March 24 & 25, 2018 - Important Spring Estates Auction by Neal Auction

Neal Auction Company

Important Spring Estates Auction March 24 & 25, 2018

Important Spring Estates Auction March 24 & 25, 2018 On Our Premises 4038 Magazine Street & 3923 Carondelet Street Featuring:

The Estate of Faith K. Tiberio, St. Augustine, FL, including Fine Art, Furniture and Decorative Arts Modernist Furniture from a Renowned Baton Rouge Collection Important Clementine Hunter Murals from Melrose Plantation Part II, Fine Art and Maps from a Distinguished New Orleans Physician and Collector Property from a Fairhope, AL Antiquarian Fine Continental Furniture and Decorative Arts from Noted Interior Designer Ned Marshall, New Orleans Property from a Texas Hill Country Ranch Period Furniture and Decorative Arts from a Los Angeles Gentleman EXHIBITION Special Saturday Preview March 10, 10 to 5 p.m., with Clementine Hunter Gallery Talk by Thomas N. Whitehead, author and leading expert on the artist, at 1:30 Preview Monday through Friday, beginning March 12, 10 a.m. to 5 p.m. Note: No Preview Saturday, March 17 due to the Irish Channel St. Patrick’s Day Parade Evening Preview Reception Thursday, March 22, 5 to 7 p.m.. AUCTION SCHEDULE Saturday, March 24, 10 a.m., 4038 Magazine Street Sunday, March 25, 11 a.m., 3923 Carondelet Street

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Important Spring Estates Auction March 24 & 25, 2018

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Property from the Estate of Faith K. Tiberio,

St. Augustine, Florida

Faith Tiberio was the great-granddaughter of New York shipping magnate Isaac Hall and Emma Lukens Hall, and daughter of artist, poet and cinematographer Marguerita Phillips (see lot 913) and horticulturalist Raymond T. Kuhrt. She married US Navy pilot Joseph Tiberio during World War II and the couple went on to establish a small manufacturing company, which soon grew into the global entity Century-TyWood Manufacturing. On her husband’s passing, Mrs. Tiberio became president of the firm and remained there until her death in July of last year. As a seventy-year member of the Daughters of the American Revolution, Mrs. Tiberio served a four-year term as its museum’s Curator General in Washington. She was a member of the Descendants of the Signers of the Constitution, The National Society of the Colonial Dames of America, and The Mayflower Society. She held board positions at the Massachusetts Horticultural Society, the Woman’s National Farm & Garden Association, and at the Lightner Museum in St. Augustine, Florida. Mrs. Tiberio was a lifelong scholar of art, history, and horticulture. She was a gracious hostess who generously lent her art-filled homes in Sherborn, MA and St. Augustine, FL to various charitable fund-raising events. As a resident of St. Augustine, Mrs. Tiberio was an active patron of the arts. Of particular interest to her was the Lightner Museum, the city’s major fine and decorative arts institution, established in 1948. The museum’s library and two of its galleries bear the Tiberio name. As a collector, Mrs. Tiberio developed a keen interest in regional art related to Florida and to St. Augustine, which is evident by the extensive collection of some 100 works included within these pages. Mrs. Tiberio’s philanthropic legacy had a significant impact on countless organizations in both St. Augustine and in the Boston area. Among other accolades, she was awarded Florida’s coveted de Avilés Award, was recognized by the St. Johns Cultural Council as one of the “Outstanding Women in the Arts,” and as “10 who made a difference in St. John’s County.” Upon her death, the flags at St. Augustine’s City Hall were lowered half-staff in honor of her unwavering commitment to the betterment of the city she so loved.

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Session One Saturday, March 24, 10 am 4038 Magazine

1. Pair of Georgian Carved Mahogany Jardinières, 19th c., carved with trophées, cabriole legs, hairy paw feet, tôle liners, h. 28 in., w. 15 in., d. 15 in. $800/1200

2. American Aesthetic Carved, Burled, Inlaid and Gilded Walnut Étagère, late 19th c., probably Pottier and Stymus, New York, triangular crest centered by a medallion of a maiden, floral carved panel, divided mirror plate with foliate accents, pair of small shelves, base with inset onyx top, carved brackets, molded plinth, h. 102 in., w. 50 1/2 in., d. 17 1/2 in. $1200/1800

5. American Renaissance Bronze‑Mounted and Inlaid Rosewood Center Table, c. 1870, probably New York, marquetry top centered by a musical trophée, blocked frieze, fluted tapered legs, shaped stretcher, conforming feet, h. 29 1/2 in., w. 41 1/2 in., d. 26 in. $800/1200

3. Pair of Venetian Crème Peinte and Gilt Pedestals, shaped top, foliate carved tapered standard, shaped and stepped base, scrolled feet, h. 50 1/2 in., w. 12 in., d. 12 in. $400/600

4. Pair of Antique American Carved Maple Hanging Shelves, mid‑to‑late 19th c., three tiers, turned finials. $300/500

Provenance: Estate of Thomas Greene Collins, Jr., Arabi, LA.

Note: The overall form and decoration of the center table offered here is closely related to American Renaissance tables made by influential New York firms such as Pottier & Stymus, Kilian Brothers, and Herter Brothers. In the ornamented Neo-Grec style, the table features extensive inlay and a distinctively shaped stretcher, similar to a Pottier & Stymus example held in the Metropolitan Museum of Art and a Kilian Brothers table sold in these salesrooms on January 30, 2010 as lot 318. Ref.: Peck, Amelia. “American Revival Styles, 184076.” New York: The Metropolitan Museum of Art, 2004. metmuseum.org/toah/hd/revi/hd_revi.htm. Accessed February 22, 2018.

6. Antique 17th c. Style Painted Cabinet on Stand, top depicting the caravelle “The Great Harry”, the molded doors with portraits of Hatton and Elizabeth surrounded by a border of ships’ flags, on a gilt decorated base with scrolled legs connected by shaped stretcher on bun feet, h. 36 in., w. 38 in., d. 19 in. $1500/2500 7. Fine English Paint‑Decorated Satinwood Settee in the Adam Taste, 19th c., caned back, arms and seat, turned and tapered legs, h. 34 in., w. 35 1/2 in., d. 23 1/4 in. $700/1000

8. English Paint‑Decorated Satinwood Settee in the Adam Taste, 19th c., en suite with preceding lot, h. 34 in., w. 35 1/2 in., d. 23 1/4 in. $700/1000

9. Antique Georgian Dresser, banded top, fitted with short and long drawers, bail pulls, bracket feet, h. 37 in., w. 59 1/2 in., d. 24 in. $800/1200

10. George IV Carved Mahogany Cellarette, c. 1830, hinged rectangular top, turned legs, brass cuffs, casters, h. 26 1/2 in., w. 19 1/2 in., d. 13 1/2 in. $500/700

11. Louis Philippe Figured Mahogany Console, 19th c., black marble top, ogee frieze drawer, scroll supports, shaped plinth, suppressed ball feet, h. 32 1/2 in., w. 27 in., d. 16 1/2 in. $500/700

Additional information at www.nealauction.com

12. Pair of Chinese Export Porcelain Chargers, probably 19th c., decorated with flower sprays, w. 10 in., d. 8 in. $400/600

13. Set of Twelve Chinese Export Famille Rose Porcelain Plates, 18th c., wells decorated with flower sprays, rims with pale blue hatched borders, dia. 9 in. $1000/1500

14. Decorative Pair of Chinese Famille Rose Porcelain Vases, 20th c., decorated with bird‑and‑flower and insect‑and‑flower panels on an iron red and yellow ground, bases with Jiaqing marks, h. 14 1/2 in. $500/1000

15. Pair of Louis Philippe Gilt and Patinated Bronze Figural ThreeLight Candelabra, c. 1840, each with Winged Victory on pedestal, h. 24 1/2 in., w. 7 1/2 in., d. 7 1/2 in. $600/800

16. Parian Busts of Apollo and Diana, 19th c., unmarked, socle bases, h. 9 in., w. 6 in., d. 3 3/4 in. (2 pcs.) $150/250

17. George III Gilt and Polychrome Tôle Peinte Tray, 19th c., polychrome chinoiserie decoration on black ground, 23 1/4 in. x 29 1/4 in. $600/900

18. English Polychrome and Gilt Papier‑Mâché Tray, 19th c. $300/400 19. Interesting Edwardian Silverplate and Cut Crystal Presentation Encrier, dated “1902...to the Rev. Wm. Mackenzie, West Kilbride...”, h. 5 in., w. 9 1/2 in., d. 7 in. $200/400

20. Pair of French Bronze Busts of Maidens, 19th c., after the originals by Duchoiselle, inscribed signature on selfbase, h. 9 3/4 in., on marble bases, overall h. 15 in. $800/1200 21. Antique Venetian Polychrome Paint-Decorated Mirror in the Rococo Taste, surmounted by a rocaille crest, shaped mirror plate, h. 61 in., w. 29 in. $700/900

23. Neoclassical-Style Gilt Bronze-Mounted Marble Mantel Clock, 20th c., dial marked “Berger Tenne à Nimes”, palmette finials, term pilasters, h. 20 1/2 in., w. 13 1/4 in., d. 4 in. $1200/1800

22. Louis XV‑Style Gilded Cartel Clock, porcelain dial marked “Clermont, rue St. Honoré, Paris”, striking bell movement, Roman chapter ring, urn finial and mask of lady at base,, h. 23 in., w. 11 in., d. 4 1/2 in. $600/800

24. Chinese Hardstone Embellished Yellow Lacquer Inset Hardwood Wall Panel, featuring antiques and scholarly accoutrements in cloisonné, soapstone, malachite, lapis, and hardwood, frame carved with pairs of Buddhist lions and dragons, h. 45 1/4 in., w. 28 3/4 in., d. 1 1/4 in., gilt bronze hanger. $1500/2500

25. Chinese Patinated Bronze Figure of a Qilin, cast with its head and neck twisting over its body in a moving stance, neck with apocryphal Qianlong mark, h. 19 1/2 in., w. 20 in., rosewood stand elaborately carved with cloud scrolls, overall h. 24 1/2 in. w. 23 1/2 in. $1500/2500

26. Fine Chinese Cloisonné Enamel Meiping Vase, Republic Period (1911‑1949), decorated with five colorful dragons in pursuit of the flaming pearl, base with Lao Tian Li Zhi mark, h. 13 1/2 in. $1200/1800

29. George III Walnut Wing Chair, 18th c., outscrolled arms, cabriole legs, slipper feet, h. 45 in., w. 32 in., d. 32 in. $700/1000 Provenance: Alfred Bullard, Inc., Philadelphia, PA, 1977; Estate of Stephen G. Henry, Baton Rouge, LA.

31. Camille Hilaire (French, 1916‑2004), “Monaco”, 1958, oil on canvas, signed lower right, titled and dated on stretcher, “The Marble Arch Gallery” and “Koch Galleries, Mobile, AL” labels on reverse of frame, 10 3/4 in. x 16 1/4 in., framed. $1200/1800

27. Set of Four Chinese Famille Rose Porcelain Plaques, 20th c., decorated with village waterscapes, each inscribed and sealed upper left, sight 14 in. x 9 in., framed, overall h. 16 in., w. 11 in., d. 1 in. $700/900

28. Highly Decorative Pair of Chinese Polychrome Porcelain Rectangular Hu Vases, 20th c., with iron red handles, decorated with green dragons pursuing the flaming pearl amid cloud scrolls and iron red bats and shou, bases with Daoguang marks, h. 13 1/2 in., w. 8 in., d. 6 in. $1000/1500

30. Octave Denis Victor Guillonnet (French, 1872‑1967), “Still Life with Teapot and Yellow Roses”, oil on canvas, signed upper left, 32 in. x 25 1/2 in., framed. $2500/3500

32. Max Kuehne (American/New York, 1880‑1968), “Cathedral of Guadix, Sierra Nevada ‑ Andalusia, Spain”, 1922, oil on panel, signed lower left and right, signed, dated and titled en verso, 6 in. x 8 in., framed. $1000/1500 Provenance: Antiquarian Edward Skinner, Fairhope, AL, 2009.

33. Louis XV‑Style Carved and Gilt Nine‑Light Chandelier, in the style of Caffieri, electrified, h. 36 in., dia. 34 in. $2500/3500

34. Pair of Louis XV‑Style Gilt Bronze Figural Seven‑Light Candelabra, opposing cherubs, foliate candlearms, h. 28 1/2 in., dia. 15 in. $700/1000

Additional information at www.nealauction.com

35. French Neoclassical-Style Bronze and Rock Crystal SixteenLight Chandelier, foliate canopy, vasiform standard, electrified, h. 50 in., dia. 36 1/2 in. $2500/3500

37. Burmantofts Blue Faience Jardinière and Stand, 1880‑1904, each marked and numbered 918 or 838, jardinière modeled as a starfish encrusted nautilus shell on a seaweed and rockwork base, h. 19 1/2 in., w. 20 in.; fluted column or stand, h. 20 in. (2 pcs.) $800/1200 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL. 36. Good Italian Carved, Painted and Parcel Gilt Bracket, 19th c., with conforming scagliola “porphyry” top, h. 24 in., w. 20 in., d. 12 1/2 in. $1200/1800

38. Hunt Slonem (American/Louisiana, b. 1951), “Toco”, 2000, resin and acrylic on wood, h. 56 in., w. 54 in., d. 12 in. $4000/6000

39. Pedro Friedeberg (Mexican, b. 1936), “Man on the Moon”, comprised of three gilt elements, all signed on bases, heights 7 3/1 in. to 25 1/4 in. (3 pcs.) $2500/3500

41. Very Fine Louis XV-Style BronzeMounted Parquetry and Marquetry Rosewood Side Table, 19th c., shaped top, fitted frieze drawer, cabriole legs, sabots, h. 30 in., w. 21 1/2 in., d. 15 in. $1000/1500

40. Antique Continental Carved Walnut Console Table, verde antico marble top, foliate‑carved frieze, winged monopod legs, paw feet, h. 33 in., w. 45 in., d. 23 in. $2000/3000 42. Empire Bronze‑Mounted Mahogany Fauteuil, early 19th c., paneled crest rail, padded back, scrolled reeded, acanthus carved arms, rounded seat rail, flared tapered legs, h. 38 1/2 in., w. 25 in., d. 18 in. $1500/2500

43. Louis XV Parcel Gilt and Painted Walnut Commode, 18th c., molded serpentine top above three drawers, scalloped skirt, cabriole legs, whorl feet, h. 34 1/2 in., w. 48 in., d. 24 in. $2500/3500

44. Fine Suite of Eight Portuguese Colonial Carved Rosewood Armchairs in the Rococo Taste, probably mid‑19th c., rocaille crest, scrolled crest rail, pierced splat, scrolled arms, incurvate uprights, tooled leather seats, serpentine apron, shell‑carved cabriole legs, ball and claw feet, h. 43 1/2 in., w. 27 1/2 in., d. 20 in. $4000/6000 46. French Régence Carved Beechwood Fauteuil á la Reine, probably late 18th c., serpentine crest rail, padded back and arms, incurvate uprights, cabriole legs, scrolled toes, h. 43 1/2 in., w. 25 1/2 in., d. 22 in. $800/1200

49. Pair of Louis XVI-Style Bronze and Marble-Mounted Pedestals, stepped top, tapered standard, plinth base, h. 30 1/2 in., w. 17 in., d. 17 in. $700/1000

53. Patrick Caulfield (British, 1936‑2005), “Lamp and Pines (Cristea 45)”, 1975, screenprint on paper, pencil‑signed and numbered “27/70” lower right, pencil‑inscribed and stamp with “K” and “8305” en verso, sheet 30 1/2 in. x 40 3/8 in., unframed. $1800/2500

45. Art Moderne Sienna and Black Marble Center Table, probably mid‑20th c., radial inlaid top, columnar standard, boldly scrolled legs, h. 32 1/2 in., dia. 46 in. $1500/2500

47. Pair of Egyptianesque Polychromed Commodes, each fitted with a slide and three drawers, tapered legs, h. 29 in., w. 21 in., d. 12 in. $500/700

50. Robert Henri (American/Ohio, 1865-1929), “Man in Cafe”, ink on paper, embossed “RH” estate stamp lower right, pencil-titled and “14568D.10” and encircled “10” pencil-inscribed en verso, 5 3/4 in. x 9 in., framed. $500/800 Provenance: Mystic Fine Arts, Mystic, CT, Nov. 30 1998, lot 30a; Estate of Faith K. Tiberio, St. Augustine, FL.

54. Salvador Dali (Spanish, 1904‑1989), “Cerises Pierrot”, 1969, etching with drypoint and lithograph on paper, pencil‑signed and numbered “XXV/ XXXV” lower right, sheet 29 3/4 in. x 22 in., framed. $1000/1500

51. Blanche Lazzell (American/West Virginia, 1878‑1956, act. St. Augustine, FL, 1940s), “St. Augustine”, 1940, charcoal and graphite on paper, signed, titled and dated lower margin, 18 in. x 12 in., framed. $1200/1800 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL. Ill. Torchia, Robert W. Lost Colony: The Artists of St. Augustine, 19301950. St. Augustine, FL, The Leightner Museum, 2001, p. 75.

55. Jim Dine (American, b. 1935), “Self‑Portrait with a Flat Cap”, 1974, etching and aquatint, pencil‑signed, dated and numbered “13/28” lower margin, 10 in. x 12 1/2 in., framed. $600/800

48. Set of Four Art Moderne-Style Inlaid Barrel-Back Armchairs, curved back and arms, rounded seat, shaped center leg, bracket support, h. 33 in., w. 24 in., d. 19 1/2 in. $600/800

52. Blanche Lazzell (American/West Virginia, 1878‑1956, act. St. Augustine, FL, 1940s), “Charlotte St., St. Augustine”, 1940, charcoal and graphite on paper, pencil‑signed, titled and dated lower margin, 17 in. x 12 in., framed. $1200/1800 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL. Ill.: Torchia, Robert W. Lost Colony: The Artists of St. Augustine, 1930‑1950. St. Augustine, FL, The Leightner Museum, 2001, p. 75.

56. Pair of Art Moderne-Style Porcelain Covered Tureens, each modeled as a male or female nude divided into 3 stacking parts, one interior cover lacking, h. 17 1/2 in., w. 13 in., d. 9 in. $800/1200

Additional information at www.nealauction.com

57. Fine German Polychrome Porcelain Framed Plaque, 19th c., painted with a maiden reading in a lush landscape, signed “G. Lehman” and dated “1850” lower right, set within a giltwood frame, overall h. 10 1/2 in., w. 12 1/2 in., d. 1 1/2 in. $400/600

60. Decorative Patinated Metal “Pompeian” Shield, fitted for hanging, h. 28 in., w. 28 in., d. 3 in. $400/600

58. Beaux Arts Brass Figural Dressing Mirror, c. 1900, branchform frame, surmounted by leaves and birds, on conforming mirrored table, h. 19 in., w. 13 3/4 in., d. 11 in. $400/600 59. Pair of Antique Italian Wood and Tôle Peinte Topiaries, decorated with songbirds and flowers, illuminated from behind, h. 63 1/2 in., w. 13 1/2 in., d. 5 1/2 in. $1000/1500

61. Good Pair of French Bronze Chenets, 19th c., mounted with opposing recumbent lions and military trophées, h. 12 1/2 in., w. 17 in., d. 6 1/2 in. $1000/1500

62. Pair of Egyptianesque Inlaid Plaques, depicting pharoahs, gods and hieroglyphics, h. 30 in., w. 53 1/2 in., d. 1 1/2 in. $1800/2500

63. Pair of Continental Chinese Export-Style Famille Rose Porcelain Armorial Cachepots, 19th /20th c., probably Samson, decorated with a crown over shield flanked by wolves rampant and floral sprays, bases with faux Chinese marks, h. 9 in., w. 10 1/2 in. $700/1000

65. Copeland Parian Figure of “Egeria”, 19th c., marked “J.H. Foley R.A./ Copyright Reserved/ Copeland/ U/ 85”, and titled, h. 28 1/2 in., w. 9 1/2 in., d. 10 1/2 in. $250/350

66. Fine Pair of Antique George II Highly Carved Mahogany Elbow Chairs in the Irish Taste, incurvate back, flared arms, lion mask carved cabriole legs, hairy paw feet, casters, h. 38 in., w. 29 in., d. 24 1/2 in. $2000/3000

Ill.: Atterbury, Paul. The Parian Phenomenon. Somerset, 1989, p. 147, fig. 506.

68. Antique Chippendale‑Style Carved Oak Console Table, 19th c., banded top, shaped frieze, acanthus carved cabriole legs, ball and claw feet, h. 30 5/8 in., w. 45 1/4 in., d. 23 3/4 in. $500/700 67. Fine Edwardian Mahogany and Satinwood Inlaid Sideboard in the Adam Taste, late 19th c., bowfront center section with frieze drawer and backsplash, flanked by pedestals, each with a drawer and fitted cupboard, carved paw feet, h. 46 in., w. 88 1/4 in., d. 20 3/4 in. $2500/3500

64. George IV Mahogany Cave à Liqueur, 19th c., fitted with 6 crystal decanters, 2 cordial glasses and silverplate tray, with lower drawer , h. 11 in., w. 12 3/4 in., d. 8 1/2 in. $700/1000

69. Suite of Four English Carved Mahogany Roundabout Chairs, mid‑19th c., circular period needlepoint seats, scrolled crest and crest rail, foliate‑turned supports and legs, h. 31 in., w. 23 1/2 in., d. 16 1/2 in. $800/1200

70. George III Carved and Parcel Gilt Mahogany Bureau, late 18th c., upper case with stepped Greek key cornice and a cartouche mirror, shelf interior, lower case with a fall front lid, fitted interior, three drawers, bracket feet, h. 72 in., w. 31 1/2 in., d. 18 1/2 in. $1000/1500 72. Good Continental Carved and Gilded Chinoiserie Low Table, probably 20th c., red lacquered top within a molded frame, foliate carved scrolled cabriole legs, h. 16 in., w. 45 1/2 in., d. 26 1/2 in. $500/1000

71. Antique Italian Chinoiserie Painted and Parcel Gilt Secretary Bookcase, shaped cornice, mirrored frieze, two brass grillework doors, slant front lid, serpentine interior drawers, three block fronted drawers, incurvate sides, molded base, bracket feet, h. 98 in., w. 50 in., d. 23 in. $1200/1800 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL. 73. Antique Italian Carved and Inlaid Walnut Secretaire Cabinet, surmounted by a broken arch molded cornice and carved finials, upper frieze with etched cartouche mirror plate, two etched mirrored doors, fitted interior, fall front desk door, complex interior, three lower shaped drawers, columnar stiles, conforming base, molded blocked feet, h. 107 in., w. 61 in., d. 25 1/2 in. $6000/8000 Note: The overall form of the secretaire offered here is closely related to an 18th century walnut bookcase in the Palazzo Ca’ Rezzonico, the palatial Venetian home of the Rezzonico family, completed in 1758. Believed to be original to the home, the Rezzonico bookcase features a scrolled cornice and an arrangement of etched mirrors nearly identical to the current lot. Ref.: Fondazione Musei Civici Venezia. carezzonico visitmuve.it/en/il-museo/percorsi-e-collezioni/firstfloor-2/tiepolo-room/. Accessed February 23, 2018.

75. Pair of Italian Carved Marble Pedestals of Classical Roman Inspiration, foliate and figural decoration, plinth base, h. 43 1/2 in., w. 13 in., d. 13 in. $1200/2000

74. Fine Austrian Bronze‑Mounted, Parcel Ebonized and Figured Birch Center Table, 19th c., tôle peinte inset tray top, blocked frieze, carved supports, shaped plinth base, bracket feet, h. 29 in., dia. 43 in. $2500/3500

76. Continental Carved and Gilded Mahogany Figural Console, 19th c., foliate-decorated molded top, atlante support, conforming base, h. 36 in., w. 42 1/2 in., d. 13 1/2 in. $2000/3000

78. Napoleon III Rouge Marble and BronzeMounted Urn, late 19th c., floral finial, ram’s head handles, h. 26 in., w. 13 1/2 in., d. 9 in. $1000/1500

77. Pair of Regence-Style Carved and Creme Peinte Fauteuils à la Reine, arched crest rail, padded back and arms, foliate-carved seat rail, cabriole legs, h. 43 in., w. 27 in., d. 24 in. $800/1200

79. Antique French Rouge Marble and Bronze-Mounted Cassolette, foliate arms and collar, h. 20 1/2 in., w. 13 in., d. 8 in. $800/1200

Additional information at www.nealauction.com

81. Large Antique French Tole Peinte and Wrought Iron Urn, with floral bouquet, h. 39 in., w. 18 in., d. 12 in., presented on a cast stone base, overall h. 58 in., h. 59 in., w. 18 in., d. 12 in. $600/800

80. Small Antique Continental Carved, Polychromed and Gilt Armorial Plaque, , double-eagle and crown crest, h. 23 1/2 in., w. 16 in., d. 2 in. $400/600

82. Pair of Patinated Metal Sphinxes, h. 24 in., w. 17 in., d. 49 in. $3000/5000

85. Highly Decorative Chinese “Famille Jaune” Porcelain and Gilt Metal Side Table, circular top decorated with fish and plants, base with apocryphal Jiaqing mark, faux bamboo base, probably iron, h. 24 in., dia. 24 in. $1200/1800 Provenance: Ex‑Collection Brooke Astor. 83. Antique English Papier-Mâché Tray, mid-19th c., black ground with gilt highlights, mounted on later stand as a low table, , l. 31 in, h. 18 1/2 in., w. 32 in., d. 24 in. $300/500

86. Pair of Regency‑Style Gilt Bronze Candlesticks, 20th c., lion legs, h. 13 in., w. 5 in., d. 5 in. $600/800

90. Antique Venetian Etched Glass Mirror, segmented surround, beveled mirror plate, h. 45 1/2 in., w. 28 in. $700/900

84. William IV Rosewood Sarcophagus-Form Teapoy, mid‑19th c., fitted interior, h. 31 in., w. 17 in., d. 13 in. $700/900

87. Patinated Bronze Figural Group of a Giraffe and Young, “Boehm, London” stamp and “2/15” inscribed on self-base, h. 29 1/2 in., w. 24 in., d. 14 in. $600/800

91. Charles X Gilt Bronze Clock, c. 1830, shield‑form surround cast with “A M01”, supported on quivers, a bow, an arrow and laurel wreath, silk thread movement, dial marked “Viarino Fres. a Coni”, h. 13 in., w. 7 1/4 in., d. 3 3/4 in., faux marbre base and dome, h. 17 1/2 in., w. 10 1/2 in., d. 9 in. $800/1200

88. Four Italian Carrara Marble Busts, painted marble and malachite bases, h. 8 3/4 in, overall h. 12 1/2 in. $900/1200

89. Antique Continental Lapis Lazuli, Pietra Dura and Gilt Bronze Dressing Mirror, oval mirror surmounted by bowknot, h. 16 1/2 in., w. 12 5/8 in., d. 7 7/8 in. $600/800 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

92. Pair of Chinese Famille Rose Porcelain Vases, elephant mask handles, decorated with figural scenes in the Mandarin palette on a blue ground strewn with flowers and butterflies, h. 19 in., dia. 8 1/2 in. $1200/1800

93. Chinese Famille Verte Porcelain Charger, Qing Dynasty (1644‑1911), decorated with noble ladies on a terrace with a nobleman in a cart below, dia. 14 in. $300/500

94. Pair of Empire‑Style Carved and Gilt Bronze‑Mounted Mahogany Fauteuils, padded backs, Egyptianesque figural uprights, phoenix‑mounted legs, paw feet, h., 40 in., w. 27 in., d. 22 in. $1200/1800

95. Decorative Pair of French Carved Mahogany Screens, shaped frame inset with 18th c. sepia painted lithographs of Classical scenes, h. 74 in., w. 26 in. $800/1200

96. Morton Livingston Schamberg (American/ Pennsylvania, 1881‑1918), “Landscape”, oil on board, signed lower left, “Midtown Galleries, New York, NY” label en verso, 10 1/4 in. x 12 in., framed. $10000/15000 97. Jane Peterson (American/Illinois, 1876‑1965), “A Venetian Scene: San Giorgio Maggiore”, oil on board, signed lower right, “D. Wigmore Fine Art, Inc., New York, NY” label en verso of backing board, 17 1/4 in. x 17 1/4 in., framed. $7000/10000

98. Jane Peterson (American/Illinois, 1876‑1965), “Monkeys in Trees”, watercolor and mixed media on paper laid down, signed lower left, 15 in. x 20 in., framed. $2000/3000 Provenance: Deborah Williams, St. Augustine, FL, Mar. 22, 2003; Estate of Faith K. Tiberio, St. Augustine, FL.

99. Hunt Slonem (American/Louisiana, b. 1951), “Primary Butterflys [sic]”, 2005, oil on canvas, signed, titled and dated en verso, signed on stretcher bar, 85 in. x 90 in., unframed. $10000/15000 Note: In the monumental canvas offered here, Hunt Slonem depicts a swarm of butterflies manifested by a frenzied grid of movement and color. Every wing seemingly flutters while paradoxically remaining frozen within Slonem’s iconic crosshatched texture, an immediately recognizable structural device that runs through much of his œuvre. The colossal scale of the painting invites the viewer to immerse himself in Slonem’s contemplative, almost meditative world. As Dominique Nahas writes, “Slonem captures on canvas the elusive and fragrant life essence, a rare specimen known commonly as the here and now, the eternal presentness of the moment.” 100. Hunt Slonem (American/Louisiana, b. 1951), “Casino”, 2005, oil on canvas, signed, titled and dated en verso, 78 in. x 96 in., unframed. $10000/15000

Ref.: Kuspit, Donald B. Hunt Slonem - An Art Rich and Strange. New York: Harry N. Abrams, 2002. Nahas, Dominique. The Worlds of Hunt Slonem. New York: The Vendome Press, 2011.

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102. Emery Ann Clark (American/Louisiana, b. 1950), “Site Study View‑Colorful Beach”, 1982, mixed media on paper, signed and dated lower right, 36 in. x 48 in., framed. $1000/1500

103. George Rodrigue (American/Louisiana, 1944‑2013), “This Old House”, 1999, silkscreen, signed lower left, signed, remarqued and numbered “58/130” lower right, 30 1/2 in. x 21 1/2 in., matted. $2000/3000

101. George Rodrigue (American/Louisiana, 1944‑2013), “Three Flames a Charm”, 1992, oil on canvas, signed lower left, titled and dated on stretcher, 16 in. x 20 in., framed. $25000/35000 Note: By 1992, George Rodrigue had been fully immersed in his Blue Dog series for several years and was exploring new meaning and backdrops within his works. While in many ways harkening to the visual vocabulary of his Cajun series and previous loup-garou paintings, these early Blue Dogs allowed the artist the opportunity to expand his experimentation with color, shape, texture and humor. In “Three Flames a Charm” offered here, Rodrigue retains the best of both worlds with the Louisiana landscape behind a dominating Blue Dog at the forefront of the scene. The candles, a recurring theme throughout the artist’s career, add compositional interest against the dark oak tree and lend themselves to a witty title. The brighter color palette, strong shapes and impressionistic brushstrokes are classic Rodrigue elements and a captivating combination.

104. Andy Warhol (American, 1928‑1987), “Flowers (Feldman/Schellmann 116)”, 1974, screenprint with hand coloring, initialed lower right, signed, dated, numbered “12/250” and “Copyright by Andy Warhol Multiples Inc. & Castelli Graphics 2, 1974” stamp en verso, sheet 40 1/2 in. x 27 1/4 in., framed. $2000/3000

105. Andy Warhol (American, 1928‑1987), “Flowers (Feldman/Schellmann 110)”, 1974, screenprint with hand coloring, initialed lower right, signed, dated, numbered “12/250” and “Copyright By Andy Warhol Multiples Inc. & Castelli Graphics 2, 1974” stamp en verso, sheet 40 1/2 in. x 27 1/4 in., framed. $2000/3000

106. Large Pair of Louis XV-Style Gilt Bronze Enameled Metal and Chinese Export Porcelain Three-Light Candelabra, flower encrusted Rococo foliate frames set with opposing Buddhist lions on brocade balls, h. 33 in., w. 20 in., d. 11 in. $2500/3500

108. Tibetan or Nepalese Gem Embellished and Gilt Filigree-Mounted Rock Crystal Skull, filigree scrollwork set with emeralds and rubies, h. 5 1/2 in., w. 4 1/2 in., d. 6 1/2 in. $1000/1500 107. Four Antique Bronze Portrait Medallions, depicting Mozart, Beethoven, Schiller, and Goethe, with hangers, dia. 6 1/2 in. $250/350

109. Fine Pair of French Gilt Bronze Candlesticks, now mounted as a lamps, tôle shades, electrified, h. 32 in., dia. 15 1/2 in. $700/900

110. Louis XV-Style Bronze, Rock Crystal, Rose Quartz and Amethyst TwelveLight Chandelier, vasiform standard, scroll arms, h. 36 in., dia. 29 in. $3000/5000

111. Pair of Antique Carved Doors of Archaic Inspiration, eight animalistic figural panels, nailhead trim, iron ring pulls, each door h. 85 1/2 in., w. 24 in., d. 2 1/2 in. $800/1200

112. Pair of Framed Italian Carrara Marble Portrait Reliefs, possibly of Alexander the Great, h. 34 1/2 in., w. 27 1/2 in., d. 1 1/2 in. $3000/5000

113. Louis Philippe Carved Giltwood Overmantel Mirror, 19th c., molded arched surround with rope and beaded motif, lower corners with flower clusters, h. 67 1/2 in., w. 44 in. $1500/2000

114. Louis Philippe Gilt and Patinated Bronze Figural Mantel Clock, c. 1830, silk thread movement, figure of a Muse playing her harp, h. 25 in., w. 16 1/4 in., d. 7 in. $1500/2000

115. Napoleon III Patinated Bronze and Marble Figural Clock, c. 1870, Japy Freres movement, depicting Mercury standing on the wind god, fluted column on octagonal base, h. 31 1/2 in., w. 9 in., d. 14 in. $1000/1500

117. Monumental and Highly Decorative Chinese Famille Verte Porcelain Punchbowl, 20th c., exterior decorated with figures in a landscape, interior with the Three Star Gods, h. 10 1/2 in., dia. 24 in. $1500/2500

116. Pair of Chinese Export Blue and White Porcelain JardiniĂ¨res, faceted rectangular bodies on pierced, splayed bases, decorated with birds amid rocks and foliage, h. 12 1/2 in., w. 19 1/2 in., d. 16 in. $1200/1800

118. Antique French TĂ´le Peinte Tray, 19th c., red ground with Caribbean island scenes in reserve, later faux bamboo stand, h. 18 1/4 in., dia. 35 1/2 in. $1200/1800

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119. Pair of Louis XV Carved and Crème Peinte Fauteuils, c. 1760, stamped I.B. Boulard, floral‑carved molded crest rail, padded scrolled arms, conforming serpentine seat rail, cabriole legs, h. 34 in., w. 22 1/2 in., d. 17 in. $3000/5000

120. Italian Rococo Gilt and Creme Peinte Console Table, late 18th c., Rosso Antico serpentine marble top, conforming frieze, cabriole legs, scrolled acanthine stretcher, h. 38 1/2 in., w. 61 in., d. 23 1/2 in. $2500/3500

121. Pair of Antique Moorish Inlaid and Parcel Ebonized Mahogany Stands, hexagonal top, mounted with decorative brackets, turned center support, shaped bracket feet, h. 41 1/2 in., w. 20 1/2 in., d. 20 1/2 in. $800/1200

122. Jean‑Pierre Serrier (French, 1934‑1989), “Bastille Day Celebration”, oil on canvas, signed lower right, 9 1/2 in. x 5 1/2 in., framed. $800/1200 Note: Jean-Pierre Serrier was born in Montparnasse and attended the Académie des Beaux-Arts in Paris. He had his first exhibition in 1955, before being sent to Algeria to complete his military service. In 1961, Serrier made his first visit to the United States to exhibit at a New York gallery. In 1975 and 1979, he had successful exhibitions in New Orleans, and his work was included in art and news magazines, including Time and Newsweek. He was a member of the Autumn Salon and in 1976 was elected a jury member. He exhibited widely during his lifetime, including in London, Paris, Geneva, and Brussels, and posthumous retrospectives of his work took place in New York and New Orleans.

123. Rene Portocarrero (Cuban, 1912‑1985), “Head with Leaves”, 1979, mixed media on paper, signed and dated lower left, 35 1/2 in. x 26 in., framed. $4000/6000 Note: Rene Portocarrero began painting at the age of 14. He enrolled in the San Alejandro Academy, but he rejected academic training as “incompatible with my temperament,” resulting in his consideration as a self-taught artist. Portocarrero traveled extensively throughout Europe absorbing Cubism and Surrealism and participating in many informal apprenticeships. He characterized his art as a constant search for a freedom of style and changed his techniques often. Portocarrero claimed to work spontaneously, never having planned a work until the brush was about to strike the canvas. There are a few consistent themes in his subject matter however, such as women, flowers, birds and mythology, of which the painting offered here is a prime example. Considered by many in Latin America to be on par with Picasso, Portocarrero is often referred to as Cuba’s greatest painter. Ref.: “Grupo Origenes: Pintores.” Cuba Literaria. www.cubaliteraria.cu. Accessed Feb. 18, 2018; “René Portocarrero Bio Page.” Wide Walls. www.widewalls.ch. Accessed Feb. 18, 2018.

124. Mexican Carved Oak Campeche Chair, late 19th c., distinctive Art Nouveau dragonfly and floral embossed leather back and seat, incised arms, scrolled seat rail and legs, turned stretcher, h. 33 in., w. 21 in., d. 27 in. $700/900 126. Fine English Carved and Inlaid Rosewood Center Table, mid‑19th c., octagonal top, satinwood banding with shell and acanthus motif, scalloped apron, turned standard, scrolled legs, casters, h. 31 1/2 in., dia. 53 in. $2000/3000

125. Regency Inlaid Rosewood Slipper Chair, early 19th c., shaped back, conforming seat rail, reeded legs, cuff casters, Sotheby’s, NY, lot tag, h. 34 in., w. 20 in., d. 20 in. $300/500

127. English Papier‑Mâché Parcel Gilt and Mother‑of‑Pearl Inlaid Child’s Chair, mid‑19th c.; scrolled back, caned seat, turned legs; together with an antique tole peinte tray on stand, chair h. 33 1/2 in., w. 15 in., d. 15 1/2 in.; table h. 17 in., w. 27 in., d. 22 in. $300/500

128. Irish Carved Mahogany Tilt‑Top Table, 19th c., scalloped floral carved top, vasiform standard, cabriole legs, ball and claw feet, h. 27 in., w. 29 in., d. 20 in. $600/800

130. Continental Carved and Gilt Decorated Crème Peinte Cabinet, foliate crest, upper case with incurvate sides fitted with shelves flanking oval glazed door, conforming lower case centering door, bun feet, h. 97 in., w. 58 in., d. 21 in. $1000/1500 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

132. Fine Louis XV/XVI Bronze‑Mounted Parquetry Petite Commode, 19th c., serpentine rouge marble top, four conforming drawers, shaped apron, flared legs, brass sabots, h. 33 1/2 in., w. 25 in., d. 17 1/2 in. $1500/2500

129. Pair of Antique Louis XV‑Style Carved Walnut Fauteuils, serpentine acanthus‑carved crest rail, caned back and seat, molded arms, carved apron and cabriole legs, h. 36 1/4 in., w. 26 1/4 in., d. 20 in. $800/1200

131. Very Good Antique French Inlaid Mahogany and Rosewood Petite Commode, brass galleried variegated marble top, stamped “Paris...”, bank of small drawers, chamfered stiles, shaped apron, conforming blocked feet, h. 32 in., w. 21 in., d. 13 in. $800/1200

133. Fine Dutch Marquetry and Rosewood Silver Table, late 18th/early 19th c., tray top, frieze drawer, restrained cabriole legs, pad feet, h. 28 in., w. 33 1/2 in., d. 22 in. $1200/1800

135. Good Pair of French BronzeMounted Parquetry Semainiers, 19th c., chamfered stiles, six drawers, shaped apron, h. 45 in., w. 18 1/2 in., d. 10 in. $1200/1800

134. Fine Suite of Eight French Provincial Carved Mahogany Fauteuils, probably 18th c. and later, foliate carved crest rail, caned back and seat, scrolled arms, conforming seat rail, cabriole legs, h. 37 1/2 in., w. 25 1/2 in., d. 21 in. $1500/2500 Additional information at www.nealauction.com

136. Continental Neoclassical‑Style Faux Marbre and Parcel Gilt Pier Table, probably early 20th c., Northern European, dolphin scroll supports, paneled back centered by a rosette, shaped plinth base, h. 29 1/2 in., w. 33 in., d. 15 in. $1200/1800 137. Austrian Parquetry and Zebrawood Bombé Commode, probably early 19th c., serpentine rouge marble top, conforming case with small drawers over two long drawers, shaped apron, flared legs, sabots, h. 36 in., w. 40 in., d. 22 in. $2000/3000 138. Pair of French Provincial Carved Walnut and Caned Bergères, 18th c., serpentine foliate‑carved crest rail, padded back and arms, loose seat cushion, cabriole legs, h. 39 in., w. 28 in., d. 29 in. $1800/2500

139. Fine Louis XV/XVI‑Style Bronze‑Mounted Mahogany Center Table, molded grey veined marble top, shaped frieze, scrolled stretcher surmounted by a floral basket, cabriole legs, sabots, h. 33 in., dia. 53 1/2 in. $8000/12000

140. School of Titian (Italian, 1490‑1576), “Madonna, Christ and St. John the Baptist”, oil on canvas, unsigned, “Wadsworth Atheneum, Hartford, Ct.” exhibition label with artistic attribution and provenance and 2 illegible handwritten labels en verso, 33 in. x 27 in., antique frame. $4000/6000

Provenance: Bonham’s, San Francisco, CA. Note: The proportions and elaborate gilt bronze mounts on the center table offered here are related to the designs of influential Parisian ébéniste François Linke. Known for his exuberant revival of Louis XV style during the late 19th and early 20th century Belle Époque period, Linke’s display at the 1900 Exposition Universelle in Paris led to his international recognition and helped to solidify the perennial popularity of Louis XV style worldwide, as evident in the present lot. Ref.: Payne, Christopher. François Linke: 1855-1946, The Belle Epoque of French Furniture. Woodbridge, Suffolk, England: Antique Collectors’ Club Ltd., 2003, pp. 14, 117, 157. For related designs, see pages 117, 239, 241, and 494.

Provenance: Rev. Dr. and Mrs. Remsen B. Ogilby, Hartford, CT; Private Collection, CT. Exh.: “Paintings in Hartford Collections”, Wadsworth Atheneum, CT, c. 1936 and listed in the exhibition catalogue as #339.

141. Continental Bronze‑Mounted Polychrome Porcelain Coffer, rose Pompadour porcelain decorated in Sèvres manner with putti, musical instruments and foliage, elaborate Rococo mounts, h. 7 1/2 in., w. 13 1/2 in., d. 10 in. $700/900

142. Monumental German Porcelain Covered Vase on Stand, 19th c., pierced scrollwork handles, stem foot, circular socle, painted with Classical reserves in a floral ground, h. 43 in. $600/800 143. Antique French Faïence Tobacco Jar, late 18th/early 19th c., labeled “TABAC FIN” and “TABAC DE TONNIN”, h. 7 3/4 in., dia. 6 3/4 in. $400/600

144. Monumental English Ironstone Covered Jar, late 19th/early 20th c., 3-headed turtle finial, mythical sea creature handles, tapering hexaginal body decorated with waterscape scenes on a dense ground of sea creatures and plants, h. 33 1/2 in., w. 17 in., d. 13 1/2 in. Note: Repaired at rim. $400/600

145. Set of Eight Chinese Export Famille Rose Porcelain Plates, 18th c., wells with floral sprays, barbed rims banded with floral garlands, dia. 9 in. $700/1000

146. Set of Six Chinese Export Famille Rose Porcelain Plates, late 18th c., wells with central floral sprays, rims banded with floral garlands, dia. 9 in. $400/600

147. Neoclassical-Style Argenté Bronze Fireplace Garniture, incl. pair of andirons, firescreen, 4 fire tools and stand, firescreen h. 38 in., w. (extended) 58 in. (7 pcs.) $500/700

148. Louis XVI-Style Gilt Metal Jardinière on Mirrored Plateau, c. 1900, reticulated body with scroll handles, removable tôle liner, stamped “DEPOSE 703”; on conforming plateau, marked “DEPOSE N. 83”, total h. 6 3/4 in., w. 19 in., d. 10 in. $600/900

Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

150. Antique Louis XVI‑Style Argenté Bronze Jardinière, probably late 19th c., cartouches surmounted by trophées and inset with jasperware plaques, ram’s head scroll handles, acanthus scroll feet, removable brass liner, h. 4 in., w. 18 in., d. 9 1/2 in. $500/750 151. Fine Antique Louis XVI‑Style Gilt Bronze‑Mounted Marble Cassolette, domed cover, ram’s head handles, floral swag, foliate fluted base, marble plinth, disc feet, h. 25 in., w. 12 1/2 in., d. 9 1/2 in. $800/1200

149. Pair of Continental Gilt and Patinated Bronze Figural Candlesticks, c. 1900, foliate standard, cherub figures dancing and playing the tambourine, dolphins encircling the base, h. 17 1/4 in., w. 5 1/8 in., d. 5 1/8 in. $600/900

152. Napoleon III Bronze and Sienna Marble Desk Garniture, 19th c., marked “Marionette Paris...”, incl. large encrier, letter stand and pen tray, encrier h. 11 in., w. 17 in., d. 9 in.; letter file h. 10 1/2 in., w. 12 in., d. 5 in.; pen tray h. 1 1/2 in., w. 11 1/2 in., d. 3 in. $1000/1500

153. Large Pair of Italian Carved, Painted and Gilded Carved Wood Finials, h. 38 1/2 in. $700/900

154. Tivolian‑Style Patinated Bronze Urn, 19th c., figural handles, egg and dart rim, body with alternating flower and leaf band, stem foot, plinth base, h. 11 1/2 in., w. 17 1/2 in., d. 12 1/2 in. $700/1000

155. Fine Pair of Louis Philippe Gilt Bronze Candlesticks, mid‑19th c., foliate standards, spreading foliate bases, h. 12 in., dia. 6 in. $500/700

159. Pair of Gilt Bronze and Porcelain Two‑Light Wall Sconces in the French Taste, backplate with bowknot, mask and applied porcelain flowers, electrified, h. 26 in., w. 15 in., d. 4 in. $1200/1800 158. Continental Verdure Tapestry, 19th c., depicting a woman playing a lute, 9 ft. 7 in. x 5 ft. $700/1000

156. Pair of English Black Lacquer, Gilt and Mother‑of‑Pearl Inlaid Pole Screens, 19th c., cartouche-form screens with chinoiserie, rococo tripod stands, h. 53 in., w. 16 in., d. 16 in. $1200/1800

157. Pair of Neoclassical-Style Silverplate Candlestick Lamps, with tôle shades, h. 24 in., dia. 10 1/2 in. $500/700

160. Diminutive Empire‑Style Bronze, Tôle Peinte and Cut‑Crystal Eight‑Light Chandelier , h. 23 in., dia. 19 1/2 in. $400/600

161. Pair of French Patinated Bronze Two‑Light Sconces, 20th c., bowknot backplate with polychromed wood plaques, electrified, h. 30 in., w. 10 in., d. 4 1/2 in. $600/800

Additional information at www.nealauction.com

162. [French Caribbean Sea Chart], “Carte Reduite des Debouquements de St. Domingue...”, Paris, 1787, from the atlas Le Pilote de l’Isle de Saint‑Domingue..., by Puysegur, with rhumb‑lines, showing the Turks and Caicos, lower Bahamas, Cuba, Jamaica, Puerto Rico and the coast of St. Domingue, 22 3/4 in. x 36 1/4 in., framed. $150/250

163. Henri Abraham Chatelain, “Nouvelle Carte de l’Amerique Septentrionale...”, Amsterdam, 1720, hand‑colored engraved map from Atlas Historique, 18 3/4 in. x 23 1/8 in., unframed. $600/900

164. Jacques Nicolas Bellin, “La Louisiane et Pays Voisins”, “Cours du Fleuve Saint Louis...”, “Plan de la Nouvelle Orleans”, three hand‑colored engraved maps (plates 40, 43 and 45), from Le Petit Atlas Maritime, 1764, 8 in. x 11 1/2 in. and 8 in. x 13 1/2 in. (2), unframed. $500/700

165. Antique French Map of St. Augustine, “Plan de la Ville et Port de St. Augustin”, late 18th/early 19th c., hand‑colored engraved map, sight 8 1/2 in. x 12 in., framed. $300/500 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

167. Frank Henry Shapleigh (American/New Hampshire, 1842‑1906), “Southern Cabin Scene with Figures and Geese”, watercolor on paper, signed lower right, sight 5 in. x 8 in., framed. $1000/1500 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL. 166. Edmund Greacen (American/New York, 1876‑1949), “Florida Homestead”, oil on canvas, signed lower left, typed label with artist and “Short Hills, New Jersey” on stretcher, 18 in. x 15 1/4 in., framed; together with Nan Greacen (American, 1908‑1999), “Magnolia Blossom”, oil on canvas, signed lower left, handwritten artist bio en verso, 16 in. x 20 in., framed. (2 pcs.) $1500/2500 Provenance: “Florida Homestead”, Mystic Fine Arts, Ltd., Mystic CT, June 30, 2003, lot 170; “Magnolia Blossom”, Mystic Fine Arts, Ltd., Mystic, CT, July 15, 2002, lot 87; Estate of Faith K. Tiberio, St. Augustine, FL. 168. Hermann Ottomar Herzog (German/ American, 1832‑1932), “St. Augustine House with Palm Tree”, oil on canvas, signed lower right, 14 1/4 in. x 18 in., framed. $15000/25000 Provenance: St. Augustine Art Gallery, St. Augustine, FL, May 5, 2011; Estate of Faith K. Tiberio, St. Augustine, FL. Note: Born in Germany, Hermann Herzog emigrated to the United States in 1870, settling in the Philadelphia area. Having been trained in the Dusseldorf School style of painting, which emphasized realism, finely detailed landscapes, and a light palette, Herzog easily related to the Hudson River School painters in his new home country. Herzog traveled extensively, visiting states in the northeast and the west before discovering the state of Florida in 1884. Over the next five decades, Herzog painted over two hundred and fifty Florida scenes, and these paintings are considered some of his finest. Inspired by the atmospheric effects of the Florida climate, Herzog combined the realism of his Dusseldorf training with an Impressionist-like palette and brushwork to create lush sub-tropical scenes. In the lot presented here, Herzog’s style perfectly suits the subject, believed to be a back view of the Presbyterian Manse on St. George Street in St. Augustine. Utilizing a clear blue sky and light and airy palette of greens and yellows, the artist captures both the fine details on the building and tropical impression of the foliage to provide the viewer with a feeling of Florida. Ref.: Libby, Gary R. Reflections: Paintings of Florida 18651965. Daytona Beach, FL: The Museum of Arts and Sciences, 2009; Mann, Maybell. Art in Florida: 1564-1945. Sarasota, FL: Pineapple Press, 1999.

169. Theodore Wendel (American/Ohio, 1859‑1932), “View of Venice along the Rio Nuovo Canal”, oil on canvas, signed lower right, 21 in. x 24 in., framed. $12000/18000 Note: Theodore Wendel was one of the most successful and respected Impressionist landscape painters of the late 19th and early 20th centuries. A native of Ohio, Wendel studied with Thomas Noble at the McMicken School of Art at the University of Cincinnati. He traveled to Munich, Germany in 1878 with his good friend Joseph DeCamp to study with Frank Duveneck at the Munich Academy. Wendel and his friends became known as the “Duveneck Boys,” and the group included such noted artists as William Merritt Chase, James Abbott McNeill Whistler, and John Henry Twachtman. From 1878 to 1880, they painted landscapes and figural paintings in Polling outside Munich, as well as in Florence and Venice. Most of Wendel’s paintings from this period are unlocated, making examples like the current lot very rare. The view offered here depicts the Rio Nuovo canal in Venice. Using soft shades of rose, pale blue and green, Wendel’s gestural brushwork produced an early work of Impressionism by an American artist. Later in 1887-88, Wendel studied in France and became good friends with Claude Monet. He was one of the few American artists whose work Monet chose to praise. Wendel’s career was curtailed by illness in 1917 and despite being one of the most important American Impressionists, his reputation gradually faded, and he fell into obscurity. His work was all but forgotten until John I. Bauer organized an exhibition of his paintings in 1976 at the Whitney Museum of American Art in New York City, re-elevating his career status to its original importance.

170. Heinrich H. (Harry) Pfeiffer (American/Florida, 1874‑1960), “By the Shore, St. Augustine, FLA”, “By the Lake”, and “Untitled: Landscape with Fishermen”, 3 oils on canvas or canvas board, each signed lower left, 2 signed, titled and inscribed en verso, 12 1/2 in. x 14 in., 24 in. x 22 in., and 22 in. x 24 in., framed. (3 pcs.) $2000/3000 Provenance: “By the Shore, St. Augustine, FLA”, Bruchard Galleries, Inc., St. Petersburg, FL, Apr. 22, 2001, lot 99; Estate of Faith K. Tiberio, St. Augustine, FL. Ill.: “By the Shore, St. Augustine, FL”, Torchia, Robert W. Lost Colony: The Artists of St. Augustine, 1930‑1950. St. Augustine, FL: The Leightner Museum, 2001, p. 97.

171. Nunzio Vayana (Italian/ American, 1878‑1960, act. St. Augustine, FL, 1940s), “Seminole Indians Fishing”, oil on canvas, signed lower left, inscribed en verso, 30 in. x 36 in., framed. $1500/2500 Provenance: Blackwood March Auction, Essex, MA, Jan. 10, 2007, lot 546; Estate of Faith K. Tiberio, St. Augustine, FL.

173. Frank Henry Shapleigh (American/New Hampshire, 1842‑1906), “Old Gate in Hypolita Street, St. Augustine, Florida”, 1889, oil on canvas, signed and dated lower left, signed and titled en verso, 16 in. x 10 in., framed. $10000/15000 Provenance: Kim Iocovozzi, Savannah, GA, Nov. 27, 1998; Estate of Faith K. Tiberio, St. Augustine, FL.

172. Hugo Ohlms (German/ Florida, 1904‑1990, act. St. Augustine, FL, 1960s‑1990), “On the Beach”, oil on canvas board, signed lower right, 16 in. x 20 in., framed. $800/1200 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

Note: With a studio in his native Boston, Frank Shapleigh was a successful artist who was known for painting New England scenes, particularly in the White Mountain, New Hampshire area. From 1886-1893, Shapleigh and his wife spent time in St. Augustine, and he quickly became enamored with the historic town. Throughout his time there, Shapleigh created a series of detailed views of the St. Augustine streets, which not only serve as a historic record of the city, but also give the viewer a glimpse of life in the late 19th century. Hypolita Street, depicted here, runs east to west for only five blocks in Historic St. Augustine and ends at the Matanzas River as it empties into the St. Augustine inlet at the Atlantic Ocean. The ox-drawn cart rolling down the street with a pier and boats in the background are a captivating combination that undoubtedly attracted Shapleigh to portray this particular scene. Ref.: Libby, Gary R. Reflections: Paintings of Florida 1865-1965. Daytona Beach, FL: The Museum of Arts and Sciences, 2009; Mann, Maybell. Art in Florida: 15641945. Sarasota, FL: Pineapple Press, 1999. Additional information at www.nealauction.com

174. Clementine Hunter (American/Louisiana, 1886 1988),“The Annunciation and the Adoration of the Wise Men”, 1957, oil on board, monogrammed lower right, letter signed by Francois Mignon on his stationery identifying artist, title and date and printed artist biography en verso, 48 in. x 78 in., framed. $20000/30000

Neal Auction Company is pleased to offer these important Clementine Hunter murals from Melrose Plantation Note: Originally built in the early 1800s by Louis Metoyer, Melrose Plantation (first known as Yucca Plantation) began as a group of structures, including the African House, the Yucca House, a barn, and a cottage that would become the Big House. When the Hertzog family purchased the property in 1847, the plantation was tremendously successful, and expansions were made to the existing buildings. Surviving the destruction faced by many other plantations during the Civil War and Reconstruction eras, Yucca Plantation was purchased by the Henry family in 1884 and renamed “Melrose.” John and Cammie Henry became the owners of the property in 1899 and began extensive restorations to the structures of the plantation, as well as another expansion to the Big House. It was during this time period that Clementine Hunter worked at Melrose Plantation and began to paint. Widowed in 1918, Cammie Henry retained the plantation and continued to plant, sell crops, and maintain the property. Melrose thrived under her care, and Mrs. Henry became known for her dedication to the arts and for her collection of historic and culturally significant items. She often hosted social gatherings for artists and writers, and Clementine Hunter, at the time a cook at Melrose Plantation, came across leftover paints and found inspiration to create her first pictures in the late 1930s or early 1940s. During this same time period, François Mignon arrived at Melrose Plantation for a six-week visit that turned into a three decade long stay. He became the plantation’s historian and befriended Clementine Hunter. With both Francois Mignon and Cammie Henry encouraging Hunter to paint, she became committed to her art, creating not only beautiful small-scale paintings on canvas and board, but also large-scale murals which decorated the African House, the Ghana House, and the Yucca House. 22 22

Clementine spent the remainder of her life painting scenes inspired by the world around her. However, after the death of Cammie Henry in 1948 and her son, J.D. Henry, in 1969, Melrose Plantation, including the contents and a number of Clementine Hunter’s paintings, were sold at auction on June 6-7, 1970. Three of the rare and important large-scale murals sold in that sale are offered here. “Harvesting Gourds near the African House and Wash Day near the Ghana House,” “The Annunciation and the Adoration of the Wise Men,” and “The Cotton Crucifixion” originally decorated the Ghana House and Yucca House at Melrose Plantation. All three paintings include rich and complex iconography on a monumental scale. “Harvesting Gourds” depicts two of Melrose Plantation’s iconic buildings, which are some of the oldest structures in the American South. The African House, with its distinctive wide roof, was often used to hang gourds to dry, as depicted in Hunter’s mural. The harvest and drying of gourds is a theme that Hunter painted relatively rarely, and the details of the entire process are depicted throughout the composition. “The Annunciation” and “The Cotton Crucifixion” also feature large and multifaceted compositions with many figures and detailed depictions of religious scenes. The grand size of each panel allowed Hunter the freedom

to expand the stories. “The Annunciation” includes an angel guiding Mary, wise men carrying gourds as their gifts to Jesus, and farm animals with water troughs. In “The Cotton Crucifixion,” Hunter also takes advantage of the space and incorporates the two thieves crucified along with Christ on the left and right of the central figure, as well as mourners at Christ’s feet. Her depiction of the Biblical scene with cotton plants growing at the foot of the cross translates the story to the plantation where she spent her long life. In both her religious and secular paintings, Hunter consistently incorporated unique elements of Melrose into her work.

175. Clementine Hunter (American/Louisiana, 1886 1988),“Harvesting Gourds near the African House and Wash Day near the Ghana House, Melrose Plantation”, 1959, oil on board, monogrammed lower right, 73 in. x 66 ½ in., framed. (2 pcs.) $20000/30000

A letter en verso of “The Annunciation” indicates the date of the painting as April 8th, 1957, and additional known documentation on the Ghana murals claims that Hunter worked on the ceiling panels during the summer of 1959. In one of François Mignon’s Cane River Memo articles, he details the exact locations of the murals in the Ghana House, including the two offered here, and in his journal of 1957, he tells of Hunter’s completion of “The Annunciation,” which he had asked her to paint for him to be hung behind his bed at the Yucca House. A photograph of Mignon, taken in the 1950s, shows the mural installed in his bedroom. The size and complexity of these murals, as well as the historic nature of Melrose Plantation, make the paintings remarkable signifiers of Louisiana history. Clementine Hunter has long been acclaimed as one of the most prolific and well-known self-taught artists in America, and works such as the murals offered here further solidify that position and enrich her artistic legacy.

Provenance: Melrose Plantation Auction, Natchitoches, LA, lots 765, 770 and 754, June 6-7, 1970; Private Collection, ME. Ill.: Gilley, Shelby R. Painting by Heart: The Life and Art of Clementine Hunter, Louisiana Folk Artist. Baton Rouge: St. Emma Press, 2000, p. 45. Ref.: Gilley, Shelby R. Painting by Heart: the Life and Art of Clementine Hunter, Louisiana Folk Artist. Baton Rouge: St. Emma Press, 2000; Shiver, Art and Tom Whitehead, eds. Clementine Hunter: The African House Murals Natchitoches, LA: NSU Press Publications, 2005; Wilson, James. Clementine Hunter: American Folk Artist. Gretna: Pelican Publishing, 1988. 176. Clementine Hunter (American/Louisiana, 1886 1988),“The Cotton Crucifixion”, 1959, oil on plywood, monogrammed mid-right, 73 in. x 69 in., framed. (2 pcs.) $15000/25000

Neal Auction Company would like to thank the scholar Thomas Whitehead for his invaluable assistance with this catalogue entry. 23

177. Louis Kronberg (American/ Massachusetts, 1872‑1965), “The White Mantilla”, 1930, oil on canvas, signed, dated and located “Seville” upper right, initialed upper left, signed, titled and numerous artist inscriptions on stretcher, “The St. Augustine Gallery” label on stretcher, 40 in. x 32 1/4 in., framed. $1800/2500

178. Morris Henry Hobbs (American/New Orleans, 1892‑1967), “Patio at 740 Royal Street”, 1938, oil on canvas board, signed lower left, 16 in. x 12 in., original frame. $1000/1500 Ill.: Isbell, Reed. Morris Henry Hobbs ‑ A Catalogue Raisonné of Etchings, Engravings & Lithograph. McLean, VA: Coffee Street Publishing, 2017, p. ix.

Provenance: St. Augustine Gallery, St. Augustine, FL, Mar. 30, 2007; Estate of Faith K. Tiberio, St. Augustine, FL.

179. Charles Wellington Boyle (American/Louisiana, 1861‑1925), “Oak Tree Draped with Spanish Moss, Louisiana Bayou Landscape”, oil on canvas, signed lower right, 15 7/8 in. x 24 in., framed. $3000/5000

180. George Washington Seavey (American/Florida, 1841‑1913), “Still Life with Purple Flowers”, oil on canvas laid down on board, signed lower right, 10 in. x 7 in., framed. $700/1000

181. Colette Pope Heldner (American/New Orleans, 1902‑1990), “Famous Old Absinthe House, Old French Quarter”, oil on canvas board, signed lower right, artist business card with handwritten title en verso, 6 in. x 8 in., framed. $800/1200

Provenance: Friends of Olana Ninth Annual Auction, Hudson, NY, Sept. 9, 2000, lot 27; Estate of Faith K. Tiberio, St. Augustine, FL.

182. Archie Bonge (American/Mississippi, 1901‑1936), “Still Life of Books and Fruit”, 1928, oil on canvas, signed lower left, dated and indistinctly inscribed en verso, 24 1/4 in. x 33 3/4 in., framed. $3000/5000

183. Louis Charles Vogt (American/Ohio, 1864‑1939, act. St. Augustine, FL, 1930s), “Aviles Street, St. Augustine, Florida”, oil on board, signed lower right, titled en verso, 18 in. x 20 in., framed. $800/1200

184. Louis Charles Vogt (American/Ohio, 1864‑1939, act. St. Augustine, FL, 1930s), “Horseback Riders, Anastasia Island”, oil on canvas, signed lower left, remnant of handwritten label on stretcher, 32 1/4 in. x 36 in., framed. $1500/2500 Provenance: Betty Killingsworth, St. Augustine, FL; Estate of Faith K. Tiberio, St. Augustine, FL.

Provenance: Nicholas Nader, St. Augustine, FL, Jan. 21, 1999; Estate of Faith K. Tiberio, St. Augustine, FL.

185. George Bridgman (Canadian/American, 1865‑1943), “River View”, oil on canvas, signed lower right, 26 1/2 in. x 42 1/2 in., framed. $2000/3000

186. George Walter Dawson (American, 1870‑1938), “Spanish Dwelling”, watercolor on paper, signed lower left, sight 9 3/4 in. x 14 in., framed. $500/700

187. Louis Charles Vogt (American/ Ohio, 1864‑1939, act. St. Augustine, FL, 1930s), “Boats in Marina”, pencil on paper and “Cathedral of St. Augustine”, 1934, charcoal on paper, each signed lower right, sights 8 1/2 in. x 11 in. and 8 1/2 in. x 11 1/4 in., framed. (2 pcs.) $600/800

Provenance: Mystic Fine Arts, Ltd., Mystic, CT, Jan. 15, 1998, lot 173; Estate of Faith K. Tiberio, St. Augustine, FL.

Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

188. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Marie (Negro Woman, Boyer 55)” and “Rue Dumaine St., N.O. (Boyer 76, fig. 39)”, 1931, 2 etchings on paper, each pencil‑signed and titled lower margin, each initialed and one dated in plate, 12 1/4 in. x 11 1/2 in. and 10 in. x 12 in., unframed. (2 pcs.) $700/1000

189. After Edgar Degas (French, 1834‑1917), “Theatre Program”, canceled etching, signed in reverse in plate upper right, 9 1/4 in. x 12 1/4 in., unframed. $400/600

190. Kerr Eby (Canadian, 1889‑1946), “The Last Supper”, 1937, “St. Ouen, Rouen” and “Barrage”, 3 etchings on paper, one signed and dated in plate lower right, each pencil‑signed, titled and 2 inscribed “Trial Proof” lower margin, 14 1/4 in. x 6 1/4 in. to 11 5/8 in. x 16 in., 2 framed. (3 pcs.) $1000/1500

Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans.

193. Peter Hurd (American/New Mexico, 1904‑1984), “The Sheep Herders’ Christmas ‑ New Mexico”, lithograph, pencil‑signed and titled lower margin, 6 in. x 8 in., framed. $500/700 192. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Old Ursuline Convent, New Orleans” and “Lamplight”, 2 etchings, each initialed in plate, 7 1/2 in. x 9 3/4 in. and 9 1/2 in. x 7 3/4 in., framed alike. (2 pcs.) $600/800

196. Prentiss Taylor (American, 1907‑1991), “Assembly Church”, 1936, lithograph, pencil‑signed, titled, dated and inscribed “40 prints” lower margin, 9 1/2 in. x 13 1/2 in., matted. $1200/1800

199. Gustave Baumann (German/ New Mexico, 1881‑1971), “Marigolds/Sunny Messengers”, c. 1915‑1919, woodblock on paper, signed and artist stamp lower right, “Owings‑Dewey Fine Art, Santa Fe, NM” label en verso, 11 in. x 10 in., framed. $1500/2500

194. Marion Greenwood (American, 1909‑1970), “Voodoo Ritual”, lithograph, pencil‑signed and titled lower margin, 13 1/2 in. x 9 1/2 in., matted. $400/600

197. Ralph Lewanda Wickiser (American/ Louisiana, 1910‑1998), “Mardi Gras Scenes”, 3 lithographs, each pencil‑signed and titled lower margin, 2 ink signed and titled lower margin, 9 3/4 in. x 7 1/2 in. to 10 3/4 in. x 8 in., matted. (3 pcs.) $2500/3500

191. Stow Wengenroth (American, 1906‑1978), “Old North Church, Boston” and “First Congregational Church”, 2 lithographs, each pencil‑signed, titled and inscribed “ed/76” or “ed/50” respectively lower margin, 15 1/2 in. x 11 1/2 in. and 10 1/4 in. x 15 3/4 in., framed. (2 pcs.) $600/800

195. Morris Henry Hobbs (American/New Orleans, 1892‑1967), “Chartres St. from Old Madison, New Orleans”, 1939, etching, pencil‑signed, inscribed “edition 300” and titled lower margin, 10 in. x 7 in., matted. $400/600

198. Prentiss Taylor (American, 1907‑1991), “In Whom I Am Well Pleased (Rose/Quiroz 58)”, 1940, lithograph, pencil‑signed, titled, dated and inscribed “35 prints” lower margin, 10 1/4 in. x 15 in., matted. $500/700 200. (Detail) Staffordshire Blue and White Partial Dinner Service, 19th c., various “Great Houses” patterns, incl. 14 plates, platter, soup tureen, sugar and creamer, two shell dishes, four tea bowls, three saucers, 10 coffee cups, oval dish, sauce tureen (note condition), ladle; together with 4 vegetable tureen covers, approx. 47 pcs. $700/1000

201. Pair of American Carved Giltwood Spreadwinged Eagles, late 19th c., with wall hangers, h. 10 in., w. 29 in., d. 7 1/2 in. $600/800 Additional information at www.nealauction.com

203. Parian Figure of Lady Godiva, 19th c., possibly by Minton, h. 16 1/2 in., w. 16 1/2 in., d. 5 1/2 in. $300/500 202. Good Marquetry Plaque of a Tiger, integral rosewood frame, h. 48 in., w. 38 1/2 in., d. 1/2 in. $800/1200 204. Parian Figure of Cleopatra, 19th c., unmarked, h. 15 1/2 in., w. 7 in., d. 5 3/4 in. $150/250

206. Tiffany & Co. Makers Sterling Silver‑Mounted Mahogany Gallery Tray, pattern introduced 1909, reticulated gallery with scroll handles, shaped oblong mahogany tray with patera inlay and banding, h. 3 in., w. 24 1/2 in., d. 16 3/4 in. $1500/2000

207. Portuguese Sterling Silver Vintage Motif Punchbowl, F.M. Topazio, grapevine handles, h. 6 1/2 in., dia. 19 in., wt. 47.35 troy ozs. $600/800

210. Louis XV‑Style Silverplate Surtout de Table, Cailar, Bayard & Cie, Paris, act. 1848‑1934, in three sections, each shaped mirror plate in molded rocaille and foliate scroll surround, scroll feet, oak backboards, l. 41 1/2 in., w. 14 1/2 in. $1000/1500 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

208. Antique Silverplate Mirrored Plateau, 19th c., oval beveled mirror plate, reeded surround, suppressed ball feet with acanthus brackets, 20 5/8 in. x 14 5/8 in. $300/500

205. Parian Figure of Apollo, 19th c., unsigned, h. 21 1/2 in., w. 6 3/4 in., d. 6 1/4 in. $150/250

209. French First Standard Silver Fish Serving Knife and Fork in the Louis XVI Taste, mid‑to‑late 19th c., hollow handles with engine‑turned engraving and fleur‑de‑lis decoration, knife l. 12 in., in fitted silk‑lined leather presentation case marked for retailer L. Remerand, Bruges. $250/350

211. Christofle Silverplate Jardinière, 19th c., oval footed form with scroll handles, stylized floral decoration on stippled ground, anthemion bracketed feet, removable liner, h. 7 1/4 in., w. 16 1/2 in., d. 19 1/2 in. $500/700

212. Chippendale‑Style Carved Mahogany Kettle Stand, galleried top, reticulated frieze fitted with slide, conforming brackets, cluster column legs, pierced stretcher, blocked feet, h. 26 1/2 in., w. 13 1/2 in., d. 13 1/2 in. $300/500

213. Edwardian Mahogany and Parcel Ebonized Serving Trolley, late 19th c., labeled “W. Walker, London”, lotus‑carved backsplash above three shelves, fluted supports with festooned swag, base fitted with blind drawers, turned carved feet, casters, h. 48 in., w. 54 in., d. 20 1/4 in. $1000/1500 214. Fine Regency Brass Inlaid Rosewood Games Table, early 19th c., attr. to Thomas Hope, tooled leather sliding top opening to a velvet-lined backgammon board, reverse top with inlaid chessboard, boullework frieze with three drawers, trestle base, turned stretcher, paw feet, casters, h. 29 1/2 in., w. 47 in., d. 27 in. $7000/9000

215. Chippendale Carved Mahogany Low Table, probably early 20th c., in the Irish taste, molded top, acanthus carved apron centered by a mythological mask, cabriole legs, pad feet, h. 24 in., w. 49 in., d. 30 in. $800/1200

217. Interesting William IV Carved Walnut Ottoman, c. 1830, padded seat, molded frieze, turned legs, brass cuffs, h. 16 in., w. 59 1/2 in., d. 26 1/2 in. $600/800 216. Chippendale‑Style Carved Mahogany Cylinder Desk, mid‑19th c., gadrooned gallery, fitted desk interior, lion’s head handles, pierced brackets, tapered legs, spade feet, h. 40 in., w. 36 in., d. 19 in. $700/900

218. Louis XV‑Style Bronze‑Mounted Parquetry Bureau Plat, shaped inset tooled leather top, three frieze drawers, maiden bust mounts, cabriole legs, sabots, h. 31 in., w. 69 1/2 in., w. 38 in. $1500/2500

219. Fine Pair of Neoclassical‑Style Gilt Bronze Gueridons, verde antico marble top, tripartite lion supports, X stretchers, paw feet, h. 26 1/2 in., w. 16 in., d. 16 in. $2500/3500

220. Italian Polychrome Painted Cabinet in the Neoclassical Taste, molded rectangular top, frieze drawer, four silver drawers flanked by two paneled doors, pilaster stiles, molded base, h. 43 1/2 in., w. 82 in., d. 19 1/2 in. $1500/2500

221. Italian Rococo Carved Giltwood Console Table, 18th c., rare fossilized veneer slab top, molded frieze, extensive foliate decoration with fanciful masks, cabriole legs, serpentine stretcher centered by a foliate basket, claw and ball feet, h. 39 1/2 in., w. 64 in., d. 24 in. $9000/12000 Note: A blend of Baroque and early Rococo styles common among 18th century Italian design, the console table offered here is closely related in overall form to a table on display in the Royal Apartments of the Palazzo Pitti in Florence. Ref.: “Artworks, Royal Apartments, Pitti Palace.” uffizi.it/en/pitti-palace/ royal-apartments/artworks. Accessed February 23, 2018.

222. Pair of Louis XV‑Style Carved Fruitwood Benches, molded top, serpentine shell‑carved apron, cabriole legs, h. 17 in., w. 18 in., d. 13 in. $700/900 223. Pair of Neoclassical Faux Marbre, Ebonized and Parcel Gilt Pedestals, stepped top, scrolled frieze, mythological lion base over incurvate plinth, h. 39 1/2 in., w. 23 1/2 in., d. 13 in. $1200/1800

224. French Provincial Carved Walnut Console Table, 18th c., molded top, frieze drawer, serpentine apron, cabriole legs, scrolled toes, h. 30 1/2 in., w. 40 1/2 in., d. 23 1/2 in. $1000/1500

Additional information at www.nealauction.com

225. Continental Second Empire‑Style Patinated Metal Mirror, probably late 19th/early 20th c., architectonic crest, extensive surround with mythological creatures and figures, conforming base, h. 85 1/2 in., w. 47 in. $2500/3500 226. Louis XV-Style PorcelainMounted, Gilt and Patinated Bronze Three Piece “Noble Savage” Clock Garniture, 20th c., spherical case on figural supports, conforming three light candelabra, clock h. 19 1/2 in., w. 17 1/2 in., d. 8 in.; candelabra h. 17 in., w. 8 1/2 in., d. 5 1/2 in. $5000/7000

227. Empire Gilt Bronze Figural Clock, c. 1810, Roman standard-bearer with lion skin headdress, holding a banner, clock with key wind watch movement, marked “Chardonnereau Paris”, oval base, toupie feet, h. 9 1/2 in., w. 5 in., d. 3 1/4 in., in a dome, total h. 12 3/4 in. $800/1200

228. Good Pair of Chinese Famille Rose Porcelain ‘Hundred Bats’ Bottle Vases, probably early 20th c., densely decorated overall with bats amid cloud scrolls, shoulders banded with gilt shou characters and polychrome flower scrolls on a yellow ground, one base with Qianlong mark, other with Jiaqing mark, h. 17 in. $800/1200

231. Chinese Pottery Figure of a Lokapala, probably Tang Dynasty (618‑907), modeled standing on a ram wearing a tall headdress and suit of armor, h. 18 in. $600/800 Provenance: Blackamoor Antiques, New Orleans.

230. Chinese Glazed Pottery Figure of a Lokapala, probably Tang Dynasty (618‑907), modeled standing atop a recumbent ram wearing armor and a fierce expression, h. 16 1/2 in. $800/1200 Provenance: Blackamoor Antiques, New Orleans.

232. Chinese Lustrous Green Glazed Pottery Hu Vase, probably Han Dynasty (206 BCE ‑ 220 CE), baluster body with relief molded and carved concentric bands, shoulders with taotie masks suspending mock rings, spur feet, h. 16 in. $600/800 Provenance: Blackamoor Antiques, New Orleans.

235. Chinese Gilt Decorated Red and Black Lacquer Covered Box, probably 19th c., shaped cartouches alternately painted with figures in landscapes and insects, flowers and fruit, h. 4 in., w. 22 in., d. 22 in. $400/600

229. Chinese Famille Rose Porcelain ‘Nine Peach’ Bottle Vase, 20th c., decorated with the fruit laden branches of a peach tree and other foliage, h. 20 in. $1000/1500

236. Chinese Xipi‑Style Lacquered Wood Figure of a Recumbent Deer, covered overall in a marbled red and black lacquer, h. 26 in., w. 23 in., d. 10 in. $500/800

234. Chinese Embroidered Dark Blue Silk Purse or Pouch, early 20th c., worked on both sides in “Peking stitch” and couched gold threads with a qilin and a spotted deer, bats, cranes, Buddhist emblems, lingzhi, flowers, and plants, h. (excluding strap) 12 in., w. 9 1/2 in. $200/300 233. Chinese Lapiz Lazuli Figure of Beauty, modeled wearing flowing robes and a celestial scarf carrying auspicious fruit, h. 6 1/4 in., wire inlaid wood stand, overall h. 7 5/8 in., storage box. $300/500

237. Highly Decorative Archaistic Chinese Marble Jar, 20th c., carved throughout with stylized taotie masks, mythical beasts and characters, h. 24 in., dia. 17 in. $700/1000

Provenance: Acquired China, c. 1948; thence by descent.

238. Chinese Gilt and Patinated Bronze Figure of Bhaisajyaguru, cast seated in dhyanasana on a double lotus base, holding a medicine bowl in his left hand while his right rests on his knee, h. 18 in., w. 12 in., d. 10 in. $500/700

239. Late Georgian Carved Mahogany Canterbury, 19th c., shaped slatted dividers, one drawer, turned legs, casters, h. 20 3/4 in, h. 20 in., w. 14 1/2 in., d. 18 in. $300/500

240. Pair of George III‑Style Inlaid and Burled Walnut Chests of Drawers, probably 19th c., molded top, four drawers over two long graduated drawers, shaped bracket feet, h. 34 in., w. 33 1/2 in., d. 18 1/2 in. $2000/3000

242. Louis XVI‑Style Bronze‑Mounted Mahogany Desserte, 19th c., gris de St. Anne marble top, brass gallery, frieze drawer, fluted supports, stretcher shelf, turned and tapered legs, h. 34 in., w. 37 1/2 in., d. 15 1/2 in. $1200/1800 241. Regency‑Style Brass Inlaid Mahogany Writing Table, reeded top with inset tooled leather, frieze fitted with three drawers to one side, turned and reeded legs, brass cuffs, casters, h. 30 in., w. 72 in., d. 36 in. $3000/5000 243. Louis XVI‑Style Bronze‑Mounted Mahogany Desserte, probably late 19th c., incurvate galleried marble top, conforming frieze with two drawers, fluted supports, stretcher shelf, turned and tapered legs, brass cuffs, h. 30 1/2 in., w. 47 1/2 in., d. 15 in. $1000/1500 244. Moorish Mother‑of‑Pearl Inlaid Table, frieze drawer, brackets, square legs, stretcher shelf, h. 32 1/2 in., w. 22 1/2 in., d. 21 1/2 in. $2000/3000

246. Louis Philippe‑Style Carved Fruitwood Bibliothèque, molded cornice, glazed doors, shelf interior, lower conforming two door cabinet, plinth base, h. 190 in., w. 51 in., d. 22 in. $1000/2000

245. French Provincial Carved Fruitwood and Beechwood Table à Ecrire, possibly early 19th c., inset leather top, two frieze drawers, cabriole legs, brass sabots, h. 29 1/2 in., w. 54 1/2 in., d. 27 in. $1000/1500

Additional information at www.nealauction.com

248. English Polychrome, Parcel Gilt, and Mother‑of‑Pearl Inlaid Papier‑Mâché Tilt Top Table, scalloped top with floral motif, turned standard, conforming base, shaped pad feet, h. 28 1/2 in., w. 29 in., d. 23 in. $200/300 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL. 247. Pair of Louis Philippe‑Style Carved and Gilded Mahogany Fauteuils, incised crest rail, scrolled arms, swan‑carved uprights, foliate‑carved cabriole legs, hoof feet, h. 36 1/2 in., w. 24 1/2 in., d. 23 in. $1200/1800

250. After William Alexander (British, 1767‑1816), “View of the Suburbs of a Chinese City”, color engraving on paper, engraved by Benjamin Pouncy, sight 11 in. x 18 in., framed. $500/700

251. After Giuseppe Galli da Bibiena (Italian, 1696‑1756) , Four Architecture Engravings, from Architetture, e prospettive..., Augsburg, 1744, sights 14 in. x 22 in., framed alike. (4 pcs.) $800/1200

Provenance: George Cole Auctions, Red Hook, NY; Estate of Faith K. Tiberio, St. Augustine, FL.

252. Monumental Pair of Antique English Silverplate Epergne/Candelabra, James Dixon & Sons, Sheffield, mid‑19th c., each trumpet‑form standard with acanthus decoration, 4 removable foliate and floral scroll candlearms with removable candlecups, acanthus decorated base on lion feet, h. 20 in., w. 17 in. $1500/2500 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL. 254. Pair of Neoclassical-Style Gilt and Patinated Bronze Urns, loop handles, ram’s head and garland bands, relief‑modeled with Classical figures, tripod Atlantes feet, h. 22 in., w. 9 1/2 in., d. 8 in. $2000/3000 255. Pair of Large Neoclassical-Style Patinated Bronze Urns, lobed urns with ram’s heads, integral pedestals cast with Classical figures, h. 55 1/2 in., w. 27 in., d. 24 in. $5000/7000

253. Pair of Malachite Obelisks, on paneled plinths and stepped bases, h. 28 in., w. 6 in., d. 6 in. $1500/2500 256. French PorcelainMounted Bronze Hall Lantern, cage-form, foliate finials, allover mounted with polychrome porcelain flowers, fitted for electricity, h. 48 in., w. 19 in., d. 19 in. $1200/1800

257. Venetian Ebonized and Parcel Gilt Figural Table, 19th c., circular specimen marble top, gilt frieze, blackamoor support, incurvate plinth, paw feet, h. 27 1/2 in., dia. 34 1/2 in. $6000/8000

249. Cornelius Nozeman (Dutch, 1721‑1786), “Lanius Excubitor”, “Motacilla, Flava”, “Caprimulgus” and “Lanius Collyrio”, 4 hand‑colored engravings, information on each bird en verso of backing paper, sights 17 in. x 11 3/4 in., framed alike. (4 pcs.) $500/800

258. Enrique Alferez (Mexican/New Orleans, 1901‑1999), “Fisherman Hauling in the Net”, charcoal on paperboard, signed lower left, 29 1/2 in. x 41 3/4 in., framed. $2000/3000 Note: Enrique Alferez created hundreds of pieces throughout his career, designing works of art in both two and three-dimensional media. Photos of his studio show sculptures in progress as well as large scale drawings in charcoal and chalk, sometimes stand-alone pieces and sometimes sketches for a sculpture. His characteristic stylized figures and chiaroscuro shading technique are both exhibited in the drawing of a fisherman casting his net offered here. The crosshatching of the net, combined with the chalk highlights, create an elegant pattern similar to those seen in Art Deco architecture and sculpture of the 1930s.

259. José Francisco Xavier de Salazar y Mendoza (Mexican/New Orleans, c. 1750‑1802), “Portrait of a New England Gentleman”, oil on canvas, unsigned, 40 1/4 in. x 31 1/4 in., framed. $20000/30000 Note: The handsome gentleman in a late 18th century-style frock coat and cravat in the portrait offered here typifies the archetypal sitter Salazar painted at the turn of the 18th century, as well mirrors the pose and composition often used by the artist. Salazar was known to have painted military figures, sea captains, and wealthy merchants, many of whom had come to New Orleans from other locales for business and political purposes.

260. Clarence Millet (American/New Orleans, 1897‑1959), “Old Gateway, New Orleans”, oil on canvas, signed lower right, 22 in. x 26 in., framed. $10000/15000

The standing portrait at waist-length with one hand in the sitter’s coat had become an iconic pose by the late 1700s, and Salazar implemented it often for his prominent male clients. Three other known paintings by Salazar, Colonel Thomas Butler, Jr., sold in these rooms in February 2017, Miguel Dragon, located at the Louisiana State Museum, and the Portrait of a Bristol, Rhode Island Gentleman, all have nearly identical poses, as well as the same trompe l’oeil painted oval seen in the current lot.

261. Clarence Millet (American/New Orleans, 1897‑1959), “The Shadow”, oil on canvas, signed lower left, “National Academy of Design 1957 Annual Exhibition” label with title en verso, 36 in. x 30 in., framed. $20000/30000 Note: Known for popularizing the Impressionist style of painting within the New Orleans art community, Clarence Millet has long been acknowledged as one of the most important and influential painters working in the city in the early and mid-twentieth century. Millet frequently exhibited both in New York and New Orleans. The current lot, which depicts the courtyard of Millet’s studio building, the Governor Claiborne House at 628 Toulouse Street, includes a label en verso detailing the inclusion of this painting in the 1957 Annual Exhibition at the National Academy of Design, where Millet was a member. Millet’s studio space at 628 Toulouse Street, where fellow artist Alberta Kinsey also rented, had once been the residence of W.C.C. Claiborne, Governor of Louisiana from 1812-1816; the historic building has a beautiful courtyard that has been painted and photographed by artists for many decades. Millet admired the beauty of the space, and he sketched and painted the scene throughout day to capture the variations in the light, another Impressionist practice. “The Shadow” depicts an evening view of the courtyard from above, including dramatic lights and darks within the composition. The streetlight from the right side of the canvas adds a secondary light source to the moonlight, causing the long, sharp shadow, for which the painting is titled, of a person entering the courtyard. Additional information at www.nealauction.com

262. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Monumental Louisiana Bayou with Live Oaks, Cypress and Cabin”, 1929, oil on board, signed and dated lower left, 47 in. x 71 in., framed. $30000/50000 Note: This stunning example of a luminous bayou landscape by Alexander Drysdale exhibits the best of the artist’s techniques in both color and brushwork in a rare, large format composition. A beautiful scene depicting Drysdale’s iconic Live Oaks near a bayou, the inclusion of a small cabin adds a charming element to the composition. Drysdale blends his colors to create particularly vibrant blues, greens, and teals for the lush vegetation reflected in the water dotted with water lilies.

Although he listed himself as a portrait painter in advertisements, Drysdale is best known for his Louisiana landscapes. Other known instances of Drysdale painting in a similar large-scale format to the work offered here include the canvases done to decorate the Weiss Dining Room, now conserved at Tulane University, the murals painted for the D. H. Holmes Department Store on Canal Street, and the murals done for the New Orleans Shushan Airport. Ref.: Buechner, Howard A. Drysdale: Artist of Myth and Legend. Metairie, LA: Thunderbird Press, 1985.

263. John McCrady (American/New Orleans, 1911‑1968), “The Creation of Adam and Eve”, 1951, oil on canvas, signed and dated lower left, remnant of exhibition label en verso, 25 in. x 48 in., original frame enhanced by the artist; together with a copy of photograph of McCrady family with the painting. (2 pcs.) $40000/60000 Note: Throughout his career, John McCrady painted numerous religious scenes inspired by his own spirituality and Biblical stories. These scenes, while still adhering to McCrady’s regionalist style, also verge on surrealism and abstraction. On the subject of these varying styles of painting, McCrady wrote, “I have never liked being classed in any definite school, as my work has much American Scene subject matter – but also plenty of fantasy – and is built on the abstract. All the painters of the stories of the Bible and Greek mythology were surrealists… any time a man paints an angel floating in the sky, he is painting surrealism. I have certainly done that.”

The work offered here, with a larger-than-life Adam and Eve dominating the composition while reclining in a stylized Garden of Eden, stylistically fits the criteria of a surrealist and abstract painting. The color scheme, with lush green fields and a bright blue sky, relates more to McCrady’s more traditional palette for his American Regionalist paintings and highlights the embedded traditional Biblical symbols. The emphasis on Adam’s ribs is a reference to the titular Bible story, where God made Eve from Adam’s rib. The small fig leaf on the left is clear foreshadowing of the fall of man, when Adam and Eve eat from the tree of knowledge, recognize their nudity, and cover themselves with fig leaves. Through these components, McCrady manages to successfully merge his Regionalist landscape style with a haunting and modernized Biblical subject.

265. George David Coulon (French/New Orleans, 1822‑1904), “On the Tchéfunté River, (Tchefuncta.) Madisonville, La. / House of Mr. Lesassier”, 1896, oil on academy board, signed and dated lower left, signed, titled, dated and inscribed en verso, 9 1/2 in. x 12 in., period frame. $8000/12000 Provenance: The Jay P. Altmayer Family Collection, Mobile, AL. 264. Joseph Rusling Meeker (American/Louisiana, 1827‑1887), “Bayou Lafourche”, 1882, oil on canvas, signed and dated lower left, titled, dated and monogrammed en verso, 14 in. x 12 in., framed. $10000/15000 Note: The luminous Joseph Rusling Meeker bayou landscape offered here with a low horizon line and wide-open sky exhibits many of Meeker’s characteristic techniques. Meeker, who traveled throughout Louisiana sketching the rivers, lakes, and bayous, created many of his paintings at his studio in St. Louis, relying on his sketches and his vivid memories of the landscape to complete a finished canvas. In the painting here of Bayou Lafourche, the trees with Spanish moss, the reeds and waterlilies, and the boat in the foreground display Meeker’s skill and attention to detail. This charming painting displays a lovely view of a Louisiana waterway.

266. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Live Oak Tree, Louisiana Bayou”, oil wash on board, signed lower right, sight 5 1/2 in. x 19 1/2 in., framed. $2000/3000

Note: In 1828, Louis Lesassier (1796-1859) married Carmelite Baham (1804-1846), whose grandfather, Jean Baptiste Baham (1730-1812), founded the city of Madisonville, Louisiana, in 1800. Originally known as Coquille, which means “shell” in French, the town was also sometimes referred to as Baham Village and is located where the Tchefuncte River meets Lake Pontchartrain. The couple had at least nine children, and the house likely was owned by one of them in 1896, when Coulon depicted it in the jewel-like work offered here. Well-established as a portraitist and landscape painter by the end of the 19th century, Coulon’s painterly style is evident. The meticulous depiction of the details on the house, trees, and the reflection in the Tchefuncte River demonstrate Coulon’s delicate technique and beautiful palette.

267. Clementine Hunter (American/ Louisiana, 1886‑1988), “Angels”, oil on canvas board, monogrammed mid‑right, handwritten inscription with artist, title and provenance en verso, 16 in. x 20 in., unframed. $3000/5000

268. Clementine Hunter (American/Louisiana, 1886‑1988), “Still Life of Zinnias”, oil on masonite, monogrammed lower right, 27 3/4 in. x 20 1/2 in., unframed. $3000/5000

269. George Clements (American/Louisiana, 1854‑1935), “Farm Scene”, oil on panel, signed lower right, 8 1/2 in. x 14 3/4 in., framed. $1200/1800

270. George Walter Dawson (American, 1870‑1938), “Marigolds and Zinnias” and “Red and White Zinnias”, 2 watercolors on paper, each signed lower left, sights 16 in. x 15 3/4 in., framed alike. (2 pcs.) $1200/1800 Provenance: Pook & Pook, Downington, PA, Feb. 25, 2002, lot 358; Estate of Faith K. Tiberio, St. Augustine, FL.

Additional information at www.nealauction.com

272. American Classical Coin Silver Tea Service, Thomas Whartenby (c. 1788‑1862), Philadelphia, wc. 1811‑1862, comprised of teapot, covered sugar and creamer, each urn form with die‑rolled borders of scallop shells and foot rims of grapes and grape leaves, domed covers with acorn finials and chased oak leaves, applied shields with monogram “F”, sugar bowl double struck “TW” in rectangle, teapot h. 9 1/2 in., total wt. 54.35 troy ozs. $800/1200 271. Manner of Martin Johnson Heade (American/Pennsylvania, 1819‑1904), “Red Rose in Vase”, oil on paper board, bears signature lower right, 9 in. x 6 in.; together with “Orchids”, oil on paper, bears signature lower right, sight 13 1/2 in. x 11 1/2 in., both framed. (2 pcs.) $1500/2500 Provenance: “Red Rose in Vase”, George Cole Auctions, Red Hook, NY, Feb. 4, 2006, lot 165; Estate of Faith K. Tiberio, St. Augustine, FL.

Ref.: Hollan, Catherine B. Philadelphia Silversmiths, pp. 216‑217.

273. Fine American Sterling Silver Centerpiece Candelabrum, Dominick & Haff, New York, act. 1868-1928, oval footed form with everted rim, 2 removable sets of 3 candlearms with removable bobeches, floral and scroll chased decoration. h. 9 1/4, l. 27 7/8 in., d. 11 in., weight 166 troy ozs. $3000/5000

274. Set of Eleven Mexican Sterling Silver Plates in the Spanish Colonial Taste, marked “STERLING”, “MEXICO” and with maker’s mark “G.A.C.” untraced, dia. 11 in., wt. approx. 200 troy ozs. $800/1200

277. George II Sterling Silver Punch Ladle, Ayme Videau, London, 1751, mark reg. 1739, shell‑shaped bowl, foliate scroll carved wood handle, l. 13 3/8 in. $500/700

275. Suite of Four Silverplate Corinthian Column Candlesticks, h. 11 1/2 in., w. 5 in., d. 5 in. $200/400

276. Good English Silverplate and Cut Crystal Epergne, Mappin Brothers, Sheffield and London, 19th c., Anglo‑Irish cut glass trumpet vase and bowl, grape and grapeleaf decorated standard, tripartite plinth base with cabochon scroll feet, h. 19 1/4 in. $500/700

279. George II Sterling Silver Tankard, John Payne, London, 1752, wc. 1750‑1770, tapering cylindrical form with applied girdle, gilt interior, domed cover and body with later decoration of chased floral scroll work, central cartouche with armorial reserve, molded thumbpiece, scroll handle, with heart‑shaped terminal, h. 6 7/8 in., wt. 22.40 troy ozs. $800/1200

280. John Cary, “A New Map of North America from the Latest Authorities”, London, 1806, hand‑colored engraved map, showing the U.S. after the Louisiana Purchase and before the exploration by Lewis & Clark, 18 in. x 20 1/4 in., unframed. $500/700

278. George II Sterling Silver Tankard, Benjamin Cartwright, London, 1759, mark reg. 1757, tapering cylindrical form with applied girdle, domed cover with molded thumbpiece, scroll handle with heart‑shaped terminal, engraved armorial, h. 6 1/2 in. wt. 20.75 troy ozs. $700/1000

281. Samuel Dunn, “A Map of the British Empire in North America; By Samuel Dunn, Mathematician”, London, Robert Sayer, 1774, engraved map in outline color, 18 1/2 in. x 12 in., unframed. $500/700

282. Herman Moll, “A Map of New France Containing Canada, Louisiana...in Nth. America”, London, 1717; and “New England, New York, New Jersey and Pensilvania”, London, 1729, known as the “Postal Map”; both hand‑colored, 8 in. x 10 3/4 in. and 7 1/2 in. x 10 1/4 in., unframed, 2 pcs. $600/900

283. Pair of French Neoclassical Gilt Bronze Gates, 19th c., each centered by a peryton surrounded by foliate scrolls, each panel h. 31 in., w. 29 1/2 in., d. 2 1/2 in. $2500/3500

284. Pair of Antique American Cast Iron Garden Chairs in the “Gothic” Pattern, 19th c., after the design by Carron, shaped crest, scrolled arms, pierced backs and seats, cabriole legs, h. 35 in., w. 27 in., d. 18 in. $1500/2500 Provenance: Barbara Israel, Katonah, NY. Note: The Gothic pattern was patented in England in 1846 and was made in the U.S. by 1850. A bench and pair of chairs by Brown and Owen from the Crawford Collection of the High Museum is illustrated in Art & Enterprise. Similar Gothic pattern benches were made for the White House grounds in 1852, probably in New York. Ref.: Peirce, Donald C. Art & Enterprise, p. 49.

285. American Cast Iron Garden Bench in the “Passion Flower” Pattern, 19th c., labeled “Mfg By The Kramer Bros., F.D.Y. Co., Dayton O”, pierced back and incurvate seat, scroll supports, cabriole legs, ball and claw feet, h. 33 1/2 in., w. 40 in., d. 15 1/2 in. $2000/3000 287. Large Belle Epoque Carved Giltwood Mirror, early 20th c., acanthus and scroll frame, beveled mirror plate, beaded corners, h. 61 in., w. 57 1/2 in. $1500/2500 Provenance: Residence of Huey P. Long, Baton Rouge, LA.

286. French Patinated Bronze Figural Group of a Hunting Lion, after “Lion du Senegal sur Antelope” by Paul-Edouard Delabrierre, inscribed signature on selfbase, title plaque with “exposition 1866/ No 2721, h. 18 in., w. 31 1/2 in., d. 10 in. $2000/3000

288. George III Carved, Gilded and Inlaid Mahogany Mirror, c. 1770 and later, old mirror plate, foliate surround, h. 36 1/2 in., w. 26 in. $800/1200

289. Hunt Slonem (American/Louisiana, b. 1951), “Lunas”, 2006, oil on canvas, signed, titled and dated en verso, 40 in. x 30 in., framed. $6000/8000

290. Adele Lemm (American/Tennessee, 1897‑1977), “Untitled #66”, oil on linen, signed lower left, titled, “The Charleston Renaissance Gallery, Charleston, SC”, “Robert M. Hicklin, Jr., Inc., Spartanburg, SC” and “Greenville County Museum of Art, SC” labels en verso, 29 in. x 38 in., framed. $3000/5000

291. David Harouni (Iranian/New Orleans, b. 1962), “Untitled”, c. 1998, oil on canvas, signed lower left, 114 in. x 114 in., unframed. $20000/30000 Note: The monumental lot offered here by New Orleans artist, David Harouni, is an exceptional example of his figural work. Harouni is well known for his series of haunting faces, which he refers to as representations of the “self.” As Doug MacCash writes, “[t] hough his brushwork seems emotionally explosive… his iconic faces are meant to be still and Zen.” That concept of “Zen” can be applied to the current lot. Despite the energetic brushwork and evocative color palette, the face is expressionless and tranquil, perhaps to make it easier to transpose one’s own thoughts and feelings onto the figure or “self” on the canvas. With its massive size, this work proves particularly poignant and immersive. Ref.: MacCash, Doug. “David Harouni Sculpture Brings Mysterious Vibe to Metairie.” The Times-Picayune. Feb. 20, 2013.

Additional information at www.nealauction.com

292. Hunt Slonem (American/Louisiana, b. 1951), “Double Bunny”, 2015, oil on wood panel, signed, titled and dated en verso, 27 in. x 19 in., vintage frame. $3000/5000

293. August James Weber (American, 1888‑1958), “Masks”, 1931, oil on canvas, signed and dated upper left, 30 in. x 25 in., framed. $800/1000

295. Caroline Wogan Durieux (American/New Orleans, 1896‑1989), “First Communion”, lithograph, pencil‑signed, titled and numbered “19/20” lower margin, sheet 14 1/4 in. x 12 in., framed. $600/800

299. Bert Stern (American, 1929‑2013), “Marilyn Monroe”, silkscreen on paper, pencil‑signed lower right, numbered “72/100” lower left, pencil‑inscribed and titled en verso, 30 in. x 30 1/4 in., unframed. $400/600

303. Lena Gurr (American/New York, 1897‑1992), “Neighbor’s Child”, oil on masonite, signed lower right, signed, titled and “The Charleston Renaissance Gallery” label with artist and title en verso, 30 in. x 24 in., framed. $1200/1800

296. Henry Casselli (American/New Orleans, b. 1946), “Generations”, 1978, lithograph, pencil‑signed, titled and numbered “146/250” lower margin, 13 3/4 in. x 9 1/2 in., unframed. $400/600

300. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Seated Nude”, watercolor and graphite on board, initialed “E.W.” lower left, “Taylor Clark, Fine Prints, Paintings and Framing, Baton Rouge” label en verso, 20 in. x 15 in., framed. $1500/2500

304. George Walter Dawson (American, 1870‑1938), “Climbing Roses”, watercolor on paper, signed lower right, sight 22 in. x 15 1/2 in., framed. $1200/1800 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

294. Caroline Wogan Durieux (American/New Orleans, 1896‑1989), “Children”, lithograph on paper, pencil‑signed and titled lower left, 10 in. x 11 3/4 in., unframed. $500/700

297. Fritz Eichenberg (German/ American, 1901‑1990), “Rainbows are Made by Carl Sandberg”, 1982, proof set of 7 wood engravings, each pencil‑signed, titled and numbered “AP 10/10”, cloth covered folio, 12 in. x 11 in. $700/1000

298. Fritz Eichenberg (German/ American, 1901‑1990), “Dance of Death”, 1983, printed by Harold McGrath at the Hampshire Typothetae, portfolio of 17 original woodblock prints, each pencil‑signed and numbered “47/50”, cloth covered folio, 17 1/2 in. x 14 in., together with Eichenberg, Fr tz. Dance of Death. New York: Abbeville Press, 1983. (2 pcs.) $400/600

301. Boyer Gonzales, Jr. (American/ Texas, 1909‑1987), “House and Trees”, pen and ink on paper, initialed lower right, “Downtown Gallery, New Orleans” label with artist and title en verso, 12 1/2 in. x 15 in., matted. $300/500

302. Boyer Gonzales, Jr. (American/ Texas, 1909‑1987), “Untitled: Trees”, pen and ink on paper, signed lower right, “Downtown Gallery, New Orleans” label with artist and title en verso, 12 1/2 in. x 15 in., matted. $300/500

305. George Walter Dawson (American, 1870‑1938), “Flowers in Blue and White Chinoiserie Bowl”, watercolor on paper, signed lower right, sight 15 in. x 21 in., framed. $600/800 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

306. 1815 Pennsylvania Fraktur, watercolor and ink on paper laid down, central heart motif with tulips and stylized birds, 12 3/4 in. x 8 in., framed. $300/500

307. John Korver (American/ Louisiana, 1910‑1988), “Lebanon Steamboat on the Mississippi”, watercolor on paper, signed lower right, sight 17 1/4 in. x 32 1/2 in., framed. $500/700

309. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Old Spanish Courthouse I (Boyer 62, fig. 38)”, “Clothing Store (Boyer 15)”, “Corner Ursuline, 1040 Chartres (Boyer 16, fig. 14)”, 1931, and “Equestrian Statue of General Andrew Jackson, Jackson Square (Boyer 31)”, 4 etchings on paper, each initialed in plate, 8 in. x 9 1/2 in. to 9 3/4 in. x 8 in., unframed. (4 pcs.) $1000/1500

308. American School, mid‑19th c., “Portrait of a Young Boy in the Countryside”, oil on canvas, unsigned, 48 1/2 in. x 36 in., framed. $2500/3500

311. John McCrady (American/New Orleans, 1911‑1968), “Steamboat Round the Bend”, lithograph, monogrammed in plate lower right, pencil‑signed and titled lower margin, 9 3/4 in. x 14 5/8 in., framed. $700/1000

312. John McCrady (American/New Orleans, 1911‑1968), “Swing Low, Sweet Chariot”, lithograph, monogrammed in plate lower right, pencil‑signed and titled lower margin, 10 3/4 in. x 14 3/4 in., framed. $700/1000

313. John McCrady (American/New Orleans, 1911‑1968), “The Robert E. Lee and the Natchez”, lithograph, pencil‑signed and titled lower margin, 9 1/2 in. x 14 1/4 in., framed. $500/750

310. Hugh Kepets (American, b. 1946), “39 G.P.N.”, 1981, woodcut on paper, pencil‑signed, titled, dated and numbered “29/85” lower margin, 23 3/4 in. x 35 in., unframed. $400/600

314. Wayman Adams (American, 1883‑1959), “The Clinging Vine” and “Proverbs”, 2 lithographs, each pencil‑signed and titled lower margin, former inscribed en verso, 9 1/2 in. x 7 3/4 in. and 8 3/4 in. x 7 1/4 in., unframed. (2 pcs.) $500/700

315. Morris Henry Hobbs (American/New Orleans, 1892‑1967), “Patio ‑ 630 Toulouse Old New Orleans”, 1948, and “St. Louis Cathedral Old New Orleans”, 1939, 2 etchings on paper, each dated in plate and pencil‑signed and titled lower margin, 5 in. x 3 1/2 in. and 5 in. x 4 in.; together with Eugene Loving (American/New Orleans, 1907‑1971), “Little Theatre Court ‑ Old New Orleans”, etching on paper, pencil‑signed, titled and inscribed “Ed/200” lower margin, 9 in. x 7 in., framed. (3 pcs.) $400/600

316. Alexander John Drysdale (American/Louisiana, 1870‑1934), “Live Oak and Cypress Trees, Louisiana Bayou”, 1915, oil wash on board, signed and dated lower right, sight 19 1/4 in. x 29 1/4 in., framed. $2500/3500

317. James “Mac” McConnell Anderson (American/Mississippi, 1907‑1998), “Coots in the Bayou”, 1985, oil on board, signed and dated lower right, “Eddie’s Frame Shop, Ocean Springs, MS” label en verso, sight 15 1/2 in. x 23 3/4 in., framed. $2000/3000

318. American Coin Silver Beaker, William Stoddard Nichols, Newport, RI, 1785‑1871, marked “NICHOLS” in rectangle, old script monogram, engraved “1814” on underside, seamed construction, molded rims, h. 3 in., wt. 3.4 troy ozs. $200/400

319. Pair of American Coin Silver Coffee Spoons, possibly James Geddy (1731‑1807), act. Petersburg and Williamsburg, VA, or James Gaskins (1761‑1827), act. Norfolk, VA, 1770‑1776, 1804‑1806; Portsmouth, VA, 1780‑1804, 1806‑1827, l. 4 5/8 in. $100/150

Additional information at www.nealauction.com

321. George III Sterling Silver Pap Boat, Rebecca Emes and Edward Barnard I, London, 1811, gadroon border with shell and acanthus terminal, l. 5 1/8 in. $200/300 Provenance: The Sturm Collection.

323. NeoclassicalStyle Crystal and AmethystMounted EightLight Chandelier, h. 38 in., dia. 32 in. $2500/3500

322. Georgian Sheffield Plate Covered Entree Dish on Warming Stand, 19th c., cover with inset silver shield engraved “CAMERON HIGHLANDERS/ 79TH/ REG.”, acanthus scroll handles, gadroon and shell borders, warming stand with acanthus bracketed paw feet, retaining original tinned back, h. 6 3/4 in., w. 14 1/2 in., d. 9 in. $200/400

320. George III Sterling Silver Barrel‑Form Hot Milk Jug, Sheffield, 1799, maker’s mark T? rubbed, hinged cover, reeded banding, carved fruitwood handle, h. 6 1/8 in., wt. 12.65 troy ozs. $300/500

Provenance: The Sturm Collection.

324. Pair of Louis XIV-Style Argenté Five‑Light Candelabra, 19th c., with masks and strapwork decoration, h. 22 1/2 in., w. 15 in., d. 15 in. $1200/1800

325. Pair of 14 kt. Yellow Gold and Diamond Square Stud Earrings, each checkerboard invisibly set with 9 princess cut diamonds; total diamond weight for pair 2 cts. $1000/1500

326. Cartier 18 kt. Yellow Gold and Diamond “Love” Band, marked “Cartier CC3612/ 750 49 (c) 110”. $400/600

327. Antique Silver Top, Gold Back Bee/Wasp Brooch, set with rose cut diamonds, rubies, emerald and blue zircon. $800/1200 329. Mignon Faget Sterling Silver Alligator Buckle; together with Mignon Faget gilt metal bow brooch. $300/500 328. 14 kt. White Gold, Sapphire and Diamond Ring, set with cushion-cut sapphire, approx. 1 ct., surrounded by numerous small full cut and baguette diamonds totaling approx. 1 ct. $600/900

331. Large Antique Neoclassical-Style Rock Crystal Urn, h. 7 1/2 in., dia. 12 1/4 in., later painted argenté stand, overall h. 15 in. $3000/5000

330. Mignon Faget 14 kt. Yellow Gold Ring, set with 1 ct. oval faceted golden beryl. $700/900

332. Monumental English Brass Figural Lectern, probably late 19th c., eagle-form bookrest, columnar support mounted with an angel, paw feet, h. 76 in., w. 28 in., d. 25 in. $2500/3500

336. Napoleon III BronzeMounted Boullework Wall Clock, c. 1870, striking gong movement, dial with inset porcelain numerals and portrait of Louis XIV, h. 54 in., w. 14 in., d. 6 1/2 in. $2000/3000

333. Grand Tour Bronze Figure of a Roman, inscribed “Vincent Rouem” on self‑base, h. 24 3/4 in., w. 8 1/2 in., d. 12 1/2 in., marble base, overall h. 26 1/2 in. $600/800

334. Prof. Antonio Frilli (Italian, d. 1902), “Standing Peasant Boy”, inscribed signature on self‑base, h. 24 1/2 in., w. 10 in., d. 8 1/2 in. $500/700

337. Antique Italian Majolica Urn, swirl fluted cover and body, Greek mask upright loop handles, square plinth base, h. 17 in., now mounted as a lamp, h. (incl. finial) 30 in. $300/500

338. Continental Majolica Vase, decorated with a hunter on horseback and a stag, h. 19 3/4 in., w. 13 1/4 in., d. 11 3/4 in. $300/500

Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

335. Continental Églomisé Mirror, beveled surround with a silvered foliate motif, h. 47 in., w. 35 1/2 in. $600/800

340. Antique Venetian Paint-Decorated and Parcel Gilt Bombé Commode, serpentine top, frieze drawer over two deep drawers, scalloped apron, cabriole legs, h. 34 1/2 in., w. 50 in., d. 23 in. $1200/1800 339. Antique Italian Neoclassical Bronze‑Mounted and Paint‑Decorated Console Table, 19th c., inlaid serpentine marble top, fluted frieze, tapered faux malachite legs, spade feet, h. 32 3/4 in., w. 43 3/4 in., d. 23 in. $1000/1500 342. Continental Neoclassical-Style Faux Marbre Cabinet, 19th c., stepped cornice, frieze centered by a medallion, diamond paneled doors, plinth base, h. 98 in., w. 58 in., d. 19 1/2 in. $2000/3000

341. Pair of Louis XV‑Style Bronze‑Mounted and Inlaid Guéridons, 19th c., shaped frieze and stretcher, cabriole legs, extensive bronze mounts, h. 30 1/2 in., dia. 35 in. $1200/1800 Additional information at www.nealauction.com

343. Antique Louis XV‑Style Carved Beechwood and Caned Wingback Canapé, serpentine crest rail, padded arms, loose seat cushion, cabriole legs, h. 44 1/2 in., w. 71 in., d. 23 in. $800/1200

344. Rare Pair of Egyptianesque Carved, Polychromed and Parcel Gilt Throne Chairs, monumental winged crest, figural backs, phoenix‑pierced arms, lion-form legs, winged apron, h. 54 1/2 in., w. 38 1/2 in., d. 32 in. $5000/7000

345. Pair of Italian Rococo‑Style Carved Giltwood Console Tables, 19th c., serpentine marble top, pierced foliate apron, scrolled legs, stretcher surmounted by rocaille decoration, h. 36 in., w. 60 in., d. 20 in. $7500/10000

346. Louis XVI‑Style Carved and Parcel Gilt Mahogany Five‑Panel Folding Screen, each panel surmounted by a bowknot crest and inset with floral brocade, graduated height, largest h. 63 in., w. 24 in.; smallest h. 55 in., w. 24 in. $1200/2000

347. Pair of PompeianStyle Patinated Bronze Urns, with Janus mask handles, h. 31 1/2 in., w. 25 in., d. 24 in. $2500/3500

348. Monumental Pair of Neoclassical-Style White and Green Variegated Marble Urns on Pedestals, 20th c., maidens holding floral garlands, tall pedestals with wreaths, h. 64 in., w. 20 in., d. 18 in. $9000/12000

349. Monumental Pair of Specimen Marble Obelisks, on molded plinth bases, h. 52 in., w. 11 in., d. 11 in. $3000/5000

350. Pair of Empire‑Style Gilt and Patinated Bronze Torchères, 20th c., each with Corinthian capitals, dolphin base on incurvate triangular plinth, h. (to socket) 60 in., w. 17 in., d. 17 in. $4000/6000

351. Louis XV-Style Bronze Cut Crystal and Amethyst EightLight Chandelier, vasiform standard, scrolled arms, hung with amethyst and cut crystal pendants, h. 54 in., dia. 36 in. $5000/7000

353. Pair of Louis XVI‑Style Carved Beechwood Fauteuils, blocked crest rail, scrolled arms, conforming seat rail, stop-fluted legs, h. 37 in., w. 25 in., d. 21 in. $800/1200

352. Pair of Continental Bronze-Mounted Rock Crystal Lamps, urn-form, h. (to socket) 13 3/4 in., dia. 5 3/4 in. $1800/2500

354. Antique French Provincial Carved Walnut Table, later faux marbre top, frieze drawer, scalloped shell‑carved apron, cabriole legs, h. 25 1/2 in., w. 27 1/2 in., d. 21 in. $800/1200

356. Antique Spanish Rococo‑Style Tôle Peinte and Wrought Iron Console, probably late 19th/early 20th c., molded verde antico marble top, scrolled fruit and foliate decoration, h. 40 in., w. 70 in., d. 19 1/2 in. $1500/2500

355. Italian Renaissance Carved Walnut Bookcase, 17th c., architectonic dentil‑molded cornice, open bookshelves flanked by columnar stiles, lower case with paneled doors, conforming plinth, h. 88 in., w. 96 in., d. 19 in. $2500/3500

357. Monumental Empire‑Style Bronze‑Mounted and Parcel Gilt Mahogany Pedestal, 19th c., marble top, frieze drawer, columnar supports, shaped lower plinth, paw feet, h. 62 1/2 in., w. 21 in., d. 21 in. $700/1000

359. Louis XVI‑Style Three‑Part Crème Peinte Duchesse, incl. an armchair, recliner armchair and ottoman, shaped backs scrolled arms, rounded seat rail, fluted legs. $1500/2500

358. Pair of Moorish Ebonized and Inlaid Tables, rectangular top, spindled frieze, turned legs and feet, h. 23 in., w. 25 in., d. 17 in. $1200/1800

360. Empire‑Style Bronze‑Mounted Carved Mahogany Dressing Bureau, arched crest over a mirror flanked by swans terminating in columnar stiles, glove drawer case over a verde antico marble top, conforming lower case with two doors, linen shelf interior, mythological figural feet, h. 78 1/2 in., w. 44 in., d. 23 in. $2000/3000

Additional information at www.nealauction.com

361. Louis XV‑Style Carved Giltwood Salon Table, inset molded marble top, extensive rocaille frieze, cabriole legs, foliate stretcher surmounted by a floral basket, scrolled toes, h. 34 1/2 in., w. 53 in., d. 32 in. $2000/3000

363. Attributed to Michelangelo Maestri (Italian, 1779‑1812), “Dancing Muses”, gouache on paper, unsigned, sight 16 1/4 in. x 12 in., framed. $700/1000

364. John Gould (English, 1804-1881), “Ramphomicron Microphyncha”, “Erioncnemis D’Orbigny”, and “Chlorostilbon Osberti”, 3 hand-colored lithographs of hummingbirds, from Family of Hummingbirds, sight 21 in. x 13 1/2 in., framed. $500/1000

362. Pair of Moorish Mother‑of‑Pearl Inlaid Occasional Tables, octagonal top, conforming standard and legs, h. 19 in., dia. 15 1/2 in. $1200/1800

365. Meissen Porcelain Mirrored Wall Sconce, late 19th/early 20th c., with draped cherub holding floral swag and applied flowers, h. 17 1/2 in., w. 11 in. $500/700

368. Four Brass‑Mounted Rock Crystal Candlesticks , h. 11 in., dia. 4 1/2 in. $1800/2500 367. Pair of Régence‑Style Bronze Chenets, cast with trophées and foliate decoration, scroll and paw feet, h. 20 1/2 in., w. 11 1/2 in., d. 7 1/2 in. $1000/1500

370. Pair of Louis XV‑Style Gilt Bronze Argenté and Crystal Covered Compotes, 20th c., cherubs support, fluted pedestals, h. 29 in., dia. 10 1/2 in. $2000/3000

371. Pair of Edwardian Carved Mahogany Cutlery Urns, 20th c., ram’s head handles, void interior, h. 24 in., dia. 10 1/2 in. $1000/1500

366. American Gilt Bronze and Beadwork Firescreen, 19th c., articulated arm with clamp, shield‑form beaded panel, h. 23 in., w. 19 1/2 in., d. (extended) 21 in. $300/500

369. Pair of Italian Red Variegated Marble Tazzas, lobed form, h. 15 in., dia. 19 1/2 in. $1200/1800

372. Very Fine George III Polychrome Painted Tea Caddy, c. 1800, encircled by scenes of fishing, h. 4 1/2 in. w. 5 in., d. 3 in. $400/600

373. Parian Figure of the Duke of Wellington, 19th c., unmarked, h. 10 in., w. 6 1/2 in., d. 8 1/4 in. $150/250

375. Pair of Decorative Brass Chinoiserie Eggs, 20th c., on dolphin supports, h. 12 1/2 in., dia. 5 1/2 in. $500/800 374. Minton Parian Figure of “Sir Henry Havelock”, 1858, modeled by J.A.P. MacBride, “Macbride/1858” and “Havelock” on self‑base, h. 14 in. x w. 5 in., d. 5 1/2 in. $200/400 Ill.: Atterbury, Paul. The Parian Phenomenon. Somerset, 1989, p. 89, Fig. 144.

376. Georgian‑Style Ebonized and Inlaid Canterbury, 20th c., Greek key design, single drawer, brass casters, h. 22 in., w. 25 1/2 in., d. 18 in. $300/500

377. Enrico Butti (Italian, 1847-1932), “Model for the Monument to the Battle of Legnano”, patinated bronze, signature inscribed on self-base, h. 38 in., w. 20 1/2 in., d. 15 1/2 in. $1000/1500

378. Antique English Silverplate Mirrored Plateau, late 19th c., Horace Woodward & Co., Birmingham, act. 1865‑1920, circular mirror plate, molded surround with beaded and straight gadroon borders, bracketed scroll feet centering anthemia, h. 2 1/4 in., dia. 11 1/4 in. $400/600

379. Monumental Pair of Silverplate Three-Tier Dessert Stands, each with palm tree finial, incurvate triangular bare on paw feet. h. 40 in., w. 22 1/2 in. $2500/3500 380. [Works of Shakespeare], The Works of Shakspeare with Notes, Imperial Edition, edited by Charles Knight, London, Virtue & Co., c. 1880, folio, two volumes bound as three, 3/4 leather, with numerous steel engravings; together with another copy of volume I. $300/500 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL. 381A. Jacques Tanesse (New Orleans), “Plan of the City and Suburbs of New Orleans from an Actual Survey made in 1815 by J. Tanesse, City Surveyor”, 1825, engraving, drawn by Jacques Tanesse, engraved by William Rollinson, published by Charles del Vecchio, N.Y., and Pierre Maspero, New Orleans, sheet 20 1/2 in. x 31 in., framed. $12000/18000 Provenance: Edwin Wolf, II, Librarian, The Library Company, Philadelphia, PA.

381. Good Group of Seven Antique Louisiana Maps, “La Floride” by Sanson, 1680; “Louisiana”, by Samuel Lewis, 1804; “A New Map of Louisiana”, by Tanner, 1833; Tanner, 1838; Finley, 1824; Copperthwait, 1853 and Colton, 1854; from 7 x 10 in. to 15 1/4 x 17 in., unframed. $800/1200

382. Mathew Carey, “Louisiana” and “Missouri Territory formerly Louisiana”, Philadelphia, 1814, two hand‑colored engraved maps from General Atlas, the first world atlas published in the US, 15 1/4 in. x 17 in. and 12 in. x 13 1/2 in., unframed. $600/900 Ref.: Lemmon, Alfred, John Magill and Jason Wiese, Charting Louisiana..., New Orleans, HNOC, 2003, pg. 150.

Additional information at www.nealauction.com

384. Bronze Figure of Mercury, after the original by Giambologna, inscribed “Fonderia, Sommer, Napoli” on self‑base, h. 22 in., marble base, overall h. 27 in. $400/600 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

383. Pair of English or American Gothic Cast Iron Garden Benches, 19th c., quatrefoil pierced backs, curved arms, honeycomb pierced seats, conforming seat rail, bracketed legs, medial stretcher, h. 33 in., w. 55 in., d. 20 in. $2500/3500

386. Antique Georgian‑Style Carved and Gilded Mahogany Mirror, surmounted by an urn crest and floral swag, foliate surround, h. 27 1/2 in., w. 14 in. $200/400

389. Antique American Inlaid Mahogany Games Table, 19th c., serpentine top, shell inlaid frieze, square tapered legs, h. 29 1/2 in., w. 35 1/2 in., d. 17 1/2 in. $200/400 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

387. Fine American Classical Mahogany Window Bench, c. 1830, Boston, padded arms, lotus carved tapered reeded supports, paneled rosette and lotus seat rail, bulbous lobed legs, acanthus carved ball feet, recessed casters, h. 29 in., w. 51 1/2 in., d. 19 in. $4000/6000

388. American Sheraton Carved Mahogany Chest of Drawers, early 19th c., New England, galleried superstructure, four graduated drawers, spiral turned stiles, turned legs, opaline glass pulls, h. 51 1/4 in., w. 43 1/4 in., d. 19 in. $400/600 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

391. Southern Federal Inlaid Walnut Cellarette, 19th c., dove tailed hinged case, fitted interior, conforming stand, frieze drawer, tapered legs, h. 39 in., w. 20 in., d. 14 1/2 in. $4000/6000 Provenance: A Dallas Family, inherited from an estate in Charleston, SC.; Dallas Auction Gallery, Aug. 29, 2007, lot 100. 390. Antique American Hepplewhite‑Style Inlaid Mahogany Slant Front Desk, mid‑to‑late 19th c., fall front door with Federal eagle opening to a well‑fitted interior, four graduated drawers, shaped apron, flared feet, h. 41 1/2 in., w. 38 3/8 in., d. 20 1/2 in. $1000/1500 392. Good Louisiana Cypress Desk, 19th c., galleried hinged slant top, two drawers, scalloped apron, bracket feet, h. 32 1/2 in., w. 34 1/2 in., d. 18 in. $700/900

385. American Classical Carved Giltwood Mirror, 19th c., floral ornamental panel, split columnar surround, floral blocked corners, h. 40 in., w. 19 in. $300/500

393. Southern Federal Cherrywood Tall Chest, late 18th c., likely Maryland or Virginia, cove molded top, a bank of nine drawers, molded base, tall bracket feet, original batwing brasses, yellow pine secondary wood, h. 52 1/2 in., w. 40 in., d. 22 in. $2500/3500

394. American Late Federal Walnut Sugar Chest on Stand, early 19th c., molded hinged lid, divided interior, conforming stand with frieze drawer, tapered legs, h. 37 1/2 in., w. 27 1/2 in., d. 17 in. $2000/3000

395. Southern Carved Cherrywood Plantation Desk, early 19th c., hinged compartment top above a drawer and shelf, flanked by two paneled doors, fitted interior and small drawers, writing surface above three drawers, turned legs, “F.S. Doughty” impressed stencil, h. 59 1/4 in., w. 51 in., d. 30 3/4 in. $1200/1800

397. Lower Mississippi River Valley Cherrywood Armoire, early 19th c., cove‑molded cornice, pair of paneled doors, reeded stiles, divided interior of linen trays and hanging compartment, scalloped base, bracket feet, h. 77 3/4 in., w. 51 in., d. 19 3/4 in. $1500/2500

396. American Carved and Inlaid Tiger Maple Bowfront Chest, early 19th c., New England, bead molded top, four graduated drawers flanked by ring‑turned and reeded outset uprights, turned and tapered legs, h. 36 1/4 in., w. 42 1/4 in., d. 20 in. $1200/1800 398. American Federal Inlaid Tiger Maple Blanket Chest, late 18th/early 19th c., pencil inscription “...This chest was made by Samuel Sager, Trumbul Co, Ohio...”, lift top, till interior, two lower drawers, lemon inlay, molded base, shaped bracket feet, h. 33 1/2 in., w. 46 1/2 in., d. 22 in. $1500/2500 399. American Federal Carved Tiger Maple Slant Front Desk, late 18th c., New England, fitted desk interior, four graduated drawers, tall bracket feet, h. 45 in., w. 36 1/2 in., d. 19 in. $1000/1500 Provenance: Acquired Cook Cleveland, Fairhope, AL, 1982.

400. American Classical Carved Mahogany Bachelor’s Chest, 19th c., galleried top, four drawers, rounded stiles, base with hidden drawer, bulbous feet, h. 32 in., w. 27 in., d. 15 in. $300/500

401. American Federal Inlaid Cherrywood Sideboard, c. 1790, Southern, serpentine case with frieze drawer over two doors, two side cabinets, chamfered legs, h. 42 in., w. 71 in., d. 26 in. $3000/5000 Additional information at www.nealauction.com

403. Natchez Coin Silver Fiddlethread Tablespoon, Samuel Cockrell, act. Natchez c. 1838‑1893, marked “S.COCKRELL” incuse and with pseudo marks, l. 8 1/2 in. $200/300 Ref.: Nineteenth Century Natchez‑Made Silver, pp. 28‑29.

404. American Coin Silver Tablespoon, Joseph Richardson (1711‑1784), act. Philadelphia 1731‑1777, marked “IR” in rectangle, double struck, mid rib with upturned tip, l. 8 1/4 in. $200/300

405. Tiffany “Colonial” Pattern Sterling Silver Ladle, pat. 1895, late 19th c., l. 12 1/2 in., wt. 8.65 troy ozs. $250/350

402. American Classical Carved Mahogany Dressing Table, early 19th c., Philadelphia, mirror frame connected to acanthus carved scrolled supports, three drawer superstructure above two drawers, Ionic columnar supports, incurvate shelf, acanthus‑carved paw feet, h. 62 1/2 in., w. 36 1/2 in., d. 19 1/2 in. $1500/2500

406. Pair of Antique Regency‑Style Silverplate Three‑Light Candelabra, foliate scroll borders throughout, removable flame finials, convertible to single candlesticks, h. 9 1/4 in. $400/600

409. Jacques Guillaume Lucien Amans (French/ Louisiana, 1801‑1888, act. New Orleans, 1836‑1858), “Portrait of a Seated Woman in Mourning”, 1851, oil on canvas, partial signature and date upper left, 42 1/2 in. x 33 in., framed with artist plaque. $2000/3000

407. Diminutive American Late Federal Painted Yellow Pine Storage Box, early 19th c., South Carolina, hinged lid with traces of mustard yellow paint, dovetailed case, turned feet, h. 19 1/2 in., w. 20 1/2 in., d. 15 in. $500/750

410. Charles Oglesby Longabaugh (American/Illinois, 1885‑1944), “High above the River, Vandalia, Illinois”, 1941, and “African American Family, Waukegan, Illinois”, 1937, 2 watercolors on paper, each signed, titled and dated lower left or right, one pencil‑titled on matting and artist label with title and date en verso, 9 1/4 in. x 11 3/4 in. and 11 3/4 in. x 16 in., one framed. (2 pcs.) $800/1200

408. American Federal Painted Bottle Box, c. 1800, remnants of green paint, dovetailed case, snipe hinges, h. 11 in., w. 17 1/2 in., d. 13 in. $200/400

411. Steele Burden (American/ Louisiana, 1900‑1995), “Atchafalaya Basin”, oil on canvas board, signed lower right, titled en verso, 9 in. x 12 in., framed. $1200/1800

Provenance: Descended in the family of the artist.

412. Steele Burden (American/Louisiana, 1900‑1995), “Belle River”, oil on canvas board, signed lower right, titled en verso, 12 in. x 9 in., framed. $1200/1800

413. Tod Raphael Leroy Lindenmuth (American, 18851976, act. St. Augustine, FL, 1934-1968), “Spanish Cedar and Live Oak along the Moat Leading to the City Gates...(Orange Street)”, 1940, oil on board, signed lower left, signed, titled, dated and inscribed en verso, 16 in. x 19 1/4 in., framed. $700/1000

414. George Herbert McCord (American, 1848‑1909), “Boy with Dog by the River”, oil on canvas, signed lower right, 30 1/4 in. x 25 1/4 in., framed. $800/1200

Ill.: Torchia, Robert W. Lost Colony: The Artists of St. Augustine, 1930‑1950. St. Augustine, FL: The Leightner Museum, 2001, p. 81.

Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

416. Rare Quarter Plate Daguerreotype of Louisiana Governor André Bienvenu Roman (1795‑1866), by Jeremiah Gurney (American/New York, 1812‑1895), brass mat stamped “Gurney, 349 Broadway” lower right, gilt‑tooled and embossed leather case. $500/750 415. Clarence Kerr Chatterton (American/New York, 1880‑1973), “Morning in the Hudson”, 1912, oil on canvas, signed lower right, titled, signed, dated and “Koch Galleries, Mobile, AL” label en verso, 12 in. x 18 in., framed. $1500/2500

417. Laughlin, Clarence John. Ghosts Along Mississippi: The Magic of the Old Houses of Louisiana. New York: Charles Scribner’s Sons, 1948, first edition. $200/300

Provenance: Koch Galleries, Mobile, AL, 1989. 419. American Classical Carved Mahogany Mixing Table, mid‑19th c., marble top, ogee frieze, shaped scrolled supports, cove‑molded plinth base, ogee feet, signed “J... Letchworth, Mount Holly, NJ, 1852” on base, h. 28 1/8 in., w. 28 in., d. 16 in. $800/1200 420. American Classical Carved Mahogany Voltaire Armchair, early 19th c., arched crest rail, shaped stiles, padded scrolled arms, rounded seat rail, cabriole legs, cuff casters, h. 38 3/4 in., w. 26 in., d. 28 1/2 in. $500/800

418. B. & G. Moses Studio, “Miss Grace King I to Grace King II”, 1928, silver gelatin print, 9 1/2 in. x 7 1/2 in., framed. $150/250

421. Antique Southern Hardwood Ladderback Child’s Chair, 19th c., Louisiana, chamfered stiles, two graduated slats, rush seat, turned legs, peg feet, stretchers, h. 31 1/2 in., w. 17 1/2 in., d. 14 1/2 in. $300/600

424. American Renaissance Carved Walnut Klismos Chair, c. 1870, arched back, swept‑back rosette stiles, rosette paneled supports, scrolled seat rail, outswept legs, hoof feet, casters, h. 35 in., w. 26 in., d. 30 in. $600/900

422. American Classical Carved Mahogany Work Table, early 19th c., attr. to J. and J.W. Meeks, New York, hinged swivel foldover top, well interior above a drawer, yoke support, stepped graduated base, outset bracket feet, casters, h. 30 3/4 in., w. 23 1/2 in., d. 15 1/2 in. $1000/1500

423. American Classical Carved Rosewood Sofa Table, c. 1830, serpentine molded top, shell‑carved frieze, two frieze drawers, acanthus‑carved scrolled legs, shaped stretchers, shoe feet, h. 29 in., w. 42 in., d. 26 in. $1200/1800

425. George Frank Higgins (American, b. 1850), “Florida Palms”, 1892, watercolor on paper, signed and dated lower left, sight 15 1/4 in. x 11 1/2 in; together with Florida School, “City Gate ‑ St. Augustine, Fla”, ink and watercolor on paper, titled and dated “Apl 74” lower right, sight 8 1/2 in. x 11 1/4 in., framed. $400/600

426. John Bunyan Bristol (American/Massachusetts, 1826‑1909), “Woman Carrying a Basket on a Country Road”, oil on canvas, signed lower right, 16 in. x 12 in., framed. $600/800

Provenance: “Florida Palms”, Mystic Fine Arts, Ltd., Mystic, CT, July 2, 1998, lot 83a; Estate of Faith K. Tiberio, St. Augustine, FL.

Provenance: South Bay Auctions, Long Island, NY, Apr. 2, 2000, lot 173; Estate of Faith K. Tiberio, St. Augustine, FL.

427. Hugo Gellert (American, 1892‑1985), “Pieces of Silver”, 1938, lithograph, pencil‑signed and titled lower margin, pencil‑inscribed and dated en verso, 13 3/4 in. x 11 1/4 in., unframed. $400/600

Additional information at www.nealauction.com

428. Ruth Starr Rose (American, 1887‑1965), “In God’s Hands”, 1953, lithograph, pencil‑signed, dated and inscribed lower margin, 10 in. x 15 3/4 in., unframed. $400/600

432. D. Eric Brookhardt (American/ New Orleans, 20th c.), “The Krystal near the Roosevelt”, c. 1975, silver gelatin print, 12 3/4 in. x 8 3/4 in., framed. $150/250

429. Peter Hurd (American/New Mexico, 1904‑1984), “Sermon from Revelations”, lithograph, pencil‑signed and titled lower margin, 9 3/4 in. x 13 in., framed. $500/700

430. Benton Spruance (American, 1904‑1967), “Night in Eden”, 1947, and “Untitled”, 1944, 2 lithographs, each pencil‑signed, dated, inscribed “Ed 35” or “Ed 40” respectively, 16 in. x 12 1/4 in. and 12 1/4 in. x 17 1/2 in., both matted. (2 pcs.) $500/700

433. English Parian Figure of “The Dying Gladiator”, 19th c., after the antique in the Capitoline Museum, Rome, marked “Crystal Palace Art Union” and “Bates, Brown‑Westhead & Moore”, h. 9 in., w. 15 in., d. 7 in. $200/300 Ill.: Atterbury, Paul. The Parian Phenomenon. Somerset, 1989, p. 240, fig. 793.

434. Pair of Decorative Rococo‑Style Gilt and Mirrored Brackets, 20th c., gilt composition shaped shelf, h. 30 in., w. 11 in., d. 5 in. $400/600

431. Ralston Crawford (Canadian/ American 1906‑1978), “Ash Wednesday, French Quarter”, silver gelatin print, inscribed “Photo by Ralston Crawford/Courtesy William Ransom Hogan/ Jazz Archive of Tulane University” and titled “Ash Wednesday, French Quarter” en verso, 6 3/4 in. x 9 1/4 in. $150/250

435. Pair of Antique English Candlestick Lamps, 19th c., electrified as one unit, h. (to shade) 18 in. $150/250

438. Patinated Metal Figure of Bartolomeo Colleoni, after the original by Andrea del Verrocchio, h. 22 in., w. 20 in., d. 14 in., “Verricho” inscribed on marble base, overall h. 24 in. $800/1200 436. Bronze Figure of Napoleon, after the original by Charles‑Emile‑Marie Seurre, h. 8 3/4 in., w. 2 3/4 in., d. 2 3/4 in. $200/400

437. Continental Bronze Figural Group of Birds, after “La Becquee” by Jules Moigniez, inscribed signature on self‑base, h. 6 in., w. 8 1/4 in., d. 4 in. $500/800

440. Painted Terracotta Figure of a Reclining Nymph, 19th c., after the original by Jean Michel Clodion, inscribed signature on self‑base, h. 13 1/2 in., w. 20 in., d. 9 in. $700/900

439. Large Patinated Bronze Figural Group of a Dog and Bird, after “Braque de Weimar arrêtant un faisan” by Jules Moignez, inscribed artist signature on self‑base, h. 29 in., w. 42 in., d. 21 in. $1200/1800

441. Bronze Bust of a Gentleman, “T Carandente/ Fundicion Artistica Tacubay” inscribed on base, h. 21 1/2 in., w. 11 1/2 in., d. 8 1/2 in. $600/800

444. Pair of Chinese Gilt Decorated, Red Glazed and Faux Cinnabar Lacquer Porcelain Jardinières, offset square bodies with pierced panels on “cinnabar” ground, stepped footed bases decorated in Kinrande style with gilt foliage, bases with apocryphal Qianlong marks, h. 5 in., w. 5 1/2 in., d. 5 in. $700/1000

442. Antique Régence‑Style Carved Giltwood Mirror, floral and dragon decorated crest, paneled mirror plate, acanthus mounts, h. 69 in., w. 47 in. $1200/1800

445. Decorative Pair of Chinese Song‑Style Glazed Pottery Urns, necks with applied figural and architectural decoration, bodies relief‑molded with mythical beasts, h. 27 1/2 in. $800/1200

443. French Cloisonné and Brass Mantel Clock, oval form, striking gong movement, beveled glass panels, h. 18 in., w. 12 in., d. 6 in. $500/700

446. Pair of Chinese Famille Rose Porcelain Baluster Vases, ruyi lobed rims, fluted bodies with floral sprays, inset feet, bases with apocryphal Qianlong marks, h. 9 1/2 in. $600/800

447. Large Chinese Tang‑Style Pottery Figure of a Lokapala, modeled wearing armor standing with one arm raised in a fist, h. 24 1/2 in. $300/500

448. Chinese Duan Stone Panel Set as a Table Screen, probably 20th c., relief‑carved with chrysanthemums, rocks and pine, reverse inscribed and bearing signature of Shumei Wu, 12 1/2 in. x 9 1/8 in., set in a hardwood stand, overall h.18 in., w. 10 7/8 in., d. 7 1/8 in. $3000/5000

450. Chinese Celadon Pottery Bowl, probably Ming Dynasty (1368‑1649), exterior carved with radiating grooves, interior with wave band, h. 3 3/4 in., dia. 11 3/8 in. $300/500 Provenance: Acquired 1970s.

449. Chinese Patinated Bronze Vase, Buddhist lion loop and loose ring handles, faceted body relief‑cast with panels of dragons amid clouds, bands of ruyi heads and pendant leaf tips, tiered foot with apocryphal Qianlong mark, h. 16 1/2 in., w. 7 1/8 in., d. 7 1/8 in. $1200/1800

451. Chinese Glazed Tileworks Pottery Figural Roof Tile, probably Ming Dynasty (1368‑1644), modeled as an official wearing belted robes standing on an arched ridge, h. 12 1/2 in., custom stand, overall h. 14 1/4 in., w. 8 3/4 in., d. 7 1/2 in. $400/600 Provenance: Blackamoor Antiques, New Orleans.

452. Tibetan or Nepalese Gem Embellished, Gilt Bronze and Rock Crystal Figure of Shakamuni or Bhaisajyaguru Buddha, modeled seated in dhyanasana with his left hand holding an alms bowl and his right hand resting on his knee and touching the earth in bhumisparsha mudra, h. 9 in., w. 6 1/2 in., d. 4 in. $800/1200

453. Patinated Gilt Metal Figure of a King of Thailand, 20th c., possibly of King Chulalongkorn, h. 43 in., w. 13 in., d. 13 in. $1500/2500

Additional information at www.nealauction.com

455. Antique Regency‑Style Painted and Parcel Gilt Armchair, foliate‑carved crest rail, molded blocked seat rail, turned and tapered legs, h. 33 1/2 in., w. 22 in., d. 22 in. $500/700

456. Antique English Carved Walnut Refectory Table, 18th c., plank top, plain frieze, cabriole legs, paw feet, connected by stretchers, h. 32 in., w. 71 in., d. 29 in. $2000/3000

457. Georgian Inlaid Mahogany Bowfront Hunt Board, late 18th/early 19th c., serpentine top, conforming frieze, tapered molded square legs, spade feet, h. 35 1/8 in., w. 47 1/2 in., d. 26 1/8 in. $1200/1800

454. French Patinated Bronze Figural Group of a Maiden with a Bird, after the original by Mathurin Moreau, inscribed signature on self‑base, h. 26 1/4 in., w. 11 in., d. 12 in., marble base, overall h. 27 1/2 in. $700/900

458. Pair of Italian Baroque Walnut Console Tables, 17th c., each with shaped two board top, canted scroll legs, supported by brackets, h. 29 3/4 in., w. 56 in., d. 28 in. Note: Restorations. $2000/3000

459. Louis XVI‑Style Gilt Bronze‑Mounted Mahogany Sideboard, molded marble top, two frieze drawers over doors, side compartments with curved doors, conforming molded base, reeded legs, h. 40 3/4 in., w. 90 1/2 in., d. 21 1/2 in. $700/1000 461. Antique English Ironstone Dinner Service, Powell, Bishop & Stonier, “Burmah” Pattern, late 19th c., registry mark for Jan. 28, 1880, incl. 10 gradated oval platters, two sauce tureens on stand, well and tree soup tureen and stand, approx. 65 pcs. $500/750

460. Louis XV‑Style Bronze‑Mounted and “Vernis Martin” Painted Mahogany Vitrine, late 19th c., shaped arched cornice, conforming curved glazed door, glass shelf interior, lower Classical reserve, flared legs, sabots, h. 74 1/2 in., w. 27 in., d. 14 in. $1200/1800

463. Pair of Chinese Export Blue and White Porcelain Covered Tea Caddies, square bodies decorated with figures in scenic landscapes, bases with apocryphal Kangxi marks, h. 12 in., w. 7 in., d. 7 in. $500/700

462. Eugene Titeux (French, 1838‑1904), Six Hand‑Colored Lithographs of Soldiers, sights 11 1/2 in. x 8 1/2 in., framed alike. (6 pcs.) $400/600

464. Three Chinese “Blanc de Chinese” Porcelain Guanyin Figures, h. 5 in. to 10 in. $400/600

466. Minton Parian Figure of a “Dancing Girl” 19th c., after A. Canova, incised “10/49” and Minton mark, h. 14 1/2 in., w. 6 in., d. 5 3/4 in. $200/400 Ill. Atterbury, Paul. The Parian Phenomenon. Somerset, 198p, p. 89, Fig. 143. 465. Pair of Antique Continental Carved Pine Plaques, each an opposing female maiden holding a flag, h. 21 1/2 in., w. 16 1/2 in., d. 3 in. $600/800

467. Japonesque Lacquered Wood Occasional Table, circular top painted with flower scrolls, splayed acanthine supports centered by covered urn, footed square base, h. 31 in., dia. 25 in. $700/1000

468. Giuseppe Vizzotto Alberti (Italian, 1862‑1931), “Out for a Stroll”, 1889, watercolor on paper, signed and dated lower right, 7 in. x 13 1/4 in., framed. $500/800

469. David Davidovich Burliuk (Ukranian, 1882‑1967), “St. Augustine, FL”, watercolor on board, signed lower left, titled upper right, sight 10 1/2 in. x 14 1/2 in., framed. $500/800 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL

470. Winslow Homer (American, 1836‑1910), “Wreck of the Atlantic‑Cast Up by the Sea”, 1873, wood engraving on newsprint, published by Harpers Weekly, sheet 11 1/4 in. x 15 3/4 in., framed. $150/250

471. Boris Artzybasheff (Russian/ American, 1899‑1965), “The Last Trumpet”, wood engraving, pencil‑signed, titled, numbered “145/200” and inscribed lower margin, matted in original 1937 folio issued by The Woodcut Society: Kansas City, 11 3/8 in. x 7 7/8 in., unframed. $700/1000

472. Chinese Stone Garden Niche, carved as a figure standing on a square plinth, h. 36 in., w. 12 in., d. 12 in. $600/800

474. Pair of Chinese Famille Rose Porcelain Covered Vases, Buddhist lion finials, lions mask handles suspending faux rings, decorated with figural and floral panels, h. 25 in. $800/1200

473. Patinated Bronze Figural Group of a Centaur Abducting a Maiden, possibly Deianira, h. 22 1/2 in., w. 19 in., d. 8 1/2 in., marble base, overall h. 23 1/2 in. $800/1200

475. Pair of Chinese Famille Rose Porcelain “Moon Flask” Wall Vases, 20th c., iron red scroll handles, bodies decorated with birds and seasonal flowers, bases with Qianlong marks, h. 12 in., w. 9 in., d. 2 in. $700/900

476. Southeast Asian Iron Buddhist Fragment, head with partial bust, 12 in. x 10 1/2 in., rod‑mounted to a tiered plinth on board, overall h. 16 1/2 in., w. 16 1/8 in., d. 8 1/8 in. $300/500 Provenance: I.M. Chait.

Additional information at www.nealauction.com

477. Pair of Chinese Huanghuali Horseshoe Back Armchairs and Side Table, chair with curving crest rail on turned supports and s‑curved splat, paneled seat, shaped frieze, turned legs, stretchers, h. 39 1/2 in., w. 25 1/2 in., d. 21 in.; table with rectangular paneled top, shaped frieze, turned legs, medial shelf, h. 29 1/2 in., w. 17 in., d. 14 1/2 in. (3 pcs.) $5000/7000

478. Antique Chinese Hardwood Low Table, Kangzhuo, probably 19th c., inset panel top, stepped frieze carved with clouds, shaped square legs, h. 14 1/2 in., w. 35 5/8 in., d. 35 5/8 in. $800/1200 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

479. Set of Eight Chinese Marble Inset Hardwood Side Chairs, 19th c., rounded crest rail, open back centered by square marble plaque supported by s‑scrolls, c‑scrolls and a ruyi head, paneled seat, shaped frieze, square legs, stretchers, hoof feet, h. 39 in., w. 21 in., d. 16 1/2 in. $2500/3500

480. Pair of Chinese Hardstone Embellished Black Lacquer Cabinets, rectangular case with two doors over two small drawers on shaped base, embellished with birds on flowering branches, h. 42 in., w. 26 in., d. 17 in. $1200/1800

481. Pair of Venetian Polychrome Painted Commodes, c. 1890, serpentine top, three conforming drawers, scalloped apron, cabriole legs, h. 32 1/2 in., w. 29 in., d. 16 1/2 in. $1000/1500

484. Large Semi‑Antique Chinese Carpet, c. 1940, wool pile, teal and dark blue ground, central field with a bat, moths, dragonflies and a ruyi, 14 ft. 2 in. x 22 ft. $3000/5000 Provenance: Made for the drawing room of Lee Shubert’s New York City residence.

483. Contemporary Agra Carpet, pale yellow ground, repeating circular designs, 9 ft. 10 in. x 14 ft. $4000/5000 482. Continental Brass and Wrought Iron Baker’s Rack, scrolled crest, four shelves connected by scroll supports, rounded corners, bracketed legs, h. 80 in., w. 61 in., d. 15 1/2 in. $1000/1500

485. Semi‑Antique Persian Mahal Carpet, red and dark blue ground, stylized floral design, 4 ft. 5 in. x 6 ft. 6 in. $2800/3200

486. Persian Tabriz Carpet, light red and dark blue ground, central medallion, overall stylized floral design, 8 ft. 8 in. x 11 ft. 6 in. $3000/4000

488. Chinese Famille Jaune Porcelain Fish Bowl, late 19th/early 20th c., exterior decorated with figures in a garden setting, interior with fish, h. 10 3/4 in., dia. 20 in. $300/500

489. Pair of Chinese Famille Rose Porcelain Covered Vases, Buddhist lion finials, lions mask and faux ring handles, decorated with figural and bird‑and‑flower reserves, h. 20 3/4 in. $400/600

490. Three Chinese Glazed Pottery Parrots, each modeled perched on a pierced rockwork plinth, h. 8 1/2 in., 9 3/4 in. and 18 1/2 in. $300/500 491. Two Chinese Celadon Stoneware “Twin Fish” Bowls, probably Qing Dynasty (1644‑1911), barbed rims and ribbed exteriors, interior wells molded with pairs of fish, h. 2 1/4 and 1 7/8 in., dia. 10 3/4 in. and 10 1/2 in. $500/700

487. (Detail) Asian School, probably early 20th c., 3 paintings, each ink and color on silk, two inscribed and sealed lower right, one lower left, sight 43 1/2 in. x 13 7/8 in., framed alike. $400/600

492. Contemporary Wool Carpet, maroon ground, with gold star design, 6 ft. 8 ft. 10 in. $1400/1800

496. Persian Rug, red ground three medallions, blue and red borders, 4 ft. 3 in. x 7 ft. 4 in. $300/500

493. Semi‑Antique Persian “Tree of Life” Carpet, blue and red ground, central tree and vase design, 11 ft. 2 in. x 16 ft. $700/1000

497. Persian Meshad Carpet, red and dark blue ground, central medallion, signed on border, all over floral design, 8 ft. 7 in. x 11 ft. 7 in. $2000/3000

494. Persian Pictorial Rug, with Taj Mahal and figures, 4 ft. 7 in. x 7 ft. 5 in. $500/700

498. Persian Ardabil Carpet, light brown and grey ground, stylized floral design, 6 ft. 8 in. x 9 ft. 10 in. $1600/2000

495. Persian Tabriz Carpet, navy blue ground, red and blue border, overall floral design, 7 ft. 11 in. x 10 ft. 10 in. $3000/4000

499. Persian Qashqai Carpet, red ground, central medallion, 6 ft. 10 in. x 9 ft. 10 in. $1800/2400

Additional information at www.nealauction.com

500. Contemporary Wool Carpet, light brown and olive ground, circle and square pattern, 5 ft. 9 in. x 8 ft. 10 in. $1400/1800

501. Persian Heriz Carpet, light red and brown ground, central medallion, overall stylized floral design, 6 ft. 9 in. x 8 ft. 9 in. $2000/2500

502. Aubusson-Style Carpet, light pink and blue ground, floral medallion, cattail border, 8 ft. 9 in. x 11 ft. 6 in. $500/700

503. Pair of Chinese Marble Stands, relief‑carved with petal tips and scrollwork, h. 19 7/8 in. $700/900

504. Chinese Kesi Panel of the Daoist Pantheon, 19th/20th c., woven in slit‑weave technique enhanced with paint, depicting the Eight Immortals, the Three Star Gods, Xi Wangmu, and other figures within a heavenly landscape, 63 1/2 in. x 34 7/8 in., mounted as a hanging scroll, overall 106 in. x 48 in. $3000/5000 Provenance: The Family of K’ung Hsiang‑His; Christie’s, NY, Dec. 14‑15, 2015. 505. Pair of Chinese Greenish Yellow Jade Figures of Beauties, each carved in mirror image with her hair tied high in a chignon and held with a ruyi pin, wearing long flowing robes and carrying a peony spray, h. 12 in., mounted to a hardwood stand on plinth, overall h. 14 in. $10000/15000 Provenance: S.Y. Ma, Hong Kong, 1953‑1954; Irene S. Chandler (1916‑2010), New Orleans, LA; thence by descent. 506. Chinese Celadon and Creamy Russet Jade “Scholar’s Rock”, naturalistically carved with crevices and protrusions, h. 7 1/4 in., stand, overall h. 8 1/2 in. $1000/1500

Note: For a discussion on items acquired by Irene Chandler during her stay in Asia from 1953‑1954, see: Nolan, Vera, “East Meets West in Home Decor”, Detroit Times, May 27, 1960. The article states “Irene Chandler had no idea how deeply her love of the Far East would penetrate her spirit. Nor did she dream it would whet her appetite to such a degree for the fine furniture she acquired and later brought home.” 508. Chinese Patinated Bronze Tripod Censer, probably Qing Dynasty (1644‑1911), upright mask loop handles, relief‑cast with stylized endless knots encircling body, Buddhist lion mask feet, base with apocryphal Xuande mark, h. 8 3/4 in., w. 9 1/4 in., rosewood stand with incised Qianlong mark, overall h. 11 in. $1200/1800

507. Chinese Patinated Bronze Censer, probably early 20th c., lions mask loop handles, bombe body relief‑cast with dragons, phoenix, and other mythical beasts, base bearing Wenming Hu mark, h. 5 3/4 in., w. 15 1/4 in. $1000/1500 509. Chinese Patinated Bronze Tripod Censer, sloping loop handles, bombe body, tapering feet, base with apocryphal Xuande mark, h. 3 7/8 in., w. 8 in. $700/900

510. Chinese Soapstone Inkstone, front carved with a qilin, underside with a dragon, h. 1 1/4 in., w. 5 in., d. 9 in. $600/800

511. Chinese Patinated Bronze Covered Censer, dragon‑pearl finial, floral pierced cover, dragon loop handles, stylized corner flanges, taotie mask splayed feet, base with apocryphal Xuande mark, h. 14 in., w. 10 in., d. 6 1/2 in. $1000/1500

512. Chinese Enameled Metal, Papier‑Mâché, Mirror, and Carved Wood Hanging Lantern, late 19th/ early 20th c., marked “Tong Ji Ling Ji Zao”, shaped roof with musical putti, hexagonal inner structure set with figural niches and supporting “pagoda” columns, inset hexagonal foot, overall applied or hung with fruit, foliage and birds, h. 23 in., electrified. $800/1200 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

516. Pair of Chinese Famille Rose Porcelain Panels, early‑to‑mid 20th c., painted with birds and bamboo and birds and chrysanthemum, inscribed and sealed upper right and upper left, 7 3/4 in. x 4 7/8 in., float mounted and framed. $200/300

513. Chinese Carved Coral Figure of a Celestial Beauty, h. 4 3/4 in., stand, overall h. 5 3/4 in. $600/800

514. Chinese Gilt Splashed Patinated Bronze Tripod Censer, upright loop handles, elephant mask feet, base with apocryphal Xuande mark, h. 8 in., w. 6 1/4 in. $1000/1500

515. Chinese Malachite Covered Vase, carved with lingzhi, deer, flowers and phoenix birds, h. 14 1/2 in., w. 8 in., d. 3 1/2 in. $1500/2500

Provenance: House of Jade, Hyatt Regency Waikiki, Honolulu, Oct.1981.

517. Chinese Turquoise Glazed Porcelain Brush Washer, late 19th/ early 20th c., mouth surmounted by a spotted lizard, body with overall lavender suffused turquoise glaze, interior with pale green glaze, h. 1 5/8 in., w. 2 1/4 in., d. 2 1/4 in. $300/500

518. Pair of Chinese Blue and White Porcelain Bottle Vases, 20th c., pierced handles, relief‑molded with dragons pursuing flaming pearls amid clouds, bases with Yongzheng marks, h. 13 1/2 in. $400/600

522. Chinese Ruby Red Glass Bottle Vase, 19th/20th c., lobed body, tall foot, base with Qianlong mark, h. 7 1/2 in. $800/1200

520. Chinese Parcel Gilt Bronze Figure of Buddha, probably Ratnasambhava, cast seated in vajrasana on a separate double lotus base with his right hand lowered in varada mudra and his left raised in avakasha mudra, wearing a dhoti with beadwork edges, h. 20 1/2 in., w. 17 1/2 in., d. 13 1/2 in. $1000/1500

521. Chinese Dry Lacquer Figure of Guanyin, modeled seated in royal ease upon a rockwork ledge, wearing a crown centered by the figure of Amitabha, a bead necklace with flower heads, and loose robes, h. 27 7/8 in. $800/1200

519. Pair of Chinese Junyao‑Style Pottery Bottle Vases, 20th c., overall mottled blue, cream and mushroom glaze, h. 13 3/4 in. $300/500 Provenance: Acquired 1970s.

523. Chinese Pale Blue Glass Double Gourd Vase, 20th c., relief‑carved with the Eight Immortals amid clouds, base with Qianlong mark, h. 13 1/2 in. $600/800

524. Chinese Blue Glass Bottle Vase 20th c., globular body relief-carved with a qilin, base with Qianlong mark, h. 12 in. $400/600

Additional information at www.nealauction.com

525. Pair of Chinese Hardstone Trees in Cloisonné Enamel Jardinières, h. 13 in., w. 14 in., d. 7 in. $400/600

527. Nineteen Chinese and Japanese Blue and White Porcelain Condiment Dishes, 19th c. and earlier, variously decorated with bats and shou, lotus scrolls, flowering branches, figures, and crane roundels, bases variously marked, round dia. 3 1/8 in. to 4 in., quadrilobed w. 3 in. $200/400

526. Collection of Chinese Porcelain Condiment Dishes, late 19th/early 20th c., bases with Qianlong marks, incl. 9 pink sgraffito with dragons and pearls, dia. 3 1/4 in. to 3 7/8 in. and 6 green glazed and slip‑molded with qilong amid clouds, dia. 3 7/8 in. to 4 in. (15 pcs.) $300/500 Provenance: The Sturm Collection. 528. Chinese Blue and White Porcelain Sleeve Vase, late 19th/ early 20th c., decorated with dragons and foliage, h. 10 1/4 in., custom stand and cover, overall h. 14 in. $250/350 Provenance: Blackamoor Antiques, New Orleans.

Provenance: The Sturm Collection.

529. Pair of Chinese Oxblood Porcelain Amphora Vases, 20th c., bases with double ring marks, h. 9 1/2 in. $300/500

530. Large Chinese Oxblood Porcelain Bottle Vase , h. 26 in. $600/800

531. Chinese Monochrome Bright or Sacrificial Blue Glazed Pottery Baluster Vase, 20th c., with wide crackle and mottling overall, h. 17 1/8 in. $300/500

532. Chinese Cloisonné Enamel Ovoid Jardinière, decorated with flowering branches and floral sprays on a red diaper ground, base marked, h. 12 3/8 in., dia. 13 in. $300/500

533. Three Chinese Carved Cinnabar Lacquer Covered Boxes, largest h. 2 1/2 in., w. 6 1/2 in., d. 6 1/2 in. $600/800

536. Large Chinese Hardstone Basin, exterior carved with scrolling dragons, interior with foliage, h. 5 1/2 in., dia. 18 in. $600/800

535. Pair of Chinese Soapstone Gu Vases, carved with numerous loop and loose ring handles, h. 12 1/2 in., w. 7 1/2 in., d. 7 1/2 in. $300/500

534. Chinese Soapstone Figure of a “Cultured Man”, 19th/early 20th c., carved holding a wei qi board, mounted to a rockwork base, overall h. 12 1/4 in., w. 7 1/4 in., d. 4 1/4 in. $300/500 Provenance: Blackamoor Antiques, New Orleans.

537. Antique Tibetan Iron Phurba, finial with hayagriva head over three masks, l. 9 3/8 in. $75/125 Provenance: The Sturm Collection.

538. Four Antique Thai Buddhist Figures and Figural Fragments, incl. parcel gilt bronze, h. 7 1/8 in. (Note: head detached); stone, h. 3 1/8 in., wood base, overall h. 5 in.; giltwood, h. 4 1/4 in.; and metal‑clad wood, h. 3 in.; together with a schist spiral mound, h. 2 in. (5 pcs.) $200/300

540. Antique Southeast Asian Bronze Buddhist Head, h. 6 1/4 in., mounted to a wood base, overall h. 9 3/4 in. $500/700 Provenance: Acquired 1990s

539. Five Antique Thai Celadon Glazed “Sawankhalok” Pottery Mother Figures, each kneeling, three cradling infants, h. 3 1/2 in. to 4 1/4 in. (Note: Two heads detached, others with glue repairs); together with a stoneware elephant, h. 3 3/4 in., w. 4 in.; and a stoneware ox, h. 2 1/2 in., w. 3 1/4 in. (7 pcs.) $250/350

541. Three Japanese Ikebana Baskets, variously pleated and colored, tallest h. 16 1/2 in.; together with a round fruit basket, dia. 11 in., and a rectangular storage basket, w. 8 1/2 in., d. 11 1/2 in. (5 pcs.) $400/600

542. Pair of Japanese Cloisonné Enamel and Patinated Bronze Vases, early 20th c., ruffled rims, dragon entwined “bamboo” handles, cloisonné bodies with inset landscape panels, h. 17 1/2 in., now mounted as lamps, h. (to socket) 22 3/4 in. $300/500

544. Japanese Patinated Bronze Vase‑on‑Stand, early 20th c., dragon scroll handles, bird‑on‑branch relief panels, shaped foliate base, round feet, h. 12 3/4 in. $200/300

543. Japanese Brass Tripod Censer, 20th c., shishi mask loose ring handles, bombé body relief‑cast with seasonal flowers, h. 7 3/4 in., w. 13 1/2 in. $300/500

545. Japanese Polished and Patinated Brass Covered Urn or Koro, probably early 20th c., iris finial, body with bird, lotus, bamboo, and flowers in high relief, bamboo feet, base marked, h. 13 1/2 in., w. 9 in. $250/350

546. Japanese Gilt and Polychrome Decorated Black Lacquer Portable Shrine, Butsudan, probably Meiji Period (1868‑1912), 2 doors opening to fitted interior with drawers and shelves, h. 15 1/2 in., w. (excl. handles) 15 1/2 in., d. 8 3/4 in., later stand, overall h. 26 1/4 in. Note: Condition. $400/600

Additional information at www.nealauction.com

Session Two Sunday, March 25, 11 am 3923 Carondelet

547. Italian Polychrome Faience Vanity Stool, floral and tassel decoration, h. 14 in., dia. 13 1/2 in. $150/250 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

548. Chinoiserie Decorated, Ebonized, Lacquered and Gilded Table, square top, turned standard, outswept dolphin supports, shaped mosaic base, h. 28 7/8 in., w. 26 in., d. 26 in. $300/500 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL. 549. Italian Rococo Bronze‑Mounted and Kingwood Parquetry Bombé Commode, serpentine top, long drawer above two doors, shelf interior, shaped base, flared feet, h. 33 3/4 in., w. 46 in., d. 21 3/4 in. $600/900 Provenance: Estate of Stefanie C. Golden, Florence, Italy.

551. French Cast Iron Bust of Ludwig van Beethoven , h. 17 1/2 in., w. 16 in., d. 10 in. $300/500 552. Neoclassical‑Style Paint‑Decorated Settee, late 19th c., labeled A.H. Davenport, Boston and New York, chairback with Prince of Wales plumes, swags and medallions, cane seat, custom loose cushion of Egyptian linen, h. 35 in., w. 77 in., d. 26 in. $1200/1800

550. Antique American Classical‑Style Carved Giltwood Mirror, rosette corners, foliate decorated columnar surround, old mirror plate, h. 51 1/2 in., w. 31 in. $400/600 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

554. Set of Seven American Belle Époque Carved Walnut Side Chairs, late 19th c., arched bead and leaf crest rails, padded backs, conforming seats, rosette blocked legs, H stretchers, h. 42 1/2 in., w. 17 1/2 in., d. 16 3/4 in. $800/1200

553. Antique American or French Belle Époque Crème Peinte Tête‑à‑Tête, late 19th/early 20th c., shaped padded back and arms, foliate splats, rounded seats, turned spindled legs, h. 27 in., w. 35 1/2 in., d. 19 1/2 in. $150/250

Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

Provenance: Estate of Faith K. Tiberio, St. Augustine, FL. 555. Antique French Carved Walnut Draw Leaf Table in the Renaissance Taste, 19th c., plank top, scroll carved frieze, bulbous turned legs, stretchers, h. 29 7/8 in., w. (closed) 66 in., w. (open) 96 in., d. 27 in. $500/700 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

556. Pair of Louis Philippe‑Style Carved Mahogany Bergères, curved back, swan’s head uprights, shaped legs, h. 30 in., w. 23 in., d. 17 1/2 in. $300/500

557. Pair of Louis XV‑Style Bronze‑Mounted Mahogany Occasional Tables, marble inset top, serpentine frieze, flared legs, shaped lower plinth, sabots, h. 30 in., dia. 16 in. $700/900

558. John Wilson Carmichael (British, 1799‑1868), “Figures Gathered around a Wreckage”, 1839, watercolor on paper, signed and dated lower right, 11 3/4 in. x 17 in., framed. $400/600 Provenance: Estate of Thomas Greene Collins, Jr., Arabi, LA.

Additional information at www.nealauction.com

559. Philip Richard Morris (British, 1836‑1902), “The Drifted Net”, oil on canvas, signed lower left, 26 in. x 54 1/4 in., framed with artist and title plaque. $400/800

560. Gilt Bronze Mounted Sèvres Porcelain Covered Pot-Pourri, c. 1846, fully marked, incl. “Chateau de Tuilleries”, spherical body divided by openwork band of shell and Rococo motifs, lid with landscape and romantic couple reserves, tripod stand, h. 7 1/2 in. $500/700

561. Paris Porcelain Reticulated Corbeille, late 19th/early 20th c., gilt accents, h. 9 1/2 in., dia. 9 1/2 in. $250/350

562. Paris Porcelain Reticulated Corbeille, 19th c., with peach and gilt decoration, h. 8 3/4 in., dia. 9 in. $150/250 563. Pair of Continental Bronze and Marble Five‑Light Candelabra, late 19th c., vasiform standard, incised and inlaid base, paw feet, h. 21 1/4 in., dia. 8 in. $500/700

567. Pair of Bohemian Enameled Glass Vases, tapered, square form, enameled flowers and gilt design, h. 13 1/2 in., w. 4 in., d. 4 in. $500/700

566. Good Rorstrand Majolica Pedestal, early 20th c., Sweden, stamped and impressed marks, square top over masks, quatrefoil base with paw feet, h. 45 in., w. 12 3/8 in., d. 12 3/8 in. $600/800 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL

571. Pair of Regency‑Style Mahogany Foot Stools, 20th c., cushion top, beveled frame, incurvate base, lobed bun feet, h. 15 in., w. 22 in., d. 21 in. $300/500

564. Beaux Arts Gilt Metal and Glass Centerpiece, c. 1900, marked “DEPOSE N.2”, foliate standard with trumpet vase and bowl, h. 19 in., dia. 10 in. $500/700

565. Pair of Beaux Arts Gilt Bronze and Opaline Glass Girandoles, c. 1895, vasiform standard issuing floral candlearm, h. 16 3/4 in., w. 11 in., d. 6 1/2 in. $700/1000

568. Two Antique French Grape Harvest Baskets, oak splints, cone form, h. 37 in., w. 30 in., d. 20 in. $400/600

569. Anglo‑Indian Carved Walnut Cabinet, late 18th/early 19th c., sun‑ray paneled doors, wrought iron hardware, base with raised panel doors, shaped bracket feet, h. 64 in., w. 35 in., d. 21 1/2 in. $800/1200 570. Pair of Louis XV‑Style Leather and Carved Oak Club Chairs, 20th c., loose down cushions, scrolled arm supports, cabriole legs, h. 36 in., w. 30 in., d. 41 in. $1000/1500

572. English Console Carved Walnut Table, probably 19th c., floral‑carved arched frieze, turned and fluted supports, plinth base, disc feet, h. 29 in., w. 32 1/2 in., d. 17 1/2 in. $200/300

573. Mabel Dwight (American, 1876‑1955), “The Brothers (Robinson/ Pirog 25)”, 1928, lithograph, pencil‑signed lower right, edition of 50, 12 1/2 in. x 9 7/8 in., matted. $600/800

574. Jackson Lee Nesbitt (American, 1913‑2008), “The Matthew W. Johnston Family”, 1990, etching, pencil‑signed, titled, dated and numbered “135/250” lower margin, 9 1/2 in. x 12 1/4 in., unframed. $400/600

576. Alberto Giacometti (Swiss, 1901‑1966), “Bust of a Seated Man”, 1961, lithograph, published by Maeght Editeur, Paris, 14 3/4 in. x 10 3/4 in., framed. $300/500

577. Robert Gordy (American/New Orleans, 1933‑1986), “Figures in Rivercane”, offset lithograph, pencil‑signed and numbered “105/300” lower margin, sight 26 1/4 in. x 22 in., framed. $150/250

Provenance: Estate of Thomas Greene Collins, Jr., Arabi, LA.

Provenance: Collection of Judy and the late Morris (1939‑2017) Massey, New Orleans

575. Sonia Delaunay (Ukrainian/French, 1885‑1979), “Plate 12 from Ses Peintures, Ses Objects, Ses Tissus Simultanes, Ses Modes”, gouache ponchoir process print, artist stamp lower right, published by Librarie des Artes Decoratifs, Paris, sheet 14 in. x 21 in., framed. $200/300 Provenance: Estate of Thomas Greene Collins, Jr., Arabi, LA

578. Louis XV‑Style Carved Giltwood Low Table, inset marble top, foliate‑carved apron, cabriole legs, scrolled toes, h. 19 in., w. 38 1/2 in., d. 22 in. $300/500

581. Axel Johan Fagerplan (Swedish, 1788‑1865), “A Winter Landscape”, oil on canvas, signed and inscribed “Copierhof” lower right, 23 1/2 in. x 29 1/2 in., framed with artist and title plaque. $800/1200 580. Attributed to Eugene Delacroix (French, 1798‑1863), “La Priere”, oil on canvas, signed, inscribed and partial label with artist and title on stretcher, 12 in. x 7 1/4 in., framed with artist and title plaque. $1000/1500 Provenance: Parisian Auction, late 19th c.; Private Collection, Houston, TX.

579. Antique French Carved Walnut Grape Press Pedestal, 19th c., associated top and base, spiral‑turned standard, h. 50 in., w. 14 1/2 in., d. 14 1/2 in. $600/900

582. Marius Hammann (Danish, 1879‑1936), “Coastal View from the Bridge”, oil on canvas laid on masonite, signed lower right, 13 1/4 in. x 17 in., framed. $150/250

583. Continental School, late 19th/ early 20th c., “Young Maiden at the Well”, oil on canvas, signed “D. Giraud/C. Meunieur” lower right, 40 in. x 28 in., framed with “Constantin Emile Meunier” artist plaque. $600/800

Additional information at www.nealauction.com

584. Norman Lloyd (Australian, 1895‑1983), “Village in Southern France”, oil on canvas, signed lower right, artist label on reverse of frame, 13 in. x 16 in., framed with artist and title plaque. $500/800

585. Norman Lloyd (Australian, 1895‑1983), “The Harvest”, oil on canvas, signed lower left, “Koch Galleries, Mobile, AL” and “Mobile Art Center and Gallery” labels on reverse of frame, 20 in. x 27 in., framed. $600/900

586. (Detail) Continental School, 1905, “Lady Slippers”, oil on canvas, initialed “KN” and dated lower right, indistinctly inscribed and “Jeffreys & Son, Liverpool” canvas stamp en verso, 17 in. x 22 in., framed. $200/400

Provenance: Koch Galleries, Mobile, AL, 1989

Provenance: Koch Galleries, Mobile, AL, 1989.

Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

588. Semi‑Antique Persian Runner, dark blue ground with floral medallions, blue and salmon border with flowerheads, 2 ft. 9 in. x 17 ft. $600/800 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL. 587.Ten Antique English Botanical Prints, 1872, chromolithographs, from Beautiful Leaved Plants..., each 8 3/4 in. x 5 3/4 in., framed alike. (10 pcs.) $300/500

590. Persian Rug, dark blue, gray and cream grounds with stylized foliage, 4 ft. x 6 ft. 6 in. $200/300 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

591. Persian Carpet, aqua ground with pink, green, blue and red foliate borders and central cartouche, 9 ft. 5 in. x 16 ft. 6 in. Note: Corner repaired. $600/900 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

592. Contemporary Wool “Pictorial” Rug, orange, blue and green, figures in a Chinese landscape, 6 ft. 6 in. x 9 ft. 6 in. $500/700

589. Semi‑Antique Persian Runner, red ground with floral motifs, black and beige border with scrollwork and flowerheads, 2 ft. 9 in. x 27 ft. $800/1200 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

594. Contemporary Carpet, beige ground with blue, green and yellow peacock feathers, 6 ft. 2 in. x 9 ft. $200/300 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

593. Persian Carpet, red ground with diamond cartouche, blue and salmon border, 5 ft. 10 in. x 10 ft. $400/600 Provenance: Estate of Faith K. Tiberio

595. French Argenté Octagonal Cushion Mirror, surround with chased palmettes and beading, h. 60 in., w. 50 in. $700/1000

596. Monumental American Walnut Tall Case Clock, 19th c., black painted dial with gilt Roman numerals, marked “ISIAH LUKENS/ PHIL’A” (Isaiah Lukens, 1779‑1846), now with modern electric movement, h. 126 in., w. 36 in., d. 16 in. $800/1200 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL. Note: Isaiah Lukens (1779‑1846) was the son of Seneca Lukens, a farmer and clockmaker from Horsham, PA, who established himself as a clockmaker after several years’ study in England and France. He made clocks for the Second Bank of the United States, the Pennsylvania State House, and Independence Hall. He was a member of the American Philosophical Society and a founder of the Franklin Institute. Reference: Philadelphia Athenaeum. philaathenaeum.org/ ppexhibits/exhibit4/e40001b.htm. Accessed 2/20/18

598. English Carved and Burl Walnut Loo Table, mid‑19th c., figured oval top with banded inlay, reduced supports, drum stretcher, outswept carved legs, h. 25 1/2 in., w. 35 in., d. 21 in. $400/600

597. American Classical Mahogany Firescreen, 19th c., outswept supports, scroll feet, inset silk panel, h. 43 1/4 in., w. 26 in., d. 17 1/2 in. $600/900 599. Good English Carved Mahogany Pedestal Sideboard, mid‑19th c., serpentine backsplash surmounted by a rocaille crest, molded top, two well‑fitted pedestal cabinets, plinth base, h. 62 in., w. 86 in., d. 26 1/2 in. $1000/1500

601. Antique Louis XV/XVI Bronze‑Mounted Kingwood Parquetry Bureau Plat, 19th c., inset tooled leather top, frieze drawers, cabriole legs, sabots, h. 29 1/2 in., w. 41 1/4 in., d. 23 1/4 in. $800/1200

602. French Provincial Cherrywood and Rush Sofa, 19th c., rectangular back, scroll arms, rounded seat rail, square legs, stretchers, h. 39 1/2 in., w. 68 in., d. 28 in. $1000/1500

600. Pair of Continental Rococo Revival Carved Mahogany Consoles, 19th c., shaped marble top, conforming frieze with cartouche carved drawer, acanthus carved scrolled legs, shell carved stretcher, h. 39 1/2 in., w. 32 1/2 in., d. 16 1/2 in. $1500/2000

603. Pair of Biedermeier‑Style Burled Wood and Parcel Ebonized Tables, clover leaf top, conforming frieze fitted with drawer, intertwined tapered legs, incurvate triangular plinth, ball feet, h. 28 1/2 in., w. 17 1/2 in., d. 17 1/2 in. $700/900

605. Monumental Rococo Revival Carved Giltwood Overmantel Mirror, mid‑19th c., foliate rocaille cartouche crest, pineapple and grape accents, shaped foliate carved mirror surround, scrolled brackets at base, later gilt, h. 77 in., w. 65 1/2 in. $1500/2500

604. Antique Carved Fruitwood Fauteuil, early 20th c., probably French, shield back, shaped arms, conforming seat rail, blocked rosettes, fluted tapered legs, h. 39 in., w. 23 1/2 in., d. 18 in. $200/400 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

Provenance: Estate of Faith K. Tiberio, St. Augustine, FL. 606. Continental Bronze Figure of a Water Carrier, inscribed “S. Bauer” on self‑base, h. 16 in., w. 8 3/4 in., d. 5 1/4., marble base, overall h. 17 1/4 in. $300/500 Additional information at www.nealauction.com

608. Antique Cast Iron and Wood Garden Bench, late 19th/early 20th c., verdigris paint surface, h. 31 in., w. 50 in., d. 20 in. $400/600

609. Antique Cast Iron and Wood Garden Bench, late 19th/early 20th c., branch-form supports, h. 34 in., w. 50 in., d. 20 in. $400/600

611. Arnold E. Turtle (British/New Orleans, 1892‑1954), “Crashing Waves on the Rocky Coast”, oil on canvas, signed lower right, 16 in. x 20 in., framed. $800/1200

612. Arnold E. Turtle (British/New Orleans, 1892‑1954), “Spring Landscape with Cabin”, oil on canvas, signed lower right, 24 in. x 29 3/4 in., framed. $800/1200

Provenance: Descended in the family of the artist.

607. Set of Four American Cast Iron Garden Armchairs, rosette crest, lyre back with foliate scrolls, flared legs, pad feet, h. 32 in., w. 20 1/2 in., d. 18 in. $600/900 610. Bronze Figure of an Athlete, after the Antique, h. 10 3/4 in., w. 12 in., d. 6 in., granite base, overall h. 11 1/2 in. $300/500

613. Clyde Connell (American/Louisiana, 1901‑1998), “Prototype for the Corrington Award”, bronze medal, inscribed “CC”, dia. 3 1/2 in.; together with “Wall Plaque”, mixed media on wood, signed on reverse, h. 6 1/4 in., w. 6 in., d. 1 in. (2 pcs.) $250/350

614. Charles Whitfield Richards (American/New Orleans, 1906‑1992), “Tropical Garden”, oil on canvas, signed upper right, 14 in. x 18 1/4 in., framed with artist plaque. $400/600 615. Colette Pope Heldner (American/New Orleans, 1902‑1990), “Street Scene (rue de L’Ange) Rouen France”, oil on canvas, signed lower left, signed and titled en verso, 24 in. x 30 in., framed. $1200/1800

617. Elizabeth Boardman Warren Lindenmuth (American/Florida, 1886‑1980), “Oceanscape with Seagulls”, watercolor on paper, signed lower right; “Old House of Don Toledo ‑ St. Augustine”, pencil on paper, signed and titled lower center; “St. Augustine Street Scenes” double‑sided pencil on paper, signed and inscribed lower right; “The Old Fatio House ‑ St. Augustine”, etching, pencil‑initialed and titled lower margin; and “Shrimp Boats ‑ Florida”, etching, pencil‑initialed and titled lower margin, 4 1/2 in. x 3 1/4 in. to 11 3/4 in. x 8 3/4 in., framed. (5 pcs.) $600/800 616. Colette Pope Heldner (American/New Orleans, 1902‑1990), “Shrimp Boats (Louisiana Bayou Country)”, oil on canvas, signed lower left, signed and titled en verso, 24 in. x 30 in., framed. $1500/2500

Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

618. William Krondorf (German/Florida, 1878‑1968), “After the Storm ‑ Anastasia Island”, watercolor on paper, signed lower right, artist label with title on reverse of frame, 16 in. x 19 3/4 in., framed. $300/500

619. William L’Engle (American/Florida, 1884‑1957), “Signs in St. Aug.”, watercolor on paper, signed, titled and inscribed en verso, 15 in. x 20 in., framed. $500/700

620. John Klinkenberg (American/Florida, 20th c.), “Shadows”, watercolor on paper, pencil‑signed, titled and inscribed en verso, 12 in. x 14 in., framed. $500/700

Provenance: Robert Torchia, Jacksonville, FL; Estate of Faith K. Tiberio, St. Augustine, FL.

Provenance: St. Augustine Art Gallery, St. Augustine, FL, 2004; Estate of Faith K. Tiberio, St. Augustine, FL.

Provenance: St. Augustine Art Gallery, St. Augustine, FL; Estate of Faith K. Tiberio, St. Augustine, FL.

Ill.: Torchia, Robert W. Lost Colony: The Artist’s of St. Augustine, 1930‑1950, St. Augustine, FL: The Leightner Museum, 2001, p. 78.

621. Veronica Corrington (American/ Florida, b. 1891), “Sunset over the Bay”, watercolor on paper, signed lower left, 15 1/8 in. x 18 3/4 in., framed; together with Vida Roberts (American, 20th c.), “Nuns Strolling on Street”, watercolor on paper, signed lower left, sight 11 1/2 in. x 15 1/2 in., framed. (2 pcs.) $600/800 Provenance: St. Augustine Art Gallery, St. Augustine, FL, 2003 and 2007; Estate of Faith K. Tiberio, St. Augustine, FL.

622. Eugene Savage (American/ Florida, 1883‑1978), “Color Study for South Moon Under”, 1935, watercolor and pencil on paper, signed and dated lower left, signed and titled on artist label and “Ferargil Galleries, New York” label en verso, sight 12 1/4 in. x 12 1/4 in., framed. $400/600 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

624. Alice Dalton Brown (American, b. 1939), “The Abbott’s”, 1982, oil on canvas, signed lower right, signed, titled and dated en verso, artist and “AM Sachs Gallery, New York” labels on stretchers, 52 in. x 72 in., framed with artist and title plaque. $700/1000

623. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Autumn Evening on the Bayou”, 1921, oil wash on board, signed and dated lower right, signed, titled, dated and inscribed en verso, 20 in. x 30 in., framed. $2000/3000

625. Attributed to John Bunyan Bristol (American, 1826‑1909), “Landscape with Cottage”, oil on canvas, indistinctly signed and partially dated “187‑” lower left, 18 in. x 30 in., framed with artist plaque. $700/1000 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL. 628. Clyde Connell (American/Louisiana, 1901‑1998), “Stone Carrier”, mixed media on wood with papier‑mâché, unsigned, h. 27 in., w. 13 1/2 in., d. 11 1/2 in. $250/350

626. Reynolds Beal (American, 1866‑1951), “Departing Miami”, 1941, gouache on paper, signed and dated lower right, 6 1/2 in. x 10 1/4 in., framed with artist and title plaque; together with Florida School, 20th c., “Coastal Road”, watercolor on paper, signed “Bob Hamilton” lower right, “sight 12 1/4 in. x 16 3/4 in., framed. (2 pcs.) $400/600 Provenance: “Coastal Road”, St. Augustine Art Gallery, FL, April 1, 2005; Estate of Faith K. Tiberio, St. Augustine, FL.

Provenance: Private Collection, Shreveport, LA. 627. Harvey Glick (American/New Orleans, late 20th c.), “Torso #61”, “Torso #65” and “Torso #67”, 3 silver gelatin prints mounted on board, each ink‑signed and titled on board lower margin, 13 1/2 in. x 7 1/2 in. to 13 1/2 in. x 10 1/2 in., unframed. (3 pcs.) $100/150

629. James Prestini (American, 1908‑1993), “Untitled (174)”, nickel‑plated steel, stamped “PRESTINI” and “174” on underside, h. 22 in., w. 18 in., d. 14 1/4 in. $1000/1500 Additional information at www.nealauction.com

631. Arthur Silverman, “Bathtub”, wood, glass and mixed media, h. 5 1/2 in., w. 11 1/4 in., d. 5 3/4 in. $600/800

632. Robert Helmer (American/New Orleans, 1922‑1990), “One Sub Two”, oil on masonite, signed lower left, “Orleans Gallery, 527 Royal Street” label with artist and title en verso, 47 3/4 in. x 48 in., framed. $1500/2500

633. Robert Helmer (American/New Orleans, 1922‑1990), “Horse”, watercolor and ink on paper, signed lower left, 26 in. x 20 in., unframed. $400/600

630. Art Moderne‑Style Painted Iron Console-and-Mirror, mirror with slatted surround, conforming base with lower plinth, h. 80 in., w. 44 in., d. 13 1/2 in. $800/1200

634. Good Pair of Art Deco Walnut and Suede Club Chairs, early 20th c., canted backs, curved arms, shaped seats, outswept blocked feet, h. 29 in., w. 25 1/2 in., d. 31 in. $800/1200

635. Rare Pair of Italian Rattan and Enameled Steel Lounge Chairs, mid‑1950s, attr. to Franco Albini (1905‑1997) and Franca Helg (1920‑1989), possibly for Vittorio Bonacina and Co., bent rattan on two splayed legs and one “paperclip” leg, bases stamped “Made in Italy”, h. 34 1/2 in. and 34 3/4 in., w. 35 in. and 35 1/2 in.; together with a closely associated ottoman, attr. to Franco Albini, h. 11 1/2 in., dia. 19 3/4 in. $4000/6000 636. Jacques Adnet Stitched Leather and Brass Guéridon, c. 1955, black glass top, leather covered support, brass bookshelf, x‑form brass legs, h. 27 in., w. 23 in., d. 23 in. $1000/1500

638. Paul T. Frankl Mahogany and Lacquered Wood “Skyscraper” Bookcase, c. 1928, back with metal tag reading “SKY/ SCRAPER/FURNITURE/FRANKL GALLERIES/4 EAST 48th ST. NEW YORK”, superstructure with small cabinet above open compartments, two doors, molded waist, two drawers, divided shelves, reeded blocked feet, h. 71 in., w. 34 in., d. 14 1/2 in. $10000/15000 Provenance: Sotheby’s, New York, Dec. 9, 2005, lot 239. Ref.: Frankl, Paul. New Dimensions, New York, 1928, pp. 23‑24 (for a similar example); Frankl, Paul. Form and Reform: A Practical Handbook of Modern Interiors, New York, 1972, p. 88, pl. 49 (for a similar example).

637. Pair of Jean Royère Painted Iron Four‑Light Chandeliers, c. 1945, serpentine form, fluted drip pans, electrified, h. (incl. chain) 55 in., w. 43 in., d. 4 1/4 in. $1800/2500 Provenance: Sotheby’s, London, Apr. 20, 2001, lot 83.

639. Jean Nouvel Stainless Steel and Woven Leather “Milana” Lounge Chair, 1994, stamped “FTL Milana, NVL94”, h. 45 in., w. 30 in., d. 36 in. $1500/2500

640. Two Italian Painted Steel Bicycle‑Form Sculptures, 20th c., each with metal tag reading “Artistico”, incl. high‑wheeler and ten speed with mounting bases, typically used as outdoor bike racks, h. 51 in., w. 14 in., d. 64 in. and h. 41 in., w. 13 in., d. 62 in. $600/900

Note: Jean Nouvel (French, b. 1945) is a Pritzker prize‑winning architect, having designed some of the world’s most notable buildings including the Louvre Abu Dhabi and the new MOMA tower in New York. Additional information at www.nealauction.com

641. Charlotte Perriand “Nuage” Wall‑Mounted Shelf, c. 1956, by Les Ateliers Jean Prouvé, France, oak, painted aluminum and enameled steel, integral wall hangers, h. 16 1/2 in., w. 94 in., d. 12 in. $8000/12000

642. Jacques Adnet Stitched Leather and Brass Settee, c. 1955, tufted seat and back, padded arms, covered leather spindle supports, brass cuff legs, h. 34 1/2 in., 49 1/2 in., d. 33 in. $2000/3000

643. Pair of Jacques Adnet Stitched Leather and Brass Stools, c. 1955, circular leather seat and foot rest, leather covered legs, capped feet, h. 31 1/2 in., dia. 12 in. $700/1000

649. Pair of Stiffel “Rocket” Floor Lamps, 20th c., integral lucite table surface, arched legs, new linen shades and wiring, h. 52 1/2 in., dia. 20 in. $800/1200

644. Contemporary Terence Woodgate “Sussex” Oak Sideboard and Cabinet, by Punt Mobles, Spain, each with four slatted doors and adjustable shelves, steel base and legs, h. 28 1/2 in., w. 80 in., d. 19 in. and h. 48 in., w. 40 1/2 in., d. 19 in. $800/1200

645. Pair of French Art Moderne Silvered and Ebonized Mirrors, early 20th c., oval form, applied glass jewels and beads, h. 29 in., w. 23 in., d. 1 1/2 in. $600/900

646. Mid‑Century Modern Eames‑Style Lounge Chair and Ottoman, Selig Manufacturing Co., Leominster, Massachusetts, brown leather and mahogany veneer, spring‑loaded base, chair h. 39 in., w. 31 1/2 in., d. 37 in., ottoman h. 16 in., w. 21 in., d. 16 1/2 in. $500/700

647. Pair of American Art Deco Vellum‑Covered Bookcases, early 20th c., adjustable shelves, tapered feet, h. 34 1/2 in., w. 30 1/2 in., d. 9 in. $700/1000

650. George Nelson “Kite” Clock, c. 1953, model 2201‑C, Howard Miller Company, Zeeland, Michigan, partial foil label, enameled metal, wood, later movement, h. 16 1/2 in., w. 21 3/4 in., d. 4 1/4 in. $700/1000

652. Continental Cast Iron and Glass Low Table, early 20th c., in the style of Gilbert Poillerat, inset glass top, X stretcher, connected to scrolled and blocked canted legs, h. 17 3/8 in., w. 40 in., d. 40 in. $700/1000

648. Alvar Aalto Birch and Glass Occasional Table, designed 1946, model Y805, steam‑bent base, h. 18 in., w. 31 1/4 in., d. 31 1/4 in. $500/700

651. Pair of Contemporary Club Chairs, 20th c., concave back, shaped arms, deep seat, turned legs, wool upholstery, h. 28 in., w. 36 in., d. 29 in. $600/900

653. Vintage French Industrial “Zig‑Zag” Lamp, c. 1950, metal tag marked “Jieldé, Lyon”, designed by Jean‑Louis Domecq, articulated arm, weighted steel base, h. 30 ‑ 61 in. $150/250

654. Jacques Adnet Stitched Leather and Brass Side Chair, c. 1955, leather legs and rails, naugahyde back and seat, h. 30 3/4 in., w. 15 1/2 in., d. 22 1/2 in. $400/600

Additional information at www.nealauction.com

658. Eight Contemporary Leather and Chrome Armchairs, stamped “Arper, Italy”, curved back and arms, rubber foot caps, h. 29 1/2 in., w. 22 1/2 in., d. 19 in., stackable. $500/700

655. Pair of Josef Hoffman‑Style Painted Wood Barrel Chairs, 20th c., concave seat, square metal‑capped feet, h. 28 1/2 in., w. 20 3/4 in., d. 20 1/2 in. $300/500 657. Mid‑Century Modern Walnut Bookcase, three stationary shelves, one slide‑out shelf, black‑painted block feet, h. 40 in., w. 24 1/2 in., d. 12 in. $300/500

656. Mid‑Century Modern Brass Floor Lamp, c. 1955, adjustable light reflector, weighted base, h. 71 in. $400/600

659. Adrian Pearsall Elliptical Walnut and Glass “Jacks” Coffee Table, c. 1955, for Craft Associates, Wilkes-Barre, Pennsylvania, h. 15 3/4 in., w. 59 1/2 in., d. 20 in. $700/1000

662. Contemporary Patinated Wood and Glass Coffee Table, 20th c., intricate geometric “stick” construction, 3/8 inch glass top, h. 18 in., w. 39 in., d. 39 in. $500/700 665. Antique English Carved Oak Joint Stool, 19th c., plank top, carved skirt, turned and blocked legs with stretchers, h. 21 in., w. 17 1/2 in., d. 11 1/2 in. $200/300

663. Art Moderne Chrome and Glass Console Table, 20th c., glass top on burnished yoke supports connected to a stepped plinth base, h. 31 in., w. 79 in., d. 33 3/4 in. $500/700

661. Maison Jansen Chrome and Leather Rocking Chair, c. 1970, for Otto Gerdau, New York, now with new full‑grain brown leather, h. 40 in., w. 23 1/4 in., d. 39 1/4 in. $700/1000

664. Ethiopian Carved Hardwood Side Chair, 18th/19th c., rectangular pierced splat, dish‑form seat, trestle base, h. 33 in., w. 23 1/2 in., d. 23 1/2 in. $400/600

Provenance: Collection of Nan Wier, New Orleans, LA. 666. Fine English Carved and Inlaid Walnut Table, mid‑19th c., inlaid circular top, baluster support, exuberant scrolled legs, casters, h. 29 1/2 in., w. 56 in., d. 42 1/2 in. $1200/1800

667. Pair of Moorish‑Style Bone and Hardwood Inlaid Corner Cabinets, pedimented crests, spindled frieze, two doors, conforming recessed shelf over doors, blocked feet, h. 81 in., w. 23 1/2 in., d. 17 in. $800/1200

660. Pair of Adrian Pearsall Walnut and Glass End Tables, c. 1955, for Craft Associates, h. 19 in., w. 24 in., d. 20 in. $700/1000

668. Continental Carved Mahogany Library Table, mid‑19th c., rectangular top with outset corners, foliate carved frieze centered by a mythological mask, griffin‑carved legs, paw feet, h. 31 1/2 in., w. 41 in., d. 27 in. Note: Lacking leather top. $1000/1500 .

669. Pair of Napoleon III Bronze‑Mounted Onyx Pedestals, mid‑19th c., columnar standard, plinth base, h. 40 in., w. 10 1/2 in., d. 10 1/2 in. $800/1200

670. Pair of Louis XVI‑Style Bronze‑Mounted Side Tables, galleried marquetry top, blocked frieze, shaped stretcher shelf, tapered legs, brass cuffs, h. 28 1/2 in., dia. 16 in. $800/1200

671. Continental Neoclassical‑Style Carved Walnut Settee, arched molded crest rail, reticulated splats, shaped arms, blocked seat rail, tapered legs, h. 34 in., w. 42 in., d. 19 in. $600/800

672. Continental Polychrome Painted Chest, 19th c., molded and beaded top, blind frieze drawer over three long drawers, conforming base, shaped bracket feet, h. 41 in., w. 49 in., d. 22 in. $700/1000

674. Antique Brass Fire Fender, with paw feet; together with pair of andirons and set of fire tools, fender h. 9 1/2 in., w. 47 in., d. 14 in., andirons, h. 17 in., w. 9 in., d. 23 in., tool stand h. 31 in. $400/600

673. Large Model of a Clipper Ship, 20th c., five masts, painted wood and cloth, intricate rigging, h. 33 1/2 in., w. 81 in., d. 16 in. $700/1000

675. Pair of Antique Continental “Oak” Faux Bois Doors, iron hardware, h. 123 3/4 in., w. 36 in. $1000/1500

678. Chinese Brass and Hardwood Table Clock, 20th c., porcelain dial in pressed brass surround bearing Hengdeli mark with glass and hardwood case, set in hardwood stand carved with foliage and gourds, h. 19 3/4 in., w. 14 in., d. 10 3/4 in., separate hardwood base, overall h. 24 3/4 in., w. 14 1/2 in. $700/900

676. Antique American Giltwood Looking Glass, molded surround, retains original gilt surface, h. 30 in., w. 22 3/4 in. $500/750 677. 1966 Ford Mustang Coupe, original inline 6 motor, automatic transmission, red paint, black interior, center console, VIN # 6R07T227754. $5000/7000

679. Congreve‑Style Rolling‑Ball Clock, reproduction, ball platform, over enamel dials, presented on wood base with glass case, h. 14 1/4 in., w. 15 3/4 in., d. 9 in. $700/900

680. Highly Decorative Pair of Chinese Celadon Porcelain Double Gourd Vases, 20th c., relief‑modeled with scrolling foliage, h. 19 in. $800/1200

681. Pair of Chinese Famille Noire Porcelain Vases, 20th c., faceted bodies decorated with flowering branches and rocks, bases with Kangxi marks, h. 18 1/2 in., w. 5 1/2 in., d. 5 1/2 in. $600/800 Additional information at www.nealauction.com

683. Antique English Oak Cellarette on Stand, 19th c., hinged top, divided interior, conforming stand, h. 24 3/4 in., w. 16 3/4 in., d. 16 3/4 in. $400/600

684. Edwardian Inlaid Rosewood Envelope Games Table, c. 1910, baize-lined playing surface with inset pockets, frieze drawer, reeded supports, sabre legs, casters, h. 30 in., w. (open) 30 1/2 in., d. (open) 30 1/2 in. $700/1000

682. Four Chinese Hardwood Nesting Tables, rectangular paneled top, fruit and foliage carved frieze, bamboo legs, shaped stretchers, largest h. 27 7/8 in., w. 19 1/2 in., d. 13 1/2 in. $200/300

686. Antique Continental Carved Giltwood Console Table, probably French, in the Louis XVI taste, inset marble top, shaped frieze, blocked corners, swagged tapered legs, turned feet, h. 32 in., w. 40 in., d. 26 in. $1000/1500

685. Pair of Louis XIV‑Style Carved Crème Peinte Fauteuils, 19th c., arched floral crests, shield backs, acanthus scrolled arms, serpentine seat rail, fluted tapered legs, h. 40 1/4 in., w. 25 1/4 in., d. 22 3/4 in. $700/900

687. French Provincial Carved Fruitwood Occasional Table, 19th c., molded top, scalloped frieze, cabriole legs, hoof feet, h. 26 3/4 in., w. 29 1/2 in., d. 23 1/4 in. $700/900

688. Pair of Louis XVI‑Style Carved Fruitwood Fauteuils, molded crest rail, padded shaped arms, floral blocked and rope‑carved seat rail, turned fluted legs, h. 35 1/2 in., w. 27 in., d. 27 in. $400/600

689. Continental Neoclassical‑Style Inlaid Fruitwood Commode, graduated drawers, tapered legs, h. 40 in., w. 47 1/2 in., d. 23 in. $800/1200

Provenance: Estate of Faith K. Tiberio, St. Augustine, FL

690. Pair of Louis XV‑Style Ebonized and Argenté Inlaid Occasional Tables, molded tops, serpentine shaped frieze drawer, cabriole legs, sabots, h. 30 in., w. 23 1/2 in., d. 15 1/2 in. $600/800

Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

691. Louis XV‑Style Carved and Giltwood Settee, 19th c., shaped crest rail with a floral crest, padded back, arms and seat, serpentine shell‑decorated seat rail, cabriole legs, scrolled toes, h. 37 in., w. 48 in., d. 22 in. $400/600

692. Louis Philippe Bronze‑Mounted Mahogany Commode, c. 1840, gris de Ste. Anne marble top, blind frieze drawer over three drawers, molded feet, h. 36 in., w. 50 in., d. 23 in. $1200/2000

694. Twelve Biedermeier‑Style Dining Chairs, each with fan crest, ebonized decoration, padded seat, tapered legs, h. 35 in., w. 18 1/2 in., d. 17 in. $2000/3000

695. Johannes Evert Hendrik Akkeringa (Dutch, 1861‑1942), “Girl in the Trees”, oil on panel, signed lower left, 8 1/4 in. x 7 in., framed with artist plaque. $500/700

693. Louis Philippe Mahogany Work Table, c. 1840, tray top, fitted interior, work basket, turned supports and stretcher, trestle base, h. 27 in., w. 20 in., d. 13 1/2 in. $400/600

Provenance: Private Collection, Holland; Kunsthandel Arends, Arnhem; Private Collection; Gallerie d’Leau, Arnhem.

696. Andre Charles Voillemot (French, 1822‑1893), “Venus and Cupid”, oil on canvas, signed lower left, partial label en verso of stretcher, 6 1/2 in. x 8 3/4 in., framed with artist plaque. $400/600

697. Continental School, 19th c., “Portrait of a Lady in 18th c. Dress”, oil on canvas, unsigned, 31 in. x 23 3/4 in., framed. $400/600 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

701. Pair of Charles X‑Style Bronze Candlesticks, each standard and base relief‑decorated with fruit and foliage, h. 8 1/2 in., dia. 5 in. $400/600

700. French Brass Inlaid and Ebonized Box, 19th c., ripple molding, void interior, h. 9 in., w. 24 in., d. 16 in. $300/500

703. Continental Bronze Figure of Young Maiden, after the original by Adrien Etienne Gaudez, inscribed signature on self‑base, h. 19 1/2 in., w. 8 1/4 in., d. 7 3/4 in. $400/600

698. John Bates Noel (British, 1870‑1927), “Glandour Valley, North Wales”, oil on canvas, signed lower right, signed and titled en verso, “Alex. L. Podd, London” label on stretcher, 18 in. x 24 in., framed. $200/400

704. Continental Bronze Figure of a Fisher Woman, after “Retour de Peche [Returning from Fishing]” by Henryk Kossowski, “Societe des Bronzes de Paris” stamp, “AP 3229” and inscribed signature on self‑base, title plaque with “Salon de Beaux Arts” on self‑base, h. 25 1/2 in., w. 6 3/4 in., d. 6 3/4 in. $300/500

699. Pair of Chinese Export “Beijing” Enamel Vases, 19th/20th c., faceted bodies decorated with birds and branches on a lime green grounds with flower scrolls, h. 10 in., w. 3 1/2 in., d. 3 1/2 in. $200/400

702. Continental Patinated Bronze “Warwick” Vase, c. 1900, after the Antique, h. 7 1/2 in., w. 11 1/4 in., d. 7 3/4 in. $400/600

705. Continental Bronze Figure of “Esmeralda”, after the original by Eugene Marioton, cast title and inscribed signature on self‑base, h. 27 1/2 in., w. 9 1/2 in., d. 8 in. $400/600

706. Bronze-Patinated Plaster Bust of Queen Alexandra, after the model by Mary Thornycroft, “WT Copeland/Pub June 1, 1963” on truncation, “Art Union of London. Mary Thornycroft Sc 1863” on self‑base, h. 14 3/4 in., w. 9 1/4 in., d. 5 1/2 in. $300/500

Additional information at www.nealauction.com

707. American Classical Carved Giltwood Mirror, early 19th c., split columnar surround with blocked corners, and basket of flowers panel, h. 44 in., w. 20 3/4 in. $300/500 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

708. Continental Neoclassical‑Style Brass‑Mounted, Painted and Parcel Gilt Mirror, blocked brass medallion corners, turned surround, h. 24 1/2 in., w. 16 1/4 in. $150/250

709. Antique German Inlaid Walnut Miniature Commode, molded top, three drawers, plinth base, h. 12 in., w. 17 1/2 in., d. 10 1/2 in. $400/600

Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

710. Attributed to Jean‑Jacques Henner (French, 1829‑1905), “Girl in Red Shawl”, oil on canvas, unsigned, “Goupil & Company, London” label en verso of frame, 8 1/4 in. x 6 1/4 in., framed with artist plaque. $300/500

713. John James Audubon (American, 1785‑1851), “Blue‑Headed Pigeon”, Plate 172, from Birds of America, Amsterdam Edition, sheet 26 1/2 in. x 39 1/2 in., framed. $300/500

711. Continental School, 19th c., “Landscape with Cows along Water”, oil on canvas, signed “G. Mialet” lower left, 20 in. x 24 in., framed. $600/900

714. WE.C. Kellogg/ Publishers, 19th c., “East Indiaman”, color lithograph, 8 in. x 13 in., framed. $200/300 Provenance: Kenneth Van Blarcom, Natick, MA, 1999; Estate of Faith K. Tiberio, St. Augustine, FL.

717. Newcomb College Art Pottery Candlestick, 1910, decorated by Sadie Irvine with black‑eyed Susans, semi‑matte glaze with blue, green and white underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. DP92, and “B” for buff clay body, h. 9 1/4 in., dia. 5 1/2 in. Note: Restorations to candlecup. $1200/1800

715. John James Audubon (American, 1785‑1851), “Bewick’s Long Tailed Wren”, No. 4, Plate 18, hand‑colored engraving, from The Birds of America, Robert Havell edition, 19 in. x 12 in., framed. $300/500

718. Charles Whitfield Richards (American/New Orleans, 1906‑1992), “Along the Shore”, oil on canvas, signed lower right, “The Fortier Gallery, Chartres St., New Orleans, LA” label en verso, 12 in. x 16 in., framed. $400/600 720. Lulu King Saxon (American/New Orleans, 1855‑1927), “Cabin and Pirogue on the Bayou”, oil on board, signed lower left, 9 1/4 in. x 12 1/4 in., framed. $2500/3500 721. William Ousley (American/Louisiana, 1866‑1953), “West Fork of Calcasieu River”, 1939, oil on canvas, signed and inscribed “946” lower right, located lower center, titled, dated and extensively inscribed en verso, 18 in. x 34 1/4 in., framed. $1200/1800

712. Arthur Douglas Peppercorn (British, 1847‑1924), “Landscape”, oil on canvas, signed lower right, 10 in. x 15 in., framed with artist plaque. $200/300

716. Newcomb College Art Pottery Low Bowl, 1927, decorated by Sadie Irvine with relief‑carved wildflower blossom design, matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, reg. no. PZ57, shape no. 22, h. 3 in., dia. 5 in. $600/900

719. Lulu King Saxon (American/New Orleans, 1855‑1927), “Cabin in the Field”, oil on board, signed lower right, “W.E. Seebold, Bookseller, Stationer & Fine Art Dealer, New Orleans, LA” label en verso, 6 1/4 in. x 9 1/4 in., period frame. $2000/3000

724. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Louisiana Bayou”, oil wash on board, signed lower right, sight 10 in. x 19 1/2 in., framed. $1000/1500

722. Achille Perelli (Italian/New Orleans, 1822‑1891), “Nature Morte: Passenger Pigeon”, watercolor on paper, signed and inscribed “N.O.” lower left, sheet 27 1/2 in. x 21 in., framed. $3000/5000

723. Achille Perelli (Italian/New Orleans, 1822‑1891), “Night Heron”, oil on canvas laid on board, signed and inscribed “N.O.” lower right, “W.E. Seebold, New Orleans” label en verso, 24 in. x 16 in., original carved wood frame. $2000/3000

Provenance: William E. Groves Collection, New Orleans; D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge.

Provenance: D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge.

725. Clementine Hunter (American/Louisiana, 1886‑1988), “Fish Fry”, oil on board, monogrammed mid‑right, 16 in. x 24 in., unframed. $3000/5000

726. Clementine Hunter (American/Louisiana, 1886‑1988), “Watermelon Picnic”, oil on board, monogrammed mid‑right, sight 15 1/2 in. x 23 1/2 in., framed. $2500/3500

728. Clementine Hunter (American/Louisiana, 1886‑1988), “Pickin’ Cotton”, oil on paper, signed “Clemence” lower right, pencil monogrammed mid‑left, 9 in. x 12 in., unframed. $1500/2500

727. Clementine Hunter (American/ Louisiana, 1886‑1988), “Pickin’ Cotton”, oil on board, monogrammed mid‑right, 16 in. x 24 in., unframed. $2000/3000

729. Emmitt Thames (American/Mississippi, b. 1933), “Storage Shed”, watercolor on paper, signed lower right, titled en verso, sight 21 1/4 in. x 29 in., framed. $1000/1500

730. Emmitt Thames (American/Mississippi, b. 1933), “Gathering Fallen Apples”, watercolor on paper, signed lower right, “Brown’s Fine Art & Framing, Inc., Jackson, MS” label with artist and title en verso, sight 21 1/2 in. x 29 1/2 in., framed. $1000/1500

731. Emmitt Thames (American/ Mississippi, b. 1933), “Summer Storm Coming”, watercolor on paper, signed lower right, titled en verso, sight 21 1/2 in. x 29 in., framed. $1000/1500 732. Jimmy Lee Sudduth (American/Alabama, 1910‑2007), “Tractor”, mixed media on plywood, signed upper right, 24 in. x 48 in., unframed. $500/800

Additional information at www.nealauction.com

734. G. Drummond Munsfield (American/New Orleans, 20th c.), “Pirate’s Alley, New Orleans” and “Brulatour Courtyard, New Orleans”, 1962, 2 oils on masonite, both signed and dated lower right and titled en verso, each 24 in. x 10 in., framed alike. (2 pcs.) $300/500

733. Chivas Early (American/New Orleans, 20th c.), “The Lord Loves You”, oil on canvas, signed lower right, 18 in. x 24 in., framed. $500/700

735. Ruth Robertson Fontenot (American/ Louisiana, 1914‑1995), “Ashland Plantation, Port Allen, Louisiana”, 1981, watercolor, signed and dated lower right, sight 13 1/2 in. x 19 1/2 in., framed. $250/350

736. Maggie Hartnett (American/New Orleans, mid‑20th c.), “Nuns Walking by the Stable, French Quarter” and “Nuns Walking in Pirate’s Alley, French Quarter”, 2 oils on masonite, both signed lower right, 24 in. x 30 in. and 20 in. x 16 in., framed alike. (2 pcs.) $200/400

738. Steve E. Mathews (American/ Louisiana, 20th c.), “Night Bayou”, oil on canvas, signed lower right, 11 in. x 14 in., framed with artist and title plaque. $300/500

737. George Frederick Castleden (British/New Orleans, 1861 1945), Quaint Aviles Street, Saint Augustine, Fla.” and “Trinity Church, Saint Augustine, Florida”, 1937, 2 hand colored prints, each signed and dated in plate lower left, sheets 8 3/4 in. x 11 3/4 in. and 11 3/4 in. x 8 3/4 in., framed alike, (2 pcs.) $100/200 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

739. George Overbury “Pop” Hart (American/Illinois, 1868‑1933), “A Cold Morning, Bayou St. John, New Orleans”, 1918, watercolor and graphite on paper, signed, dated and inscribed lower right, titled lower left, 13 1/2 in. x 21 3/4 in., framed. $800/1200

740. Cornelia Cunningham Huffer (American/Georgia, b. 1903), “Courtyard Arts and Crafts Club, New Orleans, LA”, 1932, graphite on board, pencil‑signed and dated lower right, titled lower left, 11 7/8 in. x 8 7/8 in., unframed. $150/250

741. Edith M. Sansum (American/Louisiana, 1867‑1934, act. New Orleans, 1884‑1901), “Acadian Cabin”, oil on canvas board, signed lower right, “W.E. Seebold, Bookseller, Stationer and Fine Art Dealer, N.O.” label en verso, 8 1/2 in. x 11 1/2 in., period frame. $1000/1500 Provenance: Jay P. Altmayer Family Collection, Mobile, AL. Note: Edith Sansum’s family moved to New Orleans shortly after her birth. Her parents, who were originally from Barbados, had seven children and lived in the Uptown area, where Edith’s father, Oliver Baker Sansum, practiced law. From the age of sixteen, Sansum began studying art, excelling in both sketching and oil painting, for which she was awarded medals from the Black and White Club and the Artists’ Association of New Orleans. Studying with noted New Orleans artists such as Helen Maria Turner and Julia Massey, Sansum eventually became an art instructor, teaching private lessons from her parents’ home. After the year 1901, Sansum seems to have abruptly abandoned her art career, turning to clerical work. However, her lovely still life paintings and landscapes, such as the current lot depicting a cabin in rural Louisiana, attest to Sansum’s artistic talents.

742. John McCrady (American/New Orleans, 1911‑1968), “Saturday Shoppers (drawing and mathematical figures regarding Holy Communion Mural en verso)”, pencil drawing on paper, initialed “JMcC” and titled lower margin, inscribed “What did the mayo say to the ice box? Close the door I am dressing” upper right, 8 3/4 in. x 10 1/2 in., framed. $2000/3000

743. Arnold E. Turtle (British/ New Orleans, 1892‑1954), “Street Scene”, 1936, gouache on board, signed and dated lower right, 8 in. x 10 in., framed. $400/600

744. William T. Robinson (American, 1852‑1934), “Egg Rock, Nahant”, oil on board, signed lower right, 12 in. x 18 in., framed with artist and title plaque. $700/900

745. Laszlo De Nagy (Hungarian/ American, 1906‑1944), “Street Scene ‑ St. Augustine, Florida”, oil on board, signed lower right, artist and title inscribed en verso, 6 in. x 8 in.; Henry Curtis Ahl, Jr. (American, 1905‑1996), “The Oldest House, St. Augustine, Florida”, oil on board, signed lower right, signed and titled en verso, 10 in. x 14 in.; and Dorothy Eardley Wilmot (American, 1892‑1983), “The Old Witch House, Pigeon Cove, Mass”, 1932, oil on board, signed, titled, dated and heavily inscribed en verso, 12 in. x 16 in., framed. (3 pcs.) $500/700 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL. 747. Harold Stanwood Maddocks (American/Massachusetts, 1889‑1963, act. St. Augustine, FL, c. 1941‑1963), “Spuds, Fla”, 1948, oil on masonite, signed, titled and dated en verso, 11 5/8 in. x 15 1/2 in., framed. $500/700 Provenance: Anastasia Antique Center, St. Augustine, FL, Sept. 2, 2000; Estate of Faith K. Tiberio, St. Augustine, FL. Ill.: Torchia, Robert W. Lost Colony: The Artists of St. Augustine, 1930‑1950. St. Augustine, FL: The Leightner Museum, 2001, p. 87.

749. George Overbury “Pop” Hart (American/ Illinois, 1868‑1933), “A Middle Eastern Street Scene”, watercolor and graphite on paper, unsigned, 14 1/2 in. x 22 1/2 in., unframed. $500/700

751. Alice Blair Thomas (American, 1857‑1945), “Sailboat”, 1914, oil on canvas, signed and dated lower left, 10 in. x 7 in., framed with artist plaque. $300/500

746. William Staples Drown (American/Massachusetts, 1856‑1915), “Cottage Scene”, oil on canvas, signed lower left, 13 in. x 17 3/4 in., framed. $500/700 Provenance: Mystic Fine Arts, Ltd., Mystic, CT, May 23, 2004, lot 111; Estate of Faith K. Tiberio, St. Augustine, FL.

748. Forest Ages McGinn (American, 20th c.), “Shrine of Nuestra Senora de la Leche, St. Augustine, Florida”, 1941, oil on board, signed lower right, signed, titled, dated and inscribed en verso, 17 in. x 20 in.; together with Estelle F. Levy (American, 20th c.), “Don Toledo House ‑ St. Augustine, Fla.”, 1938, oil on board, signed and dated lower left, handwritten artist label with title en verso, 17 in. x 14 in., framed. (2 pcs.) $400/600 750. Jeannette Agnew Lyon (American, 1862‑1942), “Forest Landscape”, oil on canvas, signed lower right, 17 in. x 14 in., framed with artist plaque. $400/600

752. American School, 1889, “Mill on Lake”, oil on canvas, signed “E. Stadtmiller” and dated lower left, label en verso, 22 in. x 36 1/4 in., framed. $400/600 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

753. Frederick Alexander Pawla (American/ California, 1876‑1964), “Morning Scene”, oil on canvas, signed lower right, pencil‑signed and titled on stretcher, 20 1/4 in. x 24 1/2 in., framed. $300/500

754. George Gillet Whitney (American, 1890‑1979), “Westtown, PA”, oil on canvas board, pencil‑signed and titled en verso, 12 in. x 16 in., framed. $500/800

755. Jerome Pennington DeWitt (American, 1895‑1940), “Bon Air Cottage, Mt. Pocono Av., Mt. Pocono, PN”, 1920, oil on board, signed lower right, dated lower left, signed, titled, dated and personalized en verso, 12 in. x 16 in., framed. $600/800

Provenance: Mystic Fine Arts, Mystic, CT, Jan. 15, 1998, lot 228; Estate of Faith K. Tiberio, St. Augustine, FL.

Provenance: Robert L. Foster Auction Company, Newcastle, ME, July 24, 2005, lot 282; Estate of Faith K. Tiberio, St. Augustine, FL.

Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

Additional information at www.nealauction.com

756. Important American Aesthetic Gilt‑Incised, Inlaid and Carved Rosewood Parlor Cabinet, c. 1880, attr. to Pottier and Stymus, New York, reverse stamped “67694”, center section with beveled and engraved mirror plate and inset onyx top, over pair of doors and niche, flanked by marble top vitrine cabinets with floral galleried tops, paw feet, h. 68 1/2 in., w. 59 in., d. 16 1/2 in. $6000/8000 Note: The exquisitely inlaid parlor cabinet shown here is closely related to some of the finest examples of aesthetic furniture by the New York firm Pottier & Stymus. Featuring intricately incised floral motifs and mother-of-pearl inlaid cabinet doors, the cabinet is closely related to furniture from the Mark Hopkins residence in San Francisco and the Thomas Edison home at Glenmont in West Orange, New Jersey. The use of a five-digit numbering system by Pottier & Stymus before 1888 is documented by Kristin Herron in her article on the Thomas Edison home at Glenmont. Numbers on a Pottier & Stymus example could be penciled, impressed, or stenciled in black ink, as seen on the cabinet in the present lot. Herron notes that numbers were likely assigned chronologically and furniture dating to the early 1880s, such as this piece, were marked with numbers between 50000 and 70000. Ref.: Herron, Kristin S. “The Modern Gothic Furniture of Pottier and Stymus,” Magazine Antiques. May 1999.

757. American Rococo Carved Rosewood and Grained Étagère, mid 19th c., possibly Mitchell and Rammelsberg, scrolled crest carved with fruit and nuts, mirror back flanked by shaped graduated shelves on S scrolled and dolphin carved supports, serpentine marble top, frieze drawer with cabochon and foliage, cabriole legs, casters, h. 99 in., w. 57 1/2 in., d. 23 in. $5000/7000

758. American Rococo Carved Rosewood Armchair, c. 1850‑1860, attr. to J.H. Belter, New York, molded oval back surmounted by a “single rose” carved crest, serpentine carved seat rail, cabriole legs, h. 44 1/4 in., w. 24 in., d. 25 in. $600/800

759. Antique Louis XV Style Bronze Mounted Kingwood Parquetry Vitrine, molded cornice, serpentine bombé case, conforming glazed door and side panels, scalloped apron, flared legs, sabots, h. 78 1/2 in., w. 51 in., d. 15 in. $1000/1500

760. American Innovative Carved Walnut Extension Table, c. 1849, T.P. Sherborne, Philadelphia, mechanized accordion top marked “T.P. Sherborne/ Patent/1849”, scrolled supports, plinth base, casters, h. 29 1/2 in., w. 47 1/2 in., d. 26 in. Note: Lacking leaves. $400/600

761. Rare American Rococo Carved and Laminated Rosewood Sofa, c. 1850‑1860, attr. to John Henry Belter, related to the pattern commonly referred to as “Fountain Elms”, arched reticulated grape and floral crest, serpentine arms, conforming seat rail, cabriole legs, scrolled toes, casters, h. 46 in., w. 79 1/2 in., d. 24 in. $15000/25000 Note: This rare example of John Henry Belter’s work is beautifully carved and sophisticated in shape, differentiating it from the triple-back sofas commonly seen in Belter’s work. The scrolled elements along the crest rail here are closely related to the known Belter pattern “Fountain Elms,” a pattern associated with the seated furniture made by Belter for the Fountain Elms Mansion in Utica, New York. Ref.: Dubrow, Eileen and Richard. American Furniture of the Nineteenth Century. Schiffer: Pennsylvania, 1983, pp. 79, 81; Munson Williams Proctor Art Institute. www.mwpai.org/view/collections/19th-century-american-decorative-arts. Accessed October 16, 2017.

762. Rare American Rococo Carved Rosewood Dressing Chest, c. 1850-1860, possibly J. & J. W. Meeks, New York, foliate and floral carved crest, mirror flanked by shelves surmounted by finials over serpentine cabinets, later marble, serpentine case with three graduated drawers, plinth base, disc feet, h. 84 1/4 in., w. 48 in., d. 25 3/4 in. $4000/6000

763. Very Fine American Rococo Carved and Laminated Rosewood Sofa, c. 1840‑1850, attr. to John Henry Belter, New York, in the pattern commonly referred to as “Rosalie with Grapes”, serpentine crest rail carved with flowers and fruit, padded back and seat, conforming floral carved seat rail, cabriole legs, casters, h. 41 in., w. 57 in., d. 22 in. $5000/7000

764. Napoleon III Bronze‑Mounted Kingwood Vitrine, mid‑19th c., shaped variegated marble top, frieze drawer, two glazed doors, glass shelf interior, shaped apron, flared legs, h. 56 in., w. 38 in., d. 14 1/2 in. $1500/2500

765. American Rococo Carved Mahogany Mirrored Armoire, mid‑19th c., likely the workshop of Prudent Mallard, New Orleans, reticulated crest centered by a carved shell, stepped and beaded cornice with chamfered corners, conforming case, mirrored door with beaded surround, later shelf interior, conforming base with drawer, h. 107 in., w. 63 1/2 in., d. 25 1/2 in. $1500/2500

766. Antique American Renaissance‑Style Carved Walnut Dining Table, c. 1900, acanthus molded top, guilloche frieze, blocked, paneled and carved tapered legs, medial support, incurvate stretchers, 3 leaves, h. 31 7/8 in., w. (open) 163 in., d. 50 1/2 in. $3000/5000 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

767. Eight Jacobean‑Style Carved Mahogany Dining Chairs, incl. two armchairs and six side chairs, double caned backs, shaped crest rail, turned legs and stretchers, armchair h. 41 1/2 in., w. 24 in., d. 21 in.; side chair h. 42 1/2 in., w. 19 1/2 in., d. 19 1/2 in. $1200/1800

768. Antique George III‑Style Mahogany Library Armchair, padded back, arms and seat, molded legs, H stretcher, h. 36 in., w. 26 1/2 in., d. 24 1/2 in. $300/500

Additional information at www.nealauction.com

770. Set of Four Antique American Carved Oak Side Chairs, late 19th/ early 20th c., cherub and wreath back, molded stiles, trapezoidal seats, square legs, brass cuff casters, stretchers, h. 43 1/2 in., w. 19 in., d. 18 in. $800/1200. 769. Fine American Rococo Carved and Laminated Rosewood Sofa, attr. to John Henry Belter, in the pattern commonly referred to as “Rosalie”, triple back rose and fruit carved crests, serpentine arms, conforming serpentine seat rail, rose carved cabriole legs, h. 37 in., w. 61 1/2 in., d. 34 in. $4000/6000

Provenance: Ponce de Leon Hotel, now Flagler College, St. Augustine, FL; Estate of Faith K. Tiberio, St. Augustine, FL.

771. American Classical Inlaid Mahogany Secretary Bookcase, c. 1830, pedimented cornice, arched frieze, glazed doors, shelf interior, three cartonnier drawers, foldover writing surface, bolection frieze drawer over two drawers, boldly scrolled supports, h. 80 1/2 in., w. 45 1/2 in., d. 23 in. $700/1000

772. Pair of American Classical Figured Mahogany Mixing Tables, early 19th c., marble top, conforming ogee frieze drawer over a cabinet door flanked by blocked columns, stepped plinth base, blocked feet, h. 36 in., w. 28 1/2 in., d. 21 1/2 in. $2500/3500 773. American Federal Mahogany Cheval Mirror, early 19th c., urn finials, arched saber legs, turned stretchers, brass ferrules, casters, h. 63 1/2 in., w. 25 in., d. 23 in. $1200/2000

774. Antique French Giltwood Overmantel Mirror, 19th c., surmounted by a shell crest, foliate and beaded surround, h. 59 in., w. 44 1/2 in. $600/900 775. George III Satinwood, Inlaid and Paint‑Decorated Secretary Desk, late 18th/early 19th c., serpentine crest above conforming doors with classical oval medallions; fall front lid with fitted desk interior; faux drawers over three long drawers, canted stiles, molded skirt, tapered feet, h. 81 1/2 in., w. 49 1/2 in., d. 25 in. $1500/2500.

776. American Federal Inlaid Cherrywood Games Table, early 19th c., New England, shaped foldover top, conforming tiger maple inlaid frieze, turned tapered legs, h. 29 1/2 in., w. 34 1/2 in., d. 16 1/2 in. $1000/1500 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

778. Antique English Mahogany Serving Table, marble top, two frieze drawers, tapered legs, pad feet, h. 30 1/2 in., w. 48 1/2 in., d. 23 in. $500/1000 Provenance: Estate of Janice Lane Young, Richmond, VA.

779. George III Mahogany Wingchair, molded tapered legs, stretchers, h. 43 1/2 in., w. 32 in., d. 24 1/2 in. $400/600

777. Southern Late Federal Cherrywood Corner Cupboard, early 19th c., cove molded cornice, glazed door over paneled doors, serpentine apron, bracket feet, h. 85 3/4 in., w. 43 in., d. 21 in. $700/900 780. Pair of American Colonial‑Style Mahogany Armchairs, padded backs and seats, scrolled arms, carved stretcher, turned legs, later gilt decoration, h. 46 1/2 in., w. 24 1/2 in., d. 20 in. $600/800

781. American Federal Mahogany Demilune Games Table, early 19th c., foldover top, baize playing surface, blocked frieze, tapered legs, spade feet, h. 28 1/2 in., w. 35 in., d. 17 in. $500/800

Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

783. American Classical Carved Mahogany Tester Bed, early 19th c., later molded tester, reeded acanthus carved posts, arched gadrooned headboard, pegged rails, h. 87 in., l. 75 in., w. 58 in. $800/1200.

784. American Federal Cherrywood Chest of Drawers, early 19th c., molded cornice, six graduated drawers, shaped bracket feet, h. 51 in., w. 40 in., d. 19 in. $700/1000

782. American Sheraton Carved Mahogany Basin Stand, early 19th c., possibly Southern, galleried top with cut out, vasiform supports, shelf with drawer, turned legs, ball feet, h. 34 3/4 in., w. 28 1/4 in., d. 20 in. $600/900

785. Celia Gregor Reid (American/ Florida, 1895‑1956), “Pier”, watercolor on paper, signed lower right, sight 10 1/4 in. x 13 1/2 in.; “Fatio House”, woodcut on paper, signed in plate lower right, pencil‑signed and inscribed “Woodcut” lower margin, 9 1/4 in. x 8 in., framed. (2 pcs.) $300/500

786. Edith Walker Oliver (American/ Florida, 1889‑1979), “Llambias House, St. Augustine”, 1938, “Sponge Exchange ‑ Tarpon Springs, Fla”, 1934, and “Florida Landscape”, 3 watercolors on paper, each signed and 2 dated lower right, sights 11 1/2 in. x 8 1/4 in. to 5 3/4 in. x 8 3/4 in., framed. (3 pcs.) $300/500

Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

Provenance: Estate of Faith K. Tiberio, St. Augustine, FL. 789. Nunzio Vayana (Italian/ American, 1878‑1960, act. St. Augustine, FL, 1940s), “Farmhouse in Spuds, Florida”, oil on canvas board, signed lower right, 16 1/4 in. x 20 in., framed. $400/600 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL. Ill.: Torchia, Robert W. Lost Colony: The Artists of St. Augustine, 1930‑1950. St. Augustine, FL: The Leightner Museum, 2001, p. 113.

787. Edith Walker Oliver (American/ Florida, 1889‑1979), “House in St. Augustine (preliminary sketch en verso)”, 1952, double‑sided mixed media on canvas, signed and dated lower right, sight 17 in. x 23 in., framed. $300/500 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

788. Florida School, 20th c., “City Gates”, oil on canvas laid down, unsigned, 11 1/2 in. x 13 in.; and Swamp-Scene”, oil on canvas, unsigned, 9 in. x 12 in., framed. (2 pcs.) $300/500 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

790. Irene Stry (American/ Massachusetts, c. 1899‑1963), “Dow House, St. Augustine”, 1952, oil on canvas, signed, dated and inscribed “St. Augustine” en verso, titled on stretcher, 20 in. x 24 in., framed. $400/600 Provenance: Deborah Williams, St. Augustine, FL, May 24, 2010; Estate of Faith K. Tiberio, St. Augustine, FL. Additional information at www.nealauction.com

791. Leo Meissner (American/Michigan, 1895‑1977), “Carriage Ride”, graphite on paper, artist stamp and inventory number en verso, 7 1/2 in. x 13 in., framed. $500/800 Provenance: Child’s Gallery, Boston, MA, Aug. 12, 2004; Estate of Faith K. Tiberio, St. Augustine, FL.

793. Continental School, late 19th c., “Forest with Stream”, oil on canvas, unsigned, 26 in. x 36 in., framed. $400/600

794. Continental School, late 19th c., “Tending to the Fields”, oil on panel, signed “H. Dorn” lower left, 12 in. x 16 1/2 in., framed. $300/500

Provenance: Estate of Faith K. Tiberio, St. Augustine, FL. 792. Continental School, late 19th c., “Hydrangea Bush”, oil on canvas, unsigned, 44 in. x 22 1/4 in., framed. $400/600 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL. 795. Continental School, late 19th c., “Path within the Trees”, oil on canvas, unsigned, 46 1/2 in. x 22 1/4 in., framed. $300/500 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

796. Walter Inglis Anderson (American/New Orleans, 1903‑1965), “Water Border”, 2 linocuts on wallpaper, unsigned, each pencil‑inscribed and titled en verso, 21 in. x 169 in. and 21 in. x 113 1/2 in., unframed. (2 pcs.) $500/700

797. Steele Burden (American/ Louisiana, 1900‑1995), “She Didn’t Take the Pill” and “Haircut”, 2 white crackle glazed ceramics, one titled and both initialed on self‑base, h. 3 1/2 in., w. 4 1/4 in., d. 4 1/4 in. and h. 2 3/4 in., w. 6 3/4 in., d. 3 1/4 in. (2 pcs.) $600/800

Ill.: Pickard, Mary Anderson and Patricia Pinson, eds. Form and Fantasy: The Block Prints of Walter Anderson. Jackson: University Press of Mississippi, 2007, p. 108.

799. George Herbert McCord (American, 1848‑1909), “Silver Wedding”, watercolor and gouache on paper, signed lower left, sight 12 in. x 19 in., framed. $300/500 Provenance: George Cole Auctions, Red Hook, NY, Apr. 28, 2001, lot 60; Estate of Faith K. Tiberio, St. Augustine, FL.

800 Marie Cerminova Toyen (Czechoslovakian/French, 1902‑1980), “Paysage Surréaliste‑Brunidor 2”, 1947, color lithograph on paper, pencil‑signed and numbered “49/100” lower margin, 12 3/4 in. x 16 5/8 in., framed; accompanied by copy of the original receipt. $300/500 Provenance: William Weston Gallery, London, 2004; Collection of Nan Wier, New Orleans, LA.

Note: The title of this lot is said to be based on the 1887 poem A Silver Wedding by the artist’s friend Henry Morton.

803. Southern Late Federal Yellow Pine Stand, early 19th c., Georgia, overhanging two board top, plain frieze, pegged tapered legs, h. 30 in., w. 24 in., d. 21 1/2 in. $400/600

798. Attributed to William Woodward (American/New Orleans, 1859‑1939), “Reclining Female Nude” and “Standing Young Female Nude”, 2 oils on board, unsigned, inscribed “From Woodward” en verso of latter, 10 in. x 14 in. and 22 in. x 14 in., unframed. (2 pcs.) $300/500 Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans.

801. Southern Late Federal Pine and Poplar Games Table, 19th c., checkerboard painted top, pegged tapered legs, attractive old surface, h. 29 in., w. 29 in., d. 22 in. $500/700

802. Southern Late Federal Poplar and Yellow Pine Stand, early 19th c., Georgia, overhanging top, frieze drawer, tapered legs, now with later black paint over rouge stain, h. 29 1/2 in., w. 23 in., d. 20 in. $500/800

805. American Late Federal Pine Dough Box, 19th c., retains old red wash, lift off top, open interior, tall arched legs, h. 29 in., w. 39 in., d. 16 in. $500/750

804. American Carved Pine Cupboard, early 19th c., molded cornice, three shelves with scalloped surround over two doors, scalloped skirt, h. 76 1/2 in., w. 45 in., d. 19 in. $500/700

806. Regency‑Style Carved Mahogany Two Pedestal Dining Table, reeded top, turned pedestals with reeded sabre legs, one leaf, h. 29 3/4 in., l. (closed) 77 7/8 in., l. (open) 101 3/4 in., w. 44 7/8 in. $500/700

807. Eight Chippendale‑Style Carved Mahogany Dining Chairs, incl. 2 armchairs and 6 side chairs, serpentine crest, pierced splat, trapezoidal seat, square tapered legs, armchair h. 40 in., w. 24 1/2 in., d. 21 in.; side chair h. 38 1/2 in., w. 18 in., d. 14 1/2 in. $1000/2000

808. Sheraton‑Style Inlaid Mahogany Sideboard, blocked bowfront top, conforming case, three frieze drawers, two side cabinets, tapered legs, casters, h. 37 in., w. 72 in., d. 25 1/4 in. $500/800 809. Pair of American Federal Painted and Parcel Gilt “Fancy” Chairs, early 19th c., floral medallions, rush seats, reeded legs, h. 32 1/2 in., w. 18 in., d. 16 1/2 in.; together with a painted child’s rocking chair, h. 25 1/2 in., w. 16 1/2 in., d. 15 in. $300/500 810. Queen Anne Mahogany Drop‑Leaf Table, 18th c., tapered legs, pad feet, h. 27 1/4 in., w. 41 in., d. (closed) 17 1/2 in., d. (open) 46 1/4 in. $500/700

811. American Classical Carved Mahogany Work Table, 19th c., fitted drawer over two drawers, foliate carved standard, shaped legs, paw feet, casters, h. 31 in., w. 22 in., d. 17 1/2 in. $300/500 Provenance: Estate of Faith K. Tiberio 812. Antique English Carved Walnut Credenza, mid‑19th c., serpentine marble top, conforming frieze, glazed doors flanked by spiral colonnettes, shelf interior, h. 38 in., w. 72 in., d. 18 1/2 in. $300/500 Provenance: Weymouth Hall, Natchez, MS. 813. Set of Six American Belle Époque Carved Walnut Side Chairs, late 19th c., arched bead and leaf crest rails, padded backs and seats, rosette blocked legs, H stretchers, h. 42 1/2 in., w. 17 1/2 in., d. 16 3/4 in. $700/1000 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

814. American Mahogany Extension Dining Table, mid‑19th c., circular top, cluster column pedestal, quadripartite plinth terminating in discs, casters, with three leaves and one modified leaf, h. 28 3/8 in., l. (closed) 52 1/2 in., l. (extended) 108 3/4 in., w. 54 in. $800/1200 816. American Federal‑Style Figured Maple Chest of Drawers, two short over three graduated drawers, shaped skirt, “French” bracket feet, h. 31 3/4 in., w. 34 1/4 in., d. 21 3/4 in. $400/600 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

815. American Queen Anne‑Style Maple Drop‑Leaf Tea Table, circular top, turned legs, pad feet, h. 27 1/4 in., dia. (open) 30 3/4 in. $200/400 Provenance: Estate of Faith K. Tiberio, St. 817. William IV Mahogany Server, c. 1835, reticulated gallery, molded top, scroll supports, paneled doors enclosing a partially fitted interior, molded plinth, h. 54 in., w. 52 in., d. 19 1/2 in. $500/750

818. Continental Renaissance‑Style Highly Carved Oak Side Table, 19th c., octagonal top, foliate and floral frieze, baluster standard with masks, acanthus carved scrolled legs, h. 32 in., dia. 18 1/2 in. $300/500

Additional information at www.nealauction.com

819. Pair of Continental Louis XV‑Style Walnut Fauteuils, shaped floral carved crest rail, serpentine arms, shaped seat, cabriole legs, Scalamandre “coral and shell” fabric with nailhead trim, h. 34 in., w. 21 1/4 in. $200/400 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL. 820. Continental Molded Plaster Center Table, circular glass top, scrolled dolphin supports, incurvate triangular base, h. 29 in., dia. 48 in. $700/1000

821. American Beaux Arts Carved Giltwood Parlor Suite, late 19th/early 20th c., attr. to S. Karpen & Bros., Chicago, incl. settee, armchair and side chair, robustly carved cherub crest, boldly scrolled arms, cabriole legs, scrolled toes, armchair h. 45 1/2 in., w. 28 in., d. 21 in., settee h. 50 in., w. 55 in., d. 21 in.; side chair h. 42 1/2 in., w. 22 1/2 in., d. 20 in. $1500/2500 822. Pair of Louis XV‑Style Carved Walnut Bergères á Oreilles, molded arm supports, floral‑carved serpentine apron, cabriole legs, scrolled toes, h. 36 in., w. 29 in., d. 32 in. $300/500

825. Spanish Colonial School, mid‑17th/19th c., “La Lucha de Toros (The Bull Fight)”, oil on canvas, unsigned, 25 3/4 in. x 35 1/8 in., framed. $400/600 823. Pair of American Carved Rosewood Side Chairs, c. 1850‑1860, attr. J.H. Belter, New York, molded oval back surmounted by a “single rose” carved crest, scrolled supports, serpentine seat rail, cabriole legs, h. 39 in., w. 19 in., d. 20 in. $600/800

824. Spanish Colonial School, mid‑17th/19th c., “Saint Dominic”, oil on canvas, unsigned, 33 in. x 24 1/4 in., framed. $400/600 827. Helen Greene Blumenschein (American/New Mexico, 1909‑1989), “Xmas Eve Taos Pueblo”, 1939, lithograph, pencil‑signed, titled, dated and inscribed “No.1” lower margin, 9 3/4 in. x 12 3/4 in., unframed. $400/600

830. John Taylor Arms (American, 1887‑1953), “North Portal, Sens”, engraving, signed, titled and dated in plate lower edge, signed, dated and inscribed “Second State” lower margin, 15 in. x 9 in., matted. $600/800

828. Arizona American Indian Art Show Poster, 1977, Phoenix, AZ, designed by R. C. Gorman (American/New Mexico, 1932‑2005), signed lower right, 18 1/2 in. x 22 1/4 in., framed. $400/600

831. Leonard Baskin (American/New York, 1922‑2000), “Portrait”, wood engraving, pencil‑signed and inscribed “Artist Proof” lower margin, 21 1/2 in. x 10 in., unframed. $400/600

826. Prentiss Taylor (American, 1907‑1991), “Experience Meeting, Massydony (Rose/Quiroz, 39)”, 1934, lithograph, pencil‑signed, dated, titled and inscribed “25 prints” lower margin, 9 in. x 13 1/4 in., framed. $400/600

829. John Stockton De Martelly (American/Missouri, 1903‑1979), “Blue Valley Fox Hunt (Zink 10)”, 1937, lithograph, pencil‑signed lower right, typed label en verso, edition of 250, 12 3/4 in. x 16 1/4 in., framed. $600/800.

832. Harry Sternberg (American, 1904‑2001), “Southern Holiday” and “Enough”, 2 lithographs, each pencil‑signed and one titled lower margin, both 9 in. x 7 1/2 in., matted. ( 2 pcs.) $400/600

833. Benton Spruance (American, 1904‑1967), “Farewell in the Dawn”, 1942, lithograph, signed in plate lower right, pencil‑signed, titled and inscribed “ed. 30” lower margin, 15 in. x 10 in., matted. $500/700 834. John Steuart Curry (American, 1897‑1946), “Football Game (Cole 29)”, 1938, lithograph, pencil‑signed and inscribed “(KC)” lower right, initialed and dated in plate lower left, 10 in. x 14 in., matted. $700/1000 835. American Folk Art Door, 19th c., carved with stylized American eagle surmounted by motto “In God We Trust”, laurel leaf border, h. 83 3/4 in., w. 35 1/4 in., d. 2 in. $1000/1500 837. Pair of American or English Cut Glass Hurricane Shades, 19th c., with floral decoration, folded foot rim, h. 23 in., dia. 8 1/2 in. $1200/1800

836. Antique Acadian Hand‑Spun and Woven Blanket, white and brown cotton with stripe motif. $400/600

838. Antique American Wrought Iron Tree Surround Settee, in two parts, slatted ribs connected by upright riveted supports, conforming seats, bracketed legs, h. 30 in., dia. 53 in. $700/1000

841. Austrian Cold‑Painted Bronze Figure of a Rug Seller, “Austria” stamped twice on underside, h. 8 1/4 in., w. 6 in., d. 6 in. $500/700

839. Italian Carved Carrara Marble Dog’s Head, h. 11 in., w. 13 in., d. 14 1/2 in. $600/800

840. French Bronze Figure of a Bird, 19th c., after the original by Alfred Barye, inscribed signature on self‑base, h. 9 1/2 in., w. 11 1/2 in., d. 6 1/2 in. $400/600

843. Antique Spanish Carved and Ebonized Trestle Table, molded top, scrolled wrought iron stretcher, turned trestle base, h. 31 1/4 in., w. 54 3/4 in., d. 22 in. $700/1000.

842. Charles X Carved Giltwood Mirror, c. 1825, molded frame with anthemion and acanthus corners, later mirror plate, h. 31 1/2 in., w. 27 in. $500/800

844. Colette Pope Heldner (American/ New Orleans, 1902‑1990), “Patio, The Little Theatre French Quarter, Old New Orleans (Paris of America)”, oil on canvas, signed lower left, signed and titled en verso, 24 in. x 30 in., framed. $2000/3000

845. Ellsworth Woodward (American/ New Orleans, 1851‑1939), “French Quarter Patio”, watercolor on paper, signed lower right, sight 11 1/2 in. x 8 1/2 in., framed. $1000/1500

Additional information at www.nealauction.com

846. Knute Heldner (Swedish/ New Orleans, 1877‑1952), “Brulatour Courtyard, French Quarter”, oil on canvas board, signed lower right, 12 in. x 9 in., framed. $2500/3500

847. Colette Pope Heldner (American/New Orleans, 1902‑1990), “Swamp Idyl (Louisiana Bayou Country), oil on canvas board, signed lower left, signed and titled en verso, 16 in. x 20 in., framed. $1000/1500 849. Peruvian School, 19th c., “Coronation of the Virgin”, oil on copper, 10 3/4 in. x 7 1/2 in., unframed. $300/400

852. Edward Larocque Tinker (American/New Orleans, 1881‑1968), “Stevedore, Port of New Orleans”, 1921, linocut on paper, pencil‑signed, dated and embossed monogram lower margin, embossed monogram on mount, 5 in. x 7 1/4 in.; and Robert Malcolm Rucker (American/Louisiana, 1932‑2001), “Shooting Dice on the Levee”, etching on paper, signed in plate lower right, 9 in. x 8 1/2 in., unframed. (2 pcs.) $300/500

850. Eugene Delcroix (American/New Orleans, 1891‑1967), “Arts and Crafts Courtyard” and “Interior Patio Royal”, 2 enhanced photographic prints, each pencil‑signed, titled and inscribed lower margin, each 6 1/2 in. x 4 1/2 in.; together with enhanced photograph of the French Quarter, New Orleans, unsigned, 9 1/2 in. x 7 1/2 in., framed. (3 pcs.) $400/600 853. Florida School, 20th c., “Don Toledo and His Indian Bride” and “Old Spanish Inn”, 2 hand‑embellished prints, both unsigned, sights 5 in. x 3 in. and 3 in. x 5 in., framed alike. (2 pcs.) $100/150 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

848. Joan Bridges (American/ Louisiana, b. 1934), “Angel Wings”, 1997, oil on canvas, signed and dated lower center, 28 in. x 22 in., framed. $1000/1500 Provenance: Martha Ann and Ray Samuel Collection, New Orleans.

851. Ruth Starr Rose (American, 1887‑1965), “Swing Low Sweet Chariot”, lithograph, pencil‑signed lower right, 10 in. x 12 7/8 in., unframed. $400/600

854. Stephen Parrish (American/ Pennsylvania, 1846‑1938), “Row of Homes along River”, etching, signed in plate lower left, 5 1/4 in. x 8 3/4 in., framed. $100/200 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

855. Southern School, early 20th c., “Vieux Carré, New Orleans”, etching, inscribed and dated “The Harrisons, Christmas, 1930” in plate lower right, pencil‑inscribed “View [sic] Carré ‑ New Orleans” and “The Harrisons ‑ 1930” lower margin, 10 in. x 7 3/4 in., unframed. $100/150 859. John Gould (British, 1804‑1881), “Florisuga Ater” and “Phaethornis Griseogularis”, 2 hand‑colored lithographs, from Hummingbirds, sights 20 1/4 in. x 14 in., framed alike. (2 pcs.) $200/300

856. Robert Rucker (American/Louisiana, 1932‑2001), “St. Charles Ave.”, 1979, chromolithograph, signed and dated in plate lower right, pencil‑signed and numbered “238/900” lower margin, 19 in. x 31 in., framed; accompanied by “The Pontalba” and “Barn”, 2 chromolithographs, each pencil‑signed lower right, 10 3/4 in. x 14 in. and 12 1/2 in. x 17 in., unframed. (3 pcs.) $100/150

857. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Clotho, A Fate”, etching, initialed in plate lower left, 9 1/2 in. x 7 3/4 in., framed. $200/300

858. American School, late 19th/ early 20th c., “Still Life with Flowers”, watercolor on paper, unsigned, 14 in. x 17 3/4 in., framed. $400/600

860. After John James Audubon (American, 1785‑1851), “Pinnated Grouse”, No. 38, Plate CLXXXVI, color lithograph, from The Birds of America, later edition, sight 24 1/2 in. x 37 1/2 in., framed. $200/300

863. Chinese Painted Wood Figure of a Man on Stand, carved standing on a separate pierced cloud scroll base wearing a hat, h. 57 in., w. 17 in., d. 13 in. $300/500

861. French Painted and Parcel Gilt Porthole Mirror, 19th c., surround carved with fruit clusters, old mirror plate, dia. 23 in., d. 7 in. $200/300

865. Large Japanese Imari Porcelain Bowl, 20th c., petal lobed rim, body decorated with panels enclosing egrets amid prunus, pine and bamboo, dia. 16 in. $500/700

864. Bakufu Ohno (Japanese, 1888‑1976), “Chrysanthemum (Yellow and White)”, woodblock print, signed and sealed lower right, inscribed “Printed by Kyoto‑Hanga‑In 1950” lower margin, inscribed left margin, sheet 15 1/4 in. x 10 1/8 in. $150/250

862. Two Chinese “Blanc de Chine” Porcelain Guanyin Figures, h. 11 in/ to 12 in., w. 5 1/2 in. to 9 in. $600/800

866. Pair of Japanese Patinated Bronze Vases, probably early 20th c., elephant mask handles, ribbed bodies with birds in relief, h. 13 in., now mounted as lamps, h. (incl. socket) 19 in. $300/500

869. Pair of Chinese White Glazed Pottery Covered Lanterns, 20th c., reticulated bodies carved with ruyi heads, bamboo leaves, and flowering prunus branches, pierced covers and bases, h. 10 1/2 in., wood stands, overall h. 11 1/2 in. $200/300

867. Pair of Japanese Patinated Bronze Vases, early 20th c., elephant mask handles, octagonal bodies with birds on branches, tripod bases, compressed round feet, h. 16 1/4 in., now mounted as lamps, h. (incl. socket) 27 1/8 in. $300/500

Provenance: Estate of Thomas Greene Collins, Jr., Arabi, LA.

870. Monumental Carved and Polychromed Wood Figure of a Soldier, modeled standing on a separate plinth, overall h. 72 in., w. 18 in., d. 13 in. $500/700

871. Pair of French Patinated Metal Figures of Native American Warriors, 19th c., h. 14 in., ebonized bases, overall h. 15 1/2 in. $400/600

Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

872. American Gilt Bronze Solar Lamp, c. 1850, marked Cornelius, Philadelphia, tapered triangular base with flowers and foliage, frosted shade cut with gothic arch windows, h. 23 in., dia. 8 1/4 in. $700/1000

873. American Gilt Bronze Solar Lamp, c. 1850, burner marked “Hooper & Co., Boston”, pear‑shaped font with cut shade on an adjustable arm, h. (to finial) 18 in. $700/1000

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

874. American Gilt Bronze Solar Lamp, c. 1850, attr. to Dietz, New York, rococo baluster with fruit and flowers, shade cut with gothic arch windows, h. 26 in., dia. 8 3/4 in. $700/1000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 121.

868. Gilt Bronze‑Mounted Japanese Cloisonné Enamel Charger, late 19th/ early 20th c., decorated with a pair of cranes with prunus, peony and bamboo; winged dragon handles, footed stem base, h. 10 1/2 in., w. 16 1/2 in. $200/300

875. American Gilt Bronze Solar Lamp, c. 1850, attr. to Starr Fellows, foliate baluster on marble base, frosted and cut shade, h. 23 3/4 in. $700/1000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

876. Pair of French Brass and Cut Crystal Four‑Light Girandoles, late 19th c., h. 25 in., dia. 11 1/2 in. $500/800 Additional information at www.nealauction.com

877. Pair of Neoclassical‑Style Gilt and Patinated Metal Urns, lion handles, now mounted as lamps, h. (to socket) 17 in., w. 6 in., d. 4 in. $400/600

878. Pair of French Bronze, Amber and Rock Crystal Five‑Light Girandoles, h. 25 in., dia. 12 in. $600/800

879. Pair of Neoclassical Bronze and Ebonized Two‑Light Sconces, flame finial, eagle heads, swag and tassel decor, h. 29 in., w. 14 1/2 in., d. 6 in. $600/800

881. Pair of Louis XVI‑Style Gilt Bronze Six‑Light Candelabra, urn‑form standard, foliate arms with ram’s head mounts, reeded legs with hoof feet, shaped base, h. 32 in., w. 13 1/2 in., d. 14 1/2 in. $1500/2500

880. Pair of Baccarat‑Style Gilt Bronze‑Mounted Cut Crystal Urns, beaded bronze rims and paw feet, h. 13 in., dia. 8 1/2 in. $600/800

883. French School, late 19th c., “Sunset Landscape with Cows”, oil on panel, unsigned, “Jacques Gordat‑ Bernard Gory, Paris” label en verso of frame, 10 1/4 in. x 13 1/2 in., framed. $200/400

882. Pair of Empire‑Style Patinated Bronze Figural Lamps, 20th c., addorsed maiden supports, h. (to socket) 22 in., dia. 9 1/2 in. $1500/2500 884. Jacobus Lambertus Dispo, Sr. (Dutch, 1890‑1964), “European Street 885. Pair of Scene”, oil on canvas, French signed lower right, Rococo‑Style copyright stamp en Bronze verso of canvas, 10 in. x Candlesticks, 8 in., framed. floral and scroll $200/400. decor, h. 8 1/4 in., dia. 4 3/4 in. $300/500

886. Restauration Bronze‑Mounted Figured Walnut Commode, 19th c., green marble top, frieze drawer, three graduated drawers flanked by engaged columns below, blocked feet, h. 34 in., w. 52 1/2 in., d. 26 in. $1200/1800 887. Antique Gilt Brass Solar Lamp, c. 1850, marked “L. van Burschoten”, baluster form on marble base, matte and burnished gilt surface, cut and frosted shade, h. 19 in. $600/900 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

889. Diminutive Louis XVI‑Style Four‑Light Chandelier, late 20th c., hung with clear and “amethyst” prisms, electrified, h. 21 in., dia. 13 in. $150/250

888. Three Murano Glass Two‑Light Wall Sconces, 20th c., in rose and pale blue, electrified, h. 15 in., w. 15 in., d. 8 in. $600/900 Provenance: Estate of Stefanie C. Golden, Florence, Italy.

890. Two Italian Pressed Brass and Mirrored Two‑Light Sconces, late 19th c., foliate decoration, pricket candlearms, the mirror plate mounted with bird prints, h. 19 1/4 in., w. 14 in., d. 4 in. $300/500 Provenance: Estate of Stefanie C. Golden, Florence, Italy.

891. Six Continental Cut Crystal Decanters, 20th c., one marked “Baccarat / France”, various forms, tallest h. 14 in. $400/600 892. Six Continental Cut Crystal Decanters, 20th c., one marked “Block”, various forms and patterns, tallest h. 13 3/4 in. $400/600

893. Assembled Group of Thirty‑One Antique Blown Amethyst Glass Finger Bowls, polished pontils, h. 3 1/2 in. to 3 3/4 in., dia. 4 1/4 in. to 4 3/4 in. $300/500 895. Murano Glass Lamp, early 20th c., marked “Ardalt”, bulbous, lobed form, green and gold flecked stripes, h. (to socket) 23 in. $200/300 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

896. French Art Glass Bowl, 20th c., decorated with trees on a river bank, signed “Legras”, h. 6 in., w. 12 in. $600/800

894. Set of Nine Amethyst Crystal Goblets, air twist stems, h. 9 1/4 in.; together with 12 amethyst and clear glass sherry glasses, h. 4 3/4 in. $200/300

897. Antique American Molded Cranberry Glass Covered Apothecary Jar, h. 21 in. $200/300

898. Agnes Yarnall (American, 1904‑1998), “Clown”, bronze, inscribed signature and “©1” on self‑base, h. 14 in., w. 11 in., d. 9 1/4 in. $300/500 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

899. Bronze Figure of a Standing Lady, 19th c., inscribed “Boustou” on self‑base, h. 20 1/2 in., w. 10 in., d. 7 in. $600/800

900. Continental Bronze Figure of Thetis, after the original by Emile Hebert, title and signature inscribed on self‑base, h. 19 3/4 in., w. 8 in., d. 6 3/4 in. $300/500 901. Bronze Figural Group of Cats, inscribed “WSM 86” and “#5”, inscribed on self base, h. 4 in., w. 7 1/4 in., d. 5 1/2 in., wood base, overall h. 6 in. $400/600

902. American Rococo Carved Walnut Bedroom Suite, incl. bedstead, dresser and dressing table, dresser with carved mirror support, arched cabochon carved crest, shaped mirror, glove boxes, four grape carved paneled doors, bracket feet; kneehole dressing table with mirror, long drawer and drawers on each side; bed with paneled headboard, circular roundel, conforming foot board, bracket feet, bed h. 65 in., l. 75 in., w. 55 1/2 in.; small dresser h. 88 1/4 in., w. 48 1/4 in., d. 22 1/4 in.; dresser h. 67 1/2 in., w. 45 1/2 in., d. 22 in. $1500/2500 Additional information at www.nealauction.com

903. Continental School, late 19th/ early 20th c., “Landscape with Houses on the River”, oil on canvas, signed “G. Mialet” lower left, 19 3/4 in. x 24 in., framed. $500/700 904. Attributed to Thomas Doughty (American, 1793‑1856), “Storm King Mountain”, oil on canvas, unsigned, 24 in. x 42 in., framed with artist and title plaque. $600/900

905. Emma Eilers (American/New York, 1817‑1951), “Fall Landscape”, oil on canvas, signed lower left, 20 1/2 in. x 24 1/4 in., framed. $600/900

908. Francis Hopkinson Smith (American, 1838‑1915), “Interior of Westminster Abbey”, conté crayon on board, signed lower left, handwritten label with artist, title and provenance en verso, sight 21 3/4 in. x 27 1/2 in., framed. $500/700

906. John Paul Marsh (American, 1886‑1939), “A Wooded Path”, oil on board, unsigned, “Marx Art Store, New Orleans” label and pencil‑inscribed “by Marsh” en verso of backing board, 10 5/8 in. x 14 in., framed. $700/1000

909. American School, 19th c., “Sounding the Alarm: Attack on the Village”, oil on canvas, unsigned, pencil‑inscribed “Mr. Healy” en verso, 25 in. x 30 in., unframed. $300/500 Provenance: Succession of Antiquarian Louis J. Healy, New Orleans.

907. Eliot Candee Clark (American/New York, 1883‑1980), “Mountainous Landscape with Trees”, oil on unstretched canvas, signed lower right, 6 1/4 in. x 8 1/2 in., framed. $600/800

910. American School, early 20th c., “Travelers to Yosemite”, oil on canvas, unsigned, 11 1/2 in. x 7 in., period frame. $100/200

911. Ada Martin (American, d. 1949), “Pelicans”, 1949, watercolor on paper, signed and dated lower right, sight 10 1/2 in. x 7 2/5 in.; together with Florida School, 20th c., “Boat at Dock”, pastel on paper, unsigned, sight 10 in. x 13 in., framed. (2 pcs.) $300/500 Provenance: “Pelicans”, Deborah Williams, St. Augustine, FL, Aug. 7, 2005; Estate of Faith K. Tiberio, St. Augustine, FL.

912. Gladys Vinson Mitchell (American/ New Mexico, 1894‑1968, act. St. Augustine, FL, 1950‑1968), “Fishing on Vilano, P.J. Mauncy’s Fish Camp near Vilano Bridge”, and “Half‑Finished Shrimp Boat, St. Sebastian River”, 2 watercolors on paper, latter signed lower right, sights 11 1/4 in. x 15 1/4 in. and 10 1/4 in. x 14 1/4 in., framed alike. (2 pcs.) $300/500 Provenance: “Fishing on Vilano”, Deborah Williams, St. Augustine, FL, Feb. 23, 1998; Estate of Faith K. Tiberio, St. Augustine, FL. Ill.: Torchia, Robert W. Lost Colony: The Artists of St. Augustine, 1930‑1950. St. Augustine, FL: The Lightner Museum, 2001, pp. 88‑89.

913. Marguerita Phillips (American/New Jersey, 1895‑1978, act. St. Augustine, FL 1925‑1950), “Bird Island”, gouache on board, signed, titled and inscribed en verso, 8 in. x 12 in., artist enhanced frame; together with Edna Phillips (American, early 20th c.), 5 oils on canvas or canvas board and 2 pastels on paper, one signed and 5 inscribed or with artist label en verso, sights 5 3/4 in. x 8 in. to 10 in. x 11 1/4 in., framed. (8 pcs.) $300/500 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL. Ill.: Torchia. Robert W., Lost Colony: The Artists of St. Augustine, 1930‑1950. St. Augustine, Fl: The Lightner Museum, 2001, p. 99.

914. American School, late 19th/ early 20th c., “A Pennsylvania Fall”, oil on canvas, signed “JB Graves” lower right, “M. H. Hartmann, New York” label on stretcher, 14 1/4 in. x 10 1/4 in., framed with artist and title plaque. $150/250 Provenance: Private Collection, Philadelphia, PA.

915. American School, late 19th/ early 20th c., “River Landscape”, oil on artist board, unsigned, inscribed “E. A. Howard” en verso in ink, oval 11 3/4 in. x 9 3/4 in., framed with artist plaque. $150/250

916. George Frederick Castleden (British/ New Orleans, 1861‑1945), “The Log Cabin”, 1936, oil on canvas, signed and dated lower left, titled en verso, 18 in. x 22 in., framed. $3000/5000 Provenance: D.H. Holmes Department Store, Canal Street, New Orleans.

917. Louis Elizabeth Andrews Fisher (American/New Orleans, 1901-1974), “Hiawatha’s First Great Battle”, “Galahad”, and “Circe”, 3 ink and graphite drawings, 2 signed lower left, 2 pencil-titled lower margin, 2 pencil-inscribed en verso, 12 3/4 in. x 10 1/2 in. to 14 1/2 in. to 11 1/4 in., unframed. $600/800

918. [Mardi Gras], “Mistick Krewe of Comus Parade”, 1983, color photograph, by Jeffrey M. Wolf, signed and dated lower right, sight 7 1/2 in. x 9 1/2 in., framed; together with Mistick Krewe of Comus, charger Commemorating 150th Anniversary, 2006, “Powers that Be” ball invitation, Feb. 11th, 1994, Boston Club, advertisement for Carnival and Mardi Gras in New Orleans by Perry Young, and Mystic Krewe of Memphi ball invitation and envelope, Feb. 7th, 1998. (5 pcs.) $300/500

Provenance: Estate of Robert Stuart (Fisher’s executor).

920. Shearly Grode (American/New Orleans, 1925‑2003), “Dyad”, 1961, oil and mixed media on particle board, signed, titled, and dated en verso, 23 1/2 in. x 30 in., unframed. $500/800

921. Robert Helmer (American/New Orleans, 1922‑1990), “Abstract Composition”, oil and mixed media on panel, signed lower left, 24 in. x 24 in., mounted on painted board. $800/1200

Provenance: Estate of Robert Stuart (Fisher’s executor).

922. Shearly Grode (American/New Orleans, 1925‑2003), “Triad”, 1961, oil and mixed media on particle board, signed, titled and dated en verso, 24 in. x 25 3/4 in., unframed. $300/500

924. Burt Procter (American/California, 1901‑1980), “Seated Lady”, oil on masonite, signed lower center, “Vanier & Roberts, Ltd., Scottsdale, AZ” gallery label en verso, 26 1/4 in. x 16 in., framed. $1800/2500 Note: Burt Proctor was born in Massachusetts, but he was always fascinated with the American West. Educated at the Art Institute of Chicago and the Otis Art Center in Los Angeles, Proctor nonetheless chose to work as an engineer until the 1930’s, when he dedicated himself to art. Living in virtual seclusion in his studio for five years, Proctor searched for “a sense of design, simplicity and proportion.” These admirable qualities are exhibited in the painting offered here, as well as the artist’s love of Impressionism. The resulting style is described by gallery owner Robert Nelson as “…the strokes are bold and modern while the subject matter is squarely traditional…he was a cowboy at heart.” Proctor was little known during his lifetime, but he has since become recognized as one of the most important painters of the American West. Ref.: Japenga, Ann. “Burt Proctor: A Cowboy on Miracle Hill.” California Dessert Art. www. californiadessertart.com. Accessed Feb. 17, 2018.

927. Ellsworth Woodward (American/New Orleans, 1861‑1939), “Ursuline + Chartres; Corner of Ursuline, 1040 Chartres (Boyer 16, fig. 14)”, 1931, etching on paper, pencil‑signed and titled lower margin, initialed and dated in plate lower right, 8 in. x 10 in., unframed. $200/300

919. Attributed to Louis Elizabeth Andrews Fisher (American/New Orleans, 1901-1974), “Float Designs”, one watercolor and graphite on paper, and one graphite on paper, both unsigned, both pencil-inscribed, 8 1/8 in. x 4 7/8 in. and 9 1/4 in. x 6 1/2 in., unframed. $200/400

923. Louisiana School, 20th c., “Bayou Landscape”, oil on canvas, unsigned, 12 in. x 19 in., framed. $200/400

925. (Detail) Two Prints of the Shipwreck of the Steamship Ville du Havre, incl. one by Currier & Ives, 1873, sight 10 1/4 in. x 13 1/4 in., framed; another possibly by Harper’s Weekly, sight 13 3/4 in. x 18 in., framed with a map and a newspaper article. $400/600 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

926. (Detail) Franklin Square Lithographic Company, “Bird’s‑Eye View of the Great Suspension Bridge, Connecting the Cities of New York and Brooklyn from New York Looking South‑East”, 1883, color lithograph, sight 20 1/2 in. x 37 in., framed. $400/600 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL. 928. William Woodward (American/New Orleans, 1859‑1939), “Balloon Jib Finish, Biloxi”, etching on paper, pencil‑signed and titled lower margin, signed in plate lower left, 4 in. x 6 in.; together with “A Residence”, pencil drawing, initialed lower right, 5 1/4 in. x 8 in., unframed. (2 pcs.) $200/300 Additional information at www.nealauction.com

929. Carolyn Ramsey (American/Louisiana, 20th c.), “Caddo Lake” and “Louisiana Landscape”, 2 vintage photographs, each unsigned, 12 1/4 in. x 10 1/4 in. and 13 1/4 in. x 10 1/2 in., framed alike. (2 pcs.) $100/150

932. Polychromed Cast Iron Boxer Door Stop, 19th c., old paint surface, h. 10 in., w. 9 3/4 in., d. 4 1/2 in. $150/250

930. Antique Green Leather Coffer, early 20th c., nailhead trim, strap hinges, h. 15 in., w. 19 3/4 in., d. 14 1/2 in. $100/200

933. Antique Bronze Five‑Light Girandole, 19th c., candle nozzles with lion masks, swing‑mounted lower arms, h. 21 in., w. 15 1/2 in., d. 8 1/2 in. $300/500

936. Pair of American Giltwood Window Cornices, 19th c., h. 5 in., w. 52 in., d. 7 in. $100/200

931. American Painted Wrought Iron Three‑Light Butler’s Dinner Bell, 19th c., with flowers and tendrils, on scroll feet, h. 21 3/4 in., w. 21 1/2 in., d. 9 in. $500/700

934. American Walnut Table Top Display Case, early 20th c., hexagonal with hinged top and side, single glass shelf, h. 19 in., w. 21 in., d. 21 in. $400/600

935. Antique American Brass and Iron Fire Tools, 19th c., faceted handles, incl. tongs, shovel, poker, and stand with later marble base, stand h. 38 in. $400/600

937. English Brass and Cast Iron Scale, 19th c., Berry & Warmington, Liverpool, h. 32 in., w. 28 in., d. 10 1/4 in. $200/300

938. Set of American Sterling Silver Salt Cellars and Pepperettes, Tuttle Silversmiths, Boston, act. 1890 to present, incl. 7 salts and 7 pepperettes, each with gadroon borders, dolphin feet and dolphin finials, pepperette h. 5 3/4 in., total wt. 54.40 troy ozs. (14 pcs.) $700/1000 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL 939. New Orleans Coin Silver Cup, Edward A. Tyler (1815‑1879), act. New Orleans, 1838‑1879, marked “E.A.TYLER” in rectangle and “NEW ORLEANS” in rectangle, seamed cylindrical cup, repoussé decoration of grapeleaves and flowers, cartouche monogrammed “AFC”, hollowcast S‑scroll handle, applied foliate foot, h. 4 in., wt. 4.85 troy ozs. $300/500 Ref.: Crescent City Silver, pp. 96‑97, mark illustrated p. 127.

940. Group of American Sterling Silver Dressing Table Articles, incl. hairbrush, clothes brush and hand mirror with scroll decoration; hairbrush and hand mirror with intricate floral scroll decoration, monogrammed “B”; Saart clothes brush, small brush and shoe horn; and Simons Brothers pin tray with floral repoussé border. $300/500

941. Antique English Silverplate Tea and Coffee Service in the Rococo Taste, Fenton Brothers, Sheffield, act. 1857‑1910, incl. a kettle‑on‑stand with burner, teapot, coffee pot, open sugar and creamer, floral and scroll decoration, bird finials, with associated Fenton Brothers Ltd. tray, kettle‑on‑stand h. 17 1/2 in., tray 27 3/4 in. x 21 in. $500/750

942. English Silverplate Plateau, late 19th c., circular mirror plate, egg and dart border, molded base with applied grapes and grapeleaves, mahogany backboards and turned button feet, h. 3 1/2 in., dia. 11 3/4 in. $400/600

943. English Silverplate Covered Soup Tureen in the Late Georgian Taste, two handled circular form raised on four scroll supports, slightly domed cover with pomegranate finial, h. 12 3/4 in., w. 14 in. $200/300

946. Gorham Sterling Silver Presentation Cup in the Arts and Crafts Taste, c. 1900, ret. Montgomery Bros., Los Angeles, act. 1887‑1935, engraved “PRESENTED BY/ GEN’L M.H. SHERMAN/ FOR BEST DOG EITHER SEX/ OWNED AND SHOWN BY A LADY/ V. OF A.K.C./ VENICE 1907”, h. 7 5/8 in., wt. 8.10 troy ozs. $200/300 945. Two English Silverplate Cake Baskets, 19th c., each circular with swing handle and reticulated rim, one with grape and grapeleaf decoration, h. (to top of handle) 10 3/8 in., dia. 14 in.; the other with paneled floral decoration and cabochons, h. (to top of handle) 8 1/4 in., dia. 10 1/2 in. $200/300

Note: “General” Moses Hazeltine Sherman (1853-1932) was a well-known land developer in the Los Angeles area. The city of West Hollywood was originally named “Sherman” after him.

944. Antique English Silverplate Tea Service, late 19th c., incl. teapot, hot milk pot, open sugar and creamer, milk pot h. 8 7/8 in. $250/350 947. American Coin Silver Cup, Gerardus Boyce, New York, act. 1814‑1857, marked “G. BOYCE” in rectangle and “N.Y.” in rectangle, flared form on pedestal foot, applied stiff leaf bands at lip and base, medial band of chased acanthus and floral scrolls, S‑scroll hollowcast handle, h. 5 in., wt. 4.5 troy ozs. $200/300

948. Pair of American Sterling Silver Candlesticks, Barbour Silver Co., Hartford, CT, 1892‑1899 and Meriden, CT, 1899‑1943, early 20th c., square columnar form, handsome monogram, h. 7 in., wt. 8.8 troy ozs. $150/250

950. Good Group of Antique and Vintage Sterling Silver Tableware, incl. Reed & Barton porringer, l. 6 3/8 in., Gorham porringer, l. 5 1/2 in., Reed & Barton baby cup, h. 3 1/8 in., Webster medicine spoon, vintage motif napkin ring marked “C&L STERLING”, English Victorian repoussé napkin ring and Reed & Barton napkin ring, total wt. 10.45 troy ozs. (7 pcs.) $250/350

949. American Sterling Silver Gilt Aladdin’s Lamp Cigar Lighter, Reed & Barton, retains snuffer, h. 2 1/8 in., w. 4 1/8 in. $150/250

951. Misc. Group of Small Coin and Sterling Silver Flatware, various makers and patterns, incl. coin silver sugar sifter ladle, Mexican ladle, Art Nouveau ladle, Mauser toddy ladle, sugar tongs, 6 strawberry forks, Towle “Old Colonial” master butter knife and cream ladle, various pickle forks, carving knife, etc., total wt. approx. 15 troy ozs. (29 pcs.) $200/300

952. Group of Antique and Vintage Silver Filigree and Silverplate Objects, incl. 2 filigree card cases, a filigree pill box and a filigree locket; 2 silverplate tapersticks, 1 Tiffany example; 3 silverplate tea strainers and 3 silverplate boxes. $150/250 Additional information at www.nealauction.com

953. English Bronze‑Mounted Kingwood Parquetry, Marquetry and Rosewood Banded Cellarette, 19th c., slant front top, two handles, shaped base, sabots, tôle liner, h. 20 1/4 in., w. 22 1/4 in., d. 17 1/4 in. $1000/1500

954. Continental Inlaid Satinwood Side Table, early 20th c., top with inset needlework panel under glass, tapered standard, stepped plinth base, casters, h. 22 in., w. 19 1/2 in., d. 16 1/4 in. $100/200 Provenance: Collection of Nan Wier, New Orleans, LA.

955. French Provincial Carved Fruitwood Side Chair, 19th c., shaped crest rail, vasiform floral‑carved pierced splat, rush seat, square legs, stretchers. $150/250

Provenance: The Sturm Collection.

956. Pati Bannister (American/Mississippi, 1929‑2013), “Little Princess and her Castle”, oil on masonite, signed lower right, 24 in. x 20 in., framed. $1000/1500

957. Edith Walker Oliver (American/Florida, 1889‑1979), “ St. Augustine House” and “Fatio House on Old Aviles St.”, 2 oils on masonite, former signed lower right and latter signed and titled en verso, sights 11 in. x 8 1/4 in., framed. (2 pcs.) $300/500 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL. Ill.: “Fatio House on Old Aviles St.” Torchia, Robert W., Lost Colony: The Artists of St. Augustine, 1930‑1950. St. Augustine, FL: The Lightner Museum, 2001, p. 95. 959. Edith Walker Oliver (American/ Florida, 1889‑1979), “Men’s Club”, 1975, pencil on paper, signed lower right, partial title and date lower left; “Robert Oliver and Tenant”, c. 1940, watercolor on paper, unsigned, titled and dated on label en verso; “Florida Express Lampshade”, watercolor on paper, unsigned; “Old Trinity Church, St. Augustine”, 1949, drypoint etching, signed, dated and inscribed en verso; and “Picturesque St. George St. ‑ St. Augustine, Fla”, hand‑colored print, pencil‑signed and titled lower margin, sights 4 1/4 in. x 2 1/2 in. to 11 1/2 in. x 8 1/2 in., framed. (5 pcs.) $150/250 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

961. Walter Ronald Locke (American/ Florida, 1883‑1949), “Trinity Church ‑ St. Augustine, Fla”, 1936, and “Old Schoolhouse ‑ St. Augustine, Fla.”, 1941, 2 etchings on paper, each pencil‑signed, titled and dated lower margin, 11 3/4 in. x 7 3/4 in. and 7 3/4 in. x 11 5/8 in., framed. (2 pcs.) $150/250 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

960. Edith Walker Oliver (American/Florida, 1889‑1979), “Alcazar”, 1940, “Jack”, 1940 and “Lady”, 3 pencil drawings, each signed and 2 titled and dated lower right, sights 9 1/2 in. x 7 3/4 in. to 10 3/4 in. x 8 1/2 in., framed alike. (3 pcs.) $150/250 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

962. Southern School, 20th c., “Fatio House, the First Hotel in the United States ‑ St. Augustine Florida”, woodblock print on paper, unsigned, titled in plate, sight 4 1/2 in. x 6 1/4 in., framed; together with “City Gates, St. Augustine, Fla” and “Oldest House in W. S.”, 2 enhanced photographs, one on paper, one under glass, former titled in plate, latter titled en verso, sights 7 in. x 9 in. and 7 1/2 in. x 9 1/2 in., framed. (3 pcs.) $100/150 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

958. Edith Walker Oliver (American/Florida, 1889‑1979), “Cane Syrup Time”, “Old Don Toledo House‑ Aviles Street ‑ St. Augustine, Fla.”, and “Patio Old Curiosity Shop ‑ St. Augustine”, 1935, 3 etchings on paper, each signed, titled and one dated lower margin, 3 1/4 in. x 4 5/8 in. to 7 1/8 in. to 9 1/8 in., framed alike. (3 pcs.) $150/250

963. Ella Fontenot Keane (American/Louisiana, 20th c.), “Landscape with Spanish Moss”, oil on canvas, signed en verso, 10 1/2 in. x 8 1/2 in., unframed. $75/100

964. Whitney J. Engeran, Jr. (American/New Orleans, 20th c.), “Abstract Composition”, acrylic on paper, signed lower right, sight 17 1/4 in. x 23 in., framed. $400/600 965. Palmer Schoppe (American/California, 1912‑2001), “Fight at the Ranch (Cock Fight)”, 1964, oil on canvas, signed and dated lower right, signed, titled, dated and “The Charleston Renaissance Gallery” label with artist, title and date en verso, 10 in. x 14 in., framed. $600/800 Provenance: Estate of the artist.

968. French Carved Giltwood and Wrought Iron Four‑Light Sconce, 20th c., sheaf of wheat standard, scrolled backplate and candlearms, h. 25 in., w. 35 in., d. 7 1/2 in. $200/400 966. Medardy Westrum (American, 20th c.), “Still Life with Flowers”, oil on canvas, signed lower right, 24 in. x 30 in., Heydenryk frame. $400/600

969. Baccarat‑Style Gilt Bronze and Cut Glass Wall Sconce, 19th c., scrolled arms, floriform candlecups, pendeloque prisms, h. 14 in., w. 12 in. $200/300

972. Antique American Painted and Parcel Gilt Mirror, molded and beaded surround. $300/400

967. Semi‑Antique Isparta Carpet, red ground, stylized floral pattern, navy blue border, 10 ft. x 13 ft. $700/900

970. Pair of Cast Iron Garden Sculptures of Flamingos, 20th c., tallest h. 23 1/2 in. $300/500

973. American Classical Giltwood Mirror, 19th c., oval molded and beaded surround, h. 28 in., w. 24 in. $200/300

971. Bronze Figure of an Ice Skater, after Rene Charles Masse, signature inscribed on self‑base, “GK16” stamped on underside, h. 26 in., w. 7 in., d. 10 in., “Depose” stamped on base, overall h. 29 in. Note: Separated from base. $1000/1500

975. English Walnut Drop‑Leaf Table, mid‑19th c., oval top, frieze drawer, turned faceted legs, casters, h. 29 in., l. 51 1/4 in., w. 25 1/2 in. $100/200 974. George II‑Style Carved Walnut Side Chair, rectangular upholstered back and seat, shell‑carved cabriole legs, ball and claw feet, cream damask upholstery. $100/200 Additional information at www.nealauction.com

978. After Theodore Earl Butler (American/ New York, 1861‑1936), “Giverny”, 1929, oil on canvas board, unsigned, handwritten and canvas label en verso, 13 1/2 in. x 10 1/2 in., framed with artist and title plaque. $200/400

976. Southern School, late 19th/ early 20th c., “Portrait of Carey Hansford Blanchard (1805‑1861)”, oil on canvas, unsigned, 36 in. x 29 in., period frame. $800/1200 Ill.: Bruns, Mrs. Thomas Nelson Carter, ed. Louisiana Portraits. New Orleans: National Society of the Colonial Dames of America in the State of Louisiana, 1975, p. 35.

980. Miriam Smith (American/California, 20th c.), “Art Gallery ‑ Balboa Park”, oil on canvas board, signed lower right, titled, located and inscribed en verso of backing board, 12 in. x 10 1/4 in., framed. $150/250

979. American School, 1895, “Marshy Landscape”, pastel and watercolor on paper, pencil‑signed “A. Lee” and dated lower left, sight 9 1/2 in. x 14 1/2 in., framed with artist plaque. $150/250

977. Southern School, early 19th c., “Colonel Robert A. Crain (1791‑1852)”, oil on canvas, unsigned, 30 in. x 25 1/2 in., period frame. $800/1200 Ill.: Bruns, Mrs. Thomas Nelson Carter, ed. Louisiana Portraits. New Orleans: The National Society of the Colonial Dames of America in the State of Louisiana, 1975, p. 65.

981. Terence Romaine Durne (American/Nebraska, 1906‑1968), “The Terrace”, oil on canvas, signed lower left, pencil‑inscribed “Sternberg” en verso, 24 1/4 in. x 30 1/4 in., framed. $200/300

982. American School, 20th c., “Bouquet with Blue Background” and “Still Life of White and Pink Roses”, 2 oils on canvas, former unsigned, latter initialed “SD” lower right, 20 in. x 24 in. and 16 in. x 20 in., framed. (2 pcs.) $100/150

983. Jon Andrew Schooler (American/ New Orleans, b. 1954), “Fiona on the Move”, oil on canvas, signed, titled and artist label en verso, 8 in. x 24 in., unframed. $100/150

984. Brock Loper (American/Mississippi, 1935‑2009), “Bringing in the Beans”, 1991, oil on illustration board, signed and dated lower right, 24 in. x 36 in., framed. $300/500

985. Ben Earl Looney (American/Louisiana, 1904‑1981), “Pink Camellia”, “Dahlias and Poppy Pods”, and “Red Roses”, 3 oils on masonite, one unsigned, one initialed “B.E.L.” lower left, and one signed lower left, sights 20 1/2 in. x 17 3/4 in., 27 in. x 23 in., and 29 1/2 in. x 25 in., all framed. (3 pcs.) $500/800

986. Charles de Wolf Brownwell (American, 1822‑1909), “A Louisiana ‘Pine Woods Cottage’, G.W. Compton’s Rapides Parish”, graphite on paper, initialed lower right, titled lower center, 8 1/2 in. x 13 1/8 in., unframed. $150/250

987. William Arnold (American/Louisiana, 1902‑2006), “Nude with a Chair” and “Female Nude”, 2 pastels on rice paper, signed lower right and left respectively, sights 22 in. x 17 1/2 in. and 22 in. x 17 in., both framed. (2 pcs.) $200/400

990. Harold Sleichter Etter (American, 1911‑1972), “The Flamingo Pool”, 1953, oil on canvas, signed lower right, signed, dated and titled en verso, 30 in. x 25 1/4 in., framed. $200/400

988. American School, mid‑to‑late 19th c., “Portrait of a Gentleman with a Beard”, oil on canvas, indistinctly signed mid‑right, 29 in. x 20 in., framed. $700/900

991. American School, 20th c., “Shore with Boat on Horizon”, oil on canvas, unsigned, 14 in. x 22 in., framed. $300/500 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

989. New Orleans School, 20th c., “Brulatour Courtyard, French Quarter”, oil on canvas, signed “N. Swinney” lower right, 14 3/4 in. x 22 1/2 in., framed. $300/500

992. Eleanore Kentner Kohler (American/California, 1887‑1967), “Under the Sycamore”, oil on canvas, signed lower left, 20 in. x 24 in., period frame. $100/200

Provenance: Estate of Faith K. Tiberio

993. American School, late 19th/early 20th c., “Still Life of Corn and Grapes”, oil on canvas, unsigned, 20 in. x 14 in., antique gilt and stenciled frame. $150/250

994. Attributed to Albert Ernest Brockbank (British, 1862‑1958), “Country House with Chicken Coop”, oil on paper laid on board, unsigned, indistinct label en verso of board, 7 in. x 10 in., framed with artist plaque. $150/250

995. (Detail) John James Audubon (American, 1785‑1851), “Cotton Rat”, Plate 52, hand‑colored lithograph, by J.T. Bowen, from Viviparous Quadrupeds of North America, sheet 22 in. x 28 in., unframed. $200/400

Provenance: Ex-Collection of Leon Godchaux, New Orleans, LA.

Provenance: Collection of Gretchen and Alonzo Lansford, New Orleans.

996. George Cockram (British, 1861‑1950), “An Autumn Evening”, watercolor on paper laid on board, signed lower right, handwritten label en verso of backing board, 14 in. x 8 1/2 in., framed with artist and title plaque. $150/250 997. (Detail) Three Botanical Prints, chromolithographs, two after M. Storm, one after P.J. Redoute, 10 1/2 in. x 7 1/2 in. to 8 1/2 in. x 6 1/4 in., framed. (3 pcs.) $75/125

998. C. Bennette Moore (American/New Orleans, 1879‑1939), “Shadows of Old New Orleans” and “Two Sisters Court”, 2 hand‑colored photographs, each signed lower right and pencil‑titled on mat, each 9 in. x 7 1/4 in., framed alike. (2 pcs.) $50/100

Additional information at www.nealauction.com

999. Royal Bonn Earthenware Vase, early 20th c., crown above FM shield mark, looped leafy branch handles, scroll feet, bird and flower decoration with raised gilt highlights, h. 9 in., w. 10 in. $200/300

1000. Meissen Porcelain Shell‑Shaped Dish, 18th/19th c., faint crossed swords mark, modeled as a scallop shell, Deutches Blumen decor, finely ribbed exterior, h. 2 in., w. 8 5/8 in., d. 7 3/8 in. $200/300 Provenance: The Sturm Collection.

Provenance: The Sturm Collection.

1002. Ten Antique Limoges Porcelain Dinner Plates, c. 1900, marked “D & Co./ France”, with floral decoration, dia. 10 in. $250/350

1001. Continental Porcelain Plaque of a Young Beauty, late 19th., reverse with label “Exhibit No. 29 / Filed Jul 2 1895 / Protest No. / 78161a” and partial labels “...Leifert” and “...Siebert”, 8 3/4 in. x 6 7/8 in., framed, 14 1/2 in. x 12 3/8 in. $700/900

1003. Paris Porcelain Partial Coffee Service, 19th c., landscape reserves, incl. covered coffee pot, covered hot milk pitcher, covered sugar, 7 cups and 12 saucers, pot h. 10 3/4 in. (22 pcs.) $200/400 Provenance: Temple Heights, Columbus, MS.

1005. Doulton Burslem Earthenware Covered Jar, late 19th c., marked, ribbed body and cover decorated with polychrome flower sprays, h. 7 1/2 in. $100/150

1006. Royal Doulton Teapot, late 19th c., decorated with jousting scenes, h. 6 in. $100/150

Provenance: The Sturm Collection.

1007. Royal Worcester Porcelain “Viceroy” Dinner Service for Twelve, incl. dinner plates, 10 1/2 in.; dessert plates, 8 in.; and soups, 8 in.; together with a Noritake Nippon “Angora” porcelain partial dessert service, incl. 6 dessert plates, 8 1/2 in.; 7 cups; 8 saucers; and 2 plates, 6 1/2 in. (59 pcs.) $150/250

1009. Victorian Black Tôle Peinte and Mother‑of‑Pearl Coal Scuttle; together with copper bed warmer, warmer l. 44 in. $300/500

1008. Collection of English and Japanese Porcelain Teaware, incl. 10 Royal Albert cups and saucers in various patterns, saucer dia. 5 1/2 in.; Kutani covered teapot, covered creamer, sugar, teacup, saucer, and 4 plates, teapot h. 6 1/2 in.; and Kutani covered teapot, covered sugar, creamer, cup, and 6 plates, teapot h. 5 1/2 in. (39 pcs.) $150/250 1010. Group of Vintage Beadwork Flowers, incl. a bouquet of red tulips, a bouquet of pink hyacinths and pink and white tulips, an arrangement of daisies and red poppies, and an arrangement of daisies and iris. (4 pcs.) $200/300

1004. English Ironstone Well‑and‑Tree Meat Platter, 19th c., decorated with polychrome floral sprays, l. 21 in., w. 16 3/4 in. $150/250

1011. Antique Colonial Hardwood Stool, hand-hewn stretcher, woven hide seat, turned and incised supports, tenon construction, h. 7 1/2 in., w. 19 in., d. 19 in. $150/250 1012. American Classical Cherrywood Commode Chair, early 19th c., shaped crest, slat back, scrolled arms, lift seat, turned legs, h. 41 in., w. 22 in., d. 20 in. $100/200

1013. Pair of “Latina GP” Leather Stools, by Frag, Italy, black leather, brushed metal, pneumatic adjustable, h. 28 1/2 in. to 38 1/2 in., w. 16 1/2 in., d. 17 in. $75/150

Provenance: Gov. Jaques Dupré Plantation House, Jarreau, Pointe Coupée Parish, LA.

1016. Pair of Contemporary French “Porcelaine Virebent” Wedge‑Form Vases, c. 1970, marked, one in blue and brown glaze, other in olive and red, h. 7 1/2 in., w. 9 1/4 in., d. 2 in. $100/200

1014. Peter G. Ray (Bulgarian/Montreal, 20th c.), “5 Symphonie”, acrylic on canvas, signed lower right, titled en verso, 36 in. x 30 in., unframed. $400/600 Provenance: Collection of Michael Brown and Linda Green, New Orleans.

1018. Pair of Continental Gilt Bronze‑Mounted Porcelain Urns, ret. Legon Brugge, gilt decorated floral reserves, h. 18 in. $200/400 Provenance: Estate of Thomas Greene Collins, Jr., Arabi, LA.

1015. Peter G. Ray (Bulgarian/Montreal, 20th c.), “Creative Force”, 2005, acrylic on canvas, signed lower mid‑left, signed, titled and dated en verso, 30 in. x 30 in., unframed. $400/600

1017. Monumental Plaster Model of a Roman Foot, 20th c., after the Antique, h. 17 1/2 in., w. 27 in., d. 9 in. $150/250

Provenance: Collection of Michael Brown and Linda Green, New Orleans.

1019. Zsolnay Iridescent Eosin Glazed Porcelain Bottle Vase, 20th c., five tower mark, lobed body, ruffled rim, h. 6 in. $100/200

1022. Six Continental .800 Silver and Gilt Terrapin Forks, Germany, late 19th c., hollow handles in the Louis XVI taste, l. 6 in.; together with a Westmorland “Milburn Rose” pattern sterling gravy ladle, l. 5 3/8 in., and a Reed and Barton silverplate water pitcher, engraved with anchor and “U.S.N.”, h. 9 1/4 in. (8 pcs.) $100/200 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

1020. American Victorian Sterling Silver Hand Mirror, Foster & Bailey, Providence, RI, act. 1878‑1898, shield‑shaped mirror plate, backing and handle with strapwork and flowers, l. 11 1/4 in., w. 6 1/2 in. $150/250

1023. Vintage Set of Six English Horn‑Mounted Stainless Steel Knives and Forks, blades marked “Viners Ltd.”, longest knife l. 8 1/2 in.; together with “Royal Brand Cutlery Company” faux horn and stainless steel carving knife and fork, knife l. 14 1/8 in. (14 pcs.) $100/150

1021. Three American Silverplate Tablewares, incl. matching creamer and sugar with swirl‑lobed bodies and a tripartite coquiform bonbon dish with a bird and branch handle; together with a group of Continental enameled brass table articles, incl. ashtray, covered dish, two small bowls and a bell, tallest h. 4 in. $100/150

1024. Two Aubusson Tapestry Pillows, 19th c. velvet backing and fringe trim, 19 in. x 17 in. and 15 in. x 15 in. $75/150

Additional information at www.nealauction.com

1026. Pair of American Gilt Brass Girandoles, mid‑19th c., possibly Cornelius & Co., Philadelphia, urn‑form standards, marble plinth, faceted crystal prisms, h. 16 7/8 in., w. 16 in. $100/200 1025. Louis Vuitton Mini Speedy Handbag. $100/150

1027. Pair of Empire‑Style Brass Two‑Light Sconces, 20th c., scrolled backplate with portrait bust of Diana, h. 16 in., w. 11 in., d. 6 1/4 in.; together with an Aesthetic three‑light candelabrum, flanked by lions, h. 11 1/4 in. $200/300

1029. American Aesthetic Brass and Onyx Table Lamp, late 19th c., possibly Bradley & Hubbard, green onyx shelf, tripartite scrolled legs, paw feet, allover floral design, electrified, h. (to shade holder) 53 in., dia. 16 in. $600/900 1030. Patinated Metal Figure of a Young Man, after “Vox Pacis/ Le Cri de la Paix” by George Bareau, signature and “1894” inscribed on self‑base, h. 22 1/2 in., w. 10 1/2 in., d. 9 1/2 in., base, overall h. 24 3/4 in. $200/300

1031. Shlomi Haziza (Israeli/Los Angeles, 20th c.), “Geometric Forms”, acrylic, signed on edge of triangle, h. 14 1/8 in., w. 11 5/8 in., d. 5 in. $200/300 Provenance: Estate of Thomas Greene Collins, Jr., Arabi, LA.

1028. Phoenix Art Glass Lobed Vase, c. 1940, in the “Cosmos” pattern with raised translucent white flowers against a sky blue ground, base with partial paper label, h. 7 1/2 in. $150/250

1032. Two Haitian Carved Wood Busts of a Male and Female, female with elaborate headdress and necklace, male with floral‑tied scarf headdress, h. 11 in. and 8 3/4 in. $100/150

Provenance: Estate of Thomas Greene Collins, Jr., Arabi, LA.

1033. (Detail) hree Japanese Osaka School Woodblock Prints, incl. Konishi Hirosada (act. 1819‑1865), depicting an actor, sight 9 in. X 6 3/4 in., a diptych with Prince Atsumuri and Kumagi Jiro, overall 10 in. X 14 1/4 in; and Utagawa Yoshitaki (1841‑1899), depicting Gonuemon Nakamu as Konnosuke Shigemasa, sight 9 in. X 6 5/8 in., each matted and framed. $150/250

1036. Pair of Japanese Blue and White Porcelain Covered Vases, Meiji Period (1868‑1912), decorated with flower heads and grasses, bases with Dai Nippon mark, h. 4 1/2 in. $150/250 Provenance: Susan Silver Antiques, Sheffield, MA.

1035. Four Japanese Imari Porcelain Chrysanthemum‑Form Dishes, Meiji Period (1868‑1912), dia. 8 3/8 in. to 8 5/8 in. $150/250 1034. Two Japanese Woodblock Prints, incl. Ogata Gekko (1859‑1920), depicting a female figure before water and a staircase, sight 13 1/4 in. x 9 1/4 in.; and Imao Keinen (1845‑1924), depicting a bird on a winter branch, sight 12 7/8 in. x 9 1/4 in., each matted and framed. $100/150

1037. Pair of Japanese Awaji Pottery Chrome Red Glazed Vases, c. 1930, impressed “Made in Japan”, h. 8 in. $100/200 Provenance: Thomas K. Libby, South Norwalk, CT.

1038. Japanese Celadon Porcelain Water Dropper, 19th c., carved with radiating lines, bracket feet, h. 7/8 in., w. 3 in., d. 2 1/8 in., stand, overall h. 1 5/8 in. $100/150 Provenance: The Sturm Collection.

Provenance: Estate of Thomas Greene Collins, Jr., Arabi, LA.

1039. Two Japanese Polychrome Pottery “Hasaka” Dolls, 20th c., incl. artisan painting a vase; and male and female couple, h. 7 1/2 in. and 9 3/4 in., “tatami” and wood plinths, overall h. 8 1/2 in. and 10 3/4 in. $100/150

1041. Pair of Japanese Metal Vases, probably early 20th c., with raised chrysanthemum and bird decoration on a gilt splashed ground, h. 9 1/2 in. $100/150 Provenance: Estate of Thomas Greene Collins, Jr., Arabi, LA.

Provenance: Acquired from the artist, Ruston, LA, 2002; Collection of Nan Wier, New Orleans, LA.

1040. Two Japanese Mother‑of‑Pearl Embellished Polychrome Painted Black Lacquer Screens, early 20th c., one with bird and prunus, other with floral decoration, h. 36 in., w. 36 1/2 in. and h. 37 in., w. 44 in. $200/300

1043. Sarah Albritton (American/ Louisiana, b. 1936), “Death in the Country”, 2000, acrylic on board, signed and dated lower right, label en verso, 9 in. x 12 in., framed. $150/250

1044. Sarah Albritton (American/Louisiana, b. 1936), “The Storm is Passing Over”, 2001, acrylic on canvas, signed lower right, signed, dated, inscribed “May God Bless You and Yours” and label en verso, 14 in. x 18 in., framed. $150/250

Provenance: Acquired from the artist, Ruston, LA, 2002; Collection of Nan Wier, New Orleans, LA.

Provenance: Acquired from artist, Ruston, LA, 2002; Collection of Nan Wier, New Orleans, LA.

1047. Reverend Russell Gillespie (American/North Carolina, b. 1922), “Mountain Cabin Scene”, carved wood and mixed media, h. 22 1/2 in., w. 23 in., d. 20 1/2 in. $150/250

1045. Jacob Manguno (American/New Orleans, 1925‑2017), “Litigator”, 2008, oil on canvas, signed upper right, signed, titled, dated and “Vincent Mann Gallery, New Orleans, LA” label en verso, 20 in. x 16 in., framed. $150/250

1048. After William Allen Rogers (American, 1854‑1931), “Forest Fire on the Banks of the Red River”, hand‑colored woodblock newspaper illustration, signed in plate lower right, sight 10 in. x 14 1/4 in., framed. $100/200

Provenance: Knoke Galleries, Atlanta, GA, 1998. Ill.: Manley, Roger. Signs and Wonders: Outsider Art Inside North Carolina. Raleigh: North Carolina Museum of Art, 1989.

1050. Three American School Works on Paper, 20th c., incl. S. Kline, “Maine Coast”, woodblock, 16 in. x 21 in., unframed; Kay Oliver, “Landscape with Buildings”, pastel, sight 10 1/2 in. x 13 1/4 in., framed; and “Woman in Hat”, watercolor, 11 1/2 in. x 9 1/2 in., unframed. $75/125

1042. Sarah Albritton (American/ Louisiana, b. 1936), “Let Mama’s and Brats Fight, I am Going Fishing”, 2002, acrylic on board, signed lower right, signed, titled, dated and label en verso, 8 in. x 10 in., framed. $150/250

1046. (Detail) Bunny Matthews (American/New Orleans, 20th c.), “Christmas for Vic and Nat’ly”, 1982‑85, 10 mixed media drawings, each signed and dated lower margin, 8 1/2 in. x 11 1/2 in. to 11 in. x 14 in., unframed. (10 pcs.) $400/600

1049. Collection of Etchings and Engravings, 19th and 20th c., incl. Halvard Storm (Norwegian/New York, 1877‑1962), “Fra Korskirken, Bergen”, 8 1/4 in. x 12 in.; Margaret Seewald (American, 1899‑2011), “Mt. St. Alban Washington, D.C.”, 5 in. x 4 1/2 in.; Timothy Cole (British/New York, 1852‑1931), “Mrs. Graham”, 7 5/8 in. x 5 1/4 in.; “Unknown University Campus”, 1938, 6 in. x 7 3/4 in; and “Rulmo”, 1938, 9 in. x 7 in.; together with photo lithograph specimen plate from Prospectus for Fine Bird Books: 1700‑1900, sheet 19 1/4 in. x 13 1/4 in., all unframed. (6 pcs.) $150/250 Provenance: Property of the High Museum of Art, Atlanta, GA; Sold to Benefit Future Acquisitions.

1051. Four Decorative Prints of Hot Air Balloons, sights 8 in. x 5 3/4 in. to 8 1/2 in. x 5 1/2 in., framed. (4 pcs.) $50/100

Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund. Additional information at www.nealauction.com

1053. Weller Pottery “Eocean” Vase, early 20th c., marked, lightly molded with flowers, h. 11 in.; together with an Art Nouveau‑style twin‑handled porcelain vase decorated with roses, h. 6 5/8 in., w. 7 in. (2 pcs.) $100/150

1054. Brownhills Pottery Company Blue and White Pottery “Hizen” Pattern Platter, c. 1880, decorated with central stylized chrysanthemum, rim with prunus branches and flower sprays, gilt highlights, l. 19 1/2 in., d. 16 1/4 in. $100/200

1052. Weller Art Pottery “Woodcraft” Vase, early 20th c., incised block mark, modeled as a tree trunk with an owl and a squirrel, h. 17 3/4 in., dia. 7 1/4 in. $300/500

1055. Associated Group of Paris Porcelain Tea Ware, 19th c., incl. teapot, h. 7 1/8 in.; and four cups, marked “Nast/ à / Paris”, h. 2 1/2 in. (5 pcs.) $100/200 Provenance: Historic “Sally Mill”, Middleburg, VA. 1056. Highly Decorative Polychrome and Gilt Porcelain Covered Urn with Underplate, 20th c., decorated with floral sprays and leaves on blue ground, overall h. 11 5/8 in. $100/150 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR. 1057. Three Continental Polychrome and Gilt Porcelain Dishes, mid‑19th c., painted with quartered arms with shields surrounded by the motto “No Saldras de la Prision in los Veras Mas”, blue royale borders, dia. 7 1/2 in. $100/200

1058. Three Paris Porcelain Flare Vases, mid‑19th c., variously decorated with flowers and scrollwork, h. 12 1/4 in., w. 9 3/8 in.; h. 9 3/4 in., w. 13 1/8 in.; and h. 8 1/4 in., w. 12 1/4 in.; together with a Paris porcelain figural candlestick, h. 8 7/8 in. (4 pcs.) $150/250

1059. Thirteen Royal Doulton Fictional Character Toby Jugs, marked, incl. “Pied Piper”, “Robin Hood”, “Merlin”, and others; together with “Puss in Boots” jug, h. 1 1/2 in. to 7 1/2 in. (14 pcs.) $150/300

Provenance: Temple Heights, Columbus, MS.

1060. Fifteen Royal Doulton English Character Toby Jugs, marked, incl. “The Poacher”, “The Falconer”, “Mine Host”, and others, h. 1 1/4 in. to 4 in. $150/300

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1061. Five Royal Doulton Don Quixote Toby Jugs, marked, incl. “Don Quixote” and “Sancho Panza”, h. 2 1/4 in. to 6 1/2 in. $75/150

1064. Two American Cut and Stamped Tin Hanging Grease Lamps, 18th c., reticulated escutcheon backplates, round spout basins, tallest h. 8 1/2 in. $100/200

1062. Antique English Silverplate Two‑Handled Cup, Walker & Hall, Sheffield, late 19th c., h. 11 3/4 in. $50/75

1063. Pair of American Brass and Glass Hurricane Lamps, early 20th c., dished base with Greek key frieze, h. 14 1/4 in., dia. 8 in. $200/300

1065. Antique American Mahogany Chest of Drawers, reeded edge top, two short over two long drawers, reeded base, turned feet, h. 33 1/2 in., w. 39 in., d. 19 1/4 in. $200/400

1066. American School, 19th/20th c., “Mt. Moran, Idaho”, oil on canvas, titled and bears signature “Thomas Moran” lower right, 30 in. x 19 3/4 in., framed. $200/400

1067. American Walnut Corner Cabinet, 19th c., spindled gallery, arched glazed doors enclosing shaped shelves, lower case with a short drawer over paneled doors, h. 91 in., w. 50 1/2 in., d. 31 1/4 in. $400/600 Provenance: Weymouth Hall, Natchez, MS.

1068. American School, late 19th c., “Sea of Galilee”, 1890, oil on canvas, bears signature “W.B. Gifford” and dated lower left with obscured signature above, inscribed “Florence G. Gifford, Sherwood, N.Y.” en verso, 22 in. x 46 in., framed. $300/500

1069. American School, late 19th c., “Forest Landscape”, oil on canvas, bears signature “W. Whittredge” lower left, 18 in. x 40 in., framed. $300/500

1070. American School, 19th c., “Forest Glade”, oil on canvas, bears signature “A.H. Wyant” lower left, 12 in. x 10 1/4 in., framed. $300/500

1071. Three American Folk Art Stoneware Figural Jugs by Albert Hodge, c. 2001, North Carolina, stamped signature, h. 9 1/2 in., 9 3/4 in., and 10 in. $400/600 Additional information at www.nealauction.com

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1072. Four American Folk Art Stoneware Face Jugs by Brian Wilson and J. H. Perdue, 2000 and 2004, Georgia and North Carolina, bases signed, h. 7 1/2 in. to 9 in. $400/600 1073. Eleven American Folk Art Stoneware Face Jugs and Bottles by Randell Morgan, c. 2003, Texas, h. 4 1/2 in. to 10 1/2 in. $400/600

1074. Continental Porcelain Decorative Objects, late 19th/early 20th c., incl. large tavern scene figural group, h. 21 1/2 in.; German vase, h. 14 1/2 in., now mounted as a lamp; pair of German spill vases, h. 11 in., and 2 floral encrusted lidded urns. $200/300

1076. Royal Doulton Polychrome Charger, marked, reserve depicting “The Jackdaw of Rheims”, dia. 13 1/2 in.; together with 4 Royal Doulton polychrome trays painted with Charles Dickens characters, 2 3/4 in. x 2 in. (5 pcs.) $75/150

1075. Fourteen Continental Porcelain Figures, incl. examples by Lladro, Royal Dux, and Devon Fielding; together with a Murano glass clown. (15 pcs.) $300/500

1077. Carved Picture Frame, 20th c., 25 3/4 in. x 31 3/4 in. without liner. $100/200

1078. Empire‑Style Gilt and Patinated Metal Two‑Light Sconce, 20th c., with paper shades, electrified, h. 14 in., w. 11 in., d. 6 in. $75/150 1079. Antique Egyptian Copper Bean Pot, wrought iron handles. $500/700 Provenance: By repute, was used by the Italian Army during WWI.

1080. Anita Romero Jones (American/New Mexico, 1930‑2013), “San Raphael”, painted wood, indistinctly signed and titled on bottom, h. 21 1/4 in., w. 8 1/2 in., d. 6 1/2 in. $200/300 Provenance: Property of the New Orleans Museum of Art, Sold to Benefit the Acquisitions Fund.

1081. Six Continental Portrait Miniatures of Women, 19th/20th c., each signed or initialed “K.K.”, “V...”, “Laurence”, “Cosway”, “D. Damier” or “H.K.” lower right, 3 1/4 in. x 2 1/2 in. to 3 1/2 in. x 3 in., gilt frames mounted within molded frames. (6 pcs.) $400/600

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1082. Six Continental Portrait Miniatures of Women, 19th/20th c., 4 signed “A. Duval”, “Pope”, “N. Dolci” or “Lawrence” either lower right or left, 2 unsigned, 2 1/4 in. x 1 3/4 in. to 3 1/2 in. x 2 1/2 in., gilt frames mounted within molded frames. (6 pcs.) $400/600

1083. American Brass and Walnut Floor Lamp, 20th c., adjustable scrolled arm, turned columnar standard, circular base, h. 65 3/4 in. $150/250

1085. Three Chinese Porcelain Bowls, 20th c., incl. blue and white, “yi pin fu gui” beneath rim, base marked; blue glazed, base with Qianlong mark; and famille verte, base with Kangxi mark; dia. 6 5/8 in., 6 3/4 in. and 6 3/4 in. Note: Restoration to second. $200/300

1084. Pair of Walnut Mirrors, c. 1890, each with cartouche form beveled mirror plate and molded frame, h. 30 in., w. 27 in. $150/250

Provenance: The Sturm Collection.

1086. Four Chinese Boxes, early 20th c., incl. mother‑of‑pearl inlaid black lacquer, dia. 7 3/4 in.; cloisonné enamel, h. 1 3/4 in., w. 6 1/8 in., d. 4 5/8 in.; and 2 cinnabar, h. 2 1/8 in., w. 5 1/8 in., d. 3 1/2 in. and h. 1 in., w. 1 3/4 in., d. 1 3/4 in. $100/200 Provenance: Estate of Thomas Greene Collins, Jr., Arabi, LA.

1087. Chinese Jade, Jadeite and Soapstone Group, 20th c., incl. boulder carved with bat, lingzhi and cash, l. 3 1/4 in.; 2 pendants, dia. 2 1/4 in. and h. 1 1/2 in.; 2 plaques, square h. 3 3/8 in. and oblong, l. 3 1/2 in.; and Guanyin, h. 3 in. (6 pcs.) $100/200 Provenance: Estate of Thomas Greene Collins, Jr., Arabi, LA.

1088. American Carved Hardwood “Morris” Chair, late 19th/early 20th c., slat back, padded arms, spindled supports, square legs, stretchers, casters, loose cushions. $200/400

1089. American Carved Mahogany “Morris” Chair, late 19th c., probably Allen & Bro., Philadelphia, reeded crest rail, slat back, padded arms on spindled supports, square legs, stretchers, casters, loose cushions. $150/250

1090. American Late Federal Cherrywood Chest of Drawers, 19th c., four drawers, carved skirt, “French” feet, milk glass pulls, h. 41 in., w. 42 1/4 in., d. 19 1/2 in. $300/500 Provenance: Estate of Faith K. Tiberio, St. Augustine, FL.

1092. American Late Federal Mahogany Pembroke Table, early 19th c., shaped drop leaves, frieze drawer, ring turned tapered legs, h. 26 3/4 in., w. 28 1/4 in., d. 20 in. Note: Condition. $100/200

1091. American Late Classical Mahogany Ottoman, mid‑19th c., deep ogee frame, bracket feet, h. 15 in., w. 19 in., d. 20 in. $150/250

1093. American Renaissance Carved Walnut Armchair and Side Chair, c. 1870, each with shaped crest and seat, turned legs, casters, armchair h. 37 in., w. 26 1/2 in., side chair h. 37 1/4 in., w. 22 in. $150/250 1094. Six Antique Blown Glass Display Domes, four circular, h. 14 in., dia. 10 3/4 in.; h. 25 in., dia. 11 in.; h. 23 1/2, dia. 10 in.; h. 27 in., dia. 11 1/4 in.; and two oblong, h. 17 1/4 in., w. 12 1/4 in., d. 8 in.; h. 17 in., w. 12 1/4 in., d. 8 in. $200/300

1095. Antique Blown and Cut Glass Tom and Jerry Lidded Jug, h. 11 1/4 in., dia. 8 in.; together with a blown and cut glass covered cheese dish, h. 8 3/8 in., dia. 9 1/8 in. (2 pcs.) $150/250

1096. Antique Blown and Cut Glass Decanter, ring neck, mushroom stopper, faceted body, h. 10 1/8 in.; together with three blown glass cordials, h. 4 in. and 4 3/4 in. $250/350

1097. Large American Late Classical Mahogany Sewing Bench, mid‑19th c., period needlepoint top, lined interior, tapering sides, molded plinth, casters, h. 17 in., w. 22 in., d. 21 1/2 in. $100/150

Provenance: Murfee/DeBardeleben Collection, Riverview, Columbus, MS.

Additional information at www.nealauction.com

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School of George Inness - In our qualified opinion, the work is of the period of the artist named, by a student or a follower of the artist, but not by the artist. Please note that all of the terms and descriptions used in this catalogue are intended as qualified opinions only and are subject to the Conditions of Sale and Limited Warranty set forth elsewhere. Neal Auction Company assumes no express or implied warranty with respect to these terms and descriptions, and they shall not be construed to be a warranty, representation or assumption of liability. Subject to the foregoing, with respect to authorship of works of art, the following terms shall have the following meanings:

Manner of George Inness - In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period. After George Inness - In our qualified opinion, the work is a copy of a known work of the artist named. Bears signature “George Inness” - In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist.

George Inness - In our qualified opinion, we believe the work is by the artist named. Attributed to George Inness - In our qualified opinion, we believe the work may be ascribed to the artist named on the basis of style and period, but our opinion is less certain than in the previous category. Signed “George Inness” - In our qualified opinion, the signature, monogram or other indication of authorship is a signature of the artist.

CONDITIONS OF SALE Placing a bid at auction constitutes buyer’s acceptance of and agreement to these Conditions of Sale. 1. WAIVER OF WARRANTY: All lots are sold “AS IS”. No statement regarding condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this catalogue or elsewhere, shall be construed to be an express or implied warranty, representation, or assumption of liability. Any such warranty is WAIVED. Regarding works of art, Neal Auction Company does not make any express or implied warranty as to authorship. No statement in the catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. Buyer agrees and acknowledges that: (a) buyer is not relying on Neal Auction Company’s skill or judgment in selecting to purchase any lot; (b) no oral or written statements in the catalogue of Neal Auction Company or elsewhere regarding condition, attribution, kind, quality, value or authorship are the cause of or reason behind buyer’s purchase of any lot; (c) buyer would have incurred the purchase of any lot regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (d) Neal Auction Company did not know and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why buyer decides to purchase any lot; (e) buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; and (f) Neal Auction Company did not know, nor should it have known, that any oral or written statement about a lot in the catalogue or elsewhere would cause a nonpecuniary loss to buyer. Notwithstanding the foregoing WAIVER OF WARRANTY, agreements and acknowledgements, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale on the basis of authenticity of authorship of a work of art under the following terms and conditions only, all of which must be met: A. Neal Auction Company shall not grant rescission regarding lots identified by Neal Auction Company by the terms “attributed to,” “school of,” “manner of,” “after,” or “signature of.” B. Neal Auction Company shall not grant rescission regarding any lot unless the buyer notifies Neal Auction Company in writing within 25 calendar days from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale. C. Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery. D. Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights of the original buyer are not transferrable or assignable. E. Neal Auction Company shall not grant rescission when: (i) there is a conflict of expert opinion as to the authorship; (ii) expert opinion supported authorship at the time of sale, although expert opinion may have changed after the date of sale; and (iii) scientific processes that were unavailable, expensive or impractical at the time of sale have revealed since the time of sale that the author or period Neal Auction Company believed to be accurate at the time of sale was inaccurate. F. In any dispute between Neal Auction Company and buyer regarding authorship of a work of art, it is stipulated that rescission of the sale and refund of the price paid shall be the buyer’s sole recourse or remedy, if any is available, and Neal Auction Company shall not be responsible or obligated for any damages (including compensatory, general, incidental, exemplary or special damages), non-pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorney’s fees, or any other monetary or injunctive relief. 2. The auctioneer shall have absolute discretion in determining the successful bidder. At the fall of the auctioneer’s hammer, title to the offered lot will pass to the bidder acknowledged by the auctioneer. The bidder thereupon assumes full risk and responsibility and will pay full purchase price for the said lot. 3. The auctioneer may decide that any original bid is not commensurate with the value of the article offered, or that any advance thereafter is not of sufficient amount, he may reject the same.

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PLEASE VISIT NEALAUCTION.COM TO REQUEST AND VIEW CONDITION REPORTS, REGISTER TO BID LIVE ONLINE, AND SUBMIT ABSENTEE/TELEPHONE BIDS. 4. The auctioneer reserves the right to withdraw any item at any time before the sale of the item. 5. No merchandise will be released before the end of the auction. 6. If the buyer fails to comply with any of the Conditions of Sale, Neal Auction Company reserves the right to hold such defaulting buyer liable for the purchase price; to cancel the sale, retaining as liquidated damages any payment made by the buyer; resell the property without reserve at public auction or privately on seven days’ notice to the buyer or, take such other actions available by law as deemed necessary or appropriate. If Neal Auction Company resells the property, the original defaulting buyer shall be liable for the payment of any deficiency in the purchase price and all costs and expenses, including warehousing, the expenses of both sales, reasonable attorneys’ fees, commissions, incidental damages and all other charges due hereunder.

ABSENTEE/TELEPHONE BIDS

1. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Thursday prior to the auction. 2. All arrangements for bidding should be made as early as possible. Telephone bidding will be taken at the discretion of the Neal Auction Company. Each item must have a minimum low estimate of $500. 3. We assume no responsibility for failure to execute bids for any reason whatsoever. 4. We reserve the right to require that advance bids be accompanied by a 25% deposit.

PAYMENT

1. The successful bidder agrees to pay a buyer’s premium in the amount of 25% of the hammer price on each lot up to and including $200,000, plus 10% of the hammer price greater than $200,000. For payments made by cash, check or wire transfer within 15 days of the auction, the buyer’s premium shall be discounted 3% of this 25%. 2. Online bidding is available at a buyer’s premium in the amount of 28% of the hammer price. A cash discount is not available for purchases made online. 3. Unless exempt by law, the buyer will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price. 4. Documentation of tax exemption must be provided upon registration. 5. Payment in full must be made by the successful bidder within 15 days of the auction date. Interest charges will apply to invoices paid after this period expires. We reserve the right to require payment in full of the sales price at the moment of the successful bid. 6. VISA, MasterCard, Discover and American Express are accepted for invoices up to $25,000 per customer.

TERMS

Any customer not accredited by Neal Auction Company must present a letter of reference from their bank or other suitable source acceptable to Neal Auction Company. Neal Auction Company requires that the merchandise be held on premises until the check clears or money can be wired into the Neal Auction Company account.

SHIPPING

We will assist buyers in making shipping arrangements by furnishing information on packers and shippers. Handling of purchased items by us is at the risk of the buyer. Final shipping arrangements and agreements are strictly between the buyer and the shipper.

STORAGE

Unless other arrangements are made and confirmed in writing, all items must be removed within 15 days of the auction. On the first business day following that time period, items remaining in the gallery will be turned over to a storage facility. The buyer will be responsible for handling and storage costs. Handling costs will be a minimum of $50. Storage rates will carry a minimum charge of $50 per month per item. All items handled or stored will be at the buyer’s risk. Storage charges are accrued monthly and must be paid in full before items are released. We are not liable for any damage to items after the sale.

MANDATORY AND EXCLUSIVE FORUM SELECTION; AND CHOICE OF LAW

Any action of any nature brought by either party against the other in any court, whether federal or state, shall be brought exclusively in Orleans Parish, Louisiana. Each party agrees to submit to jurisdiction and venue in federal or state court in Orleans Parish, Louisiana, waives all questions of such jurisdiction or venue, and waives any rights to jurisdiction or venue in any other forum. Any dispute between the parties shall be governed by the law of the State of Louisiana, notwithstanding any conflicts of law principles.

GALLERY TALK Presented by Thomas Whitehead, Author and Leading Expert on the Artist

Whitehead has co-authored two books on Clementine Hunter, Clementine Hunter: Her Life and Work and Clementine Hunter: The African House Murals. As an expert consultant, participant and producer, Whitehead has worked on numerous films and documentaries on the life and art of Clementine Hunter and has served as the expert witness in the FBI’s Clementine Hunter forgery case from 2008-2012. Whitehead’s friendship with Clementine Hunter began while he was an undergraduate in Natchitoches in the mid1960s. Weekly meetings with her over the next 20 years resulted in a unique bond, giving Whitehead special insight into the artistic preoccupations and motivations of Hunter. Since Hunter’s death in 1988, Whitehead has continued to research and educate on Hunter’s artistic evolution and her continuing impact on southern artists and the art world at large. His personal experiences help to highlight Hunter’s unique life story.

Saturday, March 10, 1:30 PM 4038 Magazine Street | New Orleans, LA Additional information at www.nealauction.com

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March 24 & 25, 2018

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Artist Index

A Wayman Adams, 314 Johannes Evert Hendrik Akkeringa, 695 Giuseppe Vizzotto Alberti, 468 Sarah Albritton, 1042-44 William Alexander (aft), 250 Enrique Alferez, 258 Jacques Guillaume Lucien Amans, 409 American School, 308, 752, 858, 909, 910, 914, 915, 979, 982, 988, 991, 993, 1050, 1066, 1068-70 James “Mac” McConnell Anderson, 317 Walter Inglis Anderson, 796 John Taylor Arms, 830 William Arnold, 987 Boris Artzybasheff, 471 Asian School, 487 John James Audubon, 713, 715, (aft) 860, 995 B Pati Bannister, 956 George Bareau (aft), 1030 Alfred Barye (aft), 840 Leonard Baskin, 831 Gustave Baumann, 199 Reynolds Beal, 626 Giuseppe Galli da Bibiena (aft), 251 Helen Greene Blumenschein, 827 Archie Bonge, 182 Charles Wellington Boyle, 179 Joan Bridges, 848 George Bridgman, 185 John Bunyan Bristol, 426, (attr) 625 Albert Ernest Brockbank (attr), 994 D. Eric Brookhardt, 432 Alice Dalton Brown, 624 Charles de Wolf Brownwell, 986 Steele Burden, 411, 412, 797 David Davidovich Burliuk, 469 Theodore Earl Butler (aft), 978 Enrico Butti, 377 C John Wilson Carmichael, 558 Henry Casselli, 296 George Frederick Castleden, 737, 916 Patrick Caulfield, 53 Clarence Kerr Chatterton, 415 Emery Ann Clark, 102 Eliot Candee Clark, 907 George Clements, 269 Jean Michel Clodion (aft), 440 George Cockram, 996 Clyde Connell, 613, 628 Continental School, 583, 586, 606, 697, 711, 792-95, 903, 1081, 1082 Veronica Corrington, 621 George David Coulon, 265 Ralston Crawford, 431 John Steuart Curry, 834 D Salvador Dali, 54 George Walter Dawson, 186, 270, 304, 305 Edgar Degas (aft), 189 Eugene Delacroix (attr), 580 Sonia Delaunay, 575 Eugene Delcroix, 850 John Stockton De Martelly, 829 Jerome Pennington DeWitt, 755 Jim Dine, 55 Jacobus Lambertus Dispo, Sr., 884 Thomas Doughty (attr), 904 William Staples Drown, 746 Alexander John Drysdale, 262, 266, 316, 623, 724 Duchoiselle (aft), 20 Caroline Wogan Durieux, 294, 295 Terence Romaine Durne, 981 Mabel Dwight, 573 E Chivas Early, 733 Kerr Eby, 190 Fritz Eichenberg, 297, 298 Emma Eilers, 905 Whitney J. Engeran, Jr., 964 Harold Sleichter Etter, 990 F Axel Johan Fagerplan, 581 Louis Elizabeth Andrews Fisher, 917, (attr) 919 Florida School, 788, 853

106

Ruth Robertson Fontenot, 735 French School, 883 Pedro Friedeberg, 39

Mathurin Moreau (aft), 454 Philip Richard Morris, 559 G. Drummond Munsfield, 734

G Adrien Etienne Gaudez (aft), 703 Hugo Gellert, 427 Alberto Giacometti, 576 Giambologna (aft), 384 Reverend Russell Gillespie, 1047 Harvey Glick, 627 Boyer Gonzales, Jr., 301, 302 Robert Gordy, 577 John Gould, 364, 859 Edmund Greacen, 166 Nan Greacen, 166 Marion Greenwood, 194 Shearly Grode, 920, 922 Octave Denis Victor Guillonnet, 30 Lena Gurr, 303

N Laszlo De Nagy, 745 Jackson Lee Nesbitt, 574 New Orleans School, 989 John Bates Noel, 698 Cornelius Nozeman, 249

H Haitian School, 1032 Marius Hammann, 582 David Harouni, 291 George Overbury “Pop” Hart, 739, 749 Maggie Hartnett, 736 Shlomi Haziza, 1031 Martin Johnson Heade (mnr), 271 Emile Hebert (aft), 900 Colette Pope Heldner, 181, 615, 616, 844, 847 Knute Heldner, 846 Robert Helmer, 632, 633, 921 Jean-Jacques Henner (attr), 710 Robert Henri, 50 Hermann Ottomar Herzog, 168 George Frank Higgins, 425 Camille Hilaire, 31 Konishi Hirosada, 1033 Morris Henry Hobbs, 178, 195, 315 Winslow Homer, 470 Cornelia Cunningham Huffer, 740 Clementine Hunter, 174-176, 267, 268, 725-28 Peter Hurd, 193, 429 J Japanese School, 1033, 1034 Anita Romero Jones, 1080 K Ella Fontenot Keane, 963 Hugh Kepets, 310 John Klinkenberg, 620 Eleanore Kentner Kohler, 992 John Korver, 307 Henryk Kossowski (aft), 704 Louis Kronberg, 177 William Krondorf, 618 Max Kuehne, 32 L Blanche Lazzell, 51, 52 William L’Engle, 619 Adele Lemm, 290 Elizabeth Boardman Warren Lindenmuth, 617 Tod Raphael Leroy Lindenmuth, 413 Norman Lloyd, 584, 585 Walter Ronald Locke, 961 Charles Oglesby Longabaugh, 410 Ben Earl Looney, 985 Brock Loper, 984 Louisiana School, 923 Jeannette Agnew Lyon, 750 M Harold Stanwood Maddocks, 747 Michelangelo Maestri (attr), 363 Jacob Manguno, 1045 Eugene Marioton (aft), 705 John Paul Marsh, 906 Ada Martin, 911 Rene Charles Masse (aft), 971 Steve E. Mathews, 738 Bunny Matthews, 1046 George Herbert McCord, 414, 799 John McCrady, 263, 311, 312, 313, 742 Forest Ages McGinn, 748 Joseph Rusling Meeker, 264 Leo Meissner, 791 Clarence Millet, 260, 261 Gladys Vinson Mitchell, 912 Jules Moigniez (aft), 437, 439 C. Bennette Moore, 998

O Hugo Ohlms, 172 Bakufu Ohno, 864 Edith Walker Oliver, 786, 787, 957-60 William Ousley, 721 P Stephen Parrish, 854 Frederick Alexander Pawla, 753 Arthur Douglas Peppercorn, 712 Achille Perelli, 722, 723 Peruvian School, 849 Jane Peterson, 97, 98 Heinrich H. (Harry) Pfeiffer, 170 Marguerita Phillips, 913 Rene Portocarrero, 123 James Prestini, 629 Burt Procter, 924 R Carolyn Ramsey, 929 Peter G. Ray, 1014, 1015 Celia Gregor Reid, 785 Charles Whitfield Richards, 614, 718 William T. Robinson, 744 George Rodrigue, 101, 103 William Allen Rogers (aft), 1048 Ruth Starr Rose, 428, 851 Robert Rucker, 856 S José Francisco Xavier de Salazar y Mendoza, 259 Edith M. Sansum, 741 Eugene Savage, 622 Lulu King Saxon, 719, 720 Morton Livingston Schamberg, 96 Jon Andrew Schooler, 983 Palmer Schoppe, 965 George Washington Seavey, 180 Jean-Pierre Serrier, 122 Charles-Emile-Marie Seurre (aft), 436 Frank Henry Shapleigh, 167, 173 Arthur Silverman, 631 Hunt Slonem, 38, 99, 100, 289, 292 Francis Hopkinson Smith, 908 Miriam Smith, 980 Southern School, 855, 962, 976, 977 Spanish Colonial School, 824, 825 Benton Spruance, 430, 833 Bert Stern, 299 Harry Sternberg, 832 Irene Stry, 790 Jimmy Lee Sudduth, 732 T Prentiss Taylor, 196, 198, 826 Emmitt Thames, 729-31 Alice Blair Thomas, 751 Mary Thornycroft (aft), 706 Edward Larocque Tinker, 852 Eugene Titeux, 462 Titian (school), 140 Marie Cerminova Toyen, 800 Arnold E. Turtle, 611, 612, 743 V Nunzio Vayana, 171, 789 Andrea del Verrochio (aft), 438 Louis Charles Vogt, 183, 184, 187 Andre Charles Voillemot, 696 W Andy Warhol, 104, 105 August James Weber, 293 Theodore Wendel, 169 Stow Wengenroth, 191 Medardy Westrum, 966 George Gillet Whitney, 754 Ralph Lewanda Wickiser, 197 Ellsworth Woodward, 188, 192, 300, 309, 845, 857, 927 William Woodward, (attr) 798, 928 Y Agnes Yarnall, 898

0326 - 3172 0327 - 562 0328 - 1098 0329 - 2688 0330 - 576 0331 - 854 0333 - 488 0334 - 187 0338 - 732 0339 - 3520 0340 - 2440 0342 - 5490 0344 - 21960 0346 - 1664 0347 - 1250 0349 - 2375 0350 - 2880 0351 - 549 0352 - 671 0353 - 384 0354 - 448 0355 - 437 0356 - 610 0359 - 244 0360 - 1000 0361 - 610 0363 - 960 0364 - 366 0365 - 256 0366 - 1280 0367 - 610 0368 - 610 0369 - 2440 0370 - 2062 0371 - 1536 0372 - 976 0373 - 488 0377 - 1920 0379 - 750 0380 - 1375 0381 - 8845 0382 - 427 0383 - 576 0384 - 896 0385 - 671 0386 - 5185 0387 - 2074 0389 - 1220 0390 - 854 0391 - 640 0393 - 832 0396 - 625 0398 - 610 0400 - 640 0404 - 250 0405 - 4480 0406 - 320 0407 - 1342 0408 - 384 0409 - 1536 0410 - 960 0411 - 366 0412 - 1408 0413 - 915 0414 - 1088 0415 - 305 0416 - 183 0418 - 366 0419 - 488 0421 - 183 0422 - 183 0423 - 610 0424 - 976 0425 - 250 0426 - 93 0427 - 62 0428 - 448 0429 - 576 0430 - 915 0431 - 625 0432 - 896 0434 - 305

0435 - 768 0437 - 625 0438 - 1920 0439 - 384 0440 - 183 0443 - 610 0444 - 305 0446 - 183 0448 - 768 0449 - 625 0450 - 610 0451 - 250 0455 - 305 0457 - 192 0458 - 576 0459 - 500 0462 - 1830 0463 - 4575 0465 - 3072 0467 - 812 0469 - 13750 0470 - 1220 0471 - 488 0473 - 2500 0474 - 1220 0476 - 671 0477 - 1125 0478 - 3328 0479 - 1500 0485 - 122 0486 - 125 0487 - 384 0488 - 427 0489 - 93 0490 - 125 0491 - 256 0493 - 832 0494 - 1088 0495 - 768 0496 - 320 0498 - 256 0499 - 250 0500 - 875 0501 - 192 0502 - 250 0503 - 352 0504 - 384 0505 - 256 0506 - 1037 0507 - 793 0508 - 416 0509 - 192 0510 - 192 0511 - 320 0512 - 128 0513 - 128 0514 - 122 0515 - 128 0516 - 192 0517 - 416 0518 - 608 0519 - 128 0520 - 122 0521 - 187 0522 - 187 0523 - 832 0524 - 256 0525 - 122 0526 - 93 0527 - 244 0528 - 366 0529 - 1375 0531 - 687 0535 - 3584 0539 - 3125 0543 - 1037 0544 - 187 0545 - 305 0546 - 704 0548 - 896 0549 - 384 0550 - 437

0551 - 152 0552 - 256 0554 - 960 0555 - 122 0556 - 384 0557 - 448 0558 - 640 0560 - 187 0561 - 1464 0562 - 1250 0566 - 576 0567 - 160 0568 - 192 0569 - 457 0570 - 125 0571 - 125 0572 - 244 0575 - 671 0576 - 122 0578 - 62 0579 - 112 0581 - 128 0582 - 335 0583 - 128 0584 - 152 0586 - 305 0589 - 488 0590 - 125 0593 - 128 0595 - 160 0596 - 128 0597 - 320 0600 - 384 0601 - 213 0602 - 1375 0603 - 1152 0604 - 1375 0605 - 366 0606 - 2304 0608 - 128 0609 - 128 0610 - 224 0611 - 128 0612 - 128 0613 - 93 0615 - 500 0616 - 160 0617 - 687 0618 - 125 0619 - 183 0620 - 406 0621 - 375 0622 - 593 0623 - 384 0624 - 213 0626 - 396 0627 - 335 0628 - 335 0629 - 1037 0630 - 448 0631 - 274 0632 - 91 0633 - 160 0634 - 396 0635 - 128 0636 - 732 0637 - 406 0640 - 579 0641 - 375 0642 - 352 0643 - 218 0644 - 1342 0645 - 1464 0646 - 183 0647 - 122 0648 - 6405 0649 - 1342 0650 - 1220 0651 - 5185 0652 - 1000 0653 - 352 0654 - 427

0655 - 2176 0656 - 2440 0657 - 366 0658 - 488 0659 - 488 0660 - 1500 0662 - 1342 0663 - 480 0664 - 544 0665 - 448 0666 - 512 0667 - 448 0668 - 544 0669 - 51 0670 - 128 0671 - 122 0672 - 48 0673 - 128 0674 - 343 0675 - 183 0676A - 427 0680 - 125 0681 - 427 0682 - 250 0683 - 396 0685 - 854 0686 - 1280 0687 - 2176 0688 - 1586 0689 - 512 0690 - 768 0691 - 512 0692 - 512 0693 - 640 0694 - 768 0695 - 512 0696 - 427 0699 - 183 0700 - 915 0701 - 488 0702 - 1152 0703 - 125 0704 - 488 0705 - 1000 0706 - 1830 0707 - 512 0708 - 896 0709 - 427 0711 - 750 0712 - 2196 0713 - 1220 0714 - 1708 0715 - 2196 0716 - 1536 0717 - 366 0718 - 488 0719C - 488 0720 - 1342 0721 - 250 0722 - 732 0723 - 256 0730 - 1464 0732 - 1792 0733 - 457 0734 - 384 0735 - 384 0736 - 500 0737 - 4480 0739 - 960 0740 - 2500 0741 - 1664 0743 - 488 0744 - 366 0746 - 375 0749 - 427 0750 - 244 0751 - 192 0752 - 192 0753 - 366 0754 - 125 0755 - 244 0756 - 244

0758 - 256 0759 - 704 0760 - 384 0761 - 384 0762 - 1536 0763 - 732 0764 - 2440 0766 - 610 0768 - 4750 0770 - 488 0771 - 625 0772 - 610 0775 - 244 0776 - 183 0777 - 1220 0779 - 1536 0780 - 488 0783 - 375 0787 - 671 0788 - 1750 0790 - 2196 0791 - 366 0792 - 1220 0793 - 576 0794 - 732 0795 - 960 0796 - 2688 0797 - 4880 0798 - 320 0799 - 625 0800 - 704 0801 - 250 0802 - 1220 0804 - 256 0806 - 192 0807 - 305 0808 - 427 0809 - 93 0810 - 244 0811 - 854 0812 - 366 0813 - 384 0814 - 488 0815 - 1408 0816 - 1750 0817 - 2750 0818 - 192 0819 - 671 0820 - 384 0821 - 256 0822 - 427 0823 - 610 0825 - 732 0826 - 427 0827 - 375 0828 - 750 0829 - 1280 0830 - 512 0831 - 875 0832 - 976 0833 - 610 0834 - 732 0836 - 1586 0837 - 2562 0838 - 610 0839 - 2176 0841 - 384 0843 - 1500 0844 - 640 0846 - 384 0847 - 500 0848 - 1062 0849 - 562 0850 - 183 0851 - 1830 0852 - 1098 0853 - 704 0855 - 488 0856 - 640 0857 - 448 0858 - 640 0859 - 512

0861 - 244 0862 - 384 0863 - 640 0865 - 366 0866 - 854 0869 - 2688 0870 - 128 0871 - 256 0873 - 128 0874 - 610 0875 - 704 0876 - 1708 0877 - 1586 0878 - 250 0879 - 160 0881 - 192 0882 - 192 0883 - 1220 0884 - 625 0885 - 384 0886 - 562 0887 - 488 0891 - 640 0892 - 187 0893 - 192 0894 - 183 0895 - 343 0898 - 122 0899 - 183 0900 - 244 0903 - 384 0905 - 518 0906 - 576 0907 - 2176 0908 - 366 0910 - 427 0912 - 500 0913 - 366 0914 - 384 0917 - 1280 0919 - 427 0920 - 256 0921 - 1408 0923 - 1024 0925 - 1625 0926 - 610 0927 - 1152 0928 - 1024 0932 - 384 0934 - 427 0938 - 437 0939 - 640 0942 - 125 0943 - 384 0945 - 256 0946 - 320 0947 - 488 0948 - 500 0949 - 384 0952 - 305 0953 - 187 0954 - 610 0955 - 244 0956 - 960 0958 - 187 0959 - 305 0960 - 244 0961 - 896 0962 - 244 0963 - 812 0965 - 1280 0966 - 875 0967 - 480 0969 - 512 0970 - 625 0971 - 213 0972 - 256 0973 - 3584 0974 - 2375 0975 - 1342 0976 - 366 0978 - 192

0979 - 366 0982 - 256 0983 - 256 0984 - 2750 0991 - 320 0992 - 256 0994 - 375 0995 - 448 0996 - 549 1000 - 256 1001 - 480 1002 - 250 1003 - 437 1007 - 312 1008 - 93 1010 - 610 1011 - 488 1013 - 160 1014 - 187 1017 - 610 1019 - 375 1020 - 183 1021 - 183 1022 - 192 1023 - 256 1025 - 549 1026 - 427 1027 - 256 1028 - 320 1029 - 549 1032 - 128 1033 - 640 1034 - 320 1036 - 91 1037 - 152 1038 - 62 1039 - 125 1040 - 448 1041 - 384 1042 - 256 1043 - 384 1044 - 1000 1049 - 1098 1050 - 152 1054 - 366 1055 - 125 1056 - 122 1057 - 1250 1059 - 224 1061 - 62 1062 - 156 1063 - 128 1067 - 375 1068 - 1000 1069 - 187 1070 - 312 1071 - 1375 1074 - 128 1076 - 335 1077 - 549 1080 - 608 1081 - 128 1083 - 224 1084 - 62 1085 - 125 1086 - 62 1089 - 812 1090 - 281 1091 - 218 1092 - 1500 1093 - 250 1097 - 640 1100 - 128 1101 - 488 1102 - 156 1103 - 187 1104 - 305 1106 - 288 1107 - 128 1110 - 224

January 27 & 28, 2018

0218 - 768 0219 - 1152 0220 - 244 0224 - 2625 0225 - 576 0226 - 640 0227 - 1536 0228 - 1098 0229 - 366 0230 - 976 0233 - 2880 0234 - 625 0235 - 2196 0236 - 3840 0237 - 10980 0239 - 14640 0240 - 12500 0243 - 24400 0244 - 4880 0245 - 7320 0246 - 1464 0247 - 19520 0248 - 25620 0249 - 4880 0250 - 2432 0251 - 4375 0252 - 5795 0253 - 3660 0254 - 1664 0255 - 3660 0259 - 3750 0260 - 1586 0261 - 500 0262 - 1952 0263 - 2806 0264 - 375 0265 - 1920 0266 - 11590 0268 - 1586 0269 - 750 0270 - 976 0271 - 2304 0272 - 1408 0273 - 576 0274 - 1464 0277 - 3125 0278 - 854 0279 - 33550 0281 - 1952 0282 - 1664 0283 - 11875 0284 - 1464 0285 - 2560 0286 - 1125 0287 - 1952 0288 - 2250 0289 - 2250 0291 - 2500 0292 - 3840 0293 - 3965 0294 - 768 0295 - 244 0296 - 1152 0297 - 3072 0298 - 1187 0299 - 312 0300 - 488 0301 - 375 0302 - 960 0305 - 2176 0307 - 896 0308 - 750 0309 - 896 0311 - 576 0312 - 244 0313 - 2684 0317 - 976 0319 - 488 0320 - 122 0321 - 1342 0324 - 875 0325 - 640

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0108 - 288 0109 - 1464 0110 - 1464 0111 - 3172 0112 - 750 0113 - 2304 0114 - 1875 0116 - 832 0117 - 1088 0118 - 576 0119 - 1024 0120 - 1000 0122 - 1408 0123 - 1408 0124 - 812 0125 - 1280 0126 - 512 0130 - 640 0131 - 976 0132 - 384 0134 - 6875 0135 - 14030 0136 - 320 0137 - 562 0138 - 976 0139 - 384 0140 - 915 0141 - 549 0142 - 91 0143 - 610 0145 - 384 0146 - 1037 0147 - 1500 0148 - 512 0149 - 1586 0151 - 1708 0153 - 671 0154 - 366 0155 - 488 0156 - 7680 0158 - 4480 0161 - 976 0164 - 1536 0165 - 7500 0166 - 384 0167 - 1280 0168 - 10065 0169 - 5120 0170 - 3200 0173 - 187 0174 - 2625 0175 - 1281 0176 - 1024 0177 - 2375 0178 - 976 0180 - 915 0181 - 576 0184 - 1098 0187 - 125 0189 - 512 0190 - 256 0191 - 549 0192 - 1220 0193 - 1952 0194 - 2560 0195 - 366 0196 - 1408 0198 - 1342 0200 - 488 0202 - 437 0203 - 732 0204 - 875 0205 - 2440 0206 - 640 0207 - 1152 0208 - 610 0210 - 875 0213 - 14640 0214 - 3200 0215 - 3200 0216 - 976 0217 - 896

Auction Results

0001 - 1586 0002 - 976 0003 - 3050 0004 - 732 0005 - 448 0006 - 576 0008 - 2375 0009 - 448 0010 - 875 0011 - 312 0012 - 250 0013 - 576 0014 - 488 0016 - 2176 0017 - 2688 0018 - 1792 0019 - 640 0022 - 854 0023 - 2440 0024 - 1830 0025 - 6710 0027 - 2944 0028 - 625 0029 - 500 0030 - 1220 0031 - 4480 0032 - 384 0033 - 2432 0034 - 18300 0039 - 1152 0040 - 750 0041 - 1830 0042 - 625 0043 - 1408 0044 - 448 0045 - 244 0046 - 3437 0048 - 732 0049 - 187 0051 - 549 0052 - 1708 0053 - 2062 0055 - 7930 0056 - 1952 0057 - 640 0059 - 768 0060 - 768 0061 - 20130 0063 - 610 0064 - 915 0065 - 915 0066 - 915 0067 - 732 0068 - 976 0071 - 4575 0072 - 6466 0073 - 2000 0075 - 1250 0076 - 1750 0077 - 14640 0080 - 1830 0081 - 562 0083 - 875 0084 - 427 0086 - 2013 0087 - 8540 0089 - 1708 0090 - 1952 0091 - 2562 0092 - 610 0094 - 320 0095 - 579 0096 - 2688 0097 - 976 0098 - 1750 0099 - 1220 0100 - 28160 0101 - 7930 0104 - 2806 0105 - 3355 0106 - 610 0107 - 366

107

NealAuction AuctionCompany Company Neal Neal&Auction Auctioneers & Auction Appraisers Antiques & Fine Neal Auctioneers Appraisers of of Antiques Company &Company Fine ArtArt 4038 Magazine Street, New Orleans, 70115 4038 Magazine Street, New Louisiana 70115 Auctioneers Appraisers of Antiques & Fine Art Auctioneers && Appraisers ofOrleans, Antiques &Louisiana Fine Art s &AX s WWW NEALAUCTION COM s &AX s WWW NEALAUCTION COM 4038 Magazine Street, New Orleans, Louisiana 70115 4038 Magazine Street, New Orleans, Louisiana 70115 s &AX s WWW NEALAUCTION COM s &AX s WWW NEALAUCTION COM

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ConfidentialAbsentee Absentee/ Telephone / TelephoneBid BidForm Form Confidential Confidential Absentee / Telephone Bid Form Absentee /: Telephone Bid Form PLEASE REVIEW GUIDELINES FOR ABSENTEE TELEPHONE BIDDING : LEASE REVIEW GUIDELINES FConfidential OR ABSENTEE && TELEPHONE PPlease Review Guidelines foR a bsentee & telePhone biddinGB: IDDING

15/06M 16/08M 18/04M 15/06M 15/06M 16/08M 15/06M

4 4ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE LEASE LEASE ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE P Rbidding EVIEW G UIDELINES FOR A BSENTEE TELEPHONE BIDDING : item must have a low estimate of $500 or more. REVIEW GUIDELINES ABSENTEE & TNeal ELEPHONE IDDING : Each I.P Telephone will be takenFOR at the discretion of& AuctionB Company. !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW 4 ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE 4 ELEPHONE BIDDING WILL BE TAKEN AT THE DISCRETION OF .EAL !UCTION #OMPANY %ACH ITEM MUST HAVE A LOW ESTIMATE OF OR MORE Absentee bids are gladly accepted for all items below $500. ! LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION Thursday ! !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION !BSENTEE BIDS ARE GLADLY ACCEPTED FOR ALL ITEMS BELOW 2. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Thursday prior to the auction. )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE ! LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION ! LL ABSENTEE BIDS AND OR TELEPHONE BIDS MUST BE IN OUR GALLERY BY 0 - #34 THE &RIDAY PRIOR TO THE AUCTION 3. In the event identical bids are submitted, the earliest bid received will take precedence. Thursday ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE A )N THE EVENT IDENTICAL BIDS ARE SUBMITTED THE EARLIEST BID RECEIVED WILL TAKE PRECEDENCE 4. deposit must accompany all bids. A credit card number is required for securing your bids and will be charged if the invoice is not paid !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS within ! DEPOSIT MUST ACCOMPANY ALL BIDS ! CREDIT CARD NUMBER IS REQUIRED FOR SECURING YOUR BIDS 15 days of auction date. ! LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN ! !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN !UCTION ADDENDUM AVAILABLE PRIOR TO THE AUCTION ON THE WEBSITE OR VIA FACSIMILE 5. Auction addendum available prior to the auction on the website or via email. WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY ! LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN ! LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN 6. All property is sold â&#x20AC;&#x153;AS ISâ&#x20AC;?. No statement regarding condition of any item, whether it is made orally at the auction or any other time, )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE orWRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY inWRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY writing in the catalogue or elsewhere, shall be deemed to be a warranty, representation or assumption of liability. )N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE 7. In)N THE EVENT OF DISCREPANCIES LOT NUMBER AND NOT LOT DESCRIPTION WILL TAKE PRECEDENCE the event of discrepancies, lot number and not lot description will take precedence.

First Last First Last Name: _________________________ Name: ____________________________________Company: Company:__________________________ __________________________ Name: _________________________ Name: First Last ____________________________________ First Last Name:_________________________ _________________________Name: Name:____________________________________ ____________________________________Company: Company:__________________________ __________________________ Name: Address: ______________________________________________________________________________________________________ ______________________________________________________________________________________________________ Address: Address: ______________________________________________________________________________________________________ ______________________________________________________________________________________________________ Address: #ITY ????????????????????????????????????????????? ????????????????????????????????????????????? 0ROV 3TATE 0ROV 3TATE ??????????????????????? ??????????????????????? 0OSTAL 0OSTAL #ODE #ODE ???????????????? ???????????????? #ITY #ITY ????????????????????????????????????????????? ????????????????????????????????????????????? 0ROV 3TATE 0ROV 3TATE ??????????????????????? ??????????????????????? 0OSTAL 0OSTAL #ODE #ODE ???????????????? ???????????????? #ITY (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? Cell: (OME 0H ????? ??????????????????? 7ORK 0H ????? ?????????????????????? &AX ????? ????????????????????? DealerResale# Resale# ________________________________ State __________ Email: __________________________________________________ Dealer ________________________________ State __________ Email: __________________________________________________ Dealers must provide Neal Auction Company with proper documentation prior bidding. Dealers must provide Neal Auction Company with proper documentation prior to to bidding. Dealer Resale# ________________________________ State __________ Email: __________________________________________________ Dealer Resale# ________________________________ State __________ Email: __________________________________________________ -534 02/6)$% : : -534 02/6)$% Dealers must provide Neal Auction Company with proper documentation prior to bidding. Dealers must provide Neal Auction Company with proper documentation prior to bidding. -534 0ROVIDE: -534 0ROVIDE: Cash 0AYMENT Credit 0AYMENT Credit : -534 02/6)$% : Cash -534 02/6)$% Check Check 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? Method: Card Method: Card -534 0ROVIDE: -534 0ROVIDE: Cash Cash 7IRE 0AYMENT Credit 7IRE 0AYMENT Credit Check Check 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? 6ISA -# $ISCOVER !MEX??????????????????????????????????????? %XP ??????? Method: Card Method: Card Credit Card V-code:________ Credit Card V-code:________ )& 35##%33&5, PLEASE BILL MY CARD )& 35##%33&5, PLEASE BILL MY CARD 7IRE 7IRE Credit Card V-code:________ Credit Card V-code:________ )& 35##%33&5, PLEASE BILL MY CARD )& 35##%33&5, PLEASE BILL MY CARD .UMBER #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ?????????????????????????? .UMBER 4O 4O #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ??????????????????????????

.UMBER #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ?????????????????????????? 4O 4O #ALL &OR 0HONE "ID ???? ?????????????????????????? ???? ?????????????????????????? .UMBER ,OT $ESCRIPTION "ID !MOUNT OR 4ELEPHONE .O ,OT $ESCRIPTION "ID !MOUNT OR 4ELEPHONE .O ,OT ,OT

$ESCRIPTION $ESCRIPTION

"ID !MOUNT OR 4ELEPHONE .O "ID !MOUNT OR 4ELEPHONE .O

I understand that Neal Auction Company undertakes execution of absentee bids a convenience clients and is responsible inadvertent failI Iunderstand that Neal Auction Company undertakes the execution ofofabsentee bids as aa convenience for clients and is not notnot responsible forfor inadvertent failure understand that Neal Auction Company undertakes thethe execution absentee bids as as convenience forfor clients and is responsible for inadvertent failure execute bids, or any error in execution bids. Iread have read and agree to â&#x20AC;&#x153;Conditions Saleâ&#x20AC;? stated the catalogue. I understand that to to execute bids, orany forfor any error inexecution thethe execution of of bids. I have read and agree to â&#x20AC;&#x153;Conditions thethe â&#x20AC;&#x153;Conditions of of Saleâ&#x20AC;? as as stated in in the catalogue. I understand that toure execute bids, or for error in the of bids. I have and agree to the of Saleâ&#x20AC;? as stated in the catalogue. I understand that Ia understand that Neal Auction Company undertakes execution of absentee bids a convenience for clients and is responsible for inadvertent failunderstand that Neal Auction Company undertakes the execution ofof absentee bids as aaconvenience convenience for clients and is not notnot responsible for inadvertent failure understand that Neal Auction Company undertakes thethe execution absentee bids as$200,000 convenience for clients and is not responsible inadvertent failII Iaunderstand that Neal Auction Company undertakes the execution of absentee bids as aas for clients and is responsible for inadvertent failure buyerâ&#x20AC;&#x2122;s premium will be charged each purchased at 22% up to and including $200,000 plus 10% of hammer price greater than $200,000. For buyerâ&#x20AC;&#x2122;s premium will becharged charged onon each lotlot purchased at 25% 22% up to and including plus 10% of the hammer price greater than $200,000. For aure buyerâ&#x20AC;&#x2122;s premium will be on each lot purchased at up to and including $200,000 plus 10% ofSaleâ&#x20AC;? thethe hammer price greater than $200,000. For ure to execute bids, or for any error in the execution of bids. I have read and agree to the â&#x20AC;&#x153;Conditions of as stated in the catalogue. I understand to execute bids, or for any error in the execution of bids. I have read and agree to the â&#x20AC;&#x153;Conditions of Saleâ&#x20AC;? as stated in the catalogue. I understand that to execute bids, or for any error in the execution of bids. I have read and agree to the â&#x20AC;&#x153;Conditions of Saleâ&#x20AC;? as stated in the catalogue. I understand that topurchase execute bids, or for anycheck error inor thewire execution ofwithin bids. have and agreethe tothe thebuyerâ&#x20AC;&#x2122;s â&#x20AC;&#x153;Conditions of Saleâ&#x20AC;? asdiscounted stated in2.5% the catalogue. I understand that that purchase made by cash, check transfer days of auction, premium shall 2.5% of this 22%. No exceptions. made cash, or wire transfer within 15I15 days ofread thethe auction, buyerâ&#x20AC;&#x2122;s premium shall be be discounted ofthis this 22%. Noexceptions. exceptions. purchase made bybycash, check or wire transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium shall be discounted 3%price of 25%. No a buyerâ&#x20AC;&#x2122;s premium will be charged on each purchased at 22% to and including $200,000 plus 10% hammer price greater than $200,000. For buyerâ&#x20AC;&#x2122;s premium will becharged charged oneach each lotlot purchased at25% 22% upup to and and including $200,000 plus 10% of the hammer greater than $200,000. For buyerâ&#x20AC;&#x2122;s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% of of thethe hammer price greater than $200,000. For aaabuyerâ&#x20AC;&#x2122;s premium will be on lot purchased at up to including $200,000 plus 10% of the hammer price greater than $200,000. For purchase made by cash, check or wire transfer within 15 days of auction, buyerâ&#x20AC;&#x2122;s premium shall discounted of this 22%. No exceptions. purchase made cash, check orwire wire transfer within 15days days ofthe thethe auction, thethe buyerâ&#x20AC;&#x2122;s premium shall be be discounted 2.5% this 22%. Noexceptions. exceptions. purchase made bybycash, cash, check or wire transfer within 15 days of the auction, the buyerâ&#x20AC;&#x2122;s premium shall be discounted 3%2.5% ofof this 25%. No exceptions. purchase made by check or transfer within 15 of auction, the buyerâ&#x20AC;&#x2122;s premium shall be discounted 3% of this 25%. No

SignatureRequired Required Signature Signature Required Signature Required For Internal Use Only: For Internal Use Only:

Date Date DateFax Date Approved _____________Registered ___________ Entered ____________ Fax Form on before Friday, 1/31/15 Approved _____________Registered ___________ Entered ____________ Form on or before Friday, 1/31/15 Fax Form on or Friday,6/26/15 Fax Form on or before Friday, 9/23/16 Fax Form on oror Friday,6/26/15 to 504-617-6431 or 504-617-9990 to 504-617-6431 504-617-9990 to 504-617-6431 or 504-617-9990 Clerks Initial _______________ Account # _________________ Confirmed ______________________ to 504-617-6431 504-617-9990 to 504-617-6431 504-617-9990 Clerks Initial _______________ Account # _________________ Confirmed ______________________ Internal Use Only:Approved Approved _____________Registered ___________ Entered ____________ Fax Form on or before Friday, 1/31/15 ForFor Internal Use Only: _____________Registered ___________ Entered ____________ Fax Form on or before Friday, 1/31/15 Fax Form on or Friday,6/26/15 Fax Form on or before Thursday, 3/22/18 Fax Form on or before Friday, 9/23/16 Fax Form on or Friday,6/26/15 229 229 to 504-617-6431oror 504-617-9990 504-617-6431 504-617-9990 to 504-617-6431 504-617-9990 toto 504-617-6431 504-617-9990 Clerks Initial _______________ Account # _________________ Confirmed ______________________ to 504-617-6431 504-617-9990 Clerks Initial _______________ Account # _________________ Confirmed ______________________ 229 229

108

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 s &AX s WWW NEALAUCTION COM

Auction Date: Auction Date: Auction Date: Sept. 24 Jan. 3117-19, &&Feb. 1,2016 2015 March 24 &25, 25, 2018 April 2015

Condition Report Request Form PLEASE REVIEW GUIDELINES FOR CONDITION REPORT REQUESTS:

)TEMS MUST HAVE A MINIMUM LOW ESTIMATE OF #ONDITION 2EPORTS WILL NOT BE GIVEN VERBALLY 4HE #ONDITION 2EPORTS $EPARTMENT IS AVAILABLE TO TAKE REQUESTS TWO WEEKS PRIOR TO EVERY AUCTION 0HOTO REQUESTS WILL ONLY BE PROCESSED FOR ITEMS NOT ILLUSTRATED IN OUR CATALOGUE OR ON OUR WEBSITE AT WWW NEALAUCTION COM $ETAIL PHOTOS PROVIDED UPON DISCRETION #ONDITION 2EPORT 2EQUESTS SHOULD BE SUBMITTED BY FACSIMILE TO OR VIA THE ONLINE REQUEST FORM BY prior prior to tothe startof ofthe theauction. auction. 7EDNESDAY .thestart ! LL PROPERTY IS SOLD h!3 )3v .O STATEMENT REGARDING CONDITION OF ANY ITEM WHETHER IT IS MADE ORALLY AT THE AUCTION OR ANY OTHER TIME OR IN WRITING IN THE CATALOGUE OR ELSEWHERE SHALL BE DEEMED TO BE A WARRANTY REPRESENTATION OR ASSUMPTION OF LIABILITY

&IRST .AME ?????????????????????????????????????????????? ,AST .AME ?????????????????????????????????? #OMPANY ????????????????????????????? !DDRESS ???????????????????????????????????????????????????????? #ITY ??????????????????????????????????????????? 0ROV 3TATE?????????????????? 0OSTAL #ODE ?????????????????? (OME 0H ???? ??????????????????? 7ORK 0H ???? ?????????????????????? &AX ???? ????????????????????? %MAIL ??????????????????????????????????????????????????????

,/4

$%3#2)04)/.

30%#)!, 2%15%343

SELECT:

All reports will be sent via Fax or email

R &AX R %MAIL

Fax this formtoto504-897-3808 504-897-3808 on or before 03/21/18 Fax this form before Wednesday, Wednesday,1/28/15. 1/15/15. 09/21/16 228

109

INVITATION TO CONSIGN Important Spring Estates Auction May 19 & 20, 2018 We are especially interested in Fine American, English, Continental, and Contemporary Paintings, Drawings, Prints, and Photography • Sculpture • Period Furniture and Decorative Objects • Asian Art • Lighting • Silver • Art Pottery • Historical Documents, Books, and Maps

Chinese ‘Gem’ Embellished Gilt Bronze Figure of Amitayus, h. 16 1/2 in.

Sold November 2017 for $783,000.00

Neal Auction Auctioneers & Appraisers of Antiques & Fine Art

110 Magazine Street, New Orleans, LA • 504-899-5329 • www.nealauction.com • consignments@nealauction.com 4038

Notes:

111

2018 Auction Schedule Late Spring Estates Auction May 19 & 20, 2018 Summer Estates Auction July 14 & 15, 2018 Important Estates Auction September 8 & 9, 2018 Louisiana Purchase Auctionâ&#x201E;¢ November 17-18, 2018

112

Neal Auction Company John R. Neal Neal Alford Katherine Hovas Chairman President Senior Vice President Marc Fagan Vice President Consignments Administration Director of Administration & Finance Michelle LeBlanc Leckert, CAI Database Manager Jackie Hernandez Client Services Rebekah Abernathy Administrative Assistant/Internet Auction Administrator Lisa Weisdorffer Administrative Assistant/Social Media Coordinator Cameron McHarg

General manager Jason Leckert

Graphics Graphics Director / Catalogue Design David Roberts Photography Jason Leckert Gerard Lewis Owen Murphy Tom Simpson

Operations Director of Operations Charles Lee Operations Staff Corey Brown Charlie Clay Kelvin Gibson Jerry Majors Marvin Varnado

Exhibition staff Cecile Ballard Ann Mahorner Cammie Mayer Margo Phelps Yvette Semmes Clare Stewart Carolyn Wogan

Michelle LeBlanc Leckert, CAI Vice President

Bettine Field Carroll Vice President Business Development Auctioneers Neal Alford #797 Michelle LeBlanc Leckert #1514 Bettine Field Carroll #1874 Marc Fagan #1935

Consignments Furniture & Decorative Arts Neal Alford; Polly Rolman-Smith Paintings, Prints & Photography Marney Robinson; Sophie Hirabayashi Casey Foote Books, Maps & Natural History Prints Marc Fagan Silver & Decorative Arts Katherine Hovas Asian Arts Bettine Field Carroll Inventory Coordinator Stephen Dewey Consignments & Condition Report Manager Johanna Darilek

Auction services Director of Museum Services & Research Douglas Lewis, Ph.D., F.A.A.R. Trust & Estates Advisor Henry G. McCall Senior Appraiser Fine Arts Amanda Mantle Winstead Appraisals Marc Fagan

Catalogue consultants Paintings & Fine Arts Amie Strickland Furniture & Decorative Arts Doris Mollenkopf Newcomb Pottery & Decorative Arts Sally Main Silver Carey Mackie Decorative Arts & Victoriana Ann M. Masson Asian Arts Richerson Rhodes