 13 3/4 in., dia. 5 3/4 in. $1500/2500

34. Large Louis Philippe Gilt Bronze Five‑Light Figural Candelabrum, after a design by Pierre‑Philippe Thomire, Winged Victory on sphere, tall pedestal base, h. 38 in., w. 15 in., d. 13 in. $2500/4000

35. Napoleon III Bronze‑Mounted Parquetry Jardinière, 19th c., serpentine oblong form, removable tôle liner, h. 6 1/4 in., w. 16 3/4 in., d. 10 1/2 in. $500/800

36. French Patinated Bronze and Marble Figural Lamp, c. 1920, “Victoire”, after Emile Louis Picault (1839‑1915), base signed “E.PICAULT”, flame‑form shade, molded base, electrified, h. 42 1/2 in., w. 14 in., d. 14 in. $800/1200 Provenance: Schwitz Collection, Franklin, LA.

Provenance: Gasson Antiques & Interiors, Tadley, Hampshire, England; Windham Collection, Oxford, MS.

Additional information at www.nealauction.com

37. American Patinated Bronze Argand Lamp, c. 1840, labeled “J & I Cox/ NEW YORK”, mask and garland decorated font, standard with addorsed cranes, h. 20 1/2 in., w. 9 in., d. 5 in. $1000/1500

38. Pair of Regency Bronze Boar’s Head Rhyton Argand Lamps, early 19th c., marked “MESSENGER/PHIPSON”, now fitted with candle cup and shade, h. 12 3/4 in., w. 13 in., d. 5 3/4 in. $2000/3000

39. Pair of French Rock Crystal and Bronze Figural Candlesticks, c. 1900, surmounted by a Merbaby, tripartite base modeled as cherubs riding dolphins, h. 23 1/2 in., dia. 9 in. Note: Lacking candle nozzle. $1000/1500 Provenance: Schwitz Collection, Franklin, LA.

40. Russian Leather and Gilt Tooled Leather Letter Box, 19th c., divided interior, h. 9 in., w. 13 in., d. 6 1/2 in. $400/600

41. Pair of Wedgwood Black Basalt Ewers Emblematic of Water and Wine, ‘Sacred to Neptune and Bacchus’, 19th c., impressed uppercase marks, one with Neptune riding a dolphin, seaweed swags; other with Bacchus astride a ram, h. 16 in. $1500/2500

Provenance: Rick Kaplan Antiques, Pasadena, CA, 2004.

Provenance: Schwitz Collection, Franklin, LA.

Provenance: Dawson & Nye, Bloomfield, NJ, June 18, 2007.

43. Wedgwood Black Basalt Canopic Inkstand, c. 1805‑10, three cups with Bacchanalian boys in relief, ram’s head handles, h. 4 1/2 in., w. 12 in., d. 5 1/4 in. Note: Lacking liners and covers. $800/1200

44. Wedgwood Rosso Antico Egyptian Boat-Shaped Tray, c. 1805, impressed uppercase mark, Egyptianesque fretwork and ornamentation, swan handle, Satyr head bowsprit, h. 3 1/2 in., w. 10 in. $800/1200

Provenance: Lindsay Grigsby, Chadds Ford, PA, 2004.

Provenance: Harbor View Antiques, Stamford, CT, 2006.

Ref.: See Edwards, Diana, and Terence A. Lockett. Black Basalt: Wedgwood and Contemporary Manufacturers. Antique Collector’s Club, 1994, pg. 97, fig. 105, Lindsay Grigsby Collection.

47. Wedgwood Rosso Antico Covered Teapot, c. 1805, impressed uppercase mark, Egyptianesque ornamentation, crocodile finial, h. 4 in., w. 9 in., d. 6 1/4 in. $1500/2500

45. Wedgwood Rosso Antico Beaker Vase, c. 1805, impressed uppercase mark and ‘RK’, Egyptianesque ornamentation, h. 6 3/4 in., dia. 5 in. $700/900

46. Pair of Wedgwood Black Basalt Columnar Candlesticks, c. 1890, impressed “Wedgwood”, “England” and “J”, h. 11 3/8 in. $800/1200 Provenance: Vincent Callahan, Scarsdale, NY, 2005.

Provenance: Harbor View Antiques, Stamford, CT, 2005.

48. Wedgwood Rosso Antico Tripod Covered Censer, c. 1805, impressed uppercase mark, Egyptianesque ornamentation, pierced cover with foliate borders, dolphin legs, h. 5 1/4 in. $600/800 Provenance: Skinner, Boston, July 15, 2006, lot 60.

42. Pair of English Polychrome and Gilt Porcelain Covered Fruit Coolers, 19th c., fitted with liners, partially fluted covers and bodies molded with basket weave bands, decorated in a variation of the “Rothschild Bird” pattern with birds and insects, h. 10 3/4 in., w. 11 1/2 in., d. 8 1/2 in. $1000/2000

49. Wedgwood Parian Ware Sphinx, c. 1885, impressed uppercase mark, h. 4 1/2 in., w. 7 in., d. 2 1/2 in. $400/600 Provenance: Morning Glory Antiques, 2007.

50. Large Rock Crystal Skull, 20th c., h. 7 1/2 in., w. 6 1/2 in., d. 10 in. $800/1200

52. Napoleon III Gilt Bronze Jardinière, 19th c., scroll and foliate decoration, removable tôle liner, h. 12 in., w. 22 1/2 in., d. 12 1/4 in. $700/1000

Provenance: Oaklawn Manor, Franklin, LA; Estates of George and Mary Beth Thomson, Franklin, LA.

53. Italian Carved Polychrome and Parcel Gilt Blackamoor, late 19th c., faux marbre pedestal, h. 68 1/2 in., w. 17 in., d. 14 in. $1200/1800

51. Louis XVI‑Style Gilt Bronze Chenet, late 19th c., surmounted by a female sphinx, base with relief portrait medallion, toupie feet, h. 14 in., w. 14 1/2 in., d. 7 in. $500/700

54. French Provincial Carved Walnut Commode, probably 18th c., serpentine top above three paneled drawers, conforming base, cabriole legs, scrolled toes, h. 41 in., w. 53 in., d. 26 in. $1500/2500

55. Empire‑Style Bronze‑Mounted and Parcel Ebonized Mahogany Vitrine, labeled “MERCIER FRERES 100 Faubourg St. Antoine Paris”, shaped verde antico marble top, conforming frieze, two glazed doors flanked by canted corners with caryatid figures, conforming base, paw feet, h. 40 1/2 in., w. 56 in., d. 20 in. $1200/2000

56. Four Directoire‑Style Painted and Parcel Gilt Side Chairs, crest rail and pierced back with urn and floral decoration, floral silk upholstery, sabre legs, h. 35 in., w. 19 in., d. 18 1/2 in. $800/1200

58. Antique Continental Marble and Gilt Bronze Pedestal, 19th/20th c., marked “Fizel Aine Depose”, rotating molded top, Corinthian capital, fluted reverse tapered standard, stepped base, h. 44 in., w. 11 1/2 in., d. 11 1/2 in. $700/1000

59. Pair of Grand Tour Sienna Marble and Bronze “Medici” Urns, 19th c., on tall pedestal base, h. 10 1/2 in., w. 3 1/2 in., d. 3 1/2 in. $500/750 Estate of Noted Antiquarian James D. “Don” Didier.

57. Antique Italian Specimen Marble Table Top, late 19th c., underside signed “Orlandi Aristide/ Bouna Via Sistina No. 73”, dia. 15 in. $500/700

60. Italian Grand Tour Micro‑Mosaic of the Vatican. c. 1855, from the Vatican mosaic studio, label, verso, reading “REV. FABBca. DI S.PIETRO IN VATICANO”, original gilt frame, sight 4 in. x 6 in., frame 8 in. x 10 in. $2500/3500

61. Continental Ebonized, Enameled and Gilt Bronze-Mounted Miniature Cabinet, 19th c., surmounted by Trojan on horseback, female terms, interior with two drawers, allover fitted with scenes of gods and ancient monuments, h. 7 in., w. 4 1/2 in., d. 3 1/2 in. $1000/2000

62. Pair of Egyptian Revival Gilt and Patinated Bronze Two-Light Candelabra, 19th c., candlearms with panther-head terminals, pharaonic standards, marble base, h. 18 1/2 in., w. 8 1/2 in., d. 4 1/4 in. $800/1200

Additional information at www.nealauction.com

63. Auguste Boucher Desnoyers (French, 1779‑1857), “Napoleon Le Grand”, 1805, engraving, signed and dated in plate, after Francois Pascal Simon Gerard (French, 1770‑1837), sight 26 in. x 19 1/4 in., framed. $500/700

64. Alexander Bannerman (British, c. 1730), “The Royal George”, 1783, hand‑colored engraving, signed in plate lower right, sight 20 1/8 in. x 22 1/4 in., framed. $400/600

65. Marie‑Jules‑César Lelorgne de Savigny (French, 1777‑1851), “Astéries”, 1805‑1812, 2 hand‑colored copper plate engravings on paper, both signed in plate upper left, from Histoire Naturelle Zoologie Échinodermes, sheets 27 1/8 in. x 21 1/2 in. and 27 1/4 in. x 20 11/16 in., framed alike. (2 pcs.) $700/1000

66. Jacob Alt (German, 1789‑1872), “Sight on Rome”, oil on canvas, signed, indistinctly dated and inscribed “Rome” lower center, monogrammed lower left, 48 in. x 79 in., framed with artist and title plaque. $12000/18000

Provenance: Oaklawn Manor, Franklin, LA; Estates of George and Mary Beth Thomson, Franklin, LA.

67. Eugenio Edouardo Zampighi (Italian, 1859‑1944), “La Famiglia Felice”, oil on linen, signed lower left, 29 1/2 in. x 41 1/2 in., framed. $15000/25000 Provenance: Oaklawn Manor, Franklin, LA; Estates of George and Mary Beth Thomson, Franklin, LA.

69. Framed Group of Five Wedgwood Black Basalt Portrait Medallions of Roman Emperors, 19th c., each h. 1 7/8 in., w. 1 5/8 in., giltwood frame, h. 3 5/8 in., w. 12 5/8 in.; together with Wedgwood black basalt plaque of a portly man, possibly Friar Tuck, 19th c., impressed uppercase mark, h. 4 1/2 in., w. 6 1/2 in. (2 pcs.) $200/300

68. Mario Romani (Italian, 19th/20th c.), “Interior of Pitti Palace”, oil on canvas, signed lower right, inscribed “M. Romani / Studio / Via Guiseppe Giusti A 9 / Firenze” en verso, 30 1/2 in. x 43 1/2 in., ornate gilt frame. $4000/6000

70. Fine Italian Grand Tour Carved Rosso Antico and Bronze Figural Tazza, c. 1850, signed “B. BOSCHETTI/ROMA”, fluted circular marble tazza, bronze foliate baluster standard, and addorsed hippocampi on incurvate triangular marble base, h. 13 in., dia. 16 1/4 in. $8000/12000

71. Fine Grand Tour Bronze Model of the “Fontana delle Tartarughe” (Turtle Fountain), 19th c., after the fountain in the Piazza Mattei, Rome, by Giacomo della Porta and Taddeo Landini; modeled as a working table‑top fountain (with plumbing); the upper basin over four addorsed ephebes, holding turtles, standing over dolphins and shell‑form basins, h. 16 in., dia. 17 in. $2000/3000 72. Pair of Russian or French Gilt Bronze‑Mounted Amethyst Glass Jardinières, early 19th c., scalloped rim, pierced surround with personification of painting, sculpture, music and science, h. 4 3/4 in., w. 7 5/8 in., d. 3 3/4 in. $1200/2000

73. Pair of Grand Tour Marble Obelisks, 19th c., of typical form, h. 22 in., w. 4 3/4 in., d. 4 3/4 in. $800/1200

74. Grand Tour Sienna Marble Model of the Temple of Castor and Pollux, h. 18 3/4 in., w. 9 in., d. 3 1/2 in. $500/1000

77. Pair of Classical-Style Bronze Urns, 20th c., after the Antique, scroll and swan’s neck handles, verde antico marble plinths, h. 22 in., w. 11 1/2 in., d. 9 in. $800/1200

75. Grand Tour Bronze Model of the Luxor Obelisk, 19th c., inscription related to dedication by Louis Philippe in 1836, on marble base, h. 16 1/2 in., w. 5 3/4 in., d. 5 3/4 in. $400/600

76. Grand Tour Sienna Marble Model of the Temple of Castor and Pollux, onyx base, h. 13 in., w. 6 1/4 in., d. 2 1/2 in. $500/750

78. Pair of Imperial Russian 84 Zolotnik (.875) Silver Candlesticks, Kamenetz‑Podolsk, assay mark rubbed, probably 1873, flat‑chased floral decoration, h. 14 3/8 in., total wt. 47.45 troy ozs. $500/750 Provenance: Schwitz Collection, Franklin, LA.

Additional information at www.nealauction.com

79. French Patinated Bronze “Bon Sauvage” Figure, 19th c., figure holding a quiver, with pearl earrings and palm frond skirt, now mounted to ebonized base as a lamp, h. (to socket) 20 in., w. 8 in., d. 6 1/2 in. $500/1000

80. English Gilt Bronze Six-Light Chandelier, 20th c., tasseled supports, foliate arms, cut glass shades, electrified, h. 42 in., dia. 28 1/2 in. $1500/2500

83. Fine Empire Gilt Bronze Figural Mantel Clock, early 19th c., silk‑thread movement stamped with monogram “FS”, the case modeled as Aurora, goddess of dawn, astride her chariot, pulled by the winged horses Lampos and Phaeton, plinth base, engine‑turned feet, h. 19 in., w. 19 1/2 in., d. 6 1/4 in. $12000/20000

82. Regency Carved and Gilded Girandole Mirror, early 19th c., surmounted by an eagle atop scrolling foliage and serpents, spiral candle arms, tubular surround, convex mirror plate, foliate pendant, h. 38 in., dia. 29 in. $3000/5000

84. American Classical Brass Inlaid Mahogany Games Table, early 19th c., probably New York, foldover swivel top, reeded edge, reeded supports, vasiform and reeded stretcher, reeded saber legs, brass bosses and paw feet, casters, h. 29 1/2 in., w. 37 1/2 in., d. 19 1/2 in. $700/1000

81. English Bronze Single‑Arm Argand Lamp, c. 1840, now with glass bead pendants, cut and frosted glass shade, electrified, h. 21 1/2 in., w. 13 in., d. 8 1/2 in. $1500/2500

85. American Tufted Leather Chesterfield Sofa, loose seat cushions, brass nailhead trim, h. 28 in., w. 85 in., d. 34 in. $1000/1500

Provenance: The Friedle‑Garrison Collection, New Orleans.

86. Four American Classical Carved Mahogany Armchairs, early 19th c., Boston, foliate scrolled crest rail, Ionic capital stiles, scrolled arms, reeded tapered legs, h. 34 1/2 in., w. 22 1/2 in., d. 22 in. $800/1200 Estate of Noted Antiquarian James D. “Don” Didier.

87. American Classical Mahogany Curule Footstool, 19th c., boxed upholstered seat, ogee frieze, turned stretcher, h. 16 in., w. 18 in., d. 16 1/4 in. $400/600 Provenance: Didier Inc., New Orleans

89. Pair of English Cut Crystal and Bronze Two-Arm Argand Lamps, c. 1835, faceted and lobed font and base, and faceted prisms, h. 22 1/2 in., w. 19 in., d. 7 1/4 in. $2500/4000

88. American Classical Gilt Stenciled and Inlaid Mahogany Pier Table, early 19th c., attr. to Anthony G. Quervelle, Philadelphia, later marble top, ogee frieze, heavily scrolled supports, shaped plinth with fanned veneer, lobed feet, h. 39 in., w. 39 1/4 in., d. 21 in. Provenance: Didier Inc., New Orleans, Jan. 10, 1990. $3000/5000 90. New Orleans Carved Mahogany Campeche Chair, dated 1978, signed “Kohlmaier & Kohlmaier”, shaped scrolled crest rail, scrolled arms, turned uprights, curule base, turned stretchers, h. 43 in., w. 33 1/2 in., d. 34 in. $3000/5000

92. American Federal Inlaid Mahogany Sideboard late 18th c., Baltimore, shaped top, three frieze drawers, figured cabinet doors, tapered legs, h. 40 3/4 in., w. 68 1/2 in., d. 25 1/4 in. $2500/3500

Provenance: Reputedly, by descent in the family of American politician and soldier John Edgar Howard (1752-1827), Governor of Maryland; Estate of Noted Antiquarian James D. “Don” Didier.

91. Louisiana Carved Cherrywood Armoire, early 19th c., later ogee cornice, flush panel doors, reeded center stile, shelf interior with later medial belt of drawers, serpentine apron, cabriole legs, h. 90 1/2 in., w. 61 1/2 in., d. 23 in. $7000/10000

Note: The flush panel doors on the armoire offered here are a common feature of Louisiana armoires made by émigré cabinetmakers who settled in Louisiana from St. Domingue after the 1804 revolution. Flush panel armoires, exhibiting the same French influence of the present lot, have been found throughout the West Indies and a small number of St. Domingue examples still survive. An armoire with St. Domingue documentation, shown in a 1978 catalogue from the Schwarz Gallery of Philadelphia, is similar in its overall form as the armoire offered here. The present lot is closely related to a group of émigré-attributed armoires, all with flush panel doors, illustrated in Furnishing Louisiana: Creole and Acadian Furniture 1735-1835. Ref. Holden, Jack, et al. Furnishing Louisiana: Creole and Acadian Furniture 1735-1835. New Orleans: The Historic New Orleans Collection, 2010, pp. 129, 134-138.

Note: According to family history, the sideboard offered here was part of the original furnishings of Belvidere, the Baltimore estate of John Eager Howard and Margaret “Peggy” Oswald Chew. John Eager Howard was a decorated colonel during the Revolutionary War and went on to hold several congressional positions. He was elected as the fifth governor of Maryland in 1788 and served three consecutive one-year terms as governor.

Howard married Peggy Chew, the daughter of Chief Justice Benjamin Chew of Pennsylvania, at the Chew family residence in Philadelphia in May of 1787. The grand affair was attended by many dignitaries including President George Washington, who wrote in his diary on May 23rd, 1787, “dined at Mr. Chew’s with wedding guests. Drank tea there in a large circle of Ladies.”

Belvidere, the couple’s vast estate completed in 1794, was renowned for its Georgian-style architecture and elegant interiors. Thomas Twining, founder of the English tea company, visited the home in 1798 and noted that it “possessed all the elegance of an English villa.” In 1815, Howard donated a parcel of his estate’s land for the construction of Baltimore’s Washington Monument.

After Howard’s death in 1827, most of the interior contents of Belvidere were sold, however, the family retained the sideboard in the present lot. The mansion was demolished in 1874 to make room for Baltimore’s urban expansion. A hotel of the same namesake was constructed on the former site of the mansion in 1903. Ref.: Alexander, Robert L. et al. The Architecture of Baltimore: An Illustrated History. Baltimore: The Johns Hopkins University Press, 2004, pp. 33-35; “Margaret ‘Peggy’ Oswald Chew Howard (1760-1824).” Archives of Maryland. MSA SC 3520-2232. Maryland State Archives; Papenfuse, Edward C. “Remembering John Eager Howard and His Vision for Baltimore.” April 24, 2018. www.rememberingbaltimore.net. Accessed Aug. 6, 2019. Additional information at www.nealauction.com

94. John James Audubon (American, 1785‑1851), “Harlequin Duck”, hand‑colored aquatint with engraving, Plate 297, from The Birds of America, Havell edition, “J. Whatman 1836” watermark, sheet 24 in. x 36 in., framed. $1500/2500 Provenance: Estates of George and Mary Beth Thomson, Franklin, LA. 93. John James Audubon (American, 1785‑1851), “Carolina Parrot”, chromolithograph, Plate 278, from The Birds of America, Bien edition, sheet 35 in. x 24 in., framed. $5000/7000 Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

97. Attributed to John Frederick Herring, Sr. (British, 1795‑1865), “Elis, Winner of the Great St. Leger‑John Day Up”, oil on canvas, unsigned, “F.E. Robinson Galleries, Summit, New Jersey” label on stretcher, 24 7/8 in. x 30 in., framed with artist and title plaque. $4000/6000

95. John James Audubon (American, 1785‑1851), “Bullock’s Oriole, Baltimore Oriole, Mexican Goldfinch, Varied Thrush, Common Water Thrush”, hand‑colored aquatint with engraving, Plate 323, from The Birds of America, Havell edition, “J. Whatman 1838” watermark, sheet 36 in. x 24 in., framed. $1000/1500 Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

96. John James Audubon (American, 1785‑1851), “Evening Grosbeak, Spotted Grosbeak”, hand‑colored aquatint with engraving, Plate 373, from The Birds of America, Havell edition, “J. Whatman 1837” watermark, sheet 35 in. x 24 in., framed. $1000/1500 Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

98. Thomas L. McKenney (1785‑1859) and James Hall (1793‑1868), History of the Indian Tribes of North America, with Biographical Sketches and Anecdotes of the Principal Chiefs..., Philadelphia, Rice & Hart, 1858, 3 volumes, royal octavo, original tooled leather, all edges gilt, with 120 hand‑colored lithographs, after Karl Bodmer, Charles Bird King, James Otto, and others, printed and colored by J.T. Bowen. $8000/12000

100. George III Twelve‑Inch Terrestrial Floor Globe, 1782, cartouche reading “Ferguson’s Terrestrial Globe Improv’d by G. Wright...Made & Sold by Wm. Bardin”, hand‑colored engraved gores, full brass meridian, the globe depicting Captain Cook’s three voyages, original inlaid rosewood stand, the horizon band showing months and signs of the Zodiac, h. 29 1/2 in., dia. 16 1/2 in. $1500/2500 Ref.: Dekker, Elly, and Peter van der Krogt. Globes from the Western World, London, Zwemmer, 1993, pg. 114.

99. Blaeu, Willem Janszoon, “Nova Virginae Tabula”, Amsterdam, 1665, hand‑colored double‑page engraved map, French text, verso, 14 3/4 in. x 19 in., sheet 19 in. x 23 in., framed. $1500/2500

101. Good George II Two and a Half Inch Pocket Globe, the cartouche reading “A/New/ Terrestrial/Globe/by/Nath.Hill/1754”, the sphere with twelve hand‑colored gores, with polar calottes; the shagreen case with hand‑colored gores, the stars expressed in various orders and allegorical representations of the constellations. $1000/1500

104. Antique English 12‑Inch Celestial Globe, 1861, the cartouche reading “MALBY’S CELESTIAL GLOBE... by Malby’s & Son, 37 Parker St., Holborn, 1861”, the sphere showing stars with relative degrees of magnitude; allegorical constellations in hand‑colored outline, full brass meridian, carved walnut stand with horizon band indicating months and signs of the zodiac, h. 18 in. dia. 15 1/2 in. $500/700

102. English Brass‑Mounted Mahogany Telescope on Tripod Stand, 19th c., in its original walnut case, monogrammed “WFS”, case: l. 40 in., w. 9 in., d. 5 3/4 in. $1500/2000

105. Napoleon III Bronze‑Mounted, Boulle‑Inlaid and Ebonized Parlour Cabinet, late 19th c., later serpentine marble top, conforming case, paneled cabinet door, shelf interior, serpentine base with foliate feet, h. 42 in., w. 33 1/2 in., d. 16 in. $1000/1500 Provenance: Schwitz Collection, Franklin, LA.

103. Two Antique Mississippi Coast Maps, “A Chart of the Sea Coast of the State of Mississippi”, 1839, sight 12 in. x 20 in.; and Mississippi City Harbor”, 1857, sight 15 1/2 in. x 17 in. both framed. (2 pcs.) $500/700

106. Large Antique Gilt Barometer, late 19th c., surmounted by “Le Coq Gaulois”, dial marked “ECOIFFIER OPTICIEN TOULOUSE”, h. 38 in., w. 21 in., d. 8 in. $700/1000 Provenance: Schwitz Collection, Franklin, LA.

108. Antique English Brass and Etched Glass Hall Lantern, globe with tall ships decoration, wired for electricity, h. 26 in., dia. 9 1/2 in. Note: Minor chips to upper rim. $1000/1500

107. [American Portraiture], The National Portrait Gallery of Distinguished Americans: with Biographical Sketches, Philadelphia, Rice & Hart, 1858, 4 volumes, octavo, original tooled and gilt‑lettered leather. $400/600

110. Large and Rare American Carved and Polychromed Wood Cigar Store “Indian Princess”, late 19th c., attr. to workshop of Charles Robb, New York, h. 77 1/2 in. $30000/50000

Provenance: Herrup & Wolfner, New York, NY, 1989; Collection of Victor and Joan Johnson, Philadelphia, PA; Pook & Pook, Inc., Downington, PA, Sept. 21, 2002, lot 135. 109. Pair of English Carved Gritstone Figures of Ratcatchers, 18th c., one as the Pied Piper playing the pipes, the other holding cage and cat, largest h. 29 in., w. 13 in., d. 11 in. $500/700 Provenance: Sotheby’s, Amsterdam, April 22, 2002, lot 71; Windham Collection, Oxford, MS.

Ill.: “Pier Pleasures”. New York Magazine Oct. 24, 1988: 105.

Exh.: The Image Business: Shop and Cigar Store Figures in America, American Folk Art Museum, New York, NY, Nov. 8, 1997 ‑ Jan. 11, 1998.

Additional information at www.nealauction.com

111. British Carved and Polychromed Ship’s Figurehead of the Lady Bandaneira, c. 1885, l. 55 in. $4000/6000

Provenance: Bandaneira, 1885‑1901; Public Tavern, Altenwalde, Germany, 1901‑1910; Private Collection, Germany; Jürgen Römmeler, antiquarian, Rheine, Germany; present owner, 2002.

Note: The Bandaneira was a four-masted iron bark constructed in 1885 by Russell & Co. and commissioned by P. Denniston & Co out of Glasgow. The ship wrecked off the shore of Heligoland on its route from Iquique, Chile to Hamburg, Germany in 1901. Ref.: Merchant Shipping (Loss of Life). London: Darling & Son, Ltd, 1903, p. 130.

112. American Mahogany Writing Table, mid-19th c., stamped “manufactured... San Francisco, California”, associated superstructure with fitted interior; table with inset leather top, three drawers, turned legs, h. 57 in., w. 72 1/4 in., d. 36 1/4 in. $1000/1500 113. Acadian Carved Cypress Armoire, early 19th c., stepped cornice, paneled doors, fiche hinges, shelf interior, flared legs, h. 84 1/2 in., w. 51 in., d. 19 1/4 in. Note: Legs repaired. $5000/8000

Note: The armoire offered here is typical of Acadian construction through the use of cypress, straight tapered legs, and a minimalist overall form. Subtle features, including the cove-molded cornice and decorative fiche hinges, distinguish this armoire from other Acadian pieces and relate more to Creole examples of similar proportions. A related Acadian cypress armoire with Creole decorative features, found in Vermilion Parish, is illustrated in Furnishing Louisiana: Creole and Acadian Furniture 1735-1835. Ref.: Holden, Jack, et al. Furnishing Louisiana: Creole and Acadian Furniture 1735-1835. New Orleans: The Historic New Orleans Collection, 2010, p. 198. For similar Acadian examples, see pp. 194-198.

114. West Indies Carved Mahogany Poster Bed, spiral-turned and pineapple carved posts, diagonally reeded headboard, conforming foot board, lobed feet, h. 90 in., w. 52 in., d. 80 1/2 in. $2000/3000

Provenance: Oaklawn Manor, Franklin, LA; Estates of George and Mary Beth Thomson, Franklin, LA.

115. Eight Antique Chippendale-Style Carved Mahogany Dining Chairs, incl. 2 armchairs and 6 side chairs, pierced splat, shaped arms, molded legs, armchair h. 37 1/2 in., w. 25 1/2 in., d. 20 1/2 in.; side chair h. 37 1/2 in., w. 21 in., d. 20 in. $1500/2000

116. American Federal Carved Mahogany Gentlemen’s Chest of Drawers, early 19th c., Salem, superstructure fitted with two drawers and a shaped backsplash, four lower drawers flanked by pineapple‑carved and spiral‑turned stiles, baluster turned feet, h. 53 1/2 in., w. 44 3/4 in., d. 22 in. $2000/3000

117. American Classical Carved, Gilded and Stenciled Mahogany Pier Table, c. 1830, New York, later marble top, marble columns, shaped plinth, cornucopia brackets, paw feet, h. 38 in., w. 43 in., d. 20 in. $2500/4000 118. American Classical Carved and Gilt Mahogany Chest of Drawers, early 19th c., Philadelphia, School of Joseph Barry, shaped banded top, conforming case, two drawers over three graduated drawers, flanked by caryatid figures, conforming base, h. 41 in., w. 48 1/2 in., d. 22 1/2 in. $1200/1800

Note: For related examples, see Boor, Allison, et al. Philadelphia Empire Furniture. Boor: Philadelphia, 2006, pp. 458-460.

119. Louisiana Carved and Inlaid Mahogany Armoire, early 19th c., later molded cornice, flush panel doors, shelf interior, later medial belt with three period drawers, fiche hinges, scalloped apron, cabriole legs, h. 88 in., w. 59 3/4 in., d. 22 in. $9000/12000

Note: Inlaid Louisiana armoires demonstrate a completely distinctive blend of French form and Anglo-American decoration, unique within the body of American decorative arts. The armoire in the present lots features a neatly scalloped apron and delicate string and pinwheel inlay, indicative of both French and Anglo-American style. Ref.: Holden, Jack, et al. Furnishing Louisiana: Creole and Acadian Furniture 1735-1835. New Orleans: The Historic New Orleans Collection, 2010, p. 166.

120. Marie Jeanne Amelie Roman (American/New Orleans, 1873‑1955), “St. Augustine Church”, 1916, pastel on paper mounted on board, initialed and dated lower left, 12 1/4 in. x 18 in., framed. $1500/2500

Note: Born in St. James Parish in 1873, Amelie Roman was the daughter of Edouard Roman and Amelie Fortier – both of whom had prominent Louisiana ancestors such as Michel Fortier, Andre Bienvenu Roman, and Valcour Aime. After studying at Newcomb College, Roman graduated and became a faculty member, where she continued to teach until her retirement in 1939. 121. Newton Reeve Howard (American/New Orleans, 1912‑1984), “The Palm Tree”, 1976, oil on canvas board, signed and dated lower left, titled on frame, 16 in. x 12 in., framed. $1500/2500

Roman painted throughout the city, capturing the charm of the French Quarter, Bayou St. John, Uptown, and Tremé, as demonstrated in the lot presented here. The Church of St. Augustine, located on the corner of Governor Nicholls and Henriette DeLille Streets, is one of the oldest churches in New Orleans, founded in 1841. It was designed by J.N.B. de Pouilly, who was also responsible for the renovation and expansion of St. Louis Cathedral in 1850 and many homes and commercial buildings in the city. This beautifully rendered pastel faithfully depicts the church with its iconic bell tower and clerestory, as it was in the early twentieth century. Today, the church looks remarkably the same, with few modern renovations. In the aftermath of Hurricane Katrina, the archdiocese considered closing the church, however protesters and historic preservationists secured grant money for the restoration. The church was included as one of the original twenty-six sites of the African American Heritage Trail beginning in 2008.

122. Will Henry Stevens (American/Louisiana, 18811949), “Forest Flowers”, pastel on paper, pencil-signed lower right, 16 in. x 13 7/8 in., unframed. $1200/1800

123. George Elmer Browne (American, 1871‑1946), “The Slave Market”, oil on panel, signed lower left, “Chapellier Galleries, New York, NY” label with artist and title en verso, 35 in. x 36 in., framed. $6000/8000

Provenance: Schwitz Collection, Franklin, LA. Additional information at www.nealauction.com

124. Levi Wells Prentice (American/New York, 1851‑1935), “Tropical Landscape”, oil on canvas, signed lower right, 17 in. x 28 in., framed. $3000/5000 Provenance: Beverly Hills, CA Estate.

126. Set of Eighteen Regency Sterling Silver Knives, William Eley & William Fearn, London, 1816, with silver blades and reeded handles with applied crest, l. 8 1/4 in. $500/750 Provenance: Schwitz Collection, Franklin, LA.

Ref.: Burton, E. Milby. South Carolina Silversmiths 1690‑1860. pp. 54‑57. A similar three‑piece set is in the MESDA collection, Acc. No. 4698.1‑3.

131. American Neo‑Grec Sterling Silver Tea and Coffee Service, Starr & Marcus, New York, act. 1864‑1877, pattern 465, incl. kettle‑on‑stand, teapot, coffee pot, open sugar and creamer, each globular form with flat‑chased decoration and arabesque banding, sugar and creamer retain gilt wash interiors, kettle h. 12 1/4 in., total wt. 117.65 troy ozs. $2000/4000

Provenance: Christie’s, New York, Apr. 29, 1986, lot 203A.

127. Important John Ewan (1786‑1852), Charleston Coin Silver Tea Service, wc. 1823‑1852, marked “J.EWAN” in rectangle, double struck, incl. teapot, covered sugar, creamer and waste bowl, each with lobed body and grape and grapevine die‑rolled borders, teapot and sugar with domed lobed covers with dolphin finials, teapot with square hollow handle, sugar and creamer with C‑scroll handles, old script monograms “GRH”, teapot h. 9 1/2 in., total wt. 63.95 troy ozs. $15000/25000

128 William IV Sterling Silver Candelabrum/Epergne, Robinson, Edkins & Aston, Birmingham, 1834, central basket with grape and grapeleaf border, foliate scroll candlearms with removable bobêches, incurvate triangular base with acanthus scroll feet, note discolored old lacquer, h. 12 3/4 in., wt. 83.70 troy ozs. $2000/4000

Provenance: Schwitz Collection, Franklin, LA.

125. French Neoclassical Silver Covered Tureen, Paris, 1809‑1819, maker’s mark “JFI” untraced, oblong, domed cover with entwined serpent handle, body with gadrooned rim, lion mask and drop handles, ball feet, h. 9 1/2 in., w. 9 in., d. 11 1/4 in., wt. 81.20 troy ozs. $3000/5000

130. Reed & Barton “Francis I” Sterling Silver Flatware Service for Twelve, pat. 1907, incl. 12 each: forks (l. 7 1/8 in.), knives (l. 8 7/8 in.), salad forks, cream soup spoons and teaspoons; 1 oval soup spoon, butter knife (hh), master butter knife, gravy ladle, cake knife (hh) and cheese knife (hh); together with Frank M. Smith “Lily” sterling: salad serving fork and spoon, 2 pc. carving set (hh) and cake comb (hh); Wallace “Grand Baroque” cold meat fork, International olive spoon, Danish cake knife (hh), unidentified pierced serving spoon, and Swedish silverplate sugar tongs; 75 pcs., total wt. (weighable) 86.80 troy ozs., in fitted case. $2000/3000

129. Antique English Silverplate Figural Centerpiece in the Style of Elkington, 19th c., with palm trees and a stag on a rockwork base, h. 24 in. $1000/1500

132. Gorham Coin Silver Coffee Service in the Neo‑Grec Taste, c. 1863‑1865, retailer’s mark rubbed, incl. 2 coffee pots, covered sugar and creamer, each with pineapple finial, Greek key borders and beading, coffee pot h. 11 5/8 in., total wt. 104.50 troy ozs. $1000/1500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

133. English Tortoiseshell Sewing Box, c. 1830, fitted interior, winged‑paw silverplate feet, h. 3 in., w. 7 1/2 in., d. 5 1/2 in. $700/900

134. English Tortoiseshell Tea Caddy, 19th c., bail handle, domed top, tapered sides, interior fitted with two lidded compartments, h. 4 1/4 in. $400/600

135. Good American Sterling Silver Ewer, Dominick & Haff, New York, 1894, act. 1872‑1928, ret. J.E. Caldwell & Co., Philadelphia, act. 1839‑2009; vasiform with robustly molded floral and scroll lip and scroll handle, h. 14 1/8 in., wt. 53.60 troy ozs. $1000/2000 Provenance: Schwitz Collection, Franklin, LA.

136. American Classical Coin Silver Tea Service, William Thomson, New York, act. 1810‑1833, incl. teapot, covered sugar, creamer and waste bowl, chased domed covers with basket of flowers finials, hollow cast scroll handles, applied die‑rolled borders, teapot h. 9 1/2 in., total wt. 89 troy ozs. $1500/2500 Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

137. Gorham “Chantilly” Sterling Silver Flatware Service for Twelve, pat. 1895, designed by William Codman, ret. H. Oemisch, Rochester, NY, incl. 12 each: dinner forks (l. 7 1/2 in.), dinner knives (l. 9 5/8 in.), luncheon forks (l. 6 7/8 in.), luncheon knives (l. 8 3/8 in.), tablespoons, soup spoons, dessert spoons, fish/salad forks, cocktail forks, butter knives (fh), teaspoons, citrus spoons, bouillon spoons and demitasse spoons; 6 each: ice cream forks, ice cream spoons and salt spoons; 8 ice teaspoons, small, medium and large carving forks and knives, carving steel, cake knife, gravy ladle, sauce ladle, salad serving fork and spoon, vegetable serving fork and spoon, ice cream slice, fish serving knife, cold meat fork, pickle fork, sugar tongs, ice tongs, cheese scoop, relish server and horseradish spoon; 217 pcs., total wt. (weighable) 211.35 troy ozs., in fitted mahogany canteen. $4000/6000

139. Gorham “Chantilly” Pattern Sterling Silver Flatware Service, pat. 1895, incl. 12 each: dinner forks, dinner knives and salad forks; 8 each: cream soup spoons, ice teaspoons, cocktail forks, butter knives (fh) and steak knives; 6 luncheon forks, 20 teaspoons, 13 demitasse spoons, baby fork, 4 tablespoons, pierced tablespoon, salad serving fork and spoon, cold meat fork, tomato server, macaroni server, gravy ladle, sauce ladle, master butter knife (fh), sugar shell, lemon fork, olive fork, sugar tongs, large carving knife, fork and steel (hh), small carving knife and fork (hh), cake comb (hh) and cheese server (hh), total wt. (weighable) 128.50 troy ozs. (140 pcs.), in fitted mahogany case on stand. $2500/3500

138. Gorham “Versailles” Pattern Sterling Silver Flatware Service, pat. 1888, incl. 12 forks (l. 7 5/8 in.); 12 cream soup spoons (l. 6 5/8 in.); 11 teaspoons (l. 5 7/8 in.); 11 tablespoons; pierced tablespoon; master butter knife (fh); sugar shell and sauce ladle; together with 10 associated “King’s” pattern sterling knives (hh, l. 8 1/2 in.) (60 pcs.) total wt. (weighable) 91 troy ozs. $1000/1500 Provenance: Schwitz Collection, Franklin, LA.

140. Pair of Tiffany & Co. Makers “Chrysanthemum” Pattern Sterling Silver Covered Vegetable Tureens, date letter for 1873‑1891, issue date 1879, h. 7 3/4 in., w. 11 3/8 in., combined wt. 130.40 troy ozs. $7000/10000 141. Pair of Tiffany & Co. Makers ‘Chrysanthemum” Pattern Sterling Silver Candlesticks, date mark for 1902‑1907, removable bobêches, h. 10 1/4 in., total wt. 46.85 troy ozs. $3000/5000 142. Set of Twelve Tiffany “Chrysanthemum” Pattern Sterling Silver Bouillon Frames, date letter for 1902‑1907, issue date 1901, with 11 Lenox for Tiffany porcelain liners with raised gilt decoration, overall h. 2 1/4 in., w. 5 1/8 in., total wt. (weighable) 35.45 troy ozs. $1000/2000 Additional information at www.nealauction.com

143. Pair of Tiffany & Co. “Chrysanthemum” Pattern Sterling Silver Master Salt Cellars and Pepperettes with Master Salt Spoons, date letters for 1902‑1907 (salts) and 1871‑1891 (peppers), salts retain gilt wash interiors, salt w. 4 in., pepper h. 5 7/8 in., combined wt. 18.45 troy ozs. $1000/1500

144. Regency Sterling Silver Wine Cooler, Matthew Boulton, Birmingham, 1817, egg and dart rim, applied grape and grape leaf band, Silenus mask handles, robust acanthus decoration, stiff leaf and berry foot, engraved crest and motto “EX SUDORE VULTUS”, fitted with Old Sheffield plate liner with collar, unmarked, h. 11 in., wt. 119.15 troy ozs. $3000/5000 145. Pair of Napoleon III Gilt and Patinated Bronze Five‑Light Candelabra, 19th c., Winged Victory on tall pedestal base, now mounted as a lamps, electrified, h. (to candle nozzles) 35 in., w. 13 1/2 in., d. 13 in. $2500/3500 Provenance: Oaklawn Manor, Franklin, LA; Estates of George and Mary Beth Thomson, Franklin, LA.

146. Pair of Neoclassical‑Style Gilt Bronze and Marble Torchères, c. 1880, base marked “PARIS/ LACARRIERE/DELATOUR & Cie”, figure holding star‑mounted hemisphere with later flame finial, h. 23 in., w. 6 3/4 in., d. 6 3/4 in. $1800/2500

147. Pair of English Gilt Bronze Single-Arm Argand Lamps, c. 1835, marked “Messenger & Sons”, spreadwing eagle standard, octagonal base, electrified, h. 19 in., w. 10 in., d. 5 3/4 in. $2000/3000

148. Pair of Continental Carved Gilt and Ebonized Two‑Light Sconces, c. 1900, eagle brackets, circle and rectangle chains, urn‑form sconce, cut crystal candle nozzle and bobêche, h. 35 in., w. 18 in., d. 10 in. $1200/1800

150. Russian Neoclassical Bronze‑Mounted Mahogany Settee, 19th c., tripartite back mounted with Classical plaques, scrolled arms, tapered legs, stretchers, brass cuffs, h. 39 1/2 in., w. 62 1/2 in., d. 23 in. $5000/7000 Provenance: Schwitz Collection, Franklin, LA.

149. George III Inlaid Mahogany Breakfront Bookcase, early 19th c., upper case with molded cornice, glazed doors and well‑fitted secretary drawer with leather writing surface, lower case with four cabinet doors, interior fitted with shelves and drawers, conforming base, h. 95 3/4 in., w. 93 in., d. 28 1/2 in. $3000/5000 Provenance: Bankhead Estate, Mobile, AL; Collection of Charles S. and the late Janie P. Houser, The Governor’s Club, Magnolia Springs, AL.

151. French Bronze‑Mounted and Gilt Mahogany Center Table, 19th c., dished marble top, scrolled legs, paw feet, incurvate triangular base, h. 29 1/2 in., dia. 38 1/4 in. $1500/2500 Provenance: Schwitz Collection, Franklin, LA.

153. Louis XVI‑Style Carved, Painted and Parcel Gilt Bed, sleigh form headboard with acanthus-carved terminals, floral wreath rails, foot board mounted with ram heads, hoof feet, h. 56 1/2 in., w. 56 in., d. 78 in. $2500/5000

152. Swedish Art Deco Mahogany Sofa, early 20th c., molded arms and base, h. 35 in., w. 86 3/4 in., d. 28 in. $1500/2500

Provenance: By repute, Ivar Kreuger, Berlin; Knutssons Antik & Konsthandel, Stockholm; Sotheby’s New York, Oct. 18, 2016, lot 240.

156. Luigi Bienaime (Italian, 1795‑1878), “Psyche”, 1843, marble, signed, dated and inscribed “F. Roma”, h. 54 in. $15000/25000

154. Louis XVI‑Style Carved, Gris Peinte and Parcel Gilt Vitrine, late 19th c., fluted raised top with wreath carving, blocked frieze, Corinthian capitals, fluted columns, beveled glazed doors with relief carving of birds, conforming base, toupie feet, h. 71 in., w. 30 1/2 in., d. 17 1/2 in. $1000/1500

155. Continental School, 19th c., “Dancing Faun”, marble, after the antique in the Uffizi Gallery, Florence, h. 57 in. $5000/8000 Provenance: Oaklawn Manor, Franklin, LA; Estates of George and Mary Beth Thomson, Franklin, LA.

Provenance: Oaklawn Manor, Franklin, LA; Estates of George and Mary Beth Thomson, Franklin, LA.

159. Rare American Classical Mahogany Server, early 19th c., probably New York, three frieze drawers, lower arched bolection section with two drawers, lower plinth, fluted scrolled legs, h. 38 1/2 in., w. 52 in., d. 22 in. $1500/2500 Provenance: The Stanley Weiss Collection, Providence, RI. 157. Henri Godet (French, 1863‑1937), “Napoleon Crossing the Alps”, gilt and patinated bronze, signed and stamped “France” on self‑base, h. 22 1/2 in., w. 17 in., d. 9 in. $4000/6000

158. Attributed to Ferdinand Preiss (German, 1882‑1943), “The Skater”, silvered bronze, unsigned, h. 9 1/4 in., w. 9 3/4 in., d. 3 1/2 in., marble and onyx base, overall h. 13 7/8 in. $3000/5000 Additional information at www.nealauction.com

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160. Chesterfield Leather Sofa, labeled “Hancock & Moore, button-tufted back, seat and arms, brass nailhead trim, turned feet, brass cuffs, h. 33 1/2 in., w. 86 in., d. 36 in. $1000/1500

161. American Classical Mahogany Candlestand, early 19th c., probably Boston, tilt‑top, scrolled lappet carved tripod base, casters, h. 29 3/4 in., w. 24 in., d. 17 in. $1000/1500 164. William IV Carved Mahogany and Leather Library Chair, button-tufted back, scrolled padded arms, brass nailhead trim, octagonal legs, casters, h. 38 in., w. 24 1/4 in., d. 21 in. $1000/1500

162. Regency‑Style Brass‑Mounted Tôle Peinte Jardinière on Stand, reticulated brass gallery, chinoiserie scenes, stand with X‑stretchers, paw feet, h. 28 1/2 in., w. 18 in., d. 13 in. $500/800 Provenance: Windham Collection, Oxford, MS.

165. Pair of Empire‑Style Bronze‑Mounted and Inlaid Kingwood Guéridons, malachite mosaic top, frieze drawer, caryatid supports, pierced stretcher, bun feet, h. 33 3/4 in., dia. 16 1/4 in. $1000/1500 Provenance: Schwitz Collection, Franklin, LA.

163. George III Carved and Inlaid Mahogany Secretary Bookcase, c. 1800 and later, later cornice, glazed doors, shelf interior; lower case with fitted desk drawer, 3 graduated drawers below, shaped apron, French feet, h. 109 in., w. 51 in., d. 17 in. $1800/2500 166. American Classical Carved Mahogany Games Table, early 19th c., foldover swivel top, ogee frieze, acanthus carved lyre support, leaf carved scrolled legs, incurvate plinth, lion’s paw casters, h. 30 in., w. 35 in., d. 17 1/2 in. $1200/1800 167. American Federal Carved Mahogany Sideboard, early 19th c., Philadelphia, banded shaped backsplash, three frieze drawers, bowfront center cabinet flanked by cabinets enclosing shelves, turned legs, h. 48 in., w. 71 1/2 in., d. 22 in. $1200/1800 168. Louis Philippe Inlaid Rosewood Vitrine, 19th c., shaped cornice, glazed door, fitted with shelves and four drawers, conforming base, h. 93 in., w. 47 1/2 in., d. 21 in. $800/1200

169. Continental Inlaid Mahogany Side Chair, 19th c., possibly Russian, lyre shaped back, splat with swagged opposing eagles, round seat, flared legs, claw and ball feet, h. 32 in., w. 19 in., d. 17 1/2 in. $500/1000

170. Antique Empire‑Style Bronze‑Mounted, Carved and Parcel Gilt Lit de Repos, urn finialed top, blocked sides with caryatid supports, custom velvet upholstery, h. 57 in., w. 77 in., d. 34 in. $1200/1800

171. Victor Marais‑Milton (French, 1872‑1968), “Le Jeu de Domino”, oil on canvas, signed lower right, 19 3/4 in. x 24 in., original frame. $2000/3000 Provenance: Acquired in Antwerp, Belgium, c. 1910s; Collection of Margaret Burton Deakin, Antwerp, Belgium; thence by descent.

174. Roman or Neapolitan School, c. 1670s‑c. 1690s, “A Pair of Architectural Fantasies: Arcaded Pavilions and Ruins, with a Triumph of David and an Antique Procession”, 2 oils on canvas, unsigned, each 39 1/4 in. x 50 in., framed. (2 pcs.) $40000/60000 Provenance: Neal Auction Company, Feb. 23, 2008, lot 416.

172. Circle of Gerard van Honthorst (Dutch, 1590‑1656), “Portrait of a Lady”, 1648, oil on panel, inscribed “Aetat:42 / Ao.1648 / G.H.” upper right, 29 1/2 in. x 23 1/2 in., framed. $1000/1500 Provenance: Collection of Philip and Charlotte Hanes, Winston‑Salem, NC; Private Collection.

173. Georges Lemmers (Belgian, 1871‑1944), “Portrait of a Seated Military Officer”, 1898, oil on canvas, signed and dated lower right, period “Envoi De J.‑B. Pauwels, Bruxelles” shipping label on reverse of frame, 45 1/2 in. x 37 1/2 in., ornate gilt frame. $1500/2500

Note: This interesting pair of late 17th-c. fantastical vedute, with extensive throngs of figures, are impressive representatives of a type developed in Rome and Naples toward the middle of the 17th c., through the oeuvres partly of foreign painters and partly of local ones. Two eccentric but important progenitors of such fantasy paintings were two artists from Metz (in the French province of Lorraine), whose works were formerly confused, both being apocryphally identified as “Monsù Desiderio”: that is, Didier Barra (c. 1590-c. 1652), active in Naples from the 1620s; and François de Nomé (c. 1593-c. 1644/47), active in Rome from c. 1605, then subsequently in Naples. Their Italian careers overlapped with those of the great Roman painter Viviano Codazzi (c. 1604-1670)—who painted in Naples from 1634 to 1647—and his frequent collaborator, the Neapolitan native son Domenico Gargiulo, called Micco Spadaro (1609-1675). From the fertile intersection of those painters’ talents in the central and south Italian capitals, a characteristic type of fantastic or capriccio painting was developed, which eventually merged with the European-wide vogue for veduta or “view” paintings of real places, as epitomized for example by Antonio Canaletto (1697-1768) and Francesco Guardi (1712-1793) in Venice. Key figures in the transitional generation between those two schools (and in the blending of real with capriccio images) were the Roman painters Alberto Carlieri (died c. 1720) and the famous Gianpaolo Panini (1691-1765), as well as the Neapolitan Andrea di Michele (active mid to late 17th c.). In the lot on offer here, the anonymous master’s unusual classicism (especially his elaborate architectural “stages” of short, fluted column-clusters in open configurations, with a profusion of Renaissance ornament) descends from that of the French founders of this fantastical style a century earlier (the “Monsù Desiderio” painters), while his figures relate to those from the intervening career of Micco Spadaro (though his stage-like compositions might also suggest connections with Bolognese and other north Italian painters). These two ambitious “scene paintings” may have been intended ostensibly to illustrate topics from Biblical or Roman history (one apparently depicts an Antique religious procession, while the other is evidently a Triumph of David); but their true subjects are the spacious loggias and palatial façades that mark them as representatives of a great Italian tradition of painted scenographies.

Ref.: Félix Sluys, Didier Barra et François de Nomé, dits “Monsù Desiderio” (Paris, 1961); Bruno Molajoli, Notizie su Capodimonte: catalogo del museo (Naples, 1964), p. 61, no. 1234; D. Stephen Pepper, The Pleasure of Ruins: Viviano Codazzi and His Legacy (Washington and New York, 1985), esp. no. 20; Jane Turner, ed., Dictionary of Art, 34 vols. (London, 1996), 4: 153-154; 7: 509-510; 23: 191-192; 29: 253-255.

175. Large Bronze‑Mounted Sevres‑Style Polychrome and Gilt Porcelain Vase, 19th c., with a scene of cherubs and a Classical maiden adorning her hair with flowers, signed Collot, reverse with landscape, rose pompadour ground with raised gilt highlights, h. 30 1/2 in. $1500/2500

176. Edwardian Sterling Silver Trophy Bowl, William Henry Sparrow, Birmingham, 1907, scroll handles, molded borders and foot, h. 9 1/2 in., w. 14 1/4 in., wt. 37.35 troy ozs. $1200/1800

Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

Additional information at www.nealauction.com

177. Pair of Louis XVI Gilt and Patinated Bronze and Marble Cassolettes, late 18th/early 19th c., of metamorphic design, covers reverse to candleholders, h. 9 1/2 in., dia. 3 1/2 in. $1000/2000

178. Pair of Empire‑Style Russian or French Gilt and Patinated Bronze and Amethyst Glass Campagna Urns, early 19th c., loop handles terminating in ram’s heads, fluted stem foot, tall tiered plinth with wreath mount, h. 12 1/2 in., w. 4 1/2 in., d. 4 1/2 in. $2000/3000 Provenance: Harbor View Antiques, Stamford, CT, 2002.

179. Set of Four Georgian Sheffield Plate Corinthian Columnar Table Candlesticks, late 18th c., each with removable bobêche, stop‑fluted and reeded standard, stepped foot with gadroon border, h. 12 5/8 in. $1200/1800 Provenance: Estate of Noted Antiquarian James D. “Don” Didier.

180. Pair of Empire Gilt and Patinated Bronze Five-Light Candelabra, 19th c., marked on base “RABIAT” (Claude Francois Rabiat, 1756-1815), the figures Aux Victoires, on tall marble pedestal bases, now mounted as lamps, electrified, h. (to socket) 37 in., w. 11 in., d. 10 in. $1500/2500

181. Pair of Large Charles X-Style Bronze Lamps, 20th c., tripartite base, lion feet, socket fixture, h. (to socket) 36 in., w. 12 in., d. 12 in. $1000/2000

182. Pair of Beaux Arts Bronze, Wrought Iron and Gilt Metal FourLight Torchères, c. 1900, possibly retailed by J.E. Caldwell, Philadelphia, foliate arms and standard, on carved marble base of opposing lions couchant, electrified, h. 73 in., dia. 16 in. $1000/2000

183. English Bronze and Cut Crystal Two‑Light Argand Lamp, 19th c., marked “JOHNSTON BROOKES & Co./ MANUFACTURERS/ LONDON”, diaper pattern crystal font and base, unusual spear and spherical prisms, paw feet, h. 21 1/2 in., w. 14 in., d. 8 1/4 in. $2500/3500

184. Fine English Gilt and Patinated Bronze Banquet Lamp, 19th c., probably Messenger, eagle finial; three two‑light Roman oil lamps, mounted with owls; chains hung with poker, snuff, and wick cutter, square base, scroll feet, h. 25 1/2 in., dia. 16 1/2 in. $1000/1500

185. [Leather Bindings], British Theatre, c. 1781, 21 volumes, gilt tooled. $400/600

187. [Leather Bindings], Edgeworth’s Tales and Novels, 1832, 18 volumes, gilt tooled. $200/300

186. [Leather Bindings], Thackeray’s Works, 1869, 24 volumes, gilt tooled. $400/600

188. [Leather Bindings] Nineteen Modern and Antique Leather Bindings, incl. Lloyd’s Poems; Rutter’s Life of Christ; Faraday’s Life and Letters; Pilgrims of the Rhine; Memoir of M’Cheyne’ Ellicot’s Life of our Lord; Milton’s Prose Works; English Illustrated Magazine; Sporting Magazine; Poetical Works of James Thompson (2); The Seven Lamps of Architecture; Leaves of Grass; Byron; Our Great Men; O Jager; The Jungle; Friends in Council; The Upton Letters. $150/250

189. [Leather Bindings], Shakespeare’s Works, 3 volumes, gilt tooled. $150/250

190. [Leather Bindings], Irving’s Works, 1853, 15 volumes, gilt tooled. $150/250

191. John Disturnell (1801‑1877), “Mapa de los Estados Unidos de Mejico...”, 1847, hand‑colored engraved folding map, on two sheets, joined as issued, published by J. Disturnell, NY, sheet 30 1/2 in. x 42 1/4 in., attractively float‑mounted and framed, the mat inset with the original red boards. $40000/60000

Provenance: Graham Arader Gallery, New York; Neal Auction Company, June 25, 2011, lot 197.

Note: Known as “The Treaty Map”, Disturnell’s map was one of the most influential maps of the region. It was the one that Nicolas Trist carried with him as Peace Commissioner to Mexico in 1847, to establish the border of Mexico and Texas for the Treaty of Guadalupe-Hildalgo.

192. Thomas L. McKenney (American, 17851859) and James Hall (1793-1868), History of The Indian Tribes of North America, with Biographical Sketches and Anecdotes of the Principal Chiefs. Embellished with One Hundred and Twenty Portraits, from the Indian Gallery in the Department of War, at Washington, Philadelphia, Frederick W. Greenough, 1838, Vol. I (only), folio, 20 in. x 14 in., with 48 handcolored lithographs, heightened with gum arabic, after paintings by James Otto Lewis, Charles Bird King, Karl Bodmer, and others. $16000/19000

193. Joseph Jefferson (American/Louisiana, 1829‑1905), “Country Road with Figure”, 1902, oil on canvas, signed and dated lower left, 20 in. x 30 in., framed. $4000/6000

Additional information at www.nealauction.com

194A. Jean‑Francois Batut (French, 1828‑1907), “Portrait of a Gentleman” and “Portrait of a Lady”, 2 grisaille oils on canvas, both signed, each 24 in. x 19 3/4 in., matching rosewood frames. $5000/8000 194. Mildred Nungester Wolfe (American/Mississippi, 1912‑2009), “Long Shadows on a Hazy Day”, 1936, oil on canvas, signed and dated lower left, 25 in. x 30 in., framed. $5000/7000

Note: Born in Castres, France in 1828, Jean-Francois Batut studied under Jean Valette (1782-1843) in 1840, as well as worked in Paris during the 1860s to perfect his technique. Batut drew and painted in charcoal, pastel, and oil, creating portraits both from life and based on photographs. Some of Batut’s most intriguing works were painted in oil en grisaille (in grayscale), including the important pair presented here. Documented portraits of people of African descent in France are exceedingly rare. Batut utilized his oil technique in monochrome to portray this couple with beautifully rendered details of the hair, clothing, and jewelry. The sharp focus of the foreground slowly fades to soft focus in the background, perfectly mimicking the effect of a camera lens.

195. Jacques Guillaume Lucien Amans (French/Louisiana, 1801‑1888), “Marguerite Azoline Landreaux Amans (1805‑1878), Wife of the Artist”, oil on canvas, unsigned, oval 28 in. x 23 in., framed. $15000/25000 Provenance: Descended in the family of the sitter and artist.

Note: Marguerite Azoline Landreaux was born in New Orleans in 1805 to wealthy sugar planter, Honoré Landreaux and his wife, Marie Claude Picou, both of New Orleans. In 1844, she married artist Jacques Amans, who had traveled to the city from France to work as a portraitist in 1836. Remarkably talented, Amans was accomplished at a young age and even exhibited at the Paris salon by the age of thirty. He and Marguerite would stay in New Orleans until 1856, when they moved to Paris.

Amans, the most important portrait painter in New Orleans from the 1830s to the 1850s, received commissions to paint prominent families of the region. His impressive list of sitters includes members of the Roman and Aime families, as well as Clara Mazureau and Elizabeth Bryan Pugh, among many others. His portraits of women and children in particular are celebrated for their tenderness and ethereal charm.

In the important lot offered here, Marguerite Azoline Landreaux is depicted with warm sensitivity. The center part hair style and pearl drop earrings reflect the style of the 1850s, likely when this painting was created. At the time, demure clothing and hair styling were in fashion, and Amans perfectly captures the understated elegance and beauty of his wife’s face, hair, and clothing with his characteristic brushwork and attention to detail. Descended in the French family of the sitter, this offering likely represents the portrait’s first return to the city of its origins.

Ref.: Lewis, Richard Anthony. “Jacques Amans.” 64 Parishes. Jan. 11, 2011. www.64parishes.org. Accessed Aug. 2, 2019.

198. Patinated Bronze Figure of Standing Napoleon, French foundry mark on self‑base, h. 11 3/4 in., w. 5 in., d. 4 in., marble column and base with bronze crest and detail, overall h. 18 in. $1200/1800

197. Pair of Antique Cast Stone Opposing Heraldic Lions, each wearing a crown and holding a royal shield, taller h. 29 in., dia. 11 in. $800/1200

196. American Cast‑Iron Plantation Bell, 19th c., “Buckeye Foundry, Cincinnati” mark, on wrought iron scrolled stand, h. 42 1/2 in., w. 23 1/2 in., d. 26 in. $2000/3000 Provenance: Oaklawn Manor, Franklin, LA; Estates of George and Mary Beth Thomson, Franklin, LA.

199. Bronze Figure of General on Horseback, after “Equestrian Monument of Gattamelata” by Donatello, h. 15 in., w. 14 1/2 in., d. 6 1/2 in., marble base, overall h. 15 3/4 in. $2500/3500

201. Continental Gilt and Patinated Bronze Figural Table Clock, 19th c., possibly Austrian, clock case in the form of a ritual urn, with pharaonic monopods, held aloft by a pair of attendants, on a draped litter, on sphinx feet, h. 13 in., w. 16 1/2 in., d. 8 1/4 in. $2000/3000

202. Pair of Empire Gilt and Patinated Bronze and Shell Tazzas, early 19th c., modeled as chimpanzees on rocaille bases, one holding an owl, other a parrot, wings supporting shells, h. 8 1/4 in., w. 6 1/4 in., d. 4 in. $500/700

200. Fine Empire Gilt and Patinated Bronze “Au Bon Sauvage” Mantel Clock, c. 1800, attr. to Jean‑Simon Deverberie (1764‑1824), figure personifying Africa, glass eyes, draped with pearls and quiver, holding a bow, resting her foot on a tortoise, and holding a lion on leash, silk‑thread movement, curved case with applied mounts of hunting putti, toupie feet, h. 18 in., w. 14 3/4 in. $20000/30000 Provenance: Sotheby’s, Amsterdam, European Collections: Paintings, Ceramics, Glass, Furniture and other Works of Art, Sept.17‑18, 2007, lot 833

Note: Some of the earliest images of the noble savage came out of the New World in the 16th century. These paintings, by John White and Jacques Le Moyne, depicted the native people of Florida and the territory around the Virginia colony.

The illustrations brought back from the 18th c. explorers Bougainville and Cook furthered this interest in native peoples. In fact, Cook’s ship, from the second voyage of discovery in 1769, brought back a native Tahitian named Omai. He charmed London society, was received by George III and was painted by Sir Joshua Reynolds. In literature, works like Defoe’s Robinson Crusoe and Saint Pierre’s Paul et Virginie inspired the philosophy of the “savage” being essentially good, and not corrupted by modern civilization.

The late 18th/early 19th c. clockmakers in France seized on this idea and made it one of their favorite figural themes. Proud figures like the one depicted in this lot helped give rise to the opposition, and eventual abolition of slavery in France. Ref.: Kjellberg, Pierre. Encyclopedie de La Pendule Francaise..., Paris, Les Editions de l’Amateur, 1997, pg. 351.

203. Fine Continental Silver and Mother‑of‑Pearl Inlaid Tortoiseshell Tea Caddy, c. 1825, Dutch marks, lion knop, interior fitted with mixing bowl and octagonal canisters, paw feet, h. 8 3/4 in., w. 12 in., d. 5 1/4 in. $3000/5000

204. Late Georgian Brass‑Mounted Tortoiseshell Sewing Box, early 19th c., silver cartouche “Mary M. Ricketts”, original fitted interior, ball and claw feet, h. 4 1/8 in., w. 8 1/2 in., d. 6 1/2 in. $1000/2000

205. French Gilt and Patinated Bronze Figural Standard, 19th c., Winged Victory, later hardwood plinth, h. 28 in., w. 6 3/4 in., d. 6 3/4 in. $800/1200

206. Pair of Louis Philippe Gilt Bronze Ten‑Light Candelabra, early 19th c., foliate arms and shaft, tripartite lion’s paw base, with added spear prisms, h. 27 1/2 in., dia. 13 in., h. (with prism) 37 in. $1500/2000

207. Gilt Bronze‑Mounted Blue Cut-to-Clear Crystal Caviar Server, 20th c., rim marked “FABERGE”, hinged spherical body opening to interior fitted with suspended caviar dish, stem foot with three carousel‑style horses, octagonal base, h. 18 in. $700/1000

Provenance: Schwitz Collection, Franklin, LA.

208. Louis XVI Gilt Bronze Oval Surtout de Table, late 18th c., reticulated gallery with swag and tassel motif, well with removable sand painting, fluted feet, h. 3 in., l. 26 in., w. 19 1/4 in. $500/700 Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Additional information at www.nealauction.com

210. Egyptian Revival Gilt and Patinated Bronze and Cut Glass Center Bowl, late 19th/early 20th c., flared glass bowl, stand with three winged Caryatid supports flanking serpent entwined stem supporting oil well, h. 12 5/8 in., dia. 8 1/8 in. $500/800 Provenance: Linda Pearce, Kansas City, 2003. 209. French Gilt Bronze‑Mounted Cut Crystal Center Bowl, late 19th c., probably Baccarat, winged figural handles, h. 12 3/8 in., w. 14 1/2 in., d. 11 1/2 in. $800/1200 212. Georg Fritz Papperitz (German, 1846‑1918), “Nude Stepping from Bath”, oil on canvas, signed lower left, 32 in. x 24 1/4 in., framed. $2000/3000

211. Victor Tischler (Austrian, 1890‑1951), “L’eglise à Arles”, oil on board, signed lower right, signed and titled en verso, 13 in. x 16 in., framed. $2000/3000 Provenance: Taylor Clark Gallery, Baton Rouge, LA.

Provenance: Oaklawn Manor, Franklin, LA; Estates of George and Mary Beth Thomson, Franklin, LA.

213. Pair of Neoclassical‑Style Carved and Painted Torchères, marble top, frieze with star decoration, winged putti head capitals, lobed and finialed pendant, X form supports, hoofed feet, tripartite base, ball feet, h. 42 1/2 in., w. 13 in., d. 13 in. $300/500

214. Neoclassical‑Style Bronze‑Mounted Mahogany Pedestal Vitrine, 20th c., reverse‑tapered standard with beveled glass sides and door, two glass shelves, velvet lined, molded base, h. 38 in., w. 18 in., d. 18 in. $500/700

216. American Classical Carved Mahogany Sofa, early 19th c., likely Philadelphia or Baltimore, reeded volute arms, blocked seat rail, reeded tapered feet, casters, h. 33 in., w. 68 in., d. 23 1/2 in. $1000/1500

215. English Parcel Gilt and Inlaid Birdseye Maple Sideboard, late 19th c., brass galleried superstructure, mirrored backsplash, two frieze drawers, three shelves flanked by mirrored cabinets, fluted and foliate columnar supports, conforming base, h. 54 1/2 in., w. 74 1/2 in., d. 19 1/2 in. $1200/1800 Provenance: Schwitz Collection, Franklin, LA.

217. American Classical Carved and Brass‑Mounted Mahogany Games Table, early 19th c., Boston, foldover chamfered top, foliate carved standard, saber legs, brass paw feet, casters, h. 28 1/2 in., w. 36 in., d. 18 in. $600/900 Provenance: Estate of Noted Antiquarian James D. “Don” Didier.

218. American Classical Carved Mahogany Games Table, early 19th c., Boston, foldover swivel top, columnar standard, scrolled acanthine saber legs, brass paw feet, casters, h. 28 in., w. 35 1/2 in., d. (closed) 17 3/4 in., d. (open) 35 1/2 in. $800/1200

219. William IV‑Style Burled and Figured Walnut Pedestal Desk, 20th c., shaped veneer banded top, inset green tooled leather top, bolection molded frieze with three drawers, two pedestals of three graduated drawers, scrolled bracket feet, h. 31 1/2 in., w. 59 1/2 in., d. 29 1/2 in. $800/1200 220. Antique French Bronze‑Mounted and Parcel Ebonized Mahogany Center Table, marble top, star‑decorated frieze, scrolled supports with lion’s head mounts, paw feet, shaped base, h. 33 1/2 in., w. 41 in., d. 27 3/4 in. $1500/2500 Provenance: Schwitz Collection, Franklin, LA.

221. George III Carved Mahogany Breakfront, early 19th c., stepped cornice, Gothicized doors, shelf interior, lower case with cartouche‑paneled doors enclosing linen drawers, plinth base, h. 102 3/8 in., w. 110 1/2 in., d. 15 in. $2500/5000 Provenance: Schwitz Collection, Franklin, LA.

222. Russian Neoclassical‑Style Bronze‑Mounted Writing Table, probably early 20th c., inset baize top, two drawers, tapered legs, h. 30 in., w. 42 1/4 in., d. 21 3/8 in. $800/1200

Provenance: Schwitz Collection, Franklin, LA.

223. Pair of Continental Giltwood Shelf Mirrors, late 18th/ early 19th c., eagle with serpent and winged figure, taller h. 9 1/2 in., w. 6 in., d. 2 1/4 in. $800/1200

227. New Orleans Coin Silver Repoussé Christening Cup, Adolphe Himmel for Hyde & Goodrich, marked “HYDE & GOODRICH” in arc, over “H”, over “NEW ORLEANS” in complementary arc, h. 3 5/8 in, wt. 4 troy ozs. $400/600

224. Antique French Giltwood Mirror, 19th c., remnants of Paris label en verso, 35 in. x 31 in. $150/250

228. American Coin Silver Repoussé Waste Bowl, Peter Krider, Philadelphia, c. 1850, marked “P.L.KRIDER/PHILADA/ STANDARD”, footed form with applied Greek key and bead rim and foot rim, cartouche with period script monogram, h. 5 3/8 in., dia. 5 7/8 in., wt. 13.25 troy ozs. $300/500

229. Rare Group of Mississippi Coin Silver “Fiddlethread” Forks, John and Julius Klein, Vicksburg, c. 1854, marked “KLEIN & BROTHER” or “KLEIN & BRO”, incl. 4 dinner forks, l. 7 5/8 in., and 6 dessert forks, l. 6 5/8 in., total wt. 18.95 troy ozs. $500/750

231. Two Tennessee Coin Silver “Fiddlethread” Pattern Tablespoons, F.H. Clark & Co., Memphis, wc. 1850‑1866, marked “F.H. CLARK & CO.” incuse, l. 8 3/8 in., wt. 3.95 troy ozs. $150/250

Ref.: Caldwell, Benjamin H., Jr. Tennessee Silversmiths. pp. 62‑63.

225. French Egyptian Revival Gilt Bronze Encrier, mid‑19th c., urn form, pharaonic finial, panther handles, rosso antico marble base, h. 6 1/4 in., dia. 3 1/4 in. $300/500

226. Continental Gilt and Patinated Bronze Vide Poche, 19th c., scallop shell dish, winged swan support, rosso antico marble, h. 5 1/2 in., w. 5 in., d. 4 1/2 in. $300/500

230. Group of New Orleans Coin Silver “Fiddlethread” Flatware, Hyde & Goodrich, wc. 1828‑1861, incl. 6 dinner forks (l. 8 1/8 in.), marked “HYDE & GOODRICH” in rectangle, and 6 soup spoons (l. 7 1/8 in.), marked “HYDE & GOODRICH” incuse and with rubbed pseudo hallmarks, total wt. 25.50 troy ozs. $600/900

232. Good Group of American Coin Silver Flatware, incl. “Olive Variant” fish serving knife, S.T. Crosby, Boston, act. 1848‑1896, l. 11 1/2 in.; “Leaf/Shell” flat server, ret. T. Goldsmith, Troy, NY, act. 1842‑1885, l. 9 1/2 in.; Polhamus “Oriental” dessert knife, ret. W.H. Calhoun, Nashville, TN, act. 1835‑1865, l. 7 1/8 in; and foliate teaspoon, Bailey & Co., Philadelphia, act. 1848‑1878; total wt. 8.15 troy ozs. $300/400 Additional information at www.nealauction.com

233. Kentucky Coin Silver Gravy Ladle, James C. and George W. Snyder Jr., Paris, KY, wc. 1845‑1848, marked “J & C. SNYDER” in rectangle, fiddle handle, l. 8 3/4 in. $300/500 Ref.: Boultinghouse, Marquis. Silversmiths of Kentucky, 1785‑1900. pp. 254‑255, near identical ladle ill. p. 255, pl. 72, mark ill. p. 307, no. 152c.

234. Virginia Coin Silver Sugar Tongs, William Mitchell Jr. (1795‑1852), Richmond, act. 1818‑1845), l. 6 1/4 in.; together with fiddle handle teaspoon, Robert Keyworth, Washington, DC, act. 1822‑1855. $150/250

235. New Orleans Coin Silver “Fiddlethread” Fish Slice, Hyde & Goodrich, wc. 1828‑1861, marked “HYDE & GOODRICH” incuse and with rubbed pseudo hallmarks, l. 11 7/8 in., wt.3.25 troy ozs. $250/350

236. Two American Brilliant Cut Glass Bowls with Gorham Sterling Silver Mounts, c. 1900, incl. example with vintage motif mounts, pattern S3050, h. 2 7/8 in., dia. 9 in.; and example with scroll motif mounts, pattern S3107, h. 2 1/8 in., dia. 7 7/8 in. $400/600 Provenance: Schwitz Collection, Franklin, LA.

238. American Sterling Silver Tea and Coffee Service, early 20th c., incl. teapot, coffee pot, sugar, creamer and waste bowl, each with applied medallion of the Southern Golf Association, the coffee pot also with presentation “SOUTHERN GOLF ASSOCIATION/FIFTEENTH ANNUAL TOURNAMENT/DALLAS COUNTRY CLUB/MAY 23‑27, 1918” and on reverse “CHAMPIONSHIP/WON BY/R.G.BUSH Jr”, coffee pot h. 10 1/4 in., total wt. 46.60 troy ozs. $500/750

237. Gorham “Fleury” Sterling Silver Teapot and Waste Bowl, pat. 1909, teapot h. 5 5/8 in., total wt. 16.50 troy ozs. $300/500

Provenance: Descended in the Family of Reuben G. Bush Jr., New Orleans, Champion Golfer

239. Alabama Coin Silver Water Pitcher, Lewis Owen (1803‑1893), Montgomery, wc. 1830‑1856, marked “L. OWEN & CO” incuse, c. 1850‑1856, cast floral scroll rim, grape and grapevine handle, paneled inverted pyriform body with flat‑chased decoration, domed foot with applied egg and dart foot rim, h. 11 3/4 in., wt. 29.75 troy ozs. $1200/1800 Ref.: Made in Alabama: a State Legacy, pp. 313‑314.

242. Pair of Georgian‑Style Silverplate Three‑Light Candelabra, 20th c., removable flame finial, convertible to two single candlesticks, gadroon borders, overall h. 19 7/8 in. $300/500 Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

240. Good American Chrysanthemum Motif Sterling Silver Cigar Lighter, marked “GORHAM M’F’G Co”, “STERLING”, “4727” with Shiebler trademark, w. 4 in., wt. 3.40 troy ozs. $300/500

243. Victorian Sterling Silver Milk Pitcher, Edward, John & William Barnard, London, 1851, act. 1846‑1851, lobed pear‑form body, foliate c‑scroll handle and foliate scroll feet, h. 8 7/8 in., wt. 14.70 troy ozs. $300/500

241. Tiffany & Co. Sterling Silver Repoussé Cigar Lighter, date mark for 1869‑1891, w. 4 1/2 in., wt. 4.75 troy ozs. $500/700

244. American Sterling Silver Tazza, Redlich pattern 4382, ret. A. Stowell & Co., Boston, reticulated borders with cast roses and foliate scrolls, h. 4 in., dia. 8 7/8 in.; together with Gorham sterling repoussé bowl, pattern A3982, date mark for 1906, dia. 7 3/8 in., total wt. 17.20 troy ozs. $300/400

245. American Coin Silver Repoussé Goblet, mid‑19th c., unmarked, floral and grape decoration, cartouche engraved “RH Haynes/from Your Sister/ Adaline C. Given/New Orleans Jan 9.1860.”, h. 6 3/8 in., wt. 7.60 troy ozs. $300/500 246. Large Shreve & Co., San Francisco Sterling Silver Cake Stand, early 20th c., in the “Adam” pattern, reticulated border and reticulated scroll feet, h. 2 5/8 in., dia. 13 3/4 in., wt. 35.35 troy ozs. $700/1000

247. Group of Tiffany & Co. Makers Sterling Silver, incl. 2 paneled trumpet vases, h. 11 1/4 in; and pair of candlesticks, h. 5 3/8 in., all weighted, date mark for 1907-1974. $600/800

250. Group of Child’s Silver, incl. a Tiffany & Co. Makers sterling porringer, date mark for 1902-1907, w. 7 1/4 in.; and cup, h. 2 3/4 in.; a Gorham sterling cup, h. 3 1/8 in.; and a Tiffany silver soldered cup, total wt. (weighable) 11.80 troy ozs. $300/500 248. Redlich Sterling Silver Coffee Service, act. New York, 1895-1946, incl. coffee pot, covered sugar and creamer, each with cast floral and scroll decoration, reticulated floral and scroll pedestal foot, coffee pot h. 11 3/8 in., total wt. 75.50 troy ozs. $1000/1500

251. Good Group of French Silver Flatware Serving Pieces, incl. 1st Standard silver gilt serving spoon, with French export mark and import marks of Lewis, London, 1893, l. 7 1/2 in.; 1st Standard sugar sifter spoon, Louis Coignet, act. 1889‑1893, 14 rue Barbette, Paris, l. 7 7/8 in.; 1st Standard silver and bone pastry trowel, 19th c., maker G&N untraced, l. 12 1/4 in.; and a silverplate manche à gigot, Alfenide (division of Christofle), late 19th c., l. 8 3/8 in. $300/500

249. Gorham Sterling Silver and Staghorn Tyg, 20th c., h. 5 1/2 in.; together with Dominick & Haff sterling trumpet vase, with cast floral and reticulated scroll decoration, h. 11 1/2 in., total wt. 27.90 troy ozs. $400/600

252. Antique French Silverplate and Cut Crystal Centerpiece in the Neoclassical Taste, marked “P.B&C” in rectangle and “13” in rectangle, stand with griffin supports, husk and stiff leaf borders and bracketed paw feet, scalloped cut crystal centerbowl, overall h. 8 in., dia. 8 in. $800/1200

253. Louis Philippe 1st Standard Silver Cruet Stand, Etienne‑Auguste Courtois, Paris, act. 1834‑1847, gadroon and acanthus decoration, later pressed glass bottles, h. 14 3/8 in., wt. 26.60 troy ozs. $400/600

Provenance: Schwitz Collection, Franklin, LA.

254. Imperial Russian Silver‑Mounted Brilliant Cut Glass Claret Jug, 84 zolotnik mark (.875 fine), St. Petersburg, c. 1908, maker untraced, star and fan cut glass, h. 8 1/8 in. $300/500 Provenance: Schwitz Collection, Franklin, LA.

255. French Restauration 1st Standard Silver Coffee Pot, 1809‑1819, amphora form, domed cover with pod finial, ebonized handle with rosette terminal, horse’s head spout, paw feet headed by palmettes, h. 11 1/2 in., wt. 24.20 troy ozs. $400/600 Provenance: Schwitz Collection, Franklin, LA.

258. Pair of Alpacca Fighting Rooster Garniture Figures, h. (tallest) 11 5/8 in. $300/500

Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

256. Austrian .821 Silver Reticulated Cake Basket, Vienna, 1827, makers mark rubbed, reticulated grape and grapeleaf border, h. (to top of handle) 7 7/8 in., w. 10 3/8 in., d. 8 3/54 in., wt. 17.85 troy ozs. $300/500

259. Victorian Sterling Silver Trophy Cup in the Neoclassical Taste, Charles Stuart Harris, London, 1882, stiff leaf and acanthus decoration throughout, h. 10 5/8 in., w. 11 in., wt. 29.25 troy ozs. $500/750

257. Continental .800 Silver Pheasant Garniture Figure, h. 5 in., l. 17 in., wt. 21 troy ozs. $500/750

260. Good English Victorian Fused Silverplate Tea Tray, James Dixon & Sons, Sheffield, mid‑19th c., serpentine with beaded border, strapwork loop handles, flat‑chased well with inset silver shield, handsome period monogram, 32 3/4 in. x 22 3/4 in. $300/500 Provenance: Estates of George and Mary Beth Thomson, Franklin, LA. Additional information at www.nealauction.com

262. Pair of Large Continental Patinated Bronze Figural Torchères, 20th c., in the Egyptian taste, pedestal base with neoclassical decoration, h. 76 in., dia. 15 in. $1500/2500

261. Petrus Pieter Gerardus Vertin (Dutch, 1819-1893), “Stradsgericht te Amsterdam”, oil on panel, signed lower right, label with artist and title and “Gebr. Douwes Atelier, Amsterdam” gallery label en verso, 10 5/8 in. x 8 1/8 in., framed. $1000/1500

263. French Gilt Bronze and Etched Glass “Montgolfier” Hall Lamp, c. 1900, hot‑air balloon shade, pendant hung netting, candlearms centered by woven metal basket, shade with one electrified fixture, h. 32 in., dia. 12 in. $1000/2000

265. American Federal Giltwood and Églomisé Mirror, late 18th c., surmounted by a carved spreadwing eagle, wheat‑filled ewer finials, shaped cornice, beaded and foliate molding, Ionic capital, fluted columnar stiles, floral‑block rope‑turned base, h. 66 in., w. 24 in. $2000/3000 Provenance: Estate of Noted Antiquarian James D. “Don” Didier.

264. Pair of Neoclassical‑Style Gilt Bronze and Patinated Bronze Candelabra, each opposing Grecian figure supporting scrolling arms. $800/1200

267. French Rouge Royale Marble and Gilt Bronze Portico Clock, early 19th c., movement marked “J.B. WILBOR/ PARIS”, columns with Corinthian capitals, rosette bob, h. 18 1/4 in., w. 9 1/2 in., d. 5 in. $1000/1500

268. Hunt Slonem (American/ Louisiana, b. 1951), “Red Rover”, 2014, oil on canvas, signed, titled and dated en verso, 40 in. x 30 in., framed. $4000/6000

Note: The highly ornamented mirror offered here, featuring two elegantly painted verre églomisé panels, is closely related to a similar mirror from the collection of the Winterthur Museum and a New York-attributed mirror from the Kaufman Collection. Ref.: Cooper, Wendy A. An American Vision: Henry Francis du Pont’s Winterthur Museum. Delaware: Winterthur Museum, 2002, p. 181, fig. 25; Flanigan, Michael J. et al. American Furniture from the Kaufman Collection. National Gallery of Art, 1986, pp. 232-233, fig. 96.

269. Alberta Kinsey (American/New Orleans, 1875‑1952), “French Quarter Street with Figures”, oil on canvas laid on board, signed lower left, 21 in. x 17 in., framed. $2500/3500

266. Empire Gilt Bronze and Verde Antico Marble “La Liseuse” Mantel Clock, c. 1815, engine‑turned dial marked “Bausse au Meridn., BOULD. D’ANTIN”, designed by Jean‑Andre Reiche (1752‑1817), figure reading by oil lamp, books at her feet, h. 12 1/2 in., w. 11 3/8 in., d. 5 3/8 in. $1500/2500

270. Morris Henry Hobbs (American/ New Orleans, 1892‑1967), “Canal Street Ferry Landing ‑ Feb. 28, 1938 ‑ The Packet ‘Capitol’”, 1938, and “Old Half‑Timbered Building at 937‑941 Bourbon St. ‑ Blacksmith Shop in 1810”, 2 graphites on paper, each pencil‑signed lower right, titled lower left, former dated lower left, 9 in. x 13 1/2 in. and 9 1/2 in. x 11 in., matted. (2 pcs.) $1500/2500

271. John Vanderlyn (American/ New York, 1775-1852), “Boat Sketch (Study for ‘The Landing of Columbus in San Salvador’)”, pencil on paper, unsigned, “Kennedy Galleries, Inc.” documentation attached on reverse, 11 in. x 8 1/2 in., framed. $1500/2500

272. Lois Mailou Jones (American, 1905‑1998), “Beach Scene”, 1946, watercolor on paper, signed and dated lower left, sight 14 in. x 20 in., framed. $3000/5000

273. Mildred Nungester Wolfe (American/Mississippi, 1912‑2009), “Ghost Town”, 1945, gouache on paperboard, signed and dated lower right, pencil‑signed and titled en verso, partial painting and inscription en verso, 10 in. x 15 3/8 in., framed. $800/1200

Provenance: Catherine Vanderlyn; her attorney Judge Augustus Schoonmaker; his daughter Mrs. William Laughton; Fred Johnston, Kingston, NY; Kennedy Galleries, Inc., New York, NY; Schwitz Collection, Franklin, LA.

274. Knute Heldner (Swedish/ Louisiana, 1877‑1952), “Minnesota Landscape”, 1923, oil on panel, signed and dated lower right, 29 1/4 in. x 34 1/4 in., framed. $5000/8000

276. George Rodrigue (American/Louisiana, 1944‑2013), “Blue Dog in Moonlight”, oil on canvas, signed lower left, 24 in. x 20 in., framed. $40000/60000 Provenance: The Rodrigue Gallery, New Orleans, LA.

275. Mildred Nungester Wolfe (American/Mississippi, 1912‑2009), “Field of Wildflowers”, oil on masonite, signed lower right, 13 3/4 in. x 21 in., framed. $1500/2500

277. George Rodrigue (American/Louisiana, 1944‑2013), “Starry, Starry Eyes”, 1991, acrylic on linen, signed mid‑right, signed, titled and dated en verso, artist label with title on frame, 24 in. x 18 in., framed. $40000/60000 Provenance: Galerie Blue Dog, Carmel, CA, 1991.

Additional information at www.nealauction.com

278. Newcomb College Art Pottery High Glaze Vase, 1904, probably by Henrietta Bailey, with iris design, in blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. WW19, h. 6 7/8 in., dia. 6 1/2 in. $3000/5000

279. Newcomb College Art Pottery Plaque, decorated with low relief‑carved cabin and trees design, matte glaze with blue, green and yellow underglaze, base marked with “EMU 1”, dia. 4 3/4 in. $1500/2500

280. Newcomb College Art Pottery Tile, 1913 decorated with low relief‑carved pine tree, matte glaze with green, blue and yellow underglaze, back marked “FK85”, h. 6 1/4 in., l. 5 1/4 in., framed. $2500/3500

281. Pair of Newcomb College Art Pottery Candlesticks, decorated with geometric cut‑outs, white high glaze, interior marked with “H.R.T.”, h. 7 in., dia. 3 3/4 in. $700/1000

282. Newcomb College Art Pottery Vase, 1913, decorated by Cynthia Pugh Littlejohn with low relief‑carved jasmine design, matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, circled B for buff clay, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. GB23 and shape no. 289, h. 3 1/3 in., dia. 3 in. $600/900

283. Newcomb College Art Pottery Pot, 1932, decorated by Sadie Irvine with low relief‑carved stylized foliate design, matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Kenneth Eugene Smith’s potter’s mark and reg. no. TZ83, h. 2 1/4 in., dia. 2 3/4 in. $500/700

284. Newcomb College Art Pottery Vase, 1933, decorated by Sadie Irvine with low relief carved “Moon and Moss” design, matte glaze with blue, green and white underglaze, base marked with Newcomb cipher, Kenneth Smith’s potter’s mark, and reg. no. UD92, h. 7 1/2 in., dia. 6 in.; together with original Newcomb brochure. (2 pcs.) $3000/5000

285. Newcomb College Art Pottery Vase, 1928, probably decorated by Sadie Irvine, with low relief carved “Moon and Moss” design, matte glaze with blue, green and white underglaze, base marked with Newcomb cipher, Jonathan Hunt’s potter’s mark, reg. no. RG13 and shape no. 144, h. 10 1/2 in., dia. 5 in. $5000/7000

286. Newcomb College Art Pottery Bowl, 1924, decorated by Sadie Irvine with low relief‑carved daffodils design, matte glaze with blue, green, pink and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. NJ56 and shape no. 212, h. 3 in., dia. 5 1/2 in. $800/1200

287. Newcomb College Art Pottery High Glaze Vase, 1932, decorated by Aurelia Coralie Arbo with stylized elongated leaves, seafoam green underglaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Hunt’s potter’s mark, reg. no. TR80 and shape no. G9, h. 9 in., dia. 5 1/2 in. $600/900

288. Newcomb College Art Pottery 40 Thieves “Alibaba” Jar, glazed rim, base marked with Newcomb cipher, h. 3 3/4 in., dia. 3 in, with stand. $300/500

289. Newcomb College Art Pottery Inkwell, 1928, decorated with low relief‑carved jasmine and leaves design, matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, reg. no. QR5, and shape no. 12, potter’s mark and decorator’s mark partially covered by original paper label, h. 2 in., dia. 3 in. $300/500

290. William Woodward (American/Louisiana, 1859‑1939), “Old French Quarter Opera House”, 1906, Raffaelli oil crayon on board, signed and dated lower right, signed en verso, 15 in. x 19 1/4 in., framed. $30000/50000

Note: In 1859, James Gallier, Jr. was commissioned by Charles Boudousquié, director of the opera company in New Orleans, to design a new opera house for the city. The resulting Greek Revival style building, which stood on the corner of Bourbon and Toulouse Streets, was completed in only seven months and became one of the premier locations for New Orleans social life for the next sixty years. Private and public events, including Carnival balls, wedding receptions, concerts, and debuts, were held at the Opera House, making it one of the most well-known structures in the city. On December 3, 1919, a fire of unknown origins spread throughout the entire complex, leaving it in ruins. Although plans to renovate the building were discussed, none ultimately came to fruition.

William Woodward, whose love of historic architecture is well known, created a famous series of historical sketches and paintings of the streets of the French Quarter in the late 1800s and early 1900s, including at least four views of the Old French Opera House. The painting offered here depicts a view of the opera house from the corner of Bourbon and St. Louis Streets. Through the distinctively applied Raffaelli oil crayon, Woodward created an atmospheric and Impressionistic scene. The bright palette, technique of applying broad layers of color, and the energetic crayon strokes add a sense of immediacy to this cohesive scene.

291. Joseph Lambert Cain (American/New Orleans, 1904‑2003), “Royal and Chartres Streets”, oil on canvas, signed lower left, titled on stretcher, 16 in. x 36 in., framed. $2000/3000

Note: New Orleans-born Joseph Lambert Cain began his art career at the age of sixteen when he cut short his high school education to pursue studying drawing at the Chicago Academy of Fine Art as well as the Art Institute of Chicago. He would continue his artistic studies under the tutelage of Hans Hoffman and at such institutions as the Art Students League of New York and the Sorbonne.

292. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Stria Drawing #5”, 1972, mixed media on unstretched linen, signed and dated lower right, 20 in. x 20 3/4 in., framed. $6000/8000

Cain often exhibited with his equally-talented contemporaries: Milton Avery, Adolph Gottlieb, and Max Weber and even formed “The Group” with them and several other artists including Mark Rothko and Hans Hoffman. Together they would gather and discuss art theory and modernism. In between his teaching jobs and mural commissions, Cain would return to the imagery of his native New Orleans, often painting in a much more representational style while utilizing vibrant colors to underscore the sense of vitality and vigor which he sought to capture in the city of his birth, as is evident in the painting on offer here. Ref.: Cain, Peter Michael. The Work and Progress of Man: Selections from the Scrapbook of Joseph Lambert Cain. Warwick, NY: Albert Wisner Public Library, 2012, pp. 4-22.

294. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Untitled (Transverse Series)”, 1972, oil on linen, signed and dated lower center, 81 in. x 49 in., framed. $30000/50000

Note: “The only certainty is: the lightness/weight opposition is the most mysterious, most ambiguous of all.” – Milan Kundera, The Incredible Lightness of Being

293. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Experimental Proof for Non‑Existent Print”, 1973, monoprint on paper, signed, titled and dated lower edge, sight 19 1/2 in. x 19 5/8 in., framed. $2000/3000

The lot offered here is an exceptional work from Ida Kohlmeyer’s rare “Transverse” series of the early 1970s. “Transverse” occurred concurrently with her coveted “Straie” works and expounded upon the same concepts and approach. The result is a stunningly ethereal and elegant composition. In place of saturated stacks of color blocks on a bright white background, Kohlmeyer uses natural, unprimed linen as the backdrop to her light, delicate and translucent brushstrokes. Perhaps even more elusive than her well-documented “Straie” series, this painting is only the second “Transverse” work to be offered at auction. Additional information at www.nealauction.com

296. Bill Binnings (American/ Louisiana, 20th c.), “Waiting (The Seed Bearer Series)”, bronze, signed and catalogue number “0113” incised on self‑base, h. 34 3/4 in., w. 11 1/2 in., d. 8 in. $2000/3000 Provenance: Acquired from the artist, C. 1980s.

Note: Bill Binnings, known for his impressive bronze sculptures, dedicated himself to the tricky medium after receiving his MFA from Ohio State in 1971. Binnings completes all of his own casting in his studiofoundry on the Northshore of New Orleans, and his public commissions can be found throughout the South. Recently, Binnings completed and sited two commissioned sculptures of the author, Walker Percy, in locations around Covington, LA to honor his late friend. In the lots offered here, Binning’s gift for conveying movement and grace is well on display. Neal Auction Company would like to thank Mr. Binnings for his assistance with the cataloguing of these lots.

295. Ida Rittenberg Kohlmeyer (American/ New Orleans, 1912‑1997), “Untitled”, 1995, painted aluminum, signed and dated on underside, h. 87 in., w. 36 in., d. 19 in. $7000/10000

298. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Soft Sculpture No. 2”, 1976, screenprint on fabric, Plexiglas and mixed media, unsigned, edition of 26, h. 11 1/4 in., w. 14 in., d. 10 3/4 in. $1200/1800 Ill.: Plante, Michael. Ida Kohlmeyer: Systems of Color. New York and Manchester: Hudson Hills Press, 2004, pl. 86.

297. Bill Binnings (American/Louisiana, 20th c.), “Movement from 5th Position”, bronze, signed on self‑base, unique cast, h. 25 3/4 in., w. 21 in., d. 15 in., granite base, overall h. 33 3/4 in. $2500/3500 Provenance: Acquired from the artist, c. 1980s.

299. Arturo Bassols (Cuban/American, 1936‑2001), “Abstract Form”, 1969, welded steel sculpture, h. 22 1/4 in., signed and dated under wood base, overall h. 28 3/4 in. $700/1000

300. William Dunlap (American/ Mississippi, b. 1944), “Flat Out, Floating”, mixed media triptych on paper, signed and titled lower edge, overall 23 1/4 in. x 78 1/2 in., framed. (3 pcs.) $4000/6000

301. William Dunlap (American/Mississippi, b. 1944), “Spring Storm, Late April or Early May”, 1978, mixed media on paper, pencil‑signed lower right, titled lower left, “Quadram Gallery, Chestnut Hill, Massachusetts” label on backing, 30 in. x 40 in., framed. $3000/5000 302. Ida Rittenberg Kohlmeyer (American/ New Orleans, 1912‑1997), “Pink Painting”, 1985, oil and mixed media on canvas, signed and dated lower right, partial “Robert L. Kidd Associates, Birmingham, MI” label with artist and title on stretcher, 67 1/2 in. x 67 1/2 in., framed. $25000/35000

303. Marie Atkinson Hull (American/ Mississippi, 1890‑1980), “Blackbirds”, 1945, oil on canvas board, signed and dated lower left, inscribed en verso, exhibition label with title and date on backing paper, 20 in. x 24 in., framed. $20000/30000 Ill.: Elias, Virginia McGehee, Haynie, William S., et al. The Art of Marie Hull. Jackson: University Press of Mississippi, 1975, p. 55.

304. Marie Atkinson Hull (American/Mississippi, 1890‑1980), “Road to the Lake”, watercolor on paper, signed lower right, pencil‑signed, titled and inscribed en verso, 21 1/2 in. x 14 1/2 in., framed. $3000/5000 305. Marie Atkinson Hull (American/Mississippi, 1890‑1980), “Ancient Magnolia, Biloxi”, mixed media on paper, signed lower right, pencil‑signed, titled and inscribed en verso, 18 in. x 12 in., framed. $2500/3500

306. William Dunlap (American/Mississippi, b 1944), “Road Work (Diptych)”, mixed media on paper, signed twice and titled lower edge, 20 3/4 in. x 59 in., framed. $3000/5000

308. George Rodrigue (American/Louisiana, 1944‑2013), “Bath House in Patoutville”, 1974, oil on canvas, signed lower left, signed and inscribed en verso, signed twice, titled, artist stamp and inscribed on stretcher, 36 in. x 24 in., original frame. $25000/35000 Ill.: Rodrigue, George. The Cajuns of George Rodrigue. Birmingham, AL: Oxmoor House, Inc., 1976, p. 49. 307. George Rodrigue (American/Louisiana, 1944‑2013), “Justin Wilson”, 1988, oil on linen, signed lower right and en verso, 40 in. x 30 in., framed. $30000/50000 Provenance: Estate of Justin Wilson; Private Collection.

Note: Comedian and chef Justin Wilson was born in Roseland, Louisiana in 1914. He published his first Cajun cookbook in 1960, leading to a nationally syndicated cooking show on PBS and nine additional cookbooks. Wilson helped to popularize Cajun cuisine, charming viewers with his famous catchphrases and over-the-the top character. In this classic portrait, George Rodrigue depicts Wilson seated under an oak with his beloved Catahoula dogs (the state dog of Louisiana). Much like Rodrigue’s traditional Cajun figures, Wilson glows against the landscape in a white suit with his trademark red string bow tie.

Note: “A unique type of very energetic Cajun came to Louisiana - a pure Frenchman at heart. He wanted all the comforts of home, all the comforts of Europe. He wanted nothing that the swamps had to offer. He liked a good meal, he liked this, he liked that. He wanted everything exactly right, and one of the first things he felt he must have was a place to take a bath. Being an enterprising Cajun, he took the chicken house, which was very high off the ground so the roosters would roost in it, and converted it into a first-class bathhouse. Because most of the Cajuns bathed outside in the summer and inside next to the fire on winter nights, they were anxious to try out the new facility. Before long the “bathhouse owner” had an established business in this chicken house where the water could run through the floor and the wind could dry off the bathers.” – George Rodrigue, The Cajuns of George Rodrigue. Ref.: Rodrigue, George. The Cajuns of George Rodrigue. Birmingham, AL: Oxmoor House, Inc., 1976, p. 48. Additional information at www.nealauction.com

309. George Louis Viavant (American/Louisiana, 1872‑1925), “Nature Morte: Woodcock”, 1916, watercolor on paper, signed, dated and inscribed “N.O.” lower left, 25 1/4 in. x 19 1/2 in., framed. $6000/8000

310. George Louis Viavant (American/Louisiana, 1872‑1925), “Nature Morte: Goggle‑Eye Perch”, 1920, watercolor on paper, signed and dated lower left, 15 3/4 in. x 11 in., framed. $2000/3000

311. William Aiken Walker (American/South Carolina, 1838‑1921), “Hunting Dog”, oil on canvas, signed lower right, 17 in. x 14 in., framed. $7000/10000

Provenance: Collection of Alonzo Lansford (1910‑1978), New Orleans, LA. Ill.: Trovaioli, August P. and Roulhac B. Toledano. William Aiken Walker: Southern Genre Painter. Gretna, LA: Pelican Publishing Company, 2008, p. 19.

312. Clementine Hunter (American/Louisiana, 1886‑1988), “Funeral”, oil on board, monogrammed lower right, titled en verso, 16 in. x 24 in., framed. $4000/6000

313. Clementine Hunter (American/Louisiana, 1886‑1988), “Pecan Picking”, oil on board, monogrammed lower right, 11 3/4 in. x 16 in., unframed. $3000/5000 314. Clementine Hunter (American/Louisiana, 1886‑1988), “Hauling Cotton”, oil on board, monogrammed lower right, 12 3/8 in. x 16 in., unframed. $3000/5000

315. Clementine Hunter (American/Louisiana, 1886‑1988), “Picking Cotton”, oil on board, monogrammed lower right, 16 in. x 20 in., framed. $3000/5000

317. Hortaire Guenard (American/ Louisiana, 1827‑1899), “Choctaw Child”, 1867, oil on canvas, signed and dated lower right, 18 1/4 in. x 15 in., framed. $2000/3000 Provenance: Groves Collection; Tilden‑Foley Gallery, Feb. 17, 1995.

Ill.: Weisendanger, Martin and Margaret. 19th Century Louisiana Painters and Paintings from the Collection of W.E. Groves. Gretna, LA: Pelican Publishing Company, 1971, p. 57.

316. Robert Malcolm Rucker (American/Louisiana, 1932‑2001), “Poor Man’s Plantation”, oil on canvas, signed lower right, label with title on stretcher, 20 in. x 24 in., framed. $2000/3000 Provenance: Nahan Fine Art Galleries, New Orleans, LA.

318. Jimmie Lee Sudduth (American/Alabama, 1910‑2007), “Green Jump Suit”, oil on plywood, pencil‑signed upper right, 72 in. x 23 7/8 in., framed. $1200/1500 Provenance: The Doug and Cathy Gitter Collection.

319. Jimmie Lee Sudduth (American/Alabama, 1910‑2007), “Seven Women”, oil on plywood, pencil‑signed lower center, 24 in. x 48 in., unframed. $800/1200 Provenance: The Doug and Cathy Gitter Collection.

321. Joseph Hardin (American/ Alabama, 1921‑1989), “Four Heads”, pastel on paper, initialed lower right, 14 in. x 11 in., framed. $500/700 320. Ruth Mae McCrane (American/Texas, 1929‑2002), “She Wore Red Fox Stockings and Pink Shoes”, 1993, acrylic on plywood, signed and dated lower right, signed and titled en verso, 48 in. x 48 in., framed. $1500/2500

Provenance: The Doug and Cathy Gitter Collection.

322. Toby Hollinghead (American/Alabama, b. 1953), “The Beach”, 2007, acrylic on canvas, signed and dated lower right, titled lower left and on stretcher, 30 in. x 40 in., unframed. $1200/1800 Provenance: The Doug and Cathy Gitter Collection.

Note: “It’s like music to me, the colors have a rhythm and flow and can evoke tears and laughter. When I approach the canvas the paint and brush take over and move as of its own accord to create an emotion and an event I sometimes didn’t know was there. God blessed me by giving me this special gift of joy, and I hope to share it with others.” – Toby Hollinghead Toby Hollinghead began painting at the age of forty-five after receiving a paint set from her daughter for Christmas, and she discovered a creativity and passion that was previously unknown to her. Her natural talent has led her to exhibit in many shows throughout the South and garner a significant following with collectors. Rather than paint from nature, Hollinghead draws inspiration from memories and her religious upbringing. In spite of a difficult childhood defined by poverty and hunger, she chooses to focus on the joyful moments of her youth as well as the raising of her own children, which is evident in the lot on offer here depicting a mother enjoying the day with her two daughters on the beach.

323. Mary Tillman Smith (American/Mississippi, 1904‑1994), “Untitled (Five Figures Against Yellow Background)”, paint on found tin, signed en verso, 22 1/4 in. x 59 3/4 in., unframed. $3000/5000 Provenance: The Doug and Cathy Gitter Collection.

Note: Mary Tillman Smith was born in 1904 in Mississippi. The daughter of two sharecroppers, she faced difficulties early in her life due to a hearing impairment. She spent many years working as a domestic servant and only began to explore her artistic talent following her retirement in the 1970s. Often working with found scrap metal and house paint, Smith created strong and audacious compositions regularly inspired by her faith. Her paintings are highly coveted today and can be found in collections such as the Metropolitan Museum of Art, Smithsonian American Art Museum, and High Museum of Art. Smith’s art was on display earlier this year in the solo show Mary T. Smith: I WE OUR at Shrine in New York.

In the lot offered here, the intense, undiluted warm palette reverberates when offset by bold dark blue outlines on a yellow background. Smith’s hand proves steady and her brushstrokes strong and confident. The resulting work is a monumental opus of texture and visual noise resulting in an undeniably impactful masterwork. Ref.: Gómez, Edward M. “The Bold, Blessed Paintings of a Sharecropper’s Daughter”. Hyperallergic. June 8, 2019. www. hyperallergic.com. Accessed July 29, 2019.

325. Rosie Lee Light (American/ Tennessee, 20th c.), “Fish in a Pond”, acrylic on plywood, signed lower right, inscribed en verso, 23 3/4 in. x 47 3/4 in., framed. $600/800 Provenance: The Doug and Cathy Gitter Collection.

324. Bernice Sims (American/Louisiana, 1926‑2014), “Hunting Scene”, acrylic on canvas, signed lower right, 20 in. x 24 in., framed. $1000/1500 Provenance: The Doug and Cathy Gitter Collection.

326. Rosie Lee Light (American/ Tennessee, 20th c.), “Three Flying Birds”, oil on plywood, signed lower right, sight 23 3/4 in. x 47 1/2 in., framed. $600/800 Provenance: The Doug and Cathy Gitter Collection.

327. Toby Hollinghead (American/Alabama, b. 1953), “In the Stillness”, oil on canvas, signed lower left, titled lower right, 16 in. x 20 in., unframed. $600/800 Provenance: The Doug and Cathy Gitter Collection.

Additional information at www.nealauction.com

328. Toby Hollinghead (American/ Alabama, b. 1953), “New York City Taxie [sic]”, acrylic on canvas, signed lower left, 20 in. x 16 in., unframed. $500/700

330. Sulton Rogers (American/Mississippi, 1922‑2003), “Cat in Suit”, painted carved wood, unsigned, h. 8 3/8 in. $300/500

Provenance: The Doug and Cathy Gitter Collection.

329. Malcah Zeldis (American/New York, b. 1931), “Lion 2”, 1990, gouache on paper, signed and dated lower center, pencil‑titled en verso, 15 in. x 19 5/8 in., framed. $800/1200

Provenance: The Doug and Cathy Gitter Collection.

331. Jimmie Lee Sudduth (American/ Alabama, 1910‑2007), “Alligator”, oil on plywood, pencil‑signed upper left, 16 in. x 48 in., unframed. $800/1200 Provenance: The Doug and Cathy Gitter Collection.

332. Jimmie Lee Sudduth (American/ Alabama, 1910‑2007), “Woman with Violin”, oil on plywood, signed lower right, 48 in. x 23 3/8 in., framed. $1000/1500 Provenance: The Doug and Cathy Gitter Collection.

333. Jimmie Lee Sudduth (American/Alabama, 1910‑2007), “Long Train”, paint on board, signed mid‑right, 16 1/4 in. x 59 3/4 in., framed. $800/1200

Provenance: Collection of Charles S. and the late Janie P. Houser, The Governor’s Club, Magnolia Springs, AL.

334. Peter Joseph Mars (American/New Orleans, 1874‑1949), “Settlement along the Levee”, oil on canvas, signed lower right, 19 in. x 28 1/4 in., framed. $1500/2500

335. Peter Joseph Mars (American/New Orleans, 1874‑1949), “Homes on the Coast”, oil on canvas, signed lower right, 22 in. x 30 in., framed. $1500/2500

337. George Rodrigue (American/Louisiana, 1944‑2013), “America”, 2005, oil on canvas, signed lower right, 24 in. x 36 in., framed. $40000/60000 336. George Rodrigue (American/Louisiana, 1944‑2013), “Metal 5_13”, 2013, acrylic and mixed media on metal, signed lower left, 48 in. x 32 in., framed. $20000/30000 Provenance: Rodrigue Studio, New Orleans, LA, Dec. 11, 2013.

Ref.: Rodrigue, Wendy. “Shiny Happy Blue Dog.” Musings of an Artist’s Wife www.wendyrodrigue.com. June 19, 2013, Accessed July 30, 2019.

Note: George Rodrigue often returned to the symbolic colors of red, white and blue within his Blue Dog series, creating dozens of patrioticthemed works. According to Wendy Rodrigue, “…the Blue Dog retains an underlying quality more consistent than its Cajun roots, its repetitive and hard-edge ‘Pop’ style, and its predictable stance. The Blue Dog, after twenty-five years of development remains, always, American.” As the Blue Dog series progressed, Rodrigue subtly refined the image and heightened the design elements, and he also saturated the dog with color. The pale, bluish-gray of the early loup-garou became an intense blue perfectly in line with the American flag. Rodrigue’s use of a patriotic theme was a natural meld with the Blue Dog, as the artist was inspired both by the colors themselves and his own unwavering American spirit. Ref.: Rodrigue, Wendy. “The American Blue Dog.” Musings of an Artist’s Wife. Aug. 6, 2010. www.wendyrodrigue.com. Accessed July 30, 2019.

338. George Rodrigue (American/Louisiana, 1944‑2013), “Lonely Moonlit Night”, 1991, acrylic on linen, signed lower right, signed and dated en verso, artist label with title on frame, 14 in. x 11 in., framed. $15000/25000 Provenance: Galerie Blue Dog, Carmel, CA, 1991.

339. James Michalopoulos (American/New Orleans, b. 1951), “Quarter Jaunt”, 1994, oil on canvas, signed lower left, signed and dated en verso, titled on stretcher, 24 in. x 30 in., framed. $5000/8000

340. Ashley Longshore (American/New Orleans, 20th c.), “Audrey Painting (Triptych)”, 3 acrylic and mixed medias on gallery‑wrapped canvas with heavy resin, each signed lower right, each 12 in. x 12 in., unframed; accompanied by copy of certificate of authenticity. (4 pcs.) $4000/6000

341. Bill Binnings (American/Louisiana, 20th c.), “Mother and Child (The Seed Bearer Series)”, bronze, signed on self‑base, h. 19 in., w. 16 in., d. 15 in., wood base, overall h. 21 in. $1500/2500 Provenance: Acquired from the artist, c. 1980s.

342. Bill Binnings (American/Louisiana, 20th c.), “Circle of Life (The Seed Bearer Series)”, bronze, signed and “AP” incised on self‑base, edition of 10, h. 12 in. $1200/1800 Provenance: Acquired from the artist, c. 1990s.

344. Wilson Henry Irvine (American, 1869‑1936), “Evening in the Brulatour Courtyard, New Orleans”, c. 1927‑28, oil on canvas, signed lower left, 24 in. x 27 in., framed. $4000/6000

343. Hattakitkosol Somchai (Thai, 1934‑2000), “Untitled (Bird in Flight)”, bronze, artist stamp and “51 / 1000” on reverse of proper left wing, h. 44 1/8 in., wood socle base, overall h. 48 in. $400/600 Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

Note: Considered one of the masters of American Impressionist painting, Wilson Henry Irvine was active in art circles in Chicago in the late 19th c. In 1918, he established his permanent residence at the art colony in Old Lyme, CT. Irvine traveled extensively throughout Europe and the United States. He spent part of the winter of 1927-28 painting in New Orleans and informed a journalist the reason was that twenty-five years earlier he had a passion for reading George Washington Cable and never forgot. The reporter noted Irvine “had a mild word of praise for the renovated courts of the quarter, but kept his unstinted encomium for the old grey places where the walls were decaying.” Irvine painted a series of paintings of the courtyards of the Vieux Carré during this visit. The work offered here depicts the Brulatour Courtyard, at the time the home of the Arts & Crafts Club of New Orleans, and one of the best-known courtyards in the French Quarter. Here, the moonlight and its ethereal glow beautifully combine in an atmospheric scene. Ref.: The Item-Tribune New Orleans. Feb. 2, 1928, p.12.

346. Meyer Straus (American/ Louisiana, 1831‑1905), “Bayou Teche, Louisiana”, 1871, oil on canvas laid on board, signed and dated lower center, inscribed “Bayou Teche, Louisiana‑ / M. Straus, 1871 / (on back of canvas before mounting on wood)” en verso of board, 14 in. x 19 in., framed. $7000/10000

Provenance: Schwitz Collection, Franklin, LA.

345. Jim Blanchard (American/Louisiana, b. 1955), “Louisiana Statehouse”, watercolor on paper, signed lower right, 24 1/4 in. x 40 1/2 in., framed. $3000/5000

Additional information at www.nealauction.com

347. Robert Malcolm Rucker (American/Louisiana, 1932‑2001), “Barataria”, watercolor and graphite on paper, signed lower right, titled en verso, 11 in. x 14 1/2 in., framed. $2000/3000

348. Marie Madeleine Seebold Molinary (American/New Orleans, 1866‑1948), “Lakeside Landscape”, oil on canvas laid on board, signed lower right, 11 in. x 16 1/2 in., framed. $1500/2500

350. Robert William Wood (American/Texas, 1889‑1979), “Texas Hill Country”, oil on canvas, signed lower left, 25 in. x 30 in., framed. $6000/8000 Provenance: Schwitz Collection, Franklin, LA.

349. Sarah Albritton (American/Louisiana, b. 1936), “Plantation Life”, 1995, mixed media on paper, signed and dated lower right, 22 1/4 in. x 30 in., framed. $1500/2500

351. Charles Partridge Adams (American, 1858‑1942), “Colorado Landscape with Native American Encampment on the River”, 1885, oil on canvas, signed and dated lower right, partial label inscribed “Loaned by Marion Beardsley West, Hartford” on frame, 14 1/8 in. x 22 1/8 in., framed. $6000/8000 Provenance: According to the label, at some point this painting was owned by Marion Florinda Perkins Beardsley (1889‑1973), Hartford, CT.

352. Frank K.M. Rehn (American, 1848‑1914), “Low Tide, Rocky Neck, Massachusetts”, oil on canvas, signed lower left, “Raydon Gallery, New York, NY” label with artist and title on backing, 16 1/4 in. x 28 in., unframed. $800/1200 353. Robert David Wilkie (American, 1828‑1903), “Home of the Heron”, oil on canvas, signed lower right, 48 in. x 22 in., framed with artist and title plaque. $1000/1500 Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

355. Eliot Candee Clark (American/New York, 1883‑1980), “A Southern Marsh Scene”, oil on board, signed lower right, 20 in. x 20 in., framed. $3000/5000 Provenance: Schwitz Collection, Franklin, LA.

356. American School, 19th c., “Portrait of George Washington”, after Gilbert Stuart (American, 1755‑1828) and “Portrait of Marquis de Lafayette”, after Ary Scheffer (French, 1795‑1858), 2 oils on canvas, both unsigned, each 30 1/4 in. x 20 1/4 in., framed alike. (2 pcs.) $3000/5000 Provenance: Anthony Stuempfig, Philadelphia.

354. Karl Wolfe (American/Mississippi, 1904‑1985), “Landscape with Tethered Boat”, watercolor on paper, pencil‑signed lower right, 12 in. x 18 1/4 in., framed. $1000/1500

357. American Rococo Gilt Bronze Six‑Light Figural Gasolier, mid‑19th c., Cornelius & Baker, twist standard, palm frond and floral decoration, mounted with cherubs and doves, electrified, h. 46 in., dia. 40 in. $8000/12000 Provenance: Myrtle Bank, Natchez, MS.

358. John James Audubon (American, 1785‑1851), “MacGillivray’s Finch”, hand‑colored aquatint with engraving, Plate 355, from The Birds of America, Havell edition, “J. Whatman 1837”, sheet 38 1/2 in. x 25 1/2 in., framed. $800/1200

360. John James Audubon (American, 1785‑1851), Audubon and Bachman. The Quadrupeds of North America, New York, Audubon, 1856, Vol. III only, octavo, full gilt and embossed leather, with 55 hand‑colored lithographs. $700/1000

359. Mark Catesby (British, 1683‑1749), “Rubecula Americana The Blew‑Bird”, hand‑colored engraving, Plate 47, monogrammed in plate, from The Natural History of Carolina, Florida, and the Bahama Islands, sheet 13 3/8 in. x 20 1/8 in., framed. $700/1000

361. American School, 19th c., “Terrapin Point, Niagara Falls, New York”, oil on panel, unsigned, 9 in. x 14 in., unframed. $2000/3000

363. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Louisiana Oak Tree on the Bayou”, oil wash on board, pencil‑signed lower right, 10 in. x 30 in., framed. $1200/1800 362. Ellsworth Woodward (American/Louisiana, 1861‑1939), “Cabildo Façade”, pen and ink on paper, initialed lower left, 10 1/4 in. x 13 in., framed. $1500/2500

364. Louisiana School, 1888, “Landscape with Oak Tree and Cotton Pickers”, oil on canvas, signed “F. Fatio” and dated lower right, 23 3/4 in. x 36 1/4 in., framed. $1200/1800 Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

365. Alexandre Alaux (French/New Orleans, 1851‑1932), “Kitten with Spool of Thread”, oil on canvas, signed lower right, 16 1/8 in. x 12 in., framed. $800/1200

366. Clementine Hunter (American/Louisiana, 1886‑1988), “Two Flowers”, oil on board, monogrammed lower right, 7 3/4 in. x 11 5/8 in., unframed. $1000/1500

Provenance: Estates of George and Mary Beth Thomson, Franklin, LA. Additional information at www.nealauction.com

367. George David Coulon (French/New Orleans, 1822‑1904), “Winter Scene”, pencil and crayon on paper, signed lower left and lower right, signed and inscribed en verso, 6 5/8 in. x 9 in., framed. $200/300

368. Ellsworth Woodward (American/Louisiana, 1861‑1939), “French Market from a Sketch made in 1885 (Boyer 73, fig. 3)”, etching, pencil‑signed and titled lower margin, initialed in plate, sheet 11 in. x 15 in., framed. $1000/1500

Provenance: Estate of Noted Antiquarian James D. “Don” Didier.

369. Noel Rockmore (American/New Orleans, 1928‑1995), “Moose Picnic Riverview Park Chicago”, 1956, oil on canvas, signed and dated lower right, signed, dated and inscribed “Picnic” on stretcher, 31 1/4 in. x 53 1/4 in., framed. $12000/18000 Ill.: “Loneliness in Numbers”. Life Magazine. 43.7 (1957): 74‑75.

Note: The important and rare painting offered here was created in 1956 during a period when Noel Rockmore (then known as Noel Davis) was intensely fascinated by public gatherings and completed a series of drawings and works on canvas documenting American fraternal organizations. “Moose Picnic” was originally sketched in Riverview Park in Chicago and was featured in Life Magazine in 1957 in an article titled “Loneliness in Numbers.”

With many engaging details in this work, from the sparse picnic spread of eggs, fruit and a single loaf of bread to the looming entrance of the carnival in the background, Rockmore fills the foreground with a spectrum of interesting characters mid-revelry, save for one person lying on a picnic table in a post-carousing nap. He skillfully combines the dark undertones of Hieronymus Bosch’s psychedelic sprawling canvases with the compositional elements of Pieter Bruegel the Elder’s eventful genre scenes (particularly “The Harvesters,” whose perspective, negative space, and horizon line are astonishingly similar). Rockmore’s resulting work is an enchanting and modern feast for the eyes. Ref.: “Loneliness in Numbers.” Life Magazine. 43.7 (1957): 74-75.

370. Joan Miró (Spanish, 1893‑1983), “Plate 10”, 1975, lithograph in colors, pencil‑signed lower right, “H.C.” lower left, hors de commerce proof from edition of 80, from Miró Lithographe II, sheet 17 1/8 in. x 24 3/16 in., framed. $600/900

371. Caroline Wogan Durieux (American/ Louisiana, 1896‑1989), “Fear”, 1977, oil‑enhanced lithograph on paper, signed, titled, dated and numbered “3/10” lower margin, sheet 10 7/8 in. x 13 7/8 in., framed. $300/500

374. Stanislaus Fournier Tall Case Clock, mid‑19th c., New Orleans, the round enamel dial marked “S. Fournier New Orleans” with Roman numerals in a brass frame, with large pendulum below, now in a pine case with stepped cornice, long glazed door, molded waist and paneled base, h. 92 in., w. 22 in., d. 11 in. $4000/6000

376. Pair of Gilt Bronze‑Mounted Sevres‑Style Polychrome and Gilt Porcelain Covered Vases, late 19th c., finely painted with continuous scenes of Classical maidens in idyllic landscapes surrounded by putti, signed L. Malpass, bronze pinecone finials and Bacchic mask handles, h. 24 in. $3000/5000

Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

372. Caroline Wogan Durieux (American/Louisiana, 1896‑1989), “Academics”, 1975, lithograph, pencil‑signed and dated lower left, 20 in. x 16 in., framed. $400/600

373. Caroline Wogan Durieux (American/Louisiana, 1896‑1989), “Charlatan”, 1976, lithograph, pencil‑signed, titled and inscribed “artist proof” lower margin, 17 1/2 in. x 14 in., framed. $400/600

375. English Gilt and Patinated Bronze Three‑Piece Argand Lamp Garniture, 19th c., Messenger & Sons, London and Birmingham, each labeled with bronze plaque and having Classical frieze, incl. pair of single light, h. 13 1/2 in., w. 8 1/2 in.; and one two‑light, h. 16 1/2 in., w. 13 3/4 in., now electrified. $1800/2500 Provenance: Estate of Noted Antiquarian James D. “Don” Didier.

377. Continental Carved and Polychromed Wood Figure of St. George Slaying the Dragon, “Tiroler/ Heimatwerk/Innsbruck” labels on back of figure and base, carved emblem on back of base, h. 29 1/2 in., w. 10 in., d. 6 1/2 in. $1000/2000

378. Bronze Figure of “Néréide sur un dauphin”, after Raoul Larche, signature inscribed on self‑base, green onyx socle, h. 24 1/2 in., pink marble pedestal, overall h. 70 1/4 in. $1500/2500 Provenance: Oaklawn Manor, Franklin, LA; Estates of George and Mary Beth Thomson, Franklin, LA.

379. Bronze Bust of a Tsar, possibly of Mikhail Fyodorovich Romanov, 1867, dated and “F. Chopin, St. Petersburg” foundry mark and “47” stamp on reverse, Cyrillic title plaque, h. 11 1/2 in., w. 6 1/2 in., d. 4 in. $300/500

380. Napoleon III Bronze Mounted Tortoiseshell Bracket Clock, 19th c., dial marked with retailer Theodore B. Starr/ New York, striking gong movement marked, “ETIENNE MAXANT PARIS”, h. 20 3/4 in., w. 9 3/4 in., d. 5 1/2 in. $1200/1800 Provenance: Oaklawn Manor, Franklin, LA; Estates of George and Mary Beth Thomson, Franklin, LA.

381. Patinated Bronze Figural Group of Perseus Defeating Medusa, h. 10 in., elaborately decorated gilt bronze base, overall h. 15 1/2 in. $500/1000

382. Thomas Sidney Cooper (British, 1803‑1902), “Autumn”, 1900, oil on canvas, signed and dated lower right, artist and “Kurt Schon Gallery, New Orleans, LA” labels on stretcher, 40 in. x 60 in., framed with artist and title plaque. $12000/18000 Provenance: Kurt Schon Gallery, New Orleans, LA.

Exh.: The One Hundred and Thirty‑Second Annual Exhibition, Royal Academy of Arts, London, 1900, no. 631.

Note: Thomas Sidney Cooper was born in Canterbury in 1803. He was introduced to the arts when he took a job as a coach painter then as a scene painter for the Hastings Theater. Following a move to London at the age of twenty, he became an official student at the Royal Academy, an institution which elected him as an Associate in 1845 then later as a Royal Academician in 1867. Cooper’s skillfulness was showcased in his landscapes, earning him great respect, and his pastoral scenes of cattle grazing in green pastures were frequently exhibited at the Academy. The painting offered here highlights his fine brushwork and keen eye for detail of ruminating cows. With the leaves on the trees changing color, one can almost feel the crisp breeze of autumn running through the canvas.

383. Sir Henry Raeburn (Scottish, 1756‑1823), “Portrait of Lord Francis Jeffrey (1773‑1850)”, oil on canvas, unsigned, period exhibition label identifying sitter and biographical labels on frame, 35 1/4 in. x 27 3/4 in., framed. $15000/25000 Exh.: National Portrait Gallery Scotland, “Inaugural Exhibition of Scottish National Portraits”, Edinburgh, Scotland, 1884.

Note: An important Scottish painter who served as the Royal Portrait Painter in Scotland for King George IV, under whom he was knighted in 1822, Sir Henry Raeburn was born in the village of Stockbridge, which is now part of Edinburgh. Raeburn was a successful portrait painter throughout his life, working in a realistic manner with dramatic lighting and loose, sketchy brushwork. These techniques served him well in creating this important portrait of Lord Francis Jeffrey, depicting him as a pensive scholar. Jeffrey, a judge and literary critic, was well regarded by his peers, and his essays were included in the Edinburgh Review. Additionally, he became Lord Advocate in the Scottish Parliament and helped to pass the Scottish Reform Bill of 1832. This portrait of Lord Jeffrey was loaned, among several other portraits of important Scottish personages by Raeburn, to form the National Gallery of Scotland in 1884.

384. Napoleon III Carved, Parcel Gilt, Bronze‑Mounted, Inlaid and Ebonized Parlour Cabinet, late 19th c., shaped top with incised decoration, fluted Ionic columnar supports, cabinet door with Classical incurvate plaque, paneled sides with trophy reliefs, conforming base, h. 43 in., w. 41 in., d. 21 1/2 in. $1200/1800 Provenance: Schwitz Collection, Franklin, LA.

385. Antique Dutch‑Style Carved and Inlaid Walnut Cabinet, foliate crest, stepped shaped cornice, glazed door and side panels, two long shaped drawers, two small drawers over each front leg, cabriole legs, carved knees, pad feet, h. 92 1/2 in., w. 61 in., d. 21 1/2 in. $1000/1500 Provenance: Oaklawn Manor, Franklin, LA; Estates of George and Mary Beth Thomson, Franklin, LA.

Additional information at www.nealauction.com

386. Louis XV‑Style Bronze‑Mounted, Boullework and Ebonized Bureau Plat, inset tooled leather top, three drawers, cabriole legs, sabots, h. 32 1/2 in., w. 87 in., d. 42 in. $4000/6000

387. American Aesthetic Carved Walnut Dining Table, late 19th c., attr. to Herter Brothers, New York, molded frieze, floral‑carved Ionic columnar supports, gadrooned pedestal base, with 6 leaves and storage case, h. 29 in., l. (extended) 136 in., w. (closed) 48 in., d. 48 in. $7000/10000 388. Pair of American Classical Carved and Stenciled Mahogany Pier Tables, c. 1830, Philadelphia, carrara marble top, cove molded frieze, robustly scrolled supports mounted with silk-covered ornaments, mirrored back, gadrooned base, anthemion paw feet, h. 37 in., w. 44 in., d. 20 3/4 in. $7000/10000 Provenance: Rebekah & Charles Clark Antiques.

Note: The sophisticated pier tables offered here are closely related to a similar pier table, also one of a pair, made by Philadelphia cabinetmaker Anthony G. Quervelle, illustrated in Robert C. Smith’s article on Quervelle in The Magazine Antiques. Featuring a similarly shaped frieze and elegant gilt stenciling, the illustrated pier table has nearly identical exaggerated scrolled supports as the pair in the present lot. Ref.: Smith, Robert C. “The Furniture of Anthony G. Quervelle; Part I: The Pier Tables.” The Magazine Antiques May 1973: 990.

389. Fine American Renaissance Bronze‑Mounted and Gilt‑Incised Walnut and Burled Parlor Cabinet, c. 1870, labeled “Moore, York & Howell...Philadelphia”, arched crest centered by a figural medallion, two‑tier cornice, spring‑loaded frieze drawer, case with fluted columnar stiles, cabinet door with large figural medallion, conforming base, h. 62 1/4 in., w. 61 in., d. 21 1/2 in. $5000/8000

Note: A closely related cabinet featuring the same overall proportions, decorative elements, and a Moore, York & Howell paper label, sold in these rooms for $18,000 on October 6, 2007. Moore, York & Howell are listed as exhibitors of a parlor suite at the 1876 Philadelphia Centennial Exposition. Ref.: International Exhibition 1876 Reports and Awards. Washington, 1880, p. 51.

390. American Classical Carved Mahogany Sideboard, c. 1835, labeled “John Needles/ Manufacturer of Cabinet Furniture/ 54 Hanover Street/ Baltimore”, mirrored backsplash, marble top, two bolection frieze drawers, Ionic columnar supports, fanned center cabinet, foliate ball feet, h. 62 1/2 in., w. 79 in., d. 27 in. $8000/12000 Provenance: Collection of Rebekah and Charles Clark, Nolensville, TN; thence a private collection.

Ill.: Weidman, Gregory R., et al. Classical Maryland 1815-1845: Fine and Decorative Arts from the Golden Age. Baltimore: Maryland Historical Society, 1993, p. 119, fig. 144.

391. American Classical Carved Mahogany Box Sofa, c. 1825, New York, stepped tubular crest rail with foliate accents, acanthus arms, columnar uprights, padded back and seat, bulbous foliate legs, casters, h. 37 1/2 in., w. 81 in. $4000/6000 Provenance: Rebekah & Charles Clark Antiques.

Note: The box sofa offered here features an unusual stepped crest rail, which differentiates it from typical American Classical box sofas with straight crest rails. The American box sofa form can be traced to both French Restauration and English Regency design, which influenced many prominent New York cabinetmakers, including Duncan Phyfe. A plate from Pierre de La Mésangère’s Collection de Meubles et Objets de Goût (1820) and designs from George Smith’s Collection of Designs for Household Furniture and Interior Decoration (1808) both illustrate early box sofa forms.

392. American Classical Carved Mahogany Mixing Cabinet, c. 1835, Egyptian marble top, foliate scrolled frieze, paneled cabinet door, heavily scrolled base, h. 38 in., w. 31 in., d. 18 1/2 in. $3000/5000

Ref.: Kenny, Peter M. Duncan Phyfe: Master Cabinetmaker in New York. New York: The Metropolitan Museum of Art, 2011, pp. 81-82, 227. 393. American Carved Oak House of Representative Armchair, c. 1857, attr. to Bembe & Kimbel, New York, after a design by Thomas Ustick Walter, shield and padded arms, guilloche motif seat rail, starcarved bulbous foliate legs, h. 39 1/2 in., w. 24 1/2 in., d. 23 in. $8000/12000 Provenance: Rebekah & Charles Clark Antiques.

Note: The chair offered here was designed for the U.S. House of Representatives Chamber by Thomas Ustick Walter (1804-1887), who was the primary architect of the U.S. Capitol and designer of the interiors of the House of Representatives wing. The chairs were in use from 1857 to 1873, when remodeling of the Capitol building resulted in the sale of Walter’s furnishings. The crest rail of the chair features a stars-and-stripes shield flanked by oak and laurel branches—symbols of longevity and victory that promoted the 19th century American concept of Manifest Destiny during an era of westward expansion.

394. Pair of American Classical Carved Mahogany Tabourets, c. 1835, upholstered seat, foliate scrolled curule base centered by an anthemion, turned stretcher, h. 18 1/2 in., w. 22 in., d. 18 in. $1000/1500 Provenance: Rebekah & Charles Clark Antiques.

Ref.: “History, Art and Archives: U.S. House of Representatives,” http://history.house.gov/ Exhibitions-and-Publications/Capitol-Furniture/Capitol-Furniture/; “A Real Rare Victorian Mystery,” http://rarevictorian.com/2008/06/a-real-rare-victorian-mystery-part-iii.html.

395. American Classical Carved Mahogany Secretary-Bookcase, c. 1835, New York, stepped cornice, arched frieze, glazed doors flanked by foliate columnar supports, shelf interior and curtained glass, two bolection drawers, fitted deep drawer, paneled cabinet doors flanked by columnar supports, anthemion paw feet, h. 100 1/2 in., w. 48 in., d. 24 in. $1500/2500 396. American Classical Carved Mahogany Games Table, early 19th c., Philadelphia, shaped fold‑over top, tapered reeded legs, gate leg, turned feet, h. 29 1/4 in., w. 36 in., d. (closed) 18 in., d. (open) 36 in. $800/1200

397. American Classical Carved Mahogany Work Table, early 19th c., converted hinged top now fitted as a writing desk, two lower drawers, octagonal standard, scrolled feet, casters, h. 29 1/2 in., w. 21 3/4 in., d. 18 1/4 in. $700/900

399. English Bronze‑Mounted and Stenciled Satinwood Sofa Table, 19th c., foliate molded edge, tapered supports, trestle base, h. 29 1/2 in., w. 29 3/4 in., d. 19 5/8 in. $700/900 Provenance: Schwitz Collection, Franklin, LA. 398. Four George III Inlaid Mahogany Side Chairs, early 19th c., reeded slatted back, caned seats, H stretchers, h. 34 in., w. 18 1/2 in., d. 18 1/2 in. $500/1000 Provenance: Schwitz Collection, Franklin, LA.

Additional information at www.nealauction.com

400. George III Carved Mahogany Tambour Writing Desk, c. 1780, cylindrical top opening to original tooled leather top, two deep side drawers, square tapering legs, h. 33 in., w. 41 in., d. 28 in. $2500/3500

401. Antique English Mahogany Specimen Cabinet, twenty drawers, top three drawers with butterfly specimens, glazed door, square plinth, h. 53 1/8 in., w. 20 5/8 in., d. 18 5/8 in. $500/700 Provenance: Collection of Charles S. and the late Janie P. Houser, The Governor’s Club, Magnolia Springs, AL.

402. George III Inlaid Mahogany Secretary, late 18th c., fall front door, well‑fitted interior, four long drawers, reeded columnar stiles, ogee bracket feet, h. 42 3/4 in., w. 41 1/2 in., d. 23 in. $1000/1500 Provenance: Christie’s, New York, August 27, 2013, lot 229.

403. William IV Carved Mahogany Writing Table, mid‑19th c., inset leather top, four frieze drawers, turned legs, h. 32 in., w. 69 1/2 in., d. 39 in. $1500/2000

404. Georgian‑Style Leather Wing Chair, brass nailhead trim, chamfered legs, h. 43 1/2 in., w. 34 1/2 in., d. 21 3/4 in. $1000/1500

405. Louis XVI Carved, Painted and Parcel Gilt Canapé, 18th c., molded crest rail surmounted by a bowknot, scrolled arms, seat rail with blocked rosettes, Fortuny silk upholstery, h. 41 in., l. 75 in., w. 28 in. $1200/2000 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

406. Regency‑Style Bronze Mounted Rosewood Breakfront 20th c., molded cornice, glazed doors flanked by grillework doors, conforming cabinet base with caryatid supports, h. 83 in., w. 84 3/4 in., d. 15 1/4 in. $1500/2500 407. Antique French Provincial Carved Fruitwood Commode, molded top, three cartouche‑paneled drawers, serpentine apron, chamfered stiles and legs, h. 35 in., w. 48 3/4 in., d. 23 3/4 in. $1500/2500 Provenance: The Estate of Caroline P. Ireland.

408. Pair of Antique Louis XV‑Style Carved Giltwood Bergères à Oreilles, floral‑carved crest, padded back and arms, cabriole legs, custom upholstery, brass nailhead trim, h. 43 1/2 in., w. 31 1/2 in., d. 25 1/2 in. $1000/2000 Provenance: Schwitz Collection, Franklin, LA.

409. Austrian Inlaid Elm Sécrétaire à Abattant, early‑to‑mid 20th c., frieze drawer, fall front door opening to fitted interior, two cabinet doors, tapered legs, h. 56 1/2 in., w. 36 in., d. 15 in. $800/1200

410. Pair of Continental Neoclassical‑Style Brass‑Mounted Mahogany Fauteuils, 19th c., rectangular caned back with molded frame, stop‑fluted arm supports, shaped caned seat, stop‑fluted legs, molded stretcher with pod finial, turned feet, h. 38 in., w. 23 1/2 in., d. 21 1/2 in. $800/1200

411. Continental School, 19th c., “Castle on a Hill within an Expansive Landscape”, oil on canvas, unsigned, 47 3/4 in. x 55 3/4 in., framed. $3000/5000

412. Circle of Sir Godfrey Kneller (German/England, 1646‑1723), “Portrait thought to be of Lady Sophia Bentinck, daughter of William Earl of Portland”, oil on canvas, unsigned, 64 1/2 in. x 47 1/2 in., framed. $2000/3000

Provenance: Ezra Thayer; Butterfield & Butterfield, San Francisco and Los Angeles, May 20, 1998, lot 3548.

414. J.L. Ronay (French, 19th c.), “Boy with a Violin”, oil on canvas, signed lower left, 31 in. x 25 in., framed with brass artist plaque. $1000/1500

415. John Bridges (British, 19th c.), “Robber’s Cave”, oil on artist board, unsigned, artist and title pencil‑inscribed en verso, 7 5/8 in. x 10 in., framed. $700/1000 Provenance: Kurt Schon Gallery, New Orleans, LA.

413. After Raphael (Italian, 1483‑1520), “The Bridgewater Madonna”, oil on canvas, unsigned, 34 5/8 in. x 25 3/8 in., framed. $1500/2500 Provenance: David Edward Finley, Jr., first director of the National Gallery of Art; his sister Francis Finley Brown; thence by descent.

417. Attributed to Henry Thomas Alken, Sr. (British, 1785‑1851), “The Brighton to London Coach”, oil on board, unsigned, 11 3/8 in. x 18 1/2 in., framed with artist plaque. $1200/1800

Provenance: Oaklawn Manor, Franklin, LA; Estates of George and Mary Beth Thomson, Franklin, LA.

418. Prideaux John Selby (British, 1788‑1867), “Cross Bills”, “Pine Bullfinches”, “Orioles” and “Starling and Rose Coloured Pastor”, 4 hand‑colored engravings, from Illustrations of British Ornithology, sights 19 3/8 in. x 13 in., framed alike. (4 pcs.) $700/1000

Provenance: Schwitz Collection, Franklin, LA.

416. William Davies (British, 1826‑1910), “Glen Striven, Argyleshire [sic]”, 1892, oil on canvas, signed and dated lower right, signed, titled and dated en verso, 22 in. x 16 1/4 in., framed. $1500/2500

419. Joseph Swan (Scottish, 1796‑1872), “Botanical Prints”, 4 hand‑colored engravings, each signed in plate lower right, sights 8 5/16 in. x 5 3/8 in. to 8 5/8 in. x 5 1/8 in., framed alike. (4 pcs.) $500/700 Additional information at www.nealauction.com

420. English “Bengal Tiger” Porcelain Covered Fruit Cooler with Liner, c. 1800, probably John Rose Coalport, h. 9 5/8 in., w. 9 in., d. 7 1/2 in. $2000/3000

421. Pair of Derby Cobalt and Gilt‑Decorated Porcelain Covered Master Salts, c. 1806‑25, marked, dolphin finials, leaf scroll legs, incurvate triangular plinths, h. 5 1/2 in. $700/900

Provenance: William Word Antiques, Atlanta, 2017.

Provenance: Harbor View Antiques, Stamford, CT, 2002.

424. Pair of Grand Tour Bronze‑Mounted Models of Roman Baths, 20th c., lion mask handles, paw feet, h. 11 in., w. 16 1/2 in., d. 8 3/4 in. $800/1200

423. Four Neoclassical‑Style Rock Crystal Candlesticks, 20th c., tapered standard, on stepped base, h. 9 in., w. 3 in., d. 3 in. $1200/1800

425. Set of Four Antique English Silverplate Candlesticks in the George III Taste, early 20th c., faceted elliptical form, removable bobêches, h. 9 3/4 in. $400/600

428. Pair of Empire‑Style Gilt and Patinated Bronze Six‑Light Wall Sconces, 19th c., foliate standards, scroll arms, h. 17 in., w. 10 1/2 in., d. 11 in. $800/1200

426.Pair of Decorative Silverplate Melon‑Form Wine Coolers, marked “Royal Castle/Sheffield/EP”, gadroon borders, foliate handles, removable fitted liner with collar, h. 9 5/8 in., w. 13 in. $800/1200

429. Pair of Regence‑Style Gilt Bronze Three‑Light Wall Sconces, foliate shell crests, backplates mounted with Japonesque figures, three scroll arms, h. 25 in., w. 15 1/2 in., d. 10 in. $700/900

427. American Classical Patinated Metal Hall Lantern, early‑to‑mid 19th c., foliate mounts, concave tapered glass shade, removable candle socket, h. 26 in., dia. 9 in. $600/900

Provenance: Schwitz Collection, Franklin, LA.

432. Pair of French Empire‑Style Silvered Metal‑Mounted Cobalt Glass Vases, probably early 20th c., mounted with a central medallion enclosing a female dancer with tambourine, between garland bands at mouth and foot, h. 10 7/8 in., w. 4 1/4 in., d. 4 1/4 in. $700/1000 Provenance: Schwitz Collection, Franklin, LA.

430. Fine Empire‑Style Gilt Bronze Mounted Marble Lamp, c. 1905, J.E. Caldwell, Philadelphia, quiver form, tapered and fluted shaft, Caldwell item a10404, binder LB94, pg. 94, h. to finial, dia. 6 in. $700/1000 Ref.: https://library.si.edu/digital‑library/ collection/caldwell/browse/LB094?page=43, accessed, 8/6/2019.

Provenance: Estate of Noted Antiquarian James D. “Don” Didier.

431. George III Inlaid Mahogany Barometer, early 19th c., signed “Fontana/ Kettering/ Warranted”, fitted with hygrometer, thermometer, bubble level, and convex mirror, h. 38 in., w. 9 1/2 in., d. 2 in. $700/1000

422. French Enamel Footed Bowl, 19th c., scroll handles, anthropomorphic frieze, splayed stem foot, interior with Roman profile, h. 4 in., w. 6 1/2 in., d. 4 in. $500/700

433. Large Continental Bronze‑Mounted Amethyst Glass Vase, probably early 20th c., mounted with Neoclassical‑style frieze of warrior in procession, base with obscured incised mark, drilled, h. 13 1/2 in. $400/600 Provenance: Schwitz Collection, Franklin, LA.

435. Pair of Italian Rococo‑Style Carved and Gilded Mirrors, broken‑arch cornice centered by a composite winged putto, floral frieze, fluted Corinthian columnar stiles, foliate pendant centered by a cherub mask, h. 70 in., w. 35 3/8 in. $1500/2500 434. Continental Neoclassical‑Style Painted and Parcel Gilt Dressing Table Mirror, 19th c., figural supports, relief‑carved back, shaped base, h. 25 1/2 in., w. 32 in., d. 9 in. $500/800

436. George II Burl Walnut Tall Case Clock, c. 1727, by William Post, London Bridge, eight day movement with quarter hour strike on four bells, h. 94 in., w. 19 1/2 in., d. 10 1/2 in. $4000/6000

Provenance: Collection of Charles S. and the late Janie P. Houser, The Governor’s Club, Magnolia Springs, AL; Dixon and Dixon, New Orleans.

438. Pair of Chinese Ancestor Portraits, late 19th/20th c., worked in ink and color on silk with a male and female of exalted civil rank, 39 1/2 in. x 25 3/4 in., silk‑mounted and framed alike. (2 pcs.) $500/700 437. English Gilt and Ebonized Dital Harp, early 19th c., probably Edward Light, retailed “Srohl Foley‑Place London”, h. 34 in., w. 13 1/2 in., d. 6 in. $700/1000

Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

440. Chinese Blanc de Chine Porcelain Sleeve Vase, Kangxi Period (1662‑1722), shoulders with Buddhist lion masks, base with “J.J. Klejman Gallery / New York” label, h. 6 3/8 in. $700/1000

442. Chinese Polychrome and Gilt Decorated Red Lacquer Drum on Stand, early 20th c., drum with hide ends with brass boss banding, brass ring handles, h. 17 1/2 in., folding stand with dragon head terminals, overall h. 29 in., now mounted with glass top as a side table, h. 29 1/2 in., dia. 30 in. $400/600

439. Decorative Pair of Chinese Polychrome Porcelain Fluted Vases, decorated with stylized bats and lotus scrolls, bases with apocryphal Yongzheng marks, h. 9 in. $600/800

441. Pair of Chinese Cloisonné Enamel Horses, caparisoned figures modeled in mirror image in galloping stance, removable manes and saddles, h. 14 1/2 in., l. 18 1/2 in., fitted wood stands, overall h. 16 1/2 in. $800/1200 Provenance: Far East Antiques and Curios Collectors Association, Hong Kong, Dec. 1978.

443. Vietnamese Carved and Polychrome Painted Wood Cabinet, mid‑20th c., carved with antiques, birds and flowers, central short drawer over 2 cabinet doors flanked by further doors and short drawers, scroll frieze, shaped apron, incurvate feet, h. 36 in., w. 48 1/2 in., d. 18 in. $800/1200

444. Anglo‑Colonial Carved Teak Dresser/Huntboard, 19th c., reeded rectangular top, frieze with two deep drawers, turned legs, original bale handles, h. 30 1/4 in., w. 61 in., d. 30 1/8 in. $700/1000

Additional information at www.nealauction.com

445. American Federal Carved Mahogany Lolling Chair, early 19th c., serpentine crest rail, shaped arms, molded uprights and legs, h. 42 3/4 in., w. 25 in., d. 21 1/4 in. $700/1000

446. American Classical Carved Mahogany Tilt‑Top Candlestand, early 19th c., shield‑shaped top, spiral‑turned and foliate‑carved vasiform standard, fluted saber legs, h. 28 in., w. 26 in., d. 18 in. $500/700

449. Antique Louis XV‑Style Carved Walnut Tea Table, 19th c., molded top, scalloped frieze with two drawers, rocaille‑carved legs, peg feet, h. 29 in., w. 32 in., d. 22 in. $600/900

447. French Tooled Leather Escritoire, gilt accents, fall front door, fitted interior, turned stretcher, shaped sabre legs, h. 50 1/4 in., w. 26 1/4 in., d. 20 in. $400/600 Provenance: Windham Collection, Oxford, MS.

Provenance: The Estate of Caroline P. Ireland.

450. French Provincial Carved Fruitwood Commode, 19th c., molded top, three cartouche‑paneled drawers, cabriole legs, scrolled toes, h. 34 1/2 in., w. 44 in., d. 22 1/2 in. $1500/2000 448. Pair of Louis XVI‑Style Bronze‑Mounted Inlaid Kingwood Semainiers, 20th c., marble top, seven banded drawers, chamfered stiles, cabriole legs, h. 48 in., w. 16 1/2 in., d. 11 1/2 in. $1000/1500

451. Continental Renaissance‑Style Carved Hardwood Side Table, rope molded top, two frieze drawers, bulbous spiral‑turned legs and stretchers, ball feet, h. 27 1/2 in., w. 36 in., d. 24 in. $800/1200

452. Pair of Continental Carved, Bronze‑Mounted and Gilded Mahogany Side Chairs, probably 19th c., shaped scrolled crest rail, bronze‑mounted frieze and seat rail, sabre legs, “bleu céleste” silk upholstery, h. 36 1/2 in., w. 19 in., d. 16 1/2 in. $700/900

454. Pair of Antique Regency‑Style Carved and Gilt Mahogany What‑Not Shelves, rosette carved crest, mirrored back, reeded shelves, turned supports, base with foliate swag decoration, h. 30 3/4 in., w. 8 3/4 in., d. 6 1/4 in. $300/500

453. Continental Mahogany and Brass Drinks Cart, outswept handle, beveled glass case with fold‑down door, lower galleried shelf, spindled wheels, casters, h. 34 in., w. 36 in., d. 21 in. $500/700

455. Antique Dutch Painted and Parcel Gilt Bombé Commode, serpentine top, three drawers, chinoiserie motifs, shaped feet, h. 28 5/8 in., w. 35 in., d. 20 1/4 in. $1000/1500

456. Continental Carved Walnut and Glass Reliquary Case, 19th c., dome top with foliate decoration, spiral‑turned stiles, shaped case, h. 19 3/4 in., w. 16 in., d. 12 in. $400/600

457. Pair of Neo‑Grec Paris Porcelain Vases, early‑to‑mid 19th c., decorated with Attic‑style warriors and Classical nudes on a matte black ground, h. 16 1/2 in. $1000/1500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

458. Six Royal Copenhagen “Flora Danica” Porcelain Dishes, 1980‑84, fully marked, variously decorated with botanical specimens, incl. 2 reticulated cake plates, no. 3526, dia. 10 1/2 in.; and 4 dessert or salad plates, no. 3573, dia. 7 3/4 in. $1000/1500 Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

459. Paris Gilt, Bleu de Roi and Bisque Porcelain Corbeille, 19th c., modeled as Cupid kneeling on a cushion supporting the reticulated basket, plinth base with paw feet, h. 12 5/8 in., dia. 9 5/8 in. $800/1200 460. Assembled Herend Porcelain Dinner Service, 20th c., marked, incl. “Princess Victoria Blue”: 12 dinner plates, dia. 10 1/4 in.; 13 bread and butter plates, dia. 6 1/4 in.; and coffee pot, h. 8 1/2 in.; “Chinese Bouquet Blue”: 12 footed cups; 11 matching saucers, dia. 5 3/4 in.; and 12 salad plates, dia. 7 1/2 in. (61 pcs.) $1000/1500

461. Early American Painted Pine Traveler’s Trunk, late 18th c., possibly Pennsylvania Dutch, domed strapwork top, floral monogrammed cartouches, bale handles, h. 19 in., w. 26 in., d. 5 1/2 in. $800/1200

462. American Aesthetic Brass Easel, late 19th c., finialed crest rail, adjustable frame, square uprights, disc feet, h. 60 in., w. 25 in., d. 24 in. $400/600 463. American Chippendale Pine and Birch Drop‑Leaf Dining Table, 18th c., circular top, serpentine apron, gated cabriole legs, ball and claw feet, h. 27 1/2 in., w. 48 in., d. (open) 48 1/2 in., d. (closed) 18 in. $1200/1800 464. George III Carved Mahogany Side Chair, late 18th/early 19th c., pierced splat, saddle seat, square legs, H‑stretcher, h. 38 1/2 in., w. 19 1/2 in., d. 16 1/2 in. $200/300

466. Eight Regency‑Style Carved Mahogany Armchairs, 20th c., Bevan Funnell, pierced splat, shaped arms, ring‑turned legs, h. 33 1/2 in., w. 22 in., d. 17 1/2 in. $800/1200

465. English Mahogany Library Ladder, scrolled stiles, easel support, h. 53 3/4 in., w. 18 in., d. 28 1/4 in. $300/500 Provenance: Schwitz Collection, Franklin, LA.

467. Edwardian Inlaid Rosewood “Envelope” Games Table, c. 1900, with leather trimmed baize playing surface, square tapering legs, reticulated stretcher, casters, open h. 28 1/2 in., w. 32 in., d. 32 in., closed h. 29 1/4 in., w. 22 1/2 in., d. 22 1/2 in. $400/600 Additional information at www.nealauction.com

468. William IV Brass Inlaid and Bronze‑Mounted Secretary‑Bookcase, mid‑19th c., scrolled crest centered by a lyre, glazed door, shelf interior, bolection lift‑top opens to a fitted desk interior, foliate reeded legs, h. 91 in., w. 48 3/4 in., d. 26 in. $1200/1800

469. Dutch Neoclassical Figured Mahogany Linen Press, early 19th c., flat cornice, two large paneled doors over two smaller doors, gilt bronze mounts, whole resting on block base, h. 94 in., w. 62 1/2 in., d. 25 in. $2000/4000 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

471. Four Louis Philippe Carved Mahogany Fauteuils, 19th c., arched crest rail, scrolled lappet‑carved arms, conforming legs, scrolled toes, h. 37 in., w. 23 in., d. 19 in. $700/1000

470. Antique Empire‑Style Bronze‑Mounted Mahogany Bibliothèque, pedimented crest, spreadwing eagle finials, two doors with bronze grille enclosing shelves, paneled base, ornate paw feet, h. 96 in., w. 43 in., d. 16 1/2 in. $1500/2500 Provenance: Manheim Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Provenance: Windham Collection, Oxford, MS.

472. Antique Louis XVI‑Style Bronze‑Mounted, Inlaid and Ebonized Parlour Cabinet, shaped top, two glazed doors, columnar supports, paneled center door with jasperware medallion, conforming base, h. 40 3/4 in., w. 71 1/2 in., d. 16 in. $1000/1500 Provenance: Schwitz Collection, Franklin, LA.

473. Empire Bronze‑Mounted Mahogany Console, 19th c., black marble top, Egyptianesque bust supports, rectangular plinth, hairy paw feet, h. 34 3/4 in., w. 50 3/4 in., d. 22 1/2 in. $1000/1500 Provenance: Schwitz Collection, Franklin, LA.

474. Directoire Carved Fruitwood Table, probably late 18th c., associated black marble top, paneled frieze, stop‑fluted tapered legs, pegged construction, h. 28 3/8 in., w. 46 3/4 in., d. 23 1/4 in. $700/1000 Provenance: Schwitz Collection, Franklin, LA.

475. Louis XVI‑Style Bronze‑Mounted, Painted, Parquetry and Marquetry Escritoire, galleried fitted superstructure, mechanized tambour cylinder, fold‑out writing surface, frieze drawer, cabriole legs, sabots, h. 45 1/2 in., w. 25 1/4 in., d. 17 1/2 in. $800/1200 Provenance: Schwitz Collection, Franklin, LA.

476. Six Restauration Carved and Gilded Fruitwood Armchairs, padded back, shaped arms terminating in dolphins, flared legs, h. 37 in., w. 22 1/2 in., d. 18 1/2 in. $1000/1500

479. Continental Bronze‑Mounted and Inlaid Mahogany Music Stand, 19th c., adjustable lyre shaped music rest, reverse tapered hexagonal standard, outswept tapered legs, incurvate triangular base, lobed finial, paw feet, h. 62 in., w. 21 1/2 in., d. 19 in. $300/500

477. Italian Neoclassical Carved Giltwood Salon Table, 19th c., molded marble top, rocaille serpentine apron, cabriole legs, scrolled toes, h. 26 in., w. 35 in., d. 21 1/2 in. $1200/1800

478. Italian Painted and Giltwood Console Table, 19th c., inset wood top, classical frieze, griffin support, stepped faux marbre plinth base, h. 33 in., w. 31 1/2 in., d. 17 in. $500/700

480. Pair of Neoclassical‑Style Bronze‑Mounted, Painted and Carved Torcheres, frieze with star decoration, winged putto head capitals, lobed pendant, X form supports, hoof feet, incurvate triangular base, ball feet, h. 42 in., w. 12 in., d. 12 in. $300/500

482. British School, mid‑to‑late 19th c., “Portrait of a Sporting Gentleman with Dog and Rifle”, oil on canvas, “C.E. Clifford” canvas stamp en verso, 50 1/4 in. x 40 in., framed. $1800/2500 481. Manner of Paolo De Matteis (Italian, 1662‑1728), “The Assumption” and “The Annunciation”, 2 oils on canvas, both unsigned, “Haynes Fine Art, Worcestershire” label with artist en verso, each 53 in. x 29 in., framed alike. (2 pcs.) $3000/5000

483. Darte Paris Gilt Porcelain Potpourri Urn, early 19th c., red stenciled manufacturer’s mark “Darte / Palais Royal / No. 21”, gilt ground, painted with a scene of children and dog, lion’s mask handles, paw feet, square plinth base, h. 5 3/4 in., dia. 4 1/2 in. $400/600 Provenance: Harbor View Antiques, Stamford, CT, 2006.

484. Pair of Continental Polychrome and Gilt Porcelain Egg‑Form Vessels with Stoppers, 19th c., possibly holy water bottles, brass‑banded stoppers modeled as domes surmounted by crosses, bodies painted with architectural scenes within raised gilt borders, h. 3 3/4 in. $400/600 Provenance: Thomas Fortner Antiques, Memphis, 2007.

486. Pair of Continental Majolica Pedestals, late 19th c., modeled as griffins on shaped plinths, round tops, h. 40 1/4 in., w. 12 in., d. 24 in. $800/1200

485. Gilt Bronze‑Mounted Sevres‑Style Bisque Porcelain Jardinière, late 19th/early 20th c., possibly Samson, impressed interlaced Ls mark and illegible signature, molded with flower garlands, ram’s masks, and Cupid medallions, h. 3 1/8 in., w. 6 5/8 in., d. 4 3/4 in. $500/700 Provenance: Andy Untermeyer Antiques, West Palm Beach, 2000.

487. Pair of Paris Polychrome and Gilt Porcelain Vases, 19th c., looped stem handles with foliate terminals, decorated with floral and landscape cartouches on magenta grounds, h. 16 in. $700/900

Additional information at www.nealauction.com

488. Large Edward Marshall Boehm Bisque Porcelain Eagle, black script mark, on fluted column, h. 15 1/4 in., w. 11 in., d. 12 in., presented in a Plexiglas case, h. 18 1/4 in., w. 15 in., d. 11 1/4 in. $600/900

Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

489. Large Continental Gilt‑Decorated White Opaline Glass Vase, painted in the Etruscan style with sanguine neoclassical figures, h. 18 1/2 in. $300/500 Provenance: Schwitz Collection, Franklin, LA.

490. Pair of Egyptian‑Style Monumental Painted Canvas Panels, 104 1/2 in. x 72 in. and 104 1/2 in. x 68 1/2 in. $3000/5000

491. Pair of Continental Verdigris Patinated Bronze Figural Jardinières, 20th c., putti holding cornucopia vessels, h. 40 in., w. 18 in., d. 18 in. $2000/3000

492. Continental Patinated Bronze Garden Urn, 20th c., entwined serpent handles, h. 34 in., w. 32 in., d. 23 in. $1500/2500

494. Pair of Charles X Gilt and Patinated Bronze and Rosso Antico Candleholders, early 19th c., Atlas standards, plinth base, h. 8 1/4 in., w. 3 1/8 in., d. 3 1/8 in. $800/1200

495. Pair of Charles X‑Style Bronze Doré Candlesticks, with guilloche decoration, h. 11 in., dia. 4 1/2 in. $500/700

496. Pair of Venetian Painted and Parcel Gilt Carved Wood Pricket Candlesticks , h. 22 in., w. 9 in., d. 9 in. $400/600

493. Pair of Antique French Gilt Bronze Sphinx Chenets, 19th c., over sun ray mask, h. 11 1/2 in., w. 8 1/4 in., d. 3 in. $500/1000

497. Grand Tour Bronze Charger, c. 1895, continuous Bacchic relief, signed “J.A. THELOI, 1714”, stamped “GESETZLICH/GESCHUTZT” verso, dia. 18 1/4 in. $500/700

499. Large Swiss Black Forest Plaque, late 19th c., carved with game birds and deer, mounted with antlers, h. 47 in., w. 25 in., d. 10 1/2 in. $1500/2500

498. Cast Iron Figure of Classical Youth Blowing a Ram’s Horn, remnants of green paint, h. 38 in., w. 29 in., d. 2 1/4 in. $300/500

500. Pair of Large French Painted Metal Figural Lamps, 20th c., with nymph and cherub riding a dolphin, h. (to socket) 38 in., dia. 11 1/2 in. $700/1000 Provenance: Schwitz Collection, Franklin, LA.

503. Empire‑Style Gilt and Patinated Bronze Six‑Light Chandelier, 20th c., mask and palmette decoration, electrified, h. 36 in., dia. 21 in. $1000/1500

501. Pair of Continental Brass Five‑Light Chandeliers, 19th c., vasiform standard, scroll arms, prism hung, electrified, h. (without chain) 26 in., dia. 28 in. $1500/2500

504. [Leather Bindings], History of France, c. 1870, 6 volumes, gilt tooled. $100/150

508. Pair of American Cast Iron Curule Stools, 19th c., reticulated convex seat, foliate stretcher, pierced legs, h. 16 1/2 in., w. 15 in., d. 13 3/4 in. $500/700

502. Pair of Crystal and Bronze Twelve‑Light Girandole Candelabra. Note: One with loose top. $1500/2500

505. [Leather Bindings], Scott’s Life of Napoleon, 1887, 9 volumes, gilt tooled. $100/150

506. [Leather Bindings], Viollet‑Le‑Duc Entretiens sur L’Architecture, c. 1863, 2 volumes in French, gilt tooled. $100/150

509. American Cast Iron “Gothic” Pattern Garden Settee, 19th c., acanthine serpentine crest rail, scrolled arms, reticulated back and seat, cabriole legs, settee h. 35 in., w. 60 in., d. 18 in. $1200/1800

507. [Leather Bindings], Cooper’s Novels, 1866, 10 volumes, gilt tooled. $100/150

510. Pair of American Cast Iron “Gothic” Pattern Chairs, 19th c., en suite with the preceding lot, h. 34 1/2 in., w. 27 1/2 in., d. 18 in. $800/1200

Note: A related example is in the collection of the White House.

511. Antique French Cast Iron and Porcelain Bistro Table, base marked “SICRE JEUNE/PLACE DUPUY/TOULOUSE”, h. 29 in., w. 18 1/2 in., d. 18 1/8 in. $300/500

Provenance: Lucullus Antiques, New Orleans; Windham Collection, Oxford, MS.

512. Pair of American Cast Iron Urns, 19th c., egg‑and‑dart molding, lion mask handles, lobed base, square plinth, h. 24 1/2 in., dia. 19 in. $700/1000 Provenance: Collection of Charles S. and the late Janie P. Houser, The Governor’s Club, Magnolia Springs, AL.

516. American Cast Stone Covered Urn, 19th c., flame finial, fluted body, reeded top and base, h. 43 in., dia. 22 in. $400/600 Provenance: Oaklawn Manor, Franklin, LA; Estates of George and Mary Beth Thomson, Franklin, LA.

513. Pair of American Cast Iron Urns, 19th c., en suite with previous lot, h. 24 1/2 in., dia. 19 1/2 in. $700/1000 Provenance: Collection of Charles S. and the late Janie P. Houser, The Governor’s Club, Magnolia Springs, AL.

514. Pair of American Cast Iron Garden Urns, 19th c., bird motif, associated plinth base, h. 24 3/4 in., w. 17 in., d. 17 in. $700/1000 Provenance: Collection of Charles S. and the late Janie P. Houser, The Governor’s Club, Magnolia Springs, AL.

517. Pair of American Cast Iron Benches, 19th c., gothicized motifs, wood slatted seat, h. 36 1/2 in., w. 47 1/2 in., d. 23 in. $2000/3000

515. Pair of Antique Cast Stone Garden Figures, modeled as a young maiden and boy holding flowers, taller h. 32 in. $400/600

Provenance: Oaklawn Manor, Franklin, LA; Estates of George and Mary Beth Thomson, Franklin, LA.

518. American Wrought Iron Garden Bench, slat back and seat, old paint surface. $300/500 Additional information at www.nealauction.com

520. Bronze Figural Group of Nymph with Young Bacchus, h. 32 in., w. 13 in., d. 9 1/2 in. $1200/1800

Provenance: Oaklawn Manor, Franklin, LA; Estates of George and Mary Beth Thomson, Franklin, LA.

519. Pair of Bronze Fawns, h. 26 in., w. 24 in., d. 7 in. each. $800/1200 Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

521. Continental Patinated Bronze Figure of “Bilboquet 300 Calembours 2 Sous”, after Andrée Wegl, titled on plaque, inscribed “Andrée Wegl Sculp”, “P. Baur Fondeur” and “No. 5” on self base, h. 26 in., w. 10 1/2 in., d. 11 in. $1000/1500

522. French Terracotta Bust of Madame Récamier after Joseph Chinard, inscribed “Lecomte” on reverse, h. 24 1/2 in., w. 12 in., d. 8 1/2 in. $500/800

523. Napoleon III‑Style Ebonized and Patinated Metal Repoussé Mirror, rope‑molded surround, floral‑mounted corners, beveled mirror plate., h. 45 in., w. 37 1/2 in. $800/1200 525. Empire‑Style Bronze‑Mounted Mahogany Pier Mirror, 20th c., egg and dart molded cornice, tympanum painted with mythological scene, columnar stiles, h. 75 in., w. 46 in. $1000/1500

524. Antique Empire‑Style Bronze‑Mounted Mahogany Cheval Mirror, urn finials, arched mirror with floral decoration, shaped base surmounted by sphinxes, h. 76 1/2 in., w. 44 3/8 in., d. 20 in. $1500/2500

Provenance: Manheim Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Provenance: Schwitz Collection, Franklin, LA.

526. Louis XVI‑Style Bronze‑Mounted, Marquetry Inlaid Kingwood Tall Case Clock, mounted plaque marked “FELIX ALLARD CONSTRUCTEUR‑MECANCIEN... PARIS”, striking gong movement, h. 81 in., w. 24 in., d. 11 1/2 in. $1500/2500

Provenance: Schwitz Collection, Franklin, LA.

529. English Bronze‑Mounted and Inlaid Rosewood Parlour Cabinet, late 19th c., shaped top, conforming frieze, beveled glass doors, velvet‑lined shelf interior, serpentine apron, h. 42 5/8 in., w 71 in., d. 12 3/4 in. $800/1200

Provenance: Schwitz Collection, Franklin, LA.

527. English Inlaid Mahogany Music Cabinet, early 20th c., labeled “Lidstone, Music Cabinet, London”, 7 innovative drawers, shaped apron, cabriole legs, pad feet, h. 44 3/4 in., w. 19 3/4 in., d. 14 3/4 in. $500/700 Provenance: Windham Collection, Oxford, MS.

528. Antique English Tôle Peinte Gallery Tray, classical urn reserve, later custom bamboo‑form stand, h. 20 1/4 in., w. 28 1/2 in., d. 22 3/4 in. $400/600 Provenance: Schwitz Collection, Franklin, LA.

530. Moorish‑Style Mother‑of‑Pearl Inlaid Hardwood Coffer, chamfered top, bracket feet, h. 12 in., w. 20 in., d. 11 1/2 in. $700/900

531. Continental Patinated Wrought Iron Console Table, early 20th c., inset glass top above sections of antique cast iron fencing panels, leaf work cabriole legs, scroll toes, X‑stretcher, h. 31 1/2 in., w. 66 1/2 in., d. 21 in. $500/700

532. Chine Trade Brass‑Mounted Mahogany Tambour Lap Desk, c. 1830, two‑tiered camphorwood fitted interior, foldover tooled leather writing surface, lower drawer, h. 9 in., w. 18 3/4 in., d. 14 3/4 in. $800/1200 Provenance: Bonham’s, June 25, 2015, lot 154.

Provenance: Windham Collection, Oxford, MS.

533. Chinese Export Gilt‑Decorated Black Lacquer Table Cabinet Necessaire, mid‑19th c., decorated throughout with figural panels and cartouches, hinged top opening to interior compartment with divided tray, paneled doors opening to 3 drawers, the lowest of which converts to a lap desk, acorn feet, h. 17 1/4 in., w. 13 in., d. 9 1/2 in. $400/600 Provenance: Dannette Darrow Antiques, Binghampton, NY, Jan. 2005.

534. Large Chinese Export Famille Rose Porcelain Punch Bowl, 18th c., Qianlong, interior with fruit and flower spray, exterior with 2 large cartouches featuring nobles at leisurely pursuits in garden settings on a diaper ground with further bird and flower cartouches and sepia landscapes, h. 6 in., dia. 14 in. $800/1200 Provenance: Adriaan’s, New Orleans, 2003.

535. Chinese Export Mandarin Palette Porcelain Tankard, late 18th c., Qianlong, bamboo handle, painted with a harbor scene with figures and boats reserved on an iron red and gilt y‑diaper ground, h. 5 3/4 in. $500/700 Provenance: Jim Deaderick, 2006.

536. Large Assembled Chinese Export Canton Blue and White Porcelain Dinner Service, 19th c., incl. oval platter, l. 17 1/4 in.; 4 octagonal platters, l. 9 5/8 to 17 1/4 in.; warming dish and cover, l. 15 1/4 in.; covered soup tureen, l. 13 in.; covered tureen, l. 10 1/2 in.; pair of covered vegetable tureens, l. 8 1/4 in.; tureen lacking cover, l. 11 in.; covered teapot; 2 leaf‑form sauce dishes; leaf plate; 9 soups, dia. 8 1/2 to 9 in.; 3 dishes, dia 7 1/2 in. and 6 1/4 in.; together with 4 Mottahedeh dishes, dia. 8 5/8 in.; and 3 Woods & Son dishes, dia. 9 in. (33 pcs.) Note: Some covers associated. $600/800 Provenance: Estate of Noted Antiquarian James D. “Don” Didier.

537. Four Chinese Blue Fitzhugh Porcelain Dinner and Serving Pieces, 18th and 19th c., incl. 2 dinner plates, dia. 9 3/4 in. and 10 in.; warming plate, dia. 9 3/4 in.; and shaped dish, l. 11 1/2 in.; together with a Fitzhugh soup, 20th c., dia. 10 in.; and an assembled blue and white coffee/tea service, 19th and 20th c., incl. covered coffee pot, h. 6 1/2 in.; covered sugar, h. 5 1/2 in., covered teapot, h. 4 in.; 3 teacups; 2 covered mugs; and 2 spoons (15 pcs.) $250/350 Provenance: Estate of Noted Antiquarian James D. “Don” Didier.

538. Chinese Export Blue and White Porcelain Mazarin, 18th c., Qianlong, decorated with a central hunt scene, dia. 13 7/8 in. $300/500 Provenance: Dannette Darrow Antiques, Binghampton, NY, 2003.

539. Chinese Export Mandarin Palette Porcelain Covered Teapot and Bowl, 18th c., Qianlong, each decorated with figural scenes on an iron red and black star‑diaper ground, pot h. 6 1/4 in., w. 8 1/2 in., bowl h. 2 1/2 in., dia. 4 3/4 in. (2 pcs.) $400/600 Provenance: Leonard Eureka, 2003 and Mimi’s Antiques, Lewes, DE, 2001.

540. Two Chinese Export Mandarin Palette Porcelain Tankards, 18th c., Qianlong, each painted with figures before boats in a harbor scene reserved on an iron red and gilt diaper ground with further bird‑and‑flower cartouches, larger with sepia landscapes, h. 4 3/8 in. and 5 1/8 in. $400/600 Provenance: (smaller) Henry Moog, Atlanta, 2004; (larger) Acanthus Antiques, Kensington, MD, 2003.

541. Chinese Export Blue Fitzhugh Porcelain Tureen, 19th c., h. 5 1/2 in., w. 7 3/4 in., d. 5 1/4 in. $200/300 Provenance: Reputedly, by descent in the family of American politician and soldier John Edgar Howard (1752‑1827), Governor of Maryland; Estate of Noted Antiquarian James D. “Don” Didier, New Orleans.

542. Chinese Export Mandarin Palette Porcelain “Hunt Scene” Bowl, 18th c., Qianlong, exterior painted with two hunting scenes and 2 exotic bird cartouches, interior with flower roundel, h. 3 1/2 in., dia. 7 3/4 in. $400/600

Provenance: Brunk Auction, Asheville, July 2001.

543. Decorative Silverplate and Marble Citrus Press, 20th c., h. 11 1/2 in., w. 9 1/4 in., d. 8 in. $300/400

544. Pair of Empire Tôle Peinte Wall Lamps, early 19th c., urn‑form, swan handles, electrified, h. 12 1/2 in., w. 10 3/4 in., d. 9 3/4 in. $500/1000 Additional information at www.nealauction.com

545. Bacchic Bronze Figural Group of a Maiden and Putto, h. 17 in., w. 5 3/4 in., d. 5 1/2 in. $300/500

546. Odoardo Fantacchiotti (Italian, 1809‑1877), “Bust of Young Woman”, marble, signed on underside, marble socle, h. 15 1/4 in., w. 9 1/4 in., d. 9 in., bronze‑mounted mahogany base, overall h. 18 in. $700/1000 Provenance: Schwitz Collection, Franklin, LA.

547. Large Carved and Polychrome Wood Figure of Saint Francis of Assisi, 18th/19th c., h. 44 in., w. 13 1/2 in., d. 12 in. $400/600 548. American Renaissance Carved and Figured Walnut Pier Mirror, c. 1870, architectonic pediment, turned columnar supports, molded base with open shelf, bun feet, h. 107 1/2 in., w. 38 1/2 in., d. 15 1/8 in. $700/1000

549. Two Chinese Edicts, Qing Dynasty (1644‑1911), ink on silk brocade with paper backing, regular kaishu and manchu script and numerous seals throughout, (green) 15 3/4 in. x 31 1/4 in., (yellow) 13 3/4 in. x 35 in.; together with calligraphy painting, ink on paper, inscribed and sealed middle right, mounted as a hanging scroll, overall h. 48 1/2 in. x 18 in. (3 pcs.) $800/1200

551. Pair of Chinese Famille Rose Porcelain Hexagonal Vases, Qing Dynasty (1644‑1911), faceted bodies set with enameled landscape panels on molded diaper cell grounds, h. 10 1/4 in. $2000/3000

550. Pair of Chinese Famille Rose Porcelain Hexagonal Vases, 20th c., decorated with bird and flower panels on pink sgraffito grounds, bases with apocryphal Qianlong marks, h. 24 1/2 in. $500/700

Provenance: Manheim Galleries, New Orleans.

Provenance: Windham Collection, Oxford, MS.

552. Near Pair of Chinese Blue and White Porcelain Covered Jars, 19th c., decorated with double happiness symbols on a peony scroll ground, one base with Chenghua mark, h. 17 in. and 17 1/4 in. $500/700

Provenance: Reputedly, found Mindanao, after Moro Gulf earthquake, Aug. 1976; Bill Bush Jones Inc., Dallas; Blair House, Memphis, TN, Nov. 1978.

553. Chinese School, “Bird Watching from a Rock” and “Traveller in Landscape”, two works, each ink and color on cloth/silk, inscribed and sealed upper right and left, respectively, 14 in. x 16 in., each mounted within a folio beside a calligraphy on paper, folio h. 16 in., w. (open) 34 3/4 in., framed alike. $800/1200

554. Tibetan Gem Embellished and Gilt Bronze‑Mounted Lapis Lazuli Figure of Tara, modeled standing in tribhanga on a separate double lotus base holding a lotus raised in her right hand, h. 18 1/8 in. $800/1200

555. Large Burmese or Thai Silver Repoussé Bowl, 19th/20th c., relief‑decorated with a continuous figural frieze, h. 8 3/4 in. dia. 12 3/4 in. $800/1200

556. Persian Serapi Carpet, dark blue ground, light brown border, stylized floral design, 7 ft. 2 in. x 7 ft. 10 in. $2300/2800

557. Large Antique Persian Carpet. blue ground, red border, overall stylized floral design, 11 ft. 11 in. x 20 ft. 11 in. $3000/5000 Provenance: Collection of Charles S. and the late Janie P. Houser, The Governor’s Club, Magnolia Springs, AL.

558. Heriz Carpet, red ground, blue border, white spandrels, central medallion, 8 ft. 1 in. x 11 ft. 3 in. $1000/1500

560. Serapi Rug, red and cream ground, central medallion, blue border, overall stylized floral design, 10 ft. 8 in. x 13 ft. 6 in. $1000/1500

561. Persian Qashqai Carpet, red‑orange ground, geometric, stylized floral and figural design, 4 ft. 3 in. x 13 ft. $1000/1500

559. Antique Persian Carpet, red and cream ground, central medallion, 9 ft. 7 in. x 12 ft. 10 in. $800/1200 Provenance: Collection of Charles S. and the late Janie P. Houser, The Governor’s Club, Magnolia Springs, AL.

563. Antique Persian Carpet, red ground, blue border, central medallion, overall stylized floral design, 8 ft. 2 in. x 11 ft. 7 in. $800/1200

564. Persian Heriz Carpet, red ground, triple medallions, 3 ft. 9 in. x 5 ft. 5 in. $700/900

Provenance: Collection of Charles S. and the late Janie P. Houser, The Governor’s Club, Magnolia Springs, AL.

562. Modern Handwoven Bamboo Carpet, bamboo design, in shade of brown, 8 ft. 2 in. x 9 ft. 6 in. $1000/1500

565. Fine Kashian Carpet, red ground, blue border, central medallion, overall floral design, 9 ft. 2 in. x 12 ft. 2 in. $2000/3000

566. Antique Persian Heriz Carpet, red ground, central medallion, 6 ft. 11 in. x 8 ft. 8 in. $2000/2400

567. Antique Persian Kurdish Kilim Carpet, brown and orange ground, allover repeating design, 5 ft. 4 in. x 10 ft. 8 in. $1400/1600

568. Modern Handwoven Wool and Silk Carpet, gray ground, with gold abstract design, 8 ft. 1 in. x 10 ft. 1 in. $1500/2000

569. Persian Carpet, tan ground, overall vining design, 9 ft. 9 in. x 12 ft. $800/1200 Additional information at www.nealauction.com

570. Tiffany & Co. 14 kt. Yellow Gold and Diamond “New Orleans Saints 2009 Championship” Pendant, bead‑set with 59 round brilliant cut diamonds, total wt. 1.35 cts., G‑H color, VS1‑VS2 clarity, top and bottom bezel with raised letters “WORLD” and “CHAMPIONS”, reverse marked “Tiffany & Co. 585” h. 1 in., w. 1 in., d. 1/3 in., together with gold chain marked “585” and “Tiffany & Co.”, l. 18 in. (2 pcs.) $12000/18000

571. 18 kt. Yellow Gold and Graduated Diamond Bracelet, 37 round brilliant cut diamonds, 2.5‑5.6 mm, total wt. approx. 9.75 cts., I‑J color, I‑1 to I‑2 clarity, l. 7 in.; AIG gemological report. $5000/7000

572. 14 kt. Yellow Gold and Diamond Curb Chain Necklace, diamond total wt. approx. 14.50 cts., l. 18 in. $8000/10000

574. 14 kt. Yellow Gold and Diamond Dome Ring, set with 56 round brilliant cut diamonds, total wt. approx. 1.25 cts., overall wt. 6.2 dwt. $500/800

573. 14 kt. Yellow Gold and Diamond Curb Chain Bracelet, diamond total wt. approx. 5.90 cts., l. 7 1/2 in. $3500/5000

575. 14 kt. Yellow Gold and Diamond Frog Pin, set with 85 round brilliant and single cut diamonds, total wt. approx. 1.70 cts.; and 2 small round emeralds, pin weight 6.4 dwts.; Aucoin Hart appraisal. $800/1200

576.18 kt. White Gold, Diamond and Emerald Necklace, 9 pear shaped emeralds, total wt. approx. 19.93 cts.; and numerous round cut diamonds, total wt. approx. 16.18 cts.; l. 17 1/2 in. $14000/18000

577. Pair 18 kt. White Gold, Emerald and Diamond Dangle Earrings, set with 2 pear shaped emeralds, total wt. approx. 3.06 cts.; surrounded by numerous round brilliant cut, 2 heart shaped brilliant cut, and 2 octagonal step cut diamonds, total wt. approx. 2.49 cts.; l. 3 in.; GIA certificate (emeralds). $3500/4500

578. 18 kt. White Gold, Diamond and Emerald Cuff/ Bangle Bracelet, 264 bezel set round brilliant cut diamonds, total wt. approx. 15.86 cts., H‑I color, I‑1 to I‑2 clarity; 64 prong set oval mixed cut emeralds, total wt. approx. 28.92 cts.; hinged opening; dia. 2 1/2 in.; AIG gemological report. $12000/18000

579. 14 kt. White Gold, Emerald and Diamond Necklace, 41 prong set rectangular step cut natural emeralds, avg. 6.00 x 4.00 x 2.60 mm, total wt. approx. 22.95 cts.; 574 prong set round brilliant cut diamonds, 1.75 ‑ 1.65 x 1.02 mm, total wt. approx. 10.98 cts., F‑H color, SI‑3 to I‑2 clarity, concealed clasp; l. 17 in.; AIG gemological report. $5000/7000

580. 18 kt. White Gold, Emerald and Diamond Pendant with 14 kt. White Gold Chain, prong set square cushion cut natural emerald, 10.50 x 10.10 x 6.70 mm, wt. approx. 4.99 cts.; 88 prong set round brilliant cut diamonds, total wt. approx. 2.00 cts., F‑H color, SI‑1 to I‑1 clarity; 24 prong set baguette cut diamonds, total wt. approx. 0.30 ct., F‑H color, VS‑1 to SI‑1 clarity; pendant, l. 1 1/2 in., w. 1 in.; chain, l. 18 in.; AIG gemological report. $5000/7000

581. Pair of 18 kt. White Gold, Emerald and Diamond Earrings, 2 prong set emeralds with brilliant cut crowns and step cut pavilions, each approx. 8 x 6 mm, total wt. approx. 2.55 cts.; 44 round brilliant cut diamonds, 1.6‑1.8 mm, total wt. approx. 0.83 ct., H‑I color, SI‑1 ‑ SI‑2 clarity; l. 1 1/4 in., w. 3/8 in.; AIGL gemological report. $2000/3000

582. 14 kt. White Gold, Emerald and Diamond Bracelet, 17 prong set rectangular step cut natural emeralds, 6.00 x 4.00 x 2.60 mm, total wt. approx. 10.17 cts.; 238 prong set round brilliant cut diamonds, est. depth 1.75 ‑ 1.60 x 1.04 mm, total wt. approx. 4.54 cts., G‑I color, SI‑3 to I‑2 clarity; l. 7 in.; AIG gemological report. $2500/3500

586. 14 kt. White Gold, Emerald and Diamond Ring, prong set emerald cut emerald, approx. 8.01 x 6.05 mm, wt. approx. 1.58 cts.; approx. 28 round brilliant cut diamonds, total wt. approx. 0.52 ct., G‑H color, SI‑1 clarity; size 6.75; IAS appraisal report. $900/1000

583. Vintage 18 kt. Yellow Gold, Emerald and Diamond Brooch, 8 prong set round brilliant cut emeralds, 2.50 ‑ 2.50 x 1.63 mm, total wt. approx. 0.58 ct.; 8 prong set round brilliant cut diamonds, est. depth 2.30 ‑ 2.20 x 1.35 mm, total wt. approx. 0.40 ct., F‑G color, SI‑1 to SI‑2 clarity; l. 1 1/8 in., w. 1 1/8 in.; AIG gemological report. $1000/1200

587. 14 kt. White Gold, Emerald and Diamond Ring, half bezel set oval faceted emerald, shoulders with 6 tapered baguette cut diamonds, size 7. $400/600

584. Platinum, Emerald and Diamond Ring, prong set rectangular step cut natural emerald, 8.80 x 7.00 x 4.70 mm, wt. approx. 2.28 cts.; 50 prong set round brilliant cut diamonds, total wt. approx. 1.02 cts., F‑H color, SI‑2 to I‑2 clarity; size 6.75; AIG gemological report. $2500/3500

585. Platinum, Emerald and Diamond Ring, prong set rectangular step cut natural emerald, 11.39 x 10.81 x 6.93 mm, exact wt. 6.23 cts.; 120 prong set round brilliant and baguette cut diamonds, total exact wt. 2.36 cts., G‑I color, VS‑2 to SI‑2; size 6.75; AGL gemological report (emerald) and AIG gemological report (ring). $7000/10000

588. Platinum, Tanzanite and Diamond Ring, prong set oval modified brilliant cut tanzanite, 18.86 x 13.44 x 8.01 mm, exact wt. 13.98 cts., I clarity; 78 prong set round brilliant cut diamonds, exact total wt. 2.28 cts., F‑H color, VS‑2 to SI‑2 clarity; size 7; GIA gemological report (tanzanite) and AIG gemological report (ring). $6000/8000

589. Platinum, Tanzanite and Diamond Ring, prong set pear shaped modified brilliant cut tanzanite, 17.40 x 11.58 x 7.67 mm, exact wt. 9.04 cts.; 38 prong and channel set round brilliant and baguette cut diamonds, total exact wt. 1.03 cts., F‑H color, SI‑1 to SI‑3 clarity; size 7; GIA gemological report (tanzanite) and AIG gemological report (ring). $3500/4500

590. Platinum, Tanzanite and Diamond Pendant with Platinum Chain, prong set round modified brilliant cut tanzanite, 11.36 ‑ 11.49 x 8.55 mm, exact wt. 7.25 cts.; 36 prong set round brilliant cut diamonds, total wt. approx. 0.24 ct., D‑F color, VS‑1 to VS‑2 clarity; chain, l. 18 in.; GIA gemological report (tanzanite) and AIG gemological report (necklace). $3500/4500

591. 14 kt. White Gold, Tanzanite and Diamond Ring, central rectangular faceted tanzanite, wt. 3.07 cts.; tiered diamond surround, total diamond wt. 1.18 cts., H‑I color, I1‑S2 clarity. $1000/1500

593. 14 kt. White Gold, Blue Zircon and Diamond Ring, bezel set oval cut zircon, approx. 11.06 x 8.45 mm, wt. approx. 5.80 cts.; double halo of round brilliant cut diamonds, total wt. approx. 0.49 ct., G‑H color, S‑2 to S‑3 clarity; size 7; IAS appraisal report. $900/1000

594. 14 kt. White Gold, Aquamarine and Diamond Ring, prong set cushion cut aquamarine, approx. 5.95 cts.; approx. 47 prong set round brilliant cut diamonds, total wt. approx. 0.81 ct., G color, SI‑1 to SI‑2 clarity; size 6.75; IAS appraisal report. $2000/3000

592. 14 kt. White Gold, Tanzanite and Diamond Ring, prong set square cushion modified brilliant cut tanzanite, 7.60 x 7.60 x 4.94 mm, exact wt. 2.27 cts.; 74 prong set round brilliant and single cut diamonds, exact total wt. 0.77 ct., F‑H color, SI‑2 to I‑1 clarity; size 7; AIG gemological report. $2000/3000

595. 14 kt. White Gold, Blue Topaz and Diamond Ring, central round topaz flanked by 2 smaller stones, total wt. approx. 4.0 cts.; diamond surround, total wt. approx. .70 ct., I color, I2‑I3 clarity. $300/500

Additional information at www.nealauction.com

596. 18 kt. White Gold and Diamond Necklace, 2 round brilliant diamonds, exact wt. 1.54 cts. and 1.09 cts.; approx. 190 small round brilliant cut diamonds, total wt. approx. 10.62 cts., l. 10 in. $8000/10000

597. 18 kt. White Gold and Diamond Four Row Ring, 2 marquise cut and 2 round brilliant cut diamonds, each with halo of round brilliant diamonds, size 6.5. $2500/3500

599. 18 kt. White Gold and Diamond Bracelet, approx. 459 round brilliant cut diamonds, total wt. approx. 8.34 cts.; l. 7 in. $4000/5000

601. Platinum and Diamond Ring, prong set round brilliant cut diamond, 7.80 ‑ 7.80 x 5.00 mm, exact wt. 2.02 cts., I color, I‑1 clarity; 2 prong set tapered baguette cut diamonds, total wt. approx. 0.22 ct.; 60 prong set round brilliant cut diamonds, total wt. approx. 0.66 ct., F‑H color, SI‑2 to I‑1 clarity; size 7; AIG gemological report. $6000/8000

604. 18 kt. White Gold and Diamond Ring, 107 pavé set round brilliant cut diamonds, total wt. approx. 1.18 cts., G‑I color, SI‑1 to I‑1 clarity; 72 channel set baguette cut diamonds, total wt. approx. 0.82 ct., G‑I color, VS‑2 to SI‑1 clarity; size 6; AIG gemological report. $1500/2500

605. Pair of 18 kt. White Gold and Diamond Earrings, each set with 3 round diamonds, total wt. 2.79 cts.; with smaller round cut diamond surrounds and dangles, total wt. 2.31 cts.; l. 2 in. $2500/3500

602. 14 kt. White Gold and Diamond Tennis Bracelet, 64 prong set round brilliant cut diamonds, total wt. approx. 4.63 cts., G‑I color, I‑1 to I‑2 clarity, l. 6 3/4 in.; AIG gemological report. $2500/3500

598. 18 kt. White Gold and Diamond Cuff/ Bangle, 2 marquise cut diamonds and approx. 180 round brilliant cut diamonds, total wt. approx. 6.58 cts., ext. l. 7 3/8 in., int. l. 6 3/8 in. $4500/5500

600. Pair of 18 kt. White Gold and Diamond Stud Earrings, two prong set round brilliant cut diamonds, approx. wt. 1.56 cts. and 1. 61 cts.; I color, I‑1 clarity, AIG gemological report. $7000/9000

603. 14 kt. White Gold and Diamond Necklace, 663 prong set round brilliant cut diamonds, est. depth 1.40 ‑ 1.00 x 0.78 mm, total wt. approx. 5.09 cts., F‑G color, SI‑2 to I‑1 clarity; l. 17 in.; AIG gemological report. $3500/4500

606. Platinum and Diamond Ring, bezel set round brilliant cut diamond, exact wt. 1.01 cts., I color, I‑2 clarity; 55 prong and channel set round brilliant and baguette cut diamonds, total wt. approx. 0.64 ct., F‑H color, SI‑2 to I‑1 clarity; size 6.75; AIG gemological report. $2500/3500 607. 18 kt. Yellow and White Gold and Diamond Man’s Ring, channel set with 3 princess‑cut diamonds, total wt. approx. .54 ct., G‑H color, VS‑1 clarity, overall wt. 7.1 dwts. $600/800

608. 18 kt. White Gold and Diamond Eternity Band Ring, incl. 15 oval cut and 15 round brilliant cut diamonds, total wt. approx. 2.57 cts., size 6.5. $2500/3500

609. Pair of 18 kt. Rose Gold and Diamond Earrings, front with pave set round brilliant cut diamonds, total wt. approx. 12.15 cts., l. 4 in. $4000/6000

610. Pair of 14 kt. White Gold, Pink Tourmaline and Diamond Earrings, central rectangular faceted tourmaline; surrounded by round brilliant cut diamonds, total diamond wt. approx. .45 ct., l. 1/2 in. $600/800

611. Platinum, Ruby and Diamond Ring, prong set oval mixed cut ruby, 7.41 x 5.08 x 3.24 mm, exact wt. 1.17 cts.; 50 prong set round brilliant cut diamonds, total exact wt. 0.50 ct., F‑H color, VS‑2 to SI‑2 clarity; size 6.75; GIA gemological report (ruby) and AIG gemological report (ring). $2000/3000

613. 18 kt. Yellow Gold, Ruby and Diamond Ring, prong set pear‑shaped faceted ruby, 8.00 x 5.50 x 3.00 mm, wt. approx. 1.07 cts.; approx. 86 round brilliant cut diamonds, total wt. approx. 0.78 ct., G‑H color, SI‑1 to SI‑2 clarity; size 7.25; AGL appraisal report. $1800/2500

612. 14 kt. White Gold, Ruby and Diamond Pendant with 14 kt. White Gold Chain, prong set pear shaped mixed cut ruby, 11.00 x 8.50 x 5.80 mm, exact wt. 4.52 cts.; 137 prong set round brilliant cut diamonds, total exact wt. 1.24 cts., F‑H color, I‑1 to I‑2 clarity; chain, l. 18 in.; AIG gemological report. $2500/3500

615. Rare 14 kt. White Gold, Sapphire and Diamond Bracelet, seven prong set oval mixed cut multicolor sapphires, avg. 10.49 x 8.71 x 6.51 mm, total wt. approx. 23.22 cts.; 301 prong set round brilliant cut diamonds, total wt. approx. 6.60 cts., F‑H color, I‑2 clarity; l. 7 in.; GIA gemological report (sapphires) and AIG gemological (ring). $7500/9500

617. Art Deco‑Style Platinum, Diamond, Emerald and Ruby Ring, 3 bezel set round diamonds, exact wt. 1.42 cts., 1.42 cts., 1.41 cts.; surrounded by bands of emeralds, total wt. approx. 1.51 cts.; and rubies, total wt. approx. 1.20 cts.; size 7. $3000/5000

616. Pair of Art Deco‑Style Platinum, Ruby, Sapphire, Emerald and Diamond Dangle Earrings, 2 larger drop diamonds, exact wt. 1.56 cts. and 1.59 cts., l. 2 in. $7000/9000

618. 14 kt. Yellow Gold, Emerald, Ruby, Blue Sapphire and Diamond Bangle Bracelet, 9 each channel set, baguette cut emeralds, rubies and sapphire, total wt. approx. 4 cts.; and 24 round brilliant cut diamonds, total wt. approx. .50 ct., dia. (int.) 2 1/2 in. $800/1200

619. 14 kt. White Gold, Black Diamond and Diamond Bracelet, 6 round brilliant cut black diamonds, 7.8‑8.5 mm, total wt. approx. 19.58 cts.; 268 round brilliant cut diamonds, 1.3 ‑ 1.5mm, I‑J color, SI‑2 to I‑1 clarity, total wt. approx. 23.02 cts.; l. 7 1/2 in.; AIG gemological report. $4000/6000

622. Pair of 14 kt. Yellow Gold, Onyx and Diamond Cufflinks, onyx square centered by round brilliant cut diamonds, total wt. approx. .12 ct., overall wt. 4 dwt. $300/500

614. 14 kt. Yellow Gold, Rubellite and Diamond Ring, prong set oval mixed cut rubellite, 8.50 x 6.80 x 4.30 mm, wt. approx. 1.82 cts.; 72 prong set round brilliant cut diamonds, est. depth 1.40 ‑ 1.30 x 0.88 mm, total wt. approx. 0.83 ct., F‑H color, I‑1 to I‑2 clarity; size 7; AIG gemological report. $1000/1200

620. Pair of 14 kt. White Gold, Diamond, Black Diamond, and Brown Diamond Earrings, 50 prong set round brilliant cut diamonds, total wt. approx. 0.50 ct., G‑I color, SI‑2 to I‑1 clarity; 34 prong set round brilliant cut diamonds, total wt. approx. 0.51 ct., irradiated fancy black color; 16 prong set round brilliant cut diamonds, total wt. approx. 0.29 ct., very light brown color, SI‑2 to I‑1 clarity; l. 3/4 in., w. 1/2 in.; AIG gemological report. $700/900

624. 14 kt. Yellow Gold, Opal and Diamond Pendant with 14 kt. Yellow Gold Chain, bezel set oval shaped cabochon cut semi-crystal opal, total wt. approx. 8.97 cts.; 43 prong set round brilliant cut diamonds, total wt. approx. 0.64 ct., H‑K color, I‑2 to I‑3 clarity; l. 1 5/8 in., w. 3/4 in.; chain with rhodium accents, l. 18 in.; AIG gemological report. $1200/1800

623. Judith Leiber Crystal Encrusted Minaudière, interior labeled “Saks Fifth Avenue by Judith Leiber”, silver tone hardware, retains comb and coin purse, hidden chain link shoulder strap, h. 3 1/2 in., w. 7 in., d. 1 3/4 in. $300/500 Provenance: Schwitz Collection, Franklin, LA.

621. 14 kt. White Gold, Black Opal and Diamond Pendant with 14 kt. White Gold Chain, prong set pear shaped cabochon opal, 20.00 x 12.50 x 6.00 mm, total wt. approx. 7.19 cts.; approx. 590 prong set round brilliant cut diamonds, total wt. approx. 7.59 cts., G‑I color, I‑1 to I‑2 clarity; pendant, l. 3 in., w. 1 3/8 in.; chain, l. 18 in.; AIG gemological report. $4000/6000

625. 14 kt. Yellow Gold, Opal and Diamond Ring, bezel set oval cabochon opal, wt. approx. 3.02 cts.; 54 prong set round brilliant cut diamonds, total wt. approx. 1.01 cts., H‑J color, I‑1 to I‑2 clarity; size 7.25; GLA gemological report. $600/800 Additional information at www.nealauction.com

626. 14 kt. Yellow Gold and Opal Cluster Ring, size 6.5. $1000/1500

630. Anodized Silver, Opal and Diamond Bracelet with Gold Accents, 11 cabochon opals, various cuts, total wt. approx. 48.79 cts.; 312 rose cut diamonds, total wt. approx. 2.25 cts., H‑J color, I‑1 to I‑3 clarity; l. 6 3/4 in. $1400/1600

634. 14 kt. White Gold and Graduated Dark Gray Tahitian Pearl Necklace, 37 round cultured pearls, 10‑13 mm; scalloped bead clasp; l. 17.5 in.; AIG gemological report. $1500/2500

627. 18 kt. Rose Gold, Alexandrite and Diamond Ring, prong set square cushion mixed cut natural alexandrite, 5.20 x 4.70 x 3.50 mm, wt. approx. 0.73 ct.; 40 prong set round brilliant cut diamonds, total wt. approx. 0.32 ct., F‑H color, SI‑2 to I‑1; size 6.25; AIG gemological report. $1000/1200

631. Pair of Vintage Anodized Silver, White Sapphire and Diamond Tear Drop Chandelier Earrings, 2 round cut sapphires, total wt. approx. 0.20 ct.; approx. 642 single and rose cut diamonds, total wt. approx. 4.80 cts., H‑J color, I‑1 to I‑3 clarity; l. 2 3/4 in., w. 1 in. $700/900

635. 14 kt. Yellow Gold and Amethyst Flexible Bracelet, set with 20 hexagonal faceted amethysts, total wt. approx. 20.0 cts., l. 7 1/2 in., overall wt. 6.3 dwt. $300/500

639. Yellow Gold and Lapis Lazuli Ring, unmarked, probably 18 kt., overall wt. 16 dwt. $600/900 638. Chinese Freshwater Cultured Pearl Necklace, 11.5 mm.‑12.5 mm., off‑white to white color, slightly off round. $400/600

628. Pair of 14 kt. Yellow Gold, Coral and Diamond Earrings, l. 3 1/2 in. $200/400

632. Pair of Silver, Sapphire and Diamond Earrings with Gold Accents, 2 cabochon sapphires, each approx. 19.00 x 8.20 mm; 124 rose cut round diamonds, total wt. approx. 0.52 ct.; l. 1 1/2 in. $200/300

629. 14 kt. Yellow Gold and Graduated Golden South Sea Pearl Necklace, 39 round cultured pearls, 10‑13 mm; scalloped bead clasp; l. 18 in.; AIG gemological report. $1750/2750

633. Yellow Gold, Silver and Diamond Bangle Bracelet, 8 diamond tablets, total wt. approx. 0.75 ct.; 72 rose cut diamonds, total wt. approx. 0.78 ct., dia. 2 1/2 in. $400/600

636. 14 kt. Yellow Gold, Jadeite and Pearl Ring, prong set oval cabochon jadeite, (20.00 x 14.00) 4.20 mm, wt. approx. 7.00 cts.; 20 cultured pearls, 2.5 to 3.6 mm, size 8; AIG gemological report. $900/1100

640. Antique 18 kt. Yellow Gold and Micromosaic Ring and Brooch, ring marked “18k”, size 6 1/2, brooch unmarked but tested, h. 1 7/8in., w. 2 1/4 in. $1000/1500

637. Platinum, Jadeite and Diamond Ring, cabochon jade surrounded by 14 round brilliant and 6 baguette cut diamonds, size 6. $600/800

641. Salvatore Ferragamo “Gancini” Hardwood Handbag, exterior with incised logo, interior leather label “Salvatore Ferragamo/ AU‑2.7729/ Made in Italy”, gold‑tone hardware, h. 13 in., w. 8 3/8 in., d. 4 1/4 in. $300/500 Provenance: Schwitz Collection, Franklin, LA.

Session Two Sunday, September 15, 11 a.m. 3923 Carondelet

Additional information at www.nealauction.com

642. Pair of Jacob Petit Paris Polychrome and Gilt Porcelain Rhyton Vases, 19th c., bases marked “JP”, upper bodies painted with fruit and floral sprays on mint green grounds, h. 8 in., w. 6 in., d. 3 3/4 in. $400/600

643. Pair of Continental Polychrome and Gilt Porcelain Rhyton Vases, late19th/early 20th c., with avian roundels, swan terminals, raised gilt decoration, h. 9 3/4 in., w. 7 in., d. 3 1/2 in. $400/600

Provenance: Schwitz Collection, Franklin, LA.

645. Fine Paris Gilt‑Decorated Porcelain Tea Service, 19th c., reeded bodies, incl. teapot, h. 6 in., w. 11 3/4 in.; covered sugar, h. 5 1/4 in., w. 8 3/4 in.; creamer, h. 5 1/4 in.; 2 cups with gilt interiors; and 2 matching saucers, dia. 5 1/2 in. (7 pcs.) $500/700

644. Large Meissen Bisque Porcelain Figural Group of Venus and Cupid Embracing, early‑to‑mid 20th c., crossed swords mark, h. 23 1/2 in. $400/600 Provenance: Neal Auction, Jan. 31, 2015, lot 470; Schwitz Collection, Franklin, LA.

Provenance: Schwitz Collection, Franklin, LA.

647. Pair of Royal Copenhagen “Flora Danica” Porcelain Reticulated Dinner Plates, 1985‑91, fully marked, no. 3553, decorated with botanical specimens, “Atropa Belladonna” and “Geranium palustre”, dia. 10 in. $800/1200

646. Pair of Luneville Faience Covered Tureens, marked, polychrome floral sprays, puce borders, pinecone finials, h. 6 1/2 in., w. 9 1/2 in., d. 6 1/4 in. $400/600 Provenance: Schwitz Collection, Franklin, LA.

648. Large Continental Polychrome and Gilt Porcelain Urn, late 19th c., neck with applied foliate garlands, body with fixed ring handles and bands of floral sprays, h. 27 in., gilt bronze base, overall h. 29 1/2 in. Note: Lacking cover. $500/700 Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

649. American Gilt Brass Chamberstick, 19th c., dolphin handle, matte and burnished surface. h. 7 in.; together with American gilt bronze, marble and ruby cut‑to‑clear glass trumpet vase, mid‑19th c., h. 11 in. (2 pcs.) $200/400 650. American Bronze Figural Inkwell, 19th c., modeled as portly man with tray of roasted turkey, wood base, h. 5 3/4 in., w. 8 in., d. 8 1/2 in. $150/250

652. Eight Antique American Brass Tie Backs, foliate design, dia. 2 7/8 in. $400/600 Provenance: Schwitz Collection, Franklin, LA.

651. Twelve Antique American Cast Brass Tie Backs, rosette design, dia. 3 1/2 in. $600/900 Provenance: Schwitz Collection, Franklin, LA.

653. Pair of Victorian Silvered Metal, Marble and Opaline Glass Trumpet Vases, mid‑19th c., h. 11 in., w. 4 3/4 in. $150/250

654. Four Decorative Bronze Items, incl. Bradley & Hubbard thermometer, h. 10 in.; tazza on marble base; figural candlestick; and an unusual cherub‑form oil lamp. $150/250

656. Six Antique American Brass Tie Backs, concave rosette, dia. 5 in. $300/500 Provenance: Schwitz Collection, Franklin, LA. 655. Victorian Reticulated Brass Fire Fender, late 19th/early 20th c., pierced body, bun feet, h. 7 1/2 in., l. 41 1/8 in.; together with pair of Colonial‑style turned brass andirons, h. 19 in. (3 pcs.) $300/400

658. Four Large Antique American Brass Tie Backs, rosette and rope design, dia. 6 in. $400/600 Provenance: Schwitz Collection, Franklin, LA.

659. Four Antique American Bronze and Brass Tie Backs, concave form, dia. 2 1/4 in., d. 4 1/4 in.; together with a rosette pair, dia. 3 3/4 in., d. 4 in. $300/500 Provenance: Schwitz Collection, Franklin, LA.

657. Antique Giltwood Frame, 19th c., oval opening 21 in. x 17 in., Master Simpson, by Devis. $200/300 Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

660. Good Paris Porcelain Gilt and Polychrome Covered Urn, 19th c., incised mark, portrait medallion handles, addorsed swan base, h. 18 3/4 in., w. 12 in., d. 7 3/4 in. $500/700 Provenance: Schwitz Collection, Franklin, LA.

661. Pair of Italian Carved Marble Plaques, 20th c., Classical figures in relief, iron surround and loop hanger, dia. 16 1/2 in. $700/1000

Provenance: Schwitz Collection, Franklin, LA.

662. Louis XVI‑Style Bronze Chenets and Fan‑Form Fire Screen, c. 1900, chenet h. 21 in., w. (adjustable) 39 in. to 55 in., d. 9 in.; screen h. 32 1/2 in., w. (open) 48 in. $800/1200 Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

663. French Neoclassical Bronze Tray, 19th c., signed “F. LEVILLAIN” (1837‑1905), marked “F. BARBEDIENNE” verso, h. 1 1/4 in., w. 13 3/4 in., d. 4 6/8 in. $200/300

664. Continental Gilt and Patinated Bronze Covered Urn, 20th c., putto finial, Bacchic frieze, grapevine handles, marble base, h. 23 in., w. 12 in., d. 8 1/4 in. $500/700

665. Continental Patinated Bronze Figural Candleholder, modeled as a winged putto, marble base, h. 9 in. $250/500

Provenance: Schwitz Collection, Franklin, LA.

667. Elizabethan Revival Repoussé Brass and Tin Key Box, late 19th c., flame finials, foliate crest, door with maiden relief, interior fitted with hooks, mask pendant, h. 17 in., w. 9 3/4 in., d. 2 1/2 in. $150/250

668. English Gothic Revival Carved Tortoiseshell Cigarette Case, late 19th c., h. 4 1/8 in., w. 3 1/8 in.; together with silverplate and tortoiseshell telescoping magnifier, l. (extended) 3 in. $150/250

666. English Reverse‑Glass Mezzotint of Prince Leopold Grieving at Grave of Princess Charlotte, published by P. & P. Gally, Clerkenwell, 1817, 10 in. x 14 in., framed. $200/300 Provenance: Estate of Noted Antiquarian James D. “Don” Didier.

670. Neoclassical‑Style Three‑Piece Prattware Pottery Garniture, late 19th c., marked “F&R Pratt & Co., Fenton Manufacturers to H.R.H. Prince Albert”, incl. vase and pair of candlesticks, matte black ground, gilt decorated with Classical figures and Greek key design, vase h. 9 in., candlestick h. 9 in. $500/700

669. English Jasperware Plaque, 19th c., Classical figures, float‑mounted, framed, 2 1/4 in. x 5 3/4 in., frame 13 in. x 16 1/4 in. $200/300 Provenance: Schwitz Collection, Franklin, LA.

Provenance: Schwitz Collection, Franklin, LA.

671. Pair of Continental Tôle Peinte Jardinières, square tapered form, bail handles, h. 17 1/4 in., w. 16 in., d. 16 in. $300/500

Additional information at www.nealauction.com

672. Tiffany “Clinton” Pattern Sterling Silver Pea Serving Spoon, pat. 1912, l. 8 7/8 in.; together with 6 Tiffany “Faneuil” tablespoons, l. 8 1/2 in.; Simpson, Hall & Miller “Brandon” serving spoon, l. 8 5/8 in.; and Gorham “Plymouth” serving spoon, l. 7 3/8 in; total wt. 22 troy ozs. $300/500

673. Silverplate Punch Bowl with Twelve Punch Cups, punchbowl h. 12 1/4 in., dia. 16 1/8 in., cup h. 4 in. (13 pcs.) $200/300 Provenance: The Estate of Caroline P. Ireland.

674. American Art Nouveau Sterling Silver Hand Mirror, c. 1900, l. 9 3/4 in; together with a Gorham “Lily” sterling letter opener, l. 7 1/2 in. $100/150

677. Cooper & Fisher “Olive Variant” Coin Silver Soup Ladle, marked “COOPER & FISHER/131 AMITY ST.N.Y.” and with pseudo hallmarks, l. 12 in. $150/250

678. American Art Deco Sterling Silver Teapot, Watson “Lotus” pattern, h. 7 7/8 in., wt. 28.55 troy ozs. $400/600 Provenance: Schwitz Collection, Franklin, LA.

675. American Coin Silver Presentation Cup, Gale & Hayden, New York, act. 1845‑1850, dated 1849, paneled footed form, hollow cast handle, floral repoussé cartouche, engraved presentation “Remember thy maker in the days of thy youth/Ida V. Wing/Presented/by her/ Grandmother/Dec.r 2nd 1849.”, h. 3 5/8 in., wt. 3.35 troy ozs. $200/400

676. American Sterling Silver Wine Coaster, Woodside pattern 2098, cast reticulated scroll border, h. 1 1/2 in., dia. 7 5/8 in., wt. 7.15 troy ozs. $200/400

679. Antique Christofle Silverplate Flatware Service for Twelve, in the “Baguette” pattern, incl. 12 each: table forks, tablespoons and teaspoons, soup ladle and ragout spoon, in fitted case (as is). $500/700

681. Assembled Set of 22 Antique American SilverMounted Mother-of-Pearl Knives, incl. 12 with unmarked vintage motif ferrules and Meriden Cutlery Co. blades, 6 with sterling cartouche motif ferrules and Jennings Bros. blades, and4 with sterling foliate scroll motif ferrules and Meriden Cutlery Co. blades; l. approx. 8 3/4 in. $150/250

680. S. Kirk & Sons Coin Silver Repoussé Covered Sugar Bowl, 11 oz. mark, c. 1861‑1868, urn‑form, domed cover with floral finial and loop handles, h. 5 5/8 in., w. 6 1/4 in., wt. 8.20 troy ozs. $250/350

682. American Sterling Silver Partial Flatware Service, Gorham “King Edward” pattern, pat. 1936, designed by Russell Price, incl. 11 knives (l 9 5/8 in.); 7 salad forks; 6 cocktail forks; 4 cream soup spoons; 6 teaspoons; 8 ice teaspoons; 4 butter knives (fh); 8 demitasse spoons; 2 tablespoons; 2 pierced tablespoons; vegetable serving fork; jelly server; cream ladle; sugar tongs and child’s feeding spoon; together with 2 Reed & Barton “Burgundy” jelly servers; 65 pcs., total wt. (weighable) 57.20 troy ozs. $600/800

683. Two Mexican Sterling Silver Footed Bowls, incl. Juventino Lopez Reyes example on spreading foot, h. 4 in., dia. 8 in.; and lobed example with molded rim on ball feet, h. 5 in., dia. 8 in.; total wt. 28.45 troy ozs. $400/600

684. Pair of French Silverplate Wine Coasters, marked “20M LEVERAT” and with maker’s mark, gadrooned rim, reeded body, dia. 6 3/8 in. $250/350

685. Italian .800 Silver Cruet Stand, Forli‑Cesena, mid‑20th c., h. 7 1/2 in., l. 9 in., wt. 10.24 troy ozs., fitted with 2 glass cruets; together with American Aesthetic silverplate berry stand, Simpson, Hall & Miller, fitted with diamond point cut glass bowl, overall h. 10 1/4 in., w. 8 7/8 in; English silverplate toast rack, h. 9 5/8 in., l. 6 7/8 in; and American silverplate dinner bell, h. 2 3/4 in. $250/350 Provenance: Schwitz Collection, Franklin, LA.

686. Pair of French Gilt Bronze Five‑Light Candelabra, 19th c., in the Renaissance taste, removable finial, h. 19 1/2 in., w. 6 1/4 in., d. 5 3/4 in. $600/900

687. Pair of French Gilt Bronze and Marble Four‑Light Figural Bouillotte Lamps, 20th c., cherub‑finial, adjustable shade, electrified, h. 29 in., dia. 15 1/2 in. $800/1200

Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

Provenance: Schwitz Collection, Franklin, LA.

688. Pair of Continental Gilt and Patinated Bronze Three‑Light Girandoles, foliate prism rings, faceted prisms, foliate and swan base, h. 15 1/4 in., w. 15 1/2 in., d. 6 in. $500/1000

689. Continental Tôle and Wrought Iron Nine‑Light Chandelier, 20th c., central sphere, scroll arms, h. 16 in., dia. 35 in. $600/900

691. [Leather Bindings], Johnson’s Works, 1810, 14 volumes, gilt tooled. $150/250

694. [John James Audubon Reference], four vols. incl., Peterson, Roger Tory & Virginia Marie. The Audubon Society Baby Elephant Folio..., New York, Abbeville Press, 1981, signed, full leather, #831 of 2500; Herrick. Audubon the Naturalist..., New York, Appleton, 1917; Proby. Audubon in Florida, Coral Gables, U. of Miami Press, 1974; and The Birds of America, New York, Macmillan Co., 1937, 4 vols. $250/350

690. China Trade School, 19th c., “Starboard Portrait of an American Three‑Masted Barque at Full Sail”, oil on canvas, 13 1/8 in. x 15 7/8 in., framed. $700/900

Provenance: Acquired Salem, MA, c. 1980.

692. [Leather Bindings], Memoirs of Napoleon, c. 1885, 4 volumes, gilt tooled. $100/125]

695. [Southern Art Reference Books], 7 vols., incl., Poesch. The Art of the Old South...; Trovaioli and Toledano. William Aiken Walker; Durieux, 43 Lithographs & Drawings, signed; Caroline Durieux, Lithographs of the Thirties and Forties; Walter Anderson, Birds; Louisiana’s Art Nouveau, The Crafts of the Newcomb Style; and Clementine Hunter: American Folk Artist. $150/250

693. [Leather Bindings], Memoirs of Madame Junot Duchesse d’Abrantès, c. 1885, 6 volumes, gilt tooled. $100/150

696. Three Antique European Hand‑Colored Maps, 18th c., incl.: “The Countie and Citie of Lyncolne Described with the Armes...”, 15 in. x 20 in.; “Istria olim Iapidia”, 15 in. x 19 1/2 in.; and “Principatus Anhaldinus et Magdebur”, 15 in. x 19 in. $100/150

697. Carved Alabaster Bust of Napoleon, indistinct signature inscribed on truncation, h. 13 1/4 in., w. 11 1/2 in., d. 6 1/2 in., removable alabaster socle, overall h. 17 3/4 in. $500/700 698. Bronze Figure of Napoleon, shaped base with putti, h. 11 1/4 in., w. 2 1/2 in., d. 2 1/4 in. $300/500

Provenance: Estates of George and Mary Beth Thomson, Franklin, LA. 699. Pair of French Giltwood Overmantel Mirrors, foliate and acorn motif, beveled mirror plate, mirrored surround, h. 56 1/2 in., w. 42 in. $1500/2500 Provenance: Schwitz Collection, Franklin, LA. Additional information at www.nealauction.com

700. Antique Adam‑Style Reverse‑Painted and Giltwood Mirror, surmounted by an urn crest, ram’s head mounts, bellflower swagged surround, old mirror plate, h. 33 1/2 in., w. 22 1/2 in. $150/250 701. Napoleon III Gilt Bronze Mantel Clock, 19th c., urn finial with avian handles, scroll and foliate case, striking bell movement, h. 18 1/2 in., w. 9 1/2 in., d. 6 in. $800/1200

702. Antique French Inlaid and Gilt-Incised Marble Three‑Piece Clock Garniture, late 19th c., dial marked “A LA JERBE D’OR/ A. CHAPUS/ PARIS”, gilt metal mounts, clock h. 12 1/4 in., w. 9 in., d. 5 in., vase h. 12 3/4 in. $700/1000 Provenance: Schwitz Collection, Franklin, LA.

Provenance: Oaklawn Manor, Franklin, LA; Estates of George and Mary Beth Thomson, Franklin, LA.

704. English Figured Walnut Pier Table, late 19th c., rectangular top, mirrored back, molded frieze, blocked corners, spiral‑turned baluster supports, conforming base, turned feet, h. 32 1/2 in., w. 43 in., d. 15 in. $400/600

706. William IV‑Style Burl Wood Tilt‑Top Breakfast Table, molded circular top, fluted vasiform standard, circular base, acanthine paw feet, casters, h. 30 in., dia. 55 in. $1500/2500

708. English Bronze‑Mounted, Brass Inlaid and Ebonized Sofa Table, late 19th c., serpentine drop-leaf top, shaped frieze drawer, trestle base, fluted stretcher, scrolled legs, casters, h. 28 3/4 in., w. 30 1/2 in., d. 25 3/4 in. $800/1200 Provenance: Schwitz Collection, Franklin, LA.

705. William and Mary‑Style Walnut Chest-on-Stand, 20th c., labeled “Maurin Adams”, stepped cornice, four drawers, turned supports, serpentine stretchers, bun feet, h. 60 in., w. 39 1/4 in., d. 19 in. $600/900

703. Antique Italian Bronze and Marble Mantel Clock, c. 1890, dial marked “Musy Padre e Figlio”, demilune form, striking bell movement, h. 15 1/2 in., w. 7 1/2 in., d. 4 3/4 in. $600/900 Provenance: Schwitz Collection, Franklin, LA.

707. Pair of Directoire‑Style Mahogany Fauteuils, back scrolled, padded back, scrolled arms, shaped uprights, sabre legs, h. 34 1/2 in., w. 20 in., d. 18 in. $700/1000

709. Continental Bronze‑Mounted Elm Console Table, 19th c., Sienna marble top, frieze drawer, tapered legs, brass cuffs, h. 30 1/2 in., w. 36 3/4 in., d. 19 in. $800/1200 Provenance: Schwitz Collection, Franklin, LA.

710. Antique Continental Neoclassical‑Style Kingwood Parquetry Commode, inset marble top, 4 drawers, toupie feet, bronze caps, h. 37 1/2 in., w. 39 in., d. 20 1/4 in. $700/1000 Provenance: Schwitz Collection, Franklin, LA.

711. Eight Antique George III‑Style Carved Mahogany Dining Chairs, incl. 2 arms and 6 sides, shield backs with urn and swag decoration, foliate scrolled arms, acanthuscarved cabriole legs, ball and claw feet, armchair h. 38 3/4 in., w. 24 1/2 in., d. 22 in.; side h. 38 in., w. 22 in., d. 21 in. $1000/1500 Provenance: Schwitz Collection, Franklin, LA.

712. Pair Louis XVI‑Style Giltwood Fauteuils, oval back, padded arms, floral‑blocked seat rail, fluted tapered legs, h. 36 in., w. 23 in., d. 23 in. $400/600

713. Antique Directoire‑Style Carved and Parcel Gilt Mahogany Canape, floral‑carved crest rail, shaped arms, tapered legs, club feet, h. 36 3/4 in., w. 63 in., d. 25 in. $1000/2000

714. Continental Chinoiserie‑Painted Pedestal, molded rotating top, reverse tapered standard, shaped base, h. 45 1/2 in., w. 14 in., d. 14 in. $500/700

Provenance: Michael Carbine, New Orleans.

715. French Rococo Giltwood Pier Mirror and Console Table, mid‑19th c., rocaille and cabochon crest with pendant floral swags, molded surround, base with acanthus mounts; console with shaped marble top, conforming scrolled frieze, cabriole legs, cabochon centered stretcher, mirror h. 67 3/4 in., w. 33 1/2 in., console h. 30 1/2 in., w. 38 in., d. 15 in. $1000/1500 Provenance: Oaklawn Manor, Franklin, LA; Estates of George and Mary Beth Thomson, Franklin, LA.

716. Louis XV Provincial Cherrywood Armoire, 18th c., serpentine cornice and paneled doors, shaped apron with scroll motif, scroll feet, h. 104 in., w. 57 in., d. 24 in. $1000/1500

Provenance: Lucullus, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

717. Antique Empire‑Style Bronze‑Mounted Mahogany Bibliothèque, mid‑19th c., molded cornice above ormolu‑mounted frieze, glazed doors flanked by half columns; lower case with paneled doors, conforming columns, molded base, disc feet, h. 88 in., w. 49 in., d. 20 in. $1000/1500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

718. Pair of Louis XVI‑Style Carved Walnut Console Tables, sienna marble top, floral reticulated frieze, stop‑fluted tapered legs, shaped stretcher shelf, beaded toupie feet, h. 36 1/2 in., w. 56 1/2 in., d. 22 1/4 in. $1000/1500 Provenance: Schwitz Collection, Franklin, LA.

720. Louis XV‑Style Bronze‑Mounted and Marquetry Bureau Plat, molded top, frieze drawer flanked by two side drawers, shaped kneehole, cabriole legs, h. 32 in., w. 51 in., d. 28 in. $1200/1800

719. Continental Burlwood Sécrétaire Commode, late 19th c., gray shaped marble top, fitted secretary drawer, three lower drawers, plinth base, molded feet, h. 37 5/8 in., w. 51 in., d. 24 in. $600/900

Provenance: Schwitz Collection, Franklin, LA.

721. Louis XVI‑Style Mahogany Demilune Games Table, foldover top, tapered legs ending in wooden ball feet, h. 30 in., dia. 41 1/4 in. $400/600

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans. Additional information at www.nealauction.com

724. Pair of Large Continental Polychrome and Gilt‑Decorated Covered Urns in the Style of Royal Vienna, 20th c., reserves with scenes of Amor and Venus, conforming pedestal bases, h. 34 1/2 in., w. 14 in., d. 11 3/4 in. $800/1200 722. Napoleon III Bronze‑Mounted, Ebonized and Tortoiseshell‑Inlaid Boullework Center Table, late 19th c., turtle top, serpentine apron centered by mythological masks, cabriole legs with figural mounts, sabots, h. 30 1/2 in., w. 58 in., d. 35 in. $600/900 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

723. Pair of Egyptianesque Inlaid Hardwood “Tabouret” Tables, hexagonal tops, conforming body decorated with Egyptian scenes, shaped bracket feet, h. 33 in., w. 16 1/2 in., d. 19 in. $500/700

Provenance: Schwitz Collection, Franklin, LA.

725. Empire Gilt Bronze Watch Holder, early 19th c., harp form flanked by swans, oval base, h. 10 1/2 in., w. 4 1/4 in., d. 3 3/4 in. $500/700 726. Two Antique French Bronze‑Mounted Cut Crystal Boxes, 19th c., taller h. 4 1/2 in., w. 2 3/4 in., d. 2 3/4 in. $200/300

727. Pair of Antique Austrian Onyx and Cold‑Painted Bronze Bookends, marked “ANR/Charles/ Austria”, modeled as books, h. 6 1/4 in., w. 4 3/4 in., d. 3 in. $150/250

728. Antique Continental Bronze Marriage Plaque, decorated with winged putti and monograms, dia. 6 1/2 in. $200/300

730. Four American Sterling Silver “Paul Revere” Pitchers, mid‑20th c., h. 8 in., total wt. 86.05 troy ozs. Note: Some dents to hollow handles. $1500/2000

731. Pair of Gorham Sterling Silver “Melrose” Three‑Light Candelabra, convertible to single candlesticks, h. 14 1/8 in., weighted. $200/400

729. American Sterling Silver Circular Tray, Frank M. Smith, 20th c., molded border, dia. 14 in., wt. 26.25 troy ozs. $400/600

733. Group of Small Sterling Silver Objects, incl. Tiffany & Co. telephone dialer, l. 2 3/4 in.; repoussé card case, 3 1/2 in. x 2 1/2 in.; ornamental hair comb, l. 4 3/4 in.; picture frame, 3 3/8. In. x 2 3/8 in.; silver‑mounted glass caster, h. 4 5/8 in., and Asian silver pin tray (l. 4 5/8 in.), total wt. (weighable) 5.50 troy ozs. $300/500

Note: Tiffany introduced the silver telephone dialer for use with a rotary dial telephone, to help stylish ladies avoid chipping their fingernails, one is featured in the 1961 Audrey Hepburn film, “Breakfast at Tiffany’s”.

734. Group of Sterling Silver Tableware, incl. circular tray, mark rubbed, dia. 8 5/8 in.; Mexican bread tray, l. 12 1/8 in., and 2 julep cups, h. 4 in. and 3 5/8 in., total wt. 36 troy ozs.; together with an antique Gorham silverplate tray, c. 1880, dia. 8 3/8 in. $400/600

735. Interesting Group of English and American Sterling Silver and Silverplate Objects, incl. George V sterling-mounted fruitwood clock, hallmarked Arthur Barnett & Co., Ltd., Birmingham, 1926, engine-turned decoration, bracket feet, h. 5 3/4 in., w. 7 1/4 in.; Gorham sterling christening cup, date mark and presentation inscription 1885, h. 3 1/8 in., wt. 2.95 troy ozs.; George V sterling frame, James Deakin & Sons, Sheffield, 1918, 9 3/8 in. x 5 1/4 in.; silverplate cigarette box, engraved “British Officers Club/4th Regiment/Prince of Wales/1902” and with crest, 4 in. x 2 3/4 in.; and English silverplate “MINE CLEARANCE SERVICE” medal, l. 3 1/4 in. $150/250

732. American Sterling Silver Partial Flatware Service, Whiting, “Duke of York” pattern, pat. 1900, designed by Charles Osborne, incl. 5 forks (l. 7 5/8 in.); 6 forks (l. 6 7/8 in.); 12 knives (l. 9 1/8 in.); 12 ice teaspoons; 5 cream soup spoons; 12 dessert spoons; 6 cocktail forks; 7 teaspoons; 10 butter knives (fh); 6 orange spoons; 5 ice cream forks and 5 tablespoons; 90 pcs., total wt. (weighable) 74.90 troy ozs. $700/900

736. Three English Armorial Porcelain Dishes, 19th c., two with retailer’s mark “J. Allsup / 16 St. Paul’s Church Yard / London”, with dog and motto “vive ut vivas”, dia. 9 in. $100/150 Provenance: Schwitz Collection, Franklin, LA.

737. Six Chelsea‑Style Polychrome and Gilt Porcelain Cabinet Plates, gold anchor mark, reserves and rims decorated with exotic birds, dia. 9 1/2 in. $400/600

738. English Burlwood Sarcophagus-Form Tea Caddy, 19th c., with two lidded compartments, pad feet, h. 5 1/2 in., w. 7 3/4 in., d. 4 1/2 in. $300/500 Provenance: Schwitz Collection, Franklin, LA.

739. Antique English Inlaid Tea Caddy, interior with mixing bowl and two lidded compartments; together with two inlaid boxes, tea caddy h. 6 1/2 in., w. 12 in., d. 6 in. $500/700 Provenance: Schwitz Collection, Franklin, LA.

741. Good Group of American Sterling Silver Objects, incl. Tiffany & Co. flask, (note loss to hinge) l. 6 1/8 in.; Shreve, Crump & Low urn, h. 4 7/8 in.; Gorham cup, h. 2 1/2 in.; Gorham cup, date mark for 1916, h. 2 1/8 in.; 5 Gorham nut dishes, l. 4 1/8 in.; and Poole cigarette humidor, cedar‑lined, l. 6 1/8 in.; total wt. (weighable) 20.55 troy ozs. $250/350

740. Four Pairs of English Turned Brass Candlesticks, 19th c., h. range from 6 1/8 in. to 10 1/2 in. (8 pcs.) $500/700

742. Gorham Sterling Silver Serving Dish, date mark for 1932, dia. 10 1/4 in.; together with 8 sterling silver bread plates (dia. 6 in.), total wt. 24.65 troy oz. $300/500

746. Near Pair of American Sterling Silver Miniature Coffee Pots in the Early Georgian Taste, one hallmarked Redlich, h. 6 3/8 in., total wt. 11.15 troy ozs. $150/250

749. Cased Antique English Sterling Silver‑Mounted Mother‑of‑Pearl Dessert Service, incl. 6 dessert forks, l. 6 1/2 in. and 6 dessert knives, l. 7 7/8 in., hallmarked Sheffield, 1819 and 1820, possibly James Crawshaw, blades monogrammed in script “L”; together with 10 associated fruit knives, blades marked “T.W.” in rectangle, otherwise unmarked, monogrammed “M.L.M.”, l. 7 1/8 in.; in later associated mahogany fitted case. $150/250

743. American Sterling Silver Vintage Motif Punch Ladle, Frank Smith, act. 1886‑1958, retains traces of gilt wash to bowl, l. 13 7/8 in., wt. 7 troy ozs. $150/250

Provenance: Schwitz Collection, Franklin, LA.

744. Antique American Sterling Silver Floral Repoussé Dresser Set, associated, incl. hand mirror (mark rubbed), Gorham hairbrush, clothes brush and hat brush, and Kirk comb. $250/350

748. George III Sheffield Plate Cruet Stand, late 18th c., oval stand with reeded handle, bottle supports and tapered feet, retains original tinned back, oval blown and cut glass bottles with polished pontils, overall h. 11 in., w. 9 5/8 in., d. 7 1/4 in. $150/250

747. American Sterling Silver Cheese Scoop, 19th c., shoulder with cast figure of a mouse, paneled handle with egg‑shaped terminal, retains gilt wash bowl, l. 8 5/8 in., wt. 2.25 troy ozs. $200/300

750. Three English Sterling Silver Picture Frames, Carr’s of Sheffield, 20th c., all easel‑back, one decorated with wisteria, swans and frogs, the others floral, 9 3/4 in. x 7 5/8 in., 8 1/2 in. x 10 3/8 in., and 10 1/16 in. x 7 3/8 in. $500/700 Provenance: Schwitz Collection, Franklin, LA.

745. American Aesthetic Sterling Silver Cup, Whiting, late 19th c., engraved “Volney C. Rivet “ h. 3 5/8 in.; together with sterling Towle porringer, w. 5 3/4 in., total wt. 11.85 troy ozs. $200/300

751. Two English Chrysanthemum Motif Sterling Silver‑Mounted Picture Frames, Carr’s of Sheffield, 20th c., easel‑back, 12 3/8 in. x 10 1/2 in. and 10 3/8 in. x 8 3/8 in. $500/700 Provenance: Schwitz Collection, Franklin, LA.

752. Pair of George III Sterling Silver Footed Cups, London, 1767, marks rubbed, gilt wash interiors, h. 5 in. $400/600 Provenance: Schwitz Collection, Franklin, LA.

753. Set of Four George III Sterling Silver Navette‑Form Master Salt Cellars, London, 1795, maker’s mark rubbed, reeded borders, conforming pedestal on rectangular base, retain traces of gilt wash interior, h. 2 1/2 in., w. 4 1/4 in., total wt. 19.75 troy ozs. $500/700 Provenance: Schwitz Collection, Franklin, LA. Additional information at www.nealauction.com

755. Pair of English Silverplate “Knight in Armor” Bookends, mid‑19th c., crossed keys maker, h. 9 5/8 in.; together with another pair en suite. $200/400

754. Good Group of Victorian Sterling Silver, incl. pair of napkin rings with grape and grape leaf decoration, Mackay, Cunningham & Co., Edinburgh, 2nd half 19th c., in fitted case; pair of cheese knives with carved mother-of-pearl handles, Martin, Hall & Co., Sheffield, 1880, l. 7 1/2 in., in fitted case marked for retailer R. Stewart, Glasgow; and toast rack with beading, Horace Woodward & Co., 1878, h. 6 3/4 in., w. 6 1/4 in.; total wt. (weighable) 11 troy ozs. $300/500 Provenance: Schwitz Collection, Franklin, LA.

757. William IV Sterling Silver Teapot, John James Keith, London, 1837, domed cover with floriform finial, lobed pyriform body, scroll handle, h. 9 in., wt. 26.80 troy ozs. $400/600

756. Edwardian Sterling Silver Sugar and Open Creamer, Joseph Rodgers & Sons, Sheffield, 1909, each with foliate scroll chased body, lion’s head and paw feet, creamer h. 3 in., sugar dia. 4 5/8 in., total wt. 10 troy ozs. $200/300

758. American Federal Coin Silver Pap Boat, Samuel Williamson (1772‑1843), act. Philadelphia 1794‑1813, marked “WILLIAMSON” in rectangle, straight gadroon border, period script monogram, l. 4 1/2 in., wt. 2.40 troy ozs. $150/250

Provenance: Reputedly, by descent in the family of American politician and soldier John Edgar Howard (1752‑1827), Governor of Maryland; Estate of Noted Antiquarian James D. “Don” Didier, New Orleans.

759. Good Group of Small Sterling Silver Objects, incl. neoclassical‑style chased dresser box, pair of Gorham salt cellars with associated spoons (one English sterling, the other Christofle silverplate), 2 mustard pots with cobalt glass liners and spoons, tea strainer, and pair of Gorham silver and cut glass nut dishes, total wt. (weighable) 13.20 troy ozs. $200/400

Note: Williamson’s silver is included in the collection of the Philadelphia Museum of Art, Yale University Art Gallery and Winterhur Museum.

Ref.: Hollan, Catherine B. Philadelphia Silversmiths, p. 219, mark illus. p. 219.

760. Three Vintage American Sterling Silver Golf Trophies, one by Gorham and 2 by Watson, 1920s and 1930s, total wt. $300/500 Provenance: Descended in the Family of Champion Golfer, Reuben G. Bush, Jr., New Orleans.

761. Two Vintage American Sterling Silver Golf Trophies, incl. Gorham pitcher, 1925, h. 8 5/8 in.; and Tuttle bowl awarded by the West End Country Club, 1935, h. 3 in., dia. 10 3/8 in., total wt. 36.25 troy ozs.; together with 2 vintage photographs of golfers. $400/600

Provenance: Descended in the Family of Champion Golfer, Reuben G. Bush, Jr., New Orleans.

762. Silverplate and Cranberry Glass Lantern‑Form Cocktail Shaker, c. 1950. $300/500

763. Large and Rare Libbey American Brilliant Cut Glass Vase, marked, h. 10 1/4 in., dia. 7 1/2 in. $400/800

Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

764. Set of Eleven Bohemian Ruby Cut‑to‑Clear Glass Tumblers, decorated with deer in forest scenes, h. 5 5/8 in.; together with pair of vintage motif decanters, h. 9 3/4 in. (13 pcs.) $350/550

766. Assembled Set of Waterford “Lismore”, Galway “Ashford”, Tipperary “Slievenamon” and Wedgwood “Majesty” Crystal and Glass Stemware, incl. 15 hocks, h. 8 in.; 12 white wines, h. 6 5/8 in.; 6 clarets, h. 5 7/8 in.; 13 champagnes, h. 7 in.; 12 champagnes/tall sherbets, h. 5 in.; 12 water goblets, h. 8 in.; 13 double old fashioneds, h. 3 5/8 in. (one broken); 5 old fashioneds, h. 3 3/8 in.; 7 brandy glasses, h. 5 1/8 in.; 4 cordials, h. 3 7/8 in.; 2 cordials, h. 5 in.; pitcher, h. 4 in., water goblet, h. 6 7/8 in.; 5 master salts, dia. 2 3/4 in.; and a pair of candlesticks, h. 7 1/2 in.; together with and associated glass vase, dia. 8 in., and cordial glass, h. 4 in. (113 pcs.) $400/600

765. Antique Bohemian White Cut‑to‑Clear Glass Covered Punch Bowl, 19th c., gilt decoration, h. 15 in., dia. 9 3/8 in. $150/250

767. Martin Lenzi (Swiss/American, 1815‑1898), “A Study of Peaches on a Table”, oil on board, signed and inscribed “painted from Nat. / By / M. Lenzi in his / 80th years” lower right, 13 7/8 in. x 21 7/8 in., framed. $800/1200 768. Conrad Schwiering (American/Wyoming, 1916‑1986), “Softly Comes the Winter”, oil on masonite, signed lower right, “Schwiering, Jackson Hole, Wyoming” label, additional typed artist label, artist stamps and inscribed en verso, 24 in. x 36 in., framed with brass artist and title plaque. $4000/6000

769. James Gale Tyler (American, 1855‑1931), “Ship in the Moonlight”, oil on canvas, signed lower right, 20 in. x 16 in., framed. $1000/1500

771. Henry Kemper (American, 1833‑1894), “Mountainous Landscape”, oil on canvas, signed lower left, 12 in. x 17 1/4 in., framed. $700/1000

772. Carnig Eksergian (Turkish/ American, 1855‑1931), “Julia Ward Howe”, oil on canvas, signed and inscribed “Copyrighted” lower right, 48 in. x 35 1/2 in., framed. $700/1000

770. American School, 19th c., “The Schooner Alice B. Norris Under Full Sail”, oil on canvas, signed “J. Jensen” lower right, 19 in. x 29 in., framed. $600/800

773. Eugene Henri Cauchois (French, 1850‑1911), “Floral Still Life”, oil on canvas, signed lower right, 21 1/4 in. x 32 in., framed. $1500/2500 Provenance: Schwitz Collection, Franklin, LA.

774. Manner of Philips Wouwermans (Dutch, 1619‑1668), “A Battle Scene”, oil on cradled panel, unsigned, “The Carroll Gallery, London” label with artist and title en verso, 10 in. x 12 3/4 in., framed. $700/1000

775. Manner of Nicolas de Largillière (French, 1656‑1746), “Portrait of an Aristocratic Lady”, oil on canvas, unsigned, 32 in. x 26 in., framed. $2000/3000

778. Charles Edward John Leslie (British, 1839‑1886), “Loch with Fisherman”, oil on canvas, signed lower right, 18 1/4 in. x 32 1/4 in., framed. $1000/1500 776. Manner of Anthonie Schoonjans (Dutch, 1655‑1726), “Bearded Saint Holding a Shepard’s Crook”, oil on canvas, unsigned, partial typewritten label on stretcher, 43 in. x 35 1/4 in., framed. $3000/5000

777. Continental School, 19th c., “Saint Jerome”, oil on canvas, unsigned, 37 1/2 in. x 29 1/2 in., framed. $700/1000 Additional information at www.nealauction.com

779. Pair of Continental Gilt Metal and Crystal Twelve‑Light Chandeliers, scrolling arms with cut crystal swags and pendeloque pendants, electrified, h. 36 in., dia. 31. $2000/3000

780. French Tôle Peinte and Porcelain‑Mounted Twelve‑Light Chandelier, fluted standard, electrified, h. 44 in., dia. 31 in. $1500/2500

781. Louis XV Crème Peinte Trumeau Mirror, 18th c. and later, paneled back with gilt embellished shell and foliate scrolls, Watteau-style painted panel, shaped mirror plate with gilt foliage, h. 73 1/2 in., w. 46 1/2 in. $1000/1500

Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

782. French Carved and Gilded Overmantel Mirror, mid‑19th c., gadrooned cornice, rocaille crest, lattice carved surround, beveled mirror plate, scrolled acanthus accents, h. 82 1/2 in., w. 51 1/2 in. $1000/2000

784. Continental Turning Ball Shelf Clock, 20th c., dial sphere, crucifix standard, base with continuous landscape and visible scapement, h. 9 in., dia. 4 in. $400/600

783. Louis Philippe Giltwood Overmantel Mirror, mid‑19th c., molded and beaded surround, h. 54 1/2 in., w. 42 1/8 in. $500/700

785. Paris Gilt and Polychrome Porcelain Mantel Clock, 19th c., silk‑thread movement, marked “T. LeBlanc”, rococo case with floral reserves, conforming base, h. 20 1/4 in., w. 12 1/2 in., d. 9 in. $700/1000 Provenance: Schwitz Collection, Franklin, LA.

786. Empire‑Style Bronze‑Mounted Sienna Marble Three‑Piece Clock Garniture, c. 1900, spreadwing eagle finial, architectonic case, conforming urns, clock h. 25 in., w. 13 1/2 in., d. 5 3/4 in. $1000/1500 Provenance: Schwitz Collection, Franklin, LA.

787. Antique American Satinwood Art Case Grand Piano, c. 1900, Gildemeester & Kroeger & Son, New York, Vernis Martin classical scenes, also painted with a continuous gilt and floral band with composer’s names, now fitted with a Kurzweil Model SP88 Stage Piano, and a pair of Bose Lifestyle speakers, with en suite adjustable bench, h. (closed) 40 1/2 in., l. 74 in., w. 58 in. $2500/3500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

789. Contemporary Mahogany Architect’s Desk, 20th c., inset hinged top, trestle base, h. 34 in., w. 48 3/8 in., d. 33 1/2 in. $700/1000

790. Contemporary Knole Drop Arm Sofa, 20th c., drop sides, pineapple finials, tasseled cords, h. 30 1/2 in., w. 60 in., d. 30 in. $400/600

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

788. Irish Chippendale‑Style Carved Mahogany Tester Bed, Baker “Stately Homes Collection”, plain headboard and head posts, bound reed foot posts, foliate‑carved feet, accommodates a king mattress, h. 108 1/2 in., l. 83 1/2 in., w. 79 in. $1500/2500 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

791. Art Moderne Chrome and Glass Console Table, 20th c., glass top on burnished yoke supports connected to a stepped plinth base, h. 31 in., w. 79 in., d. 33 3/4 in. $300/500 Provenance: Collection of Nan Wier, New Orleans, LA.

793. James “Jim” W. Harmon (American/Kentucky, 1915‑1998), “Harbor Scenes”, 1983, 2 watercolors on paper, both signed and dated lower right, each 9 in. x 12 1/8 in., framed alike. (2 pcs.) $200/300

794. Ben Schute (American/Georgia, 1905‑1986), “Owl’s Head, Maine”, 1983, watercolor on paper, pencil‑signed and dated upper right, titled en verso, 12 1/8 in. x 18 in.; and “Rocks & Gulls, Maine, The Gathering”, watercolor on paper, signed upper left, titled en verso, 15 7/8 in. x 19 7/8 in., both framed. (2 pcs.) $400/600 796. Kenneth Noland (American, 1924‑2010), “Untitled”, handmade paper collage, blindstamp of the artist “KN” lower right, handwritten note en verso “Best regards / If the Lord let us go. / We will be on vacations / Sep. 15 to Oct. 14 / 01”, 14 in. x 17 1/2 in., framed. $2000/3000

792. Paul Frankl (1886‑1958) for Johnson Furniture Co. Lacquered Cork and Mahogany “Ameoba/Cloud” Coffee Table #5005, c. 1950s, Grand Rapids, MI, biomorphic top, four sculpted plank legs, stenciled “5005 422”, h. 14 3/4 in., w. 47 3/4 in., d. 36 in; together with a Frankl occasional table, cork top, c. 1950, h. 24 in., “as is” condition. $800/1200

795. Tony Green (American/New Orleans, b. 1954), “Vaporetto Stop, Venice”, 1986, oil on board, pencil‑signed upper right, signed and titled en verso, 7 7/8 in. x 12 1/8 in.; and “Sionese Priests, Venice”, 1986, watercolor on paper, pencil‑signed and dated lower right, signed and titled on backing, 5 5/8 in. x 7 1/2 in., framed. (2 pcs.) $500/700 797. Sergio Bustamante (Mexican, b. 1942), “Toucan”, polychrome papier‑mâché and mixed media sculpture, signed and numbered “65/100” on neck, leaf motif decorated ring mount, h. 17 1/4 in., w. 15 1/2 in., d. 11 in. $400/600

Provenance: Purchased Sotheby’s, New York, c. 1999; Neal Auction Company, Nov. 23, 2014, lot 983.

798. Pair of Moorish Bone and Mother‑of‑Pearl Inlaid Mirrors, bracketed corners, inset decoration, h. 24 1/2 in., w. 20 in. $800/1200 799. Venetian Etched Glass Mirror, foliate motif crest, cartouche form mirror plate, foliate pendant, h. 31 in., w. 18 1/2 in. $250/350

800. Chinese Red Lacquer Chest of Drawers, 20th c., h. 32 in., w. 48 in., d. 18 in. $500/700 Provenance: Windham Collection, Oxford, MS.

Additional information at www.nealauction.com

802. George Rodrigue (American/Louisiana, 1944‑2013), “New Orleans Jazz and Heritage Festival (Pete Fountain)”, 1996, silkscreen, pencil‑signed, numbered “37/100”, remarqued and pencil‑signed by Fountain lower margin, signed in plate lower right, 35 in. x 20 in., unframed. $1000/1500

Ill.: Rodrigue, George and Wendy Wolfe. George Rodrigue Prints: A Catalogue Raisonné 1970‑2007. New York: Abrams, 2008, p.220.

803. George Rodrigue (American/Louisiana, 1944‑2013), “Bayou Reflections”, 1989, ink on paper, signed lower left, 9 in. x 11 in., framed. $3000/5000 Provenance: Acquired from the artist.

801. William Dunlap (American/Mississippi, b. 1944), “Late Light ‑ Trunk Series”, lithograph on paper, signed, titled and numbered “13/30” lower margin, sight 41 in. x 28 3/4 in., framed. $700/1000

805. William Dunlap (American/Mississippi, b. 1944), “Cloud Line Blue Ridge Winter”, 1978, mixed media on paper mounted to canvas, pencil‑signed lower left, titled and dated lower right, 23 7/8 in. x 35 13/16 in., framed. $2000/3000

806. George Valentine Dureau (American/ New Orleans, 1930‑2014), “Two Figures”, charcoal on paper, signed lower center, 26 3/8 in. x 20 in., framed. $700/1000

806A. George Valentine Dureau (American/New Orleans, 1930‑2014), “Bass Player”, mixed media on paper, signed lower center, 21 5/8 in. x 15 1/4 in., framed. $500/700

804. George Rodrigue (American/Louisiana, 1944‑2013), “Blue Dog and Oak”, 1989, ink on paper, signed lower center, 9 in. x 6 in., framed. $3000/5000

807. George Rodrigue (American/Louisiana, 1944‑2013), “Purity of Soul”, silkscreen, signed lower right, numbered “165/190” lower left, 15 in. x 12 in., unframed. $800/1200

Provenance: Acquired from the artist.

808. George Rodrigue (American/ Louisiana, 1944‑2013), “53rd Presidential Inaugural, Featuring President Bill Clinton and Vice President Al Gore (Walking Into the 21st Century)”, 1997, silkscreen, signed, inscribed “Artist Proof 26/100”, stamp signatures of Clinton and Gore and official inaugural seal lower margin, signed in plate lower right, 38 in. x 24 in., unframed. $700/1000 Ill.: Rodrigue, George and Wendy Wolfe. George Rodrigue Prints: A Catalogue Raisonné 1970‑2007. New York: Abrams, 2008, p.224.

809. George Rodrigue (American/ Louisiana, 1944‑2013), “Blue Skies Shining on Me”, silkscreen, signed lower right and inscribed “Artist Proof” lower left, edition of 190 plus artist proofs, 15 in. x 12 in., unframed. $800/1200

810. George Rodrigue (American/ Louisiana, 1944‑2013), “Sunshine on My Shoulder”, silkscreen, signed lower right and inscribed “Artist Proof” lower left, edition of 190 plus artist proofs, 15 in. x 12 in., unframed. $800/1200

811. George Rodrigue (American/ Louisiana, 1944‑2013), “The Traiteur”, “Modern Medicine”, “General Practice”, “River Doctor” and “Doctor on the Bayou”, 5 offset lithographs, all signed lower right, 4 signed in plate, “River Doctor” numbered “512/1000” lower left, sights 9 1/2 in. x 6 1/2 in. to 23 1/2 in. x 17 in., framed. (5 pcs.) $800/1200 812. George Rodrigue (American/Louisiana, 1944‑2013), “Blue Dog Pin ‑ Full Body” and “Pair of Blue Dog Earrings”, sterling silver vermeil, each marked “©Rodrigue” and sterling, 1 3/4 in. x 1 1/8 in. and 1 1/4 in. x 1 in. respectively. (2 pcs.) $500/700

814. Debbie Fleming Caffery (American/Louisiana, b. 1948), “Santiago”, 1997, ed. 2/10, “Fire Flower”, 2005, ed. 3/10 and “Smoking Totoli”, 1995, ed. 6/10, 3 silver gelatin photographs, each pencil‑signed, titled, and edition en verso, 2 dated en verso, from The Spirit & The Flesh, Radius Books, Santa Fe, sheets 24 in. x 20 in. to 20 in. x 24 in., unframed. (3 pcs.) $600/800

816. Debbie Fleming Caffery (American/ Louisiana, b. 1948), “Raoul”, 2004, ed. 2/10, “Shadows”, 1996, ed. 2/10 and “Fidencio”, 2004, ed. 1/25, 3 silver gelatin photographs, each pencil‑signed, dated, titled and edition en verso, from The Spirit & the Flesh, Radius Books, Santa Fe, sheets 24 in. x 20 in. to 20 in. x 24 in., unframed. (3 pcs.) $600/800

818. Theodore “Fonville” Winans (American/ Louisiana, 1911‑1992), “Cajun Fare”, 1939, silver gelatin print laid on card, pencil‑signed, titled and dated on card, 7 3/16 in. x 9 11/16 in., unframed. $1000/1500

813. George Rodrigue (American/Louisiana, 1944‑2013), “Blue Dog Pin ‑ Full Body” and “Pair of Blue Dog Earrings”, sterling silver, each marked “©Rodrigue” and sterling, 1 3/4 in. x 1 1/8 in. and 1 1/4 in. x 1 in. respectively. (2 pcs.) $500/700

815. Debbie Fleming Caffery (American/ Louisiana, b. 1948), “Maria”, 1996, ed. 9/25 and “Carmen with Angel Trumpets”, 1999, ed. 10/25, 2 silver gelatin photographs, both pencil‑signed, dated, titled and edition en verso, from The Spirit & The Flesh, Radius Books, Santa Fe, sheets 24 in. x 20 in., unframed. $300/500 817. Theodore “Fonville” Winans (American/Louisiana, 1911‑1992), “Oysterman”, 1934, silver gelatin print laid on card, pencil‑signed, titled and dated on card, 9 9/16 in. x 7 5/8 in., unframed. $1000/1500

819. Albumen Photograph of the Steamboat Frank Pargoud, 13 1/4 in. x 17 in., framed; together with an albumen photograph of print, “Tow of the Steamer Oakland from Louisville to New Orleans”, 12 1/2 in. x 15 5/8 in., framed. (2 pcs.) $600/900 Provenance: Collection of Noted Antiquarian James D. “Don” Didier.

820. Theodore “Fonville” Winans (American/Louisiana, 1911‑1992), “Grand Isle Bus”, 1934, silver gelatin print, signed and dated lower left, 16 in. x 20 in., framed. $1000/1500

821. Theodore “Fonville” Winans (American/Louisiana, 1911‑1992), “Senator Huey P. Long and President James Monroe Smith of LSU”, 1935, silver gelatin print, signed and dated lower right, 19 3/4 in. x 15 7/8 in., framed. $600/800

822. Theodore “Fonville” Winans (American/ Louisiana, 1911‑1992), “Boats on the River”, 1934, silver gelatin print, signed and dated lower left, 15 1/2 in. x 19 1/2 in., framed. $600/800

Additional information at www.nealauction.com

823. Louisiana Cherrywood Petite Armoire, early 19th c., later stepped cornice, paneled doors, fiche hinges, shelf interior fitted with a single drawer, cabriole legs, h. 74 in., w. 45 in., d. 21 1/2 in. $1200/1800

Provenance: Convent of the Sacred Heart, Grand Coteau, LA; Noted Antiquarian Carrie Wolford, Jeanerette, LA; Private Collection.

824. American Late Classical Figured Mahogany Sofa, c. 1840, Philadelphia, arched stiles and uprights, blocked base, h. 36 in., w. 87 1/2 in., d. 26 in. $1000/1500 Provenance: Estate of Noted Antiquarian James D. “Don” Didier.

826. American Classical Bronze‑Mounted and Carved Mahogany Secretary/Cabinet, c. 1830‑1840, probably New York, deep fitted drawer, paneled cupboard doors, Ionic columnar supports, conforming plinth, acanthus carved paw feet, h. 45 1/2 in., w. 47 in., d. 24 in. $500/700

825. American Classical Mahogany Work Table, early 19th c., drop‑leaf top, two drawers, one fitted, concave reverse tapered standard, shaped plinth, turned feet, casters, h. 28 1/2 in., w. 18 1/2 in., d. 20 in. $700/1000 Provenance: Estate of Noted Antiquarian James D. “Don” Didier.

827. American Federal Carved Mahogany Tilt‑Top Table, late 18th c., turned standard, tripod base, pad feet, h. 28 1/2 in., dia. 35 1/4 in. $400/600 Provenance: Estate of Noted Antiquarian James D. “Don” Didier.

830. American Late Classical Carved Mahogany Chest of Drawers, c. 1840, deep upper drawer flanked gothicized panels over three graduated drawers flanked by colonettes, turned feet, h. 51 3/4 in., w. 44 in., d. 23 in. $600/900

828. Southern Carved Walnut and Cypress Plantation Desk, 19th c., superstructure with cubbyholes and two drawers, hinged slant top, two frieze drawers, turned legs, h. 42 1/2 in., w. 55 1/4 in., d. 30 1/4 in. $1000/1500

831. American Late Classical Mahogany Center Table, mid‑19th c., shaped marble top, conforming pierced frieze, scrolled legs and stretcher, casters, h. 28 1/2 in., w. 35 1/2 in., d. 21 in. $600/900

829. Southern Federal Pine Corner Cabinet, early 19th c., stepped cornice, paneled doors, shelf interior, bracketed base, rosehead nails, H‑hinges, h. 83 3/4 in., w. 32 in., d. 32 in. $1000/1500

832. American Federal Mahogany Side Table, early 19th c., molded top, frieze drawer, tapered legs, h. 30 1/2 in., w. 30 in., d. 20 1/4 in. $400/600

833. American Classical Carved Mahogany Cylinder Commode, early 19th c., inset marble top, conforming door, shelf interior, circular base, h. 30 1/2 in., dia. 17 in. $400/600

834. American Chippendale Mahogany Chest of Drawers, late 18th/early 19th c., molded top, four graduated drawers flanked by fluted quarter columns, bracket feet, h. 34 in., w. 40 in., d. 22 1/2 in. $700/900

835. American Chippendale Carved Mahogany Fall‑Front Desk, 19th c., fitted interior, serpentine case with four graduated drawers, ogee bracket feet, h. 42 1/2 in., w. 42 in., d. 21 1/2 in. $300/500

836. Antique Cuban Mahogany Three‑Part Dining Table in the Hepplewhite Taste, demilune ends, drop‑leaf center, tapered legs, line inlay throughout, h. 38 in., w. 22 1/2 in., d. 18 in. $400/600

838. English Carved Oak Hall Bench, 19th c., turned finials, back fitted with earlier carved panels, shaped arms, two‑board seat, square legs, h. 38 1/2 in., w. 53 in., d. 13 in. $500/700 Provenance: Animal Art Antiques, Chartres Street, New Orleans; Windham Collection, Oxford, MS.

839. Antique Engraving of Thomas Jefferson, engraved by David Edwin (British/ American, 1776‑1841), after Rembrandt Peale (American, 1778‑1860), published by George Helmbold, Jr., Philadelphia, PA, sight 19 3/4 in. x 12 1/2 in., framed with black and gilt verre églomisé mat. $300/500

837. American Federal Carved Cherrywood Corner Cabinet, early 19th c., stepped cornice, upper section with open shelves and scalloped surround, lower paneled door, serpentine base, h. 66 1/2 in., w. 24 1/2 in., d. 24 1/2 in. $700/1000

841. John James Audubon (American, 1785‑1851), “Pinnated Grouse”, color reproduction mounted on paperboard, Plate 176, from The Birds of America, later edition, sheet 25 in. x 38 in., framed. $500/700 Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

840. Geneviève de Nangis‑Regnault (French, 1746‑1802), “L’Angus Castus”, “L’Anil”, “La Bourgene” and “La Verge d’Or”, 4 hand‑colored engravings, from La Botanique mise á la portée de tout le monde, sights 15 3/16 in. x 10 3/4 in., framed alike. (4 pcs.) $250/350 Provenance: Schwitz Collection, Franklin, LA.

Provenance: Estate of Noted Antiquarian James D. “Don” Didier.

842. John James Audubon (American, 1785‑1851), “Long‑billed Curlew”, color reproduction, Plate 229, from The Birds of America, later edition, sheet 25 in. x 38 in., framed. $500/700 Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

843. Nicola Fiorillo (Italian, 1730‑1805), “Man with Spears and Laurel”, hand‑colored engraving, signed in plate, from Raccolta de Pitture d’Ercolano, after Vincenzo Campana (Italian, 1750‑1782), sheet 17 1/8 in. x 14 3/8 in., framed. $200/400

844. Large Pair of Italian Carved Marble Relief Plaques of Allegorical Figures, 20th c., iron surround, loop hanger, dia. 31 1/2 in. $1000/1500 Provenance: Schwitz Collection, Franklin, LA.

846. Pair of Beaux Arts Gilt Metal, Cut Glass and Rock Crystal Three‑Light Sconces, c. 1900, scroll and foliate backplate, h. 20 in., w. 12 in., d. 6 1/2 in. $700/1000 Provenance: The Estate of Caroline P. Ireland.

845. Pair of Antique Continental Gilt Bronze Lamps, fashioned from chenets, mask and scroll design, paw feet, h. (to socket) 35 in., w. 10 in., d. 5 in. $400/600 Provenance: Schwitz Collection, Franklin, LA.

847. Pair of Louis Philippe Gilt and Patinated Bronze Six‑Light Candelabra, 19th c., columnar shaft, lion legs, h 28 in., dia. 10 in. $800/1200 Additional information at www.nealauction.com

848. Empire‑Style Gilt and Patinated Metal Six‑Light Chandelier, foliate canopy, mask arms, electrified, h. 30 in., dia. 27 in. $400/600

849. Pair of Large Ceramic Mosaic Garden Jardinières, floral and beaded decoration, h. 29 in., dia. 30 in. $700/1000

Provenance: Collection of Charles S. and the late Janie P. Houser, The Governor’s Club, Magnolia Springs, AL.

851. Four French Tôle Peinte and Wrought Iron Window Guards, scrolled motif and floral decoration, h. 82 1/2 in., w. 35 1/2 in. $2000/3000

850. Neoclassical‑Style Gilt Metal‑Mounted, Painted and Parcel Gilt Overmantel Mirror, paneled reserve, columnar surround, h. 50 in., w. 40 1/2 in. $700/1000

852. Mario Villa Coffee Table, 20th c., patinated metal and brass, inset glass top, h. 17 in., w. 36 1/4 in., d. 18 1/2 in. $300/500

853. Contemporary Gilt and Polychromed Coffee Table, h. 18 in., w. 42 in., d. 22 in. $200/400 Provenance: Sotre, New Orleans

855. Contemporary Leather “Butterfly” Chair, metal frame, four part stitched seat, h. 33 in., w. 30 in., d. 30 in. $150/250

856. Art Deco Bronze Console and Mirror, c. 1920, mirror surmounted by a swag crest; console with trapezoidal marble top, reticulated floral frieze, foliate legs; mirror h. 34 in., w. 16 in.; console h. 29 7/8 in., w. 26 3/8 in., d. 13 3/4 in. $400/600

854. Pair of Contemporary Painted “Zarina” Armchairs, designed by William Sawaya, open backrest, upholstered seat, solid beech frame, h. 33 1/2 in., w. 23 in., d. 18 1/4 in. $200/300

857. Mary Findlay (Scottish, 20th c.), “A Rainy Day from the Studio Window”, oil on canvas, label with artist and title en verso, 10 in. x 12 in., unframed. $400/600

858. Attributed to William Mulready R.A. (British, 1786‑1863), “Boy with Hurdy‑Gurdy”, oil on canvas, unsigned, artist name inscribed on stretcher, 24 1/8 in. x 20 in., framed with brass artist plaque. $600/800

859. Antique Botanical Prints, “Iris Susiana” and “Iris Susiana & Iris Atropurpurea”, 2 hand‑colored lithographs, sights 11 in. x 7 5/8 in., framed alike. (2 pcs.) $400/600

860. John Gould (British, 1804‑1881), “Eudynamys Flindersii” and “Oxylophus Glandrius”, 2 hand‑colored lithographs, illustrated by Elizabeth Gould (British, 1804‑1841), from Birds of Australia, sheets 21 3/8 in. x 14 1/2 in., framed alike. (2 pcs.) $400/600 Provenance: Schwitz Collection, Franklin, LA.

861. Louis C. Girault (American/ New Orleans, act. 1870‑1892), “Country Road with Cow”, 1898, oil on canvas, initialed and dated lower right, 16 in. x 24 in., framed. $3000/5000

862. Charles Reinike, Jr. (American/Louisiana, 1906‑1983), “Acadian Barnyard Landscape with Farmers and Horses”, oil on masonite, signed lower right, 16 in. x 20 in., framed. $800/1200

863. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Louisiana Bayou”, 1927, oil wash on board, pencil‑signed and dated lower right, 20 in. x 29 3/4 in., framed. $600/800

864. Emmitt Thames (American/Mississippi, b. 1933), “Yesterday’s Mail”, 1972, watercolor on paper laid on board, signed and dated lower left, signed, titled and copyright on board, 20 in. x 30 in., framed. $700/1000

865. Clementine Hunter (American/Louisiana, 1886‑1988), “Saturday Night at the Juke Joint”, oil on board, monogrammed lower right, 12 in. x 16 1/2 in., framed. $1200/1800 866. Chestee Harrington (American/Louisiana, b. 1941), “Cabin”, 1971, oil on carved wood, signed, dated and inscribed “#46” lower left, 8 3/8 in. x 7 1/2 in., framed. $600/800

867. Marie Demeaux (American/Louisiana, 1917‑1974), “Not at Home”, 1954, oil on canvas, signed, dated, inscribed, “11th Annual Louisiana Art Exhibit” label with artist and title, artist biography and “Farrell Calhoun, Memphis” label en verso, 18 in. x 22 in., framed. $500/700

Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

868. William Woodward (American/Louisiana, 1859‑1939), “Paul Morphy’s House Royal St.”, 1934, graphite on paper, signed and dated lower left, titled and inscribed upper left, 9 7/8 in. x 12 1/4 in., framed. $700/1000

870. Colette Pope Heldner (American/Louisiana, 1902‑1990), “Patio Little Theatre St. Peter St., French Quarter, Old New Orleans, Paris of America”, oil on canvas, signed lower left, signed and titled en verso, 24 in. x 30 in., framed. $1000/1500

869. William Woodward (American/Louisiana, 1859‑1939), “Au Rendezvous des Compagnons de l’Art Culinaire”, 1934, graphite on cardstock, signed and dated lower right, 9 in. x 6 in., framed. $700/1000

871. Colette Pope Heldner (American/Louisiana, 1902‑1990), “Old Creole Patio, Royal St., French Quarter, Old New Orleans, Paris of America”, oil on canvas, signed lower left, signed and titled en verso, 24 in. x 30 in., framed. $1000/1500 Additional information at www.nealauction.com

873. American School, 19th c., “Autumnal Landscape with Wheat Harvest”, oil on canvas, unsigned, 16 in. x 25 in., framed. $1000/1500

874. Antique American Painted Windsor Bench, shaped crest rail, spindled back, scrolled arms, ring‑turned legs, stretchers, h. 36 in., w. 70 3/4 in., d. 21 1/2 in. $300/500

Provenance: Estate of Noted Antiquarian James D. “Don” Didier.

876. Pair of American Classical Faux Bois Side Chairs, early 19th c., scrolled crest rail, vasiform splat, turned stiles and legs, h. 31 in., w. 19 1/2 in., d. 19 in. $300/500 872. Clementine Hunter (American/ Louisiana, 1886‑1988), “Zinnias”, oil on canvas board, monogrammed lower right, 30 in. x 15 in., framed. $2000/3000 Provenance: Collection of Dr. Robert Ryan; Estate of Gayle Batt.

877. French Provincial Carved Walnut Table, 19th c., two drawers, tapered legs, h. 31 1/2 in., w. 68 1/4 in., d. 31 1/2 in. $500/700

875. Louisiana Bench‑Made Cypress Armoire, F. Paul Naquin, Baton Rouge, flared cornice, paneled doors, divided interior, scalloped apron, cabriole legs, h. 85 in., w. 57 in., d. 28 1/2 in. $800/1200 Provenance: Lombard Plantation, New Orleans, LA.

878. American Late Classical Rosewood Bookcase, c. 1840, ripple molded pediment, glazed doors, shelf interior, base with 2 drawers, bracket feet, h. 87 in., w. 47 1/2 in., d. 13 1/2 in. $1200/1800 Provenance: Schwitz Collection, Franklin, LA.

879. American Late Classical Mahogany Library Chair, mid‑19th c., scroll‑back crest rail, heavily scrolled arms, turned legs, h. 36 in., w. 25 7/8 in., d. 22 in. $400/600

880. American Federal Inlaid Mahogany Bowfront Chest of Drawers, early 19th c., two drawers over three long drawers, serpentine apron, “French” bracket feet, h. 42 1/2 in., w. 39 1/2 in., d. 20 in. $600/900 Provenance: Collection of Charles S. and the late Janie P. Houser, The Governor’s Club, Magnolia Springs, AL.

881. American Classical Mahogany Games Table, early 19th c., foldover swivel top, pineapple‑carved standard, saber legs, brass paw feet, casters, h. 29 in., w. 35 in., d. 18 1/8 in. $600/900

882. Pair of Adam‑Style Carved Mahogany Armchairs, 20th c., bellflower‑carved fan back, scrolled molded arms, tapered fluted legs, h. 39 1/2 in., w. 26 1/4 in., d. 19 in. $300/500

884. American Rococo Carved Rosewood Work Table, mid‑19th c., New York, cove‑molded lift-top with inset mirror and fitted interior, 2 drawers, cabochon and foliate‑carved cabriole legs, scrolled feet, h. 31 in., w. 24 1/2 in., d. 19 3/4 in. $700/900 885. American Federal Mahogany Washstand, early 19th c., shaped gallery, frieze drawer, turned supports, serpentine stretcher shelf, turned feet, h. 36 in., w. 22 in., d. 16 in. Note: Pancoast Family lineage inscribed on secondary wood of drawer, 1939. $300/500 883. American Late Classical Mahogany Sideboard, c. 1840, paneled backsplash, bolection molded frieze drawer, convex cabinet doors, octagonal columnar stiles, scrolled legs, h. 51 1/2 in., w. 60 1/8 in., d. 21 1/4 in. $500/750

886. Antique Carved Mahogany Writing Table, inset red leather top, canted corners, four frieze drawers, turned legs, h. 28 1/2 in., w. 50 1/2 in., d. 47 in. $700/1000

888. Edwardian Painted Satinwood Armchair, c. 1900, shield‑back centered by a maiden reserve, caned back and seat, shaped arms, tapered legs, h. 36 3/4 in., w. 21 1/4 in., d. 17 in. $500/800

887. Regency‑Style Mahogany Rent Table, labeled “Weiman Tables”, inset leather top, two opposing drawers, reeded standard and sabre legs, brass cuffs, casters, h. 29 3/4 in., dia. 36 in. $300/500

Provenance: The Stanley Weiss Collection, Providence, RI.

890. English Carved Rosewood Center Table, 19th c., shaped top, lobed standard, arched acanthine legs scrolled toes, casters, h. 27 in., w. 51 in., d. 32 in. $400/600 Provenance: Windham Collection, Oxford, MS.

891. Antique English Mahogany Chest-on-Stand, early 19th c., hinged top with brass plaque, brass handles, H‑stretcher, tapered outswept legs, h. 26 in., w. 18 1/4 in., d. 12 1/2 in. $400/600

889. George III‑Style Inlaid Mahogany Breakfront Secretary-Bookcase, stepped cornice, glazed doors, shelf interior, fall front drawer with baize‑lined writing surface, three lower drawers flanked by cabinet doors, bracket feet, h. 91 in., w. 92 in., d. 22 1/2 in. $800/1200 892. Charles X Walnut Vitrine, 19th c., dished top with wood gallery and glass cover, medial tier, incurvate triangular plinth, turned legs, flattened bun feet, h. 33 1/2 in., dia. 25 in. $300/500

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

893. Antique Louis XVI‑Style Mahogany Bouillotte Table, late 19th c., brass gallery, variegated marble top, blocked frieze, stop-fluted tapered legs, brass cuffs, h. 19 3/4 in., dia. 18 in. $400/600

894. Antique Continental Bronze Console, serpentine marble top, winged putto standard, hoof feet, h. 34 in., w. 39 1/4 in., d. 22 1/2 in. $500/750 Provenance: Schwitz Collection, Franklin, LA.

Provenance: The Estate of Caroline P. Ireland.

Additional information at www.nealauction.com

896. Pair of Louis XV‑Style Bronze‑Mounted and Inlaid Mahogany Side Tables, molded top, frieze drawer, stretcher shelf, cabriole legs, h. 30 in., w. 19 in., d. 14 in. $500/750 897. Pair of Vintage Continental Painted and Caned Bergères, cartouche back, foliate decoration, cabriole legs, h. 36 1/2 in., w. 21 1/4 in., d. 18 in. $400/600

898. Pair of Louis XV‑Style Bronze‑Mounted and Inlaid Rosewood Blockfront Commodes, shaped rouge marble top, two drawers, cabriole legs, sabots, h. 29 1/2 in., w. 25 3/4 in., d. 16 in. $800/1200 895. Louis Philippe Carved Mahogany Armoire, 19th c., stepped ogee cornice, paneled door, lower drawer, plinth base, bun feet, casters, h. 83 1/4 in., w. 42 1/4 in., d. 19 1/4 in. $800/1200 Provenance: Schwitz Collection, Franklin, LA.

899. N. Henry Bingham (American, b. 1939), “Napoleon with his Generals”, oil on panel, signed lower right, 12 in. x 16 in., framed. $200/300

900. Karl Termohlen (Danish/Illinois, 1863‑1938), “Tonal Landscape with Italian Cypress Trees”, oil on canvas, signed lower left, 25 in. x 30 in., framed. $700/1000

901. Paul Vogler (French, 1852‑1904), “Cavaliers dans une Taverne”, 2 oils on panel, both signed lower right, “University of Southern California, University Galleries, Los Angeles, CA” labels en verso, each 9 1/4 in. x 13 in., framed alike. (2 pcs.) $800/1200

904. Attributed to Aquiles Léon Lacault (French, b. 1866), “Officer on Horseback in Field”, oil on canvas, signed lower right, 16 1/4 in. x 13 1/4 in., framed with artist and title plaque. $300/500 903. Hans Gottfried Wilda (Austrian, 1862‑1911), “Carriage Ride”, watercolor on board, signed lower left, sight 11 1/2 in. x 18 in., framed. $600/800

902. Continental School, 1879, “Still Life with Red and White Flowers”, oil on canvas, signed “F. Martin” and dated lower right, 25 1/2 in. x 21 1/2 in., framed. $1200/1800 Provenance: Schwitz Collection, Franklin, LA.

905. Otto Bachmann (Swiss, 1915‑1996), “Lovers in a Cafe”, oil on masonite, signed lower left, inscribed “No. 4 50x50 / Carolls‑Paris / Otto Bachmann” on artist label en verso, 19 3/4 in. x 19 3/4 in., framed. $700/900

906. Louis Theodore Dubé (French, 1861‑c.1925), “Garde‑chasse arrêté près de ses chiens”, 1913, oil on canvas, signed and inscribed “d’après Troyon [after Troyon] 1913” lower right, 45 1/2 in. x 35 1/4 in., framed. $1500/2500 Provenance: Oaklawn Manor, Franklin, LA; Estates of George and Mary Beth Thomson, Franklin, LA.

908. After Thomas Gainsborough (British, 1727‑1788), “Pomeranian Bitch and Puppy”, oil on panel, signed “Morris” lower right, 12 in. x 16 in., framed. $500/700 Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

909. Continental School, 19th c., “Portrait of a Dog with Handkerchief”, oil on canvas, indistinctly signed lower right, 12 1/8 in. x 10 1/8 in.; together with Decorative Giclée of Two White Terriers, 10 in. x 8 in., both framed. (2 pcs.) $700/1000 Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

907. Continental School, late 19th/early 20th c., “Portrait of a Military Officer”, oil on canvas, unsigned, 35 3/4 in. x 27 3/4 in., framed. $500/800

911. British School, 19th c., “Portrait of a Gentlemen with Design Tools”, oil on canvas, unsigned, 16 in. x 12 3/4 in., framed. $600/800

910. Alexander Wellwood Rattray (Scottish, 1849‑1902), “Tranquil River Landscape”, 1882, oil on canvas, signed and dated lower left, 16 1/8 in. x 24 1/4 in., framed. $800/1200 Provenance: Schwitz Collection, Franklin, LA.

912. A. Roland Knight (British, 1879‑1921), “Feeding Time”, oil on canvas, signed lower left, 20 in. x 30 in., framed. $600/800

913. A. Roland Knight (British, 1879‑1921), “Catching Dinner”, oil on canvas, signed lower right, 20 in. x 30 in., framed. $600/800

915. Pair of Neoclassical‑Style Wrought Iron and Argenté Andirons, h. 25 1/2 in. $500/700

917. Pair of Empire‑Style Gilt and Patinated Bronze Three‑Light Sconces, electrified, h. 18 in., w. 9 1/2 in., d. 5 1/4 in. $500/700 916. Art Deco Bronze and Glass Five‑Light Chandelier, early 20th c., scrolled supports, shell‑form inserts, flower lights, h. 42 in., dia. 28 in. $800/1200

919. Good Group of Antique Linen Damask Lapkins with Period Monograms, incl. 11 monogrammed “AB”, 8 monogrammed “AS” and 5 monogrammed HCC”, all approx. 28 in. square. $300/500

914. Carved Wood Artist’s “Lay” Figure, articulated joints, h. 32 in., w. 8 1/2 in., d. 3 1/2 in. $1200/1800

920. Group of Antique Linen Lapkins and Napkins with Period Monograms, incl. 12 linen damask lapkins, monogrammed “AG”, 28 in. square; 12 linen damask napkins, monogrammed “Y”, 22 in. square; 11 linen embroidery and cutwork napkins, 20 in. square; 7 linen napkins with cutwork monogram “BCB”, 25 in. square. $300/500

918. Antique Baccarat Swirl Motif Molded Crystal Punch Bowl and Undertray, early 20th c., marked, h. 5 7/8 in., dia. 12 1/8 in., tray dia. 19 3/8 in. $300/500 Provenance: New Orleans Estate

Provenance: The Estate of Caroline P. Ireland.

921. Group of Antique and Vintage Table Linens, incl. antique ecru lace runner, 99 in. x 20 in.; pale blue linen tablecloth and 11 napkins with white appliqué and embroidery; white linen embroidery and cutwork tablecloth and 8 napkins, ecru linen and lace tablecloth and napkins, 12 ecru Madeira linen napkins, ecru Madeira tablecloth with 8 napkins, and ceru linen bridge cloth with 4 napkins. $200/400

922. Group of Antique and Vintage Lapkins and Napkins, incl. 12 linen damask lapkins, monogrammed “HWY”, 5 linen damask lapkins, monogrammed “CK”, 8 embroidered and cutwork tea napkins with chinoiserie figures, 4 appliqué cocktail napkins and 5 tea napkins. $200/300

Additional information at www.nealauction.com

923. Pair of Antique Swedish Neoclassical Bronze Four‑Light Candelabra, h. 25 in., dia. 12 1/2 in. $500/700

Provenance: Lucullus Antiques, New Orleans; Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

924. Pair of Napoleon III Bronze‑Mounted Porcelain Lamps, in the Renaissance taste, cut glass font, base with portrait medallions, h. (to socket) 28 in., dia. 6 1/2 in. $300/500

925. Pair of French Gilt and Patinated Bronze Four‑Light Figural Candelabra, 19th c., in the Renaissance taste, h. 27 1/2 in., w. 11 in., d. 6 1/2 in. $500/700

Provenance: Schwitz Collection, Franklin, LA.

926. American Renaissance Giltwood Overmantel Mirror, mid‑to‑late 19th c., scrolled acanthine crest, egg and dart cornice, foliate beaded surround, beveled mirror plate, h. 71 1/2 in., w. 46 1/2 in. $700/1000

Provenance: Collection of Charles S. and the late Janie P. Houser, The Governor’s Club, Magnolia Springs, AL.

927. Pair of Antique French Giltwood Mirrors, pierced rocaille crest, foliate rope‑molded surround, oval mirror plate, h. 78 in., w. 33 in. $500/700 Provenance: Schwitz Collection, Franklin, LA.

928. George III Mahogany Tall Case Clock, 19th c., broken scroll pediment, eagle and ball finials, case with fluted full and quarter columns, h. 95 in., w. 22 in., d. 10 in. $1000/1500

Provenance: Oaklawn Manor, Franklin, LA; Estates of George and Mary Beth Thomson, Franklin, LA.

929. French Gilt Bronze and Sienna Marble Figural Cabinet Clock, c. 1900, impressed mark “E. JULIEN/PARIS/12 RUE PASQUIER”, dial marked “E. Jullien a Paris”, h. 8 in., w. 3 1/2 in., d. 3 1/2 in. $700/1000 Provenance: Oaklawn Manor, Franklin, LA; Estates of George and Mary Beth Thomson, Franklin, LA.

930. Pair of Chinese Famille Rose Porcelain Vases, late 19th c., Buddhist lion handles, shoulders with applied dragons, decorated with figural and bird‑and‑flower panels, h. 18 in. $600/800

Provenance: R.N. Wakefield & Company, Houston, 1997.

931. Chinese Famille Rose‑Decorated Yellow Ground Porcelain “Wanshou Wujiang” Bowl, 19th/early 20th c., exterior with the characters for “endless longevity without limit” on a vining floral ground, interior with shou medallion encircled by 5 bats, base with Guangxu mark, h. 4 1/8 in., dia. 10 7/8 in. $400/600

933. Chinese Polychrome Painted and Parcel Gilt Metal Figure of Amitayus, modeled seated in dhyanasana on a double lotus base wearing a three pronged tiara and hair tied in a chignon surmounted by the figure of Buddha, h. 17 in., w. 12 7/8 in. $600/800 932. Two Chinese Glazed Pottery Elephant‑Form Garden Stools, 20th c, h. 24 in., w. 10 1/2 in., d. 23 1/2 in. $500/700

934. Two Chinese Carved Hardwood Tall Tables, late 19th/ early 20th c., each with rouge marble inset top, prunus scroll carved frieze, openwork apron, medial shelf, claw and ball feet, taller with stretcher shelf, h. 31 3/4 in., w. 16 1/4 in., d. 12 1/4 in. and h. 31 1/2 in., w. 14 3/4 in., d. 15 in. $500/700 Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

935. Persian Carpet, pale blue and sand ground, floral design, 6 ft. 11 in. x 11 ft. 2 in. $1000/1500

936. Large Persian Carpet, dark blue and salmon ground, overall vining design, 7 ft. 1 in. x 18 ft. 7 in. $800/1200

937. Persian Carpet, red and white ground, central medallion, foliate design in green, blue, red and brown, 8 ft. 4 in. x 11 ft. 9 in. $800/1200

941. Persian Carpet, beige and pink ground, central medallion, 8 ft. 3 in. x 11 ft. 9 in. $600/900

938. Persian Josheghan Carpet, red and blue ground, central medallion, stylized floral border, 4 ft. 4 in. x 6 ft. 10 in. $700/800

942. Persian Caucasian Carpet, red central ground, triple medallion, 4 ft. 4 in. x 2 ft. 10 in. $200/400

939. Persian Carpet, pale blue ground, stylized figural and floral design, 6 ft. x 8 ft. $700/1000

940. Persian Runner, pale blue ground, stylized foliate design in orange, blue and yellow, 3 ft. x 21 ft. $600/900

Provenance: Jackie Vance.

943. Pair of Louis XVI‑Style Bronze and Marble‑Mounted Mahogany Pedestals, stepped top, reverse tapered standard, square base, h. 30 1/2 in., w. 17 in., d. 17 in. $600/800

944. Continental Carved Walnut Day Bed, 19th c., scrolled headboard and foot board, foliate and floral rail, h. 42 1/2 in., w. 72 in., d. 42 in. $700/900

945. Continental Inlaid Mahogany Tilt‑Top Table, turned and reeded support, acanthuscarved cabriole legs, pad feet, casters, h. 26 1/2 in., w. 26 1/2 in., d. 20 in. $600/800 946. Antique Louis XV‑Style Bronze‑Mounted Marquetry and Kingwood Petite Bombe Commode, rouge marble top, two drawers, cabriole legs, h. 35 1/2 in., w. 30 in., d 15 3/8 in. $500/800

Provenance: Schwitz Collection, Franklin, LA.

947. Napoleon III Paint‑Decorated Blockfront Commode, late 19th c., variegated marble top, four drawers, conforming base, toupie feet, h. 36 in., w. 50 1/2 in., d. 23 1/2 in. $800/1200

Provenance: Schwitz Collection, Franklin, LA.

948. Louis XV‑Style Carved Fruitwood Draw‑Leaf Table, 19th c., plank top, frieze with small drawer, cabriole legs, h. 33 in., w. 71 in., d. 33 1/2 in. $1000/1500 Provenance: The Estate of Caroline P. Ireland.

949. Pair of Continental Carved and Painted Fauteuils and Ottoman, rounded crest rail, scrolled arms, cabriole legs, pad feet, down cushions, fleur‑de‑lis upholstery, h. 39 3/4 in., w. 42 in., d. 28 1/2 in. ottoman h. 19 in., w. 33 in., d. 24 in. $400/600 Provenance: Windham Collection, Oxford, MS.

Additional information at www.nealauction.com

950. Louis XVI‑Style Bronze‑Mounted Mahogany Bonheur du Jour, late 19th c., rouge marble top, reticulated brass gallery, cylinder lid, three small drawers, tooled leather writing surface, fluted tapered legs, toupie feet, h. 44 in., w. 32 in., d. 20 in. $500/700

951. William IV‑Style Mahogany Chest of Drawers, 20th c., Baker Furniture, molded top, blocked corners, colonnettes flanking four molded drawers, blocked feet, h. 34 1/4 in., w. 40 in., d. 19 in. $500/700 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

952. American Mahogany Extension Dining Table, labeled “Baker”, bamboo motif, banded top, two leaves, bracketed cluster legs, h. 29 3/4 in., l. 101 in., d. 45 1/2 in. $1200/1800 Provenance: Schwitz Collection, Franklin, LA.

953. Six American Carved Mahogany Side Chairs, mid‑19th c., foliate scrolled crest rail, acanthus knee, cabriole legs, needlepoint upholstery, h. 37 1/4 in., w. 19 1/2 in., d. 19 in. $500/1000 Provenance: Schwitz Collection, Franklin, LA.

955. Pair of American Late Classical Rosewood Footstools, mid‑19th c., scroll form, nailhead trim, scroll feet, h. 10 in., w. 17 in., d. 13 in. $200/400 Provenance: Schwitz Collection, Franklin, LA.

954. Edwardian‑Style Painted Satinwood Tricoteuse Table, Maitland Smith, tray top, lyre supports, stretcher shelf, trestle base, h. 31 in., w. 27 3/4 in., d. 15 3/4 in. $200/400

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

956. Antique Regency‑Style Gilt Metal‑Mounted and Inlaid Mahogany Dressing Table Mirror, two drawers, pedimented top, rosette‑mounted mirror, shaped case, spherule feet, h. 31 7/8 in., w. 17 in., d. 10 3/8 in. $500/700 Provenance: Schwitz Collection, Franklin, LA.

957. Regency‑Style Carved Mahogany Bedsteps, early‑to‑mid 20th c., “Rosenbach” label, inset leather steps, middle step with hinged top, turned legs, h. 25 in., w. 27 in., d. 16 1/2 in. $300/500

960. Louis XVI‑Style Brass‑Mounted Marquetry Encoignure, sienna marble top, ram’s head mounted stiles, hoof feet, h. 34 1/4 in., w. 28 in., d. 20 in. $500/800

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

958. Small Regency Mahogany Tilt‑Top Table, early 19th c., shaped top, vasiform standard, reeded sabre legs, h. 29 1/2 in., w. 27 in., d. 19 in. $300/500

959. Pair of Louis Philippe Carved Mahogany Fauteuils, 19th c., scroll back crest rail, lappet‑carved arms, flared legs, h. 35 3/4 in., w. 24 in., d. 22 in. $600/900

961. Empire Bronze‑Mounted Walnut Firescreen, early 19th c., rectangular frame, later needlepoint with griffin and urn motif, trestle base, h. 34 1/4 in., w. 22 3/4 in., d. 12 in. $200/400

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

962. Belle Époque Carved Walnut Vitrine, c. 1900, marble top, floral‑carved stiles, beveled glass door, glass shelves, molded base, h. 60 3/4 in., w. 42 1/2 in., d. 17 in. $700/1000 Provenance: Windham Collection, Oxford, MS.

964. French Bronze‑Mounted Mahogany and Parquetry Commode, probably early 20th c., dished inset grey marble top, frieze drawer, cabinet with marblelined interior, tapered legs, spare feet, h. 33 3/8 in., w. 20 3/4 in., d. 12 3/4 in. $400/600 Provenance: Schwitz Collection, Franklin, LA.

963. Pair of Continental Rococo‑Style Giltwood Fauteuils, rocaille crest, foliate scrolled arms, acanthus seat rail, cabriole legs, h. 45 1/2 in., w. 28 1/2 in., d. 25 in. $1000/2000

965. Louis XVI‑Style Carved and Painted Side Table, 20th c., variegated marble top, beaded frieze drawer, rosette blocked corners, tapered fluted legs, shaped stretcher, turned feet, h. 28 in., w. 28 in., d. 20 in. $400/600 Provenance: The Estate of Caroline P. Ireland.

Provenance: Schwitz Collection, Franklin, LA.

967. Continental Carved Marble Pedestal, stepped plinth, h. 40 in., w. 14 in., d. 14 in. $200/400

966. Pair of Antique Directoire‑Style Brass‑Mounted Mahogany Guéridons, galleried marble top, scrolled supports, dished shelf, tripod stretcher, h. 32 1/2 in., dia. 16 in. $500/700

968. Moorish‑Style Painted and Parcel Gilt Tabouret, starburst top with carved geometric patterns, conforming bracketed base, h. 20 in., w. 27 1/2 in., d. 27 1/2 in. $400/600

Provenance: Schwitz Collection, Franklin, LA.

969. Contemporary Chinoiserie‑Decorated Center Table, labeled “Maitland Smith”, shaped dished top, conforming base, cabriole legs, pad feet, “lacquered” glass finish, h. 24 in., w. 38 1/2 in., d. 30 in. $400/600

970. Louis XV‑Style Bronze‑Mounted Kingwood Commode, serpentine Brêche d’Alep marble top, conforming case with two drawers, shaped apron, cabriole legs, sabots, h. 34 in., w. 40 1/2 in., d. 19 1/2 in. $500/700

973. Continental Carved Mahogany Cylinder Commode, c. 1840, molded top, shaped frieze drawer, shaped door, one interior shelf, fluted octagonal base, bun feet, h. 29 in., w. 17 in., d. 17 in. $200/400

972. Neoclassical‑Style Carved and Stained Pine Cabinet, fluted frieze, two panel doors decorated with urns and wreaths, shelf interior, spade feet, h. 36 1/2 in., w. 47 in., d. 18 1/2 in. $300/500

971. Pair of Biedermeier‑Style Burlwood Side Tables, scalloped top and apron, frieze drawer, entwined legs, triangular base, ball feet, h. 28 1/2 in., w. 17 in., d. 17 1/2 in. $500/750

974. Pair of Continental Polychrome and Gilt Porcelain Jardinières, 20th c., spurious Sevres marks, canted rectangular bodies painted with portrait medallions and flanked by female nudes, plinth bases, scroll feet, h. 12 3/4 in., w. 12 in., d. 9 in. $300/500 Provenance: Schwitz Collection, Franklin, LA.

Additional information at www.nealauction.com

975. Pair of Paris Polychrome and Gilt Porcelain Vases, late 19thc., foliate‑molded handles, painted with flower arrangements on bleu de roi ground, h. 16 in. $400/600 Provenance: Schwitz Collection, Franklin, LA.

976. Pair of Jacob Petit, Paris Porcelain Pitchers, mid‑19th c., marked “J.P.” with floral sprays on an apple green ground, gilt highlights, h. 7 1/8 in., w. 6 3/4 in.; together with floriform candle holder, marked “J.P.”, h. 5 1/2 in. (3 pcs.) $500/700 Provenance: Schwitz Collection, Franklin, LA.

977. Pair of Henri Adant Limoges, Polychrome, Gilt and Bisque Porcelain Vases, late 19th c., HA & Co pad marks, mid‑sections relief‑molded with portrait medallions, overall floral sprays, round feet, h. 10 5/8 in. $400/600

Provenance: Schwitz Collection, Franklin, LA.

978. Pair of Continental Patinated Bronze Allegorical Figures of America, male and female figures, on fluted column, h. 9 1/2 in., w. 3 1/2 in., d. 3 1/2 in. $400/600

980. Pair of French Bronze Candlesticks, 18th c., acanthus and turned standards, scroll feet embellished with putto masks, h. 13 3/4 in. $400/800

979. Louis XVI‑Style Bronze Plateau, 20th c., reticulated gallery, paw feet, h. 2 1/2 in., w. 27 in., d. 17 1/2 in. $100/200

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Provenance: Schwitz Collection, Franklin, LA.

981. Pair of “Moorish” Style Painted Brackets, red ground, h. 13 in., w. 20 1/4 in., d. 6 1/2 in. $250/350

982. Late Regency Patinated Metal Figural Fire Fender, 19th c., rail with pharaoh busts, flanked by sphinxes, h. 10 1/2 in., w. 60 in., d. 13 3/4 in. $200/400

983. American Gilt Brass Solar Lamp, c. 1845, marked “Cornelius & Co., Phil.”, fluted Ionic column, floral‑cut blue shade, electrified, h. 25 in., dia. 8 in. $400/600 Provenance: The Friedle‑Garrison Collection, New Orleans.

985. Pair of Italian Painted Blue Glass Vases, 19th c., reserve‑decorated with dancing nudes and centaur, h. 7 1/2 in., dia. 7 in. $300/500

984. American Bronze Solar Lamp, c. 1845, Philadelphia, labeled “Cornelius & Co.”, patent date Apr. 1, 1843, in the Rococo Revival taste, standard and tripod base heavily detailed with scroll, foliate and shell motifs, frosted and etched shade, electrified, h. 24 in., dia. 10 in. $400/600

986. French St. Louis‑Style Gilt Cut‑Glass Stemware, fruiting grapevine pattern, incl. 13 wine, h. 6 5/8 in.; 12 cocktail, h. 6 5/8 in.; and 10 water, h. 8 1/4 in. (35 pcs.) $600/900 Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

987. Large Steuben Glass “Low Footed” Bowl, etched mark, model #7909, designed 1942 by John Dreves, scroll feet, h. 3 1/2 in., dia. 10 7/8 in. $150/250

Provenance: Schwitz Collection, Franklin, LA.

988. Pair of Steuben Glass “Snail‑Scroll” Olive Dishes, etched marks, model #7857, designed 1939 by John Dreves, h. 3 in., w. 5 7/8 in., d. 5 1/4 in. $300/500

989. Steuben Glass “Snail‑Scroll” Sugar Bowl and Cream Pitcher, etched marks, models #7941 and #7942, designed 1947 by Irene Benton, h. 3 1/4 in., w. 5 1/2 in. and w. 5 1/4 in. (2 pcs.) $150/250

991. Large Studio Molded Glass Vase, ovoid body with thick fluted walls, h. 14 7/8 in., dia. 10 3/4 in. $150/250 Provenance: Glassworks, New Orleans.

990. Steuben Glass “Snail‑Scroll” Sugar Bowl and Cream Pitcher, etched marks, models #7941 and #7942, designed 1947 by Irene Benton, h. 3 1/8 in., w. 5 3/8 in. (2 pcs.) $200/300

992. Pair of Cut Crystal Candlesticks and Bowl, h. 12 1/2 in. and h. 5 in., dia. 10 in. $400/600

993. Set of Four Etched Glass Pump Decanters, labeled bourbon, gin, vodka, and scotch, h. 10 1/2 in.; together with three cut glass decanters, tallest 8 1/2 in. (7 pcs.) $300/500

Provenance: Schwitz Collection, Franklin, LA.

994. Decorative Patinated Bronze Figural Garden Fountain, modeled as a seated anthropomorphic frog, h. 21 in., w. 21 1/2 in., d. 18 in. $300/500 995. Antique Cast Iron Garden Potting Table, molded top, phoenix supports, trestle base, h. 27 1/2 in., w. 41 in., d. 21 in. $600/900 996. Pair of Cast Iron “Four Seasons” Garden Armchairs , h. 37 in., w. 24 in., d. 27 in. $700/1000

998. Bronze Figure of an Eagle Perched on Rocks, h. 17 3/4 in., w. 12 1/2 in., d. 9 in. $400/600 997. Decorative Patinated Metal Garden Suite, after a design by Schinkel, incl. settee and 2 side chairs, winged putti splat, slatted seat, curule base, hoof feet, settee h. 31 in., w. 45 1/2 in., d. 20 in., side chairs h. 30 3/4 in., w. 19 1/2 in., d. 20 in. $500/800 Provenance: Schwitz Collection, Franklin, LA.

1000. Giovanni Pinotti Cipriani (Italian, 19th/20th c.), “Bust of a Maiden with Flowers in her Hair”, carved alabaster, signed on reverse, h. 14 1/2 in., w. 17 1/2 in., d. 10 in. $400/600 1001. Continental Carved Wood Group of Saint Roch, 18th/19th c., retains old paint surface, h. 14 1/2 in., w. 7 3/4 in., d. 5 in. $300/500 Provenance: Windham Collection, Oxford, MS.

1003. Large Chinese Patinated Bronze Covered Tripod Censer, pierced domed cover with ball finial, bombe body with upright scroll handles, bulbous legs, base with apocryphal Xuande mark, h. 20 1/4 in., w. 15 1/4 in. $1000/1500

Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

999. Patinated Bronze Figural Group of “Return from the Hunt”, after Émile Guillemin, h. 22 in., w. 18 in., d. 9 in., wood base, overall h. 24 1/2 in. $800/1200

1002. Antique French Morbier Tall Case Clock, 19th c., enameled dial marked “SAIN a AVIGNON”, grain‑painted case, lyre pendulum, striking bell movement, h. 91 in., w. 19 1/2 in., d. 8 in. $700/900

1004. Two Asian Gem and Enamel Embellished Gilt Filigree Dresser Boxes , h. 3 1/4 in., w. 5 in., d. 3 3/4 in., and h. 2 in., w. 3 3/4 in., d. 3 in. $800/1200

Additional information at www.nealauction.com

1005. Pair of Chinese Soapstone Seals, each carved as an old elephant with two boys clambering up and on its back tall bamboo platform with deer and bamboo niches, carved chop, h. 8 1/4 in., w. 3 in., d. 3 in. $200/300

1006. Three Archaistic Chinese Jade Bi Disks, incl. 2 of creamy white and russet stone, dia. 2 1/4 in. and 2 1/8 in.; and one of pale celadon, dia. 2 1/4 in. $400/600

1007. Four Chinese Celadon Jade Plaques or Pendants, incl. rounded rectangular‑form carved with a boy and buffalo, and calligraphy, l. 3 in., w. 1 5/8 in.; archaistic coin or axe‑form, l. 2 3/4 in., w. 1 1/2 in.; rectangular, l. 1 3/4 in., w. 1 1/8 in.; and oval, l. 3 in., w. 2 1/4 in. $600/800

1010. Chinese Han‑Style Celadon and Russet Jade Figure of a Musician, carved kneeling before a drum, h. 1 5/8 in. $300/500

1008. Three Chinese Jade Pendants, incl. fish‑form, l. 2 1/4 in.; gourd and bat, l. 2 in.; and twin gourd, l. 1 5/8 in. $400/600

1011. Two Chinese Pale Celadon Jade Bangle Bracelets, dia. (ext.) 3 1/8 in. and 3 in., dia. (int.) 2 1/4 in. and 2 1/8 in.; together with white and russet jade bangle, dia. (ext.) 3 3/16 in., dia. (int.) 2 1/4 in. (3 pcs.) $500/700

1009. Chinese Celadon and Russet Jade Figural Group, carved as a young boy standing beside a water buffalo, h. 1 5/8 in., l. 3 1/2 in. $300/500

1012. Three Chinese Hardstone Trees in Serpentine Pots, incl. pair with fabric wrapped branches and colorful flowers, h. 12 3/4 in. and 12 1/2 in.; and single with peaches, h. 9 1/2 in. $300/500

1013. Three Chinese Hardstone Books, 20th c., gilt incised plaques within brocade mounts, wood covers, h. 9 in., w. 6 in., d. 2 in. $400/600

1014. Antique Chinese Bronze Vessel or Zun, cylindrical body and flared rim with concentric bands, square loop handles, h. 4 3/4 in., dia. 5 1/8 in., associated stand, overall h. 5 7/8 in. $300/500

1015. Chinese White Jade Chime or Plaque, carved as a dragon in flight, top pierced for hanging, h. 4 1/4 in., w. 7 in., d. 3/4 in., hardwood stand, overall h. 6 1/4 in., w. 6 1/4 in., d. 2 7/8 in. $500/700

1018. Asian Embroidered Black Silk Panel, worked in satin stitch and couched gold threads with a bird tethered to a post above a hanging basket of flowers, 32 in. x 21 in., framed. $300/500 Provenance: Estates of George and Mary Beth Thomson, Franklin, LA. 1016. Chinese Jade‑Inset and Turquoise and Coral “Gem” Embellished Silver Box, lid carved with flowering vines and wan, sides with the 8 Buddhist emblems in relief, h. 3 1/8 in., w. 7 1/2 in., d. 5 1/8 in. $150/250

1017. Chinese Celadon and Russet Jade Figure of a Recumbent Cat, l. 2 5/8 in. $300/500

1019. Jongyuth (Thai, 20th c.), “Elephants at Work” and “Floating Market”, 2 oils on canvas, each signed lower left, 24 in. x 36 in. and 31 in. x 39 in., both framed. (2 pcs.) $400/600

1020. Mexican Wool “Saltillo” Serape, probably 19th c., red and black stripes centered by multicolored diamond, l. 76 in., w. 40 in., fringe; together with antique embroidered cotton belt with button pockets, probably South American, l. 33 in., w. 5 in. (2 pcs.) $500/700

1022. Ellsworth Woodward (American/ Louisiana, 1861‑1939), “The Coast Guard (Old Sailors in Conversation, Boyer 61, fig. 29)”, “The Foster Mother: Romulus and Remus (Boyer 74)”, “Verona (Holland Wash Day, Boyer 38, fig. 24)”, and “Army Chaplain”, 4 drypoint etchings on paper, each pencil‑signed and titled lower margin, each initialed “E.W.” in plate, 10 in. x 13 1/4 in. and 15 in. x 11 in., unframed. (4 pcs.) $200/400

1021. Luis Cruz Azaceta (Cuban/American, b. 1942), “Millennium”, 2001, silkscreen on paper, pencil‑signed, titled, dated and numbered “65/115” lower margin, signed in plate lower right, from CAC Collectors Club, sight 20 3/4 in. x 26 1/2 in., framed. $200/300 Provenance: The Estate of Caroline P. Ireland.

Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans.

1023. Ellsworth Woodward (American/Louisiana, 1861‑1939), “Equestrian Statue of Bartolomeno Colleoni, Venice (Boyer 27, fig. 19)”, 1912, pen and ink preliminary drawing and etching on paper, drawing signed, inscribed “Venice” and dated “Aug. 3, 1912” lower left, etching pencil‑signed and titled lower margin, 13 1/2 in. x 9 3/4 in. and 11 1/2 in. x 10 in., unframed. (2 pcs.) $200/400

1024. Elizabeth Wolfe (American/Mississippi, b. 1949), “Cat”, ink on paper, signed lower right, sheet 8 in. x 10 in., framed. $400/600

1025. American Renaissance Carved Mahogany Armchair, mid‑19th c., arched back, scrolled arms, fluted tapered legs, casters, h. 41 1/2 in., w. 25 in., d. 22 in.; together with American Late Classical footstool, h. 10 in., w. 16 1/2 in., d. 16 1/2 in.; both upholstered in periodappropriate haircloth. $700/1000

Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans.

1027. American Renaissance Carved Mahogany Bookcase, late 19th c., partial label “R. Horner & Co, NYC”, gadrooned top, two glazed doors, shelf interior, columnar supports, dolphin base on blocks, bun feet, h. 60 3/4 in., w. 50 in., d. 19 1/2 in. $700/900 1026. American Renaissance Carved Walnut and Burl Library Table, late 19th c., inset green leather top, two frieze drawers, architectonic trestle base, finialed stretcher, h. 29 in., w. 42 in., d. 23 1/2 in. $1000/1500

1028. Antique Continental Inlaid Walnut Trestle Table, banded top, deep frieze drawer, shaped base, h. 30 1/2 in., w. 50 1/4 in., d. 41 1/2 in. $500/800 1031. Napoleon III Marquetry and Brass Inlaid Rosewood Dressing Table, 19th c., floral inlaid hinged top, fitted interior with mirror, brass mounted stop‑fluted ebonized legs, incurvate stretcher, h. 28 7/8 in., w. 19 7/8 in., d. 13 7/8 in. $400/600

1029. American Eastlake Carved Walnut Cabinet, late 19th c., galleried top, rotary side cabinet, 5 drawers, writing slide, h. 40 in., w. 28 in., d. 16 in. $700/1000

1030. Pair of Anglo‑Colonial Carved Teak Armchairs in the Georgian Taste, late 19th c., arched crest rail, pierced splat, scrolled arms, caned seat, foliate‑carved legs, caned seat, h. 41 3/4 in., w. 26 1/2 in., d. 21 in. $300/500

1032. Six Antique Dutch Queen Anne‑Style Parcel Ebonized and Carved Oak Side Chairs, shaped crest rail, vasiform splat, cabriole legs, pad feet, h. 40 in., w. 18 1/2 in., d. 17 in. $500/750

Provenance: Estate of Noted Antiquarian James D. “Don” Didier.

Provenance: Windham Collection, Oxford, MS.

1033. Swedish Polychrome‑Painted Pine Panel, 19th c., centered by a reserve depicting a village, floral and foliate motifs, h. 21 1/2 in., w. 42 in. $200/300

Additional information at www.nealauction.com

1036. Patrick Vincent Berry (American/New York, 1852‑1922), “Autumnal Landscape with Cattle Grazing at a Stream”, oil on canvas laid on panel, signed lower left, 18 in. x 30 in., framed with brass artist plaque. $600/800 Provenance: Schwitz Collection, Franklin, LA.

1034. American School, early 20th c., “Portrait of a Seated Gentleman”, oil on canvas, indistinctly inscribed lower right, 36 in. x 28 in., framed. $600/800

1035. American School, early 20th c., “Portrait of a Lady in Evening Attire”, oil on canvas, unsigned, 29 in. x 24 in., framed. $400/600

1037. Rolland Harve Golden (American/New Orleans, 1931‑2019), “Patio View”, 1969, watercolor on paper, signed and dated lower right, 22 in. x 30 in., framed; together with “S. Gallantin St. Jackson”, 1968, ink on paper, signed, titled and dated lower right, 11 in. x 14 in., framed. (2 pcs.) $1500/2500

1038. Richard Hoffman (American/New Orleans, d. 1973), “French Quarter Scene”, watercolor on paper mounted on board, signed lower left, 21 1/4 in. x 29 1/8 in., framed. $400/600

1040. Ellsworth Woodward (American/Louisiana, 1861‑1939), “Female Nudes”, 5 watercolors and graphite on paper or board, 2 initialed “E.W.” lower right, 3 unsigned, 14 in. x 10 in. to 22 1/4 in. x 15 in., unframed. (5 pcs.) $400/600 Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans.

1039. George Overbury “Pop” Hart (American/Illinois, 1868‑1933), “Landscape with Footbridge across a Pond”, watercolor on paper, signed lower left, 15 1/2 in. x 22 in., framed. $400/600

1041. Barbara Gallagher (American, 1933‑2006), “Nothing Has Changed”, oil on canvas, signed lower right, titled on stretcher, 47 3/4 in. x 36 in., framed. $700/1000

1042. Leonard Brooks (Canadian/Mexican, 1911‑2011), “Carnival”, 1960, oil on canvas, signed lower right, signed, titled and dated en verso, 29 5/8 in. x 23 11/16 in., framed. $500/800

Provenance: Collection of Charles S. and the late Janie P. Houser, The Governor’s Club, Magnolia Springs, AL.

1043. Harriette Prevatte (American/New Orleans, b. 1947), “Roman Candy Seller”, 1971, and “Uptown Street Corner”, 1977, 2 graphites on paper, both signed and dated lower right, sights 23 1/2 in. x 17 in., framed alike. (2 pcs.) $150/250

1044. Robert Hausey (American/ Louisiana, 1949‑2009), “Harbor Lights”, 1983, encaustic on paperboard, signed lower left, “Galerie Simonne Stern, New Orleans” label with artist, title and date on backing, 13 in. x 15 in., framed. $150/250

1045. Pili Rojas (American/New Orleans, 20th c.), “New Orleans Preservation of Jazz”, watercolor on paper, signed lower left, 11 in. x 14 5/8 in., framed. $300/500

1046. American School, early 20th c., “Sheep Grazing in a Field”, gouache on board, signed “H. I. Marlatt” lower left, 12 in. x 20 in., framed. $300/500

1047. Emmitt Thames (American/ Mississippi, b. 1933), “Nesting Leghorn”, 1989, gouache on paper, signed lower right, pencil‑titled, dated and artist stamp en verso, 23 in. x 30 in., framed. $300/500

1048. Harold “Napoleon” King (American/Louisiana, 1940‑2005), “French Quarter Street Scene”, 1990, oil on canvas, signed and dated lower center, 24 in. x 36 in., framed. $500/700 Provenance: Schwitz Collection, Franklin, LA.

1049. Tanner (American/New Orleans, 20th c.), “Bayou”, 2011, acrylic on canvas, signed lower right, signed and dated en verso, 14 in. x 11 in., framed. $500/800

1051. Rhoda Brady Stokes (American/ Mississippi, 1902‑1988), “Baptizing”, 1956, oil on masonite, signed and dated lower right, titled lower center, 19 3/4 in. x 27 3/4 in., framed. $500/800

1050. Donny Finley (American/Alabama, b. 1951), “Study for Morning Smoke”, 1988, watercolor on paper, signed lower left, pencil‑signed, titled, dated and partial sketch en verso, 10 3/16 in. x 6 7/8 in., framed. $600/800

1052. William Kendrick (American/Texas, 1889‑1969), “Bluebonnets”, oil on canvas board, signed lower left, 12 in. x 16 in., framed. $500/700 Provenance: Neal Auction Company, June 10, 2007, lot 889; Schwitz Collection, Franklin, LA.

1053. Harvey Sherman Harris (American/Louisiana, 1915‑1999), “G.I. Basketball” and “G.I. Boxing”, 1943, 2 oil studies on paper, each signed and dated lower right, labels with artist, title and date on backing papers, sights 16 in. x 26 in., framed alike. (2 pcs.) $1000/1500 Provenance: Siegel Art Gallery, Selma, AL.

1054. Marvin “Chico” Posey, Jr. (American/Tennessee, 1964‑2003), “Jimmy on Keys”, “Saxophone Solo”, “The Jazz Trio: Clarinet, Trumpet, and Saxophone Players”, “Horns and Clarinet”, “Bass Sax and Clarinet” and “Clarinet Solo”, 6 acrylics on canvas, each signed, 8 in. x 10 in. to 20 in. x 24 in., all framed. (6 pcs.) $800/1200 Provenance: Neal Auction Company, Feb. 8, 2009, lots 580, 706 and 1123.

1055. Josephine Hutson Graham Josus (American/Arkansas, 1915‑1999), “Mechanical Cotton Picker 1”, oil on board, signed upper left, handwritten label with title en verso, inscribed on backing, 8 1/8 in. x 6 1/8 in., framed. $700/1000

1057. Karen Stastny (American/New Orleans, 20th c.), “Reclining Nude” and “Seated Nude”, 1991, 2 watercolors on paper, each pencil‑signed and dated lower right, 17 in. x 19 in. and 9 in. x 12 in. respectively, framed alike. (2 pcs.) $500/700

1058. Gerard Thomas Johnson, II (American/ Mississippi, 20th c.), “Flowers for Mama”, 1999, watercolor on paper, signed lower right, signed, titled and dated en verso, 22 1/2 in. x 30 1/4 in., framed. $400/600

1056. Yvette Sturgis (American/ Mississippi, 20th c.), “Still Life of Vase of Flowers”, oil on canvas, signed lower left, 20 in. x 16 in., framed. $500/700 Provenance: Acquired from artist, 1974.

1059. Ronald C. Martin (American/Louisiana, 1932‑2015), “Melrose Plantation Big House”, “Yucca House” and “African House”, 1988, 3 carved and painted miniature wood buildings, one initialed, titled and dated, 2 with handwritten labels with titles, one inscribed “’Steel Magnolia’ prop filmed in Natchitoches, during summer of 1988”, h. 6 in., w. 5 1/4 in., d. 3 1/2 in. to h. 3 1/4 in., w. 4 1/4 in., d. 3 1/8 in.; together with 2 clay figures, h. 2 1/2 in. and 1 1/2 in. $200/300 Additional information at www.nealauction.com

1060. Ted Ellis (American/Louisiana, b. 1963), “Got My Mule and Acre”, 2001, oil on canvas board, signed and dated lower right, signed, titled, dated and inscribed en verso, 7 in. x 9 in., framed. $400/600

1061. Ted Ellis (American/Louisiana, b. 1963), “Baptism”, 2007, oil on canvas board, signed lower right, signed, titled and dated en verso, 6 5/8 in. x 8 3/4 in., framed. $400/600

1063. Antique Botanical Prints, “Canna Denudata” and “Canna Aurantiaca”, 2 hand‑colored lithographs on paper mounted on board, sheets 20 7/8 in. x 15 15/16 in., framed together. (2 pcs.) $500/700

1062. Walfrido Garcia (Philippine/American, b. 1966), “Seascape”, oil on canvas, signed lower left, signed and inscribed en verso, 12 in. x 24 in., framed. $500/700

1064. Six Antique Prints of Butterflies, 6 hand‑colored engravings on paper, sights 11 in. x 8 in. to 11 in. x 8 1/2 in., framed alike. (6 pcs.) $400/600 Provenance: Schwitz Collection, Franklin, LA.

1065. John James Audubon (American, 1785‑1851), “Texan Lynx”, hand‑colored lithograph, Plate 92, from The Viviparous Quadrupeds of North America, Bowen edition, sheet 20 7/8 in. x 26 1/2 in., framed. $400/600 Provenance: Schwitz Collection, Franklin, LA.

1066. American School, c. 1920, “General McPherson Marching from Vicksburg, October 15th, 1863”, crayon and pencil on paper, signed and dated “J. Richardson Jr. Aug. 1920”, lower right, sight 22 in. x 30 in., framed. $300/500

1067. [Mardi Gras], Krewe of Proteus, 4 parade bulletins, incl. Feb. 21, 1898, theme “A Trip to Wonderland”; Feb. 11, 1929, theme “The Adventures of Hajji Baba”; Feb. 12, 1934, theme “Retrospection of Proteus”; and March 4, 1935, theme “Irish Fairy Tales”; most by lithographer Searcy & Pfaff, each sheet size 28 in. x 42 in. $300/500

Provenance: Windham Collection, Oxford, MS.

1069. [Mardi Gras], The Atlanteans, 14 kt. yellow gold, enamel and half pearl pin commemorating the silver anniversary of the krewe. Note: Loss to enamel. $250/350

1070. [Mardi Gras], Young, Perry. The Mistick Krewe, Chronicles of Comus and His Kin, New Orleans, Carnival Press, 1931, octavo, blindstamped cover, with 30 color illustrations. $200/300

1068. [Mardi Gras], Rex ball invitation, 1889, theme “The Treasures of the Earth”. $300/500 Note: Illustrated in Henri Schindler’s Mardi Gras Treasures, Invitations of the Golden Age, p. 59.

1071. Acadian‑Style Hardwood Ladderback Prie Dieu, early 20th c., shaped crest above slats, rush seat and kneeler, shaped legs, stretchers, h. 34 3/4 in., w. 15 1/4 in., d. 14 in. $150/250 Provenance: Estate of F. Clancy Dupepe, New Orleans.

1072. Decorative Copper‑Mounted Oak Coffee Table, octagonal top, metal nailhead trim, baluster supports, conforming base, h. 17 1/4 in., w. 44 1/2 in., d. 44 1/2 in. $600/900

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1073. Continental Carved Mahogany Fire Screen, bowknot crest, foliate finials, fluted columnar supports, fabric panels, scrolled acanthine legs, h. 41 in., w. 21 1/2 in., d. 15 in. $200/300 Provenance: Windham Collection, Oxford, MS.

1074. Hahn Vidal (German/ American, b. 1919), “Armonía Azul”, 1960, oil on canvas, signed lower right, signed, titled and dated en verso, 23 3/4 in. x 35 1/2 in., framed. $300/500 Provenance: Collection of Charles S. and the late Janie P. Houser, The Governor’s Club, Magnolia Springs, AL.

1075. Attributed to Jeanette Janke (American, 20th c.), “Still Life of Flowers, Vase and Fruit”, oil on canvas, signed upper left, 24 in. x 22 in., framed. $400/600

1076. Two Early American Carved Mahogany Side Chairs, 18th c., both with pierced splats, h. 37 in., w. 21 in., d. 20 in. and h. 36 in., w. 23 1/2 in., d. 20 1/2 in. $200/400 Provenance: Estate of Noted Antiquarian James D. “Don” Didier.

Provenance: Collection of Charles S. and the late Janie P. Houser, The Governor’s Club, Magnolia Springs, AL.

1078. American Carved Walnut Blanket Chest, early 19th c., two‑board hinged top, interior compartment, dovetailed case, bracket feet, h. 24 1/4 in., w. 40 1/4 in., d. 18 3/4 in. $250/350

1077. Antique American Painted and Stenciled Windsor Bench, shaped crest rail with floral decoration, spindled back, scrolled arms, turned legs, h. 35 1/4 in., w. 78 in., d. 19 1/2 in. $400/600

1079. McKenney & Hall/ Publishers, “Tuko‑See‑Mathla, A Seminole Chief”, “Keokuk, Chief of the Sacs and Foxes”, “War Dance” and “Hunting the Buffaloe”, 4 hand‑colored lithographs, former two after Charles Bird King (American/Rhode Island, 1785‑1862), latter two after (Peter Rindisbacher (Swiss/American, 1806‑1834), from History of the Indian Tribes of North America, sights 13 1/2 in. x 19 in. to 19 in. x 13 1/2 in., framed. (4 pcs.) $300/500

1080. John James Audubon (American, 1785‑1851), “Wild Turkey”, 1971‑72, photolithograph, Plate 6, from The Birds of North America, Amsterdam edition, “G. Shut & Zonen” watermark, sheet 26 5/8 in. x 39 3/8 in., framed. $500/700

1082. John James Audubon (American, 1785‑1851), “American White Pelican”, color reproduction, Plate 311, from The Birds of America, sheet 37 7/8 in. x 26 1/4 in., framed. $500/700

1081. John James Audubon (American, 1785‑1851), “Trumpeter Swan”, 1971‑72, photolithograph, Plate 376, from The Birds of America, Amsterdam edition, “G. Shut & Zonen” watermark, sheet 26 1/2 in. x 39 1/2 in., framed. $500/700

1083. John James Audubon (American, 1785‑1851), “Carolina Parrot”, color reproduction, Plate 26, from The Birds of America, sheet 37 7/8 in. x 26 1/4 in., framed. $500/700

1084. Pair of Carved Pine Fruit Baskets, 19th c., h. 9 1/2 in., dia. 11 in. $800/1200 1085. Two American Shaker Hardwood Rocking Chairs, c. 1880‑1910, first Pittsfield, MA, with arms; second Mount Lebanon Shaker Society, New Lebanon, NY; each with acorn finialed stiles, woven tape back and seat, turned legs, knife rockers, h. 33 7/8 in., 19 1/2 in., d. 14 in. and h. 33 3/4 in., w. 19 in., d. 23 1/2 in. $100/200 Provenance: First with Berkshire Feed & Garden Supply, Pittsfield, MA, Sept. 1, 1967; Second with Mrs. E. D. Pawling, Chatham, NY, Dec. 6, 1979; Both Museum of Fine Arts, Houston, Bayou Bend Collection, gift of the estate of Miss Ima Hogg, 1976 and 1979, respectively.

1086. American Classical Mahogany Piano Stool, c. 1830, tapered standard, scrolled tripod base, h. 19 1/2 in., w. 13 1/2 in., d. 13 1/2 in. $150/250 Provenance: Schwitz Collection, Franklin, LA. Additional information at www.nealauction.com

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1088. American Late Classical Carved Mahogany Wig Dresser, c. 1840, scrolled crest, octagonal mirror flanked by Gothicized paneled cabinets, marble top, frieze drawer over three graduated drawers, ogee bracket feet, h. 86 1/2 in., w. 46 5/8 in., d. 22 in. $600/900

1087. Antique French Rococo Rosewood Bed, rocaille crest, serpentine headboard, conforming foot board, h. 57 1/2 in., l. 76 in., w. 52 1/2 in.; together with two walnut side tables, rouge marble top, h. 32 3/4 in., w. 15 3/4 in., d. 15 3/4 in. $700/900

1089. American Late Classical Mahogany Sofa, 19th c., tablet back, S scroll arms, molded seat rail, bracketed scroll legs, casters, h. 35 in., w. 81 in., d. 27 in. $500/750

Provenance: Keil’s Antiques, New Orleans, LA, May, 1993.

1091. Antique Elizabethan‑Style Carved Walnut High Chair, 19th c. or earlier, spindled linen fold carved back, lion’s mask and feather‑carved stiles, turned padded arms, tooled leather seat, turned legs, stretcher base. $300/500

1090. George III Mahogany and Needlework Pole Screen, c. 1800, surmounted by an urn final, floral motif screen, sabre legs, brass circular stretcher, h. 60 1/4 in., w. 18 1/2 in., d. 18 in. $100/200

Provenance: Estates of Shasta and Sue McCranie, Willacoochee, GA.

Provenance: Windham Collection, Oxford, MS.

1092. American Gilt Metal Figural Gas Table Lamp, 19th c., depicting Joan of Arc, frosted glass globe, h. 22 in., dia. 7 in. $700/1000 Provenance: The Friedle‑Garrison Collection, New Orleans.

1093. Antique Carved Marble Allegorical Statue of Hope, h. 39 1/2 in., w. 15 in., d. 14 in. $150/250 Provenance: The Friedle‑Garrison Collection, New Orleans.

1094. Louis XVI‑Style Crème Peinte and Parcel Gilt Trumeau Mirror, probably late 19th c., floral urn and swag motif, beveled mirror plate, h. 74 in., w. 48 3/4 in. $1000/1500

1095. Bronze Figural Group of “Bronco Buster”, after Frederic Remington, signature inscribed on self‑base, h. 29 in., w. 19 in., d. 14 in., marble base, overall h. 31 in. $2000/3000

Provenance: Schwitz Collection, Franklin, LA.

1097. Continental Patinated Metal Figural Swinging Clock, c. 1900, probably Junghans, Germany, “bronzed” patina, h. 11 in., w. 10 in., d. 5 1/2 in. $500/700

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1098. Pair of Anglo-Colonial Carved Tropical Hardwood Armchairs, 19th c., shaped crest rail, caned back, plank seat, turned legs, h. 35 3/4 in., w. 24 1/4 in., d. 22 in. $500/700

1099. Anglo-Colonial Tropical Hardwood Corner Chair, mid‑to‑late 19th c., demilune crest, scrolled arms, caned seat back, baluster turned supports and legs, h. 36 in., w. 27 1/2 in., d. 27 1/2 in. $400/600

1096. American Mahogany,Giltwood and Églomisé Banjo Clock, early 19th c., foliate tablets, h. 33 in., w. 10 in., d. 4 in. $400/600

Provenance: Estate of Noted Antiquarian James D. “Don” Didier.

1100. Two Antique Louis XVI‑Style Carved Mahogany Bergeres, each with molded crest rail, scrolled arms, stop‑fluted tapered legs, taller h. 39 3/4 in., w. 27 1/4 in., d. 25 in., shorter h. 36 5/8 in., w. 25 3/4 in., d. 25 in. $300/500

1102. William IV Mahogany Partial Banquet Table, mid‑19th c., molded top, octagonal tapered legs, casters, h. 28 7/8 in., w. 53 in., d. 23 3/4 in. $300/500

1103. Jean Rigaud (French, 1912‑1999), “St. Pierre”, 1963, oil on canvas, signed lower right, signed, titled and dated en verso, 10 5/8 in. x 18 1/8 in., framed. $400/600

1101. Antique George III‑Style Carved Mahogany Armchair, shield back, shaped arms, tapered legs, spade feet, h. 38 in., w. 22 1/2 in., d. 18 in. $300/500 1104. Continental School, late 18th/ early 19th c., “Portrait of a Lady”, oil on canvas, unsigned, 31 1/2 in. x 23 3/4 in., framed. $600/900

1105. Géza Peske (Hungarian, 1859‑1934), “Young Boy with Puppy”, oil on canvas, signed lower right, 39 3/4 in. x 31 3/4 in., framed. $800/1200 Provenance: Oaklawn Manor, Franklin, LA; Estates of George and Mary Beth Thomson, Franklin, LA.

1107. Mario Cornilleau Raoul Carl‑Rosa (French, 1855‑1913), “French River Landscape”, oil on panel, signed lower right, 12 1/2 in. x 21 1/2 in., framed with brass artist plaque. $600/800

1106. Continental School, 19th c., “Street Urchins with Dog”, oil on canvas, unsigned, 35 1/4 in. x 29 1/8 in., framed. $800/1200

1109. Christian Bernh Severin Berthelsen (Danish, 1839‑1909), “Fra Svendborg”, 1872, oil on canvas, signed lower right, label with artist, title and date en verso, 18 5/8 in. x 25 in., framed. $500/700

1108. Senet (Spanish, b. 1955), “Beach Scene”, oil on panel, signed lower right, 6 3/4 in. x 10 3/4 in., framed. $600/900

Provenance: Schwitz Collection, Franklin, LA.

1112. Continental School, 19th c., “Nature Morte”, oil on canvas laid on masonite, signed “Mattoni” and inscribed lower right, 27 in. x 21 3/4 in., framed. $300/500

1110. Continental School, 1857, “Mountainous Landscape with Tyrol Hut”, oil on canvas, monogrammed “CI” and dated lower right, 11 1/8 in. x 13 5/16 in., framed. $400/600

Provenance: Collection of Charles S. and the late Janie P. Houser, The Governor’s Club, Magnolia Springs, AL.

1111. Ernest Louis Lessieux (French, 1848‑1925), “Snowy Mountainous Landscape”, watercolor on paper, signed lower right, 14 5/8 in. x 20 7/8 in., framed. $500/700

1113. Pair of Paris Polychrome and Gilt Porcelain Beaker Vases, 19th c., decorated in the Etruscan style with Classical figures on pale peach grounds, h. 8 1/4 in., dia. 6 1/4 in. $400/600 Provenance: Schwitz Collection, Franklin, LA.

1114. Jacob Petit, Paris Porcelain Compote, mid‑19th c., marked, bird and flower reserve, gilt base, h. 10 3/4 in., dia. 8 7/8 in. $500/700 Provenance: Schwitz Collection, Franklin, LA.

Additional information at www.nealauction.com

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1115. Pair of Paris Polychrome and Gilt Porcelain Campagna Urns, 19th c., landscape and figural reserves, h. 7 5/8 in. $200/300

1119. Two Pairs of Paris Polychrome and Gilt Porcelain Scent Bottles, c. 1830‑50, decorated with figural panels, h. 6 3/4 in., w. 2 3/4 in. and h. 5 1/4 in., w. 3 1/2 in. Note: One bottle with old repairs. (4 pcs.) $300/500

1116. Pair of Paris Polychrome and Gilt Porcelain Urns, 19th c., with floral reserves on claret grounds, h. 10 in., w. 7 in., d. 4 1/2 in. $300/400

1120. Paris Polychrome and Gilt Porcelain Inkwell, late 19th c., manner of Jacob Petit, modeled as Cupid astride a swan, dual inkwell interior, h. 7 1/2 in., w. 6 in., d. 5 in. Note: Loss to Cupid’s blade. $500/700

1117. Fourteen Haviland, Limoges Porcelain Dinner Plates, late 19th/early 20th c., marked, clover garland border, gilt trim, dia. 9 5/8 in. $250/350

1121.Pair of Paris Polychrome and Gilt Porcelain Scent Bottles, c. 1880‑1910, attr. to Charles Lerosey, bases marked “Rihouet/ Rue De La Paix/ No 7”, h. 5 1/4 in. $150/250

1118. Choisy‑Le‑Roi Majolica Vase, marked, brown yellow glaze, iris decoration, h. 8 in.; together with Choisy‑Le‑Roi Majolica low vase, marked, green and brown glaze, decorated with foliage, h. 8 1/2 in. $150/250

1122. Pair of Paris Polychrome and Gilt Porcelain Rhyton Vases, mid‑19th c., base of one with old label, h. 8 in. $200/400

1124. Pair of Paris Porcelain Mantel Vases, mid‑19th c., mauve ground with polychrome and gilt decoration, applied leaves and flowerheads, h. 13 3/4 in. $200/400

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1123. Group of Paris Porcelain Tableware, late 19th c., incl. footed vase, decorated with Cupid, h. 8 3/4 in.; and 3 oval platters, largest (with handles) marked “Ovington Brothers / Brooklyn”, l. 11 in. to 12 1/2 in. (4 pcs.) $300/500

1125. Antique Continental Porcelain Pitcher and Dish, probably Samson, spurious Derby marks, with cornucopiae and garlands, pitcher h. 8 3/4 in., w. 7 1/4 in., platter l. 12 3/4 in. (2 pcs.) $250/500

1126. Pair of Bohemian Gilt and Enameled Glass Vases, faceted form, floral decoration, h. 20 in., dia. 4 1/4 in. $500/700 Provenance: Oaklawn Manor, Franklin, LA; Estates of George and Mary Beth Thomson, Franklin, LA.

1127. Victorian Wicker Baby Carriage, 19th c., steel wheels and suspension, h. 38 in., w. 52 in., d. 22 in. $150/250

1130. Victorian Silverplate and Mother‑of‑Pearl Fruit Service, with sterling silver ferrules and handle terminals hallmarked Harrison Brothers & Howson, Sheffield, 1879; blades marked “B.B.& B./PHILADELPHIA” for Bailey, Banks & Biddle, active 1878 to present; incl. 12 fruit forks and 12 fruit knives, l. 6 1/4 in. and 8 in. respectively. $150/250

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1129. Georgian Sheffield Plate Tea Tray, early 19th c., gadroon border and handles with scallop shells, inset silver shield with engraved crest, l. 26 1/4 in., w. 17 1/8 in. Note: Old solder repairs. $100/200 1128. English Rosewood Lap Desk, 19th c., tooled leather writing surface, h. 4 3/8 in., w. 13 7/8 in., d. 9 in., later mahogany stand, overall h. 21 in. $300/500

Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

Provenance: Windham Collection, Oxford, MS.

1131. Group of Antique and Vintage Sterling Silver‑Mounted Glass Dressing Table Articles, most English, including powder jar, George Brace, London, 1890; cosmetic jar, John Grinsell & Son London, 1900; 3 silver overlay perfume bottles, perfume bottle with blue engine‑turned enamel; and English 1895 perfume bottle; together with grated cheese caster with Frank M. Whiting cover, h. 2/3/8 in. to 5 in. $200/300

1134. Bronze Figure of a Woman Playing Guitar after Albert‑Ernest Carrier‑Belleuse, signature inscribed on self‑base, h. 17 in., w. 5 3/4 in., d. 7 1/2 in. $300/500

1132. Pair of Reed & Barton “King Francis” Silverplate Three‑Light Candelabra, removable arms, convertible to single candlesticks, h. 15 3/4 in. $200/400

1133. Pair of Diamond Point Glass Covered Sweetmeat Urns, spear finials, h. 15 1/4 in. $250/350 1136. Chinese Brass‑Mounted Carved Wood Cabinet, 20th c., waisted rectangular top, two doors, void interior, shaped dragon‑carved frieze, incurvate feet, h. 41 1/8 in., w. 34 3/4 in., d. 22 1/2 in. $250/350

1137. African Carved Wood Nail Janus‑Headed Power Figure, Nkisi Nkondi, Democratic Republic of the Congo, body pierced with iron nails and set with bone fragments, h. 30 1/4 in. $400/600

1135. Chinese Carved Wood Altar Table, waisted rectangular inset plank top, rounded apron shaped brackets, turned legs, h. 34 in., w. 48 1/4 in., d. 16 in. $200/400

1138. African Carved Wood Nail Power Figure in the Form of a Janus‑Headed Dog, Nkisi Nkondi, Democratic Republic of the Congo, body set with two pairs of horns and pierced with iron nails, embellished with hair and baskets, h. 18 1/2 in., l. 29 1/2 in. $400/600

1141. African Carved Wood Nail Power Figure, Nkisi Nkondi, Democratic Republic of the Congo, modeled wearing cloth pants, body pierced with iron nails and fragments draped with rope, abdomen with glass‑inset protrusion, h. 47 in. $400/600

1139. African Carved Wood Nail Power Figure, Nkisi Nkondi, Democratic Republic of the Congo, body pierced with iron nails and fragments, abdomen with glass‑inset protrusion, glass eyes, h. 24 3/4 in. $300/500

1142. African Carved Wood Hermaphrodite Power Figure, probably Democratic Republic of the Congo, modeled with horn‑topped hide headpiece, bead necklace, reptile skin armband, and rope corset, h. 32 3/4 in. $300/500

1140. African Carved Wood Nail Power Figure, Nkisi Nkondi, Democratic Republic of the Congo, body pierced with iron nails, eyes inset with glass, h. 27 1/4 in. $300/500

1143. African Brass‑Mounted Kudu Horn and Wood Tripod Stool or Drinks Table, h. 14 3/4 in., w. 16 1/2 in., d. 15 3/4 in.; top dia. 12 1/4 in. $150/250 Provenance: Tuesday’s on the Boulevard, Yorktown, VA, Dec. 2009.

1144. Anglo-Colonial Carved Tropical Hardwood Armchair, 19th c., shaped crest rail, caned back and seat, turned legs, h. 36 1/4 in., w. 24 in., d. 22 in. $300/500

1145. Pair of Italian Carved Giltwood Pricket Candlesticks, h. 26 in., w. 10 in., d. 10 in. $400/600

1146. Large Continental Olive Jar, molded design, three loop handles, h. 33 in., dia. 24 in. $400/600

1147. Large Continental Olive Jar, incised decoration, three loop handles, h. 34 1/2 in., dia. 24 1/2 in. $400/600

Additional information at www.nealauction.com

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1148. Pair of French Tôle Peinte Jardinières, alternating musical trophée and torch reserves, paw feet, block bases, h. 11 in., w. 6 3/4 in., d. 6 3/4 in. $200/400 Provenance: Schwitz Collection, Franklin, LA.

1149. Pair of Patinated Bronze Cranes, taller h. 37 1/2 in. $500/800

1150. Cast Iron Garden Figure of a Rooster, h. 22 1/2 in. $400/600

1151. Antique American Cast Iron Garden Urn on Stand, 19th c., scroll handles, h. 39 in., dia. 30 3/4 in. $300/500 Provenance: Ex-Collection of Judge Reuben Lee “Buzz” Harper, New Orleans and Natchez, MS.

1152. Pair of American Wrought Iron Garden Gates, 19th c., fleur‑de‑lis finials, scrolled decoration, h. 54 in., w. 34 1/2 in. $250/350

1154. Continental Inlaid and Grain‑Painted Hardwood Commode, shaped top, three conforming drawers, bun feet, h. 32 1/2 in., w. 44 1/4 in., d. 21 1/2 in. $400/600

1153. Pair of American Cast Iron Garden Urns, egg‑and‑dart molded collar, lobed body, square plinth base, h. 21 1/2 in., dia. 14 1/2 in. $400/600 1155. Chinese Famille Rose Porcelain Oval Platter, 19th c., decorated with a central scene of ladies and children in and outside an elegant pavilion, h. 2 1/8 in., w. 14 3/4 in., d. 12 1/4 in. $300/500 Provenance: R.N. Wakefield & Company, Houston, 1997.

1156. Chinese Blue and White Porcelain Fishbowl, mid‑20th c., exterior decorated with a continuous landscape, interior with fish, base with Yong Tang hall mark, h. 17 1/2 in., dia. 21 in. $300/500

1157. Archaistic Chinese Hardstone Libation Cup, handle carved as a qilong dragon, body with incised bands, h. 5 5/8 in., w. 7 in., wood stand, overall h. 7 in. $100/150

Provenance: Estates of George and Mary Beth Thomson, Franklin, LA.

1158. Chinese Hardwood Figure of a Luohan, carved leaning on a staff beside a bird at his feet with a lotus hat hanging from his back, h. 23 1/2 in. $200/300 1159. Chinese Carved Hardwood Side Table, c. 1930s, marble inset beaded floriform top, pierced prunus carved apron, cabriole legs, X‑stretcher carved with bamboo, h. 20 in., dia. 16 in. $100/200 1160. Pair of American Leather Club Chairs, 20th c., high backs, scrolled arms, tapered feet, h. 43 in., w. 35 in., d. 35 in. $1000/1500 1162. Six Queen Anne‑Style Carved Hardwood Side Chairs, tall upholstered back, cabriole legs, pad feet, h. 48 in., w. 23 in., d. 27 1/2 in. $500/700 1161. Pair of Decorative Cast Iron and Wood Cannons, 20th c., working wheels, tube l. 16 in., overall h. 12 1/2 in., w. 22 in., d. 14 in. $300/500

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1163. Pair of French Carved and Painted Brackets, c. 1900, shaped shelf, scroll support, h. 8 1/2 in., w. 7 1/2 in., d. 7 in. $150/250

1166. Pair of Vintage Cast Iron Flamingos, taller h. 24 in. $600/900

1164. Continental Brass Repoussé Fireplace Screen, 19th c., decorated with pub scene, iron frame and later base, h. 29 in., w. 37 in. $200/300

1165. Antique English Brass and Glass Cachepot, stamped “L.Gottge”, body with pierced decorations and ring handles, paw feet, h. 4 in., dia. 5 in. $250/350

1167. Glazed Pottery Olive Jar, rolled rim, h. 29 1/2 in. $400/600

1168. Louis XVI‑Style Giltwood Mirror, trophée crest, bracketed surround, h. 35 1/2 in., w. 23 in. $400/600 Provenance: Schwitz Collection, Franklin, LA. 1170. American Renaissance Carved Walnut Étagère, mid‑to‑late 19th c., foliate reticulated crest, arched cornice, turned finials, maiden mask, later mirror plate flanked by shelves, turned supports, serpentine base with drawer and marble top, turned feet, h. 85 in., w. 48 in., d. 19 in. $400/600

1171. Georgian‑Style Mahogany Wing Chair, 20th c., labeled Ralph Lauren, channeled back, scrolled arms, shaped seat rail, square tapered legs, casters, h. 41 in., w. 33 in., d. 34 1/2 in. $500/800 Provenance: Williamson‑LeBlanc Collection, Cornstalk Fence House, New Orleans.

1172. American Renaissance Carved Walnut Bedside Commode, late 19th c., marble top, anthemion carved stiles, conforming base, h. 29 1/2 in., w. 22 in., d. 19 in. $300/500

1173. American Rococo Carved and Laminated Rosewood Side Chair, mid‑19th c., attr. to J. & J.W. Meeks, New York, reticulated back, shaped seat, molded flared legs, h. 37 in., w. 16 in., d. 18 in. Note: Repairs. $300/500 Provenance: Estate of Gordon and Vera Noakes, Detroit, MI.

1169. Antique Louis XVI‑Style Giltwood Mirror, floral crest, bracketed surround, h. 28 in., w. 18 in. $200/400

1174. Contemporary Leather Sofa, fixed cushioned back, three loose seat cushions, concave base, bun feet, brass nailhead trim, h. 31 in., w. 81 in., d. 36 in. $500/800

1175. Contemporary Leather Loveseat, en suite with previous lot, h. 30 1/2 in., w. 60 in., d. 39 in. $300/500

1176. Contemporary Leather Armchair and Ottoman, en suite with previous lot, armchair h. 31 in., w. 33 in., d. 33 in.; ottoman h. 15 in., w. 21 1/2 in., d. 26 1/2 in. $300/500

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Please note that all of the terms and descriptions used in this catalogue are intended as qualified opinions only and are subject to the Conditions of Sale and Limited Warranty set forth elsewhere. Neal Auction Company assumes no express or implied warranty with respect to these terms and descriptions, and they shall not be construed to be a warranty, representation or assumption of liability. Subject to the foregoing, with respect to authorship of works of art, the following terms shall have the following meanings:

George Inness - In our qualified opinion, we believe the work is by the artist named. Attributed to George Inness - In our qualified opinion, we believe the work may be ascribed to the artist named on the basis of style and period, but our opinion is less certain than in the previous category. Signed “George Inness” - In our qualified opinion, the signature, monogram or other indication of authorship is a signature of the artist. School of George Inness - In our qualified opinion, the work is of the period of the artist named, by a student or a follower of the artist, but not by the artist. Manner of George Inness - In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period. After George Inness - In our qualified opinion, the work is a copy of a known work of the artist named. Bears signature “George Inness” - In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist.

PLEASE VISIT NEALAUCTION.COM TO REQUEST AND VIEW CONDITION REPORTS, REGISTER TO BID LIVE ONLINE, AND SUBMIT ABSENTEE/TELEPHONE BIDS CONDITIONS OF SALE Placing a bid at auction constitutes buyer’s acceptance of and agreement to these Conditions of Sale. 1. WAIVER OF WARRANTY: All lots are sold “AS IS” and “WHERE IS”. No statement regarding condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this catalogue or elsewhere, shall be construed to be an express or implied warranty, representation, or assumption of liability. Any such warranty is WAIVED. Regarding works of art, Neal Auction Company does not make any express or implied warranty as to authorship. No statement in the catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. Buyer agrees and acknowledges that: (a) buyer is not relying on Neal Auction Company’s skill or judgment in selecting to purchase any lot; (b) no oral or written statements in the catalogue of Neal Auction Company or elsewhere regarding condition, attribution, kind, quality, value or authorship are the cause of or reason behind buyer’s purchase of any lot; (c) buyer would have incurred the purchase of any lot regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (d) Neal Auction Company did not know and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why buyer decides to purchase any lot; (e) buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; and (f) Neal Auction Company did not know, nor should it have known, that any oral or written statement about a lot in the catalogue or elsewhere would cause a nonpecuniary loss to buyer. Notwithstanding the foregoing WAIVER OF WARRANTY, agreements and acknowledgements, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale on the basis of authenticity of authorship of a work of art under the following terms and conditions only, all of which must be met: A. Neal Auction Company shall not grant rescission regarding lots identified by Neal Auction Company by the terms “attributed to,” “school of,” “manner of,” “after,” or “signature of.” B. Neal Auction Company shall not grant rescission regarding any lot unless the buyer notifies Neal Auction Company in writing within 25 calendar days from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale. C. Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery. D. Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights of the original buyer are not transferrable or assignable. E. Neal Auction Company shall not grant rescission when: (i) there is a conflict of expert opinion as to the authorship; (ii) expert opinion supported authorship at the time of sale, although expert opinion may have changed after the date of sale; and (iii) scientific processes that were unavailable, expensive or impractical at the time of sale have revealed since the time of sale that the author or period Neal Auction Company believed to be accurate at the time of sale was inaccurate. F. In any dispute between Neal Auction Company and buyer regarding authorship of a work of art, it is stipulated that rescission of the sale and refund of the price paid shall be the buyer’s sole recourse or remedy, if any is available, and Neal Auction Company shall not be responsible or obligated for any damages (including compensatory, general, incidental, exemplary or special damages), non-pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorney’s fees, or any other monetary or injunctive relief. 2. The auctioneer shall have absolute discretion in determining the successful bidder. At the fall of the auctioneer’s hammer, title to the offered lot will pass to the bidder acknowledged by the auctioneer. The bidder thereupon assumes full risk and responsibility and will pay full purchase price for the said lot. 3. The auctioneer may decide that any original bid is not commensurate with the value of the article offered, or that any advance thereafter is not of sufficient amount, he may reject the same. 4. The auctioneer reserves the right to withdraw any item at any time before the sale of the item. 5. No merchandise will be released before the end of the auction. 6. If the buyer fails to comply with any of the Conditions of Sale, Neal Auction Company reserves the right to hold such defaulting buyer liable for the purchase price; to cancel the sale, retaining as liquidated damages any payment made by the buyer; resell the property without reserve at public auction or privately on seven days’ notice to the buyer or, take such other actions available by law as deemed necessary or appropriate. If Neal Auction Company resells the property, the original defaulting buyer shall be liable for the payment of any deficiency in the purchase price and all costs and expenses, including warehousing, the expenses of both sales, reasonable attorneys’ fees, commissions, incidental damages and all other charges due hereunder. 7. Virtually all property offered has been subject to use over a considerable period of time. No mention of cracks, scratches, chips or any damages will be included in the catalogue description. Condition reports are available upon request.

108

ABSENTEE/TELEPHONE BIDS 1. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Thursday prior to auction. 2. All arrangements for bidding should be made as early as possible. Telephone bidding will be taken at the discretion of the Neal Auction Company. Each item must have a minimum low estimate of $500. 3. We assume no responsibility for failure to execute bids for any reason whatsoever. 4. We reserve the right to require that advance bids be accompanied by a deposit. PAYMENT 1. The successful bidder agrees to pay a buyer’s premium in the amount of 25% of the hammer price on each lot up to and including $200,000, plus 15% of the hammer price greater than $200,000. For payments made by cash, check or wire transfer within 15 days of the auction, the buyer’s premium shall be discounted 3% of this 25%. 2. Online bidding is available at a buyer’s premium in the amount of 28% of the hammer price. A cash discount is not available for purchases made online. Neal Auction is not liable for any failure of third party sites. In the event of a dispute, the Neal Auction sale record is conclusive. 3. Unless exempt by law, the buyer will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price. 4. Documentation of tax exemption must be provided upon registration. Billing name and address of a bidder must agree with that on the sales tax exemption certificate. 5. Payment in full must be made by the successful bidder in US Dollars within 15 days of the auction date. Interest charges will apply to invoices paid after this period expires. We reserve the right to require payment in full of the sales price at the moment of the successful bid. 6. VISA, MasterCard, Discover and American Express are accepted for invoices up to $25,000 per customer. TERMS Neal Auction has discretion to admit a bidder to the auction premises or refuse participation in the auction. Neal Auction Company requires that the merchandise be held on premises until the check clears or money can be wired into the Neal Auction Company account. Your signature on this form gives Neal Auction permission to charge your credit card the full amount of your invoice if payment is not received within 15 days of the auction. SHIPPING We will assist buyers in making shipping arrangements by furnishing information on packers and shippers. Handling of purchased items by us is at the risk of the buyer. Final shipping arrangements and agreements are strictly between the buyer and the shipper. Note: Due to the embargo on Persian carpets, they may not be shipped internationally. STORAGE Unless other arrangements are made and confirmed in writing, all items must be removed within 15 days of the auction. On the first business day following that time period, items remaining in the gallery will be turned over to a storage facility. The buyer will be responsible for handling and storage costs. Handling costs will be a minimum of $50. Storage rates will carry a minimum charge of $50 per month per item. All items handled or stored will be at the buyer’s risk. Storage charges are accrued monthly and must be paid in full before items are released. We are not liable for any damage to items after the sale. RIGHTS Neal Auction retains the rights to all photographs and all intellectual property in this catalogue. They may not be used without prior written permission. IMPORT/EXPORT Items made of or incorporating endangered or protected wildlife materials, irrespective of age or percentage of material included therein, may require a license or certificate authorizing export from the US as well as relevant authorizations from the country of import. It is the responsibility of the prospective purchaser to determine and be satisfied that the requirements of any applicable laws or regulations applying to the transportation, whether international or interstate, can be met before bidding. The inability of a buyer to transport property containing endangered or protected wildlife material is not a basis for cancellation or rescission of the sale. Although licenses can be obtained to export some types of endangered species, other types may not be exported at all, and other types may not be resold in certain states in the United States. Neal Auction Company cannot assist the purchaser in attempting to obtain the appropriate licenses and/or certificates, and purchasers can be given no assurance that an export license or certificate can be obtained. Please check with a qualified shipping company to if you are uncertain as to whether a lot is subject to these export/import license and certificate requirements, or any other restrictions on its interstate transportation or exportation from the United States. MANDATORY AND EXCLUSIVE FORUM SELECTION; AND CHOICE OF LAW Any action of any nature brought by either party against the other in any court, whether federal or state, shall be brought exclusively in Orleans Parish, Louisiana. Each party agrees to submit to jurisdiction and venue in federal or state court in Orleans Parish, Louisiana, waives all questions of such jurisdiction or venue, and waives any rights to jurisdiction or venue in any other forum. Any dispute between the parties shall be governed by the law of the State of Louisiana, notwithstanding any conflicts of law principles.

Neal Auction Company Neal Auction Company Neal Auction Company Neal Auction Company

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Auctioneers Appraisers Antiques Fine ArtArtArt Auctioneers Appraisers Antiques Fine Auctioneers && Appraisers of of Antiques && Fine Art Auctioneers && Appraisers of of Antiques && Fine 4038 Magazine Street, New Orleans, Louisiana 70115 4038 Magazine Street, New Orleans, Louisiana 70115 4038 Magazine Street, New Orleans, Louisiana 70115 4038 Magazine Street, New Orleans, Louisiana 70115 s &AX s WWW NEALAUCTION COM s &AX s WWW NEALAUCTION COM s &AX s WWW NEALAUCTION COM s &AX s WWW NEALAUCTION COM

Confidential Absentee / Telephone Bid Form Confidential Absentee / Telephone Bid Form Confidential Absentee / Telephone Bid Form Confidential Absentee / Telephone Bid Form

15/06M 15/06M 16/08M 15/06M 16/08M 19/08M 15/06M 19/08M

PLEASE REVIEW GUIDELINES FOR AOR BSENTEE TELEPHONE BIDDING PLEASE REVIEW GUIDELINES F ABSENTEE & TELEPHONE BIDDING PLEASE REVIEW GUIDELINES FOR BSENTEE && TELEPHONE BIDDING : : : : PLEASE REVIEW GUIDELINES FAOR ABSENTEE & TELEPHONE BIDDING 4 ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE 4ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE 4 ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE 4ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW ! LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION !LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION Thursday ! LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION Thursday !LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION Thursday prior to the auction . )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE . !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE ! LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN !LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN ! LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN !LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE

First Last First Last First Last First Last Name: _________________________ Name: ____________________________________ Company: __________________________ Name: _________________________ Name: ____________________________________ Company: __________________________ Name: _________________________ Name: ____________________________________ Company: __________________________ Name: _________________________ Name: ____________________________________ Company: __________________________ Address: ______________________________________________________________________________________________________ Address: ______________________________________________________________________________________________________ Address: ______________________________________________________________________________________________________ Address: ______________________________________________________________________________________________________ #ITY ????????????????????????????????????????????? 0ROV 3TATE ??????????????????????? 0OSTAL #ODE ???????????????? #ITY ????????????????????????????????????????????? 0ROV 3TATE ??????????????????????? 0OSTAL #ODE ???????????????? #ITY ????????????????????????????????????????????? 0ROV 3TATE ??????????????????????? 0OSTAL #ODE ???????????????? #ITY ????????????????????????????????????????????? 0ROV 3TATE 0OSTAL #ODE : ??????????????????????? : ???????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealers must provide Neal Auction Company with proper documentation prior to bidding. Dealers must provide Neal Auction Company with proper documentation bidding. Dealers must provide Neal Auction Company with proper documentation prior to prior bidding. Dealers must provide Neal Auction Company with proper documentation prior to to bidding.

-534 02/6)$% -534 02/6)$% : : : : -534 02/6)$% -534 02/6)$% -534 0ROVIDE: -534 0ROVIDE: -534 0ROVIDE: -534 0ROVIDE: Cash Cash Credit Cash 0AYMENT Credit 0AYMENT Cash Credit 0AYMENT 0AYMENT Credit Check Check Card Check 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? Method: Card Method: Check Card Method: Method: Card 7IRE 7IRE 7IRE 7IRE Credit Card V-code:________ Credit Card V-code:________ )& 35##%33&5, PLEASE BILL MY CARD Credit Card V-code:________ Credit Card V-code:________ )& 35##%33&5, PLEASE BILL MY CARD )& 35##%33&5, PLEASE BILL MY CARD )& 35##%33&5, PLEASE BILL MY CARD .UMBER #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ?????????????????????????? .UMBER 4O #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ?????????????????????????? .UMBER 4O 4O #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ?????????????????????????? .UMBER 4O #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ??????????????????????????

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I Iunderstand that Neal Auction Company undertakes execution of absentee bids as aasconvenience clients and is not responsible inadvertent failI understand that Neal Auction Company undertakes the execution of absentee a convenience for clients and is not responsible for inadvertent failI Iunderstand that Neal Auction Company undertakes the execution ofofabsentee bids as aabids convenience for clients and is not responsible forfor inadvertent failure understand that Neal Auction Company undertakes thethe execution absentee bids as convenience forfor clients and is not for inadvertent failI Iunderstand understand that Neal Auction Company undertakes the execution of absentee bids as aaconvenience convenience for clients and isresponsible not responsible for inadvertent failure understand that Neal Auction Company undertakes the execution ofabsentee absentee bids convenience for clients and is not responsible inadvertent failthat Neal Auction Company undertakes the execution of bids as aas for clients and is not responsible for inadvertent failure ure to execute or any in the execution Iread have read and agree to the â&#x20AC;&#x153;Conditions Saleâ&#x20AC;? as stated in the catalogue. understand thatthat ure to execute bids, or for any error in the bids. Iand have read and agree to the â&#x20AC;&#x153;Conditions Saleâ&#x20AC;? in the catalogue. I understand that or for any error in the of bids. IIIhave read and agree toto the ofof Saleâ&#x20AC;? asas stated instated the I understand to execute or for any error inexecution the execution of of bids. I have read and agree toâ&#x20AC;&#x153;Conditions the â&#x20AC;&#x153;Conditions of Saleâ&#x20AC;? as stated incatalogue. the catalogue. I understand toure execute bids, orbids, forbids, error inerror the ofexecution bids. I bids. have agree to the â&#x20AC;&#x153;Conditions of Saleâ&#x20AC;? as of stated inas the catalogue. I understand thatthat toure execute bids, orany forfor any error inexecution the execution ofof bids. have read and agree to the â&#x20AC;&#x153;Conditions ofof Saleâ&#x20AC;? as stated in the catalogue. understand that to execute bids, any error in the execution of bids. have read and agree the â&#x20AC;&#x153;Conditions Saleâ&#x20AC;? stated in the catalogue. III understand that a aabuyerâ&#x20AC;&#x2122;s premium will be charged each lot purchased at 22% up to and including $200,000 plus 10% of hammer price greater than $200,000. ForFor apremium buyerâ&#x20AC;&#x2122;s premium will be charged on lot purchased at 22% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For buyerâ&#x20AC;&#x2122;s premium will be charged onon each loteach purchased at 25% 22% up toup and including $200,000 plus 10% of the price greater than $200,000. For abuyerâ&#x20AC;&#x2122;s buyerâ&#x20AC;&#x2122;s premium will be charged on each lot purchased at25% 22% up toincluding and including $200,000 plus 10% of the hammer price greater than $200,000. aabuyerâ&#x20AC;&#x2122;s will be charged on each lot purchased at up to and $200,000 plus 10% of thethe hammer price greater than $200,000. For buyerâ&#x20AC;&#x2122;s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% ofhammer the hammer price greater than $200,000. For premium will be charged on each lot purchased at to and including $200,000 plus 15% of the hammer price greater than $200,000. For purchase made by cash, check or wire transfer within 15 days of the auction, buyerâ&#x20AC;&#x2122;s premium shall be discounted of 22%. No exceptions. purchase by cash, or wire transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium be discounted 2.5% of this No exceptions. purchase made bymade cash, check orcheck wire transfer within 15 days of the auction, thethe buyerâ&#x20AC;&#x2122;s premium shall beshall discounted 2.5% ofthis this 22%. No22%. exceptions. purchase made cash, check orwire wire transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium shall be discounted 2.5% of this 22%. No exceptions. purchase made by cash, check or wire transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium shall be discounted 3%2.5% of3% 25%. No exceptions. purchase made byby cash, check or wire transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium shall be discounted 3% ofthis this 25%. No exceptions. purchase made by cash, check or transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium shall be discounted of this 25%. No exceptions.

Signature Required Signature Required Signature Required Signature Required

Date Date Date Date

Internal Use Only: Approved _____________Registered ___________ Entered ____________ Fax Form on or before Friday, 1/31/15 For Internal Use Only: Approved _____________Registered ___________ Entered ____________ Fax Fax Form on or Friday, 1/31/15 ForFor Internal Use Only: Approved _____________Registered ___________ Entered ____________ Form on or before Friday, 1/31/15 For Internal Use Only: Approved _____________Registered ___________ Entered ____________ Fax Form on or before Friday, 1/31/15 Fax Form on or Friday,6/26/15 Fax Form on or Friday,6/26/15 Fax Form on or before Friday, 9/23/16 Fax Form on or Friday,6/26/15 Fax Form on or before Friday, 9/23/16 Fax Fax or E-mail Form form on or on orbefore before Friday,6/26/15 Thursday, 9/12/19 Clerks Initial _______________ Account # _________________ Confirmed ______________________ Clerks Initial _______________ Account # _________________ Confirmed ______________________ Clerks Initial _______________ Account # _________________ Confirmed ______________________ Clerks Initial _______________ Account # _________________ Confirmed ______________________

to 504-617-6431 504-617-9990 to 504-617-6431 or504-617-9990 504-617-9990 504-617-6431 504-617-9990 toto 504-617-6431 or 504-617-9990 to 504-617-6431 504-617-9990 to 504-617-6431 or 504-617-9990 to 504-617-6431 504-617-9990 to 504-617-6431 504-617-9990 to 504-617-6431 to to 504-617-6431 504-617-6431 oror bids@nealauction.com 504-617-9990

229 229 229 229

109

June 22 & 23, 2019 â&#x20AC;¢ Auction Results 110

0001 - $488 0002 - $1,220 0003 - $576 0004 - $500 0005 - $625 0006 - $1,152 0008 - $610 0009 - $768 0011 - $320 0012 - $305 0013 - $500 0014 - $2,074 0016 - $305 0020 - $488 0021 - $1,088 0022 - $1,375 0024 - $20,740 0025 - $7,930 0026 - $4,270 0027 - $5,490 0027A - $2,562 0028 - $2,125 0031 - $915 0032 - $1,408 0033 - $1,952 0035 - $896 0036 - $625 0039 - $5,185 0040 - $1,280 0042 - $1,586 0046 - $915 0047 - $1,024 0048 - $915 0051 - $875 0053 - $1,500 0054 - $640 0055 - $366 0056 - $960 0057 - $256 0060 - $793 0061 - $1,024 0062 - $512 0063 - $3,750 0064 - $3,840 0065 - $1,792 0067 - $732 0068 - $3,125 0071 - $5,440 0073 - $12,200 0074 - $3,050 0075 - $8,235 0077 - $896 0079 - $6,100 0080 - $960 0081 - $1,708 0082 - $4,160 0083 - $732 0084 - $1,792 0085 - $1,159 0087 - $244 0089 - $427 0091 - $1,159 0092 - $500 0093 - $384 0094 - $512 0095 - $427 0096 - $122 0097 - $183 0098 - $183 0100 - $2,074 0101 - $610 0102 - $375 0103 - $640 0104 - $244 0105 - $375 0106 - $2,440

0107 - $768 0108 - $2,440 0109 - $3,965 0113 - $244 0114 - $1,125 0115 - $875 0116 - $1,098 0117 - $2,304 0118 - $1,664 0122 - $1,586 0123 - $4,608 0125 - $8,540 0126 - $3,660 0128 - $1,952 0129 - $3,660 0130 - $750 0131 - $19,840 0132 - $23,040 0133 - $12,200 0134 - $9,760 0135 - $42,700 0136 - $18,300 0138 - $3,965 0139 - $1,220 0140 - $3,125 0141 - $5,120 0142 - $16,250 0142A - $2,688 0143 - $6,100 0144 - $4,270 0145 - $6,100 0146 - $7,930 0147 - $4,880 0149 - $1,586 0150 - $610 0151 - $2,562 0152 - $2,806 0153 - $1,152 0154 - $28,125 0155 - $18,750 0156 - $54,400 0157 - $21,960 0158 - $24,400 0159 - $3,660 0160 - $5,185 0161 - $4,687 0162 - $106,750 0163 - $28,160 0164 - $10,000 0165 - $4,480 0166 - $3,840 0167 - $1,625 0168 - $1,664 0169 - $7,187 0170 - $11,590 0171 - $11,590 0172 - $6,400 0173 - $9,760 0174 - $20,740 0175 - $2,135 0176 - $3,660 0177 - $28,060 0178 - $42,240 0180 - $1,500 0181 - $1,536 0182 - $1,830 0185 - $2,135 0186 - $20,740 0187 - $24,320 0188 - $6,400 0189 - $2,196 0190 - $896 0191 - $1,220 0192 - $640 0193 - $4,062 0194 - $1,536

0198 - $1,152 0199 - $1,152 0200 - $2,135 0201 - $750 0205 - $4,148 0206 - $3,660 0207 - $3,840 0208 - $5,185 0209 - $5,856 0211 - $2,562 0216 - $1,024 0217 - $3,125 0218 - $732 0219 - $1,000 0221 - $3,200 0223 - $6,720 0224 - $13,750 0225 - $2,432 0226 - $6,100 0227 - $1,536 0228 - $500 0229 - $625 0231 - $2,928 0232 - $3,172 0233 - $2,944 0234 - $1,280 0235 - $671 0236 - $488 0237 - $896 0238 - $1,024 0243 - $320 0246 - $640 0247 - $896 0248 - $1,920 0253 - $1,664 0256 - $2,875 0258 - $427 0259 - $610 0260 - $854 0261 - $768 0263 - $687 0264 - $183 0265 - $244 0266 - $256 0270 - $366 0271 - $256 0272 - $512 0273 - $2,500 0274 - $384 0275 - $732 0281 - $427 0282 - $768 0283 - $976 0285 - $2,944 0287 - $4,160 0288 - $10,370 0289 - $1,250 0290 - $3,000 0291 - $1,098 0292 - $1,024 0295 - $2,560 0296 - $3,437 0297 - $1,792 0298 - $1,250 0299 - $1,220 0301 - $2,000 0302 - $750 0303 - $1,875 0304 - $5,000 0305 - $2,500 0306 - $512 0310 - $625 0312 - $384 0313 - $1,280 0314 - $512 0316 - $500

0318 - $366 0319 - $915 0322 - $1,280 0324 - $1,220 0326 - $1,152 0327 - $1,830 0328 - $366 0329 - $244 0330 - $366 0332 - $366 0333 - $244 0334 - $384 0335 - $305 0336 - $549 0337 - $244 0338 - $244 0339 - $183 0340 - $793 0341 - $244 0342 - $1,830 0343 - $1,920 0344 - $427 0346 - $500 0348 - $704 0349 - $488 0350 - $192 0351 - $448 0352 - $448 0353 - $1,098 0355 - $1,220 0356 - $5,124 0357 - $1,152 0358 - $2,440 0359 - $2,196 0360 - $671 0364 - $1,220 0367 - $6,100 0368 - $1,220 0369 - $1,664 0370 - $3,660 0371 - $4,575 0372 - $5,795 0373 - $1,464 0376 - $1,000 0377 - $19,520 0378 - $768 0379 - $832 0380 - $2,440 0381 - $832 0382 - $640 0384 - $704 0387 - $488 0388 - $384 0389 - $1,920 0390 - $3,840 0392 - $976 0394 - $610 0395 - $2,048 0396 - $896 0398 - $2,562 0399 - $2,880 0400 - $4,575 0401 - $1,280 0402 - $2,560 0403 - $793 0404 - $832 0405 - $5,312 0406 - $2,562 0407 - $2,048 0408 - $6,222 0409 - $3,904 0410 - $1,708 0411 - $3,172 0412 - $768 0413 - $732 0415 - $1,708

0416 - $488 0418 - $1,750 0419 - $2,196 0420 - $3,050 0421 - $10,370 0422 - $732 0423 - $320 0424 - $512 0427 - $512 0428 - $1,098 0429 - $768 0430 - $3,875 0434 - $875 0435 - $2,745 0436 - $1,708 0437 - $2,074 0438 - $732 0439 - $7,500 0442 - $1,708 0443 - $610 0444 - $610 0445 - $2,806 0446 - $854 0447 - $732 0448 - $366 0452 - $1,152 0456 - $3,965 0458 - $2,745 0461 - $625 0462 - $704 0463 - $512 0464 - $750 0468 - $1,024 0470 - $1,536 0471 - $1,830 0472 - $854 0473 - $793 0475 - $1,536 0476 - $1,024 0480 - $732 0482 - $1,830 0484 - $448 0485 - $1,220 0487 - $1,024 0489 - $768 0490 - $512 0492 - $1,920 0496 - $704 0504 - $1,464 0507 - $384 0512 - $1,037 0514 - $437 0515 - $1,220 0516 - $427 0518 - $549 0519 - $937 0522 - $1,187 0523 - $625 0524 - $976 0525 - $1,220 0526 - $1,037 0528 - $1,500 0529 - $500 0530 - $488 0531 - $854 0532 - $488 0534 - $640 0535 - $687 0536 - $488 0538 - $832 0540 - $1,812 0541 - $1,098 0544 - $87 0546 - $671 0547 - $1,830 0548 - $3,000

0549 - $856 0550 - $3,965 0551 - $305 0552 - $8,125 0554 - $5,490 0555 - $854 0556 - $549 0557 - $2,375 0558 - $2,318 0560 - $671 0563 - $5,760 0564 - $3,125 0565 - $8,125 0566 - $14,640 0567 - $5,632 0568 - $1,187 0569 - $305 0570 - $427 0571 - $1,152 0575 - $1,342 0576 - $488 0577 - $960 0578 - $704 0579 - $384 0581 - $128 0582 - $183 0583 - $244 0584 - $437 0585 - $192 0586 - $244 0587 - $427 0588 - $427 0589 - $1,708 0590 - $305 0591 - $384 0592 - $91 0593 - $96 0594 - $305 0595 - $305 0596 - $305 0597 - $640 0598 - $256 0599 - $64 0602 - $416 0605 - $448 0606 - $320 0607 - $437 0608 - $531 0609 - $1,342 0611 - $1,708 0612 - $518 0613 - $335 0614 - $732 0615 - $244 0616 - $704 0617 - $152 0618 - $366 0619 - $610 0620 - $352 0621 - $183 0622 - $256 0624 - $488 0625 - $1,664 0626 - $244 0627 - $704 0628 - $1,152 0629 - $305 0630 - $488 0631 - $224 0632 - $152 0633 - $183 0634 - $213 0635 - $192 0636 - $320 0637 - $512 0638 - $544

0639 - $704 0641 - $305 0643 - $427 0644 - $549 0647 - $305 0648 - $93 0649 - $549 0650 - $156 0651 - $4,160 0653 - $366 0654 - $213 0655 - $406 0656 - $192 0657 - $128 0659 - $125 0660 - $976 0661 - $976 0663 - $976 0664 - $2,440 0665 - $1,037 0666 - $1,408 0667 - $812 0670 - $305 0671 - $976 0672 - $437 0673 - $256 0674 - $352 0675 - $375 0676 - $375 0677 - $384 0678 - $375 0679 - $640 0680 - $256 0680B - $549 0681 - $768 0682 - $1,536 0683 - $488 0684 - $488 0685 - $183 0686 - $192 0687 - $213 0688 - $152 0689 - $576 0690 - $122 0692 - $488 0693 - $1,280 0695 - $608 0698 - $2,304 0699 - $366 0701 - $896 0702 - $854 0703 - $640 0704 - $488 0705 - $244 0706 - $671 0707 - $625 0710 - $488 0711 - $549 0712 - $915 0714 - $610 0715 - $915 0717 - $488 0718 - $732 0720 - $384 0721 - $488 0723 - $366 0724 - $2,875 0725 - $7,015 0727 - $1,342 0728 - $812 0729 - $562 0730 - $579 0732 - $576 0733 - $832 0735 - $427 0736 - $915

0737 - $2,074 0738 - $1,792 0739 - $1,952 0740 - $1,464 0743 - $732 0745 - $1,830 0746 - $1,750 0747 - $14,640 0749 - $544 0752 - $1,220 0753 - $1,098 0754 - $2,500 0755 - $7,040 0756 - $1,000 0757 - $1,037 0758 - $183 0759 - $1,024 0760 - $244 0761 - $183 0762 - $366 0763 - $125 0766 - $1,024 0767 - $610 0768A - $366 0769 - $5,490 0770 - $1,875 0771 - $610 0772 - $366 0774 - $427 0775 - $640 0776 - $384 0778 - $1,342 0779 - $1,098 0780 - $640 0782 - $4,880 0784 - $1,220 0786 - $875 0787 - $976 0789 - $610 0792 - $960 0794 - $448 0796 - $610 0797 - $312 0798 - $732 0799 - $976 0802 - $320 0803 - $896 0804 - $640 0805 - $1,000 0808 - $1,830 0809 - $250 0810 - $488 0811 - $500 0815 - $732 0816 - $305 0817 - $832 0818 - $704 0819 - $244 0820 - $192 0822 - $512 0823 - $192 0825 - $2,440 0827 - $122 0831 - $610 0834 - $500 0836 - $366 0837 - $366 0838 - $448 0843 - $671 0844 - $562 0845 - $750 0846 - $488 0848 - $854 0849 - $976 0850 - $1,220 0851 - $854

0853 - $1,024 0854 - $610 0857 - $91 0860 - $512 0862 - $128 0863 - $488 0864 - $1,586 0865 - $732 0867 - $500 0868 - $1,000 0869 - $812 0871 - $1,952 0874 - $768 0876 - $1,952 0878 - $1,220 0879 - $512 0880 - $384 0882 - $549 0883 - $625 0884 - $488 0885 - $854 0886 - $549 0887 - $366 0889 - $1,024 0891 - $384 0893 - $640 0893A - $128 0895 - $312 0895A - $128 0897 - $320 0898 - $152 0899 - $768 0900 - $1,280 0901 - $768 0902 - $625 0903 - $312 0904 - $366 0906 - $488 0907 - $915 0908 - $384 0909 - $437 0911 - $1,088 0913 - $1,037 0914 - $427 0917 - $549 0918 - $427 0919 - $610 0920 - $793 0922 - $366 0923 - $305 0924 - $183 0925 - $610 0926 - $384 0927 - $244 0929 - $500 0930 - $768 0931 - $1,280 0932 - $500 0933 - $183 0936 - $488 0937 - $500 0940 - $1,088 0943 - $1,375 0944 - $305 0945 - $488 0946 - $437 0947 - $488 0948 - $488 0949 - $610 0951 - $250 0953 - $854 0954 - $244 0957 - $488 0960 - $320 0961 - $183 0962 - $305

0963 - $250 0968 - $244 0969 - $320 0970 - $183 0971 - $384 0972 - $256 0973 - $3,050 0973A - $488 0974 - $183 0976 - $183 0977 - $1,098 0978 - $1,792 0979 - $384 0980 - $2,176 0981 - $250 0982 - $732 0983 - $1,280 0984 - $256 0985 - $366 0986 - $937 0987 - $366 0988 - $610 0991 - $549 0993 - $562 0995 - $640 0996 - $1,037 0997 - $366 1001 - $750 1002 - $480 1003 - $305 1004 - $192 1006 - $2,684 1007 - $480 1008 - $250 1010 - $244 1011 - $576 1014 - $375 1017 - $128 1018 - $213 1019 - $288 1021 - $23,180 1023 - $156 1024 - $244 1026A - $93 1028 - $128 1029 - $160 1029A - $128 1030 - $192 1032 - $244 1033 - $128 1034 - $375 1035 - $732 1036 - $610 1037 - $1,830 1038 - $1,216 1039 - $549 1040 - $1,952 1041 - $448 1042 - $288 1043 - $160 1044 - $244 1045 - $576 1046 - $122 1047 - $122 1048 - $427 1049 - $671 1050 - $187 1051 - $1,708 1052 - $1,098 1053 - $183 1054 - $512 1056 - $183 1057 - $244 1058 - $768 1060 - $366 1061 - $192

1062 - $122 1063 - $549 1065 - $1,159 1066 - $244 1067 - $122 1068 - $250 1069 - $122 1073 - $732 1075 - $2,250 1076 - $384 1077 - $375 1078 - $915 1079 - $160 1080 - $256 1081 - $122 1082 - $576 1083 - $610 1084 - $488 1085 - $244 1086 - $187 1087 - $305 1088 - $427 1089 - $213 1090 - $305 1091 - $976 1093 - $156 1094 - $396 1095 - $384 1096 - $427 1098 - $183 1099 - $793 1101 - $549 1103 - $128 1104 - $305 1105 - $366 1106 - $305 1107 - $427 1108 - $896 1109 - $128 1110 - $366 1111 - $192 1116 - $320 1117 - $610 1119 - $320 1121 - $640 1122 - $960 1123 - $250 1128 - $192 1129 - $244 1131 - $244 1132 - $183 1133 - $192 1135 - $366 1136 - $183 1138 - $448 1139 - $305 1140 - $122 1141 - $518 1143 - $732 1144 - $488 1145 - $192 1146 - $183 1147 - $488

Charles Partridge Adams, 351 Alexandre Alaux, 365 Sarah Albritton, 349 Henry Thomas Alken, Sr. (attr), 417 Jacob Alt, 66 Jacques Guillaume Lucien Amans, 195 American School, 356, 361, 770, 873, 1034, 1035, 1046 John James Audubon, 93-96, 358, 360, 841, 842, 1065, 1080, 1081-1083 Luis Cruz Azaceta, 1021

Odoardo Fantacchiotti, 546 Mary Findlay, 857 Donny Finley, 1050 Nicola Fiorillo, 843

Aquiles Léon Lacault (attr), 904 Raoul Larche (aft), 378 Nicolas de Largillière (mnr), 775 Marie-Jules-César Lelorgne de Savigny, 65 Georges Lemmers, 173 Martin Lenzi, 767 Charles Edward John Leslie, 778 Ernest Louis Lessieux, 1111 Rosie Lee Light, 325, 326 Ashley Longshore, 340 Louisiana School, 364

Anthonie Schoonjans (mnr), 776 Ben Schute, 794 Conrad Schwiering, 768 Prideaux John Selby, 418 Senet, 1108 Bernice Sims, 324 Hunt Slonem, 268 Mary Tillman Smith, 323 Hattakitkosol Somchai, 343 Karen Stastny, 1057 Will Henry Stevens, 122 Rhoda Brady Stokes, 1051 Meyer Straus, 346 Yvette Sturgis, 1056 Jimmie Lee Sudduth, 318, 319, 331-333 Joseph Swan, 419

B Otto Bachmann, 905 Alexander Bannerman, 64 Arturo Bassols, 299 Jean-Francois Batut, 194A Patrick Vincent Berry, 1036 Christian Bernh Severin Berthelsen, 1109 Luigi Bienaime, 156 N. Henry Bingham, 899 Bill Binnings, 296, 297, 341, 342 Jim Blanchard, 345 John Bridges, 415 British School, 482, 911 Leonard Brooks, 1042 George Elmer Browne, 123 Sergio Bustamante, 797

Thomas Gainsborough (aft), 908 Barbara Gallagher, 1041 Walfrido Garcia, 1063 Louis C. Girault, 861 Henri Godet, 157 Rolland Harve Golden, 1037 John Gould, 860 Tony Green, 795 Hortaire Guenard, 317 Émile Guillemin (aft), 999

H Joseph Hardin, 321 James “Jim” W. Harmon, 793 Chestee Harrington, 866 Harvey Sherman Harris, 1053 George Overbury “Pop” Hart, 1039 Robert Hausey, 1044 Colette Pope Heldner, 870, 871 Knute Heldner, 274 John Frederick Herring, Sr. (attr), 97 Morris Henry Hobbs, 270 Richard Hoffman, 1038 Toby Hollinghead, 322, 327, 328 Gerard van Honthorst (circle), 172 Newton Reeve Howard, 121 Marie Atkinson Hull, 303-305 Clementine Hunter, 312-315, 366, 865, 872

E David Edwin, 839 Carnig Eksergian, 772 Ted Ellis, 1060, 1061

N Geneviève de Nangis-Regnault, 840 Neapolitan School, 174 Kenneth Noland, 796

K Henry Kemper, 771 William Kendrick, 1052 Harold “Napoleon” King, 1048 Alberta Kinsey, 269 Sir Godfrey Kneller (circle), 412 A. Roland Knight, 912, 913 Ida Rittenberg Kohlmeyer, 292-295, 298, 302

Tanner, 1049 Karl Termohlen, 900 Emmitt Thames, 864, 1047 Victor Tischler, 211 James Gale Tyler, 769

V P Georg Fritz Papperitz, 212 Géza Peske, 1105 Pablo Picasso, 25-28 Marvin “Chico” Posey, Jr., 1054 Ferdinand Preiss (attr), 158 Levi Wells Prentice, 124 Harriette Prevatte, 1043

Jeanette Janke (attr), 1075 Joseph Jefferson, 193 Gerard Thomas Johnson, II, 1058 Lois Mailou Jones, 272 Jongyuth, 1019 Josephine Huston Graham Josus, 1055

Sir Henry Raeburn, 383 Raphael (aft), 413 Alexander Wellwood Rattray, 910 Frank K.M. Rehn, 352 Charles Reinike, Jr., 862 Rembrandt (aft), 839 Frederic Remington (aft), 1095 Jean Rigaud, 1103 Noel Rockmore, 369 George Rodrigue, 276, 277, 307, 308, 336-338, 802-804, 807-813 Sulton Rogers, 330 Pili Rojas, 1045 Roman School, 174 Marie Jeanne Amelie Roman, 120 Mario Romani, 68 J.L. Ronay, 414 Robert Malcolm Rucker, 316, 347

John Vanderlyn, 271 Petrus Pieter Gerardus Vertin, 261 George Louis Viavant, 309, 310 Hahn Vidal, 1074 Paul Vogler, 901

W William Aiken Walker, 311 Andrée Wegl (aft), 521 Hans Gottfried Wilda, 903 Robert David Wilkie, 353 Theodore “Fonville” Winans, 817, 818, 820-822 Elizabeth Wolfe, 1024 Karl Wolfe, 354 Mildred Nungester Wolfe, 194, 273, 275 Robert William Wood, 350 Ellsworth Woodward, 362, 368, 1022, 1023, 1040 William Woodward, 290, 868, 869 Philips Wouwermans (mnr), 774

Artist Index

William Davies, 416 Marie Demeaux, 867 Auguste Boucher Desnoyers, 63 Donatello (aft), 199 Alexander John Drysdale, 363, 863 Louis Theodore Dubé, 906 William Dunlap, 300, 301, 306, 801, 805 George Valentine Dureau, 806, 806A Caroline Wogan Durieux, 371-373

Victor Marais-Milton, 171 Peter Joseph Mars, 334, 335 Ronald C. Martin, 1059 Paolo De Matteis (mnr), 481 Ruth Mae McCrane, 320 James Michalopoulos, 339 Joan Miró, 370 Marie Madeleine Seebold Molinary, 348 William Mulready (attr), 858

Wilson Henry Irvine, 344

J D

•

Debbie Fleming Caffery, 814-816 Joseph Lambert Cain, 291 Mario Cornilleau Raoul Carl-Rosa, 1107 Albert-Ernest Carrier-Belleuse (aft), 1134 Mark Catesby, 359 Eugene Henri Cauchois, 773 China Trade School, 690 Joseph Chinard (aft), 522 Chinese School, 438, 553 Eliot Candee Clark, 355 Continental School, 155, 411, 777, 902, 907, 909, 1104, 1106, 1110, 1112 Thomas Sidney Cooper, 382 George David Coulon, 367

September 14 & 15, 2019

Z Eugenio Edouardo Zampighi, 67 Malcah Zeldis, 329

111

Louisiana Purchase Auction

November 23 & 24, 2019

Featuring Distinguished Collections of Fine American, Continental and Contemporary Paintings, Drawings, Prints and Photography • Asian Art • Sculpture • Period Furniture and Decorative Objects • Historical Documents, Books and Maps • Lighting • Silver • Art Pottery

Attr. Jose Francisco Salazar y Mendoza (1750-1802), “Prob. Sebastián Calvo de la Puerta y O’Farrill, Marqués de Casa Calvo (1751-1820),” o/c, 42 x 32 3/4 in.

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112

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112

Neal Auction Company John R. Neal Neal Alford Katherine Hovas President Senior Vice President Founder (1940-2018) Marc Fagan Vice President Consignments

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Administration

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Marc Fagan #1935

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Jason Leckert

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Neal Auction Company

Neal Auction

September 14 & 15 - 2019

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