UNRESERVED @ Neal Auction - May 25 & 26, 2022 by Neal Auction

UNRESERVED @Neal Auction

ONLINE-ONLY May 25 & 26, 2022

Neal Auction is pleased to present

UNRESERVED @Neal Featuring more than 450 lots of antique, vintage and modern furniture, paintings, prints, photography, silver, porcelain, glass and collectibles from estates, private collectors and institutions. Exhibition will be available at our 4038 Magazine Street Gallery, May 23 & 24, 2022, 10 a.m. to 4 p.m.

Neal Auction Company

Unreserved @Neal Auction 4038 Magazine Street begins May 25 at 11 a.m. New Orleans, LA 70121 on all three bidding platforms.

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Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine St., New Orleans, LA, 70115 504-899-5329 | clientservices@nealauction.com

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LA Auc. Lic., Neal Auction Co. #AB-107 LeBlanc #1514, Carroll #1874, Fagan #1935

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Session One

Wednesday, May 25, 11 a.m.

1. American Late Classical Mahogany Dressing Mirror, mid-19th c., arched mirror on cluster columnar supports, single drawer, h. 23 1/4 in., w. 18 1/2 in., d. 8 5/8 in. [$30/50]

2. American Renaissance Rosewood Parlor Chair, mid-19th c., New York, foliate scrolled pierced back, strapwork splat, ring-turned tapered legs, h. 34 in., w. 18 in., d. 20 in. [$100/200]

3. William IV Rosewood Canterbury, 19th c., spindled divided superstructure, lyre sides, base with drawer, lobed feet, casters, h. 19 in., w. 19 1/2 in., d. 15 1/2 in. [$200/300]

4. Antique American Mixed Woods Side Table, shaped top, trestle base. [$100/200]

5. Maitland Smith Four-Panel Folding Screen, arched panels decorated with foliage, fruit, parrots, birds, and butterflies on black ground, h. 80 1/4 in., w. 80 1/4 in. [$400/600]

6. American Rococo Carved Rosewood Footstool, mid-19th c., serpentine apron, scrolled cabriole legs. [$150/250] 5

7. Pair of Hollywood Regency Mirrored Side Tables, c. 1940, with shaped aprons and square tapered legs blocked at the base. Note Condition: AS IS, heavy losses to mirrors. [$50/150] Provenance: Estate of Janice Lane Young, Richmond, VA.

8. Pair of American Rococo Carved and Laminated Rosewood Side Chairs, c. 1850-1860, acanthine crest, tufted back, cabriole legs. [$150/250]

9. Chinese Chippendale-Style Carved Mahogany Vitrine, reticulated cornice, two pairs of glazed doors opening to shaped shelves, bracket feet, h. 100 in., w. 38 in., d. 18 in. [$500/700]

10. American Aesthetic Cherrywood Work Table, late 19th c., rectangular case with two double face drawers, turned supports flank a stork-carved panel, stretcher shelf, paw feet, casters, h. 35 in., w. 24 in., d. 16 1/2 in. [$800/1200]

11. Southern Pine Huntboard, 19th c., four drawers, stretcher base, h. 38 in., w. 38 5/8 in., d. 24 1/2 in. [$800/1200]

12. American Rococo Rosewood Dresser, mid-19th c., arched mirror, pedimented frame centered by a fruit cartouche, serpentine white marble top, three graduated drawers, bracket feet, h. 89 in., w. 48 in., d. 24 in. [$700/1000] 6

13. American Late Classical Mahogany Sideboard, c. 1830, three outset drawers raised on pineapple half columns, turned feet, h. 51 in., w. 45 in., d. 23 in. [$500/750]

14. American Late Classical Carved Mahogany Commode, 19th c., serpentine hinged top, conforming frieze, turned stiles, conforming base, bracket feet, casters, h. 31 in., w. 19 in., d. 19 in. [$100/200]

16. American Rococo Carved Rosewood Armchair, mid-19th c., scrolled crest rail with beaded accents, oval back, outswept padded arms, cabriole legs, casters, h. 39 in., w. 26 in., d. 25 in. [$100/200].

15. American Renaissance Carved Walnut Center Table, late 19th c., molded top, paneled frieze, arched cabriole legs, casters. [$100/200] Provenance: Dart Family, Kernan Grove, Clinton, LA.

17. Jansen-Style Chrome and Glass Console Table, medial shelf, h. 27 in., w. 60 in., d. 13 in. [$300/500]

18. Lane Silhouette Walnut Side Table, c. 1970, square top, inset glass, curved stretchers, centered by brass medallion, h. 20 in., w. 27 in., d. 27 in. [$200/400] 7

19. English Mahogany Tilt-Top Tea Table, early 19th c., single board top, ring turned baluster standard, cabriole legs, pad feet, h. 27 1/2 in., w. 25 3/4 in., d. 25 1/4 in. [$200/300] Provenance: Estate of Eunice Bate Coleman, New Orleans, LA.

20. George III Mahogany Pedestal Dining Table, early 19th c., one leaf, reeded top, reverse tapered standards, reeded saber legs, brass caps, casters, h. 27 1/2 in., w. (open) 75 in., d. 40 in. [$400/600]

21. Queen Anne-Style Walnut Games Table, demilune foldover top, two frieze drawers, tapered legs, pad feet, h. 28 in., w. 30 in., d. 15 in.; note: condition. [$200/300]

22. Antique George III-Style Inlaid Mahogany Sideboard, banded top, long frieze drawer, tapered legs, spade feet. Note: Condition. [$700/1000]

23. William IV Mahogany Pedestal Commode, c. 1840, inset marble top, h. 30 5/8 in., dia. 15 in. [$200/300]

24. Pair of Regency-Style Mahogany Miniature Side Chairs, pierced lobed splats, reeded legs and tapering spade feet, h. 18 in., w. 11 in., d. 6 in. [$200/300] 8

25. English Walnut Pedestal Desk, c. 1890, inset leather top, pedestals with three drawers, scrolled bracket feet, h. 29 1/2 in., w. 25 in., d. 24 in. [$700/900]

26. English Antique Inlaid Mahogany Serpentine Chest-of-Drawers, four graduated cockbeaded ebony string inlaid drawers, paw feet, oval brass pulls with figure of a recumbent maiden, h. 40 in., w. 47 in., d. 24 in. [$600/900]

27. William IV Carved Mahogany Partner’s Desk, c. 1835, tooled leather top, three frieze drawers on each side, pedestal ends with three drawers, blocked base. [$400/600]

28. Georgian-Style Mahogany Conference Table, 20th c., benchmade by the London Shop, New Orleans, reticulated brackets, molded legs, shaped stretcher, block feet, h. 31 1/2 in., l. 92 in., w. 48 in. [$500/700]

29. Italian Neoclassical Paint and Gilt-Decorated Encoignure, 19th c., inset marble top, single door, shelf interior, fluted tapered pilasters, block feet with rosettes, h. 40 1/2 in., w. 25 1/2 in., d. 13 1/2 in. [$600/900] 30. Biedermeier-Style Burlwood and Marquetry Low Table, 20th c., circular top, incurvate support on conforming plinth, molded feet, foliate vine decoration, formerly center table now reduced in height, h. 20 in., dia. 46 1/2 in. [$500/700] Provenance: Collection of Dr. Mark A. Geist, Providence, RI. 9

31. Antique Louis XVI-Style Carved and Gilded Child’s Chair, late 19th/early 20th c., ribbon-carved caned back, scrolled arms, caned seat, molded rail, turned tapered fluted legs. [$150/250]

32. Italian Baroque-Style Carved Walnut, Parcel Gilt and Iron Hall Bench, molded back with coat of arms, plank seat, splayed legs joined by scrolled iron stretcher, h. 39 in., w. 49 in., d. 17 1/4 in. [$500/700]

33. Antique Louis XV-Style Giltwood Console, marble top, foliate-carved frieze, cabriole legs, foliate stretcher, h. 31 in., w. 31 in., d. 12 1/2 in. (no mirror) [$50/150]

34. Neoclassical-Style Satinwood Inlaid Mahogany Demilune Commode, labeled “Historic Charleston Reproductions, Baker Furniture”, highly figured crossbanded top with radial inlay, case with oval panels, square tapered legs, h. 37 1/2 in., w. 48 in., d. 20 in. [$500/700]

35. Antique Louis XVI-Style Carved Giltwood Folding Screen, two panels, each with foliate crest, scrolled legs, cut velvet upholstery, each panel h. 43 1/2 in., w. 29 in. [$300/500]

36. Sarah Sole Ferguson (American/New Orleans, 20th c.), “Bride”, 2013, oil on canvas, signed, titled and dated en verso, 42 1/4 in. x 34 in., unframed. [$500/700] Condition: Overall good condition.

37. Don Sawyer (American/Florida, b. 1948), “Boat and Palm Trees by the Bay”, 2006, acrylic on wood, signed lower left, signed, dated and inscribed en verso, 27 1/2 in. x 24 1/8 in., unframed. [$300/500] Condition: Overall good condition.

38. Keith Eccles (American/New Orleans, 20th c.), “The Masquerade”, acrylic on gallery-wrapped canvas, signed lower right, 40 in. x 30 in., unframed. [$800/1200] Condition: Overall good condition.

39. Keith Eccles (American/New Orleans, 20th c.), “The Red Truck”, acrylic on gallery-wrapped canvas, signed lower right, 36 in. x 36 1/8 in., unframed. [$600/800] Condition: Overall good condition.

40. Edmond Gaultney (American, 1946-1986), “David Teller, New Orleans”, 1976, graphite on paper, pencil-signed and dated lower left, 22 1/2 in. x 31 in., unframed. [$200/300] Condition: Overall fair condition.

41. James Josey (American/Mississippi, b. 1973), “Snake Doctor”, 1989, watercolor on paper, signed lower left, pencil-signed, titled and dated en verso, “Brown’s Fine Art & Framing, Jackson” label with artist and title on backing paper, 29 in. x 41 in., framed. [$500/700] Condition: Overall good condition. Ext. Frame: 40 in. x 52 in. x 2 1/4 in.

42. Charles Reinike, Jr. (American/Louisiana, 1906-1983), “Guanyin”, mixed media on paper mounted to board, signed lower right, 45 7/8 in. x 15 1/4 in., framed. [$600/800] Condition: Overall fair condition. Ext. Frame: 51 in. x 20 1/2 in. x 2 in.

43. Lida Holley (American/Alabama, 1910-1987), “Portrait of a Lady with Flowers in Her Hair”, acrylic on canvas board, signed lower right, handwritten label with artist en verso, 12 in. x 9 in., framed. [$150/250] Condition: Overall good condition. Ext. Frame: 15 1/2 in. x 12 1/2 in. x 3/4 in.

44. M. C. “5 Cent” Jones (American/Louisiana, 1917-2003), “Daniel and the Lion’s Den”, 2002, mixed media on paper, signed upper left, titled and dated on backing board, 14 in. x 11 in., framed. [$200/300] Condition: Overall fair condition. Ext. Frame: 16 3/8 in. x 13 3/8 in. x 1 3/8 in.

45. New Orleans School, 20th c., “Newcomb College”, oil on canvas, unsigned, 20 in. x 16 in., framed. [$100/200] Condition: Overall good condition. Ext. Frame: 22 3/4 in. x 18 3/4 in. x 1 1/8 in. 12

46. Hazel Guggenheim McKinley (American/Louisiana, 19031995), “A Shriner’s Parade”, 1969, mixed media on paper, signed, titled and dated lower right, 12 1/8 in. x 14 1/8 in., framed. [$300/500] Condition: Overall fair condition. Ext. Frame: 19 5/8 in. x 21 1/8 in. x 1 3/4 in.

47. American School, 19th c., “Portrait of Young Man”, oil on panel, unsigned, illegibly inscribed en verso, 17 1/2 in. x 12 7/8 in., framed. [$200/300] Condition: Overall poor condition. Ext. Frame: 21 1/4 in. x 16 1/2 in. x 2 1/2 in.

48. Vernon Reinike (American/ Mississippi, b. 1942), “Denham”, 1989, oil on canvas, signed and dated lower right, titled en verso, 24 in. x 36 in., framed. [$300/500] Condition: Overall good condition. Ext. Frame: 27 in. x 38 3/4 in. x 1 in.

49. Cora Kelley Ward (American/Louisiana, 19201989), “Composition”, 1976, acrylic and oil crayon on paper, signed and dated lower right, 15 1/8 in. x 17 in., unframed. [$400/600] Condition: Overall good condition.

51. Cora Kelley Ward (American/Louisiana, 19201989), “Composition in Purple”, watercolor on paper, unsigned, 11 3/8 in. x 10 5/8 in., unframed. [$200/300] Condition: Overall good condition.

50. Cora Kelley Ward (American/Louisiana, 1920-1989), “Composition in Yellow and Blue”, 1959, watercolor and ink on paper, signed and dated lower right, 14 in. x 20 in., unframed. [$400/600] Condition: Overall good condition.

52. Cora Kelley Ward (American/Louisiana, 1920-1989), “Composition in Yellow and Green”, 1959, watercolor and ink on paper, signed and dated lower right, 14 in. x 20 in., unframed. [$400/600] Condition: Overall good condition. 13

53. Sainte James Boudrot (American/Louisiana, b. 1948), “Rufus S. (Cheyenne) (Red) Pierce”, oil on panel, signed and copy of obituary of subject en verso, 46 1/4 in. x 17 5/8 in., unframed. [$300/500] Provenance: Doug Gitter, New Orleans; Collection of Genie and Steve Goldring, New Orleans, 1994. Condition: Overall good condition.

54. Lillian Butter (Canadian/New Orleans, 20th c.), “Wallow with Me in Sickness and Filth an Artistic Life Kills Slowly”, mixed media assemblage, unsigned, 16 1/2 in. x 30 3/4 in., artist-enhanced frame. [$250/350] Condition: Overall fair condition. Ext. Frame: 21 3/4 in. x 36 in. x 3 1/2 in.

55. American School, 1876, “Portrait of a Man” and “Portrait of a Woman”, pair of oils on canvas, both indistinctly signed and dated lower left, each 20 in x 16 in., framed alike. (2 pcs.) [$300/500] Provenance: Collection of Dr. Norbert and Mary Fahey, Sacramento, CA. Condition: Overall fair to poor condition. Ext. Frame: 28 1/4 in. x 24 1/4 in. x 4 in.

56. Southern School, 20th c., “Portraits of Women”, 2 double-sided oils on board, monogrammed lower right and lower left, each 20 in. x 16 in., both unframed. (2 pcs.) [$10/20] Condition: Each in overall poor condition.

57. Ted Ellis (American/Louisiana, b. 1963), “Fishing with Maw”, acrylic on canvas board, signed lower right, signed twice and inscribed en verso, signed and titled on backing paper, 5 in. x 7 in., framed; accompanied by a copy of a certificate of authenticity from Touchstone Gallery of New Orleans. [$300/500] Provenance: Touchstone Gallery, New Orleans, 2002. Condition: Overall good condition. Ext. Frame: 9 1/4 in. x 11 1/4 in. x 1 1/2 in.

58. Ted Ellis (American/Louisiana, b. 1963), “Pirogue Country”, 2001, oil on canvas board, signed and dated lower right, 11 3/4 in. x 15 3/4 in., framed; accompanied by a copy of a certificate of authenticity from Touchstone Gallery, New Orleans. [$600/800] Provenance: Touchstone Gallery, New Orleans, 2002. Condition: Overall good condition. Ext. Frame: 20 in. x 24 in. x 1 1/2 in.

59. Ted Ellis (American/Louisiana, b. 1963), “White Boat”, 2002, acrylic on canvas board, signed and dated lower right, 11 3/4 in. x 15 3/4 in., framed; accompanied by a copy of a certificate of authenticity from Touchstone Gallery, New Orleans. [$600/800] Provenance: Touchstone Gallery, New Orleans, 2002. Condition: Overall good condition. Ext. Frame: 20 in. x 24 in. x 1 1/2 in.

60. Ted Ellis (American/Louisiana, b. 1963), “Fishing in the Creek”, 2002, acrylic on canvas board, signed and dated lower right, signed and inscribed en verso, 12 in. x 16 in., framed; accompanied by a copy of a certificate of authenticity from Touchstone Gallery, New Orleans. [$600/800] Provenance: Touchestone Gallery, New Orleans, 2002. Condition: Overall good condition. Ext. Frame: 20 in. x 24 in. x 1 1/2 in. 15

61. Greg Cartmell (American/Mississippi, 20th c.), “Lavender and White”, oil on canvas, signed lower right, 24 in. x 20 in., framed; accompanied by a copy of a certificate of authenticity from Touchstone Gallery, New Orleans. [$300/500] Provenance: Touchstone Gallery, New Orleans, LA, 2002. Condition: Overall good condition. Ext. Frame: 32 in. x 28 in. x 2 in.

62. Juanita Courtney (American/Louisiana, 1928-2015), “Cotton Harvest”, 1995, oil on cypress panel, signed and dated lower right, 8 7/8 in. x 38 in., unframed. [$400/600] Condition: Overall good condition.

63. Shine and William “Leroy’s Boys” Sonnier (American/Louisiana, 20th c.), “Bayou Girl, Bayou Boy”, 2006, mixed media, signed, titled, dated and inscribed en verso, 14 1/4 in. x 24 1/8 in., artist-enhanced frame. [$200/300] Condition: Overall good condition. Ext. Frame: 16 in. x 24 5/8 in. x 1 in.

64. Jon Andrew Schooler (American/New Orleans, b. 1953), “Henderson Swamp at 60 M.P.H.”, 2007, oil on canvas, pencil-signed, titled and dated en verso, “Concepts Gallery & Framing, Lafayette, LA” label on stretcher, 36 in. x 48 in., framed. [$300/500] Condition: Overall good condition. Ext. Frame: 37 1/8 in. x 49 1/4 in. x 1 1/4 in.

65. Mark English (American/Texas, 1933-2019), “Picnic”, oil on foamcore, signed lower right, partial painting en verso, “Eleanor Ettinger Gallery, New York, NY” label with artist and title on backing paper, 11 5/8 in. x 10 7/16 in., framed. [$500/700] Condition: Overall good condition. Ext. Frame: 17 1/8 in. x 16 1/8 in. x 3/4 in.

66. Stephanie Pogue (American/ North Carolina, b. 1944), “Self-Portrait: Discovery”, 1989, mixed media on paper, pencil-signed, titled and dated lower right, 30 in. x 22 1/2 in., matted. [$400/600] Condition: Overall good condition.

67. Stephanie Pogue (American/North Carolina, b. 1944), “Southern Landscape”, mixed media on paper, signed lower right, pencil-titled en verso, 30 in. x 22 1/2 in., matted. [$400/600] Condition: Overall good condition.

68. Nell Pomeroy O’Brien (American/New Orleans, 1898-1966), “Floral Still Life Studies”, 2 watercolors and graphite on paper, unsigned, one with pencil-inscription upper left, one with handwritten label on backing paper, 8 in. x 5 1/4 in. and 5 1/4 in. x 8 in., framed. (2 pcs.) [$100/200] Provenance: Collection of Alexandra Stafford and Raymond Rathle, Metairie, LA. Condition: Each in overall fair condition. Ext. Frame: 11 1/2 in. x 9 1/4 in. x 1 1/2 in. and 10 1/4 in. x 11 1/4 in. x 1 1/2 in.

69. Nell Pomeroy O’Brien (American/New Orleans, 1898-1966), “Violets”, watercolor on board, signed lower right, 11 3/8 in. x 9 3/4 in. and “Coastal Landscape”, watercolor on paper, unsigned, 6 7/8 in. x 10 in., each framed. (2 pcs.) [$200/300] Provenance: Collection of Alexandra Stafford and Raymond Rathle, Metairie, LA. Condition: Each in overall fair condition. Ext. Frame: 13 1/4 in. x 12 in. x 1 in. and 13 in. x 15 1/4 in. x 1/2 in.

70. Nell Pomeroy O’Brien (American/New Orleans, 1898-1966), “E. G. Hill”, “The Chief”, “Good News” and “Californian”, 4 watercolors and graphite on paper, three signed and titled lower left, one signed lower right, titled lower left, one with partial painting en verso, 13 3/4 in. x 10 7/8 in. to 14 1/4 in. x 10 5/8 in., framed alike. (4 pcs.) [$600/800] Provenance: Collection of Alexandra Stafford and Raymond Rathle, Metairie, LA. Condition: Each in overall fair condition. Ext. Frame: Each 20 1/2 in. x 18 in. x 1 1/8 in.

71. Nell Pomeroy O’Brien (American/New Orleans, 1898-1966), “Still Life with Blue Vase” and “Still Life with Cup”, 2 watercolors and graphite on paper, unsigned, 18 1/2 in. x 13 1/4 in. and 15 1/2 in. x 12 1/4 in., framed. (2 pcs.) [$200/300] Provenance: Collection of Alexandra Stafford and Raymond Rathle, Metairie, LA. Condition: Each in overall fair condition. Ext. Frames: 23 1/2 in. x 19 3/8 in. x 1 1/2 in. and 20 1/2 in. x 17 1/2 in. x 1 1/4 in.

72. Nell Pomeroy O’Brien (American/New Orleans, 1898-1966), “Mixed Floral Arrangement Still Life” and “Pink Roses Still Life”, 2 oils on canvas mounted to board, unsigned, 10 in. x 7 5/8 in. and 12 in. and 10 in. respectively, framed. (2 pcs.) [$200/300] Provenance: Collection of Alexandra Stafford and Raymond Rathle, Metairie, LA. Condition: “Mixed Floral” in overall poor condition, “Pink Roses” in overall fair condition. Ext. Frames: 14 3/4 in. x 12 3/4 in. x 2 3/4 in. and 17 3/8 in. x 15 1/2 in. x 2 3/4 in. respectively.

73. Nell Pomeroy O’Brien (American/New Orleans, 1898-1966), “Peace Roses” and “Pink and White Dogwood”, 2 oils on canvas boards, one signed lower center and titled en verso, one unsigned, 10 5/8 in. x 13 7/8 in. and 16 in. x 20 in., framed. (2 pcs.) [$200/400] Provenance: Collection of Alexandra Stafford and Raymond Rathle, Metairie, LA. (Peace Roses) Exh.: Nell Pomeroy O’Brien: Memorial Exhibition”, Isaac Delgado Museum of Art (NOMA), Nov. 1967, New Orleans, LA., illustrated in accompanying catalogue as no. 10. Condition: One in overall poor condition and one in overall fair condition. Ext. Frames: 17 1/8 in. x 14 1/8 in. x 1 3/4 in. to 18 1/2 in. x 22 1/2 in. x 1 1/4 in.

74. Nell Pomeroy O’Brien (American/New Orleans, 1898-1966), “Japanese Magnolia”, watercolor and graphite on paper, signed and titled lower center, 11 1/4 in. x 7 5/8 in. and “Dogwood Floral Arrangement”, oil on canvas board, signed lower right, 24 in. x 17 7/8 in., both framed. (2 pcs.) [$200/300] Provenance: Collection of Alexandra Stafford and Raymond Rathle, Metairie, LA. Condition: Each in overall fair condition. Ext. Frames: 18 in. x 20 1/2 in. x 1 1/8 in. and 30 5/8 in. x 24 5/8 in. x 1 1/2 in.

75. Nell Pomeroy O’Brien (American/New Orleans, 1898-1966), “Still Life of Roses” and “Still life with Clear Vase”, 2 watercolors and graphite on paper, unsigned, 14 in. x 19 in. and 17 in. x 14 in., framed. (2 pcs.) [$200/300] Provenance: Collection of Alexandra Stafford and Raymond Rathle, Metairie, LA. Condition: Each in overall fair condition. 28 1/4 in. x 31 1/4 in. x 1 in. and 30 1/4 in. x 28 in. x 1 3/4 in.

77. Southern School, 20th c., “Portrait of Alden Obering O’Brien (19292019)”, oil on canvas, unsigned, sitter’s biography en verso, 32 in. x 24 in., framed. [$300/400] Provenance: Estate of Alden Obering O’Brien, Shreveport, LA, 2019. Condition: Overall poor condition. Ext. Frame: 37 in. x 28 5/8 in. x 1 in. 20

76. American School, 19th c., “Landscape with Palm Trees”, oil on canvas, initialed “LTR” lower right, New York canvas stamp on side, 20 in. x 16 in., framed. [$500/700] Condition: Overall fair condition. Ext. Frame: 26 1/8 in. x 20 in. x 3 in.

78. Charles Whitfield Richards (American/Louisiana, 1906-1992), “New Orleans: The Carriage Way, House of the Artists, 700 Royal St., New Orleans, LA”, oil on masonite, unsigned, label with artist and title en verso, 10 5/8 in. x 13 1/4 in., framed with artist and title plaque. [$400/600] Condition: Overall good condition. Ext. Frame: 15 1/4 in. x 17 1/2 in. x 2 in.

79. Colette Pope Heldner (American/Louisiana, 1902-1990), “Swamp Idyll (Louisiana Bayou Country)”, oil on canvas, signed lower left, signed and titled en verso, 20 in. x 36 in., framed. [$700/1000] Condition: Overall good condition. Ext. Frame: 24 in. x 40 in. x 1 1/2 in.

80. Ruth Robinson (American/Alabama, b. 1952), “The Cotton Angels”, oil on panel, signed mid-right, titled en verso, 40 1/2 in. x 34 in., unframed. [$400/600] Condition: Overall fair condition.

81. Ruth Robinson (American/Alabama, b. 1952), “Mardi Gras”, oil on canvas, unsigned, inscribed on stretcher, 20 in. x 16 in., artist-enhanced frame. [$250/350] Condition: Overall good condition. Ext. Frame: 22 3/4 in. x 18 3/4 in. x 1 in.

82. Ruth Robinson (American/Alabama, b. 1952), “Church and Cotton Fields”, oil on panel, signed mid-right, 10 3/4 in. x 43 1/4 in., unframed. [$250/350] Condition: Overall good condition. 21

83. Martin Laborde (American/New Orleans, b. 1943), “Face on Blue Background” and “Two Faces”, 2 pastels and ink on paper, both unsigned, each 24 7/8 in. x 17 in., each unframed. (2 pcs.) [$200/300] Note: Neal Auction would like to thank B.E.E. by the Bay Gallery for their assistance with the cataloguing of this lot. Condition: Each in overall fair condition.

84. Willie White (American/Louisiana, 19082000), “Mat”, marker on paper board, signed lower center, 16 1/2 in. x 14 5/8 in., framed; accompanied by color photo of the artist. [$200/300] Condition: Overall good condition. Ext. Frame: 16 3/4 in. x 14 3/4 in. x 1 in.

85. Cecilia Feng (Taiwanese, 20th c.), “Nude”, mixed media on paper, signed lower right, 10 in. x 13 in., framed. [$100/200] Condition: Overall good condition. Ext. Frame: 20 1/4 in. x 23 1/4 in. x 1 1/4 in.

86. Tony Nozero (American/New Orleans, 20th c.), “Abstract Portrait on Red”, 2008, acrylic on gallery-wrapped canvas, unsigned, 44 in. x 44 in., unframed. [$400/600] Provenance: Acquired from the artist. Condition: Overall good condition. Note: Neal Auction would like to thank Tony Nozero for his assistance in the cataloging of this lot. 22

87. Caroline Wogan Durieux (American/Louisiana, 1896-1989), “Woman with a Purse”, graphite on paper, pencil-signed lower right, partial sketch en verso, 8 3/8 in. x 5 3/8 in., framed. [$400/600] Condition: Overall fair condition. Ext. Frame: 17 1/2 in. x 13 3/8 in. x 1 in.

88. W. Stanton Forbes (American/Georgia, 1912-1989), “Reflections at the Pier: Boat Dock”, 1954, watercolor on paper, pencil-signed and dated lower center, signed, titled and dated en verso, inscribed with artist, title and date on backing board, handwritten label with artist, title and date on backing paper, 29 5/8 in. x 10 in., framed. [$300/500] Condition: Overall poor condition. Ext. Frame: 33 1/4 in. x 14 5/8 in. x 1/2 in.

89. Ted Ellis (American/Louisiana, b. 1963), “Baptism”, 1998, oil on canvas board, signed and dated lower right, 24 in. x 12 in., framed. [$600/800] Condition: Overall good condition. Ext. Frame: 28 5/8 in. x 16 1/2 in. x 2 in.

90. Ted Ellis (American/Louisiana, b. 1963), “In the Cotton Field”, 1998, oil on canvas board, signed and dated lower right, 8 in. x 16 in., framed. [$500/700] Condition: Overall good condition. Ext. Frame: 12 5/8 in. x 20 1/2 in. x 2 in.

91. Alvin Batiste (American/Louisiana, b. 1962), “Six Scenes of Everyday Life”, 1999, 6 oils on board, each panel signed and dated lower right, 5 titled en verso, one with artist biography en verso, each panel 11 3/4 in. x 9 1/4 in., overall 24 1/8 in. x 28 5/8 in., framed together. [$700/1000] Condition: Overall good condition. Ext. Frame: 28 1/8 in. x 31 7/8 in. x 1 1/2 in.

92. Colette Pope Heldner (American/Louisiana, 1902-1990), “Swamp Idyl (Louisiana Bayou Country)”, oil on canvas board, signed lower left, signed and titled en verso, 8 in. x 10 in., framed. [$600/800] Condition: Overall fair condition. Ext. Frame: 12 3/8 in. x 14 3/8 in. x 1 3/4 in.

93. Merrill E. Jeffrey (American, 20th c.), “Landscape with Church and Barn” and “Landscape with Red Building”, 2 mixed medias on paper, pencil-signed middle and lower right, one with “Cassell Gallery, New Orleans” label on backing paper, 22 1/8 in. x 28 1/4 in. and 22 in. x 28 in., framed alike. (2 pcs.) [$100/200] Provenance: Acquired from the artist; Finley Collection. Exh.: “Soul Providers: African-American Art from the Finley Collection Original Paintings & Sculpture by Self-Taught Artists”, The Ohr-O’Keefe Museum of Art, Biloxi, MS, Jan. 11 - Feb. 22, 2002; “Finley Collection”, Natchez Museum of African American History and Culture, Natchez, MS, May 2009 - May 2013; “The John and Pam Finley Collection of African and Folk Art”, University of Wyoming Art Museum, Laramie, WY, June 8 - Aug. 17, 2013. Condition: Overall fair condition. Ext. Frame: 23 3/4 in. x 29 3/4 in. x 1 1/4 in.

94. Pauline Graff Little Ozmun (American/Illinois, 1902-1993), “Man with a Pipe”, oil on canvas, signed “Pauly” lower right, partial “Schram Galleries” label on backing paper, 24 in. x 20 in., framed. [$100/200] Condition: Overall fair condition. Ext. Frame: 25 1/4 in. x 21 3/8 in. x 1 7/8 in.

95. Elbert Granville Drew (American/Illinois, 1866-1934), “Still Life”, oil on canvas board, signed lower right, pencil-signed, titled and inscribed en verso, 19 3/4 in. x 15 3/16 in., framed [$50/100] Condition: Overall fair condition. Ext. Frame: 24 1/4 in. x 19 3/4 in. x 2 in. 24

96. William Sanders Fanning (American/Michigan, 1887-1986), “Woman at a Cafe”, 1923, oil on canvas, signed and dated lower left, 21 1/4 in. x 30 3/4 in., framed. [$800/1200] Condition: Overall good condition. Ext. Frame: 27 in. x 36 1/4 in. x 2 1/2 in.

98. Ann Rogers Minor (American/Connecticut, 1864-1947), “Whitestone Bridge”, oil on artist board, signed lower right, artist estate stamp and partial label en verso, artist estate stamp, “Bodley Gallery, New York, NY” label with artist and title, artist biography and subject information on backing paper, 12 in. x 16 in., framed. [$400/600] Condition: Overall fair condition. Ext. Frame: 16 1/2 in. x 20 1/2 in. x 1 1/4 in.

100. Alfred Thompson Bricher (American/New York, 1837-1908), “Coastal Landscape”, watercolor on paper, signed lower left, 9 5/8 in. x 20 1/2 in., framed. [$600/800] Condition: Overall poor condition. Ext. Frame: 19 1/2 in. x 30 1/2 in. x 1/2 in.

97. Helen Chamberlain (American, 20th c.), “European Courtyard”, oil on masonite, signed lower right, 12 1/4 in. x 14 in., unframed. [$100/200] Condition: Overall poor condition.

99. Audrey Menicucci (American/California, 1931-2011), “Seascape”, oil on canvas, signed lower left, 18 in. x 24 in., framed. [$200/300] Condition: Overall fair condition. Ext. Frame: 26 3/5 in. x 32 5/8 in. x 2 3/5 in.

101. Delwin Oliver “Del” Parson (American/Utah, b. 1948), “Encampment”, 1984, oil on masonite, signed and dated lower right, 19 3/4 in. x 16 in., framed. [$400/600] Condition: Overall good condition. Ext. Frame: 27 1/4 in. x 23 1/4 in. x 1 1/2 in.

102. American Folk Art School, 1993, “El Dia de los Muertos”, mixed media assemblage, signed “Shelley” and dated en verso, titled on side, h. 10 3/4 in., w. 6 3/8 in., d. 1 1/2 in [$100/150] Condition: Overall fair condition.

103. Danny “Bucket Man” Hoskinson (American/Tennessee, 1956-2008), “Swamp Creature”, melted plastic and mixed media, signed on reverse, h. 20 3/4 in., w. 4 1/2 in., d. 7 in. [$200/300] Condition: Overall fair condition.

105. Elissa “Scully Elly” Maistros (American/New Orleans, 20th c.), “Voodoo Mobile”, 1997, mixed media, signed and dated on underside of skull, h. 25 1/4 in., w. 26 1/2 in., d. 5 1/8 in. [$50/75] Condition: Overall fair condition.

104. Jessie Lee Mitchell (American/Tennessee, b. 1958), “Primate Boy Reaches Puberty”, 1994, mixed media assemblage, initialed, titled and dated en verso, h. 29 1/2 in., w. 25 1/4 in., d. 10 1/2 in. [$200/300] Condition: Overall fair condition.

106. Reverend Herman Hayes (American/Virginia, 19232012), “Caged Man”, 1986, carved wood, signed, dated and inscribed “W.Va.” on reverse and on underside, h. 8 1/4 in., w. 2 1/2 in., d. 2 1/2 in. [$200/300] Condition: Overall good condition.

107. Steele Burden (American/Louisiana, 1900-1995), “Alligator and Turtles on Log”, crackle glazed ceramic figural group, initialed on base, h. 1 3/4 in., w. 7 in., d. 2 1/2 in. [$300/500] Condition: Overall good condition. 26

108. Thor Carlson (American/New Orleans, 20th c.), “Abstract Form”, painted cast metal, unsigned, h. 67 in., w. 23 in., d. 24 1/2 in. [$500/800] Condition: Overall good condition.

109. Continental School, 20th c., “Paris, une Ruelle, Menant vers Saint-Sulpice”, oil on canvas, signed “F. Robin” and titled lower right, artist biography attached en verso, 35 3/4 in. x 23 3/4 in., framed. [$300/500] Provenance: Collection of Dr. Norbert and Mary Fahey, Sacramento, CA. Condition: Overall good condition. Ext. Frame: 42 1/2 in. x 31 in. x 3 1/4 in.

110. Continental School, 20th c., “Wheelbarrow”, oil on canvas, signed “Ceschin” lower right, partial handwritten label inscribed “Ceschin” on stretcher, 24 in. x 36 in., framed. [$200/300] Condition: Overall fair condition. Ext. Frame: 32 in. x 44 in. x 1 1/2 in.

111. Continental School, 1789, “Portrait of a Seated Lady with Hat”, graphite and pastel on paper, illegibly initialed and dated lower right, 15 1/2 in. x 12 1/2 in., framed. [$300/500] Provenance: Collection of Alexandra Stafford and Raymond Rathle, Metairie, LA. Condition: Overall fair condition. Ext. Frame: 24 in. x 19 3/8 in. x 3 in. 27

112. Continental School, 19th c., “Seaside Town” and “Windmill in Landscape”, 2 oils on panel, both unsigned, each 7 in. x 14 in., framed alike. (2 pcs.) [$500/700] Condition: Overall fair condition. Ext. Frame: 11 3/4 in. x 18 7/8 in. x 2 1/2 in. 113. Carol Owen (British, b. 1948), “Seed Pods”, watercolor and graphite on paper, monogrammed and partial pencil inscription lower right, 14 in. x 10 in., unframed. [$150/250] Condition: Overall poor condition. 114. British School, c. 1880, “Fly Fishing at the Mill”, oil on canvas, unsigned, handwritten label with date on stretcher, 8 in. x 10 in., unframed. [$100/200] Condition: Overall fair condition.

115. British School, 19th c., “Portrait of a Lady”, chalk on paper mounted to board, unsigned, 20 7/8 in. x 17 3/4 in. (oval), framed. [$400/600] Provenance: Collection of Sarah Hunter Kelly, New York, NY; Sotheby’s, Jan. 26, 1983, lot 94; Collection of Alexandra Stafford and Raymond Rathle, Metairie, LA. Condition: Overall fair condition. Ext. Frame: 25 1/4 in. x 21 3/4 in. x 1 1/8 in. 28

116. British School, 1811, “Tabor W. Heustis”, 1811, oil on board, unsigned, inscribed twice with sitter and date en verso, 15 in. x 12 in., period painted frame. [$250/350] Condition: Overall poor condition. Ext. Frame: 19 7/8 in. x 16 in. x 1 1/4 in.

117. Group of Five Antique Photogravures, after various artists including Juliaan Joseph de Vriendt (Belgian, 18421935), each published by George Barrie, Philadelphia, sheets 11 3/4 in. x 17 in., unframed. (5 pcs.) [$20/40] Condition: Overall fair to poor condition.

118. Antique Botanical Prints, 19th c., 7 engravings by various artists, sights 12 1/4 in. x 9 1/2 in. to 16 in. x 10 in., framed. (7 pcs.) [$300/500] Condition: Overall fair to poor condition. Ext. Frame: 20 5/8 in. x 14 1/2 in. x 1 5/8 in. to 21 in. x 17 3/4 in. x 1 in. 29

119. John James Audubon (American, 1785-1851), “Shelby’s Fly Catcher”, plate IX, hand-colored engraving with aquatint, from The Birds of America, plate engraved by William Home Lizars (Scottish, 1788-1859), printed and colored by Robert Havell, Sr. (British, 1769-1832), “Alex. Drysdale, Edinburgh” framer label on backing board, trimmed sheet 22 in. x 14 3/4 in., framed. [$400/600] Condition: Overall fair condition. Ext. Frame: 40 in. x 30 1/4 in. x 1 in.

120. Alexander Hay Ritchie (Scottish/American, 1822-1895), “Washington and His Generals”, color restrike lithograph on paper mounted to board, 23 5/8 in. x 36 in., framed without glass. [$20/30] Condition: Overall poor condition. Ext. Frame: 35 in. x 45 in. x 1 in.

121. Ernest William Fenton (British, b. 1922), “Caledonian Railway No. 123”, “London and South Western Railway No. 568”, “North Eastern Railway No. 1463”, “Highland Railway No. 103”, “London, Brighton and South Coast Railway No. 214” and “Great Western Railway No. 3440”, 6 color lithographs, with cover sheet and corresponding texts, from Locomotives in Retirement, published by Hugh Evelyn, London, printed by Fleming & Humphreys, Leicster, sheets 10 in. x 17 in., unframed. (14 pcs.) [$10/20] Condition: Overall fair condition. 30

122. George A. Oliver (British, 1920-1990), “1904 Oldsmobile 7”, “1904 De Dion-Bouton 8”, “1905 White 15 Steam Car”, “1910 Renault 12/16”, “1910 Dailmer 28”, “1910 Lanchester 28”, “1911 Adler 12”, “1912 Vermorel 12/16”, “1913/14 Morris Oxford” and “1914 Argyle 15/30”, 10 color lithographs, with preface and corresponding texts, from Edwardian Motorcars, 1904-1915, published by Hugh Evelyn, London, printed by Fleming & Humphreys, Leicster, sheets 13 5/8 in. x 18 5/8 in., unframed. (22 pcs.)[$10/20] Condition: Each in overall fair condition.

123. After Etienne de la Vallée-Poussin (French, 1733-1793), “Interior Designs”, 18th c., 6 hand-colored engravings, engraved by Laurent Guyot (French, 1756-1808), from Cahiers d’Arabesques, 4 with “Samson Encadrement, Paris, France” label on backing board, sights 10 3/4 in. x 7 in. to 11 3/4 in. x 8 1/4 in., framed alike. (6 pcs.) [$500/700] Provenance: Collection of Alexandra Stafford and Raymond Rathle, Metairie, LA. Condition: Overall fair to poor condition. Ext. Frame: 17 in. x 13 3/8 in. x 1 in.

124. After Henryk Hektor Siemiradzki (Polish/Italian, 1843-1902), “Nero at the Circus”, color lithograph, signed in plate, artist and title printed on mat, 15 9/16 in. x 26 in., framed. [$50/100] Provenance: Collection of Dr. Mark A. Geist, Providence, RI. Condition: Overall good condition. Ext. Frame: 28 in. x 38 1/4 in. x 1 1/2 in.

125. After Lawrence Alma-Tadema (Dutch, 1836-1912), “Venus and Mars”, 1895, engraving, printed by J.S. Virtue & Co., London, published by The Art Journal, London, sheet 12 5/8 in. x 9 1/8 in., unframed. [$10/20] Condition: Overall good condition.

126. Cora Kelley Ward (American/Louisiana, 1920-1989), “Light Red Composition with Lines”, serigraph on wove paper, unsigned, 15 in. x 10 in., unframed. [$100/200] Condition: Overall fair condition.

127. Cora Kelley Ward (American/Louisiana, 1920-1989), “Composition in Green with Lines Nos. 1, 2 & 3”, 3 serigraphs on wove paper, unsigned, 15 in. x 10 in., unframed. [$100/200] Condition: Each in overall fair condition. 128. Noël James DeGaetano (American/New York, 1943-2012), “A New View...”, 1992, offset lithograph, pencil-signed and inscribed lower right, sheet 28 in. x 22 in., unframed. [$10/20] Condition: Overall fair condition.

129. Conrad Grefe (Austrian, 1823-1907), “Grenzsaule am Waldsaum”, c. 1860, lithograph, from the Weiner-Kunstler Album, printed by Reiffenstein & Rosch, Vienna, 15 1/4 in. x 12 1/4 in., unframed. [$10/20] Condition: Overall poor condition. 32

130. Joseph Ives Pease (American/Virginia, 1809-1883), “A Merry Christmas and a Happy New Year”, 1851, hand-colored engraving, published by Godey’s Lady’s Book, 10 in. x 6 in., unframed. [$10/20] Condition: Overall poor condition. 131. Thomas Hart Benton (American, 1889-1975), “Island Hay”, 1945, lithograph, pencil-signed lower margin, signed in plate, 9 7/8 in. x 12 1/2 in., unframed. [$500/700] Ill.: Fath, Creekmore. The Lithographs of Thomas Hart Benton. Austin: University of Texas Press, 1990, no. 68. Condition: Overall fair condition.

132. Thomas Hart Benton (American, 1889-1975), “The White Calf”, 1945, lithograph, pencil-signed lower margin, signed in plate, 9 7/8 in. x 12 5/8 in., unframed. [$700/1000] Ill.: Fath, Creekmore. The Lithographs of Thomas Hart Benton. Austin: University of Texas Press, 1990, no. 67. Condition: Overall fair condition.

133. William “Bill” Gropper (American/New York, 1897-1977), “For the Record”, 1986, soft ground etching, pencil-signed and numbered “69/100” lower margin, “Associated American Artists, New York, NY” label with artist, title and artist biography on mat, “Associated American Artists Certificate of Authenticity” with artist, title and date on reverse of mat, 6 3/4 in. x 3 3/4 in., matted. [$100/200] Condition: Overall good condition.

134. Robert Marsh (American/ Alabama, b. 1944), “Farmyard”, etching, pencil-signed, titled and numbered “62/250” lower margin, “Associated American Artists, New York, NY” label with artist, title and artist biography on mat, 11 1/2 in. x 9 5/8 in., matted. [$50/100] Condition: Overall good condition. 33

135. Rudolph “Rudy” Pozzatti (American/Colorado, 1925-2021), “Head of Christ”, 1958, etching, pencil-signed, title, dated and inscribed “ed.15” lower margin, label with artist, title, date and inscribed “ed.15” on mat, 2 3/4 in. x 3 3/4 in., matted. [$50/100] Condition: Overall fair condition.

136. Kenneth Hayes Miller (American/New York, 1876-1952), “Play”, c. 1921, etching and drypoint, pencil-signed lower margin, signed and dated “1919” in plate, 4 5/8 in. x 5 7/8 in., unframed. [$50/100] Condition: Overall fair condition.

137. Yankel “Jacob Burck” Boczkowsky (Polish/American, 1907-1982), “The Lord Provides”, 1934, lithograph, pencil-signed and dated lower margin, “France” watermark visible, 11 7/8 in. x 9 in., unframed. [$100/200] Condition: Overall fair condition.

138. Salvador Dalí (Spanish, 1904-1989), “La Plus Grande Beauté de Béatrice”, restrike print, pencil-signed and numbered “70/150” in red lower margin, published by The Collectors Guild LTD., copy of “Authentication by The Collectors Guild LTD., New York, NY” en verso, 9 1/2 in. x 7 3/8 in., unframed. [$100/200] Condition: Overall fair condition.

139. Nat Lowell (Latvian/American, 1880-1956), “Central Park South”, 1947, etching, pencil-signed lower margin, 8 5/8 in. x 12 1/4 in., unframed. [$50/100] Condition: Overall fair condition. 34

140. Robert Weir Allan (Scottish, 1851-1942), “Capri”, c. 1920, etching on paper mounted to board, pencil-signed and artist blind stamp lower margin, monogrammed in plate, “J. Whatman” watermark visible, 11 1/8 in. x 6 5/8 in., unframed. [$50/100] Condition: Overall poor condition.

141. Norman Wilkinson (British, 18781971), “U.S.S. Mississippi: Perry’s Flagship of Victory and Diplomacy”, 1938, etching, pencilsigned lower margin, from Ships of the Centuries, published by The National Geographic Society, 10 3/4 in. x 7 3/4 in., unframed. [$50/100] Condition: Overall poor condition.

142. American School, 19th/20th c., “Logging Mill”, etching, illegibly pencil-signed lower margin, “Asten” blind stamp lower margin, 9 in. x 11 7/8 in., unframed. [$50/100] Condition: Overall fair condition.

143. British School, 19th/20th c., “River Thames and the Houses of Parliment”, c. 1920, etching, illegibly pencil-signed lower margin, 5 1/4 in. x 8 7/8 in., unframed. [$50/100] Condition: Overall fair condition.

144. British School, c. 1920, “London Tower Bridge”, etching, pencil-signed “G. Briard” and titled lower margin, 6 1/8 in. x 8 7/8 in., unframed. [$50/100] Condition: Overall good condition.

145. Botanical Print, 19th c., “Camellia Meloni”, hand-colored lithograph, from Nouvelle Iconographie des Camilles, published by Alexander and Abrose Vershaffelt, 10 in. x 6 3/4 in., unframed. [$10/20] Condition: Overall poor condition.

146. Luigi Lucioni (Italian/American, 1900-1988), “Untitled: Landscape”, 1940, pencil-signed lower margin, signed and dated in plate, 8 1/4 in. x 10 1/8 in., unframed. [$50/100] Condition: Overall poor condition.

147. After Edward Matthew Ward (British, 1816-1879), “Goldsmith on His Travels”, 1872, lithograph, published by Gebbie & Barrie, Philadelphia, sheet 10 1/4 in. x 13 1/4 in., unframed. [$10/20] Condition: Overall poor condition.

148. Group of Miscellaneous European Landscapes, 8 prints, one signed and dated in plate, one signed in plate, one pencil-signed lower margin, sheets 4 in. x 6 1/4 in. to 11 7/8 in. x 17 1/2 in., unframed. [$50/100] Condition: Overall good to poor condition.

149. Fashion Advertisement, c. 1880, “The Milliner and Dressmaker”, hand-colored lithograph, printed by Edward Gailliard & Cie., Bruges, published by Adolphe Goubaud & Cie., Paris, sheet 12 in. x 9 1/2 in., unframed. [$10/20] Condition: Overall poor condition.

150. Fashion Advertisement, 1849, “London and Paris Fashions for November 1849”, hand-colored lithograph, sheet 11 in. x 8 1/2 in., unframed. [$10/20] Condition: Overall poor condition. 36

151. Gabriel Perelle (French, 1604-1677), “Nouvelles Cascades pour St. Cloud”, etching, printed by Nicolas Langlois, Paris, from Vues des Belles Maisons des Environs de Paris, sheet 8 1/2 in. x 12 1/2 in., unframed. [$10/20] Condition: Overall poor condition.

152. After Alonzo Chappel (American/New York, 1828-1887), “Chinese Embassy to Foreign Powers”, 1870, engraving, published by Johnson, Fry & Co., New York, sheet 7 1/4 in. x 11 in., unframed. [$10/20] Condition: Overall poor condition.

153. Antique Print, “The Cottage Home”, hand-colored engraving, published by Capewell & Kimmel, New York, 8 in. x 6 in., unframed. [$10/20] Condition: Overall fair condition.

154. John Robert Weaver (American/Kansas, 1935-2018), “Scottie”, c. 1977, lithograph, unsigned, “Landfall Press, INC., Chicago” stamp en verso, sheet 8 1/8 in. x 11 1/8 in., unframed. [$100/200] Condition: Overall good condition.

155. John Baptist Chatelain (English, 1710-1771), “Boy Leading a Reluctant Horse to Water”, engraving, after Dirk Stoop (Dutch, 1610-1686), 5 1/2 in. x 7 3/8 in., matted. [$10/20] Condition: Overall fair condition. 156. After Leonardo DaVinci (Italian, 1452-1519), “Saint John the Baptist”, decorative reproduction on panel, 17 7/8 in. x 15 in., framed. [$20/40] Condition: Overall poor condition. Ext. Frame: 24 3/4 in. x 21 3/4 in. x 2 in. 37

158. After Käthe Kollwitz (German, 1867-1945), “The End”, c. 1960’s, restrike etching, “A.V.D. Becke Meunchen-22” printer blindstamp lower margin, from The Weaver’s Revolt, printed by Alexander von der Becke, Munich, “Ferdinand Roten Galleries, Baltimore, MD” label with artist and title on mat, 9 3/8 in. x 11 3/4 in., matted. [$100/200] Condition: Overall fair condition.

157. Stephen Zietz (American, 20th c.), “Adam and Eve”, 1968, stone lithograph, pencil-signed, titled, dated and numbered “2/10” lower margin, 11 in. x 14 1/4 in., framed. [$50/100] Condition: Overall good condition. Ext. Frame: 20 in. x 23 1/2 in. x 1 1/8 in.

159. After Maude Schuyler Clay (American/Mississippi, b. 1953), “Delta Dogs”, 2007, 3 offset lithograph exhibition posters, each signed lower center, published by the Delta Blues Museum, Clarksdale, MS, 23 3/4 in. x 17 7/8 in., unframed. (3 pcs.) [$40/60] Condition: Overall good condition.

160. After Jean-Pierre Serrier (French, 1934-1989), “Le Vert Galant”, 1973, offset lithograph, signed in plate, printed by Lautrec, England, published by Pan American Graphics, Inc., New Orleans, sheet 21 1/2 in. x 30 7/8 in., unframed. [$20/40] Condition: Overall good condition.

161. Jack Levine (American, 1915-2010), “To an Unknown German photographer at the Warsaw Ghetto”, 1969, lithograph, pencil-signed lower right, titled lower center, numbered “54/120” lower left, watermark visible, label with title and date on backing paper, 18 1/2 in. x 25 in. framed. [$100/200] Condition: Overall good condition. Ext. Frame: 29 3/8 in. x 31 5/8 in. x 1 1/2 in.

162. Caroline Wogan Durieux (American/ Louisiana, 1896-1989), “Dirge”, lithograph, pencil-signed and inscribed “edition of 8” lower right, titled lower left, sheet 13 7/8 in. x 10 15/16 in., unframed. [$300/500] Condition: Overall good condition.

163. Caroline Wogan Durieux (American/ Louisiana, 1896-1989), “1955”, 1975 and “1975”, 1976, 2 electron prints, latter pencil-inscribed “artist proof” lower right, each unsigned, sheets 19 13/16 in. x 15 7/8 in. and 19 1/8 in. x 13 1/16 in., unframed. (2 pcs.) [$300/500] Condition: Overall good condition.

165. After Sadie Agnes Estelle Irvine (American/New Orleans, 1887-1907), “May Day, Newcomb College Arts and Crafts Sale”, 1988, silkscreen exhibition poster, printed by Jean Bragg Gallery, New Orleans, sheet 24 1/2 in. x 16 1/2 in., unframed. [$10/20] Condition: Overall good condition.

164. Caroline Wogan Durieux (American/Louisiana, 18961989), “Dinosaur Egg - #2”, 1970, cliché-verre, pencil-signed, titled, dated and numbered “5/10” lower margin, 12 1/2 in. x 16 1/4 in., unframed. [$500/700] Condition: Overall good condition.

166. Franco Alessandrini (Italian/New Orleans, b. 1944), “1979 Festa d’Italia, New Orleans”, 1979, chromolithograph, signed lower right, published by Cunningham Enterprises, Inc., New Orleans, sheet 26 in. x 20 in., unframed. [$10/20] Condition: Overall fair condition.

167. After John Desmond (American/ Louisiana, 1922-2008), “Monastery of St. Martin du Canigu in the Pyrenees”, 2001, exhibition poster, published by Louisiana State University Union Art Gallery, Baton Rouge, s heet 35 in. x 23 in., unframed. [$10/20] Condition: Overall good condition. 39

168. After Richard Lindner (German/ American, 1901-1978), “Einhorn Auditorium Sale”, 1967, lithograph, signed lower left, signed and dated in plate, printed by Contemporary Art Lithographers, Minneapolis, sheet 29 1/4 in. x 20 1/4 in., unframed. [$10/20] Condition: Overall fair condition.

169. After Robert Wick (American/ Arizona, b. 20th c.), “Sculpture”, 1981, exhibition poster, published by Scottsdale Center for the Arts, sheet 30 in. x 23 in., unframed. [$10/20] Condition: Overall good condition.

170. Guyatt/Jenkins Design Group, “The Great Japan Exhibition: Art of the Edo Period 1600-1868”, 1981, exhibition poster, published by the Royal Academy of the Arts, London, sheet 30 in. x 20 in., unframed. [$10/20] Condition: Overall fair condition.

171. Tulane School of Architecture, “Beaux Arts Ball”, 1976/1977, 2 exhibition posters, sheets 26 in. x 20 in., both unframed. (2 pcs.) [$10/20] Condition: Each in overall fair condition.

172. Gen Paul (French/American, 1895-1975), “Port St. Denis”, “Pont Neuf”, “Tour Eiffel” and “Notre Dame”, 1975, 4 offset lithographic calendar prints, each signed mid-right and titled mid-left, all signed and dated in plate, each with “CANSON-France-Ca grain” blindstamp and “Philips Data Systems” stamp, one with title page on backing board, from Gen Paul se Souvient de Paris, sheets 25 1/8 in. x 1 7/8 in., framed alike. (4 pcs.) [$500/700] Condition: Overall good condition. Ext. Frame: 26 in. x 20 5/8 in. x 1 in. 40

173. Ellsworth Woodward (American/Louisiana, 1861-1939), “General Jackson”, etching, initialed in plate, 9 3/8 in. x 8 1/8 in., framed. [$200/300] Provenance: Collection of Alexandra Stafford and Raymond Rathle, Metairie, LA. Ref: Boyer, Lillian Frances. The Etchings of Ellsworth Woodward: A Catalogue Raisonne. Baton Rouge: Louisiana State University, 1982, no. 31. Condition: Overall good condition. Ext. Frame: 15 3/8 in. x 12 3/8 in. x 3/4 in.

174. Richard Earlom (British, 1743-1822), “Landscape with Figures and Cattle” and “Seascape”, plates 188 & 200, c. 1777, 2 etchings with mezzotint, after Claude Lorraine (French, 1600-1682), from Liber Veritatis, both with “Clifford Art Studios, New York, NY” label on backing paper, each 7 1/4 in. x 10 in., framed alike. (2 pcs.) [$200/300] Provenance: Collection of Alexandra Stafford and Raymond Rathle, Metairie, LA. Condition: Overall fair condition. Ext. Frames: 15 3/8 in. x 17 1/4 in. x 1 1/2 in.

175. After Jean-Antoine Watteau (French, 1684-1721), “Figures Following Pierrot”, engraving, unsigned, sheet 9 1/4 in. x 13 5/8 in.; after Jacques Louis Touzé (French, 17421816), “Marie Antoinette” and “Roi Louis XVI”, 2 hand-colored engravings, one with information label on backing board, sights 9 3/8 in. x 6 in.; and after Nicolas Jean Baptiste Poilly (French, 1707-1780), “Floral Still Life”, 2 hand-colored restrikes, each with “A L’Art Ancien, Paris, France” label on backing board, 18 7/8 in. x 14 1/2 in.; together with “Vue Perspective de la Place Royal de Nancy 1760”, engraving, published by Mondhare, Paris, France, sight 9 in. x 15 1/2 in., all framed. (6 pcs.) [$500/700] Provenance: Collection of Alexandra Stafford and Raymond Rathle, Metairie, LA. Condition: Good to poor condition. Ext. Frames: 15 1/4 in. x 19 1/2 in. x 1 in. to 26 1/2 in. x 22 in. x 1 in. 41

176. Paul Jacoulet (French, 1896-1960), “Trois Coréens, Séoul Corée”, woodblock print, signed and artist stamp lower left, titled in margin, numbered “50/150” en verso, watermark visible, 11 7/8 in. x 15 1/2 in., framed. [$600/800] Provenance: The Pace Collection, Lake Charles, LA. Exh.: “The Pace Collection”, Historic City Hall, Lake Charles, LA, Oct. 23 - Dec. 31, 2021. Condition: Overall fair condition. Ext. Frame: 21 in. x 25 1/2 in. x 1 in.

177. Paul Jacoulet (French, 1896-1960), “La Letter du Fils, Séoul Corée”, woodblock print, signed and artist stamp lower right, titled in margin, numbered “220/350” en verso, watermark visible, 11 7/8 in. x 15 1/2 in., framed. [$400/600] Provenance: The Pace Collection, Lake Charles, LA. Exh.: “The Pace Collection”, Historic City Hall, Lake Charles, LA, Oct. 23 - Dec. 31, 2021. Condition: Overall good condition. Ext. Frame: 21 in. x 25 1/2 in. x 1 in. 178. Paul Jacoulet (French, 1896-1960), “Les Bons Piments Rouges, Johokuri Corée”, woodblock print, signed and artist stamp lower left, titled lower right, numbered “23/350” en verso, watermark visible, 15 1/2 in. x 11 7/8 in., framed. [$600/800] Provenance: The Pace Collection, Lake Charles, LA. Exh.: “The Pace Collection”, Historic City Hall, Lake Charles, LA, Oct. 23 - Dec. 31, 2021. Condition: Overall good condition. Ext. Frame: 25 1/2 in. x 20 7/8 in. x 1 in. 42

179. Paul Jacoulet (French, 1896-1960), “Le Prêtre de Sendo-Ji, Oiwake, Japon”, woodblock print, signed and artist stamp lower left, titled in margin, numbered “23/350” en verso, 15 1/2 in. x 11 7/8 in., framed. [$400/600] Provenance: The Pace Collection, Lake Charles, LA. Exh.: “The Pace Collection”, Historic City Hall, Lake Charles, LA, Oct. 23 - Dec. 31, 2021. Condition: Overall good condition. Ext. Frame: 25 1/2 in. x 20 7/8 in. x 1 in.

180. Paul Jacoulet (French, 1896-1960), “Une Histoire très Drôle, Mongols”, woodblock print, signed and artist stamp lower left, titled in margin, numbered “114/350” en verso, watermark visible, 15 1/2 in. x 11 3/4 in., framed. [$300/500] Provenance: The Pace Collection, Lake Charles, LA. Exh.: “The Pace Collection”, Historic City Hall, Lake Charles, LA, Oct. 23 - Dec. 31, 2021. Condition: Overall good condition. Ext. Frame: 25 1/2 in. x 20 7/8 in. x 1 in.

181. Paul Jacoulet (French, 1896-1960), “La Pipe à Eau Chinoise”, woodblock print, signed and artist stamp mid-right, artist stamp en verso, titled in margin, watermark visible, 15 1/2 in. x 11 7/8 in., framed. [$300/500] Provenance: The Pace Collection, Lake Charles, LA. Exh.: “The Pace Collection”, Historic City Hall, Lake Charles, LA, Oct. 23 - Dec. 31, 2021. Condition: Overall good condition. Ext. Frame: 25 1/2 in. x 20 7/8 in. x 1 in. 43

182. Paul Jacoulet (French, 1896-1960), “La Geisha Kiyoka, Tokyo”, woodblock print, signed and artist stamp lower left, artist stamp en verso, titled in margin, watermark visible, 15 1/2 in. x 11 3/4 in., framed. [$500/700] Provenance: The Pace Collection, Lake Charles, LA. Exh.: “The Pace Collection”, Historic City Hall, Lake Charles, LA, Oct. 23 - Dec. 31, 2021. Condition: Overall good condition. Ext. Frame: 25 1/2 in. x 20 7/8 in. x 1 in.

183. Paul Jacoulet (French, 1896-1960), “Vieillard au Chapelet, Kawadzu”, woodblock print, signed and artist stamp lower right, titled in margin, numbered “115/350” en verso, 15 1/2 in. x 11 3/4 in., framed. [$600/800] Provenance: The Pace Collection, Lake Charles, LA. Exh.: “The Pace Collection”, Historic City Hall, Lake Charles, LA, Oct. 23 - Dec. 31, 2021. Condition: Overall good condition. Ext. Frame: 25 1/2 in. x 20 7/8 in. x 1 in. 44

184. Paul Jacoulet (French, 1896-1960), “Dan les Jardins Reserves du Palais, Séoul, Corée”, woodblock print, signed and artist stamp lower right, sight 15 5/16 in. x 11 3/4 in., framed. [$600/800] Provenance: The Pace Collection, Lake Charles, LA. Exh.: “The Pace Collection”, Historic City Hall, Lake Charles, LA, Oct. 23 - Dec. 31, 2021. Condition: Overall good condition. Ext. Frame: 25 1/4 in. x 18 5/8 in. x 1 1/8 in.

185. Paul Jacoulet (French, 1896-1960), “La Poetesse Indienne”, woodblock print, signed and artist stamp lower right, sight 15 5/16 in. x 11 3/4 in., framed. [$600/800] Provenance: The Pace Collection, Lake Charles, LA. Exh.: “The Pace Collection”, Historic City Hall, Lake Charles, LA, Oct. 23 - Dec. 31, 2021. Condition: Overall condition fair. Ext. Frame: 25 1/4 in. x 18 5/8 in. x 1 1/8 in.

186. Paul Jacoulet (French, 1896-1960), “La Statuette Thang, Mandchoukou”, woodblock print, signed and artist stamp mid-left, sight 15 in. x 11 1/8 in., framed. [$500/700] Provenance: The Pace Collection, Lake Charles, LA. Exh.: “The Pace Collection”, Historic City Hall, Lake Charles, LA, Oct. 23 - Dec. 31, 2021. Condition: Overall fair condition. Ext. Frame: 26 1/2 in. x 18 7/8 in. x 1 1/8 in.

187. Paul Jacoulet (French, 1896-1960), “Les Graines de Camelia, Oshima, Izu”, woodblock print, signed and artist stamp lower left, artist stamp en verso, titled in margin, watermark visible, 15 1/2 in. x 11 3/4 in., framed. [$600/800] Provenance: The Pace Collection, Lake Charles, LA. Exh.: “The Pace Collection”, Historic City Hall, Lake Charles, LA, Oct. 23 - Dec. 31, 2021. Condition: Overall good condition. Ext. Frame: 22 5/8 in. x 19 in. x 1 1/4 in.

188. Paul Jacoulet (French, 1896-1960), “Marionnettes, Chinoises, Chinois”, woodblock print, signed and artist stamp lower right, titled in margin, numbered “36/350” en verso, 15 1/2 in. x 11 3/4 in., framed. [$500/700] Provenance: The Pace Collection, Lake Charles, LA. Exh.: “The Pace Collection”, Historic City Hall, Lake Charles, LA, Oct. 23 - Dec. 31, 2021. Condition: Overall good condition. Ext. Frame: 25 5/8 in. x 19 1/8 in. x 1 in.

189. Paul Jacoulet (French, 1896-1960), “Les Jades, Chinoise”, woodblock print, signed and artist stamp mid-right, artist stamp en verso, titled in margin, watermark visible, 15 1/2 in. x 11 3/4 in., framed. [$500/700] Provenance: The Pace Collection, Lake Charles, LA. Exh.: “The Pace Collection”, Historic City Hall, Lake Charles, LA, Oct. 23 - Dec. 31, 2021. Condition: Overall good condition. Ext. Frame: 22 5/8 in. x 19 1/8 in. x 1 1/4 in.

190. Paul Jacoulet (French, 1896-1960), “Le Billet Doux, Mongole”, woodblock print, signed and artist stamp mid-left, artist stamp en verso, titled in margin, 15 1/2 in. x 11 3/4 in., framed. [$500/700] Provenance: The Pace Collection, Lake Charles, LA. Exh.: “The Pace Collection”, Historic City Hall, Lake Charles, LA, Oct. 23 - Dec. 31, 2021. Condition: Overall good condition. Ext. Frame: 22 5/8 in. x 19 1/8 in. x 1 1/4 in.

191. C. Bennett Moore (American/New Orleans 1879-1939), “Shadow of New Orleans”, hand-colored photograph, signed lower right, label with title on backing board, 14 in. x 10 7/8 in., framed. [$200/300] Condition: Overall fair condition. Ext. Frame: 19 in. x 16 1/8 in. x 2 in.

193. Miniature Watercolor of “Lady on an Afternoon Stroll”, 19th c., unsigned, 4 1/4 in. x 3 1/8 in. (oval), unframed. [$100/200] Condition: Overall good condition.

195. Madrone Burlwood Bowl by David L. Pulitzer (American, b. 1950), c. 1991, signed and inscribed “madrone burl”, h. 4 in., dia. 6 1/2 in. [$150/250]

192. Marianne Wafes (American/New Orleans, b. 20th c.), “Entryway”, 2014, digital photographic print, pencil-signed and dated lower margin, pencilsigned and dated en verso, from the series The Castle, 9 1/2 in. x 9 3/8 in., framed. [$100/200] Condition: Overall good condition. Ext. Frame: 17 1/4 in. x 16 1/2 in. x 2 in.

194. John Bell American Art Pottery Jardiniere or Flower Pot, c. 1850-1860, mottled red and green glaze, h. 9 1/4 in., dia. 8 1/4 in. Condition: chips/losses to rim and base. [$150/250]

196. American Inlaid Cherrywood Box, c. 1820, star, heart and diamond design, h. 4 1/2 in., w. 13 in., d. 7 3/4 in. [$100/200] 47

197. Kataro Shirayamadani (1865-1948) for Rookwood Pottery Green-Glazed Inkwell, c. 1890, incised mark “418 B”, h. 2 1/4 in., dia. 5 1/4 in. [$100/200]

198. Mexican Hand-Painted Earthenware Bowl and Underplate, decorated with centered floral motif, underplate dia. 9 1/2 in. [$10/15]

199. George Ohr Pottery Pitcher, c. 1900, script mark, unglazed crimped body, h. 5 in., w. 6 1/4 in., d. 5 in. Note: Handle restored [$400/600] 200. George Ohr Pottery Small Vase, c. 1900, impressed mark, baluster form with gunmetal glaze, h. 4 1/2 in., dia. 2 in. [$300/500]

201. Shearwater Art Pottery Flare Vase, with brown and purple/light green flambe glaze, straight impressed mark, |h. 5 1/4 in., dia. 5 1/8 in. [$150/250]

202. Shearwater Art Pottery Coffee Cup, James Anderson, quarter size impressed mark, taupe and pale blue flambe glaze, h. 3 in., w. 4 1/2 in., d. 4 in. [$50/75]

203. Shearwater Art Pottery Vase, 2001, James Anderson and Patricia Anderson Findeisen, quarter size impressed mark, slip decoration of a nude female and foliage, h. 6 in., dia. 4 3/4 in. [$300/500] 204. Shearwater Art Pottery Pale Green Vase, quarter size impressed mark, flared foot, yellow-cream over blue-green and mustard glaze, h. 8 1/4 in., dia. 3 in. [$200/300]

205. Shearwater Art Pottery Vase, c. 2002, by James Anderson and Patricia Anderson Findeisen, with a violin player and dander, h. 10 1/2 in., dia. 4 1/4 in. [$300/500]

206. Shearwater Art Pottery Vase, c. 1999, decorated by James Anderson, with a woman, birds and flowers, h. 9 1.2 in., dia. 4 in. [$300/500]

207. New Orleans Stoneware Whiskey Jug, marked “2” and “I.L. LYONS & CO., WHOLESALE DRUGGISTS and Mfg. Chemists, NEW ORLEANS, LA”, h. 13 in., dia. 8 3/4 in. [$200/300] 208. Rare Bay St. Louis, Mississippi Porcelain Plate, c. 1905, marked “J.H.R. Co./Made in Germany/Designed for/C.O. Johnson, Jeweler/Bay St. Louis, Miss.”, the transfer-decorated reserve depicting two men, a dog, with fishing poles, in front of their catch, titled “Two Hours’ Fishing in Bay St. Louis, Miss.”, dia. 7 in. [$200/300] 49

209. Newcomb College Decorated Bavarian Porcelain Plate, c. 1924, decorated by Marion Muenzenberger Bitter, pale yellow border with ring of stylized gilt swallows, base marked “Thomas Bavaria”, dia. 10 9/16 in.; together with copy of Muenzenberger’s Newcomb college transcript [$400/600] 210. Italian Art Deco Glazed Pottery Jazz Band Grouping, early 20th c., marked “Italia / Nove” and labeled “Bantoni / Venezia”, incl. drummer, trumpeter, saxophonist, and singer seated and standing against a wall, h. 6 in. w. 7 1/2 in., d. 4 1/4 in [$150/250]

211. Paris Porcelain Gilt Decorated Coffee Service, c. 1840, incl. coffee pot, h. 8 1/2 in.; creamer, h. 5 1/4 in.; lidded sugar, h. 6 1/2 in.; and waste bowl, dia. 6 in. (4 pcs.) [$250/350] 212. Six Limoges Porcelain Oyster Plates, marked “D&C France” and “R. Delinieres & Cie Limoges”, decorated with green vines and gilt accents, dia. 8 in. [$200/300]

213. Piero Fornasetti (Italian, 1913-1988) Black and Gilt Glazed Ceramic “Piede Romano” or Roman Foot-Form Pencil Holder, “FORNASETTI MILANO” and “SARSINI” label on base, h. 3 1/2 in., w. 8 1/2 in., d. 3 3/8 in. [$100/200]

214. Ackermann and Fritze Porcelain Figural Group, “Cobbler”, c. 1925, crown over N mark, h. 10 in., w. 9 1/2 in., d. 6 1/2 in. [$100/200]

215. Ackermann and Fritze Porcelain Figural Group of a Children’s Game, c. 1925, marked Dresden with blue crown over “N”, illegibly inscribed, h. 8 1/4 in., w. 9 in., d. 6 in. [$100/200] 50

216. Austrian Art Nouveau Matte-Glazed Covered Jar, c. 1895, incised mark “Austria, 2677”, h. 5 1/2 in., w. 6 3/8 in., d. 5 1/2 in. [$50/75]

217. German Polychrome Porcelain Corbeille, late 18th century, marked, foliate handles, reticulated rim, h. 3 5/8 in., w/ 9 7/8 in., d. 7 3/8 in. [$200/300]

18. Meissen Polychrome and Parcel Gilt Plate, late 19th c., marked, dia. 8 1/2 in. [$50/100]

220. Bohemian Polychrome and Parcel Gilt Porcelain “Persian” Coffee Pot, c. 1900, Amphora Porcelain Works, Bohemia (Czech Republic), affixed to wood stand, h. 17 7/8 in. w. 8 1/4 in., d. 4 5/8 in. [$200/300]

219. Continental Ceramic Bowl, h. 6 1/4 in., dia. 6 3/4 in. [$50/75]

221. Delftware Polychrome Lidded Bottle, c. 1800, marked, decorated with chinoiserie scenes, h. 5 1/2 in., w. 3 in., d. 2 1/4 in. [$100/200]

223. Royal Doulton Prestige Porcelain “Indian Brave” Figure, designed by Peggy Davies 1967, numbered “207/500”, h. 17 in., w. 16 in., d. 7 in.; together with wooden base and framed description; Note: with detached feather [$400/600]

224. Two English Transferware Covered Sauce Tureens, incl. one Wedgwood, 19th c., marked, underplate, h. 5 1/4 in.; and one Ridgway, decorated with scenes of the Bank of Savannah, Charleston Exchange, and Insane Hospital of Boston, h. 6 3/8 in. (3 pcs.) [$100/200]

225. Henry Tooth (1842-1918) for Bretby Art Pottery Green-Glazed Vase, c. 1900, incised mark “Bretby, Made in England”, fish decoration, h. 6 3/8 in., dia. 7 in. [$50/75]

226. English Polychrome and Parcel Gilt Pearlware Pitcher, c. 1820, rope-molded handle, h. 7 in., dia. 4 1/4 in. [$50/75]

227. Staffordshire Pottery Figural Group, modeled as a young girl sitting on a dog’s back, h. 5 1/2 in. [$50/75]

Session Two

Thursday, May 26, 11 a.m.

228. Pair of Chinese “Canton” Famille Rose Porcelain Vases, Buddhist lion mask-affixed ring handles, decorated with bird, butterfly and flower cartouches, h. 14 in. [$500/700]

229. Antique Carved and Polychromed Figured of a Saint, holding a book, on molded base, h. 19 1/2 in. [$100/150]

230. Rock Crystal Torso, wood base, h. 7 1/2 in., w. 3 in., d. 2 in. [$500/700]

231. American Carved and Polychromed Grouping of Hudsonian Curlews, 1975, signed “George P. Wilson III”, on driftwood stand, h. 15 1/2 in., w. 28 in., d. 10 1/2 in. [$300/500]

232. Carved and Painted Figures of Doves, signed “Doves, by Ken Eslava, Mobile, 1979”, h. 14 1/4 in., w. 16 in., d. 7 1/4 in. [$200/400] 54

233. Michael Lee (American, b. 1960) “Takobol”Cocobolo Rosewood Vessel, 2004, h. 3 5/8 in. w. 8 in., d. 7 1/2 in. [$200/300]

235. Copper-Mounted Coffer, 20th c., domed lid, h. 7 in., w. 9 in., d. 6 in; together with brass inlaid mahogany box, hinged lid, h. 3 in., w. 9 1/4 in., d. 6 1/2 in. [$20/30]

234. Rusty Patterson (American, b. 1961) Magnolia Burlwood Platter, 1991, signed, dia. 13 3/4 in. [$100/200]

236. American Green and Black-Painted Pine Campaign Trunk, mid19th c., inscribed “Capt. R. Mc C. Jones, R & D.R.R.”, cast iron handles, w. 35 1/2 in. [$150/250] Provenance: Descended in the family of Confederate Captain Robert Mc Candish Jones, First Virginia Regiment via Mrs. James Bertrand Cox.

237. Victorian Brass Standish, late 19th c., square inkwell with glass liner, base with integral pen tray, h. 5 1/2 in., l. 9 in., w. 7 1/2 in. [$30/50]

238. Antique Mercury Glass Gazing Ball, 19th c., on an integral pedestal, in good condition with minor flaking on base, h. 9 in., dia. 6 in. [$30/50] 239. Brass Hall Lantern, with two-light fixture, h. 16 in., w. 5 1/2 in., d. 5 1/2 in. [$10/15]

241. Two American Pine Folk Art Boxes, both with hinged lids and bracket feet, larger with removable tray, larger h. 10 1/4 in., w. 16 in., d. 10 in. [$300/500] 240. Vintage Mobile, AL Firetruck Ladder, side painted “G.E. BARNES CO., MOBILE”, h. 61 1/2 in., w. 18 in., d. 2 1/2 in. [$300/500]

242. American Mahogany and Glass Firescreen, 19th c., hinged panels, on brass trestle feet, h. 43 3/4 in., w. (closed) 24 in., w. (open) 48 in., d. 13 1/2 in. [$250/350]

243. Pair of Napoleon III Bronze and Marble Tazzas, late 19th c., portrait bust standard, black and rouge marble base, paw feet, h. 10 3/4 in., w. 10 1/2 in., d. 6 1/2 in [$300/500]

244. Pair of Italian Carved, Faux Marbre and Gilt Torcheres, 20th c., scroll feet, h. 62 1/2 in., w. 14 1/2 in., d. 14 1/2 in. [$600/900] Provenance: Whisnant Galleries Collection, New Orleans, LA.

245. Ancient Roman Clay Mask, 1st century AD, h. 6 in., w. 5 1/8 in., d/ 2 in. [$50/100]

246. Scottish Carved Wood Bowl, 17th century, rattan wrap, h. 3 1/2 in., dia. 9 3/4 in. [$50/100]

247. Pair of French Fluted Marble Shell-Form Basins, note damage, h. 6 1/2 in., w. 19 in., d. 16 1/2 in. [$400/600]

248. Carved Amethyst Figure, possibly Russian, giltwood base, h. 8 in., w. 3 1/2 in., d. 3 1/2 in. [$500/700]

249. Antique Marble Figure of the Roman Jurist Papinianus, titled on base, h. 25 1/2 in. Note: repair [$100/200]

251. French Patinated Bronze Applique, late 19th c., the single scrolled branch issuing a dishshaped nozzle, h. 28 in., dia. 10 in. [$75/150]

250. Continental Blond Horn Ovoid Snuff Box, c. 1835; together with a small tortoise and inlaid rectangular silver snuff box, and a Victorian agate and brass snuff box, largest l. 3 in. [$150/250]

252. Napoleon III Gilt Bronze Three-Light Figural Candelabrum, 19th c., now mounted as a lamp, marble base, h. (incl. socket) 30 in., dia. 8 1/2 in. [$300/500]

256. Continental Bronze Dresser Box, hinged lid, relief of griffins and foliage, on bracket feet, h. 5 1/2 in., w. 8 1/2 in., d. 4 1/2 in. [$300/500]

257. French Bronze Figure of a Woman Feeding a Dove, signed “L. GREGOIRE”, h. 24 in. [$300/500]

253. Empire-Style Gilt Bronze Marble Cassolette, urn-form, floral casting, molded marble base, h. 9 1/2 in., dia. 6 in. [$200/300]

254. Antique French Neoclassical-Style Bronze Fireplace Garniture, incl. pair of andirons, h. 15 in., w. 9 in., d. 14 in.; and a screen designed to fit over the andirons, h. 35 1/2 in., w. 43 in. [$500/700]

255. Pair of Empire Bronze Figural Chenets, 19th c., swan and scroll design, connected by chain, h. 9 3/4 in., w. with chain extended 43 in., d. 4 in. [$400/600]

258. French Bronze Figure of “Woman with Broken Jug”, signed “Math. Moreau”, h. 20 in. [$300/500]

259. Four Giant Clam Shells, largest h. 4 in., w. 12 in., d. 9 in. [$300/500] 58

260. Antique Italian Giltwood Candlestand, scroll base, h. 31 1/2 in., w. 10 1/2 in., d. 9 in [$250/350]

261. English Rosewood Sarcophagus-Form Tea Caddy, c. 1840, with ring handles, the interior fitted with two tea boxes flanking a compartment for a mixing bowl, note: minor chips, h. 7 in., w. 13 in., d. 7 in. [$30/50]

262. Pair of Late Georgian Brass Beehive Candlesticks, c. 18251830, each fitted with an interior push-up mechanism, h. 10 3/4 in. [$30/50]

263. Edwardian Gilt Brass-Mounted Inlaid Mahogany Dressing Table Box, c. 1900-1910, lid with a later applied Art Deco brass monogram of lozenge form “JC”, box with gilt-brass hairy-paw feet, h. 5 1/2 in., w. 14 1/2 in, d. 11 1/2 in. [$75/150]

265. Antique English Carved Mahogany and Needlepoint Firescreen, adjustable screen, lacking one foot, h. 60 in., w. 21 in., d. 13 in. [$30/50]

264. Two English Victorian Silver and Mother-of-Pearl Inlaid Tortoiseshell Etui, 19th c., larger 4 in. x 2 in.; together with a turned bone spool, and a Japanese gilt metal inlaid rosewood 3 section inro. (4 pcs.) [$150/250]

266. Continental Neoclassical Silver Sucrier, 19th c., footed vase form with conical cover, collar fitted for spoons, h. 9 in., wt. 12.20 troy ozs. [$300/500]

267. Good Group of Nine Antique Silver Napkin Rings, 19th c., some unmarked, incl. Wood & Hughes sterling in the Renaissance Revival taste, pair of Frank M. Whiting “Florence” sterling, pair with beading and engine-turned decoration engraved “Sam” and “Mary”, John Henry Potter, Sheffield, 1918 engraved “Mums”, Renaissance Revival engraved “father”, scroll decoration engraved “EH”, and bright cut decoration engraved “Allan”; total wt. 9.85 troy ozs. [$300/500]

268. Reed & Barton “Francis I” Pattern Sterling Silver Bonbon Dish, date mark for 1948, w. 6 1/2 in.; together with Wallace clamshell sterling nut dish, w. 6 1/4 in.; sterling figural nut scoop, Berthold Muller, Chaster, 1899, l. 6 3/4 in.; and Continental silver bonbon spoon, l. 6 in.; total wt. 11.30 troy ozs. (4 pcs.) [$300/500]

269. Simpson, Hall, Miller & Co. Silverplate Mechanical Covered Butter Dish, c. 1880, model 74, h. (incl. handle) 13 in. Note: condition [$100/200]

270. American Art Deco Sterling Silver Dresser Set, R. Blackinton Co., North Attleboro, MA, early 20th c., incl. hand mirror, hair brush, comb, nail file and associated Aesthetic shoe horn. (5 pcs.) [$250/350] 60

271. American Sterling Silver Dresser Set, William B. Kerr & Co., Newark, NJ, early 20th c., incl. hand mirror, hair brush, comb back, nail buffer, powder jar, clothes brush, hat brush, shoe horn, and nail file. (9 pcs.) [$250/350]

272. Group of American Sterling Silver Dressing Table Articles, incl. beaded hand mirror, nail buffer, hat brush, button hook, rouge jar, manicure scissors, comb, 2 powder jars, oval jar and inkwell. (11 pcs.) [$250/350]

273. Assorted Group of Antique and Vintage American Sterling Silver Dressing Table Articles, inc. 3 hand mirrors, 4 hair brushes, button hook and hat brush. (9 pcs.) [$150/250]

274. Twelve Tiffany “English King” Sterling Silver Lobster or Fruit Forks, gilt wash tines, l. 6 in.; together with 11 Dominick & Haff “No. 10” pattern sterling cocktail forks, tines retain traces of gilt wash, l. 5 3/8 in.; total wt. 14.45 troy ozs [$300/500] 275. Group of Gorham “Grecian” Pattern Coin Silver Flatware, pat. 1861, incl. serving tongs, l. 9 1/2 in., gravy ladle, 12 ice cream spoons, l 5 3//4 in. and 1 egg spoon, l. 4 3/4 in.; total wt. 15.35 troy ozs. [$300/500]

276. Group of Dominick & Haff Sterling Silver Flatware, incl. “Renaissance” pattern, pat 1894, 10 fish forks, l. 6 in., 7 butter knives (fh), l. 5 3/8 in., 2 citrus spoons, l. 5 3/4 in. and cheese scoop, l. 6 1/4 in.; and “Trianon Pierced” pattern, pat. 1885, 10 ice cream spoons, l. 5 3/4 in.; total wt. 26.55 troy ozs. [$400/600]

277. Group of American Colonial Revival Sterling Silver Flatware, incl. Gorham “Old London”, pat. 1916, 6 tablespoons, 12 demitasse spoons, 7 knives (l. 8 3/8 in.), 12 fruit knives and 7 butter knives (fh); Gorham “Clermont, pat. 1915, 2 tablespoons and 6 dessert spoons; Watson “Mount Vernon”, pat. 1907, 12 teaspoons; Durgin “Fairfax” large berry spoon, Old Newbury Crafters serving spoon, 4 Towle bouillon spoons and 6 Lunt coffee spoons; total wt. (weighable) 57.50 troy ozs. (76 pcs.)[$500/700] 61

278. Interesting Group of Antique and Vintage Silver Spoons, incl. coin silver tablespoon, John Belknap, Boston, act. 1813-1834, l. 9 in.; handhammered unmarked serving spoon, l. 12 in.; BakerManchester “Poppy” sterling berry spoon, l. 7 1/2 in.; 8 Gorham “Regency” sterling teaspoons; 4 Gorham “Atlanta” sterling teaspoons; 2 Towle “Old Colonial” sterling soup spoons; 5 M.S. Buckland coin teaspoons; and 14 miscellaneous spoons; total wt. 28.25 troy ozs. [$250/350]

280. Set of Four American Sterling Silver Butter Spreaders, by Geo. F. Homer, together with 4 sterling silver demitasse spoons in the “Colonial Shell” pattern, (8 pcs.) [$50/100] 279. Georgian-Style Silverplate Tea Tray, flower, grape and scroll border, loop handles, 27 in. x 16 in. [$100/200]

281. Victorian Silverplate Fox Head Circular Dish; together with an EllisBarker silverplate ashtray, dia. 8 in., w. 4 1/2 in. (2 pcs.) [$50/100]

282. Reed & Barton Silverplate Covered Vegetable Dish, “Mayflower” pattern, plain two-handled oblong form [$20/40]

283. Pair of “Steuben” Urn-Form, Handled Salt Cellars, 20th c., together with pair of American “Upturned Fiddle” pattern coin silver salt spoons, c. 1830, with shell-form bowls, probably New England, urn h. 4 in. [$30/50]

284. American Sterling Silver Trumpet Vase, weighted base, h. 7 in. [$30/50]

285. Group of American Silver Topped Glass Dressing Table Accoutrements, c. 1900, incl. rare brilliant cut glass hairpin holder, h. 6 3/4 in.; large cut glass power box, dia. 6 1/4 in.; molded glass hair receiver, dia. 3 3/4 in.; and perfume bottle with interior lid, h. 2 3/4 in. (4 pcs.) [$150/250]

286. Tiffany & Co. Makers Sterling Silver Sweetmeat Dish, pattern introduced 1924, w. 6 in., wt. 5.10 troy ozs. [$150/250]

287. Three Antique Carved Bone Walking Sticks, figural heads, brass collars, tallest l. 37 in [$500/700]

288. Pair of Classical-Style Cast Resin Figural Wall Brackets, h. 11 1/2 in., w. 12 1/2 in., d. 8 in. [$100/200]

289. Group of Gorham “Dresden Rose” Sterling Silver Repousse Table Accoutrements, incl. hand mirror, with loop handle, l. 7 3/8 in.; circular box, dia. 3 1/2 in.; oval box, l. 3 3/4 in.; and pin tray, l. 5 3/8i n.; total wt. (weighable) 6.75 troy ozs. (4 pcs.) [$150/250]

291. Meissen-Style Polychrome Porcelain Figural Group of an Amorous Couple with Lambs, mounted as a lamp, h. (incl. socket) 18 in., dia. 8 1/2 in. [$200/400]

290. Pair of Paris Polychrome and Gilt Porcelain Campagna Urns, 19th c., decorated with floral garlands, h. 8 7/8 in. [$200/300]

292. Whiting Sterling Silver Perfume Flask, c. 1900, footed vase form with flame shape stopper, h. 6 3/4 in.; together with 2 Gorham sterling floral repousse soap boxes, 1 with date mark for 1895, 1 with Lady Primrose soap, l. 3 3/4 in. and 3 3/8 in.; total wt. 10.80 troy ozs. (3 pcs.) [$200/300]

293. Towle Sterling Silver Circular Tray, pattern 6065, beaded border, central script monogram, dia. 10 7/8i n., wt. 15.65 troy ozs. [$300/500]

295. American Sterling Silver Sugar and Creamer in the Colonial Taste, Watson pattern 27, helmet form creamer, h. 3 1/2 in.; together with a square sterling silver bowl with lobed corners, Concord Silver, 5 5/8 in. square, total wt. 10.40 troy ozs. (2 pcs.) [$250/350] 294. Pair of Schofield Sterling Silver Repousse Bowls, “Baltimore Rose” pattern, dia. 6 3/4 in.; together with sterling fluted porringer, reticulated handle with engraved 1909 presentation, l. 7 1/2in., total wt. 14.70 troy ozs. (3 pcs.) [$350/450] 64

296. Set of Ten Tiffany & Co. Silverplate Shell-Form Dishes, l. 4 1/2 in.; together with 5 blue opaline glass floriform mint dishes. (15 pcs.) [$100/200] 297. English Brass-Banded Mahogany Lap Desk, early 19th c., h. 6 in., w. 18 in., d. 10 in. [$250/350]

298. Good Group of Crystal Serving Pieces, incl. English silverplate dessert stand with glass plates, h. 15 in.; Meriden silverplate and crystal circular condiment dia. 9 1/4 in.; and 2 sterling and crystal condiments, rectangular 5 1/2 in. x 4 1/2 in. and oval 5 1/2 in. x 4 3/4 in. (4 pcs.) [$150/250]

300. Two English Victorian Mother-of-Pearl Inlaid Tortoiseshell Card Cases, geometric and floral inlay, larger 4 in. x 2 1/2 in. [$150/250]

299. Square Japanese Blue and White Porcelain Sweetmeat Tray, c. 1835-1850, with “brocade” borders and a “scholar’s garden” cave tto, together with an oblong blue and white porcelain tray with lamb requin edge and a “mountain village bridge” center of like date, both examples signed in underglaze blue calligraphy, h. 11 1/2 in., w. 11 1/2 in., d. 1 1/2 in., and h. 8 1/2 in., w. 11 1/4 in., d. 1 1/2 in. [$100/200]

301. Gorham “Raphael” Pattern Sterling Silver Dessert Serving Spoon, pattern introduced 1875, l. 8 5/8 in.; together with 12 Gorham “Lancaster” ice cream forks, pattern introduced 1897, l. 5 in.; total wt. 8.25 troy ozs. (13 pcs.) [$200/400]

302. Set of Twelve Sterling Silver Demitasse Cup Frames and Saucers, Manchester Silver Co., with 10 Lenox porcelain liners, silver weight 17.65 troy ozs. [$300/500] 303. American Aesthetic Enameled Glass and Silverplate Biscuit Stand, 19th c., reticulated leaf design, one barrel with crack, h. 13 1/2 in., w. 13 1/8 in., d. 7 1/4 in. [$150/250]

305. French Neoclassical Silverplate-Mounted Molded Glass Mustard Pot, early 19th c., with George III sterling silver gilt mustard spoon, 1818, poss. Sarah Purver, overall h. 5 1/2 in. [$150/250]

304. Interesting Group of Silver and Silverplate Flatware, incl. Norwegian .83 silver bonbon spoon, Thorvald Marthinsen “Viking Rose”, l. 6 3/4 in.; Regency sterling sugar tongs, London, 1808, probably Thomas Hayter, l. 5 5/8 in.; 2 American sterling sugar tongs, 2 American sterling lemon forks, 6 Webster sterling corn scrapers, Continental silver fish slice, l. 13 1/8 in.; and Elkington silverplate stilton scoop, 1851, l. 7 3/4 in. [$250/350]

306. Good Group of Small Antique Silver Table Objects, incl. Art Nouveau lily motif sterling tea strainer, l. 5 7/8 in.; Wallace sterling master salt (missing liner), w. 2 1/4 in.; Continental .813 silver juice cup, probably Austrian, maker CD, h. 2 3/4 in.; and Imperial Russian 83 zolotnik (.875) silver sugar tongs, Moscow, 1887, assayer, AP, l. 4 1/2 in.; total wt. 4.70 troy ozs. (4 pcs.) [$250/350] 66

307. George III Sterling Silver Chamberstick, c. 1800, marks rubbed, urnform candle nozzle with removable bobeche, handle fitted with snuffer, h. 4 1/2 in., w. 6 3/4 in., wt. 12.75 troy ozs. [$300/500]

308. Georgian Sterling Silver Encrier, probably late 18th c., unmarked, oblong pierced stand with bright cut engraving and armorial, fluted supports, quill and bottle holder secured by wire pins under base, h. 3 in., w. 8 3/4 in., d. 4 in., wt. 17.75 troy ozs. [$100/200]

309. Vintage English Silverplate Egg Dish, with chicken finial and fitted interior, now lacking burner, h. 8 3/4 in.; together with Victorian silverplate coffee pot, h. 9 7/8 in. [$150/250]

310. English Sterling Silver Sugar Castor, London, 1922, plain baluster form on spreading circular foot, h. 5 1/2 in., wt. 3 troy ozs., 7 dwts. [$50/100] 311. Antique Silverplate Decanter Stand, late 19th c., rectangular stand with swing handle, three matching square cut crystal square decanters and stoppers, “estate” condition, h. 13 1/2 in., w. 14 1/2 in., d. 6 1/2 in. [$50/100]

312. English Victorian Silverplate Covered Vegetable Dish, c. 1880, Mappin & Webb “Prince’s Plate”, shaped rectangular form with gadrooned borders, detachable handle, 11 in. x 8 in [$30/50]

313. Antique English Silverplate Serving Tray, c. 1900, with canted reticulated gallery decorated with putti, turned wood handles, suppressed ball feet, 22 in. x 15i n.; together with a silverplate oval salver, Hawksworth, Eyre & Co., Sheffield, mid-19th c., with classical motifs and shell scroll feet, 12 in. x 9 in. (2 pcs.) [$400/600]

314. English Bone China Dinner Service, Crown Staffordshire “Imari Coral”, incl. 12 dinner plates, 10 bread plates, 9 coffee cups, 10 saucers, coffee pot, sugar bowl, creamer and covered vegetable. (45 pcs.) [$300/500]

315. English Victorian Silverplate Fish Serving Knife and Fork, Martin Hall & Co., Sheffield, mid-l9th c., foliate scroll handles, l. 13 1/4 in. and 11 in. [$75/125]

316. Persian Carpet, light blue ground, overall foliate design, 9 ft. 6 in. x 14 ft. 3 in. [$300/500]

317. Two Panamanian Kuna Culture Polychrome Cotton Textiles, c. 1980, sight 12 in. x 16 in. and 14 in. x 17 1/2i n., framed. [$50/75]

318. Portion of a Cotton Printed Commemorative Flag, reading, “Cotton Centenary 1790-1890”, and having laurel-wreath framed portraits of Samuel Slater and the “Old Slater Mill” on a ground of red, white and blue stripes and stars, marked RI, “Produced at home by Dunnel Manuf.”, modern frame, h. 17 in., l. 33 1/2 in [$40/60] 68

319. Hiroshi Nakayama Ceramic Bowl, h. 3 1/2 in., dia. 12 1/2 in. [$75/100]

320. Antique American Gothic Bronze Lamp Standard, cluster column, over void niches, stepped base, remnants of gilding, h. (incl. socket) 32 in. [$300/500]

321. American Tole Peinte Lamp, two-light fixture, h. 24 in., dia. 14 in. [$40/60]

322. Diminutive Art Deco Glass and Brass Four-Light Chandelier, early 20th c., three tiers of clear glass and red beads, h. 22 in., dia. 15 in. [$400/600]

323. Diminutive Art Deco FiveLight Chandelier, early 20th c., glass rods and beads, h. 29 in., w. 19 in. [$300/500]

324. Aesthetic Glass and Brass Hall Lantern, c. 1870, ornate brass frame, colored etched glass panels, h. 24 in., dia. 13 in. [$300/500]

325. Diminutive EmpireStyle Six-Light Chandelier, globe issuing foliate arms, blue shades, h. 18 in., dia. 19 in. [$500/700]

326. Louis XV-Style Gilt Bronze Four-Light Sconce, putti backplate, foliate arms, h. 33 in., w. 20 in., d. 9 in. [$300/500]

328. French Blue Opaline Glass Hall Lantern, late 19th c., scrolled and foliate repousse corona and mounts, mechanical pull down mechanism allowing access to candleholder, h. 34 in., dia. 8 in. [$30/50]

327. Continental School, late 19th/early 20th c., “Figures Hunting in a Capriccio”, oil on canvas laid on shaped particle board, unsigned, 38 in. x 58 in., with decorative crest. [$200/300] Condition: Overall poor condition. Ext. Frame: 43 1/4 in. x 58 in. x 2 1/4 in.

329. Napoleon III Gilt Bronze SixLight Figural Candelabra, now mounted as a lamp, octagonal marble base, h. (incl. socket) 38 in., dia. 14 1/2 in. [$400/600]

330. Arts and Crafts Hammered Copper Hall Lantern, c. 1900, probably English, cupola over octagonal tracery with decorative repoussé bosses and provincial figures, h. 34 1/2 in., w. 16 in. [$300/500]

331. English-Style Brass Hall Lantern, cast with palmettes and swags, fitted with four lights, h. 22 in., dia. 11 in. [$300/500] 332. [ARTS & CRAFTS BINDINGS] Four titles, Hubbard, Elbert. Little Journeys to Homes of Great Lovers/ Dante and Beatrice. March 1906. Paper cover; Little Journeys to Homes of Reformers. John Wesley. January 1907. Paper cover; Little Journeys to Homes of the Great. Book. New York: Wm. H. Wise & Co. Copyright 1926. Hardcover; Elbert Hubbard’s Scrap Book, New York City: Wm. H. Wise & Co., Copyright 1923. Board cover tied with ribbon [$100/200] 70

333. [Sheet Music], “The Emblem of the Free” The Only Recent Patriotic Song Success, 1898, by Clarence Chrisman, 14 in. x 10 1/4 in., together with a manuscript poem “I’m such a little withered sprig, 1820, sheet 12 1/2 in. x 9 in. [$10/15]

334. Two Vintage Cameras, incl. a Rolleiflex twin lens reflex, and a Kodak Brownie Six-16 Box Camera, sold as decoration. [$50/75]

335. Two Japanese Haikuta Paddles, 20th c. [$100/200]

337. Lady’s Waltham 14 kt. Gold Pocket Watch, with seconds hand, engraved swirls and a vacant shield on the cover, h. 11/2 in., diam. 1 1/8 in.; together with an American sterling silver cigar case of plain oblong form with gilt interior, engraved script monogram on the hinged cover, 6 3/4 in. x 2 5/8 in. (2 pcs.) [$100/150]

336. French Beaded Evening Bag, c. 1910, goldtone hardware, seedbead tassles, h. 11 1/2 in. [ $50/75]

338. Seven American Glass Hurricane Shades, incl. 3 pairs and one single, tallest 14 in. [$200/300]

339. Antique Glass Decanter, Pitcher and Ice Bucket, decanter with green glass stopper, h. 9 1/2 in.; pitcher, h. 6 in.; ice bucket, dia. 6 in.; together with silverplate trivet, l. 9 3/4 in., w. 7 1/8 in.; and black and gilt japanned papier mache wine coaster, dia. 5 1/4 in. (5 pcs.) [$100/200] 340. Four American Clear Lacy Pressed Glass Cup Plates, c. 1830, by the Boston & Sandwich Glass Co., incl. one “Sandwich Star”, one with a central star and wheat sheaves border, one with a stippled heart border, and one with diamonds surrounding a star, dia. 3 1/4 in. (4 pcs.) [$50/100]

341. Pair of Glass Hurricane Shades, h. 18 in. [$200/300]

342. Vintage Painted Metal Garden Side Table, H 14 x w 40 x d 20 [$150/250]

343. Baccarat Crystal “Edith” Vase, marked, h. 9 3/4 in., dia. 6 3/4 in. [$300/500]

344. Two French Crystal Figures, incl. St. Louis bust of Napoleon III, marked, pedestal base inscribed “CHISLEHURST 1875”, h. 8 in.; and Lalique frosted crystal Chrysis Motor mascot figure, etched marks, designed 1925, model #11809, h. 5 1/4 in. (2 pcs.) [$250/350] 72

346. Pair of Chinese Marble Garden Seats, 20th c., two parts, round seats, octagonal bases. [$800/1200] 345. Pair of American Cast Iron Garden Armchairs, 19th c., scrolled seatback with mask decoration, acanthine legs, together with “as is” side chair. [$300/500] 347. American Painted Cast Stone Garden Figure of a Lion, with paw resting on sphere, plinth base [$300/500] Provenance: Collection of Dr. Norbert and Mary Fahey, Sacramento, CA.

348. Cast Iron Fragment in the Neoclassical Taste, c. 1825-1830, pair of anthemia flanking a stylized lotus bud, h. 4 1/2 in., w. 12 in. Note: Broken into three pieces [$10/15]

349. Bronze Figure of a Boy Holding a Cross, illegible signature inscribed on self-base, h. 10 in., w. 3 1/2 in., d. 2 3/4 in., marble base, overall h. 10 7/8 in. [$100/200] Condition: Overall good condition.

350. American School, 20th c., “Portrait of a Man”, plaster, unsigned, h. 30 in., w. 16 in., d. 13 in. [$100/200] Condition: Overall poor condition.

352. Bronze Figure of “Diana of Gabii”, after the antique now conserved in the Louvre, Paris, h. 20 1/2 in., w. 6 in., d. 6 in. [$800/1200] Condition: Overall good condition.

351. Carved Marble Figure of “The Dying Gaul” or “The Dying Gladiator”, after the antique now conserved in the Capitoline Museums in Rome, h. 6 1/4 in., w. 10 3/4 in., d. 5 in., marble base, overall h. 9 1/2 in. [$600/800] Condition: Overall fair condition.

353. Bronze Figure of a Prancing Horse, after the antique, plaque inscribed “L. Noli” on base, h. 15 1/2 in., w. 19 1/2 in., d. 7 3/4 in., green marble base, overall h. 17 1/2 in. [$500/700] Condition: Overall good condition. 354. Louis XV-Style Giltwood Mirror, anthemion crest, scrolled acanthine surround, cartouche mirror plate, h. 53 in., w. 34 in. [$600/900] Provenance: Collection of Dr. Norbert and Mary Fahey, Sacramento, CA.

355. Decorative Continental Cushion Mirror, late 19th c., foliate cast brass frames, beveled glass, h. 15 in., w. 13 in. [$200/300] 74

356. Japanese Traveling Tea Shodana or Cabinet, 19th c., rectangular with rounded dove-tailed corners, front in two sections, upper with tambour doors concealing a shelf interior within a frame enhanced by raised, entwined scrollwork, lower section with a drawer, recessed, carved pulls, reverse concealing footed tray above a carved panel, whole surmounted by a carved carrying handle, h. 10 3/4 in., w. 12 1/4 in., d. 7 1/4 in. [$400/600]

357. Chinese School, probably late 19th/early 20th c., “Pantheon of Daoist Immortals and Dieties”, two paintings, one with Shoulao and Xiwangmu above, other with Marisi above, each ink and color on cloth, sight 52 1/2 in. x 30 1/2 in., matted, framed and glazed alike. [$800/1200]

358. Chinese Qinbai-Style Porcelain Conical Bowl, 20th c., incised with waves of lotus, h. 2 7/8 in., dia. 8 3/4 in. Condition: Scratches and abrasions throughout. [$50/100]

359. Chinese Famille Verte Porcelain Baluster Vase, decorated with bird-and-flower panels on a stippled green ground with foliate sprays and butterflies, h. 15 in., mounted as a lamp, h. (incl. socket) 20 1/4 in. [$300/500]

361. Group of Chinese Porcelain Tableware, incl. pair of turquoise glazed Buddhist lion joss stick holders, h. 2 1/8 in., l. 2 3/4 in.; and melon on leafy vine, dia. 2 3/4 in.; together with pair of demitasse cups with applied lotus and painted with hen and rooster in landscape, h. 2 1/2 in. (5 pcs.) [$100/150]

360. Chinese Export Famille Rose Porcelain Dish and Bowl, probably early 20th c., decorated in Rose Medallion pattern, plate dia. 7 3/8 in., bowl h. 2 1/2 in., dia. 5 1/8 in. [$40/60]

362. Six Japanese Imari Porcelain Dishes, late 19th/20th c., foliate rims, decorated with textile and floral panels, dia. 8 1/2 in. [$75/125]

364. Chinese Famille Rose Porcelain Bottle Vase, decorated with historic figures, base with apocryphal Daoguang mark, h. 9 3/8 in. [$200/300]

363. Three Chinese Stoneware Brush Washers, incl. 1 square celadon with indented corners, base with apocryphal Qianlong mark, h, 1 1/2 in., w. 3 in., d. 3 in.; and 2 hexagonal Ge-style, base of one with apocryphal Qianlong mark, h. 1 1/2 in., w. 3 3/4., d. 3 3/4. (3 pcs.) [$300/500]

365. Chinese Famille Rose Porcelain Baluster Vase, painted with historic figures, base with apocryphal Daoguang mark, h. 11 5/8 in. [$300/500]

366. Chinese Famille Rose Porcelain Shallow Bowl, decorated with historic figures, base with apocryphal Daoguang mark, dia. 8 3/4 in. [$50/100]

367. Set of Thirteen Chinese Famille Rose Porcelain Tea Cups, decorated with ships, books, flags or figures, h. 2 in. (13 pcs.) [$100/200]

368. Set of Twelve Chinese Famille Rose Porcelain Tea Cups, decorated with ships, books, flags, or figures, h. 2 in., together with another, decorated with flowers and butterflies, h. 5/8 in. (13 pcs.) [$100/200]

369. Decorative Pair of Chinese Export Famille Verte Porcelain Square Tea Caddies, decorated with mythical beasts, h. 12 1/4 in., w. 7 1/4 in., d. 7 1/4 in [$300/500]

370. Two Chinese Famille Rose Porcelain “Cultural Revolution” Figural Groups, bases with impressed marks, larger h. 12 in., w. 8 1/4 in.; smaller h. 11 in., w. 6 1/2 in. (2 pcs.) [$400/600]

372. Chinese Hardwood Brush Pot, slightly waisted cylindrical body, three small bracket feet, h. 5 3/4 in., dia. 5 1/4 in. [$400/600] 371. Chinese “Wucai” Porcelain Covered Box, decorated with dragons in pursuit of the flaming pearl, base with apocryphal Longqing mark, h. 4 5/8 in., w. 5 5/8 in., d. 5 5/8 in. [$150/250]

373. Chinese “Wucai” Porcelain Cup, decorated with a rooster and hen with rocks and flowers, base with apocryphal Chengua mark, h. 1 1/2 in., dia. 3 1/4 in. [$50/100]

374. Collection of Books on China, Chinese Art and Chinese Culture in English and Chinese, incl. Three Thousand Years of Chinese Painting by Yang Xin, Richard M. Barnhart, Nie Chongzheng, James Cahill, Lang Shaojun, and Wu Hung, hard bound, dust jacket. [$200/300] 77

376. Large and Decorative Pair of Chinese Red Lacquer Vases, relief molded with floral reserves and bands, h. 25 in. [$800/1200]

375. Decorative Pair of Chinese Blue and White Porcelain Hexagonal Covered Tea Caddies, 20th c., decorated with figures in landscapes, bases with Kangxi marks, h. 14 in., dia. 10 in. [$500/700]

377. Pair of Chinese Iron-Mounted Blue and White Porcelain Tea Storage Jars, 20th c., bodies decorated with bands of floral scrolls and petal lappets, covers with strap closures, h. 13 1/2 in. [$1000/1500]

379. Pair of Chinese Oxblood Glazed Porcelain Bottle Vases, 20th c., exteriors with overall even copper red glaze, bases with double ring marks, h. 9 1/2 in. [$300/500]

378. Chinese Ming-Style Molded Celadon Porcelain Barbed Rim Charger, 20th c., well incised with a dragon amid cloud scrolls, h. 3 in., dia. 22 in. [$700/900]

380. Decorative Pair of Chinese Painted and Lacquered Pottery Gu-Form Vases, painted with figural and bird and flower scenes, h. 18 1/4 in., mounted as lamps, overall h. 31 1/2 in. [$800/1200]

381. Decorative Pair of Chinese Famille Verte Porcelain Vases, tubular faux bamboo handles, decorated with birds amid foliage and rocks, h. 21 3/4 in. [$1800/2000]

382. Highly Decorative Pair of Chinese Famille Rose Decorated Blue and White Porcelain Moon Flask Vases, bodies painted with dragon and pearl roundels beneath spurious Xuande marks, sides with shou characters and peach sprays, h. 11 in., dia. 8 in. [$800/1000]

383. Pair of Decorative Chinese Famille Verte Porcelain Gu Vases, painted with scenes of nobles in landscapes, spurious Kangxi marks around splayed bases, h. 17 in., dia. 9 in. [$600/800]

384. Chinese Export Famille Rose Porcelain Covered Jar, decorated with figural scenes and bird, flower and auspicious emblem panels, reserved on a gilt ground with fruit, flowers and butterflies, h. 24 in. [$1800/2400]

385. Pair of Chinese Bone Veneered Vases on Stands, relief-decorated with the Eight Immortals and auspicious symbols, overall h. 22 7/8 in. [$800/1000]

386. Large Pair of Chinese Famille Rose Porcelain Double Gourd Vases, 20th c., decorated with butterfly and flower panels on a reddish-orange ground with foliage, bats, shou, and auspicious emblems, h. 23 1/2 in., mounted as lamps, h. (including double sockets) 36 1/2 in. [$500/700] 79

387. Chinese Export Porcelain Armorial Plate, c. 1800, painted with the arms of Oliphant impaling Browne within blue diaper borders, dia. 9 3/4 in. [$100/150]

388. Chinese Famille Rose Porcelain Brush Pot, probably early 20th c., decorated with figures travelling on horseback or foot within a mountainous setting and calligraphy, h. 5 in., dia. 5 in. [$200/300]

390. Chinese White Crackle Glazed Vase, overall golden crackle, h. 13 7/8 in., mounted as a lamp, h. (incl. socket) 21 1/2 in. [$150/250] 389. Two Chinese Blue and White Porcelain Moon Flask Vases, tall necks and splayed feet with pendant beadwork, dragon handles, bodies painted with figural roundels on prunus head grounds, h. 12 1/4 in. w. 8 in. [$400/600]

391. Pair of Chinese Famille Rose Porcelain Baluster Vases, 19th c., gilt foliate rims, necks with applied Buddhist lions and qilong dragons, decorated with figures in landscapes and palace settings on floral and fruit grounds, h. 9 1/2 in. [$300/500] 80

392. Chinese Blue and White Porcelain Tripod Censer, possibly 18th c., bombe body decorated with “Antiques” and “Auspicious Emblems”, curved bracket feet, h. 6 1/8 in., dia. 10 1/8 in. [$500/700]

393. Chinese White Glazed Figural Group, modeled as Guanyin standing on waves holding a fly whisk beside an articulating acolyte bending in prayer, overall even blue-ish tinged glaze, interior with impressed marks, h. 12 in., w. 7 5/8 in., d. 4 1/4 in [$400/600] 394. Large Pair of Chinese Famille Rose Porcelain Vases, probably early 20th c., pierced gilt handles, decorated with figures in a landscapes and calligraphy, h. 23 in., mounted as lamps, h. (incl. socket) 31 3/4 in. [$400/600]

395. Large and Decorative Chinese Blue and White Porcelain Censer, cylindrical body with three goat heads applied near base, decorated with continuous figural scene with nobles and attendants, h. 8 1/8 in., w. 10 1/4 in., d. 10 7/8 in. Condition: Interior rim with approx. 1 in. chip. Overall surface abrasions. [$400/600]

396. Two Modern Chinese Export Kraak-Style Porcelain Chargers, foliate barbed rims, decorated with bird and flower and auspicious emblem panels encircling figural roundels, with simulated heaping and piling and iron spots, h. 3 1/8 in. and 2 1/4 in., dia. 16 1/8 in. and 16 1/4 in. [$300/500]

397. Large Chinese Ming-Style Blue and White Porcelain ‘Lychee’ Dish, well decorated with lychee clusters, cavetto with foliate scrolls, h. 3 1/8 in., dia. 16 3/4 in. [$300/500]

398. Seven Chinese Famille Rose Porcelain Dishes, 20th c., variously decorated with figural scenes, birds and flowers, and insects and flowers, bases with apocryphal reign marks, h. 1 3/4 in., dia. 8 3/4 in. [$300/500]

400. Chinese White Glazed Porcelain Model of a Scholar’s Rock, h. 9 1/4 in., w. 5 3/4 in. [$100/150]

399. Four Chinese Blue and White Porcelain Small Dishes, decorated with foliate scrolls, dia. 6 1/2 in. [$100/200]

401. Chinese Green Enameled Porcelain Dish, central roundel with a mother and child in a garden viewing birds encircled by foliate scrolls, base with apocryphal Yongzheng mark, h. 1 5/8 in., dia. 8 in. [$100/150]

402. AHighly Decorative Chinese Famille Verte Porcelain Basin, painted with figures in a fenced garden before a staircase, sides with auspicious emblems, base with apocryphal Kangxi mark, h. 2 1/2 in., dia. 11 in. [$150/250]

403. Three Chinese Famille Rose Porcelain Dishes or Low Bowls, incl. pair painted with figures of Beauty on apple green grounds, bases with apocryphal Guangxu marks, h. 1 7/8 in., dia. 8 3/4 in.; and single, decorated with historic figures, base with apocryphal Daoguang mark, h. 1 7/8 in., dia. 8 3/4 in. [$150/250] 82

404. Three Chinese Yixing Pottery Teapots, smallest incised with seasonal grasses and inscribed, middle incised with bamboo and inscribed, largest inscribed, each marked on base, middle with additional marks on interior lid, h. 2 3/4 in., 3 1/2 in. and 5 in., all with storage boxes. [$200/400]

405. Pair of Chinese Famille Rose Porcelain Vases, decorated with a cluster of three male figures beside an elderly female with a basket of flowers, inscriptions, bases with apocryphal Guangxu marks, h. 11 7/8 in. [$200/300]

407. Chinese Cizhou-Style Pottery Vase, decorated with a dragon amid clouds, h. 16 3/4 in. [$100/150]

406. Modern Chinese Blue and White Porcelain Jardiniere, decorated with figures on a palace terrace, spurious Kangxi mark, iron strap and staple repair, h. 13 1/2 in., dia. 17 1/2 in. [$100/200]

408. Group of Chinese Famille Rose Porcelain Tableware, late 19th/early 20th c., incl. 2 small vases with seasonal flowers, one with Tongzhi mark, h. 4 1/4 in. and 4 in.; and covered teapot, with floral decoration on lime green ground, hall mark, h. 6 in., w. 6 1/4 in. (3 pcs.) [$100/150]

409. Chinese Ming-Style Blue and White Porcelain ‘Lotus’ Basin, wide everted rim and deep flared sides decorated with lotus scrolls, well with 8-pointed starburst with ruyi heads, h. 5 7/8 in., dia. 12 1/2 in. [$600/800] 83

411. Japanese Carved Wood Sign, iron loop handle, h. 39 in., w. 13 in. [$75/150]

410. Chinese Agate Pendant, carved with central boss flanked by c-scrolls, reverse with conch shell, dia. 1 1/2 in. [$100/200] Provenance: Estate of New Orleans Antiquarian Richerson Rhodes

412. Two Pairs of Chinese Hardstone Trees in Cloisonne Bases, smaller h. 11 1/2 in., larger h. 13 in., w. 9 in., d. 8 in [$400/600]

413. Chinese Ge-Style Stoneware Cong Vase, h. 7 1/2 in., w. 4 5/8 in., d. 4 5/8 in. [$200/300]

414. Decorative Chinese Red Lacquer Octagonal Covered Box, cover molded with scene of pavilion in a mountain landscape, sides with lotus scrolls and foliage, slight bracket feet, base with apocryphal Kangxi mark, h. 5 1/2 in., dia. 15 1/2 in. [$800/1000] 84

415. Pair of Chinese Tessellated Lapis Lazuli Bowls, h. 2 3/4 in., dia. 8 in., gold painted wood stands, overall h. 4 in. [$800/1000]

416. Chinese Jadeite Figural Group, carved as the happy bare-bellied Budai surrounded by children, h. 6 in., w. 8 1/4 in., d. 2 1/2 in., wood stand, overall h. 7 in., w. 8 in., d. 2 1/2 in. [$1000/1200] 417. Asian Turquoise Figure of Ganesha, probably Indian or Nepalese, carved seated on a rectangular foliate plinth holding the end of his elephant trunk in one primary hand, the other raised in abhaya mudra, h. 6 in., stand, overall h. 8 in. [$800/1000]

418. Chinese Jadeite Scene, carved as a mountainous village with figures and buildings, h. 3 1/4 in., w. 8 1/4 in., wood stand, overall h. 4 1/2 in., w. 9 in., d. 2 in. [$600/800] 419. Chinese Rose Quartz Figural Group, carved as a lion and tiger in combat, h. 5 in., w. 5 1/4 in., wood stand, overall h. 6 1/2 in., w. 5 1/2 in. [$300/500]

420. Chinese Amethystine Quartz Figural Group, carved as an entanglement of Buddhist lion cubs, h. 5 1/2 in., w. 5 1/4 in., d. 2 in., wood stand, overall h. 6 1/2 in., w. 6 in., d. 3 in. [$300/500]

421. Chinese Carved Lapis Lazuli Figural Group, carved as Shoulao holding a staff and standing beneath a Paulownia tree beside a spotted deer, a bird, and peaches, h. 7 in., w. 5 3/4 in., wood stand, overall h. 8 in., w. 6 1/2 in., d. 3 in. [$300/500]

422. Chinese Silvered Metal Figural Censer, modeled as a lokapala kneeling on a circular plinth holding an urn above his head, h. 11 in., dia. 5 in. [$300/500]

423. Chinese Jadeite Carp and Lotus Group, h. 7 3/4 in., w. 8 1/2 in., wood stand, overall h. 9 in., w. 8 in., d. 2 in. [$300/500]

424. Chinese Celadon Jade Figural Group, carved as Shoulao flanked by deer and crane before a large peach backdrop, h. 5 3/4 in., w. 5 1/4 in., overall h. 7 in., w. 5 in., d. 2 in. [$300/500] 425. Pair of Chinese Mustard Yellow “Peking” Glass Bottle Vases, h. 10 in. [$400/600]

426. Chinese Hardstone ‘Mountain’, carved with a landscape with trees and pavilions before an Ancestor Buddha, h. 4 in., w. 4 1/4 in [$300/500]

427. Chinese Bronze Censer, probably 18th c., bombe body with Buddhist lion mask handles, base with Xuande mark, h. 2 1/4 in., w. 4 1/2 in., d. 3 3/4 in. [$500/700] 86

428. Chinese Hardstone Inset Hardwood Ruyi Sceptor, l. 18 in., w. 5 in. [$500/700]

429. Chinese Scholar’s Rock, naturalistically modeled in slightly crescent shape with numerous troughs, piercings and ridges, h. 22 1/2 in., hardwood stand, overall h. 25 3/4 in. [$300/500]

430. Chinese Scholar’s Rock, naturalistically modeled in rounded shape with overall perforations and grooves, h. 18 3/4 in., hardwood stand, overall h. 22 1/2 in. [$300/500]

431. Chinese Bronze Censer, slightly tapering square body on bracket feet with relief floral panels, base with apocryphal Xuande mark, h. 3 1/8 in., w. 3 7/8 in., d. 3 7/8 in. [$300/500]

432. Chinese Bronze Wrist Rest, modeled in the form of bamboo, reverse with apocryphal Qianlong mark, l. 7 3/4 in., w. 2 7/8 in. [$150/250]

433. Chinese Bronze Tripod Censer, upright loop handles, rim relief banded with petal lappets, base with apocryphal mark, h. 3 3/4 in., dia. 7 in. [$300/500] 87

434. Chinese White Jade Snuff Bottle, h. 2 5/8 in [$300/500] Provenance: Estate of Warren Paul Balovich (1926-1992), New Orleans.

435. Eight Japanese Meiji Imari Porcelain Dessert Plates, c. 1875-1880, “brocade” borders, with blue and white floral centers, dia. 9 in [$150/250]

436. Japanese Arita Ware Porcelain Fishbowl, 19th c, h. 13 in., dia. 16 1/2 in. [$300/500]

438. Pair of Colored Glass Embellished and Painted Wood Goats, possibly Indian, male h. 40 1/2 in., w. 32 1/2 in.; female h. 43 5/8 in., w. 32 in. [$700/1000]

437. Nepalese Gemstone and Metal Filigree Embellished Tazza or Offering Stand, set with emeralds and rubies, h. 3 in., dia. 10 in. [$600/800]

439. Modern Korean Celadon Porcelain Reticulated Double Walled Vase, shoulders inlaid with flying cranes, base marked, h. 9 1/4 in., dia. 11 1/2 in. [$100/200]

440. Chinese Carved Hardwood Dressing Mirror, molded mirror frame, shaped upright supports flanking frieze panel with persimmons and blossoms, h. 30 in., w. 19 1/2 in., d. 9 in., [$100/200]

441. Antique Chinese Carved Hardwood Tabouret, shaped, beaded top with inset rouge marble, pierced pea vine carved frieze, stylized dragon’s head legs ending in paw feet, incurvate square stretcher, h. 23 in., w. 18 in., d. 18 in [$200/300]

442. Antique Chinese Hardwood Stand, square inset panel top, waisted shaped frieze, turned legs, openwork stretcher shelf, h. 27 1/4 in., w. 14 in., d. 14 in. [$400/600] Provenance: Acquired East Texas, late 1970s/early 1980s.

443. Chinese Carved Hardwood Side Table, inset panel top, reticulated bamboo frieze, shaped legs and stretchers, ball feet, h. 27 1/4 in., w. 14 in., d. 14 in. [$200/400]

444. Chinese Carved Hardwood Side Table, inset panel top, reticulated S-scroll and ball frieze, turned legs, shaped stretchers, h. 22 in., w. 17 in., d. 12 3/4 in. [$300/500]

445. Pre-Columbian Chiriqui Culture Vase, after 700 AD - c. 1200, Panama, h. 5 5/8 in., with stand. [$100/200] 89

447. Pre-Columbian Colima Culture Ceramic Figure, 300 BC - 300 AD, Mexico, h. 9 1/4 in., w. 6 1/8 in., d. 8 1/4 in. [$100/200]

446. Pre-Columbian Jalisco Culture Figure, 200 BC - 200 AD, Mexico, h. 13 1/2 in., w. 7 1/4 in., d. 5 1/4 in. [$100/200]

449. Pre-Columbian Chiriqui Culture Terra Cotta Figure, 700 - 1200 AD, Panama, h. 10 1/4 in., w. 4 1/2 in., d. 2 1/2 in. [$100/200]

448. Pre-Columbian Veracruz Culture Stone Hacha-Axe, 500 - 1521 AD, Mexico, h. 6 3/8 in. , w. 9 5/8 in., d. 4 1/4 in. [$100/200]

450. Pre-Columbian Chancay Culture Figure of a Diety, 1000 1476 AD, Peruvian, with linen dress, h. 7 7/8 in., w. 6 in. d. 2 1/4 in. [$100/200]

451. Pre-Columbian Chiriqui Culture Polychrome Vase, 700 1200 AD, Panama, h. 5 in., with stand. [$50/75]

452. Pre-Columbian Chiriqui Culture Ceramic Figure, 700 - 1200 AD, Panama, h. 11 in., w. 7 in., d. 2 in. [$50/75]

453. Pre-Columbian Mayan Culture Polychrome Drinking Bowl, 450 - 550 AD, decorated with a glyph band above geometric motifs on a red or black divided ground, h. 4 1/4 in., dia. 6 1/2 in. [$100/200] 90

455. African Dan Carved Wood Mask, Ivory Coast, with braided plant fibers, woven thread and cloth, h. 10 in., w. 7 in., d. 4 in. Provenance: Acquired 1975, Fairhope, AL. [$300/500]

454. Two Pre-Columbian Figural Vessels, one Colima Culture, c. 300 BC, Mexico, h. 5 in., w. 4 1/2 in., d. 5 1/2 in.; other unidentified culture, c. 600 - 1100 AD, Costa Rica, h. 7 3/8 in., w. 5 1/4 in., d. 4 5/8 in. [$100/200]

456. African Bwa Carved Wood Plank Mask or Leper Mask, Burkina Faso, wood and pigment, painted with geometric patterns, carved wood figure and hook element, h. 37 in., w. 12 in., d. 8 in. [$200/300] 457. Portfolio Collection of 36 African Works on Paper, 20th c., painted with figures at various daily tasks, largest h. 7 1/4 in., w. 10 1/4 in., mounted across four pieces of board [$400/600]

458. Three Venezuelan Painted Papier-Mache “Los Diablos Danzantes” or “The Dancing Devils” Masks, San Francisco de Yare, Venezuela, labeled “Artesania ‘El Mocho’ Manuel Sanoja Diablos Danzantes San Francisco de Yare Estado Miranda Venezuela”, h. 20 in., 14 1/2 in. and 16 in. [$100/200]

459. Near Pair of African or Aboriginal Carved Wood Spirit Figures, bird and fish form, h. 19 1/2 in., w. 14 in., d. 2 in. [$50/100] 91

460. Oceanic Carved Wood Ancestral Figure, Middle Sepik or Blackwater River, Papua New Guinea, partial label with “ B4518 Ancestral figure, Blackwater River”, carved with two faces, kaolin, h. 17 1/2 in., w. 3 1/2 in., d. 3 3/4 in. [$50/75]

462. African Baule or Senufo Carved Wood Mask, Ivory Coast, h. 14 3/4 in., w. 10 1/2 in., d. 2 1/2 in. [$50/75]

461. Oceanic Carved and Painted Wood Mask, Sepik River, Papua New Guinea, h. 17 1/2 in., w. 8 1/2 in. [$40/60]

463. African Carved Wood Figure, red pigment, h. 21 3/4 in., w. 4 1/2 in. [$50/75]

464. Indigenous Carved Wood and Metal Sword, carved geometric designs to hilt and rattan wrap, l. 36 1/8 in. [$50/100]

465. African Carved Wood Covered Vessel or Box, possibly Kuba, domed cover with nude male finial, oval body with figural handles, geometric relief decoration throughout, rope carrying strap, h. 16 in., w. 22 in., d. 12 in [$200/300] Provenance: Collection of Brooke and Maria Fox, Metairie, LA.

466. Oceanic Helmet Mask or “Baba”, Abelam, Papua New Guinea, rattan and pigment, h. 18 in., w. 15 in., d. 13 1/2 in. [$200/300]

468. Melanesian Polychrome Tree Root Mask, early 20th c., Hog Harbor, Espiritu Santo Island, Vanautu, New Hebrides, h. 11 1/2 in., w. 7 in., d. 3 3/8 in. [$50/75]

467. Polynesian Carved and Painted Wood Shield, h. 44 in., w. 13 1/2 in., d. 6 in. [$200/300]

469. Tlingit Polychrome Wood House Post, c. 19301940, Northwest Coast, h. 52 in. [$100/200]

470. Large Collection of Vintage LP Vinyl Records, over 300 albums, mostly classical, held in 10 boxes. [$100/150]

UPCOMING AUCTION SCHEDULE June 24 & 25, 2022 Summer Estates Auction July 14, 2022 Estate of Mario Villa Online Auction – Part 2 August 10 & 11, 2022 UNRESERVED @ Neal Auction - Online-only September 9 & 10, 2022 Fall Estates Auction October 12 & 13, 2022 UNRESERVED @ Neal Auction - Online-only November 18 & 19, 2022 Louisiana Purchase Auction™ December 8, 2022 Mid-Century, Modern & Contemporary Art & Design

John R. Neal (1940-2018), Founder

Neal Auction Company

Michelle LeBlanc Leckert, CAI President

Katherine Hovas Senior Vice President

Marc Fagan Vice President Consignments

CONSIGNMENTS

ADMINISTRATION Director of Administration & Finance Michelle LeBlanc Leckert, CAI

Furniture & Decorative Arts Polly Rolman-Smith

Client Services / Accounts Receivables Rebekah Abernathy

Paintings, Prints & Photography Marney Robinson; Sophie Hirabayashi; Beth Sherwood; Casey Foote

Database Management / Internet Auction Administrator Lisa Weisdorffer Bookkeeper Katie Lasher Marketing & Social Media Cameron McHarg General Manager Jason Leckert Administrative Assistant Claire Whitmore GRAPHICS Graphics Director / Catalogue Design David Roberts Photography Jason Leckert Gerard Lewis

Graphics Staff Stephanie Do Ouro Olivia Celestine

Silver & Decorative Arts Katherine Hovas General Consignments Cameron McHarg Consignments Administrator Heather Munch AUCTION SERVICES Trust & Estates Advisor Henry G. McCall Senior Appraiser Fine Arts Amanda Mantle Winstead Appraisals Marc Fagan, Cameron McHarg CATALOGUE CONSULTANTS Asian Arts & Special Projects Bettine Field Carroll

OPERATIONS Operations Staff Charlie Clay Kelvin Gibson Jerry Major

Books, Maps & Natural History Prints Marc Fagan

Tremaine Major Donnell Ducre

AUCTIONEERS Michelle LeBlanc Leckert #1514 Bettine Field Carroll #1874 Marc Fagan #1935 Marney Robinson #A-188

Newcomb Pottery & Decorative Arts Sally Main Silver Carey Mackie Decorative Arts & Victoriana Ann M. Masson Jewelry Stephen A. Moses, GIA Graduate Gemologist

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www.nealauction.com LA Auc. Lic., Neal Auction Co. #AB-107 - LeBlanc #1514, Carroll #1874, Fagan #1935