Stencil Mag Issue 4

Page 11

ve your festivals, laying when your ent compared to the bill?

"Love instrum ental music? well then you r in the right p lace!"

y if we're really bored re on before us. I think to walk on to a stage to sed or indifferent faces. are there because they hey are watching you to being won over. It's n a regular 65 show, but ent ways.

ell us about the live album ew York?

of two shows we played in New York in son Square Garden, the other at Radio wo places that we never, in a million years, ever get to be playing. It was an incredible he Cure - who we were supporting at the eir ProTools rig to make multitrack hows which we later mixed back in re so much better than any other live , and for first time it felt like we were on record that accurately represented our ed worth releasing, rather than just ur of us. So we did.

ed the awesome Summer Sonic an; can you describe to UK his festival was like?

e's some great festivals in the UK, and too. But none of them seem as organised Everything runs so smoothly, to the me we were there, we were setting up our hanger-sized venue, and there was weren't entirely surprised, but a little bit use we'd come so far and had been show for so long. But then, about 3 were due on stage, people started to ue, and by the time we walked back on 0,000 people waiting to watch us. So eduled! Plus the crowds are really crazy during the songs, but between them certing silence. Everyone is paying ittle thing you do. It makes you really e bum notes.

You supported one of the biggest and most respected bands in the world, The Cure, how was this experience? Amazing. How could it be anything other than amazing? They are fantastic guys and they really looked after us and made the tour work for us. We can't thank them enough. Even if we will forever be in their shadow from now until the end of time, and even though there will always be questions in interviews about The Cure, or about Robert Smith appearing on our last record‌ It's totally fine for us. They are a band from a time that doesn't really exist so much any more, except in super-produced pop music (and maybe Radiohead) where bands could be so well known they were like household names all over the world‌ I dunno. It was great. We learnt an awful lot off that tour.

What does the future hold for 65 Days Of Static? We have a new e.p coming out - the Heavy Sky E.P, 25th on Hassle Records. It's lots of tracks that we made during the Exploding sessions but didn't seem to fit on the record for one reason or another. We liked them a lot though and it's really exciting to be able to put out almost a whole other album's worth of material so soon after the record. It's sort of like a sister-disc to the record. We'll be touring in support of it in November, around Europe and UK.


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