Alex Hamady Thesis Boards

Page 1

Traditional forms of storytelling are communicated via written or verbal language, but storytelling through architecture opens the gate for a new level of complex narratives. These stories can go past the one or two dimensionalities seen in typical communication and bring storytelling into a three-dimensional form of language. Architecture makes room for every story to be a choose-your-own-adventure. The architectural story has infinite possibilities based on a combination of a structure’s age, time of day/year, weather, materiality, form, and so on. All these factors combined can allow the architect to string together an intricate narrative that allows for a variety of experiences. Despite this, it is not the designer who determines the full breadth of stories that a structure can tell. The ultimate randomizer to the change of story is the unique perspective and semi-unpredictable nature of each person who inhabits the structure. Each person pursues a different route, notices different details, and moves at different paces making the seemingly infinite array of story variation a reality. Despite all this possibility, it is rare for architecture to reward curiosity. Many structures of today abandon this diverse idea of storytelling in place of those that are akin to a book with a beautiful cover but filled with blank pages. That is not to say there are no successes in the development of this sort of architectural storytelling. Nearly all examples, however, range from spiritual to full on religious in nature. Just like a good book engages the reader and forms a connection with them, the built environment can generate interest and instill a sense of mystery and discovery into those who occupy it. storytelling is a medium that has the power to incite personal connections between people and their surroundings.

Study 1: What is a story?

What is a story? A story, at its core, is a collection of individual moments, thoughts and feelings, that when brought together form a completed being; a thing that can immerse participants and allow them to travel beyond their immediate reality. A story, by its very nature, requires engagement to be to be experienced and understood.

What is the story worth telling?

Those who prospered and found great wealth in th Magic City were quick to abandon it, leaving behind a scarred landscape riddled with industrial remnants. The area surrounding McLendon Park is occupied by those people who were left behind after the departure of industry from Birmingham. These people fueled the industry that shot Birmingham into existence, but are now left to exist in a city littered with artifacts of another time, representing a past they never owned. This project aims to tell a story about reclamation of the industrial language and re-purposing it to serve the community.

Study 2: Learning a Language

All stories are told through some type of language. Architecture is no different. In order to tell a story about the reclamation of an industrial past, you must learn the formal language of Birmingham’s industry. This language is seen scattered around the city and most preserved in the now inoperative Sloss Furnaces. If you perceive each form as but a single letter that works with another to produce a word and another to make a paragraph and another to create a chapter then you begin to understand the inter-connective ability that form has to tell a story.

wherein ones eyes may travel through the scene and piece together a narrative in any order and with varying degrees of interpretation.

What is the story worth telling?

The moment where one is at their deepest point of immersion in a story is often at point such as the climax, plot twist, big reveal, or moment of clarity. All the words before these moments exist to set them up. These moments exist also in the built environment and are equally capable of immersing an occupant into a story. Even these forms that are devoid of life and existed solely for a utilitarian purpose are capable of conveying powerful and complex thoughts and emotions.

Storytelling In Architecture
A collage illustrating how a collection of individual moments and singular ideas can come together and form a complete world or landscape
Isolation/ Loneliness Spirituality Division/ Dichotomy Chaos Rebellion Stoicism
Study #3: Industrial Form as Architectural Space Industrial forms literally translated into conceptualized architectural space. Drawn charcoal perspectives that utilize newly learned formal language to create conceptual landscapes. These scenes represent initial ideas of how an architectural space can invoke ideas of industrial processes without actual serving an industrial purpose. Trying out the language Drawn conceptual site plan and sections that utilize newly learned formal language to create ideas of space that could invoke thoughts of industry. 0 150 300 600 1200

Study #4: Application

With a thorough understanding of industrial language comes the opportunity to manipulate and re-purpose that language in a way that communicates the intended story. The program that will support this story is public campus that includes a workforce development school, a public park area, and a local market. These programs all work to generate wealth and foster a greater sense of community for the area.

Limestone! Coal! Iron! These are the resources that once flowed rich in the Valley of Jones. The unstoppable forces of Mother Nature worked slowly and tirelessly for millions of years so that mankind could one day discover the wealth she accumulated. The Red Mountain reached toward the sky as it pulled these anthropic riches from deep within the earth. Twas not long before the valley was ringing with the unnatural sounds of machine and man as they wrestle against the inherently stubborn nature of the matter they so violently ripped from the earth.

Screaming serpents, formed by plates of metal, coursed along their tracks through the heart of the city, carrying precious cargo to and from all ends of the country. Although it was in their mission to connect and distribute, by doing so they inadvertently severed links and divided the landscapes that they tore through.

The once unbreakable beast of industry, who had propelled the city to greatness, fled with tail tucked timidly between wounded legs, abandoning its lair of flame and smoke. The valley, scarred by the forces of man and riddled with the remnants of another time, will reclaim what it once owned. Just as the roaring furnaces once shaped the stubborn metals found rich in the valley, those left in the city bear the responsibility of molding Birmingham into something new. Indeed the remnants of our past shall become the tools with which we use to construct our future. From the ashes of a once sturdy industrial giant, personified in the image of Vulcan, a new, gentler creature, forged from empathy, can rise in its place.

Man vs. Nature Railroads Reclamation
Program Stalls out while market is active Stalls away while market is inactive Stalls away while market is inactive allowing free movement through empty plaza Stalls out while market is active defining new winding paths and outdoor room according the shifting positions of the market stalls.
Form emphasizes cuts through natural landscape Industrial doors of incubation spaces below penetrate through grassy park extension above when doors are open Transition between park space and primary structure allows moments where grass reaches out to the structure and other moments where built elements reach out and scar the landscape. Where once a furnace consumed raw material from the top and shot fiery liquid out the bottom, now a well of light harbors a garden at the bottom and ferries people to the top where there is fresh air and a view overlooking their community
Private meeting/study spaces encircle courtyard Circulatory vestibule filled with a sense of heat Occupants move through the structure as though they are raw material The workers are championed. All workshops exist in raised positions, often with sight-lines into admin offices; a reversal of the old ways. Familiar forms given new identity A path with a windowed view down into admin offices 0 150 300 600 1200
Path study east to west Proposed Valley Creek Greenway Major Roads Primary Paths Nodes/ Intersections McLendon Park Proposed Valley Creek Greenway Major Roads Railroad Path Site Analysis Former Elyton Yard classification tracks no longer in existence Path study west to east Path study north & south Path study merged Path study simplified Primary Masses Secondary Masses Site Analysis 1:300 Site Context 0 mi .125 mi .25 mi .5 mi 1 mi N Floodway 100 Year Flood 500 Year Flood Elyton Village Center Center St 3rdAveW 3rd Ave N 1st W 2nd St W 3rd St 4thAve Ct 4th St W 5th St W 6th W PrincetonPkwyW PrincetonPkwySW Arkadelphia Rd 3rdAve 3rd TuscaloosaAveSW TuscaloosaAveSW PrincetonAveSW PrincetonAveSW 2nd St SW 3rd St SW 4thStSW 2ndPlSW 1st St SW 2nd St SW CharlesAve 5thStSW 6thStSW St.CharlesAve St.CharlesAve FultonAveSW FultonAveSW AlabamaAve Washington Ave WoodlandAve N Housing Elyton Village Center Center St 3rdAveW 3rd Ave N 1st W 2nd St W 4th St W 5th St W 6th PrincetonPkwyW PrincetonPkwySW 3rdAve 3rd N TuscaloosaAveSW TuscaloosaAveSW PrincetonAveSW PrincetonAveSW 2nd St SW 3rd St SW 4thStSW 2ndPlSW 1st St SW 2nd St SW CharlesAve 5thStSW 6thStSW St.CharlesAve St.CharlesAve FultonAveSW FultonAveSW AlabamaAve Washington Ave WoodlandAve Major Roads Jefferson Wenonah South Bessemer Flood Plane Existing 0 150 300 600 1200
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