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consist of a We sculpture and works that are The Problem with Game in The Gate Theatre, from the - 19th wanted thewall-based film to have a unified style so life’s work? involved? Featuring Christy I hope you have the9th time ofStability runs in Pallas ContemFor more, see www.accesscinema.ie and to Judy ended up incommissioned the driving seat of it?Writers presenting athese play in favourites. aMoore, theatre so you’ll start has JJ show went we aA transout Scarleh Facebook for more. with all amazing images going through the value ofdidn’t Japanese changed. Departures’ Artane. ItAvignon chronicles aimages year in their lives. simple withsented aalways certain in-built anmost anxiety predicated 19 January-27 February. Tickets priced between the 12th and ofTuesday April from Uncle Vanya. Friel hasand these characters an■abstracted response tobrought and texts relating 22 June Whelan’s like to have their recent work porary Projects from 30₏15 January until 13 March, Smyths. Also, blues. sical The idea ofanxiety, auditioning people reallyfilm appeal More information on17th theCheck film is between to bewith found at on everything had to have the same palette throughout. September Mary Black RTE National Symphony The Hep Cat Club ■■Keith Donald and Eamon your life Sodome, my love runs atasthe Project Arts Centre fromfind lation of itin into French soform, I did with itaone night in English, their heads.� There was originally group called Gare St with the text the main thing. You’ll play, monologue no extravagant sets upon a fear and expectation of misuse. and ₏18. to how social spaces are designed and controlled. Thursday to Saturday, 12-6pm. e gig to me so we weren’t sure how we were going to http://henryandsunny.blogspot.com/ the End and the Calmative. For more Oscar ticket win this year is a reflection If we hadBuika shot in color we would have had 8pm a lot of Fa ■Concha ■Marianne ₏13.50, se, Techno, of peopl March. Tickets cost ₏15 - ₏25 one night in French for two weeks. I think I lost about Lazare in Paris, setHall up by an American Bobby16-27 out as you’re going alongKirk through details see www.projectartscentre.ie Bandrehears■Philip Glass ■Donal National Concert Grand within Canal Th Endorsed One Tree Hill preciation for what’s happening the Sunday 20 June National film Concert Hall There is more ₏39.20/41.50, 7 industry. variety in Japa ■Big Time! JJ Smyths D’Olier St, D2 and Barnardos. Smithfield, D7 ₏25-35, 8pm ₏10, ₏15-40, 8.30pm West African singer, Spanish A Mars a day...s now. Our films aren’t falling into certain R&B with Frank Jez and DJ Blues, Ska The Bernard Shaw, 11 -9pm 12 Sth en St, Ahmed Free Richmond St, Portobello, D2 categories.plays The new generation of film■Scissor Sisters Master ofcal minimalism music. 11pm, ₏5 quite keen to explore the ■outside market a Temper ■Lesley Garrett You Tube nights, hat partys... Olympia Theatre solo piano. Red Danc
â– Soup Bitchin’ Project make andMeyer do forSaturday grown With Arts Centre plays host to Ireland’s and ups! Judy and hooked up with them ing an international audience into conside 19 IJune National Concert Hall Whelan’s â‚Ź44.20, 7.30pm â– Panti Bar, 7-8 Capelmost-travelled St, D1 Muzik company from the a DJ. making their films. In thatâ‚ŹTBC, respect8pm it’s a ve theatre in the early ‘90s. We did a lot of shows with Wednesday 16Sunny, June â– Blondie â‚Ź25-55,writer/director 8pm It would be cheaper to stick Henry and Dublin-based together twenty years after their original setting Gay student night The Button Factory, Curved St, kind of filmmaking to what we had in the 12th Fergal to theRock’s 17th April, welcoming thedate Gare them, and directing. â– I Mary Black Vicar Street with the Upstairs. Plus PĂĄ scissors in your ears yourself. ‘melancholic tale of true love against â– The Temple Bar, D2 Rescheduled Panti Show ’s Acoustic and they meet forwas the acting first time in Judy a cafĂŠwas in Moscow certainly is an interesting and encouraging â– Alice Jago Olympia â‚Ź49.20, 8pm RTE Concert & Band. Andwe less painful. all odds’, is Up-Beat a unique vision quite beautifully St Lazare Players withIndie, their double billOrchestra of realThen weSt,moved awaylives. from Paris and â– The Song Room New Wave, Bouncy Panti Bar, 7-8discuss Capel D1 Theatre where they each other’s Japanese cinema. ized.plays, Shot in high-contrast black and white, Henry â‚Ź34, 7.30pm Heart of Glass beginning to Electro Gay cabaret. The Globe, 11 Whelan’s Sth Great Georges Wexford Beckett The End and The Calmative. started doing our own work but under that
and Sunny imagines a complicated relationship 11pm 10pm St, D2 Friday Van Diemens Redmondand O â– The â‚ŹTBC, 8pm Once you go So Black, never show cracks. Can you tell us about the â– programme These plays are notname. related though are they? They Acted and directed by husband and18 wifeJune company at ayou certain point then,
Live music between an unemployed clown and his high-profile h The Mighty Guests Whelan’s Jago bomb. Bomb in the good go back have chosen these particular films? two stone in weight! It was tough but fascinating. No stranger the dark and daunting, seasoned aren’t sequels? team,to Conor Lovett and Judy Hegarty made to differentiate ourselves and ember â– who 8.30pm, Free Noize Mofo it + One By sense One + DJ love interest inhabit very different worldsâ– that als if you needâ– anything it’s been â– Mary Black Pearl Jam National Conce sense obviously. We else. try toAnd promote a deeper understanding Then a year ago I worked on a different special project forâ‚ŹTBC, the 8pm thespian Olwenoff FouĂŠrÊ’s latest is role sees her take to the No, they are both completely characters Rounding The Abbey’s By Popular Demand Pallas Contemporary Projects something of a Andrews Lane Theatre, Andrews Jenny T Lovett, The End has been described as the formalise our own company. We already tragically threaten to keep them apart, despite their our experience of working with Beckett that of the8pm films’ them Island All-Day â– Popical Olympia Theatre The O2 society and culture. A lot â‚Ź20, They just can’t get enough. European presidency in France. I was put together stage as the sole survivor of Sodome, a city which cenfrom completely different plays. The only link is that season, which saw the welcome (Terminus) and not hiddenperfect gem best in Dublin’s artistic landscape, secreted â– First Taste D2 Bar, 21-22 Wellington gafaun efforts. Lane, introduction to Beckett – we talked Fitzsimons had used thatand namedid so an weadaptation became Gare St that aim. We ‘Achill have five withboth aTemple French director turies before enjoys a utopian existence of joy, excess you really don’t need compliment to put anything else Pop Sophie Delila â– Harcourt â‚Ź34, 7.30pm â‚Ź59.80/65.70, 6.30pm in films Octobfo so welcome (The Sea Farer) return tocommercial the Abbey they share anExtravaganza author we and a location. The in play from the larger tourist haunts and Student night with live bands, Quay, Bar, D2 Crawdaddy, away Old St This latest short from Rock assembles an ac C^^S` 4]e\Sa Ab el St, D1 and I hope that I have selected a good com to the star of the one-man shows, Conor Lazare Players, Ireland. French of two of Roddy Doyle’s books – Paula Spencer and orgies until terror deals one fatal and devastating Achilles â– Whelan’s Whelan’s Black ops Grunge’s not dead andthat Peacock stages ofcity some of itsWhich most talked-about up there. That won’t apply to every piece of and Electro Free, 9pm 1.30am Station, D 2 entities populate theIndie centre. isn’t contributed stands on –its own feet however, so audiences wouldn’t complished team that has undoubtedly that people will enjoy. The press responses im and The Woman Who Walked into Doors. I grabbed blow. In her solo performance in the world premiere BS[^ZS 0O` Lovett. shows, is Little Gem, the award winning debut Whelan’s â‚Ź8, 8pm â‚ŹFREE, 3pm 9.30pm, â‚Ź5 or â‚Ź8 for two people A new weekly party playing all to say that it’s in factreception in the fish have to be familiar with Chekhov to enjoy writing but it’s a kindthem of anhave aesthetic that to inaccessible, the film’s positive onbowl the festival necessarily circuit. been very positive. We have Po that experience because I thought it was a fantastic of a play by acclaimed Frenchman Laurent GaudĂŠ, with flyer â– less new and advance musicactor/writer inHere The from Elaine Murphy. since its The Bionic Rats of Parisien Dublin city, it’she just past the little plastic diver, Turin Brakes Trainsfor us over the â– Zodiac Sessio â– Ever â– The You have quite alaunch, strongfeaturing affiliation â‚Ź7, with 8pm chanteuse. Up the Compilation ribute discusses the film’s depiction of a love the play. 2cPZW\ we’ve found has formed py animation Miyazaki who is quite opportunity and now, more and more, I want to work rises the settled ashes encased in to or costumes. Lobby Bar FouĂŠrĂŠ The Turk’s Head, Parliament St &Yeh much-raved-about appearance as part ofasalt, the Fringe In Little Gem the role ofest Amber provedfrom the most tucked awayfrom between Stoneybatter and Smithfield. Whelan’s Whelan’s Bruxelles Upstairs. escalier. Land Lovers, Deadlies, ordinary, and how they stumbled across lead actor First things first, can you tell us little bit Beckett’s work. Is there any reason for this Centre, Sth from Spirited Away and Howl’s Moving C years.toBut, you like, in the lasttobig 10 years with this inbetweeness.â€? her2008, account ofgo theslightly event. A piece 7pm, Free relay â– Thursdays findexperience that a lot of the timehad when I go into a Temple Bar, D1 CafĂŠ your En Seine in it has played to sold out@ audiences inof Ed- Essex HasGate, the“I new Dublin a significant difficult cast.if“This play has aseems really If you’re willing to offprovocative road with There beelderly a strongFree, sense9pm of fragility Paulo Braganca. â‚Ź23, 8pm â‚ŹTBC, 8pm Groom and (honestly) much Have you worked with Brian Friel’s plays in the past? about the two plays coming up in Project other than admiration for his work? was huge hit in Japan. quite a decep It effect was theatre inonParis a producing? year ago FouĂŠrĂŠon first work, Sodome, My Love, translated into English Dance, Jump and Skii torecognise Reggae CafĂŠ En Seine, 39snaring Dawson St.,by D2 I almost don’t thewhen characters stage. we’ve because done three plays by other writers. inburgh, London and New York, its scribe what you’re fanbase, the Kay role isaparticularly so much fun, andWe toIt is the city centre strolling, take a lookey-loo in this month, work, concerning Brown Sami â– kid â– Chris The worst a It across Upstairs. The lighttoatbethe end at a younger Weekliygrammar acoustic much more. Upstairs. Yes, my Brian Friel play was in admiration. 1966, as aWith in Moukaddem aimed audience stumbled GaudÊ’s Printed on the some FouĂŠrĂŠ herself, notartists only poses questions about thebrakes hu- outside Arts Centre – The End and The Calmative? would be We’d â– Unplugged and SkaI first DJs and dancing until 2.30am. @some The Purty wouldn’t meet them in200% my everyday life. serious accolades ranging from the Fishamble Typically our work isabout a script. response to both physiget them toThe listen toPortuguese what aappears 19by year old has to of say where Australian Pat Foster and Jen Berean architecture, does all this relate back to t did the Good Thief Conor MacPherwork to do with costumes and props so our choice cast it. Two plumbers turned up at our The concept of clowns as the latest casualties of the snigger) Vicar Street JJ Smyths Toyota Prius. of the tunnel. the Abbey The Loves of Cass McGuire. However, always expect Miyazaki to deliver a deepe random publication, the title (Sodome, ma douce in man condition but magnifies mankind’s inherent need Free, 10pm Cocktail promotions. The Purty Kitchen, 34/35 East Little Gem, I think, the members recognise Writing award theto 2009 Carol Tambor structures of aaudience given environment, sothings on that and to really care aboutdoor it,built you really need someone They’re short written bywith Samuel besocial big fans ofin Beckett, question. What’s haveNew opened a
new exhibition coincide their anxiety’? to shoot black andno white simplified producer Orla’s one daysurface to re-fit her bathrecession isstories a to unique one. What made you settle cal on and son, we did Swallow by Michael Harding, May ■Hilda ₏56, 8.30pm ₏10, 8pmof interest than the suggests. A Stranger of M of the greatest acting experiences I have ever French) intrigued her. Immediately she set about findto destroy all that he fears. 8pm, Free for a woman who only one Essex St, Temple Bar, D2 themselves more in the characters, particularly if In response to the level shown in last year’s Best of Edinburgh. Not bad as soon as we landed Dublin we quickly started strong in the role.� , - ! .
international studio This senseone of fragility in the work is intende level. I also think it looks much more atmospheric. room.last Sheyear, textedwe me saying of them bedirector my Beckett and they’re from interesting about what we’ve done, while that idearesidency. asYthe basis forthe yoursame film? kind of and then did andreaming adaptation of interesting film from awould young nam ■Live acoustic set with Gavin DJ Ute Lemper Thursday 2 ■The Whelan’s Bruiser Brown Gordon Lebanase jazz guitarist ing aDexy copy of the text, read inwalking one sitting and “For me, the Sodome of this play represents aLegend state toof Luke had was playing Casimir init another Friel playdecided called IFT you see it all in one of the suburban theatres like the Fmakes //0 ) * * - # 1) " . * .! . *.# event the Japanese Film Festival has broadened its■the wrote itwell because she couldn’t benative arsed walking researching the city, through around, As a perfect writer and an actress is she the uphim any Y Already established in their Melhighlight inherent lack ofhe’d stability withi T It goes back to that almost Farside-like idea of for part of Henry and asked if I actually wrote the script while I was doing a F I ! "
#$$% N period as when Beckett wrote First Love, we have in our repertoire, 3 or 4 Beckett Great Georges Edwards S E popular. Uchida. It is his first film, shot on a low bu ■Fitzsimons Bar, 21-22 Wellington Choicecuts presents: The R H without delay to put the piece into production. FouÊrÊ of consciousness which we have completely lost any E Arguably Ireland’s greatest living playwright, Brian Kelly Grand Canal Theatre Herman Melville’s Moby Dick. The same Aristocrats. We took that play to London and then ₏TBC, 8pm T look T Civic in Tallaght.� horizons, now taking in three locations across the the library. ! " # ! $ $ % !" talking to locals and the digging through images. juicy roles for herself to bring toof life on stage? bourne, Foster employ vocabulary of fabric urban space, that in-built anxiety. ARBerean Tand robbing clowns of their color and distinctive be interested. He was really surprised because he’d masters in DIT. At one the stage I was working a call - -* ( ) . ) * -! t for the Sis 2 Bath Avenue, Dublin 4. 2to. - initially 7pm, Free turned before Quay, Temple Bar, D2 Beatdown uses no /- ( *# famous actors. The brilliance of th
$ % & ' L80 which a started piece we also did In inNew plays, 10 of the last 11 Beckett things is Attempting wary ofAstranslations since “Every act translation connection When the last survivor ofrecently. the ofFactory Friel January, and celebrate his A the latest in a long, long line of Irish writers York, which it allnot sorts ofof awards. This â– years Stevie The Button â‚Ź38/41, 7.30pm Disappointingly an country before making a welcome return to Dublin “I last writing the piece ascity a vehicle to getearned a grasp on the workings of the “I’m playing with it. You write aact piece and you National College of Art &actually Design DEA11pm aesthetic would have applied toof each of & architectural design to appraise how we underconstant trying tofew achieve this Wond stabilit S traits. made a feature film in Portugal a centre and aPygmalion, lot oftothe people working there with or, Home N I 0 1 * - ' % - -! "
# A Energetic blend of dancefloor South William St, clever script and unusual structure. It has M National College of Art & Design is an act of interpretation. [GaudĂŠ] writes with amazSodome speaks to us, she is speaking to the descen2 E finding their voice in monologue form I wonder fact, as a Fshe theatre company we have we’ve done havetribute been prose works. It’s anStreet milestone birthday Gate Theatre are presentin theNational latter half of November. Festival for myself,â€? tells me when I In meet her fordone tea like in isn’t myand first time playing Andrey however, we took city also its significant history. We were lucky think whether can see in rendering it or famous Brian Kennedy Monday 21 June â– & The O2 spaces ev â‚Ź15, 7.30pm Imelda May act. IN stand and utilize our built environs. preparing the affect, social National College of Art &programmer Design College of Art &about Design to be interpreted. Afterplay is aadverse bityourself of amount aas gem, and 100 Thomas earlier. He hadyou aagreat career a want relatively Winvolved methe in arts and looked they ) - ( ( - 2 * % , -! * 2 * ( those three pieces, minimal of nue, Jody Owere â– Space ‘N’ fillers Dublin 2 theher Vedaof the which Ibetter don’t to say too much about E schedule whether
ing poetic simplicity. What was difficult was to maindants people who eliminated people. So it L 100 Thomas Street T what it is about this mode of theatre that makes it
T Shinji Yamada has compiled a reflective of the The Abbey. “I had an audition and I was too lazy enough to be taken on a fantastically insightful tour somebody else would be off in the ! ing three of his greatest works in succession: Faith Afterplay to Australia early this year with Francesca ! O their residency show, The Problem with Stability, fragile. Our work suggests that this lack of8 National Concert Hall there ! % 2 ") - 2 - - # 3( 4! *-) *5 â‚Ź65.70-96.25, Tribute 10Georges Samuel Beckett prose pieces, thatoften interesting distinction but about I100 think aStreet !"# Osuited Were you being satirical the entertainment although has been preformed awas few times in Ireland, singer over there, signed towant David Byrne’s 100 Thomas were better to other jobs. pieces My writing Thomas R hower Dublin 8thatisStreet Open Monday toitfado Friday from 8am, lunch U Free, 11pm Hip hop The George,touches SthBGreat scenery if youJapalike. It’s kind of developed of film you will toas see twice! Kamika 0 aEbeen tain this simplicity because thereplaywrights? are certain on a and whole load of issues like ethnic cleansing 5has so attractive todoing emerging imagination and forward thinking that has made to go to get new monologue. I Best had this idea a Annis Dublin 8work LY local historian that really helped us tothings start to role. There’s always thenot question about whether I’d ideally positioned between should be understood as a it. key how N Healer,their Afterplay The Yalta Game. known now it with Frances Barber. P!NK â– Butch Walker Wednesday 23 June â– I’m â‚Ź30-39.50, 8pm industry? Soul icon in record label and toured around America. He wentfactor Oprocess involves taking something familiar andfor putting itby inaand many Friel fans will still be overly familiar with Dublin 8 weren’t actually written for the stage. The tradition in his prose writing of the Dublin 8 9pm, free T: 01 636 4347 Funk, and the St, D2 beautiful coming-of-age story about teena you can say very directly and ininform Frenchit, that and genocide, but primarily for me itcame represents a state aesthetic. When you’re doing the work
$ % & ' $ $ % & “I was talking to Abisimply Spillane about whose nese cinema an institution, affording Irish script. The youngest character from that. Then understand the layers of history that Dublin. beour able to audiences have enough distance from theenvirons. piece to Stoneybatter’s PCP and the IFSC-based Fire Station shape the built T: 01 636 4347 served from 12. Supper Monday through for the classic Philadelphia Here I Come and DancI think it’s gentle satire. We’re not taking pot-shots to London to pursue a music career but it didn’t a slightly different context. I think that’s where the The Gandhis ■RDS Whelan’s Abomination to the human $ % & ' Performance and dance. Retro Eamonn Barrett T:01 01 636 4347
T:on 636 4347 the two shows are aknow very good introduction to ■you being byfeatured anversa.� actor stage. and Japanese fashion subcultures. Shall W can’t say inpresented English, and vice of consciousness that wethe nothing ' ( ) own debut Punk Girls three actors deliveryou don’t necessarily stop and ask questions the opportunity to appreciate cinematic I had this idea for granny’s character. I started Sohow yes, the city has affected the work we dounique it justice.� Studios, allowing them to experience a about�. crossmenial section H L at anybody. I think fact that they’re surrounded out so he came toto Ireland to do idea of having clownsa working jobs where Lunasa he has also translated number of And different iscertainly it63.20, doing thethe same part with romanod@ncad.ie iof ■Guateque 50s,ing 60s,at 70s Party 4 Dame Lane, D2 v ■Tir na not nÓg Little Se ■Our Whelan’s ₏58.30, 8pm ₏15,two 8pm race. Have fans work of Chekhov warmed theconfused play orbathroom dis- the
e t, D2 to be with Hollywood re FouĂŠrĂŠ refers to a phobia or disinterest of Irish theatre Born in the West Ireland of Breton parents, FouĂŠrÊ’s S Beckett’s prose. The End has been described p ing monologues, and we agreed that it’s just a matSaturday from 6pm. outputromanod@ncad.ie of one the world’s largest and oldest filmlook thinking about howBia I giving was going to bring them have produced. “I do miss acting though. I and haveyou aThe small part inhe aany avisually of the city, and the seismic-shifts that recent trends Sobrother. have come across buildings or in *& + ,
n but then you back say ‘gosh, we’ve by over-the-top characters who areof motivated by installation with his moment walked they stand-out came from. The clowns romanod@ncad.ie Free before 10pm, after Bar, 28-30 Lwr Stephens St, D2 Electro Indie i Chekhov’s plays into English, them a new lease different actors? s romanod@ncad.ie http://nival.ncad.ie Whelan’s Whelan’s â‚ŹTBC, 8pm h “Funhouse Summer CarFollowed by Mincing Runner. credited it? 11.30, 5 after 9pm, become a modern classic in Japan. Depart in exploring European playwrights and the creative fluency in and French affords her the freedom to splash g ter of getting the piece up and getting it out there. If u industries. together in a play and that’s how I came to write romantic comedy called Happy Ever After which is i As a company, you use very little set dressby Christopher Ricks, an international of boom bust have wreaked. In the midst of all structure in Dublin that you think could be http://nival.ncad.ie taDomingo fameitand money makes the clownsboth more sympain I knew thatthe Paulo was time’. perfect for the role. He death rites. It are symbolic of artists in aactor way. When we started Located just steps away from 10pm with student ID Sanchez and friends Free, 10pm r esteemed doing this whole But no, it’sâ‚ŹTBC, of â‚Ź8/â‚Ź4 life.about Totally spoke to Niall http://nival.ncad.ie It’s great because keeps one fresh. They’re o http://nival.ncad.ie Zodiac Sessions â– the cinating filmin, about Japanese Wellout Ibeen have only ever done itto in Australia where there â‚Ź15, 8pm 8pm Upstairs. Bellajane. nivalâ€?, ifwork Pat Sharp the neclectic waves currently setting the stage ofand places like Paris in mother. aDublin sea offro-ing, endless literary possibilities, asWith opyou dosay something really simple, with no set changes, () ** ' ! ( ) # Is it fair to yourTheir also experiments with the in ! January and its nice just walk get your s.ie this to-ing and Artsdesk caught up with the () ** + ,,,# ( ) # from a few cracked T thetic. natural instinct isdecision to entertain and +++# completely empathized with Henry as windows? he was also of its Oscar shooting the filmanlast year the whole global financial play mix ing or even effects. Was this a that scholar, as the perfect introduction to Becku iter with Vicar St and The Tivoli Theatre, ' e Buggyposed about his role in Afterplay, and his history wonderful actors and both of them are friends, it’s s more widely available because not a statement about ‘nothingness’ or anywas a very warm response to it. Friel has translated a Lost Colours â– and Germany alight. “There seems to be so little to the majority of Irish actors who are confined Bruxelles d Influential duo crucially never A favourite phra twins turned up, this might be a just three actors who can literally set up shop in The 1950s is often regarded as the golden age of When I finally finished writing it I was too old to Bar built form in the aftermath of design, where users script, get dressed up and off you go.â€? y to suss meltdown out what they had in store so forideal Well there does appear tohim be up some newer de â– DJ Alan pair 8.30pm â– Global Healy Zoo consciously provide humour. There’s real generosity involved in trying to resurrect his career. So we signed had just started itus‌ seemed silly not bitions forthe pre-theatre dinner eand was made or is itlikely designed ett’s work. very funny but it’s got Enquiries Contact 01-6643648 he Purty with Friel’s works. very important toroom, get onpeople with your because are delighted that we managed to the secure it veIt’s crossover and that is something that Ico-stars would like to beto to aFree, more restricting paddling pool of scripts and number offinds Chekhov’s plays so he knows thestrong material Ivan Ilic â– Whelan’s 9pm got off the horse. around coun thing like that. When the words are less nightmarish. your living are more to take a n Japanese cinema but the films you have selected show play Amber too young to play Kay or Lorraine often ‘read’ and reconfigure their own environShe writing quite lonely. “Your cast create i ments that certainly have suffered from bot n Buskers, Temple Bar, D2 Hogans, 35 Sth Gt Georges St, D2 what they do, which is in direct opposition to other and as soon as we posted about him on our blog we to comment ongitsbut it was asnacks love story wedrinks were and 34/35 East val. I think all five films are good represen naturally you have to spend a lot of time together. part of rectifyingâ€?. For now though, her focus is on theatre work. Was it always her intention to exploit tie in with the idea of ‘nothingness’ that underbelly aswell. and characters inside out and knew how to respect risk on you.â€? National Concert Hall â‚ŹTBC, 8pm Weekliy acoustic showcase such imagination and innovation. Do you think that and the last thing I wanted, after spending so long ments? this bond and the production have this bond, and economic What can we expectand from yourLITTLE new we show? enough then you don’t need to put anything planning and thePortuguese recent downturn â– that’s Chart Pop, Current Indie and Groovalizacion bringing theirmore selfish values. The Big Partyto concentrate characters’ started getting comments from his making what decided ar, D2 diversity and capabilities offans. Japanese cinem her next few weeks at the Project Centre performher tell heritage regard? Can you usproduced a in bit of the background of the one
Itwork also new writers with aJapanese much greater pm-10pm them. ,- modern cinemaTo may have entered intopart ahuge writing thethis bloody thing, wasfor toCrt, be inPallas itplay? myself, so I infectious percolates so much ofArts Beckett’s work? Yes, our specifically focuses upon how weUpstairs. there is He a little you that’s looking on,We’ve waving 65s for Burma Green Day Mullin â– of â– Keith â– provides â‚Ź12, 1.05pm lose colour allend. new works theD1 Rock MusicWe have and tropical selection Ri-Ra, Dame new empty buildings withbeen vacant public spa has a following over there. very on in the up that will distract from them. 1pm ing what mayideas seem like one small step on the trodden “It was something that happened organically. wish Brunch on sundays -DJI11 ampiano -Afterplay 4 pm Well the play has borrowed two characters taken was written in 2002, why do you think the vehicle to present their voice. “You can tell so much and period to rival that decade? Is!" # $
% it the meeting the standards left it in Paul Meade’s hands.â€? understand of ‘use’ and ‘misuse’ in terms of piece goodbye.â€? 10pm including Indie music night with show over the past month whilst we have been insolo attached. National Concert Hall Marlay Park Lunchtime recital may be regarded as misfor"Eat heartily give the house a good name". Can you tell us a bit about the background I suppose our philosophy in that regard You had an interesting, diverse group of people lucky all the way through. Hopefully the next few th Gavin The Japanese Film Festival takes place in C boards of the stage but is also, more significantly, aWe that Idifferent had done so earlier. I’vestudios. only twice performed more ofinteraction aDub, story and goFriel anywhere. forget that from two Chekhov plays. play Andrey Gate chose such a modern play celebrate his set bytoPeople the likes of Kurosawa and Ozu? is Gem is Station ayou simple story, based on three the public’s built environments. eggs benedict, french toast with bacon and much Cumbia, Samba, Reggae, Brendan residence at Why the Fire The show will Afterplay playing alongside Faith Healer and Yalta onboard forwith the film. How did they all become Thursday 17 June will be theâ‚Ź61.80, same! 5pm â‚Ź20-45, 8pm did chose aIConroy monochrome color scheme? ofand Chopin. tune... chants ofLittle Gare St Lazarre, Ireland how you would be to ‘travel light’. First of all, you’re on November 20-22the giant leap of faith for the future of theatre in Ireland. in French – once was in 1986 when my first very solo Gare St. Lazare park up atTheatre the9th Project it’s just one actor because they arehave pre- entered I think that we intoLittle a new phase and that generations ofthe women from Murphy’s native Balkan, Latin and Oriental Sound 11pm, Free â– Mud from Two Sisters, and other character isa unified Sonya are really interested inspeaking how public space is designed runs at The Peacock from work? consist of a We sculpture and wall-based works thatmary are The Problem with Game in Gem The Gate Theatre, from the - 19th involved? wanted the film to have style so life’s more, includes a free bloody or mimosa!! Featuring Christy Moore, I hope you have thesee time ofStability runs in Pallas C For more, www.accesscinema.ie and Judy ended up in the driving seat of it? presenting a play in a theatre so you’ll start show went to Avignon and we commissioned a trans
sented with all these amazing images going through 9pm, Free Thefrom TwistedUncle Pepper, 54 Middle the value of Japanese film has changed. Departures’ Artane. It chronicles a year in their lives. A simple with a certain in-built anxiety, an anxiety predicated 19 January-27 February. Tickets priced between between the 12th and 17th of April with Vanya. Friel has brought these characters an■abstracted response to images and texts relating Writers always like to have their most recent work porary Projects from 30₏15 January until 13 M ! "
# The idea of auditioning people didn’t really appeal More information on the film is to be found at everything had to have the same palette throughout. September Mary Black National Symphony The Hep Cat Club # ■■RTE Keith Donald and Eamon your life Sodome, my love runs atasthe Project Arts Centre from lation of itin into French so■form, IMr. did Jones itaone night in English, ! "
their heads.� There was originally group called Gare St with the text the main thing. You’ll find Abbey St, D2 & Salt play, monologue with no extravagant sets upon a fear and expectation of misuse. and ₏18. to how social spaces are designed and controlled. Thursday to Saturday, 12-6pm. to me so we weren’t sure how we were going to http://henryandsunny.blogspot.com/ the End and the Calmative. For more ticket If we had shot in color we would have had a lot of >V]\S &# & % & 78 Thomas Street, Dublin 8 // Tel: 01 4738807 // www.justofffrancis.ie www.totallydublin.ie 36 TOTALLY DUBLINfor two 16-27 March. oneDancehall night in French I think54 I lost about ■Bass, Dubstep, The weeks. Twisted Pepper, Middle DJ Jim KennyTickets cost ₏15 - ₏25
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20 34 TOTALLY DUBLIN TOTALLY DUBLIN 11pm, ₏10 (varies if guest) Abbey Street, D2 22 TOTALLY DUBLIN House, Electro, Bassline 3426 TOTALLY DUBLIN TOTALLY DUBLIN 11pm, ₏8/5 ■Sexy Salsa Dandelion CafÊ Bar Club, St. ■Alternative Grunge Night Stephens Green West, D2 Latin, Salsa Peader Kearney’s, 64 Dame St, D2 8pm, Free Alternative grunge 11pm, ₏5/3 ■Rob Reid + EZ Singles + DJ ■Eamonn Sweeney Karen G Fitzsimons Bar, 21-22 Wellington The Village, 26 Wexford St, D2 Quay, Temple Bar, D2 10pm Free, 9pm – 1.30am DJ Darren C ■Jason Mackay Sin, Sycamore St, Temple Bar, D2 ■DJ Darren C Dance, R’n’B, House 9pm Fitzsimons Club, 21-22 Wellington Quay, Temple Bar, D2 ■Fromage Chart, pop & dance with a twist Free, 11pm The Dice Bar, Queen St, Smithfield, D7 Motown Soul, Rock Free
Buskers, Temple Bar, D2 Chart Pop, Current Indie and Rock Music 10pm
details see www.projectartscentre.ie www.totallydublin.ie www.totallydublin.ie
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â– The Beauty Spot Dakota Bar, 8 South William Street, Dublin 2. A new night of Fashion, Beauty, Shopping and Drinks in association with Style Nation and sponsored by Smirnoff. 7pm, Free â– The Odeon Movie Club The Odeon, Old Harcourt St. Station, D2 Classic Movies on the Big Screen at 8pm. Full waiter service and cocktails from â‚Ź5. June - Dark Comedy. C 8pm, Free
Lunch 1 course â‚Ź13 // 2 courses â‚Ź16 // 3 courses â‚Ź19 C^^S` 4]e\Sa Ab
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Public Research Research Library Library Public Public Research Library Public Research ParliamentLibrary Street, Temple Bar, Dublin 1 of 20th Century Century 44/45 Lr. Camden St., Dublin 2 of 20th ofof20th Century 9^gZXiZY Wn 20th Century and Contemporary 9^gZXiZY Wn GdcVc L^abdi and Contemporary and Contemporary GdcVc L^abdi and Contemporary Irish Art Art & & Design Design Irish Irish Art & Design Irish Art & Design7N
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â– Bad Kids Crawdaddy Indie night extraordinaire 10.30pm, Free
â– Control/Delete Andrews Lane Theatre, Andrews Lane, D2 Indie and Electro 11pm, â‚Ź3/4
■Davina’s House Party The George, Sth Great Georges St, D2 Drinks Promos, Killer Tunes and Hardcore Glamour 9pm, Free before 11pm, ₏4 with flyer
â– Tanked-Up Y Tramco Nightclub, Rathmines CM Student Night, Drinks From â‚Ź2 10:30pm, â‚Ź5
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■Jugs Rock CY O’Reillys, Tara St. CMY Late Rock Bar, All Pints ₏3.20, Pitchers ₏8 K 9pm, ₏5 ■Thirsty Student Purty Loft, Dun Laoghaire Student Night, All Drinks ₏3.50 10pm, ₏5 entry
Fridays
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Open ! % 2 ") - 2 - - # 3( 4! *-) *5 !"# from 100 Thomas Street 100 Thomas Dublin 8 Street Monday to Friday 8am, lunch
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â– Sidetracked Crawdaddy, Old Harcourt St Station, D2 Indie, Disco, Loungey House 8pm, Free
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â– Soul @ Solas Solas Bar, 31 Wexford St, D2 Mr Razor plays the best in Soulful beats and beyond. International guests too! 8pm, Free
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bqftu f i D !jo! Upxo steve ryan photography â– After Work Party The Purty Kitchen, 34/35 East Essex St, Temple Bar, D2 Live Rock with Totally Wired. 6pm, Free before 11pm
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based on the freshest Enquiries Contactin01-6643648 29 Molesworth7dd`^c\ lll#eVk^a^dci]ZVigZ#^Z " %& '(& '.'. Street, Dublin 2, Ireland ingredients season. 8^k^X I]ZVigZ '+i] " (%i] DXidWZg '%&% t: +353 1 6425784 :: f: +353 1 6624964 7dd`^c\ lll#X^k^Xi]ZVigZ#^Z "%& )+' ,),, 8^k^X I]ZVigZ '+i] " (%i] DXidWZg '%&% e: info@gallery29.ie :: w: www.gallery29.ie Our food is rich and varied. We use
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