CONTENTS
NOTESABOUT THE TRANSCRIPTIONS Theseten pieces,which appearin print for the first time,weretranscribed directryfrom Dilermando Reis' original recordings.Aside from va se rc Agradat the other nine selectionshaveone recordedversioneach.A roughtranslationiwirr, ,rra .r sobradinho,for it is impossibieto know the exactmeaningD ermando ""."pti." had i., -i.raand the recordingdateappearin parenthesisnext to the title. Alma Apaixonada / SouIin Love(196grecording) This piece, though written in 3/4, is not exactrya wartz.Dilermando praysit as a sentimentarsong.There are many gracenotes anticipating the bass line. Someare stylistic and somewereprobablyusedto facilitatethe-performance. Desengano/ Disenchantment (1966recording) This is a greatchoro with a strongmelody.Notethat somegapsin the main merodyare filled in with another one which createsa kind of questionand answer effect. Eterna Saudade/ EtemalLonging(1963recording) This is one of Reis'typicarwaltzes.written in a minor ket it mustbe prayed srowlyand with a melancholic feeling.Thereis a nice contrastingeffectin trr. iirri ,".r". bu., of the secondsectionwhich areplayedtwice asfast. Feitigo / Sorcery(1968 recording) My favoriteof Dilermando'schorosisIeifrEo.Muchof its charmisdueto the anticipated bassnotes throughout the piece,which in this casego beyond styristic .rru.ri", to becomean essentialpart of the piece.
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The rhythm changes suddenly in bars 30 and 31 (second section), which may cause reading problems. These two bars should be played as if they were written thii way: L'islesso tâ‚Źmpo
ll
,e-. Fim de Festa / End of the Party (1964 recording) Sandrinha / Little Sandra(1970 recording) Reiscomposed many sentimental waltzes in E minor. These two share this characteristic and, besidesthe romantic feeling, have a similar structure. Gente Boa / GoodPeople(1975 recording) This choro is quite effectivedespitenot havinga strongbassline, sotypical ofthe choro. It must be played with plenty of swing. pay attention to the pizzicatos (they are very important) and, once more, to anticipated bassnotes. Rosasde Outono / Autumn Roses(1969 recording) Although played slowly, it differs from the other waltzes in this volume in that it is not sad and has not repeated melodic phrasesin either section. There are some similarities between this piece and Dois Destinos,which is in Volume 1 of this series. Sobradinho / (1969 recording) This is the only maxixe in this collection. The first section recallsthe well-known sons de Carrilhdes(Soundof Bells),byJolo Pernambuco and must be plaved with the same feeling. The title may refer to a Brazilian city. VA se tu Agrada / SeeIf YouLike It (1948 and 1971 recorrlings) Both versions of this choro were recorded with z guitars. In this arrangement for solo guitar, I have tried to maintain some of the original feeling. I consider this to be the most difficult piece in the collection.
I wouldlike to thankmy friendsDailorpereira,EdmarFenicio,Hahocunha,lodoBarbosa, Richardudler,Ronoelsimdes,Rubinho,and william Kobatawhohelpedmein variousways. specialthanks to Erasto Reis(Dilermando'snephew)and the entire Reis family flom (SdoPaulo). Guaratinguetd Thisvolume,onceagain,isdedicated toMr Ronoelsimdes,whoseworkfor thepdsts0 yeafi, hasbeenfundamentalin thepreseruation of theguitarhistory. IVAN PASCHOITO Aotil2O. 1994
DTLERMANDOREIS(L9L6-L977) DilermandoReis,probablythemostfamousBrazilianpopularguitarist,wasbornin Slo paulostatebut lived most of his life in RiodeJaneiro,whereheworkedactivelyin radio From 1941to 1975he recordedabout20 - 78 rpm and 23 - LPs. and recordings. He playedall kinds of music and recordedthe compositionsof Bach,Barrios,Tarrega, Gnattali, and Pixinguinha among many others. However,his preferencewas the traditional Brazilian guitar style: doleful waltzesand chorosfull of modulations to "confuse"accompanists,playedwith his unique styleand sound. He wasa greatcomposeralso.He recordedabout 100of his own compositions,many of which becamereal standardsof Brazilianpopularguitar-like DoisDestinosand se EIaPerguntar. In 1975he recordedthe LP TheBrazilianGuitarof DilermandoReis,containing his last compositions:chorosand waltzes,of course.
IVAN PASCHOITO Ivan was born in s6o Paulo, Brazii in 1953. Fascinatedwith the sound of Dilermando Reis, he began teaching himself the guitar at the age of 1'2. In 1973, Ivan began transcdbing and arranging the music of Baden Powell, Toquinho, Milton Nascimento, Vinicius de Moraes, and others. His first arrangementswere published in 1984' Ivan's favorite guitarists include: CarlosBarbosa-Lima,Paulinho Nogueira, Dilermando Reis,Garoto (Anibal Augusto Sardinha), and John Williams.
GUITARSOLOPUBLICATIONS 514 Bryant Street SanFrancisco California
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(choro) Dilermando Reis
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Dilermando Reis
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Transcribedby
Ivan Paschoito(10/91)
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Sandrinha (waltz)
Transcribedby
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