Premier Collections: Art & Interiors Live Auction - February 2 & 3, 2023 by Neal Auction

Premier Collections: Fine Art & Interiors

LIVE AUCTION

February 2 & 3, 2023

Premier Collection: Fine Art & Interiors

February 2 & 3, 2023

Featuring:

Select Property from the Collection of Stephanie and Martin Schoenberger, 1812 Palmer Avenue, New Orleans

Fine Jewelry from a New Orleans Estate

Property Sold to Benefit the Angelina and Michael Bloise Fund at the Ochsner Cancer Institute

Fine Silver and Decorative Arts from a McIlhenny Family Estate, New England

Designer Interior Décor from an Uptown New Orleans Residence

Fine American Classical Furniture from a Middle Tennessee Collection

English and Continental Furniture and Decorative Arts from a Historic Garden District House

And Property of Others

EXHIBITION

Beginning Monday, January 23, 10 a.m. to 5 p.m.

Special Saturday Exhibition, January 28, 10 a.m. to 5 p.m. AUCTION

Thursday, February 2, beginning at 11:00 a.m., lots 1-257

Friday, February 3, beginning at 11:00 a.m., lots 258-566

nealauction.com

PROPERTY FROM THE COLLECTION OF

STEPHANIE AND

MARTIN SCHOENBERGER

Neal Auction Company is pleased to present select property from the Collection of Stephanie and Martin Schoenberger.

The collection was showcased in the Schoenberger’s handsome Colonial Revival home, 1812 Palmer Avenue, which they purchased in 1983. It was designed by the noted New Orleans architectural firm Favrot and Livaudais a century earlier.

The Schoenbergers’ collection was the culmination of a lifelong passion, beginning when they were both young doctors. Their approach was scholarly, discriminating, and focused on mid-to-late 19th century American furniture and decorations at the highest level. Their quest for these refined objects led them to the best dealers, antiques shows and auctions around the country.

Among the museum-quality objects on offer from the Schoenberger Collection are an exceptionally rare Alexander Roux labeled sideboard (lot 334), John Henry Belter “Fountain Elms” seating furniture (lots 317-321), a New York Gothic tripartite armoire (lot 413) and Prudent Mallard bedroom furniture related to the well-known “Lansdowne” suite (lots 293-296).

Ref. Cangelosi and Schlesinger. New Orleans Architecture: The University Section, pp. 164-165.

Session One

Thursday, February 2, 11 a.m.

lots 1-257

Provenance:

4. Louis XVI-Style Bronze-Mounted Mahogany Writing Desk, early 20th c., inset leather top, foliate edge, blocked fluted frieze with center drawer, pedestals with three drawers mounted with mythological masks, foliate tapered legs, h. 32 in., w. 72 in., d. 34 1/2 in. [$3000/5000] 5. Louis XVI-Style Verte Peinte and Parcel Gilt Trumeau Mirror, 19th c., molded cornice, husk festoon and trophee accents, landscape reserve, rope-molded mirror surround, conforming base, h. 70 in., w. 32 in. [$1000/1500] 6. Directoire Carved Walnut Lit de Repos , c. 1800, outswept paneled arms, ring-turned supports, cylindrical tapered legs, custom upholstery and pillows en suite, h. 36 in., w. 65 in., d. 28 in. [$1200/1800] Wirthmore Antiques, New Orleans. 1. Antique Louis XV-Style Bronze-Mounted Kingwood Bureau Plat, inset tooled leather top with acanthine corners, serpentine frieze with three drawers, reverse with faux drawers, cabriole legs, sabots, h. 30 in., w. 65 in., d. 32 in. [$800/1200] 2. Pair of Louis XVI Carved Giltwood Fauteuils, late 18th c., arched crest rail, acorn finials, scrolled arms, guilloche seat rail, fluted tapered legs, needlepoint upholstery, h. 38 1/4 in., w. 24 in., d. 21 in. [$1600/1800] 3. Pair of Louis XVI-Style Bronze-Mounted Rouge Marble Pedestals, reeded standard, raised plinth base, h. 45 in., w. 16 1/2 in., d. 16 1/2 in. [$1500/2500]

Provenance:

7. Pair of French Restauration Carved Mahogany Barrel-Back Bergères, early 19th c., rounded crest rail, scrolled terminals, foliatecarved uprights and sabre legs, h. 32 1/2 in., w. 21 in., d. 18 in. [$600/900] Estate of Warren A. Goldstein, Esq., New Orleans. 8. Continental Stenciled Giltwood Mirror, 19th c., molded rectangular surround with foliate detailing, h. 46 in., w. 33 1/2 in. [$700/1000] 13. French Breton Carved Walnut Buffet Cabinet, late 19th c., turned finial, reticulated galleried cornice, fluted columnar stiles, beveled glass panel door, foliate paneled cabinets, two frieze drawers stepped base, compressed bun feet, h. 96 in., w. 69 in., d. 21 1/2 in. [$2500/3500] Fireside Antiques, Baton Rouge. 9. Empire Bronze-Mounted Figured Mahogany Secretaire à Abattant, early 19th c., black marble top, frieze drawer, fall-front door opens to fitted interior, columnar supports, lower cabinet with interior drawer, conforming plinth base, h. 56 1/4 in., w. 38 1/2 in., d. 18 1/4 in. [$800/1200] 10. Charles X Carved Walnut Fauteuil, c. 1830, serpentine seat, lappet uprights, reeded legs, h. 30 in., w. 23 1/2 in., d. 18 1/2 in. [$500/700] 11. Antique French Neoclassical-Style Satinwood Tric-Trac Table, gilt tooled leather top with reverse baize surface, well with backgammon gameboard, square tapering legs, brass cuffs, game pieces, h. 28 3/4 in., w. 47 3/4 in., d. 22 3/4 in. [$1000/1500] 12. Monumental Napoleon III Carved and Parcel Ebonized Oak Bookcase, mid-to-late 19th c., stepped cornice, blocked frieze, fluted columnar stiles, arched glass doors, shelf interior, two frieze drawers, paneled cabinet doors, stepped base, compressed bun feet, h. 102 1/2 in., w. 56 1/2 in., d. 20 1/2 in. [$3000/5000] Fireside Antiques, Baton Rouge.

Provenance: The

19. Antique Empire Ten-Light Chandelier, corona cast with palmettes and panthers, body with flame-form shade, h. 33 in., dia. 20 in. [$800/1200] 20. Pair of Italian Majolica Rooster and Hen Tureens, late 20th c., marked “hand painted in Italy exclusively for Neiman Marcus”, vegetable and fruit motif, h. 12 1/2 in. and 14 in.; together with two matching ladles, l. 9 in. (4 pcs.) [$200/300] Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans. 17. Louis XV-Style Patinated Bronze Twelve-Light Chandelier, tiered form, foliate arms, h. 63 in., dia. 41 in. [$2000/3000] 18. Large Louis XVI-Style Gilt Bronze Lantern, scrolled supports, hexagonal cage mounted with rams heads, fitted with engraved glass panels, h. 53 in., dia. 28 in. [$4000/6000] 21. Italian Majolica Turkey Tureen, lid and body marked “10”, h. 17 in. [$200/300] Schoenberger Collection, 1812 Palmer Avenue, New Orleans. 15. Large Continental Rococo Giltwood Overmantel Mirror, 19th c., pierced scrolled anthemion crest, floral sprays, ribbon-molded and spherule surround, beaded liner, arched mirror plate, h. 82 in., w. 52 in. [$1200/1800] 16. French Rococo Carved Giltwood Overmantel Mirror, mid-to-late 19th c., rocaille crest, shaped foliate surround, beaded interior, arched mirror plate, h. 76 in., w. 52 1/2 in. [$1000/1500] 14. French Patinated Metal and Brass Baker’s Rack, entwined scrolled crest, spindled back, fitted shelf, wood plinth, caged lower section, h. 90 1/2 in., w. 26 3/4 in., d. 25 in. [$700/1000]

Provenance:

22. Mottahedeh Polychrome Porcelain Goose Tureen, base with “A Mottahedeh Design Italy” label, h. 13 1/2 in. [$100/200] The Schoenberger Collection, 1812 Palmer Avenue, New Orleans. 23. Italian Majolica Swan Tureen, illegibly marked, h. 19 1/2 in. [$200/300] The Schoenberger Collection, 1812 Palmer Avenue, New Orleans. 24. Italian Majolica Goose Tureen, late 20th c., marked “hand painted in Italy for Neiman Marcus”, lettuce leaf and vegetable motif, h. 18 in.; with ladle, l. 9 1/2 in. (2 pcs.) [$200/300] The Schoenberger Collection, 1812 Palmer Avenue, New Orleans. 25. Italian Majolica Rooster, vegetable motif, h. 26 in. [$150/250]’ The Schoenberger Collection, 1812 Palmer Avenue, New Orleans. 26. Italian Majolica Cat, 20th/21st. c., hand painted in Italy exclusively for Neiman Marcus, vegetable motif, h. 23 in. [$150/250] The Schoenberger Collection, 1812 Palmer Avenue, New Orleans. 27. Dutch Rococo Burlwood Bombe Chest of Drawers, 18th c., shaped top, serpentine stiles, conforming case with four drawers, ball and claw feet, h. 32 in., w. 33 in., d. 20 in. [$1000/1500] 28. Eight Dutch Rococo Carved Walnut Side Chairs, 18th c., scrolled crest, vasiform splat, cabriole legs, turned stretchers, h. 43 in., w. 20 in., d. 16 in. [$1200/1800] 29. Italian Renaissance Revival Carved Walnut Curule Stool, late 19th c., lion’s head terminals, trestle base, hairy paw feet, h. 23 in., w. 32 in., d. 17 in. [$400/600] 30. Italian Rococo Carved Giltwood Console, 18th c., variegated shaped marble top, extensive reticulated rocaille apron, robust cabriole legs, scrolled toes, h. 32 in., w. 41 1/2 in., d. 21 in. [$2000/3000]

Provenance:

37. Attributed to Aaron Dean Fletcher (American/New York, 1817-1902), “Jonathan Whipple” and “Melinda Grout Whipple (married September 1820)”, c. 1840, 2 oils on canvas, unsigned, “House of Heydenryk, New York” labels on reverse of frames, each 27 in. x 22 in., framed alike, overall 34 7/8 in. x 30 in. x 1 3/4 in. (2 pcs.) [$800/1200] Provenance: Acquired from the descendants of John Adams Whipple (1822-1891), the celebrated pioneer of American photography and son of the sitters. 33. Decorative Carved Giltwood Bench of Renaissance Inspiration, each side with scrolled cartouche crests, carved frieze, figural phoenix trestle base, scrolled stretcher, h. 22 1/4 in., w. 47 in., d. 17 in. [$700/1000] 34. Antique Louis XV-Style BronzeMounted Marquetry and Kingwood Vitrine Cabinet, stepped flared top, curved glass sides and door, glass shelf interior, conforming case, cabriole legs, sabots, h. 68 in., w. 30 in., d. 21 in. [$700/1000] Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 35. Napoleon III BronzeMounted, Boullework and Ebonized Parlor Cabinet, late 19th c., serpentine marble top, conforming case with oval-paneled door, caryatid-mounted stiles, shaped foliate-decorated base, disc fee, h. 42 in., w. 42 3/4 in., d. 17 in. [$700/1000] 36. Continental Giltwood Overmantel Mirror, 19th c., scrolled cabochon crest with floral swag and oak leaf and acorn sprays, guilloche surround with beaded interior, h. 74 in., w. 43 1/2 in. [$1200/1800] 31. Italian Rococo Carved Giltwood Mirror, 18th c., robustly carved scrolled acanthus surround, later antique beveled mirror plate, h. 61 in., w. 53 in. [$2000/3000] The Schoenberger Collection, 1812 Palmer Avenue, New Orleans. 32. Antique Italian RococoStyle Carved Oak Mirror, extensive rocaille surround, cushion mirror plate, h. 53 in., w. 45 in. [$700/1000]

39. Frederick De Bourg Richards (American/Delaware, 1822-1903), “Lake Lucerne”, oil on canvas, signed lower left, 21 1/2 in. x 36 in., framed, overall 33 1/4 in. x 47 3/4 in. x 4 in. [$1500/2500] 40. American School, 19th c., “Portrait of a Young Girl”, hand-colored tintype, unsigned, 8 1/2 in. x 6 1/2 in., framed, overall 16 in. x 14 in. x 3 in. [$300/500] Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 38. American School, 19th c., “Portrait of a Gentleman in Uniform”, oil on canvas, unsigned, 30 in. x 25 1/8 in., framed, overall 35 1/8 in. x 30 1/8 in. x 2 in. [$400/600] 41. George Elmer Browne (American, 1871-1946), “Herding Sheep”, oil on canvas board, signed lower left, inscribed en verso, 7 in. x 9 in., framed, overall 11 3/8 in. x 13 3/8 in. x 1 3/4 in. [$400/600] 42. American School, early 20th c., “Two Hounds”, oil on canvas, unsigned, 16 1/4 in. x 21 1/4 in., framed, overall 20 in. x 24 3/4 in. x 1 1/2 in. [$300/500] 43. Leon Moran (American, 1864-1941), “The Reading Lesson”, oil on canvas, signed lower right, artist name inscribed on stretcher, artist biography on reverse of frame, 20 in. x 30 in., framed with title plaque, overall 29 1/2 in. x 39 1/2 in. x 4 in. [$1200/1800] 44. American School, 19th/early 20th c., “Portrait of a Young Girl Reading in a Tufted Chair”, oil on canvas, indistinctly signed lower left, 48 in. x 32 in., framed, overall 56 5/8 in. x 40 5/8 in. x 3 in. [$1200/1800]

45. Ralph Albert Blakelock (American/New York, 1847-1919), “Hillside Landscape”, 1866, oil on canvas, signed and dated mid-left, “University of Nebraska Blakelock Inventory” label inscribed number “NBI-2122-II” and 2 “Questroyal Fine Art, New York, NY” labels, one with artist, title and date on backing board, 12 1/4 in. x 20 1/8 in., framed, overall 22 3/4 in. x 30 1/2 in. x 4 1/4 in.

[$3000/5000]

Provenance: Private Collection, LA; Questroyal Fine Art, New York, NY.

x 19 3/4 in., framed, overall 28 1/8 in. x 23 7/8 in. x 2 1/4 in. [$2000/3000]

Provenance: Collection of Minnie Ewan Eustis, Paris; thence by descent.

Note: While the definitive identity of this sitter remains a mystery, there are clues in the Eustis family history and a reputed relationship with the artist, Carolus-Duran, that point to United States Senator from Louisiana and Ambassador to France James Biddle Eustis (1834-1899) as the likely subject. The portrait of this distinguished gentleman hung for many years in the Paris residence of Minnie Ewan Eustis, who claimed a husband by the name of Charles M. Eustis, born of American parents in Bath, England. However, no record can be found on this personage or of a marriage between the two. It is believed Ms. Eustis, an opera singer by profession, took the name of a patron, James Biddle Eustis, who was a fan of classical music with a daughter, Marie Eustis, a contemporary of Minnie Ewan Eustis. More evidence that indicates James Biddle Eustis is the sitter for the portrait are records that the sitter and artist were acquainted and served on the commission for the “Prix de Paris,” a joint Franco-American initiative to award an annual stipend to young American students of art and music studying in Paris. According to Dr. William Hauptman, a preeminent Carolus-Duran scholar, although there is no record of the sitter in this work: “There are indices that put [Eustis] and the painter together and in art historical terms that is quite a great deal. Their meetings in Paris and their apparently working together would certainly have induced Eustis to have his portrait painted by Carolus Duran whose reputation at the time was huge.” Hauptman also states that Carolus Duran “…was known to flatter his sitters, sometimes making them appear younger in years.” This fact is another significant justification since the portrait appears to be a man in his late forties, while Eustis would have been sixty-four in 1898. Regardless of the sitter’s identification, the canvas offered here is indicative of the beautiful and detailed portraits Charles Auguste Émile Durand painted of the French, British and American aristocracy and upper-class society in the late 19th century. His popularity was unquestioned, and his influence can clearly be seen in the work of his most well-known student, John Singer Sargent.

47. Bronze Figural Group of Hercules Wrestling the Nemean Lion, h. 16 in., w. 13 in., d. 10 1/4 in., marble base, overall h. 17 3/4 in. [$600/900] 48. Continental School, 19th c., “Napoleon III”, oil on canvas, signed “K. Fedoroff” lower right, “Jerry Ward, Artist, Shelbyville, TN” restoration label with title on reverse of frame, 20 in. x 24 1/4 in., framed, overall 28 1/4 in. x 32 1/4 in. x 3 in. [$700/1000] 46. Charles Auguste Emile Duran, known as Carolus-Duran (French, 1837-1917), “Portrait of a Gentleman, likely James Biddle Eustis (1834-1899)”, 1898, oil on canvas, signed, dated and inscribed “Paris” upper right, “Paul Foinet, Paris” canvas stamp en verso, “Maple’s Depository” labels on stretcher, 24 in.

49. Continental School, 19th c., “Portrait of a Lady”, oil on canvas, unsigned, 36 in. x 30 1/4 in., framed, overall 44 1/2 in. x 38 1/2 in. x 3 in. [$600/800] 50. Continental School, 18th c., “The Raising of Lazarus”, oil on canvas, unsigned, inscribed “ITVM Lasari” mid-left, 35 in. x 47 1/2 in., framed, overall 42 1/2 in. x 55 in. x 2 7/8 in. [$2000/3000] 51. After Peter Paul Rubens (Flemish, 1577-1640), “Madonna de la Paraquette”, c. 1840, oil on canvas, unsigned, titled and inscribed “After Rubens” on frame liner, indistinctly inscribed en verso, 45 in. x 52 3/4 in., framed, overall 55 3/8 in. x 62 7/8 in. x 3 1/2 in. [$2000/3000] 52. William Didier-Pouget (French, 1864-1959), “Le Matin sur l’Etang en Dordogne (Bruyeres en fleurs)”, oil on canvas, signed lower right, monogrammed and titled en verso, 21 1/4 in. x 25 5/8 in., framed with artist plaque, overall 28 in. x 32 1/2 in. x 2 7/8 in. [$2500/3500] 53. Continental School, 19th c., “Mother and Child at the Table” and “Girl Knitting by Sleeping Baby”, 2 oils on tin, both unsigned, “Philip Suval, Fine Arts, New York” label on reverse of each frame, one with period label en verso, each 15 3/8 in. x 12 5/8 in., framed, overall 18 1/2 in. x 15 3/4 in. x 1 3/4 in. (2 pcs.) [$600/800]

Mauritius Salk (Dutch, 1864-1938), “The SewingSchool at Katwýk”, oil on canvas, signed lower left, after David Adolph Constant Artz (Dutch, 1837-1890), inscribed “Copy after DAC Arts [sic]” lower right, titled en verso, “L. Uter’s Heirs, 233 & 235 Royal Street, New Orleans” label on reverse of frame, 38 in. x 51 1/2 in., framed, overall 45 3/4 in. x 59 in. x 3 in. [$1000/1500]

x 3 1/2 in. x 3/8 in. [$600/800]

11 3/4 in. x 15 in., unframed.

57. French Patinated Bronze Bust of “Diana”, after JeanAntoine Houdon, signature inscribed and “Susses Frères” foundry stamp on truncation, h. 22 1/2 in., w. 14 in., d. 8 in. [$800/1200]

58. After Georg Dionysius Ehret (German, 1708-1770), “Frumentum Indicum, Mays Dictum”, c. 1737, hand-colored engraving, engraved by Johann Jakob Haid (German, 1704-1767), from Phytanthoza Iconographia, published by Hieronymus Lentz for Johann Weinmann, Regensburg, Germany, sheet 15 1/4 in. x 17 3/8 in., framed, overall 22 1/4 in. x 25 1/4 in. x 1 in. [$200/400]

59. Hans-Georg Rauch (German, 1939-1993), “The Galleons Suite”, 1977, 5 etchings with aquatint, each pencil-signed and numbered “HC II/XX” lower margin, each with blindstamp visible, 7 3/4 in. x 8 5/8 in. to 13 1/2 in. x 12 1/2 in., unframed in hard folio. (6 pcs.) [$800/1200]

Cusco School, 16th/18th c., “Simon of Cyrene”, oil on canvas laid on foamcore, unsigned, “Kunstsalon Emil Richter, Dresden” label on reverse of frame, 26 3/8 in. x 22 1/4 in., framed, overall 32 in. x 28 1/8 in. x 2 in. [$800/1200]

60. 55. Attributed to Elie Anatole Pavil (Russian/French, 1873-1948), “Ships in the Harbor”, oil on board, signed lower right, [$1500/2500] 56. Attributed to Jan Frans Van Dael (Belgian, 17641840), “Still Life of Flowers”, oil miniature, unsigned, 2 1/8 in. x 1 3/4 in., (oval) framed with artist plaque, overall 4 1/2 in. 54. Matthijs Theodorus

61. Large French Gilt and Polychrome Porcelain Center Bowl and Stand, early 20th c., mark of Jean Pouyat, Limoges, stand with dedication “To. Mama. from Sidonia. To be given to Germone on his twenty first birthday”, h. 10 1/2 in., dia. 15 1/2 in. [$300/500]

Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

62. Large Meissen-Style Polychrome and Gilt Porcelain Covered Urn, c. 1900, blue von Schierholz Porcelain Manufactory shield mark, applied flowers throughout, body reserved with courting couple, allegorical maiden form handles, lid with putti and crown form finial, scroll feet, h. 28 in. [$2000/3000]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

63. Large Meissen-Style Polychrome and Gilt Porcelain Covered Urn, illegibly marked, applied flowers throughout, body reserved with Classical figures and putto in a garden, musical maiden form handles, lid with putto form finial, base with scroll feet, h. 27 in. [$1500/2500]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

64. Royal Vienna Polychrome and Gilt Porcelain Covered Urn, marked, base inscribed “I The Reconciliative” and “II The Awakening of Titania”, magenta and green ground, reserved with putti and maiden, bronze finial, h. 32 in. [$800/1200]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

67. Twelve Antique English Gilt and Polychrome Porcelain Soup Plates, c. 1905, Cauldon, Stoke on Trent, dia. 10 in. [$400/600] 68. Thirteen Antique English Gilt and Polychrome Porcelain Dinner Plates, c. 1905, Cauldon, England, shaped rim, dia. 10 in. [$400/600] 65. Seven Royal Copenhagen Botanical Porcelain Dinner Plates, pattern RC020, fully marked, hand-painted, dia. 10 7/8 in. [$800/1200] 66. Twelve Limoges Gilt and Polychrome Porcelain Dinner Plates, c. 1900, Wm. Guerin & Co, dia. 10 3/4 in. [$400/600]

71. Pair of Louis XV Carved Fruitwood Fauteuils, 18th c., molded floral crest rail, scrolled arms, serpentine seat, cabriole legs, scrolled toes, restorations, h. 34 in., w. 25 in., d. 21 in. [$800/1200] 72. Antique French Provincial Oak Buffet, plank top, cartouche paneled doors, paneled stiles, h. 39 in., w. 54 in., d. 26 1/4 in. [$700/1000] 75. Two Antique French Provincial Carved Walnut Bergeres in the Louis XV Taste, floral crest, winged back, scrolled arms, serpentine seat rail, cabriole legs, custom damask upholstery, taller h. 40 in., w. 26 in., d. 26 in. [$800/1200] 76. French Provincial Carved Fruitwood Writing Table, 19th c., shaped top, three frieze drawers, cabriole legs, h. 30 in., w. 43 in., d. 23 in. [$600/900] 69. Twelve Antique English Cobalt and Gilt Porcelain Soup Bowls, 19th c., marked “A.B. Daniells & Sons, 46 Wigmore Street, London”, gilt decoration with cobalt rims, monogram reserves, dia. 10 in. [$600/900] 70. Twelve Antique English Cobalt and Gilt Porcelain Dinner Plates, 19th c., marked “A.B. Daniells & Sons, 46 Wigmore Street, London”, gilt decoration with cobalt rims, monogram reserves, dia. 10 1/5 in. [$600/900] 73. Antique French Provincial Carved Fruitwood Bureau Plat and Chair en Suite, plank top, two deep drawers, tapered legs; chair with incurvate crest rail, slatted back, turned legs, h. 29 3/4 in., w. 63 in., d. 27 3/4 in. [$800/1200] 74. Antique French Provincial Carved Fruitwood “Pied de Biche” Table, molded top, two paneled drawers, scalloped apron, cabriole legs, hoof feet, h. 29 in., w. 35 1/2 in., d. 22 in. [$500/700]

80. Antique Carved Marble Mantel, shaped top, scrolled sides, h. 39 3/4 in., w. 52 in., d. 15 in. [$1000/1500] 77. French Provincial Fruitwood Buffet, early 19th c., chamfered top, three frieze drawers, paneled doors, conforming base, molded feet, h. 42 3/4 in., w. 62 3/4 in., d. 21 in. [$1000/1500] 78. Antique French Provincial Carved Oak Desk, galleried top above three drawers, square tapering legs, h. 42 in., w. 38 in., d. 21 in. [$600/900] 82. Carved Stone Head of a Turbanned Youth, h. 8 1/2 in., mounted to marble plinth, overall h. 12 3/4 in. [$700/1000] 83. Continental Carved and Polychromed Figure of a Saint, 19th c., cloudform base with cherubs, h. 41 in., w. 19 in., d. 11 in. [$1200/1800] 84. Antique Continental Carved Figure of Mary and the Christ Child, waxed surface, h. 23 in., w. 7 in., d. 4 1/2 in. [$500/700] 85. Pair of Italian Neoclassical-Style Black Marble Campagna Urns , h. 22 in., dia. 21 in. [$1200/1800] 81. Baccarat-Style Gilt Bronze Mounted Urn and Centerpiece Bowl, urn h. 10 3/4 in., scalloped bowl with gilt floral design, h. 4 1/2 in., dia. 10 1/2 in. [$250/350] 79. Large Grand TourStyle Patinated Bronze Urn, entwined serpent and mask handles, h. 34 1/2 in., w. 36 in., d. 23 in. [$1800/2400]

91. George III Inlaid Mahogany Bowfront Sideboard, late 18th/early 19th c., banded top, frieze drawer flanked by two deep drawers, tapered legs, spade feet, h. 36 in., w. 72 in., d. 28 1/2 in. [$1200/1800] 88. Pair of Large Continental Japonisme Polychromed Panels, pagoda-form “thatched” crest, reserves painted with birds amongst flowering plants, h. 107 in., w. 45 in., d. 2 in. [$800/1200] 92. Pair of George III-Style Carved Mahogany Armchairs, bellflower crest rail, pierced anthemion splat, acanthine scrolled arms, fluted tapered legs, spade feet, h. 39 in., w. 24 in., d. 19 in. [$500/800] 89. Antique Ornate Plaster Frame, with paper transfer of Sistine Madonna after Raphael, h. 32 in., w. 23 in., d. 3 1/2 in. [$400/600] 90. Pair of Fine English Painted Satinwood Armchairs, 19th c., in the Adam taste, blocked floral crest rail, slatted splat, scrolled arms, caned seat, turned and tapered legs, h. 36 in., w. 21 1/2 in., d. 19 in. [$800/1200] 86. Antique Continental Birdseye, Parcel Maple Ebonized and Painted Foil Jewelry Cabinet, pyramid top, felt-lined graduated drawers, h. 20 3/4 in., w. 17 in., d. 14 1/2 in. [$600/900] 87. Pair of Giltwood Figures of Cherubs on Gilt Painted Brackets, 19th c., figures on cloud bases, h. 22 1/2 in., carved foliate and scroll brackets, h. 21 in., w. 14 in., d. 14 3/4 in., total h. 43 1/2 in. [$700/1000] Provenance: Karla Katz Antiques, New Orleans.

Provenance:

97. Pair of Regency-Style Brass Inlaid Mahogany Chiffoniers, reeded top, frieze with foliate inlay, grillework doors enclosing adjustable shelves, turned feet, h. 35 1/4 in., w. 43 1/2 in., d. 11 1/2 in. [$1500/2500] 98. Late Regency Inlaid Burl Walnut Three-Tier Etagere, early-to-mid 19th c., reticulated crest, acorn finials, chamfered shelves, spiral-turned supports, h. 40 in., w. 21 in., d. 13 3/4 in. [$500/700] 99. Jacobean Carved Walnut Armchair, likely 17th c., scrolled arms, baluster-turned uprights, legs and stretcher, disc feet, needlepoint upholstery, h. 39 in., w. 23 in., d. 20i n. [$400/600] 93. George III Satinwood-Inlaid Mahogany Drop-Leaf Pedestal Table, late 18th c., extensively inlaid throughout, fitted deep drawer, sabre legs, brass paw feet, casters, h. 27 in., w. 39 1/4 in., d. 21 in. [$800/1200] 94. Antique Regency-Style Carved Mahogany Sofa, reeded crest rail and uprights, ring-turned flared legs, casters, h. 35 in., w. 76 in., d. 26 1/2 in. [$800/1200] 95. Pair of Late Regency Carved Mahogany Bookcases, early 19th c., blocked front, tulip-carved stiles, open shelves, conforming plinth base, h. 38 in., w. 78 3/4 in., d. 13 1/4 in. [$700/1000] 96. Regency Mahogany Secretary Bookcase, early 19th c., stepped cornice, geometric glazed doors, shelf interior, fitted secretary drawer, three lower drawers, serpentine apron, flared legs, h. 93 in., w. 45 in., d. 22 in. [$2000/3000] Henry Stern, New Orleans.

105. Group of Three Antique American Copper Kettles, largest h. 19 1/2 in., dia. 27 in.; together with a group of farm equipment. [$500/700] Provenance: Bocage Historic Home, Darrow, LA 106. Giant Clam Shell, tridacna gigas, South Pacific, h. 9 in., w. 35 in., d. 22 in. [$1500/2500] 107. Giant Clam Shell, tridacna gigas, South Pacific, h. 10 in., w. 29 in., d. 18 in., together with two smaller shells [$700/1000] 103. Patinated Metal “Gothic” Pattern Garden Bench, 20th c., scrolled acanthus crest rail, pierced back and seat, foliate apron, scrolled cabriole legs, h. 35 1/2 in., w. 61 1/2 in., d. 19 1/2 in. [$800/1200] 102. English Painted Cast Iron Garden Table, 19th c., reticulated top, canted corners, lyre-decorated frieze, cabriole legs, shaped stretcher, h. 29 in., w. 24 in., d. 24 in. [$400/600] Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 104. Decorative Patinated Metal “Four Seasons” Garden Suite, incl. four chairs “Spring”, “Summer”, “Autumn” and “Winter” and table, each with cherub reserves and extensive foliate-decorated frame, chair h. 34 1/2 in., w. 23 1/2i n., d. 22 in., table h. 26 1/2 in., w. 36 in., d. 25 in. [$1500/2500] 100. Antique English Bronze-Mounted Exotic Woods Credenza, mid-19th c., serpentine top, conforming case with glazed doors flanked by alcove shelves, shaped base, h. 34 in., w. 59 1/2 in., d. 17 in. [$800/1200] 101. William and Mary Carved and Inlaid Burl Walnut Secretary Bookcase, early 18th c., flame finials, double arch cornice, paneled doors, fall-front door opens to fitted interior, bank of drawers, raised bun feet, h. 88 in., w. 38 in., d. 22 in. [$3000/4000]

bezel set cabochon ruby, wt. approx. 3.50 cts., size 8.5; Note: moderate natural inclusions under magnification (proof of natural origin). [$3000/5000]

1.00 ct.; size 7; 13.00 dwts. [$1000/1500]

109. 14 kt. White Gold, Ruby and Diamond Line Bracelet, mounted with 22 bezel set emerald cut rubies, total wt. approx. 1.76 cts.; and 22 bezel set emerald cut diamonds, total wt. approx. 2.00 cts.; l. 7 1/4 in. [$3000/5000]

8 round diamonds, total wt. approx. 0.80 ct.; l. 2 5/8 in., w. 1 1/4 in. [$800/1200]

116.

set with numerous round rubies, total wt. approx. 3.00 cts.; numerous round diamonds, total wt. approx. 1.50 cts.; and numerous tapered baguette citrines, total wt. approx. 4.00 cts. (2 prs.) [$2000/2500]

and

9 garnets, total wt. approx. 4.00 cts; shoulders with blue enamel accents; size 4.5. [$1800/2400]

117. 14 kt. Yellow Gold, Faceted Yellow Sapphire, Cabochon Garnet and Enamel Ring, center oval yellow sapphire, wt. approx. 5.00 cts.; surrounded by 112. Pair of 14 kt. White Gold, Diamond and Ruby Earrings, stylized floral design with 2 central rubies, total wt. approx. 0.20 ct.; and 12 pear shape diamonds, total wt. approx. 1.20 cts.; clip backings. [$500/700] 113. 14 kt. White Gold, Carved Ruby and Faceted Diamond Brooch, floral design set with 20 rubies, total wt. approx. 2.00 cts.; and 114. Pair of 14 kt. White Gold, Diamond and Ruby Drop Earrings, set with 14 rubies; accented by 41 round diamonds, total wt. approx. 1.20 cts.; screw backings; l. 2 in.; 3.50 dwts. [$800/1200] 115. 18 kt. Yellow Gold, Pink Sapphire and Diamond Bee Pin/Pendant, set with 16 round pink sapphires, total wt. approx. 1.50 cts.; and 5 round diamonds, total wt. approx. 1.00 ct. [$700/1000] Suite of Retro 18 kt. Yellow Gold, Ruby, Diamond and Citrine Brooch/Clips Earrings, 108. Cartier Platinum and Cabochon Ruby Man’s Ring, signed and inscribed with serial number “10177”, center 110. 14 kt. White Gold, Ruby and Diamond Ring, central cabochon ruby, wt. approx. 4.00 cts.; shoulders set with 6 emerald cut diamonds, total wt. approx. 111. Platinum, Ruby and Diamond Ring, center oval cabochon ruby accented by 2 pear shape rubies, total wt. approx. 2.00 cts.; halo set with 12 round diamonds, total wt. approx. 0.60 ct.; size 6.5. [$1200/1800]

118. Antique 18 kt. Yellow Gold, Citrine and Seed Pearl

Double Fringe Necklace, c. 1870, 2 strands of approx. 350 seed pearls set with 43 citrines, total wt. approx. 86.00 cts.; inner strand l. 13 in.; outer strand l. 16 in. [$1000/1500]

Provenance: Geo. Attenborough and Son, London.

1/4 in. [$300/500]

119. 14 kt. White Gold, Pearl and Diamond Necklace, set with 75 graduated round pearls, approx. 4.03-7.02 mm, finished with white gold clasp set with 3 diamonds, total wt. approx. 0.10 ct., l. 16 1/2 in.; together with yellow gold, pearl and diamond necklace, broken strand set with approx. 60 graduated pearls, finished with yellow gold clasp marked “Tiffany” with bezel set round diamond, wt. approx. 0.85 ct., l. 16 1/2 in. (2 pcs.) [$700/1000]

1 3/4 in., w. (open) 4 in.; 14.00 dwts. [$600/900]

122. 14 kt. Yellow Gold, Seed Pearl and Diamond Heart Pin/Pendant, set with central round diamond and numerous seed pearls, l. 1 in.; together with 14 kt. yellow gold and seed pearl flower pin, l. 1 in.; and a 10 kt. yellow gold and seed pearl crescent and flower pin, dia. 7/8 in.; 6.25 dwts. (3 pcs.) [$300/500]

123. 14 kt.

1.00 ct.; l. 2 in., w. 1 1/2 in. [$400/600]

125. 14 kt. Rose Gold and Citrine Ring, foliate setting with center prong set citrine, wt. approx. 10.00 cts.; size 9; 10.50 dwts. [$800/1200]

126. 14 kt. Yellow Gold and Citrine Flexible Bracelet, set with 3 oval citrines, l. 6 3/4 in.; 13.00 dwts. [$400/600]

127. 14 kt. Yellow Gold, Amethyst and Diamond Ring, central prong set oval faceted amethyst, wt. approx. 25.00 cts.; scrollwork bezel set with 18 round diamonds, total wt. approx. 1.10 cts.; size 6.5; 8.00 dwts. [$500/700]

128. 18 kt. Yellow Gold, Amethyst and Diamond Pendant, center oval faceted amethyst, wt. approx. 20.00 cts.; reticulated setting and bail mounted with numerous diamonds, total wt. approx. 0.20 ct.; l. 2 in., w. 1 1/4 in. [$600/900]

White Gold, Pearl and Diamond Pendant/Brooch, stylized floral design set with 28 pearls, 5.20-5.80 mm; and numerous diamonds, total wt. approx. 124. 10 kt. Yellow Gold and OrangeYellow Sapphire Ring, center bezel set sapphire, wt. approx. 9.00 cts.; size 9.5 [$2000/2500] 120. 14 kt. Yellow Gold, Seed Pearl and Diamond Pin/Pendant, flower design set with 80 seed pearls and central round diamond, wt. approx. 0.10 ct.; dia. 1 121. Long 14 kt. Yellow Gold and Pearl Station Necklace, l. 66 in.; together with yellow gold spring-loaded lorgnette, w. (closed)

133. 18 kt. Yellow Gold and Diamond Brooch, foliate and floral design set with 44 round diamonds, total wt. approx. 4.00 cts.; l. 2 1/4 in., w. 1 1/2 in.; Note: kinetic design to central diamond cluster. [$1500/2000] 134. Pair of 18 kt. Yellow Gold and Diamond Swirl Earrings, set with numerous round diamonds, total wt. approx. 4.00 cts., clip backings, l. 1 1/4 in. [$1200/1800] 135. Antique 18 kt. Yellow Gold and Diamond Ring, center prong set round diamond, wt. approx. 3.61 cts., K-M color, VVS-VS clarity, size 5.75. [$15000/25000] 136. Platinum and Diamond Line Bracelet, set with 35 round diamonds, total wt. approx. 5.00 cts.; inner circ. 6 1/2 in.; 17.50 dwts. [$4000/6000] 137. Three Old European Cut Unset Diamonds, incl. 1) wt. approx. 1.65 cts., VS1-VS2, L-N color, 2) wt. approx. 1.66 cts., VS1-VS2, M-O color, and 3) wt. approx. 2.6 cts., VS1-VS2, J-L color. [$6000/8000] 138. Cartier Art Deco Platinum and Diamond Flexible Bracelet, c. 1925, marked and inscribed with serial number, set with 176 diamonds incl. emerald-cut, rectangular, round and bullet, total wt. approx. 10.50 cts., l. 7 1/2 in. [$12000/18000] 139. Antique 14 kt. Gold and Diamond Bar Pin, center bezel set old European cut diamond, wt. approx. 1.00 ct., M-O color, SI1-SI2 clarity; flanked by 12 old European cut diamonds, K-R color, total wt. approx. 4.25 cts.; l. 2 3/4 in. [$2000/4000] 140. Platinum and Diamond Ring, set with center round diamond, wt. approx. 0.75 ct.; size 6. [$700/1000] 129. 18 kt. Yellow Gold, Amethyst and Pearl Ring, center prong set round faceted amethyst, wt. approx. 15.00 cts.; halo set with 20 pearls, 2.00-2.50 mm; size 6.5. [$200/300] 130. 14 kt. Yellow Gold and Garnet Torsade Necklace, comprised of 10 strands with approx. 1000 polished faceted garnets, finished with ornate yellow gold prong clasp, l. 23 1/4 in.[$400/600] 131. 14 kt. Yellow Gold, Turquoise and Diamond Turtle Brooch and Earrings, set with 11 oval cabochon turquoise, total wt. approx. 4.50 cts.; brooch set with 20 round diamonds, total wt. approx. 1.20 cts.; brooch l. 1 3/4 in.; earclips l. 5/8 in. (2 pcs.) [$700/1000] 132. 18 kt. Yellow Gold and Diamond Starburst Pin/Pendant, set with 36 round diamonds, total wt. approx. 2.65 cts.; largest center diamond, wt. approx. 0.35 ct.; l. 1 1/2 in., w. 1 1/2 in. [$1200/1800]

142. 14 kt. White Gold, Diamond and Sapphire Line Bracelet, set with 35 round diamonds; links set with numerous sapphires, total wt. approx. 0.20 ct.; l. 7 5/8 in. [$800/1200]

141. Platinum, Diamond and Sapphire Ring, center oval blue sapphire, wt. approx. 2.00 cts.; bezel with 10 round diamonds, total wt. approx. 1.50 cts.; size 6.5. [$1200/1800]

144. Pair of 14 kt. White Gold, Diamond and Sapphire Drop Earrings, set with 18 round blue sapphires, total wt. approx. 2.00 cts.; and 36 round diamonds, total wt. approx. 3.00 cts.; l. 2 in. [$1500/2000]

143. Art Deco 18 kt. White Gold, Diamond and Sapphire Brooch/ Pendant Watch, by Tavannes, set with numerous diamonds, total wt. approx. 2.00 cts.; and numerous blue sapphires, total wt. approx. 1.00 ct.; overall l. 5 1/4 in.; 18.50 dwts. incl. movement [$1200/1800]

145. Art Deco Platinum, Diamond and Sapphire Brooch, set with 35 diamonds, total wt. approx. 3.00 cts.; and 16 sapphires, total wt. approx. 2.00 cts.; finished with 14 kt. yellow gold pin back; l. 2 1/2 in. [$2000/3000]

146. Art Deco 18 kt. White Gold, Diamond and Sapphire Straight Line Bracelet, set with 24 diamonds and 20 sapphires, l. 6 5/8 in. [$2500/4500]

148. Art Deco 14 kt. White Gold, Moonstone, Sapphire and Diamond Brooch, set with center oval moonstone, wt. approx. 16.00 cts.; flanked by 10 blue sapphires, total wt. approx. 0.20 cts.; surrounded by numerous diamonds, total wt. approx. 0.50 cts.; l. 1 1/4 in., w. 3/4 in. [$700/1000]

150. Cartier Platinum and Sapphire Ring, marked, set with central oval faceted blue sapphire, wt. approx. 2.00 cts., size 8.25. [$1000/1500]

147. Cartier Platinum and Cabochon Sapphire Ring, marked, center cabochon blue sapphire, wt. approx. 4.00 cts., size 8. [$800/1200] 149. Platinum, Sapphire and Diamond Ring, center blue sapphire, wt. approx. 1.00 ct.; flanked by 2 diamonds, total wt. approx. 0.60 ct.; size 5.75. [$1000/1500]

151. Antique 14 kt. Yellow Gold, Sapphire and Seed Pearl Station Bracelet, mid-19th c., set with 5 oval blue sapphires, total wt. approx. 25.00 cts., l. 7 in. [$3000/5000] 152. 14 kt. Yellow and White Gold and Sapphire Line Bracelet, set with 3 blue sapphires, total wt. approx. 0.30 ct.; l. 6 3/4 in.; 8.50 dwts. [$800/1200] 153. Cartier 18 kt. Yellow Gold and Sapphire Cross Pendant, marked and inscribed, mounted with 11 invisibly set square cut blue sapphires, total wt. approx. 1.20 cts.; l. (incl. bail) 1 1/4 in. [$1500/2500] 154. Platinum, Sapphire and Diamond Ring, center oval shape blue sapphire, wt. approx. 1.80 cts.; halo set with 10 round diamonds, total wt. approx. 2.25 cts.; size 6.25; 3.50 dwts. [$2000/3000] 155. 14 kt. Yellow Gold and Sapphire Pin, center bezel set round blue sapphire, wt. approx. 4.00 cts.; l. 2 3/8 in. [$1000/1500] 156. Pair of 14 kt. Yellow Gold, Sapphire and Ruby Cufflinks, set with numerous blue sapphires in a plus sign and numerous rubies in a minus sign; inscribed “TOUJOURS” and “JAMAIS”; 10.00 dwts. [$400/600] 157. Pair of 18 kt. White Gold, Sapphire and Diamond Cufflinks, set with 4 bezel set oval blue sapphires, total wt. approx. 2.80 cts.; surrounded by numerous round diamonds, total wt. approx. 0.30 ct.; 8.00 dwts. [$400/600] 158. Pair of Vintage 18 kt. White Gold, Sapphire and Diamond Dangle Earrings, ornate design set with 12 blue sapphires, total wt. approx. 2.00 cts.; accented by numerous diamonds, total wt. approx. 0.30 cts.; clip backings; l. 1 3/4 in. [$400/600] 159. 14 kt. White Gold, Sapphire and Diamond Bar Pin, set with 4 blue sapphires, total wt. approx. 0.30 ct.; and 3 diamonds, total wt. approx. 0.20 ct.; l. 2 5/8 in.; 3.50 dwts. [$500/700] 160. 14 kt. White Gold, Blue Topaz and Diamond Ring, center blue topaz, wt. approx. 20.00 cts.; shoulders set with 8 round diamonds, total wt. approx. 0.10 ct.; size 7. [$400/600]

169. David Yurman 14 kt. Yellow Gold and Sterling Silver Cable Choker, lobster claw clasp, marked, inner circ. 15 1/2 in. [$300/500] 165. 114 kt. Yellow Gold and Jadeite Brooch, l. 1 1/4 in., w. 1 1/8 in. [$300/500] 166. 14 kt. Yellow Gold and Cabochon Emerald Bracelet, mounted with 11 bezel set round cabochon emeralds, l. 7 in., 4.00 dwts. [$400/600] 167. 14 kt. Rose Gold, Cat’s Eye Chrysoberyl and Diamond Ring, size 9; together with 14 kt. yellow gold, pearl and yellow tourmaline ring, size 7; 5.50 dwts. [$400/600] 168. 18 kt. Yellow Gold and Coral Pin, c. 1968, signed Cross, Germany, l. 1 3/4 in., w. 1 1/2 in.; 11.50 dwts. [$500/700] 163. Pair of White Gold, Carved Jade and Diamond Dangle Earrings, set with numerous diamonds, total wt. approx. 0.40 ct.; l. 2 3/8 in. [$600/800] 164. Pair of 18 kt. Yellow Gold, Carved Jade and Diamond Dangle Earrings, ornately set with numerous round diamonds, total wt. approx. 1.50 cts.; l. 2 1/2 in. [$1000/1400] 161. 14 kt. Yellow Gold, Blue Topaz and Diamond Ring, center prong set oval topaz, wt. approx. 17.00 cts.; accented by 6 diamonds; size 7.5; 8.00 dwts. [$1000/1500] 162. 14 kt. Yellow Gold, Opal and Diamond Ring, center oval opal, wt. approx. 1.00 ct.; accented by 4 round diamonds, total wt. approx. 0.10 ct.; size 6. [$600/800]

173. Retro 14 kt. Yellow Gold Wide Link Bracelet, inner circ. 6 3/4 in., 26.00 dwts. [$1000/2000] 174. 14 kt. Yellow Gold Charm Bracelet, with 2 large charms, whistle charm and US coin charm, inner circ. 6 1/2 in., 57.00 dwts. [$2000/3000] 175. Eleven Gold Chain Bracelets, incl. 3 watch chains and 8 bracelets; together with 1 Bulova wristwatch; 153.00 dwts.; (12 pcs.) [$4000/6000] 176. Victorian 14 kt. Yellow Gold, Black Enamel and Seed Pearl Flexible Cuff Bracelet, adjustable, retains buckle, slide and fringe, set with 8 seed pearls; largest inner circ. 9 in.; 31.00 dwts. [$1500/2000] 177. 18 kt. Yellow Gold Swirl Pin, dia. 1 1/2 in.; together with 14 kt. yellow gold bar pin, l. 2 3/8 in.; 10.00 dwts. [$400/600] 178. Suite of 15 Cartier 18 kt. Yellow Gold Religious Medals, 7.90 dwts. [$2000/3000] 179. 14 kt. Yellow Gold Chain with Two 10 kt. Gold Charms, l. 19 in., 10.06 dwts. [$400/600] 180. 18 kt. Tricolor Gold Cuban Chain Necklace, l. 18 in., 47.00 dwts. [$1000/2000] 181. 14 kt. Yellow Gold Flat Link Chain Necklace, l. 18 in., 13.00 dwts. [$500/700] 170. Italian 14 kt. Yellow Gold “Twist” Bangle Bracelet, spring loaded hinge opening, inner circ. 6 3/4 in.; 13.00 dwts. [$400/600] 171. Italian 14 kt. Yellow Gold Chain Bracelet, l. 8 in.; 16.00 dwts. [$600/800] 172. Italian 14 kt. Yellow Gold Braided Chain Bracelet, inner circ. 7 in.; 9.00 dwts. [$400/600]

182. 14 kt. Yellow Gold, Enamel and Onyx Compact, mirrored interior with additional compartment, h. 3 1/8 in., w. 1 3/8 in., d. 1 /4 in.; with chain, l. 9 in.; 42.00 dwts. [$800/1200]

183. Cartier 18 kt. Yellow Gold, Diamond, Cabochon Ruby and Cabochon Emerald Compact, signed “Cartier” and inscribed “18K” and “550”, case with duck and pond scene set with 17 diamonds, total wt. approx. 1.25 cts.; 6 rubies, total wt. approx. 3.00 cts.; and 6 emeralds, total wt. approx. 5.00 cts.; mirrored interior with two compartments; h. 3/4 in., w. 3 in., d. 2 1/2 in.; 117.5 dwts.

184.

Evening

with

Sapphire Clasp, c. 1916, h. 5 in., w. 7 in., handle drop h. 7 in.; 96.00 dwts. Note: area of discoloration to mesh. [$1500/2500]

190. Jules Jurgensen 18 kt. Yellow Gold Hunter Case Center Sweep Jump 1/5 Second Minute Repeating Pocket Watch, Jules Jurgensen, Copenhagen, case, cuvette, dial and movement signed, serial no. 12282, cuvette also marked “PATENT 1867 JANUARY 15”, minute repeating on two gongs, Breguet hands, engine-turned covers, 54 mm diam, wt. (including movement) 109 dwts. [$3000/5000]

185. 14 kt. Yellow Gold Mesh Evening Bag, h. 5 in., w. 6 in., handle drop h. 5 in.; 69.00 dwts. [$1500/2500] 186. Cartier 14 kt. Yellow Gold Tie Pin, marked and inscribed with serial #13289, 2.50 dwts. [$300/500] 187. 18 kt. Yellow Gold Signet Ring, size 2.5; together with two 14 kt. yellow gold rings, sizes 9.5 and 6; 14.50 dwts. (3 pcs.) [$300/500] 188. Group of Three Pairs of 18 kt. Yellow Gold Coin Cufflinks, 17.50 dwts. [$800/1200] [$4000/6000] 14 kt. Yellow Gold Mesh Bag Cabochon 189. 14 kt. Yellow Gold Money Clip with St. Christopher Medal, 22.00 dwts. [$800/1200]

193. 14 kt. Yellow Gold Teaspoon, l. 6 in., 1 troy oz. [$700/1000] 194. US Liberty $50 Gold Coin, 2010, 1 oz of fine gold. [$1000/1500] 195. Gold Plate Chain Bracelet with 2 Indian Head $5 Gold Coins [$500/700] 199. US Gold and Silver Constitution Commemorative Coins, 1987, minted to celebrate the bicentennial of the Constitution, incl. 7 silver dollars (each with.85 troy oz. of pure silver) and 3 $5 gold coins (each with.26 troy oz. of pure gold), all in their cases and boxes, 10 coins total. [$800/1200] Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 197. Six American Eagle Proof Gold Bullion Coins, 1986-1987, incl. 5 one-ounce coins, and 1 half-ounce coin, complete with presentation cases and boxes, 6 coins total. [$6000/9000] Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 198. Five United States Gold Coins, incl. a 1932 Indian Head Eagle $10 (graded as MS 63), an 1895 $20 Liberty Head Eagle, a 1905-S $10 Liberty Head Eagle, a 1905 $5 Liberty Head Eagle, and an 1893 $2 1/2 Liberty Head Eagle, total of 5 coins. [$2500/3500] Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 196. Collection of 30 US and Foreign Gold Coins, incl. (19) S10 American Liberty Head, as follows; 1847, 1855, 1879, (2) 1879-S, (2) 1880, (2) 1881, 1882, 1883, 1886, (2) 1894, 1897, 1900, (3) 1901; Napoleon III 50 franc, Napoleon III 20 franc, (4) English sovereigns, an Ottoman Empire coin, Swiss 20 franc, Russian 10 ruble, US Liberty Head $5, and a US Indian Head $2 1/2; total wt. 276.5 dwts. [$8000/12000] 191. 14 kt. Rose Gold Pocket Watch, ret. Griswold, New Orleans, wt. (incl. movement) 34.5 dwts., note second hand broken. [$300/500] 192. Two 14 kt. Yellow Gold Hamilton Pocket Watches, both 17 jewels. [$500/700] 200. Four New Orleans Silversmiths 10 oz. Pure Silver Bars, poured, .999 fine silver, total of 40 oz. [$700/1000] 201. Three Johnson Matthey 10 oz. Pure Silver Bars, poured, with maple leaf,.999 pure silver, 3pcs. [$700/1000]

Sold to Benefit the

Sold to Benefit the Angelina and Michael

204. US Liberty Commemorative Proof Coins, 1986, coins struck for the 100th anniversary of the Statue of Liberty, incl. sixteen (16).900 fine silver dollars (.86 troy oz. each), and four (4) half-dollars (copper and nickel), 20 coins total, in their cases and boxes. [$300/500]

Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

205. Collection of 90 Morgan Silver Dollars, various condition, some graded, incl. 1879-O (5), 1879-S; 1880, 1880-O (5), 1880-S (2); 1881, 1881-O (3), 1881-S; 1882 (2), 1882-O (2); 1883, 1883-O (5); 1884 (2), 1884-O (7), 1884-S; 1885 (2), 1885-O (6); 1886-O (3); 1887-O (4); 1888 (3), 1888-O; 1889-CC, 1889-O (2); 1890-CC, 1890-O (3); 1891, 1891-O (3); 1892-O; 1894-O; 1896-O (2), 1896-S; 1897-O; 1898-O; 1899-O (5); 1900-O (4); 1902-O (3); and 1904-O [$1200/1800]

Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

206. Collection of American Coins and Currency, incl. 1928 silver certificate, (6) $2 bills, 1963 $5 bill, (4) Seated Liberty half-dollars; (10) Columbian Exhibition half-dollars; (3) Barber half-dollars, (8) Walking Liberty half-dollars; (21) Kennedy half-dollars, (9) Franklin half-dollars, Seated Liberty dollar, (5) Peace dollars, (3) Ellis Island dollars, Walking Liberty dollar, (11) quarters, (21) dimes, (35) nickels, and (9) pennies, total of 120 coins and 8 bills [$800/1200] Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

207. [MARDI GRAS] Collection of Twenty-Two.999 Fine Silver Doubloons, designed by Priscilla O’Reilly Lawrence, inc. The Mistick Krewe of Comus: 1984 “Cataclysms,” 1985 “Masks of Comus,” 1986 “Deities,” 1987 “Gardens of Antiquity,” 1988 “Feathered Fantasies,”, 1989 “Visions of the Sun,” 1990 “The Bowers of Comus,”, 1991 “The Entomological Empire,”, 1992 “Enchantments and Metamorphoses,” 1993 “Meanwhile, Welcome Joy and Feast,”, 1994 “Reveries of Comus,” 1995 “Prophecies of Comus,” 1996 “The Starry Quire,” 1997 Sic Volo Sic Jubeo,” 1998 “Vineyards of Parnassus,” 1999 “Gifts of Comus,” 2000 “To the Glorious Future,” 2001 Butterflies of Winter,” 2002 “Grotto of Calypso,” 2003 “Songs of Comus,” and 2004 “The Golden Bough;” and The Knights of Momus 1998 “Momus Goes To The Library.” [$400/600]

208. [MARDI GRAS]

Rex, group of doubloons, incl. 14 kt. yellow gold doubloon, 1970, theme “Classic Cartoons & Comics”, wt. .30 troy ozs.; .999 silver doubloon, theme “ Fabled Gods & Heroes”, wt. .90 troy ozs.; and .99 silver doubloon, 1990, theme “Audubon’s Winged Splendor”, wt. .90 troy ozs.[$400/600] 209. [MARDI GRAS] The Mistick Krewe of Comus, 1914, theme “Tales from Chaucer”, 14 kt. yellow gold, lapis lazuli and enamel bali favor; together with 14 kt. yellow gold bookmark, l. 3 in., wt. 8.5 dwts. [$300/500] 210. [MARDI GRAS], The Atlanteans, four sterling silver goblets, 1925, theme “Jolliker, the Creator of Games and Pleasers” [$500/1000] 203. Nine US Mint American Eagle.999 Silver Bullion Proof Coins, 1986, each coin 1 troy oz. of.999 silver; together with a 1988 Olympic proof silver dollar (.85 troy oz. of.900 fine silver); all in their presentation boxes. [$300/500] Bloise Endowed Fund at Ochsner Cancer Institute. 202. Ten Carson City Uncirculated Morgan Silver Dollars, all with presentation cases, incl. 1880, 1881, (3) 1882, 1883, (3) 1884, and 1885, 10 coins. [$2000/3000] Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Sold

Sold to Benefit

Provenance: C.J.

Sold to Benefit the Angelina and Michael

Provenance:

Sold to Benefit

219. Antique Northwest Persian Kurd Runner, c. 1880, 3 ft. 4 in. x 11 ft. 4 in. [$800/120] 220. Antique Caucasian Karabagh Long Rug, c. 1885, 3 ft. 9 in. x 9 ft. 6 in. [$800/1200] 217. Antique Persian Rug, blue ground with red border, green and beige foliate elements, 3 ft. 2 in. x 4 ft. 11 in. [$400/600] the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 218. Antique Caucasian Kazak Wedding Rug, c. 1890, 6 ft. x 7 ft. 5 in. [$700/1000] 213. Two Small Antique Caucasian Rugs, red ground, blue and beige borders; small runner with red ground and central medallion, blue and beige elements, 2 ft. 4 in. x 3 ft. 4 in. and 1 ft. 3 in. x 2 ft. 11 in. [$300/500] Larson, 1986. Bloise Endowed Fund at Ochsner Cancer Institute. 214. Persian Kashan Prayer Rug, navy and gold ground with orange border, central vase design with floral and animal elements, 4 ft. x 7 ft. 1 in. [$500/700] to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 215. Antique Qashqua-Style Shiraz Carpet, c. 1920s, red ground, triple medallion, multi-colored elements, 3 ft. 6 1/2 in. x 7 ft. 8 in. [$600/800] Property of the Mobile Museum of Art, Mobile, AL; Neal Auction, New Orleans, LA, March 15, 2019, lot 27. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 216. Antique Tekke Bag Face Rug, brown ground, alternating guls with beige, red and blue, red and beige borders, 2 ft. 5 1/2 in. x 3 ft. 10 in. [$400/600] the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 211. Antique Tekke Rug, orange ground with blue and beige elements, 2 ft. 10 in. x 3 ft. 9 in. [$300/500] the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 212. Antique Prayer Rug, red ground with yellow, purple and grey foliate design, floral motifs throughout, 3 ft. 6 in. x 4 ft. 4 1/2 in. [$400/600] Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

221. Antique Caucasian Kavabagh Runner, c. 1890, 3 ft. 7 in. x 12 ft. 11 in. [$800/1200] 222. Antique Persian Bijar Rug, c. 1905, 3 ft. 6 in. x 6 ft. 4 in. [$600/900] 223. Persian Qashqai Carpet, red ground, triple medallion, 4 ft. 10 in. x 7 ft. 4 in. [$800/1200] 224. Turkish Patchwork Carpet, 9 ft. 11 in. x 13 ft. 3 in. [$2000/3000] 225. Persian Hamadan Carpet, red ground, cream border, floral design, 5 ft. 7 in. x 11 ft. 1 in. [$1000/1500] 226. Oushak Carpet, pale blue, cream and mustard ground, 9 ft. 9 in. x 11 ft. 10 in. [$2800/3800] 227. Persian Heriz Carpet, pink ground, blue border, central medallion, floral design, 8 ft. 6 in. x 12 ft. [$3000/4000] 228. Persian Kashan Carpet, blue ground, floral design, 9 ft. 5 in. x 12 ft. 4 in. [$2800/3800] 229. Persian Serapi Carpet, salmon ground, blue border, floral design, 11 ft. 4 in. x 14 ft. 2 in. [$4500/5500] 230. Persian Serapi Carpet, blue, salmon, and cream ground, floral design, 9 ft. 10 in. x 13 ft. 2 in. [$3800/4800] 231. Persian Carpet, central medallion, overall designs of animals, vases and city scenes, 9 ft. 7 in. x 12 ft. 3 in. [$3000/4000] 232. Persian Kerman Carpet, red, blue, and cream ground, floral designs, 9 ft. 10 in. x 13 ft. 10 in. [$3500/4500]

8 3/8 in. [$300/500]

Provenance: Estate of Warren A. Goldstein, Esq., New Orleans.

Provenance:

234.

c., hinged lid, void interior, painted with figural cartouches, h. 4 1/2 in., w. 7 3/4 in., d. 5 3/8 in. [$200/400]

Provenance:

Chinese

Famille Rose Porcelain Punch Bowl, 18th c., decorated in ‘Mandarin Palette’ with figural scenes on iron red and gilt ground, h. 4 5/8 in., dia. 11 1/2 in. [$400/600]

Provenance: Neal Auction, Nov. 2009, lot 186; Estate of Warren A. Goldstein, Esq., New Orleans.

Provenance:

236. Pair of Chinese Export Famille Rose Porcelain Vases, 19th/early 20th c., everted foliate rims, bottle necks with applied qilong and Buddhist lions, painted with figural reserves, h. 9 1/8 in. [$250/350]

Provenance: Estate of Warren A. Goldstein, Esq., New Orleans.

Provenance:

239. Chinese Export Famille Rose Porcelain Punch Bowl, 18th c., decorated in ‘Mandarin Palette’ with figural scenes on iron red and gilt ground, h.4 5/8 in., dia. 11 1/4 in. Note: Restoration. [$300/500] Estate of Warren A. Goldstein, Esq., New Orleans. 240. Pair of Chinese Export Blue and White Porcelain Bowls, 19th c., wide rims with brown edges, painted with flower sprays and foliage, h. 1 1/2 in., dia. 8 3/4 in. [$200/400] Estate of Warren A. Goldstein, Esq., New Orleans. 241. Chinese Copper Red Highlighted Blue and White Vase, Qing Dynasty (1644-1911), bottle form, decorated with fruiting vines, base with artemesia leaf mark, h. 7 in. Note: Lacking cover. [$200/300] Estate of Warren A. Goldstein, Esq., New Orleans. 242. Chinese Blue and White Porcelain ‘Chickens’ Bowl, decorated with rooster, hen, and chick amid bamboo, h. 2 1/4 in., dia. 4 1/4 in. [$150/250] Estate of Warren A. Goldstein, Esq., New Orleans. 237. Chinese Export Famille Rose Porcelain Bowl, 18th c., decorated with figural scenes and sepia landscapes on a gilt foliate ground, h. 4 1/4 in., dia. 10 1/4 in. [$200/400] Estate of Warren A. Goldstein, Esq., New Orleans. 238. Chinese Export Famille Rose Decorated Blue and White Porcelain Punch Bowl, 19th c., painted with figural cartouches highlighted in gilt, h. 4 1/2 in., dia. 10 1/2 in. [$300/500] Estate of Warren A. Goldstein, Esq., New Orleans. 233. Two Chinese Export Imari Porcelain Dishes, 18th c., both with Henry Stern, New Orleans, labels, incl. low bowl with chrysanthemum roundel encircled by foliage, h. 1 5/8 in., dia. 10 3/4 in., and rimmed bowl with central floral vase, dia. Chinese Export Gilt-Decorated Black Lacquer Box, 19th 235. Export

13 5/8 in. [$300/500]

Provenance: Neal Auction, Feb. 2016, lot 836; Estate of Warren A. Goldstein, Esq., New Orleans.

Provenance:

[$200/400]

Provenance: Estate of Warren A. Goldstein, Esq., New Orleans.

[$300/500]

Provenance:

11 3/8 in. and 11 5/8 in. (2 pcs.) [$400/600]

Provenance: Smaller example, Neal Auction, Feb. 2016, lot 833; Estate of Warren A. Goldstein, Esq., New Orleans.

Provenance: Neal Auction, Feb. 19, 2016, lot 839; Estate of Warren A. Goldstein, Esq., New Orleans.

Provenance:

Provenance: Neal

2016,

249. Chinese Apple Green Overlay White Glass Gu Vase, carved with a fishman in a mountainous landscape with pavilions, h. 7 5/8 in. [$300/500] Neal Auction, Feb. 2016, lot 844; Estate of Warren A. Goldstein, Esq., New Orleans. 250. Chinese Apple Green Overlay White Glass Covered Jar, carved with prunus branches and peony, base etched “CHINA”, h. 9 1/4 in. [$300/500] Neal Auction, Feb. 2016, lot 843; Estate of Warren A. Goldstein, Esq., New Orleans. 251. Chinese Famille Verte Porcelain Dish, Qing Dynasty (16441911), painted with “Antiques”, h. 1 1/2 in., dia. 9 1/4 in., Note: Restoration [$600/800] Estate of Dorothy “Dot” Shoushan, New Orleans; Neal Auction Company, May 7, 2016, lot 178; Estate of Warren A. Goldstein, Esq., New Orleans. 252. Chinese Ding-Style Pottery Bowl, interior carved with lotus and foliage, h. 2 7/8 in., dia. 7 1/2 in. [$300/500] Auction, Feb. lot 9; Estate of Warren A. Goldstein, Esq., New Orleans. 245. Chinese Blue Glazed Porcelain Meiping Vase, probably 19th/early 20th c., lightly carved around the body with dragons pursuing the flaming pearl, between pendant ruyi heads and upright lappets, h. 246. Four Chinese Famille Rose Decorated Blue and White Porcelain Dishes, Qing Dynasty (1644-1911), wide foliate barbed rims, wells with landscape scenes, dia. 8 1/2 in. Estate of Warren A. Goldstein, Esq., New Orleans. 247. Near Pair of Chinese Mirror Black Porcelain Vases, Qing Dynasty (1644-1911), exteriors with even glaze thinning to mushroom at mouths, base of smaller with Kangxi marks, h. 248. Chinese Aventurine Splashed Sapphire Blue Glass Bottle Vase, probably Qing Dyansty (1644-1911), base with Qianlong mark, h. 8 1/2 in. [$1000/1500] 243. Chinese Blue and White Porcelain Ovoid Jar, Qing Dynasty (1644-1911), decorated with foliage and flower heads, h. 5 1/2 in. [$300/500] Estate of Warren A. Goldstein, Esq., New Orleans. 244. Pair of Chinese Blue and White Porcelain Dishes, Qing Dynasty (1644-1911), painted with fruiting branches, h. 1 3/8 in., dia. 7 3/4 in.

[$300/500]

Provenance:

[$200/400]

Provenance:

Provenance: Estate of Warren A. Goldstein, Esq., New Orleans.

Provenance: Estate of Warren A. Goldstein,

253. Chinese Black Lacquer and Gilt Table Screen, in six parts, main panel with extensive calligraphy, reverse with “Walter Wilson & Co. / Glasgow” label, base inscribed in ink, h. 16 3/8 in., w. 11 1/2 in., d. 3 1/4 in. Estate of Warren A. Goldstein, Esq., New Orleans. 254. Highly Decorative Chinese Famille Rose Porcelain Inset, Carved and Reticulated Wood Four Panel Floor Screen, h. 72 in., w. 73 in. [$600/900] 254A. Antique Chinese Carved Hardwood Vitrine Cabinet, reticulated crest, two-tiered pagaoda top, case with applied foliate brackets over glass panels, interior with glass shelves and wired for lighting, reliefcarved cabinet doors, serpentine base, paw feet, h. 100 in., w. 46 1/2 in., d. 34 in. [$1000/1500] The Schoenberger Collection, 1812 Palmer Avenue, New Orleans. 255. Two Chinese or Tibetan Gilt-Lacquered Wood Figures of Amitayus, Qing Dynasty (1644-1911), both similarly carved seated in dhyanasana wearing foliate crowns, large earrings, necklaces, bracelets, and anklets, h. 9 in. [$200/400] 256. Fine Japanese Porcelain Covered Jar Decorated in Imitation of Lacquer, Meiji Period (1868-1912), porcelain by Aichi Kawamoto Masukichi, decoration by another, painted with silver and gilt on a matte black ground with birds amid flowering a fruiting branches, base signed in underglaze blue (Masukichi) and gilt, h. 8 1/2 in. Estate of Warren A. Goldstein, Esq., New Orleans. 257. Pair of Japanese Silver Vases, late 19th/early 20th c., with silver gilt chrysanthemum mons, bases with “jungin” marks, h. 10 1/4 in., total wt. 57.3 ozt. [$1000/1500] Esq., New Orleans.

Session Two

Friday, February 3, 11 a.m.

lots 258-566

Provenance: Acquired from the artist in New Orleans; Private Collection, Germany, c. 1932.

260. William Woodward (American/Louisiana, 1859-1939), “Still Life with Pineapple”, 1899, oil on canvas, signed, dated and inscribed “N.O. La” lower left, incised initials and date lower right, pencil-signed and “Tulane University” inscribed on stretcher, 16 in. x 20 in., framed. [$3000/5000] 261. Colette Pope Heldner (American/Louisiana, 1902-1990), “New Orleans”, 1932, oil on board, signed, dated and titled lower left, partial sketch en verso, 20 in. x 16 in., framed, overall 22 7/8 in. x 18 7/8 in. x 1 1/8 in. [$4000/6000] 262. Knute Heldner (Swedish/Louisiana, 1877-1952), “Bayou Scene with Figure in Pirogue”, oil on canvas, signed lower right, “James Brute Gallery, Houston, TX” label on backing, 16 in. x 20 in., framed, overall 21 3/8 in. x 25 3/8 in. x 2 in. [$1500/1800] 258. Clementine Hunter (American/Louisiana, 1886-1988), “Haulin’ Cotton”, oil on canvas board, monogrammed mid-right, 12 in. x 16 in., framed, overall 13 in. x 17 in. x 5/8 in. [$3000/5000] Note: This lot has been authenticated by renowned Clementine Hunter expert Tom Whitehead. 259. Clementine Hunter (American/Louisiana, 1886-1988), “Eating Watermelon”, oil on canvas board, monogrammed lower right, 12 in. x 16 in., framed, 13 in. x 17 in. x 5/8 in. [$3000/5000] Note: This lot has been authenticated by renowned Clementine Hunter expert Tom Whitehead.

265. Walter Inglis Anderson (American/Mississippi, 1903-1965), “Terns”, pen and ink on paper, unsigned, titled and numbered “3238-D”, receipt and letter from “Tilden-Foley Gallery, New Orleans” attached en verso, 10 1/2 in. x 8 in., framed, overall 17 3/8 in. x 14 1/8 in. x 3/4 in. [$2500/3500] 266. John McCrady (American/Louisiana, 1911-1968), “Robert Adwood Corbin, IV (1931-1948)”, 1949, oil on canvas, signed and dated lower right, brass title plate on reverse of frame, 26 in. x 22 3/8 in., framed, overall 29 5/8 in. x 26 in. x 1 3/4 in. [$5000/7000] 263. Mildred Nungester Wolfe (American/Mississippi, 1912-2009), “Harbour”, 1970, oil on canvas, signed lower left, signed, titled and handwritten label with artist and date on reverse of frame, 30 in. x 24 in., framed, overall 36 5/8 in. x 30 1/2 in. x 2 1/4 in. [$3000/5000] 264. Karl Wolfe (American/Mississippi, 1904-1984), “Landscape with Bridge”, oil on canvas, signed lower right, 20 in. x 27 1/2 in., framed, overall 27 in. x 34 3/4 in. x 1 1/2 in. [$1000/1500]

267. Will Henry Stevens

1945, oil on

signed and dated lower right, signed and illegibly inscribed en verso, “Robert M. Hicklin, Jr.” and 2 “The Charleston Renaissance Gallery” labels with artist, title and date on backing board, handwritten label with artist and inscribed “#045 - Hicklin” on reverse of frame, 25 7/8 in. x 30 in., framed, overall 35 1/2 in. x 39 3/4 in. x 1 3/8 in. [$30000/50000]

Provenance: The Charleston Renaissance Gallery, Charleston, SC.

Note: Will Henry Stevens was a pioneer of Modernism in the South who worked simultaneously in both abstract and representational styles. Stevens came to New Orleans in 1921 to teach at Newcomb College, a position he held until the year prior to his death. Stevens became part of the active and exciting art circle centered around the French Quarter. Prior to and during his tenure in New Orleans, he also worked in and visited New York, where he was exposed to current international developments in artistic styles. During a trip to New York in the 1930s, Stevens was greatly influenced by many art forms, including Sung Dynasty paintings, Taoism, the poetry of Emerson, Thoreau and Whitman, and modernist painters such as Wassily Kandinsky and Paul Klee. Both artists had a strong influence on Stevens’ aesthetic.

“Flight” from 1945 offered here is a paradigmatic example of the artist’s talent. The magnitude and depth of the dynamic composition, penetrating color palette and large scale combine to create a rare masterwork in the artist’s oeuvre. Stevens’ mature abstract works are his most sought-after, and one of this caliber is rarely seen at auction.

Ref.: Gruber, Richard J. “Will Henry Stevens.” 64 Parishes. www.64parishes.org.

Accessed Jan. 6, 2023.

268.

Provenance:

Southern School, 1896, “The Oaks, Selma, AL”, watercolor on paper, initialed “AB” and dated lower right, “The Charleston Renaissance Gallery, Charleston, SC” label and 2 handwritten labels on backing paper, 11 in. x 19 7/8 in., framed, overall 18 in. x 25 3/4 in. x 1 in. [$700/1000] The Charleston Renaissance Gallery, Charleston, SC. 269. Emily Hamilton Huger (American/Louisiana, 1881-1946, active Newcomb College, 1897-1902), “Mossy Landscape”, oil on canvas, unsigned, inscribed on stretcher and reverse of frame, 30 in. x 40 in., framed, overall 37 3/8 in. x 47 3/8 in. x 1 3/4 in. [$2500/3500] Descended in the family of the Artist. 270. Carrie Bell Sliger (American/Louisiana, 1869-1962), “Portrait of a Man with a Cane”, oil on canvas on board, signed lower right, 16 in. x 12 in., framed, overall 21 1/8 in. x 17 1/8 in. x 1 3/4 in. [$700/1000] (American/Louisiana, 1881-1949), “Flight”, board,

Note: Irma Logan was born in New Orleans and attended both Newcomb College and Columbia University. After a career in business, she retired from the Roosevelt Hotel in 1965 and decided to return to her creative passion. She studied with local artists such as George Dunbar, Kendall Shaw, Harold Carney and Leonard Flettrich and exhibited at the Downtown Gallery, St. Charles Gallery and in several juried shows including the 1973 Artists’ Biennial at the New Orleans Museum of Art. While her contemporaries found great public success in their artistic careers, Logan preferred a more private career, making her works hidden gems today. Her rare paintings have not thus far appeared on the secondary market; in fact, this is the first work by Logan to be sold at auction.

The lot offered here is a sweeping and stylized view of New Orleans featuring recognizable French Quarter landmarks in the foreground, such as Saint Louis Cathedral and the Pontalba building. The snaking Mississippi River guides the composition towards the background where the city skyline is further highlighted against a cloudy sky. The canvas’ skewed perspective captures the sprawling city’s vibrant aesthetic, and the resulting work serves as a testament to Logan’s innate talent.

271. Irma Gladys Levi Logan (American/Louisiana, 1899-1978), “New Orleans Cityscape”, oil on canvas laid on panel, signed lower left, artist biography en verso, 23 1/2 in. x 29 1/2 in., framed, overall 26 7/8 in. x 32 7/8 in. x 1 3/8 in. [$1500/2500] 272. Florence Bartley Smithburn (American/Indiana, 1904-1989), “On the Path at the Farm”, oil on canvas, “F. B. Smithburn Estate” stamp lower right, 20 1/8 in. x 25 in., framed, overall 24 3/4 in. x 29 5/8 in. x 1 5/8 in. [$200/300] Provenance: Williams Galleries, Nashville, TN. 273. Bruce Bordelon (American/Louisiana, b. 1940), “Tugboats”, oil on canvas board, signed lower left, 16 in. x 20 in., framed, overall 20 1/8 in. x 24 1/4 in. x 1 in. [$600/800] 274. Bruce Bordelon (American/Louisiana, b. 1940), “Market Scene”, 2011, oil on canvas, signed and dated en verso, 16 in. x 20 in., framed, overall 20 in. x 24 in. x 1 1/4 in. [$600/800]

275.

, early-to-mid 19th c., likely Kentucky or Virginia, hinged top, divided interior, paneled case, ring and baluster-turned legs, h. 30 1/2 in., w. 40 1/2 in., d. 18 in. [$1200/1800]

Provenance: Descended in the Flowers/Rhoads family of Kentucky and Virginia (see accompanying document)

Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

276.

Side Chair, 19th c., turned finials, slatted back, rush seat, tapered feet, h. 37 1/4 in., w. 18 in., d. 14 in. [$300/500]

Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Sold

Provenance: Neal Auction, Nov. 22, 2015, lot 1089. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

[$1000/1500]

Provenance: Estate of Reuel Lacy “Sonny” and June Ann Anderson, Baton Rouge, LA.

279. American Painted Pine Campaign Trunk, mid-19th c., inscribed “Capt. R. McC. Jones, R&D.R.R.”, cast iron handles, h. 16 in., l. 35 1/2 in., d. 20 in. [$300/500] Provenance: Descended in the family of Confederate Captain Robert McCandish Jones, First Virginia Regiment via Mrs. James Bertrand Cox; Neal Auction, May 26, 2022, lot 236. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 280. Acadian Painted Cypress Table, early 19th c., plank top with chamfered corners, tapered legs, pegged construction, worn painted surface,, h. 31 in., w. 54 1/4 in., d. 36 in. [$700/900] 277. Acadian Painted Child’s Chair, early 19th c., turned finials, shaped slats, possibly original rush seat, sausage-turned legs, stretchers, h. 22 in., w. 14 in., d. 11 in. [$400/600] to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 278. Antique Southern “Gros Rouge” Yellow Pine Blanket Chest, early 19th c., molded hinged top, strap hinges, interior till, front monogram with “IB”, shoe feet, h. 22 1/2 in., w. 47 1/2 in., d. 21 1/2 in. [$300/500] Southern Carved Cherrywood Sugar Chest Acadian Painted Ladderback 281. Large Acadian Cypress Huntboard, 19th c., Opelousas, LA, plank top, frieze drawers, tapered legs, h. 30, w. 117 in., d. 34 in. Note: feet have been repaired/raised.

“R.T.

under the spout, in gilt lettering,

H. Keller”;

Sold

Provenance:

Sold

Provenance:

7 1/2 in., 2 plates, dia. 6 in., a cup, 2 square serving bowls, 5 misc. plates, and a bowl from unknown maker, 30 pcs. [$700/1000]

Sold to Benefit the

Provenance:

282. Vernacular Southern Carved Mixed Woods Sideboard, 19th c., serpentine superstructure with incised floral decoration and spindled shelf, over short drawers, case with banks of drawers centered by inset cabinet door with applied star, toupie feet, h. 62 3/4 in., w. 65 5/8 in., d. 24 1/4 in. [$1000/1500] 283. Group of Dodie Thayer and Wannopee Lettuceware, incl. 9 Dodie Thayer bowls, impressed marks, dia. 5 1/4 in.; the remainder from Wannopee, New Milford, CT, impressed or stamped marks, incl. 10 salad plates, dia. 284. Rudolph T. Lux (German/New Orleans, 1815-1858) Porcelain Portrait Pitcher, c. 1855, depicting John H. Keller, his proper left arm resting on a copy of the Daily Picayune, the background showing a house, his soap manufactory, and a large birdhouse, signed to the right of the paper Lux/N.O.”; “John the reserve, verso, painted with a bird tending to its nest, amongst floral blooms, h. 9 1/4 in., w. 8 1/2 in., d. 5 1/2 in. [$2000/3000] to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 285. Rookwood Art Pottery Jardiniere, 1891, artist mark for Amelia Browne Sprague, standard glaze with poppies, h. 7 in., dia. 9 in. [$400/600] Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 286. George Ohr Pottery Bowl, c. 1900, script signature, dimpled sides, with brown and green glaze, h. 3 3/4 in., dia. 5 1/2 in. [$1000/1500] to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 287. Monumental Boehm Porcelain Figural Group of “Symbol of Freedom”, 1982, limited edition #10, celebrating the bicentennial of the bald eagle as the symbol of the United States, h. 30 in., w. 33 in., d. 22 in. [$1000/1500] The Schoenberger Collection, 1812 Palmer Avenue, New Orleans. 288. Pair of Boehm Porcelain Figures of “White Doves with Cherry Blossom”, 1983, limited edition #36, h. 29 1/4 in., w. 14 in., d. 19 in. and h. 18 1/2 in., w. 18 in., d. 23 1/2 in. [$800/1200] The Schoenberger Collection, 1812 Palmer Avenue, New Orleans. 289. Boehm Porcelain Figure of “Panda with Cub”, limited edition #90, wood base, h. 17 1/4 in., w. 14 in., d. 14 in. [$800/1200] The Schoenberger Collection, 1812 Palmer Avenue, New Orleans. 290. Boehm Porcelain “Brown Pelican”, limited edition, h. 21 in., w. 15 in., d. 17 in. [$400/600]Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

[$3000/5000]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

291.

New York, scrolled architectonic crest centered by a lion’s mask, latticework brackets, shaped shelves, serpentine top with conforming diaper pattern and floral frieze centered by a maiden bust, floral cabriole legs, scrolled stretcher centered by a large acanthus and cabochon medallion, h. 88 in., w. 68 in., d. 30 in. [$7000/10000]

to Alexander

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Note: The stunningly carved etagere offered here is nearly identical in overall form, proportions, and decorative details as a labeled Alexander Roux etagere conserved in the collection of the Metropolitan Museum of Art (acc. 1971.219). Perhaps the most extravagantly carved examples of American Rococo furniture, Alexander Roux pieces feature sculptural naturalist elements such as animal masks and robustly modeled flowers and foliage, in addition to elements distinctive to Roux furniture like latticework and diamond motifs, as seen on the present lot.

Ref.: “Etagere, c. 1855,” The Metropolitan Museum of Art. metmuseum.org/art/collection/search/3555.292.

with deep drawer and rounded corners, h. 114 in., w. 59 in., d. 25 in. [$6000/9000]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

292. American Rococo Carved Rosewood Etagere, mid-to-late 19th c., attr. to J. & J.W. Meeks, New York, surmounted by an architectonic rosette crest, arched mirror plate flanked by shelves with mirrored backing, turned supports, foliate brackets, lower section with serpentine top, floral and foliate-carved apron and scrolled cabriole legs, mirrored back, shaped shelves, conforming base, h. 105 in., w. 57 in., d. 23 in. American Rococo Carved Rosewood Etagere Console, c. 1860, attr. Roux, 293. American Rococo Carved Rosewood Single-Door Armoire, mid-19th c., attr. to retailer Prudent Mallard, New Orleans, closely related to the Landsdowne group, later urn and foliate crest, arched cornice, lobed finials, egg and dart molding, mirrored door, ribbon-molded surround, shelf interior with medial belt of drawers, base

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Note: The mirrored three-door armoire in the present lot is nearly identical in overall form and decoration, with the exception of the crest, to an armoire original to the Lansdowne residence in Natchez, purchased from famed 19th century New Orleans retailer Prudent Mallard.

Ref.: Lansdowne, Natchez. lansdowneplantation.com/tour.html

Table, 19th c., attr.

Prudent

New Orleans, oval mirror with floral and cabochon crest, foliate supports, dished marble top, cabochon medallion frieze, acanthine cabriole legs and shaped stretcher, beaded finial, h. 74 in., w. 42 in., d. 23 in. [$3000/5000]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

294. American Rococo Carved Rosewood Double Door Armoire, mid-19th c., attr. to retailer Prudent Mallard, New Orleans, original scrolled floral basket crest, arched cornice with egg and dart molding, paneled doors, foliate and floral brackets, fitted interior, base with two deep drawers, disc feet, h. 121 in., w. 75 in., d. 26 in. [$6000/9000] 295. American Rococo Carved Rosewood Duchesse Dressing to retailer Mallard, 296. American Rococo Carved Rosewood and Grained Triple-Door Wardrobe, mid-19th c., attr. to retailer Prudent Mallard, New Orleans, surmounted by a lobed floral urn and scrolled crest, spherule finials, arched cornice, scrolled paneled doors, mirrored center door, chamfered acanthus mounted stiles, shelf interior, base with deep drawer and egg and dart molding, disc feet, h. 123 1/2 in., w. 76 in., d. 26 in. [$2500/3500]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Note: See Schwartz, Stanek and True, The Furniture of John Henry Belter and The Rococo Revival, fig. 22.

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Note: While closely related to the work of John Henry Belter, scholars Marvin Schwartz, Edward Stanek, and Douglas True consider a nearly identical chair published in The Furniture of John Henry Belter and the Rococo Revival to be the work of an unknown New York cabinetmaker (fig. 22).

by a foliate medallion crest, serpentine lower case with convex glass doors, cabriole legs, h. 99 1/2 in., w. 58 in., d. 17 in.

[$1000/1500]

Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

[$300/500]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

300. American Rococo Carved Rosewood Side Table, mid-19th c., inset marble top, scrolled acanthine apron centered by a cabochon medallion, scrolled supports, turned finial, scrolled sabre legs, h. 28 1/2 in., w. 25 in., d. 19 in. [$700/1000] 297. American Rococo Carved Rosewood Sewing Table, mid-19th c., likely New York, hinged top with ribbon molding, fitted interior, lower drawer, pierced pendant, scrolled trestle base, floral basket-carved stretcher, casters, h. 30 in., w. 24 1/2 in., d. 17 3/4 in. [$400/600] 298. Rare Pair of American Rococo Carved and Laminated Rosewood Armchairs, mid-19th c., New York, floral urn crest, scrolled reticulated foliate crest rail, padded back and arms, foliate seat rail, cabriole legs, h. 43 in., w. 25 1/2 in., d. 32 in. [$2000/3000] 301. American Rococo Carved Rosewood Work Table, mid-19th c., New York, serpentine hinged top opens to mirrored fitted interior, conforming frieze with applied foliate decoration, cabochon cartouche corners, cabriole legs, casters, h. 28 in., w. 23 in., d. 16 in. 299. American Rococo Carved Walnut Etagere Cabinet, mid-to-late 19th c., possibly Bembe & Kimbel, New York, scrolled reticulated shelf superstructure centered

American

and

c., attr. to J. & J.W. Meeks, NY, later marble turtle top, reticulated fruit and floral frieze, pierced cabriole legs, gadrooned stretchers, surmounted by fruit-filled urn, scrolled toes, casters, likely original finish, h. 31 in., w. 46 1/2 in., d. 30 in.

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

305. American Brass and Gilt Bronze Solar Lamp, 19th c., foliate standard, stepped marble base, foliate cut shade, h. 24 in., dia. 8 1/2 in. [$600/900] 306. American Solar-Style Lamp, fluted column, stepped marble base, electrified, h. 28 in., dia. 9 1/2 in. [$600/900] 307. Pair of American or English Bronze Single-Light Argand Lamps, 19th c., vasiform font, foliate standard, paw feet, electrified, h. 23 in., w. 13 in., d. 6 1/2 in. [$800/1200] 303. American Brass Solar-Style Lamp, fluted columnar standard, electrified, h. 31 in., dia. 11 in. [$600/900] 304. American or English Patinated Bronze Two-Light Argand Lamp, 19th c., vasiform standard, electrified, h. 18 in., w. 17 in., d. 8 1/2 in. [$700/1000] 302. Rococo Carved Laminated Rosewood Center Table 19th [$3000/5000]

Sold to

Sold

313. American Brilliant Cut Glass Lamp, h. 17 3/4 in., dia. 9 1/2 in. [$400/600] Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 314. Fine Pair of American Cut-Crystal and Gilt-Brass Six-Light Gasoliers, 19th c., graduated tiers of prisms encircling the central post, chip-cut, scrolled arms, interspersed with pyramid finials, foliate shades, now electrified, h. 55 in., dia. 40 in. [$4000/6000] Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans. 312. American Brilliant Cut Glass Lamp, star and strawberry pattern, h. 16 3/4 in., dia. 9 1/2 in. [$400/600] Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 309. American Patinated Metal Banker’s Lamp, early 20th c., green overlay shade, base incorporating inkwells and pen rest, h. 16 1/2 in., w. 9 in., d. 8 in. [$400/600] 308. American or English Bronze Sinumbra Lamp, 19th c., scroll and foliate designs, electrified, h. 33 in., dia. 12 1/2 in. [$700/1000] 311. American Gilt Bronze Solar Lamp, c. 1850, attr. to Starr Fellows, foliate baluster on marble base, frosted and cut shade, h. 23 3/4 in., dia. 9 in. [$700/1000] to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 310. American Gilt Lacquered Brass and Bronze Solar Lamp, 19th c., molded font, tapered fluted standard, stepped marble base, cut and etched glass shade, prisms, h. 21 in., dia. 7 1/4 in. [$600/900] Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

315. American Rococo Carved and Laminated Rosewood Settee, c. 1850-1860, attr. to John Henry Belter, New York, in the pattern commonly referred to as “Cornucopia”, highly carved floral urn crests, grape and cornucopia crest rail, tufted back, foliate uprights, seat rail with floral sprays, cabriole legs, casters, h. 47 1/2 in., w. 71 in., d. 35 in. [$10000/15000]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

316. American Rococo Carved and Laminated Rosewood Center Table, c. 1850-1860, attr. to John Henry Belter, New York, white marble turtle top, elaborately carved grape, floral and acanthus frieze, scrolled cabriole legs surmounted by floral clusters, scrolled stretcher centered by an abundant fruit and floral urn, foliate scrolled toes, casters, h. 28 1/2 in., w. 39 1/2 in., d. 28 1/2 in. [$15000/20000]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

by finely carved floral crests, undulating reticulated foliate crest rail, tufted seat back, scrolled arms, highly carved floral seat rail, cabriole legs, casters, h. 47 in., w. 84 in., d. 36 in. [$15000/25000]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Provenance:

pattern commonly

York,

to as “Fountain Elms”, floral tall crest, scrolled crest rail, with trumpet accents, acorn and vine reticulated surround, tufted seat back, molded arms, floral carved seat rail, cabriole legs, scrolled toes, casters, h. 44 1/2 in., w. 23 1/2 in., d. 30 3/4 in. [$3000/5000]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Provenance:

320. Pair of American Rococo Carved and Laminated Rosewood Slipper Chairs, c. 1850-1860, attr. to John Henry Belter, New York, in the pattern commonly referred to as “Fountain Elms”, rosette-carved crest, undulated scrolled seat back, acorn and foliate accents, molded seat rail, cabriole legs, casters, h. 43 1/2 in., w. 18 in., d. 21 1/2 in. [$800/1200] The Schoenberger Collection, 1812 Palmer Avenue, New Orleans. 317. Four American Rococo Carved and Laminated Rosewood Slipper Chairs, c. 1850-1860, attr. to John Henry Belter, New York, in the pattern commonly referred to as “Fountain Elms”, floral crest flanked by grape clusters, scrolled grapevine and acorn seatback, serpentine seat, rosette-carved cabriole legs, casters, h. 44 in., w. 18 in., d. 20 in. [$6000/9000] The Schoenberger Collection, 1812 Palmer Avenue, New Orleans. 318. Very Fine American Rococo Carved and Laminated Rosewood Sofa, c. 1850-1860, attr. to John Henry Belter, New York, in the pattern commonly referred to as “Fountain Elms”, arched back surmounted 319. Pair of American Rococo Carved and Laminated Rosewood Armchairs, c. 1850-1860, attr. to John Henry Belter, New in the referred

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

322. Rare Pair of American Rococo Carved and Laminated Rosewood Slipper Chairs, c. 1850-1860, attr. John Henry Belter, New York, C-scroll motif seat back, surmounted by a floral crest and entwined grapevine decoration, floral seat rail, cabriole legs, casters, h. 43 in., w. 18 1/2 in., d. 21 in. [$1000/1500]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

c. 1850-1860, attr. John Henry Belter, New York, closely related to the Belter “patent model” chair, floral crest, C-scroll crest rail, tufted back, padded arms, foliate uprights, heavily floral-carved seat rail and cabriole legs, casters, h. 43 in., w. 26 in., d. 30 in. [$1000/1500]

– 1860, attr.

John Henry Belter, New York, in the

commonly referred to as “Rosalie”, marble turtle top, foliate-carved serpentine frieze, figural dolphin supports, heavily scrolled stretcher centered by a floral basket, scrolled feet, casters, h. 29 in., w. 39 1/2 in., d. 28 1/2 in. [$7000/10000]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans. Note: The exceptionally rare chair in the present lot is closely related to the “Patent Model” 12-inch chair that was presented by Belter to the U.S. Patent Office on February 23, 1858, illustrated in Dubrow, American Furniture of the 19th Century: 1840-1880, pp. 18-19.

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

325. American Rococo Carved and Laminated Rosewood Triple-Back Sofa, c. 1850-1860, attr. to John Henry Belter, New York, variant of the pattern commonly referred to as “Rosalie”, grape and floral crests, oval center flanked by scrolled winged seat backs, molded floral seat rail, cabriole legs, casters, h. 41 in., w. 81 in., d. 32 in. [$2000/3000] 326. Three American Rococo Carved and Laminated Rosewood Side Chairs, c. 1850-1860, attr. to John Henry Belter, New York, in the pattern commonly referred to as “Rosalie”, fruit and floral crest, scrolled crest rail, serpentine seat, cabriole legs, casters, h. 37 1/2 in., w. 19 in., d. 18 in. [$1000/1500] 321. Pair of American Rococo Carved and Laminated Rosewood Meridiennes, 19th c., attr. to John Henry Belter, New York, in the pattern commonly referred to as “Fountain Elms”, floral crest, scrolled undulated crest rail with trumpet accents, foliate decoration, molded arm, floral seat rail, cabriole legs, casters, h. 40 in., w. 41 in., d. 28 in. [$4000/6000] 323. American Rococo Carved and Laminated Rosewood Center Table, c. 1850 to pattern 324. American Rococo Carved and Laminated Rosewood Armchair,

Provenance:

329. American Mahogany and Gilt Banjo Clock, c. 1825, dial with script signature “Warranted by Curtis & Dunning/Burlington/Vt.”, 8-day movement, rope molded frames, verre eglomise tablets with foliate design and Apollo driving his chariot, h. 33 in., w. 10 in., d. 4 in. [$3000/5000]

Provenance: C.L. Pricket, Fine Inc., Yardley, PA, Apr. 1990.

331. Antique French Carriage Clock for Tiffany, c. 1900, striking gong with alarm movement marked “Couaillet Freres/Made in France”, dial marked “Tiffany & Co.”, 11 jewels, strike with repeat on command, subsidiary alarm dial, h. with handle extended 6 1/2 in. [$500/700]

Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

333. Antique Louis XVI-Style Bronze and Marble Mantle Clock, dial marked “Baullier a. Paris”, striking bell movement marked “ETIENNE MAXANT” (active 1880-1905), fluted column case flanked by maidens, h. 22 in., w. 13 1/2 in., d. 7 3/4 in. [$1000/1500]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

332. Empire-Style Carved, Gilt and Ebonized Clock Compendium, c. 1900, thermometer marked by retailer “Paul Meyrowitz, Fifth Ave., New York”, the chronometer-style clock by Waltham, h. 42 in., w. 11 1/2 in., d. 2 3/4 in. [$700/1000] Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 328. Irish Inlaid Oak Tallcase Clock, c. 1800, dial marked “JAS: FRAZER/ COMBER”, painted dial with a soldier on horseback, pendulum door flanked by brass-mounted quarter columns, h. 91 in., w. 21 in., d. 10 in. [$1500/2500] 327. Rare Pair of American Rococo Carved Rosewood Footstools, c. 1850-1860, attr. to John Henry Belter, New York, tufted seat, serpentine foliate rail, cabriole legs, scrolled toes, casters, h. 15 1/2 in., w. 18 in., d. 18 in. [$2000/3000] The Schoenberger Collection, 1812 Palmer Avenue, New Orleans. 330. Antique French Gilt Brass Crystal Regulator Clock, c. 1900, striking gong movement marked “S. Marti & Cie.”, porcelain dial depicting Father Time and marked “Boston”, beveled glass with reticulated borders, faux mercury pendulum, h. 12 1/2 in., w. 7 1/2 in., d. 6 in. [$600/900] Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

34 1/2 in., w. 52 1/2 in., d. 33 in. [$10000/15000]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Note: German cabinetmaker Gustave Herter immigrated to New York in 1848 and quickly rose to prominence as one of New York’s preeminent cabinetmakers during the 1850s. Herter’s robustly carved furniture often incorporated sculptural figural carvings and imported marquetry from Paris, as evident on a center table held in the collection of the Metropolitan Museum of Art (acc. 2017.135) that shares similar aspects to the table in the present lot. Herter later formed the Herter Brothers firm with his brother Christian and their creations decorated some of the most prestigious residences of the Gilded Age.

Ref.: “Center Table, ca. 1860,” The Metropolitan Museum of Art. metmuseum.org/art/ collection/search/712140; Howe, Katherine S., et al. Herter Brothers: Furniture and Interiors for a Gilded Age. Museum of Fine Arts, Houston, 1994, pp. 132-133, 137.

334.

, mid-19th c., interior paper label reading “A. Roux, Cabinet Maker, 481 Broadway, New York” for Alexander Roux, shelf superstructure surmounted by a scrolled figural putti and lion’s mask crest with abundant fruited urn, shelves centered by a grape basket reserve and flanked by wolf masks and foliate scrolled brackets, molded inset variegated marble top, four frieze drawers, base with sculptural hunt and harvest relief-carved doors flanked by alcove niches, conforming plinth base, oak secondary wood, h. 96 in., w. 90 in., d. 27 in. [$20000/30000]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Note: This elegant and exuberantly carved sideboard is a rare example of the finest work by New York cabinetmaker Alexander Roux and features the firm’s paper label on the interior. The sideboard shares many similarities with an Alexander Roux sideboard in the collection of the Metropolitan Museum of Art, including the overall form, figural crest, and winding foliate scrolls. Among the New York Renaissance-revival cabinetmakers, Roux was most known for adapting the European “altar of gastronomy” form that incorporated themes of hunt and harvest, as evident in the Metropolitan Museum example and the sideboard in the present lot. Roux displayed a similar sideboard at the Crystal Palace Exhibition of 1853 in New York and was commissioned to make a pair of related sideboards for the Astor family.

Ref.: “Sideboard, ca. 1853,” The Metropolitan Museum of Art. metmuseum.org/toah/works-of-art/1993.168.

Provenance:

Important American Renaissance Carved Walnut and Burl Sideboard 335. Exceptionally Rare American Rococo Ebonized Walnut and Marquetry Center Table, c. 1855-1865, New York, likely Gustav Herter, turtle-shaped top, paneled frieze centered by a maiden mask cartouche, scrolled cabriole legs surmounted by mythological masks, scrolled X-stretcher centered by an abundant floral basket, scrolled toes, h. 336. Rare Pair of American Renaissance Carved Mahogany Consoles, mid-to-late 19th c., probably New York, faux Egyptian marble top, fluted backsplash and frieze, robustly carved scrolled acanthine supports, conforming plinth, acanthus paw feet, h. 39 in., w. 36 1/2 in., d. 22 in. [$6000/9000] The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

337. Rare American Renaissance Bronze-Mounted Rosewood Parlor Cabinet, late 19th c., likely Allen & Bro., Philadelphia, fluted floating plinth top, foliate frieze drawers, demilune case with caryatid figural stiles centered by a Classical relief plaque, paneled trophee doors, guilloche cabochon base, lobed dish feet, h. 42 in., w. 61 1/4 in., d. 24 in. [$5000/7000]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

two lower drawers, paneled lower returns, foliate brackets, turned columnar supports, scrolled trestle base, h. 57 in., w. 31 in., d. 23 in. [$2000/3000]

Provenance: Neal Auction, April 16, 2011, lot 137. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

339. Monumental English Renaissance Revival Carved Mahogany Dining Suite, mid-to-late 19th c., incl. dining table, server, and twelve side chairs; dining table with serpentine top with rounded corners and a molded edge, conforming frieze, robust foliate cabriole legs surmounted by ram’s heads, casters, 4 extension leaves, h. 29 1/2 in., w. (extended) 168 in., d. 58 in.; en suite server with trophee medallion-decorated frieze centered by a coat of arms, robust cabriole leg supports surmounted by ram’s heads, shaped plinth base, h. 41 in., w. 94 in., d. 35 1/4 in.; side chairs surmounted by a cherub and lion cartouche crest, fruit and floral crest rail, acanthine padded back, seat rail centered by a winged putto, ram’s headmounted cabriole legs, hoof feet, casters, h. 39 1/2 in., w. 22 in., d. 25 in. [$10000/15000] 338. American Renaissance Carved Walnut and Burl Cylinder Bureau, c. 1870, attr. to Allen & Bro., Philadelphia, anthemion scrolled architectonic crest, scalloped finials, figural bird returns, fall-front door opens to fitted interior,

Provenance:

[$500/700]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

340.

and Ebonized Walnut “Extra Grade” Rotary Desk, c. 1876-1892 and later, brass label reading “Wooton’s Rotary Desk Patented”, inset gilt tooled leather top, three frieze drawers, side pedestals with rotating fitted inserts, decorative paneled case, plinth base, extensive recent restoration, h. 31 1/2 in., w. 71 in., d. 33 in. [$4000/6000]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

19 in., d. 26 1/2 in. [$800/1200]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

door, glass shelf interior, molded base, toupie feet, h. 47 in., w. 43 3/4 in., d. 17 1/2 in. [$1200/1800]

Provenance: Neal Auction, Nov. 19, 2011, lot 439.

Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

341. American Renaissance Inlaid and Ebonized Walnut Occasional Table, c. 1870, molded oval top with inlaid medallion, architectonic supports, stylized hoof feet, h. 29 1/2 in., w. 21 in., d. 15 in. [$500/700] Neal Auction, Sept. 10, 2011, lot 408. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 342. American Aesthetic Carved Mahogany “Innovative” Rocking Chair, 19th c., attr. to Hunzinger, New York, in the pattern referred to as “Lollipop”, arched spindled back with floral roundel crest, reeded seat rail, spring rocker, spiral-turned stretchered base, h. 34 in., w. 19 in., d. 26 in. [$800/1200] 343. American Aesthetic Carved Mahogany “Innovative” Rocking Chair, 19th c., labeled “Hunzinger, in the pattern referred to as “Lollipop”, Pat. April 3-88”, arched spindled back with roundel crest, reeded seat rail, spring rocker, stretchered base, casters, h. 33 in., w. 344. American Aesthetic Carved Walnut and Burl Commode, 19th c., stenciled “Pottier & Stymus, New York”, inset marble top with rounded corners, frieze drawer with Greek key motif, paneled door with bosses, fluted columnar stiles, conforming base, h. 28 3/4 in., w. 22 in., d. 20 in. Rare Wooton Gilt-Incised 345. Rare American Renaissance Mother-of-Pearl and Brass Inlaid Mahogany Vitrine, late 19th c., New York, top with leaf-carved edge, concave glass sides and paneled

[$1000/1500]

346. American

Gothic Brass and Polychrome Ceramic Tile-Mounted Carved Walnut Sideboard, late 19th c., manner of Daniel Pabst, Philadelphia, incised shaped superstructure with two shelves, triangular aprons, columnar supports, base with three drawers, incised cabinet doors and stiles, bracketed base, strapwork hinges, h. 87 1/2 in., w. 61 in., d. 24 in.

[$1500/2500]

Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

and Burl Bookcase, late 19th c., stepped cornice, applied scalloped decoration, glazed doors, columnar stiles, base with two deep drawers, blocked plinth base, h. 94 5/8 in., w. 54 1/8 in., d. 17 in. [$800/1200]

Provenance: Neal Auction, Feb. 13, 2011, lot 1154.

Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New

Sold to Benefit

350. American Coin Silver Claret Jug, Wm. F. Ladd, New York, act. c. 1827-1889, hinged lid with floral finial, scroll handle, pyriform body elaborately chased and centering the figure of Poseidon and his trident, raised on dolphin supports, domed foot featuring various shells, stiff leaf foot rim, h. 14 in., wt. 46.90 troy ozs. [$1200/1800] 351. Good Antique American Sterling Silver Cake Basket, ret. D. Buchanon & Son Inc., Richmond, VA, c. 1890, reticulated floral design, oblong form with swing handle, reticulated feet, h. 11 3/4 in. (to top of handle)), w.14 ½ in., d. 10 ¼ in., wt. 39.35 troy ozs. [$800/1200] the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 349. American Renaissance Carved Rosewood Bedside Commode, c. 1860-1870, shaped marble top, frieze drawer, scrolled canted stiles, paneled cabinet door, conforming base, casters, h. 30 1/4 in., w. 19 1/4 in., d. 17 1/4 in. [$500/700] Orleans. 347. American Modern Gothic Carved Walnut 348. American Renaissance Carved Oak Cabinet, late 19th c., possibly R.J. Horner, New York, shaped cornice, foliate mask centered by a mythological mask, convex glass panel doors, lion’s mask scrolled stiles, shelf interior, paw feet, h. 66 1/2 in., w. 44 in., d. 16 in. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. Modern

1/8 in., d. 8 3/4 in., wt. 18.90 troy ozs. [$400/600]

Sold

Benefit

Provenance:

Sold

1870, ret. Starr & Marcus, New York, act. 18651877, handle mounted with maiden’s mask, footed body with flat chased scroll decoration, h. 5 1/2 in., w. 8 5/8 in., wt. 9.75 troy ozs. [$300/500]

Provenance: Estate of Clarice Galatoire

New Orleans.

Sold to Benefit

352. American Sterling Silver Fruit Stand, William Gale & Son, New York, 1862, oval with stiff leaf and berry loop handles, Greek key and beaded border, pedestal foot with conforming border, h. 4 ¼ in., w. 14 to the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 357. Group of New Orleans Sterling Silver Souvenir Spoons, wt. 17.85 troy ozs. [$300/500] 358. Antique American Sterling Silver Sauceboat and Underplate, Peter L. Krider & Co., Philadelphia, act. c. 1870-1903, grape, grapeleaf and vine chasing, sauceboat interior retains traces of gilt wash, h. 4 1/2 in., 8 in., d. 6 in., wt. 15.20 troy ozs. [$400/600] to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 359. Pair of Dominick & Haff Sterling Silver Repousse Wine Coasters, pattern 58, ret. Bailey, Banks & Biddle, Philadelphia,, late 19th/early 20th c., turned wood bottom, h. 2 1/8 in., dia. 8 1/8 in. [$300/500] the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 360. American Brilliant Cut Glass Pitcher with Sterling Silver Repousse Collar and Lip, hallmarked Dominick & Haff, New York, act. 18681928, pattern 415, date mark for 1909, h. 12 7/8 in. [$300/500] Estate of Gordon & Vera Noakes, Detroit, MI. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 354. Gorham Neo-Grec Coin Silver “Medallion” Sauceboat, c. Gooch, 353. American Neo-Grec Sterling Silver “Medallion” Butter Dish, John Wendt for Black, Ball & Co., New York, c. 1870, domed cover with Spartan helmet finial, dish with handles mounted with maiden’s masks, Greek key border, pedestal foot with beading, retains pierced liner, h. 6 in., w. 7 3/8 in., wt. 21.50 troy ozs. [$500/750] 355. New Orleans Coin Silver Soup Ladle, Hyde & Goodrich, act. 1828-1861, marked “HYDE & GOODRICH” in rectangle and with curious marks; upturned fiddle typt with short mid rib, shallow oval bowl with molded shoulders, old script monogram, l. 13 1/8 in., wt. 7.30 troy ozs. [$300/500] Ref.: Crescent City Silver, pp.1-25. 356. Group of New Orleans Sterling Silver Souvenir Spoons, wt.18.55 troy ozs. [$300/500] Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 361. American Brilliant Cut Glass Ewer with Sterling Silver Mounts, c. 1900, the silver collar and lip hallmarked Tiffany & Co. Makers, cast with shells and flowers, h. 12 1/8 in. [$300/500] Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 362. Gorham “Victorian-Chased” Sterling Silver Dressing Set, incl. hand mirror (l. 9 5/8 in.), hairbrush (l. 8 1/4 in.) and comb (l. 7 5/8 in., in fitted Gorham presentation case. (3 pcs.) [$300/500] Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans. 363. Antique American Sterling Silver Filigree Trumpet Vase, J.E. Caldwell, Philadelphia, c. 1900, with glass liner, h. 12 1/2 in. [$300/500]

364. Gorham Art Nouveau Sterling Silver and Crystal Encrier, early 20th c., n. B2607, stand and cover decorated en suite with flat chasing, note chip to top of inkpot, overall h. 5 ¼ in., w. 12 in., d. 7 1/8 in., stand wt. 12.55 troy ozs. [$300/500]

Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

368. Porter Blanchard (1886-1973, act. Gardner, MA 1915-1923, Burbank, CA 1923-1973)

Handwrought Sterling Silver Water Pitcher, mid-20th c., scroll handle, molded lip and foot, hammered surface, h. 10 1/8 in., wt. 32.45 troy ozs. [$700/1000]

Sold to Benefit

Sterling

and

Tea Strainer, Horace E. Potter, Cleveland, OH, 1897-1907, marked “HE POTTER/ STERLING”, hand wrought, l. 5 1/8 in.; together with a Shiebler sterling letter opener, late 19th/early 20th c., l. 7 ¼ in.; total wt. 3.45 troy ozs. [$200/400]

373. Set of Four George III Sterling Silver Table Candlesticks, John Green, Roberts, Mosley & Co., Sheffield, 1795 and 1796,

369. American Sterling Silver Flagon, Rupert Geissler, New York, h. 11 in., wt. 24.30 troy ozs. [$300/500] 370. George III Sterling Silver Ewer, Paul Storr, London, 1801, of oinochoe form, h. 14 in., wt. 40.45 troy ozs. [$2000/4000] 371. George III Sterling Silver Coffee Pot, Daniel Smith & Robert Sharp, London, 1768, domed cover with flame finial, baluster form with scrolled spout, gadrooned foot rim, carved and ebonized fruitwood handle, h. 11 in., wt. 29.05 troy ozs. [$800/1200] 372. George III Sterling Silver Punch Strainer, Michael Plummer, London, 1792, mark ent. 1791, reeded rim and loop handle, clip engraved with wyvern crest, w. 6 5/8 in., wt. 2.95 troy ozs. [$150/250] 365. Three Austrian .900 Silver Plaques, early 20th c., each marked “MUNZAMT WIEN 900”and “St. Schwartz”, titled “Allegro”, “Adagio”, and “Rondo”, 3 1/8 in. x 3 1/8 in., total weight 22 troy oz. [$300/500] 366. Gorham Athenic SilverMounted Hammered Copper Loving Cup in the Art Nouveau Taste, Gorham date mark for 1901, h. 8 1/2 in. [$500/700] the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 367. American Arts & Crafts Silver Rosewood each with urn-form candle cup and removable bobeche, tapered shaft, spreading foot with engraved swan’s neck crest, bright-cut decoration, gadroon banding throughout, h. 11 5/8 in., filled base. Note old repairs to two. [$600/900] 374. Anglo-Indian Silver Sugar Bowl, George Gordon & Co., Madras, act. 1821-1848, marked “GG&Co”, ovolo rim, lion’s head and ring handles, reeded body, circular plinth on suppressed ball feet, h. 4 in., w. 6 1/2 in., wt. 12.80 troy ozs. [$300/500] 375. Good Group of Georgian Sterling Silver Flatware, incl. soup ladle, Thomas Northcote & George Bourne, London, 1794, l. 13 ½ in.; marrow scoop, John Parker I & Edward Wakelin, London, 1770, l.9 1/4 in.; and marrow scoop, London, 1808, maker’s mark rubbed, l. 9 1/4 ; together with cheese scoop, Martin Hall & Co. (Richard Martin & Ebenezer Hall), Sheffield, 1870, with bone handle, l. 8 1/2 in.; total wt. (weighable) 8.10 troy ozs. [$300/500]

[$1000/1500]

Sold to Benefit the

and

15 5/8 in. x 33 5/8 in. x 1 1/4 in. [$1000/1500]

Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

[$1000/1500]

Sold

377. William Ousley (American/Louisiana, 1866-1953), “West Fork of Calcasieu River, LA”, 1928, oil on canvas, signed, titled and dated lower right, dated and inscribed en verso, 15 in. x 25 3/4 in., framed, overall 20 in. x 30 3/4 in. x 1 1/4 in. [$1000/1500] Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 376. Louisiana School, 20th c., “Swamp Scene with Egrets”, oil on canvas, signed “Seagor” lower right, 36 1/8 in. x 48 1/8 in., framed, overall 44 3/8 in. x 56 1/2 in. x 2 1/4 in. [$600/800] Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 380. William Ousley (American/ Louisiana, 1866-1953), “West Fork of Calcasieu River LA No. 541”, 1931, oil on canvas, signed lower right, titled and inscribed “Spring” lower center, signed, titled, dated and inscribed en verso, 18 in. x 34 in., framed, overall 22 in. x 38 1/8 in. x 1 1/4 in. to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 378. William Ousley (American/ Louisiana, 1866-1953), “LA Sunset”, 1928, oil on canvas, signed and titled lower right, signed, dated and inscribed en verso, 14 7/8 in. x 30 in., framed, overall 379. William Ousley (American/Louisiana, 1866-1953), “West Fork of Calcasieu River, LA”, oil on canvas, signed lower right, titled and inscribed “Autumn” lower center, signed, titled and inscribed en verso, inscribed on stretcher, 15 7/8 in. x 27 1/4 in., framed, overall 17 1/4 in. x 28 3/8 in. x 1 1/4 in. Angelina Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Provenance:

383. Alexander John Drysdale (American/ Louisiana, 1870-1934), “Dusk on a Louisiana Bayou”, 1909, oil on board, signed and dated lower left, remnants of 2 labels en verso, 10 1/8 in. x 17 in., framed, overall 15 1/2 in. x 22 in. x 1 1/2 in. [$2000/3000] Neal Auction Company, Nov. 17, 2012, lot 326. 384. Alexander John Drysdale (American/Louisiana, 1870-1934), “Bayou Scene with Live Oak”, oil on canvas, signed lower left, 3 labels on reverse of frame, one label with artist on stretcher, 10 1/8 in. x 20 1/8 in., framed, overall 17 1/4 in. x 27 3/8 in. x 2 1/4 in. [$3000/5000] 381. Alexander John Drysdale (American/Louisiana, 1870-1934), “Live Oak on the Bayou with Waterlilies”, oil on board, signed lower left, pencil-inscribed en verso, 10 in. x 29 7/8 in., framed, overall 11 3/4 in. x 32 5/8 in. x 1 in. [$1500/2500] Neal Auction Company, Apr. 27, 2014, lot 1065. 382. Alexander John Drysdale (American/Louisiana, 1870-1934), “Bayou Scene with Live Oak”, oil wash on board, signed lower right, 10 in. x 29 7/8 in., framed, overall 12 3/4 in. x 32 3/4 in. x 1 1/4 in. [$1500/2500]

385. Alexander John Drysdale (American/Louisiana, 1870-1934), “Louisiana Marsh, Early Morning”, 1921, oil on canvas board, signed and dated lower left, pencilsigned, titled, dated and inscribed en verso, 14 in. x 20 in., framed, overall 17 3/4 in. x 23 3/4 in. x 1 1/4 in. [$2000/3000] Provenance: Neal Auction Company, Sept. 11, 2011, lot 984. 386. Alexander John Drysdale (American/Louisiana, 1870-1934), “Bayou Scene with Live Oak”, oil wash on board, signed lower right, 6 in. x 20 in., framed, overall 8 1/2 in. x 22 1/2 in. x 1 3/8 in. [$1000/1500] 387. Alexander John Drysdale (American/Louisiana, 1870-1934), “Louisiana Bayou”, oil wash on board, signed lower left, 6 in. x 20 in., framed, overall 7 5/8 in. x 21 1/2 in. x 1 1/8 in. [$1200/1800] 388. Alexander John Drysdale (American/Louisiana, 1870-1934), “Louisiana Bayou” and “Live Oak and Bald Cypress”, 2 oil washes on board, each signed lower left, 9 1/2 in. x 19 3/8 in. and 10 1/2 in. x 20 in., framed alike, each overall 16 3/4 in. x 26 1/4 in. x 1 in. (2 pcs.) [$2000/3000] 389. Eliot Candee Clark (American/Virginia, 1883-1980), “Springtime Afternoon”, oil on canvas, signed lower right, inscribed en verso, “R.H. Love Galleries, Chicago, IL” label with artist and title on backing board, 14 in. x 20 in., framed with title plaque, overall 19 1/2 in. x 25 5/8 in. x 3 1/4 in. [$1000/1500]

[$800/1200]

[$8000/12000]

390.

[$25000/35000]

Note: Harold Rudolph was active in New Orleans in the 1870s and 1880s during a period when many of the great Louisiana landscape artists of the state were in their prime. While less is known today about Rudolph than some of his contemporaries, he was praised in the New Orleans Republican and Daily Picayune newspapers shortly after his arrival in the city for both his portrait paintings and landscapes. Rudolph exhibited his work with the W.E. Seebold Gallery on Canal Street where he had a studio on the upper level and later at their location on Prytania Street. Following the death of his brother-in-law and partner in portrait painting in 1877, Rudolph focused primarily on scenes of the Louisiana countryside, although relatively few of his landscapes are extant today.

Particularly skilled at depicting sunsets and sunrises, in the rare canvas offered here from 1879, Rudolph masterfully portrays a fiery sunset at last glow reflected in the bayou in the foreground. The scene is framed by darkened cypress trees and a moss-draped oak, while a cabin is hidden within the shadows. A lone figure contemplates the sunset from his perch beneath the oak tree adding a sense of narrative and charm to the timeless scene.

Provenance:

Harold Rudolph (American/Louisiana, 18501884), “Bayou Landscape”, 1879, oil on canvas, signed and dated lower left, “H. W. Gear” stamp on stretcher, 29 in. x 36 in., framed, overall 33 in. x 40 1/8 in. x 2 1/4 in. 391. Jean Joseph Vaudechamp (French/Louisiana, 1790-1866), “Portrait of a Lady”, 1834, oil on canvas, signed and dated upper left, “Ottoz, Paris” canvas stamp en verso, 32 in. x 25 1/2 in., framed, overall 39 5/8 in. x 33 1/2 in. x 3 1/2 in. 392. Southern School, 19th c., “Steamboat Henry Lee”, oil on canvas, unsigned, 28 1/8 in. x 36 in., framed, overall 37 1/8 in. x 44 7/8 in. x 3 1/2 in. [$2000/3000] Estate of Reuel Lacy “Sonny” and June Ann Anderson, Baton Rouge, LA. 393. John James Audubon (American, 1785-1851), “Roseate Tern”, Plate 240, hand-colored engraving with aquatint, from The Birds of America, Havell edition, “J. Whatman Turkey Mill 1835” watermark visible, sheet 38 1/4 in. x 25 5/8 in., framed, overall 41 3/4 in. x 32 5/8 in. x 1 3/4 in.

394. After John James Audubon (American, 1785-1851), “Passenger Pigeon”, Plate 62, later reproduction, from The Birds of America, sheet 38 5/8 in. x 26 3/4 in., framed, overall 42 5/8 in. x 34 5/8 in. x 1 1/4 in. [$300/500]

Provenance: Estate of Warren A. Goldstein, Esq., New Orleans.

396. After George Caleb Bingham (American/Missouri, 1811-1879), “Stump Speaking”, 1856, hand-colored engraving with aquatint mounted to board, engraved by Louis Adolphe Gautier (French, act. 1844-1887), printed by Goupil & Co., Paris, published by Goupil & Co., New York, 22 1/4 in. x 30 in., framed, overall 34 1/2 in. x 42 in. x 1 1/4 in. [$800/1200]

395. Bronze Figural Group of “Coming through the Rye”, after Frederic Sackrider Remington, signature inscribed on self-base, h. 27 in., w. 28 in., d. 26 in., wood base, overall h. 29 in. [$1000/1500]

Provenance: Ex-collection Major Edward Bushrod Stahlman, Nashville, TN; Neal Auction Company, June 8, 2002, lot 805.

58 in. [$1500/2500]

Provenance: Purchased in Philadelphia c. 1840; thence descended in a New

family.

Silver Chest, c. 1830-1840, New York, upper deep drawer,

400. American Late Classical Carved and Inlaid Mahogany Work Table, c. 1840, hinged top opens to fitted interior, bolection frieze drawer, columnar standard, circular plinth, scrolled sabre legs, paw feet, casters, h. 28 1/2 in., w. 18 1/2 in., d. 16 in. [$700/1000] 401. American Late Classical Giltwood Mirror, c. 1830, Philadelphia, fleur-de-lis medallion corners, molded surround, divided mirror plate, h. 60 in., w. 48 1/2 in. [$700/1000] 399. American Late Classical Carved Mahogany paneled door flanked by turned foliate columns, lower drawer, foliate paw feet, h. 47 in., w. 28 in., d. 20 in. [$800/1200] 397. American Late Classical Carved Mahogany Bedstead, c. 1840, Philadelphia, paneled headboard with acorn rolling pin and turned disc finials, turned posts, conforming footboard, h. 57 in., l 72 in., w. Orleans 398. American Late Classical Rosewood Music Cabinet, c. 1835, New York, marble top, ribbon-molded paneled door, fitted interior, scrolled apron, pierced trestle base, h. 38 in., w. 19 1/2 in., d. 14 1/2 in. [$800/1200] 402. American Late Classical Carved Mahogany Work Table, c. 1840, New York, two drawers, foliate ring-turned legs, brass cuffs, casters, h. 29 in., w. 21 1/2 in., d. 17 1/4 in. [$500/700]

403. American Classical Mahogany Two-Part Pedestal Dining Table, c. 1840, New York, drop-leaf ends, bolection frieze, columnar standard, shaped plinth, bossed scrolled feet, casters, h. 29 in., w. (closed) 41 in., w. (open) 80 1/2 in., d. 20 1/4 in. [$1500/2500]

404. American Classical Carved Rosewood Duchesse Dressing Table, 19th c., attr. to J. & J.W. Meeks, New York, octagonal mirror, scrolled supports, serpentine marble top, conforming frieze with fitted drawer, robustly scrolled supports, mirrored back, shaped plinth base, molded feet, casters, h. 62 in., w. 41 in., d. 20 in. [$1000/1500]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Quervelle,

cornice with reeded edge, Gothicized tympanum, Ionic columns, paneled doors with foliate and floral decoration, shelf interior with medial belt of drawers, side compartments, base with niches and pine cone finials, paired dolphin feet, h. 95 in., w. 84 in., d. 30 1/2 in. [$10000/15000]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

408.

Mahogany Dressing Chest, c. 1840-1850, Boston, oval mirror with Gothicized supports, case with four drawers, compressed ball feet, h. 53 1/2 in., w. 28 1/2 in., d. 16 in. [$600/900] Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

405. American Late Classical Carved Mahogany Sideboard, c. 1840, frieze with bolection drawers flanking candle slide and center drawer, Ionic columns, paneled doors, plinth base, foliate paw feet, h. 43 in., w. 71 in., d. 21 1/2 in. [$1200/1800] 406. American Late Classical Carved Mahogany Center Table, c. 1830-1840, New York, hexadecagonal white marble top, conforming ogee frieze, vasiform standard, heavily scrolled legs, casters, h. 29 1/4 in., dia. 37 in. [$1200/1800] 407. Fine American Late Classical Carved Mahogany Wardrobe, 19th c., attr. to Anthony Philadelphia, flared American Late Classical Diminutive

Provenance:

to Benefit the Angelina and Michael Bloise Endowed

serpentine apron, disc feet, h. 88 1/2 in., w. 47 in., d. 25 in. [$2500/3500]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

412.

by foliate

quatrefoil crest and frieze, nichepaneled stiles and glazed doors, upper case with shelf interior, lower case with trefoil triangular apron, paneled cabinet doors, molded plinth base, h. 129 in., w. 92 in., d. 23 in. [$5000/7000]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

54 1/2 in., w. 26 in., d. 29 1/2 in.

Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Provenance: The Schoenberger Collection, 1812

Avenue, New Orleans.

Note: The decorative elements of the rare American Gothic tripart armoire in the present lot relate closely to the Gothic furniture of New York cabinetmaker Alexander Roux. The cluster column stiles of the

are nearly identical to a table and

413. Monumental American Gothic Carved Rosewood Tripartite Armoire, mid-19th c., New York, possibly Alexander Roux, spyre pedimented crests surmounted by foliate-turned finials and crockets, mirrored center door, trefoil columnar stiles, blocked base with three deep drawers, birdseye maple fittings, h. 124 in., w. 95 in., d. 27 in. [$6000/9000] Palmer armoire chair Roux illustrated in American Furniture of the 19th Century by Eileen and Richard Dubrow. Ref.: Dubrow, Eileen and Richard. American Furniture of the 19th Century. Schiffer Publishing, 1983 and 2000, p. 61. 409. American Gothic Rosewood Table, mid-19th c., prob. New York, serpentine top with inset sienna marble, foliate medallion frieze, drop finials, scrolled trestle base, arched trefoil stretcher, h. 29 in., w. 26 1/2 in., d. 16 in. [$500/700] Neal Auction, Oct. 6, 2021, lot 17. Sold Fund at Ochsner Cancer Institute.

[$700/1000]

410. American Gothic Carved Walnut Hall Chair, mid-to-late 19th c., architectonic crest with scrolled foliate decoration, turned stiles, padded back and arms, spherule terminals, anthemioncarved seat rail, disc-turned legs, casters, h. 411. American Gothic Carved Rosewood Dresser, mid-19th c., attr. to Charles A. Baudouine, New York, rectangular mirror flanked by ringed columns and niches, turned finials, shaped marble top, four graduated drawers with stylized panels, conforming stiles, Monumental American Gothic Carved Mahogany Bookcase, mid-19th c., New York, surmounted pinnacles,

414.

in. [$200/300]

Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

415. Pair of American Overlay Glass Trumpet Vases, 19th c., possibly Boston & Sandwich Glass Co., tall footed form in ruby red, cut to clear in punty design, h. 14 in. [$700/1000]

Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

416. Antique Navette-Form Diamond Point Flint Glass Centerpiece Compote, h. 8 1/2 in., l. 13 1/2 in. [$300/500]

417. Antique Cut Glass Covered Punchbowl, h. 12 in., dia. 9 1/4 in.; together with two Ofnah Crystal ladles, l. 13 1/2 in. (3 pcs.) [$250/350]

Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

Provenance:

round

in.; square decanter, h. 9 1/2 in.; and ice bucket, h. 5 in.; together with Baccarat crystal “Harcourt” decanter, h. 12 1/4 in. (5 pcs.) [$400/600]

Provenance: Estate of Warren A. Goldstein, Esq., New Orleans.

6 in.; and crystal dolphin figure, marked “F.S. 1981”, l. 6 1/2 in. (9 pcs.) [$400/600]

Provenance:

421. Three Baccarat Crystal “Harmonie” Vases, marked, h. 7 7/8 in., 9 1/8 in., and 11 3/4 in. (3 pcs.) [$200/300] Estate of Warren A. Goldstein, Esq., New Orleans. 422. Daum Modernist Glass Center Bowl, marked, h. 3 1/2 in., w. 8 1/4 in., d. 8 1/4 in. [$400/600] 423. Pair of Venini Murano Glass Octagonal Obelisks, c. 1955, acid stamped “Venini/Murano/Italia”, h. 15 7/8 in. [$600/900] 424. Group of Steuben Glass Figures and Bowls, incl. 3 “low-footed” bowls, etched marks, model #7909, designed in 1942 by John Dreves, largest dia. 11 in.; ice bucket or wine cooler, etched mark, h. 7 in.; penguin figure, etched march, h. 6 1/4 in.; together with 2 Baccarat crystal rabbit figures, marked, h. 3 1/4 in.; Baccarat crystal candleholder, h. Estate of Warren A. Goldstein, Esq., New Orleans. 425. Lalique “Zeila” Black Crystal Panther Sculpture, marked, originally designed by Marie-Claude Lalique, h. 4 1/4 in., w. 14 1/2 in., d. 2 3/4 in. [$300/500] Provenance: The Schoenberger Collection, 1812 Palmer Avenue, New Orleans. 426. Lalique Crystal “Cote d’Or” Charger, etched mark, dia. 15 7/8 in., with original box. (2 pcs.) [$300/500] The Schoenberger Collection, 1812 Palmer Avenue, New Orleans. 419. Pair of Baccarat Crystal Decanters and a Baccarat Bowl, decanters marked, faceted, h. 8 3/4 in., bowl marked, h. 3 1/4 in.; together with two other crystal decanters, unmarked, taller 10 1/2 in. [$500/700] 420. Set of Baccarat Crystal “Harmonie” Decanters and Ice Bucket, all marked, incl. pair of whiskey decanters, h. 5/8 418. Two Antique Glass Hurricane Shades, h. 23 in. and 20 in. [$500/700] American Brilliant Cut Glass Compote, hobstar design, h. 9 1/4 in., dia. 9

Sold to

Sold to Benefit the Angelina and

Provenance:

Sold

Provenance: The

Provenance:

431. Six American Classical Painted and Stenciled Fancy Chairs, early 19th c., scrolled crest rail, slat back, caned seat, ring-turned legs, h. 32 1/2 in., w. 17 1/2 in., d. 18 in. [$1000/1500] 432. American Classical Carved Mahogany Sofa, early 19th c., probably Boston, scrolled bossed crest rail with acanthine accents, outswept arms, blocked base, cabochon-carved turned feet, casters, h. 37 in., w. 83 in., d. 25 in. [$1200/1800] 433. American Classical Gilded Mahogany Pier Table, early 19th c., New York, marble top, bolection frieze, columnar supports with foliate capitals, incurvate plinth, mirrored back flanked by pilasters, tapered melon feet, h. 37 in., w. 41 1/2 in., d. 18 in. [$2000/3000] According to rear collection label, 24 Arlington Place, Buffalo, NY. 434. Antique American ClassicalStyle Ebonized and Gilt-Stenciled Music Stand, manner of Hugh & John Finley, Baltimore, lyre-form sheet-holder, folding candle cups, spiral-fluted standard, flared tripod base, h. 47i n., w. 15 1/4 in., d. 18 in. [$1000/1500] Neal Auction Company, October 12, 2002, lot 401. 435. American Classical Carved Mahogany Work Table, c. 1820, Philadelphia, School of Anthony Quervelle, hinged top opens to fitted interior, two lower drawers, bulbous foliate standard, circular plinth, acanthus paw feet, casters, h. 29 3/4 in., w. 22 3/4 in., d. 17 in. [$800/1200] 436. American Classical Carved Rosewood Games Table, c. 1820, School of Isaac Vose, Boston, foldover swivel top, later leather playing surface, paneled apron flanked by foliate scrolls, reverse-tapered standard, incurvate plinth, scrolled feet, casters, h. 29 in., w. 36 in., d. 18 3/4 in. [$800/1200] 427. Tiffany Favrile Glass Vase, early 20th c., etched marks “L.C. Tiffany/ Favrile/1433 H”, intaglio cut leafy vine design, h. 12 1/4 in. [$700/1000] Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 428. Tiffany Favrile Glass Vase, c. 1905, engraved “L.C.Tiffany Y6563 Favrile”, pulled feather design, h. 3 in., dia. 3 1/4 in. [$500/700] Michael Bloise Endowed Fund at Ochsner Cancer Institute. 429. Tiffany Favrile Glass Bowl, early 20th c., with original paper label, and etched marks “L.C. Tiffany/ Favrile/1925”, intaglio-cut leafy vine design, h. 3 3/8 in., dia. 8 1/8 in. [$500/700] to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 430. Four Bohemian Cut-to-Clear Glass Bowls, incl. ruby cut-to-clear glass rose bowl, h. 6 in.; ruby cut-to-clear glass bowl, dia. 10 in.; cobalt cut-to-clear glass rose bowl, h. 6 in.; and cobalt cut-to-clear glass bowl, dia. 10 in. (4 pcs.) [$500/700] Schoenberger Collection, 1812 Palmer Avenue, New Orleans.

33 3/4 in., d. 20 1/2 in. [$600/900]

439. American Classical Carved Mahogany Pembroke Table, early 19th c., attr. to Henry Connelly, Philadelphia, serpentine drop-leaf top, finialed pilasters, frieze drawer, reeded trestle base, scrolled sabre legs, raised on spherules, h. 28 1/2 in., w. 36 in., d. 20 1/2 in. [$800/1200]

Provenance: Didier Inc., New Orleans; Neal Auction Company, Feb. 8, 2020, lot 188. Ref.: Boor. Philadelphia Empire Furniture, p. 197, fig. 71.

Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

440. American Classical Stenciled and Carved Mahogany Drop-Leaf Table, c. 1825, New York, turned pendants, foliate pedestal, acanthine paw feet, h. 28 in., w. 38 1/2 in., d. 24 1/2 in. [$800/1200]

Provenance: Neal Auction, Sept. 11, 2010, lot 366. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

442. Important American Classical Carved Mahogany Work Table, c. 1830, labeled “Charles H. White and John F. White”, Philadelphia, gadrooned lift top, work compartment, two bolection drawers, foliate and bead-carved standard, incurvate plinth, acanthine paw feet casters, darkened original finish, h. 29 in., w. 22 in., d. 16 in. [$2000/3000]

1/4 in., w. 35 1/2 in., d. 18 1/2 in. [$2500/3500]

Provenance: Neal Auction, Feb. 4, 2012, lot 71. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

casters, h. 30 1/2 in., w. 36 1/2 in., d. 19 in.

[$2000/3000]

Provenance: Neal Auction, Nov. 21, 2009, lot 232.

Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer

Provenance: Dr. and Mrs. John William Boor, Philadelphia; Neal Auction, Nov. 20, 2010, lot 203. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

[$600/900]

Provenance: Neal Auction, May 22, 2010,

Sold to Benefit the Angelina

441. Associated Pair of American Classical Carved Mahogany Games Tables, early 19th c., Boston, foldover top with canted corners, cove-molded frieze, foliate scrolled lyre base, acanthus sabre legs, brass paw feet, casters, h. 29 1/2 in., w. 35 1/2 in., d. 18 in., other h. 29 443. American Classical Carved Mahogany Games Table, early 19th c., attr. to Thomas Wightman, Boston, shaped foldover top with molded edge, conforming frieze, foliate-scrolled lyre base with inset brass rods, molded acanthine sabre legs, brass paw feet, Institute. 444. American Classical Carved Mahogany Tilt-Top Candlestand, early 19th c., New York, manner of Duncan Phyfe, oval top, turned standard, outswept acanthine legs, scrolled toes, h. 28 in., w. 26 in., d. 18 in. lot 6. and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 437. American Classical Carved Mahogany Work Table, c. 1820, drop-leaf top, two drawers, upholstered work basket, incurvate plinth, paw feet, h. 29 in., w. (closed) 18 1/4 in., w. (open) 438. American Classical Carved Mahogany Sofa, mid 19th c., probably Philadelphia, scrollback crest rail, outswept acanthine arms, bolection seat rail, foliate scrolled paw feet, h. 36 in., w. 90 in., d. 24 in. [$1200/1800]

Sold to Benefit the Angelina

Provenance:

Sold to Benefit the Angelina

Sold to Benefit the Angelina and

Provenance: Neal Auction,

Sold to Benefit the

Provenance: Neal Auction, Nov. 21, 2020, lot 242.

Sold to Benefit the Angelina and

445. American Classical Carved Mahogany Work Table, early 19th c., foliate-carved paneled stiles, turned and foliate-carved legs, h. 31 in., w. 25 in., d. 17 in. [$400/600] and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 446. American Classical Giltwood Tripartite Mirror, early 19th c., blocked cornice, split columnar surround with acanthus cabochon accents, divided mirror plate, foliate base, h. 27 1/2 in., w. 61 in. [$800/1200] 447. American Classical Carved Mahogany Work Table, early 19th c., New England, outset corners, ring-turned stiles, two drawers, spiral-turned legs, toupie feet, h. 29 1/2 in., w. 20 1/2 in., d. 16 1/2 in. [$500/700] The Service Collection, Estate of Grant A. Oakes, Warren, OH; Neal Auction, Feb. 16, 2016, lot 989. and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 448. American Classical Carved Mahogany Armchair, c. 1820. attr. to Thomas Whitecar, Philadelphia, pierced slats, reeded stiles, vasiform reeded arm supports, rounded seat rail, turned and tapered legs, h. 32 in., w. 18 in., d. 17 in. [$600/900] Michael Bloise Endowed Fund at Ochsner Cancer Institute. 449. American Classical Carved Rosewood Canterbury, c. 1815-1820, prob. Philadelphia, spherule finials, shaped slatted dividers, base drawer, turned legs, brass cuffs, casters, h. 18 1/2 in., w. 18 in., d. 14 in. [$600/900 Nov. 20, 2010, lot 4. Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 450. American Classical Carved and Brass Inlaid Mahogany Work Table, early 19th c., New York, molded top, top drawer fitted with adjustable writing surface, lower drawer, turned pendants, foliate standard and legs, hairy paw feet, casters, h. 31 in., w. 21 1/2 in., d. 17 1/2 in. [$1000/1500] Michael Bloise Endowed Fund at Ochsner Cancer Institute. 451. Pair of American Classical Cherrywood Rope Beds, c. 1830-1840, heavily turned posts and finials, scrolled headboard, stretchered footboard, h. 45 in., w. 36 in., d. 75 in. [$700/1000] 452. American Late Classical Walnut and Birdseye Maple Chest of Drawers, c. 1840, frieze drawer, three lower drawers, turned columnar stiles, turned urn-form feet, h. 43 in., w. 43 in., d. 21 1/2 in. [$800/1200]

Provenance:

453. American Classical Giltwood Mirror, early 19th c., ring-turned surround, blocked rosette corners, divided mirror plate, h. 21 in., w. 41 1/2 in. [$600/900] 454. Tiffany Studios Bronze and Glass “Grapevine” Jewelry Box, early 20th c., marked TIFFANY STUDIOS/NEW YORK/816”, two removable trays, on ball feet, h. 3 in., w. 6 3/4 in., d. 4 in. [$400/600] 455. Tiffany Studios “Vine Border” Table Lamp, shade impressed “TIFFANY STUDIOS/NEW YORK”, base stamped “TIFFANY STUDIOS/NEW YORK/618”, leaded glass, patinated bronze, h. 18 1/2 in., dia. 12 1/4 in. [$6000/9000] 456. Pair of Pairpoint Cut-Glass and Onyx Candlesticks, early 19th c., marked, with silver-plate mounts, h. 15 1/4 in. [$500/700] Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 457. American Aesthetic Carved Rosewood Firescreen, late 19th c., lily and acanthus surround, needlepoint screen, h. 60 in., w. 39 1/2 in. [$1500/2500] The Schoenberger Collection, 1812 Palmer Avenue, New Orleans. 458. Folk Art Tin Rooster Weathervane on Wood Stand, full bodied, wood stand, h. 28 1/2 in., w. 24 1/4 in., d. 9 1/2 in. [$400/600] 459. Two Animation Production Cels of Jiminy Cricket from Pinocchio, 1940, Disney Studios, Jiminy and a butterfly, displayed over Courvoisier Galleries background, pencil titled on mats, retail label, verso of frame from R.H. Macy & Co., NY, sight 3 in. x 3 1/2 in. [$800/1200]

Sold to Benefit

Provenance: Neal Auction, Feb. 4, 2012, lot 484.

Sold to Benefit the Angelina and Michael Bloise Endowed Fund at

29 in., l. 71 in., d. 47 1/2 in. [$4000/6000]

Provenance: Descended in the family of John Eager Howard; Didier Inc., 2008.

Note: The sophisticated and versatile dining table offered here, featuring finely reeded legs associated with Baltimore cabinetmakers of the late Federal period, descended in the family of American politician and soldier John Eager Howard (1752-1827). John Eager Howard was a decorated colonel during the Revolutionary War and went on to hold several congressional positions. He was elected as the fifth governor of Maryland in 1788 and served three consecutive one-year terms as governor.

This table was part of the furnishings of Howard’s vast Maryland estate named Belvidere. Completed in 1794, Belvidere was renowned for its Georgian-style architecture and elegant interiors. Thomas Twining, founder of the English tea company, visited the home in 1798 and noted that it “possessed all the elegance of an English villa.” In 1815, Howard donated a parcel of his estate’s land for the construction of Baltimore’s Washington Monument.

After Howard’s death in 1827, most of the interior contents of Belvidere were sold, however, the family retained some important pieces, including this table. The mansion was demolished in 1874 to make room for Baltimore’s urban expansion. A hotel of the same namesake was constructed on the former site of the mansion in 1903. In 2019, Neal Auction sold a finely figured and inlaid sideboard from the same family collection of the descendants of John Eager Howard that was also sold through esteemed New Orleans antiquarian Don Didier (see Neal Auction, Sept. 14, 2019, lot 92).

Ref.: Alexander, Robert L. et al. The Architecture of Baltimore: An Illustrated History. Baltimore: The Johns Hopkins University Press, 2004, pp. 33-35; “Margaret ‘Peggy’ Oswald Chew Howard (1760-1824).” Archives of Maryland. MSA SC 3520-2232. Maryland State Archives; Papenfuse, Edward C. “Remembering John Eager Howard and His Vision for Baltimore.” April 24, 2018. www.rememberingbaltimore.net.

Provenance: Neal Auction Company, Apr. 18, 2015, lot 587.

Sold to Benefit the

Provenance: Acquired Henry Stern, New Orleans; Neal Auction, Jul. 8, 2017, lot 357; extensively researched by forensic antiquarian Anthony Bloise. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

53 in., w. 33 in. [$2000/3000]

Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

461. American Federal Carved Mahogany Pembroke Table, c. 1800, shaped drop-leaf top, frieze drawer, reeded tapered legs, brass cuffs, casters, h. 29 in., w. 32 in., d. 23 in. [$500/700] Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 462. American Chippendale Carved Mahogany Games Table, c. 1770-1780, Mid-Atlantic, foldover top with molded edge, fluted legs, h. 29 in., w. 34 in., d. 17 in. [$500/700] Ochsner Cancer Institute. 463. American Queen Anne Carved Mahogany Side Chair, first half 18th c., Connecticut River Valley, shaped crest rail, vasiform splat, rush seat, turned legs, bulbous stretcher, Spanish feet, h. 41 in., w. 19 in., d. 18 in. [$500/700] 464. Fine American Federal Santo Domingo Mahogany Two-Part Dining Table, early 19th c., Baltimore, top with reeded edge, blocked frieze, heavily reeded legs, toupie feet, incl. two leaves, h. 465. American Federal Giltwood Bullseye Mirror, early 19th c., surmounted by a spreadwing eagle perched on a foliate pedestal, reeded surround decorated with spherules, ebonized liner, convex mirror plate, foliate pine cone pendant, h. 466. American Federal Mahogany Bowfront Chest, early 19th c., shaped top, conforming case with four graduated drawers, reeded stiles and legs, toupie feet, h. 42 in., w. 41 1/2 in., d. 24 in. [$700/1000] 460. American Federal Figured Mahogany Games Table, early 19th c., serpentine foldover top, conforming frieze, molded tapered legs, h. 29 1/2 in., w. 36 in., d. (closed) 18 1/2 in., d. (open) 37 in. [$400/600] the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

c.,

cedrela secondary wood, acorn finials, baluster-turned supports and legs, lower drawer, brass cuffs, casters, h. 52 1/2 in., w. 16 in., d. 16 in. [$1000/1500]

Provenance: Neal Auction, Sept. 15, 2012, lot 400.

Sold to Benefit the Angelina and Michael Bloise Endowed Fund at

1/2 in., w. 20 1/2 in., d. 32 in. [$500/700]

Provenance: Neal Auction, June 22, 2019, lot 299. Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Provenance: Neal

Sold to Benefit

Sept. 10, 2017,

917.

Provenance: Neal Auction, November 20, 2010,

131.

Sold to Benefit the Angelina and Michael

469. American Federal Tiger Maple Bench, 19th c., probably New England, slatted back and sides surmounted by acorn finials, cylindrical legs, h. 34 1/2 in., w. 44 3/4 in., d 28 in. [$700/1000] 470. Antique Philadelphia Chippendale-Style Carved Mahogany Corner Cabinet, broken arch crest with tasseled rosette terminals, centered by a cabochon cartouche with bellflower, raised panel doors, interior with scalloped shelves, molded base on tall scalloped bracket feet, h. 95 in., w. 45 in., d. 20 1/2 in. [$700/1000] 473. Antique American Mahogany Miniature Bookcase, upper case with ogee cornice, glazed doors, shelf interior, lower case with five drawers, turned feet, h. 28 1/4 in., w. 18 3/4 in., d. 9 1/2 in. [$300/500] Auction, lot the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 474. American Classical Eglomise and Mahogany Mirror, c. 1810-1815, Philadelphia, covemolded cornice with applied foliate frieze, lobed columnar stiles, blocked base, h. 51 in., w. 25 in. [$700/1000 lot Bloise Endowed Fund at Ochsner Cancer Institute. 467. American Federal Rosewood and Mahogany Etagere in the Sheraton Taste, early 19th prob. Boston, Ochsner Cancer Institute. 468. American Sheraton Carved Mahogany Pembroke Table, early 19th c., shaped drop-leaf top, frieze drawer, banded stiles reeded tapered legs, brass cuffs, casters, h. 28 471. Antique American Chippendale-Style Carved Mahogany Triple Chairback Settee, foliate scrolled crest, entwined splats, scrolled arms, foliate cabriole legs, ball and claw feet, h. 44 1/2 in., w. 65 in., d. 21 in. [$800/1200] 472. Antique Federal-Style Inlaid Mahogany Wig Stand, lidded oval case, pilaster standard, foliate collar, incurvate plinth, compressed ball feet, h. 40 in., w. 16 in., d. 13 in. [$600/900]

Provenance:

480. Fine George III Satinwood-Banded and Inlaid Mahogany Sideboard in the Adam Taste, c. 1800, shaped top, blocked frieze drawer, two deep drawers, side compartment, fluted tapered legs, spade feet, h. 37 3/4 in., w. 80 1/4 in., d. 29 in. [$1500/2500] 481. George III Inlaid Mahogany Pedestal Dining Table, c. 1790, reeded and satinwood-banded top, turned columnar supports, reeded sabre legs, brass paw feet, casters, h. 29 1/2 in., w. 87 1/2 in., d. 46 in. [$1200/1800] 482. Twelve George III-Style Mahogany Dining Chairs, incl. two armchairs, ten side chairs, serpentine crest rail, Gothicized pierced splat, scrolled arms, molded legs, stretchers, armchair h. 38 in., w. 26 1/2 in., d. 18 in., side h. 37 in., w. 22 in., d. 18 in. [$1500/2500] 483. Fine George III Inlaid Burl Walnut Chest of Drawers, late 18th c., top with entwined herringbone motif, two short over three long drawers, lower drawer with concave nautical star, bracket feet, h. 39 1/2 in., w. 43 in., d. 19 1/2 in [$800/1200] Estate of Warren A. Goldstein, Esq., New Orleans. 484. George III Carved Walnut Chest-on-Chest, late 18th c., flared cornice with chamfered corners, fluted stiles, upper case with three short over three long drawers, conforming lower case with three drawers, bracketed base, h. 70 in., w. 42 in., d. 23 in. [$2000/3000] 477. Georgian Tortoiseshell Tea Caddy, 19th c., domed lid, the interior with cut-glass mixing bowl and spoon, compressed ball feet, h. 6 in., w. 4 1/2 in., d. 4 1/2 in. [$1000/1500] 478. Georgian Tortoiseshell Tea Caddy, 19th c., interior with lidded compartment, h. 5 in., w. 4 1/2 in., d. 3 1/4 in. [$800/1200] 475. Georgian Tortoiseshell Tea Caddy, 19th c., shallow pyramid lid, impressed design front, interior with lidded compartment, h. 6 in., w. 4 1/8 in., d. 3 3/4 in. [$800/1200] 476. George III Tortoiseshell Tea Caddy, 19th c., interior with two lidded compartments, ball feet, h. 5 in. w. 6 3/4 in., d. 3 3/4 in. [$1000/1500] 479. Two Georgian Brass-Mounted and Inlaid Burl Wood Lap Desks, 19th c., fitted interiors, larger h. 7 1/4 in., w. 18 in., d. 10 in. [$500/700]

Provenance:

493. Large Antique George III-Style Brass-Mounted and Inlaid Mahogany Sideboard, 19th c., urn-finialed gallery, demilune top, two deep drawers centered by frieze drawer and tambour doors, tapered legs, spade feet, h. 58 in., w. 78 1/2 in., d. 27 1/2 in. [$1500/2500] 485. George III Inlaid Satinwood Wardrobe, early 19th c., shaped crest surmounted by urn finials, paneled doors, two deep drawers, shaped bracket feet, h. 93 1/2 in., w. 58 in., d. 27 in. [$2500/3500] 486. George III Mahogany Chest-on-Chest, early 19th c., ogee cornice, three short over three long drawers, base with three graduated drawers, tall bracket feet, h. 70 1/2 in., w. 41 in., d. 22 in. [$1000/2000] Henry Stern, New Orleans. 487. Antique Chippendale-Style Mahogany Piecrust Tea Table, shaped dished tilt-top, turned standard acanthine cabriole legs, ball and claw feet, h. 28 in., dia. 28 in. [$400/600] 488. George III Mahogany Dumbwaiter, early 19th c., dished circular shelves, baluster support, cabrioloe legs, casters, h. 35 1/2 in., dia. 23 in. [$300/500] 489. Antique George III-Style Inlaid Mahogany Dresser Base, banded top with chamfered corners, concave shell-carved drawers, cabriole legs, ball and claw feet, h. 34 1/4 in., w. 83 in., d. 23 in. [$800/1200] 492. Assembled Set of Eight George III Mahogany Dining Chairs in the Adam Taste, late 18th c., incl. two armchairs and six side chairs, fluted crest rail, spindled back, stretchered base, h. 36 in., w. 21 in., d. 19 1/2 in. [$1200/1800] 490. George III Figured Walnut Slant Front Bureau Desk, fall-front door, fitted interior, four graduated drawers, bracket feet, h. 43 in., w. 36 in., d. 18 in. [$800/1200] 491. Diminutive George III Walnut Chest of Drawers, late 18th c., molded top, two short over three long drawers, bracket feet, h. 32 1/4 in., w. 32 1/2 in., d. 18 1/2 in. [$700/900]

494.

George III-Style Carved Mahogany Dining Chairs, incl. two arm chairs and four side chairs, pierced backs, straight acanthine crest rail, entwined splat, foliate scrolled arms, molded legs, armchair h. 37 3/4 in., w. 25 in., d. 19 1/2 in., side chair h. 36 3/4 in., w. 21 1/4 in., d. 18 in. [$700/1000]

495. Extensive Gorham “Versailles” Pattern Sterling Silver Flatware Service, pat. 1888, incl. 36 dinner forks (l. 7 3/4 in.), 18 luncheon forks (l. 6 3/4 in.), 12 each: dinner knives (l. 9 3/4 in., blunt blades), knives (l. 9 in., modern blades), luncheon knives (l. 8 3/4 in., blunt blades), fish/salad forks, bouillon spoons, iced tea spoons and butter knives (fh), 11 dessert spoons, 13 pastry forks, 24 teaspoons, 14 fruit/orange spoons, 24 demitasse spoons (incl. 12 with gilt wash bowls), 16 tablespoons, pierced tablespoon, 3 cold meat forks, 2 gravy ladles, salad serving fork (l. 8 5/8 in.) and spoon (l. 9 1/4 in.), 2 cheese scoops, tomato server, sugar spoon, carving knife and fork (hh), l. 12 in., flat server (hh) and cheese knife (hh), total wt. (weighable) 319.35 troy ozs., presented in a contemporary mahogany silver case. (254 pcs.) [$4000/6000]

Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

497. Good Group of American Sterling Silver Flatware Serving Pieces, incl. Dominick & Haff “Trianon Pierced (pat. 1885) oversized salad serving fork & spoon, gilt wash tines and bowl, l. 11 ½ in.; “Trianon Pierced” silver gilt and enamel oversized salad serving fork and spoon, l.11 ½ in.; Reed & Barton “Love Disarmed” (pat. 1899) salad serving fork and spoon, l. 10 1/2 in.; Reed & Barton “Francis I” (pat. 1907) salad serving fork and spoon, gilt wash tines and bowl, l. 9 1/2 in.; Gorham sterling and bone fish serving fork and knife, l. 11 3/4 in.; Durgin “Iris” (pat. 1900) cold meat fork, gilt wash tines, l. 9 5/8 in.; Whiting “Louis XV” (pat. 1891), preserve spoon, gilt wash bowl, l. 7 1/2 in.; Frank Smith “Oak” (pat. 1912) cheese scoop, l. 7 3/8 in.; and Whiting “Lily” (pat. 1902) sugar sifter spoon, l. 5 3/4 in., total wt. (weighable) 55.30 troy ozs. [$800/1200]

pat. 1888, bowl retaining gilt wash, l. 12 1/2 in.; and Frank Smith grape and grapevine motif punch ladle, l. 13 3/4 in.; total wt. 16.85 troy ozs. [$400/600]

Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

knife and fork (hh), and ice cream slice (hh) (l. 10 3/4 in.), total wt. (weighable) 113.20 troy ozs., (103 pcs.); in a fitted storage chest. [$3000/5000]

499. Cased Set of Oneida “Damask Rose” Pattern Sterling Silver Flatware, pat. 1946, incl. 12 each: knives (l. 9 3/8 in.), salad forks, cream soup spoons, iced tea spoons, butter knives (hh) and demitasse spoons; 14 each: forks (l. 7 3/4 in.) and cocktail forks, 26 teaspoons, 1 dessert spoon (l. 7 in.), 1 butter knife (fh); cold meat fork, 2 tablespoons, casserole spoon, gravy ladle, master butter knife (fh), jelly server, lemon fork, bonbon spoon, sugar tongs and cheese knife (hh); together with associated sterling serving pieces of various patterns: sugar tongs, jelly server, relish spoon and 3 pickle forks, total wt. (weighable) 124.85 troy ozs. (146 pcs.) in period midcentury blondwood storage case. [$2000/2500]

500. Set of Ten French 1st Standard Silver Table Forks and Tablespoons in the Louis XVI Taste, Henri-Louis Chenailler, 277 rue Sainte-Martin, Paris, mid-19th c., each l. 8 3/8 in., total wt. 58.60 troy ozs. [$1000/1500]

498. Kirk “Repousse” Pattern Sterling Silver Flatware, pattern introduced 1828, incl. 12 each: forks (l. 7 1/4 in.), knives (l. 8 7/8 in.) and dessert spoons; 15 salad forks, 13 teaspoons, 15 iced tea spoons, 11 butter knives (fh), tablespoon, berry spoon (l. 9 1/8 in.), salad serving fork (9 1/2 in.), master butter knife, jelly server (l. 6 3/4 in.), small carving Six 496. Two American Sterling Silver Ladles, incl. Gorham “Versailles” pattern soup ladle, 501. Group of Christofle Silverplate Flatware, incl. 6 melon forks, pattern CTF325; and 12 cocktail forks, pattern CTF35 [$200/300] 502. Antique French Silver Ragout Spoon, 18th c., l. 13 7/8 in., wt. 5.95 troy ozs. [$200/300]

Sold

513. Gorham Sterling Silver Small Tureen, no. A1090, oval with domed cover and loop handles, floral and scroll repousse decoration, h. 6 ½ in., w. 13 in., d. 8 in., wt. 32.60 troy ozs. [$700/1000] Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 514. Reed & Barton “Francis I” Pattern Sterling Silver Oval Footed Bowl, no. X566F, h. 3 3/8 in., w. 12 1/2 in., d. 9 3/4 in., wt. 21.65 troy ozs. [$500/700] Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 509. American Sterling Silver Centerbowl, Frank Smith, Gardner, MA, act. 1886-1958, everted rim with robust scroll border, h. 3 ½ in., dia. 15 ½ in., wt. 32.85 troy ozs. [$600/900] Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 510. American Sterling Silver Centerbowl, Frank Smith, Gardner, MA, act. 1886-1958, everted rim with robust scroll border, h. 3 ½ in., dia. 15 ½ in., wt. 32.85 troy ozs. [$800/1200] to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 511. Antique American Rococo Sterling Silver Centerbowl, probably early 20th c., oval, everted rim with cutout handles, boldly scrolled decoration with shells and floral clusters, C-scroll feet, h. 5 ¼ in., w. 16 3/4 in., d. 13 ½ in., wt. 38.90 troy ozs. [$700/1000] Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 512. Mauser Art Nouveau Sterling Silver Serving Dish, New York, c. 1900, oblong with swirl decoration, floral scroll feet, h. 2 in., w. 14 1/8 in., d. 10 3/8 in., wt. 30.50 troy ozs. [$600/900] Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 503. Tiffany & Co. Makers Sterling Silver Revere Bowl, c. 1955-1965, pattern 23619, h. 5 in., dia. 10 ¼ in., wt. 31.45 troy ozs. [$800/1200] 504. Tiffany & Co. Makers Sterling Silver Circular Tray, mark for 1948-1955, pattern introduced 1928, molded border, script monogram, reverse engraved with 1950 presentation; together with a Towle sterling circular tray, #54260, each dia. 10 in.; total wt. 26.30 troy ozs. [$500/700] 505. Tiffany & Co. Makers Sterling Silver Oblong Open Vegetable Dish, c. 1955-1965, pattern 23591, scallop shell handles, h. 1 1/4 in., w. 13 1/8 in., d. 7 5/8 in.; together with a Gorham sterling sugar and creamer, pattern 392 & 393, h. 2 5/8 in.; total wt. 27.65 troy ozs. [$500/750] 506. Tiffany & Co. Makers Sterling Silver Compote, c.1902-1907, pattern introduced 1900, h. 4 in., dia. 8 3/4 in., wt. 19.05 troy ozs. [$400/600] 507. Good American Sterling Silver Covered Vegetable Dish, Black, Starr & Frost, New York, in the neoclassical taste, 1918 NY Stock Exchange presentation, h. 5 1/2 in., w. 12 3/8 in., d. 9 1/4 in., wt. 48.95 troy ozs. [$800/1200] 508. Gorham Sterling Silver Oval Platter, date mark for 1929, serpentine border, 16 1/8 in. x 11 3/4 in., wt. 34.30 troy ozs. [$500/700]

Sold

516.

Vegetable Dishes, Bailey,

1822C, shaped oval with molded rim and flat chased floral scroll decoration, h. 2 1/8 in., w. 12 3/4 in., d. 9 1/2 in., wt. 44.10 troy ozs. [$700/900]

Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

Gorham “Chantilly” crumber, Gorham bread tray, no. 3845, date mark for 1895, and Gorham heart-shaped dish, no. 4324, date mark for 1896; total wt. (weighable) 17.10 troy ozs. (5 pcs.) [$400/600]

6 in.; total wt. 11.50 troy ozs.

523.

Objects, incl. Buccellati napkin ring, h. 1 1/2 in., dia. 2 in.; repousse vesta case, Simons Brothers, Philadelphia, 1897 presentation inscription, h. 2 5/8 in.; Newport jigger, h. 2 1/2 in.; and repousse cabinet cup and saucer, floral decoration, overall h. 2 1/4 in., w. 4 3/4 in.; total wt. 6.35 troy ozs. [$200/300]

Sold to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute.

515. Set of Six American Sterling Silver Julep Cups, Web Silver Co., Philadelphia. mid-20th c., h. 3 1/2 in., total wt. 18.30 troy ozs. [$700/1000] Pair of American Sterling Silver Open Banks Biddle, Philadelphia, no. 519. Three American Sterling Silver Porringers, incl. David Carlson, Gardner, MA, act. 19201931, l. 7 ½ in.; Tiffany & Co. Makers, c. 1955-1965, l. 4 3/8 in.; and Manchester Silver Co., l. 5 ¼ in. “as is”; total wt. 12.85 troy ozs. [$300/500] 520. Baltimore Sterling Silver Repousse Covered Jar, Ritter & Sullivan, act. 1900-1915, floral repousse on stippled ground, h. 4 3/8 in.; together with violet motif repousse dish, Alvin, early 20th c., dia. [$300/500] 517. Gorham Sterling Silver Salt and Pepper Castors in the Georgian Taste, no. 37, h. 4 3/4 in.; together with Whiting sterling bowl, no. 80, date mark for 1909, dia. 8 3/4 in.; total wt. 13.25 troy ozs. [$250/350] to Benefit the Angelina and Michael Bloise Endowed Fund at Ochsner Cancer Institute. 518. Group of Small American Sterling Silver Table Objects, incl. pair of Frank M. Whiting wine coasters with turned woods bottoms, 521. Art Nouveau Gorham Sterling Silver After-Dinner Coffee Pot, pattern A7871, date mark for 1909, floral decor, h. 10 1/2 in., wt. 19.35 troy ozs. [$300/500] 522. Maison Boin-Taburet, Paris Silverplate Mirrored Plateau, c. 1900, marked “BOINTABURET A PARIS”, est. 1873, reeded surround with rubbed gilt foliate detail, 35 1/2 in. x 23 5/8 in. [$1500/2500] Good Group of Small Sterling Silver

524. William Gottlieb (American/New York, 1917-2006), “Billie Holiday”, c. 1948 negative creation date, 1979 print date, gelatin silver print, signed lower left, signed, titled, dated and 2 artist stamps one with print date en verso, partial artist label on backing board, sheet 14 in. x 11 in., framed, overall 22 1/4 in. x 18 1/4 in. x 1 in. [$1200/1800]

Provenance: Estate of Warren A. Goldstein, Esq., New Orleans.

525. Benjamin “Ben” Shahn (Lithuanian/American, 1898-1969), “Road Closed”, c. 1935 negative creation date, later print, gelatin silver print, unsigned, commissioned by the Resettlement Administration/Farm Security Administration for the U.S. Department of Agriculture, inscribed and 2 partial Farm Security Administration stamps one with artist en verso, label with artist and date and “Ambiance by Parker, Nashville, TN” label on backing board, 6 in. x 9 1/2 in., framed, overall 12 3/4 in. x 16 1/4 in. x 1 1/2 in. [$6000/8000]

Note: While known primarily as a social realist painter who worked with Diego Rivera and Frida Kahlo, Ben Shahn was also a photographer for a decade from 1935 to 1945. His roommate and good friend, Walker Evans, would take him around New York, and they would shoot street photography together, which Shahn primarily used as a reference tool for his paintings. In 1935, Evans took a job with the Resettlement Administration, and Shahn jumped at the chance to join him. From 1935 to 1938, he, along with Evans and Dorothea Lang, were driven around the South by his wife Bernarda Bryson to document the area. The trip yielded not only some of the most powerful depictions of the Great Depression (and poverty in general), but also some of the most famous photographs in the history of the medium.

Shahn’s work had always been about protest, fighting against injustice and prejudice, and photography was the perfect way to express his progressive ideas and shed light on the unfairness that afflicted so much of the general populace at the time. He consciously avoided using concepts he learned in his academic training, choosing instead to focus only on the subject at hand as is evident in the photo offered here: a quaint yet powerful view of an empty street and carousel, the absence of people deafening in black and white. In subsequent years Shahn’s use of the camera slowly declined until the late 1940s when he stopped using it altogether, but his images from that era continue to resonate to this day.

Ref.: Harlan, Phillip. “An Interview with Ben Shan”, ASX. Mar. 19, 2011. www.americansuburbx.com. Accessed Jan. 10, 2023.

526. Helmut Newton (German/Australian, 1920-2004), “Two Playmates on Back Porch with Lemon Tree, L.A.”, negative creation date 1986, print date 1990, gelatin silver print, pencil-signed, titled, dated and numbered “3/10” en verso, pencil-inscribed with artist, title, date, numbered “3/10” and “Gallery for Fine Photography, New Orleans, LA” label on backing board, image 22 1/4 in. x 18 3/4 in., sheet 23 1/2 in. x 19 1/2 in., original frame; overall 32 1/4 in. x 26 1/4 in. x 1 1/2 in.; accompanied by 3 vintage Playboy magazines featuring the photo and models, copy of letter of provenance from A Gallery for Fine Photography, correspondence with Playboy and 2 exhibition posters. (8 pcs.) [$15000/25000]

Provenance: A Gallery for Fine Photography, New Orleans, LA, 1991. Ill.: Newton, Helmut. “Helmut Newton’s Playmates”. Playboy. Sept. 1987, Vol. 34, No. 9: 86.

Note: “For his part Newton has transformed – or at least profoundly influenced – the erotic fantasies of our time and his influence extends farther than he would have imagined, making him a kind of sorcerer’s apprentice, who has unleashed a perpetual motion of contemporary images.” – Karl Lagerfeld

Ref.: Hencz, Adam. “At the Centennial of Helmut Newton’s Birth Where does his Legacy Stand Today”. Artland Magazine. 2020. www.magazine.artland.com. Accessed Aug. 9, 2022. Newton, Helmut. “Helmut Newton’s Playmates”. Playboy. 34.9 (1987): 86. Note: Neal Auction would like to thank Matthias Harder, Director of the Helmut Newton Foundation, for his assistance with the cataloguing of this lot.

From the late 1950s through the late 1990s, Helmut Newton permanently pushed the boundaries and altered the limits of fashion, photography and the way the camera lens views sexuality. Newton never referred to himself as an artist but as a “hired gun” doing what was necessary to accomplish the job, but his unique vision helped to shape the styles of such publications and fashion houses as Vogue, French Vogue, Elle, Yves-Saint Laurent and Chanel by not so subtly blending art, commerce and eroticism. His relationship with Playboy, however, was markedly different than the others. His photographic allusions to film noir and surrealist art were in stark contrast to what the pages of the “gentleman’s magazine” typically published. Further deviating from Playboy’s standard layouts, Newton’s photographs featured women with virtually no makeup and unstyled hair. When referring to “Two Playmates on Back Porch with Lemon Tree, L.A.” on offer here, Newton recalled, “…what interested me most was they came from small provincial towns, not big city girls… I placed the girls in all American settings – back yards, a house trailer…. I’m a B-Movie freak and some American life is like a B-Movie.” Newton’s bold, cinematic approach unveiled an alternative view of fantasy and voyeurism to the glossy, airbrushed world of Playboy

Provenance:

527. Clarence John Laughlin (American/ Louisiana, 1905-1985), “The Apparition, Woodlawn Plantation (No.5)”, 1941 negative creation date, 1973 print date, gelatin silver print mounted to board, unsigned, 2 artist stamps one with date, inscribed with title, date and “Historic New Orleans Collection” stamp on reverse of mount, handwritten label with title and date on backing board, 10 3/8 in. x 13 7/16 in., framed, overall 16 1/4 in. x 20 1/8 in. x 1 in. [$800/1200] Ill.: Laughlin, Clarence John. Ghosts Along the Mississippi. New York: John Scribner’s Sons, 1921, pl. 96. 528. Walker Evans (American/Missouri, 1903-1975), “Corner of Uncle Sam Plantation House and Garçonnière, Convent, Louisiana”, 1935 negative creation date, later print, gelatin silver print, unsigned, artist stamp and inscribed with title and date en verso, “A Gallery For Fine Photography, New Orleans, LA” label on reverse of mat, 10 in. x 8 in., framed, overall 18 in. x 15 in. x 1 in. [$1500/2500] 529. Walker Evans (American/Missouri, 1903-1975), “Greek Revival House, From Across Street, Macon, Georgia”, 1935 negative creation date, later print, gelatin silver print, unsigned, artist stamp and inscribed en verso, “A Gallery For Fine Photography, New Orleans, LA” label on reverse of mat, 8 in. x 9 7/8 in., framed, overall 15 in. x 17 3/4 in. x 1 in. [$1500/2500] 530. Walker Evans (American/ Missouri, 1903-1975), “Longwood Plantation House, Natchez, Mississippi”, negative creation date 1935, later print, unsigned, artist stamp and inscribed with title and date en verso, “A Gallery For Fine Photography, New Orleans, LA” label on reverse of mat, 10 in. x 8 in., framed, overall 18 in. x 15 in. x 1 in. [$1500/2500] 531. Louisiana School, 19th/20th c., “Arlington Historic House, Franklin, Louisiana”, gelatin silver print mounted to board, unsigned, inscribed on reverse of mount, 9 1/4 in. x 11 1/2 in., framed, overall 15 1/4 in. x 16 1/4 in. x 1 in. [$100/200] Albania Plantation onsite Auction, Neal Auction Company, May 22, 2004, lot 346.

533. Pair of George Nakashima “Captain’s” Chairs, c. 1955, New Hope, Pennsylvania, black walnut, the underside with client’s name “Larkin”, h. 28 1/2 in., w. 23 3/4 in., d. 20 in. [$2000/3000]

Provenance: John Larkin and Elizabeth Bogle, Maple Glen, PA (from the artist); thence by descent

Nakashima Trestle Dining Table, c. 1955, New Hope, Pennsylvania, black walnut, twoplank bookmatched top, two free edges, three rosewood butterflies, the underside with client’s name “Bogle”, h. 29 in., w. 72 3/4 in., d. 36 in. [$12000/18000]

Provenance: John Larkin and Elizabeth Bogle, Maple Glen, PA (from the artist); thence by descent

Provenance:

534. Eileen Gray Chrome and Glass Side Table, late 20th c., adjustable h. 20 in to 35 in., dia. 20 in. [$300/500] 535. Maison Bagues Mirrored and Gilt Bronze Coffee Table, c. 1940s, mirrored oval top, bellflower and foliate surround and legs, flared feet, h. 16 in., w. 44 in., d. 18 3/4 in. [$2000/3000] Alan Moss, New York. 536. Rogers & Goffigon Custom-Upholstered Sofa, peach grosgrain upholstery, loose cushion and pillows, skirt with Samuel & Sons bullion fringe, h. 29 /12 in., w. 81 in., d. 24 in. [$1000/1500] 537. Paul Ferrante Glass and Patinated Metal “Branch” Coffee Table, h. 20 in., w. 40 in., d. 40 in. [$700/1200] 538. Six Henredon Ming-Style Caned Mahogany Armchairs, c. 1960, h. 40 in., w. 22 1/2 in., d. 20 in. [$1500/2500] 539. Pair of Art Deco Club Chairs, lobed, padded back, white piping, wood accents, h. 30 1/2 in., w. 37 1/2 in., d. 34 1/2 in. [$1000/1500] 532. George

541. George Bauer Dunbar (American/Louisiana, b. 1927), “Heart”, gold leaf on red clay, signed lower center, 14 in. x 12 in., unframed. [$2000/3000] 542. George Bauer Dunbar (American/Louisiana, b. 1927), “Heart”, palladium leaf on black clay, signed lower right, 9 3/4 in. x 9 in., unframed. [$1200/1800] 540. Hunt Slonem (American/Louisiana, b. 1951), “Bunnies”, 2012, oil on panel, signed, dated and inscribed en verso, 28 3/4 in. x 39 1/2 in., framed, overall 34 1/2 in. x 45 in. x 1 1/4 in. [$6000/8000]

543.

b. 1927), “Torso”, clay on panel, signed lower left and right, partial signature en verso, 7 3/4 in. x 9 in., framed, overall 7 3/4 in. x 9 1/4 in. x 2 1/8 in. [$800/1200]

544. David

b. 1962), “Don Miquel, Mexico”, 1990 and “Miquel”, 1990, 2 oils on masonite, both signed lower right, inscribed “1” and “2” en verso, both with handwritten labels on backing paper with artist name and title, one with date, each 8 in. x 7 in., framed alike, overall 12 1/4 in. x 11 1/2 in. x 1 3/4 in. (2 pcs.) [$400/600]

Note: Rain Webb is known for his mesmerizing paintings which can be seen around New Orleans at locations such as Jacques-Imo’s and, more recently, Boil Seafood House. His artwork has been an integral part of the cultural aesthetic of the city for decades, with perhaps none more recognizable than his landmark mural “Neighborhood Archeology” that formerly graced the side of the Apple Barrel bar on Frenchmen Street. According to Gambit’s Blake Pontchartrain: “Webb asked Philipe Benet, who owned the property in the 1980s, if he could paint a mural on the side of the building to pay tribute to the history and culture of New Orleans.”

The lot on offer here is a study for that painting. Centered is a gray-haired academic, green parrot perched on his shoulder, who is studying an artifact while sitting within an excavation site that features the Mississippi riverbend. In the background, the horizon line is adorned with buildings found on Frenchmen Street. This smaller-scale version is the last remaining vestige of the beloved image, as it was eventually painted over following Hurricane Katrina, making it a veritable artifact of New Orleans history.

Ref.: “Blake Pontchartrain.” Gambit. July 8, 2014: 13.

545. Rain Webb (American/Louisiana, 20th c.), “Study for Neighborhood Archeology Mural”, 1987/1993, acrylic on canvas, signed and dated lower left, signed, dated and heavily inscribed en verso, handwritten inscription attached en verso, 28 in. x 28 in., framed, overall 30 5/8 in. x 30 5/8 in. x 1 3/4 in. [$3000/5000] 546. Peter Mars (American/Louisiana, b. 1959), “The Right Decision”, 1989, mixed media on board, signed lower right, signed, titled, artist stamp, numbered “0589” and inscribed en verso, 17 in. x 12 in., unframed. [$300/500] George Bauer Dunbar (American/Louisiana, Harouni (Iranian/ Louisiana,

547.

Cook

Note: Michael Banks is a contemporary self-taught artist from Guntersville, Alabama. As an artistically inclined and resourceful child, Banks drew and painted with whatever materials he could find, including his mother’s lipstick. This resourcefulness led to a later appreciation for found materials and experimentation. Following the devastating loss of his mother, then twenty-year-old Banks struggled with his mental health and could not paint for five years. Fortunately, Banks regained his creative spark after recalling his mother’s encouragement, and his artistic career has since flourished. He often speaks of his drive to create as an unstoppable force or curse, stating it is “paint or die.” The works offered in this lot each feature a lone reaching hand, a flower, and a rosary, all repeating motifs in Banks’ work. The relaxed hands delicately balance the long stems, contrasting with the fervent angular marks in the surface. Banks’ paintings are constructed in layers, frequently with roofing tar as the base that is scraped and incised in a deliberately expressive manner that provides a sense of energy and mystery to his creations.

Jeffrey (American/Louisiana, 1961-2009), “Abstract Composition in Red”, oil and mixed media on panel, unsigned, 19 3/4 in. x 15 3/4 in., unframed. [$500/700] 548. Nancy Renfro (American/ Texas, 1937-1993), “The Dance”, oil on canvas, signed lower left, inscribed “Webber” en verso, 50 in. x 40 in., framed, overall 55 1/2 in. x 45 1/2 in. x 2 1/2 in. [$700/1000] 549. Michael Banks (American/Alabama, b. 1972), “Hands Holding Flowers and Rosaries”, 2 paint and tar on panels, each signed lower right, 16 in. x 24 in. and 20 in. x 24 in., both unframed. (2 pcs.) [$400/600] Ref.: “Meet The Artist: Michael Banks.” Kentuck. www.kentuck.org. Accessed Jan. 10, 2023; “ Michael Banks.” Mike’s Art Truck. www.mikesarttruck.com. Accessed Jan. 10, 2023. 550. Mario Villa (Nicaraguan/Louisiana, 1953-2021), “Fate”, 2000/2003, oil on canvas, signed and dated lower left, signed, dated and partial inscription en verso, handwritten label with title on reverse of frame, 36 in. x 24 in., framed, overall 41 in. x 29 in. x 1 1/2 in. [$800/1200]

[$3000/5000]

[$6000/8000]

Note: Jehudith Sobel began her artistic career at the Academy of Fine Arts in Lodz, Poland where she was introduced to the burgeoning Constructivist movement. This era, when she studied under Kazemir Malevich’s assistant Wladyslaw Streminski, is referred to as her “academic period.” After her schooling, she lived and worked in Israel for five years where she showed in many galleries and museums and began developing her individual style. Upon moving to New York in 1956, Sobel landed a solo show at the Jewish Museum in New York City and was included in several group exhibitions around the city. She and her architect husband bought a summer home in Woodstock, NY where she became involved in the Woodstock Artists Association.

Informed by her Constructivist instructors as well as global art trends at the time gearing towards abstraction, Sobel’s work references these movements while maintaining her own distinct style with rich, complex colors and expressive brushwork. Despite her roots in the abstract, her compositions depict everyday life, frequently focusing on interior scenes and landscapes as is evident the lots on offer here.

Ref.: “Jehudith Sobel”. Bellus Fine Art www.bellusfineart. com. Accessed: Jan. 11, 2023.

551. Jehudith Sobel (Polish, 1924-2012), “Landscape with Two Figures”, 1962, oil on canvas, signed and dated lower left, 24 in. x 30 in., unframed. 552. Jehudith Sobel (Polish, 1924-2012), “Abstract Interior”, 1958, watercolor on paper mounted to board, signed and dated lower right, 24 in. x 19 in., unframed.

pencil and crayon on vellum laid on board, pencil-signed lower center, 17 in. x 13 3/4 in., framed, overall 25 1/4 in. x 21 7/8 in. x 1 3/4 in. [$2000/3000]

553. Yankel Ginzburg (Russian/American/Israeli, b. 1945), “Emerging”, 1992, serigraph on 4 acrylic adjustable panels, signed and numbered “23/99” on self-base, h. 28 in., w. 24 in., d. 10 in. [$1500/2500]

Note: Yankel Ginzburg is an interdisciplinary artist who initially started as a painter then expanded his oeuvre to include prints, tapestry, jewelry, furniture and sculpture. He first gained artistic recognition with his large-scale canvases, but through experimentation with paint and glass, found a way to use light and color in a new and engaging way. Ginzburg’s acrylic sculptures are “a painters view of the third dimension,” and the one on offer here “Emerging” showcases his unique technique of using biomorphic forms punctuated by a strong, bright palette.

Ref.: Ziegler, J.C. and Yankel Ginzburg. “Yankel Ginzburg Biography.” Yankel Ginzburg. 2013. www.yankelginzburg.com. Accessed Jan. 11, 2023

555. Lance

(American/Texas, b. 1962), “Water”, 2001, mixed media collage on masonite mounted to board, signed and titled on reverse of mount, “D. Berman Gallery, Austin, TX” label with artist, title and date on backing board, 10 1/2 in. x 13 1/4 in., framed, overall 19 1/2 in. x 22 1/4 in. x 3 in. [$700/1000]

Provenance: D. Berman Gallery, Austin, TX.

Note: As a child Lance Letscher would clean out empty rental properties for his grandparents, creating stories around the items the previous tenants had left behind. This childhood activity would eventually become part of his creative process in rummaging for old magazines, books, notebooks and record covers - the “traces of other people” - that end up in his collages. Originally starting his artistic life as a sculptor, the process of collage interested him greatly and led to a shift in the focus of his work. The nature of the medium involves taking the work of other people and disassociating it from the original intent, creating questions of what something was before, who made it and how does it relate now.

Letscher claims he does no sketches and has no idea of the finished product when he sits down to create: “I am all about working in a way that takes as much of the control from my conscious mind as possible.” This method results in a balance between the ambiguity of abstraction and a loose narrative that forms from the natural associations he makes with the objects. His background in sculpture is also clearly present with many of his works being constructed in multiple layers, as seen in the two fascinating lots on offer here. Often Letscher mounts his collages on wood and then cuts the wood and rearranges the pieces creating “a threedimensional illusion.” The artist refers to his works as “unfinished thoughts…they are dysfunctional models that have a feeling of precarious equilibrium that I really identify with.”

Ref.:

People’s Lives Manifested from a Profound and Excruciating Sense of Boredom.” 2011. Bleach. www.bleachonline.com. Accessed Jan. 10, 2023.

x 18 1/2 in. x 1 5/8 in. [$600/800]

Provenance: D. Berman Gallery, Austin, TX.

Letscher Perlaky, Daniel. “Traces of Other 556. Lance Letscher (American/Texas, b. 1962), “Lightning Rod”, 2004, mixed media collage on masonite mounted to panel, signed and titled on reverse of mount, “D. Berman Gallery, Austin, TX” label with artist, title and date on backing board, 10 1/2 in. x 8 in., framed, overall 21 in. 554. Charles Henry Alston (American/New York, 1907-1977), “Grim Reaper”,

Note: Chris Doyle is a multi-disciplinary artist based in Brooklyn, New York. He received his Bachelor of Fine Arts at Boston College in 1981 and his Master of Architecture from Harvard University in 1985. His work ranges from large-scale public installations to crude stop-motion animation to starkly vivid and intricate watercolor paintings. Throughout his career, Doyle focuses on humanity’s relationship to the natural world with his work reflecting themes of “the tension between the individual and the group in a culture fiercely devoted to progress.”

The painting offered today is reminiscent of his 2012 series of watercolors “The Savage State” in which he reinterprets Thomas Cole’s “The Course of Empire” (1833-1836), illustrating the forest floor and the trees overhead through fractured geometry. This depiction of the angelic child as “the prophet” with the group of children listening intently remarks upon the reality that the next generation must confront what the previous one has overlooked, especially when considering humans’ relationship with the earth. Doyle’s characteristic sharp lines and shapes contrast with the hazy glow of the prophet figure. The stark off-center angle of negative space cuts into the canopy of trees above, adding compositional dynamism and a visual thread to his other works.

Ref.: “Bio.” Chris Doyle. www.chrisdoylestudio.com. Accessed Jan. 10, 2023; “Chris Doyle.” Catherine Clark Gallery. www.cclarkgallery.com. Accessed Jan. 10, 2023.

Note: Sold to benefit the Greater Baton Rouge Food Bank.

560. Jose Basso (Chilean, b. 1949), “Luna de Dia”, 2021, oil on canvas, signed lower right, label with artist, title and date on backing paper, 35 in. x 23 in., framed, overall 37 1/2 in. x 25 1/2 in. x 2 1/8 in. [$10000/15000] 559. Chris Doyle (American/New York, b. 1959), “Prophet”, 2013, watercolor on paper, “Catharine Clark Gallery, San Francisco, CA” labels with artist, title and date on backing paper, 32 in. x 32 in., framed, overall 36 1/4 in. x 36 1/8 in. x 1 1/8 in. [$3000/5000] 557. Erin Cone (American/Texas, b. 1976), “Spotlight”, 2006, oil on canvas, initialed lower right, titled and dated on stretcher, artist card on stretcher, 18 in. x 33 in., unframed. [$800/1200] 558. Erin Cone (American/Texas, b. 1976), “Couplet 2”, 2013, oil on canvas, initialed lower right, signed, titled and dated on stretcher, 24 in. x 18 in., unframed. [$700/1000]

x 9 in., framed, overall 27 1/4 in. x 24 1/8 in. x 7/8

565. Ann McLeod (American/Arizona, 20th c.), “Waves Crashing on Rocks”, oil on canvas, signed lower right, “Atlantis, Koloa, HI” label on backing paper, 18 in. x 30 3/4 in., framed, overall 24 7/8 in. x 37 1/2 in. x 1 1/2 in. [$600/800] 566. LeRoy Neiman (American, 1921-2012), “Kilamanjaro Bulls”, 1992, serigraph in colors, pencil-signed and numbered “162/375” lower margin, 27 in. x 37 1/2 in., framed, overall 43 3/4 in. x 55 1/2 in. x 2 in.; accompanied by a copy of the certificate of authenticity from Galerie Michelangelo. (2 pcs.) [$800/1200] 564. Joan Miro (Spanish, 1893-1983), “Le Marteau sans Maitre (Dupin 957)”, 1976, color etching with aquatint on Japon nacre, pencil-signed and numbered “VIII/L” lower margin, deluxe edition of 50 on Japon nacre, aside from edition of 125, “Martin Lawrence Galleries” label with artist and title on backing, printed by Morsan, Saint Michel sur Orge, published by Le Vent d’Arles, Paris, 11 1/4 in. in.; accompanied by a copy of a certificate of authenticity with print information attached to backing board. [$3000/5000] 563. Francisco Bajen (Spanish, 1912-2014), “Cristos”, oil on canvas, signed lower right, partial label inscribed “Bajen” on stretcher, 36 3/8 in. x 26 in., framed, overall 45 1/8 in. x 34 5/8 in. x 2 1/4 in. [$700/1000] 561. Pedro Friedeberg (Mexican, b. 1936), “Hand Chairs”, 4 carved giltwood sculptures, each signed on underside, h. 4 1/4 in., w. 2 1/2 in., d. 3 1/4 in. to h. 6 in., w. 3 3/4 in., d. 4 3/4 in. (4 pcs.) [$1500/2500] 562. Pedro Friedeberg (Mexican, b. 1936), “Hand Foot Table”, carved giltwood with glass top, signed on underside, h. 24 1/4 in., dia. 22 in. [$6000/8000]

2023 AUCTION SCHEDULE

FEBRUARY 28 - Vernacular & Outsider Art - Online Auction

MARCH 23 - Through Her Eyes: Women in Art - Online Auction

MARCH 30 - UNRESERVED @ Neal - Online Auction

APRIL 21 & 22 - Premier Collections: Fine Art & Interiors - Live Auction

MAY 25 - UNRESERVED @ Neal - Online Auction

JUNE 15 - Premier Collections: American & English - Live Auction

JUNE 16 - Premier Collections: Global Collecting - Live Auction

JULY 20 - UNRESERVED @ Neal - Online Auction

SEPTEMBER 7 & 8 - Premier Collections: Fine Art & Interiors - Live Auction

OCTOBER 19 - UNRESERVED @ Neal - Online Auction

NOVEMBER 16,17 & 18 - Louisiana Purchase Auction™ - Live Auction

DECEMBER 7 - Mid-Century, Modern, Contemporary Art & Design - Online Auction

JAN 25 & 26 - Premier Collections: Fine Art & Interiors - Live Auction

* Bold denotes Live Auction. Auction dates may be subject to change.

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CONDITIONS OF SALE; WAIVERS OF WARRANTY; LIMITATIONS OF LIABILITY

Registering for and/or placing a bid at auction constitutes the acceptance of and agreement to these Conditions of Sale; WAIVERS OF WARRANTY; and LIMITATIONS OF LIABILITY (collectively, the “Conditions of Sale”). These Conditions of Sale are binding and enforceable on all bidders and buyers.

1. WARRANTY WAIVERS; LIABILITY LIMITATIONS. All lots are sold “AS IS, WHERE IS” – WITH ALL FAULTS and WITH NO EXPRESS OR IMPLIED WARRANTIES. No statement or description regarding attribution, authenticity, authorship, character, condition, kind, period, provenance, value, size, or quality of a lot, whether made orally at the auction or at any other time, in electronic messages, online, in writing, or in a catalogue, website, correspondence, advertising, literature, or elsewhere, is or shall be construed to be a guarantee, an express or implied warranty, or assumption of liability, obligation, or responsibility. The bidder or buyer WAIVES any such warranty, WAIVES any warranty of fitness for ordinary use or for any intended use, and further WAIVES any warranty against redhibitory vices and defects, whether latent, hidden, or apparent, and whether imposed by the Louisiana Civil Code or any other applicable statute, law, jurisprudence, or legal authority. The buyer further WAIVES any rights or remedies in redhibition to a return or reduction of the purchase price for any lot, including for any lot with any defect rendering the lot useless, inconvenient, or of diminished usefulness. All sales are final, without exception.

Each bidder and buyer agrees and acknowledges that: (a) the bidder or buyer is not relying on Neal Auction Company’s actual, perceived, or expressed skill, expertise, experience, knowledge, or judgment in deciding to purchase any lot; (b) no oral, written, or electronic statement or description in a catalogue, website, correspondence, advertising, literature, or elsewhere regarding attribution, authenticity, authorship, character, condition, kind, period, provenance, quality, size, or value is the cause of or reason behind the buyer’s purchase of any lot; (c) the buyer would have purchased any lot regardless of any oral, written, or electronic statement or description about attribution, authenticity, authorship, character, condition, kind, period, provenance, quality, size, or value, made in a catalogue, website, correspondence, advertising, literature, or elsewhere; (d) Neal Auction Company did not know, nor should it have known that attribution, authenticity, authorship, character, condition, kind, period, provenance, size, quality, or expressed value is the cause or reason why the buyer decides to purchase any lot; (e) the buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; (f) Neal Auction Company did not know, nor should it have known, that any oral, written, or electronic statement or description in a catalogue, website, correspondence, advertising, literature, or elsewhere would cause a pecuniary or nonpecuniary loss to any bidder or buyer; (g) the bidder or buyer has had the opportunity prior to bidding to make independent inspections of, and conduct due diligence on, all lots being offered; (h) there is no inspection or examination period after the auction bidding; (i) the bidder’s or buyer’s failure to be fully informed as to the attribution, authenticity, authorship, character, condition, kind, period, provenance, quality, size, or value of a lot will not be grounds for any reduction of the purchase price or rescission of the sale; (j) Neal Auction Company shall not be liable, obligated, or responsible for the presence of lead-based paint or any other environmental or other hazard of any lot; (k) Neal Auction Company shall not be liable, obligated, or responsible to the buyer as to third parties who may claims rights to or interests in any lot; (l) the buyer is buying at the buyer’s sole risk and peril; (m) Neal Auction Company shall not be liable, obligated, or responsible for any errors or omissions in any oral, written or electronic statement or description in a catalogue, website, correspondence, advertising, literature, or elsewhere. Each bidder and buyer WAIVES and RELEASES any and all claims arising out of the matters expressed above. All such waivers, releases, and limitations of liability shall apply to Neal Auction Company and its owners, officers, directors, representatives, insurers, agents, and employees.

2. Fine Art. Subject to the foregoing Conditions of Sale, WAIVERS OF WARRANTY, and LIMITATIONS OF LIABILITY, with respect to authorship of works of fine art, the following phrases have the following meanings: ARTIST - In our qualified opinion, we believe the work is by the artist named. Attributed to ARTIST - In our qualified opinion, we believe the work may be ascribed to the artist named on the basis of style and period, but our opinion is less certain than in the previous category.

Signed “ARTIST” - In our qualified opinion, the signature, monogram, or other indication of authorship is a signature of the artist.

School of ARTIST - In our qualified opinion, the work is of the period of the artist named, by a student or a follower of the artist, but not by the artist.

Manner of ARTIST - In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period.

After ARTIST - In our qualified opinion, the work is a copy of a known work of the artist named. Bears signature “ARTIST” - In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist.

3. Discretionary Rescission. Notwithstanding the foregoing Conditions of Sale, WAIVERS OF WARRANTY, and LIMITATIONS OF LIABILITY, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale of a work of fine art on the basis of authenticity of authorship only under the following terms, conditions, and LIMITATIONS OF LIABILITY, all of which apply, and the buyer WAIVES and RELEASES any other rights, relief or remedies:

Neal Auction Company shall not grant rescission of any lot identified by the terms “attributed to,” “signed,” “school of,” “manner of,” “after,” or “bears signature.”

Neal Auction Company shall not grant rescission of any lot unless the buyer notifies Neal Auction Company in writing within 25 calendar days from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale.

Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery.

Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights or interests of the original buyer are not transferrable, inheritable, or assignable.

Neal Auction Company shall not grant rescission when: (a) there is a conflict of expert opinion as to the authorship; (b) expert opinion supported authorship at the time of auction, although expert opinion may have changed afterward; and (c) scientific or other tests, examinations, investigations, research, or processes that were unavailable, expensive, or impractical at the time of the auction have revealed since that time that the author, character, condition, kind, provenance, period, quality, or value Neal Auction Company believed to be accurate at the time of sale was inaccurate.

In any dispute between Neal Auction Company and the bidder or buyer regarding authorship of a work of fine art, rescission of the sale and refund of the purchase price paid shall be the buyer’s sole recourse or remedy, if any is available. Neal Auction Company (and its owners, officers, directors, representatives, agents, insurers, and employees) shall not be liable, obligated, or responsible for any damages (including compensatory, general, incidental, consequential, exemplary, or special damages), non-pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorneys’ fees, or any other monetary, declaratory, equitable, or injunctive relief or remedy. The buyer WAIVES and RELEASES any and all such damages, relief, and remedies.

AUCTION BIDDING AND SALE

1. The auctioneer shall have absolute discretion in determining the highest and best bid on each lot. The auctioneer may decide that any original bid is not commensurate with the value of the lot offered, or that any advance thereafter is not of sufficient amount, and the auctioneer may reject or refuse to recognize that bid or advance.

2. At the fall of the auctioneer’s hammer, the bidder acknowledged by the auctioneer, whether in person or absentee, thereupon assumes the obligation to pay for the offered lot, and shall pay the full purchase price for the lot, which shall include the hammer price, plus the buyer’s premium, and all applicable taxes, charges, and costs.

3. Title to the offered lot shall pass to the bidder acknowledged by the auctioneer upon payment of the full purchase price for the lot, which shall include the hammer price, plus the buyer’s premium, and all applicable taxes, charges, and costs. The buyer thereupon assumes full risk, obligation, and responsibility for the lot.

4. At any time before the sale of a lot, Neal Auction Company reserves the right to withdraw the lot or any part of the lot, to combine lots, or to separate items within a lot.

5. No lots will be released before the end of the auction.

6. If the buyer fails to comply with any of these Conditions of Sale, Neal Auction Company reserves the right to (a) hold such defaulting buyer liable, obligated, and responsible for the total amount due and to commence legal proceedings to recover the entire amount along with interest, reasonable attorneys’ fees, expenses, and costs; (b) charge outstanding amounts to the buyer’s credit card; (c) apply any payments to outstanding amounts chosen by Neal Auction Company notwithstanding the instructions of the buyer; (d) cancel the sale, retaining as liquidated damages any payment made by the buyer; (e) resell the lot without reserve at public auction, online-only auction, or privately on seven calendar days’ notice to the buyer; (f) enforce specific performance of the sale; (g) require a deposit in future auctions; (h) exclude the buyer from future auctions or bidding on particular lots; (i) exercise the rights and remedies of a person holding security and/or privilege over property in Neal Auction Company’s possession, whether by pledge, security interest or any other mechanism, to the full extent allowed under Louisiana law, and Neal Auction Company may hold the property of the buyer as collateral security for the buyer’s obligations; (j) and/or take such other actions allowed by law in Neal Auction Company’s sole discretion. If Neal Auction Company resells the lot, the defaulting buyer shall be liable, obligated, and responsible for the payment of any deficiency in the purchase price and any damages, including but not limited to all costs and expenses of both sales, such as, by way of example only, storage, handling, insurance, repairs, illustrations, consultations, examinations, moving, shipping, promotions, advertising, reasonable attorneys’ fees, commissions, and incidental damages.

7. Virtually all lots offered have been subject to use over a considerable period of time. No mention of cracks, scratches, chips, tears, breaks, weaknesses, or any damages or wear will be included in oral, written, or electronic statements or descriptions in the catalogue, website, correspondence, advertising, or literature. Condition reports may be provided upon request, but condition reports may not mention all cracks, scratches, chips, defects, hazards, tears, breaks, weaknesses, or other damages or wear. Neal Auction Company makes no representations or warranties as to the accuracy or completeness of any information or description in a condition report or elsewhere, whether oral, written, electronic, or online. Neal Auction Company reserves the right to decline to provide a condition report for any specific lot, at its sole discretion.

8. Neither high nor low estimates in a catalogue, website, advertising, correspondence, literature, or elsewhere should be relied on as a representation, prediction, appraisal, guarantee, or warranty that a particular lot will sell for a particular price or that a particular lot has a particular value.

9. Neal Auction Company has absolute discretion to admit a bidder to the auction premises, to expel a bidder from the auction premises, or to refuse a bidder from participating in the auction.

10. Neal Auction Company and its auctioneers shall not be liable, obligated, or responsible for failure to recognize or execute any bids for any reason whatsoever, or for no reason. Bidders and buyers WAIVE and RELEASE any rights to damages, and equitable, declaratory, and injunctive relief arising out of the failure or rejection of any bid, or any errors or omissions relating to the bidding process.

11. Interfering with the auction in any way is prohibited.

12. Bid rigging is strictly prohibited. Any agreement, understanding, or arrangement not to bid against another or otherwise to dampen the bidding is unlawful. The auctioneer reserves the right to bid on behalf of the consignor for the protection of the consignor if this illegal activity by two or more bidders is detected, disclosed, alleged, or suspected.

13. Canvassing or solicitating on the auction premises is prohibited.

14. The auctioneer has the sole discretion as to the increments of bidding, the recognition of any bid, the acceptance of the final bid, and resolving any disputes among bidders.

15. Neal Auction Company represents the consignors only and is not acting as agent or representative of bidders or buyers. The payment of the buyer’s premium by the buyer does not indicate a dual agency relationship. Neal Auction Company is to be paid a fee or commission by the consignor pursuant to a separate written agreement between the consignor and Neal Auction Company. The consignor is the seller of the lot sold. Neal Auction Company is the consignment agent or representative, not the seller.

16. The successful bidder is obligated to pay the purchase price in full unless Neal Auction Company has consented in writing at the time of the bidder’s registration that the bidder is acting as an agent on behalf of an identified person and that said principal is obligated to pay the purchase price in full. Neal Auction Company reserves the right to require an advance deposit for such bids.

17. Prior to placing any bid, all bidders must complete a standard Neal Auction Company Registration Form in use at the time of the auction.

18. Dealers must provide Neal Auction Company with proper documentation prior to bidding.

19. First time bidders are required to produce a valid state-issued identification card or passport.

20. Bids are required to be made in U.S. dollars.

21. Neal Auction Company may require a bidder or buyer at any time to produce financial, banking, or trade references and information.

VISIT NEALAUCTION.COM TO REQUEST AND VIEW CONDITION REPORTS, REGISTER TO BID LIVE ONLINE, AND SUBMIT ABSENTEE/TELEPHONE BIDS

D. E. A. B. C.

22. All bidders are required to provide credit card information (such as but not limited to the type of card, card number, name as it appears on the card, billing zip code, expiration date, and security code).

23. All bidders are required to select, and notify Neal Auction Company of, a method of payment (cash, check, wire, or credit card) in writing at the time of registration.

24. Neal Auction Company reserves the right to describe or to make photographic, video, or audio recordings of the auction, or any part thereof, and to publish such descriptions, photographs and/or recordings.

25. Lots may be offered subject to a reserve, which is the confidential minimum hammer price below which the lot will not be sold, for the protection of the consignor. Such reserve will not exceed the low estimate for the lot. The auctioneer may open the bidding on any lot by placing a bid on behalf of the consignor, auctioneer, or an absentee bidder that is below the reserve. The auctioneer may continue to bid on behalf of the consignor, auctioneer, or absentee bidder up to the amount of the reserve, by placing consecutive bids or by bidding in response to other bidders. Neal Auction Company may sell a lot at a hammer price below the reserve at its discretion, subject to its agreement with the consignor.

ABSENTEE/TELEPHONE/ONLINE BIDS

1. All absentee bids and/or telephone bids must be received by Neal Auction Company by 5 p.m. Central Time the Thursday prior to the auction.

2. All arrangements for bidding should be made as early as possible. Telephone bidding will be taken at the discretion of Neal Auction Company. Each lot must have a minimum low estimate of $500 for telephone bidding. Absentee bids are accepted for any lots regardless of estimate, at the discretion of Neal Auction Company.

3. Neal Auction Company intends to endeavor to protect the confidentiality of absentee/telephone bids. In the event that the identity of absentee/telephone bidders or buyers or of the amounts of absentee/ telephone bids is disclosed, Neal Auction Company shall not be liable, obligated, or responsible for such disclosure, and each bidder and buyer WAIVES and RELEASES Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) from any claims arising out of such disclosure.

4. Neal Auction Company reserves the right, in its sole discretion, to require that any advance bids be accompanied by a security deposit.

5. Neal Auction Company shall not be liable, obligated, or responsible for any failure, design flaw, error, act, omission, or negligence of third party sites or their agents. Bidders WAIVE and RELEASE any rights to damages and equitable, declaratory, and injunctive relief and remedies arising therefrom.

6. Prior to placing any absentee, telephone, or online bid, all bidders are required to complete the applicable Registration Form prior to such bidding.

7. In the event of ambiguity, uncertainty, or discrepancy, the lot number and not the lot description on any bid will be deemed to be the lot on which the bid is made.

8. If more than one absentee bid on a particular lot is received with the same maximum bid amount, and that bid amount is the highest and best bid for the lot, the lot will be sold to the bidder whose absentee bid was accepted first by Neal Auction Company after receiving it. If a bid placed on a lot by a bidder who is physically present at the auction is identical to an absentee bid for the lot and is the highest and best bid for the lot, the lot will be sold to the person who is physically present at the auction. If a bid placed on a lot by a bidder who is present at the auction (in person or by telephone) is identical to an absentee bid for the lot and is the highest and best bid for the lot, the lot will be sold to the person who is present at the auction (in person or by telephone).

9. Neal Auction Company reserves the right to record any telephone bidding or conversation relating to said bidding, or any part thereof, and to publish said recordings. By participating in telephone bidding, the bidder consents to such recording and publication, notwithstanding the laws or regulations of the state or jurisdiction of the bidder.

PAYMENT

1. The successful bidder (except a successful online bidder) shall pay a buyer’s premium in the amount of 25% of the hammer price on each lot up to and including $200,000, plus 15% of the hammer price greater than $200,000. For payments made by cash, check, or wire transfer (except by online bidders) within 15 calendar days of the auction, the buyer’s premium will be discounted to 22%.

2. The successful online bidder shall pay a buyer’s premium in the amount of 28% of the hammer price on each lot. A discount for payments made by cash, check, or wire transfer is not available for purchases made by online bidders.

3. In the event of any dispute, the Neal Auction Company sale record is conclusive.

4. Unless exempt by law, the buyer will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price.

5. Documentation of tax exemption must be provided upon registration. Billing name and address of a bidder must agree with that on the sales tax exemption certificate.

6. Payment in full of the purchase price must be made by the successful bidder in U.S. Dollars within 15 calendar days of the auction. Interest charges of one and one-half percent per month shall apply to invoices paid after this period expires. Neal Auction Company reserves the right to require payment in full of the purchase price immediately following declaration of the successful bidder.

7. Payment for all jewelry purchases must be made by cash, check or wire transfer.

8. VISA, MasterCard, Discover, and American Express are accepted for payment of invoices (except jewelry) up to $25,000 per buyer.

9. Checks must be drawn on a U.S. bank. All lots shall be held by Neal Auction Company until the check clears.

10. The buyer’s signature on a registration form (or other writing with the buyer’s credit card number) gives Neal Auction Company permission to charge the buyer’s credit card the full amount of the buyer’s invoice if full payment is not received within 15 calendar days of the auction or, in Neal Auction Company’s discretion, to charge the buyer’s credit card later, with interest at the rate of one and one-half percent per month.

PACKING, MOVING, SHIPPING, AND DELIVERY

Neal Auction Company may furnish information on packers, movers, or shippers for bidders or buyers making packing, moving, shipping, and delivery arrangements, but Neal Auction Company shall not be liable, obligated, or responsible therefore, and buyers retain packers, movers, and shippers at their own risk and peril. Shipping, moving, packing, and delivery arrangements and agreements are strictly between the buyer and the shipper, mover, or packer. Neal Auction Company shall not be liable, obligated, or responsible for any damage to property, including vehicles, or for any personal injuries of buyer or any third parties involved in packing, moving, shipping, or delivery. Buyers WAIVE and RELEASE Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) from any and all claims relating to packing, moving, shipping, and delivery of purchased lots, and any damage or injuries to persons or property arising therefrom.

HANDLING AND STORAGE

Unless other arrangements are made and confirmed in writing by Neal Auction Company, all lots must be removed within 15 calendar days of the auction. On the first business day following that time period, any lots remaining in the Neal Auction Company gallery may be turned over to a storage facility, at Neal Auction Company’s discretion. The buyer will be responsible for all handling and storage charges. Handling charges shall be a minimum of $50 per lot. Storage costs shall be a minimum charge of $50 per month per lot. Storage charges accrue monthly and must be paid in full before any lots purchased by the buyer are released. At its discretion, Neal Auction Company may charge the full amount of any storage and handling charges, on a periodic basis, on the buyer’s credit card, including interest at the rate of one and one-half percent per month. All purchased lots will be handled and stored at the buyer’s sole risk and peril. Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) shall not be liable, obligated, or responsible for handling or storage, or for any damage to or loss of, any lot after the sale. The buyer WAIVES and RELEASES all such claims against Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees).

INTELLECTUAL PROPERTY RIGHTS

Neal Auction Company retains the copyright and other intellectual property rights to all photographs, video, illustrations, text, and other works in its catalogue, website, advertising, correspondence, literature, and elsewhere. Such photographs, video, illustrations, text, and other works may not be used, copied, published, exhibited, revised, or displayed without the prior written permission of Neal Auction Company.

Neal Auction Company and the consignor make no representation or warranty that the buyer of a lot will acquire any copyright or other intellectual property right or interest in the lot.

IMPORT/EXPORT

Lots made of or incorporating endangered or protected wildlife materials, irrespective of age or amount of material, may require a license or certificate authorizing export from the United States as well as relevant authorizations from the country of import. It is the responsibility of the bidder or buyer to determine and be satisfied that the requirements of any applicable laws and regulations applying to the transportation, whether international or interstate, can be met before bidding. The inability of a buyer to transport lots containing endangered or protected wildlife material is not a basis for cancellation or rescission of the sale or discount of the purchase price. Although licenses may be obtainable to export certain types of endangered species, some types may not be exported at all, and other types may not be resold in certain states in the United States. Neal Auction Company cannot assist the bidder or buyer in attempting to obtain the appropriate licenses and/or certificates, and bidders and buyers can be given no assurance that an export license or certificate can be obtained. Each bidder should verify with an attorney or qualified shipping company if uncertain as to whether a lot is subject to export/ import license and certificate requirements and any other restrictions or prohibitions on the interstate transportation or exportation from the United States. Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) shall not be liable, obligated, or responsible for any oral, written, or electronic advice given or representations made by it or by any shipping company, legal counsel, or other person. Buyers WAIVE and RELEASE any and all claims against Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) relating to such advice and representations.

MANDATORY AND EXCLUSIVE FORUM SELECTION; CHOICE OF LAW

Any action of any nature brought by a bidder or buyer against Neal Auction Company (and/or its owners, directors, officers, representatives, insurers, and/or employees) and/or the consignor of any lot in any court, whether federal or state, shall be brought exclusively in Orleans Parish, Louisiana. Every bidder and buyer agrees to submit to jurisdiction and venue in federal or state court in Orleans Parish, Louisiana, waives all objections or challenges to such jurisdiction or venue, and waives any rights to jurisdiction or venue in any other forum. Any dispute between the bidder or buyer and Neal Auction Company (and/or its owners, directors, officers, representatives, insurers, and/or employees) and/or the consignor of any lot shall be governed by the law of the State of Louisiana, notwithstanding any conflicts of laws principles.

MISCELLANEOUS LEGAL PROVISIONS

If any part of these Conditions of Sale is held to be invalid, null, or unenforceable, that part shall be reformed so as to implement the intent of the parties as expressed herein, and any such holding shall not affect the remaining provisions of these Conditions of Sale, which shall remain in full force and effect, subject to reformation to implement the intent of the parties as expressed herein.

The paragraph headings contained herein are for convenience of reference only and shall not affect the meaning or interpretation of these Conditions of Sale.

All prior and contemporaneous representations, communications, and agreements, if any, between the bidder or buyer and Neal Auction Company (and any of its owners, officers, directors, representatives, insurers, agents, and employees) relating to any of the lots offered for sale or to the auction or sale are hereby superseded and merged into these Conditions of Sale, which are the entire and only contract between the bidder or buyer and Neal Auction Company relating to the subject matter herein.

Any modifications, amendments, or waivers of these Conditions of Sale must be made in a writing signed by both Neal Auction Company and the bidder or buyer.

In the event of any disputes arising out of the auction or sale of lots or these Conditions of Sale, Neal Auction Company (and its owners, officers, directors, representatives, insurers, agents, and employees) shall not be liable, obligated or responsible for any general, special, exemplary, incidental, or consequential damages (including but not limited to lost profits and attorneys’ fees). Every bidder and buyer WAIVES and RELEASES any rights to such damages. This LIMITATION OF LIABILITY does not, and is not intended to, enlarge or expand any rights or interests of a bidder or buyer that are restricted or limited elsewhere in these Conditions of Sale (including but not limited to the WARRANTY WAIVERS and LIABILITY LIMITATIONS set forth herein).

These Conditions of Sale constitute a binding legal contract between Neal Auction Company and each bidder or buyer. Each bidder and buyer acknowledges having read and understood these Conditions of Sale, WAIVERS OF WARRANTY, and LIMITATIONS OF LIABILITY. All bidders and buyers further acknowledge that they enter into these Conditions of Sale of their own free will, with full authority, and under no duress or coercion.

Charles Henry Alston, 554

American School, 38, 40, 42, 44

Walter Inglis Anderson, 265

John James Audubon, 393, (aft) 394 B

Francisco Bajen, 563

Michael Banks, 549

Jose Basso, 560

George Caleb Bingham (aft), 396

Ralph Albert Blakelock, 45

Bruce Bordelon, 273, 274

George Elmer Browne, 41

Eliot Candee Clark, 389

Erin Cone, 557, 558

Continental School, 48-50, 53

Jeffrey Cook, 547

Cusco School, 60

Chris Doyle, 559

Alexander John Drysdale, 381-388

George Bauer Dunbar, 541-543

Charles Auguste Emile Duran, 46

David Harouni, 544

Colette Pope Heldner, 261

Knute Heldner, 262

Jean-Antoine Houdon (aft), 57

Emily Hamilton Huger, 269

Clementine Hunter, 258, 259

Clarence John Laughlin, 527

Lance Letscher, 555, 556

Irma Gladys Levi Logan, 271

Louisiana School, 376, 531

Peter Mars, 546

John McCrady, 266

Ann McLeod, 565

Joan Miro, 564

Leon Moran, 43

Matthijs Theodorus Mauritius Salk, 54

Benjamin Shahn, 525

Carrie Bell Sliger, 270

Hunt Slonem, 540

Florence Bartley Smithburn, 272

Jehudith Sobel, 551, 552

Southern School, 268, 392

Will Henry Stevens, 267

Jan Frans Van Dael (attr), 56

Jean Joseph Vaudechamp, 391

Mario Villa, 550

Rain Webb, 545

Karl Wolfe, 264

Mildred Nungester Wolfe, 263

William Woodward, 260

LeRoy Neiman, 566

Helmut Newton, 526

William Ousley, 377-380

Georg Dionysius Ehret (aft), 58

Walker Evans, 528-530

Aaron Dean Fletcher (attr), 37

Pedro Friedeberg, 561, 562

Elie Anatole Pavil (attr), 55

William Didier-Pouget, 52

Yankel Ginzburg, 553

William Gottlieb, 524

Hans-Georg Rauch, 59

Frederic Sackrider Remington (aft), 395

Nancy Renfro, 548

Frederick De Bourg Richards, 39

Peter Paul Rubens (aft), 51

Harold Rudolph, 390

88 February 2 & 3, 2023 • Artist Index A

John R. Neal (1940-2018), Founder

Michelle LeBlanc Leckert, CAI President

Marc Fagan

ADMINISTRATION

Director of Administration & Finance

Michelle LeBlanc Leckert, CAI

Client Services / Accounts Receivables

Rebekah Abernathy

Database Management / Internet Auction Administrator

Lisa Weisdorffer

Bookkeeper

Katie Lasher

Marketing & Social Media

Cameron McHarg

General Manager

Jason Leckert

Administrative Assistant

Claire Whitmore

GRAPHICS

Graphics Director / Catalog Design

David Roberts

Photography

Jorge Diaz

Gerard Lewis

Jason Leckert

OPERATIONS

Operations Staff

Charlie Clay

Scott Gann

Jerry Major

Graphics Staff

Stephanie Do Ouro

Sarah Rose Janko

Amanda Torres

David Ogden

Adam Trepagnier

Decorative Arts Inventory Management

Charlie Clay

AUCTIONEERS

Michelle LeBlanc Leckert #1514

Bettine Field Carroll #1874

Marc Fagan #1935

Marney Robinson #2155

Katherine Hovas Senior Vice President

Vice President Consignments

CONSIGNMENTS

Furniture & Decorative Arts

Polly Rolman-Smith

Paintings, Prints & Photography

Marney Robinson; Sophie Hirabayashi; Beth Sherwood; Casey Foote; Renee Longon

Books, Maps & Natural History Prints

Marc Fagan

Silver & Decorative Arts

Katherine Hovas

General Consignments

Cameron McHarg

Consignments Administrator

Heather Munch

Fine Art Inventory Manager

Casey Foote

AUCTION SERVICES

Trust & Estates Advisor

Henry G. McCall

Appraisals

Marc Fagan, Cameron McHarg

CATALOGUE CONSULTANTS

Asian Arts & Special Projects

Bettine Field Carroll

Newcomb Pottery & Decorative Arts

Sally Main

Silver

Carey Mackie

Decorative Arts & Victoriana

Ann M. Masson

JEWELRY

GIA Graduate Gemologist

Stephen A. Moses

GIA Graduate Gemologist

Ilana Picard