Ana Soler Through engraving as the starting point Ana Soler begins to develop a personal research, both theoretical-conceptual and as artist-practice, in the expanded field of the contemporary graphic arts. The artist reflects on the footprint concept, understood as a transmitter of inverse similarities in the processes of generation and production (life/death, imprint/ matrix, negative/positive, visible/invisible, original/ multiple). She proposes a system of elations between opposites expressed by using disciplines such as photography, sculpture, drawing, and installation inviting the viewer to discover, through walking a spiral journey where the dual gaze is always present (nothing is what it seems): continent and content, the soul and flesh, cause and effect. In short a juxtaposition of opposites that work in an endless chain of images and words that build their imaginary personal stuff.
Anoito, 150 Little Persons and Glasses. Installation. Dimensions variable.
anasoler.es
Tim Charles When you paint pictures, you have a unique freedom to create. I use this freedom in my pictures to combine reality with dreams and imagination. My art is a result of this, where each piece tells its own open-ended story. timcharles.com
The Island. 115 cm by 115 cm.
108