Mid-Century, Modern and Contemporary Art & Design Auction - December 7 by Neal Auction

Mid-Century, Modern and Contemporary Art & Design

LIVE AUCTION • DECEMBER 7, 2023

Mid-Century, Modern and Contemporary Art & Design LIVE AUCTION ~ DECEMBER 7, 2023 Featuring more than 400 lots of mid-century and modern furniture, contemporary paintings, prints, photography, silver, glass, sculpture, and designer objects from estates and private collections.

EXHIBITION

Beginning Monday, November 27 Exhibition will be available November 27 through December 7, 2023, 10 a.m. to 5 p.m. at our 4038 Magazine Street Gallery

Live Bidding starts DECEMBER 7 at 1 p.m. on these platforms:

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Auctioneers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana, 70115 | 504.899.5329 LA Auc. Lic., Neal Auction Co. #AB-107 | Leckert #1514

1. Ludwig Mies van der Rohe for Knoll Barcelona Daybed, 1990s, leather, walnut, stainless steel, embroidered and foil label, h. 25 in., w. 77 in., d. 39 in. [$2000/3000] Provenance: Rago Auction, Lambertville, NJ, Jun. 9, 2013, lot 959; Estate of Eric Bloomquist, Bloomington, IL.

2. Pair of Ludwig Mies van der Rohe for Knoll “Barcelona” Chairs, 1972, Knoll International, USA, designed 1929, h. 29 1/2 in., w. 30 in., d. 29 1/2 in. [$1800/2500]

3. Six Mies van der Rohe for Knoll “Brno” Chairs, c. 2005, labeled, flat-bar chromed steel and leather, h. 32 in., w. 23 in., d. 22 in. [$1200/1800]

5. Pair of Mies van der Rohe-Style Barcelona Chairs, unmarked, polished stainless steel, leather, h. 30 1/4 in., w. 29 1/2 in., d. 30 in. [$700/1000] 4

4. Mies Van De Rohe-Style Coffee Table, chrome steel, glass, h. 16 1/4 in., w. 40 in., d. 40 in., 3/4-inch-thick glass top. [$300/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

6. Le Corbusier (1887-1965), Charlotte Perriand (1903-1999) and Pierre Jeanneret (1896-1967) for Cassina Glass and Black Lacquered Metal LC6 Dining Table, h. 28 3/4 in., w. 84 in., d. 44 in. [$1000/1500] Provenance: Wright, Chicago, Aug. 2018, lot 602.

7. Florence Knoll Cabinet, 1960s, rosewood, bookmatched grain, ten drawers, original pulls, oak interior, polished steel frame, h. 25 in., w. 74 1/2 in., d. 18 in. [$1500/2500] Provenance: Treadway Toomey, Oak Park, IL, Jun. 8, 2013, lot 849; Estate of Eric Bloomquist, Bloomington, IL.

8. Vintage Florence Knoll (American, 1917-2019) for Knoll Associates Upholstery and Chrome-Plated Steel Armless Three-Seat Sofa, designed c. 1954, model 67, square tubular steel base and legs, attached cushions with welted rectangular pattern, h. 31 1/2 in., w. 84 in., d. 30 in. [$1500/2500] Provenance: Wright, Chicago, July 2015, lot 401.

9. Pair of Vintage Florence Knoll (American, 1917-2019) for Knoll Associates Upholstery and Chrome-Plated Steel Armless “Slipper” Lounge Chairs, designed c. 1954, model 65, square tubular steel base and legs, attached cushions with welted rectangular pattern, h. 31 1/2 in., w. 29 in., d. 30 in. [$1500/2500] Provenance: Wright, Chicago, July 2015, lot 397.

10. Pair of Vintage Florence Knoll (American, 1917-2019) for Knoll Associates Upholstery and Chrome-Plated Steel Armless “Slipper” Lounge Chairs, designed c. 1954, model 65, square tubular steel base and legs, attached cushions with welted rectangular pattern, h. 31 1/2 in., w. 29 in., d. 30 in. [$1500/2500] Provenance: Wright, Chicago, July 2015, lot 396.

12. Eero Saarinen for Knoll Studio Tulip Dining Table, fully marked, white laminate top, h. 29 in., dia. 42 in. [$500/700] Provenance: Estate of Eric Bloomquist, Bloomington, IL. 11. Upholstery and Polished Stainless Steel TwoSeater Sofa after the 1952 Design by Florence Knoll, gray wool upholstery, h. 31 3/4 in., w. 62 1/2 in., d. 31 3/4 in. [$300/500] 5

13. Eero Saarinen for Knoll Tulip Side Table, 1960s, Knoll Associates label, oval walnut top, h. 20 3/4 in., w. 22 1/2 in., d. 15 in. [$200/300] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

14. Eero Saarinen for Knoll Tulip Swivel Stool, leather upholstery, h. 16 in., dia. 14 1/2 in. [$200/300] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

15. Three Reproduction Eero Saarinen-Style White Plastic and Painted Aluminum Swivel Tulip Chairs, marked SDAWY, white faux leather seat cushions, h. 31 3/4 in., w. 19 in., d. 17 in. [$100/200]

16. Pierre Casenove for Fondica Bronze Wall Mirror, 1980s, Paris, marked verso, h. 15 1/2 in., w. 9 1/2 in., [$500/700] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

17. Piero Fornasetti Umbrella Stand, 1950s, marked to underside “Fornasetti Milano/Made in Italy”, enameled metal, butterfly design over black ground, brass rim, peg feet, h. 22 1/2 in., dia. 10 1/2 in. [$700/1000] Provenance: Rago Auction, Lambertville, NJ, Jun. 9, 2013, lot 737; Estate of Eric Bloomquist, Bloomington, IL.

19. Piero Fornasetti Biscuit Jar, 1950s, marked to underside “Fornasetti Milano/Made in Italy”, gilt and enameled ceramic, h. 11 3/4 in., dia. 7 in. [$200/300] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

18. Piero Fornasetti Waste Basket, 1950s, underside marked “Fornasetti Milano/Made in Italy”, Napoleon on horseback design, brass rim and feet, h. 11 in., dia. 10 1/2 in. [$300/500] Provenance: Treadway Toomey Auction, IL, June 8, 2013, lot 1005; Estate of Eric Bloomquist, Bloomington, IL.

20. Fornasetti-Style Side Table, 1960s, with view and elevation of a dome, h. 18 in., dia. 15 3/4 in. [$100/150] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

21. Jean Cocteau (French, 1889-1963) Triple Level Server, 1950s, printed and painted metal and plastic, printed signature to both sides, underside marked “TRIPLE LEVEL SERVER” and “PAT. NO. 7205 APP. 729;730, h. 11 in., w. (open) 16 1/2 in. [$300/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

22. Jean Cocteau (French, 1889-1963) Triple Level Server, 1950s, printed and painted metal and plastic, printed signature to both sides, underside marked “TRIPLE LEVEL SERVER” and “PAT.NO. 7205 APP. 729;730”, h. 11 in., w. (open) 16 1/2 in. [$300/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

23. Pair of Mid-Century Modern Jens Quistgaard (1919-2008) for Dansk Designs Teak Ice Buckets, c. 1960s, marked “Dansk / Designs / Denmark / IHQ”, black plastic liners, h. 5 1/4 in., dia. 9 1/2 in. [$300/500]

24. Pair of Jens Quistgaard (Danish, 1919-2008) for Dansk Designs Staved Teak Ice Buckets, c. 1960s, marked “Dansk / Designs / Denmark / IHQ”, black plastic liners, h. 9 in., w. 9 in., d. 9 in [$400/600]

25. Three Vintage Danish ModernStyle Teak Ice Buckets, incl. pair Kalmar Designs, labeled, plastic liners, h. 8 in., w. 8 in., d. 8 in.; and one Laurids Lonborg, labeled, plastic liner, (3 pcs.) [$200/300]

26. Collection of Vintage Mid-Century Modern Teak Party Trays, incl. Nissen/Denmark cheese board with removable cheese slice, marked, l. 18 in., w. 9 3/8 in.; Jens Quistgard/Dansk Designs/Denmark/IHQ, marked, oval platter, l. 17 7/8 in., w. 9 1/8 in.; Jens Quistgaar/ Dansk Designs/Denmark/IHQ marked divided circular tray, dia. 11 3/4 in; 2 Julie Pomeranz/Goodwood/Thailand, marked, cheese trays with glass domes, h. 6 in., dia. 7 1/4 in., 1 with original box; and boxed set of 3 Kalmar Designs serving utensils, longest l. 8 1/4 in. (6 pcs.) [$200/300] 7

27. German Art Nouveau Pewter Fish Vase, by Hermand Gradl for Walter Scherf & Co., model 517, stamped “’Osiris’”, h. 12 3/4 in. [$100/150]

28. Verner Panton for Dansk Red Acrylic Fruit Bowl, 1990s, signed, h. 4 1/4 in., w. 18 in., d. 15 in.; together with another acrylic bowl, h. 8 1/2 in., w. 14 in., d. 14 in. (2 pcs.) [$250/350] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

29. Ginori Ceramic Globe Vase, 20th c., marked, h. 12 in., dia. 11 in. [$200/300] Provenance: Estate of Eric Bloomquist, Bloomington, IL. 30. Emile Balon Metallic Glaze “Frog” Vase, early 20th c., Blois, France, marked “E. Balon/Bloise”, h. 5 in., dia. 4 in. [$300/500] Provenance: Humler & Nolan, Ohio, June 1, 2013, lot 317; Estate of Eric Bloomquist, Bloomington, IL

31. Agostino Scrofani Ceramic Charger, 1960s, Italy, signed, hand-painted, dia. 12 1/4 in. [$200/300] Provenance: Toomey & Co., Oak Park, IL, March 3, 2017, lot 724; Estate of Eric Bloomquist, Bloomington, IL.

32. English Arts and Crafts Copper Waste Basket/Planter, early 20th c., heptagonal form, rolled rim, convex accents, h. 10 1/4 in., dia. 11 1/2 in. [$200/300] Provenance: Treadway Toomey, Oak Park, IL, Mar. 8, 2014, lot 94; Estate of Eric Bloomquist, Bloomington, IL.

33. Italian NeoclassicalStyle Sienna Marble Female Term, tapered column, h. 59 in., w. 7 in., d. 11 in. [$800/1200]

34. Pair of Continental Carved Amethyst Owls, h. 5 in., w. 3 1/2 in., d. 3 in. [$500/700]

35. Nicolas Schoffer (Hungarian/French, 1912-1992), “Minisculpture I, Illimité”, stainless steel sculpture on motorized base, “Editions Denise Rene, Paris” label with artist and title on underside, h. 7 5/8 in., w. 7 3/4 in., d. 7 3/4 in. [$700/1000]

36. Gustav Klimt (Austrian, 1862-1918), “The Golden Apple Tree”, 1908-1914, collotype, artist stamp lower margin, 11 3/4 in. x 11 3/4 in., framed, overall 24 7/8 in. x 24 1/4 in. x 1 1/4 in. [$700/900] Provenance: Treadway Toomey Auctions, Oak Park, IL, May 22, 2011, lot 474; Estate of Eric Bloomquist, Bloomington, IL.

37. Francesco Clemente (Italian, b. 1952), “Yellow, Red or Blue”, color aquatint, pencil-signed and numbered “200/250” lower margin, sight 19 1/2 in. x 19 1/4 in., framed, overall 30 5/8 in. x 30 3/8 in. x 1 1/4 in. [$400/600] Provenance: The Estate of Caroline P. Ireland. 9

38. Hattakitkosol Somchai (Thai, 1934-2000), “Bird in Flight”, bronze, signed and numbered “51/1000”, h. 47 in., w. 14 in., d. 14 in., wood base, overall h. 48 in. [$300/500]

39. Bernard Buffet (French, 1928-1999), “Les Ombelles”, lithograph, signed lower right, titled en verso, sheet 12 3/4 in. x 9 3/4 in., framed, overall 21 7/8 in. x 18 7/8 in. [$100/200]

40. Alberto Giacometti (Swiss, 1901-1966), “Still Life with Flowers”, lithograph, pencil-signed and numbered “68/75” lower margin, sheet 21 in. x 14 3/4 in., framed, overall 24 1/2 in. x 18 3/4 in. x 1 1/2 in. [$1500/2500]

41. Natalia Dumitresco (Romanian/French, 1915-1997), “Linear Abstract”, 1953, lithograph, pencil-signed and inscribed “Epreuve d’artiste” lower margin, “William Weston Gallery” label with artist, title, date and print information on backing board, edition of 100 plus 14 artist proofs, 12 in. x 13 1/4 in., framed, overall 19 1/2 in. x 20 3/8 in. x 1 1/8 in. [$400/600] 10

42. Jean Dufy (French, 1888-1964), “Fete Champetre”, lithograph, pencilsigned and inscribed “EA” lower margin, edition of 220, 19 in. x 25 in., framed, overall 28 1/2 in. x 34 in. x 1 5/8 in. [$400/600]

43. Jehudith Sobel (Polish, 1924-2012), “Abstract Interior”, 1958, watercolor on paper mounted to board, signed and dated lower right, 24 in. x 19 in., unframed. [$2000/3000]

44. Jehudith Sobel (Polish, 1924-2012), “Landscape with Two Figures”, 1962, oil on canvas, signed and dated lower left, 24 in. x 30 in., unframed. [$700/1000]

45. Arturo Puliti (Italian, 1925-2011), “La Luna Riflessa”, 1970, gouache on masonite, signed and dated upper left, signed and titled en verso, 27 5/8 in. x 19 3/4 in., framed, overall 35 1/2 in. x 27 1/4 in. x 1 in. [$200/300] Provenance: Mobile Museum of Art, Mobile, AL; Neal Auction, Oct. 8, 2020, lot 160. 46. After René Magritte (Belgian, 1898-1967), “Untitled”, 1968, color lithograph, signed in plate, pencil-signed by printer Fernand Mourlot (French, 1895-1988) lower margin, from Les Enfants Trouvés, “BFK Rives” watermark visible, printed by Mourlot, Paris, published by A.C. Mazo et Cie, Paris, sheet 17 1/4 in. x 23 1/2 in., framed, overall 24 1/4 in. x 24 3/4 in. x 1 1/2 in. [$800/1200] Provenance: Estate of Eric Bloomquist, Bloomington, IL. 11

47. After Henri Matisse (French, 1869-1954), “Fleur a Quatre Petales”, 1973, serigraph, signed in plate, printer’s stamp lower right, pencil-numbered “275/975” lower left, printed publisher’s information with artist, title, date and print information en verso, after the original from Jazz, printed by Michael Caza (French, b. 1935), published by Editions de la Nouvelle Images, LTD, Lombreuil, France, for The Collectors Guild, New York, “La Societe de Verification de la Nouvelle Gravure International” authentication label on backing board, sheet 22 1/2 in. x 15 1/2 in., framed, overall 37 in. x 19 3/4 in. x 1 in. [$300/500] Provenance: Michael W. Murphy, El Dorado, AR.

48. After Jean Arp (French, 18871966), “Lembrando a Jean Arp”, porcelain, produced by Sargadelos, h. 10 1/2 in., w. 6 in., d. 2 3/4 in. [$150/250] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

49. Max Bill (Swiss, 1908-1994), “Combillation”, 1970, screenprint on 4 interchangeable plastic panels with brass screws, each panel signed, numbered “18(A-D)/210” and panel letter en verso, “The Members Gallery Albright-Knox Art Gallery” label with artist and title en verso of panel A, each panel with “Contemporary Collections, INC, Printed in West Germany by Domberger” label en verso, overall 47 1/4 in. x 23 5/8 in., unframed; accompanied by a copy of a receipt from Editions Denise Rene, Inc., New York. (2 pcs.) [$1000/1500] Provenance: Editions Denise Rene, Inc., New York, NY, 1975. The Estate of Caroline P. Ireland. 50. Terry Frost (British, 1915-2003), “Black Wedge (Red)”, 1991, hand-colored etching, pencil-signed, dated and inscribed “3/25 H/P” lower margin, “Adelson Galleries, Inc., New York, NY” label with artist, title and date on backing board, 12 in. x 12 in., framed, overall 21 in. x 20 5/8 in. x 1 1/2 in. [$600/800] Provenance: Adelson Galleries, New York, NY; Estate of Caroline P. Ireland.

51. Paul Smith (British, b. 1946), “The Continuing Adventures of Mr. Brown” and “Adventure No. 2”, 2 printed pocket squares, each signed and titled in plate, each 13 1/4 in. x 13 in., framed alike, each overall 17 1/8 in. x 17 1/8 in. x 1 in. (2 pcs.) [$100/200] Provenance: Estate of Eric Bloomquist, Bloomington, IL. 12

52. Silvio Vigliaturo (Italian, b. 1949), “Il Filosofo”, 2002, glass, signed, titled and dated on self-base, h. 35 1/2 in., w. 13 1/4 in., d. 10 in. [$600/800] Provenance: Michael W. Murphy, El Dorado, AR. 53. Karel Appel (Dutch, 1921-2006), “Seeing Eyes”, 1975, color lithograph, signed, dated and numbered “121/175” lower margin, informational sheet with title attached to backing paper, 25 3/4 in. x 19 1/2 in., framed, overall 35 in. x 29 in. x 7/8 in. [$300/500] Provenance: Estate of Robert Gamm, St. Louis, MO; Link Auction Galleries, St. Louis, MO, July 15, 2017, lot 281; Estate of Eric Bloomquist, Bloomington, IL.

54. Karel Appel (Dutch, 1921-2006), “Le Petit Ludeum de Karel Appel”, 1954 and “Faune Nocturne”, 1960, 2 lithographs, one pencil-signed lower right and inscribed “EA” lower left, one pencilsigned, dated and inscribed “epreuve d’artiste” lower margin, 19 1/2 in. x 25 in. and 19 1/2 in. x 25 1/2 in., framed, overall 28 3/8 in. x 33 3/8 in. x 7/8 in. and 30 in. x 35 1/2 in. x 7/8 in. (2 pcs.) [$1200/1800] Provenance: Cottone Auctions, Geneseo, NY, Nov. 11, 2017, lot 504; Estate of Eric Bloomquist, Bloomington, IL.

55. Gio Schiano (Italian, b. 1976), “Industria #6”, laser-cut acrylic, signed and numbered “6/50”, h. 17 3/4 in., w. 8 3/4 in., d. 2 3/4 in. [$300/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

56. Victor Vasarely (Hungarian/French, 1906-1997), “MAKK-S”, 1978, silkscreen, pencil-signed and numbered “116/250” lower margin, sight 25 in. x 25 in., framed, overall 42 1/8 in. x 40 1/8 in. x 1 3/4 in. [$600/800] 13

57. Victor Vasarely (Hungarian/French, 1906-1997), “Red and Navy Dots”, 1969, silkscreen, pencil-signed, dated and numbered “165/300” lower margin, inscribed “#87” en verso, 17 3/4 in. x 17 1/8 in., framed, overall 25 1/8 in. x 25 1/8 in. x 1 1/4 in. [$200/400] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

58. Yaacov Agam (Israeli, b. 1928), “Untitled”, silkscreen, pencil-signed and numbered “33/150” lower margin, “Galerie Rodin, St. Louis, MO” label and artist biography on backing board, 29 in. x 35 in., framed, overall 36 1/4 in. x 43 in. x 1 5/8 in. [$700/900] Provenance: Estate of Robert Gamm, St. Louis, MO; Link Auction Galleries, St. Louis, MO, July 15, 2017, lot 280; Estate of Eric Bloomquist, Bloomington, IL.

59. Gerhard Muller (Austrian, b. 1950), “Die Augen im Fleisch”, mixed media on paper, signed en verso, “Galerie Thurnhof Horn 29.November-21.Dezember 1996” exhibition label with artist and title on backing board, 16 3/8 in. x 11 1/8 in., framed, overall 19 3/4 in. x 14 1/2 in. x 1 in. [$400/600]

60. Alan King (Scottish, 1946-2013), “Acrobat”, 1996, oil and gold leaf on board, signed lower left, handwritten label with artist, title and date on backing board, “The Contemporary Art Gallery, Eton, England” label with artist and title on reverse of frame, 4 1/2 in. x 4 1 /2 in., framed, overall 10 7/8 in. x 11 in. x 1 1/4 in. [$200/300] Provenance: The Contemporary Fine Art Gallery, Eton, England; Estate of Caroline P. Ireland.

61. Antonio Guijarro Gutierrez (Spanish, 1923-2011), “Abstract”, 1965, silkscreen, signed, dated and numbered “11/70” lower margin, 14 5/8 in. x 18 1/2 in., framed, overall 19 in. x 22 3/8 in. x 1 3/8 in. [$100/200] 14

62. Pablo Fornes Isern (Spanish, b. 1930), “Flute Player”, mixed media with gold leaf on panel, signed lower left, 27 1/2 in. x 19 in., framed, overall 36 in. x 27 in. x 2 3/4 in. [$400/600]

63. Elsa Garate (Spanish, 20th c.), “Nude”, oil on paper, signed lower right, 45 in. x 35 7/8 in., framed, overall 45 1/4 in. x 36 1/4 in. x 1 in. [$300/500]

64. Askar Esenbayev (Kazakhstani, b. 1959), “AlmaAta”, bronze, signed, titled and numbered “No 3” lower right, h. 27 1/2 in., w. 7 3/8 in., d. 6 3/4 in., wood base, overall h. 38 in. [$1200/1800]

65. Mario Dario Grandi (Argentinian, 1918-1971), “Mariposas y Flores”, oil on canvas, signed lower right, signed, titled and inscribed en verso, 15 3/4 in. x 11 3/4 in., framed, overall 18 1/8 in. x 14 1/8 in. x 1 3/8 in. [$100/200]

66. Etiye Dimma Poulson (Ethiopian/Danish, b. 1968), “Dancing Woman”, fired and glazed clay over metal armature, unsigned, h. 17 1/2 in., w. 10 in., d. 8 1/4 in. [$300/500]

67. Jorge Mazariegos Rodriguez (Guatemalan, b. 1970), “Mercado”, 1987, acrylic on masonite, signed and dated lower left, 19 1/2 in. x 27 1/2 in., framed, overall 27 in. x 34 1/2 in. x 2 1/2 in. [$1000/1500]

68. Feliciano Bejar (Mexican, 1920-2007), “Magiscopio”, 2 reclaimed steel, bronze and cut crystal sculptures, each signed in crystal, h. 7 5/8 in., w. 3 1/4 in., d. 2 in. and h. 11 in., w. 4 1/2 in., d. 2 in. (2 pcs.) [$600/800] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

70. Feliciano Bejar (Mexican, 19202007), “Magiscopio”, 1982, reclaimed steel and cut crystal, signed and dated in crystal, h. 39 1/2 in., w. 14 1/4 in., d. 4 in. [$1000/1500] Provenance: Nico Auctions, Greenville, DE, May 15, 2013, lot 165; Estate of Eric Bloomquist, Bloomington, IL.

69. Feliciano Bejar (Mexican, 1920-2007), “Mesa Magiscopio”, reclaimed steel and cut crystal, signed in crystal, h. 33 1/4 in., w. 27 1/2 in., d. 15 3/4 in. [$1200/1800] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

71. Luis Mazorra (Mexican, 20th c.), “Old Mexican Pot”, 1981, aquatint and etching with embossing, signed and numbered “63/125” lower margin, sheet 30 in. x 22 in., framed, overall 36 5/8 in. x 28 7/8 in. x 1 3/8 in. [$200/300] 16

72. Victor R. Salmones (Mexican, 1937-1989), “Climber”, bronze, signed and numbered “A/A” on lower leg, h. 28 3/4 in., w. 19 in., d. 12 in., acrylic base, overall h. 29 1/2 in. [$600/800]

73. Victor R. Salmones (Mexican, 1937-1989), “Erotic”, bronze, signed, h. 6 1/2 in., w. 8 1/2 in., d. 9 in., wood base, overall h. 8 in. [$400/600] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

74. Victor R. Salmones (Mexican, 1937-1989), “Seated Man”, bronze, signed lower leg, partial label on underside of base, h. 9 1/2 in., w. 9 in., d. 4 1/2 in., painted wood base, overall h. 10 in. [$300/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

75. Victor R. Salmones (Mexican, 1937-1989), “Leap Frog”, bronze, signed on lower figure’s leg, h. 12 1/4 in., w. 8 1/2 in., d. 7 3/4 in., wood base, overall h. 13 3/4 in. [$200/400] Provenance: Susanin’s Auctions, Chicago, IL, Aug. 11, 2012, lot 6041; Estate of Eric Bloomquist, Bloomington, IL.

76. Damien Hirst (British, b. 1965), “Butterfly Wallpaper (4 panels)”, 2004, color silkscreen and offset lithograph on paper mounted to board, unsigned, edition of 500, created for @In-A-Gadda-Da-Vida@ exhibition, Tate Modern, London, sheet 41 3/4 in. x 41 1/8 in., framed, overall 46 3/4 in. x 46 1/8 in. x 2 in. [$500/700] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

77. Hanna Liden (Swedish, b. 1976), “Black Flag Burner”, 2006, c-print mounted on sintra, signed on label and “Rivington Arms, New York” label with artist, title, date and edition “1/5” on backing, 30 in. x 40 in., framed, overall 32 1/8 in. x 42 1/8 in. x 1 3/4 in. [$1000/1500]

78. Hanna Liden (Swedish, b. 1976), “Lake with Fire”, 2004, c-print mounted on sintra, signed on label and “Rivington Arms, New York” label with artist, title, date and edition “2/3” on backing, 26 in. x 40 in., framed, overall 28 1/2 in. x 41 7/8 in. x 1 3/4 in. [$1000/1500]

79. Hanna Liden (Swedish, b. 1976), “Swamp Walkers II”, 2005, c-print mounted on sintra, signed on label and “Rivington Arms, New York” label with artist, title, date and edition “1/5” on backing, 30 in. x 40 in., framed, 31 7/8 in. x 41 7/8 in. x 1 3/4 in. [$1000/1500] 18

80. Hanna Liden (Swedish, b. 1976), “Death Gate”, 2003, c-print mounted to sintra, signed on label and “Rivington Arms, New York” label with artist, title, date and edition “1/3” on backing, 30 in. x 40 in., framed, overall 31 7/8 in. x 41 7/8 in. x 1 3/4 in. [$1000/1500]

81. JR (French, b. 1983), “Women are Heroes - Favela Morro da Providencia”, 2009, lithograph, signed, stamped, dated, numbered “74/180” and “Idem, Paris” blind stamp lower margin, sight 25 in. x 37 3/4 in., framed, overall 34 1/8 in. x 46 3/4 in. x 1 in. [$800/1200] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

82. JR (French, b. 1983), “Women are Heroes - Favela Morro da Providencia (Night)”, 2012, lithograph, signed, stamped, dated, numbered “92/180” and “Idem, Paris” blind stamp lower margin, sight 23 in. x 37 3/4 in., framed, overall 32 5/8 in. x 47 1/8 in. x 1 in. [$800/1200] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

83. Hiroshi Sugimoto (Japanese, b. 1948), “Arctic Ocean, Nord Kapp”, “North Sea, Berriedale” and “Ionian Sea, Santa Cesarea”, 1990, 3 tri-toned offset lithographs mounted to original card, unsigned, each mount blind stamped with title, date and numbered “333”, “336” and “343”, from edition of 500, 9 1/2 in. x 12 1/8 in., framed alike, each overall 15 1/4 in. x 19 5/8 in. x 2 3/8 in. (3 pcs.) [$1200/1800] Provenance: Estate of Eric Bloomquist, Bloomington, IL. 19

84. Four Kasamatsu Shiro (Japanese, 1898-1991) Modernist Woodblock Prints, 1956-1964, oban size (16 1/2 in. x 11 1/4 in.), signed, titled, dated and stamped lower margin, each tipped in, left edge, to folder. [$500/700] Provenance: Estate of Eric Bloomquist, Bloomington, IL. 20

85. Pair of Kalo Hand-Wrought Sterling Silver Beakers, 1912-1916, marked “STERLING/HAND WROUGHT/ AT/ THE KALO SHOP/CHICAGO/AND/NEW YORK/91/E”, each with flared lip, hammered surface and applied monogram “B”, h. 3 5/8 in., dia. 3 ¼ in., combined wt. 11.85 troy ozs.; together with a Kalo sterling martini spoon, early 20th c., marked “STERLING/KALO/H/201”, heart-shaped bowl, elongated tapering handle with applied monogram “B”, hammered surface, l. 13 11/16 in., wt. 3 troy ozs. [$500/750] Provenance: Treadway Toomey, Oak Park, IL, Mar. 8, 2014, lot 315; Estate of Eric Bloomquist, Bloomington, IL. Note: The Kalo Shop of Chicago, known for its high and exacting standards, was founded by Clara Barck Welles in 1900. Welles was inspired by the philosophy of the arts and crafts movement and the ideals of the women’s suffrage movement. The Kalo name was derived from the Greek word for beauty. The firm’s motto was “Beautiful, Useful and Enduring”. In the early days the designers employed were almost exclusively women. In 1908 the first professionally trained silversmith, Julius Olaf Randahl, was hired. As production increased and the firm’s reputation grew, more silversmiths trained in Scandinavia and in East Coast firms were added. From 1912 to 1916 the Kalo Shop maintained a branch on Fifth Avenue in New York City. The prosperity of the Kalo Shop allowed Welles to devote more time to the suffrage movement. She retired in 1939 but maintained some involvement with the business. In 1959 she gave the Kalo Shop to the last four silversmiths working for the firm. They ran it until 1970 when the enterprise was closed. Ref. Darling, Sharon S. Chicago Silversmiths, pp.45-54; Steven Pakiz, “Beautiful, Useful and Enduring,” The Magazine Antiques, May/June 2023, pp. 128-139.

86. Danish Mid-Century Modern Sterling Silver and Ebony AfterDinner Coffee Pot and Creamer, Svend Toxvaerd, Copenhagen, c. 1950, coffee pot h. 8 1/2 in., combined wt. 21.50 troy ozs. [$400/600] Provenance: Michael W. Murphy, El Dorado, AR.

87. Italian Hammered Silverplate Wine Cooler, late 20th c., oval with scroll handles, h. 7 7/8 in., w. 11 in., d. 5 3/4 in.; together with an alpaca and mother-of-pearl and abalone inlaid bottle opener, l. 5 1/4 in. (2 pcs.) [$150/250] Provenance: Michael W. Murphy, El Dorado, AR.

88. Mexican Mixed Metal Figure, marked “Los Castillo/ Taxco”, standing figure of copper, silverplate and brass with clay head, wood base, h. 6 1/2 in. [$50/100]

89. Contemporary Silverplate Ram-Form Two Bottle Wine Stand, h. 6 1/2 in., w. 11 1/2 in. [$50/100] Provenance: Michael W. Murphy, El Dorado, AR. 21

90. Italian Silverplate Turtle Figural Tureen, Franco Lapin, h. 5 1/2 in., w. 15 1/2 in. [$300/500] Provenance: Michael W. Murphy, El Dorado, AR. 91. Suite of Three Plata Lappas Argentina Silverplate Floriform Candleholders, h. 16 1/2 in., 12 3/4 in., and 9 3/4 in. [$300/500] Provenance: Michael W. Murphy, El Dorado, AR. 92. George Nakashima Black Walnut Dresser, top with one free-edge, four drawers, h. 30 in., w. 36 in., d. 21 in. [$2000/3000] Provenance: Rago Auction, Lambertville, NJ, Jun. 12, 2011, lot 1072; Estate of Eric Bloomquist, Bloomington, IL.

93. George Nakashima End Table, 1963, cherry, hickory, rosewood, spindle shelf, signed with client name “SEAY” to underside, h. 21 1/4 in., w. 27 3/4 in., d. 17 3/4 in. [$1000/1500] Provenance: Rago Auction, March 3, 2013, lot 642D; Estate of Eric Bloomquist, Bloomington, IL.

94. Pair of George Nakashima for Knoll Studio Chairs, 2000s, branded “George Nakashima Knoll Studio, 1948”, walnut and hickory, h. 30 in., w. 22 1/2 in., d. 19 1/2 in. [$700/1000] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

95. George Nakashima for Widdicomb “Origins” Walnut Drop-Leaf Dining Table, c. 1958, h. 28 3/4 in., w. 60 in., d. (closed) 22 in., d. (open) 47 1/2 in. [$2000/3000] Provenance: Wright, Chicago, Sept. 25, 2005, lot 347; Estate of Eric Bloomquist, Bloomington, IL. 22

96. George Nakashima for Widdicomb “Origins” Gentleman’s Cabinet, 1950s, USA, No. 214, walnut, burled elm, brass, fabric label, h. 49 1/2 in., w. 56 in., d. 22 1/2 in. [$2000/3000] Provenance: Rago Auction, Lambertville, NJ, Jun. 17, 2012, lot 936; Estate of Eric Bloomquist, Bloomington, IL.

97. George Nakashima for Widdicomb Walnut “Origins” Nightstand, 1963, model 215, Grand Rapids, MI, branded mark, stamped date, cloth label, h. 20 in., w. 22 in., d. 20 in. [$1000/1500] Provenance: Toomey & Co., Chicago, IL, Apr. 8, 2018, lot 528; Estate of Eric Bloomquist, Bloomington, IL. 98. George Nakashima for Widdicomb Walnut “Sundra” Nightstand, 1960s, “Widdicomb Grand Rapids” fabric label, also marked “George Nakashima”, “SUNDRA”, and “215”, h. 22 3/4 in., w. 22 in., 21 in. [$500/700] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

99. Pair of George Nakashima for Widdicomb Walnut “Sundra” Side Tables, 1960s, “Widdicomb Grand Rapids” label, also stamped “SUNDRA” and “9/60 3424”, h. 21 1/2 in., w. 22 in., d. 31 in. [$500/700] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

100. Attributed to George Nakashima Walnut Bench/Low Table, with client name to underside, h. 12 1/4 in., w. 18 3/4 in., d. 14 1/4 in. [$300/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

101. Pair of Mira Nakashima “Mira” Chairs, walnut, labeled, and with client’s name and ‘17”’ to underside, h. 26 1/4 in., w. 19 1/2 in., d. 17 1/2 in., seat h. 17 in. [$1200/1800] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

102. Mira Nakashima Black Walnut “Greenrock” Stool, 1994, signed “Nakashima 9.9.94”, wool cushion, h. 15 in., w. 21 in., d. 21 in. [$700/1000] Provenance: Rago Auction, Lambertville, NJ, Jun. 12, 2011, lot 1460; Estate of Eric Bloomquist, Bloomington, IL.

103. Frank Lloyd Wright for Heritage Henredon Mahogany Breakfront, 1950s, Morganton, NC, stamped, “No. 2000”, h. 78 in., w. 61 1/2 in., d. 20 in. [$1500/2500] Provenance: Rago Auction, Lambertville, NJ, Mar. 3, 2013, lot 1012; Estate of Eric Bloomquist, Bloomington, IL.

104. Frank Lloyd Wright for Heritage Henredon Mahogany Chest of Drawers, 1950s, Morganton, NC, signed with red monogram, carved with Taliesin design, h. 32 3/4 in., w. 33 1/2 in., d. 20 in. [$1000/1500] Provenance: Toomey & Co, Chicago, IL, Apr. 9, 2018, lot 296; Estate of Eric Bloomquist, Bloomington, IL.

105. Pair of Frank Lloyd Wright for Heritage Henredon Mahogany Nightstands, 1950s, marked, single drawers with recessed handles, Taliesin carved design to edges, h. 25 1/2 in., w. 21 in., d. 18 in. [$700/1000] Provenance: Ivey-Selkirk, St. Louis, MO, Nov. 18, 2013, lot 128; Estate of Eric Bloomquist, Bloomington, IL.

105A. Pair of Frank Lloyd Wright for Heritage Henredon Mahogany Cabinets, c. 1955, branded mark, Frank Lloyd Wright ink monogram decal, base with Talisen design, interior with one shelf, h. 25 1/4 in., w. 31in., d. 17 in. [$1500/2500] 24

106. Two Frank Lloyd Wright for Heritage Henredon Headboards, 1950s, with Taliesin design, h. 39 1/2 in., w. 54 in., d. 2 in. [$300/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

107. Six Frank Lloyd WrightStyle “Usonian” Rugs, 21st c., Classic Rug Collection, handloomed cotton, India, incl. “Usonian”, “Boynton”, Coonley Blocks”, “Pettit”, “Community”, and “Whirling Arrow”, each 3 ft. x 5 ft. [$400/600] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

108. Contemporary Tufenkian Tibetan Wool Carpet, geometric design in blue, grey, and brown, 5 ft. 9 in. x 8 ft. 3 in. [$400/600]

109. Contemporary Tibetan Wool Carpet, model “Solistizio”, created by Behrouz Kolahi, Turin, Italy, 5 ft. x 7 ft. 9 in. [$300/500]

Provenance: Rago Auction, 1/20/2014, lot #942; Estate of Eric Bloomquist, Bloomington, IL.

110. After Pablo Picasso (Spanish, 1881-1973) Tapestry, “La Figura”, wool carpet/ tapestry, by Desso, Netherlands, limited edition 229/500, 67 in. x 94 in. [$400/600]

111. Dale Chihuly (American, b. 1941) Parrot Green Three-Piece Persian Set, 1990, etched signature to underside of sphere “Chihuly/90”, red lip wrap, diameter of largest piece 9 3/4 in. [$1500/2500] Provenance: Estate of Eric Bloomquist, Bloomington, IL. 25

112. Michael Higgins (1909-1999) and Frances Higgins (1912-2004) Glass Mobile, etched signature “higgins”, 30 pieces, fused glass, brass, string, h. 34 in., w. 19 in. [$700/1000] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

113. Mitchell Gaudet (American/Louisiana, b. 1962), “Thanks Votive Holder”, glass and mixed media, approx. h. 12 in. [$400/600]

114. Tommie Pratt Rush (American, b. 1954), “Two Capsules”, glass, each approx. l. 10 in. [$400/600]

115. Pair of Steuben Glass “Snail-Scroll” Olive Dishes, etched marks, model #7857, designed 1939 by John Dreves, h. 3 1/2 in., w. 6 ion., d. 5 1/8 in. [$300/500] 116. Three Steuben Glass Large Low-Footed Bowls, 2 with etched marks, model #7909, designed 1942 by John Dreves, h. 4 in., dia. 10 3/4 in. to 10 7/8 in. [$400/600]

117. Nine Steuben Glass Cocktail Glasses, before 1932, with fleur-de-lis mark, black thread design, h. 2 1/2 in. [$300/500] Provenance: Treadway Toomey Auctions, March 8, 2014, lot 471; Estate of Eric Bloomquist, Bloomington, IL.

118. Large Glass Apothecary Display Bottle, faceted stopper, h. 32 1/2 in., dia. 9 in. [$200/400]

119. Sori Yanagi for Hida Sangyo White Oak Dining Table and Four Chairs, c. 2022, Gifu, Japan, after the designs by Sori Yanagi (1915-2011), North American white oak, with oil finish, branded marks, table h. 29 in., dia. 47 in.; armchair h. 28 1/2 in., w. 21 1/8 in., d. 19 1/4 in., side chair h. 27 1/4 in., w. 15 in., d. 17 in. [$4000/6000]

120. Sori Yanagi for Vitra Butterfly Stool, 2002, designed 1954, walnut veneer, brass hardware, with new cushion by Tendo, h. 15 1/4 in., w. 17 in., d. 12 1/4 in.; together with a Yanagi Elephant stool by Vitra, h. 14 1/2 in. (2 pcs.) [$400/600] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

121. Arne Jacobsen for Fritz Hansen Egg Chair and Ottoman, 1981, designed 1958, model number 3316 and 3127, aluminum, chrome-plated steel, upholstery, chair marked “FH” and “Made in Denmark”, dated label to ottoman, chair, h. 41 in., w. 34 in., d. 32 in., ottoman, h. 14 1/2 in., w. 21 1/2 in., d. 15 1/2 in. [$1000/1500] Provenance: Los Angeles Modern Auction, Van Nuys, CA, Oct. 13, 2013, lot 421; Estate of Eric Bloomquist, Bloomington, IL.

122. Hardoy, Bonet, & Kurchan Butterfly Chair, c. 1960, Knoll, black leather and metal, h. 37 in., w. 31 1/4 in., d. 20 1/2 in. [$500/700] Provenance: Palm Beach Modern Auction, FL, Oct. 13, 2012, lot 93; Estate of Eric Bloomquist, Bloomington, IL.

123. Patricia Urquiola (Spanish, b. 1961) for Mabeo “Kika” Stool, 2009, made by Mabeo Furniture, Botswana, iroko wood, black paint, h. 18 1/2 in., w. 22 1/2 in., d. 13 in. [$300/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL. 27

124. Fabio Novembre for Kartell “Eur” Stool, late 20th c., Italy, gray thermoplastic, h. 17 1/2 in., w. 14 in., d. 14 in. [$150/250] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

125. Adam Goodrum for Cappellini Folding “Stitch Chair”, c. 2016, Italy, painted laser-cut aluminum, polypropylene feet, h. 31 in., w. 16 in., d. 16 3/4 in., folded h. 32 1/4 in., w. 1 1/4 in., d. 17 1/2 in. [$500/700] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

126. Achille and Pier Giacomo Castiglioni for Zanotta “Mezzadro” Stool, marked, enameled and chromed steel, beechwood, h. 20 1/2 in., w. 17 1/4 in., d. 18 1/2 in. [$400/600] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

127. Pair of Philippe Starck for Driade “Lola Mundo” Chairs, 1980s, France, mahogany, cast aluminum, folding backrest converts chair to table, h. (closed) 19 in., h. (open) 33 1/2 in., w. 12 in., d. 16 1/2 in. [$700/1000] Provenance: Rago Auction, Lambertville, NJ, Jan. 18, 2014, lot 995; Estate of Eric Bloomquist, Bloomington, IL.

128. Pair of Philippe Starck for Driade “Lola Mundo” Chairs, 1980s, France, mahogany, cast aluminum, hinged back converts chair to table, h. (closed) 19 in., h. (open) 33 1/2 in., w. 17 1/4 in., d. 12 1/2 in. [$700/1000] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

129. Philippe Starck for Driade “Lola Mundo” Chair, 1980s, France, mahogany, cast aluminum, folding back converts chair to table, h. (closed) h. (open) 33 1/2 in., w. 12 in., d. 16 1/2 in. [$600/900] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

130. Pair of Verner Panton for Innovation “Phantom” Chairs, Denmark, marked, polypropylene, h. 27 in., w. 13 1/2 in., d. 44 in. [$600/900] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

131. Gerrit Rietveld for Cassina Cherry “Zig Zag” Chair, Italy, Cassina label, with stamped serial #10592, h. 29 1/4 in., w. 14 1/2 in., d. 17 in. [$700/1000] Provenance: WPA, Chicago, IL, 2015; Estate of Eric Bloomquist, Bloomington, IL. 132. Poul Norreklit for E. Pederson & Son “Magic Cube” Nesting Tables, 1960s, Denmark, marked, teak tops, steel legs, six tables fit together to form a cube, each table 16 1/2 in. x 16 1/2 in. x 16 1/2 in. [$500/700] Provenance: Treadway Toomey, Oak Park, IL, Sep. 15, 2013, lot 959; Estate of Eric Bloomquist, Bloomington, IL.

133. Jens Quistgaard Teak Tray Table, 1960s, removable concave top, h 16 1/2 in., dia. 19 1/2 in. [$400/600]

134. Pair of Arne Vodder (Danish, 1926-2009) Carved Teak Nightstands or Side Tables, c. 1960, unmarked, N.C. Mobler, Denmark, two drawers, h. 21 1/2 in., w. 31 1/2 in., d. 12 1/2 in. [$1500/2500] Provenance: Wright, Chicago, Aug. 2018, lot 720.

135. Mid-Century Modern Teak Side Table, with long single drawer, h. 21 1/4 in., w. 29 1/2 in., d. 20 1/2 in. [$150/250] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

136. Fritz Hansen Teak Side Table, 1960s, Denmark, marked, h. 16 1/2 in., w. 17 in., d. 11 3/4 in. [$150/250] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

137. Swedish Modern Teak Extension Dining Table and Chairs, table marked “Nils Jonsson, Made in Sweden”, two 21 3/4 in. leaves, h. 28 3/4 in., w. (closed) 61 in., w. with both leaves 104 1/2 in., d. 40 in.; and six chairs, h. 33 in., w. 19 in., d. 20 in. [$700/1000]

138. Danish Modern Teak Dining Table, c. 1960, labeled “Gudme Mobelfabrik A/S Denmark”, h. 28 in., w. 64 in., d. 41 1/2 in. [$500/700]

139. Danish Modern Teak Sideboard, three doors, flanked by sliding doors, shelved interior, h. 31 in., w. 86 1/2 in., d. 17 in. [$700/1000]

140. Finn Juhl for France & Co. Teak Side Table, 1960s, with France and retailer John Stuart tags, h. 15 1/2 in., w. 23 1/2 in., d. 16 3/4 in. [$300/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

141. Danish Modern Teak Bar Cabinet, stamped “Made in Denmark”, drop-front front door, with shelves, bottle storage, and drawers, h. 50 in., w. 46 in., d. 16 in. [$600/900] Provenance: Treadway Toomey, Oak Park, IL, Mar. 8, 2014, lot 921; Estate of Eric Bloomquist, Bloomington, IL.

142. Attributed to Jens Risom Teak Wall Cabinet, 1950s, two bifold doors, three drawers, two adjustable shelves, h. 21 1/2 in., w. 88 in., d. 18 1/2 in. [$600/900] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

143. Reproduction Jens RisomStyle White Painted Lounge Chair, white fabric webbing, h. 29 1/2 in., w. 20 1/4 in., d. 25 in. [$100/200]

144. French Mid-Century Modern Leather-Clad Low Table, c. 1960, segmented top, plinth base, h. 12 in., w. 47 1/2 in., d. 26 in. [$800/1200] Provenance: J.H. Design, Inc., New York

145. Pair of French Art Moderne Lacquered Wood and Gilt Metal Lamp Tables, c. 1950, manner of Eugene Printz and Jean Durand, plinth top, spherule and scroll apron, arched base, h. 32 3/4 in., w. 45 in., d. 25 in. [$2000/3000] Provenance: Rago Auctions, June 15, 2014, lot. 713.

146. Italian Onyx Desk, 1970s, unmarked, h. 29 1/2 in., w. 67 in., d. 31 1/2 in. [$800/1200] Provenance: Rago Auction, Lambertville, NJ, Jun. 9, 2013, lot 792; Estate of Eric Bloomquist, Bloomington, IL. 31

147. Isamu Noguchi Akari Light Sculpture Floor Lamp, 1990s, Ozeki & Co, Ltd., Japan, designed 1951, model BB3-55DD, washi paper, bamboo, enameled cast-iron, shade stamped with Sun and Moon ideogram, Japan, and signature; marked “Made in Japan” to underside of base, h. 70 in., dia. 22 in. [$1200/1800] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

149. Fontana Arte Floor Lamp, made in Italy, model 006, chrome, colored glass, h. 93 in. [$700/1000] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

151. Achille and Pier Giacomo Castiglioni for Flos “Taccia” Table Lamp, modern, made in Italy, designed 1962, glass and enameled aluminum shade, resting on anodized aluminum base, h. 18 1/2 in. (variable), dia. of shade 14 1/2 in. [$400/600] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

148. Angelo Lelli for Arredoluce Easel Floor Lamp, 1950s, brass and enameled aluminum, articulated light, art holders adjustable for height and depth, converted from floor to knob light switch, unmarked, h. 82 1/4 in., dia. 23 in. [$2000/3000] Provenance: Rago Auction, NJ, March 3, 2013, lot 842; Estate of Eric Bloomquist, Bloomington, IL.

150. Fondica Gilt Bronze and Enamel Table Lamp, 2004, Fondica Foundry, Paris, impressed marks, signed by designer “Boye”, h. (to socket) 24 in. [$600/900] Provenance: Rago Auction, NJ, March 2, 2014, lot 765; Estate of Eric Bloomquist, Bloomington, IL.

152. Salvador Dali (Spanish, 1904-1989) for Barcelona Design “Lampara Cajones” Table Lamp, c. 1972, Barcelona, carved fruitwood, brass tag engraved “Lampara Cajones, Salvador Dali, b.d. ediciones de diseno”, with serial number “141”, original shade, h. 33 in., w. 13 in., d. 13 in. [$700/1000] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

153. Poul Henningsen for Louis Poulsen “PH Louvre” Ceiling Light, Denmark, designed 1957, marked, powdercoated aluminum, h. 23 in. dia. 24 in. [$700/1000] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

154. Poul Henningsen for Louis Poulsen Artichoke Chandelier, 1960s, Denmark, chromed and enameled metal, plastic, unmarked, h. 35 in., dia. 24 in. [$1000/1500] Provenance: Rago Auction, Lambertville, NJ, Feb. 28, 2016, lot 1101; Estate of Eric Bloomquist, Bloomington, IL.

155. Pair of Poul Henningsen for Louis Poulsen PH 3/2 Table Lamps, 21st c., labeled, Model 5744901350, glass, chromeplate, h. 18 1/4 in., dia. 10 3/4 in. [$1000/1500] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

156. After Greta Magnusson Grossman “Grasshopper” Floor Lamp, late 2000s, Gubi for Design Within Reach, in charcoal/anthracite grey, unused in original box, h. 49 in., w. 15 in., d. 17 in. [$500/700] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

157. Pair of Egon Hillebrand “Mushroom” Table Lamps, 1960s-1970s, Germany, black brushed metal shades, chrome bases, 3-light fixture, European plug with provided converter, h. 20 1/2 in., dia. 17 in. [$700/1000] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

159. Pierre Casenove for Fondica Gilt Metal Table Lamp, 1980s, Fondica Foundry, Paris, impressed marks, h. (to socket) 15 in. [$300/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

158. Carlo Moretti Murano Glass Table Lamp, 1980s, signed, h. 22 in. [$150/250] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

160. Pair of Art Nouveau Patinated Metal Figural Lamps, titled “Danseuse” after P. Rigual, depicting a woman and two candle-style lights, circular marble bases, h. 14 in., w. 11 in., d. 6.5 in. (2 pcs.) [$200/400]

162. Pair of Art Moderne Rock Crystal Lamps, with shades, h. 22 in., dia. 5 in. [$1000/2000] 161. Four French Art Deco-Style Bronze and Colored Glass Wall Sconces, h. 16 1/2 in., w. 9 in., d. 5 in. [$600/800]

163. Herb Ritts (American, 1952-2002), “Fred with Tires”, 2 photolithographs, each unsigned, each with artist stamp lower margin, sheets 29 1/2 in. x 23 1/2 in., unframed. (2 pcs.) [$800/1200] Provenance: Vermillion Editions Limited, Minneapolis, MN; Rago Arts and Auctions Center, Lambertville, NJ, Nov. 16, 2013, lot 922; Estate of Eric Bloomquist, Bloomington, IL.

164. Roberto Rincon (Venezuelan/American, 20th c.), “Reclined Male”, 1993, gelatin silver print triptych, signed and dated lower right, titled lower left, numbered “3/10” lower center, each sheet 20 in. x 16 in., overall triptych 20 in. x 45 3/4 in., framed together, overall 31 3/4 in. x 5 0 1/4 in. x 1 1/2 in. [$800/1200] Provenance: Neal Auction, July 18, 2010, lot 811.

165. Helmut Newton (German/Australian, 1920-2004), “Two Playmates on Back Porch with Lemon Tree, L.A.”, negative creation date 1986, print date 1990, gelatin silver print, pencil-signed, titled, dated and numbered “3/10” en verso, pencil-inscribed with artist, title, date, numbered “3/10” and “Gallery for Fine Photography, New Orleans, LA” label on backing board, image 22 1/4 in. x 18 3/4 in., sheet 23 1/2 in. x 19 1/2 in., original frame; overall 32 1/4 in. x 26 1/4 in. x 1 1/2 in.; accompanied by 3 vintage Playboy magazines featuring the photo and models, copy of letter of provenance from A Gallery for Fine Photography, correspondence with Playboy and 2 exhibition posters. (8 pcs.) [$5000/7000] Provenance: A Gallery for Fine Photography, New Orleans, LA, 1991. Ill.: Newton, Helmut. “Helmut Newton’s Playmates”. Playboy. Sept. 1987, Vol. 34, No. 9: 86. Note: Neal Auction would like to thank Matthias Harder, Director of the Helmut Newton Foundation, for his assistance with the cataloguing of this lot. 35

166. Nicholas Africano (American/Illinois, b. 1948), “Picnic”, 1990, watercolor and collage on paper, signed, dated and inscribed lower center, 10 1/4 in. x 13 1/2 in., framed, overall 16 3/4 in. x 19 1/2 in. x 1 1/2 in. [$200/300] Provenance: Rago Arts and Auction Center, Lambertville, NJ, Nov. 16, 2013, lot 927; Estate of Eric Bloomquist, Bloomington, IL.

167. Nicholas Africano (American/Illinois, b. 1948), “He Turned Round and Round”, 1990, lithograph, pencil-signed, dated and numbered “AP 4/5” lower right, 17 1/2 in. x 20 1/2 in., framed, overall 27 1/2 in. x 31 in. x 1 in. [$200/300] Provenance: Estate of Eric Bloomquist, Bloomington, IL. 168. Nicholas Africano (American/Illinois, b. 1948), “An Occasion for Hope”, 1992, ink wash on paper, signed and dated lower right, “Mulberry School University Galleries Center for the Visual Arts, Illinois State University, Fifth Annual Auction April 26, 1992” label on backing paper, 15 in. x 20 1/2 in., framed, overall 24 1/2 in. x 29 5/8 in. x 1 1/2 in. [$200/300] Provenance: Rago Arts and Auction Center, Lambertville, NJ, Nov. 16, 2013, lot 927; Estate of Eric Bloomquist, Bloomington, IL.

169. Nicholas Africano (American/Illinois, b. 1948), “Magic Pipe”, 1990, monotype on handmade paper, pencil-signed and dated lower left, “Holly Solomon Gallery, New York, NY” label with artist, title and date on backing paper, 31 1/4 in. x 21 1/2 in., framed, overall 39 1/4 in. x 25 in. x 1 1/4 in. [$300/500] Provenance: Holly Solomon Gallery, New York, NY; Estate of Eric Bloomquist, Bloomington, IL.

170. Nicholas Africano (American/ Illinois, b. 1948), “He Talks to Himself at Night”, 1988, monotype, pencil-signed lower left, invoice from “Vermillion Editions, Minneapolis” with artist, title and date on backing board, 29 1/2 in. x 22 in., framed, overall 31 1/4 in. x 23 5/8 in. x 1 1/2 in. [$200/300] Provenance: Vermillion Editions Limited, Minneapolis, MN; Estate of Eric Bloomquist, Bloomington, IL. 36

171. Val Bertoia (American, b. 1949), “Veil of Sound”, 2014, sound sculpture, 39 silicon-bronze rods in a single row, silvered to a brass base, marked “B1765”, h. 36 1/4 in., w. 12 in., d. 3 1/2 in., accompanied by a copy of a certificate/title issued by the artist dated Apr. 27, 2023. [$4000/6000] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

172. Jackie Battenfield (American, b. 1950), “Caesura 6”, 1993, “Connect 19”, 1992 and “Dervish 2”, 1992, 3 mixed media collages, each pencil-signed, titled and dated lower right, from “Mizu” series, each 6 in. x 24 in., sheets 22 in. x 38 in., framed alike, each overall 25 in. x 41 3/8 in. x 1 1/2 in. (3 pcs.) [$700/900]

173. Kiki Smith (American, b. 1954), “Silent Work”, 1992, screenprint and rubber stamp on Nepalese paper, signed, dated and numbered “82/150” lower right, sheet 29 1/2 in. x 20 in., framed, overall 37 in. x 27 3/8 in. x 1 1/2 in. [$600/800] Provenance: The Estate of Caroline P. Ireland.

174. Amy Kaufman (American, 20th c.), “Loup Knot 1”, 2009, color etching with aquatint and dry point, signed, dated and numbered “1/40” lower margin, 22 3/4 in. x 19 in., framed, overall 38 3/8 in. x 33 7/8 in. x 2 1/4 in. [$100/200]

175. Man Ray (American, 1890-1976), “Self-Portrait, L’album des Demeures d’Hypnos”, 1974, lithograph, pencil-initialed lower center, numbered “96/99” lower left, 19 5/8 in. x 12 3/4 in., framed, overall 30 3/4 in. x 22 3/4 in. x 1 in. [$800/1200] Provenance: Estate of Eric Bloomquist, Bloomington, IL. 37

176. Andy Warhol (American, 1928-1987), “Flowers”, 1964, offset lithograph invitation mailer, unsigned, “Leo Castelli Andy Warhol 21 Nov - 17 Dec” printed en verso, “618 Gallery” certificate of authenticity with artist, title, date and edition size on backing paper, printed by Total Printing, New York, published by Leo Castelli Gallery, New York, 21 3/4 in. x 21 3/4 in., framed, overall 32 in. x 32 in. x 2 1/4 in. [$700/1000] Provenance: Estate of Eric Bloomquist, Bloomington, IL. Ill.: Feldman, Frayda and Jorg Schellmann. Andy Warhol Prints: A Catalogue Raisonne 1962-1987. New York: D.A.P./Distributed Art Publishers, Inc., 1997, II.6, p. 56.

177. Andy Warhol (American, 1928-1987), “S&H Green Stamps”, 1965, offset lithograph invitation, unsigned, printed by Eugene Feldman, published by “Institute of Contemporary Art, Philadelphia, PA”, edition of 6000, 22 1/2 in. x 22 1/4 in., framed, overall 31 3/4 in. x 31 3/4 in. x 1 1/8 in. [$300/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL. Ill.: Feldman, Frayda and Jorg Schellmann. Andy Warhol Prints: A Catalogue Raisonne 1962-1987. New York: D.A.P./Distributed Art Publishers, Inc., 1997, II.9, p. 57.

178. Roy Lichtenstein (American, 1923-1997), “Tintin Reading”, 1995, offset lithograph, unsigned, published by Plaizier, Brussels, printed by Carto, Brussels, 29 in. x 23 1/4 in., framed, overall 42 3/4 in. x 30 3/4 in. x 7/8 in. [$200/400] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

179. Richard X. Zawitz (American, b. 1946), “Red Tube Tangle”, 1982, plastic tubes, sticker with artist and date, h. 8 3/4 in., w. 12 in., d. 19 1/2 in. [$150/250] Provenance: Wright, Chicago, IL, Aug. 12, 2022, lot 605; Estate of Eric Bloomquist, Bloomington, IL. 38

180. Robert Indiana (American, 1928-2018), “Skid Row”, silkscreen, signed lower right, 8 1/4 in. x 8 1/4 in., framed, overall 20 5/8 in. x 20 5/8 in. x 1 in. [$100/200]

181. Stephan Weiss (American, 1939-2001), “Untitled: Red”, 1985, laminated acrylic, signed and dated near base, h. 9 in., w. 6 1/2 in., d. 2 7/8 in.; accompanied by a copy of a receipt from Sue Lapin Art for Museums, Beverly Hills, CA, Jun. 3, 1985. (2 pcs.) [$200/300] Provenance: The Estate of Caroline P. Ireland. 182. Ulfert Wilke (American, 1907-1987), “Untitled (Red and Green Characters)”, 1972, silkscreen, signed, dated and numbered “7/10” lower margin, artist stamp lower right, 23 1/2 in. x 19 in., framed, overall 32 3/4 in. x 28 1/4 in. x 1 1/2 in. [$200/300] Provenance: The Estate of Caroline P. Ireland.

183. Richard Osterweil (American, 20th c.), “Portrait of Ugolino Martelli by Bronzino on a Purple Wall”, acrylic on canvas, unsigned, inscribed “Bronzini” on reverse of frame, information about artist attached en verso, 24 in. x 20 1/4 in., framed, overall 26 in. x 22 1/2 in. x 1 1 /4 in. [$1000/1500]

184. Maud Taber-Thomas (American/District of Columbia, 20th c.), “Self Portrait: Poison”, 2013, “Forbidden Fruit”, 2013, “Allegory of Cultivation”, 2013, “Apple Feuilleté”, 2013 and “Still Life with Books and Vase”, 2016, 5 oils on NYC MetroCards, each signed, monogrammed, titled and dated en verso, each with “Susan Callow Fine Arts, Washington, D.C.” artist bio on backing board, 2 1/8 in. x 3 3/8 in. to 3 3/8 in. x 2 1/8 in., framed, overall 4 in. x 5 in. x 3/4 in. to 8 1/2 in. x 7 3/4 in. x 1 3/4 in. [$600/800]

185. Paul John Wonner (American, 1920-2008), “Please Do Not Cross the Line”, mixed media on paper, pencil-signed lower right, titled mid-right, sight 17 in. x 14 in., framed, overall 22 3/4 in. x 19 3/4 in. x 7/8 in. [$800/1200] Provenance: The Estate of Caroline P. Ireland.

186. Mid-Century Modern “Flying Saucer” Lamp, 1950s, by M.G. Wheeler & Co., brass, swivel arm, h. 12 1/2 in., w. 23 in., d. 9 1/2 in. [$200/300]

187. Pascal Cucaro (American/ Ohio, 1915-2004), “Multiple Portraits”, c. 1980, oil wash on canvas, signed mid-left, “Corey Gallery, San Francisco” label on stretcher, 32 in. x 24 in., framed, overall 41 in. x 33 1/4 in. x 1 1/2 in. [$300/500]

188. Mark Forth (American, 20th c.), “Interior Scene”, oil on board, signed and inscribed “489” lower right, 15 1/2 in. x 21 1/2 in., framed, overall 22 1/4 in. x 28 3/8 in. x 1 3/4 in. [$300/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

189. Rebecca Welz (American, 20th c.), “Untitled”, Plexiglas, wire and pole, unsigned, 44 1/2 in. x 24 in. [$400/600] Provenance: Neal Auction, Feb. 21, 2016, lot 1302.

190. Chris Doyle (American/New York, b. 1959), “Prophet”, 2013, watercolor on paper, unsigned, “Catherine Clark Gallery, San Francisco, CA” labels with artist, title and date on backing paper, 32 in. x 32 in., framed, overall 36 1/4 in. x 36 1/8 in. x 1 1/8 in. [$700/1000]

191. Dale Chihuly (American, b. 1941), “Untitled”, mixed media on paper, signed lower left, 41 1/2 in. x 29 1/2 in., framed, overall 49 3/4 in. x 38 3/4 in. x 1 in. [$3000/5000]

192. Margaret Keane (American, 1927-2022), “Crying Girl with Black Cat”, 1995, oil on canvas, signed and dated lower left, 8 in. x 6 in., framed, overall 8 3/4 in. x 6 3/4 in. x 1 1/4 in. [$3000/5000]

193. Withdrawn, This item has been removed from the sale. No further information available.

194. Kayla Mahaffey (American/Chicago, b. 1994), “Head in the Clouds”, 2021, 27-color screenprint, signed lower right, dated and monogrammed in plate lower right, numbered “34/75” lower left, 35 in. x 42 in., framed, overall 41 3/8 in. x 48 1/4 in. x 1 in. [$1000/1500]

195. Charles and Ray Eames for Herman Miller 50th Anniversary Edition Lounge Chair and Ottoman, 2006, with label and special tag, leather, walnut, enamel and chrome steel, chair h. 31 in., w. 33 in., d. 35 in. [$1800/2500] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

196. Charles and Ray Eames Time-Life Walnut Stool, Model C, h. 15 in., dia. 13 in. [$300/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

197. Charles and Ray Eames for Vitra “La Chaise”, late 20th c., Vitra, Germany, marked, lacquered fiberglass, chrome-plated steel, oak base, h. 34 1/2 in., w. 59 in., d. 34 in. [$2000/3000] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

198. Four Charles and Ray Eames for Herman Miller DKR Eiffel Wire Side Chairs, 1970s, labeled, with “Bikini” pads, h. 32 in., w. 19 in., d. 20 in. [$300/500] 44

199. Pair of Charles and Ray Eames for Herman Miller DKR Wire Eiffel Side Chairs, 1970s, labeled, with “Bikini” pads, h. 32 in., w. 19 in., d. 20 in. [$150/250]

200. Eames-Style Molded Plywood Coffee Table and Chair, former, h. 16 in., dia. 34 1/4 in.; latter Ikea, h. 29 in., 23 1/4 in., w. d. 19 1/2 in. (2 pcs.) [$150/250]

201. Six Harry Bertoia for Knoll Side Chairs, c. 2005, model 420, labeled, red seat pads, h. 29 in., w. 21 in., d. 22 1/2 in. [$800/1200]

202. Pair of Warren Platner Chromed Steel and Glass Side Tables, 20th c., beveled glass tops, h. 18 in., dia. 16 in. [$600/800] Provenance: Neal Auction, Feb. 2020, lot 772.

203. Milo Baughman-Style Orange Painted and Chromed Metal Chest of Drawers, three drawers with rectangular loop pulls, h. 27 ¼ in., w. 39 7/8 in., d. (excl. handles) 19 in. [$200/300]

204. Milo Baughman-Style Chrome and Glass Table, paired d-bases, circular top, h. 29 5/8 in., dia. 36 in. [$150/250]

205. Karl Springer “JMF” Side Table, 1970s, h. 24 in., w. 22 in., d. 16 in. [$150/250] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

206. George Nelson for Herman Miller “Thin Edge” Full Size Bed, c. 1955, birch caned headboard, white enameled legs and support, h. 35 1/2 in., l. 84 1/2 in., w. 54 in. [$800/1200]

207. Pair of George Nelson for Herman Miller Chairs, metal tag, cane back, enameled wood, h. 32 1/2 in., w. 19 3/4 in., d. 21 in. [$300/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

208. George Nelson for Herman Miller Tray Table, Herman Miller tag, chrome steel, bentwood top, adjustable top from h. 19 in. to 31 in., w. 15 in., d. 15 in. [$400/600] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

209. George Nelson for Herman Miller Miniature Cabinet, c. 2005, Herman Miller tag, model 5217, designed 1952, enameled steel and teak, h.44 in., w. 10 1/4 in., d. 13 in. [$800/1200] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

210. Large Tapio Wirkkala for Venini Glass “Bolle” Vase, 1984, signed “venini italia tw 84”, incalmo glass, h. 18 3/4 in., dia. 4 1/2 in. [$700/1000] Provenance: Cottone Auction, NY, 11/11/17, lot. 488; Estate of Eric Bloomquist, Bloomington, IL.

211. Two Tapio Wirkkala for Venini Glass “Bolle” Vases, incalmo glass, smaller signed “venini tw 2012”, the larger “venini tw 2013”, h. 8 1/4 in. and 13 3/4 in. [$700/1000] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

212. Two Tapio Wirkkala for Venini Glass “Bolle” Vases, incalmo glass, the red signed “venini italia tw 86”, the green “venini 96”, h. 8 in., and 9 1/2 in. [$700/1000] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

213. Ingebord Lundin for Orrefors Glass “Apple” Vase, 1959, pale blue glass, signed “ORREFORS/Expo du 9-59/Ingebord Lundin”, h. 12 1/4 in., dia. 12 3/4 in. [$1500/2500] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

214. Ingeborg Lundin for Orrefors Glass “Apple” Vase, 1957, clear glass, signed “ORREFORS/Expo. du 32-57/Ingeborg Lundin”, h. 12 3/4 in., dia. 12 in. [$1200/1800] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

215. Ingeborg Lundin for Orrefors Glass “Apple” Vase, 1957, clear glass, signed “ORREFORS/Expo. Nr. 32-57/Ingeborg Lundin”, h. 14 1/2 in., dia. 13 1/2 in. [$1500/2500] Provenance: Palm Beach Modern Auction, Oct. 13, 2012, lot 357; Estate of Eric Bloomquist, Bloomington, IL.

216. Diminutive Ingeborg Lundin for Orrefors Glass Vase, 1968, marked “Orrefors/Expo D 346-68/Ingeborg Lundin”, clear glass, with interior green flecks, h. 3 3/4 in., dia. 2 3/4 in. [$300/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL. 47

217. Sven Palmquist for Orrefors Crystal “Seed Sower” Vase, 1939, signed “Orrefors Palmquist 2076 A5iR”, h. 9 1/2 in., w. 6 1/4 in., d. 4 1/4 in. [$300/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

219. German Glass Hourglass, 20th c., labeled “Lauschaer Glaskunst”, light amethyst and olive glass, h. 8 1/4 in. [$50/75] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

221. Lino Tagliapietra for Effetre International Murano Glass Vase, 1988, hand-blown, engraved signature and date, h. 13 1/2 in., dia. 5 1/4 in. [$600/900]

223. Italian Art-Glass Table Lamp, elongated neck, feathered design, h. (to socket) 34 in., dia. 10in. [$250/350] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

218. Orrefors Crystal “Pearl Diver” Vase, signed “Orrefors 3670 D1”, h. 10 1/2 in., w. 4 1/2 in., d. 3 3/4 in. [$400/600] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

220. Lalique Crystal Bagatelle Vase, signed, Lalique, France, h. 6 3/4 in., dia.4 5/8 in. [$300/500]

222. Luigi Onesto (Italian, b. 1935) Murano Glass Sommerso Vase, c. 1970s, signed “L. Onesto, Murano”, triangular-form, h. 13 3/4 in., w. 6 in., d. 6 in. [$500/700] Provenance: Michael W. Murphy, El Dorado, AR.

224. Two Art Nouveau Pate de Verre Objects, a paperweight with mussels, marked “AWALTER NANCY” and “HM”, for Almeric Walter & Henri Mercier, h. 1 3/4 in.; and a vide poche depicting a snail on a leaf, marked “DAUM FRANCE”, h. 1 1/2 in. [$300/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

225. Paolo Santini for Daum Pate de Verre Glass “Proton” Figure, fully marked, edition 119/150, h. 11 1/2 in., w. 5 1/2 in., d. 3 1/2 in. [$150/250] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

226. Salvador Dali (Spanish, 1904-1989), “Pegasus”, 1967, Daum pate-de-verre plaque, impressed with artist’s name, date, number 34/250, and Daum, published by Daum Cristal, Paris, h. 14 in., w. 13 in., d. 3 1/2 in. [$800/1200] Provenance: Treadway Toomey Auctions, Oak Park, IL, Dec. 7, 2013, lot 435; Estate of Eric Bloomquist, Bloomington, IL.

227. Paul McCobb (American, 1917-1969) for Perimeter Group Sideboard with Hutch, labeled, Winchendon, case with sliding wood doors, bookcase with sliding glass doors, h. 67 1/4 in., w. 48 in., d. 18 in. [$300/500]

228. Paul McCobb (American, 1917-1969) for Calvin Group BrassMounted Walnut Extension Bar Cart, 1950s, labeled, Grand Rapids, folded sliding top, one long over two short drawers, turned tapering legs, glass shelf, casters, h. 28 1/2 in., w. (closed) 40 in., w. (open) 80 1/4 in., d. 20 in. [$400/600]

229. Paul McCobb (American, 1917-1969) for Planner Group Maple Dining Table, c. 1950, Winchendon, model 1521, h. 29 in., w. 40 1/2 in., d. 30 in. Note: Lacking leaves. [$300/500] Provenance: Wright, Chicago, Aug. 2018, lot 512 49

230. Richard Schultz for Knoll Petal Side Table and Armchair, chair marked, h. 29 1/2 in., w. 23 1/4 in., d. 24 in.; table with enameled aluminum, lacquered redwood, h. 19 in. [$350/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

231. Pair of Sir David Adjaye for Knoll Studio Copper-Plated Aluminum “Washington Skeleton” Chairs, signed, and marked “Knoll Studio 2013”, cantilevered form, h. 32 1/2 in., w. 17 1/4 in., d. 20 1/2 in. [$700/1000] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

232. Edward Wormley for Dunbar King Headboard, 1960s, with upholstered tilting pillow rest and armrests, h. 42 in., w. 103 in., d. 4 in. [$600/900]

233. Edward Wormley for Dunbar Corner Table, 1960s, brass “Dunbar Berne Indiana” tag, curved front top edge and stretcher, flared legs, h. 24 in., w. 48 in., d. 24 in. [$300/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL. 234. Raymond Loewy DF 2000 Valet Cabinet, Doubinsky Freres, France, labeled, wood and laminate cabinet with molded silver drawer fronts, hinged top with interior mirror and removable tray, over two single drawers, one double drawer and drop-front drawer to bottom for shoe storage, rear with compartment for hanging clothes, casters, h. 34 in., w. 19 3/4 in., d. 20 in. [$700/1000] Provenance: Treadway Toomey, Oak Park, IL, Jun. 8, 2013, lot 945; Estate of Eric Bloomquist, Bloomington, IL.

235. Pair of Philip and Kelvin LaVerne “Kuan Su” Tables, 1960s, bronze and pewter, both retain client shipping labels, h. 16 in., w. 18 1/4 in., d. 18 1/4 in. [$1000/1500] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

236. Pair of Vintage Peter Pepper Products Oak and Painted Fiberboard Hanging Magazine Racks, each labeled, Compton, CA, slatted fronts, plumb-colored backs, h. 12 7/8 in., w. 15 3/4 in., d. 3 in. [$200/300] 237. Pair of Daniel Rybakken (b. 1984) for Hay Powder Coated Tubular Steel and Bent Oak Veneer Plywood “Petit Standard” Chairs, 21st c., in pearl, stackable, h. 32 5/8 in., w. 27 5/8 in., d. 19 5/8 in. [$250/350] Provenance: Design Within Reach, 2021.

238. Pair of T. H. Robsjohn Gibbings (1905-1976) for Widdicomb Chrome Plated BrassMounted Walnut Nightstands and Pair of Twin Beds, 1950s, Grand Rapids, one labeled, tables with slightly curved shelf, drawers with nickel plated spearhead handle, glass tops, beds fitted with later Bunkie boards, h. 25 1/2 in., w. 19 in., d. 15 in., bed h. 34 1/2 in., w. 4 1/2 in. (4 pcs.) [$500/700]

239. Renzo Rutili (American, 1901-2003) for Johnson Furniture Co. Mixed Woods Side Table, 1950s, Grand Rapids, branded mark, h. 25 in., w. 25 1/2 in., d. 19 1/2 in. [$200/300]

240. Pair of Cy Mann Upholstery and Steel Lounge Chairs, 1970s, model 232, h. 27 in., w. 29 1/2 in., d. 33 in. [$200/400]

241. Ted Boerner (American, 20th c.) for Design Within Reach Leather and Chromed Steel Three Seat “Theatre” Sofa, 2011, labeled, “Stone Chapel” pale gray-blue upholstery, h. 30 in., w. 80 in., d. 30 1/2 in.; accompanied by copy of DWR receipt. [$800/1200] Provenance: Design Within Reach, New Orleans, 2011.

243. Edward Hagedorn (American/ California, 1902-1982), “Untitled: Female Figure”, 1925, crayon on paper, unsigned, estate stamp inscribed “EH1783” and additional inscription en verso, exhibition labels with date and artist information on backing paper, 15 3/8 in. x 10 3/4 in., framed, overall 22 7/8 in. x 18 1/4 in. x 1 1/4 in. [$700/1000] Provenance: Collection of Mark Bercier, New Orleans, LA. Exh.: “Drawn from New Orleans: Twentieth Century Works from Private Collections”, Newcomb Art Gallery, Tulane University, New Orleans, LA, Apr. 24 - Jun. 30, 2007.

242. American School, 20th c., “Standing Figure”, bronze, unsigned, h. 13 1/2 in., w. 2 1/4 in., d. 4 1/4 in., wood base, overall h. 25 1/2 in. [$400/600]

244. Edward Timothy Hurley (American/Ohio, 1869-1950), “Solo Voyage”, pastel on paper, unsigned, “Treadway Toomey” tag attached to wire, 9 3/4 in. x 11 3/4 in., framed with artist and title plaque, overall 21 5/8 in. x 25 5/8 in. x 1 in. [$500/700] Provenance: Treadway Toomey Auctions, Oak Park, IL, Mar. 8, 2014, lot 112; Estate of Eric Bloomquist, Bloomington, IL.

245. Arthur Sarnoff (American/ New York, 1912-2000), “New Addition to the Family”, gouache on Bainbridge board, signed twice lower left (once under mat), 32 1/4 in. x 27 3/4 in., framed, overall 36 in. x 32 in. x 1 in. [$1200/1800]

246. Philip R. Perkins (American, 1914-1968), “Sunflower” and “Still Life”, 1959, 2 oils on masonite, one signed upper left, one signed and dated upper right, one titled on tape on reverse of frame, 14 in. x 4 1/8 in. and 7 in. x 8 3/8 in., framed, overall 17 7/8 in. x 8 1/8 in. x 1 3/4 in. and 9 3/4 in. x 11 in. x 1 1/2 in. (2 pcs.) [$300/500] Provenance: Frank J. Oehlschlaeger, Chicago, IL, 1960; Estate of Caroline P. Ireland.

247. Thomas Benrimo (American/ California, 1887-1958), “Cactus and Rose”, gouache on board, signed lower left, 11 5/8 in. x 13 1/8 in., framed, overall 15 3/4 in. x 17 1/2 in. x 1 1/2 in. [$800/1200]

248. Clyde Burt (American, 1922-1981), “Untitled: Mosaic Wall Plaque”, ceramic, signed lower right, 22 3/4 in. x 16 1/2 in., original wood artist frame, overall 27 3/4 in. x 21 1/4 in. x 2 in. [$2500/3500] Provenance: Treadway Toomey Auctions, Oak Park, IL, Mar. 4, 2017, lot 602; Estate of Eric Bloomquist, Bloomington, IL.

249. Cleo Hartwig (American/ Michigan, 1911-1988), “Owl”, plaster, signed on reverse above self-base, h. 10 1/2 in., w. 4 5/8 in., d. 4 5/8 in. [$300/500] Provenance: Link Auction Galleries, St. Louis, MO, July 15, 2017, lot 71; Estate of Eric Bloomquist, Bloomington, IL.

250. O. Winston “Ogle” Link (American, 1914-2001), “Shaffers Crossing, Roanoke, Virginia”, silver gelatin print laid on board, unsigned, sight 10 1/4 in. x 13 in., framed, overall 20 1/4 in. x 22 3/4 in. x 3/4 in. [$600/800] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

251. After Ernest J. Bellocq (American/ Louisiana, 1873-1949), “Untitled: Seated Storyville Woman, White Background”, c. 1912 negative creation date, c. 1960 print date, gelatin silver print, printed from the original glass negative by Dan Leyrer (American/New Orleans, 1898-1978), “Al Rose, P.O. Box 613, Key Largo, Fla.” stamp and inscribed en verso, exhibition label with artist and print information on backing paper, 10 in. x 8 in., framed, overall 16 1/2 in. x 13 3/4 in. x 1 in. [$2000/3000] Provenance: Estate of Al Rose from Larry Borenstein, New Orleans, LA; Neal Auction, Dec. 6, 2003, lot 73; Private Collection. 53

252. Ernest Tino Trova (American, 1927-2009), “Falling Man”, 1969, serigraph, signed and dated lower right, 23 1/4 in. x 23 1/4 in., framed, overall 27 1/4 in. x 26 1/2 in. x 3/4 in. [$200/300] Provenance: Link Auction Galleries, St. Louis, MO, Nov. 12, 2022, lot 208; Estate of Eric Bloomquist, Bloomington, IL.

253. Ernest Tino Trova (American, 1927-2009), “Fallen Man Series II”, 1968, silkscreen, pencil-signed, dated and numbered “102/150” lower margin, “The Art Package LTD” certificate of authenticity on backing board, printed by Abrams, NY, 10 1/2 in. x 10 1/2 in., framed, overall 18 3/8 in. x 18 1/4 in. x 7/8 in. [$100/200] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

254. Ben Shahn (Lithuanian/New York, 18981969), “Unexpected Meetings”, 1968, lithograph, signed in plate, from the Rilke Portfolio, sight 20 1/4 in. x 15 1/4 in., framed, overall 30 7/8 in. x 25 7/8 in. x 1 in. [$100/200]

255. Kenneth Stancin (American/California, 1938-2012), “Museum of Modern Art”, 1978, silkscreen, signed and dated lower right, titled center, inscribed “A/P” lower left, signed, titled, dated and inscribed on backing board, edition of 350, 16 in. x 20 in., framed, overall 17 1/4 in. x 21 1/2 in. x 1 in. [$100/200] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

256. Stephen Pace (American/New York, 1918-2010), “Rhubarb Patch”, 1978, watercolor on paper mounted to board, signed and dated lower left, label with artist and title on stretcher, 2 “Katherine R. Perlow Gallery, New York, NY” labels with artist, title and date on stretcher and backing board, 15 in. x 22 1/2 in., framed, overall 20 1/4 in. x 27 in. x 1 1/2 in. [$1500/2500] 54

257. Jack Jordan (American/California, 1928-2018), “Wolves at Night”, oil on canvas, signed lower right, handwritten label with artist on stretcher, 20 in. x 24 in., framed, overall 29 1/4 in. x 33 1/2 in. x 2 1/4 in. [$300/400]

258. Robert “Bob” Haozous (Chiricahua Apache, b. 1943), “Bison”, 1982, bronze, signed and dated on underside, h. 5 3/8 in., w. 7 1/4 in., d. 3 in., wood base, overall h. 7 1/8 in. [$300/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

259. Ray George Ellis (American/Pennsylvania, 1921-2013), “Lunch at McGarvey’s (Annapolis, Maryland)”, 1982, oil on canvas, signed lower right, pencil-titled and typed label with artist and title on stretcher, “Lambremont Art Care, New Orleans, LA” label on reverse of frame, 20 in. x 23 7/8 in., framed with artist and title plaque, overall 28 1/2 in. x 34 3/8 in. x 2 in. [$2000/3000] Ill.: Ellis, Ray and Walter Cronkite. South by Southeast. Birmingham: Oxmoor House, Inc., 1983, pl. 9.

260. John Bartok (American/Maine, 1938-2002), “Morning Surf”, 1985, oil on canvas board, signed and dated lower left, signed and titled en verso, artist bio on reverse of frame, 12 in. x 16 in., framed, overall 18 1/4 in. x 22 1/4 in. x 1 3/4 in. [$300/500] 55

261. Shearwater Art Pottery “Rooster” Teapot, 1990, originally designed by Walter Inglis Anderson, h. 12 1/2 in., w. 7 in., d. 15 1/2 in. [$200/300] Provenance: Michael W. Murphy, El Dorado, AR. 262. Large Teco Pottery Vase, 20th c., two impressive marks, mottled green glaze, repair to rim, h. 17 1/2 in., dia. 8 1/4 in. [$400/600] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

263. Two Teco Art Pottery Vases, 20th c., impressed marks, one a green matte-glaze buttress vase (with restored rim), h. 6 3/8 in., the other a footed vessel in yellow and blue glaze, h. 3 1/8 in. [$600/900] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

264. Six North Dakota School of Mines Art Pottery Vases, 20th c., various glazes, tallest 3 1/2 in. [$400/600] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

265. Four Rookwood Art Pottery Vases, early 20th c., various glazes, the maroon vase (model 6762) with Southwest theme, largest h. 5 3/4 in. [$300/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

266. Four Rookwood Pottery Pieces, incl. a pair of bird-form bookends, a bowl, a figural ashtray, and a vase, tallest h. 7 in. [$250/350] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

268. Three Rookwood Pottery Monkey Paperweights, late 20th c., marked, h. 3 3/4 in. [$200/300] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

267. Two Rookwood Art Pottery Parrot Trivets, 1918 and 1921, marked, 5 1/2 in. x 5 1/2 in. and 5 3/4 in. x 5 3/4 in. [$300/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

269. Two Rookwood Art Pottery Faience Floral Tiles, early 20th c., marked, 4 in. x 4 in., in wood frames, 10 in. x 10 in. [$300/500] Provenance: Treadway Gallery, Cincinnati, Ohio; Estate of Eric Bloomquist, Bloomington, IL.

270. Five Van Briggle Art Pottery Pieces, incl. three vases, a candlestick, and a turtle-form covered dish, tallest vase 4 1/2 in. [$300/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

271. Four Van Briggle Art Pottery Indian Plaques, 20th c., impressed marks, tallest 5 1/2 in. [$150/250] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

272. Van Briggle “Despondency” Vase, late 20th c., marked, blue over green glaze, h. 16 1/4 in., dia. 8 in. [$400/600] Provenance: Estate of Eric Bloomquist, Bloomington, IL. 273. Grueby Pottery Tile of a Rabbit, early 20th c., marked with artist’s initials “ET”, figure of a rabbit in a cabbage field, 4 1/8 x 4 1/8 x 5/8 in. [$300/500] Provenance: Rago Auction, Jan. 13, 2012, lot 128; Estate of Eric Bloomquist, Bloomington, IL.

274. Four Fulper Art Pottery Bowls, early 20th c., all marked (one marked for Prang), various glazes, largest h. 4 1/4 in., dia. 9 3/4 in. [$400/600] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

275. Two Fulper Art Pottery Vases, early 20th c., marked (one for Prang), larger h. 4 7/8 in. [$250/350] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

276. Three Fulper Art Pottery Vases, all marked, incl. a 1909-1917 two handled vase, a 1917-1927 melon-form vase, and a 1929-1934 urn, tallest 7 1/8 in., dia. 6 3/4 in. [$700/1000] Provenance: Estate of Eric Bloomquist, Bloomington, IL. 58

277. Contemporary Ceramic Compote and Bowl, 20th c., compote h. 10 in., dia. 14 in. [$100/200]

278. Decorative Silvered Plaster Figural Side Table, late 20th c., circular top, lion legs, h. 17 3/4 in., dia. 17 1/4 in. [$250/350] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

279. Contemporary Jack-Form Table, fiberglass, beveled edge glass top, h. 15 in., dia. 24 in. [$100/150] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

280. American Studio School Mixed Woods Table, h. 32 in., w. 30 in., d. 21 3/4 in. [$200/300] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

281. Modern Tray Table, metal base, lift-off tray with aluminum surface, h. 15 in., w. 15 1/4 in., d. 15 1/4 in. [$100/150] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

282. Prairie School-Style Armchair, 21st c., h. 31 1/2 in., w. 22 1/2 in., d. 22 in. [$150/250] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

283. Mixed Woods Cabinet on Stand, hinged lid, interior with mirror, h. 28 1/4 in., w. 12 3/4 in., d. 13 1/8 in. [$150/250] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

284. Thonet Bent Plywood Armchair, 1940s, marked “THONET/New York”, h. 32 in., w. 22 in., d. 21 in. [$100/150] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

285. Mid-Century Modern Rosewood Chest on Stand, two drawers, over ebonized stand with rattan shelf, h. 27 3/4 in., w. 25 1/2 in., d. 14 1/4 in. [$200/300] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

286. Grosfeld House Walnut and Tooled Leather Extension Dining Table, 1940s, USA, unmarked, with one 18 in. leaf, h. 28 in., w. 60 in., d. 42 in., w. with leaf 78 in. [$800/1200] Provenance: Rago Auction, Lambertville, NJ, Jun. 17, 2012, lot 1062; Estate of Eric Bloomquist, Bloomington, IL. 287. American Arts and Crafts Oak Rocking Chair, early 20th c., h. 32 in., w. 17 1/2 in., d. 21 in. [$100/150] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

288. Stickley by Audi Oak Nightstands, late 20th c., metal tags, quartersawn oak and oak veneer, h. 28 in., w. 20 in., d. 17 1/2 in. [$300/500] Provenance: Rago Auction, Lambertville, NJ, Jan. 13, 2012, lot 222; Estate of Eric Bloomquist, Bloomington, IL.

289. American Studio-School Black Walnut Console Table, signed “designed and made by robert m. wayner, chicago” with his signature, slab construction, h. 32 1/2 in., w. 48 in., d. 12 in. [$200/300] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

290. Thomas Moser Cherry “Ellipse Three Place” Sofa, cherry frame, ash back spindles, leather upholstery, h. 37 in., w. 68 in., d. 33 in. [$1000/1500]

291. Baker Furniture Mahogany Chest of Drawers, labeled, two drawers, over three drawers, chrome handles, h. 29 3/4 in., w. 40 in., d. 19 in. [$300/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

292. Pair of Florence Knoll Lounge Chairs, 1960s, Knoll Associates label, steel and wool, h. 31 in., w. 28 in., d. 31 in. [$400/600] Provenance: Freeman’s, Phil., PA, Nov. 16, 2003, lot 252; Estate of Eric Bloomquist, Bloomington, IL.

293. Pair of Florence Knoll Lounge Chairs, 1960s, Knoll Associates label, steel and wool, h. 31 in., w. 28 in., d. 31 in. [$400/600] Provenance: Freeman’s, Phil., PA, Nov. 16, 2003, lot 251; Estate of Eric Bloomquist, Bloomington, IL.

294. Bruce “Dapper Bruce Lafitte” Davenport, Jr. (American/Louisiana, b. 1972), “Shorty Bop”, 2020, “Slam U”, 2020, “Blue Indian”, 2020 and “Foots”, 2017, 4 markers on paper, all titled lower center, signed and dated lower right, signed and inscribed en verso, 11 in. x 14 in. to 12 in. x 9 in., unframed. (4 pcs.) [$300/500] 295. Bruce “Dapper Bruce Lafitte” Davenport, Jr. (American/Louisiana, b. 1972), “Tyson Kickin’ Butt” and “Tyson Vs. Bonecrusher”, 2022, 2 markers on paper, each signed and dated lower right, both titled lower center, each initialed lower left, both signed and inscribed en verso, 8 in. x 10 in. and 10 in. x 8 in., unframed. (2 pcs.) [$300/500] 296. Eddie “Jack” Jordan (American/ Louisiana, 1925-1999), “Angela Davis”, pastel on masonite, signed lower center, titled en verso, “AfroAmerican Artists National Exhibition of Paintings, Drawings & Prints” label en verso, 34 in. x 22 in., framed, overall 37 1/2 in. x 25 1/4 in. x 1/2 in. [$1000/1500] 297. Eddie “Jack” Jordan (American/ Louisiana, 1925-1999), “They Crucified the Black Man...Also”, 1991, pastel on masonite, signed and dated lower right, inscribed with artist on reverse of frame, 3 handwritten labels one with artist and title on backing paper, 48 in. x 24 in., framed, overall 53 1/2 in. x 29 3/4 in. x 2 in. [$800/1200]

298. Andrew LaMar Hopkins (American/Louisiana, b. 1977), “Marie Laveau à la Abstract”, 2021, acrylic on canvas board, signed lower right, signed, titled and dated en verso, 20 in. x 16 in., framed, overall 25 in. x 21 in. x 1 5/8 in. [$10000/15000]

299. Andrew LaMar Hopkins (American/ Louisiana, b. 1977), “The Birth of Creole Venus”, 2018, giclee on canvas, signed, dated and inscribed “AP 1/4” lower left, signed and dated in plate lower right, 11 5/8 in. x 14 3/8 in., framed, overall 13 1/2 in. x 16 1/4 in. x 1 1/4 in. [$800/1200]

300. DeWitt J. Lobrano (American/Louisiana, b. 1943), “Fiona and Herbie”, 1989, oil on canvas, signed lower right, titled and dated en verso, 19 7/8 in. x 24 in., framed, overall 20 3/4 in. x 25 1/4 in. x 1 1/2 in. [$300/500]

301. DeWitt J. Lobrano (American/Louisiana, b. 1943), “Blue Feather-Edge”, 1979, oil on canvas, signed and dated lower right, titled and dated en verso, 24 in. x 29 3/4 in., framed, overall 26 in. x 21 1/2 in. x 1 3/4 in. [$300/500]

302. DeWitt J. Lobrano (American/ Louisiana, b. 1943), “The Pink Dress”, 1979, oil on masonite, signed and dated lower right, titled and dated en verso, 7 7/8 in. x 9 7/8 in., framed, overall 9 in. x 11 in. x 1 in. [$250/350] 63

303. Harvey Sherman Harris (American/Louisiana, 1915-1999), “Cat Fight”, oil on board, signed lower right, titled en verso and on backing board, 15 1/8 in. x 19 in., framed, overall 20 1/4 in. x 26 1/4 in. x 3/4 in. [$250/350]

304. Harvey Sherman Harris (American/Louisiana, 1915-1999), “The Green-Eyed Cat”, watercolor on paper, signed lower left, titled and inscribed en verso and on backing board, 17 3/4 in. x 11 1/4 in., framed, overall 21 in. x 15 3/4 in. x 1 in. [$250/350]

305. Miriam Hirsch (American/ Louisiana, b. 1947), “Magician”, 1994, acrylic on canvas, signed lower right, signed, titled and dated en verso, 48 in. x 36 in., framed, overall 51 1/8 in. x 39 in. x 1 1/2 in. [$300/500]

306. Cora Kelley Ward (American/ Louisiana, 1920-1989), “Jaunt”, 1961, oil on linen, signed and dated lower right, signed, titled and dated en verso, handwritten hanging tag with artist, title and date, 60 in. x 50 in., unframed. [$4000/6000] 64

307. Cora Kelley Ward (American/ Louisiana, 1920-1989), “Untitled”, 1961, oil on linen, unsigned, dated midright, handwritten hanging tag with artist, title and date, 87 3/4 in. x 51 1/2 in., unframed. [$4000/6000]

308. Cora Kelley Ward (American/ Louisiana, 1920-1989), “Untitled”, 1961, oil on linen, unsigned, dated midright, handwritten hanging tag with artist, title and date, 75 1/2 in. x 51 in., unframed. [$4000/6000]

310. Ida Rittenberg Kohlmeyer (American/Louisiana, 1912-1997), “Untitled: Synthesis Series”, 1982, mixed media on paper, pencil-signed and dated lower right, 11 1/4 in. x 16 1/4 in., framed, overall 18 1/4 in. x 20 3/4 in. x 7/8 in. [$1500/2500]

309. Ida Rittenberg Kohlmeyer (American/Louisiana, 1912-1997), “Untitled: Cluster Series”, 1981, mixed media on paper, pencil-signed and dated lower right, sight 11 in. x 12 in., framed, overall 24 5/8 in. x 19 7/8 in. x 1 in. [$1500/2500] 65

311. Mildred Wohl (American/ Louisiana, 1906-1977), “Abstract Composition”, 1969, oil on paper, signed and dated lower right, “Frank H. Allen Photographer, New Orleans, LA” stamp on backing board, 11 3/4 in. x 8 7/8 in., framed, overall 15 1/8 in. x 11 3/4 in. x 1/2 in. [$800/1200]

312. Zella Funck (American/Louisiana, 1917-2009), “Abstract Composition”, oil on canvas, signed lower right, signed twice and inscribed “New Orleans Art League 628 Toulouse St” on stretcher, 20 in. x 24 in., framed, overall 20 3/4 in. x 24 3/4 in. x 1 1/2 in. [$700/1000] 313. James Steg (American/ Louisiana, 1922-2001), “Picnic Scene”, 1964, collagraph, pencil-signed, titled, dated and numbered “20/25” lower margin, 23 1/2 in. x 34 3/8 in., framed, overall 32 in. x 12 in. x 1 1/4 in. [$150/250]

314. Frances Swigart Steg (American/Louisiana, b. 1942), “French Panel”, intaglio on handmade paper, pencil-signed, titled and numbered “State II 41/150” lower margin, sheet 20 1/4 in. x 30 in.; and “Carved Panel”, intaglio on handmade paper, pencilsigned, titled and numbered “State III 41/150” lower margin, sheet 20 1/2 in. x 30 in., framed alike, each overall 29 1/2 in. x 30 1/2 in. x 1/2 in. (2 pcs.) [$400/600]x 1/2 in. (2 pcs.) [$400/600]

315. Frances Swigart Steg (American/ Louisiana, b. 1942), “Dome”, hand-enhanced intaglio on handmade paper, pencil-signed, titled and numbered “Edition II State I 9/118” lower margin, sheet 20 in. x 30 in., framed, overall 33 in. x 43 in. x 2 in. [$300/500]x 1/2 in. [$400/600] 66

316. Elizabeth Shannon (American/ Louisiana, b. 1948), “Circle with Horn”, wood and steer horn, unsigned, h. 23 3/4 in., w. 18 1/2 in., d. 7 1/2 in. (3 pcs.) [$800/1200] Provenance: Heriard-Cimino Gallery, New Orleans, LA, 2012; Collection of Nan Wier, New Orleans, LA; thence by descent.

317. Frank Hayden (American/ Louisiana, 1934-1988), “Committee”, carved laminated pinewood, signed on base, h. 54 1/4 in., w. 19 1/4 in., d. 9 1/2 in. [$7000/10000] Provenance: Dr. Gary Noel Ross; Paula Manship (1912-2006), Baton Rouge, LA; by descent to her niece Nadine Carter Russell (1943-2022), Baton Rouge, LA.

318. George Valentine Dureau (American/Louisiana, 1930-2014), “Trompe l’oeil Landscape”, oil on gallerywrapped canvas diptych, signed mid-right of left panel, each panel 76 1/2 in. x 47 in., overall 76 1/2 in. x 94 in., unframed. (2 pcs.) [$8000/12000]

319. George Valentine Dureau (American/Louisiana, 1930-2014), “Nude Figure”, charcoal on paper, signed lower center, 36 in. x 24 in., framed, overall 45 3/4 in. x 35 3/4 in. x 2 in. [$400/600]

320. George Valentine Dureau (American/Louisiana, 1930-2014), “Nude Figure”, charcoal on paper, signed lower center, sight 38 1/2 in. x 28 3/4 in., framed, overall 48 1/2 in. x 37 1/2 in. x 1 1/2 in. [$400/600] 67

321. George Valentine Dureau (American/Louisiana, 1930-2014), “Troy Brown”, gelatin silver print, signed lower right, titled lower left, sheet 20 in. x 16 in., framed, overall 26 in. x 24 in. x 1 1/4 in. [$300/500]

322. George Valentine Dureau (American/Louisiana, 1930-2014), “Untitled: In the Window”, 1969, oil on canvas, signed and dated lower center, 21 1/4 in. x 20 in., framed, overall 22 in. x 29 3/4 in. x 2 in. [$1200/1800]

323. Rise Delmar Ochsner (American/Louisiana, b. 1944), “Table and Chairs”, acrylic on gallerywrapped canvas, signed lower right, 48 in. x 60 in., unframed. [$1000/1500]

324. Rise Delmar Ochsner (American/Louisiana, b. 1944), “Pink Chair”, 2008, acrylic on gallery-wrapped canvas, signed and dated mid-right, 36 in. x 36 in., framed, overall 38 1/2 in. x 38 1/2 in. x 2 in. [$600/800] 68

325. Rise Delmar Ochsner (American/Louisiana, b. 1944), “White Chair on Blue”, 2008, acrylic on gallery-wrapped canvas, signed and dated mid-right, 30 in. x 30 in., framed, overall 32 1/2 in. x 32 1/2 in. x 1 1/2 in. [$600/800]

326. Jose-Maria Cundin (Spanish/Louisiana, b. 1938), “Dona Malisa Bestiaga Presidenta Vitali Cia De La Benevolente Sociedad De Hermanas”, 1985, oil on canvas, signed and dated lower right and en verso, titled on frame, 32 in. x 26 in., original artist frame, overall 46 3/4 in. x 40 1/4 in. x 1 1/2 in. [$4000/6000]

327. Jose-Maria Cundin (Spanish/Louisiana, b. 1938), “New Orleanians Awaiting the Year 2000”, 1986, oil on canvas, signed and dated upper left, signed, titled and dated en verso, 18 in. x 20 in., original artist frame, overall 29 1/2 in. x 31 1/2 in. x 2 1/2 in. [$2500/3500]

328. Jose-Maria Cundin (Spanish/Louisiana, b. 1938), “Figure Studies”, 1985, graphite on paper, signed and dated upper right, inscribed lower margin and mid-left, 14 in. x 11 in., framed, overall 19 1/4 in. x 19 1/2 in. x 1 1/4 in. [$500/700]

330. Jose-Maria Cundin (Spanish/Louisiana, b. 1938), “Head”, mixed media and wood, unsigned, h. 17 1/2 in., w. 8 in., d. 8 in. [$1500/2500] 329. Jose-Maria Cundin (Spanish/Louisiana, b. 1938), “Two Figures”, 1970, oil on canvas board, signed and dated lower right, sight 9 3/4 in. x 12 in., framed, overall 15 1/4 in. x 17 1/4 in. x 3/4 in. [$1200/1800] 69

331. David Harouni (Iranian/Louisiana, b. 1962), “Untitled: King”, oil on gallery-wrapped canvas, signed lower right, 36 in. x 36 in., unframed. [$2500/3500]

332. George Rodrigue (American/Louisiana, 1944-2013), “Baby Blues”, 1994, silkscreen, signed lower left, inscribed “Artist Proof” lower right, edition of 350, 8 3/4 in. x 7 3/4 in., framed, overall 17 1/2 in. x 15 1/2 in. x 1 in. [$800/1200] Provenance: Estate of Eric Bloomquist, Bloomington, IL. Ill.: Rodrigue, George and Wendy Wolfe Rodrigue. George Rodrigue Prints: A Catalogue Raisonne 1970-2007. New York: Harry N. Abrams, Inc., 2008, p. 98.

333. Hunt Slonem (American/Louisiana, b. 1951), “Penguin”, 1980 and “Armoire”, 1980, 2 silkscreens on paper, each pencil-signed, dated and numbered “AP/4” or “AP/14” lower margin, one with watermark visible, 19 1/2 in. x 19 1/2 in. and 27 1/2 in. x 18 in., framed, overall 31 5/8 in. x 31 1/8 in. x 1 in. and 36 3/8 in. x 27 in. x 1 5/8 in. (2 pcs.) [$500/700] 70

334. Frank Fleming (American/Alabama, 1940-2018), “Dog”, ceramic, signed on proper left hind leg, h. 15 in., w. 11 in., d. 20 in. [$800/1200] Provenance: Galerie Simonne Stern, New Orleans, LA, 1989; Collection of Sydney and Walda Besthoff, New Orleans, LA.

335. Frank Fleming (American/Alabama, 1040-2018), “The Writer”, ceramic, signed on reverse of log, h. 18 in., w. 12 in., d. 15 in. [$800/1200] Provenance: Galerie Simonne Stern, New Orleans, LA, 1989; Collection of Walda and Sydney Besthoff, New Orleans, LA.

336. Frank Fleming (American/ Alabama, 1940-2018), “The Owl, She Watches...and Waits”, ceramic, unsigned, h. 29 in., w. 16 1/4 in., d. 12 1/2 in. [$800/1200] Provenance: Galerie Simonne Stern, New Orleans, LA, 1989; Collection of Walda and Sydney Besthoff, New Orleans, LA.

337. Robert Gordy (American/Louisiana, 1933-1986), “Study for a Landscape with Two Figures”, 1977, marker, ink and collage on paper, initialed lower left, “Galerie Simonne Stern, New Orleans, LA” label with artist, title and date on backing, 8 in. x 10 in., clear acrylic frame, overall 8 1/8 in. x 10 1/8 in. x 1 3/8 in. [$600/800]

338. David Sinclair Nixon (American/Louisiana, 19041973), “Dancers”, watercolor on paper, initialed lower left, 18 in. x 15 in., framed, overall 24 in. x 20 5/8 in. x 1 in. [$300/500]

339. David Sinclair Nixon (American/Louisiana, 1904-1973), “Virgin Islands”, 1954, watercolor and mixed media on board, signed, titled and dated lower left, artist name inscribed en verso, 9 in. x 15 in., framed, overall 10 1/4 in. x 16 3/8 in. x 3/4 in. [$300/500]

340. Jan N. Fisher (American/Louisiana, 20th c.), “Island VI”, 1969, oil on canvas, signed, titled and dated en verso, 16 in. x 19 in., unframed. [$300/500] Provenance: Galerie Simonne Stern, New Orleans, LA, 1970. The Estate of Caroline P. Ireland.

341. Paulette Tokar Whiteman (American/ Louisiana, b. 1950), “Resolutions”, 1985, acrylic and graphite collage on paper, signed and dated lower right, titled lower left, 20 in. x 15 5/8 in., framed, overall 28 3/8 in. x 22 1/4 in. x 1 in. [$400/600]

342. Doyle Gertjejansen (American/Louisiana, b. 1948), “Ignoring the Riddle”, 1993, lithograph, pencil-signed, titled, dated and numbered “53/350” lower margin, 17 1/2 in. x 25 3/4 in., framed, overall 25 3/4 in. x 33 1/4 in. x 1 1/8 in. [$250/350] Provenance: The Estate of Caroline P. Ireland.

343. Martin Laborde (American/Louisiana, b. 1943), “Abstract Orange Figure with Geese”, 1977, watercolor and ink on paper, signed and dated lower right, 25 1/2 in. x 18 3/4 in., framed, overall 35 1/2 in. x 27 1/4 in. x 1 1/2 in. [$300/500]

344. Gerry Allen Hoover (American/ Louisiana, 1945-1997), “Untitled: Figures in Stripes”, 1968, oil on canvas, signed and dated lower right, 84 1/2 in. x 39 1/2 in., framed, overall 85 3/4 in. x 40 3/4 in. x 2 1/8 in. [$2000/3000] 72

346. Sean Moore (American, 20th c.), “Pair of Yellow Candelabra”, welded reclaimed steel and machine parts, unsigned, h. 75 1/2 in., w. 30 in., d. 19 in. and h. 77 1/2 in., w. 32 in., d. 17 in. (2 pcs.) [$600/800] Provenance: Estate of Nadine Carter Russell (1943-2022), Baton Rouge, LA.

345. Dan Tague (American/Louisiana, b. 1974), “Love, Hate”, 2009, handenhanced archival pigment print, pencil-signed and dated lower right, numbered “1/5” lower left, sheet 22 3/4 in. x 54 1/4 in., framed, overall 23 3/4 in. x 55 1/4 in. x 1 1/4 in. [$2000/3000]

347. Forrest Harrisberger (American/Texas, b. 1928), “Merry-Go-Round”, 1976, oil on board, signed and dated lower right, 31 7/8 in. x 40 in., framed, overall 34 5/8 in. x 42 3/4 in. x 1 1/2 in. [$400/600]

348. Gay Bechtelheimer (American/Arkansas, b. 1952), “Alpha Expansions”, pastel on paper, signed “Beck” lower right, 9 in. x 27 in., framed, overall 17 1/2 in. x 35 in. x 1 in. [$200/300] Provenance: Michael W. Murphy, El Dorado, AR.

349. George Cress (American/ Tennessee, 1921-2008), “Quarry Fragment”, 1985, acrylic on paper, signed and dated lower right, handwritten label with artist, title and date on backing board, 20 1/8 in. x 19 1/4 in., framed, overall 27 1/4 in. x 23 7/8 in. x 1 1/2 in. [$500/700]

350. Gregory C. Palmer (American/Texas, 20th c.), “Rhino #2”, 1970, oil on canvas, signed lower center, signed, titled and dated on stretcher, 46 in. x 36 1/4 in., framed, overall 46 1/2 in. x 36 3/4 in. x 1 3/4 in. [$600/800] 73

351. Sanders McNeal (American/ Mississippi, b. 1949), “Pitcher and Pears”, 1996, acrylic on masonite, signed and dated lower right, 16 in. x 10 in., framed, overall 22 5/8 in. x 16 5/8 in. x 1 3/4 in. [$400/600]

352. Ruth Atkinson Holmes (American/Mississippi, 19091981), “Mother and Child”, oil and mixed media collage on canvas, signed lower left, 47 1/2 in. x 36 in., framed, overall 49 in. x 37 1/2 in. x 1 in. [$500/700] 353. Bess Phipps Dawson (American/Mississippi, 1916-1994), “Girl - Yellow Glow”, oil on canvas, signed lower right, handwritten label with artist and title on stretcher, 48 in. x 36 in., framed, overall 49 1/4 in. x 37 1/8 in. x 1 3/4 in.; accompanied by a letter from artist and newspaper article about sitter. [$600/800] 354. Blanche Batson (American/ Mississippi, 1929-2001), “Untitled: Architectural Form”, handmade paper with embossing and pigment assemblage on canvas, signed lower right, 31 1/2 in. x 27 1/4 in. x 3 in., clear acrylic frame, overall 32 1/8 in. x 28 1/8 in. x 3 3/4 in. [$300/500]

355. William Edward “Ed” McGowin (American/Mississippi, b. 1938), “Inflatable Sculpture with T.V.”, acrylic on canvas, unsigned, gallery label with artist and title on stretcher, 56 in. x 50 in., framed, overall 51 1/4 in. x 57 1/8 in. x 1 1/2 in. [$600/800] Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund; Neal Auction, Feb. 11, 2017, lot 911. 74

356. Saunders Schultz (American/Missouri, 1927-2017), “Sunne Tima”, blue-enameled steel, unsigned, h. 33 in., w. 51 in., d. 51 in. [$1000/1500] Provenance: Estate of Robert Gamm, St. Louis, MO; Link Auction Galleries, St. Louis, MO, July 15, 2017, lot 27; Estate of Eric Bloomquist, Bloomington, IL.

358. Mid-Century Modern Maple and Brass Table Lamp, 1960s, h. (to socket) 24 in., w. 6 1/2 in., d. 6 1/2 in. [$200/300] Provenance: Estate of Eric Bloomquist, Bloomington, IL. 357. Two Midcentury Modern Lucite and Brass Hall Lanterns, six-sided, fitted with ten-light fixture, h. 21 in., dia. 20 in. [$600/900]

359. Mid-Century Modern Walnut and Brass Lamp, 1960s, by Laurel, h. (to socket) 24 in. [$150/250] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

361. Paul Evans-Style MidCentury Modern Table Lamp, 1960s, walnut and composite, h. (to socket) 31 in. [$200/300] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

360. Vintage California Redwood Souvenir Lamp, 1960s, original label “California Redwood Souvenir” varnished redwood, h. (to socket) 11 in., w. 5 in., d. 5 in. [$150/250] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

362. Mid-Century Modern Wood Lamp, 1950s, red-painted maple, h. (to socket) 20 in. [$200/300] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

363. Arts and Crafts Table Lamp, c. 1907, mixed metal, h. 11 1/4 in., dia. 6 1/2 in. [$200/300] Provenance: Treadway Toomey, IL, March 4, 2017, lot 271; Estate of Eric Bloomquist, Bloomington, IL.

364. George Nelson-Style “Half-Nelson” Table Lamp, modern, after the design from 1949, enameled aluminum, articulated shade, h. 19 in., dia. 15 in. [$300/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

365. Koch & Lowy Omi Marble and Brass Lamp, 1970s, marked “OMI” on ball and socket lamp neck, marble block, 4 1/2 in. x 4 1/2 in. x 4 1/2 in., fully adjustable spot [$300/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL. 366. Piotr Sierakowski for Koch & Lowy Enameled and Chromed Metal “Footsteps” Floor Lamp, c. 1980, chrome and enameled metal, halogen bulb with dimmer, h. 73 in. [$500/700] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

367. Gerald Thurston for Stiffel Brass Table Lamp, 1950s, labeled “Stiffel”, rocket-form, h. 31, dia. 14 in. [$250/350] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

368. Mid-Century Modern Chrome Offset Lamp, 1970s, probably by Laurel, shade fitted with ring-form fluorescent bulb, h. 15 1/2 in., dia. 12 1/2 in. [$300/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

369. Paul Evans-Style Chrome and White Faux Wood Lamp, 1960s, the front and back modeled as abstract wood designs, h. (to socket) 26 in. [$200/300] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

371. Mid-Century Modern Ceramic Lamp, 1950s, by Raymor, encircled by figures of giraffes, walnut neck and base, h. (to socket) 33 in. [$200/300] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

373. Mid-Century Modern Bronze Lamp, 1960s, waisted, patinated bronze, h. (to socket) 15 in. [$200/300] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

370. Mid-Century Modern Brass Inlaid Lamp, 1960s, attributed to Tony Paul, inlaid and black lacquered wood, h. (to socket) 22 1/2 in., dia. 6 1/4 in. [$200/300] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

372. Mid-Century Modern Ceramic Lamp, 1960s, signed “Kleiner”, figure of a rooster, on wood base, h. (to socket) 18 1/2 in. [$150/250] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

374. Pair of Prescolite Enameled Aluminum Up-Down Indoor-Outdoor Wall Sconces, 2000s, unmarked, h. 12 3/4 in. [$100/200] Provenance: Rago, Lambertville, NJ, Aug. 2018, lot 1571.

375. Walter von Nessen Marble Table Lamp, c. 1960s, labeled “Nessen / Bronx, NY”, two-light fixture, h. (to socket) 32 in., w. 7 in., d. 3 1/2 in. [$200/400] 376. Pair of Contemporary Labradorite Stone Lamps, granite bases, h. (to socket) 20 in., base 13 in. x 9 1/2 in. [$300/500] Provenance: Michael W. Murphy, El Dorado, AR.

377. Pair of Contemporary Faux Tortoiseshell and Lucite Lamps, h. (to socket) 24 in. [$100/150] Provenance: Michael W. Murphy, El Dorado, AR.

378. Pair of Modern Art Glass Lamps, colored and clear glass, h. (to socket) 23 in., w. 9 3/4 in., d. 8 1/2 in. [$300/500] Provenance: Michael W. Murphy, El Dorado, AR.

379. Mario Villa Patinated Metal Side Chair, late 20th c., h. 40 1/2 in., w. 17 in., d. 19 in. [$300/500]

380. Hollywood Regency Brass and Chrome Steel Coffee Table, marble top, h. 17 in., w. 37 in., d. 19 in. [$250/350] 78

381. Set of Chrome and Acrylic Folding Tables, four tables, each h. 20 in., w. 16 in., d. 11 1/2 in., stand h. 25 1/2 in. [$300/500] Provenance: The Estate of Caroline P. Ireland.

382. Contemporary Silvered and Painted Coffee Table, h. 19 in., w. 50 in., d. 18 in. [$100/150] Provenance: Michael W. Murphy, El Dorado, AR.

383. Contemporary Mixed Woods Center Table, radial-design top, faceted support, stepped base, h. 29 3/4 in., dia. 40 in. [$600/900] Provenance: Michael W. Murphy, El Dorado, AR.

384. Modern Art Deco-Style Zebra Wood Center Table, with brass cap feet, h. 28 in., dia. 32 in. [$400/600] Provenance: Michael W. Murphy, El Dorado, AR. 385. Pair of Contemporary Upholstered Swivel Armchairs, made by Gregorius Pineo, h. 32 1/2 in., w. 34 in., d. 39 in. [$500/700] Provenance: Michael W. Murphy, El Dorado, AR.

386. Two Contemporary Side Tables, one with single drawer, with selenite pull, h. 26 in., w. 32 in., d. 20 in.; the other with selenite mount. [$200/300] Provenance: Michael W. Murphy, El Dorado, AR.

387. Six Phillips Collection “Seat Belt” Side Chairs, h. 33 in., w. 20 in., d. 25 in. [$700/1000] Provenance: Michael W. Murphy, El Dorado, AR.

388. Six Jens Quistgaard (1919-2008) for Dansk Designs Brass Candlesticks, c . 1955, each with Four Ducks Mark, “Danmark” and “JHQ”, h. 9 3/8 in. [$800/1200]

389. Donghia Club Chair and Ottoman, labeled, blue leather, cream piping, chair h. 36 in., w. 33 in., d. 42 in.; ottoman h. 18 in., w. 33 in., d. 26 in. [$800/1200]

391. Pair of West Elm Upholstered “Isabella” Tub Chairs, black and gray fragmented stripe upholstery, h. 28 1/2 in., w. 28 3/4 in., d. 29 3/4 in. [$200/300] 80

390. Mid-Century Modern for John Stuart Rosewood Executive Desk, 1970s, labeled, double pedestal, top with curved front edge, h. 28 1/2 in., w. 79 in., d. 45 1/4 in. [$700/1000]

392. Modernica White Laminate, Steel and Cast-Iron Isamu Noguchi-Style “Tornado” Table, h. 28 1/2 in., dia. 40 in. [$300/500] Provenance: Neal Auction, Dec. 9, 2021, lot 161.

393. Vintage John Stuart Yellow Lacquer and Chromed Metal King Headboard, h. 35 5/8 in., w. 79 5/8 in., d. 1 1/2 in. [$200/400]

394. Vintage Glass-Inset Chromed Steel Console Table, h. 26 1/4 in., w. 60 in., d. 14 in. [$300/500] 395. Custom Iron and Glass Breakfast Table, h. 29 in., w. 58 in., d. 36 in. [$500/700]

396. Dan Johnson for Brown Jordan “Gazelle” Settee and Pair of Armchairs, designed 1954, cast aluminum, basket-weave seat and backrest, settee h. 27 in. w. 46 in., d. 24 in. armchairs h. 34 in., w. 20 in. d. 22 in. (3 pcs.) [$700/1000] Provenance: Treadway Toomey, Oak Park, IL, Sep. 15, 2013, lot 762 (settee only); Estate of Eric Bloomquist, Bloomington, IL.

397. Dan Johnson for Brown Jordan “Gazelle” Garden Suite, designed 1954, cast aluminum, incl. adjustable chaise, pair of armchairs, ottoman, and side table, chaise h. 35 in., w. 26 in., d. 74 in. (5 pcs.) [$800/1200] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

398. Art Deco-Style Convertible Club Chair, faux leather, fold-out single bed, h. 32 1/2 in., w. d. 35 in., d. open 72 in. [$300/500] 81

399. Evelyn Ackerman (American, 1924-2012) and Jerome Ackerman (American, 1920-2019), “Elipses”, c. 1958, glass tile mosaic on masonite, framed, h. 12 3/4 in., w. 50 3/4 in., d. 1 1/8 in. [$8000/12000] Ref.: ackermanmodern.com/studio/mosaics. Accessed Oct. 25, 2023

400. After Alexander Calder (American, 1898-1978), “Balloons”, 1974, hand-woven fiber tapestry, with woven initials, dated ‘74, and numbered 52/100, Bon Art, publisher, and with their label verso reading “Woven art hand crafts of Maguey fiber made in Guatamala”, 98 in. x 73 in. [$4000/6000] Provenance: Estate of Eric Bloomquist, Bloomington, IL; Treadway Toomey Auctions, Oak Park, IL, Dec. 5, 2014, lot # 479 401. Arts and Crafts Copper-Clad Plant Stand, early 20th c., repousse lion, bison, bulldog, and hound at corners, the standard with morning glories, flared base with swallows, h. 33 1/2 in., w. 16 in., d. 16 in. [$400/600] Provenance: Treadway Toomey, Oak Park, IL, Mar. 8, 2014, lot 92; Estate of Eric Bloomquist, Bloomington, IL.

402. Three Art Deco Carved Walnut Plaques, deer, 9 1/4 in. x 12 1/2 in.; crane, 10 in. x 11 3/4 in.; and figure, 13 3/4 in. x 8 3/4 in. [$300/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

403. Pair of E. T. Hurley (18691950) Patinated Bronze Seahorse Candlesticks, 1916, signed and dated, h. 13 in.; together with two pairs of E.T. Hurley-style patinated bronze seahorse bookends, h. 5 3/4 in., 6 pcs. [$700/1000] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

404. Three Mira Nakashima Walnut Candle Holders, signed and dated to undersides, freeform, largest h. 1 3/4 in., w. 6 1/4 in., d. 4 1/8 in. [$150/250] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

405. Howard Frederick Reichenbach (1901-1959) for Chase Brass & Copper Co. Chrome-Plated Brass “Holiday Cocktail Set”, c. 1933, Waterbury, CT, all marked with Chase centaur logo, incl. “Gaiety” martini shaker, complete with strainer, h. 11 1/4 in.; 4 cocktail cups, h. 2 in., dia. 2 7/8 in.; and rectangular tray, h. 1/2 in., l. 16 in., d. 5 3/8 in.; together with Harry Laylon (1911-1997) for Chase Brass & Copper Co. Chrome-Plated Brass “Bar Caddy”, c. 1933-1940, Waterbury, CT, model #9041, 2 oz. jigger/ice breaker/corkscrew/bottle-opener bar tool, l. 5 3/4 in. (7 pcs.) [$200/400]

Ref.: (Reichenbach set) Visakay, Stephen. Vintage Bar Ware. Collector Books, 1997, p. 66-68; Johnson, Donald Brian. Chase Complete: Deco Specialties of the Chase Brass & Copper Co. Schiffer, 1999, p. 138.; (Laylon caddy) Johnson, Donald Brian. Chase Complete: Deco Specialties of the Chase Brass & Copper Co. Schiffer, Atglen, 1999, p. 40.

406. Russel Wright (1904-1976) for Chase Brass & Copper Co. Chrome-Plated Brass and Blue Glass Pancake and Corn Set, c. 1935, Waterbury, CT, model #28003, all marked with Chase centaur logo, incl. butter/syrup pitcher, #28005, h. 5 1/4 in.; sugar/salt and pepper spheres, #28004; and coaster tray, #09104, dia. 6 in. (4 pcs.) [$200/400] Ref.: Johnson, Donald Brian. Chase Complete: Deco Specialties of the Chase Brass & Copper Co. Schiffer, Atglen, 1999, p. 38-39, and 93.

408. Monumental Amethyst Crystal Geode, h. 60 in., w. 20 in., d. 10 in. [$600/900] Provenance: Michael W. Murphy, El Dorado, AR. 407. Vintage Kalmar Designs Teak Desk Accessories, two with labels, third with label residue, incl. tape dispenser, h. 2 1/8 in., l. 7 in., w. 2 3/4 in.; note paper/pad holder, h. 1 7/8 in., l. 7 3/8 in., w. 5 3/4 in.; and pencil holder, h. 4 1/2 in., w. 3 3/8 in.; d. 1 7/8 in. (3 pcs.) [$150/250]

409. Contemporary Mixed Metals Tray and Four Candlesticks, tray 23 1/2 in. x 13 in., candlestick heights from 6 3/4 in to 9 1/2 in.; together with a Modernist triangular stand. [$100/200] Provenance: Michael W. Murphy, El Dorado, AR.

410. Contemporary Wood Vase, 2006, signed, made in Canada, Spanish cedar and maple, h. 28 in. [$100/150] Provenance: Michael W. Murphy, El Dorado, AR.

412. George Nelson for Howard Miller Table Clock, Model 4766, designed 1949, partial Howard Miller label, brass, acrylic bubble face, electric alarm movement, pedestal base, h. 5 3/4 in., w. 4 in., d. 4 1/4 in. [$300/500] Provenance: Treadway Toomey Auction, Dec. 7, 2013, lot 796; Estate of Eric Bloomquist, Bloomington, IL.

411. Vintage Metal and Plastic “Grille” Sign, formerly electrified, h. 14 7/8 in., w. 40 3/4 in., d. 6 in. [$100/200]

413. George Nelson For Herman Miller Model 4755 Ball Wall Clock, designed 1949, brass, lacquered wood, enameled aluminum, Howard Miller label to dial and rear, electric movement, dia. 13 1/4 in., d. 2 1/5 in. [$400/600] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

414. Angelo Mangiarotti for Klein & More “Maritime” Table Clock, Germany, post 2002, designed 1956, porcelain, acrylic, enameled aluminum, double-baton hour markers, red sweepseconds hand, quartz movement, h. 6 in. [$200/300] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

415. David Marshall Brass and Aluminum Table Clock, 1980s, marked “dm” to front, quartz movement, h. 7 1/4 in., w. 7 1/4 in., d. 2 in. [$150/250] Provenance: Estate of Eric Bloomquist, Bloomington, IL. 84

416. Henry Dreyfuss (1904-1972) for E. Ingraham Co. ChromePlated and Enameled Steel and Aluminum Sentinel Wafer Clock, c. 1940, Bristol, CT, marked with manufacturer’s mark and “Model SK 174,” h. 7 1/2 in., w. 7 in., d. 2 3/4 in. [$200/400]

417. Bang & Olufsen Beoplay A9 Wireless Speaker, 1st generation, Type No. 2928, two sets of legs (walnut and beech), black and white cover, h. 36 in., w. 27 in., d. 16 in., in original box. [$600/900] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

419. Charles and Ray Eames for Vitra Elephant, 2000s, designed 1945, molded polypropylene, remnants of original box, h. 16 1/2 in., w. 16 1/4 in., d. 31 in. [$200/300] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

418. African Mumuye Carved Wood Iagalagana Figure, Nigeria, h. 35 1/2 in., rotating circular base on a square plinth, overall h. 41 in., w. 11 1/4 in., d. 11 1/4 in. [$800/1200] Provenance: Museum of Fine Arts, Houston; Neal Auction, Sept. 2009, lot 559.

420. Andy Warhol Brillo Box Pouf, c. 2013, Quinze & Milan, Belgium, screenprinted high density foam, marked “The Andy Warhol Foundation for the Visual Arts”, h. 15 3/4 in., w. 15 1/4 in., d. 15 1/4 in., with original shipping box. [$300/500] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

421. Keith Haring Child’s Chair, marked “Keith Haring Foundation, licensed by Artestar, NY”, h. 28 in., w. 19 in., d. 9 in. [$75/150] Provenance: Estate of Eric Bloomquist, Bloomington, IL.

422. Four Keith Haring Limited Edition Swatch Watches, c. 1986, plastic, 34mm, quartz movement, length 9 in. [$700/1000] 85

423. Vintage Casella Lighting Enameled Metal and Chrome MemphisStyle Table or Desk Lamp, labeled, San Francisco, swing arm, blue, yellow and red paint, h. 19 ¼ in., w. 10 ¼ in. to 18 in. [$200/300]

424. Art Deco-Style Inlaid Table, h. 15 in., w. 23 1/2 in., d. 23 1/2 in. [$200/400]

425. Pair of Art Deco-Style Parcel Ebonized Tall Chests, five drawers, h. 48 1/2 in., w. 28 in., d. 18 in. [$1000/2000]

426. Pair of Italian Neoclassical-Style Carved and Silvered Giltwood Curule Benches, acanthus arms with camel head terminals, upholstered seats, outswept legs, hoof feet, h. 27 in., w. 36 in., d. 20 in. [$500/700]

427. Pair of Hollywood Regency Small BronzeMounted Black and White Commodes, h. 28 1/2 in., w. 19 1/2 in., d. 13 in. [$500/700]

428. Pair of Art Deco-Style Parcel Ebonized and Burlwood Side Tables, two drawers, scroll supports, h. 30 1/2 in., w. 23 1/2 in., d. 12 in. [$600/800]

429. Six Biedermeier-Style Carved Burlwood Armchairs, scalloped back, tapered legs, h. 40 1/2 in., w. 24 in., d. 20 1/2 in. [$1000/2000]

430. Art Deco-Style Revolving Door Bar Cabinet, 20th c., front revolves on center axis, interior with mirrored shelf and bottle rack, h. 61 1/2 in., w. 35 1/2 in., d. 20 in. [$1000/2000]

431. Pair of Art Deco-Style Multicolored Inlaid Wood Nightstands, h. 24 in., w. 15 in., d. 20 in. [$400/600]

432. Pair of Art Deco-Style Fluted Pedestals, h. 45 in., dia. 13 1/2 in. [$400/600]

433. Pair of Art Deco-Style Gueridons, h. 24 in., dia. 23 1/2 in. [$500/700]

434. Pair of Charles X-Style Parcel Ebonized Burlwood Pedestal Cabinets, oval form, single door, shelf interior, molded base, h. 58 1/2 in., w. 25 in., d. 16 in. [$800/1000]

435. Pair of Neoclassical-Style Giltwood Curio Benches, striped upholstery, X-form supports, h. 20 1/2 in., w. 27 in., d. 19 in. [$800/1200]

436. Art Deco-Style Ebonized Two Door Cabinet, h. 34 in., w. 47 1/2 in., d. 18 in. [$1000/2000]

437. Italian Wrought Iron Table Base, glass top, owl motif, h. 30 in., dia. 40 in. [$500/700] 88

438. Art Deco-Style Parcel Ebonized Console Table, h. 33 1/2 in., w. 61 in., d. 16 in. [$600/800]

439. Pair of Art DecoStyle Parcel Ebonized Commodes, four drawers, h. 44 in., w. 17 1/2 in., d. 18 in. [$800/1200]

440. Pair of Art Deco-Style Parquetry Inlaid Square Tables, h. 24 in., w. 23 1/2 in., d. 23 1/2 in. [$500/700]

441. Pair of Art Moderne Tables, comic book motif, h. 33 1/2 in., w. 26 in., d. 19 in. [$400/600]

442. Pair of Art Moderne-Style Barrel Shaped Cabinets, h. 48 1/2 in., w. 28 in., d. 16 1/2 in. [$1000/2000]

AUCTION SCHEDULE JANUARY 25 & 26, 2024 - Premier Collections Live Auction Auction dates may be subject to change.

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