photoD, looking at 2016 by Jose Antunes

photoD less gear, more fun

24 FRAME CHALLENGE

2016 TOURS & WORKSHOPS

THE NIGHT OF THE

WITCHES THIS VISUAL EXPERIENCE IS FREE TO SEE AT ISSUU. SUPPORT IT!

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blog note How would you photograph if you only had 24 frames in film and 4 themes to cover? I used my experience at newspapers to create this challenge. The results of a long day activity can be seen here. They represent an experience others should dare to take. This collection of pages is also dedicated to a free activity I created at the Archaeological Museum of São Miguel de Odrinhas on the Night of the Witches, or the Portuguese celebrations of Halloween. The four participants had the chance to photograph the actors on a studio created with LED panel lights. Youy’ll also find in this end of the year note an overview of some of the activities I will be offering next year. Although I will have some dates of the 2016 calendar with special activities, the ones you’ll find here can be booked almost any day of the week, usually for a maximum of three persons. For One2One options do get in touch. And if you want a special tour within the area of the Atlantic Realm, do get in touch. Do contact me, also, for workshops that aim, always, to do one thing: make photography simple and easy. And fun.

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RESTYLE YO

buy Topaz ReStyle

ReStyle is a plugin designed to alter the colors in your image with its unique array of toning effects. The technology behind ReStyle uses a

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OUR PHOTOGRAPHY WITH TOPAZ LABS

a cutting-edge process to map the color and tone statistics from a source image.

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OPENINGSHOT

Jose Antunes - And now for something completely different! A panorama composed of multiple photos, with a point of focus on a single tree, while everything else goes mostly out of focus. Something to explore...

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PHOTOGRAPHING

FLOWERS All year round, depending on the

These workshops will teach you how to

availability of flowers, I run workshops

get the best results without the need

on photographing flowers. Not with a

to learn complex rules or settings. A

macro, but with any other lens you may

simple understanding of how your lens

have. Like a zoom. flower photography

works and the potential of selective

workshops

focus, along with notions of composition, use of light, colour and, above all, the

The images on the poster published on

understanding that what your eyes SEE

the right page were all taken with a long

is different from what your camera

lens, in fact one that I’ve mentionned

captures, is all you need to reach a new

lately in multiple articles: my new EF

level in your flower photography.

100-400mm lens. Although that specific lens offers some unique perspectives

Knowing your camera well is a must

due to its close focusing distance, I’ve

to participate in one of these sessions.

been taking photographs of flowers for

You need to know how to adjust the

decades with other lenses, with different

essential controls, even if you do not

focal lengths. Rarely with a macro lens,

completely understand they work. That

although people tend to think MACRO,

I will explain you during the activity, so

every time I show my photographs.

you’ll get the best of the experience.

I’ve a special interest into the use

These workshops are available upon

normal lenses for flower photography:

request. Get a group of 4 persons

they are the ones most people have, and

together and get in touch. The price per

there’s no reason for them to not use

person is € 75 (included in a group). The

them fully to get more than snapshots

activity can be organized any day of the

of flowers. So, this series of workshops

week, under request, as long as there are

intends to help people to get their best

at least 4 participants. It is also possible

flower photos and some understanding

to run it on a one2one session (please

of what they can achieve, even with a

contact for info about price).

normal 18-55mm humble kit lens. Yes, even with those. In fact, even with a Smartphone you can get good pictures of flowers, if you know why. I’ve pages dedicated to that on my eBook The Best Secrets of Flower Photography.

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THE NIGHT OF THE

WITCHES

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THE NIGHT OF THE

WITCHES João Dionísio

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THE

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E NIGHT OF THE

WITCHES João Dionísio

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THE NIGHT OF THE

WITCHES Luís Vaz Pereira

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THE N

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NIGHT OF THE

ITCHES Luís Vaz Pereira

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THE NIGHT OF THE

WITCHES Marion McCristall

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THE

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E NIGHT OF THE

WITCHES Marion McCristall

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THE NIGHT OF THE

WITCHES Susana Leite

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HE NIGHT OF THE

WITCHES Susana Leite

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CHALLENGE 24 FRAMES

Can you shoot 24 good frames with your camera without “chimping” each exposure? What if you only had a 24 frame roll of

tal being better than film”. Technically,

ence for my days at newspapers, when

film to shoot on a day’s outing? Would

it offers different choices and options,

a photographer would, sometimes, not

your photography be more thoughtful?

that’s the simple truth. This is some-

have much film left for an assignment

thing else. It challenges you to THINK

and would have to choose wisely what

With digital we’ve found at the end of

more about each photograph you make,

to shoot.

day photographers have more crap to

through a trip back to film days. Do you

sift through only because digital makes,

dare to participate?

many times, it easier to shoot first and

I even decided to pick one drastic example from those days, when a photogra-

think afterwards. With film, which was

That’s how I came to design this chal-

pher rang back to the editor saying he

more expensive and allowed for less

lenge. This one day of photography at a

only had three frames left on a roll and

“press the shutter and let go”, photog-

set location starts in the morning with

wanted to know what was important to

raphers had to think more about each

a conversation about the aims of the

photograph at a Museum we had one

image. Do you want to try to travel back

project. For this activity I only had two

article about.

in time again?

participants interested into trying this

This is not a discussion about “digi-

34 • photoD

return to the old days. To make things

For our challenge I decided that each

even more interesting I used the experi-

photographer could only have six frames

covering the four themes chosen: Museum’s Architecture, the Medieval Graveyard, the São Miguel Chapel and Interiors of the Museum. I decided to show the different images in a layout that reproduces what could be one article using the photographs taken. I also kept to about the same layout on the different “articles”, for consistency of analysis. The images are all presented as shot, without any post processing, what is interesting, as it reveals that for the most part both participants managed to get the exposure about right. Remember that what we see in the following pages are images as they came out of the camera, without any adjustments in contrast, from the roll to each assignment, and

“magazine” to deliver the photos and get

that they would have four assignment

a new assignment. The time constraint

during the first half of the activity. We

was not the only thing to deal with; they

run the challenge as if we’re working for

also could not look at the images taken,

a magazine, for which each participant

to emulate what would happen if they

had to cover four different stories, dedi-

were using film.

cating a maximum of six frames to each, as if using a 24 frame roll.

The limitation on the number of photos taken and being unable to check them

Besides the limitation on number of

on the LCD takes some discipline, as

photographs they could take, they had to

everybody is used to shoot and check,

do each assignment quickly, on a 15-20

with digital. The following pages show

minute time frame, and return to the

the work done by the two participants

exposure, colour or sharpness. For Maria Emília Pires and Paula Correia this was a complete challenge and something that helped them to get a better understanding of the importance of exposure. In the last pages you’ll find some of the images edited, so you can compare both and fully understand the challenges involved with shooting film, when you do not know what is going on. We’re fortunate to live in a world were we can “chimp” our images on the LCD. But accepting the challenge Maria Emília Pires and Paula Correia did might help you become a better photographer. Do you dare to try this?

photoD • 35

HENDRER

IACULIS ANTE SĂŁo Miguel de Odrinhas Archaeological Museum Architecture by Maria EmĂlia Pires

urabitur ipsum dolor sit

magna vel risus rhoncus et volutpaters

nibh, feugiat et imperdiet eu, ullamcorper

amet, consectetur adipiers

purus placerat. Mauris euismod rhoncus.

non orci. Curabitur posuere mattis pel-

scing elit. Maecenas mol-

Maecenas sed elit erat. Nunc dapibus tel-

lentesque. Class aptent taciti sociosqu

lis ligula quis est posu ere

lus erat. Aliquam eget urna vitae mauris

ad litora torquent per conubiaser nostra,

dapibus. Quisque dictum scelerisque velit

sodales ornare. Praesent ac ligula egestas

per inceptos himenaeos. Vivamus posu-

sed fer mentum. Suspendisse pulvinar,

odio iaculis pulvinar. Phasellus aliquam

ere iaculis lacus, eu fermentum magna

dui at luctusfs iaculis, ligula elit adipi-

pulvinar lobortis sadips ipsums.tus iacu-

placerat in. Nulla malesuada augue quis

scing diam, et vestibulum leo augue vel

lis, ligula elit adipiscing diam,sert sit.

e ipsum amet sadip nemis uns amets uns

dui. Maecenas est nibh, feugiat et imper-

dolo.res amet unrtras viverra et, fringilla

diet eu, ullamcorperse non orci. Curabitur

Lorem ipsum dolor sit amet, consecte-

veterl justo sadips ipsums. Maecenas sed

posuere mattis pellentesque. Class aptent

tur adipiscing elit. Uns maecenas mollis

elit erat. Nunc dapibus tellus erat.

taciti sociosqu ad litora torquent per

ligula quis est posuere dapibus. Quisque

conubia nostra, per inceptos hime naeos.

dictum scelerisque velit sed fermentum.

Aliquam eget urna vitae mauris sodales

Vivamus posuere iaculis lacus, or in

Suspendisse pulvinar, dui at luctus iacu-

ornare. Praesent ac ligula egestas odio

bibendum leo porta. Duis ultricies tellus

lis, ligula elit adipiscing diam, et ves-

iaculis pulvinar. Phasellus aliquam pulv

a tellus adipiscing tristique. Sed rutrum

tibulum leo augue vel dui. Maecenas est

inar lobortis. Integer eget massa nulla.

36 â&#x20AC;˘ photoD

Nulla facilisi. Aenean et augue a nunc aliquam sollicitudin ac ut erat. Donec non digni ssim ligula. Aliquam bibendum justo sed ipsum ornare suscipit. taciti nostra, per incep erat. Nunc dapibus tellus erat. Aliquam eget urna vitae maurisDonec euismod mollis molestie. Mauris aolore. Vivamus posuere iaculis lacus, eu fermen tum magna placerat in. Nulla malesuada augue quis erat porttitor in bibendum leo porta. Duis ultricies tellus a tellus adipiscing tristique. Sed rutrum magna vel risus rhoncus et volutpaters purus placerat. Mauris euismod rhoncus. Maecenas sed elit erat. Nunc dapibus tellus erat. Aliquam eget urna vitae mauris. Aenean tincidunt, sapien et cursus fringilla, urna erat sodales arcu, vel sagittis velit nulla nec eros. Sed feugiat magna fermentum turpis pellentesque euismod. Vivamus sed libero mauris. Nulla facilisi. Vestibulum justo tortor, mollis et luctus in, vehicula nec sapien. Aliquam ullamcorper velit non odio pulvinar nec hendrerit dolor placerat.

photoD â&#x20AC;˘ 37

HENDRER

IACULIS ANTE SĂŁo Miguel de Odrinhas Archaeological Museum Architecture by Paula Correia

urabitur ipsum dolor sit

magna vel risus rhoncus et volutpaters

nibh, feugiat et imperdiet eu, ullamcorper

amet, consectetur adipiers

purus placerat. Mauris euismod rhoncus.

non orci. Curabitur posuere mattis pel-

scing elit. Maecenas mol-

Maecenas sed elit erat. Nunc dapibus tel-

lentesque. Class aptent taciti sociosqu

lis ligula quis est posu ere

lus erat. Aliquam eget urna vitae mauris

ad litora torquent per conubiaser nostra,

dapibus. Quisque dictum scelerisque velit

sodales ornare. Praesent ac ligula egestas

per inceptos himenaeos. Vivamus posu-

sed fer mentum. Suspendisse pulvinar,

odio iaculis pulvinar. Phasellus aliquam

ere iaculis lacus, eu fermentum magna

dui at luctusfs iaculis, ligula elit adipi-

pulvinar lobortis sadips ipsums.tus iacu-

placerat in. Nulla malesuada augue quis

scing diam, et vestibulum leo augue vel

lis, ligula elit adipiscing diam,sert sit.

e ipsum amet sadip nemis uns amets uns

dui. Maecenas est nibh, feugiat et imper-

dolo.res amet unrtras viverra et, fringilla

diet eu, ullamcorperse non orci. Curabitur

Lorem ipsum dolor sit amet, consecte-

veterl justo sadips ipsums. Maecenas sed

posuere mattis pellentesque. Class aptent

tur adipiscing elit. Uns maecenas mollis

elit erat. Nunc dapibus tellus erat.

taciti sociosqu ad litora torquent per

ligula quis est posuere dapibus. Quisque

conubia nostra, per inceptos hime naeos.

dictum scelerisque velit sed fermentum.

Aliquam eget urna vitae mauris sodales

Vivamus posuere iaculis lacus, or in

Suspendisse pulvinar, dui at luctus iacu-

ornare. Praesent ac ligula egestas odio

bibendum leo porta. Duis ultricies tellus

lis, ligula elit adipiscing diam, et ves-

iaculis pulvinar. Phasellus aliquam pulv

a tellus adipiscing tristique. Sed rutrum

tibulum leo augue vel dui. Maecenas est

inar lobortis. Integer eget massa nulla.

38 â&#x20AC;˘ photoD

photoD â&#x20AC;˘ 39

HENDRER

IACULIS ANTE SĂŁo Miguel de Odrinhas Museum - Medieval Graveyard by Maria EmĂlia Pires

urabitur ipsum dolor sit

magna vel risus rhoncus et volutpaters

nibh, feugiat et imperdiet eu, ullamcorper

amet, consectetur adipiers

purus placerat. Mauris euismod rhoncus.

non orci. Curabitur posuere mattis pel-

scing elit. Maecenas mol-

Maecenas sed elit erat. Nunc dapibus tel-

lentesque. Class aptent taciti sociosqu

lis ligula quis est posu ere

lus erat. Aliquam eget urna vitae mauris

ad litora torquent per conubiaser nostra,

dapibus. Quisque dictum scelerisque velit

sodales ornare. Praesent ac ligula egestas

per inceptos himenaeos. Vivamus posu-

sed fer mentum. Suspendisse pulvinar,

odio iaculis pulvinar. Phasellus aliquam

ere iaculis lacus, eu fermentum magna

dui at luctusfs iaculis, ligula elit adipi-

pulvinar lobortis sadips ipsums.tus iacu-

placerat in. Nulla malesuada augue quis

scing diam, et vestibulum leo augue vel

lis, ligula elit adipiscing diam,sert sit.

e ipsum amet sadip nemis uns amets uns

dui. Maecenas est nibh, feugiat et imper-

dolo.res amet unrtras viverra et, fringilla

diet eu, ullamcorperse non orci. Curabitur

Lorem ipsum dolor sit amet, consecte-

veterl justo sadips ipsums. Maecenas sed

posuere mattis pellentesque. Class aptent

tur adipiscing elit. Uns maecenas mollis

elit erat. Nunc dapibus tellus erat.

taciti sociosqu ad litora torquent per

ligula quis est posuere dapibus. Quisque

conubia nostra, per inceptos hime naeos.

dictum scelerisque velit sed fermentum.

Aliquam eget urna vitae mauris sodales

Vivamus posuere iaculis lacus, or in

Suspendisse pulvinar, dui at luctus iacu-

ornare. Praesent ac ligula egestas odio

bibendum leo porta. Duis ultricies tellus

lis, ligula elit adipiscing diam, et ves-

iaculis pulvinar. Phasellus aliquam pulv

a tellus adipiscing tristique. Sed rutrum

tibulum leo augue vel dui. Maecenas est

inar lobortis. Integer eget massa nulla.

40 â&#x20AC;˘ photoD

photoD â&#x20AC;˘ 41

HENDRER

IACULIS ANTE SĂŁo Miguel de Odrinhas Museum - Medieval Graveyard by Paula Correia

urabitur ipsum dolor sit

magna vel risus rhoncus et volutpaters

nibh, feugiat et imperdiet eu, ullamcorper

amet, consectetur adipiers

purus placerat. Mauris euismod rhoncus.

non orci. Curabitur posuere mattis pel-

scing elit. Maecenas mol-

Maecenas sed elit erat. Nunc dapibus tel-

lentesque. Class aptent taciti sociosqu

lis ligula quis est posu ere

lus erat. Aliquam eget urna vitae mauris

ad litora torquent per conubiaser nostra,

dapibus. Quisque dictum scelerisque velit

sodales ornare. Praesent ac ligula egestas

per inceptos himenaeos. Vivamus posu-

sed fer mentum. Suspendisse pulvinar,

odio iaculis pulvinar. Phasellus aliquam

ere iaculis lacus, eu fermentum magna

dui at luctusfs iaculis, ligula elit adipi-

pulvinar lobortis sadips ipsums.tus iacu-

placerat in. Nulla malesuada augue quis

scing diam, et vestibulum leo augue vel

lis, ligula elit adipiscing diam,sert sit.

e ipsum amet sadip nemis uns amets uns

dui. Maecenas est nibh, feugiat et imper-

dolo.res amet unrtras viverra et, fringilla

diet eu, ullamcorperse non orci. Curabitur

Lorem ipsum dolor sit amet, consecte-

veterl justo sadips ipsums. Maecenas sed

posuere mattis pellentesque. Class aptent

tur adipiscing elit. Uns maecenas mollis

elit erat. Nunc dapibus tellus erat.

taciti sociosqu ad litora torquent per

ligula quis est posuere dapibus. Quisque

conubia nostra, per inceptos hime naeos.

dictum scelerisque velit sed fermentum.

Aliquam eget urna vitae mauris sodales

Vivamus posuere iaculis lacus, or in

Suspendisse pulvinar, dui at luctus iacu-

ornare. Praesent ac ligula egestas odio

bibendum leo porta. Duis ultricies tellus

lis, ligula elit adipiscing diam, et ves-

iaculis pulvinar. Phasellus aliquam pulv

a tellus adipiscing tristique. Sed rutrum

tibulum leo augue vel dui. Maecenas est

inar lobortis. Integer eget massa nulla.

42 â&#x20AC;˘ photoD

photoD â&#x20AC;˘ 43

HENDRER

IACULIS ANTE SĂŁo Miguel de Odrinhas Chapel by Maria EmĂlia Pires

urabitur ipsum dolor sit

magna vel risus rhoncus et volutpaters

nibh, feugiat et imperdiet eu, ullamcorper

amet, consectetur adipiers

purus placerat. Mauris euismod rhoncus.

non orci. Curabitur posuere mattis pel-

scing elit. Maecenas mol-

Maecenas sed elit erat. Nunc dapibus tel-

lentesque. Class aptent taciti sociosqu

lis ligula quis est posu ere

lus erat. Aliquam eget urna vitae mauris

ad litora torquent per conubiaser nostra,

dapibus. Quisque dictum scelerisque velit

sodales ornare. Praesent ac ligula egestas

per inceptos himenaeos. Vivamus posu-

sed fer mentum. Suspendisse pulvinar,

odio iaculis pulvinar. Phasellus aliquam

ere iaculis lacus, eu fermentum magna

dui at luctusfs iaculis, ligula elit adipi-

pulvinar lobortis sadips ipsums.tus iacu-

placerat in. Nulla malesuada augue quis

scing diam, et vestibulum leo augue vel

lis, ligula elit adipiscing diam,sert sit.

e ipsum amet sadip nemis uns amets uns

dui. Maecenas est nibh, feugiat et imper-

dolo.res amet unrtras viverra et, fringilla

diet eu, ullamcorperse non orci. Curabitur

Lorem ipsum dolor sit amet, consecte-

veterl justo sadips ipsums. Maecenas sed

posuere mattis pellentesque. Class aptent

tur adipiscing elit. Uns maecenas mollis

elit erat. Nunc dapibus tellus erat.

taciti sociosqu ad litora torquent per

ligula quis est posuere dapibus. Quisque

conubia nostra, per inceptos hime naeos.

dictum scelerisque velit sed fermentum.

Aliquam eget urna vitae mauris sodales

Vivamus posuere iaculis lacus, or in

Suspendisse pulvinar, dui at luctus iacu-

ornare. Praesent ac ligula egestas odio

bibendum leo porta. Duis ultricies tellus

lis, ligula elit adipiscing diam, et ves-

iaculis pulvinar. Phasellus aliquam pulv

a tellus adipiscing tristique. Sed rutrum

tibulum leo augue vel dui. Maecenas est

inar lobortis. Integer eget massa nulla.

44 â&#x20AC;˘ photoD

photoD â&#x20AC;˘ 45

HENDRER

IACULIS ANTE SĂŁo Miguel de Odrinhas Chapel by Paula Correia

urabitur ipsum dolor sit

magna vel risus rhoncus et volutpaters

nibh, feugiat et imperdiet eu, ullamcorper

amet, consectetur adipiers

purus placerat. Mauris euismod rhoncus.

non orci. Curabitur posuere mattis pel-

scing elit. Maecenas mol-

Maecenas sed elit erat. Nunc dapibus tel-

lentesque. Class aptent taciti sociosqu

lis ligula quis est posu ere

lus erat. Aliquam eget urna vitae mauris

ad litora torquent per conubiaser nostra,

dapibus. Quisque dictum scelerisque velit

sodales ornare. Praesent ac ligula egestas

per inceptos himenaeos. Vivamus posu-

sed fer mentum. Suspendisse pulvinar,

odio iaculis pulvinar. Phasellus aliquam

ere iaculis lacus, eu fermentum magna

dui at luctusfs iaculis, ligula elit adipi-

pulvinar lobortis sadips ipsums.tus iacu-

placerat in. Nulla malesuada augue quis

scing diam, et vestibulum leo augue vel

lis, ligula elit adipiscing diam,sert sit.

e ipsum amet sadip nemis uns amets uns

dui. Maecenas est nibh, feugiat et imper-

dolo.res amet unrtras viverra et, fringilla

diet eu, ullamcorperse non orci. Curabitur

Lorem ipsum dolor sit amet, consecte-

veterl justo sadips ipsums. Maecenas sed

posuere mattis pellentesque. Class aptent

tur adipiscing elit. Uns maecenas mollis

elit erat. Nunc dapibus tellus erat.

taciti sociosqu ad litora torquent per

ligula quis est posuere dapibus. Quisque

conubia nostra, per inceptos hime naeos.

dictum scelerisque velit sed fermentum.

Aliquam eget urna vitae mauris sodales

Vivamus posuere iaculis lacus, or in

Suspendisse pulvinar, dui at luctus iacu-

ornare. Praesent ac ligula egestas odio

bibendum leo porta. Duis ultricies tellus

lis, ligula elit adipiscing diam, et ves-

iaculis pulvinar. Phasellus aliquam pulv

a tellus adipiscing tristique. Sed rutrum

tibulum leo augue vel dui. Maecenas est

inar lobortis. Integer eget massa nulla.

46 â&#x20AC;˘ photoD

photoD â&#x20AC;˘ 47

HENDRER

IACULIS ANTE SĂŁo Miguel de Odrinhas Museum Interiors by Maria EmĂlia Pires

urabitur ipsum dolor sit

magna vel risus rhoncus et volutpaters

nibh, feugiat et imperdiet eu, ullamcorper

amet, consectetur adipiers

purus placerat. Mauris euismod rhoncus.

non orci. Curabitur posuere mattis pel-

scing elit. Maecenas mol-

Maecenas sed elit erat. Nunc dapibus tel-

lentesque. Class aptent taciti sociosqu

lis ligula quis est posu ere

lus erat. Aliquam eget urna vitae mauris

ad litora torquent per conubiaser nostra,

dapibus. Quisque dictum scelerisque velit

sodales ornare. Praesent ac ligula egestas

per inceptos himenaeos. Vivamus posu-

sed fer mentum. Suspendisse pulvinar,

odio iaculis pulvinar. Phasellus aliquam

ere iaculis lacus, eu fermentum magna

dui at luctusfs iaculis, ligula elit adipi-

pulvinar lobortis sadips ipsums.tus iacu-

placerat in. Nulla malesuada augue quis

scing diam, et vestibulum leo augue vel

lis, ligula elit adipiscing diam,sert sit.

e ipsum amet sadip nemis uns amets uns

dui. Maecenas est nibh, feugiat et imper-

dolo.res amet unrtras viverra et, fringilla

diet eu, ullamcorperse non orci. Curabitur

Lorem ipsum dolor sit amet, consecte-

veterl justo sadips ipsums. Maecenas sed

posuere mattis pellentesque. Class aptent

tur adipiscing elit. Uns maecenas mollis

elit erat. Nunc dapibus tellus erat.

taciti sociosqu ad litora torquent per

ligula quis est posuere dapibus. Quisque

conubia nostra, per inceptos hime naeos.

dictum scelerisque velit sed fermentum.

Aliquam eget urna vitae mauris sodales

Vivamus posuere iaculis lacus, or in

Suspendisse pulvinar, dui at luctus iacu-

ornare. Praesent ac ligula egestas odio

bibendum leo porta. Duis ultricies tellus

lis, ligula elit adipiscing diam, et ves-

iaculis pulvinar. Phasellus aliquam pulv

a tellus adipiscing tristique. Sed rutrum

tibulum leo augue vel dui. Maecenas est

inar lobortis. Integer eget massa nulla.

48 â&#x20AC;˘ photoD

photoD â&#x20AC;˘ 49

HENDRER

IACULIS ANTE SĂŁo Miguel de Odrinhas Museum Interiors by Paula Correia

urabitur ipsum dolor sit

magna vel risus rhoncus et volutpaters

nibh, feugiat et imperdiet eu, ullamcorper

amet, consectetur adipiers

purus placerat. Mauris euismod rhoncus.

non orci. Curabitur posuere mattis pel-

scing elit. Maecenas mol-

Maecenas sed elit erat. Nunc dapibus tel-

lentesque. Class aptent taciti sociosqu

lis ligula quis est posu ere

lus erat. Aliquam eget urna vitae mauris

ad litora torquent per conubiaser nostra,

dapibus. Quisque dictum scelerisque velit

sodales ornare. Praesent ac ligula egestas

per inceptos himenaeos. Vivamus posu-

sed fer mentum. Suspendisse pulvinar,

odio iaculis pulvinar. Phasellus aliquam

ere iaculis lacus, eu fermentum magna

dui at luctusfs iaculis, ligula elit adipi-

pulvinar lobortis sadips ipsums.tus iacu-

placerat in. Nulla malesuada augue quis

scing diam, et vestibulum leo augue vel

lis, ligula elit adipiscing diam,sert sit.

e ipsum amet sadip nemis uns amets uns

dui. Maecenas est nibh, feugiat et imper-

dolo.res amet unrtras viverra et, fringilla

diet eu, ullamcorperse non orci. Curabitur

Lorem ipsum dolor sit amet, consecte-

veterl justo sadips ipsums. Maecenas sed

posuere mattis pellentesque. Class aptent

tur adipiscing elit. Uns maecenas mollis

elit erat. Nunc dapibus tellus erat.

taciti sociosqu ad litora torquent per

ligula quis est posuere dapibus. Quisque

conubia nostra, per inceptos hime naeos.

dictum scelerisque velit sed fermentum.

Aliquam eget urna vitae mauris sodales

Vivamus posuere iaculis lacus, or in

Suspendisse pulvinar, dui at luctus iacu-

ornare. Praesent ac ligula egestas odio

bibendum leo porta. Duis ultricies tellus

lis, ligula elit adipiscing diam, et ves-

iaculis pulvinar. Phasellus aliquam pulv

a tellus adipiscing tristique. Sed rutrum

tibulum leo augue vel dui. Maecenas est

inar lobortis. Integer eget massa nulla.

50 â&#x20AC;˘ photoD

photoD â&#x20AC;˘ 51

CHALLENGE FINAL 24 FRAMES

NOTES

The edited images on this page show that the original files can become REAL photos

The previous pages showed the images

Pires and Paula Correia for accepting the

taken during the activity, without any

challenge and also for letting me publish

post-processing. For most people they

their initial files together with these

would not be publishable, but that’s a

final edits. This challenge demonstrates

mistake, really, as I try to show here. I

that exposure is an essential element in

picked two photos from each participant

photography, and that knowing minimally

and edited them - simple exposure and

what you’re doing is important to get

colour adjustment, recompose if needed

results. Photographing as we did in film

and little more - to demonstrate that it

days, without always checking exposure,

could be done.

may not be something we need to do daily, but challenging ourselves to be

Photographing a whole series of 24

able to photograph without always be

frames in the conditions defined, without

looking at the LCD after each photo may

seeing the resulting images to readjust

be a good discipline to follow sometimes.

exposure, was a challenge, but a lesson

Just for the fun of it, and because it helps

too. I’ve to thank both Maria Emília

us learn phoitography. As shown here!

52 • photoD

Two images (top and above right) from Maria Emília Pires edited reveal a potential that was probably not seen on the raw files coming out from the camera. This was a quick edit as the exposure was within the range acceptable to give good final results.

Two images (above and on the left) from Paula Correia edited reveal a potential that was probably not seen on the raw files coming out from

the camera. This was a quick edit as the exposure was within the range acceptable to give good final results,. photoD â&#x20AC;˘ 53

Revisit the Past in Broas - Photographing a ghost town as a means to better

54 â&#x20AC;˘ photoD

r understand the past

A photo tour for you, when you want it.

photoD â&#x20AC;˘ 55

Romans and the Atlantic Realm - Landscape photography on the coast of the

56 â&#x20AC;˘ photoD

Temple of the Sun, Moon and the Ocean

A photo tour for you, when you want it.

photoD â&#x20AC;˘ 57

YOUR PHOTO LIBRARY SOME OF THE BEST PHOTOGRAPHY EBOOKS IN THE WORLD