Toledo Free Press STAR – Feb. 22, 2012

Page 1

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“We’re not normal people. We’re morons.” — Curly, The Three Stooges

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Korn challenges status quo with new album By Mike Bauman TOLEDO FREE PRESS STAR STAFF WRITER star@toledofreepress.com

Since the release of its 1994 self-titled debut, Korn has proven it is not interested in falling in line. Nearly 18 years after the California-based rockers sent listeners into a tizzy with an unclassifiable sound that included scat vocals, a pair of downtuned seven-string guitars, a five-string bass and even bagpipes, the group continues to challenge musical norms with its 10th record, “The Path of Totality,” released in December. “I got an email from a 16-year-old girl right when the album came out saying, ‘I don’t know what a Korn is, but I love Skrillex so I bought your new record,’” said Korn drummer Ray Luzier. “That was really interesting that she was a Skrillex fan but never heard of Korn, so hey. There’s a new fan right there. A lot of die-hards, they took a little bit to warm up to it, but a lot of them are digging it now.” That’s because unlike Korn’s early work, which has since been labeled as “numetal,” every song on “The Path of Totality” is a fusion of the band’s own sound with dubstep, a growing electronic music genre which includes lots of lowend bass, breakdowns and unique sounds. In other words — right up Korn’s alley. “To me, it’s not a huge surprise that this ended up like this,” Luzier said. “There’s always been little elements. That’s what’s cool about Korn. People call it numetal, whatever you want, but it’s just Korn. You can’t even call it metal in my eyes. It’s what it is. I mean, how they play and how it came about and how we are today is a whole different entity. “It’s not surprising to me because you listen back to earlier albums, there’s always been little elements of hip hop and electronic stuff in there.”

A different path On Feb. 23, Korn will kick off its upcoming tour in support of “The Path of Totality” with a show at The Fillmore Detroit. Having joined core members Jonathan Davis (vocals), James “Munky” Shaffer (guitar) and Reginald “Fieldy” Arvizu (bass) in October 2007, Luzier has already experienced the vastness of the band’s sound in his time with the group. The first record Luzier played on — 2010’s “Korn III: Remember Who You Are” — was a throwback to Korn’s earlier work, recorded with all four members jamming together in one room, while “The Path of Totality” took a year to make and was recorded in various locations. A DJ himself and a huge fan of dubstep, Davis planted the seeds of the new album.

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“We’re always tracking songs,” Luzier said. “Jonathan has a studio in his bus. In ‘The Path of Totality’ form, everything was so electronic and quite opposite than organic. We could use machines, use our laptops and Pro Tools and anything we had on the road. Jonathan was collaborating with dubstep DJs over a year ago.” The first of those collaborations began with Skrillex, a huge Korn fan. While Luzier was initially skeptical of how the sounds of dubstep would merge with Korn’s, the band quickly got on board as they began crafting the songs in studio. Soon the idea of making an entire electronically fused album became a reality when the band enlisted the help of other dubstep notables NOISIA, Excision, Kill The Noise, Downlink, 12th Planet, Feed Me and Datsik appear on “The Path of Totality,” which was released in December. “The whole process, how they make these sounds, it’s so crazy how, Skrillex can sell out an arena in England of 25,000 people by himself,” Luzier said of the dubstep movement. “It’s just how popular it got. To be with that — the collaboration — it just fit so well. To me, live it’s just so much cooler because you can hear the crunching guitars and everything just so much better, and the energy’s so much higher.”

New way to play

Korn will play at The Fillmore Detroit on Feb. 23.

Though doing an electronic album was unlike anything he had done in his previous musical endeavors with the likes of Jake E. Lee, Arcade, David Lee Roth and Army of Anyone, Luzier enjoyed making “The Path of Totality” because he’s always been a fan of the techniques of artists like Radiohead, Marilyn Manson and Nine Inch Nails. “A lot of bands that use programming in their music, I actually love it because there’s a reason it sounds that way, and on our record it sounds just so massive,” Luzier said. “I played on every song, but a lot of the times the programming sounds took over and sometimes all you hear is live cymbals. And that’s OK because that’s what the song calls for. “In retrospect I’m an organic player. I love to play without drum machines and all that because we’re all human, but in this case I absolutely love every step of the way.” Even with all the extra electronics, Luzier’s playing is still very much a part of Korn’s sound. The band did a run of live shows prior to Christmas and played some of the dubstep tunes. “It’s actually quite fun,” Luzier said. “We do this little interlude thing where we stop, and I actually play electronic kick and snare as op-

PHOTO COURTESY EPIC RECORDS

posed to the organic, so my drum tech actually switches out the acoustic snare. We put up the electronic one, and the kick drum is triggered. But I’m playing everything note for note. That’s what I’m proud of. “I’m not one of those guys that’s going to just sit there and air jam, especially live. That’s not the style.”

Fearless trailblazers After years of being a touring musician with different acts, Luzier is happy to have found a home in a band like Korn that constantly experiments and looks to evolve. “It’s actually awesome,” Luzier said. “I read an AC/DC article not long ago and it was hilarious because they said, ‘Angus [Young], you guys have been accused of making the same record for the last 25 years.’ I forget the exact year, and he says, ‘You’re absolutely wrong; we’ve made the exact same record the last 27 years.’ Hilarious, because as big as AC/DC is they’re actually ripping on themselves for putting out the same record. “And I’m a huge AC/DC fan so it’s like, I love

the fact that people will grow as musicians and just not be afraid.” And while “The Path of Totality” has generated lots of buzz for its unique formula, including the nod for “Album of the Year” from Revolver, Luzier doesn’t think his band’s latest effort deviates from Korn’s track record of shaking up the music scene. “People always ask me, ‘If I go buy one Korn record, what is it?’” Luzier said. “And I’m like, ‘You can’t do that’ because ‘Untitled’ sounds nothing like ‘See You on the Other Side’ and ‘Untouchables’ sounds nothing like ‘The Path of Totality’ and ‘Korn III.’ “It’s just so different, but one thing’s for sure at the end of day: it all has a Korn stamp on it.” ✯ On Feb. 23, Korn will perform at The Fillmore Detroit, located at 2115 Woodward Ave. Doors are at 7 p.m. and all ages are welcome. Tickets can be purchased through Ticketmaster (1-800-7453000) as well as at korn.com. For more information, visit ticketmaster.com or call The Fillmore Detroit at (313) 961-5450.

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“Our genius ain’t appreciated around here ... let’s scram!” — Moe, The Three Stooges

Nyuk, nyuk, nyuk!

Three Stooges festival comes to Maumee Indoor Theatre.

By Jeff McGinnis TOLEDO FREE PRESS STAR POP CULTURE EDITOR PopGoesJeff@gmail.com

“What’s the big idea?!?” I’ll tell you — generations of fans have had only one way to watch the classic comic antics of The Three Stooges: On television. Television! They had no choice! They were “victims of soicumstance!” If they could watch them on the big screen, they “soitenly” would! Now, thanks to the efforts of Evan J. Chase, chairman of the Lyric Photoplay Society (LPS), fans will finally get a chance to see some classic Stooges shorts as they were meant to be seen — on a movie screen. As Curly would say, “Oh boy!” “As far as I can remember, a Stooges festival has never been done in Toledo,” Chase said in an interview with Toledo Free Press Star. That will change Feb. 26 at the Maumee Indoor Theatre with a marathon of six classic Stooges shorts. The program will be shown at 2 p.m., 4:30 p.m. and 7 p.m. “The idea of seeing them in a theater, not only to enjoy them with an audience, it’s also appreciated to see them on the big screen, because a lot of their comedy was sight gags. And sight gags, when you see them blown up on the big screen, have a lot more impact than trying to make them out on a small TV screen,” Chase said.

‘Oh, a wise guy, eh?’ Chase has many memories of the antics of Moe Howard, Curly Howard and Larry Fine extending back to childhood, growing up in Toledo’s Old West End. He fondly recalled watching the shorts as they were broadcast by WXYZ Channel 7 in Detroit. “I just remember how, even as a kid, there was so much to see and so much comedy in them,” Chase said, noting how he and his friends would imitate Curly’s famous “woo-woo-hoo” sounds while playing. ■ STOOGES CONTINUES ON 5

The Three Stooges, from left, Curly Howard, Moe Howard and Larry Fine. ASSOCIATED PRESS


“His mother and my mother are both mothers.” — Curly, The Three Stooges n STOOGES CONTINUED FROM 6 His fondness for the trio continued throughout his life, and now, as the head of the LPS, he plays a big role in arranging the screening of classic films for a new generation. “Basically, it’s a committee of one, and I’m the head, president, chairman, projectionist, programmer — basically, anybody who is on my mailing list is a quote-unquote ‘member,’” Chase said. Chase heads up screenings of classic shows not only in Maumee but at the Renaissance Theatre in Mansfield, and he also runs an annual show at the Way Library in Perrysburg. “They actually book the movies, but I pick them, and of course I host them — I do an onstage intro before each showing with some interesting things about the background about the movies,” he said. Chase said screening the Stooges’ comedies fit perfectly into the goals of LPS, noting how their work has survived the decades with not even a hint of feeling dated. “The Three Stooges have this edge — they have an edge that none of the other comedians of the ’30s have,” he said. “There’s a certain, I don’t know if it’s a subliminal thing where especially guys get a kick out of The Stooges, because they have this aggression, this passive aggression where they — boy, if somebody said that to me, I’d feel like slapping them! Even though I wouldn’t dare.”

‘What’s the idea?’

Eric Lamond knows about the staying power of The Stooges. He’s played a big role in preserving that longevity for the past ten years. Since 2002, he has been the director of marketing for C3 Entertainment, a company founded by the comedians in 1959. But Lamond has a much more personal relationship with The Stooges’ legacy — he is Larry Fine’s grandson. As a young man, he got a chance to work with his grandfather on several TV specials and Lamond even had small roles in some of the feature films they made. “The real fun part was when they did the cartoon series in the mid-’60s, the cartoon section had live wraparounds, and I worked on the production staff and was in many of those. So, I worked with Larry, Moe and Curly Joe DeRita for about three months,” Lamond said. (DeRita was the third Stooge during the trio’s 1960s comeback, following the passing of Curly and Shemp Howard.)

“And that is when I learned just how hard these guys worked — watching them every day, not only performing for the camera, but the amount of time they took in rehearsal and practicing bits and schtick and gags that they had been doing, in Larry and Moe’s case, together for decades. “I realized why they were so good. One, they loved what they were doing. Two, they worked incredibly hard at it.” Now, through his work with C3, Lamond plays an active role in the continuing presence of the Stooges in world entertainment. “Any use of The Three Stooges in merchandising, any use in commercials or other content comes through us, goes through a licensing process and an approval process. We basically guard that legacy from start to finish.”

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C3’s involvement in every aspect of such productions includes the upcoming new movie version of The Stooges, directed by Peter and Bobby Farrelly of “There’s Something About Mary” fame. The new film will be released into theaters April 13. “It’s been a project that we at C3 have basically been the driving force behind,” Lamond said. “We fortunately had the Farrelly brothers involved, and for them, it’s been a passion project — they’ve wanted to do this, they worked incredibly hard on the script, because not only are they terrific moviemakers, they’re big fans.” But of course, no new group of Stooges will ever really be able to eclipse the work of the originals — something Chase hopes fans will experience firsthand at the Maumee festival Feb. 26. “I hope they can really see these movies in a way they’ve never experienced them before, and actually see more of the nuances and the little things that they missed on TV, or that they just didn’t pick up. And we have all the restored prints of these movies, so they’re uncut,” Chase said. Lamond said the trio’s comedy will continue to stand the test of time. “What they do is timeless. They don’t age out or get stale, because what they do is funny. And something that is funny, inherently funny, stays funny,” he said. Admission to the Stooges festival will be $5. For more information, call (419) 389-9334. The Maumee Indoor Theatre is located at 601 Conant St. in Maumee. O

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If you close your eyes at the Feb. 28 Brit Floyd concert at the Huntington Center, you might think you’re hearing Pink Floyd. But then you’d miss the visual spectacle the tribute band with a reputation for note-for-note recreation will bring. “There’s plenty variety of Floyd music for people to hear, plus we have a big live show: There’s video, there’s inflatables, the full Pink Floyd visual and audio experience for people to enjoy,� said Damian Darlington, singer-guitarist and musical director of Brit Floyd. For the tour, the 11-member band will play all the songs from Pink Floyd’s compilation disc, “A Foot in the Door,� released in November. Th e set includes “Money,� “Learning to Fly,� “Wish You Were Here,� “Time,� “Comfortably Numb� and “Another Brick in the Wall, Part 2.� Decades later, the classics created by guitarist David Gilmour, bassist Roger Waters, keyboardist Richard Wright and drummer Nick Mason continue to impress fans. “There’s plenty of young people coming along to the gigs who seem to be totally passionate about what they’re listening to,� Darlington said during a call from his home in Crewe, England. “[Pink Floyd’s music] seems to have a lot of depth in it; people seem to connect with it in a personal way, they read things into the lyrics that they can relate to. “The music is very, very evocative and things like ‘Shine On You Crazy Diamond,’ there’s nothing else quite like it out there even until this day, 35, 40 years onward, that opening chord of ‘Shine On,’ where you can just have one chord

Brit Floyd to play at Huntington Center.

and it works so well.â€? Brit Floyd must put on a convincing show — they’ve got some high-profile fans. Darlington recalled a concert with the Australian Pink Floyd Show shortly after he joined in 1994: “After we finished the gig and went back to the dressing rooms, David Gilmour knocked on the door [laughs], and it was obviously a great shock to us, a very nice one, and a big, big surprise.â€? Pink Floyd invited the band backstage after a show in London. Then came another request. “We got a call asking could we come and play at [Gilmour’s] 50th birthday party, and we even got paid for doing it [laughs], so it was a double bonus, although I’m sure we would have paid to play at David Gilmour’s party,â€? Darlington said. “Richard Wright, Nick Mason — other people such as George Harrison, he was there, Sting was there, Kate Bush was there, it was a wealth of stars from the music business and also from television who were there as well. “We played for just one hour and when it came to play ‘Comfortably Numb’ at the end of the set, Rick Wright came up and asked very nicely and politely could he join us on keyboards, and we said of course,â€? Darlington said. “Th at’s how I had the pleasure of playing ‘Comfortably Numb’ with Rick Wright on Hammond next to me on stage.â€? In 2010, Darlington and others leftthe Aussie show to form Brit Floyd. Brit Floyd will take the stage at the Huntington Center at 8 p.m. Feb. 28. Tickets range from $27.50 to $47.45. Will there by flying pigs? “I hope so,â€? Darlington said and laughed. “I’m not quite familiar with the venue, how big it is inside, but if there’s room, there should be a flying pig.â€? âœŻ


“Every time you think you weaken the nation.” — Moe, The Three Stooges

A Titanic observance T

he great ship Titanic slipped beneath the waves forever just before 2:30 a.m. April 15, 1912, claiming more than 1,500 lives. The upcoming 100th anniversary of that historic loss has inspired Toledo Free Press to link a number of local events in observance, including a re-creation dinner on the exact anniversary. As an amateur Titanic historian for many years before the 1997 James Cameron movie, I devour books and library clippings about the doomed luxury liner and the people who died when she sank. Those who become captivated by Titanic lore are said to have “Titanic Fever,” and it is a fascination that rarely fades. There is something primal about the tale of hubris and disaster, fate and coincidence, life and death, that Titanic represents. The real-life story has elements of mystery, romance, adventure, opulence, poverty, hope and tragedy. I once briefly met the late Millvina Dean, who was the last living Titanic survivor, and heard her describe a ceremony in which one candle for every victim was lit and set afloat on the Mississippi River. The first time I saw Cameron’s film, all the stories and interviews and impressions converged into a wellspring of emotion and empathy, but it was Dean’s warm hug that enveloped me in that dark theater. While living in Pittsburgh, I contributed to Titanic lore when the family of victim Mary Miller

Corey shared letters that revealed she was nearly nine months pregnant when she died on Titanic. That had never been reported, and once the letters were documented, copies were filed with the Titanic Historical Society in Massachusetts. There were more than 50 Titanic passengers heading for Ohio; fewer than half survived. In their memory, and to preserve the legacy of Titanic MICHAEL on the occasion of the 100th anniversary of its loss, Toledo Free Press is working with community partners on the following events. ✯ The April 15 issue of Toledo Free Press will feature stories on local passengers, profiles of local collectors and Ohio’s ties to the great ship. Local collectors and historians should contact us at news@toledofreepress.com to participate. ✯ Toledo Free Press is working with the ToledoLucas County Public Library system to organize displays and book lists in participating locations.

TOLEDOFREEPRESS.COM / FEB. 22, 2012 ■ 7

Red Cross re-creation dinner caps memorial events. The Main Library is working on collecting its many Titanic resources for a major display. ✯ We are partnering with Rave Motion Pictures and Paramount Pictures to offer tickets and movie memorabilia to mark the release of b Cameron’s “Titanic 3D,” the weekend of April 6. Watch the Toledo Free Press Facebook page for details on the giveaway and collector displays on-site. S. MILLER ✯ The Henry Ford Museum in Dearborn will host a Titanic artifact exhibit. Opening March 31, the 10,000-square-foot exhibit features more than 300 artifacts — 250 of which have never been displayed in Michigan. There will be extensive room re-creations and a replica of the Grand Staircase. ✯ The main event of the observance is the April 14 “A Night to Remember” Titanic dinner and ball. A nine-course dinner re-creating the Titanic dining experience, live music from the era by TAPESTRY and ballroom dancing will

LIGHTING — THE —

FUSE

be featured at the event, with all proceeds donated to the American Red Cross Greater Toledo Chapter. The Red Cross was in New York City when the Carpathia brought Titanic survivors to shore. Honoring the Red Cross with this formal event is a way to pay tribute to the mission and spirit of the organization. The dinner and ball will take place from 6-11 p.m. April 14 at Central Park West, 3141 Central Park West in Toledo. With a nine-course meal prepared by the chefs from The Pinnacle, special seating at the captian’s table and a Red Cross silent auction (which will include a Titanic lithograph autographed by the late Millvina Dean, the last living Titanic survivor) and Titanic memorabilia dating back as far as the 1930s, the evening will truly be “A Night to Remember.” More details are forthcoming; boarding passes for the limited-seating event will be on sale starting Feb. 26 at the Red Cross “Oscar Night” fundraiser at Owens Community College. No observances can adequately honor and tell the stories of those lost on Titanic, but these educational and social events offer a modest opportunity to pause and reflect on one of the last century’s most enduring and tragic events. ✯ Michael S. Miller is editor in chief of Toledo Free Press and Toledo Free Press Star. Email him at mmiller@ toledofreepress.com.

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“If at first you don’t succeed, keep on suckin’ til ya do suck seed!” — Larry, The Three Stooges

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Nearly one year after the release of its album “9,” OnceOver is still pounding faces with some of the hardest music to come out of this city. “We sold more of ‘9’ than our previous record so that’s an indicator,” said vocalist Steve Dwyer. “We wrote the record more aggressively so it would be really fun live. But the treat is that the fans have really responded to it live and the energy of the crowd when we play the new record is so much higher.” ONCEOVER Playing at Howard’s Club H in Bowling Green on Feb. 25, OnceOver plans to get some more mileage out of “9.” “We have some new tunes,” Dwyer said, “We are writing as we go but we love playing stuffoff of ‘9,’ so we really just want to play as many shows with that album as possible. When we get bored with that then we’ll make a more concentrated effort to write new material.” While many fans know OnceOver to be dynamic, melodic and maliciously brutal, Dwyer said the shorter more aggressive nature of the last record has given the band and its fans a new perspective. “One of the new songs we have written is called ‘The Great Deception’. It’s just as heavy as the stuff on ‘9,’ but now we’re bringing really cool elements into the melodic side and it’s just beautiful. Some of the stuff on our album before ‘9’ was sometimes too dynamic and it didn’t always work. ‘9’ just starts up and doesn’t let go and it’s very easy to listen to all the way through. As far as hardness, I think we’ve done enough lighter stuffin the past that the fans appreciate us experimenting with the heavy.” The band practices up to six times per month. “We are going to keep playing as much as we can, and release new music as it becomes available,” Dwyer said. “It will be a while before we officially release another album but we plan to put new stuff online soon. Our immediate focus though, is playing more shows.” OnceOver will play at Howard’s Club H, 210 N. Main St. in Bowling Green on Feb. 25. Doors for the show open at 9 p.m.; tickets for the show are $5. ✯ — Mighty Wyte

The Blarney Madness! Party on Huron Street Under the Big White Heated Tent!

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“What’s that for? I didn’t do nuthin’!” “That’s in case ya do and I’m not around!” — Larry and Moe, The Three Stooges

TOLEDOFREEPRESS.COM / FEB. 22, 2012 ■ 9

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“I’m tryin’ to think, but nuthin’ happens.” — Curly, The Three Stooges

Nice to look at Nate Masternak show at Superior Studios.

When it’s time for Downtown visitors to begin their trek home, they might consider stopping at “Silver,” Nate Masternak’s art show at Superior Studios Art Gallery on Feb. 24 and 25. The painter’s show runs from 6 p.m. to 1 a.m. both nights and features several DJs spinning tunes. Masternak said he planned the late show to allow friends to stop by after hitting up Toledo’s nightlife. Masternak, whose day job is at Principle Business Enterprises, has his studio near Superior Studios, 335 N. Superior St. “I liked [Superior] right away,” Masternak said of the space. He decided that he wanted to exhibit his work after a successful 2011. “I was gonna try to outdo myself and try to have more shows. I make a lot of paintings and I don’t get to be in a lot of shows. I decided to try to set something up. Most of the time, [my work is] ideas I have about things that could be existing or theoretical. It could be emotions or experiences, just like what-if paintings,” he said, adding he also creates images that are “nice to look at.” Masternak began drawing as a child and moved into painting as a teenager. He found he didn’t love painting like he loved drawing, but after becoming involved with Young Artists at Work, an employment program for teens put on by the Arts Commission of Greater Toledo, he enjoyed painting the more he did it. About 30 of his works will be on sale for between $50-$3,000 at the show. Refreshments are free and there is no cover charge although donations are accepted. To learn more about Superior Studios Art Gallery, call (419) 346-5803. ✯ — Brigitta Burks

‘Padovano for Pawson’ by Nate Masternak ARTWORK COURTESY NATE MASTERNAK

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“Good morning, sir. I’m the census taker. Are you married or happy?” — Moe, The Three Stooges

TOLEDOFREEPRESS.COM / FEB. 22, 2012 ■ 11

‘Patch of Blue’ concludes Poitier Way film festival

CORE ENSEMBLE, FROM LEFT, HUGH HINTON, TAHIRAH WHITTINGTON AND MICHAEL PAROLA.

Owens welcomes Core Ensemble’s ‘Of Ebony Embers’ By John Dorsey TOLEDO FREE PRESS STAR STAFF WRITER news@toledofreepress.com

Owens Community College’s Center for Fine and Performing arts is contributing to Black History Month with “Of Ebony Embers: Vignettes of the Harlem Renaissance.” The presentation by the Core Ensemble is set to take center stage on Feb. 24. Core Ensemble’s presentation will feature actor Chris White portraying multiple characters while interacting with the onstage cello, percussion and piano trio. Notable poets highlighted during the performance are Langston Hughes, Countee Cullen and Claude McKay. With a script written by Akin Babatunde, “Of Ebony Embers” will also

feature musical works by jazz legends Duke Ellington and Charles Mingus, among others. Since its inception in 1993, Core Ensemble has garnered international acclaim for its unique chamber music theater work. Touring venues and events worldwide, the group has made appearances at Harvard University, the Guggenheim Museum and the Moscow Autumn Festival, among many other locations. Additionally, the ensemble was named the recipient of the 2000 Eugene McDermott Award for Excellence in the Arts by the Massachusetts Institute of Technology and has received support from the State of Florida Division of Cultural Affairs, New England Foundation for the Arts and Palm Beach County Cultural Council. The ensemble also offers a number of

Great Practice, Rehearsal, Jam Spaces for Musicians, Bands, DJs, Artists, Etc.

other productions including “Tres Vidas,” “Mona Lisa Speaks,” “Los Valientes” and “Ain’t I a Woman!” It also operates a artist residency program which includes workshops, master classes, lectures and classroom demonstrations for actors, musicians, students, and arts entrepreneurs. Classes include Reinventing the Chamber Music Ensemble and the Business of Art. Tickets for Core Ensemble’s “Of Ebony Embers: Vignettes of the Harlem Renaissance” performance are $18 and $10 for students. The performance will begin at 8pm in the college’s Mainstage Theatre. The Owens Toledo-area Campus is located at 30335 Oregon Road in Perrysburg Township. For more information, call (567) 661-2787 or visit www.owens.edu. ✯

To help celebrate Black History Month, Way Library is playing a series of Sidney Poitier films on Sundays in February. The film “Patch of Blue” will be shown at 2 p.m. Feb. 26. It concludes the series. In the film, Poitier befriends a blind girl, played by Elizabeth Hartman, who doesn’t know he is black. Problems plague their relationship when they fall in love in racially divided America. Made in 1965 against the backdrop of the growing civil rights POITIER movement, the film explores racism from the perspective of “love is blind.” Shelly Winters won a Best Supporting Actress Oscar for her performance as the blind girl’s bigoted and bitter mother. No reservations are required. Admission and refreshments are free. A guest speaker will discuss the film afterwards. The library is located at 101 East Indiana Ave. in Perrysburg. For more information call (419) 874-3135. ✯ — Staff Reports

Art-A-Licious seeks artists Art-A-Licious, an Adrian-based festival, is looking for more artists to join its growing celebration of the arts in September. Artists looking to exhibit their work should apply by emailing Darlene Southward at scwp@tc3net. com or by mailing materials to Lenawee Council for the Visual Arts Gallery at the Croswell Opera House at 129 Maumee St. Adrian MI, 49221. Applications are online at http:// artalicious.org/application. The festival, which runs Sept. 21 and Sept. 22, exhibits artists of all mediums who are regionally based. — Caitlin McGlade

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“Oh, a wise guy, eh?” — Curly, The Three Stooges

THE PULSE

FEB. 22-29, 2012

What’s what, where and when in NW Ohio

✯ University and Concert bands: 3 p.m. Feb. 26, Kobacker Hall. ✯ Praecepta: 8 p.m. Feb. 27, Bryan Recital Hall.

Compiled by Whitney Meschke Events are subject to change.

MUSIC

The Blarney Irish Pub

The Ark This small venue offers a showcase for lesser-known acts. 316 S. Main St., Ann Arbor. (734) 761-1451, (734) 761-1800 or www.theark.org. ✯ Playing for Change: 8 p.m. Feb. 22, $35. ✯ Jeffrey Foucault: 8 p.m. Feb. 23, $15. ✯ Dan Crary, the Small Ponds and Mick Gavin: 7:30 p.m. Feb. 24, $30-$40. ✯ Susan Werner: 8 p.m. Feb. 25, $20. ✯ David Francey: 7:30 p.m. Feb. 26, $15. ✯ Who Hit John? 8 p.m. Feb. 28, free with nonperishable food donation.

Bar 145 This new venue features burgers, bands and bourbon, if its slogan is to be believed. 5304 Monroe St. (419) 593-0073 or bar145toledo.com. ✯ Karaoke competition: 9:30 p.m. Sundays through April 15. ✯ Piano Wars: Feb. 22 and 29. ✯ Nine Lives: Feb. 23. ✯ Your Villain My Hero: Feb. 24. ✯ The Cover Models: Feb. 25.

BGSU performances The university’s ensembles, choirs, quartets and more — and their friends — will present the music they’ve been perfecting. Halls are located in Moore Musical Arts Center, Willard Drive and Ridge Street, Bowling Green. (419) 372-8171, (800) 5892224, (419) 372-8888 or www.bgsu.edu/colleges/music. ✯ BGSU Wind Symphony: 8 p.m. Feb. 22, Kobacker Hall. ✯ Opera gala featuring Bowling Green Philharmonia, University Choral Society, Collegiate Chorale, Men’s and Women’s choruses, and faculty soloists Christopher Scholl, Doug Wayland, Jane Rodgers, Sean Cooper, Sujin Lee, Ann Corrigan, Ellen Scholl, Lance Ashmore and Jennifer Cooper: 8 p.m. Feb. 24-25, Donnell Theatre, Wolfe Center for the Arts, Willard Drive and Ridge Street, Bowling Green, $10.

LIVE MUSIC THIS WEEK AT

Catch local acts while taking in the pub’s modern Irish and American fare. 601 Monroe St. (419) 418-2339 or www. theblarneyirishpub.com. ✯ Chris Knopp: Feb. 23. ✯ MAS FiNA: Feb. 24-25.

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Blind Pig A variety of rock, soul, pop and alternative acts perform at this bar. 208 S. First St., Ann Arbor. $3-$20 unless noted. (734) 996-8555 or blindpigmusic.com. ✯ Karaoke: 9 p.m. Mondays, no cover. ✯ Doomtree, Self Says: 9 p.m. Feb. 22. ✯ Fareed Haque’s Math Games, Ray White, Jesse Clayton: 9 p.m. Feb. 23. ✯ The Finer Things, Flashing Blue Lights, Patrick Davy & the Ghosts: 9:30 p.m. Feb. 24. ✯ Tree City, the Contraband, Tunde Olaniran, Passalacqua, Subvader, Charles Trees: 9 p.m. Feb. 25. ✯ Badstar, Astoria, 10 Below: 9:30 p.m. Feb. 28. ✯ Cold Men Young, 3 Worlds Apart, Detroit Cydi, Teddy MC, Omega tha Majestik: 9:30 p.m. Feb. 29. ✯ Dia Frampton, Andrew Allen: 8 p.m. March 1.

Bronze Boar Be sure to check out this Warehouse District tavern’s namesake, overhead near the entrance. 20 S. Huron St. (419) 244-2627 or www.bronzeboar.com. ✯ Open mic: Wednesdays, Thursdays and Mondays. ✯ Luke James: Tuesdays. ✯ Crucial 420: Feb. 24. ✯ Gin Bunny: Feb. 25. ✯ Beg to Differ: March 2.

Caesars Windsor If you have your passport, consider hopping the Detroit River for this casino’s entertainment offerings. Ticket prices, in Canadian dollars, are for the cheapest seats; attendees must be 19 or older. Caesars Windsor Colosseum, 377 Riverside Dr. East, Windsor, Ontario. (800)

419-865-9767

www.wposfm.com 991-7777 or www.caesarswindsor.com.

✯ Leo Darrington: 7 p.m. Feb. 28.

✯ Peter Frampton: 8 p.m. Feb. 24, $35.

The Distillery Cheers Sports Eatery This family-friendly eatery dishes up live performances … and Chicago-style pizza. 7131 Orchard Centre Dr., Holland. (419) 491-0990. ✯ Mark Mikel, Brian Albright: Feb. 24. ✯ Candice Coleman, Chris Brown: Feb. 25.

Karaoke is offered Tuesdays, but paid entertainers rock out Wednesdays-Saturdays. 4311 Heatherdowns Blvd. (419) 382-1444 or www.thedistilleryonline.com. ✯ Rance Crain: Feb. 22. ✯ DJ Mark EP: Feb. 23. ✯ Velvet Jones: Feb. 24-25. ✯ Kyle White: Feb. 29.

Clazel Theater This venue has been rocking BGSU students (and others) for years. 127 N. Main St., Bowling Green. (419) 353-5000 or www.clazel.net. ✯ Konkrete Jungle: 9 p.m. Feb. 23, $5.

Dégagé Jazz Café Signature drinks, such as pumpkin martinis, plus live local jazz performers. 301 River Road, Maumee. $5 weekends for cafe seating. (419) 794-8205 or www.degagejazzcafe.com. ✯ Gene Parker & Friends: 7-10 p.m. Feb. 22 and 29. ✯ Mardi Gras with the Cakewalkin’ Jass Band, Leo Darrington: 7 p.m. Feb. 23. ✯ Paul Vornhagen: 7:30 p.m. Feb. 24-25.

This Thursday, Feb. 23rd:

This Friday, Feb. 24th

Nine Lives Playing everything from 50’s to today’s Top 40, blues,,

Your Villian My Hero Your Villain My Hero combines Top 40 pop, club

classic rock, pop, country and dance hits that will everyone will enjoy.

and dance music with a sexy high-energy stage show to keep you dancing all night long.

OPEN SUNDAY-SATURDAY

11:30 AM – 2 AM EVERYDAY HAPPY HOUR 1:45 – 6:00 PM

Doc Watson’s Named in honor of the owners’ forefather, this bar and restaurant serves a variety of dishes and entertainment. 1515 S. Byrne Road. (419) 389-6003 or docwatsonstoledo.com. ✯ Kyle White: 9:30 p.m. Feb. 24. ✯ Meaghan Roberts: 10 p.m. Feb. 25.

Duncan’s 938 W. Laskey Rd. (419) 720-4320. ✯ Open stage with Buzz Anderson and Frostbite: Wednesdays. ✯ Scotty Rock: Sundays. ✯ Last Born Sons: Feb. 24. ✯ The Unwanted: Feb. 25.

This Saturday, Feb. 25th

Cover Model

From Blonde to Weezer, Alternative to Top 40...Cover Model is Cincinnati’s Premier Cover Band. Don’t miss this Show!

5305 MONROE ST. TOLEDO, OHIO 43623 (419) 593-0073

BAR145 TOLEDO .COM


“Why I oughta ... ” — Moe, The Three Stooges ✯ Doin Time: 9:30 p.m. Feb. 24, Shotz. ✯ Triple Play: 8 p.m. Feb. 25, Asteria. ✯ Motor City Mix: Feb. 25, Eclipz.

2012 Oscars Prediction Challenge

Motor City Casino/Hotel

Grounds for Thought This BG coffee coffeehouse serves a mean brew of blues, jazz, rock and more byy the world famous and locally renowned in an intimate ssetting. 174 S. Main St., Bowling Green. (419) 354-3266 orr www.groundsforthought.com. ✯ Live jaz jazz: z Feb. 25.

ICE Re Restaurant e & Bar This loca local, a family-owned enterprise offers food, drinks andd music in a sleek atmosphere. 405 Madison Ave. $5 $ cover, unless noted otherwise. (419) 246icerestaurantandbar.com. 3339 or ice e ✯ Nelson Rangell: 6 p.m. Feb. 23, $10. ✯ Mike Fis Fisher: s 8 p.m. Feb. 24.

OSCAR STATUETTE ©A.M.P.A.S.®

Outguess Star’s Oscarologists and you will be entered to win an official Academy Awards poster. The top winner also receives tickets to “Titanic 3-D” and a poster. If no one outguesses the team, the entrant with the most categories predicted correctly will win. In case of a tie, the win will go to the entrant who best predicts which film will take home the most Oscars. One entry per person. Visit ToledoFreePress.com/oscars to fill out and submit your ballot by 5 p.m. EST on Sunday, Feb. 26.

JJ’s Pub b Live music iss on Saturday’s menu; the genre varies, along with the th cover charge. Karaoke is on tap 9:30 p.m. Thursdays, and a DJ starts spinning at 9 p.m. FriThurss days. dayss 26611 N. Dixie Hwy., Perrysburg. (419) 8749058 905 or jjsperrysburg.com. ✯ JJohn Barile and Bobby May: 8 p.m. Feb. 28.

Kerrytown Concert House

Fat Fish Blue Serving blues and similar sounds, as well as bayoustyle grub. Levis Commons, 6140 Levis Commons Blvd., Perrysburg. (419) 931-3474 or fatfishfunny bonetoledo.com. ✯ The Eight-Fifteens: 9:30 p.m. March 24. ✯ Bourbon Street: 8:30 p.m. Feb. 25.

French Quarter J. Pat’s Pub Live entertainment after 9:30 p.m. Fridays-Saturdays. Holiday Inn French Quarter, 10630 Fremont Pike, Perrysburg. (419) 874-3111 or www.hifq.com. ✯ Lazy River Band: Feb. 24-25. ✯ The Late Show: March 2-3.

Greektown Casino-Hotel Three stages — at Shotz Sports Bar, Eclipz Ultra Lounge and Asteria — 555 E. Lafayette Blvd., Detroit. No cover charge, unless noted; guests must be 21 or older. (888) 771-4386 or www.greektowncasino.com. ✯ Karaoke: 9:30 p.m. Thursdays, Shotz. ✯ DJ Zig Zag: 9:30 p.m. Saturdays, Shotz. ✯ DJ Lee J: 9 p.m. Sundays, Shotz. ✯ Howard Glazer: 8 p.m. Feb. 24, Asteria. ✯ David Gerald Band: 9:30 p.m. Feb. 24, Eclipz.

This casino’s Sound Board offers big names, big sounds and a big experience. 2901 Grand River Ave., Detroit. Guests must be 21 or older. (866) 782-9622 or www.motorcitycasino.com. ✯ Musiq Soulchild: 8 p.m. Feb. 23, $50-$65. ✯ Rachelle Farrell: 8 p.m. March 1, $36-$48. The casino’s Chromatics Lounge also features live performances. ✯ Akasha: 7 p.m. Feb. 22-23, 10 p.m. Feb. 24 and 5:15 p.m. Feb. 25. ✯ Dal Bouey: 5:15 p.m. Feb. 24. ✯ Serieux: 10 p.m. Feb. 25. ✯ Vinyl Underground: 3:30 p.m. Feb. 26. ✯ British Beat 66: 7 p.m. Feb. 27. ✯ Sun Messengers: 7 p.m. Feb. 28. ✯ Killer Flamingos: 7 p.m. Feb. 29.

Mutz This pub offers handcrafted brews … and live entertainment. 10 p.m.-2 a.m., Mutz at the Oliver House, 27 Broadway. (419) 243-1302 or www.TheOliverHouseToledo.com. ✯ DJ Nate Mattimoe: 10 p.m. Saturdays.

One2 Lounge at Treo Live music starts at 7:30 p.m. 5703 Main St., Sylvania. (419) 882-2266 or treosylvania.com. ✯ Chuck Newsome’s Triovision: Feb. 24.

Manhattan’s This “slice of the Big Apple” in the Glass City provides entertainment most weekends. 1516 Adams St. (419) 243-6675 or www.manhattanstoledo.com. ✯ Open mic: 9 p.m. Monday nights. ✯ Jam session hosted by Tom Turner & Slow Burn: 9 p.m. Tuesdays. ✯ Jason Quick: 7 p.m. Feb. 22. ✯ Dick Lange Trio: 6:30 p.m. Feb. 23. ✯ Stonehouse: 9 p.m. Feb. 24. ✯ Frostbite: 9 p.m. Feb. 25. ✯ Mike Corwin: 7 p.m. Feb. 29.

Mickey Finn’s A variety of genres to wash your drinks down with. Open mic nights, 8 p.m. Wednesdays, no cover; $5-$7 cover other nights. 602 Lagrange St. (419) 246-3466 or www. mickeyfinnspub.com. ✯ Open mic: 8 p.m. Wednesdays. ✯ Decent Folk: 9:30 p.m. Feb. 23 and March 1, free. ✯ The Happy Little Trees, Indigo: 9 p.m. Feb. 25.

The former home of Murphy’s has reinvented itself as “Toledo’s only Chicago-style restaurant and music cafe.” 151 Water St. (419) 725-2151 or www.151onthewater.com. ✯ Open mic: 5-9 p.m. Wednesdays. ✯ C.J. Manning: 11:30 a.m.-1:30 p.m. Feb. 22. ✯ Bobby G: Feb. 23. ✯ Kyle White: 11:30 a.m.-1:30 p.m. Feb. 24. ✯ KGB Band: Feb. 24-25.

WEDNESDAYS

$8

A home for the avant garde and untraditional, this Old West End venue hosts artists on the experimental end of the musical rainbow. 9 p.m., 2564 Robinwood Ave. $5 donation, unless noted. www.toledobellows.wordpress.com. ✯ Ben Bennett, Joel Roberts: March 1.

Rocky’s The “hippest little lounge in Toledo” features monthly beer tastings, “Professor Whiteman’s Trivia Challenge” and open mic nights. Live music (Wednesdays and/or Fridays) is typically a mix of southern rock, pop, blues and jazz. 4020 Secor Road. (419) 472-1996. ✯ The Hero String Band: Feb. 24. ✯ Bobby May and guest: Feb. 29.

Spicy Tuna This sushi bar offers occasional entertainment to accompany the fishy dishes. 7130 Airport Hwy. (419) 720-9333 or spicytunasushi.com. ✯ Karaoke: 10 p.m. Saturdays. ✯ Jeff Stewart: 6-10 p.m. Feb. 23. ✯ Monte & Lisa: 6-10 p.m. March 1.

Casual meals with weekend entertainment. 1815 Adams St. (419) 725-5483 or www.otavern.com. ✯ Netherfriends: 10 p.m. Feb. 24. ✯ Andru Bemis: 10 p.m. Feb. 26.

Nouveau cuisine gets a helping of music Thursdays through Saturdays. 104 Louisiana Ave., Perrysburg. (419) 873-8360 or www.stellasrestaurantandbar.com. ✯ C.J. and Company: Thursdays and Fridays. ✯ Gregg Aranda: Feb. 25.

Our Brothers Place

Table Forty 4

Take in a movie with margaritas on Mondays, or laugh at Thursday comedy nights … but music takes center stage most nights. 233 N. Huron St. www.ourbrothersplace.com. ✯ Wayne: 7:30 p.m. Wednesdays. ✯ Disc jockey: Fridays. ✯ Smooth jazz and R&B: Saturdays and Tuesdays. ✯ Karaoke with Walt McNeal: 4 p.m. Sundays.

Upscale dining plus live entertainment is a welcome combination. Bands start at 6 p.m. Fridays and 9 p.m. Saturdays. 610 Monroe St. (419) 725-0044 or www.tableforty4.com. ✯ John Barile and Bobby May: 6 p.m. Feb. 24 and March 2.

Pizza Papalis Get slices with a topping of entertainment. 519 Monroe St. (419) 244-7722 or www.pizzapapalis.com.

Winter Fun Toledo Swiss Singers will perform after a dinner of authentic Swiss foods and before Vern Basilius and Encore play for dancers’ pleasure. 5:30 p.m. Feb. 25, Oak Shade Grove, 3624 Seaman Road, Oregon. $5-$12. (419) 2060975 or www.gafsociety.org. ✯

Every Saturday & Sunday

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What began as an antique store in Chicago turned into a string of more than 200 eateries nationwide, including Toledo. All of the shops feature live music. 4038 Talmadge Road. (419) 725-5037 or www.potbelly.com. ✯ Don Coats: 11:30 a.m.-1 p.m. Wednesdays. ✯ Alex Kenzie: 11:30 a.m.-1:30 p.m. Fridays. ✯ Tom Drummonds: 11:30 a.m.-1 p.m. Tuesdays.

Stella’s Ottawa Tavern

WEEKENDS 11:30 a.m. – 4 p.m.

Piano Wars Every Wed. | $5 Martinis Two pianos … And a million minds blown!

EVERYDAY

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✯ Chris Knopp: Feb. 24. ✯ Kyle White: Feb. 25.

151 on the Water

This venue focuses on classical, jazz and opera artists and music. 415 N. Fourth Ave., op Arbor, M Mich. $5-$30, unless noted. (734) 769-2999 Ann Arbor or www.kerrytownconcerthouse.com. ✯ Gabriel Bolkosky, Rachel Noyes: 8 p.m. Feb. 24.

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14 ■ FEB. 22, 2012 / TOLEDOFREEPRESS.COM

“What’s the idea?” — Larry, The Three Stooges

LIVE MUSIC: THIS WEEK AT THE BLARNEY Go a W lleye!

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Comedian Jim Breuer returns to Fat Fish Blue. Friday, FFri riday FFeb. ebb 224th 4th andd SSaturday, atturdday FFeb. ebb 225th 5th

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For Jim Breuer, Toledo is a very welcome stop on his latest stand-up comedy tour. In fact, he made sure to play in the Glass City again this time around. “I remember it was some of my best shows,” Breuer said in an interview with Toledo Free Press Star. “I remember working on my [last] special, and that was one of the places that I absolutely destroyed. And now that I’m working on another special — which I’m pretty locked into my new hour, which is what I’m putting out there — I specifically wanted that Toledo run.” Breuer returns to the scene of his “destruction” on Feb. 24 and 25, for shows at the Funny Bone at Fat Fish Blue in Perrysburg. He noted, with fondness in his voice, that he finds Toledo crowds very easy to relate to. “I think they’re very blue-collar, very easy to affiliate with. I come up from a very blue collar family of teacher and officers, and real-life stuff. And they’re very grounded,” Breuer said. “I never got caught up in that Hollywood world and all that, so those are the audiences that appeal best to me,” he said. There is no doubt that Breuer has found his groove as a comic in recent years. After nearly two decades in entertainment — with stints on “Saturday Night Live” and the big screen under his belt — Breuer is riding a new crest of popularity as a stand-up following the success of his last Comedy Central special. “I’m most confident on a stage than anywhere else I go, business-wise,” he said. “Because I know what I’m capable [of] on the stage. And I’m the director, writer, cast member, everything. “It’s no different to the way a surfer would ride a wave. I know how to catch it, I know how to ride it, I know how long to ride it, I know when to get off and go to the next freaking beach.” So what has changed to bring him this new level of confidence and expertise? For one thing, his material. The comic is focusing on presenting a “clean” act — a change inspired by his own experiences as a parent. “I want my kids to be able to watch videos online without me cursing and saying ‘s’ and ‘f ’ and ‘s’ and ‘f ’ and ‘s,’” Breuer said. “I’m not saying that’s not funny, but I want my kids to be able to watch that. “The kids in my neighborhood look up to me, and the families do, and I take that as a responsibility. I wanna be that father, I wanna be that husband, I wanna be that guy who sets an example. And then, everyone can watch.” Breuer’s was most excited as he discussed his passion for stand-up, which he said he loved above all other forms he had worked in. “In the other worlds, I never had control of anything I’m

BREUER doing. The only time I had control of something was when I was actually performing. When I was on ‘Saturday Night Live’ — there’s five, six hands in that writing piece. When I’m in a film, all I can do is act.” Breuer also noted that his experiences have helped reshape who he is onstage. “You grow in time, and in life,” Breuer said. “Twenty years ago, I didn’t have three children, or been married. Now I’ve been married for 18 years and have three girls, and elderly parents, one of whom lives with me. There’s a lot of source of comedy and entertainment there. I think my goals and ambitions are a little different with that in my house, than twenty years ago living on my own.” His relationship with his aging father has also been key to much of the direction Breuer’s comedy has taken. His father even accompanied him on tour in 2008, which was documented in the film “More Than Me.” This ed to his dad becoming a more prominent character in his act — though Breuer made sure to get his permission first. “I asked him, because there are some bits where I talk about him pooping himself. Those are embarrassing moments, but those moments write themselves. This is stuff that people just howl over. You’re laughing at the tragedy of it — that’s the classic comedy and tragedy. It’s hilarious and tragic at the same time.” It’s that balance — laughing because it’s funny, and laughing so that you may not cry — that makes Breuer’s comedy so potent these days. That, and his newfound focus on being the best he can at what he loves most. “I made a commitment two years ago, that this is what I’m gonna do. I mean, I always knew this is what it was forever. But now I’m content to go and — I’m fine with just being a comedian. If other things come along, great. But I’m fine.” ✯


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“We graduated with the highest temperatures in our class.� — Larry, The Three Stooges

Writer ordered to pay Marvel $17,000 SATURDAY, APRIL 14, 2012

The

TITANIC Dinner & Ball

By Jim Beard TOLEDO FREE PRESS STAR STAFF WRITER star@toledofreepress.com

In a ruling that has divided industry opinion, writer Gary Friedrich has been orel Comics $17,000 dered by a judge to pay Marvel in damages stemming from his longd time selling of items related to Ghost Rider, a character he co-created for the company ny in 1972. Friedrich has long ng claimed that he owns the rights hts to the character, now starring ing in his second feature film, and took Marvel to court over the issue. But the tide has turned ned against the writer, who claims ms he is destitute and penniless, with this new ruling. Marvel claims that the judgment comes as a way to dispense pense with Friedrich’s suit and their own countersuit by havingg the writer agree to the settlement nt and to also have him sign away ay any claim to Ghost Rider and cease advertising himself as the sole creator of the character. Marvel says it has no issue with Friedrich promoting his “creative association� with the character, but that the writer must not claim sole creation and sell only official, licensed Ghost Rider material.

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Of course, comics fans and professionals fall into myriad, divisive camps over the situation. There are the knee-jerk “evil corporation versus the poor little guyâ€? opinions and the “Marvel’s only protecting their rightsâ€? people and everyone else, who falls somewhere in-between. Above all else, it’s defi de nitely a question of what’s legal ‌ and what’s right. On one hand, yes, Marvel’ protecting its properties; no is pro surprise there. Yes, it could surpr Friedrich off the hook — let F though thou he sued them first — but tthat then sets a precedent for every single writer and artist arti of decades past to demand their own settlements ma to characters they developed under work-for-hire sceun narios. On the other hand, na many creators make a signifm icant portion of their living ic by exhibiting at conventions and autographing for ti a fee and selling sketches of characters they don’t own. ch Fortunately, it see seems as if comic companies would like to ensure that such professionals can continue to do so without fear of legal trouble. Ultimately, it also seems likely that further work must be done on developing a middle-ground where companies and creators can meet and work out what’s right and fair. âœŻ

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“I’ll murder ya!” — Moe, The Three Stooges

Savage world W A publication of Toledo Free Press, LLC, Vol.3, No. 8 Established 2010. Thomas F. Pounds, President/Publisher tpounds@toledofreepress.com Michael S. Miller, Editor in Chief mmiller@toledofreepress.com EDITORIAL

Mary Ann Stearns, Design Editor mastearns@toledofreepress.com James A. Molnar, Lead Designer jmolnar@toledofreepress.com Sarah Ottney, Special Sections Editor sottney@toledofreepress.com Jeff McGinnis, Pop Culture Editor PopGoesJeff@gmail.com Whitney Meschke, Web Editor news@toledofreepress.com ADMINISTRATION

Pam Burson, Business Manager pburson@toledofreepress.com CONTRIBUTORS star@toledofreepress.com Jim Beard • Amy Campbell • Zach Davis John Dorsey • Matt Feher • Jerry Gray Dustin Hostetler • Stacy Jurich Vicki L. Kroll • lilD • Martini • Jason Mack Rachel Richardson Julie Webster • Don Zellers

Chris Kozak, Staff Writer Emeritus Lisa Renee Ward, Staff Writer Emeritus Darcy Irons, Brigitta Burks, Marisha Pietrowski Proofreaders ADVERTISING SALES

Renee Bergmooser, Sales Manager rbergmooser@toledofreepress.com Betty Jane (BJ) Rahn bjrahn@toledofreepress.com Casey Fischer cfischer@toledofreepress.com Chick Reid creid@toledofreepress.com DISTRIBUTION

(419) 241-1700 news@toledofreepress.com

Toledo Free Press Star is published every Wednesday by Toledo Free Press, LLC, 605 Monroe St., Toledo, OH 43604 • (419) 241-1700 Fax: (419) 241-8828 www.toledofreepress.com. Subscription rate: $100 /year. Reproduction or use of editorial or graphic content in any manner without permission is strictly prohibited. Copyright 2012 with all rights reserved. Publication of ads does not imply endorsement of goods or services.

hen I met Andre Savage he was a rapper and already way ahead of his time. He wore tweed blazers with a clean-cut college boy style and had a low monotone comedic flow much like Kanye West and Young Money. He was young, arrogant, passionate, easy on the eyes and on the brink of greatness. An entertainer at heart, he was focused on a career in entertainment or television after graduating from college. If his plan to rap didn’t pan out, no worries, as an athlete and sports enthusiast his desire was to be in front of the camera talking about sports. Today, Andre Savage is arguably one of the most provocative figures in television in NW Ohio. His view of television has few boundaries as he is not afraid to make viewers uncomfortable. He admits that he can be overly ambitious and impatient, but his urgency comes from a personal and spiritual place. This is not just a job, for Savage this is a calling and it goes beyond what may be perceived as egotistical achievement. He is providing a platform and an opportunity for artists in video, communications and music spending most of the time behind the camera. Savage also showcases Toledo’s unsung heroes through his entertainment show, “Game Savvy Late Night,” which is premiering its new season Feb. 26 on WNWO after “SNL.” The show consists of a multicultural cast performing skits and conducting interviews with the who’s who around the city. The show also features local musical talent that ranges in genre and ethnicity. Adding to his already impressive resume, Savage is the newest cast member to the NBC 24 family as co-host of “Game Time with Eric (Haubert) and Andre.” Not bad for a former aspiring rapper, but it took years of hard life lessons to bring him full circle. He started working for various stations in Toledo and then moved to Atlanta. Within two weeks his aggressive determination landed him a job as a freelance editor for WSB an ABC affiliate while working on the show, ‘Inside the NBA’ as a side job. His love and dedication to his daughter would bring him back to Toledo and eventually to the first station that gave him a shot over a decade ago. His future goals include building a television network based on the creativity and hard work of a team consisting of like minded, hardworking individuals. Savage shares his start and how he would like to finish. Martini Rox: What were some of the obstacles you faced after graduating college trying to pursue a career in the entertainment industry? Andre Savage: I don’t ever like to really

MARTINI

ON THE

ANDRE SAVAGE

ROX

blame being a man of color as the reason (because) I don’t necessarily know, but people weren’t letting me try what I wanted to try. In other words, I was never given the opportunity to be on air and I knew I wanted to do that in the very beginning. As a matter of fact the strategy after the camera thing was, “OK, I’ll do the camera guy thing.” Let’s take this position with the hopes that if we just get in the door, eventu-

ally we’re going to get the opportunity to be in front of the camera. Rox: Now that your Plan B has paved the way for Plan A, what is the desired out come on your path to give back to the city? Savage: Some damn esteem, some pride and selflessness. Yes, even as naive as that is, Yes, I’d rather die in the spirit of trying to make that happen in my (own) way, but I am only one person, it has to be thousands of us to change it all the way around. As we continue on ... ✯

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#1 GM Certified Dealer


20 n FEB. 22, 2012 / TOLEDOFREEPRESS.COM

“I’m sorry, Moe, it was an accident!” — Larry, The Three Stooges

$1,500 + $500

2012 BUICK LACROSSE

CUSTOMER CASH BONUS CASH TOTAL CASH BACK

$2,000

* Not available with some other offers. Take retail delivery by 2/29/2012. See dealer for details.

Save some dough!

BUICK

GMC

When you shop Groulx in Monroe!

✓ SALES ✓ SERVICE ✓ BODY SHOP

FOREIGN & DOMESTIC

888-320-3705

15435 S. Dixie Hwy.

www.groulxbuickgmc.com


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