Soundscapes 2013 single channel video with stereo
of making. Basically I poured the mixture of foam into the water and recorded the natural process of the material setting. The directness of foam is very unforgiving and I like the properties of the material; brutal growth and accidental occurrence. And then in post production I edited into the sequences you see now.
factors that caused changing forms of my work but I don’t remember exactly what they were. In terms of media, it is all the same to me. I just work with whatever seems appropriate at the time. Can you tell us your biggest influences in experimental cinema and how they have affected your work?
We have watched a huge selection of works presenting different techniques. How has your production processes changed over the years?
It would be easier for me if you ask “Do you like this, this and this?” then I could probably answer “yes or no”. To be honest, I don’t think I can name any at all. There are too many influences that I come across all the time. But I hardly ever think which is bigger than another. If I have to pick one, maybe my wife’s drawings these days. Because I see them everyday obviously.
I was trained as a sculptor in early days of my artistic career but after my BA I started to employ other forms of work. As mentioned above, sound has become the most recent thing I’ve tried. Like I said, basically it was just a continuous exploration. There must have been distinctive
Your film have been screened in internatio-
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