DOWNTOWN WEEKLY VOL 14 NO 2 - MARCH 12TH - MARCH 18TH / DTLAWEEKLY.COM
DTLA ARTISTS IN
RESIDENCE
JUSTIN BUA
THE ART OF IMMORTALITY
ALVIN AILEY RETURNS WITH ODE, LAZARUS & OUNCE OF
FAITH
VOL 14 NO 2 - MARCH 12TH - MARCH 18TH / DTLAWEEKLY.COM
2 THE EVERLASTING LIFE OF DOWNTOWN WEEKLY
ON THE COVER
JUSTIN BUA
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ECHO PARK MODEL: JUSTIN BUA PHOTOGRAPHY: STEVEN LAM PHOTOGRAPHY
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ASK THE DOGMAN
Q:
Help! I don’t know what to do. I agreed to adopt my recently deceased aunts dog. The dog lives in Hong Kong and I am afraid it could be a coronavirus carrier. I am afraid if I tell my relatives that I can’t take the dog, it may damage my relationships. Can I get the virus from a dog?
A :
Jennie, this is one of many emails and calls that I have received regarding the current version of the Coronavirus. COVID-19
It’s even more timely of a question, in the fact that I am currently in Vietnam and Manila giving training workshops. There is always a possibility that a dog can transmit the virus to a human. Currently there is a dog that has shown traces of the virus in its nostrils and mouth area. The dog does not show any signs of being infected. It assumed that the dog contracted trace levels of the virus from its owner, that is infected.
Pro Dog Trainer Daryl Young Here is a quote from the World Health Organization “At present, there is no evidence that companion animals/ pets such as dogs or cats can be infected with the new corona virus. However, it is always a good idea to wash your hands with soap and water after contact with pets. This protects you against various common bacteria such as E.coli and Salmonella that can pass between pets and humans.” I wouldn’t worry about the dog infecting you or anyone else. You are doing a good thing by giving this dog a loving home after the loss of its owner. When you get your pup, send me a picture. I would love to see him. -Daryl Young America’s Dog Trainer
7
8 DTLA ARTISTS IN RESIDENCE - JUSTIN BUA BY KERI FREEMAN
VOL 14 NO 2 - MAR 12TH - MAR 18TH / DTLAWEEKLY.COM
DTLA ARTISTS IN RESIDENCE
I
Iconic Outdoor Advertising
t’s not everyday one gets to drink coffee and chill with one of the world’s most popular contemporary artists, but that is in part what Downtown Weekly has set out to do. Not only interview the most influential and highly revered artists of our generation, but to share their space over the course of a few days, to see just what makes them tick. Artists in Residence 2020 presented by Kevani Inc. is now in full effect.
T
his month, we were lucky enough to nab an interview with artist, author, motivational speaker, and charismatic art critic - legendary artist, Justin BUA. Yes, the same world famous artist Justin BUA who taught figure drawing at USC for a decade and the same guy who later went on to write the idea and vote for a Bruce Lee stamp while on the US Stamp Committee; The same Justin BUA who has sold more prints than any other artist on planet earth! The first artist to ever paint the narratives of Hip-Hop. And today, the same BUA who is becoming just as well known for his commercial work as he is for his very entertaining and sometimes cynical art history vlogs upon which he posts daily on social media. (Instagram @justinbua)
JUSTIN BUA - PHOTO BY STEVEN LAM
He is the Justin BUA and this is his story as told at Cafe Demitasse in Little Tokyo on the morning of March 4, 2020.
Timing is Everything
As soon as we announce who we are for the record, a woman sitting at the same table across from us catches his name. The effect of her coffee is instantly magnified, “You’re Justin BUA?”, she says with a surprise. We spark a small 3-way conversation (as we record) about her own collection, the artists who inspired BUA and the artists the two mutually admire; Salvador Dali, Frida Kahlo and a short list of others. She promises her next piece will be a signed limited edition BUA print, then it’s back to our two-way interview as she scurries off to work.
BUA, of Puerto Rican and Jewish descent, we find out, is from Harlem, New York. Not only from NY but from a time in New York that spawned B-Boys, poppers, breakers, Graff writers and the earliest stages of Hip-Hop music - a.k.a. Old School. And timing is everything. BUA is spawned from the age of Hip-Hop when Hip-Hop was Hip-Hop - still relatively positive, underground and newly emerging. A time when producing graffiti art on the city’s walls and transportation systems was surely the most daring. This was the time of a raw, young BUA, notably gifted, who had long been receiving accolades in grade school, which ultimately led to a scholarship across the country to study at Pasadena’s Art Center College of Design at age 20.
DTLA ARTISTS IN RESIDENCE - JUSTIN BUA BY KERI FREEMAN
A U B N I T S JU TALITY
R O M M I F O T R THE A BUA jokes about how the school housed him in a dorm with the only other Puerto Rican student who hadn’t yet mastered English; citing the obvious ignorance of the times. BUA turns to a more serious page of his college education - a time that pit student against student in a rigorous, overly competitive program taught at one of the most renowned art schools in the world by some of the most brilliant art professors that valued draftsmanship over creativity. BUA sharpened iron with iron. “It [Art Center] was good because it developed my killer instinct - some people have it and some people don’t. I did and I definitely refined it at Art Center.”
However, with such a massive list of lifetime achievements BUA brings up the limited time we all have here on earth. Yet, at the same time he’s speaking of his own mortality he seems to miss the obvious - That he himself will, undoubtedly, when the time comes be listed and revered as one of the world’s greats. No different in legendary status then the artists who came before him, together, because of their works, living on for generations to come.
The Art of Immortality
To pinpoint an understanding of the work of BUA in the time space continuum one may wish to distinguish between the points upon which it exist.
In one space some may want to pin BUA as a graffiti artist who works with BUA shares that his first paying gigs oils and acrylics on canvas instead of the began with artwork on skateboards, CD obvious - spray paint on concrete. What album covers, and on apparel. Growing in other style would dare showcase a world popularity, he was pulled into the vorso drenched in urban culture? Right? tex of mainstream-commercial art by an Wrong. A-List of who’s who in advertising. Eventually BUA was able to make his art into At another point. Because of his many posters of work that were reflective of his paintings of iconic figures, some may life experiences. even try to reduce him to a caricature artist with a signature style. Right? Wrong. “I could be me. I started painting people from the hood - people I grew BUA’s pieces find their place inside up around. My culture. People of the distorted realty of a culture that color - and at that time, no one was didn’t always have value or intelligence. doing that.” Yet, this realm did exist and very much reflected the realities of an unfamiliar urThose looking for visual concepts best ban America. The initiated musician, the suited for major brands and celebrities in Breakdancer, the innovative jazz player, the entertainment world sought BUA to the solitary baller; those playing without capture the attention of an ever growing boundaries or outside the confinements urban market. of what was considered normal are perhaps the reason why they have been porBUA’s list included the likes of MTV, trayed in such a way by the artist. EA Sports, Microsoft, Comedy Central, Oxygen, Toyota, and so on, and conLook twice and think again. BUA’s tinued into the here and now, with his paintings may just embody all that is unupcoming album cover with singer-song- familiar, yet that which is forced upon his writer Ne-Yo and a full list of newly com- subjects by the effects of their existence. missioned works for major VIP clients.
The Art of an Age.
CONTINUED ON PAGE 10
DTLA ARTISTS IN RESIDENCE - JUSTIN BUA
VOL 14 NO 2 - MAR 12TH - MAR 18TH / DTLAWEEKLY.COM
JUSTIN BUA THE ART OF IMMORTALITY The DJ, for example, (sell-
ing over 13 million copies) shows a young man alone, in his basement studio with racks of records to his left, graffiti laden bricks behind him, mixing to dim lights that accentuate his arms - extended, perhaps even made jagged by the erratic movements from each scratch he makes. Could this be what happens when reality mirrors surrealism instead of the vice versa?
“When it comes down to it - I could just be painting. Because that’s what makes me tick. And that’s what the people want.” Currently, BUA is painting a commissioned Hector Levoe and Frida Kali!! Not KAHLO, but “KALI”. A rendition of Frida Kahlo with four arms and one the hands gripping the head of husband, Diego Rivera dripping blood over a collection bowl held in another.
BUA is a master creator. Embodying the conceptional Today, after countless art shows, wisdom of light logic, value, coltelevision appearances, accolades or, and design. Add the fact that and artistic discoveries, Justin BUA is ambidextrous and draws BUA prefers to spend his days with both hands simultaneously. simply painting, reproducing BUA’s name and body of work will prints and selling his pieces to colundoubtedly be immortalized into lectors around the globe. the canon of art history for centuries to come. @justinbua
The Here and Now
THE DJ - JUSTIN BUA
TO BE OR NOT TO BE? DTLA THEATER GUIDE PRESENTED BY KAPOOR'S AKBAR
ALVIN AILEY RETURNS
VOL 14 NO 2 - MAR 12TH - MAR 18TH / DTLAWEEKLY.COM 11
ODE, LAZARUS & OUNCE OF
WITH
A
FAITH
lvin Ailey American Dance Theater returns to the Music Center’s Dorothy Chandler Pavilion from March 18–22, 2020. This year the company, world renown for expressing the struggles and salvation, grief and joy of African American peoples through dance and freedom of expression will feature three independent programs each ending with Alvin Ailey’s seminal 60 yearold masterpiece Revelations, an homage to African-American culture.
Program B - FEATURED Ounce of Faith Also making its West Coast debut at The Music Center is Ounce of Faith, an exuberant work by Darrell Grand Moultrie Program A - FEATURED: Ode that depicts the lasting impact of a teachPerforming for more than six decades, er’s influence on a young child. Using a Alvin Ailey American Dance Theater mix of Jazz standards by Wynton Marsacontinues to celebrate the human spirit lis and Yacub Addy, and Aisha Jackson with programs that highlight the beauty and Dante Hawkins, original music by and humanity of African-American heriChuck Harmony and spoken word by the tage as well as other cultures. choreographer, Ounce of Faith explores This year will mark the West coast debut the notion that “when someone has an of Ailey company member and Resident ounce of faith in you, it can change the Choreographer Jamar Robert’s Ode, set course of your life.” Ounce of Faith has to a Jazz score created by Don Pullen and a run time of 29 minutes and showcases using Roberts’ own costume designs. Ode costumes by Mark Eric and lighting by is being billed as a poetic tribute to victims Mark Stanley. of gun violence that addresses the tough Thursday, March 19, 2020, 7:30 p.m. issue through the lens of love. Ode runs 17 minutes and features six dancers with Program C - FEATURED - EN set design by Libby Stadstad and lightThe piece takes inspiration from the Japaing by Brandon Stirling Baker. nese character, “En,” which represents the multiple meanings of circle, destiny, fate Wednesday, March 18, 2020, 7:30 p.m. Friday, March 20, 2020, 7:30 p.m. or karma. Choreographed by Bessie and Sunday, March 22, 2020, 7:30 p.m. Arison awards-winner Jessica Lang,
EN is a celebratory ensemble work that introduces an original, electronic score by composer Jakub Ciupinski. EN reflects on the universal experience of coming full circle and communicates the passage of time through the use of light and movement. The piece takes inspiration from the Japanese character, “En,” which represents the multiple meanings of circle, destiny, fate or karma. Acclaimed dancer Matthew Rushing, who began his dance career in his hometown of Los Angeles, will perform in this piece, making a rare appearance; the 30-year Ailey veteran became rehearsal director in June 2010 before assuming his current role of Ailey Associate artistic director of the company in January 2020.The 21-minute work features costumes by Bradon McDonald and lighting by Nicole Pearce with set design by Lang and Pearce. Saturday, March 21, 2020, 2:00 p.m. Saturday, March 21, 2020, 7:30 p.m.
@alvinailey @musiccenterla
12 DOING THE MOST TOURIST GUIDE
bunker hill
BUNKER HILL is DTLA's leader for world renowned theatrical performance art. Visit Bunker Hill for high ranking views of the LA Basin from the city's finest museums, penthouse apartments, skyscrapers and elevated walkways.
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china town
Sure, the FINANCIAL SOUTH PARK is the new With its independence DISTRICT may sound like CHINATOWN has strengthentertainment capital it's all work and no play, of the world with a yearened its romantic and but within its mix of hisly calendar of concerts, familiar relationship with toric landmarks, sky top expos, sports and award Downtown Los Angeles bars, financial moguls, ceremonies. Eateries and demonstrating it is as genand award winning Happy nightclubs abound, the tle as it is honest with its area is almost completely Hours; prepare yourself to many gifts for DTLA. encircled by 4 star hotels. mix business with pleasure.
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historic core
DTLAs most creative, inThe HISTORIC CORE is LITTLE TOKYO dustrial loft-style, escape revitalized with new bike has the largest Japanese to the ARTS DISTRICT for lanes, parklettes, commuAmerican population in America. The perfect mix a blend of tranquility, or- nity gardens, concerts and ganic eats, famed murals, tremendous nightclub/bar of residents, restaurants, fine art and BEER; hostscene of the Spring Street nightlife, cultural events, Strip, which also host the and hundreds of shops, Lit- ing the most concentrated tle Tokyo sees more than its region of micro breweries in most intoxicating self-guidall of LA. ed art tour in the country. fair share of tourism.
warehouse fashion district district
The FASHION DISTRICT WAREHOUSE DISTRICT, is a stitched oasis of fabric historically known for and fashion shops, where wholesale, shipping, rail yards and exploding facto- designer wares and wholesalers, market weeks and ries; in modern times this district boast 50 blocks of fashion shows, tailor shops potential welcoming a new and accessories, textiles, mix of retail/office centers new eateries and hungry shoppers collide. and eclectic food sources.
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JAPANESE AMERICAN NATIONAL MUSEUM THINK: Sculpture, Paintings, Exhibits, Japanese American Experience Issei Artifacts
TWO BIT CIRCUS THINK: Carnival Games, Snacks, Escape Rooms, Virtual Reality, Stage Shows, Video Arcade, Full Bar
GRAND CENTRAL MARKET THINK: Historic Landmark Viva! Vendors, Live Performances, Food Trucks, Crepes, Huge Crowds
THE ROW THINK: 1.3M sq ft, MultiUse Complex, Shopping, Retail Shops, Restaurants, Concerts, Creative Office Space
CALIFORNIA MARKET CENTER THINK: Designer Showcases, Market Week, Trade Shows, Textiles and Accessories
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