May 19 & 20, 2018 - Late Spring Estates Auction by Neal Auction

Neal Auction Company Late Spring Estates Auction May 19 & 20, 2018

Late Spring Estates Auction May 19 & 20, 2018 On Our Premises 4038 Magazine Street & 3923 Carondelet Street Featuring:

Property of an Esteemed Gentleman Antiquarian Property from the Estates of Jane and Stewart Maunsell, New Orleans Antiques and Fine Art from the Collection of George and Sylvia Sterne, New Orleans Korean Ceramics from a Florida Private Collection Important Collection of Chinese Jade Fine Maps from a Louisiana Collector Ancient and Antique Artifacts from a New Orleans Antiquarian Lighting from the Estate of Faith K. Tiberio, St. Augustine, FL Property from a Texas Hill Country Ranch Asian Art from the Estate of US Air Force Historian Oliver Hobson (1908-1988), Shreveport, LA Chinese Works from a Gulfport, MS Collector And Property of Others EXHIBITION Exhibition at both galleries begins Monday, May 7, 10 a.m. to 5 p.m Special Saturday Preview, May 12, 10 to 5 p.m. Evening Preview Reception, Thursday, May 17, 5 to 7 p.m. AUCTION SCHEDULE Saturday, May 19, 10 a.m., 4038 Magazine Street Sunday, May 20, 11 a.m., 3923 Carondelet Street

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Session One Saturday, May 19, 10 am 4038 Magazine

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1. Two Meissen Porcelain Figures Emblematic of Love, late 19th c., crossed swords marks (latter with outside decorated single slash), model nos. M115 and M116 (latter with slashed “M”), modeled respectively as Cupid holding a dove with a love letter and Cupid pulling an arrow from two hearts, h. 11 3/4 in. and 10 3/4 in. $800/1200

2. Continental Figural Group of Silenus on a Donkey, 20th c., after the model by J. J. Kandler, base marked, h. 7 3/4 in., w. 8 3/4 in., d. 4 3/4 in. $500/800

3. Pair of Continental Malachite Obelisks, 20th c., of typical form, h. 22 1/2 in., w. 4 in., d. 4 in. $1200/1800

4. Continental Silverplate and Tortoiseshell Footed Dresser Box, 19th c., inlaid lid, padded interior, h. 2 3/4 in., w. 5 1/2 in., d. 4 1/2 in. $800/1200

7. English Victorian Brass‑Mounted Oak Letter Stand, c. 1860, cartouche reads “Post Cards”, h. 6 in., w. 5 3/4 in., d. 3 in. $250/350 5. Parian Figure of a Muse, 19th c., unmarked, h. 14 1/2 in., w. 8 1/4 in., d. 7 1/2 in. $150/250

6. Parian Group of “Niobe and Her Daughter”, 19th c., incised “23/7/66”, h. 20 in. x w. 11 in., d. 7 1/4 in. $150/250

Provenance: Jas A. Gundry, 823 Royal St., New Orleans.

Ill. Atterbury, Paul. The Parian Phenomenon. Somerset, 1989, p. 255, Fig. 889.

8. Italian .800 Silver Centerpiece in the Neoclassical Taste, navette form with swan’s neck handles and dolphin feet, h. 8 1/4 in., l. 20 3/8 in., w. 5 7/8 in., wt. 52.85 troy ozs. $700/900

9. Handsome Antique English Silverplate Tazza, well centered with lion mask, h. 6 1/2 in., dia. 14 1/2 in.; together with a reticulated silverplate footed basket with grape and grapevine decoration, h. 5 in., w. 15 in. $150/250 Provenance: Estate of Jane and Stewart Maunsell.

10. Fine Louis XVI‑Style Bronze‑Mounted Mahogany Vitrine, late 19th c., galleried top, beveled glass doors, mirror back, reeded colonnettes, over tapered supports, galleried stretcher shelf, toupie feet, h. 55 1/2 in., w. 39 1/4 in., d. 15 1/2 in. $1000/1500 11. Antique Louis XV‑Style Bronze‑Mounted Parquetry Bureau Plat, inset tooled leather top, shaped frieze with three drawers, cabriole legs, sabots, h. 30 in., w. 64 in., d. 32 in. $1500/2500 Provenance: Estate of Jane and Stewart Maunsell.

12. Fine Pair of Baroque‑Style Patinated and Gilt Bronze Pedestals, incurvate mahogany tops, addorsed putti on standards, h. 50 1/2 in. $3000/5000

14. Antique Syrian Carved Hardwood Canterbury, late 19th c., bobbinturned uprights, swivel top, turned standard, conforming base, shaped feet, h. 29 3/4 in., w. 16 3/8 in., d. 13 1/8 in. $400/600

15. Louis Philippe Inlaid Kingwood and Rosewood Ormolu‑Mounted Music Cabinet, 19th c., marble top, molded frieze, floral trophée inlaid door, fitted birdseye maple interior, shaped base, chamfered corners. $1000/1500

13. Large Empire‑Style Bronze Low Table, galleried mirrored top, reeded legs surmounted by classical busts, turned and tapered feet, h. 18 in., w. 50 1/4 in., d. 24 1/2 in. $2000/3000

16. Pair of Continental Neoclassical‑Style Bronze‑Mounted Mahogany Petite Commodes, inset marble tops, two drawers, tapered legs, brass hoof feet, h. 30 in., w. 30 in., d. 18 in. $1800/2500

19. Pair of George III Sterling Silver Wine Coasters, marks rubbed, probably Charles Aldridge and Henry Green, wc. 1773‑1785, reticulated gallery with ho‑ho birds and floral scrolls, medallion engraved with crest and motto, turned hardwood bases, h. 2 1/8 in., dia. 5 in. $1200/1500

18. Pair of Regency Sterling Silver Covered Sauce Tureens, London, 1812, probably Stephen Adams, each oblong form with conforming pedestal and ball feet, stepped domed cover with urn finial, loop handles, gadroon border, h. 5 5/8 in., w. 7 1/2 in., d. 4 1/4 in., wt. 37.25 troy ozs. $1000/2000

Provenance: Estate of Jane and Stewart Maunsell.

Provenance: Estate of Jane and Stewart Maunsell. 17. Neoclassical-Style Gilt Brass and Bronze Five-Light Chandelier, late 19th/early 20th c., foliate corona, baluster standard, scrolled arms, electrified, h. 28 1/2 in., w. 22 1/2 in. $700/1000

20. Russian Neoclassical Silver Cream Pitcher, reign of Nicholas I, by Carl Magnus Stahle, St. Petersburg, assayed Dimitry Ilyich Tverskoy, 1837, 84 zolotnik (.875 silver) mark, gadroon border, applied floral band, carved bone handle, h. 5 1/2 in., wt. 8.85 troy ozs. $200/400

21. Neoclassical‑Style Argenté Bronze Encrier, 19th c., diamond point cut glass inkpot, oval stand cast with palmettes and rosettes, cherub mask, lion and ring handles, rectangular plinth, h. 3 1/8 in., w. 5 in., d. 4 1/8 in. $700/900

22. Set of Four Rock Crystal and Patinated Metal Two‑Light Sconces, 20th c., scrolled backplate, electrified, h. 27 in., w. 11 in., d. 3 1/4 in. $1200/1800

23. Pair of Italian Baroque‑Style Carved Walnut Figural Torchères, 19th c., opposing cherubs with cornucopia candleholders, h. 35 in., w. 8 in., d. 7 3/4 in. $1500/2000

Additional information at www.nealauction.com

25. Set of Vintage Waterford Crystal Stemware in the “Kathleen” Pattern, incl. 13 water goblets, h. 5 1/4 in., 10 clarets, h. 4 3/4 in., and 13 champagne/tall sherbets, h. 4 1/2 in. (36 pcs.) $250/350

24. English Bronze Hall Lantern, early 20th c., hexagonal paneled form inset with frosted glass, palmette mounts, h. 26 in., dia. 9 1/2 in. $500/700

26. Set of Vintage Waterford Crystal Stemware in the “Colleen (Short)” Pattern, incl. 12 water goblets, h. 5 1/4 in., 11 claret, h. 4 3/4 in., and 12 champagne/ tall sherbets, h. 4 3/8 in. (35 pcs.) $250/350

29. Continental Bronze‑Mounted Rock Crystal Dresser Box, 20th c., hinged lid with pod finial, lion mask and ring handles, h. 5 in., w. 8 1/2 in., d. 4 7/8 in. $800/1200

27. Antique Italian Giltwood and Micro‑Mosaic Mirror, floral motif surround with applied glass molding, beveled mirror plate, scrolled base, h. 19 1/2 in., w. 15 in. $1500/2000

30. Anglo‑Indian Tortoiseshell and Bone Box, late 19th c., domed lid, pierced decoration, void interior, on paw feet, h. 3 in., w. 10 1/4 in., d. 4 1/2 in. $700/900

31. Anglo‑Indian Calamander Wood and Bone Inlaid Box, fluted case, removable tray with fitted compartments, h. 4 1/2 in., w. 13 in., d. 8 in. $700/900

33. Fine Late Georgian Bronze‑Mounted and Inlaid Satinwood Center Table, 19th c., inset tooled leather top, bamboo-turned supports, shaped plinth, flared legs, h. 31 1/2 in., dia. 44 1/2 in. $2500/3500

35. Antique Italian Neoclassical‑Style Parcel Gilt and Painted Guéridon, 19th c., variegated marble top, foliate carved frieze with ram’s heads, shaped supports, incurvate plinth, turned feet, h. 29 in., dia. 25 in. $800/1200

28. Diminutive Louis Philippe Gilt Bronze Figural Clock, early 19th c., silk thread movement, figure of Cupid with bow and quiver, case with heart and floral mounts, h. 10 1/4 in., w. 9 1/4 in., d. 3 1/4 in. $800/1200

32. Pair of Rock Crystal Candlesticks, faceted standards, stepped bases, h. 10 3/4 in., dia. 3 3/4 in. $700/900

34. Antique Louis XVI‑Style Parquetry and Tambour Music Cabinet, 19th c., galleried marble top, two doors, fitted interior, shaped skirt, cabriole legs, sabots, h. 39 in., w. 32 3/4 in., d. 14 1/8 in. $1000/1500

36. Pair of Biedermeier Karelian Birch Occasional Tables, 19th c., possibly Russian, circular top, tapered hexagonal standard, flared legs, wolf mask feet, h. 29 in., dia. 23 1/4 in. $1500/2500

37. Large Gilt Bronze‑Mounted Sèvres‑Style Polychrome and Gilt Porcelain Centerpiece, late 19th/early 20th c., oval body decorated with floral reserves on a power blue ground, bronze foliate scroll handles, reticulated scrollwork rims, foliate feet, h. 16 1/2 in., w. 22 1/4 in. $2000/3000

40. KPM Porcelain Plaque of “Lorelei”, c. 1900, impressed mark, depicting the siren of the Rhine River, h. 11 3/4 in., w. 8 3/4 in., framed. $1000/1500

38. Attributed to Giuseppe Ruoppolo (Italian, 1631‑1710), “Still Life of Melons, Grapes, Peaches, Cherries, Figs and an Artichoke”, oil on canvas, unsigned, painted inscription identifying artist en verso, 28 3/4 in. x 38 1/4 in., antique frame. $2500/3500

39. Italian School, 18th c., “Capriccio with Ruins”, oil on canvas, unsigned, 37 in. x 44 1/2 in., framed. $2500/3500

41. Pair of Napoleon III Bronze Figural Chenets, 19th c., modeled as cherubs warming themselves in front of a flaming urn, h. 19 in., w. 12 1/2 in., d. 6 1/2 in. $1200/1800

42. Murano Glass Twelve‑Light Chandelier, c. 1920s, clear and gilt glass standard, clear glass arms, multi‑colored flowers and leaves, electrified, h. 53 in., dia. 42 in. $5000/7000 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

43. Pair of Italian Baroque‑Style Carved Wood Torchères, scrolled standard, tripartite base, electrified, h. to socket 61 in., dia. 18 in. $2000/3000

44. Italian Baroque‑Style Carved Giltwood Mirror, 19th c., robustly carved surround with scrolled acanthus and fruit decoration, old mirror plate, h. 42 1/2 in., w. 27 in. $2000/3000

45. Pair of Empire‑Style Gilt Bronze‑Mounted and Ebonized Lamps, 19th c., floral and mask mounts, on paw feet, h. (to socket) 25 in., w. 12 in., d. 7 in. $1000/1500

46. Pair of English Carved Giltwood Figural Console, 20th c., shaped faux marbre top, Vitruvian scroll frieze opposing spreadwing eagle supports, plinth base. $4000/6000

Additional information at www.nealauction.com

47. Large Korean Blue and White Porcelain Dragon Jar, Joseon Dynasty, 19th c., high shouldered body and tall neck decorated with two four‑clawed dragons pursuing the flaming pearl amid clouds, h. 21 1/2 in. Note: Restoration. $8000/12000 Provenance: Private Florida Collection.

50. Korean Blue and White Porcelain Jar, Joseon Dynasty, 18th/19th c., globular body decorated with a crane in flight amid clouds, h. 8 1/4 in. $3000/5000 Provenance: Private Florida Collection.

53. Pair of Italian Renaissance Carved Walnut Hall Chairs, 18th c., figural and mask‑carved back, molded seat, conforming base, paw feet, h. 40 in., w. 16 in., d. 18 in. $700/900

48. Korean Blue and White Porcelain Bottle Vase, Joseon Dynasty, 18th/19th c., globular lower body decorated with a dragon amid clouds, h. 10 1/4 in. $2000/3000 Provenance: Private Florida Collection.

Ill.: Lorber, Martin. “A Promenade Through a Selection of Korean Ceramics in a Private Florida Collection”, Arts of Asia, Sept.‑Oct. 2013, p. 115, fig. 20.

51. Korean Molded Celadon Porcelain Peach‑Form Water Dropper, Joseon Dynasty, 19th c., molded with a leafy branch handle and spout, pale blueish‑green glaze with a tight network of crackle, h. 3 in., w. 2 3/4 in. $1500/2500 Provenance: Private Florida Collection.

Provenance: Private Florida Collection.

Ill.: Lorber, Martin. “A Promenade Through a Selection of Korean Ceramics in a Private Florida Collection”, Arts of Asia, Sept.‑Oct. 2013, p. 116, fig. 21.

52. Pair of Italian Rococo Carved Walnut Armchairs, 18th c., serpentine crest rail, padded back, arms and seat, scrolled arms, scalloped apron, cabriole legs, scrolled toes, needlepoint upholstery, h. 43 1/2 in., w. 27 in., d. 23 in. $2500/3500

54. Antique Italian Neoclassical‑Style Polychromed Commode, faux marbre top, two drawers painted with floral motifs, tapered legs, h. 33 in., w. 44 1/2 in., d. 20 1/2 in. $1000/1500

56. Egyptianesque Parcel Gilt, Polychromed Carved Wood and Iron Coffee Table, glass top, resting on three cornucopia curule shaped supports, iron stretchers, paw feet, h. 17 in., w. 64 in., d. 34 in. $800/1200

49. Korean Copper Red, Blue and White Porcelain Peach‑Form Water Dropper, Joseon Dynasty, 18th/19th c., relief‑molded with a flowering prunus branch, h. 3 1/8 in., w. 2 3/4 in. $5000/7000

55. Pair of Italian Rococo Carved Giltwood Pedestal Tables, 19th c., asymmetrical faux marbre tops, exotic leafwork supports, shaped bases. $1000/1500

57. Angel Botello (Spanish, 1913‑1986), “Mother and Child”, linocut, signed and numbered “35/50” lower left, sight 25 1/2 in. x 20 1/2 in., framed. $800/1200

58. Victor Vasarely (French/Hungarian, 1906‑1997), “Do.Re”, color screenprint, pencil‑signed, titled and numbered lower margin, sight 19 1/4 in. x 19 1/4 in., framed. $500/800

62. Caroline Wogan Durieux (American/Louisiana, 1896‑1989), “Judith”, color lithograph, pencil‑signed, titled and numbered “19/20” lower margin, sight 19 in. x 15 1/2 in., framed. $400/600

59. Romain de Tirtoff (Erte) (Russian/ French, 1892‑1990), “Coquette”, serigraph, signed lower right margin and numbered “104/300”, lower left margin, sight 18 in. x 13 in., framed. $500/800

63. Caroline Wogan Durieux (American/Louisiana, 1896‑1989), “Young Sarai”, color lithograph on paper, pencil‑signed, titled and numbered “19/20” lower margin, 30 in. x 22 1/2 in., unframed. $400/600

66. Chinese Export Famille Rose Porcelain Platter and Mazarine, 19th c., decorated in the “rose medallion” pattern with figural and bird‑and‑flower reserves, h. 2 1/2 in., w. 18 in., d. 15 1/8 in. $800/1200

68. Chinese Export Blue and White Porcelain Vase, 18th/19th c., openwork zoomorphic handles, flattened body decorated with “Willow Pattern” reserves on a pebbled ground, base drilled, h. 10 3/4 in. $600/800

60. Lois Fine (American, b. 1931), “An Afternoon Sherry”, 1962, lithograph, pencil‑signed, titled, dated and numbered “17/35” lower margin, sight 17 1/2 in. x 14 3/4 in., framed. $400/600

64. Josephine Sacabo (American, b. 1944), “Nude”, photopolymer gravure on paper, signed lower right, numbered “36/350” lower left, sheet 26 in. x 22 1/4 in., framed. $500/700

61. Caroline Wogan Durieux (American/Louisiana, 1896‑1989), “Ancient Faun”, lithograph, pencil‑signed, titled and inscribed “printed by the artist ‑ 3 prints” lower margin, sheet 15 3/4 in. x 12 in., unframed. $700/1000

65. Caroline Wogan Durieux (American/Louisiana, 1896‑1989), “Landscape”, cliché‑verre on Agfa Portiga Rapid paper, pencil‑signed, titled, dated and numbered “2/8” lower margin, sheet 15 1/4 in. x 18 1/4 in., framed. $700/1000

67. Pair of Bronze‑Mounted Chinese Export Imari Porcelain Bowls, 19th c., decorated with rocks and flower sprays, bronze beaded rim, foliate scroll handles, garland‑hung base with splayed feet, h. 5 1/2 in., w. 10 1/4 in. $1000/1500

69. Chinese Export Famille Rose Porcelain Bowl, Qing Dynasty (1644‑1911), decorated with phoenix and flowers and cartouches enclosing peonies and chrysanthemums in fenced gardens, h. 2 3/4 in., dia. 5 5/8 in. $300/500 Provenance: Sallea Antiques, New Canaan, CT.

70. Continental Gilt Bronze Figure of a Spreadwing Eagle, 20th c., on tall malachite base, h. 22 in., w. 12 in., d. 8 in. $1000/1500

Additional information at www.nealauction.com

71. Large Pair of Italian Neoclassical‑Style Yellow Glazed Earthenware Covered Urns, mid‑20th c., ram’s head handles, grapevine relief, h. 30 1/2 in., w. 16 1/2 in., d. 13 1/2 in. $1000/1500 72. Gilt Bronze‑Mounted “Famille Rose” Porcelain Punch Bowl, possibly Samson, decorated in the Chinese Export style with figural panels on a pink scrollwork ground, gilt bronze grape and leaf surround, grape vine handles, foliate stem foot, h. 11 3/4 in., w. 17 1/8 in. $1200/2000

73. English Aesthetic Painted and Stained Glass Panel, c. 1900, Kendrick Swaine Bourne, Birmingham, signed lower right “Swaine Bourne, Birmingham”, motifs of birds, flowers, leaves and branches flowing from a central urn, conserved in modern pine frame, 20 1/2 in. x 39 3/4 in. $600/800

74. Continental Verdure Tapestry, late 18th/early 19th c., depicting a sylvan landscape, with a country house in the background, 8 ft. 10 in. x 6 ft. 3 in. $4000/6000

75. Monumental Contemporary Italian Glass and Gold‑Plated Metal “Starburst” Chandelier, 20th c., 12‑pointed solid star‑form (stellated dodecahedron), pyramidal canopy, custom thumbscrews marked “Villa Tiberio”, fitted with single, large‑format 300 watt light bulb, dia. 62 in., chain length 57 in., all parts gold‑plated. $4000/6000 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

77. Bronze Figure of Standing Man with Chair, after “Eloquentia” by Eduoard Drouot, title and signature inscribed on self‑base, h. 25 1/2 in., w. 13 in., d. 11 in., title plaque on marble base, overall h. 27 1/2 in. $1500/2500

78. French Bronze Figure of a Blacksmith, after “La Source du Pactole” by Emile Louis, signature title and “Salon des Beaux‑Arts” on self‑base, h. 30 3/4 in. $4000/6000

76. Large Pair of Italian Parcel Gilt and Green Painted Torchères, 19th c., incised brass candle holder; scrolled, tripartite base, h. 74 in., base, h. 74 in., w. 25 in., d. 25 in. $2500/3500

79. Louis Philippe Gilt Bronze Figural Mantel Clock, 19th c., porcelain dial marked “Thiery a Paris”, figure of Diana accompanied by her hound, on toupie feet, h. 17 1/4 in., w. 13 1/4 in., d. 6 in. $1000/1500

80. Chinese Hardwood Curio Stand, probably early 20th c., with asymmetrical arrangement of shelves connected by molded uprights, bracketed feet. h. 63 3/4 in., w. 35 1/4 in., d. 12 1/2 in. $1000/1500

81. Tibetan or Nepalese Gem Embellished and Gilt Filigree‑Mounted Lapis Lazuli Bowl, 20th c., foliate lobed body and stem foot set with coral, turquoise and lapis, h. 3 in., dia. 5 1/2 in. $600/800

82. Louis XVI‑Style Carved Giltwood and Chinoiserie Lacquer Cabinet, 19th c., rouge marble top, flared cornice, foliate and floral‑carved stiles, paneled doors, shelf interior, shaped apron, foliate‑carved tapered feet, h. 63 in., w. 53 in., d. 19 1/2 in. $5000/7000

83. Pair of Louis XV‑Style Bronze‑Mounted Kingwood Parquetry Games Tables, 19th c., stenciled “HOEFFER EBENISTE 205 RUE STE. ANTOINE, PARIS”, shaped foldover top, velvet playing surface, serpentine frieze, cabriole legs, sabots, h. 31 in., w. 33 1/4 in., d. (open), 34 in., d. (closed) 17 in. $2500/3500

84. Fine Provincial Louis XV Carved Walnut Bombé Commode, 18th c., three drawers, scalloped shell‑carved apron, cabriole legs, scrolled toes, h. 37 in., w. 49 in., d. 27 in. $2000/3000 85. Fine Louis XV‑Style Parquetry Bonheur du Jour, 19th c., superstructure fitted with a clock, antique book spines, and three small drawers, inset leather writing surface, frieze drawer, cabriole legs, h. 44 in., w. 39 in., d. 24 in. $2000/3000

86. Korean Inlaid Celadon Stoneware Covered Jar, Goryeo Dynasty, 15th/16th c., compressed globular body inlaid in white and black slip with cranes and chrysanthemum medallions encircling the shoulder, h. 8 in., dia. 10 in. $5000/7000

87. Korean Inlaid Celadon Stoneware Bowl, Goryeo Dynasty, 14th c., inlaid in white and black slip with a dot and circle band around the body, interior with conjoined circles, h. 3 7/8 in., dia. 7 in. Note: Restoration. $2500/3500 Provenance: Private Florida Collection.

88. Korean Blue and White Porcelain Jar, Joseon Dynasty, 18th/19th c., globular body decorated with finger citron, h. 7 1/2 in. $2000/3000

Provenance: Private Florida Collection.

Ill.: Lorber, Martin. “A Promenade Through a Selection of Korean Ceramics in a Florida Collection”, Arts of Asia, Sept.‑Oct. 2013, p. 114, fig. 15.

Provenance: Private Florida Collection.

Ill.: Lorber, Martin. “A Promenade Through a Selection of Korean Ceramics in a Private Florida Collection”, Arts of Asia, Sept.‑Oct. 2013, p. 117, fig. 24. Additional information at www.nealauction.com

89. Korean Blue and White Porcelain Star‑Form Water Dropper, Joseon Dynasty, 19th c., decorated with boats and birds in a mountainous waterscape, h. 1 1/4 in., w. 3 5/8 in. $2000/3000 Provenance: Private Florida Collection.

Ill.: Lorber, Martin. “A Promenade Through a Selection of Korean Ceramics in a Private Florida Collection”, Arts of Asia Sept.‑Oct. 2013, p. 116, fig. 22.

92. Korean Inlaid Celadon Stoneware Wine Cup, Goryeo Dynasty, 12th/13th c., molded as ten chrysanthemum petals inlaid in black and white slip with chrysanthemum sprays, splayed stem foot, h. 3 in., dia. 3 1/8 in. Note: Gilt lacquer repairs to rim. $1000/1500

90. Korean Blue and White Porcelain Jar, Joseon Dynasty, 18th/19th c., globular body decorated with a crane in flight amid clouds, h. 8 1/4 in. $3000/5000 Provenance: Private Florida Collection.

91. Korean Blue and White Porcelain Water Dropper, Joseon Dynasty, 19th c., compressed globular body decorated with bamboo, h. 2 1/4 in., w. 3 5/8 in. $1000/1500 Provenance: Private Florida Collection.

Ill.: Lorber, Martin. “A Promenade Through a Selection of Korean Ceramics in a Private Florida Collection”, Arts of Asia, Sept.‑Oct. 2013, p. 110, fig. 5.

93. Korean Inlaid, Incised and Molded Celadon Cup Stand, probably Goryeo Dynasty (918‑1392), foliate outer rim inlaid in black and white slip with chrysanthemum arabesques, incised with flower heads, h. 2 1/8 in., dia. 5 1/2 in. Note: Gilt lacquer and other restoration. $1000/1500 Provenance: Private Florida Collection.

94. Rare Korean Inlaid Celadon Stoneware Maebyong Vase, Goryeo Dynasty, 12th/13th c., inlaid in white and black slip with six cranes in flight amid stylized clouds, h. 16 3/8 in. Note: Restoration throughout. $10000/15000 Provenance: Private Florida Collection.

Ill.: Lorber, Martin. “A Promenade Through a Selection of Korean Ceramics in a Private Florida Collection”, Arts of Asia, Sept.‑Oct. 2013, p. 112, fig. 9.

Provenance: Private Florida Collection.

95. Korean Celadon Stoneware Bowl, Goryeo Dynasty, 11th/12th c., conical body incised overall with foliage and flower sprays, h. 2 3/4 in., dia. 7 7/8 in. $1000/1500 Provenance: Private Florida Collection.

96. Korean Inlaid Celadon Stoneware Oil Bottle, Goryeo Dynasty, 14th c., compressed body inlaid in black and white slip with chrysanthemum arabesques, h. 2 in., dia. 3 1/8 in. $1000/1500 Provenance: Private Florida Collection.

97. Korean White Glazed Porcelain Vase, Joseon Dynasty, 19th c., high shouldered ovoid body with blueish‑white glaze overall, h. 11 in. $1000/1500

98. Korean Blue and White Porcelain Octagonal Jar, Joseon Dynasty, 19th c., shoulder decorated with flower heads, faceted body with scrollwork, h. 5 in., dia. 6 1/2 in. $1000/1500 Provenance: Private Florida Collection.

Provenance: Private Florida Collection.

99. Korean Celadon Stoneware Water Dropper, late 19th/early 20th c., molded with a dragon encircling the domed body, overall grayish green glaze, h. 2 3/4 in. $1000/1500 Provenance: Private Florida Collection.

100. Korean White Glazed Bottle Vase, Joseon Dynasty, 19th c., overall blueish‑white glaze, h. 10 1/2 in. $600/800 Provenance: Private Florida Collection.

101. Korean Blue Glazed Porcelain Star‑Form Water Dropper, Joseon Dynasty, 19th c., h. 1 1/8 in., w. 3 1/2 in. $700/900 Provenance: Private Florida Collection.

102. Korean School, 19th/20th c., “Two Scholars in a Landscape with Mountains, Trees and Rocks”, ink and light color on paper, signed Yi Do Young (1884‑1933) and sealed Kwan Jae, 12 5/8 in. x 16 1/4 in., mounted to paper on brocade panel and framed. $1500/2500 Provenance: Reputedly, Ex‑Collection Pierre Landy, French Ambassador to Korea (1971‑1975); Private Florida Collection.

104. Korean School, 19th/20th c., “Tiger with Magpies and Pine”, ink and color on paper, sight 28 1/4 in. x 17 1/2 in., matted and framed. $500/700

105. Co Chu Pin (Vietnamese, b. 1948), “Dwellings at Night”, 1998, gouache on paper, signed and dated lower left, sealed lower right, sight 20 3/8 in. x 30 1/8 in., double matted and framed. $700/900

Provenance: Private Florida Collection.

103. Korean School (Joseon Dynasty, 19th c.), “Birds and Butterflies amid Rocks and Tree Peonies”, ink and color on paper, inscribed and sealed upper right, sealed lower left, 47 in. x 19 3/4 in., mounted as a hanging scroll. $600/800

107. Restauration‑Style Carved Mahogany Swan’s Neck Adjustable Easel, probably early 20th c., h. 70 3/4 in., w. 30 1/4 in., d. 31 1/2 in. $300/500

Provenance: Private Florida Collection.

106. Pair of American Aesthetic Carved Rosewood Slipper Chairs, c. 1865‑70, attr. to Herter Brothers, New York, padded back and seat, molded stiles, palmette‑carved cabriole legs, hairy cleft‑hoof feet, inset casters, h. 35 in., w. 19 in., d. 17 in. $700/900

Provenance: Henry Plauché Dart (18581934), thence by descent, Estate of Jane and Stewart Maunsell. 108. English Aesthetic Carved, Gilt‑Incised, Painted and Ebonized Parlor Cabinet, late 19th c., possibly Collinson & Lock, London, spindle‑galleried superstructure with three beveled mirror panels, frieze drawer, lower paneled door with painted reserve of a courting couple, shelf corners, scalloped base, h. 67 in., w. 56 1/2 in., d. 18 in. $2500/3500

109. Antique English Polychromed and Parcel Gilt Tray Top Table, top painted with a cottage scene, classical frieze, tapered legs, h. 30 in., w. 32 in., d. 23 in. $1500/2000

110. Fine Pair of Charles X Gilt and Patinated Bronze Five‑Light Sconces, 19th c., bell form standard, fluted arms ending in masks, electrified, h. 11 1/2 in., w. 11 in., d. 12 1/2 in. $1500/2000

111. Edwardian Carved Mahogany Partner’s Desk, early 20th c., inset tooled leather top, molded edge, six frieze drawers, ring turned, reeded tapered legs, cuff casters, h. 29 1/2 in., w. 58 in., d. 40 1/2 in. $1200/1800

112. Antique Regency‑Style Inlaid Mahogany Sofa Table, 19th c., crossbanded dropleaf top, frieze drawers, trestle supports, saber legs, cuff casters, h. 29 in., w. (open) 59 1/2 in., w. (closed) 37 1/2 in., d. 26 in. $500/750

Additional information at www.nealauction.com

114. Large Antique Louis XV‑Style Bronze‑Mounted Kingwood Parquetry and Marquetry Bureau Plat, shaped top with inset tooled leather writing surface, serpentine frieze with three drawers, cabriole legs, sabots. $2500/3500

113. Fine Venetian Carved and Polychromed Secretary Desk, molded broken arch cornice, turned finials, doors and drawers decorated with classical scenes, serpentine apron, cabriole legs, scrolled toes. $2500/3500

117. William IV Rosewood Canterbury, 19th c., foliate‑carved dividers, turned stretchers, frieze drawer, turned feet, casters, h. 17 3/4 in., w. 21 in., d. 15 1/2 in. $500/700

115. Pair of Louis XVI‑Style Ormolu‑Mounted Bedside Commodes, 19th c., signed “Haentges”, molded marble tops, frieze drawer, paneled door enclosing marble lined cupboard, flared legs, stretcher shelf, sabots, h. 33 in., w. 15 in., d. 15 in. $2000/3000

116. Fine George II‑Style Chinoiserie Lacquered and Gilt‑Decorated Games Table, mid‑20th c., foldover swivel top with baize-lined playing surface, blocked frieze, cabriole legs, pad feet, h. 30 in., w. 30 1/2 in., d. (closed) 17 1/2 in., d. (open) 30 in. $800/1200

118. Antique English Tôle Peinte Tray, mid‑19th c., with Greek key border and lion and unicorn armorial, now mounted as a table on a custom faux bamboo stand, h. 20 1/2 in., w. 30 5/8 in., d. 22 in. $600/800

119. Pair of Neoclassical‑Style Verde Antico and Parcel‑Gilt Caned Settees, rounded backs, scrolled arms, eagle‑carved uprights, paw feet, h. 33 in., w. 48 in. $2500/3500

120. French Bronze‑Mounted Carved Walnut Gueridon, circular marble veneered top, guilloche frieze, fluted and reeded legs mounted with caryatid busts, shaped stretcher surmounted by a foliate finial, casters, h. 30 3/4 in., dia. 28 1/2 in. $700/900

121. Regency Tortoiseshell Tea Caddy, 1820, monogrammed silver cartouche, interior with two lidded compartments, h. 4 1/2 in., w. 7 in., d. 3 3/4 in. $1000/1500

122. George III Green Tortoiseshell Tea Caddy, early 19th c., monogrammed cartouche, single lidded compartment, h. 5 1/2 in., w. 5 in., d. 4 1/8 in. $1000/1500

124. George III Tortoiseshell and Mother‑of‑Pearl Tea Caddy, early 19th c., silver‑mounted lid, interior with two lidded compartments, bun feet, h. 4 1/4 in., w. 6 1/4 in., d. 4 1/8 in. $1000/1500

123. George III Green Tortoiseshell Tea Caddy, early 19th c., domed lid, single lidded compartment, ball feet, h. 6 1/2 in., w. 4 3/8 in., d. 3 3/4 in. $1000/1500

127. Antique American Sterling Silver Overlay Claret Jug, h. 9 1/2 in.; together with a sterling silver overlay bowl and underplate, dia. 10 3/4 in. $150/250

125. George III Tortoiseshell Tea Caddy, early 19th c., inlaid lid, interior with two lidded compartments, ball feet, h. 5 3/4 in., w. 6 3/4 in., d. 3 3/4 in. $1000/1500

126. George III Red Tortoiseshell Tea Caddy, early 19th c., silver inlaid lid, interior with two lidded compartments, ball feet, h. 6 in., w. 6 3/4 in., d. 3 3/4 in. $1000/1500

128. Good American Gilt and Patinated Bronze Three‑Piece Argand Lamp Garniture, 19th c., burners marked “B. GARDINER/ N. YORK”, foliate and scroll design, plinth base with rosettes, electrified, central lamp h. 26 in., w. 16 1/2 in., d. 8 in. $500/1000 Provenance: Estate of Jane and Stewart Maunsell.

129. American Brass Solar Lamp, c. 1850, marked “Cornelius & Co.”, fluted column on a marble base, bulbous shade cut with gothic arch windows, spear prisms, h. 23 1/2 in. $700/1000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. 131. Pair of Empire‑Style Gilt Bronze Nine‑Light Chandeliers, tasseled supports, scrolled candlearms, mounted with masks, wreaths, and floral garlands, electrified, h. 41 in., w. 32 in. $5000/7000 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

133. American Aesthetic Carved Rosewood and “Kirihame” Firescreen, c. 1880, probably New York, posts carved with foliage, rope-twist and beading, paw feet with brass and glass ball casters; the revolving panel foliate carved, inset with patchwork and silk textiles, h. 61 1/2 in., w. 30 1/2 in., d. 20 in. $800/1200

130. American Gilt Bronze Solar Lamp, c. 1850, attr. to Hooper, tapered fluted column on a stepped marble base, globe shade with floral reserves, cut prisms, h. 18 in. $700/1000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

132. Pair of Decorative Giltwood and Rock Crystal Lamps, knopped standard on incurvate plinth, h. (to socket) 22 in., dia. 9 1/2 in. $3000/5000

134. Continental School, 17th/18th c., “Still Life of Flowers”, oil on canvas, unsigned, inscribed “...surgun Montes Nemorosa Frondius, Arbo...ugh...v.ent Germine... ernat ag...” along lower edge, 33 3/4 in. x 24 1/2 in., framed. $2000/3000 Additional information at www.nealauction.com

135. Leon Jean Basile Perrault (French, 1832‑1908), “Child with Kittens”, 1886, oil on canvas, signed and dated lower right, 44 in. x 32 3/4 in., framed with artist and title plaque. $20000/30000

136. Charles Emile Jacque (French, 1813‑1894), “Basse‑Cour”, oil on canvas, signed lower right, “J.L. Hudson Company” gallery label en verso, 26 in. x 21 3/4 in., framed; together with a copy of The American Art Galleries, Feb. 7, 1918 catalogue and original Du Mouchelle Art Galleries Co. labels. $3000/5000 Provenance: The American Art Galleries, NY, Feb. 7, 1918, lot 28; Du Mouchelle Art Galleries Co., Detroit MI.

Note: A student of William-Adolphe Bouguereau and Francois-Edouard Picot, Leon Jean Basile Perrault honed his artistic skills at the Académie des Beaux-Arts and Académie Julien in Paris. While well-regarded for his military, religious and allegorical paintings, he is most celebrated for his genre scenes of beautiful children such as the one offered in the lot presented here. The young girl sits atop a stone ledge, on her lap are three kittens, and to her side is the mother cat tending to her brood. In rendering the figure of the girl, Perrault utilizes a classic triangular composition to capture an idealized vision of a peasant child in the countryside, popular in Salon paintings of France during the time period. His subject is dressed in simple clothes and barefoot, although has the flawless skin and coral necklace of a wealthier class. She bears a knowing smile while gazing directly at the viewer, the end result a touchingly intimate portrayal of simple French country life.

Note: Charles Emile Jacque first began engraving in the military, making maps for the French army. He continued this occupation as a civilian, creating both prints and paintings. Moving from Paris to Barbizon in the late 1840s, Jacque painted in the naturalistic style popular with his contemporaries, depicting pastoral landscapes, farm scenes, and haystacks. Particularly known for his pleasing depictions of animals, Jacque’s works were well-received within the artistic community, earning medals at the Paris Salon, and he became a Chevalier de la Légion d’Honneur in 1867. The work offered here exhibits Jacque’s traditional Barbizon coloring, favoring rustic and earthy brown and red tones, and a naturalistic rendering of the chickens. The title, “Basse-Cour,” is a term for an inner area of the barnyard used to house small animals, and the painting provides a quaint and endearing view of farm life in the French countryside.

137. Continental School, 19th c., “Musical Nymphs in the Forest”, oil on cradled panel, unsigned, 14 1/2 in. x 17 1/4 in., framed. $4000/6000

138. Pair of Decorative Gilded and Mirrored Curule Tables, raised beveled tops on Directoire-style reeded bases. $1000/1500

141. Flemish Mixed Woods, Bronze‑Mounted Tortoiseshell and Bone‑Inlaid Console, 19th c., banded top, blocked frieze with port scene panels, barley‑twist supports and stretcher, turned feet, h. 37 in., w. 49 in., d. 15 1/4 in. $2000/3000

139. Italian Pietra Dura & Patinated and Gilt Bronze Table, octagonal floral inlaid top, swan’s neck supports, paw feet, incurvate plinth base. h. 24 1/2 in., w. 26 1/2 in., d. 26 1/2 in. $1000/1500

140. Spanish Colonial School, mid‑17th/mid‑18th c., “Saint Catherine of Siena”, oil on canvas, unsigned, 33 in. x 29 3/4 in., framed. $800/1200

142. Italian Neoclassical‑Style Marquetry and Parquetry Commode, 19th c., Milan, molded top, case with three drawers, tapered legs, h. 33 in., w. 44 1/4 in., d. 20 in. $2000/3000

144. Louis XV‑Style Gilt Bronze and Porcelain‑Mounted Five‑Light Sconces, floriform candlearms, centered by Chinese Export style figures of parrots, electrified, h. 32 in., w. 15 in., d. 8 in. $2500/3500

143. French Provincial Carved Walnut Buffet Bas, 18th c. an later, three‑plank top with molded edge, two paneled doors, shelf interior, small drawers, serpentine apron, cabriole legs, scrolled toes, h. 37 in., w. 58 in., d. 22 1/2 in. $2000/3000

145. Large Antique Italian Carved Pine Putto Pedestal, shell carved basin above an articulated figure with flowing hair, standing on a shaped plinth, volute base, h. 43 in., w. 19 in., d. 21 in. $2000/3000

146. Large Bronze Figural Group of a Maiden and Cherub, after Jacques Jaquet, signature inscribed on self-base, h. 30 3/4 in., painted base, overall h. 32 in. $2000/3000

147. Napoleon III Gilt and Patinated Bronze and Marble Three‑Piece Figural Clock Garniture, 19th c., clock with figure emblematic of Science, reclining with her attributes; conforming four‑light candelabra, cherub standard, h. 12 3/4 in., w. 16 1/2 in., d. 5 1/2 in., candelabra h. 17 in. $1500/2500

148. Large Art Deco Gilt Bronze Figural Group of Diana Hunting, after J. Dauvergne, h. 18 3/4 in., w. 31 3/4 in., d. 7 in., signature inscribed on stone base, overall h. 21 in. $1200/1800 149. Small Spanish Rococo‑Style Carved Walnut Mirror, 19th c., arched crest centered by urn cartouche, scalloped sides, mirror plate flanked by spiral colonnettes, shaped trifed base, h. 42 in., w. 25 in. $800/1200

150. Italian Neoclassical‑Style Painted and Parcel Gilt Overmantel Mirror, 19th c., shaped cornice, upper panel with foliate and floral swag decoration centered by an urn, fluted surround, h. 86 in., w. 50 in. $2500/3500

151. Continental Verdigris Patinated Bronze Figural Fountain, putto and dolphin on foliate and floral base, h. 51 in., dia. 22 in. $2000/3000

152. Pair of Louis XVI‑Style Painted and Parcel Gilt Trumeau Mirrors, stepped cornice, musical instrument reserve, molded surround, h. 64 in., w. 28 in. $800/1200

Additional information at www.nealauction.com

153. Continental School 19th c., “Lady with Attendant”, oil on panel, unsigned, remnant of period label en verso, 15 in. x 12 1/4 in., framed. $1800/2500

154. Russian Icon of Salvator Mundi, 18th/19th c., oil and gold leaf on panel, 21 in. x 17 in., framed. $1200/1800

155. Suite of Icons depicting the Four Evangelists, 19th/20th c., oil and gold leaf on panel, each 13 1/2 in. x 13 1/2 in. $2000/3000

156. French Gilt Bronze Footed Tray, late 19th c., oakleaf and acorn mounts, h. 1 3/4 in., w. 12 1/2 in., d. 11 in. $500/750 Provenance: Collection of Mrs. Dudley J. Hughes, Jackson, MS

157. Pair of Louis XVI-Style Gilt Bronze-Mounted Cut Glass Urns on Stands,, ram’s head handles, h. 20 1/2 in., w. 8 1/2 in., d. 6 1/4 in. $500/1000

Provenance: Merle McGehee Interiors, Jackson, MS; Collection of Mrs. Dudley J. Hughes, Jackson, MS.

158. Fine Antique Continental Gilt Bronze-Mounted Mother‑of‑Pearl Sewing Box, c. 1900, with signed gouache scene of Schwartzenberg Palace, Vienna, fitted interior retaining numerous mother-of-pearl accoutrements including spool with gouache of Karlskirche, h. 3 1/2 in., w. 10 1/4 in., d. 6 3/4 in. $500/700 Provenance: Hugh McCloskey (1853-1927), probably acquired on the family’s 1907 Grand Tour, thence by descent; Estate of Jane and Stewart Maunsell.

159. Italian Carved Giltwood Cherub, 19th c., kneeling on cartouche‑form base, scrolled feet, h. 20 in., w. 16 in., d. 9 1/4 in. $1200/1800 160. Good Napoleon III Gilt Bronze Centerpiece, c. 1850, stamped “H. Picard (Henri Picard)” and numbered “3814”, navette form, reticulated basketweave, foliate handles, floral swags, with removable lead liner, h. 12 1/2 in., w. 22 in., d. 10 1/4 in. $3000/5000

161. Pair of French Wrought Iron and Patinated Bronze Andirons, 19th c., orb finial, scrolled legs, hoof feet, centered by a fleur‑de‑lis, h. 33 1/2 in., w. 14 in., d. 25 in. $1000/1500

162. Pair of Empire‑Style Gilt Bronze‑Mounted Rouge Marble Urns, serpent handles, floral garland mounts, h. 23 1/4 in., w. 11 1/2 in., d. 10 in. $2500/3500

163. Baroque‑Style Carved Walnut Armchair, late 18th/ early 19th c., serpentine crest rail, putto‑carved scrolled arms, figural arm supports, X‑stretcher surmounted by a turned finial, paw feet, leather upholstery, h. 48 in., w. 33 1/2 in., d. 27 in. $1500/2500

164. Pair of Portuguese Carved, Painted and Parcel Gilt Consoles, late 18th/early 19th c., shaped top, serpentine pierced apron, acanthus‑carved cabriole legs, scrolled toes, h. 34 in., w. 44 3/4 in., d. 25 1/2 in. $7000/9000

165. French Provincial Carved Walnut Commode, 18th c., molded top, two short drawers over two long drawers, shaped apron, block feet, h. 35 in., w. 64 in., d. 28 in. $6000/8000

166. Pair of Antique French Rock Crystal, Amethyst Quartz and Marble Three‑Light Candelabra, tiered standard, scrolled arms, hung with pear and teardrop pendants and beads, on tall plinth base, h. 22 1/2 in., dia. 11 in. $1500/2000 167. Continental Bronze‑Mounted and Tortoiseshell Inlaid Papelera on Stand, 18th c. and later, cabinet with eight drawers and ball and claw feet, stand with trestle base and wrought iron stretchers, h. 49 3/4 in., w. 35 in., d. 14 in. $4000/6000

168. Louis XV Carved Fruitwood Armoire, 18th c. and later, molded cornice, carved frieze, two shaped paneled doors with fluted center stile, fiche hinges, later interior with shelves and drawer, volute skirt, cabriole legs, scroll toes, h. 79 in., w. 49 1/2 in., d. 22 1/2 in. $1500/2500 Provenance: Wirthmore Antiques, New Orleans, 2002.

Additional information at www.nealauction.com

169. Italian Carved Walnut Cassone, 18th c., molded top, three paneled drawers, paw feet, h. 26 in., w. 55 in., d. 21 in. $1000/1500

170. Italian Carved Giltwood Console, 19th c., molded marble top, conforming base with fretwork frieze mounted with acanthus decoration, heavily scrolled and paneled legs, shaped feet, h. 36 1/2 in., w. 60 in., d. 20 in. $3000/5000

171. Italian Rococo‑Style Carved Giltwood Settee, 19th c., rocaille back, shell and floral serpentine crest, scroll arms, conforming serpentine seat rail, cabochon cabriole legs, casters, h. 38 1/2 in., w. 56 in., d. 24 in. $800/1200

172. Italian Neoclassical Painted Console Table, 18th c., frieze drawer, tapered legs, spade feet, old paint surface, h. 35 5/8 in., w. 32 in., d. 21 1/4 in. $1500/2000

173. Large Brazilian Carved Jacaranda Credenza, early 19th c., shaped molded top, conforming case centered by two short drawers over two long drawers, flanked by side compartments, scrolled brackets, molded base, scrolled feet, h. 42 in., w. 92 in., d. 30 in. $7000/9000

174. Suite of Four Louis XVI‑Style Carved Giltwood Side Chairs, 19th c., foliate motif crest rail, conforming stiles and seat rail, fluted tapered legs, casters, Aubusson upholstery, h. 36 in., w. 20 1/2 in., d. 18 in. $1500/2500

175. Fine Pair of Regence‑Style Carved Giltwood Fauteuils à la Reine, 19th c., serpentine crest rail, padded back and seat, foliate‑carved scrolled arms, shell-carved seat rail, cabriole legs, scrolled toes, stretchers, h. 44 in., w. 27 in., d. 21 in. $1500/2500

176. Fine Queen Anne Carved Walnut Stool, late 18th/early 19th c., acanthus‑carved cabriole legs, pad feet, h. 18 in., w. 22 in., d. 18 in. $700/900

179. George III Mahogany Corner Chair, 18th c., shaped rounded back, vasiform splats, square slip seat, shaped seat rail, cabriole legs, pad feet, h. 34 1/2 in., w. 28 3/4 in., d. 24 in. $500/700

177. Continental Rococo Cast Iron Tilt‑Top Table, 19th c., octagonal mother‑of‑pearl inlaid top, foliate vasiform standard, arched legs, h. 29 1/2 in., dia. 19 1/2 in. $400/600

178. Antique English Lacquered Papier‑Mâché Tray, 19th c., black ground with gilt decoration, custom bamboo turned stand, h. 22 in., w. 30 1/4 in., d. 22 1/2 in. $500/750 Provenance: Henry Stern, New Orleans, 1968

180. Louis XVI Carved and Brass‑Mounted Oak Commode, 18th c., dentil‑molded top, guilloche-carved long drawers and skirt, paneled returns, blocked and tapered feet, h. 40 in., w. 49 3/4 in., d. 24 1/2 in. $2500/3500

181. Pair of Neoclassical‑Style Gilt and Patinated Bronze Four‑Light Candelabra, urn-form standards, double mask handles, base mounted with animal pelts, h. 29 1/2 in., dia. 13 in. $1200/1800

182. Pair of Italian Renaissance‑Style Wrought Iron, Carved and Gilt‑Decorated Ten‑Light Torchères, upper section with floral decoration over a scrolling swag, opposing phoenix mounted urn base, h. 82 in., w. 26 in., d. 11 in. $1500/2500

183. British School, 18th c., “Portrait of Jemima Harpur, Lady Palmer”, oil on canvas, unsigned, handwritten label identifying sitter and “Charles Roberson & Co., London” label on stretcher, 50 1/4 in. x 40 1/4 in., framed. $4000/6000

184. Pair of Napoleon III Gilt Bronze Figural Chenets Mounted as Table Lamps, 19th c., figures depicting Odysseus, and Aeolus, who is shown blowing and holding his bag of unfavorable winds, wood bases, custom shades, h. to finial 25 in., w. 14 in., d. 14 in. $2000/3000

Note: Jemima Harpur, daughter of Sir John Harper, 4th Baronet, of Calke Abbey in Derbyshire, and his wife Catherine Crewe, was born in the early 18th century. In 1735, Jemima married Sir Thomas Palmer and became Lady Palmer of East Carlton Hall. Her husband was the 4th Baronet, of Carlton, and a member of Parliament from 1754-1765.

The painting offered here depicts Jemima perhaps closer to the date of her marriage. The background, styling of the sitter and treatment of the highlights on the silk dress, as well as the gentle pose and gaze, recall the best of the Rococo portraitists such as Thomas Gainsborough and Joshua Reynolds.

Additional information at www.nealauction.com

185. Pair of Napoleon III Gilt Bronze Figural Five‑Light Candelabra, 19th c., the standard a knight in armor, holding a festooned halberd, hexagonal base, h. 25 in., w. 11 1/4 in., d. 9 1/2 in. $2000/3000

186. Large French Terracotta Bust of Mary Antoinette, h. 29 in., w. 17 in., d. 10 in. $800/1200

187. French Terracotta Figural Group of Cavorting Putti, 19th c., h. 14 1/2 in., w. 9 1/2 in., d. 7 3/4 in., giltwood base, overall h. 16 1/2 in. $700/900

188. Italian Crème Peinte and Parcel Gilt Trumeau Mirror, 19th c., painted reserve surmounted by a carved swag, mirror plate mounted with floral swags, h. 80 in., w. 54 in. $1500/2500 189. Spanish Colonial Tooled Leather “Baùl en Madera” Chest, probably late 17th/early 18th c., domed lid with scalloped molding and wrought iron strapwork, h. 15 1/2 in., w. 38 3/4 in., d. 19 3/4 in., later wood stand, overall h. 25 1/4 in. $1200/1800 190. Spanish Colonial Tooled Leather “Baùl en Madera” Chest, probably late 17th/early 18th c., domed lid with scalloped molding and wrought iron strapwork, h. 17 1/2 in., w. 45 in., d. 22 in., later rosette‑carved wood stand, overall h. 26 1/4 in. $800/1200

Ref.: Similar 17th/18th c. Spanish colonial chests are illustrated in: Phipps, E. et. al. The Colonial Andes: Tapestries and Silverwork, 1530‑1830. The Metropolitan Museum of Art, 2004; Rishel, J.J. & S. Stratton‑Pruitt. The Arts in Latin America: 1492‑1820. Yale University Press, 2006.

191. Large American Federal Carved Mahogany Poster Bed, early 19th c., tester frame, spiral‑turned posts with floral‑carved blocks, shaped and paneled headboard, turned legs and feet, h. 98 1/2 in., l. 72 in., w. 60 in. $5000/7000

192. American Late Classical Carved Mahogany Sofa Table, c. 1840, labeled J. & J.W. Meeks, Makers #14 Vesey St. New York, molded drop-leaf top, frieze drawer with fitted interior, shaped supports, arched legs, pierced stretcher, casters, h. 29 1/2 in., w. (closed) 35 in., (open) 53 in., d. 23 in. $1500/2500 Note: The rare table offered here is a distinctive form made by the New York firm of J. & J.W. Meeks, indicative of the transitional period in which it was made. The table primarily exhibits the Grecian style of the late American Classical period and has an overall form similar to a Meeks sofa table in the collection of the Art Institute of Chicago (acc. 1970.37). Interestingly, the table in the present lot features a Gothicized stretcher—a prevalent style seen on Meeks furniture throughout the 1840s. This admixture of styles can also be seen on a Meeks bookcase in the collection of the Metropolitan Museum of Art (acc. 67.262.1).

Ref.: The Art Institute of Chicago Collections. www.artic.edu/aic/collections/artwork/33071. Accessed April 21, 2018; Johnson, Marilynn, et. al. 19th-Century America: Furniture and Other Decorative Arts. New York: The Metropolitan Museum of Art, 1970, pl. 98.

193. Jean‑Joseph Vaudechamp (French, 1790‑1866), “Portrait de Femme”, 1827, oil on canvas, signed and dated upper right, 29 in. x 23 1/2 in., framed. $7000/10000 Ill.: Rudolph, William Keyse. Jean‑Joseph Vaudechamp (1790‑1864) in France and Louisiana. Bryn Mawr College Doctor of Philosophy Thesis, 2003, p. 407.

Note: Jean Joseph Vaudechamp rarely painted nudes, with only two known to exist today. In the portrait of a young woman offered here, he comes close by revealing an expansive décolletage behind a sheer shift dress cinched at the waist. The draped shawl, gently falling off of the woman’s shoulders, adds to the allure of the portrait, which exhibits no jewelry but a highly fashionable Apollo knot hairstyle. The painting in its original form most likely included the young woman’s nipples visible through the sheer fabric. An attempt at censorship in a previous conservation appears at some point over the past decades to have overtaken Vaudechamp’s original intent in creating a study of the female torso under sheer fabric. Nonetheless, one is compelled to appreciate the sensitive and delicate handling of the brushwork on the skin, hair, and fabric throughout the portrait, which exemplifies Vaudechamp’s impeccable technique.

194. Monumental American Rococo Carved Rosewood Breakfront Bookcase, mid‑19th c., attr. to Prudent Mallard, New Orleans, cabochon and scrollwork crest, four arched glazed doors, enclosing adjustable shelves, base with three drawers flanked by paneled doors, molded base, disc feet, h. 118 in., w. 86 in., d. 23 in. $4000/6000

195. American Classical Carved Mahogany Center Table, c. 1830, Boston, oval Egyptian marble top, ripple molded frieze, scrolled supports, shaped stretcher, scrolled legs, recessed casters. $1500/2500

Provenance: The “Wedding Cake” House, 5809 St. Charles Avenue, New Orleans; thence by descent through the Douglas Family.

196. Good American Classical Carved Mahogany Work Table, early 19th c., probably New York, octagonal top, conforming case with fitted work compartment, two drawers, acanthus‑carved standard, foliate‑carved hairy paw feet, casters, h. 30 3/4 in., w. 23 5/8 in., d. 16 3/4 in. $700/900

197. Fine American Carved Walnut Chest‑on‑Chest, c. 1790, Pennsylvania, molded stepped cornice, upper case with eight drawers, lower case with three drawers, ogee bracket feet, h. 86 in., w. 41 5/8 in., d. 24 in. $5000/7000 Additional information at www.nealauction.com

199. [Battle of Liberty Place], “Battle of New Orleans for Freedom, September 14. 1874”, hand‑colored lithographed map, by T.S. Hardee, lithographed and published by H. Lewis, 22 St. Charles St., inset with a history of the revolution and a list of the wounded and killed, 18 1/4 in. x 23 in., matted and framed. $1200/1800

198. Fine American Twelve‑Inch Table Globe, the cartouche reading “Loring’s Terrestrial Globe containing all the Late Discoveries and Geographical Improvements...Revised by Roswell Park, 1846, Manufactured by Gilman Joslin, Boston”, hand‑colored engraved gores, with full brass meridian, horizon band with months and figural signs of the zodiac, raised on a turned cherrywood stand, h. 18 in., dia. of stand 16 in. $1500/2500 Ref.: Dekker, Elly and Peter van der Krogt. Globes from the Western World, London, Zwemmer, 1993, pg. 126.

Provenance: Neal Auction Co., New Orleans, November 20, 2010, lot #155.

200. Attributed to Jacques Tanesse, “Plan of the City and Suburbs of New Orleans From Actual Surveys 1834”, [no place], 1834, lithographed map, scarce map showing the fauburgs L’Anunciati, De La Course, Solet, Du Plantier, St. Marie, Marigny and Daunois; a key identifies 17 landmarks; the title, design and layout nearly identical to Tanesse’s great map of 1817, 8 3/4 in. x 13 3/4 in., unframed. $1200/1800

Provenance: Boston Rare Maps, Southhampton, MA, 2014.

201. Robert Sayer, “A New General Chart of the West Indies from the Latest Marine Journals and Surveys...”, London, 1790, hand‑colored in outline, printed on two separate sheets, very detailed large‑format map, of note, present‑day Belize is shown as British Logwood Cutters, referring to the wood used in dyeing wool, 40 in. x 27 1/2 in. (if joined), unframed. $2000/3000 Provenance: Old World Auctions, Sedona, AZ, 2/20/2008, lot # 379.

202. Mathew Carey, “The State of Mississippi and Alabama Territory”, Philadelphia, 1818, hand‑colored in outline, one of the earliest maps to show Alabama territory, 14 in. x 12 in., unframed. $1200/1800 Provenance: Barry Lawrence Ruderman Antique Maps, La Jolla, CA, 2002.

203. John James Audubon (American, 1785‑1851), “Hudsonian Godwit”, hand‑colored engraving with aquatint, Plate CCLVIII, from Birds of America, Havell edition, “J. Whatman/1834” watermark, sheet 25 1/2 in. x 38 3/4 in., framed. $1000/1500

204. After William Edward West (American, 1801‑1861), “Battle of New Orleans and Death of Major General Packenham on the 8th of January 1815”, Philadelphia, 1817, engraving, second state, 16 in. x 22 1/4 in., unframed. $800/1200

Provenance: Swann Auction Galleries, New York, Oct. 2, 2012, lot 476.

205. Dean Mitchell (American/ Florida, b. 1957) “N.O. Shutters”, 2007, watercolor on paper, signed and dated lower left, pencil‑titled en verso, 14 3/4 in. x 9 3/4 in., framed. $3000/5000

Note: Dean Mitchell’s works, primarily watercolors that focus on everyday objects, often have deep meaning behind their seemingly ordinary subject matter. Growing up as an African American man without a father, Mitchell says he is “always searching for a sense of place—a sense of intimacy in [his] work.” Mitchell also focuses on those likely to be overlooked - both people and places - and finding beauty in simplicity. Visiting New Orleans for the first time in 1984, he has returned again and again for the city’s character and atmosphere. The beautiful scenes created by Mitchell’s brush, such as “N.O. Shutters” offered here, portray the city in a haunting manner and provide a fascinating window onto details most neglect to notice.

206. William Woodward (American/New Orleans, 1859‑1939), “French Opera House”, 1907, Rafaelli crayon on board, signed, dated and inscribed “French Opera N.O.” lower right, pencil‑inscribed en verso, 19 in. x 15 in., framed. $50000/80000 Provenance: Henry Plauche Dart (1858-1934), thence by descent; Estates of Jane and Stewart Maunsell. Henry P. Dart, in addition to being a prominent attorney, historian and archivist, was an early supporter of historic preservation.

Note: When the director of the opera company in New Orleans, Charles Boudousquié, commissioned a new opera house in 1859, James Gallier, Jr. was asked to design the building. The Greek Revival structure, which stood on the corner of Bourbon and Toulouse Streets, was completed in only seven months and became one of the premier locations for New Orleans social life for the next sixty years. Many types of events took place at the Opera House, both private and public, including Carnival balls, wedding receptions, concerts, and debuts. After sixty years of being the pinnacle of New Orleans society, on December 3, 1919, a fire of unknown origins spread throughout the entire complex, leaving it in ruins. Although plans to renovate the building were discussed, they ultimately never came to fruition. In the late 19th and early 20th centuries, William Woodward worked on a series of historical sketches of the streets of the French Quarter, completing at least four views of the Old French Opera House. Of the four, the one presented here depicts the most intimate view of the Opera House itself, focusing on the curved side and front façade of the building. With his use of thickly applied Raffaelli oil crayon, Woodward created his most atmospheric and highly Impressionist version of the scene. The bright palette, technique of applying broad layers of color, and the energetic crayon strokes create a cohesive composition and add to the sense of immediacy in this important work. Ref.: Hinckley, Robert. William Woodward: American Impressionist. New Orleans: MPress, 2009.

207. Joseph Rusling Meeker (American/Louisiana, 1827‑1887), “Flamingos in a Marsh”, 1869, oil on canvas, signed an dated lower right, 10 1/4 in. x 18 1/4 in., framed. $8000/12000

208. William Aiken Walker (American/South Carolina, 1838‑1921), “Male Cotton Picker” and “Female Cotton Picker”, 2 oils on board, each signed lower left, each 8 in. x 4 in., framed alike. (2 pcs.) $7000/10000 Note: To be included in John Fowler’s forthcoming catalogue raisonné.

209. Clementine Hunter (American/Louisiana, 1886‑1988), “Wake”, 1975, oil on canvas, monogrammed lower center, pencil drawing en verso, 14 in. x 18 in., framed. $4000/6000 Additional information at www.nealauction.com

210. George Rodrigue (American/Louisiana, 1944‑2013), “Bridge over a Coulee”, oil on canvas, signed lower left, artist stamps on reverse of frame, 22 in. x 36 in., original frame. $20000/30000

Note: Returning to Louisiana from studies at the Art Center College of Design in Los Angeles in 1967, George Rodrigue dedicated himself to capturing his heritage and the landscape of Acadiana in his paintings. Embracing his Cajun family roots, Rodrigue was determined to depict Louisiana differently

from those who came before him, and he focused first on the massive oaks. These trees dominated the region, and their relationship to the sky, land and people of Acadiana fascinated Rodrigue. A recurring element in his works throughout his career, the oak became as much a symbol of George Rodrigue as the iconic Blue Dog. In the early work offered here, the oak trees are cropped at the top and allow only intermittent swaths of sunlight to illuminate the scene. The bridge across the coulee, or ravine, is just glimpsed through the dark foliage, blending into the landscape itself.

211. George Frederick Castleden (British/American, 1861‑1945), “Old Spanish Fort, New Orleans”, 1926, 2 watercolors on paper, one signed lower right, one signed and dated lower left, each titled and dated en verso, each 10 in. x 13 3/4 in., unframed. (2 pcs.) $2000/3000

Note: Often traveling between England, Canada, and the United States, George Frederick Castleden opened a studio in New Orleans around 1920. During the 1920s and 1930s, Castleden was inspired by the historic aspects of the city to create watercolors, oil paintings, and etchings of some of the most well-known places in New Orleans and the surrounding environs. The Old Spanish Fort on Bayou St. John, which was built around 1701 and used as a fortress at the entrance to the city during the early 18th century, was still open to the public until 1926. The fort had been decommissioned in 1823 and used for various entertainment venues, including an amusement park, casino, theater, and many restaurants. From Castleden’s paintings, one can see the remnants of fort walls and cannons, preserving the imagery of a lost New Orleans site for future generations. 212. Laet, Jean de (Johannes de). L’Histoire du Nouveau Monde ou Description des Indes Occidentales..., Leiden, Chez Bonaventure & Abraham Elzevier, 1640, folio (13 3/4 in. x 8 3/4 in.), full leather, first French edition, title‑page printed in red and black, with woodcut vignette, 14 double‑page maps by Hessel Gerritsz, mounted on stubs, numerous woodcuts throughout text of flora and fauna. $16000/19000

Note: Johannes de Laet (1581‑1649), was a Dutch cartographer and Director of the Dutch West India Company. Historian Philip Burden has called the work, “... arguably the finest description of the Americas published in the 17th century”. The maps, done by Gerritsz, mapmaker for the Dutch West India Company, were groundbreaking, especially the map of New England. It was the first map to name N. Amsterdam, Manhattan (Manbattes), the Hudson River (Noordt Rivier) and Massachusetts.

213. Monumental Map of Mississippi, Louisiana and Alabama by John La Tourette, “An Accurate Map Or Delineation of the State of Mississippi, with a large portion of Louisiana & Alabama; showing the communication by land and water between the Cities of New Orleans and Mobile...”, compiled & published by John La Tourette, Mobile, Alabama, 1845, engraved by S. Stiles, Sherman & Smith, New York; original hand‑coloring, with vignettes of the State House, Jackson and a cotton plant, with inset maps of Vicksburg, Natchez, Jackson, Yazoo City, Columbus, Woodville, Grand Gulf, Mississippi City (Gulfport), Norfolk, and Port Gibson; at upper left is a table showing white and slave populations, and the amount of cotton produced in every county, based on the 1837 census; 72 in. x 57 in., framed, original rollers unmounted but can be provided. $50000/70000

Note: Little is known biographically about John La Tourrette, except that he was a cartographer who produced the most detailed, ornamental, and factual maps of the Southeast United States during the antebellum period. Born on Staten Island, New York in 1785, he moved to Mobile prior to 1830, as he is shown on that census as a 45-year-old male. His first documented works were maps of the Creek Territory in Alabama and the Choctaw Territory in Alabama, both published in 1833, followed by three large-format state maps. Of these, the Mississippi map seems to be the rarest. The subject map was deaccessioned by the Connecticut State Library in 2012, and the only other located example is in the British Library. Compiled on six sheets on the monumental scale of six miles to the inch, the map bears testimonials of R.M. Williamson, Surveyor General of Mississippi and John Bell, Surveyor of Lands Ceded by the Chickasaws, who declared that it is “one of the most accurate maps ever published in the United States.”

214. Pieter Covens and Corneliu Mortier, “L’Amerique Septentrionale.../America Septentrionali...”, Amsterdam, c. 1740, hand‑colored engraved map, after Delisle s seminal map of 1700, 18 1/2 in. x 23 in. $1000/1500

215. Guillaume Delisle, “Carte de la Louisiane et du Cours Du Mississipi”, Paris, 1718, first edition, second state, hand‑colored in outline, 19 1/4 in. x 25 1/2 in., unframed. $10000/15000 Provenance: The Philadelphia Print Shop, Phil., PA, 2003. Note: Delisle’s seminal work was the first to name Texas (Mission de los Teijas) and New Orleans.

216. Johann Baptiste Homann, “Amplissimae regionis Mississipi seu Provinciae Ludovicianae...”, Nuremberg, 1720, hand‑colored map, 19 1/2 in. x 22 5/8 in., unframed. $1500/2500 Note: Known as the “Buffalo” map, and based Delisle’s seminal work, this map features a title cartouche depicting colonial explorer Father Louis de Hennepin, a vignette of a beaver colony at Niagara Falls, and another cartouche of Indians flanking a standing buffalo.

217. Nicholas Bellin, “Carte Reduite du Golphe du Mexique et des Isles de l’Amerique...Par Ordre de M. Le Comte de Maurepas”, Paris, 1749, outline color showing the various possessions of France, Spain, Great Britain, Holland, and Denmark, 21 in. x 32 1/4 in., unframed. $1500/2500 Additional information at www.nealauction.com

218. [Mormon Emigration], Piercy, Frederick H., illustrator and James Linforth, editor. Route from Liverpool to Great Salt Lake Valley...Together with A Geographical and Historical Description of Utah, and a Map of the Overland Routes to that Territory from the Missouri River..., Liverpool & London, Franklin D. Richards & Latter‑Day Saints’ Book Depot, 1855, 4to (12 1/4 in. x 9 in.), frontispiece map (11 1/4 in. x 19 1/2 in., 30 steel engraved plates after Piercy, 9 wood engravings, marbled boards, later gilt‑lettered leather spine. $18000/25000 Provenance: Bonham’s, New York, December 2, 2010, lot 273: William Reese Company, New Haven, CT., 2001.

Note: Frederick Piercy (1830‑1891, a Mormon convert, conceived this work to convince English Mormons to emigrate to Utah. The sketches he made were called by Streeter, “some of the best Western views of the period”, and include scenes of New Orleans, Baton Rouge, Natchez, Vicksburg, St. Louis, Fort Laramie, Salt Lake City, as well as portraits of Brigham Young and other elders. 219. Edgar Samuel Paxson (American/Montana, 1852‑1919), “Blackfoot Chief”, 1901, watercolor, signed and dated lower right, 10 in. x 7 7/8 in., unframed. $5000/7000

Note: Born in New York in 1852, Edgar Paxson had an interest in traveling to the American West from an early age. Settling in Montana, Paxson worked as an artist, as well as painting signs, buildings, and theater sets. Paxson was intrigued by the Native Americans of the area in which he had settled just one year after the Battle of Little Bighorn. He decided to paint, after painstaking research including interviews with members of the Indian tribes as well as American soldiers, a view of the famous battle, which he completed in 1899. At that same time, Paxson also painted many portraits of Native Americans in watercolor, such one offered here, depicting a Chief of the Blackfoot people of Saskatchewan, Alberta, British Columbia, and Montana. The empathetic portrayal of the man in profile with a headdress and jewelry is characteristic of Paxson’s style and displays his use of strong highlight and shadow, as well as his skill with watercolor.

220. Joachim Casell (Spanish/New Orleans, b. 1927), “Old New Orleans Cemetery”, 2003, and “Backyard of 107 Shearwater Dr. O.S., Biloxi, Miss.”, 2012, 2 pastels on paper, each signed and dated lower left, each signed, dated, titled on backing, 10 1/4 in. x 13 1/2 in. and 14 1/4 in. x 20 1/4 in., framed. (2 pcs.) $600/800

221. Joachim Casell (Spanish/New Orleans, b. 1927), “Yellow Flowering Sage at Belle Fountaine Ocean Springs, Miss.”, 1991, and “Big Swamp, New Orleans, LA”, 2010, 2 pastels on paper, each signed and dated lower left, each signed, dated and titled on backing, 14 in. x 22 in. and 10 1/2 in. x 16 in., framed. (2 pcs). $600/800

Note: Joachim Casell was born in Geona, Spain and attended the prestigious École des Beaux-Arts in Paris. Casell’s interest in “landscapes untouched by man” often lead him to study the works of the Impressionists, in whose stylistic footsteps he followed. Casell immigrated to the United States and found the Gulf Coast of Louisiana and Mississippi, along with the French Quarter of New Orleans, as inspiration for his creations. Bringing his love of bright color from his native Mediterranean, Casell infuses his Impressionist leanings with a vibrancy and intensity that especially shines through in his pastel works offered here. Ref.: Hahn, Joyce. “Biography of Joachim Casell.” Casell Gallery. July 17, 2004. www.casell. blogspot.com. Accessed April 9, 2018.

222. Bror Anders Wikstrom (Swedish/New Orleans, 1854‑1909), “Fishing Boats”, oil on canvas, signed lower right, 12 in. x 17 in., framed. $6000/8000

Provenance: Henry Plauché Dart (1853-1934), thence by descent; Estate of Jane and Stewart Maunsell. 223. Will Henry Stevens (American/New Orleans, 1881‑1949), “The Golden Shore”, oil on board, signed lower left, titled en verso, 29 1/2 in. x 21 3/4 in., framed. $6000/8000

224. William Woodward (American/New Orleans, 1859‑1939), “White Mt. Farm”, oil on canvas affixed to board, signed lower left, pencil‑titled and inscribed en verso, 14 in. x 19 7/8 in., framed. $1500/2500

225. William Woodward (American/New Orleans, 1859‑1939), “Feeding the Ducks by the Pier, New England”, 1890, watercolor on paper, signed and dated lower left, 16 in. x 22 in., framed. $1800/2500 Note: Born in New Orleans in 1890, Corinna Luria was a student at Newcomb Art School and studied under Ellsworth Woodward. She received her Diploma in Art in 1913, enrolled in the Graduate Art Program from 1913-15, and was listed as an Art Craftsman from 1915-16. An accomplished watercolorist who also decorated Newcomb Pottery, Luria often depicted scenes of New Orleans and the surrounding area, such as the charming watercolor offered here. In 1915, her works were exhibited at the 1915 Panama-Pacific International Exposition in San Francisco.

226. Corinna Morgiana Luria (American/New Orleans, 1890‑1975, act. Newcomb College, 1910‑1916), “Two Women Fishing”, watercolor on paper, signed lower right, 14 1/2 in. x 20 1/4 in., framed. $2000/3000

Provenance: Henry Plauché Dart (18531934), thence by descent; Estate of Jane and Stewart Maunsell.

Ref.: Poesch, Jessie. Newcomb Pottery: An Enterprise for Southern Women, 18951940. Atglen, PA: Shiffer Publishing, Ltd., 1984.

227. Paul Ninas (American/ Louisiana, 1903‑1964), “Bayou Landscape”, oil on paper laid on masonite, unsigned, 23 1/2 in. x 35 1/2 in., framed. $4000/6000

228. George Rodrigue (American/Louisiana, 1944‑2013), “Untitled (Evangeline with Oak Tree)”, conté crayon on paper, signed lower right, 11 1/2 in. x 17 1/4 in., framed. $4000/6000

229. Walter Inglis Anderson (American/Mississippi, 1903‑1965), “The Cottage”, crayon on paper, unsigned, “Luise Ross Gallery, NY” label with artist and title en verso, 10 3/4 in. x 8 1/2 in., framed. $5000/8000 Additional information at www.nealauction.com

230. Theora Hamblett (American/Mississippi, 1895‑1977), “Madonna”, texstone and mixed media on board, initialed lower right, 40 1/4 in. x 19 1/2 in., framed. $7000/10000 Provenance: Acquired from the artist, c. 1960s.

Note: Renowned for her self-taught painting style, Theora Hamblett has become one of Mississippi’s most celebrated artists. Although paint was her primary medium, Hamblett occasionally experimented in other media, including glass and Texstone Gravel, a type of crushed glass sold by the bag in twelve colors. Hamblett used the Texstone Gravel to create mosaic-style works, which she would then coat with a poured plastic to seal the gravel in place. Hamblett worked with Texstone and glass only few times because of the fumes created, making the works offered here extremely rare.

Hamblett painted many religious scenes throughout her life, illustrating the visions and dreams that came to her, as well as Biblical stories such as Christ and the Apostles, the Madonna, and the life of St. Peter. In her Texstone works, she continued this theme with a Madonna made from both gravel and tiles, as well as a Star of David, which Hamblett referred to as “The Creator’s Star.” The gravel’s texture in these works serves to link her mixed media work to her paintings, mimicking the style of Hamblett’s tiny brush strokes. Ref.: Hamblett, Theora. Theora Hamblett Paintings. Jackson: University Press of Mississippi, 1975.

231. Theora Hamblett (American/Mississippi, 1895‑1977), “The Creator’s Star”, c. 1964, texstone and mixed media on board, pencil‑inscribed “Theora Hamblett done about 1964/ purchased by Marijane Wilbanks Sept 1966/ plaster glass” en verso, dia. 31 in. $6000/8000 Provenance: Acquired from the artist, c. 1960s

232. Theora Hamblett (American/ Mississippi, 1895‑1977), “Yellow Angel”, painted glass, monogrammed lower right, 8 in. x 9 in. $1000/1500

233. Theora Hamblett (American/ Mississippi, 1895‑1977), “Multicolor Bowl”, glass, dia. 9 1/4 in. $1000/1500

Provenance: Acquired from the artist, c. 1960s.

234. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Louisiana Bayou at Sunset”, 1931, oil wash on board, signed and dated lower left, 20 in. x 29 3/4 in., framed. $2500/3500 Provenance: Private Collection, New Orleans.

235. Theora Hamblett (American/Mississippi, 1895‑1977), “White Dog”, 1975, oil on canvas board, signed and dated lower right, 10 in. x 8 in., framed. $6000/8000 Provenance: Acquired from the artist.

236. William Aiken Walker (American/South Carolina, 1838‑1921), “Nature Morte: Red Snapper, Salmon and Mackrel”, oil on wood panel, signed en verso, 24 in. x 16 in. $8000/12000 Note: To be included in John Fowler’s forthcoming catalogue raisonné.

237. William Aiken Walker (American/South Carolina, 1838‑1921), “Nature Morte: Mallard, Merganser and Snipe”, oil on wood panel, signed en verso, 24 in. x 16 in. $8000/12000 Note: To be included in John Fowler’s forthcoming catalogue raisonné.

238. Clementine Hunter (American/Louisiana, 1886‑1988), “Melrose Plantation Auction”, oil on canvas board, monogrammed lower right, inscribed en verso, 17 3/4 in. x 24 in., framed. $3000/5000

239. Clementine Hunter (American/Louisiana, 1886‑1988), “African House”, oil on board, monogrammed mid‑right, 16 in. x 24 in., framed. $2500/3500 Provenance: Collection of Carolyn B. and Senator Russell B. Long, Baton Rouge.

240. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Bayou Landscape”, 1932, oil wash on board, signed and dated lower left, 20 in. x 30 1/2 in., framed. $2500/3500

241. Alfred Heber Hutty (American/ Charleston, 1877‑1954), “Charleston Spires”, etching laid on board, pencil‑signed, titled and “ed. 75” lower margin, 12 7/8 in. x 10 in., framed. $1200/1800

242. Elizabeth O’Neill Verner (American/South Carolina, 1883‑1979), “Charleston Flower Seller”, pastel on silk, signed lower left, sight 15 1/2 in. x 11 3/4 in., framed. $7000/10000

243. Thomas Hart Benton (American/Missouri, 1889‑1975), “Wyoming Autumn (Fath 91)”, 1974, lithograph, signed in plate lower right, pencil‑signed lower right margin, edition of 250, published by the Associated American Artists, New York, 17 in. x 23 in., framed. $3000/5000 244. Walter Ronald Locke (American/Florida, 1883‑1949), “Patio Don Toledo House, St. Augustine, Fla.”, 1937, and “Peace on the Anclote, Fla.”, 1937, 2 etchings, pencil‑signed, titled, dated and inscribed lower margin, one with printed artist bio en verso, 9 1/4 in. x 11 1/2 in. and 9 in. x 12 in., one framed and one matted. $600/800

245. John McCrady (American/New Orleans, 1911‑1968), “Carnival in New Orleans”, 1947, lithograph, pencil‑signed, titled and dedicated “To Margaret with all good wishes” lower margin, initialed in plate lower right, 8 3/4 in. x 12 in., unframed. $500/800

Additional information at www.nealauction.com

246. Alexander Scott (British, 1872‑1932), “View of Varanasi India”, 1898, oil on canvas, monogrammed and dated lower left, 13 1/4 in. x 18 1/4 in., framed. $1000/1500

249. McKenney and Hall/ Publishers, “Apauly‑Tustennuggee” and “Waa‑Top‑E‑Not”, c. 1843, 2 hand‑colored lithographs on paper, After Charles Bird King (American/ Rhode Island, 1785‑1862) from History of the Indian Tribes of North America, printed by Daniel Rice and James G. Clark, sights 19 in. x 13 1/2 in., framed alike. (2 pcs.) $600/900

247. After Charles Bird King (American/Rhode Island, 1785‑1862), “Okee‑Maakee‑Quid A Chippeway Chief”, c. 1838, hand colored lithograph on paper, after Charles Bird King (American/Rhode Island, 1785‑1862) from History of the Indian Tribes of North America drawn and colored by J.T. Bowen’, sight 18 in. x 12 in., framed. $600/900

250. George Ohr Art Pottery Bisque Pitcher, c. 1897‑1900, corseted form, two applied handles, base impressed “G.E. OHR/Biloxi, Miss.”, h. 6 1/4 in., dia. 3 in. $1200/1800 252. George Ohr Art Pottery Bisque Vessel, 1904, squat bulbous form, two applied handles, cursive “G.E. Ohr” signature and handwritten “Expo Clay/04” on base, h. 2 1/4 in., dia. (incl. handles) 4 1/4 in., dia. (without handles) 4 in. Exh.: Louisiana Purchase International Exposition, St. Louis, MO, 1904. $800/1200

254. George Ohr Art Pottery Vase, c. 1898, crimped baluster form, straight hashed neck, gadrooned rim, spinach, gunmetal, and brown glaze, base impressed “G.E. OHR/Biloxi, Miss.”, h. 3 5/8 in., dia. 4 3/4 in. $1500/2000

248. McKenney and Hall/ Publishers, “Keokuk Chief of the Sacs and Foxes”, c. 1838, hand‑colored lithograph on paper, after Charles Bird King (American/Rhode Island, 1785‑1862) from History of the Indian Tribes of North America, drawn and printed by J.T. Bowen, sight 19 in. x 13 1/2 in., framed. $800/1200

251. George Ohr Art Pottery Bisque Vessel, c. 1898‑1910, bulbous form, rippled neck, cursive “GE Ohr” signature on base, h. 3 3/4 in., dia. 5 1/2 in. $700/1000

253. George Ohr Art Pottery Footed Vase, c. 1895, twist form, straight neck, brown speckled ochre glaze, base impressed “GEO. E. OHR/ BILOXI, MISS”, h. 3 1/4 in., dia. 2 1/4 in. $1500/2500

255. George Ohr Art Pottery Vessel, c. 1897‑1900, crimped form, pinched rim, blue and green crackle glaze, base impressed “G.E. OHR/Biloxi, Miss.”, h. 2 1/4 in., w. 3 1/8 in. $1000/1500 256. George Ohr Art Pottery Vase, c. 1890, hourglass form, green‑brown glaze with brown speckled design, separate impressed mark “GEO. E. OHR” and “BILOXI, MISS.”, h. 4 1/8 in., dia. 3 in. $1000/1500

257. Newcomb College Art Pottery Vase, late 1930/early 1931, decorated by Henrietta Bailey with relief‑carved pine cones and needles design, matte glaze with blue, green and pink underglaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Hunt potter’s mark, reg. no. SS44, and shape no. 184, h. 7 in., dia. 5 1/2 in. Note: base drilled. $700/1000

257A. Newcomb College Art Pottery Low Bowl, 1924, decorated by Henrietta Bailey with relief‑carved Japanese anemone design, matte glaze with blue, green, pink and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer potter’s mark, reg. no. NW24, and shape no. 313, h. 2 1/2 in., dia. 9 in. Note: Tezcuco Plantation (Burnside, LA) sticker on base. $1000/1500

258. Clarence Millet (American/Louisiana, 1897‑1959), “St. Louis Cathedral, Rainy Day”, oil on board, signed lower left, titled en verso, 13 in. x 10 1/2 in., framed. $3000/5000

259. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Springtime Landscape”, 1909, watercolor on paper, signed and dated lower left, 10 1/2 in. x 13 3/4 in., framed. $3000/5000 Provenance: Henry Plauché Dart (1853-1934), thence by descent; Estate of Jane and Stewart Maunsell.

260. Morris Henry Hobbs (American/New Orleans, 1892‑1967), “Tending the Garden, Vieux Carré Patio”, oil on canvas, signed lower left, stamped “Devoe” on stretcher bar, 18 in. x 14 in., period frame. $1000/2000 Provenance: Estate of the artist, Mandeville, LA; descended in the family.

261. Alberta Kinsey (American/New Orleans, 1875‑1952), “French Quarter Courtyard”, oil on canvas laid down, signed lower left, 17 in. x 12 1/2 in., framed. $800/1200

262. Louis Oscar Griffith (American/ Indiana, 1875‑1956), “Shadows (Southern Shanty)”, watercolor on paper, signed lower right, sheet 13 3/4 in. x 20 in., framed. $600/800 Additional information at www.nealauction.com

263. Hunt Slonem (American/Louisiana, b. 1951), “Metallic Bunnies”, 2015, oil on wood panel, signed and dated en verso, 27 1/4 in. x 23 1/2 in., framed. $3000/5000

264. Jose‑Maria Cundin (Spanish/New Orleans, b. 1938), “Untitled”, 1968, oil on canvas, signed and dated lower center, 56 1/4 in. x 44 1/2 in., framed. $15000/25000

265. Cordray Parker (American/Alabama, 1934‑2007), “Daphne”, bronze, driftwood and mixed media, h. 65 in., w. 45 in., d. 32 in. $3500/5500 266. Gene Koss (American/ New Orleans, 20th c.), “Ridge Road Climb”, 2002, glass, signed, titled and dated lower left by base, h. 15 1/2 in., w. 10 1/2 in., d. 3 in. $2000/3000

Provenance: Arthur Roger Gallery, New Orleans, 2002.

267. Hunt Slonem (American/Louisiana, b. 1951), “The Witness: Trip‑Tic”, 1995, triptych oil on canvas, 2 panels signed, dated and inscribed “Trip‑Tic” en verso, 78 in. x 186 in., unframed. $7000/10000

268. Lin Emery (American/New Orleans, b. 1928), “Cadence (Aerial)”, 1986, polished aluminum, signed on base, h. 56 in. $25000/35000

Note: In the lot offered here, the sleek blade-like aluminum elements of Lin Emery’s “Cadence” sail through the air with nimble precision. Originally a study for the monumental work of the same name installed in Lisle, Illinois, this work maintains the elegant gravitas of its larger counterpart. Many of her wind driven kinetic works draw inspiration from natural forms, however in the case of “Cadence”, “[t]he reference is less to leaves or stalks than to the wind itself.”

Ref.: Palmedo, Philip F. Lin Emery. Manchester: Hudson Hills, 2011, p. 85.

269. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Quartered”, 1981, color silkscreen, pencil‑signed, titled, dated and inscribed “WP2/4” lower margin, sheet 35 in. x 38 in., framed. $2000/3000

270. Robert Rector (American/Louisiana, b. 1946), “Untitled”, acrylic on canvas, signed lower center, 24 in. x 52 in., framed. $1000/1500

271. Hunt Slonem (American/Louisiana, b. 1951), “Bayou Teche”, 2013, oil on wood panel, signed and dated en verso, 25 1/2 in. x 29 3/4 in., framed. $2500/3500

272 Manuel Neri (American/California, b. 1930), “Passage, Maquette II”, 1996, bronze with patina, signed, dated and numbered “1/4” on self‑base, “Galerie Simonne Stern, New Orleans” label with artist and title under base, h. 24 in., w. 6 in., d. 8 in. $3000/5000 Provenance: Galerie Simonne Stern, New Orleans, 1998; Koch Collection, Metairie, LA.

Note: Manuel Neri’s take on figurative sculpture is intensely poignant. With a painter’s eye and aesthetic, he is able to incorporate those related characteristics into his three-dimensional works. Art critic, Hilton Kramer points out, “[w]hat distinguishes Mr. Neri’s art is the way he has combined the traditional nude figure with the interests of painting. While his conception of the figure tends to be classical, his painterly sensibility is decidedly Expressionist. There is thus an extraordinary… built into the very crux of his style. This gives the work a very individual dynamism… [I]t also leaves us with the impression of something teetering on the brink of dissolution.”

273. Mary Lee Eggart (American/Louisiana, 20th c.), “Flock #76/ Mallard Diptych”, 1985, colored pencil on paper, pencil‑signed, titled and dated lower margins, overall sight 39 in. x 22 in., framed together. $1000/1500

In the lot offered here, the sense of impending dissolution is palpable. The fragile humanoid figure appears emerging from its surroundings, and Neri highlights the tension between animation and stagnation. The sculpture’s coarse surface and incomplete form is reminiscent of the rough brushstrokes of a quick painting sketch, while as a whole remaining remarkably complete and well-balanced. Ref.: Kramer, Hilton. “Art: First Solo Show for Manuel Neri”. The New York Times. Feb. 27, 1981. www.nytimes.com. Accessed July 26, 2017.

Additional information at www.nealauction.com

274. Thor Carlson (American/New Orleans, 20th c.), “Red Tower”, painted cast metal, unsigned, h. 82 in., w. 11 1/2 in., d. 12 1/2 in., stacked painted concrete base, overall h. 94 in. $500/800

275. Thor Carlson (American/New Orleans, 20th c.), “Abstract Form”, painted cast metal, unsigned, h. 67 in., w. 23 in., d. 24 1/2 in. $500/800

276. Steele Burden (American/Louisiana, 1900‑1995), “Roosters”, crackle glazed ceramic, incised “SB” initials on base, h. 2 1/2 in., w. 6 1/2 in., d. 4 1/2 in. $400/600

277. Pat Trivigno (American/New Orleans, 1922‑2013), “Untitled: Abstraction in Red, Brown and Black”, acrylic on canvas, signed lower right, inscribed “Lauria Canvas” en verso, 50 in. x 40 1/4 in., original frame. $1000/1500 278. Hunt Slonem (American/Louisiana, b. 1951), “Fox”, 1982, oil on canvas, signed, dated and titled en verso, 74 in. x 101 in. $6000/8000

279. Robert Rector (American/Louisiana, b. 1946), “Diptych”, 2 acrylics on canvas, each signed lower right, overall 66 in. x 88 in., framed. (2 pcs.) $3000/5000

280. Conrad Albrizio (American/ Louisiana, 1894‑1973), “Devil and Angel with a Rabbit and Snake”, oil on canvas, signed lower right, “Gilley’s Gallery, Baton Rouge, LA” label en verso, 30 in. x 26 in., framed. $1000/1500

281. Jose‑Maria Cundin (Spanish/New Orleans, b. 1938), “El Escibalo”, 1970, oil on canvas board, signed, dated and inscribed upper left, 9 1/2 in. x 8 in., framed. $1200/1800

282. American School, mid‑19th c., “Still Life with Fruit”, oil on canvas, initialed “A.K.” en verso with New York canvas stencil, 30 in. x 24 in., period gilt frame. $800/1200

283. American School, 1881, “Still Life of Peaches”, oil on canvas, monogrammed and dated lower left, inscribed “painted by / Sam[uel] H. West / 1881” en verso, 8 1/4 in. x 10 in., framed. $1000/1500

284. Marcus Elbeco (American, 20th c.), “Still Life of Flowers”, oil on canvas, signed lower right, 30 in. x 24 in., framed. $500/800

Provenance: Estate of Jane and Stewart Maunsell.

285. American School, early 19th c., “Portrait of Sarah Dodge (1801‑1869)”, 1824, oil on canvas, dated and inscribed en verso, 27 in. x 22 1/2 in., framed. $700/1000

Note: Sarah Dodge was born to Jacob Dodge and Elizabeth Rawson of Sutton, Massachusetts in 1801. She was the oldest child of seven and lived in Massachusetts her entire life, never marrying. On her mother’s side, Dodge was the great-greatgreat-granddaughter of Edward Rawson (b. 1615), the first Secretary of the Massachusetts Bay Colony, whose portrait by the Freake Artist of Boston is in the collection of the New England Historic Genealogical Society.

286. French School, early 19th c., “Classical Male Nude Study”, conté crayon on paper, dated “Le 27 Fev. 1829”, sight 19 in. x 15 1/2 in., framed. $700/1000

287. Continental School, 1829, “The Music Lesson”, oil on canvas, signed “Me de Percel”, dated and indistinctly inscribed lower left, 19 1/4 in. x 16 in., framed. $800/1200 Provenance: Estate of Jane and Stewart Maunsell.

288. Simon Jacobus Mak Van Waay (Dutch, 1804‑1880), “Landscape with Cow, Goat and Sheep”, oil on glass, unsigned, “Kunstveilingen/S.J. Mak Van Waay/ (H.S. Nienhuis)/ Collectie Prof Dr W. Mengelberg” label en verso, 9 1/2 in. x 14 3/4 in., framed. $600/800 289.Continental School, 19th c., “Young Beauty Seated within a Landscape”, reverse oil on mirrored glass, unsigned, 12 in. x 7 in., framed. $400/600

290. John Gould (British, 1804‑1881), “Rhamphomicron Olivaceum” and “Erochemis Squamata”, 2 hand‑colored lithographs, from Hummingbirds, sights 19 1/2 in. x 14 in., framed. (2 pcs.) $500/700 Additional information at www.nealauction.com

293. George Biddle (American/Pennsylvania, 1885‑1973), “Catfish Row”, 1936, lithograph, unsigned, edition of 200 by American Artist’s Group, sight 9 1/2 in. x 12 in., framed. $500/700 291. Paul Landacre (American/Ohio, 1893‑1963), “Conflict”, wood engraving, pencil‑signed, titled and numbered “17/50” lower margin, “Red Petral” Landacre estate stamp lower right margin, “Origin of Art” stamp en verso, 8 1/2 in. x 6 in., matted. $700/1000

294. Robert Rector (American/Louisiana, b. 1946), “Fire” and “Peripheria”, 2 lithographs, each pencil‑signed, titled and numbered “16/85” and “21/85”, lower margin, “Fire” dated “’99”, sights 20 1/2 in. x 16 in. and 17 in. x 14 in., framed. (2 pcs.) $600/800

298. William C. Odiorne (American/ Illinois, 1881‑1978) “Cathedral from Royal St.”, “Old Mortgage Office”, “St. Anthony’s Alley”, and “The Old Mortgage Office”, 1922, 4 silver gelatin prints in paper folio, each titled, dated and artist copyright stamp en verso, 6 1/4 in. x 7 1/4 in. to 8 1/4 in. x 6 1/4 in. $200/300

292. Fritz Eichenberg (German/American, 1901‑1990), “The Diary of a Country Priest”, 1986, printed by The Limited Editions Club, New York, portfolio of 5 original woodblock prints, each pencil‑signed and numbered “8/50”, marbleized hardcover folio, 12 1/2 in. x 9 3/4 in. $400/600

295. Walter Ronald Locke (American/Florida, 1883‑1949), “Hickory’ Anclote River, Fla.”, 1936, etching, pencil‑signed, dated and titled lower margin, “LeMieux Galleries, New Orleans” label en verso, 11 3/8 in. x 8 7/8 in., framed. $300/500

296. Walter Ronald Locke (American/Florida, 1883‑1949), “Edge of the Pines, Fla.”, 1938, etching, pencil‑signed, dated and titled lower margin, “LeMieux Galleries, New Orleans” label en verso, 12 1/4 in. x 9 1/4 in., framed. $300/500

299. George Frederick Castleden (British/American, 1861‑1945), “The Atlantic, Folly Beach, Charleston, S. Carolina”, 1937, watercolor on paper, signed lower left, titled, dated and inscribed en verso, 10 1/4 in. x 14 1/2 in., unframed. $1000/1500

297. Walter Ronald Locke (American/Florida, 1883‑1949), “Glorious Eucalyptus”, 1938, etching, pencil‑signed, dated and titled lower margin, “LeMieux Galleries, New Orleans” label en verso, 9 7/8 in. x 12 7/8 in., framed. $300/500

300. George Frederick Castleden (British/ American, 1861‑1945), “The Old Spanish Cathedral, St. Augustine, FL”, watercolor on paper, signed lower right, titled and inscribed en verso, 13 in. x 9 1/2 in., unframed. $1000/1500

301. Morris Henry Hobbs (American/New Orleans, 1892‑1967), “Blue Hummingbird on a Branch”, watercolor on paper, signed lower right, 17 in. x 12 in., framed. $800/1200

302. Clarence Millet (American/ Louisiana, 1897‑1959), “Pirate’s Alley”, “Corner Jackson Square” and “Brulatour Courtyard”, 3 hand‑colored woodblocks on paper, each pencil‑signed and titled lower margin, each initialed “CM” in plate, sheets 10 in. x 8 in.; accompanied by Gladys B. Morgan (American/ Louisiana, 1899‑1981), “House in Old Jefferson, N.O.”, woodblock print, pencil‑signed and titled lower margin, sheet 10 in. x 7 3/4 in., each unframed. (4 pcs.) $600/800

303. John McCrady (American/New Orleans, 1911‑1968), “Job Training for Victory”, 1942, silkscreen, “New Orleans Museum of Art John McCrady Retrospective” exhibition label en verso, 22 1/2 in. x 16 1/2 in., framed. $500/700

304. John McCrady (American/New Orleans, 1911‑1968), “He Gives 100%, You Can Lend 10%”, 1941, silkscreen, signed in plate lower right, 22 1/2 in. x 16 1/2 in., framed. $500/700

305. William Gropper (American/ New York, 1897‑1977), “Swing Low, Sweet Chariot”, 1951, lithograph, pencil‑signed lower right, signed in plate lower left, edition of 250, 12 1/2 in. x 18 5/8 in., matted. $200/300 306. After Mark Catesby (British, 1683‑1749), “The Lark”, 1749, hand‑colored engraving, engraved and published by Johann Michael Seligmann (German, 1720‑1762), from Collection of Various Foreign and Little Known Birds, after Mark Catesby’s Natural History of Carolina, Florida and the Bahamas, 17 1/4 in. x 10 1/2 in., framed. $400/600

307.Doulton & Co. Polychrome Faience “Indian” Octagonal Pedestal, late 19th c., removable top and side panels in an exotic relief, h. 26 1/2 in., dia. 13 in. $800/1200

Ref.: Desmond Eyles and Louise Irvine, The Lambeth Doulton Wares, 2002, p. 196.

308. Rare White House Limoges Porcelain After-Coffee Plate (Cigars, Cheese and Crackers), c. 1880, Haviland & Co., from the White House Service of President Rutherford B. Hayes, designed by artist Theodore Russell Davis (American, 1840-1894), commonly referred to as the “Indian basket weave” plate, reverse with Presidential seal, base fully marked, dia. 8 7/8 in. $1500/2500

309. Rare White House Limoges Porcelain After-Coffee Plate (Cigars, Cheese and Crackers), c. 1880, Haviland & Co., from the White House Service of President Rutherford B. Hayes, designed by artist Theodore Russell Davis (American, 1840-1894), commonly referred to as the “Indian basket weave” plate, reverse with Presidential seal, base fully marked, dia. 8 7/8 in. $1500/2500

311. Twelve Antique Neapolitan Crèche Figures, painted terracotta, flexible arms and legs, tallest h. 14 1/2 in. $1500/2000

310. Good Pair of Doulton Lambeth Faience Vases, c. 1877, impressed marks, “1877” and “W”, decorated with lilies on a brushed brown ground, h. 13 1/2 in. $1000/1500

312. Antique Polychrome Lacquer and Papier-Peinte Fan, hand embellished historical scenes, chinoiserie stays, h. 11 3/4 in., w. 22 in., shadow box frame. $400/600 Additional information at www.nealauction.com

313. Spanish Colonial Silver Incensario, probably 18th c., apparently unmarked, body h. 9 1/4 in., overall h. 33 in. $2500/3500 314. Set of Four Antique English Sterling Silver Table Candlesticks in the Neoclassical Taste, Birmingham, probably Georgian, marks rubbed, weighted bases, h. 10 5/8 in. $1200/1800

315. Louis Philippe Bronze Four‑Light Figural Torchère, 19th c, winged figure holding cornucopia, issuing foliate candle arms, tall plinth base, h. 34 3/4 in., w. 5 1/2 in. $1400/1800

316. Pair of Louis Philippe Gilt and Patinated Bronze and White Marble Five‑Light Candelabra, 19th c., scrolled arms, cluster column standard, shaped triangular base with addorsed cherub terms, h. 28 1/4 in., dia. 10 3/4 in. $800/1200

317. Bertius/ Tavernier, “Carte de L’Amerique Corrigee, et augmentee, dessus toutes les aultres cy devant faictes par P. Bertius”, 1627, hand‑colored map, first state, based on Hondius’ map of 1618, richly decorated with ships and sea monsters, 15 in. x 19 3/4 in., framed. $1200/1800

318. Philippe Buache, “Carte d’Une Partie de l’Amerique pour la Navigation des Isles et du Golfe du Mexique avec l’interieur des Terres depuis Bermude jusqu’a Cayenne”, Paris, 1740, hand‑colored map, based on Popple’s well‑known large‑scale map, 19 3/4 in. x 36 1/2 in., unframed. $1500/2500 Provenance: Alexandre Antique Maps, Toronto, Ontario, Canada, 2003.

319. Matthaus Seutter, “Mappa Geographica Regionem Mexicanam et Floridam...”, Augsburg, c. 1740, hand‑colored, with inset maps of Havana, Portobell, Cartagena and Vera Cruz, with vignettes of a sea battle and tradesmen on shore, 19 1/4 in. x 22 1/2 in., unframed. $800/1200

320. Reinier and Joshua Ottens, “Untitled” [Gulf of Mexico], Amsterdam, 1741, hand‑colored sheet from the large map “Grand Theatre de la Guerre en Amerique...”, this sheet noted for its depiction of Texas, 17 5/8 in. x 22 1/8 in., unframed. $1500/2500 Provenance: Philadelphia Print Shop, Phil., PA, 2003

321. Abraham Ortelius, “La Florida/ Peruviae Auriferae Regionis Typus/ Guastecan”, Antwerp, 1598, three maps on one sheet, the earliest map illustrating the present southern states region, 13 1/2 in. x 18 1/4 in., unframed. $1000/1500 322. Jean Baptiste Bourguignon D’Anville, “Amerique Septentrionale Publiee Sous les Auspices De Monsiegneur Le Duc d’Orleans Premier Prince du Sang”, Paris, 1746, 4 sheet map, unjoined, hand‑colored in outline, 32 1/2 in. x 33 3/4 in., unframed. $1000/1500 323. Antoine Sartine, “Carte d’une Partie des Cotes de la Floride et de la Louisiana contenant le Cours du Mississipi”, Paris, 1778, engraved Revolutionary War‑era map of the North Gulf Coast area from the confluence of the Red River with the Mississippi River to the Apalachicolas River in Florida, the map intended to be used by the Frence Navy during the war, 16 in. x 23 in., unframed. $800/1200 324. Isaac Tirion, “Gronvlakte van Nieuw Orleans.../ De Uitloop van de Rivier Missisippi/ De Oostelyke ingang van de Missisippi, met een Plan van het Fort...”, Amsterdam, 1768, three hand‑colored on one sheet, 13 in. x 17 1/2 in., unframed. $700/1000

325. Mathew Carey, “Louisiana”, London, 1814, hand‑colored map from Carey’s General Atlas, one of the earliest maps of Louisiana to appear in an atlas, 15 1/2 in. x 17 in., unframed. $600/900

326. Edward Wells, “A New Map of North America Shewing its Principal Divisions, Chief Cities, Townes, Rivers, Mountains”, Oxford, 1700, hand‑colored map, dedicated to the Duke of Gloucester, notably showing California as an island, and the Mississippi in the wrong location, 14 3/4 in. x 19 in., unframed. $800/1200

327. American Renaissance Sterling Silver Presentation Tea Service, Wood & Hughes, New York, wc. 1845-1899, incl. kettle-on-stand, h. 40 5/8 in., teapot, covered sugar, covered creamer and waste bowl, each with ovoid body, Gothic finial, beaded borders, floral chasing and flat chased band on stippled ground, the kettle engraved “Presented/By The/Hibernia Insurance Company/Of New Orleans/To/Hugh McCloskey Esq/First President/May 6, 1872”, reserve engraved with Irish harp, shamrocks and greyhound, other pieces with Gothic monogram “McC”, kettle h. ?? in., wt. 146.15 troy ozs. $3000/5000 Provenance: Hugh McCloskey (1853-1927), thence by descent; Estate of Jane and Stewart Maunsell.

Note: Hugh McCloskey (1853-1927) was born in Dungiven, County Londonderry, Ireland, and spent his adult life in New Orleans where he was a prominent businessman. He was an owner of D.H. Holmes Co., Ltd., served as President of both New Orleans Railway and Light Co. and the Dock Board, and Chairman of the Board of Directors, Hibernia National Bank.

328. Antique New Orleans Brass Bound Oak Presentation Silver Canteen, ret. A.B. Griswold & Co., New Orleans, act. 1865‑1906, brass presentation plaque, engraved “HUGH MCCLOSKEY”, h. 25 3/8 in., w. 37 1/4 in. $500/800

Provenance: Hugh McCloskey (1853-1927), thence by descent; Estate of Jane and Stewart Maunsell.

Additional information at www.nealauction.com

329A. Pair of Antique Tiffany & Co. Makers Silverplate Candlesticks, foliate scroll decoration, h. 12 in. $300/500

329. Good American Sterling Silver Tea and Coffee Service, Durgin Division of Gorham, date marks for 1928‑1931, incl. kettle‑on‑stand, teapot, coffee pot, open sugar, creamer, waste bowl and tray, melon form bodies with flat chased decoration, woven raffia handles and period strapwork monograms, kettle h. 14 1/2 in., tray 26 5/8 in. x. 17 5/8 in., total wt. 265.65 troy ozs. $4000/6000

330. Gorham “Strasbourg” Pattern Sterling Silver Flatware Service, pat. 1897, incl. 12 forks (l. 7 5/8 in.), 13 knives (l. 9 1/2 in.), 3 forks (l. 6 7/8 in.), 2 knives (l. 9 1/4 in.), 12 steak knives, 13 salad forks, 12 soup spoons, 11 dessert spoons, 15 teaspoons, 12 5 o’clock teaspoons, 12 cocktail forks, 12 strawberry forks, 12 butter spreaders (hh), 6 iced teaspoons, 6 bouillon spoons, 4 pastry forks, 6 individual salt spoons, baby fork and spoon, carving knife and fork, salad serving fork and spoon, tablespoon, gravy ladle, tomato server, cheese knife (hh), lemon fork, sugar tongs and bonbon spoon, 176 pcs., total wt. (weighable) 143 troy ozs., in fitted Adler’s case. $2000/3000 332. New Orleans Coin Silver Partial Flatware Service, ret. E.A. Tyler, New Orleans, 1838‑1879, made by John Polhamus, New York, “Empire” pattern; incl. 9 tablespoons, 5 dinner forks, 4 luncheon forks, 7 dessert spoons, 1 teaspoon, sugar shell and master butter knife; together with 3 Whiting sterling silver luncheon forks in a similar variant olive pattern, wt. 52.50 troy ozs. $600/800

331. Dominick & Haff “Queen Anne” Pattern Sterling Silver Flatware Service, pat. 1910, ret. J.E. Caldwell & Co., Philadelphia, incl. 12 each: forks (l. 7 5/8 in.), knives (l. 9 3/4 in.), forks (l. 6 3/4 in.), knives (l. 8 3/8 in.), teaspoons, butter spreaders (fh), demitasse spoons and seafood forks; 6 soup spoons, 2 tablespoons and a flat server; 105 pcs., total wt. (weighable) 91 troy ozs.; in fitted chest. $800/1200 333. Group of New Orleans Retailed Sterling Silver Flatware, incl. Gorham “Maryland” pattern, pat. 1896, ret. M. Scooler, A.B. Griswold & Co. and Frantz & Opitz, incl. 7 tablespoons, 3 dessert spoons and 1 teaspoon; Wood & Hughes “Undine” pattern, ret. Frantz & Opitz, 3 forks; Wood & Hughes “Louvres” pattern, ret. A.B. Griswold & Co., 11 demitasse spoons; Wood & Hughes “Fiddle Thread” pattern, ret. M. Scooler, A.B. Griswold & Co. and Zimmermann, 2 forks, teaspoon and 2 demitasse spoons, wt. 28.10 troy ozs. $300/500

334. Pair of Malachite Violin‑Form Table Lamps, on brass bases, h. (to socket) 18 in., w. 7 in., d. 6 1/4 in. $1200/1800

335. Fine and Rare Silver Spoon, c. 1790‑1800, Paul Revere Jr. (1735‑1818), Boston, hallmarked “PR”, elongated oval bowl, slightly oval downturned handle with engraved, bright‑cut husk pendant under oval shield with initials “ML”, approx. l. 5 in., with frame. $5000/7000 Provenance: Early American History Auctions, Santa Fe, NM, Aug. 28, 2011, lot 18.

336. American Classical Carved, Ebonized and Gilded Mahogany Pier Table, c. 1825, attr. to Anthony G. Quervelle, Philadelphia, marble top, bolection frieze, robustly scrolled acanthus carved supports, paw feet, mirrored back with stenciled border flanked by columnar stiles, shaped lower plinth, lobed feet, h. 38 in., w. 46 in., d. 21 in. $5000/7500

Note: The high style pier table offered here is a superb example of the work of Philadelphia cabinetmaker Anthony G. Quervelle. Featuring scrolled supports ending in paw feet, a signature element of Quervelle pier tables, the table is related to several examples illustrated in the Boor publication Philadelphia Empire Furniture. Among these examples, the table in the present lot shares many similar features as a Quervelle pier table made for the White House under President Andrew Jackson, including the intricately carved scrolled supports, gadrooned molding, gilt stencil decoration, a similarly shaped lower shelf, and ebonized and gilt lobed feet. Ref. Boor. Philadelphia Empire Furniture. University Press of New England, 2006, pp. 231-238 (see p. 237 for Andrew Jackson example).

337. American Federal Carved and Inlaid Mahogany Sideboard, early 19th c., shaped top, frieze drawer, two side compartments with faux drawers, one with cabinet door, other with a bin drawer, arched apron, turned and reeded legs, h. 36 1/4 in., w. 73 1/2 in., d. 23 1/4 in. $1500/2500

Provenance: Didier, Inc., New Orleans, LA.

338. Fine American Renaissance Carved, Burled and Inlaid Walnut Bedroom Suite, c. 1870, probably Philadelphia, incl. bedstead, drop‑center dresser, washstand, commode and armoire; armoire, dresser and bedstead with pedimented fleur‑de‑lis carved crests, molded inlaid frieze, blocked pilaster and urn columnar supports; armoire with well‑fitted figured maple interior, dresser, washstand and commode with Breccia marble tops, original brass pulls, drawers, blocked molded bases, block feet, bedstead h. 86 1/2 in., l. 79 in., w. 62 3/4 in.; commode h. 30 1/4 in., w. 20 3/4 in., d. 18 1/4 in.; washstand h. 30 1/2 in., w. 39 3/4 in., d. 18 1/2 in.; dresser h. 103 in., w. 58 1/4 in., d. 21 3/4 in.; armoire h. 109 in., w. 75 3/4 in., d. 29 in. $5000/7000 Provenance: Historic Coiron House, 2926 St. Charles Ave., New Orleans, LA.

339. American Aesthetic Carved, Ebonized and Inlaid Oak Dressing Chest, late 19th c., Herter Brothers, New York, rouge marble top, pedimented crest, mirror plate flanked by circular shelves, three graduated drawers, shaped apron, turned feet, casters, h. 43 in., w. 51 1/2 in., d. 21 1/2 in. $5000/8000

340. American Aesthetic Carved Mahogany Armchair, late 19th c., in the Egyptian taste, arched crest, pierced splat, spiral‑turned uprights, conforming stretchers, turned legs, casters, h. 45 1/2 in., w. 22 in., d. 19 in. $700/900

Provenance: Letter and bill of sale indicate this piece came from “The Anchorage”, the Seal Harbor, Maine, summer home of Nelson A. Rockefeller.

Additional information at www.nealauction.com

341. American Renaissance Carved, Gilded and Ebonized Pedestal, c. 1876, Charles Buschor, stepped circular top, urn‑form upper section with spherule‑and‑tassel carved swags, columnar base with acanthus‑and‑spherule decoration over a shaped plinth, paw feet with scrolled returns, h. 36 in., w. 24 in., d. 24 in. $1500/2500

342. American Aesthetic Carved Rosewood Music Cabinet, mid‑19th c., probably Daniel Pabst, Philadelphia, foliate carved crest centered by a Japonisme tablet, galleried top, case with canted corners, paneled door over carved and fluted supports, mirrored backplate, conforming plinth base, h. 54 in., w. 23 1/4 in., d. 14 1/4 in. $800/1200

Provenance/Exh.: Philadelphia Centennial Exposition.

Note: A photo of Philadelphia cabinetmaker Charles Buschor’s display at the 1876 Centennial Exposition in Philadelphia documents the ebonized pedestal in the lot offered here, which was the centerpiece of his booth.

Ref.: The Philadelphia Free Library, Digital Collections. libwww.freelibrary.org/ digital/item/891. Accessed January 11, 2018.

343. American Federal Inlaid Mahogany Games Table, early 19th c., New York, shaped foldover top, paneled frieze, square tapered legs, h. 29 1/2 in., w. 36 in., d. 18 in. $1000/1500

344. American Federal Inlaid Maple Bowfront Bureau, late 18th/early 19th c., four graduated long drawers, French feet, h. 35 1/4 in., w. 40 3/4 in., d. 22 1/4 in. $500/700

345. Pair of Antique American Federal Carved Mahogany Console Tables, 19th c., with alterations, each with D end top, conforming frieze, vasiform turned, reeded supports, incurvate plinth, outswept sabre legs, cuff casters. $1000/1500

346. George III Mahogany Library Table, 19th c., circular inset tooled leather top, conforming frieze with six drawers, tapered legs, casters, h. 31 in., dia. 48 in. $2000/3000

347. Fine Edwardian Carved, Painted and Parcel Gilt Four Panel Screen, center panels surmounted by foliate crests, graduated side panels, damask upholstery, h. 73 1/2 in., w. (extended) 80 in. $2000/3000

348. Georgian‑Style Mahogany Two Pedestal Extension Dining Table, D end top with two leaves and pads, tapered standard, arched legs, pad feet, h. 28 3/4 in., l. (closed) 66 3/4 in., (extended) 115 in., w. 48 in. $700/1000 Provenance: Hemenway’s, New Orleans.

349. Georgian Elm Dresser Base, molded base, three drawers, scalloped apron, square legs, h. 31 3/4 in., w. 84 in., d. 18 in. $800/1200 Provenance: London Shop, New Orleans, 1969.

351. Pair of American Classical Ball and Ring‑Turned Brass Andirons, c. 1820, each marked “John Molineaux, Boston”, h. 14 1/2 in., w. 7 1/2 in., d. 25 in. $500/700

350. Chippendale Carved Mahogany Chest, 18th c. and later, shaped case with four graduated drawers, conforming base, ball and claw feet, h. 35 1/4 in., w. 40 1/2 in., d. 20 1/2 in. $1500/2000

352. Empire‑Style Bronze Seven‑Light Figural Chandelier, vasiform central light, winged cherub term supports, h. 31 in., dia. 18 in. $2000/3000

353. Large Regency Carved Giltwood Convex Mirror, early 19th c., surmounted by a spreadwing eagle, mounted with a foliate swag, molded surround, beaded decoration, foliate pendant, h. 50 in., w. 33 in. $2000/3000

354. Rare American Classical Bronze‑Mounted Mahogany Pier Table in the French Taste, early 19th c., Boston, marble top, mounted frieze, columnar supports, mirrored back flanked by pilasters, turned tapered feet, h. 37 1/4 in., w. 39 in., d. 15 1/8 in. $2500/3500

Note: Several aspects of the pier table shown here, such as the delicate ormolu mounts, incurvate plinth, and overall proportions, relate closely to pier tables made by Boston cabinetmakers during the American Classical period. A pier table by the Boston firm of Emmons & Archibald in the collection of the Museum of Fine Arts Boston features similar overall proportions, an incurvate plinth, and bulbous-turned feet. In the tradition of French Empire pier tables, both the table offered here and the MFA Boston example are smaller in size and are distinctively shallow in depth, compared to most American examples. Ref.: Museum of Fine Arts Boston. www.mfa.org/collections/object/ pier-table-44784. Accessed April 23, 2018.

355. West Indies Carved Mahogany Tall Post Bedstead, acanthus‑carved reeded and spiral‑turned posts, melon finials, rope‑molded paneled headboard, tall turned feet, h. 97 in., l. 78 in., w. 51 3/4 in. $1500/2500 356. American Sheraton Mahogany Four Tier Étagère, c. 1810, possibly Boston, finialed turned uprights, lower drawer, turned legs on casters, h. 50 in., w. 18 1/2 in., d. 16 1/2 in. $800/1200 Additional information at www.nealauction.com

359. American Modern Gothic Carved Walnut Bookcase, mid‑19th c., attr. to Daniel Pabst, Philadelphia, molded pediment, glazed doors with lappet molding, lower doors and returns decorated with low stipple carved leaves centered by a flower, molded plinth, h. 104 1/2 in., w. 72 1/4 in., d. 21 3/8 in. $4000/6000 Provenance: Civil War Society of Philadelphia.

Note: Several design elements on this bookcase are closely related to known case pieces from the workshop of Daniel Pabst. The finely rendered “coin” stiles are similar to examples from Pabst’s Renaissance Revival work including those on a sideboard and parlor cabinet, both conserved by the Philadelphia Museum of Art.

357. Pair of American Late Classical Mahogany Side Chairs, mid-19th c., probably New York or Philadelphia, shaped concave crest rail, vasiform splat, trapezoidal slip seat, curved rail, ring turned legs, cuff casters, h. 33 3/4 in., w. 19 1/2 in., d. 20 in. $800/1200

The incised and stippled panels on this bookcase resemble panels on pieces within Pabst’s Modern Gothic oeuvre related to the work of English designer Christopher Dresser. Pabst examples with similar carving include a bedroom suite in the Philadelphia Museum of Art and an armchair from a private collection illustrated in The Art that is Life by Wendy Kaplan.

Ref.: Kaplan, Wendy. The Art that is Life, The Arts and Crafts Movement in America 1875-1920. New York: Bulfinch Press, 1998, p. 73, fig. 13; Talbott, David and Page. “Daniel Pabst: Philadelphia Cabinet Maker,” Philadelphia Museum of Art Bulletin, (April 1977), p. 10, fig. 4; p. 12, fig. 6; p. 16, fig 11.

358. Pair of American Late Classical Mahogany Child’s Chairs, mid-19th c., probably New York or Philadelphia, shaped concave crest rail, vasiform splat, trapezoidal slip seat, curved rail, ring turned tapered legs, cuff casters, h. 29 1/2 in., w. 16 1/2 in., d. 16 in. $800/1200 360. American Carved Walnut Méridienne, c. 1876, Philadelphia, arched back, eagle and shield crest flanked by acorn clusters, scroll arm, paneled volute carved seat rail, outswept cabriole legs, casters, h. 45 1/2 in., w. 64 in., d. 28 in. $1000/1500 Note: The Philadelphia Centennial of 1876 was likely the inspiration for the carved eagle crest surmounting the meridienne in the present lot. Featuring a patriotic shield, the eagle crest is related to symbols associated with the Philadelphia Centennial of 1876. Other design elements of this sofa relate to Neo-Grec furniture by Philadelphia makers such as A. & H. LeJambre and George J. Henkels, who designed furniture specifically for the Centennial celebrations of 1876. Ref.: “The Centennial Exhibition, Philadelphia, PA.” www.lcpimages.org/centennial/. Accessed April 23, 2018; Ames, Kenneth, “George Henkels, NineteenthCentury Philadelphia Cabinetmaker.” The Magazine Antiques, October 1973, p. 650. 362. Chippendale‑Style Highly Carved Mahogany Console Table, 19th c., deeply molded top, bead molded frieze, bracketed blind fretwork chamfered legs, block feet, h. 30 1/4 in., w. 36 in., d. 17 1/4 in. $700/900

364. Antique English Tôle Peinte Gallery Tray, yellow ground with foliate motif, h. 1 1/4 in., w. 30 in., d. 23 in., now mounted as a table with a later carved and painted bamboo‑form stand, h. 16 in., w. 30 in., d. 23 in. $300/500

361. Pair of American Gothic Carved Walnut Side Chairs, mid‑19th c., high back surmounted by crocketed finial, pierced crest rail, padded back and seat in cowhide leopard print upholstery, blocked seat rail, turned legs, h. 50 in., w. 20 in., d. 22 in. $600/800 Provenance: From the Collection of Cher; accompanied by a Certificate of Authenticity. 363. George III‑Style Mahogany Tilt‑Top Supper Table, scalloped top with eight carved dish wells, foliate motif, sabre legs, pad feet, h. 27 in., dia. 33 1/2 in. $700/900

365. Empire Bronze‑Mounted Mahogany Fire Screen, 19th c., surmounted by an eagle, columnar standard, turned base, h. 39 in., w. 24 in. $700/900

366. Antique Continental Tôle Peinte Bedside Commode, marble top, shaped gallery, frieze drawer over door, plinth base, h. 36 in., w. 21 in., d. 16 in. $200/300

367. Chinese Export Mother‑of‑Pearl Inlaid Gilt Decorated Black Lacquer Tea Caddy, 19th c., hexagonal hinged cover and case decorated with foliate scrolls and figural reserves and inset with mother‑of‑pearl figural plaques, later ball feet, h. 6 in., w. 8 5/8 in., d. 6 1/8 in. $400/600

370. Good Antique American Silverplate Standish, Meriden Britannia Co., late 19th c., stand with molded floral border on ball feet, fitted with Baccarat‑style swirl molded glass inkpots, pounce pot surmounted by a dog, and an integral pen well, h. 8 in., w. 14 3/4 in., d. 9 5/8 in. $400/600

368. Chinese Blue and White Porcelain Barbed Rim Dish, 17th/early 18th c., decorated with floral roundels, lingzhi, and bands of floral cartouches, base with double ring mark, dia. 8 3/4 in. $300/500

369. French Burled Wood Decanter Box, marked on lockplate “Keller/ Paris”, hinged lid, fall front, h. 10 1/2 in., w. 20 in., d. 6 3/4 in. $300/500

Provenance: New Orleans Antiquarian.

371. Three Piece Elmore Sterling Silver After‑Dinner Coffee Set in the Colonial Taste, wt. 25.70 troy ozs. $300/500 Provenance: Estate of Jane and Stewart Maunsell.

Provenance: Estate of Jane and Stewart Maunsell.

372. Good American Hammered Sterling Silver Center Bowl, Barbour Silver Co., act. Hartford, CT, 1892‑1899, Meriden, CT 1899‑1943, grape and grapevine repoussé decoration, shaped bracket feet, h. 3 1/2 in., dia. 8 1/2 in., wt. 19.70 troy ozs. $300/500 Provenance: Estate of Jane and Stewart Maunsell.

374. Good Group of Antique and Vintage Silverplate, incl. English Aesthetic Movement circular tray, dia. 8 in.; cased fish serving fork and knife, case l. 13 3/8 in.; American Aesthetic tea/ sugar bowl, h. 4 1/4 in., w. 3 3/4 in.; four Tiffany & Co. Makers toiletry bottles, h. 3 1/8 in. to 6 3/4 in.; and Reed & Barton bowl, dia. 6 1/4 in. $150/250 373. Group of Gorham “Lansdowne” Pattern Sterling Silver Serving Pieces, pat. 1917, incl. steak carving knife and fork, cold meat fork, salad serving spoon, berry spoon, 2 tablespoons and pie server, total wt. weighable 12.45 troy ozs. (8 pcs.) $300/400

375. Assembled American Sterling Silver Flatware Service, Durgin and Gorham “Fairfax” pattern, pat. 1910, with some pieces marked for retailer Bailey, Banks & Biddle; incl. 6 forks (l. 7 1/8 in.), 6 knives (l. 9 5/8 in.), 6 knives (l. 8 3/4 in.), 14 salad forks, 19 teaspoons, 2 dessert spoons, 5 bouillon spoons, 6 cocktail forks, 12 chocolate spoons, 1 large chocolate spoon, 6 demitasse spoons, snail fork, asparagus server, fish slice, 2 master butter knives (fh), 2 sugar spoons, cheese knife (hh), cheese scoop, small and medium sauce ladles, sugar sifter spoon, medium chipped beef fork and pickle‑olive fork; various monograms, 97 pcs., total wt. (weighable) 70 troy ozs., in fitted case. $800/1200

377. Large Carved Rock Crystal Centerbowl, lobed, scroll handles, conforming foot, h. 10 1/4 in., w. 17 1/2 in., d. 20 1/8 in. $5000/7500 376. English Modern Gothic Brass Two‑Light Sconce, c. 1875, backplate inset with beveled mirror plate, decorated with an impressed pattern. elaborate, stylized foliate volutes, pivoting candle arms, h. 17 in., w. 10 in., d. 8 1/2 in. overall. $200/400

Additional information at www.nealauction.com

378. French Carved Oak Draw‑Leaf Table, 19th c., extensively carved foliate frieze, vasiform supports, trestle base with carved masks, molded stretcher, disc feet, h. 31 in., l. 105 in., w. 35 in. $2000/3000

380. Italian Neoclassical Painted and Parcel Gilt Console, late 18th c., rouge marble top, blocked frieze, scalloped apron, tapered legs, h. 32 in., w. 47 in., d. 19 in. $2000/3000 382. Antique Louis XV‑Style Gilt Bronze Firescreen, 19th c., rocaille leafwork frame, centered with pendant ribbon and love birds, mesh backing, foliate shoe feet, h. 31 in., w. 26 in., d. 10 in. $800/1200

381. Antique Continental Carved and Inlaid Walnut Center Table, molded circular top centered by a yin-yang symbol, bulbous‑turned standard, scrolled legs, h. 32 1/2 in., dia. 60 in. $2000/3000 383. Antique Louis XVI‑Style Inlaid Satinwood Cabinet, shaped top, chamfered stiles, two frieze drawers over doors with Chinoiserie panels, shelf interior, tapered legs, h. 37 1/4 in., w. 51 3/4 in., d. 24 in. $2500/3500

384. Pair of Italian Carved and Polychromed Blackamoors, 20th c., on rocaille, cartouche form, bases, h. 61 in., w. 25 in., d. 15 in. $3000/4000

379. French Provincial Carved Fruitwood Commode, 18th c. and later, molded top, two drawers, scalloped apron, cabriole legs, scrolled toes, h. 36 in., w. 50 in., d. 25 in. $1500/2000

385. French Provincial Carved Oak Bureau, mid‑18th c., fall front lid with fitted interior, two short over long drawer, scalloped apron, cabriole legs, h. 41 1/8 in., w. 41 1/2 in., d. 20 5/8 in. $800/1200

386. Pair of French Verdigris Patinated Bronze Cupid Figures, holding bow and quiver, oval bases, paw feet, h. 22 in., w. 12 in., d. 12 in. $4000/6000

387. Large Pair of French Gilt Bronze‑Mounted Sèvres‑Style Porcelain Urns, 19th/early 20th c., courting couples and chateaux in landscape reserves apocryphal interlaced L marks, plinth base, h. 31 in., w. 17 3/4 in. $5000/7500 388. Pair of Louis XV‑Style Gilt Bronze Two‑Light Sconces, foliate scrolled backplate and candlearms, h. 19 1/2 in., w. 13 in., d. 10 1/2 in. $800/1200 389. Austrian Cold‑Painted Bronze Figure of a Water Carrier, stamped “AUSTRIA” on self‑base, h. 8 1/2 in., w. 2 3/4 in., d. 3 1/2 in. $800/1200

390. Murano Glass Six‑Light Chandelier, green glass with lavender and yellow flowers, electrified, h. 32 in., dia. 33 in. $1500/2500 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

391. Pair of Neoclassical-Style Gilt and Patinated Bronze Lamps, 20th c., each with Greek goddess standard, molded plinth, black marble base, scroll feet, shades with Greek key borders, h. to finial 38 in., dia. 17 1/2 in. $1200/1800

393. Pair of Napoleon III Bronze Ten‑Light Candelabra, 19th c., electrified, h. 28 in., dia. 15 in. $4000/6000

392. Empire‑Style Mahogany and Ormolu‑Mounted Secretary Bookcase, 19th c., pedimented cornice, glazed doors enclosing shelf interior, shaped upper drawer over three long drawers, molded base, paw feet, h. 112 in., w. 54 in., d. 24 in. $3000/5000 394. Louis XV‑Style Bronze‑Mounted and Inlaid Commode, 19th c., galleried marble top, foldout shelf, grillework door enclosing marble‑lined compartment, serpentine apron, flared legs, sabots, h. 36 in., w. 21 1/2 in., d. 13 1/2 in. $1000/1500

395. Pair of Antique Louis XV‑Style Carved Walnut Fauteuils, serpentine, scrolled arms, h. 40 1/4 in., w. 26 in., d. 22 in. $1500/2500 Additional information at www.nealauction.com

397. Fine Large Rock Crystal Sphere, carved and silver‑leafed base, overall h. 11 1/4 in. $2000/3000

398. Pair of Continental Carved, Polychromed and Rock CrystalMounted Five‑Light Girandoles, 20th c., vasiform standards, accented with ruby colored beads, h. 29 1/2 in., dia. 13 1/2 in. $1500/2000

396. Large Gilt Bronze‑Mounted Sèvres‑Style Gilt Porcelain Urn, late 19th c., decorated with Classical figures and an idyllic landscape enclosed in raised gilt, cartouches on a fuschia ground; bronze beaded and foliate rims, foliate scroll handles, square plinth base, h. 28 in. $2500/4000

400. Pair of Italian Painted and Parcel Gilt Pricket Candlesticks, foliate carved, tripartite base, h. 24 1/2 in. $600/800

399. Two Italian Wax Crèche Figures, late 18th/19th c., wax head and hands, wood bases, tallest h. 16 1/4 in. $700/900

401. Monumental Pair of Napoleon III Bronze and Cut Crystal Ten‑Light Gasolier Sconces, late 19th c., spear finial, over crown and vasiform standard, shield backplate, allover hung with beads, teardrop and faceted ball pendants, h. 45 in., w. 27 in., d. 18 in. $3000/5000

Provenance: Brown University, Providence, RI.

402. Terracotta Figural Group of Two Putti Playing, after Gustave Trouillard, signature inscribed on self‑base, h. 16 in., w. 15 3/4 in., d. 7 1/2 in. $700/900

403. Carved Alabaster Figure of a Reclining Maiden, after “Venus Victrix” by Antonio Canova, h. 12 in., w. 23 in., d. 7 in. $1000/1500 404. Pair of German Polychrome and Gilt Porcelain Covered Urns, early 20th c., scepter marks, eagle finials, ribbed bodies, molded with Greek key and foliate bands and ribbon hung wreaths enclosing amorous couples, white grounds with floral sprays, h. 14 1/2 in. $1200/1800

405. Near Pair of Henri Ardant & Co. Limoges Porcelain Vases, late 19th c., HA & Cie cartouches, bisque putto-mounted Classical mask scroll handles, decorated with idyllic landscapes and floral sprays, white or pale blue grounds, h. 21 in., w. 10 1/2 in. $2000/3000

406. Dutch Marquetry Side Table, serpentine drop-leaf top, two drawers, cabriole legs, shaped stretcher shelf, h. 34 1/2 in., w. 41 1/2 in., d. 18 in. $700/900

407. Pair of Italian Ebonized, Bone‑Inlaid and Marquetry Chairs, 19th c., surmounted by scrolled finials, seat back with classical scene, scrolled arms, conforming seat, stretcher centered by a classical bust, h. 54 1/4 in., w. 23 in., d. 23 in. $1500/2000

408. Portuguese Carved Walnut Table, 18th c., molded top, frieze drawer, turned legs, conforming stretcher surmounted by bulbous‑turned finials, h. 29 1/2 in., w. 40 1/2 in., d. 26 in. $800/1200 409. Pair of Continental Polychrome and Gilt Porcelain Pot-Pourris, 19th c., domed lids, branch‑handled baluster bodies and waisted splayed bases decorated with floral encrusted garlands, floral sprays and raised gilt foliate meanders, spurious Meissen marks, h. 10 3/4 in. (6 pcs.) $700/900

410. Continental Patinated Bronze Wall Bracket, 20th c., molded wood shelf, over bust of Hera crowned in oak leaves, h. 11 in., w. 12 1/4 in., d. 9 in. $300/500

411. Antique Continental Carved and Polychromed Figure, 19th c., glass eyes, with robe and sandals, h. 37 in., w. 14 1/2 in., d. 15 in. $1200/1800

412. Antique Venetian Polychromed Blackamoor, 19th c., basketweave torchère, standing on fluted plinth, later octagonal base, total h. 65 in., w. 14 in., d. 18 in. $1200/1800

413. Persian Soumak Carpet, pale yellow and brown ground, stylized floral designs, 8 ft. 10 in. x 12 ft. 2 in. $800/1200

Provenance: NOLA Rugs, 2013.

Additional information at www.nealauction.com

416. Large Neoclassical‑Style Painted and Parcel Gilt Mirror, extensively carved surround with outset corners, decorated with putto masks, h. 65 in., w. 54 1/2 in. $500/750

414. Antique Heriz Carpet, red, dark and light blue ground, stylized floral design, 7 ft. 9 in. x 11 ft. $1800/2500

415. Semi‑Antique Persian Bactairie Carpet, stylized floral designs in a grid pattern, 9 ft. 2 in. x 12 ft. 6 in. $3500/4500

418. After Henry Thomas Alken (British, 1785‑1851), “The Quorn Hunt”, c. 1835, set of 8 hand‑colored engravings, published by Rudolph Ackerman, each framed, each approx. 23 in. x 17 in., framed (8 pcs.) $800/1200

419. Mosaic of St. Basil’s Cathedral, probably Russian, 13 3/4 in. x 12 3/4 in., framed. $500/700

417. Louis Philippe Painted and Parcel Gilt Overmantel Mirror, mid‑19th c., molded foliate motif and beaded surround, h. 55 in., w. 37 1/2 in. $700/900

421. 18 kt. Gold and Jadeite Link Bracelet, marked “750”, four slightly curving apple green jadeite links connected by openwork gold plaques with birds, safety clasp and chain. $1500/2500

420. Chinese Jadeite Bangle Bracelet, domed exterior with flattened interior, dia. 2 3/4 in. $1000/1500 Provenance: Neal Auction, Feb. 8, 2014, lot 643.

422. Antique 14 kt. Yellow Gold and Diamond Bar Pin, set with 9 round European cut diamonds, totaling approx. .75 ct. $300/500

423. Mexican Sterling Silver Flat Link Necklace and Bracelet, mid-20th c., marked “REY”, weight 4.35 troy ozs. $150/300

425. Pair of French Bronze Figural Chenets, each cherub holding an attribute of Hermes, h. 9 3/4 in., w. 7 in., d. 5 in. $300/400

424. Louis XVI White Marble and Gilt Bronze Portico Clock, late 18th c., signed Ridel, Paris, white marble and gilt bronze case with circular enamel dial surmounted by an urn finial, marble piers with bronze floral mounts and blue and white jasperware medallions representing “Meekness” and “Strength”, bronze pendulum with Sun King mask, rectangular base, cast bronze toupie feet, h. 17 in., w. 10 1/4 in., d. 3 1/2 in. $1000/1500

427. Continental Rock Crystal Dresser Box, h. 2 3/4 in., w. 6 in., d. 4 in. $600/800

429. Persian Qashqai Carpet, red ground, triple medallion, serrated spandrels, 7 ft. x 9 ft. 7 in. $1400/1800

430. Persian Bactairie Carpet, stylized floral designs, in a grid pattern, 6 ft. 8 in. x 9 ft. 9 in. $1400/1800

432. Antique Persian Zieglar Mahal Carpet, red ground, blue border, overall vining floral design, 6 ft. 5 in. x 10 ft. 1 in. $2400/2800

432A. Antique Persian Heriz Carpet, red ground, central medallion, overall stylized floral design, 10 ft. 5 in. x 13 ft. 9 in. $4000/6000

426. Two Malachite Carvings of Mythological Beasts, tallest h. 4 in. $500/700

428. Pair of Carved Sienna Marble Seated Lions, each with one paw resting atop a tablet, h. 9 1/4 in. $300/500

431. Caucasian Rug, red ground, repeating geometric designs, 4 ft. 3 in. x 9 ft. 5 in. $400/600

432B. Fine Persian Kerman Carpet, cream and blue ground, central oval medallion, floral designs, signed, 9 ft. 10 in. x 12 ft. 7 in. $4000/6000

431A. Antique Persian Mahal Carpet, red ground, central diamond medallion, stylized floral design, 7 ft. 2 in. x 10 ft. 10 in. $2400/2800

432C. Antique Persian Kurdish Carpet, central medallion, stylized floral design, repeating gull border, 3 ft. 6 in. x 6 ft. 6 in. $800/1200

Additional information at www.nealauction.com

433. Pair of Fine Antique Austrian Bronze Jardinières, c. 1910, marked “Entworfen von Architekten W. Pleyer Ausgenfuhrt von M. Biela Kunst Schlosser 19 Wien 10”, lobed vessel with guilloche decoration, “hammered” and fluted legs, paw feet, h. 39 1/2 in., dia. 14 in. $4000/6000

436. Two 14 kt. Yellow Gold Crosses, set with yellow and white brilliant cut diamonds, approx. .75 ct; together with yellow gold, emerald, sapphire, ruby and diamond flexible bracelet, set with square cut emeralds, rubies and sapphires and round single cut diamonds. $700/1000

435. Italian Opaline Glass and Gilt Metal Six‑Light Chandelier, c. 1950s, tiered form, hung with beads and tear drops, electrified, h. 27 in., dia. 22 in. $600/800

434. Large Pair of Moorish Patinated Bronze and Parcel Gilt Figural Torchères, 20th c., figures holding daggers and torches, electrified, h. 56 in. $1200/1800

437. Group of Scottish Victorian Brooches, incl. 9 ct. yellow gold and green agate hatchet, silver and banded agate anchor, silver and russet agate arrow and gold‑filled and multi‑color agate circle brooch. $400/600

439. Chinoiserie Mother-of-Pearl Inlaid Lacquer Cabinet, early 20th c., stepped cornice, door opening to fitted interior of narrow shelves, rococo carved hardwood base, cabriole legs, acanthine pad feet. h. 67 ¼ in., w. 32 in., d. 19 in.$1000/1500

Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

438. 18 kt. Yellow Gold, Diamond, Ruby and Emerald Cockatoo Brooch, set with twenty‑two oval faceted rubies, total wt. approx. 5.50 cts., approx. forty round brilliant‑cut pavé set diamonds, total wt. approx. 2.00 cts., and a faceted emerald, approx. .03 cts., l. 3 1/2 in. $800/1200

Provenance: Estate of Dorothy “Dot” Shushan, New Orleans, LA.

440. Chinoiserie Polychrome Painted Black Lacquer Table, early 20th c., waisted molded top, shaped frieze, bracketed square legs, block feet. H 31 in., w. 37 ¼ in., d. 15 ½ in. $700/900 441. Antique Persian Mahal Carpet, red ground, diamond medallion, stylized floral design, 8 ft. 9 in. x 12 ft. $4000/6000

442. Antique Persian Lavar Kerman Carpet, cream ground, blue border, overall vining floral design, 5 ft. 6in. x 8 ft. 5 in. $1800/2800

445. Pre‑Columbian Mayan Painted Pottery Seed or Field Offering Vessel, reddish‑orange and black glyphs on buff ground, h. 3 5/8 in. $200/300 443. Apulian or Apulian‑Style “Red Figure” Painted Pottery Lekanis, cover with rosette painted knob above two female faces in profile, body with stem foot, h. 4 1/8 in. $300/500 Provenance: New Orleans Antiquarian.

444. Pre‑Columbian Mayan Painted Pottery Seed or Field Offering Vessel, reddish‑orange and black glyphs on buff ground, h. 3 5/8 in. $200/300

Provenance: Arte Primitivo, New York, c. 2000; New Orleans Antiquarian.

446. Pre‑Columbian Mayan Carved Pottery Rattle Vessel, tall cylindrical neck carved with a band of glyphs, reticulated globular lower body with crosshatching, h. 5 5/8 in. $200/300

Provenance: Arte Primitivo, New York, late 1980s; New Orleans Antiquarian.

Provenance: Arte Primitivo, New York, c. 2000; New Orleans Antiquarian.

449. Luristan or Luristan‑Style Bronze Dagger, l. 14 3/4 in., w. 2 3/8 in. $300/500

Provenance: Arte Primitivo, NY; New Orleans Antiquarian.

447. Pre‑Columbian Costa Rican Polychrome Pottery Vase, painted with geometric bands and stylized birds in orange, ochre and black pigments, h. 9 in. $300/500

448. Collection of Nine Egyptian Faience Ushabti, variously with brilliant blue, turquoise, greenish‑blue, and green glaze, h. 2 1/4 in. to 4 1/2 in.; together with a carved wood example, h. 9 1/4 in., stand, overall h. 10 in. (10 pcs.) $300/500 Provenance: New Orleans Antiquarian.

450. Antique Iranian Painted Pottery Vase, possibly Tepe Giyan, painted with geometric bands around the neck, shoulder and upper body, h. 3 1/4 in. $200/300

Provenance: Robert Donnelly, NH, 1978‑80; Charles Warren, FL and thence by descent; Arte Primitivo, NY; New Orleans Antiquarian.

Provenance: New Orleans Antiquarian.

451. Antique Cambodian Bronze Figure of a Female Goddess, modeled in static frontal pose wearing a diadem, earrings and a beaded sampot, h. 5 3/4 in. $300/500

Provenance: New Orleans Antiquarian.

452. Antique Javanese Terracotta Figural Fragment, modeled as a female with an elaborate side coiffure, h. 7 in., stand, overall h. 7 1/4 in. Note: Head restuck. $300/500

453. Antique South Asian/North Indian Stucco Head of Buddha, modeled with wave‑pattern curls extending up the ushnisha and forming a widow’s peak above the brow, downcast eyes, aquiline nose, and bow‑shaped lips, h. 3 1/4 in., mounted to a stone pedestal, overall h. 5 1/4 in. $400/600

Provenance: New Orleans Antiquarian.

454. Antique Indian Stone Buddha or Jina Head, carved with tight snail‑shell curls, finely arched eyebrows, downcast eyes, aquiline nose, and bow‑shaped mouth, h. 5 3/4 in., stand, overall h. 9 3/8 in. $300/500 Provenance: New Orleans Antiquarian.

Provenance: New Orleans Antiquarian.

Additional information at www.nealauction.com

457. Pair of Antique Japanese Cloisonné Vases, decorated with cranes amid flowers, h. 9 3/4 in. $700/900

455. Japanese‑Style Glazed Stoneware Teabowl, blue, green and brown streaked rust red glaze, base inscribed, h. 2 1/4 in., storage box. $150/250

Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA.

456. Japanese or Chinese Greenish‑Yellow and Russet Glazed Pottery Bowl, exterior carved with concentric bands, interior incised with concentric circles and curling lines, h. 2 1/4 in., dia. 4 3/4 in. $150/250 Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA. 458. Pair of Antique Japanese Cloisonné Vases, decorated with fish in a lotus pond, h. 7 1/4 in. $500/700

459. Japanese Bronze Lobster, probably Meiji Period (1868‑1912), h. 4 1/2 in., l. 12 3/4 in., w. 8 5/8 in. $600/800

460. Pair of Japanese Blue and White “Sometsuke” Porcelain Bowls, Edo Period (1603‑1868), decorated in Chinese export “kraak” style with central insect on rock medallion encircled by sunflowers and auspicious symbols, h. 1 1/2 in., dia. 8 1/8 in. $800/1200

461. Two Similar Japanese Imari Porcelain Dishes, 18th/19th c., shallow bowl‑forms, wells decorated with flower vase reserves, cavettos with chrysanthemum sprays on blue grounds, h. 1 7/8 in., dia. 11 1/4 in. $1000/1500

462. Two Antique Japanese Abalone Inlaid Lacquer Crumb Trays, w. 6 5/8 in. an 7 5/8 in., d. 3 in. and 5 3/4 in. $150/250

464. Group of Five Vietnamese/Anamese Blue and White Porcelain Objects, mid‑to‑late 15th c., incl. frog and fish‑form water droppers, l. 2 3/4 in. and 2 1/2 in., 2 cosmetic boxes, dia 2 1/2 in. and 2 1/4 in., and 1 vase, h. 1 3/4 in. $200/300

Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA.

463. Antique Miniature Japanese Gilt Bronze Buddha in Lacquer Shrine, probably Shaka Nyorai, cast seated in dhyanasana on a double lotus base holding an orb in his left hand, the right lowered in bhumisparsha mudra, h. 1 3/8 in., zushi case, overall h. 2 1/4 in. $600/800 Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA.

Provenance: (First 4 labeled) 1996‑2000 Saga/Visal recovery of ceramics from the Hoi An Hoard shipwreck; New Orleans Antiquarian.

465. Pair of Chinese Bronze Chariot Fittings, probably Han Dynasty (206 BCE‑220 CE), cast in low relief with stylized taotie masks on a leiwen ground, centers intersected with rods terminating in mask and square‑form loops, wide everted rims, h. 1 5/8 in., dia. 3 1/4 in. $500/700

465.

Provenance: New Orleans Antiquarian.

466. Chinese Bronze Miniature Hu Vase, Ming Dynasty (1368‑1644), faceted body with mask‑ring handles, h. 2 3/4 in. $200/300

Provenance: James D. Julia, Feb. 3‑5, 2016, lot 3007; New Orleans Antiquarian

467. Chinese Tang‑Style Gilt Bronze Votive Figure of Udayana Buddha or Maitreya, modeled standing before an openwork mandorla on a lotus base with hands held in abhaya and varada mudra, wearing robes draped from the shoulders and falling in undulous folds above the ankles, intrinsic platform base, h. 8 7/8 in. $1000/1500 467.

466.

469.

Provenance: Acquired Hong Kong, c. 2008.

468. Chinese Painted Pottery Figure of a Prancing Horse, Tang Dynasty (618‑906), modeled standing with one front hoof raised in the air, h. 21 1/4 in., w. 21 1/2 in., custom stand; accompanied by a copy of the Oxford Thermoluminesence Analysis Report, ref. PH 993/558 on sample C299f15, dated Nov. 4, 1999. $2000/3000 Provenance: Chap Ku Tong, Hong Kong, Nov. 19, 1999.

469. Chinese “Sancai” Glazed Pottery Tripod Censer, probably Tang Dynasty (618‑907), everted rim, compressed globular body carved with concentric bands, lion’s paw feet, h. 3 1/2 in., w. 6 1/8 in. Note: Two legs restored. $1000/1500

470. Chinese “Sancai” Glazed Molded Pottery Altar Vase, probably Tang Dynasty (618‑907), mask‑loop handles, body molded with dragons, overall amber, blue and green glaze, h. 8 in. $300/500 Provenance: New Orleans Antiquarian. 470.

468.

471. Chinese Glazed Pottery Plaque, Ming Dynasty (1368‑1644) or earlier, originally forming the end of a roof‑tile, relief‑molded with a dragon and flaming pearl, remnant iridescent green glaze, dia. 5 1/4 in., hardwood stand, overall h. 7 1/4 in. Note: Restoration. $300/500 Provenance: New Orleans Antiquarian.

472.

471.

472. Chinese Ding‑Style Pottery Conical Bowl, probably Song Dynasty (960‑1279), interior walls carved with radiating double curved lines, “Robert McPherson / London” label, h. 1 1/4 in., dia. 5 1/4 in. Note: Restored chip. $1000/1500

473. Chinese Ding‑Style Pottery Ewer, melon‑form body surmounted by rope‑twist handle terminating in leaf tips, h. 6 in. $1000/1500

474. Chinese Qingbai Pottery Bowl, probably Song Dynasty (960‑1279), thin walled body with unglazed barbed rim, interior divided by six slip fillets radiating from the well, base painted “HAA 2663”, h. 2 3/8 in., dia. 7 1/4 in. $700/900 Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA. 475. 475. Chinese Glazed Pottery Oil Lamp, probably Song Dynasty (960‑1279), bowl-form body on stem foot connected by upright handle, interior with spout, h. 3 7/8 in. $300/500

473.

Provenance: Skinner, Boston, Dec. 2010.

474.

476.

476. Chinese Glazed Jiaotai Marbled Pottery Ewer, probably Song Dynasty (960‑1279), blended cream and brown clay body with thick translucent glaze pooling above the foot, h. 4 in. Note: Crack. $800/1200 Additional information at www.nealauction.com

477. Chinese Olive Green Glazed Pottery Ewer, probably Song Dynasty (960‑1279), vasiform with strap handle and lion’s mask spout, shoulder with incised geometric band, covered with iron spotted olive green glaze stopping above the brown biscuit foot, h. 7 3/8 in. $600/800

478. Chinese Molded Yaozhou Celadon Porcelain Bowl, probably Song Dynasty (960‑1279), rounded body with down‑turned rim, interior molded with floral sprays, olive green glaze, h. 1 1/4 in., dia. 4 1/4 in. $1000/1500 478. 479. Antique Chinese Glazed Pottery Storage Jar, ovoid body with four applied lug handles, h. 13 1/2 in. $500/700 Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA.

477.

480.

480. Antique Chinese Junyao‑Style Crimson Splashed Stoneware Bowl, possibly Shiwan, coarse stoneware body covered in a thick brownish‑gray glaze streaked with lavender and splashed with bright copper red, h. 1 3/8 in., dia. 5 3/4 in. $300/500 Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA

481. Rare Group of Seven Antique Chinese Hardstone Inlaid Dark Green Jade Musical Chimes, bent L‑forms inlaid with dancing figures holding hands and with arms raised, h. 8 in. to 12 1/4 in. $4000/6000 Provenance: Chauncey Lowe, Winter Park, FL, c. 2006.

481. 479.

482. Chinese White and Russet Jade Hound, probably Ming Dynasty (1368‑1644), carved recumbent with its lean body accentuated by finely detailed ribs and spine, l. 2 3/4 in. $2000/3000.

483. Chinese Pale Celadon Jade Hound, carved recumbent with its tail wrapped around its body, l. 4 1/4 in. $1000/1500

483.

482.

484. Chinese Greenish Yellow and Russet Jade Bird, carved squatting with head raised and wing and tail feathers tucked neatly behind and at its side, h. 1 7/8 in., w. 3 1/2 in., custom storage box. $3500/4500

485.

Provenance: Jeffrey Moy, Chicago, c. 2009.

485. Chinese Brown and Russet Jade Horse, carved recumbent with its head turned over its backside, h. 2 1/2 in., w. 4 3/8 in. $2000/3000

484.

486. Chinese Archaistic Yellow and Brown Jade Boar, carved standing with stylized raised hackles and incised ornamentation, h. 3 1/4 in., w. 6 1/2 in. $2000/3000 Provenance: Chauncey Lowe, Winter Park, FL.

487. 487. Chinese Spinach Green Jade Vase, probably Qing Dynasty (1644‑1911), carved in gu‑form with incised key fret, leaf tips and taotie masks atop a Buddhist lion, h. 6 1/2 in., w. 5 3/4 in. $2000/3000

486.

Provenance: Alan Chen, NY, Mar. 2010.

488. Chinese White Jade Bi Disk, Qing Dynasty (1644‑1911), round body encircled by a dragon, a phoenix, and a Qilong, reverse carved in the “grain” pattern, h. 3 1/2 in., w. 3 1/2 in. $1000/1500 Provenance: Jeffrey Moy, Chicago.

489. Chinese White and Russet Jade Bi Disk, late 19th/20th c., circular body worked in the “grain” pattern, surmounted by a dragon and fish flanked by scrollwork, h. 6 3/8 in., w. 4 1/4 in., storage box. $800/1200 488.

489.

490.Chinese Russet and Green Jade Bi Disk, probably Qing Dynasty (1644‑1911), carved as two twin‑headed Buddhist lions forming a circle, their bodies worked in the “grain” pattern, dia. 4 in. $1000/1500 491.Sino‑Tibetan Gilt Bronze Figure of Shakyamuni or Amitabha, Qing Dynasty (1644‑1911), seated in dhyanasana on a double lotus base with hands held in dhyana mudra wearing long robes with foliate incised hems, serene face painted in Tibetan style, head and ushnisha covered with tight curls pigmented blue and surmounted by a knop chintamani, h. 7 5/8 in. $2000/3000

490.

Provenance: Woolley & Wallis, Salisbury, Nov. 16, 2011, lot 401; Gulfport, MS Collection

491.

492. Chinese Gilt Bronze Figure of Guanyin on a Patinated and Gilt Bronze Lotus Pedestal Base, Qing Dynasty (1644‑1911), cast seated in dhyanasana with the right arm raised to the chest and the left hand held in dyana mudra, wearing loose robes, bead necklaces, earrings, and a tiara, the hair tied in a top knot with plaits falling over the shoulders, separate lotus pedestal base set on a hexagonal plinth, h. 13 1/2 in. (3 pcs.) $5000/7000 493. Chinese Russet Streaked Black Glazed “Temmoku” Stoneware Bowl, probably Song Dynasty (960‑1279), slightly rounded conical body covered in a lustrous black glaze with russet “hare’s fur” streaks, h. 1 5/8 in., dia. 2 3/4 in. $600/800 Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA.

493.

492.

494.

494. Chinese Black Streaked Russet Glazed “Temmoku” Stoneware Bowl, probably Song Dynasty (960‑1279), conical body with lustrous russet glaze with black “hare’s fur” streaks and “oil spots” pooling above the unglazed foot, h. 2 in., dia. 5 in. $1000/1500 495. Chinese Black Splashed Russet Glazed “Temmoku” Stoneware Bowl, probably Song Dynasty (960‑1279), conical body with slightly indented rim, covered in a mottled brown glaze with three peacock feather‑like streaks to the interior, exterior with thick black puddles above the biscuit buff base, h. 2 in., dia. 4 3/4 in. $700/900 Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA.

496. 495.

496. Chinese Russet Splashed Black Glazed Stoneware Bowl, probably Song Dynasty (960‑1279), interior with russet streaks on a black ground neatly pooling around a biscuit band, h. 1 7/8 in., dia. 5 1/8 in. $300/500 Provenance: New Orleans Antiquarian.

;

497. Chinese Iron/Russet Painted Black Glazed Stoneware Bowl, probably Song Dynasty (960‑1279), conical body with flared rim, interior freely painted with a crane amid grasses and clouds, h. 2 in., dia. 6 5/8 in. $400/600 Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA.

498. Chinese Black Glazed Pottery Ewer, probably Song Dynasty (960‑1279), black glaze with a tight network of crackle that thins to brown around the edges and stops above the light gray biscuit foot, h. 7 1/2 in. $1000/1500

497.

498.

499. Chinese Russet Splashed Black and Brown Glazed Stoneware Jar, probably Song Dynasty (960‑1279), upper body with russet streaks on a black ground that pools over the brown glazed lower section, h. 4 1/4 in., later cover, overall h. 5 1/4 in. $1000/1500 Provenance: Hank Cheng, Dragon House Oriental Fine Arts, San Francisco, c. 2002.

500. Chinese Russet Spotted Black Glazed Stoneware Jar, probably Song Dynasty (960‑1279), slightly mottled russet and black glaze pooling toward the biscuit base, ribbed interior with russet glaze, h. 6 3/4 in., Japanese tassel‑tied silk cover beneath hardwood cover, overall h. 7 1/2 in. Note: Condition. $300/500 Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA. 499. 500.

501. Chinese Black‑Streaked Persimmon Glazed Pottery Vase, Ming Dynasty (1368‑1644) or earlier, compressed globular body with short neck and pairs of lug handles, overall black‑streaked opalescent reddish‑brown glaze falling short of the buff colored biscuit foot, h. 7 1/4 in. $1500/2500 502. Chinese Celadon Porcelain Tripod Censor, probably Ming Dynasty (1644‑1911), “rope‑twist” loop handles, everted rim, waisted neck with Greek key band, compressed globular body with diaper cartouches extending into the tapering splayed legs, h. 4 3/4 in., dia. 6 in. $2000/3000

501.

502. Additional information at www.nealauction.com

503. Exceptional Pair of Mughal‑Style Creamy‑White Jadeite Chrysanthemum Dishes, Qing Dynasty (1644‑1911), delicately carved to translucency with three rows of radiating fluted petals diminishing in size towards the central stamen carved with a four character Qianlong mark on the interior and naturalistic cross‑hatching on the exterior, the middle exterior row with down‑turned petal tips forming the foot ring, h. 7/8 in., dia. 7 3/4 in., early 20th century custom storage boxes. $80000/120000

504. Mughal‑Style Gem Embellished White Jade Covered Box, Qing Dynasty (1644‑1911), carved with palm leaves and scrollwork, embellished with 6 crosses set with gems, base with 4 leaf feet and painted “27114”, h. 1 5/8 in., w. 4 7/8 in., d. 1 7/8 in. $20000/30000 Provenance: Chris Randall, JWA Multinational, Miami, c. 2011.

505. Very Fine Chinese Yellowish White Jade Openwork Parfumier/Pomander, Qing Dynasty (1644‑1911), one side carved with Shoulao and a boy beneath a flying crane, other with a deer and three bats, both scenes delicately and intricately carved on a layered scrollwork ground within a square frame pierced along the sides, h. 3 1/2 in., w. 3 1/8 in., d. 5/8 in., suspended on a cord hung with beads. $10000/15000 Provenance: CK Liang, Hong Kong, 2011.

506. Chinese Fern Green and Mottled Russet and Green Jade Seal, probably Qing Dynasty (1644‑1911), square base surmounted by a Buddhist lion and cub, carved chop, h. 2 3/4 in., w. 2 3/4 in., d. 2 3/4 in. $3000/5000 Provenance: Chris Randall, JWA Multinational, Miami, c. 2005.

507. Chinese Celadon and Russet Jade Scholar’s “Mountain”, Qing Dynasty (1644‑1911), FRONT carved with a boatman navigating a mountainous stream, inscribed mid‑left, reverse with pavilions emerging from clouds beside a lengthy inscription, h. 4 5/8 in., w. 4 7/8 in., wood stand, overall h. 5 7/8 in., w. 6 in. $3000/5000

506. 507.

508. Chinese White Jade Ram and Lingzhi Group, Qing Dynasty (1644‑1911), carved as two recumbent lambs forming a circle, each with a lingzhi spray in its mouth, h. 1 3/4 in., w. 2 1/4 in., d. 2 1/4 in. $2000/3000

509. Chinese Ge‑Style Stoneware Arrow Vase, probably Qing Dynasty (1644‑1911), tubular handles, tapering neck and globular body with large dark “iron” crackle and tighter russet crackle throughout, h. 8 1/2 in. $1000/1500 508. 510. Chinese Ge‑Style Stoneware Bottle Vase, probably Qing Dynasty (1644‑1911), overall bubble suffused pale green glaze with dark and uncolored crackle, base with Chenghua mark, h. 11 1/4 in. $1000/1500

509.

511. Chinese Ge‑Style Stoneware Tripod Censer, probably Qing Dynasty (1644‑1911), overall grayish blue glaze with black and russet crackle, h. 4 3/4 in., dia. 5 in. $400/600

Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA.

512. Large Chinese Ge‑Style Porcelain Bottle Vase, 20th c., overall wide dark and russet crackle on a grayish‑green ground, h. 18 3/4 in. $800/1200 510. 511.

513. (Detail) Chinese School, probably 19th c., “Rocks and Seasonal Grasses”, ink and color on paper, inscribed and sealed upper left, sight 63 1/2 in. x 16 1/2 in., matted and framed. $600/800

514. (Detail) Two Chinese Polychrome Fresco Fragments, each decorated in the Ming style with a central female deity surrounded by attendants, sight 22 in. x 26 1/4 in., framed alike. $1000/1500

Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA.

515. Chinese Scholar’s Rock, naturalistically formed with crevices and protrusions, hardwood base, overall h. 20 in. $1000/1500

512.

513.

516. (Detail) Chinese Cinnabar Lacquer Tray, Qing Dynasty (1644‑1911), carved with figures in a landscape with clouds, mountains, trees and rocks, upturned curving sides with flower scrolls, h. 1 3/4 in., w. 15 1/8 in., d. 15 1/8 in. $1000/1500 Provenance: The Sturm Collection, St. Thomas, Virgin Island.

514.

516.

515.

507. Detail Additional information at www.nealauction.com

517. Chinese Marbled Xipi Lacquer Tiered Box, Qing Dynasty (1644‑1911), covered in an abstract marble design of red, ochre, green, and black, black interior with one fitted tray, h. 6 7/8 in., w. 12 1/2 in., d. 6 3/8 in. $1000/1500 Provenance: The Sturm Collection, St. Thomas, Virgin Island.

518. Chinese Hardwood Recessed‑Leg Table‑Form Stand, probably 19th c., rectangular plank top, openwork scrolled frieze with balls, rectangular sectioned legs with curved feet, floor stretchers, h. 9 3/4 in., w. 26 1/4 in., d. 14 1/8 in. $400/600 Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA.

519. Chinese Hardwood Brush Pot, Qing Dynasty (1644‑1911), probably zitan, cylindrical body with beaded rims on three bracket feet, base plugged, h. 6 3/4 in., dia. 6 1/8 in. $1000/1500

520. Chinese Hardwood Mirror Case, folding mirror stand carved with dragon panels surrounding an openwork stylized begonia, dressing case with 2 doors carved with foliage opening to 2 drawers, curved hoof feet, h. (open) 23 1/4 in., w. 16 1/2 in., d. 16 1/2 in. $700/900

521. (Detail) Large Chinese Kesi Panel, 19th c., woven in slit‑weave technique with couched gold threads and enhanced with paint depicting a central court scene flanked by warriors battling, mounted to board, sight 17 7/8 in. x 66 3/4 in., framed. $600/800

522. Pair of Chinese Hardwood Child’s Side Chairs, Qing Dynasty (1644 1911), probably Huanghuali, slightly curving top rail supported on S scroll back slat and curving turned back posts, rectangular seat inset with woven cane, square legs, stretchers, foot rest, h. 28 1/4 in., w. 13 1/4 in., d. 11 3/4 in. $1500/2500 Provenance: Neal Auction, May 4, 2013, lot 602; Gulfport, MS Collection.

523. Chinese Hardwood Stool, Qing Dynasty (1644‑1911), inset panel covered with woven matting, contoured reeded legs, floor stretchers, blocked feet, h. 16 1/2 in., w. 18 in., d. 18 in. $800/1200

Provenance: Neal Auction, May 4, 2013, lot 603; Gulfport, MS Collection.

524. Chinese Hardwood Three Rail Hall Bench, probably early 20th c., back and side rails carved with flowering branches, rectangular seat with inset panel, shaped apron carved with rocks, lychee and peony flanked by chrysanthemum and peach sprays, straight legs, h. 28 1/2 in., w. 74 in., d. 23 in. $2000/3000 Provenance: Uptown New Orleans Collection, acquired c. 1995.

525. Chinese Hardwood Spindle‑Back Armchair, late Qing Dynasty (1644‑1911), shaped top rail, gently curving struts, shaped arms similarly supported, inset hard mat seat, straight stretchered legs, footrest, h. 35 7/8 in., w. 23 1/2 in., d. 18 in. $500/700 Provenance: Uptown New Orleans Collection, acquired c. 1995.

526. Chinese Brass Banded Hardwood Covered Ice Chest on Stand, 20th c., removable pierced cover, square tapered body with bands of tubular brass molding and brass bail handles, metal interior; square stand with curved legs, hoof feet, square stretcher base, h. 28 in., w. 19 3/4 in., d. 19 1/2 in. $600/800 Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA

527. Chinese Green and Black Porcelain Bottle Vase, Qing Dynasty (1644‑1911), green glaze reserved in black with vining floral heads and leaf sprays, base with Yongzheng mark, handetched “CHINA”, probably later, h. 8 1/2 in. $30000/50000 Provenance: Chauncy Lowe, Winter Park, Fl, c. 1988.

528. Large Chinese Famille Verte Porcelain Brush Pot, 19th/20th c., decorated with entertainers and historical figures in a landscape, h. 6 1/4 in., dia. 7 1/2 in. $2000/3000

529. Pair of Chinese Famille Verte Powder Blue Ground Porcelain Square Vases, Qing Dynasty (1644‑1911), decorated with shaped panels enclosing rocks, flowering branches, birds, and flower sprays, h. 12 in., now mounted as lamps, h. (to socket) 15 in. $400/600

Provenance: Neal Auction Company, Jul. 2013, lot 758.

Provenance: London Shop, New Orleans.

531. Chinese Celadon Porcelain Vase, 18th/19th c., long flared neck partially encircled by a qilong, overall pale green glaze thinning to white along the edges, base with double ring mark, h. 13 1/4 in. $1500/2500

530. Chinese Celadon Glazed Porcelain Pouring Vessel, Qing Dynasty (1644‑1911), apple‑form body with inturned, rolled mouth and short spout, pale green glaze, base with Kangxi mark, h. 2 3/4 in., w. 4 5/8 in. $500/700 Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA.

533. Chinese Peachbloom Glazed Porcelain Oil Lamp, probably Qing Dynasty (1644‑1911), tapered wick stand and bowl‑form oil pan on bell‑form base, overall green speckled copper red glaze, base with Kangxi mark, h. 9 1/4 in. $1000/1500

535. Chinese Blue and White Porcelain Vase, Daoguang mark and probably period (1821‑1850), square body decorated with scrolling foliage and lotus flowers, base marked, h. 11 1/4 in., w. 3 1/2 in., d. 3 1/2 in. $1000/1500

Provenance: Jeffrey Moy, Chicago, reputedly from the Avery Brundage Collection.

532. Chinese Turquoise Glazed Carved and Molded Stoneware Covered Vase, Qing Dynasty (1644‑1911), archaic‑form with stylized dragon handles and ruyi‑finialed cover, relief‑decorated with stylized dragons, petal tips, ruyi heads, and geometric designs, overall kingfisher feather blue glaze with a network of tight crackle, h. 11 3/4 in. $2500/3500 534. Chinese Celadon Glazed Blue and White Porcelain Bowl, Qing Dynasty (1644‑1911), ribbed celadon body with slightly inset blue and white reserves of boys at play, base with double ring mark, h. 6 in., dia. 8 1/4 in. $1000/1500

536. Chinese Mirror Black Porcelain Baluster Vase, 19th/early 20th c., exterior with thick black glaze turning to russet streaks and russet at the mouth and falling in pools around the foot, h. 11 1/4 in. $500/700

537. Chinese Lavender‑Blue Glazed “Clair‑de‑Lune” Porcelain Ribbed Vase, Guangxu mark and probably period (1875‑1908), rounded “cong” form with pale lavender‑blue glaze draining to white around the mouth, shoulder and foot, base marked, h. 8 1/8 in. $1000/1500

Additional information at www.nealauction.com

538. Chinese Pale Lavender‑Blue Glazed “Clair‑de‑Lune” Porcelain Vase, probably Qing Dynasty (1644‑1911), heavily potted baluster body with mask handles, overall thick, streaked glazed exhibiting iridescence on the neck, shoulder and rims, h. 17 3/8 in. $400/600 Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA.

539. Chinese Flambé Glazed Porcelain Baluster Vase, Qing Dynasty (1644‑1911), overall lavender‑streaked oxblood glaze thinning to mushroom at the mouth, persimmon glazed base, h. 5 1/2 in. $300/500 Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA.

542. Near Pair of Chinese Flambé Glazed Porcelain Jars, Qing Dynasty (1644‑1911), covered in blue, lavender and raspberry streaked oxblood glaze, interiors glazed white, h. 7 1/2 in. and 7 5/8 in. $300/500

540. Chinese Flambé Glazed Porcelain Vase, Qing Dynasty (1644‑1911), purple and green streaked copper red glaze thinning to white at the mouth and pooling to a deep mottled oxblood above the foot, base with Kangxi mark, h. 7 1/4 in. $700/900

543. Chinese Gilt Splashed Bronze Censer, rectangular body with square loop handles, base with apocryphal Xuande seal mark, h. 3 3/4 in., w. 8 1/2 in., d. 4 3/4 in., reticulated hardwood cover with lapis lazuli lingzhi spray finial and hardwood stand, overall h. 13 in. $1000/1500

541. Chinese Flambé Glazed Porcelain Hexagonal Vase, 19th/early 20th c., brown, green and copper red streaked glaze thinning to white along the edges, h. 8 in. $400/600

544. Chinese Bronze Censer, bombe body with lion’s mask loop handles, base with apocryphal Xuande mark, h. 2 3/4 in., w. 6 3/4 in., d. 5 1/4 in. $700/900

Provenance: New Orleans Antiquarian.

547. Pair of Chinese Hardwood Stools, late Qing Dynasty (1644‑1911), waisted square panel top, curved legs, hoof feet, h. 15 in., w. 20 1/4 in., d. 20 1/4 in. $600/800 Provenance: Uptown New Orleans Collection, acquired c. 2000.

545. Archaistic Chinese Bronze Vase, cast with elephant mask handles and relief‑bands of ruyi heads, stylized kui dragons, leiwen, and pendant and upright petal tips, base with apocryphal Qianlong mark, h. 17 3/4 in. $600/800

546. Chinese Bronze Tripod Censer, probably 19th c., upright bail handles, everted rim with Xuande mark, waisted neck, compressed globular body, tall tapering legs, h. 6 3/4 in. $200/300 Provenance: Brian Page Antiques, Brighton; New Orleans Antiquarian.

548. Chinese Ming‑Style Hardwood Three Rail Couch‑Bed, Luohan Chuang, back and side rails carved with panels enclosing pairs of dragons pursuing the flaming pearl and dragons, inset soft mat seat, curved legs, high hoof feet, h. 35 7/8 in., w. 81 3/4 in., d. 40 in. $5000/7000 Provenance: Uptown New Orleans Collection, acquired Virginia, c. 1996.

551. Chinese Pale Gray and Russet Jade Brush Rest, naturalistically carved as a rockwork ledge, h. 3 in., w. 7 3/4 in. $400/600 Provenance: New Orleans Antiquarian.

549. Pair of Chinese Hardwood Side Chairs, 19th/early 20th c., shaped crest rail on scrollwork supports, backsplat carved with dragon medallion, inset rectangular seat, scrollwork apron, straight stretchered legs, footrest, h. 34 3/4 in., w. 20 1/2 in., d. 16 1/4 in. $800/1200

550. Chinese White Jade Brush Pot, Qing Dynasty (1644‑1911), carved with three scholars and an attendant in a mountainous landscape with pine, rocks and a pavilion, incised and gilded inscription to one side, later footed base with Nan Shan Xuan Xia mark, h. 3 7/8 in., dia. 2 3/4 in. $20000/30000

554. Two Chinese Mottled Green Jade Seals, Qing Dynasty (1644‑1911) or earlier, domed tops on short or tall rectangular bases, carved chops, h. 1 1/8 in., w. 1 1/8 in., d. 1 1/4 in. and h. 1 5/8 in., w. 7/8 in., d. 7/8 in. $500/700

Provenance: Rare Art, New York, c. 1989.

552. Two Chinese White Jade Saddle Rings and a White Jade Toggle, larger ring with russet, size 8 3/4 and 6; toggle carved as a face emerging from the russet included skin, h. 1 7/8 in., tassel hung (3 pcs.) $300/500 553. Two Miniature Mughal‑Style Yellowish‑White and Pale Celadon Jade Bowls, 19th/early 20th c., first carved as a chrysanthemum with foliate rim, second with lobed sides and incurvate notched rim, dia. 2 1/8 in. $200/300 Provenance: New Orleans Antiquarian.

555. Chinese Yellowish White Jade Cat and Lingzhi Group, Qing Dynasty (1644‑1911), carved as two entwined cats grasping a lingzhi spray between their mouths, h. 7/8 in., w. 2 in. $600/800

556. Chinese White Jade Cat, Qing Dynasty (1644‑1911), carved recumbent atop a curled leaf on a leafy stem, l. 1 7/8 in. $500/700

557. Chinese Pale Celadon Jade Cat Group, carved as two sleeping cats with lingzhi in their mouths curled together and forming a circle, h. 3/4 in., w. 2 1/4 in., d. 1 3/4 in. $400/600

558. Chinese Celadon and Russet Jade Cat Group, Qing Dynasty (1644‑1911) or earlier, carved as a recumbent cat with a smaller cat resting on its back, h. 1 in., w. 2 in. $500/700

559. Chinese White and Russet Jade Duck and Lotus Group, Qing Dynasty (1644‑1911), carved grasping a lotus spray in its mouth, h. 2 in., w. 2 1/2 in. $600/800 560. Chinese Pale Celadon Jade Cat Group and Greenish Yellow Jade Cat, Qing Dynasty (1644‑1911), first carved as two recumbent cats forming a circle, w. 2 1/4 in., other as a recumbent cat, l. 2 1/8 in. (2 pcs.) $700/900 562. Chinese Green and Brown Jade Qilin, carved crouching with its head turned to the side, l. 3 3/8 in. $600/800

561. Chinese White Jade Frog and Lotus Group, carved as a frog perched atop a lotus leaf supported on a scrolling tendril, w. 2 5/8 in. $400/600

563. Chinese Pale Celadon Jade Monkey, carved seated holding its tail in one hand and grasping its ear in the other, h. 2 1/4 in. $200/300

Provenance: New Orleans Antiquarian. Additional information at www.nealauction.com

565. Chinese Huangyang or Boxwood Louhan, Qing Dynasty (1644‑1911), carved seated on rockwork beside a gourd flask, wearing a cloth around his waist and an animated expression, h. 8 in., w. 7 1/4 in. $1000/1500

564. Chinese White Jade Appliqué or Button, Qing Dynasty (1644‑1911), carved in the form of an open lotus flower, w. 2 3/8 in., d. 1 1/2 in. $200/300

566. Chinese Bamboo Pillow, 19th c., bow‑form with slatted neck rest and collapsible braced feet, h. 4 1/4 in., w. 20 1/2 in., d. 5 in. $300/500

Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA.

567. Chinese Gilt Decorated Black and Red Lacquer Lantern, Qing Dynasty (1644‑1911), modeled in openwork tiers above and beneath a globular body, central section with applied wove cloth, h. 9 1/4 in., dia. 9 1/4 in. $400/600

568. Pair of Chinese “Dreamstone” Marble Inset Table‑Form Display Stands, waisted rectangular tops inset with 1 or 2 marble panels, shaped aprons, scroll legs, ball feet, h. 5 7/8 in., w. 15 1/4 in., d. 9 in. $300/500 Provenance: Uptown New Orleans Collection, acquired c. 1999

569. Zao Wou‑Ki (Chinese/ French, 1920‑2013), “La Theiere (The Tea Pot)”, 1952, color lithograph, pencil‑signed lower left and numbered “82/200” lower right, pencil‑titled en verso, sheet 15 in. x 22 in., matted and framed. $2500/3500

570. Pair of Chinese Amethyst Glass Bowls, Qing Dynasty (1644‑1911), etched with scenes of deer and cranes, h. 2 3/4 in., dia. 6 3/8 in. $1000/1500

Provenance: Joel Weinstock, New Orleans.

571. Chinese Blue Overlay Clear Glass Vase, carved with archaistic dragons on a clear bubble suffused ground, h. 9 in. $800/1200

Provenance: Alan Hartman, NY, c. 1995.

572. Chinese Carved Amber Glass Bowl, late 18th/ early 19th c., carved with a landscape scene, h. 3 3/8 in., dia. 7 1/2 in. $700/900 Provenance: Acquired Naples, FL, c. 1998.

573. Chinese Yellow Glass Quatrelobed Bowl, 19th c., everted rim, gently lobed body, h. 3 1/4 in., w. 8 7/8 in., d. 7 in. $600/800

574. Pair of Chinese Yellow Glass Floriform Bowls, late 19th/early 20th c., bases hand‑etched “CHINA”, h. 2 1/8 in., dia. 5 1/8 in. $400/600

575. Wan Ding (Chinese, b. 1955), “Winter Landscape with Melting Snow”, ink and color on paper, inscribed and sealed lower right, sealed mid left, 27 1/4 in. x 54 in., mounted and framed. $800/1200

576. Wan Ding (Chinese, b. 1955), “The Serenity of Lotus”, ink and color on paper, inscribed and sealed lower left, sight 26 1/4 in. x 52 3/4 in., framed. $600/800 Additional information at www.nealauction.com

578. (Detail) Wan Ding (Chinese, b. 1955), “Mountainous Landscape”, ink on paper, inscribed and sealed lower left, 33 1/2 in. x 77 1/4 in., mounted as a horizontal hanging scroll. $600/800 577. Wan Ding (Chinese, b. 1955), “Evening Landscape with House and Trees”, ink and color on paper, signed and sealed lower left, sight 38 3/4 in. x 38 3/4 in., framed. $600/800

579. Chinese Celadon Porcelain Tripod Censer, probably 20th c., bulbous body with carved floral decoration on three lion’s mask feet, h. 9 in., dia. 16 1/8 in. $500/1000

Provenance: Gift of the artist.

581. Chinese Peachbloom Glazed Porcelain Covered Jar, finialed domed cover, apple‑form body with liver red glaze turning to raspberry and pale green above the foot, h. 3 1/2 in., dia. 3 3/4 in. $350/450

580. Chinese Blue and White Porcelain Gu Vase, 19th c., decorated with cabbage, base with Kangxi mark, h. 9 7/8 in. $500/700

Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA.

582. Chinese Polychrome Porcelain Brush Pot, late 19th/early 20th c., decorated with dragons in pursuit of the flaming pearl, base with Guangxu mark, h. 4 1/2 in. $700/900

583. Pair of Chinese Famille Rose Porcelain Bowls, Guangxu mark and probably period (1875‑1908), decorated with rockwork issuing peonies, chrysanthemums, bamboo, trumpet vines, and gourds, h. 1 3/4 in., dia. 3 5/8 in. $200/300 584. Chinese Celadon Porcelain Shallow Bowl, 19th/20th c., covered overall in a bubble‑suffused sea foam green glaze, double foot ring, base with Guangxu mark, h. 1 7/8 in., dia. 7 1/8 in. $400/600

Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA.

585. Chinese Green Glazed Porcelain Bottle Vase, probably 19th c., tight crackle network overall, h. 4 5/8 in. $300/500

Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA.

586. Chinese Green Glazed Porcelain Covered Baluster Vase, Qing Dynasty (1644‑1911), overall rich iridescent green glaze suffused with a network of tight crackle, base with double ring mark, h. 16 in. $800/1200 589. Chinese Famille Rose Turquoise Ground Porcelain Jardinière and Stand, early 20th c., molded with flower sprays and flowering branches, four shaped feet, bases with Qianlong marks, overall h. 5 1/2 in., w. 6 1/2 in., d. 4 1/2 in (2 pcs.) $600/800

587. Chinese Green Glazed Porcelain Ruyi Scepter, probably early 20th c., l. 14 in., hung with tassels. $500/700 Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA

588. Chinese Pale Celadon Glazed Porcelain Baluster Vase, early‑to‑mid 20th c., molded with scrolling chrysanthemum sprays on a dimpled ground between bands of petal tips, h. 13 3/4 in. $200/300

590. Chinese Famille Rose Porcelain Miniature Hexagonal Jar and Cover, probably early 20th c., delicately potted and decorated with flowering branches, flower sprays and butterflies, base with Qianlong mark, h. 3 1/8 in. $300/500 Provenance: Baltimore Antiques Show, c. 2012

591 Chinese Famille Rose Porcelain Covered Jar, 20th c., decorated with a bird on rockwork amid chrysanthemums and bamboo, base with Hongxian mark, h. 8 1/2 in. $700/900 Additional information at www.nealauction.com

592. Chinese Famille Rose Porcelain Miniature Bottle Vase, probably Republic Period (1911‑1949), decorated with He Xiangu or Guanyin atop a fish in waves, inscribed and sealed, h. 3 1/4 in. $200/300

593. Chinese Grisaille and Umber Painted Porcelain Plaque, 20th c., decorated in the qianjiang‑style with a winter landscape, inscribed and sealed upper middle, sight 7 3/4 in. x 4 3/4 in., framed, overall 11 1/8 in. x 8 1/4 in. $400/600 Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA.

594. Three Chinese Creamy White Jade Openwork Figural Plaques, incl. rectangular, 2 1/4 in. x 3 1/4 in.; oval, 2 7/8 in. x 2 3/8 in.; and shaped, 3 in. x 2 5/8 in.; together with an apple green and white jadeite ruyi‑form plaque, 2 5/8 in. x 3 1/4 in. (4 pcs.) $1000/1500

597. Chinese White Jade Pendant and Fondling Piece, first carved with pairs of phoenix and ducks, 2 3/4 in. x 1 7/8 in.; other as two carp on a lotus leaf, 2 1/4 in. x 1 1/2 in. $600/800

595. Three Chinese White and Celadon Jade Openwork Plaques, incl. white rectangular, carved with bird and prunus, 2 in. x 2 3/8 in.; white oval, with a boy above a dragon‑fish, 2 1/2 in. x 1 3/4 in.; and celadon rectangular, with figures and bat amid scrollwork and foliage, 2 1/8 in. x 3 in. $1800/2500

598. Chinese Green and Russet Jade Pendant, probably early 20th c., carved as a double gourd on leafy branches surmounted by a dragon and a lingzhi spray, h. 3 in., w. 1 3/4 in., suspended from jadeite beads and cord. $300/500

600. Chinese Green and Russet Jade Brushwasher, 20th c., carved as a large incurvate lotus leaf borne on a leafy tendril with 5 boys clambering up the sides, h. 3 in., w. 9 1/4 in. $800/1200

596. Chinese White and Russet Jade Openwork Pendant, Qing Dynasty (1644‑1911), carved with a recumbent deer beside a bamboo shoot beneath flowering prunus branches, h. 2 3/4 in., w. 1 3/4 in. $800/1200

599. Chinese Hardstone Covered Tripod Censer, early 20th c., cover surmounted by a Buddhist lion and pup playing with a ball above 3 mask handles, body with lion’s mask handles and feet, h. 8 3/8 in., w. 8 3/8 in. $1000/1500

601. Chinese Jadeite Pendant, pierced top carved as a moth, body with incised decoration, h. 2 1/4 in., w. 1 3/8 in. $200/300

Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA.

602. Chinese White Jade Guanyin, carved holding a ruyi scepter and wearing long robes and a celestial scarf, h. 2 1/4 in. $300/500

603. Chinese White Jade Budai, carved carrying a lingzhi spray in one hand a string of beads in the other, h. 3 in. $800/1200 604. Chinese Green and White Jadeite Qilong and Gourd Group, 19th c., carved as gourd borne on leafy vines bearing smaller gourds and surmounted by a qilong, l. 3 in. $1000/1500 605. Chinese Mottled Green, White and Russet Jadeite Figure of a Qilin, 20th c., carved in a striding stance with its head turned toward its back side, h. 6 5/8 in., w. 5 3/4 in., mounted to a wood stand, overall h. 8 in., w. 6 1/2 in. $600/800

Provenance: Charles & Co., the Plaza, NY, June 1980; Estate of Stephen G. Henry, Jr., Baton Rouge, LA.

606. Five Chinese Jadeite Figures of Animals, 20th c., incl. 3 Buddhist lions, 1 rat with lingzhi, and 1 water buffalo, l. 1 1/4 in. to 1 3/4 in. $400/600 607. Chinese Rose Quartz Guanyin, early 20th c., carved standing with a ruyi scepter in her arms, h. 12 1/8 in., mounted to a green adventurine quartz base, overall h. 13 1/2 in. $600/800

608. Chinese Gilt and Patinated Bronze Luohan, 20th c., modeled seated on a long table wearing long loose robes and a serene expression, reverse with Yongle mark, h. 15 1/4 in., w. 15 7/8 in., d. 5 1/2 in. $1000/1500

610. Chinese Silvered Metal Covered Censer, 20th c., modeled as a covered tripod ding with three crane handles and feet supported on a double‑headed dragon turtle, ding with Qing mark, h. 11 1/2 in., w. 8 1/4 in. $500/700

609. Chinese Silvered Metal Horse, 20th c., modeled recumbent wearing a harness and saddle, base with Xuande mark, h. 4 1/2 in., w. 10 3/4 in. $600/800

612. Large Chinese Cloisonné Enamel Elephant on Stand, early‑to‑mid 20th c., caparisoned figure modeled standing on a separate galleried and columned rectangular plinth with a vase on its back, h. 28 in., w. 21 in., d. 10 1/4 in. $400/600 Provenance: New Orleans Collector.

613. Large Chinese Brass‑Mounted Cloisonné Enamel Jardinière, 20th c., banded mouth, Buddhist lion mask and loose ring handles, decorated with cranes amid prunus, pine, rocks and flower sprays, h. 14 in., w. 21 1/2 in. $200/300

611. Chinese Enamel Decorated Metal Hanging Mirror, late 19th/early 20th c., rounded mirror back and lingzhi‑pendant decorated with the Eight Immortals in a landscape above egrets in a lotus pond, h. (incl. hanger) 15 1/2 in., w. 7 7/8 in. $600/800

614. Pair of Chinese Painted Wood Pagoda‑Form Lanterns, exterior in burnished gilt, interior in cinnabar red, h. 18 1/2 in., w. 9 1/2 in., d. 9 1/2 in., mounted as lamps. $500/700 Additional information at www.nealauction.com

615. Two Chinese Hardwood Display Stands, each with square top and low shelf, h. 15 1/2 in. and 16 7/8 in., w. 7 5/8 in. and 8 1/4 in., d. 7 5/8 in. and 8 1/4 in. $300/500

616. Twenty‑Four Chinese Carved Wood Display Stands and Covers, various shapes, variously carved, together with a Japanese hardwood low table, h. 11 1/8 in., w. 19 in., d. 10 1/4 in (25 pcs.) $200/300 Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA.

Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA.

619. Chinese Mottled Orange and Green Moss Agate Snuff Bottle, 1800‑1850, h. 2 5/8 in. $400/600

620. Chinese Fossiliferous Limestone Snuff Bottle, 1820‑1880, h. 2 3/4 in. $800/1200

624. Chinese Aventurine Splashed Blue Glass Snuff Bottle, 18th c., h. 1 1/4 in. $600/800

625. Chinese Realgar Splashed Black Glass Snuff Bottle, 1750‑1820, h. 2 7/8 in. $800/1200

629. Chinese Famille Rose Porcelain Snuff Bottle, early 20th c., decorated with insect and flower panels, base with Hongxian mark, h. 2 7/8 in. $400/600

630. Chinese Blue and White Porcelain Snuff Bottle, 1800‑1850, decorated with stylized dragons and scrollwork, h. 2 3/4 in. $400/600

621. Chinese Gray Puddingstone Snuff Bottle, 1800‑1850, h. 2 1/2 in. $1000/1200

617. Chinese Banded Agate Snuff Bottle, 1780‑1850, h. 2 3/8 in. $400/600

622. Chinese Rock Crystal Snuff Bottle, 1780‑1850, carved overall with a basket‑weave design, h. 2 7/8 in. $1500/2500

626. Chinese “Imitation Coral” Glass Snuff Bottle, 1870‑1880, carved with a dragon and phoenix, h. 2 1/2 in. $400/600

631. Chinese Canton Enamel Snuff Bottle, 19th c., decorated with a male and female in a landscape, base with Qianlong mark, h. 2 1/4 in. $800/1200

618. Chinese Celadon and Russet Jade Snuff Bottle, 1780‑1850, carved as two gourds borne on a leafy vine, h. 1 3/4 in., w. 2 1/4 in. $1000/1500

627. Chinese Cinnabar‑Red Overlay Turquoise‑Blue Glass Snuff Bottle, 1820‑1850, carved with lotus leaves, flowers and pods h. 3 in. $600/800

632. Sino‑Mongolian or Tibetan Silver Metal Snuff Bottle, 1850‑1900, relief‑modeled with dragons, Buddhist lion mask‑loose ring handles, h. 3 in. $400/600

623. Chinese Ruby‑Red and Aventurine Splashed, Bubble‑ Suffused Pale Blue Glass Snuff Bottle, 1750‑1870, h. 2 3/4 in. $1000/1500

628. Chinese Four Color Overlay White Glass Snuff Bottle, 1750‑1820, carved with a bat and butterfly amid flowers, h. 2 1/4 in. $600/800

633. Sino‑Mongolian or Tibetan Turquoise and Coral Inset Silver Snuff Bottle, 1860‑1900, relief‑modeled with Buddhist emblems, h. 2 3/4 in. $600/800

Session Two Sunday, May 20, 11 am 3923 Carondelet

Additional information at www.nealauction.com

634. Luis Cruz Azaceta (Cuban/New Orleans, b. 1942), “Millennium”, color lithograph, signed in plate lower right, pencil‑titled and numbered “33/240” lower margin, sight 19 3/4 in. x 25 3/4 in., framed. $300/500

635. Arts and Crafts Oak Joint Stool in the Elizabethan Taste, attr. to Liberty & Co., London, triangular plank top, turned and incised moldings, legs and stretchers, h. 19 1/2 in., w. 20 1/2 in., d. 18 in. $100/200

636. Pair of Arts and Crafts Carved Oak Long Benches, early 20th c., shaped handles, dentilated seat rail, trestle base, shaped stretcher, h. 22 in., w. 54 in., d. 16 in. $800/1200

639. George Valentine Dureau (American/New Orleans, 1930‑1914), “Three Figures”, graphite on paper, signed lower center, incomplete pencil study en verso, sheet 30 in. x 20 in., unframed. $100/200

637. Alberta Kinsey (American/New Orleans, 1875‑1952), “The Artist’s Courtyard, Old French Quarter New Orleans”, oil on canvas board, signed lower left, titled on backing paper, 14 in. x 11 in., framed. $700/1000

640. Joanna Zjawinska (Polish/California, b. 1950), “Bella and Hugo”, oil on canvas, signed lower left, 36 in. x 36 in., unframed. $400/600

638. Adolph Kronengold (American/New Orleans, 1900‑1986), “Pirate’s Alley, French Quarter”, watercolor on paper, signed lower right, sight 14 1/4 in. x 10 3/4 in., framed. $600/800 642. Newcomb College Art Pottery Exhibition Poster, Newcomb Pottery “An Enterprise for Southern Women”, exhibition poster produced by the Smithsonian Institution, 1984, 33 in. x 18 in., unframed; together with Sister Gertrude Morgan “Tools of Her Ministry” exhibition poster produced by the New Orleans Museum of Art, 2005, sight 24 1/2 in. x 24 1/2 in., framed. $100/150

643. George Schmidt (American/ New Orleans, b. 1944), “The Annunciation”, 1999, color monotype on paper, pencil-signed, titled, dated and numbered “1/1” lower margin, sight 13 in. x 10 1/4 in., framed. $250/350

641. Ted Larson (American/Santa Fe, b. 1956), “Landscape”, pastel on paper, unsigned, “Waxlander Gallery Santa Fe” label with artist and title en verso, 30 in. x 44 in., framed. $800/1200

644. Don Wright (American/Louisiana, 1938‑2007), “Clementine Hunter ‑ Gilley’s Gallery”, 1982, color screen print, pencil‑signed, dated, numbered “22/90” and pencil‑monogrammed by Clementine Hunter lower margin, 23 1/2 in. x 16 1/2 in., unframed. $100/150

645. Pair of Antique Engravings of Egyptian Monuments, “Thebes A. Vol. II plate 36”, and “Thebes A. Vol. II plate 81”, from Descrition de L’Egypte, published by Imprimeire Imperial, Paris, 1809‑1829, sights 23 1/2 in. x 17 1/2 in. and 17 1/2 in. x 23 1/2 in., framed alike. (2 pcs.) $200/300

646. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Madame John’s Legacy, 632 Dumaine St. (Boyer 45)”, “Tinsmith Shop II, 612 Royal St. (Boyer 91, fig. 21)” and “Courtyard with Pigeons, Cabildo (Boyer 18)”, 3 etchings on paper, each initialed “E.W.” in plate, 7 1/2 in. x 9 3/4 in. to 9 3/4 in. x 8 in., unframed. (3 pcs.) $700/900

647. George Bellows (American/New York, 1882‑1925), “Prayer Meeting, No. 2 (Mason 14)”, 1916, lithograph, pencil‑signed and inscribed “E.S.B.” by artist’s widow lower right, numbered “No. 29” lower left, 18 1/4 in. x 22 in., framed. $700/1000

648. Douglas Bourgeois (American/ Louisiana, b. 1951), “Torch”, 2009, and “Warrior”, 2012, 2 linocut prints on paper, each pencil‑signed, titled, dated and numbered “3/63” and “99/100” respectively lower margin, 10 in. x 8 in. and 5 3/4 in. x 4 in., both framed. (2 pcs.) $200/400 649. Robert Gordy (American/Louisiana, 1933‑1986), “Golden Days”, 1970, silkscreen, pencil‑signed and numbered “8/100” lower margin., sight 28 in. x 20 in., framed. $400/600

650. George Valentine Dureau (American/ New Orleans, 1930‑2014), “Mardi Gras, New Orleans: A Carnival Bestiary”, 1979, silkscreen on paper, pencil‑signed and numbered lower margin, sight 34 in. x 22 in., framed. $300/500

651. Xavier de Callatay (Belgian, 1932‑1999), “Le Parade”, “Quai à la Nouvelle Orléans” and “Quai à la Nouvelle Orléans”, 3 woodblock prints on paper, each pencil‑signed, titled and numbered “36/50”, “13/50” and “20/50” respectively, each sight 13 in. x 10 in., matted. $300/500

652. Shearwater Art Pottery Vase, c. 1940, thrown by Peter Anderson, double alkaline blue and brown glaze in the “rain” design, impressed stamp on base, h. 6 1/4 in., dia. 5 in. $300/500

655. Shearwater Art Pottery Cast Plantation Wine Bottle with Lid, 2012, design after Walter Inglis Anderson, heavy slip in a variety of colors, impressed stamp and date on base, h. 13 1/2 in., dia. 5 1/4 in. $150/250

654. American Ceramic “Zero Man” Cookie Jar by Peter Max (b. 1937), copyright Peter Max 1989, h. 8 1/4 in., w. 8 in., d. 4 in. $400/600

653. American Glazed Ceramic Architectural Cookie Jar by Stanley Tigerman (b. 1930) and Margaret McCurry (b. 1943), 1987, for Swid Powell, h. 9 3/4 in., w. 6 1/4 in., d. 6 1/4 in. $300/500 656. American Raku Art Pottery Vessel, signed “Lana” probably for Lana Kessler (New Jersy, b. 1940), flattened pot‑form with incised and applied geometric shapes, h. 5 1/8 in., w. 7 1/4 in. $100/150

657A. Babet Bailey (American/Texas, 20th c.), “Seated Woman”, painted plaster, signature and “12/50” inscribed on proper right shin, h. 10 3/4 in., w. 5 1/2 in., d. 8 in. $250/350

657. Pacific Northwest Coast Haida or Tlingit Polychrome Painted Bentwood Box and Cover, kerfed construction with closure side tied with strings, stylized fish decoration, h. 2 7/8 in., w. 4 1/4 in., d. 2 1/8 in. $200/400 Provenance: New Orleans Antiquarian.

Additional information at www.nealauction.com

658. Set of Six Tiffany‑Style Leaded Glass Panels, h. 77 in., w. 21 1/2 in. $500/700

659. American Renaissance Carved Rosewood Low Table, mid‑19th c., Carrara marble top, strapwork carved frieze, reclining figural supports, acanthus scrolls, blocked stepped bases, flattened scroll feet, h. 20 in., w. 46 1/2 in., d. 35 1/2 in. $300/500

660. American Rococo Carved and Burled Walnut Tester Bed, mid‑19th c., molded tester, paneled headboard with palmette crest, shaped posts, conforming foot board, h. 107 in., l. 77 in., w. 57 1/2 in. $1200/1800

661. Pair of Continental Neoclassical‑Style Bronze‑Mounted Mahogany and Burled Wood Commodes, inset marble tops, two drawers, chamfered stiles, tapered legs, brass cuff casters, h. 32 1/2 in., w. 36 1/2 in., d. 20 1/2 in. $1500/2500

662. Pair of Arts and Crafts Oak Side Tables, 20th c., stepped tops with dentil molded edges, splayed legs, stretcher shelf base, h. 23 1/2 in., w. 26 1/2 in., d. 18 1/2 in. $700/900

664. Jan Gilbert (American/New Orleans, 20th c.), “Biography of a Ball Player”, 1997, serigraph, pencil‑signed, dated and numbered “5/300” lower margin, published for the New Orleans Contemporary Arts Center’s Century Club, sight 17 1/2 in. x 34 in., framed. $200/300

665. Ruth Kerkovius (Latvian/American, 1921‑2007), “City Ledge”, etching, pencil‑signed, titled and numbered “18/50” lower margin, sight 20 1/2 in. x 22 1/4 in., framed. $200/300

663 Rick Brunner (American/Louisiana, b. 1954), “Bearing the Beauty”, 2002, wood, metal and pigment, signed, titled, dated and “Brunner Gallery” label en verso, h. 85 in., w. 32 in., d. 6 in. $600/800

666. Nine Vintage Furniture Renderings, 4 photos and 5 drawings, sights 6 in. x 8 in. to 11 in. x 13 3/4 in., framed alike, one without glass. (9 pcs.) $300/500

667. Aldo Tura Lacquered Parchment Bar Cart , c. 1971, marked with “Tura, Milano, Italia” label, gilt brass gallery, wheels with rubber tires, h. 30 1/2 in., w. 33 in., d. 15 1/2 in. $800/1200

669. Hans Wegner Papa Bear Chair and Ottoman, c. 1965, A.P. Stolen, Denmark, Danish Control tag to underside of ottoman, teak and upholstery, chair h. 38 1/2 in., w. 35 in., d. 32 in., ottoman h. 15 1/2 in., w. 27 1/2 in., d. 16 in. $6000/9000

668. Christopher Maier (American/New Orleans, 1956‑2004) “Che Guevara” Inlaid Cabinet , h. 48 in., w. 24 in., d. 16 in. $1200/1800 671. Paul McCobb Perimeter Group Extension Dining Table and Chairs, table with two leaves, one armchair and 3 sides, table h. 29 3/8 in., l. (closed) 66 in., l. (extended) 96 in., w. 37 in.; armchair h. 34 1/2 in., w. 23 1/2 in., d. 19 1/4 in.; side chair h. 34 1/2 in., w. 17 1/2 in., d. 17 3/4 in. $700/1000

670. Memphis-Style Table Lamp, c. 1987, Dickie series, by Casella Lighting, CA, enameled metal, swing arm, h. 19 1 ¼ in $500/700 672. Art Moderne Mahogany and Mirrored Commode, fitted with etched mirror plate, three drawers, flared legs, h. 34 in., w. 38 in., d. 19 in. $600/800

673. Italian Neoclassical‑Style Polychrome Painted Commode, 20th c., shaped molded top, conforming case with two drawers painted with classical busts, serpentine apron, cabriole legs, h. 31 1/4 in., w. 43 1/4 in., d. 21 in. $800/1200

675. Ettore Sottsass Enorme Phone, c. 1986, designed in Italy. $300/500 676. George Nelson for Herman Miller Maple Slat “Platform” Bench, designed 1946, h. 14 in., w. 72 1/2 in., d. 18 3/4 in., with custom cushion, overall h. 17 in. Note: Later paint around rim, crack on rail. $400/600

677. Six Contemporary Domitalia Dining Chairs, labeled “Domitalia Spa”, upholstered back and seat, chrome base, incl. four black and two red, h. 39 1/4 in., w. 16 3/4 in., d. 18 in. $400/600 674. Paul McCobb Perimeter Group Buffet with Hutch , h. 67 1/4 in., w. 48 in., d. 18 in. $600/900 Additional information at www.nealauction.com

678. Pair of Cy Mann Lounge Chairs, padded backs and arms, chrome frame, h. 26 3/4 in., w. 29 1/4 in., d. 32 in. $600/800

679. George III‑Style Painted Satinwood Demilune Cabinet, frieze drawer, floral motifs, conforming cabinet door, turned and tapered legs, h. 31 in., w. 26 in., d. 15 in. $400/600 681. Antique Italian Paint‑Decorated Baldachin, serpentine form centered by a foliate crest, whole with old blue and green paint, h. 38 3/4 in., w. 51 in., d. 38 1/2 in. $250/350

680. Adam‑Style Painted Satinwood Occasional Table, 20th c., oval top, conforming frieze, tapered legs, shaped stretcher, h. 29 in., w. 18 in., d. 15 in. $200/400

682. Pair of Antique Italian Baroque‑Style Inlaid Walnut Petite Commodes, incurvate top, two conforming drawers, molded base, flared bracket feet, h. 22 in., w. 24 in., d. 12 3/8 in. $800/1200 683. Palmer Schoppe (American/California, 1912‑2001), “’Speriences Meetin’”, lithograph, pencil‑signed, titled and numbered “4/25” lower margin, 13 in. x 9 3/4 in., matted. $300/500 684. Louis XV‑Style Bronze‑Mounted Rosewood Poudreuse, probably early 20th c., serpentine hinged lid, mirrored fitted interior, drawer below, cabriole legs, sabots. $500/800

685. Venetian Carved, Painted and Parcel Gilt Bed, shaped head board surmounted by a shell, classical reserve, flanking bracket shelves, conforming foot board, cabriole legs, h. 61 in., l. 76 in., w. 40 in. $600/800

Provenance: Estates of Jane and Stewart Maunsell, New Orleans.

686. Italian Terracotta Figural Bench, paired sphinx ends on molded bases, associated wood slat back and seat, h. 40 1/2 in., w. 88 in., d. 32 in. $2000/3000

687. Pair of Egyptian‑Style Gilt and Polychrome Painted Figures, Classical pose holding glass trays, plinth bases, h. h. 44 1/2 in., w. 11 in., d. 16 in. $1000/1500

689. Antique Italian Parquetry and Rosewood Table, extensively inlaid top, scrolled brackets, turned legs, stretcher shelf with carved apron, crystal ball and brass claw feet, h. 30 1/2 in., w. 28 in., d. 28 in, h. 30 1/4 in., w. 27 3/4 in., d. 27 3/4 in. $600/800 690. Napoleon III Boullework Pedestal, late 19th c., inset marble top, tapered standard, stepped base, bracket feet. $1200/1800

688. Louis XVI‑Style Parquetry and Gilt-Mounted Music Cabinet, brass galleried superstructure, frieze drawer, shaped dividers, lower doors, shelf interior, turned fluted and tapered legs, h. 51 1/2 in., w. 22 in., d. 14 in. $800/1200

692. Italian Renaissance Carved Walnut Cupboard, 18th c., upper case with molded cornice and paneled doors, conforming lower case with frieze drawers over door, paw feet, h. 62 in., w. 28 in., d. 18 in. $1200/2000

691. Italian Renaissance Carved Oak Table, late 18th/early 19th c., octagonal top, conforming frieze, scrolled acanthus supports with paw feet, conforming molded plinth base, h. 28 1/4 in., w. 33 1/4 in., d. 29 in. $700/900

693. Antique Dutch Carved Mahogany Lowboy, serpentine top with carved floral accents, conforming frieze drawer over small drawer, scalloped apron, cabriole legs, ball and claw feet, h. 29 in., w. 30 in., d. 19 in. $500/750

696. Antique Portuguese Colonial‑Style Carved Rosewood Armchair, 19th c., arched back, foliate scrolled arms, turned and blocked legs, scrolled stretchers, Spanish feet, tooled leather upholstery, brass nail head trim. $800/1200

694. Antique Italian Neoclassical‑Style Paint-Decorated Three Panel Screen, arched reeded foliate frame, floral canvas panels, silk backing, h. 68 in., w. 66 in. $1200/1800

695. Louis XVI‑Style Brass Inlaid Mahogany Drum End Table, 19th c., mirrored galleried top, outset fluted columnar supports, three drawers, conforming stretcher shelf, toupie feet. $800/1200

697. Large Italian Renaissance‑Style Carved and Ebonized Credenza, 19th c., foliate carved shaped top, conforming case, frieze drawers over paneled doors centered by Classical masks, shelf interior, h. 45 in., w. 74 1/2 in., d. 28 in. $1500/2500

698. Benedict Masson (French, 1819‑1893), “Woman with Children”, oil on canvas, signed lower left, 26 in. x 21 1/2 in., framed. $700/1000 Provenance: Estate of Jane and Stewart Maunsell.

Additional information at www.nealauction.com

699. Manner of Francois Boucher (French, 1703‑1770), “Blind Man’s Bluff”, oil on canvas, unsigned, 26 1/2 in. x 26 1/2 in., gilt frame. $600/900 Provenance: Estate of Jane and Stewart Maunsell.

700. Continental School, 19th c., “Still Lifes with Flowers”, 2 oils on panel, each unsigned, “G & W Gallery & Watercolors, N.O., LA” stamps on backing papers, both 15 7/8 in. x 11 3/4 in., framed alike. (2 pcs.) $400/600

701. French School, 19th c., “Dans La Foret de Fontainebleau”, oil on board, unsigned, 10 1/2 in. x 8 3/4 in., framed with title plaque. $300/500

703. Continental School, 19th c., “Riders at an Oasis”, oil on panel, unsigned, 9 3/4 in. x 16 3/4 in., framed. $600/800

702. French School, late 19th c., “Family at Worship”, oil on canvas, unsigned, “A Paris / Donnet / Fabt. / 4, Quai des Orfevres, 4 / De Toiles pour Tableaux” canvas stamp en verso, 21 1/2 in. x 25 1/2 in., period frame. $600/800

705. Antique Continental Gilt and Polychrome Porcelain Lamp, columnar standard, tripartite base, paw feet, electrified, h. to socket 28 in. $500/700

Provenance: Estate of Jane and Stewart Maunsell.

704. Pair of Decorative Two Light Sconces, 20th c., each with chinoiserie backplate, h. 21 in., w. 10 1/2 in., d. 6 1/4 in. $300/500

706. Pair of Sevres‑Style Polychrome and Gilt Porcelain Urns, c. 1900, now mounted as lamps, h. to finial 34 1/2 in. $1000/1500

707. Edwardian Painted Satinwood Slant-Front Desk, early 20th c., fall front, fitted interior, frieze drawer, tapered legs, spade feet. $800/1200 708. Pair of Georgian‑Style Carved Mahogany Armchairs, scrolled crest rail, pierced splat, shaped scrolled arms, trapezoidal seat, foliate carved arms, trapezoidal seat, foliate carved cabriole legs, ball and claw feet, h. 42 in., w. 29 1/2 in., d. 24 in. $400/600

709. Italian Carved Walnut Settee, 18th c., serpentine crest rail, outscrolled arms, serpentine apron, cabriole legs, h. 41 in., w. 74 in., d. 22 in. $700/1000 710. Empire‑Style Bronze‑Mounted Mahogany Mirrored Armoire, shaped crest, urn finials, blocked frieze, beveled mirror plate flanked by fluted columnar stiles, silk‑lined shelf interior, lower drawer, toupie feet, brass cuffs, h. 92 3/4 in., w. 37 in., d. 19 in. $700/1000 Provenance: 1531 Exposition Blvd., New Orleans, LA.

711 Napoleon III Bronze‑Mounted Parquetry Parlor Cabinet, late 19th c., shaped marble top, conforming case with two glazed doors, shelf interior, caryatid‑mounted stiles, plinth base, lobed feet, h. 34 1/2 in., w. 47 in., d. 18 3/4 in. $800/1200

712. French Provincial Carved Oak Commode, 18th c., three paneled drawers, cabriole legs, paw feet, h. 36 in., w. 51 in., d. 25 in. $1500/2000

Provenance: Estate of Jane and Stewart Maunsell.

714. Antique Dutch Marquetry Two‑Piece Bedroom Suite, 19th c., incl. sleigh bed and mirrored dresser, dresser with arched mirrored scroll supports with candle sconces, superstructure of drawers over four long drawers, molded base, bracket feet, bed h. 43 in., l. 76 1/2 in., w. 53 1/2 in.; chest h. (overall) 81 in., w. 46 in., d. 21 in.; mirror h. 23 in., w. 31 in. $1500/2500 713. Continental Bronze‑Mounted Mahogany Concertina Games Table, foldover baize-lined top, blocked frieze, tapered legs, brass cuffs, h. 30 1/4 in., w. 32 in., d. (open) 32 1/4 in., d. (closed) 16 1/4 in. $700/1000 715. Louis XV‑Style Bronze‑Mounted Parquetry Lady’s Writing Desk, superstructure surmounted by a bronze gallery over two cartonnier drawers, shaped rosewood backsplash, pull‑out inset leather writing surface, frieze drawer, serpentine apron, flared legs, sabots, h. 38 in., w. 30 in., d. 21 in. $1000/1500

716. Pair of Louis XVI‑Style Kingwood Semainiers, early 20th c., marble tops, seven banded drawers, cabriole legs, h. 48 in., w. 16 1/2 in., d. 12 1/4 in. $700/900

Additional information at www.nealauction.com

717. Antique Venetian Polychromed and Lacca Contraffatta Secretary Desk, early 19th c., double dome cornice, mirrored doors, shelf interior, slant front enclosing fitted interior, two over two drawers, molded base, bracket feet, h. 79 3/4 in., w. 31 1/4 in., d. 21 in. $2000/3000

718. Continental Highly Carved and Parcel Gilt Hardwood Bedstead, cornucopia carved headboard centered by a crown and heraldic shield, spiral-turned posts, blocked at base, conforming rails, low post feet. $800/1200

719. Antique French Carved and Painted Buffet, faux marbre top, three drawers flanked by doors, shelf interior, cabriole legs, h. 40 in., w. 86 in., d. 20 1/2 in. $800/1200

720. Antique French Empire‑Style Bronze‑Mounted Mahogany Console, later molded top, frieze drawer, columnar supports, mirrored back, shaped plinth, disc feet, h. 36 in., w. 51 1/2 in., d. 18 1/2 in. $1500/2000

722. Pair of Sèvres‑Style Polychrome and Gilt Porcelain Urns, late 19th/early 20th c., folaite scroll handles, decorated with amorous couples on a “rose pompadour” ground strewn with flower sprays, h. 11 1/2 in., mounted as lamps, h. (incl. finial) 27 in. $1200/1500

721. Louis XV‑Style Bronze‑Mounted Parquetry Bombé Commode, 20th c., shaped variegated marble top, conforming case with three drawers, serpentine apron, flared legs, sabots, h. 34 1/4 in., w. 48 in., d. 22 in. $1200/1800

723 Fine Art Nouveau Gilt and Patinated Bronze Urn Lamp, 19th c., foliate handles and collar, h. (to socket) 24 in. $800/1200

724. Near Pair of Beaux Arts Bronze and Marble Three‑Light Bouillotte Lamps, 19th c., floral basket standard, garland‑mounted bases, electrified, h. 27 in. $1200/1500

725. Roman‑Style Cast Stone Fountain in the Manner of the “Antique”, open column, lion’s head spout, demilune basin, molded base, h. 46 in., w. 15 in., d. 22 1/2 in. $800/1200

727. Léo Laporte‑Blairsy (French, 1865‑1923), “Allegory of Drama”, bronze, cast signature “Leo” and Golin foundry mark, h. 9 1/4 in. $300/500

726. Pair of Bronze Marly Horses, after the originals by Guillaume Coustou, one with signature inscribed on self‑base, heights 15 in. $1000/1500 728. Continental Bronze Figure of Andre Vesale, after the original by Emile Louis Picault, “France” stamp and inscribed signature on self‑base, h. 21 1/2 in., w. 7 1/4 in., d. 6 in., marble base, overall h. 23 3/4 in. $500/700

729. Continental Bronze Figure of “Jeanne D’Arc”, after the original by Eugene Laurent, inscribed signature and title plaque on self‑base, h. 15 3/4 in., w. 5 3/4 in., d. 5 1/2 in. $300/500

731. Antique Louis XV‑Style Giltwood Mirror, shaped mirror plate within a rocaille frame, h. 73 in., w. 49 1/2 in. $500/1000 Provenance: Estate of Mina Anne Graning Stowers, the Banker’s House, Natchez, MS. 730. Monumental Louis XVI‑Style Gilt Trumeau Mirror, 19th c., molded cornice, Classical reserve with bowknot, mirror plate surmounted by acanthus and floral swags, rope‑molded surround, h. 105 in., w. 45 in. $3000/5000

732. Art Deco Patinated Metal, Marble and Onyx Figural Mantel Clock, early 20th c., striking bell movement marked “EXACT”, case curmounted by a tiger, h. 15 1/4 in., w. 23 1/4 in., d. 7 1/4 in. $1000/1500

733. Pair of Beaux Arts Molded and Cut Glass Basket-Form Sconces, with bunches of grapes and foliage, single light, h. 14 in., w. 7 in., d. 4 in. $400/600 734. Empire‑Style Bronze and Crystal Figural Five‑Light Candelabra, late 19th c., opposing maidens holding urns, issuing foliate candlearms, fluted glass plinth, h. 27 in., dia. 11 in. $1200/1800

735 Murano Glass Six‑Light Chandelier, smoked glass with applied pink flowers and green leaves, h. 37 in. $1500/2500 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

Additional information at www.nealauction.com

736. Murano Glass Eight‑Light Chandelier, twist‑form standard and arms, foliate stems and flowers in pale blue and pink, electrified, h. 33 in., dia. 39 in. $1000/1500 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

738. Bronze Figural Group of a Child Standing with a Woman on Horseback, after “Amazon’s Farewell” by Hermann Haase, signature inscribed and Gladenback foundry stamp on self‑base, h. 15 3/4 in., w. 17 in., d. 5 1/4 in. $700/1000

737. Verdigris Patinated Bronze Figural Fountain, modeled as three youths straddling one another, intrinsic base illegibly inscribed, h. 65 in., w. 26 in., d. 25 1/2 in. $2000/3000

739. Verdigris Patinated Bronze and Metal Figure of a Standing Fisherman, inscribed “Stockman” on self‑base, h. 47 1/2 in. $800/1200

740. Polychrome Bronze Bust of a Harlequin, “A. Grant #3” inscribed under shoulder, h. 18 in., w. 12 in., d. 10 in. $500/750

741. Cast Stone Torso of a Roman, h. 26 in., metal stand, overall h. 39 1/2 in. $800/1200

742. Small Antique Italian Rococo Carved and Painted Mirror, h. 38 in., w. 17 1/2 in. $800/1200

743. Empire‑Style Bronze‑Mounted Mahogany Pier Table, mid‑20th c., molded top, frieze drawer, columnar supports, lower mirror plate, shaped plinth, ball feet, h. 36 in., w. 52 in., d. 19 in. $1000/1500 744. Venetian Rococo‑Style Carved and Painted Bombé Commode, shaped top, conforming case with three drawers, reticulated apron, cabriole legs, scrolled toes, h. 34 in., w. 51 in., d. 23 in. $1500/2000

745. Italian Rococo‑Style Painted and Parcel Gilt Console and Mirror, foliate and scrolled decoration, console h. 31 in., w. 32 in., d. 9 in.; mirror h. 27 in., w. 19 1/2 in. $300/500

746. American Egyptianesque Faux Stone Pedestal, c. 1920, painted with various Egyptian hieroglyphic motifs, h. 35 in., w. 13 3/4 in., w. 13 3/4 in. $200/400

747 Antique English Black Lacquered Papier‑Mâché Tilt‑Top Table, scalloped top with gilt chinoiserie decoration, turned standard, conforming base, h. 27 in., w. 23 1/4 in., d. 19 in. $300/400

748. Three Modern Gothic Ebonized Chairs, late 19th c., after a design by E.W. Godwin (1833‑1886), incl. armchair and two side chairs, button tufted backs with reticulated rail, bracketed stiles, lion’s mask arm terminals, shaped seat rail, paw feet, armchair h. 36 1/2 in., w. 31 1/2 in., d. 30 1/4 in., side chair h. 31 3/4 in., w. 23 1/4 in., d. 22 in. $500/700

749. Monumental Elizabethan‑Style Carved Oak Refectory Table, late 19th c., banded extension top in three sections, rosette carved frieze, bulbous vasiform turned legs, stepped stretcher base, turned feet, approx. l. (extended) 156 in. $800/1200 751. French Provincial Carved Walnut Bonnetière, molded cornice, frieze with scrolled foliate decoration, paneled doors, serpentine apron, cabriole legs, scrolled toes, h. 73 3/4 in., w. 33 1/4 in., d. 20 1/4 in. $700/900

750. Louis XV‑Style Carved Oak Buffet Bas, shaped top, open compartment, paneled doors, cabriole legs, h. 39 1/2 in., w. 56 1/2 in., d. 18 1/4 in. $500/1000

752. American Aesthetic Maple Faux Bamboo Pier Mirror, late 19th c., plinth base, h. 82 in., w. 31 3/4 in., d. 13 in. $800/1200

753. Large Continental Verdigris Patinated Bronze Jardinière, 20th c., putto standard, h. 46 in., dia. 22 in. $1200/1800

755. Antique French Vernis Martin Bracket Clock, Vincenti & Cie. movement, dial marked “G. Billian/Zurich”, bronze‑mounted case and bracket, painted with courting couple and floral sprays, h. 20 1/2 in., w. 8 1/4 in., d. 5 3/4 in. $800/1200

754. American Rococo Carved Rosewood Grained Étagère, mid-19th c., possibly Mitchell and Rammelsberg, scrolled crest carved with fruit and nuts, mirror flanked by shaped graduated shelves on S scrolled and dolphin carved supports, serpentine marble top, frieze drawer with cabochon and foliage, cabriole legs, casters, h. 99 in., w. 57 1/2 in., d. 23 in. $5000/7000

756. Antique French Porcelain‑ Mounted Gilt Metal Mantel Clock, 19th c., Japy Freres movement, dial flanked by winged terms holding urns, case inset with Sèvres‑style plaques, h. 21 3/4 in., w. 10 3/4 in., d. 6 3/4 in. $800/1200 757. American Classical Mahogany Pier Table, early 19th c., marble top, foliate frieze, Corinthian column supports, mirror back flanked by pilasters, shaped acanthus feet, h. 38 in., w. 44 in., d. 22 3/8 in. $1200/1800 Provenance: Didier, Inc., New Orleans.

Additional information at www.nealauction.com

758. Pair of American Renaissance Carved Walnut Armchairs, late 19th c., barley-twist supports, antique plush velvet upholstery and braided fringe, h. 51 in., w. 24 1/2 in., d. 20 1/4 in. $800/1200

759 Regency Inlaid Mahogany Games Table, early 19th c., foldover top, baize‑lined playing surface, turned supports, sabre legs, brass paw feet, casters, h. 29 1/2 in., w. 36 in., d. (closed) 17 1/2 in., d. (open) 35 in. $500/700

760. Eight American Classical Paint‑Decorated “Fancy” Chairs, early 19th c., probably New York, each with tablet crest centering a beehive, reticulated slats, rush seat, reeded legs, stretcher, button feet. $1200/1800

762. Antique American Mahogany Tall Chest, 19th c., three short over four graduated drawers, turned legs, button feet, h. 54 in., w. 43 in., d. 20 1/2 in. $700/1000

763. Georgian Inlaid Mahogany Linen Press, late 18th c., pedimented cornice, bellflower swagged frieze, paneled doors enclosing later shelves, base with short and long drawers on later bracket feet, h. 82 1/4 in., w. 50 in., d. 23 in. $1200/1800

761. American Federal‑Style Carved Mahogany Tester Bed of Generous Proportion, c. 1970, benchmade by David Pruitt, Natchez, flat tester, reeded acanthus‑carved foot posts, conforming plain head posts, paneled pedimented head board, plain rails, Scalamandre bed hangings, h. 101 in., l. 82 1/2 in., w. 81 3/4 in. Note: Accommodates a king mattress. $5000/7000

765. Mixed Woods Windsor Rocking Chair, late 18th/early 19th c., base incised “W.WIGGLESWORTH”, arched crest rail, shaped arms and seat, turned legs, shaped stretchers and rocker base, h. 37 1/4 in., w. 24 1/2 in., d. 15 1/8 in.; together with mixed woods Windsor chair, late 18th/ early 19 c., h. 35 in., w. 24 3/4 in., d. 14 7/8 in. $200/300 Provenance: Texas Hill Country Ranch

764. Associated Set of Eight George III Dining Chairs in the Hepplewhite Taste, incl. pair of oak armchairs and 6 elm side chairs, arched crests, pierced vasiform splats, padded seats, tapered legs, H stretchers, armchairs with shaped arms, outside stretchers, armchair h. 39 1/2 in., w. 21 1/2 in., d. 16 in.; side chair h. 38 in., w. 19 1/2 in., d. 15 3/4 in. $1000/1500

766. Edwardian Paint‑Decorated and Inlaid Lady’s Writing Desk, c. 1905, arched superstructure with two drawers, inset leather top, frieze drawer, shaped stretcher shelf, square tapered legs, h. 37 in., w. 31 in., d. 20 in. $200/300

Provenance: Nina Sloss, , New Orleans, 1968

767. Claridge Turner (British/American, act. 1872‑1893), “Landscape”, oil on canvas, signed lower center, 16 in. x 24 in., framed. $500/700

768. British School, late 19th/early 20th c., “Portrait of a Gentleman on Horseback”, oil on canvas, unsigned, 20 in. x 24 in., framed. $600/800

769. Pair of Paris Porcelain Amphora Vases, 19th c., mask scroll handles, decorated in gilt with pairs of cherubs and floral scrolls on a rich coffee brown ground, h. 12 1/8 in. $1000/1500

770. Paris Porcelain Helmet‑Form Pitcher, 19th c., decorated with floral sprays on a blue ground, gilt accents, h. 10 in., w. 8 1/2 in. $150/250

773. Royal Crown Derby “Derby Border” Pattern Porcelain Dinner Service, incl. 12 dinner plates, dia. 10 1/2 in., 12 rimmed soups, dia. 8 3/4 in., 12 demitasse cups and saucers; and 4 salad plates, dia. 8 1/2 in. $400/600

772. English Polychrome Porcelain Wall Plaque, 19th c., transfer decorated with figures in an extensive landscape, sight 8 3/4 in. x 11 1/8 in., framed. $500/700

774. Continental Silverplate Flatware Service for Twelve, incl. 12 each: dinner forks, dinner knives, luncheon forks, luncheon knives, fish knives, soup spoons, dessert spoons, fruit forks, teaspoons, and demitasse spoons; a carving knife and fork, dressing spoon, large ladle, fish serving knife, grape shears, nut cracker, and 15 miscellaneous serving pieces. (142 pcs.), in carved rosewood chest. $800/1200

771 Pair of Paris Polychrome and Gilt Porcelain Figural Vases, 19th c., modeled with seated male and female figures on scrollwork bases, h. 8 3/4 in. and 8 1/2 in. $150/250

Provenance: Estate of Jane and Stewart Maunsell.

775. Christofle Silverplate Flatware Service, pattern “CTF35”, incl. 12 forks (l. 8 1/2 in.), 12 knives (l. 10 3/8 in.), 8 forks (l. 7 3/8 in.), 8 knives (l. 8 1/8 in.), 11 tablespoons, 12 soup spoons, 8 teaspoons, ladle, serving spoon, meat fork and master butter knife (75 pcs.) Note: Wear. $300/500

776. Group of Antique and Vintage Sterling Silver Flatware, incl. Towle “Paul Revere” pattern, 6 forks, l. 7 3/4 in. and 6 knives, l. 9 5/8 in.; Gorham “Strasbourg” pattern, 7 teaspoons and 1 butter knife (HH); Gorham “St. Cloud” pattern pie knife, repoussé large and small carving sets, Wood & Hughes dessert spoon, Gorham “Chantilly” teaspoons, 2 Wood & Hughes “Angelo” demitasse spoons, Reed & Barton “Francis I” demitasse spoon and 4 souvenir spoons, total wt. (weighable) 24.65 troy ozs. $300/500

777. Set of Twelve Antique Mother‑of‑Pearl Handled Dinner Knives, sterling silver ferrules, l. 9 3/8 in. $150/250

778. Good American Sterling Silver Platter, Watson Co., 1905‑1929, shaped oval with reeded border, 20 1/4 in. x 14 1/2 in., wt. 47.80 troy ozs. $600/800 780. American Sterling Silver Flatware Service, Wilcox & Eversten “John Winthrop” pattern, pat. 1911, incl. 12 forks (l. 7 1/8 in.), 12 knives (l. 10 in.), 12 forks (l. 6 3/4 in.), 12 knives (l. 8 3/4 in.), 14 dessert spoons, 12 teaspoons, 11 ice cream spoons, 10 butter spreaders (fh) and 1 knife, l. 7 3/4 in.; 94 pcs., total wt. 98.15 troy ozs. $700/1000

779. Group of Antique Gorham Sterling Silver Flatware, various patterns incl. “Cambridge” asparagus fork, “Marguerite” berry spoon, “Vine” gravy ladle, “Lancaster” nut scoop, “Shamrock V” tablespoon and 2 “Imperial Chrysanthemum” ice cream spoons; together with 5 Kirk “Repoussé” teaspoons, Wilcox & Evertsen “Revere” gravy ladle and dessert spoon, and a neoclassical‑style cream ladle; 15 pcs., wt. 20.90 troy ozs. $250/350 781 American Sterling Silver Flatware Service, Gorham “King Albert” pattern, pat. 1919, incl. 12 forks (l. 7 1/8 in.), 10 knives (l. 9 1/8 in.), 10 salad forks, 15 teaspoons, 6 bouillon spoons, 2 citrus spoons, 12 butter spreaders (fh), child’s feeding spoon, 3 tablespoons, gravy ladle, small meat fork, sugar spoon, master butter knife (fh), jelly spoon, sugar tongs, olive spoon, olive fork and lemon fork; 80 pcs., total wt. (weighable) 65 troy ozs., in fitted case. $600/800 Additional information at www.nealauction.com

782. Reed & Barton Sterling Silver Water Pitcher, pattern X766, date mark for 1953, baluster form with hollowcast scroll handle and molded foot, h. 8 3/4 in., wt. 24.5 troy ozs. $400/600

785. Tiffany “Wave Edge” Pattern Sterling Silver Punch Ladle, pat. 1884, l. 12 3/4 in., wt. 9.4 troy ozs. $300/500

783. Good Group of Antique and Vintage Sterling Silver Picture Frames, incl. oval with floral scroll chasing, h. 16 5/8 in., w. 12 3/8 in.; molded oval, h. 12 in., w. 9 in.; and near pair, probably Mauser, marks rubbed, h. 8 3/8 in., w. 6 3/8 in., and 7 5/8 in., w. 5 7/8 in.; together with 5 small frames, as is. $400/600 Provenance: Estate of Jane and Stewart Maunsell.

786. Pair of Silverplate Candlestick Lamps, h. 6 1/2 in.; together with 2 cut glass dresser boxes, dia. 7 1/2 in. and 6 1/4 in. $150/250 Provenance: Estate of Jane and Stewart Maunsell.

787. Large Group of Sterling Silver and Continental Silver Cup Frames, various makes, incl. 12 bouillon frames, 7 bouillon cups, 18 demitasse frames with 12 saucers, 6 Continental .800 silver liqueur frames, 2 sherbet coupe frames, and 3 assorted condiment frames, total wt. approx. 44 troy ozs. $400/600 Provenance: Estate of Jane and Stewart Maunsell.

788. Group of Small American Sterling Silver Table Articles, incl. 6 Gorham nut dishes, Kirk footed bowl, International footed bowl, pair of Gorham master salts with cobalt liners, 4 individual salts with cobalt liners, and 5 silver overlay individual salts, total wt. (weighable) 13.5 troy ozs. $200/300 Provenance: Estate of Jane and Stewart Maunsell.

784. Pair of American Two‑Light Brass Sconces, c. 1885, Bradley & Hubbard Manufacturing Co., Meriden, CT, beveled mirror plate inset within pierced and modeled brass frame, candle holders featuring colorful Longwy mounts, h. 23 1/2 in. $200/400

789. American Sterling Silver Partial Dinner Service, Lunt “Modern Classic” pattern, pat. 1934, incl. 8 forks (l. 7 1/8 in.), 7 knives (l. 8 7/8 in.), 8 salad forks, 7 cream soup spoons, 3 teaspoons and 8 butter spreaders (fh), (41 pcs.), total wt. (weighable) 39 troy ozs. $400/600

790. Group of Antique Silver Flatware, incl. American coin silver sugar shell by Joseph Seymour, Syracuse, NY, ret. Geo. Holt, Albany, NY; sugar shell ret. Hitchcock & Flower; sterling sugar shell by William Moir, NY; 4 Continental .812 silver tablespoons, Heberlein, Nurnberg; and unmarked silver tablespoon; 8 pcs., combined wt. 9.85 troy ozs. $150/250

793. Victorian Silverplate Tea Tray, with medallion handles. $300/500 791 Group of Antique and Vintage Sterling Silver Flatware, incl. Durgin “New Vintage” pattern cracker spoon, pat. 1904, l. 8 5/8 in.; Gorham “Marie Antoinette” pattern, c. 1890, 5 teaspoons, dessert spoon and sugar spoon; Dominick & Haff “Marie Antoinette” pattern, pat. 1917, 9 demitasse spoons; together with a sterling napkin ring; 18 pcs., total wt. 13.85 troy ozs. $150/250

792. Victorian Silverplate Figural Centerpiece. $200/400

794. Pair of English Silverplate Convertible Candelabra. $400/600

795. Victorian Sterling Silver Dressing Spoon, John & Henry Lias, London, 1845, mark reg. 1843, l. 11 3/4 in., down‑turned fiddle typt with engraved crest. $150/250

798. Steuben Glass Centerbowl, h. 4 1/2 in., dia. 10 in.; together with a pair of Val St. Lambert crystal candlesticks, h. 5 in., and a Sevres crystal vase. $300/500

796. English Imari Porcelain Lamp, 20th c., square tapered form, molded wood base, h. to socket 23 in. $250/350 Provenance: Goldate Antiques, New Orleans.

797. Two Adam Aaronson (British, 20th c.) Art Glass Vases, 2003, each with silver leaf geometric designs, inscribed Adam Aaronson Collection, h. 9 5/8 in. and 17 3/4 in. $400/600

800. Paris Porcelain Figural Mantel Clock, mid‑19th c., enameled dial marked “S. Fournier H.ger M.cien N.elle Orleans”, surmounted by flower‑filled urn, flanked by court figures, the plinth having floral reserves, on conforming base, with toupie feet, h. 16 in., w. 16 in., d. 5 in. $800/1200

799. Large Antique Continental Giltwood Mirror, serpentine surround decorated with foliate and rocaille clusters, h. 63 1/4 in., w. 53 in. $500/1000

801 Antique English Burled Walnut and Parcel Gilt Mantel Clock, 19th c., spreadwing eagle finial, arched case, paw feet, plinth base, h. 22 in., w. 12 1/2 in., d. 6 1/2 in. $700/900

802. Murano Glass Six‑Light Chandelier, twist‑form standard and arms, floral stems and drop, in pale pink and clear glass, electrified, h. 25 in., dia. 32 in. $1000/1500 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

805. Pair of Gilt Bronze‑Mounted “Blue de Roi” Porcelain Carcel Lamps, 19th/early 20th c., bottle‑form body with garlic‑head mouth, bronze cast with Chinoiserie “ruyi” scrolls, h. 21 1/2 in., electrified and mounted with white globes and clear glass shades. $700/900

803. Diminutive Murano Glass Three‑Light Chandelier, floral stems and lights, in pearl and pale pink glass, electrified, h. 21 in., dia. 16 in. $1000/1500 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

804. Antique French Cast Iron Cherub Holding a Torch, h. 36 in., w. 17 1/2 in., d. 14 1/2 in. $1500/2500

806. Pair of Napoleon III Brass and Bronze Carcel Lamps, c. 1870, marked “F. Barbedienne”, relief cast with frieze of figures personifying the Arts, bases with lion’s paw feet, h. 18 1/8 in., electrified and mounted with period etched glass globes and later clear glass shades. $700/900 Additional information at www.nealauction.com

810. American Chippendale Carved and Gilded Mahogany Looking Glass, late 18th c., scrolled crest centered by a phoenix, later antique mirror plate, conforming base, h. 38 3/4 in., w. 20 13/16 in. $500/700

807. English Lead Rampant Lion Door Stop, 19th c., h. 15 in., w. 10 in., d. 2 1/2 in. $300/500 Provenance: Collection of Mrs. Dudley J Hughes, Jackson, MS.

808. Georgian Mahogany and Brass Shop Scale, 19th c., h. 24 in., w. 22 in., d. 11 in. $300/500

Provenance: Texas Hill Country Ranch

Provenance: Estate of Jane and Stewart Maunsell.

809. Antique Cast Iron Horsehead Hitching Post, h. 48 in. $400/600

Prov: Chester County, PA Horse Farm.

812. American School, 19th c., “Landscape with Bridge” and “Landscape with Rocky River”, 2 oils on canvas, each indistinctly signed lower right, each 8 in. x 10 in., framed alike. (2 pcs.) $600/800

811 Antique Continental Giltwood Overmantel Mirror, acanthus and shell crest, molded surround with foliate decoration, h. 67 1/4 in., w. 49 1/4 in. $500/1000

814. Small American Wrought Iron Bench, 19th c., Philadelphia, scrolled back and seat of conforming riveted ribs, scroll arms and legs connected by a stretcher, h. 35 in., w. 34 in., d. 26 in. $400/600

815. Pair of American Renaissance Carved Walnut Bedside Commodes, 19th c., inset marble top, turreted corners, Doric columnar stiles, four drawers, molded base, casters, h. 33 3/4 in., w. 20 1/2 in., d. 19 in. $800/1200

813. American Late Classical Figured Mahogany Sideboard, mid‑19th c., pedimented backsplash and brass gallery, ogee frieze, pair of ogee‑molded drawers, over arch paneled doors, scalloped bracket feet, h. 54 in., w. 61 1/4 in., d. 22 1/4 in. $500/1000 816. Small Swiss Black Forest Inlaid Tilt‑Top Table, 19th c., serpentine branchwork carved top, turned foliate standard, arched beaded legs, scrolled toes, h. 29 in., w. 25 in., d. 17 3/4 in. $400/600

817. Louis Philippe Rosewood Commode, mid‑19th c., molded marble top, four drawers, chamfered stiles, conforming base, shaped feet, h. 36 1/2 in., w. 51 1/4 in., d. 21 1/2 in. $500/1000

818. Antique Black Forest Carved Walnut Rectangular Box, hinged lid carved with game birds in a landscape, case with floral decoration, h. 7 3/4 in., w. 11 3/4 in., d. 4 3/4 in. $500/700

819. Antique Black Forest Carved Walnut Basket‑Form Box, carved with grapevines and flowers, h. 10 1/2 in., w. 11 in., d. 5 1/2 in. $300/400

820. Antique Black Forest Carved Walnut Box, 19th c., carved as a log with birds and foliage, h. 5 3/4 in., w. 7 in., d. 5 in. $200/300

821 Black Forest Carved Walnut Oval Box, hinged lid carved with game birds, scrolled legs, h. 9 1/4 in., w. 10 in., d. 6 1/2 in. $600/800

822. Arts and Crafts Wrought Iron Three‑Light Chandelier, 20th c., scroll and fleur‑de‑lis design, hammered shades, h. with chains 67 in., w. 61 in., d. 12 1/2 in. $700/1000

823. Pair of Art Deco Bronze Figural Candleholders, early 19th c., stepped base, retains traces of silvering, h. 16 1/2 in., w. 6 1/4 in., d. 4 1/2 in. $300/500

826. Good Pair of Antique Leaded Glass Tazzas, c. 1850, Bohemian or Anglo‑Irish, petal‑lobed rims, h. 7 3/4 in., dia. 10 1/4 in. $300/500 Provenance: Collection of E. John Bullard, New Orleans, LA.

825. French Patinated Bronze Four‑Light Chandelier, c. 1900, winged maiden arms, frosted and star‑cut globes, h. 36 in., dia. 23 in. $800/1200

828. Chinese School, late 19th/early 20th c., “Genealogy/Ancestor Portrait”, ink and color highlighted with gold on paper, 50 1/2 in. x 34 1/2 in., mounted and framed. $200/300

829. Utagawa Kuniyoshi (Japanese, 1797‑1861), 5 woodblock prints, variously depicting Actors and Beauties, sight 13 1/2 in. x 9 3/8 in. To 14 1/4 in, x 9 5/8 in., variously matted and framed. $500/750

824. Pair of Black Forest Carved Walnut Lamps, early 20th c., foliate design, pyramidal base, h. to socket 19 in. $400/600

827. Chinese School, 20th c., “Green Parrot amid Flowers and Vines”, ink and color on silk, inscribed and sealed upper left, sight 9 3/8 in. x 12 3/4 in., matted and framed. $400/600

830. Kiyoshi Saito (Japanese, 1907‑1997), “Bunraku (c)”, 1959, woodblock print, signed lower left, pencil‑titled, dated and numbered 8/100 lower margin, sight 20 3/4 in. x 14 3/4 in., framed. $250/350

831 Kiyoshi Saito (Japanese, 1907‑1997), “Girl and Cat in Red, White and Black”, woodblock print, pencil‑signed lower margin, sight 5 1/2 in. x 7 3/4 in., double matted and framed. $200/300

Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA.

Additional information at www.nealauction.com

832. Two South Asian Painted Manuscript Pages 19th/20th c., rectos depicting Red Tara and Green Tara, 11 3/4 in. x 8 1/8 in., float‑mounted and similarly framed. $300/500 833. Chinese Hardwood Reclining Sedan Chair, 19th c., scrolled crest, paneled back and seat, shaped arms, foot rest, mechanical supports, stretchers, h. 38 in., w. 24 1/2 in., d. (closed) 42 in. $500/800

835. Pair of Chinese Hardwood Plant Stands, square panel top, pierced foliate scroll apron, tall scroll legs, scroll toes, square stretcher base, h. 35 1/2 in., w. 14 1/2 in., d. 14 1/2 in. $500/700

834. Chinese Export Hardwood Center Table, late 19th/early 20th c., inset circular top, prunus carved waist, openwork apron carved with birds and prunus, scroll legs carved with foliage, h. 31 3/8 in., w. 34 1/2 in., d. 34 1/2 in. $800/1200

Provenance: Part of the original 1920s furnishings of a Hattiesburg, MS Sears “Alhambra” home.

836. Three Chinese Export Hardwood “Dragon” Armchairs, late 19th/early 20th c., incl. pair and single, carved with cloud scroll crest, openwork dragon backsplat, dragon and pearl arms, inset panel seat, openwork apron, scroll legs, h. 34 1/2 in., w. 25 1/2 in., d. 17 in. $600/800 Provenance: Part of the original 1920s furnishings of a Hattiesburg, MS Sears “Alhambra” home.

837. Antique English Painted Cast Iron Garden Table, Greek key pattern border, associated incurvate legs, h. 17 1/2 in., l. 48 1/2 in., d. 16 in. $500/700

839. American Cast Iron and Granite Garden Table, square top, pierced foliate frieze, cabriole legs, h. 28 in., w. 47 1/2 in., d. 47 1/2 in. $1000/1500 838. Set of Four Painted Cast Iron Garden Armchairs, rosette crest, lyre back with foliate scrolls, flared legs, pad feet, h. 32 in., w. 20 1/2 in., d. 18 in. $1200/1800

840. Four Vintage American Painted Cast Metal Chairs in the Fern Pattern , h. 32 1/2 in., w. 24 in., d. 23 in. $600/800

841 American Renaissance Carved and Gilt‑Incised Walnut Overmantel Mirror, late 19th c., architectonic crest and cornice, bracketed mirror plate, columnar stiles, molded base, h. 76 1/4 in., w. 61 1/4 in., d. 7 1/2 in. $1000/1500

842. American Rococo Carved and Laminated Parlor Suite, mid‑19th c., attr. to George Henkels, Philadelphia, incl. sofa and two side chairs, each with palmette and volute crest, rounded seat rail, cabriole legs, casters; sofa h. 44 1/2 in., w. 63 1/2 in., d. 25 1/2 in.; armchair h. 40 1/2 in., w. 20 in., d. 19 in. $2500/4000

843. American Rococo Carved and Laminated Rosewood Library Chair, mid‑19th c., New York, serpentine shield‑shaped back, serpentine arms, floral‑carved serpentine seat rail, rose‑carved cabriole legs, scrolled toes, h. 34 3/4 in., w. 24 1/2 in., d. 24 1/2 in. $500/750 844. American Rococo Carved Mahogany Poster Bed, mid‑19th c., New Orleans, possibly the workshop of Prudent Mallard, serpentine foliate carved head board, cluster column posts, shaped rails and foot board, h. 91 in., l. 77 1/2 in., w. 57 1/2 in. $1500/2500

845. American Classical Carved Mahogany Sofa, c. 1830, Baltimore, molded crest rail, scrolled uprights, plinth base, bracket feet, casters, h. 35 1/2 in., w. 86 in., d. 24 in. $500/700 847. American Gilt Bronze Solar Lamp, c. 1850, marked “Cornelius & Co. / Philad. / Patent / April 1st. 1843”, foliate tripartite base, floral‑cut shade, h. 25 1/2 in., dia. 8 1/4 in. $500/750 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 168.

846. Set of Four Antique American Renaissance Carved Walnut Side Chairs, late 19th c., barley-twist crest, stiles and legs, antique plush velvet upholstery and braided fringe, h. 44 1/2 in., w. 17 1/2 in., d. 17 in. $700/1000 848. American Gilt Bronze Solar Lamp, c. 1850, attr. to Hooper & Company, Boston, tapered fluted column with marble base, period globe shade cut with gothic arch windows, h. 21 1/2 in. $700/1000

849. American Gilt Bronze Solar Lamp, c. 1850, attr. to Starr Fellows, New York, foliate baluster standard, tripartite base, cut glass shade, cut prisms, h. 23 in. $600/900

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

850. American Gilt Bronze Figural Solar Lamp, c. 1850, burner marked “Hooper & Co., Boston”, figure in Renaissance costume, marble base, floral cut globe shade, h. 19 in., dia. 7 in. $400/600 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 93.

851 Pair of Paris Polychrome and Gilt Porcelain Vases, 19th c., scroll handles with Classical masks, bodies decorated with romantic scenes and landscapes reserved on a gilt ground, h. 13 1/4 in. $800/1200

852. Manufacture Nouvelle de Faience Bronze Mounted Faience Dresser Box, c. 1929, Sevres MNF France mark, hinged cover mounted with a portrait of da Vinci’s “La Gioconda”, bronze rims, clasp and floral swag, mottled green speckled blue glaze, h. 3 1/2 in., w. 6 3/4 in., d. 5 1/8 in. $400/600 Additional information at www.nealauction.com

854. Two German Neoclassical-Style Polychrome and Gilt Porcelain Vases, late 19th/early 20th c., scepter over KPM marks, lion’s mask handles, painted with historic or Classical scenes on bright gold grounds with matte floral decoration, molded acanthus leaf bases, splayed stem plinths, paw feet, h. 15 1/2 in., w. 9 in. $700/900

855. Set of Eight Sèvres‑Style Polychrome Porcelain “Chateau des Tuileries” Portrait Plates, early 20th c., bearing crowned Louis‑Philippe mark with “1844”, and “S.37”, painted with various French noble women on apple green grounds with raised gilt highlights, signed “Moreau”, dia. 9 1/2 in. $700/900

853. Large German Porcelain Urn and Cover in the Neoclassical Taste, early 20th c., indistinct blue underglaze mark, lion handles, painted floral sprays, h. 28 1/4 in., w. 13 1/2 in., d. 10 1/2 in. $500/1000 856. Continental Carved and Ebonized Rosewood Extension Dining Table, mid‑to‑late 19th c., possibly Austrian, molded circular top, bulbous turned standard, exuberantly carved and scrolled legs, casters, with 10 extension leaves, h. 28 3/4 in., l. 50 1/2 in. (195 1/2 in. extended), w. 57 in. $600/900

857. Pair of Louis XV‑Style Carved Fruitwood Bergères, molded crest rail centered by a floral carving, scrolled and padded arms, caned back and seat, cabriole legs, h. 34 in., w. 25 in., d. 25 in. $300/500

858. Provincial Louis XV‑Style Fruitwood Draw‑Leaf Table, shaped top and apron, molded cabriole legs, h. 29 1/4 in., w. 45 in., d. 31 in. $400/600 Provenance: Magazine St.

859. Continental Paint-Decorated Silver Chest, shaped top, wheat motif decoration, graduated drawers, serpentine apron, flared legs, h. 32 1/2 in., w. 30 in., d. 18 1/2 in. $700/900 860. Antique Mahogany Bergère, c. 1860, arched crest, shaped arms, leather with brass nailhead trim, cabriole legs, h. 33 in., w. 25 1/4 in., d. 19 in. $400/600 862. Antique English Jacobean‑Style Oak Library Table, late 19th c., molded top, two frieze drawers, barely twist supports, stretcher shelf, bulbous turned feet, h. 29 1/4 in., w. 48 1/4 in., d. 30 1/2 in. $300/500

861 Louis XVI‑Style Parquetry and Gilt Bronze‑Mounted Side Table, probably early 20th c., frieze drawer, stop‑fluted legs, h. 29 3/8 in., w. 36 1/4 in., d. 22 1/4 in. $300/500

Provenance: Estate of Jane and Stewart Maunsell.

864. Antique English Brass‑Bound Walnut Lap Desk. $300/400 Provenance: Arthur Anders, New Orleans.

865. Pair of Georgian‑Style Upholstered Walnut Easy Chairs, slightly scrolled back and arms, loose seat cushions, rounded seat rail, turned legs, h. 33 in., w. 33 1/2 in., d. 27 1/2 in. $300/500

863. Country Regency Faded Mahogany Armchair, c. 1830, slat back, square tapered legs, stretchers, h. 33 3/4 in., w. 20 3/4 in., d. 16 1/2 in. $300/500

867. William IV Inlaid Burl Walnut Console, mid‑19th c., shaped marble top, frieze with inlaid foliate cartouche panels, three doors with arched mirrors, molded base, h. 32 1/2 in., w. 45 1/2 in., d. 14 in. $300/500 868. Six Antique Spanish Colonial‑Style Side Chairs, early 20th c., finialed stiles, leather backs and seats, square legs, stretchers, h. 45 in., w. 17 in., d. 18 in. $200/300 871. Manner of Jan Wynants (Dutch, c. 1625‑1684), “Wooded Landscape with Sheep”, oil on panel, unsigned, 9 3/4 in. x 12 3/4 in., framed with artist plaque. $150/250

866. English Mahogany Butler’s Tray on Stand, molded legs, X stretcher, h. 23 1/2 in., w. 31 in., d. 21 1/2 in. $150/250

Provenance: Estate of Jane and Stewart Maunsell.

Provenance: Auction Rooms, Chichester, England, c. 1984; Private Collection Ventnor, Isle of Wight, England.

870. Continental School, 19th c., “Exotic Landscape”, oil on canvas, unsigned, 5 3/4 in. x 8 1/2 in., framed. $300/500

869. Continental School, 19th/20th c., “Hunting Dogs with the Day’s Catch”, oil on canvas, illegibly signed lower left, 18 in. x 24 in., framed. $300/500

873 American Federal Carved Cherrywood Slant Top Writing Desk, early 19th c., Valley of Virginia, hinged lid, back splash, fitted interior, turned legs, h. 36 in., w. 28 1/2 in., d. 20 in. $800/1200

874. American Federal Carved Cherrywood Blanket Chest, late 18th c., Valley of Virginia, hinged plank top, divided interior, molded base, “spurred” bracket feet, h. 22 1/2 in., w. 49 in., d. 22 1/2 in. $700/900 872. British School, early 20th c., “Winter Time”, oil on canvas, monogrammed “JG” lower left, “S. Cooke, Nottingham” canvas stencil en verso, 24 in. x 20 in., framed. $150/250

875. GeorgianStyle Mahogany Kneehole Desk, ogee bracket feet, h. 30 1/2 in., w. 59 in., d. 33 in. $400/600

Additional information at www.nealauction.com

876. Eight American Late Classical Mahogany Dining Chairs, mid‑19th c., incl. 2 armchairs and 6 side chairs, shaped scrolled crest, vasiform splat, flared legs, armchairs with scrolled arms, casters, armchair h. 36 in., w. 22 3/4 in., d. 22 in.; side chair h. 34 1/4 in., w. 17 3/4 in., d. 17 in. $800/1200

877 American Federal Carved Maple Hoopback Windsor Chair, 18th c., Connecticut, arched horseshoe spindled back, continuous arms, shaped plank seat, splayed turned legs, bulbous H stretcher, traces of old blue paint, h. 36 3/4 in., w. 24 3/4 in., d., 15 1/2 in. $300/500 Provenance: Florene Maine Antiques, Ridgefield, CT.

879. American Chippendale Carved Walnut Slant-Front Desk, late 18th c., Pennsylvania, hinged lid opening to well fitted interior, over four graduated drawers, ogee bracket feet, h. 40 in., w. 43 1/2 in., d. 22 in. $500/700 Provenance: Sandor Antiques, Pennsylvania.

882. Louisiana Walnut and Ash Ladderback Child’s Chair, 19th c., finialed stiles, three triangular slats, original Spanish moss rush seat, turned tapered legs, stretchers, h. 28 1/2 in., w. 12 1/4 in., d. 11 1/4 in. $400/600 Provenance: Estate of Jane and Stewart Maunsell.

Ref.: For similar examples, see Holden, Jack D., et. al. Furnishing Louisiana: Creole and Acadian Furniture, 1735‑1835. New Orleans: The Historic New Orleans Collection, 2010, pp. 285‑315.

880. American Federal Maple Chest of Drawers, four long drawers, original brasses, bracket feet, h. 38 3/8 in., w. 39 in., d. 18 7/8 in. $400/600

878. Antique American Federal Carved Hardwood Braceback Windsor Chair, probably 18th c., shaped incurvate crest rail, turned spindle back, shaped saddle seat, turned splayed legs, turned H stretcher, h. 37 in., w. 22 1/2 in., d. 16 1/2 in. $200/300

881. American Grain and Sponge Painted Blanket Chest, late 18th/early 19th c., probably Pennsylvania or New England, hinged top, divided interior, faux drawer front, turnip feet, h. 34 in., w. 52 in., d. 20 1/4 in. $500/700 Provenance: Didier, Inc., New Orleans.

Provenance: Texas Hill Country Ranch

883. American Pine and Poplar Cabinet, 19th c., shaped backsplash, three frieze drawers, paneled doors, shelf interior, turnip feet, h. 57 3/4 in., w. 47 1/2 in., d. 19 in. $500/700 Provenance: Barker’s Antiques, Baton Rouge, LA.

884. Set of American Federal Cherrywood Dining Chairs, late 18th c., New England, 6 sides with 2 matching benchmade mahogany armchairs, arched crests, pierced vasiform splats, serpentine seats upholstered in blue leather with brass nailhead trim, square tapered legs, H stretchers, armchair h. 40 in., w. 21 1/2 in., d. 18 1/4 in.; side chair h. 40 in., w. 21 1/2 in., d. 18 1/4 in. (8 pcs.) $1000/1500 Provenance: Side chairs: Didier, Inc., New Orleans, LA; armchairs: David Pruitt, Natchez, MS. 885. American Cypress Dining Table, 20th c., probably Southern, five board top, plain frieze, tapered legs, h. 31 in., l. 108 3/4 in., w. 59 3/4 in. $400/600

888. Antique English Cast Iron Pub Table, 19th c., pierced geometric top, caryatid and Union Jack legs, pierced shelf, paw feet, h. 25 in., dia. 22 1/2 in. $150/200

886. American Federal Maple and Birdseye Maple Stand, early 19th c., two drawers, delicate turned legs, original pressed glass pulls, h. 28 1/4 in., w. 18 1/4 in., d. 15 1/2 in. $200/300

889. American Classical‑Style Carved Mahogany Tilt‑Top Table, probably late 19th c., gadrooned top, tapered decagonal standard, foliate‑carved plinth, acanthus paw feet, h. 30 1/2 in., dia. 38 1/4 in. $300/500

887. Antique American Maple Washstand, mid‑19th c., scroll gallery on three sides, plain frieze, turned legs, stretcher shelf with drawer, h. 38 1/2 in., w. 16 in., d. 16 in. $300/500

892. American Late Federal Maple Bed, c. 1820, pine cone finials, shaped headboard, turned posts, conforming foot board, h. 44 in., l. 75 in., w. 38 in. $250/350 890. Two Antique Louis XV‑Style Carved Walnut Fauteuils, shield backs, old petit point upholstery. $300/500 Provenance: Bocage Plantation Onsite Auction, Neal Auction Company, Darrow, LA, Dec. 8, 2007, lot 66.

891. American Federal Pine Work Table, early 19th c., probably New England, rectangular top, long drawer, bamboo-turned tapered legs, h. 29 in., w. 30 in., d. 19 5/8 in. $500/700

Provenance: Texas Hill Country Ranch.

895. American Federal‑Style Cherrywood Tilt‑Top Tea Table, probably early 20th c., shaped molded top, vasiform standard, cabriole legs, pad feet, h. 27 7/8 in., w. 30 1/4 in., d. 30 1/4 in. $200/300 Provenance: Texas Hill Country Ranch

894. Antique American Maple “Cannon Ball” Single Bed, 19th c., shaped headboard with spherical finials, conforming turned posts, h. 47 in., l. 76 in., w. 37 in. Note: Refinished. $200/400

Provenance: Texas Hill Country Ranch 893. American Federal Walnut Pot Commode, early 19th c., three-quarter gallery, paneled door, tapered turned legs, X stretcher, h. 31 1/4 in., w. 16 in., d. 13 3/4 in. $200/300 Provenance: Texas Hill Country Ranch

896. Don Wright (American/Louisiana, 1938‑2007), “Magnolias”, 2002, oil on canvas, signed and dated lower left, 16 in. x 20 in., framed. $800/1200

897. Morris Henry Hobbs (American/New Orleans, 1892‑1967), “Landscape with Deer and Porcupine”, 1944, watercolor on paper, signed and dated lower left, inscribed lower right, 14 in. x 18 in., framed. $500/800 Additional information at www.nealauction.com

898. Gideon T. Stanton (American/New Orleans, 1885‑1964), “Floating Prairie of Louisiana”, oil on canvas, unsigned, “New Orleans Art League” label en verso with title and artist, 22 1/4 in. x 29 in., framed. $1000/1500

899. Knute Heldner (Swedish/New Orleans, 1877‑1952), “Louisiana Swamp”, oil on canvas, signed lower left, 13 in. x 15 1/2 in., framed. $1500/2500

901. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Louisiana Bayou”, oil wash on board, pencil‑signed lower left, sight 10 in. x 30 in., framed. $1200/1800

903. Andrew Bucci (American/Mississippi, 1922‑2014), “Pines”, oil on paper, pencil‑signed lower right, titled and signed on backing board, sight 34 1/2 in. x 44 1/2 in., framed. $1000/1500

906. Carrie Hill (American/Alabama, 1875‑1957), “Delphinium”, oil on canvas board, signed lower right, “Southern States Art League” label with artist and title en verso, 32 in. x 25 1/2 in., framed. $800/1200

902. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Louisiana Bayou”, oil wash on board, signed lower right, 10 in. x 30 in., framed. $1000/1500

904. Andrew Bucci (American/Mississippi, 1922‑2014), “Untitled”, oil on paper, pencil‑signed lower right, sight 34 3/4 in. x 44 1/2 in., framed. $1000/1500

905. Andrew Bucci (American/Mississippi, 1922‑2014), “Autumn”, oil on paper, pencil‑signed center right, titled on backing board, 34 1/2 in. x 45 1/2 in., unframed. $1000/1500

907. Clementine Hunter (American/Louisiana, 1886‑1988), “Baling Cotton”, oil on board, monogrammed mid‑right, 16 in. x 24 in., framed. $2500/3500

908. Robert Malcolm Rucker (American/Louisiana, 1932‑2001), “Louisiana Landscape with Live Oak, Figure and Cabin”, oil on canvas, signed lower left, 8 in. x 10 in., framed. $800/1200

909. Attributed to Arnold E. Turtle (British/New Orleans, 1892‑1954), “Live Oaks, City Park”, oil on canvas board, unsigned, 20 in. x 24 in., framed. $600/800

900. Colette Pope Heldner (American/New Orleans, 1902‑1990), “Patio, Little Theatre, St. Peter Street, Old New Orleans”, oil on canvas, signed lower left, signed and titled en verso, 24 in. x 30 in., framed. $1200/1800

910. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Louisiana Bayou”, oil wash on paper, pencil‑signed lower right, 14 1/2 in. x 19 1/2 in., framed. $500/700

Provenance: Estate of Jane and Stewart Maunsell.

911. Colette Pope Heldner (American/New Orleans, 1902‑1990), “Old Slave Quarters, 824 Rue Royale, New Orleans, LA”, 1928, oil on board, signed lower left, signed, titled and dated en verso, 15 3/4 in. x 11 3/4 in., framed with artist plaque. $1500/2500

912. Marshall D. Smith (American, 1874‑1973), “The Garden Court, New Orleans”, 1940, oil on board, signed lower right, signed and titled en verso, 17 in. x 14 in., framed with artist plaque. $800/1200

914. Colette Pope Heldner (American/ New Orleans, 1902‑1990), “Swamp Idyl (Louisiana Bayou Country)”, oil on canvas board, signed lower left, signed and titled en verso, 20 in. x 16 in., framed. $1800/2500

916. Arnold E. Turtle (British/ New Orleans, 1892‑1954), “Impressionist Sunrise”, oil on canvas, signed lower right, 9 1/4 in. x 12 in., framed. $800/1200

919. James McConnell “Mac” Anderson (American/Mississippi, 1907‑1998), “Market Scene with Watermelons”, 1991, oil on masonite, signed and dated lower right, 23 1/4 in. x 16 in., framed. $1000/1500

913. Achille Perelli (Italian/New Orleans, 1822‑1891), “Nature Morte: Pompano”, 1877, watercolor on paper, signed, dated and inscribed “N.O.” lower left, sight 21 in. x 14 3/4 in., framed. $2500/3500

Provenance: D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge.

915. Robert Malcolm Rucker (American/ Louisiana, 1932‑2001), “French Quarter Jazz Club”, oil on canvas, unsigned, “Jean Bragg, Gallery of Southern Art, New Orleans” label and printed artist biography en verso, 24 in. x 30 in., framed with artist plaque. $2000/3000

917. James McConnell “Mac” Anderson (American/Mississippi, 1907‑1998), “Conversation at the Market”, 1976, oil on masonite, signed and dated lower right, 18 in. x 13 in., framed. $1000/1500

920. Alan Flattmann (American/Louisiana, b. 1946), “Bogue Falaya Autumn, Bridge of Bogue Falaya River”, pastel on paper, signed lower left and en verso, printed artist biography with title en verso, sight 14 1/2 in. x 20 1/4 in., framed. $400/600

918. James McConnell “Mac” Anderson (American/ Mississippi, 1907‑1998), “Street Scene with Fruit Cart”, 1991, oil on masonite, signed and dated lower right, 18 in. x 24 in., framed. $1000/1500

921. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Live Oak Tree with Lily Pads”, oil wash on board, signed lower left, 10 in. x 30 in., period frame. $800/1200

Additional information at www.nealauction.com

922. Charles Whitfield Richards (American/New Orleans, 1906‑1992), “Jackson Square”, oil on canvas, signed lower right, 12 in. x 16 in., framed. $400/600

923. Charles Whitfield Richards (American/New Orleans, 1906‑1992), “Cabin in the Woods”, oil on canvas affixed to masonite, signed lower left, “Dr. James W. Nelson, Gonzales, LA” label en verso, 8 1/2 in. x 10 3/4 in., framed. $300/500

924. Hazel Guggenheim McKinley (American/Louisiana, 1903‑1995), “Lake Scene”, oil on canvas, signed lower right, titled on stretcher bar en verso, 20 in. x 24 in., framed. $500/800

926. Adolph Kronengold (American/New Orleans, 1900‑1986), “Country Road, Mississippi”, watercolor on paper, signed lower right, 15 1/2 in. x 11 1/4 in., framed. $500/800 Provenance: Estate of Jane and Stewart Maunsell.

927. Adolph Kronengold (American/New Orleans, 1900‑1986), “Shrimp Boats at Dock”, watercolor on paper, signed lower left, 15 in. x 11 1/4 in., framed. $500/800 Provenance: Estate of Jane and Stewart Maunsell.

925. Robin Durand (American/Louisiana, 20th c.), “Rural Landscape with Utility Poles”, “Highway Scene with Cement Truck”, “Yellow Store Building” and “Landscape with Red House and Trees”, 2001‑02, 3 oils on board and one oil on masonite, each signed and dated en verso, 12 in. x 10 in. to 10 in. x 8 1/2 in., unframed. (4 pcs.) $500/750

928. Charles Reinike III (American/New Orleans, b. 1947), “Shrimp Boat at Dock”, 1972, watercolor on paper, signed and dated lower left, 11 1/4 in. x 15 in., framed. $400/600 Provenance: Estate of Jane and Stewart Maunsell.

931. James Carl Hancock (American/Tennessee, 1898‑1966), “Cabin and Cane Field near Lafayette, La”, watercolor on paper laid down, pencil‑signed signed and titled, 8 1/4 in. x 10 1/4 in., framed. $400/600

929. Herbert Hanush (American/ Missouri, 20th c.), “The White Church”, watercolor on paper, signed lower right, 15 1/4 in. x 11 in., framed. $300/500

930. Albert Jean Camille (American/Louisiana, 1904‑1981), “Boy in the Countryside”, oil on canvas, signed lower left, 18 in. x 24 in., framed. $400/600

932. Noel Rockmore (American/New Orleans, 1928‑1995), “Mardi Gras Parade”, 1989, pastel on paper, signed and dated upper right, label with artist, title and date en verso, sight 14 1/4 in. x 17 in., framed. $500/800

933. May Kugler (American/Louisiana, 1916‑2005), “Hog Killing” and “The Wedding”, 1983, 2 oils on board, signed lower left and lower right respectively, each signed, titled, inscribed and latter dated en verso, 12 in. x 16 in. and 8 in. x 10 in., framed alike. (2 pcs.) $400/600

934. Charles Whitfield Richards (American/New Orleans, 1906‑1992), “Self‑Portrait”, oil on canvas affixed to board, signed lower right, signed, titled and “Dr. James W. Nelson, Gonzales, LA” label en verso, 13 in. x 10 3/4 in., framed. $500/800

935. Nestor Hippolyte Frugé (American/New Orleans, 1916‑2012), “Cabin on the Bayou”, 1952, watercolor on paper, signed and dated lower right, sight 18 3/4 in. x 24 in., framed. $200/300

936. Marie Butler (American/Shreveport, 1923‑2009), “Discovery”, mixed media collage, signed lower right, artist label with title en verso, sight 19 1/2 in. x 23 1/2 in., framed. $300/500

938. French School, 19th c., “Landscape”, watercolor on paper, unsigned, 7 1/2 in. x 12 1/2 in., unframed. $150/250 937. D. Crosby Brown (American/Massachusetts, 20th c.), “Old Hornpout”, 1975, watercolor on paper, pencil‑signed and dated lower left, 22 1/4 in. x 29 3/4 in., framed. $300/500

940. Continental School, 19th c., “Sunset”, oil on canvas, unsigned, 7 in. x 9 in., framed with title plaque. $150/250 Provenance: Private Collection, RI; Verdigris Gallery, Wakefield, RI.

943. Hubert Shuptrine (American/Tennessee, 1936‑2006), “Original Lithographs”, 1980, 7 lithographs in hard cover folio, each pencil‑signed, numbered “76/400” and “Hubert Shuptrine Studio 1980” blind stamp lower margin, each in individual paper folio with title and number, overall 24 1/2 in. x 32 in. $500/700

Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans.

941. John Stockton De Martelly (American/Missouri, 1903‑1979), “The Evangelist”, “The Psalm of Life” and “Give Us This Day”, 3 lithographs, each pencil‑signed, dated, titled and inscribed lower margin, 13 1/2 in. x 10 in. to 16 in. x 11 1/2 in., 2 framed. (3 pcs.) $600/800

939. Continental School, late 19th/ early 20th c., “Landscape with Rocks”, oil on canvas, unsigned, partial “Charles G. Calder, Providence, RI” gallery label en verso of stretcher, 9 in. x 9 in., framed. $150/250

942. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Loading Hay”, 1936, etching, signed and dated in plate lower left, pencil‑signed and titled lower margin, 8 in. x 12 in., framed. $300/500 Provenance: Estate of Jane and Stewart Maunsell.

944. Ellsworth Woodward (American/ New Orleans, 1861‑1939), “Large Standing Nude with Bowl in Hand (Boyer 43)”, “Kneeling Nude (Boyer 41, fig. 17)” and “Standing Nude with Long Hair (Boyer 86, fig. 18)”, 3 etchings on paper, each initialed “E.W.” in plate, 8 in. x 8 in. to 9 1/2 in. x 8 in., unframed. (3 pcs.) $400/600

945. Ellsworth Woodward (American/New Orleans, 1861‑1939), “French Quarter Street Scene with Newsboy (Boyer 29, fig. 8)”, “Old French Market, Dumaine and St. Philip, off Decatur (Boyer 59)”, “St. Mary’s Market, New Orleans (Boyer 78)”, 1887, “Model A Ford and Garage (Boyer 49)” and “Rue Dumaine, Spanish Cottage (Boyer 75)”, 5 etchings on paper, each initialed “E.W.” and one titled and dated in plate, 5 in. x 6 3/4 in. to 5 3/4 in. x 7 3/4 in., unframed. (5 pcs.) $600/800 Additional information at www.nealauction.com

946. H. Alvin Sharpe (American/New Orleans, 1910‑1982), “Sail ho”, etching, pencil‑signed, titled and numbered “6/20” lower margin, 19 1/4 in. x 13 in., framed. $200/300

947. Robert Malcolm Rucker (American/Louisiana, 1932‑2001), “Light‑Filled Porch”, oil on canvas, signed lower right, 18 in. x 24 in., unframed. $600/800

949. E.J. Forrest (American/Louisiana, 20th c.), “Louisiana Bayou”, 1955, oil on canvas board, signed and dated lower right, signed, titled and dated en verso, 16 in. x 20 in., framed. $500/800

948. Arnold E. Turtle (British/New Orleans, 1892‑1954), “Tall Pine Tree and Grazing Cattle in the Mountains”, oil on canvas, unsigned, 24 in. x 30 in., unframed. $700/900 Provenance: Descended in the family of the artist.

950. Don Reggio (American/Louisiana, 20th c.), “On the Bogue Chita”, 1978, oil on canvas, signed and dated lower right, signed, titled and dated en verso, 16 in. x 20 in., framed. $300/500

951. Morris Henry Hobbs (American/ New Orleans, 1892‑1967), “Gizelda”, charcoal and graphite on paper, pencil‑signed and titled lower edge, 16 in. x 12 in., unframed. $400/600

952. Octavia Gayden Tullis (American/ Louisiana, 1881‑1970), “Magnolia Blossoms”, watercolor on paper, signed lower right, sight 19 1/2 in. x 14 in., framed. $300/500 953. Whitney J. Engeran, Jr. (American/New Orleans, 20th c.), “Moon Things Glowing”, oil on board, signed and titled en verso of backing paper, sight 18 1/2 in. x 25 1/2 in., framed. $400/600

956. Aryeh Rothman (Austrian/Israeli, b. 1921), “Untitled”, etching, pencil‑signed and numbered “21/30” lower margin, 12 1/2 in. x 10 1/4 in., framed. $150/250 Provenance: Joel Weinstock.

955. Billie Stroud (American/Louisiana, b. 1919), “Spring on Cane River”, 1975, oil on canvas board, signed and dated lower right, 18 in. x 24 in., framed. $200/300

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957. Alan Gerson (American/New Orleans, b. 1952), “Untitled”, 2002, silkscreen, pencil‑signed, dated and numbered “35/350” lower margin, sight 20 in. x 16 in., framed. $400/600

954. Burny Myrick (American/Louisiana, 20th c.), “Picking Cotton: Study for the Timeless River”, colored pencil on paper, pencil‑signed and titled lower right, “Crutchfields Art Gallery, Lafayette, LA” and “Johnson Hall Fine Art, Roswell, GA” labels and artist biography with provenance en verso, sight 21 in. x 26 in., framed. $200/300

958. Adolf Dehn (American/Minnesota, 1895‑1968), “Boats and Dunes, Martha’s Vineyard”, 1934, lithograph, pencil‑signed lower right, sheet 11 1/2 in. x 16 3/4 in., framed. $75/150

961. DeLatte Blown Glass Fluted Vase, early 20th c., marked “DeLatte / Nancy”, orange and mottled blue design, h. 21 1/4 in., dia. 5 1/2 in. $300/500

959 Eugene Delcroix (American/New Orleans, 1891‑1967), “Lacy Balconies, Royal Street” and “Cathedral through Gateway”, 2 hand‑colored photographs, each pencil‑signed and titled on mat board, “Holmes Art Gallery, NOLA”, “Downtown Frames & Pictures Co., NYC” and “Korzendorfer‑Bick Picture & Frame Co., St. Louis” labels en verso, sheets 10 in. x 8 in. and 10 in. x 7 1/2 in., unframed. (2 pcs.) $100/200

960. Two Decorative New Orleans Prints, 20th c., color reproduction of Bachman’s “Bird’s Eye View of New Orleans” and a New Orleans map after Jefferys, sight 16 in. x 20 1/2 in. and 13 1/2 in. x 19 1/2 in., framed. $200/300 Provenance: Estate of Jane and Stewart Maunsell.

962. Steuben Glass Centerbowl, 20th c., signed, scroll handles, h. 4 3/8 in., w. 14 in., d. 10 3/4 in. $250/350 Provenance: Estate of Jane and Stewart Maunsell.

963. Scottish School, 20th c., “Back of Ben Cruachen, from up Loch Etive” and “River Etive about 6 1/2 miles from...”, 2 watercolors on paper, both unsigned, each pencil‑titled en verso, 10 in. x 14 in., unframed. (2 pcs.) $150/250 Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans.

965. Charles A. Vanderhoof (American, 1853‑1918), “Landscape with Sailing Ship”, 1900, oil on panel, signed and dated lower right, pencil‑inscribed and dated en verso, 10 in. x 14 in., framed with artist plaque. $300/500

964. Antique Italian Polychromed and Gilt Trumeau Mirror, scrolled crest, scenic reserve, molded surround, paneled mirror plate, h. 55 1/4 in., w. 36 1/4 in. $500/800

966. Continental School, 1914, “Harem Scene”, oil on board, indistinctly signed and dated lower right, 24 in. x 22 in., framed. $1000/1500

967. American Carved Oak Bench, probably late 19th c., carved reserve of a Deacon surmounted by a foliate crest, barley‑twist supports, seat with storage compartment, lobed feet. $400/600 Provenance: By repute, a New Orleans church; the Zigler Family, New Orleans.

Additional information at www.nealauction.com

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968. Monumental American Carved Oak Conference Table, molded top, two drawers on opposing ends, foliate‑carved frieze and bulbous turned legs, ball feet, h. 31 in., l. 144 in., w. 59 in. $500/700 969. Paris Gilt and Polychrome Porcelain Flare Vase, 19th c., molded with flowers and scrollwork and painted with floral reserves, h. 11 in., w. 16 1/4 in., d. 9 1/2 in. $300/500

970. Pair of Continental Bisque Porcelain Vases, 19th c., reticulated basketweave mouths, grape and grape leaf handles, neck and body encrusted with grapes, leaves, tendrils, and vines, h. 10 1/2 in. $300/500

971. Three German Porcelain Figural Groups and Figures, late 19th c., incl. 2 Meissen, crossed swords marks, first modeled as Cupid making tea, model no. C97, h. 4 1/8 in., w. 4 1/4 in., other as a maiden with flowers, h. 5 1/4 in., and 1 Berlin, sceptre mark, modeled as a dandy with flowers, h. 6 in. Note: Cupid and dandy with small losses. $300/500

Provenance: Estate of Jane and Stewart Maunsell.

973. Set of Six Paris Porcelain Pôts‑de‑Crème on Stand, 19th c., branch and bud finials, monogrammed “FWT”, cup h. 3 1 4 in., tray w. 12 1/4 in., d. 7 3/4 in (13 pcs.) $250/350 Provenance: Estate of Jane and Stewart Maunsell.

974. Two Meissen Porcelain Domestic Figural Groups, late 19th c., crossed swords marks, model nos. C41 and 2814, respectively modeled as a boy feeding ducks and a girl feeding chickens, h. 4 3/4 in. and 4 1/2 in. Note: Lacking one duck head and girl’s basket. $150/250

Provenance: Michael Carbine, New Orleans.

977. Continental Painted Porcelain Plaque of Hibiscus, early 20th c., 13 in. x 9 1/2 in., framed. $200/300 979. Continental Carved Giltwood Candlestick Lamp, foliate decoration, electrified, h. 10 in. $250/350

980. Continental Crème Peinte Trumeau Mirror, 19th c., h. 64 1/2 in., w. 68 in. $700/1000

981. American Classical-Style Library Armchair, blue leather upholstery, flared tapered legs. $150/250 982. American Federal-Style Mahogany Wing Chair, 19th c., scrolled arms, casters. $150/250

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975. Herend Polychrome and Gilt Porcelain Duck Group, marked, h. 5 3/4 in., w. 11 in. $500/700

978. American Sterling Silver Footed Bowl, Meriden Britannia, mid‑20th c., h. 3 1/8 in., dia. 10 in., together with a sterling bowl and associated underplate, dias. 9 3/8 in. and 9 1/4 in., total wt. 27.80 troy ozs. $300/400

976. Antique Brass Candlestick Lamp, 19th c., h. to socket 13 in. $250/350

Provenance: Michael Carbine, New Orleans.

972. C. G. Schierholz & Sohn Polychrome Porcelain Reticulated Centerpiece, early 20th c., blue Plaue mark, exterior molded with ribbons and garlands, interior painted with floral meanders and sprays, h. 5 1/8 in., w. 12 1/2 in. $250/350

984. Georgian Mahogany Tea Caddy, 19th c., tripartite interior, h. 6 1/2 in., w. 12 3/4 in., d. 6 1/2 in. $150/250

985. Two Tôle Peinte Tea Canisters, each decorated with chinoiserie scenes, one marked “Made Italy”, h. 16 1/2 in. and 14 in., mounted as lamps, h. (to socket) 26 1/2 in. and 18 in. $100/200

986. Two Tea Canisters, larger leather clad painted with an armorial shield; smaller tôle peinte with chinoiserie scenes, h. 15 1/4 in. and 12 1/2 in., mounted as lamps, h. (to socket) 18 3/4 in. and 15 1/4 in. $100/200

983. Six American Samplers, 19th c.; together with a needlepoint of St. George, from 11 in. x 8 in. to 16 in. x 11 in., all unframed. $500/700

988. Antique Copper Pot and Two Late Georgian Brass Weights, four and seven pound weights, pot h. 8 in., dia. 11 in. $250/350 Provenance: Jas A. Gundry, 823 Royal St., New Orleans.

987. Two English Salt Glazed Tobacco Jars, 19th c., banners marked “BIRDSEYE” and “SHAG”, floral design, tin lids, h. 7 7/8 in., dia. 5 3/4 in. $200/300

989. Copeland Parian Figure of “Sabrina”, 19th c., marked “Marshal Fect/ Copeland”, h. 11 1/2 in., w. 8 1/2 in., d. 4 3/4 in. $150/250 Ill.: Atterbury, Paul. The Parian Phenomenon. Somerset, 1989, p. 143, fig. 496.

991. American Gilt Bronze Solar Lamp, c. 1850, attr. to Hooper and Company, Boston, fluted column on stepped base, lobed frosted globe shade, h. 25 in. $700/1000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

992. American Pewter Kerosene Lamp, c. 1850, base stamped “Endicott & Sumner”, inverted pear‑form font, molded base, h. 14 in. $500/700

990. Parian Group of Woman with Dog, 19th c., unmarked, h. 12 in., x w. 7 1/2 in., d 7 1/4 in. $150/250

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

994. Mary Gregory Painted Cranberry Glass Pitcher and Six Glasses, decorated with children in landscapes, pitcher h. 9 7/8 in., glass h. 6 in. $500/700

993. Victorian Brass Columnar Oil Lamp, swirl molded ruby glass font, electrified, h. to socket 24 in. $150/250

995. American Federal Birdseye Maple Chest of Drawers, early 19th c., four graduated drawers, turned legs, ball feet, h. 39 in., w. 41 7/8 in., d. 21 in. $500/800 Additional information at www.nealauction.com

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997. American Federal Maple and Walnut Stand, early 19th c., one drawer, delicate turned legs, h. 27 1/2 in., w. 18 3/8 in., d. 15 1/4 in. $200/300 Provenance: Texas Hill Country Ranch.

998. American Late Classical Mahogany Drop‑Leaf Work Table, 19th c., two drawers, paneled vasiform standard, plinth base, scrolled legs, casters, h. 28 1/2 in., w. 19 1/2 in., d. 17 7/8 in. $150/250

996. American Tiger Maple Four Poster Rope Bed, 19th c., turned posts with spherical finials, rolling pin crest, paneled head and foot board, conforming rails, bulbous turned legs, flattened disc feet, h. 52 in., l. 76 in., w. 50 in. $500/750

999. American Late Federal‑Style Carved Mahogany Breakfast Table, 19th c., drop-leaf top, molded frieze, pineapple carved standard, outswept reeded legs, cuff casters, h. 29 in., w. 38 1/2 in., d. (closed) 21 in. (open) 50 in. $250/350

Provenance: Estate of Jane and Stewart Maunsell.

1000. Colette Pope Heldner (American/ New Orleans, 1902‑1990), “Swamp Idyll (Louisiana Bayou Country)”, oil on canvas, signed lower left, signed and titled en verso, 40 in. x 34 in., framed. $600/800

1003. Willem Dieperink‑Langereis (American, 20th c.), “Laud am my Shepud”, mixed media on paper, signed lower left, 14 1/2 in. x 18 in., framed. $300/500

1001. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Portrait of a Woman”, ink and watercolor on paper, initialed lower right, signed en verso, 5 1/2 in. x 4 1/2 in.; “European Street Scene”, pencil on paper, unsigned, 10 in. x 7 1/4 in.; and “Portrait of a Man”, 1891, ink on paper, signed, dated and inscribed “Munchen” lower right, 6 1/2 in. x 9 3/4 in., 2 framed. (3 pcs.) $250/350

1004. American School, 20th c., “Dock Scene”, oil on board, signed “H.B. Fuller” lower left, titled en verso, 9 1/2 in. x 12 3/4 in., framed. $500/800

1006. John Leone (American, 1929‑2011), “Horse and Wagon near a Farm in Winter”, oil on board, signed lower right, 12 in. x 15 in., framed. $800/1200

1002. Nura Woodson Ulreich (American/ Missouri, 1899‑1950), “Beth, Bob and Rover”, watercolor on illustration board, signed lower right, signed, titled and inscribed “Vanity Fair 2358c” en verso, 17 1/4 in. x 15 in., framed. $300/500

1005. Leonard Howard Reedy (American/Illinois, 1899‑1956), “Cowpony in Winter”, watercolor, signed lower right, pencil‑titled on mat board, printed biography from “Contemporary Artists Review, 1940”, and 2 labels with artist and title en verso, sight 8 in. x 11 1/4 in., framed. $150/250

1007. Attributed to Orlando V. Schubert (American, 1844‑1928), “Coastal Run”, oil on unstretched canvas, unsigned, sight 7 3/4 in. x 9 1/2 in., framed. $300/500

1008. (Detail) American School, early 20th c., “Landscape with Winding Road”, watercolor on paper, signed “Osborn” lower right, 6 3/4 in. x 11 3/4 in., framed. $150/250 Provenance: Estate of Jane and Stewart Maunsell.

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1009. Ellsworth Woodward (American/New Orleans, 1861‑1939), “French Quarter” and “Apple Trees”, 2 drypoint etchings, each signed in plate lower right and one pencil‑signed and titled lower margin, 5 3/4 in. x 7 1/2 in. and 5 3/4 in. x 8 1/2 in., framed alike. (2 pcs.) $300/400

1013. Five American Framed Samplers, 19th c.; together with a needlepoint memento mori, from 11 in. x 10 in. to 15 in. x 15 in. $500/700

1010. Bernard Brussel‑Smith (American, 1914‑1989), “Descent”, 1948, “The Boxer”, 1948, and “Breaking Bread”, 1942, 3 wood engravings, each pencil‑signed, titled and numbered lower margin, 6 1/4 in. x 4 1/2 in. to 8 1/2 in. x 5 1/2 in., one framed. (3 pcs.) $500/800

1011. Kenneth Hayes Miller (American/New York, 1876‑1952), “Leaving the Shop”, 1929, and “Three Shoppers”, 1936, 2 etchings on paper, former pencil‑signed and titled lower margin, latter “American Artists Group Kenneth Hayes Miller K.H.M. 1936” stamp en verso, 8 in. x 10 in. and 5 1/4 in. x 6 3/4 in., one framed. (2 pcs.) $500/800

1014. Antique English Oak Biscuit Box, 19th c., with ceramic interior; together with octagonal copper box, hinged lid fitted with a box turtle shell, tallest h. 11 in. $150/250

1015. American Carved Wood Vase and Candle Stand, vase surmounted by two phoenix and carved with birds and foliage, h. 16 in., dia. 11 1/2 in.; candle stand with traces of old paint, h. 24 in. $125/175 Provenance: Found in Taos, New Mexico.

1017. A. Hays Town Tôle Peinte Lantern, 20th c., three light fixture, electrified, h. 23 1/2 in., w. 10 in., d. 10 1/2 in. $500/700

1018. American Classical Carved Rosewood “Voltaire” Armchair, mid‑19th c., school of Duncan Phyfe, New York, arched crest, padded back, arms and seat, S‑scroll supports, saber legs, casters. $300/500

1020. Carl Broderick (American/San Francisco, 20th c.), “Rooms”, oil on canvas, signed lower left, signed and artist label en verso, 30 in. x 24 in., framed; accompanied by “The Window”, oil on masonite, signed lower left, artist label en verso, 5 in. x 5 in., framed. (2 pcs.) $300/500 .

1012. Four Etchings, 19th and 20th c., incl. Paul‑Emile Leterrier (French, 19th c.), “Cattle by Stream”; Henry Alvin Sharpe (American/New Orleans, 1910‑1982), “Fan Window”; Willie Lucille Reed Rowe (American/New Orleans, 1914‑1986), “Le Petit Salon from Pirate’s Alley, New Orleans”; and Andrew Karoly (Hungarian/American, b. 1896), “The Great Clock of Rouen”, some pencil‑signed, titled with date lower margin, 6 7/8 in. x 4 7/8 in. to 12 3/4 in. x 9 1/4 in., framed. (4 pcs.) $200/300

1016. American Brass‑Mounted Frosted and Cut Glass Hall Lantern, early 20th c., three‑light fixture, electrified, h. 20 in., dia. 11 in. $250/350

1019. Two Louis XV‑Style Carved Walnut Fauteuils, with floral crests, upholstered in blue silk brocade, h. 39 1/2 in., w. 24 1/4 in., d. 18 1/2 in. $400/600

1021. Continental School, 19th c., “Two Figures on Path in the Woods”, oil on panel, indistinctly signed lower left, 9 1/2 in. x 7 in., framed. $200/300

Additional information at www.nealauction.com

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1022. Roger Holt (American/Connecticut, 1905‑1979), “Snowy Street Scene”, oil on canvas board, signed lower right, 12 in. x 16 in., framed. $250/350

1023. Frances Washington Delahanty (American, 20th c.), “Deer Hunter on Horseback”, watercolor on paper, signed lower right, 9 in. x 17 in., framed. $150/250

1026. George “Pop” Hart (American/Illinois, 1868‑1933), “Women Sitting”, drypoint etching, pencil‑signed lower right, 8 1/2 in. x 8 3/4 in.; Louis Oscar Griffith (American/Indiana, 1875‑1956), “Paris”, drypoint etching, pencil‑signed lower right, 6 1/2 in. x 5 in.; James Carl Hancock (American/Arkansas, 1898‑1966), “Pirates Alley, New Orleans”, etching pencil‑signed lower right, 12 1/2 in. x 9 in.; together with “Tree”, drypoint etching, unsigned, 10 1/2 in. x 9 in. and 2 postcards of a New Orleans woman, 5 1/2 in. x 3 3/4 in., unframed. (6 pcs.) $150/250 Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans. 1025. Miss Smith (British, 19th c.), “Strelitza Regina or Queen Plant” and “Dahlia”, 2 hand‑colored aquatints on paper from Studies of Flowers from Nature, sights 12 1/2 in. x 10 in., framed alike. (2 pcs.) $100/200

1024. American School, late 19th/early 20th c., “Posthumous Portrait of a Girl”, oil on canvas, unsigned, 24 in. x 20 in., framed. $200/300 Provenance: Dart/McCloskey Family, New Orleans

1027. Pair of Antique Decorative Pictures, “Family in a Tent” and “Figures and Cattle by a Stream”, 2 oil enhanced prints on panel, 3 in. x 5 in. and 2 1/2 in. x 5 1/2 in., framed alike. (2 pcs.) $150/250 Provenance: Estate of Jane and Stewart Maunsell.

Provenance: Didier, Inc., New Orleans, LA.

1028. John Wilson Carmichael (British, 1799-1868), “Figures Gathered around a Wreckage”, 1839, watercolor on paper, signed and dated lower right, 11 3/4 in. x 17 in., framed. $300/500 Provenance: Estate of Thomas Greene Collins, Jr., Arabi, LA.

1032. Continental Polychromed Metal Urn Lamp, 19th c., h. to socket 13 in. $250/350 Provenance: Michael Carbine, New Orleans.

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1033. French Enameled Glass Lamp, 19th c., floral decoration, h. to socket 17 in. $150/250

1029. French School Portrait Miniature of a Lady in 18th c. Dress, watercolor, oval 3 1/4 in. x 2 1/2 in., framed. $300/500

1030. Continental Polychrome Bisque Figural Group, 19th c., modeled as two maidens walking in an embrace, waisted socle base, h. 18 in. $150/250

1034. Group of Continental Glass Pieces, incl. verre de soie vase, cameo glass beaker, Daum salt, small Gallé vase, and an iridescent vase, tallest h. 11 3/4 in. $400/600

1031. Antique Santa Fe Carved and Polychromed Wood Crucifix, h. 21 1/8 in. $400/600

1035. Two American Brilliant Cut Glass Vases, footed one marked “Clark”, tallest h. 14 in. $150/250 Provenance: Estate of Jane and Stewart Maunsell.

1038. [Mardi Gras], Rex, grand stand pass, issued by City Council of New Orleans and Mayor Behrman; Rex, admit card, theme “Chronicles of Fairy Land - Fantastic Tales for Young and Old”, Feb. 26th, 2895; Rex, partial ball invitation, theme “The Four Elements”, Feb. 19th, 1880; Rex, admit card, 1974; “The Carnival of New Orleans”, pamphlet by Col. George Soule, Rex, 1887; Krewe of Cynthius, ball favor pin, 1947 and Krewe of Hermes, ball favor pin, 2000, each stamped “sterling” en verso, Krewe of Hermes, ball favor pin, 1968; Maid’s Tiara, 1973; and Rex, ducal badge ribbon, 2000. $200/300 1036. [Mardi Gras], Krewe of Proteus, 2 Silver Anniversary ball programs and envelope, Feb. 26th, 1906, theme “The Inspiration of Proteus”, designed by Bror Anders Wikstrom, (3 pcs.) $150/250 Ill.: Schindler, Henri, Treasures of Mardi Gras: Invitations of the Golden Age, Gretna: Pelican Publishing Co., 2000, p. 139.

1037. [Mardi Gras], Krewe of Proteus, ball invitation and photograph (copy) of Proteus Queen Louise Anna Wiltz, Feb. 25th, 1895, theme “Asgard and the Gods”, framed together (2 pcs.) $150/250 1040. Selina Elizabeth Bres‑Gregory (American/New Orleans, 1870‑1953), “Dutch Man Carrying a Basket and Jug with a Shoulder Pole”, 1895, watercolor on paper, signed and dated lower right, 15 in. x 10 1/2 in., framed. $100/200

1039. [Mardi Gras], two krewe favors, incl. Mithras, 1960, sterling silver pin tray, l. 4 1/4 in., and Atlanteans, 1956, silverplate tastevin. $100/200 Provenance: Estate of Jane and Stewart Maunsell.

1042. Large Shearwater Art Pottery Group, late 20th/21st c., incl. plate, “Woman with Children” by Christopher Inglis Stebly (b. 1967), signed and dated, 2005, dia. 9 3/4 in.; 5 bowls, variously glazed, largest h. 3 1/4 in., dia. 12 1/8 in.; and 11 animal figures, incl. 4 Canada goose wall hangings, dog, panda toothpick holder, fish pendant, chicken, rooster and guinea hen, marked, largest h. 5 in., w. 6 1/4 in., d. 1 1/4 in. (17 pcs.) $400/600

1043. Rookwood “Limoges” Glazed Pottery Pillow Vase, 1882, impressed “Rookwood / 1882‑98”, incised decorator’s cipher “MR” for Martin Rettig followed by “II”, each side decorated with bamboo and a swallow or a duck in flight, h. 4 1/4 in., w. 4 in. $200/300

1041. William Arnold (American/Louisiana, 1902‑2006), “Bayou Cabin and Live Oak Tree”, 1987, oil on board, signed lower right, signed and dated en verso, 7 3/4 in. x 9 3/4 in., artist embellished frame. $150/250

1044. North Carolina Jugtown Ware Salt Glazed Pottery Bowl, impressed mark, orange speckled glaze, h. 4 1/8 in., dia. 13 1/2 in. $150/250

1047. Antique English Porcelain Partial Tea Service, cobalt and peach grounds with gilt diapering, incl. 5 teacups, 4 coffee cups, 6 saucers, teapot, teapot stand, creamer, waste bowl, and dish, teapot h. 6 in. (20 pcs.) $150/250

1045. Eagle Pottery Company Niloak Mission‑Swirl Pottery Vase, c. 1910‑1940, Benton, Arkansas, impressed Niloak mark, marbled blue, brown and cream clay, h. 6 1/4 in. $150/250

1046. Two English Molded Pottery Pitchers, early 20th c., incl. drabware example with two children, h. 9 5/8 in., and grapeleaf example with pewter, h. 8 1/2 in. $200/300 Provenance: Estate of Jane and Stewart Maunsell.

Additional information at www.nealauction.com

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1048. Bishop & Stonier Blue and White Ironstone Pitcher and Basin, 19th c., marked “Oriental Ivory” and “Ellesmere”, transfer decorated with ribbon‑tied floral garlands, pitcher, h. 10 1/4 in.; basin h. 4 7/8 in., w. 17 1/2 in., d. 14 in. $100/200

1049. Antique Mother‑of‑Pearl Inlaid Opera Glasses, labeled “Mignon, Paris”, in fitted case; together with two Tiffany & Co. Makers sterling silver nut dishes, pattern introduced 1898, l. 1/8 in., and sterling silver “Moss Rose” hand mirror, as is, l. 10 3/8 in., total silver wt. 5.4 troy oz. (4 pcs.) $150/250

1050. Early Victorian Églomisé and Etched Picture of Musicians Playing in a Courtyard, 10 in. x 12 1/2 in. $100/150 1053. New Orleans Vargas Family Waxwork Figure of a Mexican Gourd Carrier, c. 1880s, well‑modeled, individual face, probably by Francisco Vargas, Sr., for the World’s Industrial and Cotton Centennial Exposition series depicting Mexican peasant life, paper label “made by Francisco Vargas” and carved “V”, h. 11 1/2 in., dia. 5 in. Note: Small loss to one hand. $400/600

1051. Near Eastern Copper Brazier, petal rim, dia. 18 in.; together with copper coal bucket, twisted bail handle, dia. 14 1/2 in. (2 pcs.) $100/150 Provenance: Texas Hill Country Ranch.

1052. Pair of Federal‑Style Brass Andirons, 20th c., Harvin & Co., h. 26 in., w. 10 3/4 in., d. 21 in. $300/500

1054. Continental Polychromed Plaster Blackamoor, early 20th c., modeled standing before a tree stump carrying a water vessel, h. 27 1/2 in. $200/300

1055. Two Meerschaum Carved Pipes, one with a horse, other with two dogs, l. 6 1/4 in. and 3 1/2 in., cases; together with two carved wood pipes, one with dog, other with lizard, as is, l. 4 in. and 3 in. (4 pcs.) $50/100

1056. Pair of American Gilt Brass Single‑Light Girandoles, mid‑19th c., attr. to Starr, Fellows & Co., New York, patent mark, “Patriotic Trophy” standard, stepped marble plinth, cut crystal prisms, h. 15 in., w. 7 in. $100/200

1057. American Gilt Brass Three‑Piece Girandole Garniture, mid‑19th c., possibly Starr, Fellows & Co., New York, standard cast as a mother and child at a well, stepped marble plinth, cut crystal prisms, centerpiece h. 17 in. $100/200

1058. Two American Bronze Solar Lamp Bases, c. 1855, with portrait medallions of George Washington, one with drilled font, tallest h. 19 in. $200/300 1059. American Gilt Bronze Solar Lamp, c. 1850, marked “Hooper, Boston”, tapered fluted column on marble base, frosted and cut glass globe shade, h. 15 in. $700/1000

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

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1060. Blue Cut‑to‑Clear Glass Table Lamp, with swirlmolded Baccarat base, h. to socket 18 in. $150/250

1061. [Louisiana Historical Society], Publication of the Louisiana Historical Society, 1895‑1917, volumes 1‑10 (lacking vol. 4); and The Louisiana Historical Quarterly, 1917‑1947, volumes 1‑47 (lacking vols. 2, 35‑37, and 41‑43), 49 volumes total, all uniformly bound in red cloth with gilt lettering. Note: Sold to benefit the Louisiana Historical Society. $600/900

1064. German Violin and Case, 20thc., “Copy of Antonius Stradivarius”, with Glasser bow. $75/150

1062. [New Orleans Illustrated], Jewell’s Crescent City Illustrated. The Commercial, Social, Political and General History of New Orleans, including Biographical Sketches of its Distinguished Citizens..., New Orleans, 1873, small folio, 340 pgs., over 175 illustrations. $200/300

1063. [Civil War Map], “Map of the Seat of War to Accompany the American Conflict”, Hartford, O.D. Case & Co., 1866, hand‑colored map, showing towns, villages, battlefields, forts, military routes, canals and railroads, 25 3/4 in. x 36 1/2 in., unframed. $150/250

1065. Chinese Elmwood Compound Cabinet, 20th c., upper case with 2 doors opening to shelf interior, lower case with 2 doors opening to medial drawers, openwork frieze carved with Buddhist lions and brocade balls, h. 103 in., w. 41 1/8 in., d. 20 3/4 in. $400/600 Provenance: Uptown New Orleans Collection.

1066. Pair of Chinese Hardwood Plant Stands, inset circular top, openwork dragon frieze, scroll legs carved with dragons, low openwork shelf, h. 36 1/2 in. $300/500

1067. Chinese Ebonized Hardwood Armchair, 19th c., shaped top rail, openwork back splat carved with birds and lychee, shaped arms over scrollwork, inset plank seat, ruyi scroll apron, straight stretchered legs, h. 38 1/4 in., w. 24 5/8 in., d. 19 in. $200/300 Provenance: Uptown New Orleans Collection, acquired c. 2000.

Provenance: New Orleans Collector.

1068. Two Tribal Carved Wood Stools, one Oceanic, probably Sepik River, Papua New Guinea, h. 27 1/2 in.; other African, probably Asante, h. 13 1/8 in., w. 19 3/4 in. $500/750

1070. Chinese Export School, 19th c, “Female with Qin” and “Male with a Book”, 2 ink and color on pith paper, sight 5 in. x 3 in., matted and framed. (2 pcs.) $100/250

1069. Three Oceanic Carved and Painted Wood Masks, incl. Gara hook mask, h. 36 1/2 in.; mask with rope tassels, h. (excluding tassels) 17 in.; and mask with basketry surround, h. 17 1/2 in. $150/250

1071. David Lee (Chinese, b. 1944) “Return Sail”, 1977‑78, signed and artist stamp lower left, numbered “238/275” lower left, sight 25 in. x 20 in., framed. $150/250 Provenance: New Orleans Collector.

1072. French Fashion Print, c. 1868, hand‑colored lithograph, Plate No. 168, from “L’Illustrateur des Dames”, 10 in. x 8 in., carved black and giltwood frame. $100/150

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1073. Turkish Kuba Carpet, brown and ivory ground, repeating design, 3 ft. 7 in. x 6 ft. 10 in. $400/600

1074. Bokhara Carpet, green and red ground, repeating motifs, 9 ft. x 11 ft. 7 in. $400/600

Provenance: Kaskas Oriental Rugs, Inc., Austin, TX, 1983.

1077. Three Chinese Huxian Folk Paintings, 20th c., incl. “Picking Flowers”, “Yellow Ducks” and “White Ducks”, each gouache on paper, each signed, 21 5/8 in. x 31 in. and 21 1/2 in x 31 in. $300/500

1075. Heriz Carpet, cream and red ground, central medallion, floral vase design, 5 ft. x 8 ft. $500/700

1078. Five Chinese Huxian Folk Paintings, 20th c., incl. “Ducks and Lotus”, “Blue and White Ducks”, “Girl Goat Herder”, “Boy Goat Herder”, and “Boys Festival”, each gouache on paper, each signed, 15 in. x 21 in. to 15 1/2 in. x 21 1/2 in. $250/350

1076. Botemir Carpet, c. 1950, Iran, red ground, blue repeating designs, 7 ft. 4 in. x 11 ft. $400/600

1079. Four Chinese Huxian Folk Paintings, 20th c., incl. “Ducks and Figures”, “Fish and Lotus”, “Children Harvesting”, “Boy and Water Buffalo”, each gouache on paper, each signed, 15 in. x 21 in. to 15 1/2 in. x 21 1/2 in. $200/300

1081. Pair of Chinese White Glazed Porcelain Covered Jars, 20th c., bud finials, h. 11 1/4 in. $200/400 1082. Chinese White Glazed Porcelain Divided Bowl, base with two impressed seal marks, h. 3 1/8 in., dia. 6 5/8 in. $100/150

Provenance: Estate of US Air Force historian Oliver Lincoln “Linc” Hobson (1908‑1988), Shreveport, LA.

1080. Six Chinese Huxian Folk Paintings, 20th c., incl. “Fish beneath Fruiting Branches”, “Goats and Fruiting Branches”, “Figures with Bird Cages”, “Figures with Goats, Ducks and Bird”, “Figures Netting Fish”, and “Ducks beneath Fruiting Branches”, each gouache on paper, each signed, 21 in. x 15 in. to 21 1/2 in. x 15 3/4 in. $300/500

1083. Chinese “Blanc de Chine” Porcelain Figure of Guanyin, probably 20th c., modeled standing with a scroll in her left hand, base impressed “H.K.C / 515”, h. 11 3/8 in. $100/200 Provenance: Estate of Stephen G. Henry, Jr., Baton Rouge, LA. 1084. Pair of Chinese Polychrome Porcelain Ducks, mid‑20th c., bases with You Sang Sing factory marks, h. 10 1/4 in.; together with a pair of polychrome porcelain phoenix birds, h. 12 1/4 in. (4 pcs.) $100/200

Provenance: Estate of Thomas Greene Collins, Jr., Arabi, LA.

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1085. Japanese Noritake Polychrome and Gilt Porcelain Vase, c. 1891‑1911, blue maple leaf mark above Nippon, compressed body with scroll handles, decorated with a riverscape and beaded moriage highlights, h. 4 in., w. 8 1/2 in. $150/250

1086. Large Chinese Cloisonné Enamel Dragon Turtle, h. 9 1/2 in., w. 15 in. $150/250 Provenance: New Orleans Collector.

1087. Chinese Cloisonné Enamel Jardinière, brass loop handles, round body decorated with stylized taotie masks, stem foot, h. 9 3/8 in., w. 14 5/8 in. $150/250 Provenance: New Orleans Collector.

1089. Japanese “Famille Jaune” Porcelain Jar, 20th c., ovoid body decorated with birds and flowers, base marked “Nippon”, wood cover, h. 9 1/2 in. $100/150

1088. Pair of Chinese Tessellated Bone “Prancing” Horses, 20th c., caparisoned figures modeled in mirror image with one leg raised, h. 16 3/4 in., w. 15 3/4 in., mounted to wood stands, overall h. 17 3/4 in. $300/500

Provenance: “Villa Rose” Collection of Grace Collins Lindblom, Orlando, FL.

1091. Set of Three Antique Japanese Ritual Knives with Bone Handles and Sheaths, l. 12 1/4 in., 15 in. and 18 in., custom fitted wood box. $700/900

1090. Large Japanese Patinated Bronze Elephant Koro, Meiji Period (1868‑1912), caparisoned figure with detachable 2‑part pagoda with phoenix finial on back, saddle blanket with kirin, base with cast signature “Fukui Kichisani sei zo”, h. 20 1/4 in., w. 19 1/2 in., d. 8 in. $800/1200

1092. Eleven Vintage Wood Jigsaw Puzzles, c. 1940s‑1950s, incl. six by The Picture Puzzle Mart; three by J.K. Strauss; and two by Super‑Cut “Victory”, all boxed. $400/600

1093. American Renaissance Carved Walnut Center Table, late 19th c., molded top, paneled frieze, arched cabriole legs, casters. $200/400 Provenance: Dart Family, Kernan Grove, Clinton, LA.

1094. American Rococo Carved Walnut Extension Dining Table, c. 1860‑1870, oval top, molded frieze, cabriole legs, scrolled toes, three leaves. $600/900 Provenance: Trinity Plantation, Rosedale, LA.

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1095. Antique American Gothic Mahogany Stand, 19th c., scalloped top, shaped frieze with pendants, bobbin-turned supports, arched scrolled feet, h. 28 in., w. 21 in., d. 21 in. $150/300 Provenance: Estate of Jane and Stewart Maunsell.

1096. American Rococo Carved and Burled Walnut Dresser and Washstand, mid‑to‑late 19th c., probably Grand Rapids, arched cartouche crest, shaped sides, arched mirror, glove boxes, marble top, three paneled fruit carved drawers, canted bracket feet, wash stand with marble top and backsplash, drawer and cupboard below, dresser h. 94 1/2 in., w. 43 in., d. 18 3/4 in.; washstand h. 41 3/8 in., w. 30 in., d. 16 3/8 in. $500/700

1097. American Carved Walnut Chest of Drawers, late 19th c., Grand Rapids, MI, shaped backsplash, three paneled drawers with leaf‑carved pulls, conforming apron, bracket feet, h. 39 1/2 in., w. 38 1/4 in., d. 18 in. $150/250 Provenance: Texas Hill Country Ranch.

1100. Three American Glass Pieces, incl. amethyst and gilt barber bottle, owl pitcher, and Hawkes vase with sterling base, tallest h. 10 1/4 in. $300/500

1098. American Late Classical Carved Mahogany Armoire, 19th c., stepped cornice, two shaped paneled doors, two drawers, shaped apron, h. 88 in., w. 61 in., d. 19 in. $300/500 Provenance: Hemlock Hall, Beersheba Springs, Tennessee.

1099. American Carved Mahogany “Morris” Chair, late 19th/early 20th c., slat back, stiles with beehive finials, padded arms, spindled supports, square legs, stretchers, casters, plaid cushions. $100/200

1101. American Rococo Carved Mahogany Side Chair, late 19th c., foliate crest, vasiform splat, serpentine seat with crewel upholstery, cabriole legs, h. 32 3/4 in., w. 18 in., d. 20 in. $100/200 Provenance: Historic “Sally Mill”, Middleburg, VA.

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1102. American Renaissance Carved and Burled Walnut Washstand, late 19th c., rouge marble top, frieze drawer over a paneled cabinet and two drawers, blocked base, h. 27 in., w. 32 in., d. 17 1/2 in. $150/250

School of George Inness - In our qualified opinion, the work is of the period of the artist named, by a student or a follower of the artist, but not by the artist. Please note that all of the terms and descriptions used in this catalogue are intended as qualified opinions only and are subject to the Conditions of Sale and Limited Warranty set forth elsewhere. Neal Auction Company assumes no express or implied warranty with respect to these terms and descriptions, and they shall not be construed to be a warranty, representation or assumption of liability. Subject to the foregoing, with respect to authorship of works of art, the following terms shall have the following meanings:

Manner of George Inness - In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period. After George Inness - In our qualified opinion, the work is a copy of a known work of the artist named. Bears signature “George Inness” - In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist.

George Inness - In our qualified opinion, we believe the work is by the artist named. Attributed to George Inness - In our qualified opinion, we believe the work may be ascribed to the artist named on the basis of style and period, but our opinion is less certain than in the previous category. Signed “George Inness” - In our qualified opinion, the signature, monogram or other indication of authorship is a signature of the artist.

CONDITIONS OF SALE Placing a bid at auction constitutes buyer’s acceptance of and agreement to these Conditions of Sale. 1. WAIVER OF WARRANTY: All lots are sold “AS IS”. No statement regarding condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this catalogue or elsewhere, shall be construed to be an express or implied warranty, representation, or assumption of liability. Any such warranty is WAIVED. Regarding works of art, Neal Auction Company does not make any express or implied warranty as to authorship. No statement in the catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. Buyer agrees and acknowledges that: (a) buyer is not relying on Neal Auction Company’s skill or judgment in selecting to purchase any lot; (b) no oral or written statements in the catalogue of Neal Auction Company or elsewhere regarding condition, attribution, kind, quality, value or authorship are the cause of or reason behind buyer’s purchase of any lot; (c) buyer would have incurred the purchase of any lot regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (d) Neal Auction Company did not know and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why buyer decides to purchase any lot; (e) buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; and (f) Neal Auction Company did not know, nor should it have known, that any oral or written statement about a lot in the catalogue or elsewhere would cause a nonpecuniary loss to buyer. Notwithstanding the foregoing WAIVER OF WARRANTY, agreements and acknowledgements, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale on the basis of authenticity of authorship of a work of art under the following terms and conditions only, all of which must be met: A. Neal Auction Company shall not grant rescission regarding lots identified by Neal Auction Company by the terms “attributed to,” “school of,” “manner of,” “after,” or “signature of.” B. Neal Auction Company shall not grant rescission regarding any lot unless the buyer notifies Neal Auction Company in writing within 25 calendar days from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale. C. Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery. D. Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights of the original buyer are not transferrable or assignable. E. Neal Auction Company shall not grant rescission when: (i) there is a conflict of expert opinion as to the authorship; (ii) expert opinion supported authorship at the time of sale, although expert opinion may have changed after the date of sale; and (iii) scientific processes that were unavailable, expensive or impractical at the time of sale have revealed since the time of sale that the author or period Neal Auction Company believed to be accurate at the time of sale was inaccurate. F. In any dispute between Neal Auction Company and buyer regarding authorship of a work of art, it is stipulated that rescission of the sale and refund of the price paid shall be the buyer’s sole recourse or remedy, if any is available, and Neal Auction Company shall not be responsible or obligated for any damages (including compensatory, general, incidental, exemplary or special damages), non-pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorney’s fees, or any other monetary or injunctive relief. 2. The auctioneer shall have absolute discretion in determining the successful bidder. At the fall of the auctioneer’s hammer, title to the offered lot will pass to the bidder acknowledged by the auctioneer. The bidder thereupon assumes full risk and responsibility and will pay full purchase price for the said lot. 3. The auctioneer may decide that any original bid is not commensurate with the value of the article offered, or that any advance thereafter is not of sufficient amount, he may reject the same.

PLEASE VISIT NEALAUCTION.COM TO REQUEST AND VIEW CONDITION REPORTS, REGISTER TO BID LIVE ONLINE, AND SUBMIT ABSENTEE/TELEPHONE BIDS. 4. The auctioneer reserves the right to withdraw any item at any time before the sale of the item. 5. No merchandise will be released before the end of the auction. 6. If the buyer fails to comply with any of the Conditions of Sale, Neal Auction Company reserves the right to hold such defaulting buyer liable for the purchase price; to cancel the sale, retaining as liquidated damages any payment made by the buyer; resell the property without reserve at public auction or privately on seven days’ notice to the buyer or, take such other actions available by law as deemed necessary or appropriate. If Neal Auction Company resells the property, the original defaulting buyer shall be liable for the payment of any deficiency in the purchase price and all costs and expenses, including warehousing, the expenses of both sales, reasonable attorneys’ fees, commissions, incidental damages and all other charges due hereunder.

ABSENTEE/TELEPHONE BIDS

1. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Thursday prior to the auction. 2. All arrangements for bidding should be made as early as possible. Telephone bidding will be taken at the discretion of the Neal Auction Company. Each item must have a minimum low estimate of $500. 3. We assume no responsibility for failure to execute bids for any reason whatsoever. 4. We reserve the right to require that advance bids be accompanied by a 25% deposit.

PAYMENT

1. The successful bidder agrees to pay a buyer’s premium in the amount of 25% of the hammer price on each lot up to and including $200,000, plus 10% of the hammer price greater than $200,000. For payments made by cash, check or wire transfer within 15 days of the auction, the buyer’s premium shall be discounted 3% of this 25%. 2. Online bidding is available at a buyer’s premium in the amount of 28% of the hammer price. A cash discount is not available for purchases made online. 3. Unless exempt by law, the buyer will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price. 4. Documentation of tax exemption must be provided upon registration. 5. Payment in full must be made by the successful bidder within 15 days of the auction date. Interest charges will apply to invoices paid after this period expires. We reserve the right to require payment in full of the sales price at the moment of the successful bid. 6. VISA, MasterCard, Discover and American Express are accepted for invoices up to $25,000 per customer.

TERMS

Any customer not accredited by Neal Auction Company must present a letter of reference from their bank or other suitable source acceptable to Neal Auction Company. Neal Auction Company requires that the merchandise be held on premises until the check clears or money can be wired into the Neal Auction Company account.

SHIPPING

We will assist buyers in making shipping arrangements by furnishing information on packers and shippers. Handling of purchased items by us is at the risk of the buyer. Final shipping arrangements and agreements are strictly between the buyer and the shipper.

STORAGE

Unless other arrangements are made and confirmed in writing, all items must be removed within 15 days of the auction. On the first business day following that time period, items remaining in the gallery will be turned over to a storage facility. The buyer will be responsible for handling and storage costs. Handling costs will be a minimum of $50. Storage rates will carry a minimum charge of $50 per month per item. All items handled or stored will be at the buyer’s risk. Storage charges are accrued monthly and must be paid in full before items are released. We are not liable for any damage to items after the sale.

MANDATORY AND EXCLUSIVE FORUM SELECTION; AND CHOICE OF LAW

Any action of any nature brought by either party against the other in any court, whether federal or state, shall be brought exclusively in Orleans Parish, Louisiana. Each party agrees to submit to jurisdiction and venue in federal or state court in Orleans Parish, Louisiana, waives all questions of such jurisdiction or venue, and waives any rights to jurisdiction or venue in any other forum. Any dispute between the parties shall be governed by the law of the State of Louisiana, notwithstanding any conflicts of law principles.

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NealAuction AuctionCompany Company Neal Neal&Auction Auctioneers & Auction Appraisers Antiques & Fine Neal Auctioneers Appraisers of of Antiques Company &Company Fine ArtArt 4038 Magazine Street, New Orleans, 70115 4038 Magazine Street, New Louisiana 70115 Auctioneers Appraisers of Antiques & Fine Art Auctioneers && Appraisers ofOrleans, Antiques &Louisiana Fine Art s &AX s WWW NEALAUCTION COM s &AX s WWW NEALAUCTION COM 4038 Magazine Street, New Orleans, Louisiana 70115 4038 Magazine Street, New Orleans, Louisiana 70115 s &AX s WWW NEALAUCTION COM s &AX s WWW NEALAUCTION COM

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ConfidentialAbsentee Absentee/ Telephone / TelephoneBid BidForm Form Confidential Absentee /: TelephoneBid BidForm Form Absentee /: Telephone PLEASE REVIEW GUIDELINES FConfidential OR ABSENTEE TELEPHONE BIDDING LEASE REVIEW GUIDELINES FConfidential OR ABSENTEE && TELEPHONE PPlease Review Guidelines foR a bsentee & telePhone biddinGB: IDDING

15/06M 16/08M 18/06M 15/06M 15/06M 16/08M 15/06M

4 4ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE LEASE ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE P LEASE Rbidding EVIEW G UIDELINES FOR A BSENTEE TELEPHONE BIDDING : item must have a low estimate of $500 or more. REVIEW GUIDELINES ABSENTEE & TNeal ELEPHONE IDDING : Each I.P Telephone will be takenFOR at the discretion of& AuctionB Company. !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW 4 ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE 4ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE Absentee bids are gladly accepted for all items below $500. ! LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION Thursday ! LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW 2. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Thursday prior to the auction. )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE ! LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION 3. In !the event identical bids are submitted, the earliest bid received will take precedence. Thursday ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE A )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE 4. deposit must accompany all bids. A credit card number is required for securing your bids and will be charged if the invoice is not paid !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS within 15 days of auction date. ! LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN ! LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE 5. Auction addendum available prior to the auction on the website or via email. WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY ! LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN !LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN 6. All property is sold â&#x20AC;&#x153;AS ISâ&#x20AC;?. No statement regarding condition of any item, whether it is made orally at the auction or any other time, )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE orWRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY inWRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY writing in the catalogue or elsewhere, shall be deemed to be a warranty, representation or assumption of liability. )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE 7. In)N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE the event of discrepancies, lot number and not lot description will take precedence.

First Last First Last Name: _________________________ Name: ____________________________________Company: Company:__________________________ __________________________ Name: _________________________ Name: First Last ____________________________________ First Last Name:_________________________ _________________________Name: Name:____________________________________ ____________________________________Company: Company:__________________________ __________________________ Name: Address: ______________________________________________________________________________________________________ ______________________________________________________________________________________________________ Address: Address: ______________________________________________________________________________________________________ ______________________________________________________________________________________________________ Address: #ITY ????????????????????????????????????????????? ????????????????????????????????????????????? 0ROV 3TATE 0ROV 3TATE ??????????????????????? ??????????????????????? 0OSTAL 0OSTAL #ODE #ODE ???????????????? ???????????????? #ITY #ITY ????????????????????????????????????????????? ????????????????????????????????????????????? 0ROV 3TATE 0ROV 3TATE ??????????????????????? ??????????????????????? 0OSTAL 0OSTAL #ODE #ODE ???????????????? ???????????????? #ITY (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? Cell: (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? DealerResale# Resale# ________________________________ State __________ Email: __________________________________________________ Dealer ________________________________ State __________ Email: __________________________________________________ Dealers must provide Neal Auction Company with proper documentation prior bidding. Dealers must provide Neal Auction Company with proper documentation prior to to bidding. Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealer Resale# ________________________________ State __________ Email: __________________________________________________ -534 02/6)$% : : -534 02/6)$% Dealers must provide Neal Auction Company with proper documentation prior to bidding. Dealers must provide Neal Auction Company with proper documentation prior to bidding. -534 0ROVIDE: -534 0ROVIDE: Cash 0AYMENT Credit 0AYMENT Credit : -534 02/6)$% : Cash -534 02/6)$% Check Check 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? Method: Card Method: Card -534 0ROVIDE: -534 0ROVIDE: Cash Cash 7IRE 0AYMENT Credit 7IRE 0AYMENT Credit Check Check 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? Method: Card Method: Card Credit Card V-code:________ Credit Card V-code:________ )& 35##%33&5, PLEASE BILL MY CARD )& 35##%33&5, PLEASE BILL MY CARD 7IRE 7IRE Credit Card V-code:________ Credit Card V-code:________ )& 35##%33&5, PLEASE BILL MY CARD )& 35##%33&5, PLEASE BILL MY CARD .UMBER #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ?????????????????????????? .UMBER 4O 4O #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ??????????????????????????

.UMBER #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ?????????????????????????? 4O 4O #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ?????????????????????????? .UMBER ,OT $ESCRIPTION "ID !MOUNT OR 4ELEPHONE .O ,OT $ESCRIPTION "ID !MOUNT OR 4ELEPHONE .O ,OT ,OT

$ESCRIPTION $ESCRIPTION

"ID !MOUNT OR 4ELEPHONE .O "ID !MOUNT OR 4ELEPHONE .O

I understand that Neal Auction Company undertakes execution of absentee bids a convenience clients and is responsible inadvertent failI Iunderstand that Neal Auction Company undertakes the execution ofofabsentee bids as aa convenience for clients and is not notnot responsible forfor inadvertent failure understand that Neal Auction Company undertakes thethe execution absentee bids as as convenience forfor clients and is responsible for inadvertent failure execute bids, or any in execution Iread have read and agree to â&#x20AC;&#x153;Conditions Saleâ&#x20AC;? stated the catalogue. I understand that to to execute forfor any error thethe execution of of bids. I have read and agree to â&#x20AC;&#x153;Conditions thethe â&#x20AC;&#x153;Conditions of of Saleâ&#x20AC;? as as stated in in the catalogue. I understand toure execute bids, bids, or foror any error inerror theinexecution of bids. I bids. have and agree to the of Saleâ&#x20AC;? as stated inisthe catalogue. I understand thatthat Ia understand that Neal Auction Company undertakes the execution of absentee bids as a convenience for clients and not responsible for inadvertent failunderstand that Neal Auction Company undertakes the execution of absentee bids as a convenience for clients and is not responsible for inadvertent failure understand that Neal Auction Company undertakes the execution of absentee bids as a convenience for clients and is not responsible inadvertent failII Iaunderstand that Neal Auction Company undertakes the execution of absentee bids as a convenience for clients and is not responsible for inadvertent failure buyerâ&#x20AC;&#x2122;s premium will be charged each purchased at 22% to and including $200,000 plus 10% of the hammer price greater than $200,000. For buyerâ&#x20AC;&#x2122;s premium will becharged charged onon each lotlot purchased at 25% 22% upup to and and including $200,000 plus 10% of the hammer price greater than $200,000. For aure buyerâ&#x20AC;&#x2122;s premium will be on each lot purchased at up to including $200,000 plus 10% of the hammer price greater than $200,000. For ure execute or for any in the execution bids. Iread have read and agree to â&#x20AC;&#x153;Conditions of Saleâ&#x20AC;? stated in the catalogue. I understand that to to execute bids, orcash, forcheck any error inexecution thetransfer execution of15of bids. I of have read and agree toâ&#x20AC;&#x153;Conditions thethe â&#x20AC;&#x153;Conditions ofbe Saleâ&#x20AC;? as as stated in the catalogue. I No understand topurchase execute bids, orbids, for any error inerror the execution ofwithin bids. have and agree to the â&#x20AC;&#x153;Conditions of shall Saleâ&#x20AC;? asdiscounted stated in2.5% the catalogue. understand thatthat to execute bids, or for any error in the of bids. IIdays have read and agree to the of Saleâ&#x20AC;? as stated in the catalogue. II understand that purchase made by check or wire days of auction, the buyerâ&#x20AC;&#x2122;s premium 2.5% of this 22%. exceptions. made cash, or wire transfer within thethe auction, the buyerâ&#x20AC;&#x2122;s premium shall discounted ofthis this 22%. No exceptions. purchase made bybycash, check or wire transfer within 15 15 days of22% the auction, the buyerâ&#x20AC;&#x2122;s premium shall beofbe discounted 3%price of 25%. No exceptions. a buyerâ&#x20AC;&#x2122;s premium will be charged on each purchased at to and including $200,000 plus 10% hammer price greater than $200,000. For buyerâ&#x20AC;&#x2122;s premium will becharged charged oneach each lotlot purchased at25% 22% upup to and and including $200,000 plus 10% the hammer greater than $200,000. For buyerâ&#x20AC;&#x2122;s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% of of thethe hammer price greater than $200,000. For aaabuyerâ&#x20AC;&#x2122;s premium will be on lot purchased at up to including $200,000 plus 10% of the hammer price greater than $200,000. For purchase made by cash, check or wire transfer within 15 days of auction, buyerâ&#x20AC;&#x2122;s premium shall discounted of this 22%. No exceptions. purchase made cash, check orwire wire transfer within 15days days ofthe thethe auction, thethe buyerâ&#x20AC;&#x2122;s premium shall be be discounted 2.5% this 22%. Noexceptions. exceptions. purchase made bybycash, cash, check or wire transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium shall be discounted 3%2.5% ofof this 25%. No exceptions. purchase made by check or transfer within 15 of auction, the buyerâ&#x20AC;&#x2122;s premium shall be discounted 3% of this 25%. No

SignatureRequired Required Signature Signature Required Signature Required For Internal Use Only: For Internal Use Only:

Date Date DateFax Date Approved _____________Registered ___________ Entered ____________ Fax Form on before Friday, 1/31/15 Approved _____________Registered ___________ Entered ____________ Form on or before Friday, 1/31/15 Fax Form on or Friday,6/26/15 Fax Form on or before Friday, 9/23/16 Fax Form on oror Friday,6/26/15 to 504-617-6431 504-617-9990 to 504-617-6431 504-617-9990 to 504-617-6431 oror 504-617-9990 Clerks Initial _______________ Account # _________________ Confirmed ______________________ to 504-617-6431 504-617-9990 to 504-617-6431 504-617-9990 Clerks Initial _______________ Account # _________________ Confirmed ______________________ For Internal Use Only:Approved Approved _____________Registered ___________ Entered ____________ Fax Form on or before Friday, 1/31/15 For Internal Use Only: _____________Registered ___________ Entered ____________ Fax Form on or before Friday, 1/31/15 Fax Form on or Friday,6/26/15 Fax Form on or before Thursday, 5/17/18 Fax Form on or before Friday, 9/23/16 Fax Form on or Friday,6/26/15 229 229 to 504-617-6431oror 504-617-9990 504-617-6431 504-617-9990 to 504-617-6431 504-617-9990 toto 504-617-6431 504-617-9990 Clerks Initial _______________ Account # _________________ Confirmed ______________________ to 504-617-6431 504-617-9990 Clerks Initial _______________ Account # _________________ Confirmed ______________________ 229 229

114

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 s &AX s WWW NEALAUCTION COM

Auction Date: Auction Date: Auction Date: Sept. 24 &Feb. 25, 2016 Jan. 31 && 1, 2015 May 19 20, 2018 April 17-19, 2015

Condition Report Request Form PLEASE REVIEW GUIDELINES FOR CONDITION REPORT REQUESTS:

)TEMS MUST HAVE A MINIMUM LOW ESTIMATE OF #ONDITION 2EPORTS WILL NOT BE GIVEN VERBALLY 4HE #ONDITION 2EPORTS $EPARTMENT IS AVAILABLE TO TAKE REQUESTS TWO WEEKS PRIOR TO EVERY AUCTION 0HOTO REQUESTS WILL ONLY BE PROCESSED FOR ITEMS NOT ILLUSTRATED IN OUR CATALOGUE OR ON OUR WEBSITE AT WWW NEALAUCTION COM $ETAIL PHOTOS PROVIDED UPON DISCRETION #ONDITION 2EPORT 2EQUESTS SHOULD BE SUBMITTED BY FACSIMILE TO OR VIA THE ONLINE REQUEST FORM BY prior the startof of auction. prior totothe thethe auction. 7EDNESDAY . start !LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY

&IRST .AME ?????????????????????????????????????????????? ,AST .AME ?????????????????????????????????? #OMPANY ????????????????????????????? !DDRESS ???????????????????????????????????????????????????????? #ITY ??????????????????????????????????????????? 0ROV 3TATE?????????????????? 0OSTAL #ODE ?????????????????? (OME 0H ???? ??????????????????? 7ORK 0H ???? ?????????????????????? &AX ???? ????????????????????? %MAIL ??????????????????????????????????????????????????????

,/4

$%3#2)04)/.

30%#)!, 2%15%343

SELECT:

All reports will be sent via Fax or email

R &AX R %MAIL

Fax this formtoto504-897-3808 504-897-3808 on or before 05/16/18 Fax this form before Wednesday, Wednesday,1/28/15. 1/15/15. 09/21/16 228

115

It Really Works!

Utilitarian Objects, Beauty and Facility A U G U S T 2–5 , 2 0 1 8

•

THE FRENCH QUARTER

The 2018 New Orleans Antiques Forum will explore the items used and valued in daily life long ago. Participants will have the opportunity to learn from noted experts, tour private collections, and experience the fascinating sights, sounds, and flavors of the region. R EG I S T R AT I O N O P EN S J U N E 4 AT 9 : 3 0 A . M .

www.hnoc.org/antiques.htm or (504) 523-4662

presented by

The Historic New Orleans Collection MUSEUM • RESEARCH CENTER • PUBLISHER

Rim and body sherds of a pot; tin-enameled earthenware (Seine polychrome); between 1720 and 1760; recovered from Seignouret-Brulatour House, 16OR686; The Historic New Orleans Collection, 2016.0145.1.112

116

Topics and Speakers Happy Birthday, Mr. Chippendale Tom Savage, moderator, Winterthur Museum, Garden and Library Workaday Things: Beauty of the Utilitarian John H. Lawrence, The Historic New Orleans Collection Treasures on Trial: The Art and Science of Detecting Fakes Linda Eaton, Winterthur Museum, Garden and Library Crafting Creole Architecture Eugene D. Cizek, Tulane School of Architecture (emeritus) From Olive Jars to Armoires: Form and Function in Early Louisiana Philippe Halbert, PhD candidate, Yale University “Useful and Ornamental Goods”: British Ceramics for Home and Garden Leslie Lambour Bouterie, independent researcher Concealed: The Notes and Knots of Classical Furniture in Mississippi Alexandra A. Kirtley, Philadelphia Museum of Art Young Scholar Presentation: Making Clothing Work: Garments for Life in the Deep South, 1750–1865 Tyler Rudd Putman, Museum of the American Revolution The Art of the Hunt: Embellished Sporting Arms in America Ashley Hlebinsky, Cody Firearms Museum, Buffalo Bill Center of the West New Acquisitions at The Historic New Orleans Collection Lydia Blackmore, The Historic New Orleans Collection Raised Testers and Pavilions: Beds in the Southern States Natalie Larson, textile historian and owner, Historic Textile Reproductions More Than They Appear: Furniture that Transforms and Conceals Sarah Duggan, The Historic New Orleans Collection

This event is presented with support from

Additional information at www.nealauction.com

117

May 19 & 20, 2018

•

Artist Index

A Adam Aaronson, 797 Conrad Albrizio, 280 Henry Thomas Alken (aft), 418 American School, 282, 283, 285, 812, 1004, 1008, 1024 James McConnell “Mac” Anderson, 917-919 Walter Inglis Anderson, 229 William Arnold, 1041 John James Audubon, 203 Luis Cruz Azaceta, 634 B Babet Bailey, 657A George Bellows, 647 Thomas Hart Benton, 243 George Biddle, 293 Angel Botello, 57 Francois Boucher (mnr), 699 Douglas Bourgeois, 648 Selina Elizabeth Bres-Gregory, 1040 British School, 183, 768, 872 Carl Broderick, 1020 D. Crosby Brown, 937 Rick Brunner, 663 Bernard Brussel-Smith, 1010 Andrew Bucci, 903-905 Steele Burden, 276 Marie Butler, 936 C Xavier de Callatay, 651 Albert Jean Camille, 930 Thor Carlson, 274, 275 John Wilson Carmichael, 1028 Joachim Casell, 220, 221 George Frederick Castleden, 211, 299, 300 Mark Catesby (aft), 306 Chinese Huxian Folk Art School, 1077-1080 Chinese School, 513, 514, 827, 828, 1070 Continental School, 134, 137, 153, 287, 289, 700, 703, 728, 869, 870, 939, 940, 966, 1021 Guillaume Coustou (aft), 726 Jose-Maria Cundin, 264, 281 D J. Dauvergne (aft), 148 Adolf Dehn, 958 Frances Washington Delahanty, 1023 Eugene Delcroix, 959 John Stockton De Martelly, 941 Willem Dieperink-Langereis, 1003 Wan Ding, 575-578 Eduoard Drouot (aft), 77 Alexander John Drysdale, 234, 240, 901, 902, 910, 921 Robin Durand, 925 George Valentine Dureau, 639, 650 Caroline Wogan Durieux, 61-63, 65 E Mary Lee Eggart, 273 Fritz Eichenberg, 292 Marcus Elbeco, 284 Lin Emery, 268 Whitney J. Engeran, Jr., 953 Romain de Tirtoff (Erte), 59 F Lois Fine, 60 Alan Flattmann, 920 E.J. Forrest, 949 French School, 286, 701, 702, 938, 1029, 1072 Nestor Hippolyte Frugé, 935

118

G Alan Gerson, 957 Jan Gilbert, 664 Robert Gordy, 649 John Gould, 290 Louis Oscar Griffith, 262 William Gropper, 305 H Hermann Haase (aft), 738 Theora Hamblett, 230-233, 235 James Carl Hancock, 931 Herbert Hanush, 929 George “Pop” Hart, 1026 Colette Pope Heldner, 900, 911, 914, 1000 Knute Heldner, 899 Carrie Hill, 906 Morris Henry Hobbs, 260, 301, 897, 951 Roger Holt, 1022 Clementine Hunter, 209, 238, 239, 907 Alfred Heber Hutty, 241 I Italian School, 39 J Charles Emile Jacque, 136 Jacques Jaquet (aft), 146 K Andrew Karoly, 1012 Ruth Kerkovius, 665 Alberta Kinsey, 261, 637 Ida Rittenberg Kohlmeyer, 269 Korean School, 102-104 Gene Koss, 266 Adolph Kronengold, 638, 926, 927 May Kugler, 933 Utagawa Kuniyoshi, 829 L Paul Landacre, 291 Léo Laporte-Blairsy, 727 Ted Larson, 641 Eugene Laurent (aft), 729 David Lee, 1071 John Leone, 1006 Paul-Emile Leterrier, 1012 Walter Ronald Locke, 244, 295-297 Corinna Morgiana Luria, 226

Leon Jean Basile Perrault, 135 Emile Louis Picault (aft), 78 Co Chu Pin, 105 R Robert Rector, 270, 279, 294 Leonard Howard Reedy, 1005 Don Reggio, 950 Charles Reinike III, 928 Charles Whitfield Richards, 922, 923, 934 Noel Rockmore, 932 George Rodrigue, 210, 228 Aryeh Rothman, 956 Willie Lucille Reed Rowe, 1012 Robert Malcolm Rucker, 908, 915, 947 Giuseppe Ruoppolo (attr), 38 Russian School, 154, 155 S Josephine Sacabo, 64 Kiyoshi Saito, 830, 831 George Schmidt, 643 Palmer Schoppe, 683 Orlando V. Schubert (attr), 1007 Alexander Scott, 246 Scottish School, 963 Henry Alvin Sharpe, 946, 1012 Hubert Shuptrine, 943 Hunt Slonem, 263, 267, 271, 278 Marshall D. Smith, 912 Spanish Colonial School, 140 Gideon T. Stanton, 898 Will Henry Stevens, 223 Billie Stroud, 955 T Pat Trivigno, 277 Octavia Gayden Tullis, 952 Claridge Turner, 767 Arnold E. Turtle, (attr) 909, 916, 948 U Nura Woodson Ulreich, 1002 V Charles A. Vanderhoof, 965 Vargas Family, 1053 Victor Vasarely, 58 Jean-Joseph Vaudechamp, 193 Elizabeth O’Neill Verner, 242

M Christopher Maier, 668 John Stockton De Martelly, 941 Benedict Masson, 698 John McCrady, 245, 303, 304 Hazel Guggenheim McKinley, 924 Joseph Rusling Meeker, 207 Kenneth Hayes Miller, 1011 Clarence Millet, 258, 302 Dean Mitchell, 205 Burny Myrick, 954

W William Aiken Walker, 208, 236, 237 Simon Jacobus Mak Van Waay, 288 William Edward West (aft), 204 Bror Anders Wikstrom, 222 Ellsworth Woodward, 259, 646, 942, 944, 945, 1001, 1009 William Woodward, 206, 224, 225 Zao Wou-Ki, 569 Don Wright, 644, 896 Jan Wynants (mnr), 871

N Manuel Neri, 272 Newcomb College, 642 Paul Ninas, 227

Z Joanna Zjawinska, 640

O William C. Odiorne, 298 P Cordray Parker, 265 Edgar Samuel Paxson, 219 Achille Perelli, 913

0340 - 1708 0341 - 2048 0342 - 1830 0344 - 12810 0345 - 9600 0346 - 1920 0347 - 3200 0354 - 896 0355 - 3172 0358 - 2440 0359 - 1464 0362 - 2196 0363 - 640 0365 - 384 0366 - 250 0369 - 2196 0371 - 1280 0372 - 1220 0373 - 192 0374 - 250 0377 - 1830 0378 - 213 0380 - 500 0381 - 610 0381A - 18300 0382 - 1375 0383 - 3125 0384 - 732 0385 - 244 0386 - 244 0387 - 3355 0388 - 1024 0389 - 384 0391 - 7625 0393 - 2745 0394 - 5490 0395 - 2196 0398 - 1220 0399 - 793 0400 - 562 0401 - 3660 0403 - 183 0404 - 183 0405 - 183 0406 - 244 0407 - 384 0408 - 610 0409 - 1625 0411 - 1375 0412 - 2000 0413 - 4026 0414 - 1152 0416 - 976 0417 - 437 0418 - 366 0419 - 1750 0424 - 732 0425 - 2318 0426 - 488 0427 - 500 0428 - 488 0429 - 488 0430 - 768 0431 - 250 0432 - 488 0433 - 1088 0434 - 500 0436 - 183 0437 - 488 0438 - 854 0439 - 2928 0443 - 544 0444 - 1464 0447 - 218 0448 - 2500 0449 - 1280

0450 - 183 0451 - 671 0452 - 1342 0454 - 579 0455 - 812 0458 - 4270 0459 - 562 0461 - 305 0462 - 343 0463 - 610 0464 - 384 0466 - 1464 0468 - 250 0469 - 1586 0470 - 128 0471 - 768 0472 - 488 0473 - 1187 0474 - 1000 0476 - 608 0478 - 1375 0481 - 1220 0482 - 375 0484 - 2500 0486 - 3965 0487 - 93 0488 - 250 0489 - 250 0490 - 2318 0491 - 1952 0493 - 1536 0494 - 518 0495 - 3500 0496 - 875 0502 - 244 0504 - 2812 0509 - 625 0510 - 625 0512 - 3328 0513 - 610 0516 - 218 0517 - 218 0519 - 768 0520 - 3660 0524 - 406 0525 - 384 0528 - 750 0531 - 610 0532 - 1024 0537 - 50 0542 - 274 0543 - 468 0544 - 375 0545 - 406 0546 - 256 0547 - 671 0548 - 305 0549 - 244 0550 - 915 0551 - 244 0552 - 1464 0554 - 640 0555 - 1220 0557 - 576 0559 - 610 0560 - 832 0561 - 375 0562 - 312 0563 - 250 0564 - 687 0565 - 437 0566 - 976 0568 - 512 0570 - 1586 0571 - 608 0572 - 549

0573 - 500 0574 - 320 0575 - 62 0576 - 62 0577 - 250 0578 - 384 0580 - 2812 0581 - 610 0583 - 768 0585 - 512 0586 - 106 0587 - 1464 0588 - 976 0589 - 500 0590 - 384 0591 - 488 0592 - 1342 0593 - 183 0594 - 152 0596 - 1024 0597 - 437 0598 - 312 0600 - 1342 0601 - 976 0602 - 1088 0603 - 640 0604 - 125 0605 - 1280 0606 - 549 0607 - 5185 0608 - 1098 0609 - 1159 0610 - 256 0611 - 732 0612 - 1952 0613 - 256 0614 - 488 0615 - 1342 0616 - 1464 0617 - 671 0618 - 976 0619 - 2074 0620 - 427 0621 - 1037 0622 - 1586 0623 - 2500 0624 - 610 0625 - 671 0626 - 549 0628 - 896 0629 - 3200 0630 - 793 0632 - 2562 0633 - 250 0634 - 2196 0635 - 4880 0636 - 1280 0637 - 1536 0638 - 22500 0639 - 1250 0640 - 1037 0642 - 1664 0643 - 1664 0644 - 671 0646 - 671 0647 - 732 0649 - 625 0652 - 640 0653 - 305 0655 - 427 0656 - 183 0657 - 375 0659 - 625 0660 - 562 0661 - 854 0662 - 305

0664 - 384 0665 - 549 0670 - 1220 0672 - 732 0673 - 793 0674 - 366 0675 - 793 0676 - 500 0677 - 5490 0678 - 1220 0679 - 793 0682 - 244 0683 - 488 0685 - 488 0686 - 1098 0688 - 812 0690 - 610 0691 - 1220 0692 - 1708 0693 - 305 0695 - 915 0696 - 366 0697 - 244 0698 - 122 0701 - 812 0702 - 244 0703 - 610 0704 - 704 0705 - 793 0707 - 625 0709 - 256 0710 - 671 0712 - 192 0713 - 343 0715 - 427 0716 - 793 0717 - 1920 0718 - 427 0719 - 1586 0720 - 2074 0721 - 1875 0722 - 2440 0723 - 1830 0724 - 1250 0725 - 3072 0726 - 3660 0727 - 4160 0728 - 3294 0729 - 793 0730 - 2048 0731 - 915 0732 - 640 0734 - 244 0735 - 183 0736 - 305 0737 - 500 0738 - 312 0743 - 732 0744 - 640 0745 - 1280 0747 - 1586 0748 - 1952 0749 - 122 0750 - 244 0751 - 320 0752 - 625 0753 - 549 0756 - 7015 0757 - 11590 0758 - 875 0759 - 1464 0760 - 875 0761 - 9760 0763 - 3660 0765 - 1625 0766 - 1562

0768 - 427 0770 - 2000 0772 - 5002 0774 - 1024 0775 - 2196 0776 - 500 0777 - 2176 0779 - 610 0781 - 793 0784 - 976 0785 - 671 0786 - 1220 0787 - 1586 0788 - 320 0789 - 6405 0790 - 1464 0792 - 488 0794 - 187 0795 - 156 0796 - 156 0797 - 1125 0799 - 183 0800 - 750 0801 - 366 0805 - 384 0808 - 704 0809 - 256 0810 - 366 0811 - 156 0812 - 375 0813 - 640 0818 - 244 0819 - 125 0821 - 1098 0822 - 244 0823 - 976 0825 - 915 0826 - 1375 0827 - 768 0829 - 625 0831 - 250 0832 - 1216 0833 - 437 0834 - 1062 0835 - 1250 0836 - 488 0837 - 3050 0838 - 1098 0839 - 512 0840 - 610 0841 - 488 0842 - 512 0843 - 457 0844 - 2440 0846 - 4270 0847 - 1220 0849 - 671 0850 - 305 0851 - 671 0852 - 183 0853 - 93 0855 - 122 0856 - 122 0859 - 122 0860 - 244 0861 - 320 0862 - 320 0866 - 244 0868 - 93 0870 - 1037 0872 - 896 0873 - 2000 0874 - 1375 0875 - 1098 0876 - 384 0878 - 704

0879 - 732 0880 - 768 0882 - 1586 0883 - 896 0884 - 125 0887 - 2562 0888 - 488 0889 - 93 0892 - 500 0893 - 256 0895 - 305 0896 - 512 0898 - 305 0899 - 549 0900 - 500 0901 - 244 0904 - 500 0905 - 512 0906 - 854 0907 - 488 0908 - 625 0911 - 256 0912 - 5185 0913 - 854 0921 - 854 0923 - 213 0924 - 2500 0928 - 125 0929 - 62 0931 - 384 0932 - 122 0933 - 187 0934 - 448 0935 - 488 0936 - 352 0938 - 732 0939 - 244 0940 - 244 0941 - 366 0942 - 256 0943 - 122 0944 - 187 0945 - 125 0946 - 125 0947 - 213 0948 - 122 0950 - 152 0951 - 256 0952 - 160 0953 - 875 0954 - 91 0955 - 93 0956 - 832 0957 - 2928 0958 - 183 0959 - 562 0960 - 93 0961 - 335 0962 - 125 0965 - 1037 0966 - 244 0970 - 1708 0971 - 896 0972 - 562 0973 - 832 0974 - 61 0975 - 156 0976 - 1000 0977 - 2440 0978 - 128 0981 - 128 0983 - 375 0984 - 488 0985 - 732 0986 - 125 0990 - 2440

0991 - 793 0992 - 122 0993 - 122 0994 - 244 0995 - 854 0996 - 93 0998 - 122 1001 - 896 1002 - 312 1003 - 128 1006 - 62 1007 - 396 1009 - 128 1010 - 122 1012 - 183 1013 - 122 1017 - 93 1018 - 250 1019 - 62 1023 - 366 1024 - 128 1025 - 544 1026 - 320 1028 - 93 1030 - 192 1031 - 312 1032 - 73 1034 - 128 1035 - 125 1036 - 152 1037 - 128 1038 - 156 1040 - 125 1045 - 915 1046 - 1342 1047 - 500 1048 - 152 1049 - 152 1051 - 122 1052 - 250 1053 - 128 1054 - 128 1055 - 128 1056 - 91 1057 - 61 1058 - 96 1062 - 91 1063 - 183 1065 - 183 1066 - 2625 1067 - 427 1070 - 1536 1072 - 256 1077 - 128 1078 - 122 1079 - 366 1080 - 160 1081 - 250 1082 - 250 1083 - 122 1084 - 128 1085 - 125 1086 - 122 1087 - 61 1088 - 244 1089 - 183 1090 - 183 1091 - 416 1092 - 61 1093 - 85 1094 - 352 1095 - 93 1096 - 62 1097 - 122

March 24 & 25, 2018

0230 - 468 0232 - 512 0233 - 1098 0234 - 224 0236 - 1220 0239 - 244 0240 - 4575 0243 - 1408 0245 - 1464 0248 - 183 0249 - 732 0250 - 375 0251 - 500 0252 - 1342 0258 - 1625 0260 - 12200 0261 - 26840 0262 - 304500 0264 - 10980 0265 - 14030 0266 - 1952 0267 - 5185 0268 - 3965 0269 - 854 0270 - 1098 0271 - 2318 0272 - 854 0273 - 5000 0274 - 2684 0275 - 256 0276 - 305 0277 - 793 0278 - 1708 0279 - 1216 0281 - 250 0282 - 512 0283 - 3965 0284 - 3000 0286 - 2440 0289 - 9150 0292 - 9150 0294 - 366 0295 - 1159 0296 - 187 0298 - 1000 0299 - 384 0303 - 1830 0304 - 732 0305 - 366 0306 - 256 0307 - 1159 0309 - 732 0311 - 2432 0312 - 2688 0313 - 1250 0314 - 768 0315 - 366 0316 - 3660 0317 - 9760 0318 - 437 0319 - 87 0320 - 256 0321 - 183 0322 - 125 0323 - 2176 0324 - 1464 0325 - 1464 0326 - 549 0327 - 854 0328 - 793 0329 - 256 0333 - 576 0336 - 3200 0337 - 125 0338 - 192 0339 - 3072

â&#x20AC;¢

0105 - 5185 0106 - 5120 0107 - 183 0108 - 1152 0109 - 1408 0111 - 1098 0113 - 2562 0116 - 3538 0117 - 2560 0119 - 2440 0120 - 3965 0124 - 976 0126 - 2500 0129 - 875 0131 - 976 0133 - 1464 0134 - 1875 0136 - 4270 0138 - 2196 0140 - 6250 0143 - 437 0147 - 488 0148 - 366 0149 - 488 0150 - 549 0153 - 640 0154 - 854 0155 - 640 0157 - 1024 0158 - 1464 0160 - 244 0162 - 192 0164 - 576 0165 - 437 0166 - 1280 0167 - 1708 0168 - 48800 0170 - 1952 0172 - 1000 0173 - 26840 0174 - 70150 0175 - 25620 0176 - 47580 0177 - 5937 0178 - 1830 0179 - 4880 0180 - 6710 0181 - 1000 0183 - 4575 0184 - 7015 0186 - 437 0187 - 610 0188 - 640 0191 - 512 0194 - 427 0195 - 305 0196 - 1500 0197 - 6710 0198 - 750 0199 - 2816 0200 - 1408 0201 - 1000 0202 - 1024 0203 - 1152 0204 - 427 0205 - 1037 0207 - 1464 0208 - 256 0209 - 156 0210 - 1664 0211 - 488 0212 - 488 0216 - 610 0217 - 1952 0224 - 1500 0227 - 1220

Auction Results

0001 - 2560 0003 - 832 0004 - 732 0005 - 1098 0006 - 976 0007 - 1250 0008 - 625 0009 - 1220 0011 - 854 0012 - 549 0014 - 976 0015 - 1625 0016 - 305 0017 - 671 0018 - 305 0022 - 704 0024 - 2000 0025 - 4125 0029 - 1220 0030 - 1500 0031 - 732 0032 - 1952 0035 - 3750 0036 - 1464 0037 - 2048 0038 - 4880 0039 - 3355 0041 - 1220 0042 - 2135 0043 - 3355 0045 - 3172 0046 - 976 0047 - 610 0048 - 3172 0049 - 976 0050 - 854 0051 - 732 0052 - 732 0054 - 2304 0056 - 640 0057 - 732 0058 - 512 0059 - 1342 0060 - 384 0061 - 1280 0063 - 854 0064 - 671 0065 - 768 0066 - 3050 0068 - 1125 0070 - 1342 0071 - 732 0072 - 1098 0073 - 8125 0074 - 4687 0075 - 1708 0078 - 1280 0079 - 976 0080 - 640 0081 - 1098 0084 - 1024 0086 - 875 0087 - 896 0089 - 1952 0091 - 1408 0092 - 1500 0093 - 1062 0095 - 1408 0097 - 5795 0098 - 1250 0099 - 21960 0100 - 23125 0101 - 32940 0102 - 1464 0103 - 3660 0104 - 5185

119

2018 Auction Schedule Summer Estates Auction July 14 & 15, 2018 Important Estates Auction September 8 & 9, 2018 Louisiana Purchase Auctionâ&#x201E;¢ November 17-18, 2018

Notes:

120

Neal Auction Company John R. Neal Neal Alford Katherine Hovas Chairman President Senior Vice President Marc Fagan Vice President Consignments

Michelle LeBlanc Leckert, CAI Vice President

Bettine Field Carroll Vice President Business Development

Administration

Auctioneers

Director of Administration & Finance Michelle LeBlanc Leckert, CAI Database Manager Jackie Hernandez Client Services Rebekah Abernathy Administrative Assistant/Internet Auction Administrator Lisa Weisdorffer Administrative Assistant/Social Media Coordinator Cameron McHarg

Neal Alford #797 Michelle LeBlanc Leckert #1514 Bettine Field Carroll #1874

Marc Fagan #1935

General manager

Jason Leckert

Graphics Graphics Director / Catalogue Design David Roberts Photography Jason Leckert Gerard Lewis Owen Murphy Tom Simpson

Operations Director of Operations Stephen Dewey Operations Staff Corey Brown Charlie Clay Kelvin Gibson Jerry Majors Benjamin Rhodes Marvin Varnado

Exhibition staff

Cecile Ballard Ann Mahorner Cammie Mayer Margo Phelps Yvette Semmes Clare Stewart Carolyn Wogan

Consignments Furniture & Decorative Arts Neal Alford; Polly Rolman-Smith Paintings, Prints & Photography Marney Robinson; Sophie Hirabayashi Casey Foote Books, Maps & Natural History Prints Marc Fagan Silver & Decorative Arts Katherine Hovas Asian Arts Bettine Field Carroll Inventory Coordinator Stephen Dewey Consignments & Condition Report Manager Johanna Darilek

Auction services Director of Museum Services & Research Douglas Lewis, Ph.D., F.A.A.R. Trust & Estates Advisor Henry G. McCall Senior Appraiser Fine Arts Amanda Mantle Winstead Appraisals Marc Fagan

Catalogue consultants Paintings & Fine Arts Amie Strickland Furniture & Decorative Arts Doris Mollenkopf Newcomb Pottery & Decorative Arts Sally Main Silver Carey Mackie Decorative Arts & Victoriana Ann M. Masson Asian Arts Richerson Rhodes Jewelry Stephen A. Moses, GIA