Premier Collections: Art & Interiors - June 15 & 16, 2023

PREMIER COLLECTION: ART & INTERIORS

June 15 & 16, 2023

American & English Objects

Thursday, June 15, 2023

begins at 1:00 p.m., lots 1-266

Global Collecting

Friday, June 16, 2023

begins at 1:00 p.m., lots 267-551

Bidding available on these online auction sites:

nealauction.com

Opens

LOTS 1-266

3. Exceptionally Rare American Rococo Ebonized Walnut and

Center Table, c. 1855-1865, New York, likely Gustav Herter, turtle-shaped top,

frieze centered by a maiden mask cartouche, scrolled cabriole legs surmounted by mythological masks, scrolled X-stretcher centered by an abundant floral basket, scrolled toes, h. 34 1/2 in., w. 52 1/2 in., d. 33 in.

1. American Rococo Carved Walnut Etagere Cabinet, mid-to-late 19th c., possibly Bembe & Kimble, New York, scrolled reticulated shelf superstructure centered by a foliate medallion crest, serpentine lower case with convex glass doors, cabriole legs, h. 99 1/2 in., w. 58 in., d. 17 in. [$600/900]

2. American Rococo Carved Rosewood Double Door Armoire, mid-19th c., attr. to retailer Prudent Mallard, New Orleans, lobed finials, egg-and-dart cornice with floral urn crest, mirrored doors, stiles with foliate scrolled acorn brackets, maple interior with medial belt of drawers, conforming base with drawer, disc feet, h. 120 in., w. 75 in., d. 27 in. [$4000/6000]

Marquetry

paneled

[$5000/7000]

4. Very Fine American Rococo Carved and Laminated Rosewood Sofa, c. 1850-1860, attr. to John Henry Belter, New York, in the pattern commonly referred to as “Fountain Elms”, arched back surmounted by finely carved floral crests, undulating reticulated foliate crest rail, tufted seat back, scrolled arms, highly carved floral seat rail, cabriole legs, casters, h. 47 in., w. 84 in., d. 36 in. [$10000/15000]

6.

5. Rare Pair of American Renaissance Carved Mahogany Consoles, mid-to-late 19th c., probably New York, Egyptian faux marbre top, fluted backsplash and frieze, robustly carved scrolled acanthine supports, conforming plinth, acanthus paw feet, h. 39 in., w. 36 1/2 in., d. 22 in. [$3000/5000]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

New Orleans, closely related to the Lansdowne group, later crest, lobed finials, egg and dart molding, mirrored doors, ribbon-molded surround, shelf interior, stiles with foliate scrolled bracket, conforming base, disc feet, h. 114 in., w. 72 in., d. 26 1/2 in. [$4000/6000]

American Rococo Carved Rosewood Double-Door Armoire, mid-19th c., attr. to retailer Prudent Mallard,

9. American Renaissance-Style Carved Oak Hall Bench, late 19th c., New York, manner of R.J. Horner, foliate seat rail, centered grotesque mask, lift seat, molded plinth base, bun feet, h. 38 1/2 in., w. 54 in., d. 21 in. [$1000/1500]

7. American Gothic Carved Rosewood Dresser, mid-19th c., attr. to Charles A. Baudouine, New York, rectangular mirror flanked by ringed columns and niches, shaped marble top, four graduated drawers with stylized panels, conforming stiles, serpentine apron, disc feet, h. 88 1/2 in., d. 25 in. [$1500/2500]

8. American Rococo Carved Rosewood Duchesse Dressing Table, mid-19th c., probably Alexander Roux, New York, mirror with floral surround, acanthus supports, serpentine marble top, frieze drawer carved with flower basket, fitted interior, floral scrolled cabriole legs, X-stretcher centered by a lobed finial, h. 73 in., w. 45 in., d. 24 in. [$3000/5000]

13. Rare Pair of American Rococo Carved Rosewood Footstools, c. 1850-1860, attr. to John Henry Belter, New York, tufted seat, serpentine foliate rail, cabriole legs, scrolled toes, casters, h. 15 1/2 in., w. 18 in., d. 18 in. [$1000/1500]

12. American Rococo Carved and Laminated Rosewood Sofa, c. 1850-1860, attr. to John Henry Belter, New York, in the pattern commonly referred to as “Rosalie with Grapes”, serpentine floral crest, molded arms, floral seat rail, cabriole legs, casters, h. 37 in., w. 62 in., d. 29 in. [$3000/5000]

11. American Renaissance Carved and Burl Walnut Armoire, 19th c., arched pedimented cornice with incised cartouche, arched burled paneled doors, fixed center stile topped by a foliate capital, drawer base, bracket feet, h. 107 in., 74 in., d. 29 in. [$700/1000]

10. American Rococo Carved Rosewood Half Tester Bed, mid-19th c., New Orleans, stepped and beaded serpentine tester, tapered posts, paneled headboard centered by floral carving, foot board with cabochons, h. 112 in., l. 79 in., w. 62 1/2 in. [$4000/6000]

14. Four American Carved and Laminated Rosewood Side Chairs, mid-19th c., attr. to John Henry Belter, New York, molded crest, inverted pearshaped cushion back, serpentine seat rail, cabriole legs, h. 35 in., w. 18 in., d. 25 in. [$1000/1500]

15. Monumental American Rococo Carved Rosewood Triple Door Wardrobe, mid-19th c., attr. to Alexander Roux, New York, scrolled crest centered by acanthus medallion, mirrored doors with foliate decoration, foliate scrolled stiles, serpentine blocked base fitted with deep drawers, birdseye maple interior, h. 109 in., w. 100 in., d. 23 1/2 in. [$3000/5000]

16. American Renaissance Bronze-Mounted, Inlaid and Ebonized Parlor Cabinet, c. 1870, attr. to Pottier and Stymus, New York, or Thomas Godey, Baltimore, sarcophagus top, center door with bronze plaque, incurvate sides with inlaid panels, conforming plinth base, h. 45 in., w. 52 in., d. 18 in. [$2000/3000]

17. American Rococo Carved Rosewood Armoire, mid-19th c., labeled “J. & J.W. Meeks Makers, No. 14 Vesey St., New York”, lobed finials, arched beaded crest centered by a foliate cabochon medallion, acanthine brackets, mirrored door, chamfered base with deep drawer, bracket feet, h. 99 in., w. 50 in., d. 25 in. [$5000/7000]

19. American Gilt Bronze Solar Lamp, c. 1850, attr. to Starr Fellows, foliate baluster on marble base, frosted and cut shade, h. 23 3/4 in., dia. 9 in. [$500/700]

18. American Rococo Carved Rosewood Armoire, 19th c., probably from the shop of noted purveyor Prudent Mallard, New Orleans, arched cornice, floral and grape carved frieze, turreted sides with barber pole carving, conforming mirror doors, divided maple interior, carved molded base with two drawers, bracket feet, h. 111 in., w. 59 on., d. 22 in. [$1500/2500]

20. Fine Pair of American Cut Crystal Eight-Light Chandeliers, shepherd’s crooks hung with beads, twist arms, hurricane shades, electrified, h. 49 in., dia. 36 in. [$2000/3000]

21. American Cut Crystal Eight-Light Chandelier, diamond cut standard, twist arms, hung with bell-form drops, hurricane shades, electrified, h. 43 in., dia. 29 in. [$1000/1500]

22. English Brass and Crystal Twenty-Four Light Chandelier, vasiform standard, scroll arms, hung allover with spherical beads, h. 50 in., dia. 42 in. [$4000/6000]

23. Large American Blown Glass Hall Lantern, 19th c., green-tint glass, foliate supports, h. 18 in., dia. 32 in. [$600/900]

24. American Blown Glass Hall Lantern, 19th c., glass cut with grapevines, h. 12 in., dia. 26 in. [$600/900]

26. Four English Crystal and Rock Crystal Mirrored Three-Light Sconces, foliate arms with applied beading, h. 13 1/2 in., w. 11 1/2 in., d. 6 in. [$700/900]

25. Pair of Patinated Metal Wall Lanterns, castle tower finial, scrolled bracket, three-light fixture, h. 30 in., w. 13 in., d. 19 in. [$700/1000]

27. American Brass and Glass Hall Lantern, four-light fixture, h. 31 in., dia. 14 in. [$300/500]

33. American Federal Rosewood and Mahogany Etagere in the Sheraton Taste, early 19th c., probably Boston, cedar secondary wood, acorn finials, baluster-turned supports and legs, lower drawer, brass cuffs, casters, h. 52 1/2 in., w. 16 in., d. 16 in. [$600/900]

30. American Classical Mahogany Two-Part Pedestal Dining Table, c. 1840, New York, each with drop-leaf, bolection frieze, columnar standard, shaped plinth, bossed scroll feet, casters, h. 29 in., w. (closed) 41 in., w. (open) 80 1/2 in., d. 20 1/4 in. [$800/1200]

29. American Late Classical Rosewood Music Cabinet, c. 1835, New York, marble top, ribbonmolded paneled door, fitted interior, scrolled apron, pierced trestle base, h. 38 in., w. 19 1/2 in., d. 14 1/2 in. [$600/900]

31. Antique American ChippendaleStyle Carved Mahogany Triple Chairback Settee, foliate scrolled crest, entwined splats, scrolled arms, foliate cabriole legs, ball and claw feet, h. 44 1/2 in., w. 65 in., d. 21 in. [$700/1000]

32. American Classical Carved Mahogany Games Table, early 19th c., attr. to Thomas Wightman, Boston, shaped foldover top with molded edge, conforming frieze, foliate-scrolled lyre support with inset brass rods, molded acanthine sabre legs, brass paw feet, casters, h. 30 1/2 in., w. 36 1/2 in., d. 19 in. [$700/1000]

28. American Classical Gilded Mahogany Pier Table, early 19th c., New York, marble top, bolection frieze, columnar supports with foliate capitals, incurvate plinth, mirrored back flanked by pilasters, tapered melon feet, h. 37 in., w. 41 1/2 in., d. 18 in. [$1000/1500]

35. American Southern-Style Carved Mahogany Campeche Chair and Stool, 20th c., scrolled arms, padded leather seat with nail head trim, turned stretcher, chair h. 35 in., w. 25 1/2 in., d. 39 in.; stool h. 14 in., w. 19 3/4 in., d. 19 in. [$700/1000]

36. American Classical Carved Mixed Woods Half Tester Bed, 19th c., labeled Viner & Burt, Boston, scalloped tester with mosquito poles, square posts, mahogany paneled foot board, h. 104 1/2 in., l. 84 1/2 in., w. 55 1/2 in. [$1000/1500]

39. Pair of Georgian Sheffield Plate Entrée Dishes with Warming Stands, Roberts, Cadman & Co., Sheffield, founded 1785, fully marked with bell trademark, shaped oval form, covers with engraved crest in inset silver shield, foliate scroll handles, borders and feet, rolled edges throughout, warming stands retain original tinned interiors, h. 7 1/2 in., w. 13 1/2 in., d. 10 1/2 in. [$400/600]

40. Assembled Elizabeth II Sterling Silver Seven Piece Coffee and Tea Service, Barker Brothers Silver, Ltd., Birmingham, 1952-1968, incl. 2 coffee pots (h. 8 7/8 in. and 8 1/2 in.), teapot, covered sugar, creamer, waste bowl and tray (30 1/8 in. x 19 in.), lobed forms with acanthus and husk handles, shell and leaf feet, tray with lobed rim, reeded loop handles and flat chased well, total wt. 304.75 troy ozs. [$4000/6000]

37. Georgian Sheffield Plate Meat Dish with Domed Cover, c. 1800, cover with engraved crest in inset silver shield, motto “Fortiter et Prudenter” (Boldly and Prudently), acorn, oakleaf and branch handle; well and tree meat dish with bound reed border, hot water compartment with reeded and foliate handles; dome interior, dish underside and warming stand interior all retain original tinned surfaces; overall h. 14 1/2 in., l. 26 1/4 in., d. 17 3/4 in. [$800/1200]

38. Simpson, Hall & Miller (International Silver) Sterling Silver Meat Tray, early 20th c., pattern C2565, oval with robust molded scroll border, l. 18 1/8 in., wt. 42.10 troy ozs. [$600/900]

34. American Classical Carved, Ebonized, and Gilt-Stenciled Mahogany Work Table, c. 1830, New York, two drawers, acanthus carved support with hipped legs and hairy paw legs, h. 27 1/2 in., w. 22 in., d. 18 in. [$600/900]

46. Leon Moran (American, 1864-1941), “The Reading Lesson”, oil on canvas, signed lower right, artist name inscribed on stretcher, artist biography on reverse of frame, 20 in. x 30 in., framed with title plaque, overall 29 1/2 in. x 39 1/2 in. x 4 in. [$700/900]

45. American School, 19th c., “Portrait of a Lady Seated on a Red Velvet Settee”, oil on canvas, unsigned, 29 1/4 in. x 24 7/8 in., framed, overall 34 3/4 in. x 30 1/4 in. x 2 1/4 in. [$1000/1500]

41. George IV Sterling Silver Footed Tray, Rebecca Emes & Edward Barnard I, London, 1825, act. 1808-1827, circular with robust shell and scroll border and feet, flat chased well centering presentation inscription to Isaac Forsyth, Esquire from the Morayshire Farmer Club, Elgin, January 5, 1827, dia. 18 1/4 in., wt. 86.85 troy ozs. [$1500/2500]

42. Edwardian Sterling Silver Four Piece Coffee and Tea Service in the Regency Taste, W.G. Keight and Co., Birmingham, 1902 & 1903, incl. coffee pot (h. 9 3/4 in.), teapot, open sugar and creamer, with part-reeded bodies, total wt. 47.85 troy ozs. [$400/600]

43. Shreve & Co. “Fourteenth Century” Pattern Sterling Silver Bowl, active San Francisco, 1852 to present, bell mark for 1909 to c. 1922, period script monogram, h. 3 in., dia. 8 in., wt. 9.95 troy ozs. [$300/500]

44. American Coin Silver Julep Cup, by Peter Krider, Philadelphia c. 1850; ret. William Kendrick, Louisville, KY, tapered body with molded rims, script monogram, h. 3 5/8 in., wt. 4.90 troy ozs. [$200/300]

laid on masonite, unsigned, sitter information inscribed on backing paper, 30 in. x 25 in., framed, overall 37 in. x 32 3/8 in. x 2 1/4 in. [$2000/3000]

Provenance: By descent in the family of the sitter; Private Collection.

Note: The two portraits offered here depict father and daughter Van Perkins Winder (1809-1854) and Elizabeth Rowan Winder (1834-1842). Van Perkins Winder was born in 1809 into a family originally from Tennessee, which is likely where he met his wife, Martha Grundy. Grundy was the daughter of Felix Grundy, congressman, U.S. senator from Tennessee, Attorney General under President Martin Van Buren from 1838 to 1839 and political advisor to Andrew Jackson. Shortly after Winder and Grundy’s marriage, the couple moved to Schriever, Louisiana in Terrebonne Parish. In 1845, they acquired Ducros Plantation, however the mansion was built by his widow after Winder died from yellow fever in 1854. Construction was completed in 1860 and modeled after The Hermitage, Andrew Jackson’s plantation home in the Winders’ native state of Tennessee. Martha and Van Perkins Winder had fifteen children, several of whom did not live to adulthood, including their daughter Elizabeth, born in Schriever in 1834. Elizabeth died at the age of eight in 1842 a little less than a month before her sister Margaret who was ten. The proximity of the girl’s death dates, in the summer, during a time when yellow fever ran rampant, suggests that Elizabeth and Margaret likely died from the same illness that would take their father nearly a decade later. The artist responsible for these two portraits is unknown, however the lovingly detailed works show a skilled hand in portraiture. The two sitters’ gentle expressions mirror one another in a way that suggests their familial relationship. Their finely rendered clothing offers contrasting textures from the sheer quality of Elizabeth’s puffed sleeves to the shine of Van

waistcoat.

young

48. George Joseph Amede Coulon (American/Louisiana, 1854-1922), “Seascape”, 1915, oil on canvas, signed lower right, dated and inscribed “Painted by Geo. A. Coulon/, Mass/Oct. 19, 1915/For / Wetmore” en verso, 14 in. x 22 in., unframed. [$500/700]

50. Louisiana School, 19th c., “Van Perkins Winder (1809-1854) of Terrebone Parish”, oil on canvas

Perkin’s

The

Elizabeth gently grasps a small bunch of flowers, a symbol of youth and femininity.

47. American School, 20th c., “Harbor Scene”, oil on wood, unsigned, 35 1/2 in. x 58 3/4 in., unframed. [$700/900]

49. Nicola Marschall (Prussian/Alabama, 1829-1917), “Portrait of a Gentleman”, 1902, oil on canvas, signed and dated lower center, partial “Hubbuch Bros., Louisville, KY” label on stretcher, 30 1/4 in. x 25 1/8 in., original frame, overall 39 1/2 in. x 34 3/8 in. x 3 1/2 in. [$1500/2500]

54. John Bradley (British/American, d. after 1847), “Children on a Terrace”, 1826, pencil and watercolor on paper, signed and dated lower left, inscribed en verso, 12 1/4 in. x 10 in., unframed. [$600/800]

53. John Henry Dell (British, 1830-1888), “The Knife Grinder”, 1860, oil on board, monogrammed and dated lower left, handwritten label attached en verso, 8 3/4 in. x 8 in., framed with title plaque, overall 12 1/8 in. x 11 1/2 in. x 1 1/4 in. [$800/1200]

55. Simeon Solomon (British, 1840-1905), “Portrait of a Young Man”, 1905, charcoal, white chalk and graphite on wove paper, monogrammed and dated lower right, inscribed “Simeon Solomon” en verso, 13 7/8 in. x 20 1/2 in., unframed. [$2000/3000]

56. After Charles Parsons (British/New York, 1821-1910), “The Great Ocean Yacht Race”, 1867, lithograph, signed in plate lower left, printed and published by Currier and Ives, New York, sheet 11 in. x 15 1/4 in., framed, overall 11 3/4 in. x 16 in. x 5/8 in. [$300/500]

52. Alexandre Alaux (French/ Louisiana, 1851-1932), “Husband” and “Wife”, 2 oils on canvas, each signed mid-right, both with “W.E. Seebold” stamp en verso, each 30 in. x 25 in., framed alike, each overall 37 5/8 in. x 32 5/8 in. x 2 1/8 in. (2 pcs.) [$800/1200]

51. Louisiana School, 19th c., “Elizabeth Rowan Winder (1834-1842)”, oil on canvas laid on masonite, unsigned, sitter information inscribed en verso, 29 3/4 in. x 25 in., framed, overall 37 1/2 in. x 32 1/4 in. x 2 1/4 in. [$2000/3000]

58. Edward S. Curtis (American, 1868-1952), “Spearing Salmon - Wishham”, Plate 276, 1909, photogravure on Japanese tissue, 11 3/4 in. x 15 1/2 in.; “Apsahoke War Group”, Plate 147, 1909, photogravure on Japanese vellum, 11 3/4 in. x 15 5/8 in., each from The North American Indian, printed by John Andrew and Sons, Boston; together with “Chief Joseph, Nez Perce”, offset lithograph reproduction from later edition, 11 1/2 in. x 8 7/8 in., each framed, overall 18 1/4 in. x 22 in. x 3/4 in. to 24 in. x 19 3/4 in. x 11/2 in. (3 pcs.) [$600/800]

57. Group of Seven Oil on Copper Portraits of British Families, each inscribed with sitter information en verso, each 7 5/8 in. x 5 5/8 in., framed alike, each overall 9 3/8 in. x 7 5/8 in. (7 pcs.) [$2000/3000]

59. Edward S. Curtis (American, 1868-1952), “The Vanishing Race - Navajo”, negative creation date 1904, orotone, signed in negative lower right, copyright lower left, “The Curtis Studio, Seattle” label on reverse of frame, 11 in. x 14 in., original Curtis Studio frame, overall 15 5 /8 in. x 19 in. x 1 1/2 in. [$3000/5000]

60. Edward S. Curtis (American, 1868-1952), “Comanche Footwear”, 1927, photogravure on Van Gelder paper, partial “Van Gelder Zonen Made in Holland” watermark visible, 8 in. x 5 5/8 in.; “River Canoes - Quinault”, 1903, photogravure on Japanese vellum, 4 5/8 in. x 7 in., from The North American Indian, printed by John Andrew and Sons, Boston; together with “The Canon Walls - Havasupai”, c. 1980, restrike photogravure on paper, inscribed “Printers Proof” lower margin, “CG” watermark visible, printed by Classic Gravure Company, Santa Fe, NM, 5 1/4 in. x 7 3/8 in., all framed, overall 14 1/2 in. x 16 1/2 in. x 1 1/4 in. to 17 1/8 in. x 14 1/2 in. x 3/4 in. (3 pcs.) [$300/500]

61. Edward S. Curtis (American, 1868-1952), “Goathair Blanket - Cowichan”, 1912, photogravure on Japanese tissue over Van Gelder paper with partial watermark, 7 1/8 in. x 4 15/16 in.; “Phallic Rock Painting at Walker Lake”, 1924, photogravure on Japanese vellum, 7 1/4 in. x 5 1/2 in., each from The North American Indian, printed by John Andrew and Sons, Boston, framed alike, overall 17 in. x 14 1/2 in. x 1 in. (2 pcs.) [$300/500]

62. John James Audubon (American, 1785-1851), “Carolina Parrot”, Plate 26, hand-colored aquatint with engraving, Havell edition, from The Birds of America, elephant folio paper, sheet size 25 1/4 in. x 38 1/4 in., float-mounted and framed, overall 49 1/2 in. x 37 in. x 2 in. [$70000/100000]

63. John James Audubon (American, 1785-1851), “Summer or Wood Duck”, Plate 206, hand-colored aquatint with engraving, Havell edition, from The Birds of America, elephant folio paper, sheet size 25 1/4 in. x 38 1/4 in., float-mounted and framed, overall 50 in. x 37 in. x 2 in. [$40000/70000]

64. Edward Von Siebold Dingle (American/South Carolina, 1893-1975), “White Winged Vireo and Fringe”, “Yellowthroat” and “Ruby-Crowned Kinglet”, 3 gouaches on board, each signed lower right, all titled and inscribed en verso, one with label with title on backing board, 15 in. x 11 in. to 16 5/8 in. x 9 1/2 in., each framed, overall 21 1/2 in. x 17 1/8 in. x 1 1/2 in. to

in. x

in. x

in. (3 pcs.) [$1000/1200]

67. Thomas Hart Benton (American/Missouri, 1889-1975), “Study of a Male Nude”, pen and ink on tissue paper, pencil-signed lower center, 14 1/2 in. x 10 1/4 in., framed, overall 19 1/2 in. x 15 1/4 in. x 1 3/4 in.; accompanied by a copy of a certificate of authenticity. [$2000/3000]

65. Birger Sandzen (Swedish/American, 1871-1954), “Colorado River Cedars”, 1933, watercolor on paper, signed lower right, 14 1/2 in. x 20 in., framed, overall 24 1/2 in. x 30 1/2 in. x 1 in. [$12000/18000]

66. Thomas Hart Benton (American/Missouri, 1889-1975), “Photographing the Bull”, 1950, lithograph, pencil-signed, numbered “334/500” and “Twayne Publisher Inc., New York” blind stamp lower margin, signed in plate, 12 in. x 16 in., framed, overall 25 in. x 29 in. x 1 5/8 in. [$2000/3000]

73. George III Carved Yewwood Dresser Base, 19th c., molded top, three drawers, scalloped apron, cabriole legs, h. 30 in., w. 59 in., d. 18 3/4 in. [$800/1200]

74. Regency-Style Burled Walnut Circular Extension Dining Table, 20th c., top with five crescent-shaped leaves, columnar supports on plinth, outswept sabre legs, brass caps, h. 28 1/2 in., dia. 82 1/2 in. [$2500/3500]

69. George II Burl Walnut Desk and Bookcase, 19th c., stepped cornice, mirrored doors with pin hinges, fitted candleslides, crossbanded slant front with fitted interior, graduated drawers, bracket feet, h. 85 in., w. 41 in., d. 24 in. [$2500/3500]

70. Set of Eight Antique Queen Anne-Style Chinoiserie and Gilt Decorated Dining Chairs, incl. two armchairs and six side chairs, arched scrolled crest rail, vasiform splat, slip seat, cabriole legs, ball and claw feet, armchair h. 41 1/4 in., w. 23 in., d. 23 in.; side chair h. 41 1/4 in., w. 21 in., d. 21 in. [$2500/3500]

71. Antique RegencyStyle Mahogany ThreePerson Partner’s Desk, early 20th c., inset tooled leather top, three way pedestal base. [$1000/2500]

72. American Federal Inlaid and Carved Mahogany Card Table, early 19th c., New England, frieze inset birch plane, foldover top, square tapered legs, h. 28 in., w. 36 in., d. (closed) 17 in., d. (open) 34 1/4 in. [$1000/1500]

68. Fine Regency Mahogany Demilune Hunt Table, early 19th c., possibly Gillows, top with removable center, drop leaves, reeded tapered legs, cup casters, h. 28 3/4 in., w. 80 in., d. 53 in. [$2500/3500]

81. Edwardian Inlaid Mahogany Secretary Bookcase, early 20th c., scrolled crest, glazed doors, shelf interior, fall front writing drawer with fitted interior, bracket feet, h. 91 in., w. 46 in., d. 22 in. [$2000/4000]

77. Georgian Carved Mahogany Brass-Mounted Lady’s Writing Desk, 19th c., tooled leather top, kneehole configuration of drawers, trestle base inset with brass, casters, h. 29 1/2 in., w. 40 1/4 in., d. 26 in. [$1200/1800]

78. Georgian Mahogany Cheston-Chest, 19th c., dentil molded crest, reeded stiles, upper case with two drawers over three drawers, lower case with three drawers, bracket feet, h. 76 in., w. 44 in., d. 22 in. [$1000/1500]

79. William IV-Style Parcel Gilt Mahogany Games Table, 19th c., foldover top, faceted standard, X-form plinth, lotus carved scrolled feet, h. 28 1/2 in., w. 36 in., d. 18 in. [$500/700]

80. English Chippendale-Style Carved Mahogany Silver Table, 19th c., galleried top, Marlborough legs, open fretwork stretcher, h. 30 in., w. 32 in., d. 18 1/2 in. [$500/700]

75. Regency Inlaid Mahogany and Satinwood Cellarette, 19th c., lift top, fitted interior, turned support, reeded outswept legs, casters, h. 32 1/4 in., w. 17 3/4 in., d. 15 1/2 in. [$800/1200]

76. Irish William IV-Style Carved Mahogany Console Table, 19th c., in the manner of George Gillington, Dublin, gadrooned molded top, frieze drawer, scrolled supports, paw feet, remnants of storage label from Bath, England on back, h. 38 1/2 in., w. 59 1/2 in., d. 22 1/4 in. [$2500/3500]

Provenance:

82. Fine American Ship Model of the H.M.S. Bounty, c. 1987, made by Edward A. de la Cruz, Empire, LA, finely detailed carved and painted wood, cord, wire, and cast metal, on a base modeled as an authentic ship launch, h. 43 in., length 52 in., d. 23 1/2 in. [$3000/5000]

83. American Aesthetic Carved Rosewood Firescreen, late 19th c., lily and acanthus surround, needlepoint screen, h. 60 in., w. 39 1/2 in. [$1000/1500]

The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

84. Tiffany Studios Nine-Piece Bronze Desk Set in the “American Indian” Pattern, early 20th c., New York, impressed marks, incl. small blotter ends, large blotter ends, inkwell, pen tray, calendar frame, letter opener, and box, large blotter ends length 19 1/4 in. [$700/1000]

86. English Mahogany Salesman Sample Slantfront Desk, metal tag reads “Maitland & Glascoe/London Seoul/Makers of Fine Furniture/23 Woodstock St. New Bond St./London W.I.”, working drawers and writing surface, h. 18 in. w. 17 1/4 in., d. 9 3/4 in. [$600/900]

87. English Painted and Ebonized Lap Desk, 19th c., reserves painted with various dogs, leather writing surface, h. 9 1/2 in., w. 17 1/2 in., d. 15 in. [$600/900]

88. Pair of American Overlay Glass Trumpet Vases, 19th c., possibly Boston & Sandwich Glass Co., tall footed form in ruby red, cut to clear in punty design, h. 14 in. [$400/600]

85. Pair of American Carved Walnut Brackets, scroll and foliate design, demilune top, h. 31 in., w. 15 in., d. 8 1/4 in. [$600/900]

Provenance:

89. American Classical Eglomise and Mahogany Mirror, c. 1810-1815, Philadelphia, cove-molded cornice with applied foliate frieze, lobed columnar stiles, blocked base, h. 51 in., w. 25 in. [$500/700]

Neal Auction, November 20, 2010, lot 131.

90. American Classical Carved Giltwood Mirror, c. 1820, Boston, carved cornucopia relief, h. 38 in., w. 21 1/2 in., d. 4 in. [$700/1800]

91. Chippendale-Style Carved Giltwood Mirror, basket crest, vining border, h. 87 in., w. 46 in. [$2000/3000]

92. Monumental Georgian-Style Limed and PaintDecorated Pine Pier Mirror, broken crest, urn and swag frieze, paneled sides, blocked base, egg and dart detail throughout, h. 105 1/2 in., w. 68 1/2 in. [$800/1200]

94. Large Continental Chinoiserie and Gilt Decorated Regulator Clock, 19th c., porcelain dial, harp pendulum, h. 87 in., w. 28 in., d. 10 1/2 in. [$1500/2500]

95. American Federal-Style Carved Mahogany Day Bed, 20th c., benchmade, outswept returns, turned and tapered legs, h. 28 in., l. 88 in., w. 32 in. [$800/1200]

93. Irish Inlaid Oak Tallcase Clock, c. 1800, dial marked “JAS: FRAZER/ COMBER”, painted dial with a soldier on horseback, pendulum door flanked by brassmounted quarter columns, h. 91 in., w. 21 in., d. 10 in. [$800/1200]

101. American Classical-Style Carved Mahogany Diminutive Sofa, 20th c., carved crest flanked by opposing eagles, hairy paw feet with cornucopia brackets. [$1000/1500]

102. American Late Classical Carved Mahogany Pier Table, 19th c., Philadelphia, Egyptian marble top, ogee frieze on scrolled supports ending in bosses, mirror back, tapering blocked feet, h. 39 3/4 in., w. 41 1/2 in., d. 19 1/2 in. [1000/1500]

103. American Queen Anne Carved Mahogany Side Chair, first half 18th c., Connecticut River Valley, shaped crest rail, vasiform splat, rush seat, turned legs, bulbous stretcher, Spanish feet, h. 41 in., w. 19 in., d. 18 in. [$300/500]

97. American Hepplewhite Inlaid and Carved Mahogany Card Table, 19th c., Boston, foldover top, oval inlaid frieze, tapered legs, h. 29 1/2 in., w. 36 3/4 in., d. (closed) 17 3/4 in., d. (open) 35 1/2 in. [$2500/3500]

98. American Classical Carved Mahogany Sofa, early 19th c., possibly Anthony Quervelle, Philadelphia, scrolled crest, central tablet, scrolled arms, foliate bracketed paw feet [$2500/3500]

99. Antique Oak and Cast Iron Wharf Cart, plank top, large paired wheels centered, smaller pivot whell each end, four metal pockets for load poles [$300/500]

100. Six Henredon Asian Modern Ming-Style Caned Mahogany Armchairs, c. 1960, labeled, cane seat, h. 40 in., w. 22 1/2 in., d. 20 in. [$700/1000]

96. American Federal-Style Inlaid Mahogany and Cherrywood Gentlemen’s Chest of Drawers, 20th c., labeled Erskine-Danforth, New York, one deep drawer over three graduated drawers, shaped spurred apron, French feet. [$1000/1500]

105. Albert Jasper Ludwig Roccabiglera Operti (Italian/ American, 1852-1927), “Bazaar, Algiers”, gouache on board, signed and titled lower left and en verso, 18 in. x 14 3/4 in., framed, overall 29 in. x 25 in. x 1 1/4 in. [$500/700]

106. John McCrady (American/Louisiana, 1911-1968), “Robert Adwood Corbin, IV (1931-1948)”, 1949, oil on canvas, signed and dated lower right, brass title plate on reverse of frame, 26 in. x 22 3/8 in., framed, overall 29 5/8 in. x 26 in. x 1 3/4 in. [$2500/3500]

109. Clara Weaver Parrish (American/ Alabama, 1861-1925), “The Washwoman”, watercolor on paper, signed and inscribed en verso, 15 3/4 in. x 6 1/2 in., framed, overall 25 5/8 in. x 16 5/8 in. x 1 1/4 in. [$1500/2500]

110. Clara Weaver Parrish (American/ Alabama, 1861-1925), “Sunny Day in the Gardens”, oil on panel, signed lower left, 7 1/8 in. x 4 5/8 in., framed, overall 8 3/8 in. x 6 3/8 in. x 1/2 in. [$1200/1800]

107. John McCrady (American/Louisiana, 1911-1968), “Discussion”, oil on canvas, signed lower right, “Downtown Gallery, New Orleans” label with artist and title on reverse of frame, 20 in. x 34 in., framed, overall 22 3/4 in. x 36 3/4 in. x 1 3/4 in. [$3000/5000]

108. Arnold E. Turtle (British/Louisiana, 1892-1954), “Spring Landscape with Cabin”, oil on canvas board, signed lower right, 24 1/8 in. x 29 3/4 in., framed, overall 28 7/8 in. x 34 7/8 in. x 2 in. [$1000/2000]

104. American Classical Carved Mahogany Games Table, early 19th c., Philadelphia, foldover top, conforming molded frieze, acanthine baluster form standard, rectangular plinth, acanthine saber legs terminating in brass dolphin feet with casters, h. 29 1/2 in., w. 36 in., d. 17 3/4 in. [$1000/1500]

113. Alberta Kinsey (American/Louisiana, 1875-1952), “European Street Scene”, oil on canvas laid on board, signed lower left, 14 in. x 10 1/2 in., framed, 15 1/2 in. x 12 in. x 1 in. [$700/1000]

114. Knute Heldner (Swedish/Louisiana, 1877-1952), 16 etchings, incl. “Self Portrait”, “The Praline Seller” and “The Napoleon House”, among others, unsigned, 5 signed in plate, 4 signed and monogrammed in plate, 2 monogrammed in plate, one initialed in plate, 2 dated in plate, 4 7/8 in. x 5 7/8 in. to 7 7/8 in. x 5 7/8 in., unframed. (16 pcs.) [$600/800]

112. Alberta Kinsey (American/ Louisiana, 1875-1952), “French Quarter Doorway”, oil on canvas board, signed lower right, 14 in. x 10 1/2 in., framed, overall 15 5/8 in. x 12 in. x 1 in. [$1200/1800]

117. Colette Pope Heldner (American/Louisiana, 19021990), “Swamp Idyll (Louisiana Bayou Country)”, oil on canvas, signed lower left, signed and titled en verso, 40 in. x 34 in., framed, overall 44 1/8 in. x 38 in. x 2 1/8 in. [$600/800]

115. Colette Pope Heldner (American/Louisiana, 1902-1990), “Swamp Idyll (Louisiana Bayou Country)”, oil on canvas, signed lower left, signed and titled en verso, 34 in. x 20 in., framed, overall 39 1/8 in. x 25 1/8 in. x 1 3/4 in. [$700/1000]

116. Colette Pope Heldner (American/Louisiana, 1902-1990), “Swamp Idyll (Louisiana Bayou Country)”, oil on canvas, signed lower left, signed and titled en verso, 24 in. x 36 in., framed, overall 29 3/4 in. x 41 3/4 in. x 2 1/2 in. [$700/1000]

111. Clarence Millet (American/ Louisiana, 1897-1959), “French Quarter Patio”, 1920, oil on board, signed lower right, signed and dated en verso, sight 12 1/2 in. x 10 1/2 in., framed, overall 18 1/4 in. x 16 1/4 in. x 2 in. [$2000/3000]

124. The Duke of Marlow (American/Alabama, 20th c.), “Dot Halo, Seed”, 2023, mixed media on board, signed, titled and dated en verso, 17 in. x 12 in., framed, overall 21 in. x 15 3/4 in. x 1 in. [$300/500]

118. Willie White (American/ Louisiana, 1908-2000), “Lizards and Watermelon”, marker on poster board, signed upper left, 22 in. x 28 in., framed, overall 29 3/8 in. x 35 1/4 in. x 1 in. [$300/500]

119. Willie White (American/ Louisiana, 1908-2000), “Horses and Pink Dots”, marker on poster board, signed lower center and en verso, 22 in. x 28 in., framed, overall 28 in. x 33 1/2 in. x 1 3/8 in. [$300/500]

120. Thelma Lynn Simmons (American/Louisiana, 1934-2022), “Not Now, I’m Too Busy”, oil on canvas, signed lower left, titled and signed en verso, 24 in. x 30 in., framed, overall 24 5/8 in. x 30 1/2 in. x 1 1/2 in. [$200/300]

121. Benny Carter (American/North Carolina, 1943-2014), “The Dream #44: President Obama”, paint on shaped panel, signed and titled lower center, 15 5/8 in. x 12 5/8 in.; together with “Snakes”, 4 oils on metal, each inscribed, 2 3/8 in. x 22 1/2 in. to 3 3/4 in. x 27 in. (5 pcs.) [$600/800]

122. Reuben Aaron Miller (American/ Georgia, 1912-2006), “Devil”, “Blow Oskar” and “Elvis”, paint on shaped sheet metal, each signed, 2 titled, 23 3/4 in. x 8 1/2 in. to 34 1/8 in. x 12 3/4 in. (3 pcs.) [$300/500]

123. Willie Jinks (American/Georgia, 1921-2012), “Jey Bird”, oil on particle board, signed and titled lower right, 22 3/4 in. x 47 1/2 in., unframed. [$300/500]

125. Holly Sarre (American/ Louisiana, 20th c.), “Napoleon Complex”, 2013, oil on gallery-wrapped canvas, signed lower right, dated lower left, signed, titled, dated and inscribed en verso, 20 in. x 16 in., unframed. [$700/1000]

Provenance:

130. Clementine Hunter (American/Louisiana, 1886-1988), “Nativity”, oil on board, monogrammed lower right, 16 in. x 24 in., framed, overall 16 7/8 in. x 24 3/4 in. x 3/4 in. [$5000/7000]

128. Theora Hamblett (American/ Mississippi, 1895-1977), “Girl with Chickens”, 1976, oil on canvas board, signed lower left, dated lower right, inscribed en verso, 7 in. x 5 in., framed, overall 7 1/2 in. x 5 1/2 in. x 1/2 in. [$6000/8000]

129. Clementine Hunter (American/Louisiana, 18861988), “Zinnias”, oil on canvas board, monogrammed lower right, 14 in. x 10 in., framed, overall 1 5 1/2 in. x 11 3/4 in. x 1 in. [$2000/3000]

126. Floyd Shaman (American/ Mississippi, 1935-2005), “Mardi Gras Girl”, carved wood and mixed media, unsigned, h. 39 in., w. 16 1/2 in., d. 19 in. [$2500/3500]

127 Floyd Shaman (American/ Mississippi, 1935-2005), “Sweet Tunes”, 1998, carved wood and mixed media, signed and dated on reverse, h. 45 in., w. 36 1/2 in., d. 11 in. [$2000/3000]

Descended in the family of the artist.

131. Clementine Hunter (American/Louisiana, 1886-1988), “Funeral Procession”, oil on board, monogrammed mid-right, 24 in. x 32 in., unframed. [$6000/8000]

132. Clementine Hunter (American/Louisiana, 1886-1988), “Life on the Plantation”, oil on canvas board, monogrammed lower right, 24 in. x 36 in., unframed. [$7000/10000]

133. Clementine Hunter (American/Louisiana, 18861988), “Birds and Flowers”, oil on wood wall pocket, monogrammed lower center, h. 18 in., w. 6 in., d. 6 1/4 in. [$1000/1500]

134. Clementine Hunter (American/Louisiana, 1886-1988), “Haulin Cotton”, oil on canvas board, monogrammed lower right, 14 in. x 18 in., framed, overall 20 3/4 in. x 24 3/4 in. x 2 1/4 in. [$5000/8000]

135. Clementine Hunter (American/Louisiana, 1886-1988), “Funeral”, oil on plywood, monogrammed lower right, “Hill Top Shop, Mobile, AL” stamp en verso, 13 3/8 in. x 35 1/4 in., framed, overall 14 in. x 35 7/8 in. x 3/4 in. [$7000/10000]

Note: This lot has been authenticated by renowned Clementine Hunter expert Tom Whitehead.

137. Red River Revel Arts Festival Poster, 1986, offset lithograph, celebrating Clementine Hunter (American/Louisiana, 1986-1988), monogrammed in plate, numbered “124/1150” and additionally monogrammed by Hunter lower right, published by Red River Revel Arts Festival, Shreveport, LA, sheet 23 in. x 25 in., unframed. [$400/600]

136. Red River Revel Arts Festival Poster, 1985, offset lithograph, celebrating Clementine Hunter (American/Louisiana, 1886-1988), monogrammed in plate, numbered “210/350” and additionally monogrammed by Hunter lower right, published by Red River Revel Arts Festival, Shreveport, LA, sheet 22 1/2 in. x 24 1/2 in., unframed. [$400/600]

139. After Ernest J. Bellocq (American/Louisiana, 1873-1949), “Storyville Portrait”, negative creation date c. 1912, print date c. 1960, gelatin silver print, printed from the original glass negative by Dan Leyrer (American/Louisiana, 1898-1978), sheet 14 in. x 11 in., unframed. [$500/700]

140. Theodore “Fonville” Winans (American/Louisiana, 1911-1992), “Fat of the Land, Morgan City (Cajun Fare)”, 1939, gelatin silver print, signed and dated lower left, sheet 7 15/16 in. x 9 7/8 in., unframed. [$1000/1500]

141. Walker Evans (American/Missouri, 1903-1975), “Greek Revival House, From Across Street, Macon, Georgia”, 1935 negative creation date, later print, gelatin silver print, unsigned, artist stamp and inscribed en verso, “A Gallery For Fine Photography, New Orleans, LA” label on reverse of mat, 8 in. x 9 7/8 in., framed, overall 15 in. x 17 3/4 in. x 1 in. [$700/1000]

142. Walker Evans (American/ Missouri, 1903-1975), “Longwood Plantation House, Natchez, Mississippi”, negative creation date 1935, later print, unsigned, artist stamp and inscribed with title and date en verso, “A Gallery For Fine Photography, New Orleans, LA” label on reverse of mat, 10 in. x 8 in., framed, overall 18 in. x 15 in. x 1 in. [$700/1000]

138. Frank Fleming (American/Alabama, 19402018), “Penguin with Goat Head Staff”, bronze, incised signature on proper right foot, h. 17 in., w. 12 in., d. 14 in. [$5000/8000]

143. Pappy Van Winkle’s Family Reserve 23-Year-Old Bourbon, released 1998, light green bottle, gold wax capsule, Bottle #1254, from Lawrenceburg, Kentucky, 750ml, 47.8% alc. [$2000/3000]

149. [LOUISIANA ARCHITECTURE], A. Hays Town, The Architectural Style of A. Hays Town, published by Amdulaine Publications, Baton Rouge, LA, 1985, first edition, with dust jacket, signed, introduction by Blanche Town Gladney, featuring 106 preliminary sketches of Town’s Southern architecture, 11 3/8 in. x 15 7/8 in. [$500/700]

148. Original Production Cel from Disney’s “Snow White and the Seven Dwarfs”, 1937, set-up with printed background, showing Dopey and Chipmunk, gold label, verso, reads “This is an Original Handpainted Celluloid Drawing Actually Used in a Walt Disney Production”, sight 7 3/4 in. x 10 in., framed: together with a cel showing Clouseau and The Blotch from the show The Inspector, 1966, sight 8 1/2 in. x 11 1/2 in., framed. [$700/1000]

144. A.H. Hirsch Finest Reserve 20 Years Old Bourbon, pot stilled in spring of 1974, Lawrenceburg, Kentucky, red wax capsule, 750ml, alc. 45.8% [$1500/2500]

145. A.H. Hirsch Reserve 16 Years Old Bourbon, pot stilled in the spring of 1974, Frankfort, Kentucky, gold foil capsule, 750ml, alc. 45.8% [$1000/1500]

146. Black Maple Hill 14 Years Old Premium Single Barrel Bourbon, hand-bottled from cask No. 152, Bardstown, Kentucky, limited edition, red wax capsule, 750ml, alc. 47.5% [$1500/2500]

147. Black Maple Hill Premium Small Batch Bourbon, limited edition, Bardstown, Kentucky, black wax capsule, 750ml, alc. 47.5% [$1000/1500]

150. Pair of English Patinated Bronze Pedestals, lion motif marble tops, h. 49 1/2 in., dia. 19 1/2 in. [$1800/2500]

153. Georgian-Style Carved Mahogany Linen Press,19th c., shaped crest, paneled cabinet doors, two short drawers over two long, bracket feet, h. 87 in., w. 48 1/2 in., d. 21 in. [$1000/2000]

154. Regency Mahogany Secretary Bookcase, early 19th c., stepped cornice, geometric glazed doors, shelf interior, fitted secretary drawer, three lower drawers, serpentine apron, flared legs, h. 93 in., w. 45 in., d. 22 in. [$1000/2000]

155. Regency Carved Mahogany Library Table, 19th c., two frieze drawers, turned carved supports, reeded scrolled legs, brass casters, h. 29 in., w. 46 in., d. 23 1/4 in. [$1000/1500]

156. Regency Carved Mahogany What Not Shelf, 19th c., two tiers, turned supports, two drawers in apron, casters, h. 31 in., w. 29 3/4 in., d. 15 3/4 in. [$500/700]

151. English Regency Carved Mahogany Wine Cooler on Stand, oval form, fluted carving, lion handles, h. 32 in., w. 27 in., d. 18 1/2 in. [$1000/2000]

152. English Chinoiserie Parcel Gilt and Ebonized Tray on Stand, 19th c., removable tray, foliate painted frieze, square supports, h. 31 1/2 in., w. 37 1/2 in., d. 24 in. [$600/800]

157. Regency Mahogany Bedsteps, 19th c., three tooled leather treads, one compartment, turned legs, h. 28 1/8 in., w. 18 3/4 in., d. 29 1/4 in. [$800/1200]

158. Regency Inlaid Mahogany Rent Table, 19th c., tooled leather top, frieze drawers, turned standard, outswept legs, casters, h. 28 1/2 in., dia. 40 in. [$1000/2000]

161. William IV-Style Carved Mahogany Tray Top Table, removable tray, gadrooned molding, molded tapered standard, half bun feet, h. 31 1/2 in., w. 43 1/2 in., d. 22 in. [$1000/2000]

162. Antique Georgian Inlaid Walnut Secretary Desk, 19th c., two parts, top inlaid with eagle, slantfront base with monogram, bracket feet, h. 80 1/2 in., w. 40 in., d. 21 in. [$1500/2500]

159. Pair of William IV-Style Parcel Gilt Mahogany Side Tables, inset specimen marble tops, beaded molded edge, turned standard, incurvate triangular base, scrolled claw feet, h. 29 in., dia. 25 1/2 in. [$3000/5000]

160. Regency-Style Bronze-Mounted Mahogany Drinks Cabinet, 19th c., split molded lift-top, fitted bottle interior, cabinet doors open to fitted wine rack, turned feet with cup casters, h. 42 in., w. 24 1/2 in., d. 16 in. [$1000/2000]

LOTS 163, 164 & 165: Provenance: Commisioned for New Orleans’ beloved Bon Ton Cafe. See note online

163. Charles Henry Reinike (American/Louisiana, 19061983) and Charles H. Reinike, III (American/Louisiana, b. 1947), “Seafood”, 1972, cast pewter mounted on panel, signature incised “C. Reinike II-III” lower center, 35 5/8 in. x 47 5/8 in., framed, overall 37 in. x 49 1/8 in. x 1 5/8 in. [$1000/1500]

164. Charles Henry Reinike (American/Louisiana, 19061983) and Charles H. Reinike, III (American/Louisiana, b. 1947), “Game Fowl”, 1972, cast pewter mounted on panel, signature incised “C. Reinike II-III” lower center, 35 5/8 in. x 47 5/8 in., framed, overall 37 1/8 in. x 49 1/8 in. x 1 5/8 in. [$1000/1500]

165. Charles Henry Reinike (American/Louisiana, 19061983) and Charles H. Reinike, III (American/Louisiana, b. 1947), “Shellfish”, 1972, cast pewter mounted on panel, signature incised “C. Reinike II-III” lower center, 35 5/8 in. x 47 5/8 in., framed, overall 36 7/8 in. x 49 in. x 1 5/8 in. [$1000/1500]

166. Charles Henry Reinike (American/Louisiana, 19061983), “Greenwood Plantation”, watercolor on paper laid on board, signed lower right, 22 1/4 in. x 30 1/8 in, framed, overall 34 in. x 41 5/8 in. x 2 in. [$800/1200]

167. Simon Gunning (American/Louisiana, b. 1956), “Ships in the Mississippi III”, 2003, oil on panel, signed lower right, “Arthur Roger Gallery, New Orleans, LA” label with title and date en verso, 18 in. x 18 in., framed, 22 3/4 in. x 22 3/4 in. x 1 in. [$5000/7000]

168. David Harouni (Iranian/ Louisiana, b. 1962), “Untitled: Face”, oil on gallery-wrapped canvas, signed lower left, 20 in. x 16 in., unframed. [$1200/1800]

169. David Harouni (Iranian/Louisiana, b. 1962), “Untitled: Face Triptych”, 3 oils on gallery-wrapped canvas, signed lower left of left panel, each panel 35 3/4 in. x 35 3/4 in., overall 35 3/4 in. x 107 1/4 in., unframed. (3 pcs.) [$10000/15000]

170. David Harouni (Iranian/Louisiana, b. 1962), “Untitled: Face”, oil on gallery-wrapped canvas, signed lower right, 47 3/8 in. x 47 3/8 in., framed, overall 53 in. x 53 in. x 1 1/2 in. [$5000/8000]

171. Ashley Longshore (American/Louisiana, b. 1975), “Audrey with Pink and Gold Flower Headdress on Bright Orange Background”, mixed media on gallery-wrapped canvas, signed on right side, 36 in. x 36 in., unframed. [$5000/8000]

172. Hunt Slonem (American/ Louisiana, b. 1951), “Diamond Dust Bunny”, 2020, oil and diamond dust on panel, signed, dated and inscribed en verso, 10 in. x 8 in., framed, overall 12 5/8 in. x 10 5/8 in. x 1 in. [$4000/6000]

173. Hunt Slonem (American/Louisiana, b. 1951), “Grapes & Parrots”, 1997, oil on canvas, signed, titled and dated en verso, “Iberica de Marcos, Mexico City” label on reverse of frame, 39 3/4 in. x 29 3/4 in., framed, overall 45 3/4 in. x 35 5/8 in. x 1 1/8 in. [$4000/6000]

174. Hunt Slonem (American/Louisiana, b. 1951), “Orange Grove”, 2004, oil on panel, signed, titled and dated en verso, 42 in. x 32 in., unframed. [$4000/6000]

175. Hunt Slonem (American/Louisiana, b. 1951), “Picul (with Amazons and Eclectus)”, 2000, oil on canvas, signed, titled and dated en verso, “PintArt, Acapulco” stamp on backing paper, 44 1/4 in. x 66 in., framed, overall 46 7/8 in. x 68 1/2 in. x 2 in. [$6000/8000]

177. Hunt Slonem (American/Louisiana, b. 1951), “Green Singers”, 2004, oil on board, signed, titled and dated en verso, “PintArt, Acapulco” label on reverse of frame, 32 3/4 in. x 23 3/8 in., framed, overall 33 3/4 in. x 24 1/4 in. x 7/8 in. [$4000/6000]

178. Hunt Slonem (American/ Louisiana, b. 1951), “Picul”, 2006, oil on canvas, signed, titled and dated en verso, “PintArt, Acapulco” label on backing paper, 35 7/8 in. x 35 3/8 in., framed, overall 38 5/8 in. x 38 1/4 in. x 1 1/4 in. [$4000/6000]

179. Robert C. Tannen (American/Louisiana, b. 1937), “Double-Barreled Shotgun House”, 2014, decommissioned shotgun barrel and sheet metal, unsigned, h. 3 in., w. 39 in., d. 4 in. [$1000/1500]

180. Robert C. Tannen (American/ Louisiana, b. 1937), “Specie-Man Gun Parts in a Bottle”, 2014, decommissioned handguns in a glass bottle, unsigned, h. 10 in., w. 5 in., d. 5 in. [$800/1200]

176. Hunt Slonem (American/Louisiana, b. 1951), “Finches”, 2004, oil on board, signed, titled and dated en verso, “PintArt, Acapulco” label on reverse of frame, 13 5/8 in. x 13 1/2 in., framed, overall 14 5/8 in. x 14 1/2 in. x 7/8 in. [$2500/3500]

181. Ida Rittenberg Kohlmeyer (American/Louisiana, 1912-1997), “Cluster Series”, 1975, mixed media on paper, pencil-signed and dated lower right, sight 20 1/2 in. x 20 1/2 in., framed, overall 25 3/4 in. x 25 3/4 in. x 1 3/4 in. [$6000/8000]

182. Ida Rittenberg Kohlmeyer (American/Louisiana, 1912-1997), “Square”, 1982, oil and mixed media on paper, pencil-signed and dated lower right, 9 in. x 9 in., framed, overall 13 1/4 in. x 13 1/4 in. x 1 1/2 in. [$2000/3000]

183. Ida Rittenberg Kohlmeyer (American/Louisiana, 1912-1997), “Layered Landscape”, 1973, silkscreen, pencil-signed, titled, dated and numbered “70/100” lower right, blind stamp lower left, 44 1/2 in. x 29 3/4 in., framed, overall 51 1/2 in. x 37 in. x 7/8 in. [$700/1000]

185. Ida Rittenberg Kohlmeyer (American/Louisiana, 1912-1997), “Kohlmeyer Kloud”, 1973, silkscreen, pencil-signed, titled, dated, and numbered “7/100” lower margin, printed by Landfall Press, Chicago, blind stamp visible, sheet 31 in. x 24 in., framed, overall 31 1/4 in. x 24 1/2 in. x 1 in. [$800/1200]

186. Mildred Wohl (American/Louisiana, 19061977), “Crossing It Alone, III”, oil on masonite, signed en verso, 42 in. x 36 in., framed, 42 5/8 in. x 36 5/8 in. x 1 5/8 in. [$1000/2000]

187. Mario Villa (Nicaraguan/ Louisiana, 1953-2021), “Face”, 2003/2006, oil on canvas, signed and dated lower left, signed, dated and inscribed en verso, 36 in. x 24 in., unframed. [$800/1200]

188. Caroline Wogan Durieux (American/Louisiana, 1896-1989), “Survivor”, 1970, cliché-verre, signed and dated lower right, titled and numbered “2/7” lower left, signed and titled on handwritten label attached to backing paper, 17 1/2 in. x 12 in., framed, overall 26 3/4 in. x 20 3/4 in. x 1 in. [$300/500]

189. Charles Henry Alston (American/ New York, 1907-1977), “Grim Reaper”, pencil and crayon on vellum laid on board, pencil-signed lower center, 17 in. x 13 3/4 in., framed, overall 25 1/4 in. x 21 7/8 in. x 1 3/4 in. [$1000/1500]

184. Ida Rittenberg Kohlmeyer (American/ Louisiana, 1912-1997), “Romantic Triple Decker”, 1973, silkscreen and collage on paper, pencil-signed, titled, dated and numbered “26/75” lower margin, printed by Landfall Press, Chicago, blind stamp visible, sheet 24 in. x 27 1/2 in., framed, overall 31 5/8 in. x 35 5/8 in. x 1 in. [$600/800]

197. Bruce “Dapper Bruce Lafitte” Davenport, Jr. (American/Louisiana, b. 1972), “Shorty Bop”, 2020, “Slam U”, 2020, “Blue Indian”, 2020 and “Foots”, 2017, 4 markers on paper, all titled lower center, signed and dated lower right, signed and inscribed en verso, 11 in. x 14 in. to 12 in. x 9 in., unframed. (4 pcs.) [$500/700]

193. Robert Malcolm Rucker (American/Louisiana, 1932-2001), “Toledano Street”, mixed media on paper, signed lower right, 32 1/8 in. x 40 1/2 in., framed, overall 43 1/4 in. x 51 1/2 in. x 1 1/2 in. [$1500/2500]

194. Leo Meiersdorff (German/Louisiana, 19341994), “Jazz Musicians”, 1970, watercolor and ink on paper, signed, dated and inscribed “New Orleans” lower right, 22 in. x 29 7/8 in., framed, overall 22 3/4 in. x 30 3/4 in. x 1 in. [$400/600]

195. Terrance Osborne (American/ Louisiana, b. 1976), “Jazz Fest Study No. 1”, 2022, graphite on paper, signed lower right, partial sketch en verso, 18 in. x 12 in., framed, overall 26 1/2 in. x 20 7/8 in. x 1 1/4 in. [$1000/1700]

196. Bruce “Dapper Bruce Lafitte” Davenport, Jr. (American/Louisiana, b. 1972), “Ali Vs. Frazier” and “Joe Louis”, 2022, 2 markers on paper, each signed and dated lower right, both titled lower center, each initialed lower left, both signed and inscribed en verso, each 10 in. x 8 in., unframed. (2 pcs.) [$500/700]

191. Lin Emery (American/Louisiana, 1926-2021), “Geometric Abstract Study”, cardboard on board, unsigned, 22 1/8 in. x 28 1/2 in., framed, overall 24 1/8 in. x 30 1/4 in. x 2 1/4 in. [$600/800]

192. George Koras (Greek/New York, b. 1925), “Untitled”, 1966, patinated bronze, signed, dated and numbered “1/1” on reverse, h. 15 in., w. 22 in., d. 14 1/2 in., wood base, overall h. 17 1/4 in. [$300/500]

190. Lin Emery (American/ Louisiana, 1926-2021), “Untitled”, polished aluminum kinetic sculpture, unsigned, h. 6 3/4 in. [$6000/8000]

199. William Anzalone (American/Texas, b. 1935), “Circus #2”, oil on canvas, signed lower left, “Meredith Long & Company, Houston, TX” label with artist en verso, inscribed and handwritten label on stretcher, 36 in. x 24 in., framed, overall 37 3/4 in. x 25 3/4 in. x 1 3/4 in. [$1000/1200]

200. Patricia Whitty (American/ Louisiana, 1943-2008), “Broken Bulb or Message from Narcisssus”, 1981, acrylic, watercolor and gouache on gallerywrapped canvas, signed, titled and dated en verso, 60 in. x 120 1/4 in., unframed. [$3000/5000]

198. William Anzalone (American/ Texas, b. 1935), “Circus #1”, oil on canvas, signed lower right, inscribed, partial “Meredith Long & Company, Houston, TX” and handwritten labels on stretcher, 30 in. x 40 in., unframed. [$1000/1500]

201. Richard Johnson (American/Louisiana, b. 1942), “Solo II”, 1979/1980, mixed media on canvas, initialed mid-left, dated “1979” lower right, “Galerie Simonne Stern, New Orleans” label with artist, title and date “1980” on stretcher, 89 in. x 89 in., framed, overall 90 in. x 90 in. x 3 in. [$2000/3000]

202. Robert Ranieri (American, b. 1930), “Discovery of the Goddess”, 1961, oil on canvas, signed and dated lower center, inscribed “Loeb” and “Albert Loeb Gallery, New York, NY” label with artist and date on stretcher, 60 1/4 in. x 53 in., framed, overall 61 1/4 in. x 53 3/4 in. x 1 1/2 in. [$400/600]

backing board, 6 in. x 9 1/2 in., framed, overall 12 3/4 in. x 16 1/4 in. x 1 1/2 in. [$3000/5000]

205.

Calder, Magie Eolienne portfolio, pencil-signed lower right, pencil-numbered “H C VI/XX” lower left, “Arches France” watermark visible, published by Societe International d’Art XXe Siecle, printed by Maeght, Paris, sheet 25 3/8 in. x 19 1/2 in., framed, overall 33 in. x 27 in. x 1 in. [$2500/3500]

207. Faith Ringgold (American, b. 1930), “Somebody Stole My Broken Heart”, 2007, screenprint in colors, pencil-signed, titled, dated and numbered “44/60” lower margin, watermark visible, 22 1/2 in. x 18 3/4 in., unframed. [$2500/3500]

206. Chris Doyle (American/ New York, b. 1959), “Prophet”, 2013, watercolor on paper, unsigned, “Catherine Clark Gallery, San Francisco, CA” labels with artist, title and date on backing paper, 32 in. x 32 in., framed, overall 36 1/4 in. x 36 1/8 in. x 1 1/8 in. [$1500/2500]

Alexander Calder (American, 1898-1976), “Untitled”, 1972, lithograph, from

204. Ben Shahn (Lithuanian/American, 1898-1969), “Road Closed”, c. 1935 negative creation date, later print, gelatin silver print, unsigned, commissioned by the Resettlement Administration/Farm Security Administration for the U.S. Department of Agriculture, inscribed and 2 partial Farm Security Administration stamps one with artist en verso, label with artist and date and “Ambiance by Parker, Nashville, TN” label on

203. Gabe Hausmann (American/Louisiana, 20th c.), “Irrational Exuberance #1: Ode to Jackson”, oil on gallery-wrapped canvas, signed lower right, titled en verso, 48 in. x 59 3/4 in., unframed. [$300/500]

210. Mary Kirk Kelly (American/Alabama, 1918-2013), large ceramic cabbage leaf bowl, signed and dated 1986, h. 4 in., dia. 16 in., and a bok choy vase, signed, h. 7 in. [$300/500]

211. Mary Kirk Kelly (American/Alabama, 1918-2013), large lettuce-leaf low bowl, signed and dated 1986, h. 3 in., length 13 in., and a red cabbage leaf bowl, h. 7 in., dia. 9 1/2 in. [$300/500]

212. Mary Kirk Kelly (American/ Alabama, 1918-2013), ceramic melon basket, h. 3 1/4 in., length 6 1/2 in., and a lettuce leaf plate, both signed. [$150/250]

208. Mary Kirk Kelly (American/ Alabama, 1918-2013), ceramic cabbage tureen, with lid, signed and dated 1981, h. 9 in., dia. 10 in. [$500/700]

213. Mary Kirk Kelly (American/Alabama, 1918-2013), fourteen ceramic pieces of fruit, all signed, life size. [$250/350]

214. Mary Kirk Kelly (American/Alabama, 1918-2013), eleven ceramic vegetables, all signed, life size. [$200/300]

209. Mary Kirk Kelly (American/Alabama, 1918-2013), eight ceramic lettuceleaf bowls, all signed, h. 2 in., dia. 7 in. [$400/600]

215. Pair of Minton-Style Blue Porcelain Vases, marked, reserved with classical scenes, lion’s head handles, h. 16 1/2 in., w. 11 in., d. 9 in. [$600/800]

216. Pair of English Polychrome and Gilt Porcelain Floral Urns, 19th c., floral reserves, scroll handles, h. 21 1/2 in., w. 10 in., d. 7 in. [$700/900]

Provenance:

221. English Late Victorian Inlaid Mahogany Cylinder Desk, late 19th c., stamped “Edwards & Roberts London”, inlaid tambour cylinder lid, fitted interior with slideout surface, three frieze drawers over two pedestal cabinets, h. 43 3/4 in., w. 50 3/4 in., d. 24 in. [$2500/3500]

Ruppert Kohlmaier Jr. Collection

222. Pair of West Indies-Style Carved Teakwood Campeche Chairs, 20th c., scrolled arms, slatted back and seat, h. 34 1/4 in., w. 24 1/2 in., d. 45 in. [$700/1000]

217. Jacobean Carved Walnut Armchair, likely 17th c., scrolled arms, baluster-turned uprights, legs and stretcher, disc feet, needlepoint upholstery, h. 39 in., w. 23 in., d. 20 in. [$200/400]

218. Large English Chippendale-Style Leather Bench, 19th c., gadrooned molded, acanthine cabriole legs, ball and claw feet, h. 18 1/2 in., w. 44 in., d. 26 1/4 in. [$800/1200]

219. Antique Anglo-Colonial Brass-Mounted Hardwood Campaign Desk on Stand, 19th c., lift top, fitted interior with tooled leather surface, turned supports [$700/900]

220. Anglo Indian-Style Inlaid and Ebonized Mixed Woods Center Table, inlaid swirl top, foliate carved frieze, turned standard, avian feet, h. 30 1/2 in., dia. 48 in. [$800/1200]

223. Jacobean-Style Carved Walnut Settee, nailhead upholstered, acanthus supports, scrolled stretchers surmounted by finials, h. 36 1/2 in., w. 85 in., d. 29 in. [$1000/2000]

224. English Chinoiserie, Mother-of-Pearl Inlaid, Ebonized Desk on Stand, 19th c., fall front, fitted interior, shaped apron, cabriole legs, ball and claw feet, h. 47 in., w. 37 in., d. 17 1/2 in. [$1000/2000]

225. Twelve Georgian-Style Carved Mahogany Dining Chairs, 20th c., incl. 2 armchairs and 10 side chairs, scrolled carved crest rail, pierced splat, foliate knee, ball and claw feet. [$1200/1800]

226. Pair of Georgian-Style Carved Mahogany Console Tables, 20th c., inset marble top, gadrooned molding, foliate pierced carved frieze with drawer, acanthus carved cabriole legs, scrolled toes. [$1500/2500]

227. Georgian Chinoiserie Painted and Gilt Decorated Pembroke Table, 19th c., top with Asian landscape scene, drop leaves, frieze drawer, tapered legs, h. 26 1/2 in., w. 30 in., d. 20 1/2 in. [$1000/2000]

228. George III-Style Chinoiserie Parcel Gilt Black Lacquer Secretary Desk , broken arch crest surmounted by bronze finial, paneled doors, fitted interior, fall front desk, fitted interior, five drawers, bracket feet, h. 88 1/2 in., w. 43 in., d. 21 1/2 in. [$1000/2000]

[$500/800]

1 1/4

25

16 3/4

1

23 in. x 16 in., framed, overall 32 3/4 in. x 25 in. x 1 in. [$600/800]

Ill.: Rodrigue, George and Wendy Wolfe Rodrigue. George Rodrigue Prints: A Catalogue Raisonné 19702007. New York: Harry N. Abrams, Inc., 2008, p. 90.

229. George Rodrigue (American/Louisiana, 1944-2013), “Home on the Moon”, 1991, lithograph, signed lower left margin, signed in plate, edition of 1000, 10 5/8 in. x 22 in., framed, overall 24 1/2 in. x 34 1/2 in. x 3 1/2 in. [$800/1200]

230. George Rodrigue (American/Louisiana, 19442013), “Rodrigue: A Man & His Dog”, 1993, silkscreen, signed lower right, inscribed “Artist Proof” lower left, edition of 90 plus artist proofs,

231. George Rodrigue (American/ Louisiana, 1944-2013), “Reflections of Jolie Blonde”, offset lithograph, signed in plate, signed, titled and inscribed “Artist Proof” lower margin, 19 5/8 in. x 14 3/4 in., framed, overall 26 1/2 in. x 21 in. x 1 1/2 in. [$300/500]

232. George Rodrigue (American/Louisiana, 1944-2013), “Uncle Earl” and “The Kingfish”, 2 offset lithographs, both signed in plate and lower right margins, one numbered “86/300” lower left margin, 24 in. x 18 in. and 17 1/2 in. x 9 1/2 in., framed, overall 31 1/4 in. x 23 1/4 in. x

and

in. x

in. x

in. (2 pcs.)

233. George Rodrigue (American/ Louisiana, 1944-2013), “Edwards...Now: On the Road Again”, 1983, poster, signed lower left margin, autographed by Edwards lower right margin, signed in plate, numbered “338” lower center, edition of 1000, 23 1/2 in. x 15 in., framed, overall 37 in. x 24 1/8 in. x 1 in. [$400/600]

234. George Rodrigue (American/Louisiana, 1944-2013), “Washington Blue Dog”, 1993, lithograph, signed lower left, titled lower center, signed in plate lower right, open edition, sight 15 1/2 in. x 21 3/4 in., framed, overall 28 in. x 34 1/8 in. x 1 1/2 in. [$1000/1500]

235. George Rodrigue (American/Louisiana, 1944-2013), “43rd President of the United States (George W. Bush): Red”, 2001, silkscreen, signed lower left, inscribed “Artist Proof” lower right, edition of 150 plus artist proofs, 20 in. x 20 in., unframed. [$600/800]

236. George Rodrigue (American/ Louisiana, 1944-2013), “Ronald Reagan: An American Hero”, 1986, poster, signed, dated and inscribed “Artist Proof” lower margin, 23 3/4 in. x 18 in., framed, overall 34 3/8 in. x 26 1/4 in. x 3/4 in. [$700/1000]

239. George Rodrigue (American/ Louisiana, 1944-2013), “Blue Label”, 1995, silkscreen, signed lower right, numbered “45/50” lower left, 32 in. x 21 in., unframed. [$2000/3000]

240. George Rodrigue (American/Louisiana, 19442013), “Blue Dog Supersize”, 2002, silkscreen, pencil-signed and inscribed “P.P. 1/4” lower left, edition of 75 plus 4 printers’ proofs, 49 in. x 37 in., framed, overall 62 3/4 in. x 43 in. x 1 1/4 in. [$3000/5000]

241. George Rodrigue (American/Louisiana, 1944-2013), Complete Suite of Three New Orleans Jazz and Heritage Festival Posters, including “Louis Armstrong”, 1995, silkscreen, signed lower center, signed in plate lower left, numbered “5085/10,000” and blind stamp lower left margin, 33 in. x 20 in.; “Al Hirt”, 2000, silkscreen, signed, numbered “319/2000” and blind stamp lower margin, signed in plate, 33 in. x 20 in.; and “Pete Fountain”, 1996, silkscreen, signed and numbered “284/3000” lower margin, signed in plate, 33 in. x 20 in., all framed, overall 37 1/8 in. x 23 1/8 in. x 1 in. to 45 1/8 in. x 31 1/8 in. x 1 in. [$3000/5000]

242. Three George Rodrigue Blue Dog Man Book Posters, 1999, each signed lower center, sheets 22 1/4 in. x 16 in., framed together, overall 29 in. x 55 1/2 in. x 1 1/2 in. [$800/1200]

243. George Rodrigue (American/ Louisiana, 1944-2013), “Don’t Like Being Blue”, 1993, silkscreen, signed lower right, numbered “64/120” lower left, 16 in. x 23 1/4 in., unframed. [$1000/1500]

244. George Rodrigue (American/ Louisiana, 1944-2013), “Junkyard Dog”, 1993, silkscreen, signed and numbered “74/90” lower right, 34 in. x 23 3/8 in., unframed. [$1500/2500]

237. George Rodrigue (American/Louisiana, 1944-2013), “A Bouquet of Rosé”, 2010, lithograph, unsigned, pencil-numbered “244/350” lower left margin, 33 in. x 26 1/4 in., framed, overall 42 in. x 34 in. x 1 in. [$1500/2500]

238. George Rodrigue (American/Louisiana, 1944-2013), “Later Gator”, 1992, silkscreen, signed and numbered “35/90” lower right, 23 3/4 in. x 34 in., unframed. [$2000/3000]

245. Vintage Louis Vuitton Pullman 75 Monogram Canvas Suitcase, brown coated canvas, gold-tone hardware, leather trim, gilt

“C.C.C.”, h. 22 in., w. 29 in., d. 9 in. [$200/400]

Monogram Canvas Garment Cover Travel Bag, brown coated canvas, gold-tone hardware, gilt monogram

“C.C.C.”, h. (closed) 27 in., w. 23 1/2 in., d. 4 1/2 in., h. (open) 47 in. [$400/500]

.50 ct.; and pair of yellow gold, ruby and diamond cluster earrings. [$500/1000]

252.

White

Natural Sapphire and

, center prong-set round blue sapphires, each wt. approx. 1.50 cts.; each bezel set with 14 round diamonds, each wt. approx. .04 ct.; dia. 1/2 in.; unmarked but tested 18 kt. [$800/1200]

253. Two Pairs of Earrings, incl. early Victorian silver top, gold back diamond earrings, each set with pear and round Old Mine diamonds; and pair of white gold, cabochon sapphire and diamond stud earrings. [$600/900]

249. Single Platinum, Emerald and Diamond Earring, set with emerald-cut emerald, approx. 3.50 cts.; and 14 full cut diamonds, total wt. approx. 2 cts.; clip and post back. [$3000/5000]

250. Two Pairs of Stud Earrings, incl. pair of white gold and diamond earrings, each wt. approx.

251. Two Pairs of White Gold Stud Earrings, incl. pair of brown and white diamond cluster earrings, and pair of cabochon pink quartz and diamond cluster earrings. [$500/700]

Pair of 18 kt.

Gold,

Diamond Wire Earrings

monogram

246. Vintage Louis Vuitton

247. Pair of Retro 14 kt. White Gold, Carved Aquamarine, Cabochon Ruby, Emerald, Sapphire and Faceted Diamond Earclips, l. 1 1/4 in. [$700/1000]

248. Two Pairs of Retro White Gold Pendant Earrings, incl. pair set with cabochon pear-shaped emeralds and faceted diamonds, l. 1 3/8 in.; and pair set with cabochon rubies and diamonds, l. 1 1/2 in.; both with screw backs. [600/900]

254. Cultured Pearl Necklace with 14 kt. Yellow Gold and Ruby Clasp, 38 pearls, 7.5 - 8.50 mm., l. 15 1/2 in., together with a baroque pearl pendant. [$300/500]

255. 18 kt. Yellow Gold and Platinum Snake Bracelet, marked, inner circ. 6 in., approx. 26.16 dwts. [$1200/1800]

256. Retro Yellow Gold and Citrine Flexible Link Bracelet, c. 1940s, set with 7 emerald-cut citrines, l. 6 in. [$500/700]

257. Yellow Gold Necklace with Associated Pair of Diamond Pendant Earrings, necklace mounted with 3 bezel set round graduated diamonds, l. 19 in.; earrings each set with 5 round graduated diamonds, l. 1 in. [$300/500]

258. 18 kt. Yellow Gold Flat Curb Link Chain, box clasp with safety, w. 5.5 mm., l. 18 in., wt. 29.5 dwts. [$1500/2500]

259. Three 14 kt. Yellow Gold Wedding Bands, incl. textured wide band, 8.5 mm., size 8.25; polished band, 3.3 mm., size 6.75; and flat wide band, 7.4 mm., size 9.50 in., total wt. 13.5 dwt. [$500/800]

260. Cartier Trinity 18 kt. White Gold, Rose Gold and Yellow Gold Bracelet, marked and inscribed with serial number “AK7644”, size 18 cm; with authenticity certificate and original box. [$3000/5000]

263. White Gold and Diamond Station Chain Necklace, l. 32 in.; with pearl, sapphire and diamond pendants, l. 1 1/2 in. [$400/600]

264. Portuguese 18 kt. Yellow Gold (19.2 kt.) Tricolor (Pink, Yellow and Green) Triple Hoop Brooch, dia. 1 3/8 in., wt. 9 dwts [$600/800]

265. Pair of 18 kt. Yellow Gold Mabe Pearl Cufflinks, marked [$300/500]

266. 14 kt. Yellow Gold and Diamond Cufflinks and Stud Set, each set with 4 small diamonds; wt. 20.00 dwt., cufflink dia. 5/8 in. [$1200/1800

261. Platinum and Old Mine Cut Diamond Solitaire Ring, filigree setting with center stone wt. approx. 2.46 cts.; I color SI clarity; set in octagonal frame with 34 single cut diamonds, each wt. approx. .01 ct., ring size 5.5; with July 15, 1981 Boudreaux’s appraisal [$10000/20000]

262. Platinum, Diamond and Natural Sapphire Cluster Ring, center round diamond accented by 6 round blue sapphires, size 4.25. [$300/500]

270. Antique Louis XV Inlaid Fruitwood and Walnut Slant-Front Desk, 19th c., fall front, fitted interior, three drawers, cabriole legs, h. 35 3/4 in., w. 31 1/2 in., d. 17 in. [$700/1000]

267. Italian Malachite and Carved Giltwood Center Table, malachite top inset with Arabic characters, urn form support, ebonized plinth base, h. 31 1/2 in., dia. 39 1/2 in. [$3000/5000]

268. Pair of Italian Neoclassical-Style Carved and Silvered Giltwood Curule Benches, acanthus arms with camel head terminals, upholstered seats, outswept legs, hoof feet, h. 27 in., w. 36 in., d. 20 in. [$700/900]

269. Pair of French EmpireStyle Bronze-Mounted Gueridons, marble top, ram’s head motif, bronze supports, incurvate triangular base, h. 38 in., dia. 21 1/2 in. [$1000/2000]

273. Antique Venetian Rococo-Style Painted Bombe Commode, 19th c., shaped molded top, two drawers, shell and scroll apron, cabriole legs, h. 35 1/2 in., w. 49 in., d. 20 in. [$1000/2000]

271. Pair of Baltic Empire-Style Bronze-Mounted Mahogany Demilune Consoles, 19th c., apron mounted with portrait medallion, tapered legs, h. 28 in., w. 51 in., d. 20 1/2 in. [$1000/2000]

272. Pair of Italian Rococo-Style Carved Wood Jardinieres, S scroll legs, removable metal liner, h. 46 in., w. 21 in., d. 21 in. [$700/900]

277. French Brass-Mounted Mahogany Three-Tier Side Table, 19th c., galleried shelves, turned supports, tray top mounted with cameos, h. 28 1/2 in., w. 21 1/2 in., d. 12 1/2 in. [$700/900]

278. French Empire-Style Bronze-Mounted Mahogany Étagère/Server, 19th c, molded two tiered superstructure, two drawers over molded doors, flanking half columns, paw feet., h. 65 in., w. 58 in., d. 24 in. [$1500/2500]

275. Pair of French Neoclassical-Style Bronze Two Tier Gueridons, inset marble tops, incurvate supports, stretcher surmounted with urn, paw feet, h. 27 1/2 in., dia. 22 in. [$1000/2000]

276. Louis XV-Style Bronze-Mounted Marquetry and Mahogany Console, shaped marble top, bronze molded foliate frieze, cabriole legs, stretcher centered with floral rocaille mount, h. 36 1/2 in., w. 46 1/2 in., d. 17 1/2 in. [$2000/4000]

274. Pair of Baltic Neoclassical-Style BronzeMounted Mahogany Cabinets, marble tops, two doors flanked by columns, h. 39 in., w. 57 in., d. 21 in. [$5000/7000]

285. Patinated Bronze of “Zaporozhsky Kazak on Horseback “, after Eugene Alexandrovich Lanceray, cast signature (in Cyrillic) on self-base, h. 16 1/2 in., w. 16 1/2 in., d. 11 in., marble base, overall h. 18 1/2 in. [$1200/1400]

282. French Renaissance Revival Marble and Porcelain Mantel Clock, 19th c., striking bell movement, inset porcelain plaques with cobalt ground and white and gilt designs, h. 21 1/2 in., w. 13 1/2 in., d. 8 1/2 in. [$1000/2000]

283. Empire-Style Gilt Bronze Figural Mantel Clock, depicting Jacques-Louis David’s Oath of the Horatii, fronted by relief, on paw feet, visible escapement, h. 19 in., w. 21 in., d. 8 in. [$2000/4000]

284. Wilhelm Heckel Bassoon, 1961, maple body marked “Heckel Biebrich” and “Made in Germany”, serial #10508-4, with two Heckel CC bocals, (one pre-war). [$5000/7000]

281. Napoleon III Gilt and Patinated Bronze Three-Piece Figural Clock

Garniture, 19th c., clock surmounted with family, flanked by maidens holding five-light candelabra, clock h. 22 1/2 in., w. 25 in., d. 6 1/2 in., candelabra h. 26 in., w. 14 in., d. 6 1/2 in. [$4000/6000]

279. Antique French Gilt and Patinated Bronze Figural Mantel Clock, 19th c., surmounted by a Scotsman and rearing horse, h. 19 in., w. 14 1/2 in., d. 5 1/2 in. [$600/800]

280. French Bronze and Porcelain Carriage Clock, c. 1900, elaborate case, mounted with Sevres-style porcelain, h. 8 1/2 in., w. 5 1/2 in., d. 5 in. [$700/900]

293. Continental School, 19th c., “Napoleon III”, oil on canvas, signed “K. Fedoroff” lower right, “Jerry Ward, Artist, Shelbyville, TN” restoration label with title on reverse of frame, 20 in. x 24 1/4 in., framed, overall 28 1/4 in. x 32 1/4 in. x 3 in. [$600/900]

289. Continental School, 1860, “The Greek Slave”, oil on canvas, monogrammed and dated lower left, titled and illegibly inscribed on stretcher, 18 1/4 in. x 14 1/4 in., unframed. [$200/300]

292. Carved Marble Bust of Napoleon as Julius Caesar, after Antonio Canova, h. 24 in., w. 11 1/4 in., d. 7 1/2 in., faux marble base, overall h. 26 1/2 in. [$1000/2000]

286. Continental School, 19th c., “Arabian Horseman”, graphite on paper, unsigned, 13 1/8 in. x 14 3/4 in., framed, overall 16 1/2 in. x 18 1/4 in. x 1 1/2 in. [$100/200]

287. Dutch School, 19th c., “Barmaid and Patron”, oil on canvas, unsigned, 13 1/2 in. x 13 1/2 in., framed, overall 23 1/8 in. x 23 1/8 in. x 3 1/4 in. [$1000/1500]

288. Julio Montenegro (Ecuadorian/ Spanish, 1867-1932), “A SandalMaker’s Shop in Cadiz”, 1892, oil on canvas, signed, dated and inscribed lower right, 12 1/4 in. x 22 3/8 in., framed, overall 20 in. x 30 1/4 in. x 3 in. [$1500/2500]

290. Patinated Bronze Figural Group of an Elephant and Riders, h. 21 3/4 in., w. 19 in., d. 10 1/2 in., granite base, overall h. 26 in. [$1000/2000]

291. Pair of Patinated Bronze “Marly Horses”, after Guillaume Cousteau the Elder, one with cast signature on self-base, h. 14 3/4 in., w. 7 in., d. 14 1/2 in., marble bases, each overall h. 16 3/4 in. [$1000/2000]

301. French Tapestry Upholstered Three-Panel Screen in the Regence Style, 19th c, center h. 75 1/2 in., w. 29 in., side h. 71 in., w. 19 in. [$2000/4000]

300. French Provincial Carved Mahogany Bombe Commode, 18th c. and later, molded top, two short drawers over two long, carved shaped apron, scrolled legs, h. 32 in., w. 50 in., d. 26 in. [$1000/2000]

297. French Jacobean-Style Carved Mahogany Tavern Table, frieze drawer, barley twist supports, X-form stretcher, h. 27 in., w. 35 1/2 in., d. 25 in. [$600/900]

298. Louis Philippe Fruitwood Commode, 19th c., marble top, blind frieze drawer, three graduated drawers, plinth base, shaped block feet, h. 35 1/2 in., w. 53 in., d. 23 in. [$1000/2000]

296. French Provincial Carved Walnut Two-Part Cabinet, 19th c., Alsace-Lorraine, stepped cornice, paneled doors centered by floral medallions, fiche hinges, scrolled pierced apron, blocked base, h. 91 in., w. 62 in., d. 25 1/4 in. [$500/700]

294. Patinated Metal Standing Figure of Napoleon, h. 12 1/2 in., w. 4 in., d. 3 1/2 in., fluted wood column base, overall h. 18 in. [$400/600]

295. Cast Stone and Marble Bust of Napoleon Bonaparte with Imperial Eagle, h. 28 in., w. 20 in., d. 14 in. [$1000/2000]

299. Chinese Carved Hardwood Console Table, 21st c., plank top, three floralcarved drawers, trestle base, h. 34 in., w. 75 1/2 in., d. 21 in. [$600/900]

305. Breton Carved Walnut Buffet Cabinet, late 19th c., turned finial, reticulated galleried cornice, fluted columnar stiles, beveled glass panel door, foliate paneled cabinets, two frieze drawers stepped base, compressed bun feet, h. 96 in., w. 69 in., d. 21 1/2 in. [$1500/2500]

306. French Patinated Metal and Brass Baker’s Rack, entwined scrolled crest, spindled back, fitted shelf, wood plinth, caged lower section, h. 90 1/2 in., w. 26 3/4 in., d. 25 in. [$500/700]

307. Antique French Carved Mahogany Baldachin. [$300/500]

308. Pair of French Bronze Candlesticks in the Louis XV Style, 19th c, h. 10 1/2 in., dia. 5 1/2 in. [$400/600]

302. Large Portuguese Renaissance-Style Carved Walnut Console Table, two foliate carved frieze drawers, turned supports, beaded stretchers, bun feet, h. 36 in., w. 84 in., d. 32 in. [$1000/2000]

303. Pair of French Carved Wall Columns, 19th c, h. 90 1/2 in., w. 11 1/2 in., d. 5 1/2 in. [$700/900]

304. French Directoire Mahogany Rafraichissoir or Wine Table, two bottle wells with removable liners, shelves below, h. 27 in., w. 16 1/2 in., d. 16 1/2 in. [$400/600]

309. Pair of Continental Wrought Iron and Parcel Gilt Lanterns, fitted with floral-etched glass panels, h. 52 in., w. 24 in., d. 24 in. [$1000/2000]

313. Pair of Napoleon III Gilt Bronze and Marble SixLight Candelabra, 19th c., raised on giltwood pedestals, h. 67 1/2 in., dia. 15 in. [$4000/6000]

314. Pair of Italian Grand Tour-Style Specimen Marble Ornaments, spheres on stepped pedestals, h. 20 in., w. 7 in., d. 8 in. [$1000/2000]

315. Pair of Italian Grand Tour-Style Specimen Marble Obelisks, of typical form, h. 21 1/2 in., w. 6 in., d. 6 in. [$800/1200]

316. Continental Malachite and Silver Filigree Casket on Stand, hinged lid, applied semi-precious stones, h. 9 3/4 in., w. 12 in., d. 7 3/4 in., ebonized stand with decorative mounts, overall h. 36 1/2 in. [$2000/4000]

310. Continental Bronze Armor Breastplate after the Antique, presented on armature, h. 28 1/2 in., w. 14 in., d. 9 in. [$1000/2000]

311. Pair of French Empire Gilt and Patinated Bronze Chenets, 19th c., sphinx motif, h. 11 1/2 in., w. 12 in., d. 5 in. [$1000/2000]

312. Four Italian Carved Marble Portrait Plaques, iron frames, h. 16 in., w. 12 1/2 in. [$2000/3000]

321. Three French Gilt Metal-Mounted Cut Crystal Dresser Boxes, hinged lids, tallest h. 7 1/2 in., w. 7 in., d. 5 in. [$800/1200]

322. Pair of French BronzeMounted Cut Crystal Vases, mask handles, paw feet, h. 15 1/2 in., w. 12 1/2 in., d. 8 in. [$500/800]

323. Lalique Frosted and Clear Glass Vase, h. 9 1/2 in., dia. 8 in. [$500/700]

324. Art Nouveau Patinated Bronze Figural Lamp of “Melodie with Lyre”, after Albert Ernest Carrier-Belleuse, h. 30 1/4 in., w. 20 in., d. 12 in., base with artist plaque, overall h. 33 in. [$1000/2000]

317. Italian NeoclassicalStyle Sienna Marble Female Term, tapered column, h. 59 in., w. 7 in., d. 11 in. [$1000/2000]

318. Pair of French Bronze and Rock Crystal Figural Ornaments, each supported by putto standing on sphere, marble base, h. 18 1/2 in., dia. 5 1/2 in. [$800/1200]

319. Pair of Continental Carved Amethyst Owls, h. 5 in., w. 3 1/2 in., d. 3 in. [$800/1200]

320. Continental Bronze Coffer, hinged lid, cast with dragons and stylized floral design, h. 8 in., w. 10 1/2 in., d. 8 in [$800/1200]

325. Continental Renaissance-Style Carved Walnut Armchair,19th c., scalloped back, scrolling arms, barley twist supports and stretchers [$500/700]

326. Pair of French NeoclassicalStyle Bronze Gueridons, inset red marble top, bamboo-turned supports, stretcher surmounted with finial, hoof feet, h. 29 1/2 in., dia. 22 in. [$2000/4000]

327. Pair of Louis XV-Style Bronze-Mounted Marquetry and Kingwood Side Tables, cartouche top, shaped apron, cabriole legs, sabots, h. 30 in., w. 20 in., d. 20 in. [$800/1200]

328. Louis XV-Style Bronze-Mounted Marquetry and Kingwood Cabinet, marble top, foliate inlaid panel doors, cabriole legs, bronze paw feet, h. 36 in., w. 40 in., d. 17 in. [$1000/2000]

330. Louis XV-Style Carrara Marble Fireplace Surround, in four parts, h. 43 1/2 in., w. 55 in., d. 13 in. [$1000/2000]

331. Italian Neoclassical-Style Parquetry and Kingwood Chest of Drawers, molded top, conforming case, three drawers, h. 33 1/2 in., w. 48 1/2 in., 26 1/2 in. [$1000/2000]

332. Pair of Continental Rococo-Style Carved Giltwood Armchairs, pierced crest, foliate decoration, cabriole legs, h. 40 1/2 in., w. 28 in., d. 23 in. [$700/900]

329. Pair of Continental Faux Tortoiseshell, Gilt and Specimen Marble Consoles, figural crane supports, octagonal plinth bases, h. 37 in., w. 56 in., d. 18 in. [$3000/5000]

339. Christofle “Malmaison” Pattern Silverplate Coffee Service, incl. coffee pot (h. 10 1/4 in.), creamer, sugar and small tray (10 3/8 in. x 8 in.) [$700/900]

340. Continental Art Nouveau Silver Jardiniere, CG Hallberg, Stockholm, 1901, tested .800 fine, oval with serpentine rim, chased floral decoration and twig handles and feet, h. 4 1/2 in., w. 12 1/8 in., d. 7 in., wt. 28.30 troy ozs. [$800/1200]

333. Louis XV-Style BronzeMounted Kingwood, Parquetry and Marquetry Commode, 19th c., molded shaped marble top, two drawers, cabriole legs, sabots, h. 32 1/2 in., w. 37 1/2 in., d. 21 in. [$800/1200]

334. Pair of Louis XV-Style BronzeMounted Kingwood Gueridons, inset white marble tops, arched stretchers, tapered legs, sabots, h. 30 in., dia. 21 in. [$800/1200]

335. Pair of Regence-Style Bronze-Mounted Marble Pedestals, molded top, beaded tapered square standard, plinth base, h. 50 1/2 in., w. 16 1/2 in., d. 16 1/2 in. [$2000/4000]

336. Pair of Louis XV-Style Carved Giltwood Settees, pierced carved crest rail, serpentine seat rail, cabriole legs, h. 34 in., w. 60 in., d. 22 in. [$1000/2000]

338. Louis XVI-Style Silverplate and Cut Crystal Table Garniture and Plateau, late 19th c., Latham & Morton (Thomas Latham & Ernest Morton), Birmingham, act. 1866-1926, incl. centerbowl with base of tritons and pair of tazzas with dolphin bases, on tripartite mirrored plateau, h. 19 1/2 in., w. 34 in., d. 15 1/2 in. [$4000/6000]

337. Pair of Louis XVI-Style Carved Giltwood Tables, inset chinoiserie tops, acanthus frieze, floral swags, turned and tapered supports, shaped stretcher surmounted by floral urn, foliate feet, h. 26 1/2 in., w. 23 1/2 in., d. 23 1/2 in. [$1000/2000]

341. Pair of German Sterling Silver Figural Master Salt Cellars, each in the form of a shell supported by a dolphin with putto, on an inverted shell base, h. 6 1/2 in., w. 4 1/2 in., d. 3 in., total wt. 14.80 troy ozs. [$500/700]

342. Chased Silver “Boar” Figural Box, marked “ITALY/ STERLING/ CARTIER”, (see detail photo), copper ears and nose, malachite eyes, h. 7 in., wt. 12.15 troy ozs. [$600/900]

345. Continental Carved and Polychromed Figure of a Saint, 19th c., cloud-form base with cherubs, h. 41 in., w. 19 in., d. 11 in. [$700/900]

346. French Carved Limestone Figure of a Lion, 18th c., recumbent figure, plinth base, h. 16 1/2 in., w. 12 1/2 in., d. 25 1/2 in. [$1500/2500]

347. Miniature BrassMounted Mahogany Secretaire à Abattant, 19th c., interior fitted with two drawers, lower cupboard with interior shallow drawer, h. 21 in., w. 15 1/2 in., d. 8 1/4 in. [$800/1200]

348. Continental Carved Wood Corinthian Capital Table Base, 19th c., h. 25 3/4 in., w. 27 1/2 in., d. 27 1/2 in., dia. of top 16 3/4 in. [$500/700]

343. Decorative Suit of Armor, leather and metal, wood base, with separate sword, h. 73 in., w. 28 in., d. 16 1/2 in. [$1000/1500]

344. Carved Stone Head of a Turbaned Youth, h. 8 1/2 in., mounted to marble plinth, overall h. 12 3/4 in. [$500/700]

355. Pair of Italian Grand Tour-Style Specimen Marble Obelisks, stepped base, h. 36 in., w. 7 1/2 in., d. 7 1/2 in. [$2000/4000]

356. Antique Italian Carved Marble Bust, contemporary armature, h. 10 in., w. 5 1/2 in., d. 5 in. [$500/700]

349. Three Carved SemiPrecious Stone Skulls, incl. lapis, rhodochrosite and amethyst, tallest h. 6 in. [$800/1200]

350. Pair of Monumental BronzeMounted Lapis Lazuli Obelisks, wreath mounts, wood pedestals, overall h. 91 in., w. 18 in., d. 18 in. [$5000/7000]

351. Pair of Italian Carved Wood and Cut Crystal Five-Light Candelabra, vasiform standards, h. 32 in., dia. 21 in. [$600/900]

352. Large Silvered Filigree and Gemstone-Mounted Coffer, foliate design, encrusted with rubies and emeralds, h. 13 in., w. 17 in., d. 13 in. [$3000/5000]

353. Pair of Carved Onyx Spheres, conforming bases, h. 8 n., dia. 7 in. [$600/900]

354. French Empire Gilt and Patinated Bronze Urn, 19th c., floral mounts, h. 15 1/2 in., dia. 5 1/2 in. [$600/900]

361. Louis XIV Carved Walnut Fauteuil de Malade, 18th c., mechanized reclining seat back, turned uprights, legs and stretchers, h. 49 in., w. 27 in., d. 24 in. [$1500/2500]

362. Antique Louis XV-Style Bronze-Mounted Mahogany Side Table, inset grey marble top, shaped apron, cabriole legs, stretcher shelf. [$400/600]

363. Louis XV-Style Porcelain and BronzeMounted Marquetry and Parquetry Low Table, banded shield top, oval floral plaques, cabriole legs, sabots, h. 18 1/2 in., w. 47 in., d. 28 1/2 in. [$700/900]

364. Louis XV-Style Carved Giltwood Settee, 19th c., reticulated floral crest, arms with cherubs, serpentine seat rail, cabriole legs, scrolled toes, h. 44 1/2 in., w. 68 in., d. 28 1/2 in. [$1500/2500]

357. Italian Carved and Polychromed Wood Reliquary, 19th c., foliate and lattice design, h. 30 1/2 in., w. 12 1/2 in., d. 5 1/2 in. [$400/600]

358. Pair of Italian Carrara Marble Plaques, classical figures, faux marbre frames, h. 16 1/2 in., w. 14 1/2 in. [$1000/2000]

359. Pair of Continental Carved Agate Eagle Heads, wood bases, h. 6 in., w. 3 in., d. 5 in. [$500/700]

360. Pair of Bronze-Mounted Malachite Planters, flared form, paw feet, h. 9 in., w. 12 in., d. 12 in. [$800/1200]

369. Louis XV/XVI-Style Bronze-Mounted Parquetry and Kingwood Vitrine Cabinet, breakfront form with marble top, center panel door flanked two glazed doors, cabriole legs, sabots, h. 53 in., w. 51 in., d. 15 1/2 in. [$2000/4000]

370. Pair of Louis XV-Style Carved Walnut Corner Bergères, arched back with floral crest, padded arms, cabriole legs, scroll toes, h. 28 in., w. 32 in., d. 21 in. [$800/1200]

371. Louis XV-Style Bronze-Mounted and Faux Tortoiseshell Ladies Writing Desk, 19th c., inset tooled leather writing surface, two frieze drawers, cabriole legs, h. 30 1/2 in., w. 51 in., d. 30 in. [$800/1200]

365. French Neoclassical-Style Rouge Marble Fireplace, shaped top with turreted corners, molded frieze and opening flanked by columns, h. 47 1/2 in., w. 67 in., d. 16 in. [$2000/4000]

366. Pair of Louis XVI-Style Bronze-Mounted Mahogany and Marble Pedestals, beveled top and panels, tapered standard, plinth base, h. 54 in., w. 12 in., d. 12 in. [$600/900]

367. Pair of Louis XV-Style BronzeMounted Marquetry and Mahogany Gueridons, foliate molded top, cabriole legs, h. 30 in., dia. 28 1/2 in. [$800/1200]

368. Fine Louis XV-Style Bronze-Mounted Parquetry Commode a Vantaux, after a model by Antoine Robert Gaudreaus, Burgundy, molded shaped marble top, conforming case, pair of doors, fitted drawer interior, bronze ram’s head legs h. 36 in., w. 68 1/2 in., d. 24 1/2 in. [$6000/9000]

Note: The prototype for this commode was made for King Louis XV for the Palace of Versailles.

377. Pair of Italian Carved Polychrome and Tole SingleLight Sconces, vasiform standard, foliate surround, h. 37 in., w. 20 in., d. 10 in. [$600/900]

378. Pair of Bagues-Style Gilt Metal and Rock Crystal Two-Light Sconces, vase and flower form, h. 31 1/2 in., w. 20 in., d. 7 1/2 in. [$2000/4000]

379. Pair of French Neoclassical-Style Carved Giltwood Three-Light Sconces, centered by portrait medallion, h. 28 1/2 in., w. 18 in., d. 10 in. [$500/700]

380. French Neoclassical-Style Bronze and Crystal Ten-Light Chandelier, mounted with urns and garlands, h. 48 in., dia. 34 in. [$3000/5000]

373. Large Louis XVI-Style Gilt Bronze Lantern, scrolled supports, hexagonal cage mounted with rams heads, fitted with engraved glass panels, h. 53 in., dia. 28 in. [$2500/3500]

374. French Neoclassical-Style Bronze Hall Lantern, surmounted by a crown, beveled glass, h. 45 in., dia. 20 in. [$2000/4000]

375. Pair of Louis XVI Gilt Bronze Four-Light Figural Sconces, each fluted backplate with cherub holding olive branch arms, electrified, h. 22 in., w. 19 in., d. 15 in. [$2000/3000]

376. Pair of Continental Porcelain and Tole Peinte Table Lamps, mustard ground, foliate decoration, h. (to socket) 28 in. [$400/600]

372. Louis XVI-Style Porcelain and Bronze-Mounted Mahogany Dressing Table, oval mirror flanked by candleholders and winged putti, frieze drawer, fluted tapered supports, stretcher surmounted by a bust, toupie feet, h. 73 in., w. 45 1/2i n., d. 20 1/2 in. [$2000/4000]

381. Three French Bronze Bouillotte Lamps, 19th c., tole shades, tallest h. 26 1/2 in., dia. 16 in. [$600/800]

382. Four Louis XV-Style Bronze Two-Light Wall Sconces, h. 19 in., w. 13 in., d. 14 in. [$800/1200]

383. Italian Amethyst, Rock Crystal and Rose Quartz Eighteen Light Chandelier, scrolled frame, h. 36 in., dia. 31 in. [$2000/3000]

384. Louis XV-Style Patinated and Gilt Bronze Nine-Light Chandelier, with rock crystal prisms, h. 35 in., dia. 35 1/2 in. [$2000/4000]

385. Pair of Louis XV-Style Giltwood Three-Light Wall Sconces, drapery and bowknot backplate, foliate arms, h. 29 1/2 in., w. 23 in., d. 13 in. [$1000/2000]

386. Pair of French Bronze Chenets Mounted as Lamps, 19th c., silk shades, h. 25 1/2 in., w. 16 in., d. 13 in. [$1000/2000]

387. Pair of Empire-Style Gilt and Patinated Bronze Four-Light Figural Candelabra, 19th c, tall marble pedestal bases, h. 30 1/2 in., w. 10 1/2 in., d. 11 in. [$2000/4000]

388. Pair of French Patinated Bronze Two-Light Candelabra, 19th c, h. 17 in., w. 10 in., d. 6 in. [$400/600]

389. Pair of Empire-Style Seven-Light Chandeliers, tole bell, swan arms, h. 35 in., dia. 25 in. [$800/1200]

393. Jehudith Sobel (Polish, 1924-2012), “Landscape with Two Figures”, 1962, oil on canvas, signed and dated lower left, 24 in. x 30 in., unframed. [$1500/2500]

394. Gen Paul (French, 1895-1975), “La Lecture”, 1927, oil on canvas, signed lower right, signed, titled and dated en verso, 29 in. x 36 1/4 in., framed, overall 36 1/2 in. x 44 in. x 2 1/2 in. [$6000/8000]

390. German School, 1919, “Alpine Landscape”, oil on canvas, illegibly signed, dated and localized “Munich” lower right, 17 in. x 21 in., framed, overall 24 in. x 28 in. x 2 1/2 in. [$500/700]

391. Attributed to Elie Anatole Pavil (Russian/ French, 1873-1948), “Ships in the Harbor”, oil on board, signed lower right, 11 3/4 in. x 15 in., unframed. [$700/1000]

392. Jehudith Sobel (Polish, 1924-2012), “Abstract Interior”, 1958, watercolor on paper mounted to board, signed and dated lower right, 24 in. x 19 in., unframed. [$3000/5000]

395. French School, 20th c., “Parisian Street Scene”, oil on canvas, signed “Moreau” lower left, 24 in. x 20 in., framed, overall 30 5/8 in. x 26 5/8 in. x 2 in. [$400/600]

396. Zofia Stryjenska (Polish, 1894-1976), “Polish Folk Dancers”, gouache on paper, signed lower left, letter of authenticity from Dr. Stanislaw Dabrowski en verso, inscribed on backing paper, 13 3/4 in. x 16 5/8 in., framed, overall 19 1/2 in. x 22 in. x 1 1/4 in. [$4000/6000]

397. Large Meissen-Style Polychrome and Gilt Porcelain Covered Urn, c. 1900, blue von Schierholz Porcelain Manufactory shield mark, applied flowers throughout, body reserved with courting couple, allegorical maiden form handles, lid with putti and crown form finial, scroll feet, h. 28 in. [$1000/1500]

398. Meissen-Style Polychrome and Gilt Porcelain Centerpiece, blue crossed swords mark, putti atop horned lions, floral accents, gilt bronze chain, h. 14 1/2 in., dia. 18 in. [$500/700]

399. Pair of Sevres-Style Gilt Bronze-Mounted Porcelain Covered Urns, marked, fluted form, polychrome floral motif, magenta ground, h. 29 in., w. 13 1/2 in., d. 9 in. [$1000/2000]

400. Pair of Large KPM-Style Gilt Porcelain Vases, marked, reserved with polychrome flowers, h. 24 in., dia. 9 1/2 in. [$1000/2000]

7/8 in. x 18 7/8 in. and 11 1/4 in. x 19 1/4 in., framed alike, each overall 27 3/8 in. x 35 in. x 1 1/2 in. (2

[$700/900]

405. Pair of Antique Wedgwood Porcelain Columnar Candlesticks, h. 10 1/4 in., now mounted as lamps, overall h. 17 1/2 in. [$200/400]

406. Carved Alabaster Figure of the Birth of Venus, indistinctly signed on self-base, h. 20 in., w. 13 in., d. 12 in., marble base, overall h. 56 in. [$800/1200]

407. Bronze Figure of “Fac et Spera “, after Henri Desire Gauquie, cast signature and title on selfbase, h. 23 1/2 in., w. 13 in., d. 11 1/2 in. [$1000/1200]

408. After Giuseppe Galli Bibiena (Italian, 1696-1757), “Classical Architecture”, Plates 28 and 34, 2 etchings with engraving, from Architetture e Prospettive, Dedicate alla Maest di Carlo Sesto, printed and published by Johann Andreas Pfeffel (Austrian, 1674-1748), Augsburg, Germany, 10

pcs.)

401. Pair of Continental Rock Crystal Obelisks, mounted with portrait cameos, h. 23 1/2 in., w. 4 1/2 in., d. 4 1/2 in. [$1200/1800]

402. Pair of Sevres BronzeMounted Porcelain Covered Vases, late 19th c, h. 23 1/2 in., w. 15 in., d. 9 in. [$800/1200]

403. Pair of Boyer Paris Polychrome and Gilt Porcelain Cabinet Plates, 19th c., marked, apple green borders, reserved with peasant maidens, rims with floral cartouches and crest, dia. 10 1/8 in. [$500/700]

404. Sevres-Style Polychrome and Gilt Porcelain Teapot, 19th c., marked, gilt ground, reserved with flowers, laurel wreath rim, h. 5 1/2 in. [$500/700]

409. Carved Wooden Bust of a Gentleman, 20th c., h. 17 in., w. 10 3/4 in., d. 6 1/2 in., carved wood pedestal, overall h. 57 in. [$700/900]

413. Regency-Style Mahogany Two Pedestal Dining Table,19th c., turned pedestals, sabre legs, brass paw feet, casters. [$1000/1500]

410. Four Engravings on Resin, one after Albrecht Durer, “Knight, Death, and the Devil”, 2 with “International Artist Guild Limited, Freeport, Grand Bahama Island” labels on backing board, sights 5 1/4 in. x 7 1/4 in. to 8 in. x 6 in., framed alike, overall 17 in. x 15 in. x 2 in. to 15 in. x 17 in. x 2 in. (4 pcs.) [$200/300]

411. Continental School, 19th c., “Idyllic Country Landscape”, oil on canvas, unsigned, 17 1/4 in. x 23 3/4 in., framed, overall 24 1/2 in. x 31 in. x 3 1/4 in. [$2000/3000]

412. Italian Neoclassical Carved Giltwood Console Table, 19th c., marble top, anthemion frieze, rosette blocked corners, foliate fluted legs, toupie feet, h. 37 in., w. 60 1/2 in., d. 29 1/2 in. [$3000/5000]

414. Dutch Marquetry and Walnut Bombe Bookcase, 19th c., arched cornice with shell crest, two glazed doors, serpentine lower case with three drawers, shaped apron, ball and claw feet, h. 91 in., w. 87 in., d. 22 1/2 in. [$3000/5000]

417. Austrian Inlaid and Ebonized Mahogany Secretaire à Abattant, arched fan-carved crest, frieze drawer, fall-front, fitted interior, two lower drawers, paw feet over plinth base, flared legs, h. 71 in., w. 40 1/2 in., d. 20 in. [$1000/2000]

418. Biedermeier-Style Inlaid Burlwood Center Table, segmented octagonal top, inlaid frieze, and incurvate standard, h. 29 in., dia. 37 1/2 in. [$800/1200]

420. Italian Grotto-Style Parcel Gilt and Painted Tete-a-Tete, shell carved back and seat, dolphin arms, scrolled oyster carved legs, h. 27 in., w. 49 in., d. 20 in. [$1000/2000]

416. Dutch Marquetry and Walnut Center Table, 18th c., foliate inlay, frieze drawer, tapered supports, X form stretcher, bun feet, h. 30 in., w. 45 in., d. 33 in. [$1000/2000]

415. Spanish Painted Leather Four-Panel Screen, polychrome and gilt designs of flowers and birds, each panel h. 78 in., w. 20 1/2 in. [$800/1200]

419. Napoleon III-Style Bronze-Mounted, Ebonized and Boullework Parlor Cabinet, shaped marble top, conforming case, paneled center door flanked glazed doors, h. 42 1/2 in., w. 61 in., d. 20 in. [$1000/2000]

425. Louis XV-Style Carved Giltwood Mirror, urn crest, h. 68 in., w. 35 in. [$800/1200]

426. Regence-Style Giltwood Mirror, 19th c., floral basket crest, h. 92 1/2 in., w. 57 in. [$2000/3000]

421. Italian Renaissance-Style Carved and Ebonized Library Table, 19th c., inset marble top, scalloped frieze inset with semi-precious stone, trestle base, h. 29 in., w. 34 1/2i n., d. 25 1/2 in. [$2000/4000]

422. Pair of French RegenceStyle Carved and Parcel Giltwood Pedestals, inset marble tops, festooned molded tapered standard, plinth base, h. 52 in., w. 18 in., d. 18 in. [$2000/4000]

423. Pair of Moorish Inlaid Hardwood Tabouret Tables, octagonal geometric motif top, conforming case, arch brackets, chamfered legs, shaped feet, h. 24 in., dia. 18 1/2 in. [$1000/2000]

424. Antique French Neoclassical-Style Giltwood Mirror, rope-molded surround, tasseled dolphin supports, h. 47 in., w. 46 in. [$3000/5000]

431. Continental Carved and Parcel Giltwood Mirror, scrolled and foliate crest, flanked by eagles, h. 55 1/2 in., w. 67 in., d. 13 1/2 in. [$1000/2000]

432. Pair of Moorish-Style Mother-of-Pearl Inlaid Wall Mirrors, floral crest, h. 51 in., w. 36 in. [$2000/3000]

430. Pair of Regence-Style Giltwood Mirrors, with inset portrait medallions, h. 51 in., w. 39 in. [$800/1200]

429. Neoclassical-Style Carved Giltwood and Faux Marbre Mirror, central vase, flanked by sphinxes, h. 87 in., w. 57 in. [$2000/4000]

428. Italian Carved and Parcel Giltwood Mirror, scroll and floral designs, h. 73 in., w. 47 1/2 in. [$700/900]

427. Louis XV-Style Giltwood Mirror, 19th c., trophee crest, flanked by flaming urns, h. 61 in., w. 38 in. [$1000/2000]

435. Antique French Bronze Cave a Liqueur, late 19th c., cartouche engraved “Courses provinciales/1886/Rambervillers”, fitted with decanters and cordial glasses, beveled glass panels, h. 11 in., w. 14 1/2 in., d. 11 1/2 in. [$800/1200]

436. Pair of French Bronze-Mounted Chinese Export Porcelain FiveLight Candelabra, foliate arms, h. 24 in., dia. 18 1/2 in. [$1000/2000]

437. French Neoclassical-Style Gilt Four-Piece Fireplace Garniture, incl. pair of andirons, log stand, and a fender, andirons h. 35 in., w. 59 in., d. 14 1/2 in. [$1000/2000]

438. Pair of Italian Marble Figural Architectural Fragments, 19th c., putti on scrolls, h. 28 in., w. 23 in., d. 6 in. [$1000/2000]

433. Pair of NeoclassicalStyle Bronze-Mounted Crystal Urns, mask and wreath handles, paw feet, h. 18 in., w. 9 in., d. 8 in. [$1000/2000]

434. Pair of Continental Bronze-Mounted Porcelain Wine Coolers, lion and ring handles, h. 10 1/2 in., dia. 11 1/2 in. [$800/1200]

441. Pair of French Neoclassical-Style Bronze Chenets, 19th c., quiver and arrow standards, h. 25 in., w. 14 in., d. 31 in. [$1000/2000]

442. Six Classical Carved and Whitewashed Pilasters,19th c., Ionic capitals, fluted standards, h. 96 in., w. 14 in., d. 6 in. [$1000/2000]

439. Pair of Louis XV-Style Bronze Four-Light Candelabra, after a model by Caffieri, h. 20 in., dia. 12 in. [$800/1200]

440. Pair of Italian Giltwood and Malachite Tazzas, foliate and scroll bases, h. 12 in., dia. 12 in. [$800/1200]

447. Antique Bronze Urn on Stand, cast with masks encircled by a frieze of Classical figures, scrolled stand, h. 64 in., dia. 24 in. [$1500/2500]

448. Pair of Neoclassical-Style Bronze-Mounted Cut Crystal Urns, paw feet, h. 20 1/2 in., dia. 9 1/2 in. [$1000/2000]

450. Pair of French Empire-Style Bronze-Mounted Mahogany Consoles, 19th c., onyx tops, frieze drawer, Egyptian terms, rectangular plinth, h. 32 in., w. 34 in., d. 17 1/4 in. [$2000/4000]

451. Pair of French Neoclassical-Style Bronze Gueridons, circular micro mosaic tops inset in reeded skirts, lion supports, X-form stretchers, paw feet, h. 27 in., dia. 14 in. [$2000/4000]

452. Pair of French Empire-Style Bronze-Mounted Mahogany Armchairs, nailhead trimmed black leather upholstery, shell centered crest rail, paw feet, h. 39 1/2 in., w. 25 1/2 in., d. 21 in. [$800/1200]

446. Pair of French Bronze “Sphinx” Figural Candlesticks, h. 10 in., w. 3 in., d. 3 in. [$600/800]

445. Pair of Kashmirian Polychrome Bronze Vases, intricate foliate designs, h. 16 in., dia. 7 in. [$500/700]

443. French Bronze and Crystal Three-Piece Garniture, incl. centerbowl and pair of vases, Greek key and garland handles, centerbowl h. 12 in., w. 19 in., d. 13 in., vases h. 21 in., w. 16 in., d. 7 1/2 in. [$800/1200]

444. Pair of Continental Painted Bronze Cranes, h. 35 in., w. 10 in., d. 8 in. [$600/900]

449. Biedermeier Inlaid Mahogany Cylinder Commode, 19th c., later marble top, one conforming door, plinth base, h. 33 3/4 in., dia. 18 1/2 in. [$800/1200]

w. 27 1/2 in., d. 16 1/2 in., mirror h. 70 1/2

455. Pair of Louis XVI-Style Bronze-Mounted Mahogany and Parquetry Side Tables, molded top, frieze drawer, stretcher shelf, cabriole legs, h. 30 in., w. 19 in., d. 14 in. [$500/700]

456. Pair of Louis XVI-Style Painted and Parcel Gilt Demilune Consoles and Mirrors, each console with inset molded stone top, foliate festooned apron, fluted tapered legs, stretcher surmounted by handled urn, mirror with rocaille crest and maiden bust, console h. 35 1/2 in.,

in., w. 21 in. [$3000/5000]

457. Large Louis XV-Style Gilt Bronze-Mounted Mahogany and Parquetry Bureau Plat, inset tooled leather top, five frieze drawers, cabriole legs surmounted by busts, h. 32 in., w. 73 in., d. 38 in. [$2000/4000]

458. Regence-Style Carved Giltwood Center Table, inset marble top, blind carved frieze with trophee medallion, foliate festooned supports, scrolled toes, h. 34 1/2 in., w. 66 in., d. 32 in. [$2000/4000]

453. French Empire-Style Bronze-Mounted Mahogany Console, 19th c., marble top, frieze drawer, columnar supports, plinth base, h. 37 1/2i n., w. 51 1/2 in., d. 18 1/2 in. [$1000/2000]

454. Pair of Louis XV-Style Bronze and Porcelain Three Tier Plate Stands, three inset transfer printed porcelain plates in each stand, h. 26 1/2 in., w. 10 in., d. 10 in. [$700/900]

stiles, ball and claw feet, h. 94 in., w. 75 in., d. 26 1/2 in. [$2000/4000]

1/2

465. Kazimierz Poczmanski (Polish, 1900-1982), “Still Life of Carnations”, 1969, oil on canvas, signed and dated lower right, label on stretcher, 25 1/2 in. x 21 1/2 in., framed, 30 1/2 in. x 26 1/2 in. x 2 1/2 in. [$700/1000]

466. Kazimierz Poczmanski (Polish, 1900-1982), “Still Life of Lilacs”, 1930, oil on canvas, signed and dated lower left, artist stamp en verso, 26 in. x 21 1/4 in., framed, overall 29 3/4 in. x 25 in. x 2 1/4 in. [$700/1000]

463. Anton Nicolaas Marie Karssen (Dutch, 1945-2019), “Mother and Pups”, oil on canvas, signed lower left, 15 3/4 in. x 23 5/8 in., framed, overall 22 1/4 in. x 30 in. x 2 1/4 in. [$2000/3000]

464. Kazimierz Poczmanski (Polish, 1900-1982), “Seated Nude”, 1970, oil on canvas, signed and dated lower left, 39 in. x 28 3/4 in., framed, overall 44 1/2 in. x 34 1/2 in. x 1 3/8 in. [$1000/1500]

459. Antique Dutch Rococo-Style Carved Burl Walnut Linen Press, 18th c. and later, serpentine crest with foliate and feather cartouche, conforming paneled doors, bombe base, four drawers, canted

460. French Empire-Style BronzeMounted Mahogany and Parquetry Center Table, pierced gallery, bronze classical maiden supports, plinth base with finial, h. 31 in., dia. 35 1/2 in. [$3000/6000]

462. Attributed to Faith Winter (British, 1927-2017), “Standing Girl”, patinated bronze, unsigned, h. 35 in., w. 14 1/2 in., d. 9

in., wooden base, overall h. 38 1/2 in. [$700/900]

461. Carved Marble Figural Group of Children with a Large Seashell, h. 33 in., w. 21 in., d. 14 in. [$2000/3000]

472. Napoleon III-Style Gilt Bronze and Porcelain-Mounted Ebonized Center Table, late 19th/20th c., center transfer printed porcelain plaque surrounded by 18 oval transfer printed porcelain plaques, h. 32 in., dia. 30 in. [$3000/5000]

473. Pair of Louis XV-Style Bronze-Mounted Gueridons, inset oval variegated marble tops, tapered legs, stretcher shelf, sabots, h. 31 in., w. 18 in., d. 13 in. [$1000/2000]

474. French Empire-Style Parcel Ebonized Mahogany Commode, marble top, three graduated drawers, tall block feet, h. 39 in., w. 49 in., d. 25 in. [$800/1200]

468. Waclaw Palessa (Polish, 1902-1976), “Winter Forest Landscape”, oil on canvas, signed lower right, artist stamp en verso, 23 5/8 in. x 29 in., framed, overall 29 1/2 in. x 34 3/4 in. x 1 5/8 in. [$400/600]

469. Waclaw Palessa (Polish, 1902-1976), “Summer Palace”, oil on canvas, signed lower right, artist stamp en verso, 23 3/4 in. x 28 3/4 in., framed, overall 27 3/4 in. x 32 3/4 in. x 2 1/4 in. [$400/600]

470. Waclaw Palessa (Polish, 1902-1976), “Chopin’s House”, oil on canvas, signed lower right, artist stamp en verso, 18 1/8 in. x 20 5/8 in., framed, overall 20 3/8 in. x 23 3/4 in. x 2 3/4 in. [$400/600]

471. Waclaw Palessa (Polish, 1902-1976), “Winter Woods”, oil on canvas, signed lower right, inscribed en verso, 23 5/8 in. x 28 7/8 in., framed, overall 27 in. x 32 3/8 in. x 1 1/2 in. [$400/600]

467. Konstanty Mackiewicz (Polish, 1894-1985), “Still Life with Melons”, oil on canvas, signed lower right, 24 in. x 29 in., framed, overall 30 1/2 in. x 35 1/2 in. x 1 1/2 in. [$500/700]

475. Pair of Biedermeier-Style Parcel Ebonized Burlwood Work Tables, chamfered lift top, fitted interior, undulating supports, stretcher shelves, incurvate plinths, block feet, h. 31 1/2 in., w. 19 in., d. 15 1/2 in. [$700/900]

477. Louis Philippe Carved Mahogany Center Table, 19th c. and later, circular marble dished top, turned supports, paw feet, h. 28 1/2 in., dia. 42 in. [$800/1200]

478. Pair of Louis XVI-Style Bronze-Mounted Parquetry and Marquetry Tables, modeled after Jean Henri Riesener, Paris, each top with oval reserve, frieze drawer, incurvate stretcher shelf, tapered mounted legs, h. 30 in., w. 26 in., d. 18 in. [$1000/2000]

481. Pair of Louis XVI-Style Bronze, Onyx and Porcelain Side Tables, inset transfer printed porcelain dish, urn and scrolled standard, tripartite onyx base, h. 30 in., dia. 16 1/2 in. [$800/1200]

476. Pair of Italian Neoclassical-Style Grisaille Painted UrnShaped Commodes, 19th c., frieze drawer over cabinet door, octagonal plinth bases, h. 35 1/2 in., dia. 16 in. [$700/900]

480. Pair of French Neoclassical-Style Bronze Gueridons, each with inset black granite top, circular medial shelf, tripartite stretcher surmounted by finial, bird claw feet, casters, h. 28 3/4 in., dia. 27 in. [$2000/3000]

479. Pair of Continental Neoclassical-Style Faux Marbre Pedestals, 19th c., tapered standard, plinth base, h. 55 in., w. 17 3/4 in., d. 14 3/4 in. [$1500/2500]

3/4

32 1/4 in. x 26 1/4

1 1/2

3

482. Alfred Heinrich Pellegrini (Swiss, 1881-1958), “Kunsthalle Basel”, 1950, lithograph, signed in plate, printed by Wasserman A. G., Basel, sight 49 1/2 in. x 35 in., framed, overall 57 in. x 42 1/2 in. x 1 in. [$200/400]

483. Joan Miro (Spanish, 1893-1983), “Le Marteau sans Maitre (Dupin 957)”, 1976, color etching with aquatint on Japon nacre, pencil-signed and numbered “VIII/L” lower margin, deluxe edition of 50 on Japon nacre, aside from edition of 125, “Martin Lawrence Galleries” label with artist and title on backing, printed by Morsan, Saint Michel sur Orge, published by Le Vent d’Arles, Paris, 11 1/4 in. x 9 in., framed, overall 27 1/4 in. x 24 1/8 in. x 7/8 in.; accompanied by a copy of a certificate of authenticity with print information attached to backing board. [$2000/3000]

484. Helmut Newton (German/ Australian, 1920-2004), “Two Playmates on Back Porch with Lemon Tree, L.A.”, negative creation date 1986, print date 1990, gelatin silver print, pencil-signed, titled, dated and numbered “3/10” en verso, pencilinscribed with artist, title, date, numbered “3/10” and “Gallery for Fine Photography, New Orleans, LA” label on backing board, image 22 1/4 in. x 18

in., sheet 23 1/2 in. x 19 1/2 in., original frame; overall

in. x

in.; accompanied by

vintage Playboy magazines featuring the photo and models, copy of letter of provenance from A Gallery for Fine Photography, correspondence with Playboy and 2 exhibition posters. (8 pcs.). [$10000/15000]

485. Hanna Liden (Swedish, b. 1976), “Swamp Walkers II”, 2005, c-print mounted on sintra, signed on label and “Rivington Arms, New York” label with artist, title, date and edition “1/5” on backing, 30 in. x 40 in., framed, 31 7/8 in. x 41 7/8 in. x 1 3/4 in. [$2000/3000]

486. Hanna Liden (Swedish, b. 1976), “Black Flag Burner”, 2006, c-print mounted on sintra, signed on label and “Rivington Arms, New York” label with artist, title, date and edition “1/5” on backing, 30 in. x 40 in., framed, overall 32 1/8 in. x 42 1/8 in. x 1 3/4 in. [$2000/3000]

487. Hanna Liden (Swedish, b. 1976), “Lake with Fire”, 2004, c-print mounted on sintra, signed on label and “Rivington Arms, New York” label with artist, title, date and edition “2/3” on backing, 26 in. x 40 in., framed, overall 28 1/2 in. x 41 7/8 in. x 1 3/4 in. [$2000/3000]

488. Hanna Liden (Swedish, b. 1976), “Death Gate”, 2003, c-print mounted to sintra, signed on label and “Rivington Arms, New York” label with artist, title, date and edition “1/3” on backing, 30 in. x 40 in., framed, overall 31 7/8 in. x 41 7/8 in. x 1 3/4 in. [$2000/3000]

493. Pair of Italian Carved Granite Planters, lobed body, h. 10 in., dia. 17 1.2 in. [$700/900]

494. Pair of French Iron Planters in the Neoclassical Style, 19th c., basket-weave urn, fluted base, h. 27 in., dia. 17 in. [$500/700]

495. American Cast Iron and Granite Garden Table, square top, pierced foliate frieze, cabriole legs, h. 28 in., w. 47 1/2 in., d. 47 1/2 in. [$500/700]

497. Two Antique Persian Rugs, red ground, 3 ft. 8 in. x 4 ft. 6 in., and 2 ft. 5 in. x 4 ft. 9 in. [$400/600]

498. Antique Persian Runner, central field with people and horses, 4 ft. 2 in. x 13 ft. 5 in. [$600/900]

496. Antique Kashmir Rug, Iran, designs including birds, bases and flowers, 10 ft. 3 in. x 12 ft. 7 in. [$1000/1500]

491. Patinated Bronze Figural Fountain, modeled as a young boy playing a horn, h. 34 in., w. 13 in., d. 16 in. [$500/700]

492. Four French Iron Window Guards, h. 94 in., w. 44 in. [$800/1200]

489. Four Italian Marble Figures of the Four Seasons, plinth bases, h. 71 in., w. 28 in., d. 15 in. [$15000/25000]

490. Pair of French Cast Iron Estate Gates, foliate and diamond design, h. 115 in., w. 79 in. [$2000/4000]

501. Antique Russian Soumak Carpet, gray and maroon ground, repeating designs in red, green and black, 6 ft. 6 in. x 11 ft. 11 in. [$1000/1500]

502. Persian Hamadan Carpet, red and blue ground, triple medallions, overall stylized foliate design, 5 ft. 11 in. x 11 ft. 4 in. [$1600/2000]

503. Persian Heriz Carpet, red ground, blue border, central medallion, stylized foliate design, 7 ft. 10 in. x 11 ft. 5 in. [$3000/4000]

504. Persian Kerman Carpet, red ground, floral medallion and border, 10 ft. x 12 ft. 10 in. [$3500/4500]

505. Kashan Carpet, cream ground, overall floral design, 9 ft. 1 in. x 12 ft. 7 in. [$3000/4000]

506. Persian Hamadan Carpet, red ground, cream and blue medallion and border, foliate design, 9 ft. 10 in. x 10 ft. 3 in. [$2200/2800]

500. Two Antique Persian Rugs, blue ground, 4 ft. 4 in. x 6 ft., and red ground, 2 ft. x 2 ft. 7 in. [$400/600]

507. Semi-Antique Mahal Carpet, red ground, serrated spandrels, foliate design, 7 ft. 2 in. x 10 ft. 5 in. [$2000/3000]

508. Antique Persian Heriz Carpet, red ground, central medallion, stylized floral design, 7 ft. 6 in. x 10 ft. 7 in. [$2500/3500]

509. Antique Persian Kerman Carpet, cream, brown and blue ground, central medallion, foliate design, 7 ft. 5 in. x 11 ft. 3 in. [$5000/7000]

510. Antique Persian Lavar Kerman Carpet, cream and red ground, central medallion, floral design, 11 ft. 4 in. x 14 ft. 9 in. [$7000/9000]

499. Serapi Carpet, orange and beige ground, blue and orange central medallion, floral motif, 8 ft. 3 in. x 10 ft. 2 in. [$1200/1800]

511. Chinese Export Blue and White Porcelain Partial Coffee Service, late 18th/ early 19th c., decorated primarily in ‘Willow’ pattern, gilt highlights to some, incl. oblong platter, coffee pot, 2 creamers, 15 tea bowls, 13 saucers, and 16 demitasse cups. (48 pcs.) [$500/700]

512. Sixteen Chinese Export Blue and White Porcelain Plates, late 18th/ early 19th c., decorated in the ‘Willow’ pattern, gilt highlights, dia. 10 in. [$800/1200]

513. Large and Decorative Pair of Chinese Blue and White Porcelain Covered Jars, large knop finials, domed covers and baluster bodies painted with phoenix birds amid lotus scrolls, h. 22 in., elaborately carved giltwood stands with waisted round tops pierced floral and garland frieze, scroll legs, finialed stretcher, overall h. 61 in. [$3000/6000]

514. Pair of Chinese Cloisonne Vases, h. 26 in.; on carved wood stands, overall h. 30 in. [$800/1200]

515. Two Pairs of Chinese Amber, White and Celadon Crackle Glazed Porcelain Vases, larger with everted foliate rims, applied qilong, and brown relief-bands, bases with apocryphal Chenghua marks, one with “Tom Hayes & Associates” shipping label, h. 13 3/8 in.; smaller with brown glazed lingzhi rims, lions mask handles and brown relief bands, bases with apocryphal Chenghua marks, h. 11 3/8 in. [$1000/1500]

516. Decorative Pair of Chinese Famille Verte Porcelain Covered Jars, painted with boys at play in a landscape with trees and rocks, h. 17 1/2 in. [$1000/2000]

517. Decorative Pair of Chinese “Sang de Boeuf” Porcelain Hu-Form Jars, pear-form bodies with deer head handles, overall copper red glaze, h. 17 in., w. 15 in., d. 13 in. [$1000/2000]

518. Decorative Pair of Chinese Iron Red and Gilt Decorated Blue and White Porcelain Garlic Mouth Bottle Vases, lions mask-affixed ring handles, bodies painted with pairs of birds on branches, bases with spurious Qianlong marks, h. 10 1/2 in. [$400/600]

523. Decorative Pair of Chinese Gem-Inset Molded Red Lacquer Elephant-Form Garden Seats, h. 17 in., w. 12 in., d. 28 in. [$1000/2000]

524. Three Decorative Chinese Hardstone Embellished Lacquer Wall Panels, decorated with ‘antiques’ on a yellowish orange ground, molded red lacquer surrounds, each h. 41 1/2 in., w. 15 in. [$1000/2000]

525. Decorative Pair of Chinese Red Lacquer-Inset Carved and Painted Lacquer Table Screens, each lacquer panel molded with central dragon amid cloud scrolls encircling a flaming pearl, h. 21 in., w. 12 1/2 in., d. 8 in.; stands painted with lotus scrolls. [$600/900]

521. Set of Four Decorative Chinese Painted Lacquer Wall Panels, each decorated with a rooster, spurious seals and inscriptions, h. 35 1/2 in., w. 21 in. [$800/1200]

522. Decorative Pair of Chinese Carved and Painted Red Lacquer Pedestals, decorated with bats amid cloud scrolls and fruit, h. 36 in., w. 14 1/2 in., d. 14 1/2 in. [$600/900]

519. Large Decorative Chinese Patinated Bronze Figure of the Immortal Zhang Guolao Riding a Donkey, h. 35 in., w. 29 in., d. 11 in. [$800/1200]

520. Large and Decorative Chinese Red Lacquer FloraForm Covered Box, cover with central prunus and wave roundel encircled by radiating landscape scenes, apocryphal Qianlong mark, h. 5 1/2 in., dia. 21 1/2 in. [$1000/2000]

531. Lapis Lazuli Figure of a Ganesha, carved seated in ‘royal ease’ on a shaped throne before a pierced mandorla, attended by 6 mice and a tortoise, h. 14 in., w. 10 in., d. 4 1/2 in. [$1000/2000]

532. Decorative Asian Turquoise and Coral Bead Embellished Gilt Bronze and Rock Crystal Figure of a Bodhisattva, carved standing in tribhanga, holding a lotus spray, h. 18 in., w. 6 1/2 in., d. 4 1/2 in. [$1000/2000]

533. Antique Indian Painted Cotton Pichavai or Pichwai, sight h. 42 1/2 in., w. 29 1/2 in.; framed h. 44 1/2 in., w. 31 1/2 in. [$800/1200]

529. Chinese Polychrome and Gilt Decorated Black Glazed Porcelain Fishbowl on Giltwood Stand, decorated in imitation of lacquerware, h. 41 in., dia. 27 in. [$1500/2500]

530. Japanese Black Lacquer Shrine Cabinet, brass escutcheon and lock, hinged doors, interior set with tiered throne seated Buddhist figure dressed in purple robes holding a scroll, h. 30 in., w. 20 1/2 in., d. 16 in. [$600/900]

527. Decorative Chinese Embellished Yellow Lacquer and Carved Wood Table Screen, inset lacquer panel decorated with 9 phoenix birds amid flower and cloud scrolls, h. 40 in., w. 28 1/2 in., d. 12 1/2 in., stand elaborately carved with bats and clouds. [$1000/2000]

528. Large Chinese Stone Head of a Bodhissatva, carved with down-turned serene expression marked by pendulous earlobes, hair pulled high and surmounted by a zoomorphic figure, h. 17 1/8 in. [$1000/1500]

526. Chinese Hardstone Embellished Lacquer Wall Panel, interlacing oval panels, embellished with floral vases and antiques, h. 34 in., w. 46 1/2 in. [$1000/2000]

534. Platinum, Emerald and Diamond Ring, center prong set octagonal step cut emerald, wt. approx. 3.53 cts., 9.83 x 7.74 x 6.03 mm; halo and openwork shoulders set with 52 round brilliant cut diamonds, total wt. approx. 0.18 ct., F-G color, VS1-VS2 clarity; size 6.75; GGA and GIA reports. [$2500/3500]

535. Pair of Platinum, Emerald and Diamond Dangle Earrings, 2 center emerald cut emeralds, total wt. approx. 2.03 cts.; bezel and stylized ribbon links set with numerous round brilliant cut diamonds, total wt. approx. 1.30 cts., G-H color, SI clarity; l. 1 3/4 in.; IAS report. [$3000/5000]

537.

of 18 kt. White Gold, Emerald and Diamond Dangle Earrings, set with 6 square step cut emeralds, total wt. approx. 4.61 cts.; accented by 32 round brilliant cut diamonds, total wt. approx. 0.71 ct., G-H color, VS2-SI1 clarity; l. 1 3/8 in.; AIGL report. [$2000/3000]

Platinum, Emerald and Diamond Ring, center bezel set octagonal mixed cut emerald, wt. approx. 4.65 cts.; accented by 16 round brilliant cut diamonds, total wt. approx. 0.49 ct., G-H color, VS2-SI1 clarity; size 7; GGA and GIA reports. [$3500/4500]

541. Oscar

14 kt. White Gold, Burmese Ruby and Diamond Necklace, set with 40 graduated oval and pear mixed cut Burmese rubies, total wt. approx. 45.17 cts.; bezels set with 658 round brilliant cut diamonds, total wt. approx. 8.50 cts., G-I color, SI2-I2 clarity; l. 17 in.; AIGL and GIA reports. [$8000/12000]

540.

Gold,

Ruby and Diamond Bracelet, set with 17 oval mixed cut Burmese rubies, total wt. approx. 18.16 cts.; bezels set with 272 round brilliant cut diamonds, total wt. approx. 3.04 cts., G-I color, SI2-I2 clarity; l. 7 in.; AIGL and GIA reports. [$4000/6000]

542. Art Deco Style Platinum, Diamond and Sapphire Ring, center bezel set round brilliant cut diamond, wt. approx. 1.02 cts., H color, I1 clarity; accented by 12 mixed cut blue sapphires, total wt. approx. 0.68 ct.; finished with 38 round brilliant and baguette cut diamonds, total wt. approx. 0.59 cts., G-H color, VS2-SI1 clarity; size 6.5; GGA report. [$3000/5000]

Pair

538. Art Deco Style

Friedman

539. Platinum, Ruby and Diamond Ring, center prong set oval mixed cut Burmese ruby, wt. approx. 2.43 cts.; bezel and shoulders set with 34 round brilliant cut diamonds, total wt. approx. 0.33 ct., F-G color, VS1-VS2 clarity; size 6.75; GGA and GIA reports. [$1500/2500]

Oscar Friedman 14 kt. White

Burmese

536. 18 kt. White Gold, Emerald and Diamond Dangle Earrings, 2 center pear mixed cut emeralds, total wt. approx. 5.30 cts.; accented by 120 round brilliant cut diamonds, total wt. approx. 0.92 ct., G-H color, SI1-SI2 clarity; l. 1 1/4 in.; AIGL and GIA reports. [$5000/7000]

545. 14 kt. White Gold and Diamond Tennis Bracelet, set with 40 round brilliant cut diamonds, total wt. approx. 11.68 cts., G-H color, SI1-I1 clarity; l. 7 in.; GGA report. [$8000/10000]

3.08

547. 14 kt. Yellow Gold and Diamond Hoop Earrings, set with 42 round brilliant cut diamonds, total wt. approx. 2.82 cts., I-K color, SI-I clarity; dia. 1 in.; IAS report. [$1800/2500]

I-K color, VS2-SI2 clarity; l. 18 in.; SGL report. [$8000/12000]

546. 18 kt. White and Yellow Gold, Yellow Diamond and Diamond Ring, center cushion modified brilliant cut fancy yellow diamond, wt. approx. 2.31 cts., SI2 clarity; openwork bezel and halo set with 1.53 cts. of round brilliant cut diamonds, incl. 114 colorless diamonds and 26 fancy yellow diamonds; size 6.25; GGA and GIA reports. [$12000/18000]

548. 14 kt. Yellow Gold and Diamond Necklace, set with 158 graduated round brilliant cut diamonds, total wt. approx. 8.21 cts., H-K color, SI1-I1 clarity; l. 17 1/4 in.; SGL report.

[$6000/8000]

551. Oscar Friedman 14 kt. Yellow Gold, Multicolor Sapphire and Diamond Necklace, set with 16 hexagonal step cut sapphires, total wt. approx. 14.65 cts.; and 16 round and pear brilliant cut diamonds, total wt. approx. 2.67 cts., H-I color, VS2-SI1 clarity; l. 17 in.; AIGL and GIA reports. [$7000/9000]

549. 14 kt. Yellow Gold and Diamond Tennis Necklace, set with 146 round brilliant cut diamonds, total wt. approx. 14.58 cts.,

550. 18 kt. Yellow Gold, Multicolor Sapphire and Diamond Necklace, set with 45 pear mixed cut sapphires, total wt. approx. 21.31 cts.; accented by 696 round brilliant cut diamonds, total wt. approx. 12.55 cts., G-I color, VS2-SI2 clarity; l. 17 1/4 in.; AIGL report. [$10000/15000]

544. Oscar Friedman 14 kt. White Gold, Sapphire and Diamond Bracelet, set with 12 oval mixed cut blue sapphires, total wt. approx. 114.66 cts.; accented by 322 round diamonds, total wt. approx. 6.60 cts., G-I color, SI2-I2 clarity; l. 7 in.; AIGL report. [$4000/6000]

543. Oscar Friedman Art Deco Style Platinum, Diamond and Sapphire Ring, center bezel set round brilliant cut diamond, wt. approx. 1.54 cts., I color, SI3 clarity; 16 square and mixed cut blue sapphires, total wt. approx.

cts.; finished with 46 round brilliant cut diamonds, total wt. approx. 0.54 ct., G color, VS2-SI2 clarity; size 6.75; SGL report. [$5000/7000]

2023 AUCTION SCHEDULE

JULY 20 - UNRESERVED @ Neal - Online Auction

SEPTEMBER 7 & 8 - Premier Collections: Fine Art & Interiors - Live Auction

OCTOBER 19 - UNRESERVED @ Neal - Online Auction

NOVEMBER 16,17 & 18 - Louisiana Purchase Auction™ - Live Auction

DECEMBER 7 - Mid-Century, Modern, Contemporary Art & Design - Online Auction

JAN 25 & 26 - Premier Collections: Fine Art & Interiors - Live Auction

* Bold denotes Live Auction. Auction dates may be subject to change. Consign

of Antiques & Fine Art 4038 Magazine Street, New Orleans, LA 70115

504.899.5329

FIRST NAME:

ADDRESS:

MC

23-04M #

I understand that Neal Auction Company undertakes the execution of absentee bids as a convenience for clients failure to execute bids, or for any error in the execution of bids. I have read and agree to the “Conditions of Sale” as stated in the catalogue. I understand that a buyer’s premium will be charged on each lot purchased at 25% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchase made by cash, check or wire transfer within 15 days of the auction, the buyer’s premium shall be discounted 3% of this 25%. No exceptions.

PLEASE REVIEW THE GUIDELINES FOR BIDDING:

1. All absentee bids must be in our gallery by 5 P.M. CST the day prior to the auction.

2. In the event identical bids are submitted, the earliest bid received will take precedence.

3. A deposit must accompany all bids, A credit card number is required for securing bids.

FOR INTERNAL USE ONLY:

4. All property is sold “AS IS”. No statement regarding condition of any item, whether it is made orally at the auction or any other time, or in writing in the catalogue or elsewhere, shall be deemed to be a warranty, representation or assumption of liability.

CONDITIONS OF SALE; WAIVERS OF WARRANTY; LIMITATIONS OF LIABILITY

Registering for and/or placing a bid at auction constitutes the acceptance of and agreement to these Conditions of Sale; WAIVERS OF WARRANTY; and LIMITATIONS OF LIABILITY (collectively, the “Conditions of Sale”). These Conditions of Sale are binding and enforceable on all bidders and buyers.

1. WARRANTY WAIVERS; LIABILITY LIMITATIONS. All lots are sold “AS IS, WHERE IS” – WITH ALL FAULTS and WITH NO EXPRESS OR IMPLIED WARRANTIES. No statement or description regarding attribution, authenticity, authorship, character, condition, kind, period, provenance, value, size, or quality of a lot, whether made orally at the auction or at any other time, in electronic messages, online, in writing, or in a catalogue, website, correspondence, advertising, literature, or elsewhere, is or shall be construed to be a guarantee, an express or implied warranty, or assumption of liability, obligation, or responsibility. The bidder or buyer WAIVES any such warranty, WAIVES any warranty of fitness for ordinary use or for any intended use, and further WAIVES any warranty against redhibitory vices and defects, whether latent, hidden, or apparent, and whether imposed by the Louisiana Civil Code or any other applicable statute, law, jurisprudence, or legal authority. The buyer further WAIVES any rights or remedies in redhibition to a return or reduction of the purchase price for any lot, including for any lot with any defect rendering the lot useless, inconvenient, or of diminished usefulness. All sales are final, without exception.

Each bidder and buyer agrees and acknowledges that: (a) the bidder or buyer is not relying on Neal Auction Company’s actual, perceived, or expressed skill, expertise, experience, knowledge, or judgment in deciding to purchase any lot; (b) no oral, written, or electronic statement or description in a catalogue, website, correspondence, advertising, literature, or elsewhere regarding attribution, authenticity, authorship, character, condition, kind, period, provenance, quality, size, or value is the cause of or reason behind the buyer’s purchase of any lot; (c) the buyer would have purchased any lot regardless of any oral, written, or electronic statement or description about attribution, authenticity, authorship, character, condition, kind, period, provenance, quality, size, or value, made in a catalogue, website, correspondence, advertising, literature, or elsewhere; (d) Neal Auction Company did not know, nor should it have known that attribution, authenticity, authorship, character, condition, kind, period, provenance, size, quality, or expressed value is the cause or reason why the buyer decides to purchase any lot; (e) the buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; (f) Neal Auction Company did not know, nor should it have known, that any oral, written, or electronic statement or description in a catalogue, website, correspondence, advertising, literature, or elsewhere would cause a pecuniary or nonpecuniary loss to any bidder or buyer; (g) the bidder or buyer has had the opportunity prior to bidding to make independent inspections of, and conduct due diligence on, all lots being offered; (h) there is no inspection or examination period after the auction bidding; (i) the bidder’s or buyer’s failure to be fully informed as to the attribution, authenticity, authorship, character, condition, kind, period, provenance, quality, size, or value of a lot will not be grounds for any reduction of the purchase price or rescission of the sale; (j) Neal Auction Company shall not be liable, obligated, or responsible for the presence of lead-based paint or any other environmental or other hazard of any lot; (k) Neal Auction Company shall not be liable, obligated, or responsible to the buyer as to third parties who may claims rights to or interests in any lot; (l) the buyer is buying at the buyer’s sole risk and peril; (m) Neal Auction Company shall not be liable, obligated, or responsible for any errors or omissions in any oral, written or electronic statement or description in a catalogue, website, correspondence, advertising, literature, or elsewhere. Each bidder and buyer WAIVES and RELEASES any and all claims arising out of the matters expressed above. All such waivers, releases, and limitations of liability shall apply to Neal Auction Company and its owners, officers, directors, representatives, insurers, agents, and employees.

2. Fine Art. Subject to the foregoing Conditions of Sale, WAIVERS OF WARRANTY, and LIMITATIONS OF LIABILITY, with respect to authorship of works of fine art, the following phrases have the following meanings: ARTIST - In our qualified opinion, we believe the work is by the artist named. Attributed to ARTIST - In our qualified opinion, we believe the work may be ascribed to the artist named on the basis of style and period, but our opinion is less certain than in the previous category.

Signed “ARTIST” - In our qualified opinion, the signature, monogram, or other indication of authorship is a signature of the artist.

School of ARTIST - In our qualified opinion, the work is of the period of the artist named, by a student or a follower of the artist, but not by the artist.

Manner of ARTIST - In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period.

After ARTIST - In our qualified opinion, the work is a copy of a known work of the artist named. Bears signature “ARTIST” - In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist.

3. Discretionary Rescission. Notwithstanding the foregoing Conditions of Sale, WAIVERS OF WARRANTY, and LIMITATIONS OF LIABILITY, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale of a work of fine art on the basis of authenticity of authorship only under the following terms, conditions, and LIMITATIONS OF LIABILITY, all of which apply, and the buyer WAIVES and RELEASES any other rights, relief or remedies:

Neal Auction Company shall not grant rescission of any lot identified by the terms “attributed to,” “signed,” “school of,” “manner of,” “after,” or “bears signature.”

Neal Auction Company shall not grant rescission of any lot unless the buyer notifies Neal Auction Company in writing within 25 calendar days from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale.

Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery.

Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights or interests of the original buyer are not transferrable, inheritable, or assignable.

Neal Auction Company shall not grant rescission when: (a) there is a conflict of expert opinion as to the authorship; (b) expert opinion supported authorship at the time of auction, although expert opinion may have changed afterward; and (c) scientific or other tests, examinations, investigations, research, or processes that were unavailable, expensive, or impractical at the time of the auction have revealed since that time that the author, character, condition, kind, provenance, period, quality, or value Neal Auction Company believed to be accurate at the time of sale was inaccurate.

In any dispute between Neal Auction Company and the bidder or buyer regarding authorship of a work of fine art, rescission of the sale and refund of the purchase price paid shall be the buyer’s sole recourse or remedy, if any is available. Neal Auction Company (and its owners, officers, directors, representatives, agents, insurers, and employees) shall not be liable, obligated, or responsible for any damages (including compensatory, general, incidental, consequential, exemplary, or special damages), non-pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorneys’ fees, or any other monetary, declaratory, equitable, or injunctive relief or remedy. The buyer WAIVES and RELEASES any and all such damages, relief, and remedies.

AUCTION BIDDING AND SALE

1. The auctioneer shall have absolute discretion in determining the highest and best bid on each lot. The auctioneer may decide that any original bid is not commensurate with the value of the lot offered, or that any advance thereafter is not of sufficient amount, and the auctioneer may reject or refuse to recognize that bid or advance.

2. At the fall of the auctioneer’s hammer, the bidder acknowledged by the auctioneer, whether in person or absentee, thereupon assumes the obligation to pay for the offered lot, and shall pay the full purchase price for the lot, which shall include the hammer price, plus the buyer’s premium, and all applicable taxes, charges, and costs.

3. Title to the offered lot shall pass to the bidder acknowledged by the auctioneer upon payment of the full purchase price for the lot, which shall include the hammer price, plus the buyer’s premium, and all applicable taxes, charges, and costs. The buyer thereupon assumes full risk, obligation, and responsibility for the lot.

4. At any time before the sale of a lot, Neal Auction Company reserves the right to withdraw the lot or any part of the lot, to combine lots, or to separate items within a lot.

5. No lots will be released before the end of the auction.

6. If the buyer fails to comply with any of these Conditions of Sale, Neal Auction Company reserves the right to (a) hold such defaulting buyer liable, obligated, and responsible for the total amount due and to commence legal proceedings to recover the entire amount along with interest, reasonable attorneys’ fees, expenses, and costs; (b) charge outstanding amounts to the buyer’s credit card; (c) apply any payments to outstanding amounts chosen by Neal Auction Company notwithstanding the instructions of the buyer; (d) cancel the sale, retaining as liquidated damages any payment made by the buyer; (e) resell the lot without reserve at public auction, online-only auction, or privately on seven calendar days’ notice to the buyer; (f) enforce specific performance of the sale; (g) require a deposit in future auctions; (h) exclude the buyer from future auctions or bidding on particular lots; (i) exercise the rights and remedies of a person holding security and/or privilege over property in Neal Auction Company’s possession, whether by pledge, security interest or any other mechanism, to the full extent allowed under Louisiana law, and Neal Auction Company may hold the property of the buyer as collateral security for the buyer’s obligations; (j) and/or take such other actions allowed by law in Neal Auction Company’s sole discretion. If Neal Auction Company resells the lot, the defaulting buyer shall be liable, obligated, and responsible for the payment of any deficiency in the purchase price and any damages, including but not limited to all costs and expenses of both sales, such as, by way of example only, storage, handling, insurance, repairs, illustrations, consultations, examinations, moving, shipping, promotions, advertising, reasonable attorneys’ fees, commissions, and incidental damages.

7. Virtually all lots offered have been subject to use over a considerable period of time. No mention of cracks, scratches, chips, tears, breaks, weaknesses, or any damages or wear will be included in oral, written, or electronic statements or descriptions in the catalogue, website, correspondence, advertising, or literature. Condition reports may be provided upon request, but condition reports may not mention all cracks, scratches, chips, defects, hazards, tears, breaks, weaknesses, or other damages or wear. Neal Auction Company makes no representations or warranties as to the accuracy or completeness of any information or description in a condition report or elsewhere, whether oral, written, electronic, or online. Neal Auction Company reserves the right to decline to provide a condition report for any specific lot, at its sole discretion.

8. Neither high nor low estimates in a catalogue, website, advertising, correspondence, literature, or elsewhere should be relied on as a representation, prediction, appraisal, guarantee, or warranty that a particular lot will sell for a particular price or that a particular lot has a particular value.

9. Neal Auction Company has absolute discretion to admit a bidder to the auction premises, to expel a bidder from the auction premises, or to refuse a bidder from participating in the auction.

10. Neal Auction Company and its auctioneers shall not be liable, obligated, or responsible for failure to recognize or execute any bids for any reason whatsoever, or for no reason. Bidders and buyers WAIVE and RELEASE any rights to damages, and equitable, declaratory, and injunctive relief arising out of the failure or rejection of any bid, or any errors or omissions relating to the bidding process.

11. Interfering with the auction in any way is prohibited.

12. Bid rigging is strictly prohibited. Any agreement, understanding, or arrangement not to bid against another or otherwise to dampen the bidding is unlawful. The auctioneer reserves the right to bid on behalf of the consignor for the protection of the consignor if this illegal activity by two or more bidders is detected, disclosed, alleged, or suspected.

13. Canvassing or solicitating on the auction premises is prohibited.

14. The auctioneer has the sole discretion as to the increments of bidding, the recognition of any bid, the acceptance of the final bid, and resolving any disputes among bidders.

15. Neal Auction Company represents the consignors only and is not acting as agent or representative of bidders or buyers. The payment of the buyer’s premium by the buyer does not indicate a dual agency relationship. Neal Auction Company is to be paid a fee or commission by the consignor pursuant to a separate written agreement between the consignor and Neal Auction Company. The consignor is the seller of the lot sold. Neal Auction Company is the consignment agent or representative, not the seller.

16. The successful bidder is obligated to pay the purchase price in full unless Neal Auction Company has consented in writing at the time of the bidder’s registration that the bidder is acting as an agent on behalf of an identified person and that said principal is obligated to pay the purchase price in full. Neal Auction Company reserves the right to require an advance deposit for such bids.

17. Prior to placing any bid, all bidders must complete a standard Neal Auction Company Registration Form in use at the time of the auction.

18. Dealers must provide Neal Auction Company with proper documentation prior to bidding.

19. First time bidders are required to produce a valid state-issued identification card or passport.

20. Bids are required to be made in U.S. dollars.

21. Neal Auction Company may require a bidder or buyer at any time to produce financial, banking, or trade references and information.

22. All bidders are required to provide credit card information (such as but not limited to the type of card, card number, name as it appears on the card, billing zip code, expiration date, and security code).

23. All bidders are required to select, and notify Neal Auction Company of, a method of payment (cash, check, wire, or credit card) in writing at the time of registration.

24. Neal Auction Company reserves the right to describe or to make photographic, video, or audio recordings of the auction, or any part thereof, and to publish such descriptions, photographs and/or recordings.

25. Lots may be offered subject to a reserve, which is the confidential minimum hammer price below which the lot will not be sold, for the protection of the consignor. Such reserve will not exceed the low estimate for the lot. The auctioneer may open the bidding on any lot by placing a bid on behalf of the consignor, auctioneer, or an absentee bidder that is below the reserve. The auctioneer may continue to bid on behalf of the consignor, auctioneer, or absentee bidder up to the amount of the reserve, by placing consecutive bids or by bidding in response to other bidders. Neal Auction Company may sell a lot at a hammer price below the reserve at its discretion, subject to its agreement with the consignor.

ABSENTEE/TELEPHONE/ONLINE BIDS

1. All absentee bids and/or telephone bids must be received by Neal Auction Company by 5 p.m. Central Time the Thursday prior to the auction.

2. All arrangements for bidding should be made as early as possible. Telephone bidding will be taken at the discretion of Neal Auction Company. Each lot must have a minimum low estimate of $500 for telephone bidding. Absentee bids are accepted for any lots regardless of estimate, at the discretion of Neal Auction Company.

3. Neal Auction Company intends to endeavor to protect the confidentiality of absentee/telephone bids. In the event that the identity of absentee/telephone bidders or buyers or of the amounts of absentee/ telephone bids is disclosed, Neal Auction Company shall not be liable, obligated, or responsible for such disclosure, and each bidder and buyer WAIVES and RELEASES Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) from any claims arising out of such disclosure.

4. Neal Auction Company reserves the right, in its sole discretion, to require that any advance bids be accompanied by a security deposit.

5. Neal Auction Company shall not be liable, obligated, or responsible for any failure, design flaw, error, act, omission, or negligence of third party sites or their agents. Bidders WAIVE and RELEASE any rights to damages and equitable, declaratory, and injunctive relief and remedies arising therefrom.

6. Prior to placing any absentee, telephone, or online bid, all bidders are required to complete the applicable Registration Form prior to such bidding.

7. In the event of ambiguity, uncertainty, or discrepancy, the lot number and not the lot description on any bid will be deemed to be the lot on which the bid is made.

8. If more than one absentee bid on a particular lot is received with the same maximum bid amount, and that bid amount is the highest and best bid for the lot, the lot will be sold to the bidder whose absentee bid was accepted first by Neal Auction Company after receiving it. If a bid placed on a lot by a bidder who is physically present at the auction is identical to an absentee bid for the lot and is the highest and best bid for the lot, the lot will be sold to the person who is physically present at the auction. If a bid placed on a lot by a bidder who is present at the auction (in person or by telephone) is identical to an absentee bid for the lot and is the highest and best bid for the lot, the lot will be sold to the person who is present at the auction (in person or by telephone).

9. Neal Auction Company reserves the right to record any telephone bidding or conversation relating to said bidding, or any part thereof, and to publish said recordings. By participating in telephone bidding, the bidder consents to such recording and publication, notwithstanding the laws or regulations of the state or jurisdiction of the bidder.

PAYMENT

1. The successful bidder (except a successful online bidder) shall pay a buyer’s premium in the amount of 25% of the hammer price on each lot up to and including $200,000, plus 15% of the hammer price greater than $200,000. For payments made by cash, check, or wire transfer (except by online bidders) within 15 calendar days of the auction, the buyer’s premium will be discounted to 22%.

2. The successful online bidder shall pay a buyer’s premium in the amount of 28% of the hammer price on each lot. A discount for payments made by cash, check, or wire transfer is not available for purchases made by online bidders.

3. In the event of any dispute, the Neal Auction Company sale record is conclusive.

4. Unless exempt by law, the buyer will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price.

5. Documentation of tax exemption must be provided upon registration. Billing name and address of a bidder must agree with that on the sales tax exemption certificate.

6. Payment in full of the purchase price must be made by the successful bidder in U.S. Dollars within 15 calendar days of the auction. Interest charges of one and one-half percent per month shall apply to invoices paid after this period expires. Neal Auction Company reserves the right to require payment in full of the purchase price immediately following declaration of the successful bidder.

7. Payment for all jewelry purchases must be made by cash, check or wire transfer.

8. VISA, MasterCard, Discover, and American Express are accepted for payment of invoices (except jewelry) up to $25,000 per buyer.

9. Checks must be drawn on a U.S. bank. All lots shall be held by Neal Auction Company until the check clears.

10. The buyer’s signature on a registration form (or other writing with the buyer’s credit card number) gives Neal Auction Company permission to charge the buyer’s credit card the full amount of the buyer’s invoice if full payment is not received within 15 calendar days of the auction or, in Neal Auction Company’s discretion, to charge the buyer’s credit card later, with interest at the rate of one and one-half percent per month.

PACKING, MOVING, SHIPPING, AND DELIVERY

Neal Auction Company may furnish information on packers, movers, or shippers for bidders or buyers making packing, moving, shipping, and delivery arrangements, but Neal Auction Company shall not be liable, obligated, or responsible therefore, and buyers retain packers, movers, and shippers at their own risk and peril. Shipping, moving, packing, and delivery arrangements and agreements are strictly between the buyer and the shipper, mover, or packer. Neal Auction Company shall not be liable, obligated, or responsible for any damage to property, including vehicles, or for any personal injuries of buyer or any third parties involved in packing, moving, shipping, or delivery. Buyers WAIVE and RELEASE Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) from any and all claims relating to packing, moving, shipping, and delivery of purchased lots, and any damage or injuries to persons or property arising therefrom.

HANDLING AND STORAGE

Unless other arrangements are made and confirmed in writing by Neal Auction Company, all lots must be removed within 15 calendar days of the auction. On the first business day following that time period, any lots remaining in the Neal Auction Company gallery may be turned over to a storage facility, at Neal Auction Company’s discretion. The buyer will be responsible for all handling and storage charges. Handling charges shall be a minimum of $50 per lot. Storage costs shall be a minimum charge of $50 per month per lot. Storage charges accrue monthly and must be paid in full before any lots purchased by the buyer are released. At its discretion, Neal Auction Company may charge the full amount of any storage and handling charges, on a periodic basis, on the buyer’s credit card, including interest at the rate of one and one-half percent per month. All purchased lots will be handled and stored at the buyer’s sole risk and peril. Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) shall not be liable, obligated, or responsible for handling or storage, or for any damage to or loss of, any lot after the sale. The buyer WAIVES and RELEASES all such claims against Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees).

INTELLECTUAL PROPERTY RIGHTS

Neal Auction Company retains the copyright and other intellectual property rights to all photographs, video, illustrations, text, and other works in its catalogue, website, advertising, correspondence, literature, and elsewhere. Such photographs, video, illustrations, text, and other works may not be used, copied, published, exhibited, revised, or displayed without the prior written permission of Neal Auction Company.

Neal Auction Company and the consignor make no representation or warranty that the buyer of a lot will acquire any copyright or other intellectual property right or interest in the lot.

IMPORT/EXPORT

Lots made of or incorporating endangered or protected wildlife materials, irrespective of age or amount of material, may require a license or certificate authorizing export from the United States as well as relevant authorizations from the country of import. It is the responsibility of the bidder or buyer to determine and be satisfied that the requirements of any applicable laws and regulations applying to the transportation, whether international or interstate, can be met before bidding. The inability of a buyer to transport lots containing endangered or protected wildlife material is not a basis for cancellation or rescission of the sale or discount of the purchase price. Although licenses may be obtainable to export certain types of endangered species, some types may not be exported at all, and other types may not be resold in certain states in the United States. Neal Auction Company cannot assist the bidder or buyer in attempting to obtain the appropriate licenses and/or certificates, and bidders and buyers can be given no assurance that an export license or certificate can be obtained. Each bidder should verify with an attorney or qualified shipping company if uncertain as to whether a lot is subject to export/ import license and certificate requirements and any other restrictions or prohibitions on the interstate transportation or exportation from the United States. Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) shall not be liable, obligated, or responsible for any oral, written, or electronic advice given or representations made by it or by any shipping company, legal counsel, or other person. Buyers WAIVE and RELEASE any and all claims against Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) relating to such advice and representations.

MANDATORY AND EXCLUSIVE FORUM SELECTION; CHOICE OF LAW

Any action of any nature brought by a bidder or buyer against Neal Auction Company (and/or its owners, directors, officers, representatives, insurers, and/or employees) and/or the consignor of any lot in any court, whether federal or state, shall be brought exclusively in Orleans Parish, Louisiana. Every bidder and buyer agrees to submit to jurisdiction and venue in federal or state court in Orleans Parish, Louisiana, waives all objections or challenges to such jurisdiction or venue, and waives any rights to jurisdiction or venue in any other forum. Any dispute between the bidder or buyer and Neal Auction Company (and/or its owners, directors, officers, representatives, insurers, and/or employees) and/or the consignor of any lot shall be governed by the law of the State of Louisiana, notwithstanding any conflicts of laws principles.

MISCELLANEOUS LEGAL PROVISIONS

If any part of these Conditions of Sale is held to be invalid, null, or unenforceable, that part shall be reformed so as to implement the intent of the parties as expressed herein, and any such holding shall not affect the remaining provisions of these Conditions of Sale, which shall remain in full force and effect, subject to reformation to implement the intent of the parties as expressed herein.

The paragraph headings contained herein are for convenience of reference only and shall not affect the meaning or interpretation of these Conditions of Sale.

All prior and contemporaneous representations, communications, and agreements, if any, between the bidder or buyer and Neal Auction Company (and any of its owners, officers, directors, representatives, insurers, agents, and employees) relating to any of the lots offered for sale or to the auction or sale are hereby superseded and merged into these Conditions of Sale, which are the entire and only contract between the bidder or buyer and Neal Auction Company relating to the subject matter herein.

Any modifications, amendments, or waivers of these Conditions of Sale must be made in a writing signed by both Neal Auction Company and the bidder or buyer.

In the event of any disputes arising out of the auction or sale of lots or these Conditions of Sale, Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) shall not be liable, obligated or responsible for any general, special, exemplary, incidental, or consequential damages (including but not limited to lost profits and attorneys’ fees). Every bidder and buyer WAIVES and RELEASES any rights to such damages. This LIMITATION OF LIABILITY does not, and is not intended to, enlarge or expand any rights or interests of a bidder or buyer that are restricted or limited elsewhere in these Conditions of Sale (including but not limited to the WARRANTY WAIVERS and LIABILITY LIMITATIONS set forth herein).

These Conditions of Sale constitute a binding legal contract between Neal Auction Company and each bidder or buyer. Each bidder and buyer acknowledges having read and understood these Conditions of Sale, WAIVERS OF WARRANTY, and LIMITATIONS OF LIABILITY. All bidders and buyers further acknowledge that they enter into these Conditions of Sale of their own free will, with full authority, and under no duress or coercion.

Alexandre Alaux, 52

Charles Henry Alston, 189

American School, 45, 47

William Anzalone, 198, 199

John James Audubon, 62, 63

B

Ernest J. Bellocq (aft), 139

Thomas Hart Benton, 66, 67

Giuseppe Galli Bibiena (aft), 408

John Bradley, 54

C

Alexander Calder, 205

Antonio Canova (aft), 292

Benny Carter, 121

Continental School, 286, 289, 293, 411

George Joseph Amede Coulon, 48

Guillaume Cousteau the Elder (aft), 291

Edward S. Curtis, 58-61 D

Bruce Davenport, Jr., 196, 197

John Henry Dell, 53

Edward Von Siebold Dingle, 64

Chris Doyle, 206

Caroline Wogan Durieux, 188

Dutch School, 287

Theora Hamblett, 128

David Harouni, 168-170

Gabe Hausmann, 203

Colette Pope Heldner, 115-117

Knute Heldner, 114

Clementine Hunter, 129-135 J

Willie Jinks, 123

Richard Johnson, 201

Waclaw Palessa, 468-471

Clara Weaver Parrish, 109, 110

Charles Parsons (aft), 56

Gen Paul, 394

Elie Anatole Pavil (attr), 391

Alfred Heinrich Pellegrini, 482

Kazimierz Poczmanski, 464-466

R

Robert Ranieri, 202

Charles Henry Reinike, 163-166

Charles H. Reinike, III, 163-165

Anton Nicolaas Marie Karssen, 463

Alberta Kinsey, 112, 113

Ida Rittenberg Kohlmeyer, 181-185

George Koras, 192

Faith Ringgold, 207

George Rodrigue, 229-244

Robert Malcolm Rucker, 193 S

Hanna Liden, 485-488

Ashley Longshore, 171

Louisiana School, 50

Albert Jasper Ludwig, 105

Birger Sandzen, 65

Holly Sarre, 125

Ben Shahn, 204

Floyd Shaman, 126, 127

Thelma Lynn Simmons, 120

Hunt Slonem, 172-178

Lin Emery, 190, 191

Walker Evans, 141, 142

F

Frank Fleming, 138

French School, 395

Konstanty Mackiewicz, 467

The Duke of Marlow, 124

Nicola Marschall, 49

John McCrady, 106, 107

Leo Meiersdorff, 194

Reuben Aaron Miller, 122

Clarence Millet, 111

Joan Miro, 483

Julio Montenegro, 288

Leon Moran, 46

Jehudith Sobel, 392, 393

Simeon Solomon, 55

Zofia Stryjenska, 396

Arnold E. Turtle, 108

Henri Desire Gauquie (aft), 407

German School, 390

Simon Gunning, 167

Helmut Newton, 484

Mario Villa, 187

W

Willie White, 118, 119

Patricia Whitty, 200

Theodore “Fonville” Winans, 140

Faith Winter (attr), 462

Terrance Osborne, 195

Mildred Wohl, 186

John R. Neal (1940-2018), Founder

Michelle LeBlanc Leckert, CAI President

Katherine Hovas

Senior Vice President

ADMINISTRATION

Director of Administration & Finance

Michelle LeBlanc Leckert, CAI

Client Services / Accounts Receivables

Rebekah Abernathy

Database Management / Internet Auction Administrator

Lisa Weisdorffer

Bookkeeper

Katie Lasher

Marketing & Social Media

Cameron McHarg

General Manager

Jason Leckert

Administrative Assistant

Claire Whitmore

GRAPHICS

Graphics Director / Catalog Design

David Roberts

Photography

Gerard Lewis

Jason Leckert

OPERATIONS

Operations Staff

Charlie Clay

Scott Gann

Graphics Staff

Stephanie Do Ouro

Melissa Guion

Amanda Torres

CONSIGNMENTS

Marc Fagan

Vice President Consignments

Furniture & Decorative Arts

Marc Fagan

Paintings, Prints & Photography

Marney Robinson; Sophie Hirabayashi; Beth Sherwood; Casey Foote; Renee Longon

Books, Maps & Natural History Prints

Marc Fagan

Silver & Decorative Arts

Katherine Hovas

General Consignments, Jewelry

Cameron McHarg

Consignments Administrator

Heather Munch

Fine Art Inventory Manager

Casey Foote

AUCTION SERVICES

Trust & Estates Advisor

Henry G. McCall

Appraisals

Marc Fagan, Cameron McHarg

CATALOGUE CONSULTANTS

Asian Arts & Special Projects

Bettine Field Carroll

Jerry Major

Adam Trepagnier

Decorative Arts Inventory Management

Charlie Clay

AUCTIONEERS

Michelle LeBlanc Leckert #1514

Bettine Field Carroll #1874

Marc Fagan #1935

Marney Robinson #2155

Cameron McHarg #A-193

JEWELRY

Newcomb Pottery & Decorative Arts

Sally Main

Silver

Carey Mackie

Decorative Arts & Victoriana

Ann M. Masson

GIA Graduate Gemologists

Stephen A. Moses

Ilana Picard