portfolio for SCULPITECTURE | long version

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SCULPITECTURE Architectural sculpture

2016 - 2018 works

List of works 1 Architecturalization of dream 2 Layered sculpture 3 Guui purification plant renovation 4 Architectural light 5 Plugged balloon housing 6 Architectural park 7 Cinem-archi museum 8 Space-ship

Contact mail sculpitecture@gmail.com mobile +82 10 8648 2838

â“’ 2018 GOYO all rights reserved

sculpture and architecture


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IMAGE

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work

Architecturalization of dream (2016) / a digital image / the grand prix of graduation exhibition

1 “Architecturalization of abstraction”

ARCHITECTUALIZATION OF DREAM The purpose of this project was to architectualize an abstraction; a dream. The methods to make a whole structure of a dream and the process of component’s design were based on the precedent researches about a dream. With the researches, two main points were set. The first one was materials of a dream were interests, impressive memories, and past experiences. And the second one was the genuine reality was distorted strangely in a dream. And I designed those dream’s components in a way of maximizing the original features to make a distortion. Because a dream doesn't reflect a reality precisely. These two main points became a big basis of the process of architectualizing a dream.

IN

A

DREAM

I have dreamed a lot when I slept. And I could remember well about my dream. In my dream, I would wander everywhere. Sometimes during in my dream I felt that ‘This place is quite familiar. I have been here before when I dreamed.’ So I realized there is a unique world in a dream. Therefore I wanted to architectualize a dream world.


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PROCESS

PROCESS OF DESIGN #1.

Arranging features of the dream from papers incomplete perception easy association change of time / space / view materials of a dream ; interests / memories / experiences non-physical phenomenon various scale distortion of reality

#2.

Refering to several films dealing with a dream being John Malkovich (1999), the science of sleep (2005) eaternal sunshine (2004), inception (2010), mood indigo (2013)

#3

Classifying categories of dream-parts (cf. #1 materials of a dream : interests)

design / film / dream / architecture

#4.

Making methods of organizing a dream in an architectural way 1. spheral shape of the whole dream structure; there is no start and no end in a dream world 2. several holes mean the dream world is changable 3. incomplete buildings 4. intervention of buildings which expresses dramatic change of scenes in a dream 5. irregular scales 6. non-physical phenomenons 7. mixes of the first and third person narratives

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COMPONENTS

HOW TO MAKE

COMPONENTS To make components, I divided 4 categories of my interest (design, film, dream and architecture) and selected one or two original sources from the categories. And I designed those dream’s components in a way of exaggerating the original features to make some distortions. Because a dream doesn't reflect reality precisely. And the 6 components were re-organized for the whole structure of a dream according to the characteristics of a dream which were found from researches.

Escher, <relativity>

Diego Bellorin, <chaos>

Jean-Jacques Annaud, <name of rose>

Bong, Jun-Ho, <barking dog never bite>

houses where I have lived in

6 components of architecture in a dream (2016) | a digital image

Lee, Sung-Gwan, <tanheo museum>


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MATERIALIZATION

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hologram (2016) | a hologram installation | acryls, woodboards, an ipad, a rack | 120x33x24cm

HOLOGRAM

3-dimensional realization through the hologram method

As the original model was made to be supposed in a weight-less state, it was impossible to make a physical model in a reality. Instead, I made it using a hologram method. With a specially rendered video, an ipad and acryls to make a pyramid, I could materialize this model in a reality.


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LOUISKAHN

work

2 “a sculpture to experience a space”

LAYERED SCULPTURE

The purpose of this project was to study ‘architectural sculpture’. I have thought that how can I make a sculpture like an architecture. The feature of architecture is that audience could walk through to appreciate spaces in an architecture. So I applied this feature to the new sculpture.

“Heavy layered walls modulate sun and capture ventilating breezes.” by LOUIS KAHN

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ARCHITECTURE & SCULPTURE

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THE LAYERED SCULPTURE = There are 10 layers in the sculpture. Audience could pass through it. In other words, audience can enjoy the sense of space in the same way that they see the building through sculpture.

The layered sculpture (2017) | Compressed styrofoam | 5x10x6m

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ARCHITECTURE & SCULPTURE

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THE LAYERED SCULPTURE = There are 10 layers in the sculpture. Audience could pass through it. In other words, audience can enjoy the sense of space in the same way that they see the building through sculpture.

The layered sculpture (2017) | Compressed styrofoam | 5x10x6m

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RENOVATION

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work

3 “reinterpretation of japan architecture”

Comparison of section of Buseoksa(top) and Guui purification plant(bottom)

GUUI PURIFICATION PLANT

Guui water purification plant was built in japanese colonial era. This plant purifies water in a way of non-pressure flow. So the placement of buildings is along to the slope(1). As a process of purification is sequential the buildings are away from each other(2). From these two facts I thought it is similiar with Buseoksa’s architectural feature. And I tried to reinterpret the japan architecture to Korea’s one.

Reinterpretation of Japan architecture to Korea architecture

Comparison of plan of Buseoksa(left) and Guui purification plant(right)

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MASTER PLAN

Comparison of before and after MASTERPLAN

Guui water purification plant renovation - design studio 3(5th semester) - museum - scale 1:50 - wood, craft paper - 80cm x 120cm x 20cm


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EXHIBITION

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work

4 “The first exhibition”

ARCHITECTURAL LIGHT ‘The architectural light series’ are made of colorful acrylics and led lights. And it has various geometric shapes like a scene of architecture and dreamy colors of light. Technically there are two types of artworks. The first type is the more architectural version. It looks like architecture and it could be built in a real scale (20mx20m). And the second type is an architectural scene version. It represents the beauty of solid and void with light. With these artworks, audience could feel a distinctive sense of space from 2-dimensional and 3-dimensional architectural sculptures like appreciating architecture.

Open studio GLOGAU Aritst In Residency in Berlin Architect Louis Kahn said that architecture is considered assembling the magnificent forms in the light. Light is the minimum requirement in architecture. Light reveals the shape of a mass so that it can distinguish between a solid and a void, and then the solid and the void sculpt the light again. In these works, light is more actively involved in architectural ways like above.


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GREEN AND YELLOW

GREEN AND YELLOW 2018 Glogau artist in residency in Berlin fluorescent acrylics | 450mm x 450mm x 60mm

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BLUE AND BLUE

BLUE AND BLUE 2018 Glogau artist in residency in Berlin fluorescent acrylics | 450mm x 450mm x 60mm

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RED AND YELLOW

RED AND YELLOW 2018 Glogau artist in residency in Berlin fluorescent acrylics | 600mm x 600mm x 40mm

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SHINING YELLOW

SHINING YELLOW 2018 Glogau artist in residency in Berlin fluorescent acrylics | 450mm x 450mm x 60mm

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LE CORBUSIER

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work

Le corbusier in the 21 century (2016) | a composite image

5 “Can’t architecture be vulnerable?”

PLUGGED BALLOON HOUSING After le corbusier declared the dom-ino system in 1915, we have developed lots of scientific progresses. But architecture still has imitated something which was made about 100 years ago. In a new century, an immaterial value passed over a material value. However, architecture still has restricted one’s possibility under the name of solidity. To get rid of this restriction, I designed a new paradigm architecture which is light, easy, flexible and suitable for the 21st century.

100 years after dom-ino system by LE CORBUSIER A reason of existing buildings should be fixed was for architectural equipment such as water and electric systems. To give freedom to buildings, I designed a soft architecture where located a core at the center of the building. The core have toilets, kitchens and laundries for users. Thanks to the development of wireless electricity we don’t need plugs in every room.

And then the building would be sufficient with a minimal structure and equipment. As a result, the individual room-units could be free to be moved. These room-unit were made of a same material of a water tube. So it could change its size with or without air. Also users could buy this unit through just the internet, and if they need to move their houses, it could be moved easily to another franchised core.


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TITLE FEATURE LOCATION

PANEL

plugged balloon housing individual work, conceptual architecture hypothetical

PLUGGED BALLOON HOUSING what is the 21 century’s housing?

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Feburary. 2016 - March. 2016 professor. Jeong, Jin-Kouk wireless electricity system

PERIOD ADVISOR PRECONDITION


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TITLE FEATURE LOCATION

PLAN & SECTION & ELEVATION

plugged balloon housing individual work, conceptual architecture hypothetical

PLUGGED BALLOON HOUSING what is the 21 century’s housing?

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Feburary. 2016 - March. 2016 professor. Jeong, Jin-Kouk wireless electricity system

PERIOD ADVISOR PRECONDITION


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LE CORBUSIER

work

6 “Promenade architecture”

ARCHITECTURAL PARK Le corbusier proposed the notion of ‘promenade architecture’ in his work. With this concept, I made the architectural sculpture that audience could appreciate the beauty of space during a walk. I made it in a small scale but in the future it will be built in a real scale(21mx23m) in a museum or at a certain ground point.

Promenade architecture by LE CORBUSIER

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PROMENADE ARCHITECTURE

ARCHITECTURAL PARK Le corbusier proposed the notion of ‘promenade architecture’ in his work. With this concept, I made the architectural sculpture that audience could appreciate the beauty of space during a walk.

Architectural park (2018) | Paperboard | 21cm x 23cm x 9cm

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SPACE&AESTHETIC

work

7 “We could read a scenario through just a space”

CINEM-ARCHI MUSEUM The purpose of this third project was to seek the pure value of architecture. After watching a movie of Stanley Kubric’s <the shining>, I thought we could read a story through just a feeling of space. So I planned to make an architecture that could tell a scenario through just a space. It exists just for pure space aesthetic.

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ARCHITECTTURE ITSELF

CINEM-ARCHI MUSEUM After watching the film of Stanley Kubric’s <The shining>, I thought we could read a story from just a feeling of space. The museum could express the flow of four seasons(from right to left) through only the sense of space and metaphor. So the museum that audience appreciate is an artwork itself. It means an architecture without practical functions would be to seek the pure space aesthetic.

Cinem-archi museum / spring and summer - autumn - winter (2017) | Compressed styrofoam | 20mx20m | composite image

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4SEASONS

SPRING

SUMMER

Columns going up to the ground like sprouts.

After going up the stairs, it rains hard in the hot space.

FALL

WINTER

The sunset dyed the space red like a maple leaf.

The monoliths makes water to be cool and the temperature makes you feel cold.

CINEM-ARCHI MUSEUM After watching the film of Stanley Kubric’s <The shining>, I thought we could read a story from just a feeling of space. The museum could express the flow of four seasons(from right to left) through only the sense of space and metaphor. So the museum that audience appreciate is an artwork itself. It means an architecture without practical functions would be to seek the pure space aesthetic.

Cinem-archi museum / spring and summer - autumn - winter (2017) | Compressed styrofoam | 20mx20m | composite image


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ARCHITECTURAL

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work

8 “Architectural sculpture�

SPACE-SHIP Compressed styrofoams are really common materials for Korean architects and architecture students. But in an area of sculpture the compressed styrofoams are not ordinary materials. With this attractive material I made 40 layers to create a sense of space in the sculpture.

Space-ship (2018) | Compressed styrofoams | 120x40x240 mm


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40LAYERS

SPACE-SHIP 2018 compressed styrofoams | 120mm x 40mm x 240mm (1/5 scale)

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â“’ 2018 GOYO all rights reserved


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