DESIGN MAGAZINE 19 (SEPTEMBER/OCTOBER 2014) by DESIGN MAGAZINE

EDITORIAL Tiago Krusse

The current technological development is not showing any improvement in providing solutions to millions of people in the World who still not have the basic structures that could allow them to live with some comfort and a healthy environment. Were the innovation is most needed the solutions showed are not offering the optimized responses that those populations require to their life and worse than that most of the times they have a negative impact to their lawful rights to expect for better days. Technologies are not contributing to evolution instead they are being used to serve the purposes of the basic maximum profit with the least investment so it could produce wealth to be spread only among a few unknown profiteers. This is not the essence of innovation, this is the reflection of regression. This is not economy because economy starts and ends with Man. Consumers from all over the World canâ&#x20AC;&#x2122;t put aside their own responsibilities because when they are buying all these new technological gadgets they are corresponding to this call only. Consuming is a right but it is also an act of responsibility. The continuous waste of natural resources, the increasing pollution and destruction of our environment should act like warning to consumers. The act of consuming it is also an act of responsibility and has to be seen beyond than just a meet to the eye. Consumers often express their concerns about the future but in the act of consumption they seem to forget quite easily their own responsibilities as buyers. It is not the industries or the new technologies that will be responsible for changing the World for better it is common people, regular buyers who will be the crucial elements for a needed evolution. Finally we would like to make a correction about the information we gave on readerâ&#x20AC;&#x2122;s statistics. During the first semester of 2014 we have reached more than 2 million readers worldwide and not the 2 thousand as we said previously.

CONTENTS EXPRESSIONS Opinion by Rodrigo Costa – Design: interests and overlappings

DESIGN Salvatore Spataro

Danish Crafts Collection Serien Lighting Skeleton

Food Design – Miguel Soeiro

ARCHITECTURE At Haussmann Boulevard Aspen Museum

BOOKS Illustration Now! 5 Landmarks

Finn Juhl and his house

MUSIC Slouse – Fishing In Slower Territories

Editor in chief - Founder Tiago Krusse Executive Designers Douglas Silva Hebert Tomazine Leandro Siqueira Lucas Fernandes Text Contributors Francisco Vilaça (Stockholm) Hugo Poge (Reykjavík) Rodrigo Costa (Oporto) English editing K Photo Contributors João Morgado – Architecture Phtography Rui Gonçalves Moreno Advertising http://revistadesignmagazine.com/publicidade/ Office DESIGN MAGAZINE Jardim dos Malmequeres, 4, 2.º Esquerdo 1675-139 Pontinha (Odivelas) | Portugal www.revistadesignmagazine.com Media founded in 2011

OPINION

Rodrigo Costa

Illustration by Rodrigo Costa

Design: interests and overlappings Being already evident in the domain of the Art, the overlap also has a reinforced place in the area of the Design. As a proposer and dependent, the designer, more than an artist, faces awful competition in a small market with all constraints. Relatively to the Art, the Design does not end in the proposals of fruition and reflection. The Design also has concerns of functionality and identity, in a world that doesn’t stop of producing and that cannot neglect ways of production and contextualization, by creation and reformulation. There is not an underestimation of the Art or the artists in this thought. There is, yes, the conscience about different conditions between an artist and a designer. While a technician, only the designer is dependent of compromises for whose confirmation their willing and signature are not enough. While the artist is somebody whose expression is the voice and echo of his will, the designer needs of attending to the context — if he can or can’t be an artist, it’s another department. This matter in approach is due to my intervention, under the theme Design: challenges and context, in a recent colloquium promoted by the Associação Nacional de Designers, in Portugal. That event had as the main to show the advantages of the interaction between the Design and the Industry. So, during the exposition, somebody asked how could the designers, came from the schools, entering in the work world. Well, the Design — as every area in Portugal — has its nests inside chapels, like institutions shaped by teachers who compete with themselves and... with the students. So, the solution seems to be on being promiscuous, once the market is not enough for everybody. The investment mustn’t be done on competence but in a certain kind of relationships. In the Design — as in all the rest — Portugal is the chaos kingdom. More than a democratic regimen, the regimen is a regimen of the influences. The competence is the most important part in the speeches but becoming a real obstacle, because, in general, people are not praised or rewarded by their capacities. Nobody reaches relevant and influent positions — from which all decisions are taken — only by competence. The situation of the country is a real proof; the people are valued more for his web of relationships than by anything else. In the base of the decadence of the country, there

is the fact of the schools are full of teachers without vocation or courage. Many of them are looking at the teaching as the salvation; as the sustenance and the economic autonomy. One can say that the politicians are the responsible for the school system ... Well, but any self-taught has never ruled the country. All of them are doctors, at least! In the Public School, mainly, there are teachers competing in the market of the Art and of the Design, supported, indirectly, by the public purse. Meanwhile, the independent artists and designers have to sail without guaranteed survival. Then, the State’s speech sounds incoherent because it has a contradiction between what says to fight and what allows: the unfair concurrency. So, while few people live for defending ideas and facing reasonable and unreasonable problems, most people run after the degrees, as a way of getting the status and for avoiding the economic problems — more than any love to teaching, they love the safety. As would say my friend Woody… What can we do?... The response isn’t easy because the Portuguese Society — about which is the approach — is unbalanced and full of vices. At this moment — more than in any other — it’s wartime, and there is not time for cleaning weapons. There are not safe principles. None of them remains unscathed, once the ethical care is a luxury inside a society that is little more than waste. At this moment, there are only wails and screaming, even from people who are living comfortably, and that should be calm. In the midst of so many concerns about discrimination, either sexual or religious or any other, the discrimination of the intelligence is the most acceptable, once Portugal can perfectly live without it. What solution?... Perhaps the response is in the question that people, individually, must put to themselves. When seeking to know about what to want as destiny, perhaps it’s needed to realize that the Life can’t give much more than what has already given…

http://rodrigovcosta.wix.com/rodrigocosta

DESIGN MEETS SICILY

Salvatore Spataro

â&#x20AC;&#x153;Design Meets Sicilyâ&#x20AC;? is the first collection produced by Salvatore Spataro. The architect Spataro project this collection based on a reinterpretation of Sicily cultural heritage, paying homage to the baroque city of Noto the place he was born in 1981. To achieve fine and elegant shapes the architect called for skillful hands of craftsman like those of Alfredo Quaranta, the ceramist who gave shape to Truppy and the lamps. The three products projects by Salvatore Spataro reveal different layers of intentions. The lamps mixing ceramic, cane and fig wood making not only a combination of textures but recovering traditional habits like the carrying of ricotta in Sicily. The porcelain plates show an appealing graphic display while projecting the outline of the beautifully built baroque churches of the city of Noto. The Truppy plays with our childhood memories, making us remind the skills need to play with that toy which now contrast with the excellence of craftsmanship of artisans that can deliver such rigorous finishing to the product. This small collection also shows how a project can be organized by delegating specific parts of the productive process to different qualified hands and giving more comprehensive value to the whole project. Le cavagne lamps are hanging lamps in ceramic inspired by the cavagne, small containers made in in cane and fig wood that vendors used to carry the ricotta in Sicily. In the collective imagination, these objects have never hung on the wall individually, but in clusters ... so I decided to propose a lamp consisting of three units and not single. Prototype: Ceramist Alfredo Quaranta Photo: Itaca Freelance

BaroqEAT is a collection of 7 porcelain plates The graphics represent some of the most beautiful floor plans of Sicilian Baroque churches. A careful selection occurred through extensive research in the library and that is also a tribute to Noto. Photo: Alessandro Michelazzi

Truppy is an handmade ceramic object inspired by an old Sicilian toy: the wooden spinning top. The object, which in former times was rustic and imperfect, now takes on a new structure more elegant and precious due to engobe finished and the extraordinary craftsmanship of the artisans. Ceramist: Alfredo Quaranta Photo: Itaca Freelance

DANISH CRAFTS COLLECTION

We got to know the Danish Crafts Collection during the September edition of Maison & Objet, in Paris, France. At the hall 8 for Now! Design à vivre, the booth of this joint venture between Danish Crafts and the Danish Agency for Culture we had the chance of talking a with Kristian Kastoft about this project. We get to know that the Danish Agency for Culture has under it purpose the mission of promoting national architecture, design and craft. The project has been travelling the world for more than 15 years, it started in 1999. In January of 2014 a political decision was made and Danish Crafts and the Danish Agency for Culture were merged putting the collection under the protection of the Danish Arts Foundation and the agency acting as the secretariat. Beyond this cooperation strategy there is also a cleared purpose of creating the opportunities of the selected participants to have their works produced by design companies. Some of the companies involved in this production activity were Bolia, HAY, Kähler, Normann Copenhagen, Pautian and Vipp. Other partnerships were established along the way and in 2006 Danish Crafts and MoMA Design Stores decided to go ahed with the CC+ for MoMA. This specific collection was built over a selection of previous collections, a selecting process lead by the mu-

seum and then sold at their own design stores in New York. This good experience with the American museum lead Danish Crafts to set similar collections like those showed in Expo Zaragoza, in 2008, or at SKANDIUM in London, during 2010. At Maison & Objet the CC18 collection, under the Danish Arts Foundation, gathered 27 participants and it was curated by Pil Bredhal a Danish product and furniture designer. In Pil Bredhal’s opinion design has always a message and it goes beyond the simple balance between form and function. The CC18 was under the sustainability in material, production method and idea. The curator states that “some of the selected craftspeople have a focus on organic and bio-degradable materials, others have created brand-new materials or developed new production models capable of creating jobs for marginalized groups”. The CC18 was produced to underline the potential of Danish craft and design, to go further than just an aesthetical desirable line of products to be bought and to show like Pil Bredhal wrote that “craft and design are carriers of history that influence our habits and our way of being in the world”.

Rasmus B. Fex | “Milk”. www.bfex.dk

Agnes Fires | “EdT”. www.agnesfries.com

Anne Lindberg & Dorte Agergaard | “Nude 01, Nude 02”. www.annelindberg.dk | www.dorteagergaard.dk

Claire Marie Lehmann & Iben Harboe | “Vase”. www.clibklap.dk

Allan Scharff | “Silver bow tie”. www.allanscharff.com

Alexandra Winther Høøg | “Recycled Denim Collection”. www.nakedsociety.dk

Karen Kjaeldgård-Larsen & Tine Broksø | “Claydies”. www.claydies.dk

Caroline Wilkenschildt Fossum | “In Line with the World”. www.itraaddemarkverden.dk

Henrik Sørig Thomsen | “WoodTime”. www.soerig-design.com

Kristina Vildersbøll | “Sequence”. www.vildersboll.dk

Iben Schaer-Jacobsen | “Fibonacci”. www.designparade.dk

Jeremy Walton | “Offline Messenger”. www.walton.dk

Jonas Edvard Nielsen | MYX lamp”. www.jonasedvard.dk

Karin Carlander | “Textile No.”. www.karincarlander.dk

Lisa Grue | “My Embroidery Kit”.

Lisbet Friis 6 Uffe Black | No 5 Table”. www.lisbetfriis.dk www.arkblack.dk

Mia Gammelgaard & Claus Mølgaard | “Nest”. www.miagammelgaard.com www.molgard.com

Marion Fortat | “Half”. www.marionfortat.com

Mette Louise Kragh | “TibetStripes Tea Cosy”. www.mattelouisekragh.com

Rosa Tolnov Clausen | “Hands on Woven”. www.rosatolnovclausen.com

Rikke Hagen | “Nora”. www.rikkehagen.com

Margrethe Odgaard | “Colour Cup”. www.margretheodgaard.com

Nikolaj Steenfatt Thomsen | “Hardened Leather Chair”. www.steenfatt.dk

Thomas Pii Winkel | RAM’N”. www.ramn.dk

Tone Juni Lorvik | “Enjoy”. www.tonelorvik.com

Susanne Guldager | “Ornament and Tie”. www.susanneguldager.dk

Nikolaj Stteenfatt Thomsen | “Impasto Pendant 02”. www.steenfatt.dk

Andreas Lund & Rikke Hagen | “Collect”. www.andreaslund.dk www.rikkehagen.com 27

SERIEN LIGHTING

Manfred Wolf and Jean-Marc da Costa, photo by farideh In January 2015 the Serien Lighting will be celebrating its 30th anniversary. The company’s debut started in 1985 during the imm, the Cologne furniture fair, in Germany. The founders and managers Jean-Marc da Costa and Manfred Wolf decided to celebrate the date at the place where the collections were showed for the first time to the public. Through the three decades Serien Lighting was capable to deliver good design with innovation and above all a distinct approach using better technological standards and expressing a vision that was able to combine aesthetic simplicity and well defined functionality. By underlining the usefulness of its products the company created a commercial posture oriented to specific buyers, either professional ones or to good design driven consumers. Efficiency, durability and well finished collections weren’t mere marketing show off commandments. The company was able to gather different designers with clear thoughts regarding the creative spirit established since the very first beginning and it also proved through time it was possible to present new products with better solutions. Congratulations! 28

Bruno Ninaber van Eyben | “Seventy Seven”

Hans Karuga | “Twin”

Floyd Paxton | “Zoom”

Uwe Fischer | “Annex”

Yacoov Kaufman | “Propeller”

Jean-Marc da Costa | “Slice”

Yacoov Kaufman | “One Eighty”

Yacoov Kaufman | “Job”

Jean-Marc da Costa | “SML”

Jean-Marc da Costa | Basis/Reflex 31

SKELETON Pedro Franco

The Skeleton Chair by Pedro Franco is a product of the A Lot Of Brasil, a recently new Brazilian design brand. The Skeleton is a piece made by an injection of sustainable polymer which in its composition gathers the following elements: coconut, acerola cherry and liquid wood. The chair has a bull-leather covering on upper part and its structure is made of carbon steel with an electrostatic finishing paint. Pedro Franco is a Brazilian architect, born in 1977 in São Paulo, and founder of the A Lot of Brasil design brand. The motto of this new brand is Made in Brazil with a special focus on new materials and technologies. Pedro made is first abroad appearance in 2000 just a short while after he won the Basil Faz Design competition by presenting the Orbital armchair which was developed during a workshop with the Campana brothers in São Paulo. The new century was also the start for Pedro Franco at national and foreign markets. His special connection to Italy allowed him to persecute his goals not only by presenting is new products and ideas but also as part of a commitment towards design and promoting Brazilian designers. The Brasil é Cosi exhibition, in 2009 at the Salone Internazionale del Mobile in Milan, was curated by him and he gathered 32 designers to show their work and letting them to be known among the industry. Pedro Franco founded and conceived A Lot of Brasil Industries in 2012 and Vanni Pasca – professor, curator and researcher of Brazilian design –, which holds the role of the strategic consultancy for the new design brand, chose the Skeleton chair to be part of the collection.

Photo: Courtesy of A Lot of Brasil

“The mix between clothes hangers and the human skeleton inspires the piece. Its ergonomics have been fully investigated so that each piece hugs the user. Plastic can be injected in a wide variety of raw materials, such as injected coconut and acerola cherry and liquid wood. It can be made with countless color combinations for the metallic structure, leather covering and different types of injection.”

Photos: Marco António

FOOD DESIGN

Miguel Soeiro

The Malmö cutlery collection is the result of at cooperation between the producer Herdmar and designer Miguel Soeiro. The history of Herdmar has more than century and nowadays is among the biggest table cutlery producers in the World. The company is based in Caldas Taipas, in Guimarães, at north of Portugal. This family company is run by the Marques third generation, employing today more than 100 collaborators and showing a production capacity of more than 140 thousand pieces per day. The designer Miguel Soeiro is making a consistent evolution as a professional, not only by working for several Portuguese companies, teaching and projecting his own products but also by getting regularly involved in the processes of industrial production. Professionally and academically insured by experience and knowledge, the designer is growing his reputation as a most qualified and prolific professional of his generation. The Malmö collection is one of the newest productions by Herdmar and it’s made of 18/10 stainless steel. Company and designer matched perfectly their visions and goals, from one side presenting a new

product that could fit an aesthetic orientation as well as letting a personal perspective appear as an innovative approach based on design reflections. The Malmö cutlery shows clearly a concept that will work either on a formal or informal atmosphere.

Photos: Courtesy of Miguel Soeiro / Herdmar

AT HAUSSMANN BOULEVARD Interior Design: Laure Girodroux / Karolina Lubkowski

The Thiénot Bordeaux-Champagnes opened a new showroom in Paris, France. The 100m2 place located at the Haussmann Boulevard was designed by Laure Girodroux and Karolina Lubkowsky. The new showroom of the French wine company was designed to be a welcoming place to professionals like chefs, sommeliers and wine lovers. The showroom lives inside an architectonic spirit of the urban Paris plan lead by the Baron Georges-Eugène Haussmann in the middle of the 19th century. The atmosphere of the interior design takes full advantage of the existing standardized architectural program like the monumental main entrance. A sculptural lighting of gold metallic reflections creates a sensation of a wave and works as an invitation to the tasting room at the first floor. Laure Girodroux and Karolina Lubkowski conceived a unique lighting fixture to produce a contrast with the recovered and reformed architectonic spirit of the place. The lighting sculpture took several weeks of work as well as technical research to achieve the right purpose of a suspended wave that could hide all the structural engineering inside. The mirror-polished stainless steel treated with gold titanium was the solution found so that the fixture wouldn’t oxidize. At the tasting room a big table shaped like a shipbow was designed to produce the right surface and comfort to visitors. There is a well defined complementary use of colors, contrasting white with brown lacquered finishes to produce an impression of depth and amplitude. The use of natural oak elements were intentionally placed to give emphasis to the memories people have of traditional cellar and wineries atmospheres.

Photo: LG & KL 38

Photo: Xavier BĂŠjot 39

Photo: Xavier BĂŠjot 40

Photo: Xavier BĂŠjot 41

Photo: Xavier BĂŠjot 43

Meuble cave à vin habillage panneaux médium stratifiés blancs - satin ou brillant type Polyrey + soubassement panneaux de médium placage chêne naturel type Brut d’Ober BA Oberflex vernis extra mat 2 mobiles en tôle inox Intégration des équipements: traitement Titane doré poli 60 X 60 HT 3 cm - caves à vin (x4) suspendus avec élingues inox - réfrigérateur Voir détail DA07 - lave-verres

OPTION 1: Fourniture et pose d’un plafond tendu BARRISOL finition brillante Couleur unie gris chocolat Thiénot à déterminer sur échantillon selon Réf Thiénot Pantone U439 OPTION 2: Plafond en BA13 + Création d’une retombée de plafond en BA13 mur opposé aux fenêtres identique à celle existante + Création d’une trappe de visite 60 X 60 cmzone cumulus - Couleur unie gris chocolat Thiénot à déterminer sur échantillon selon Réf Thiénot Pantone U439

Mise en peinture - couleur blanc cassé à déterminer selon murs mitoyens Finition satinée

Mobile "maille" en carrés de tôle inox traitement Titane doré poli 10 X 10 assemblés avec agrafes même matériaux fixé sur structure primaire, ellé-même fixée en dalle/murs (selon l'étude de l'entreprise). Structure coulissante sur poulie, avec commande mécanique en zone vestiaire Voir détail DA08 2 mobiles en tôle inox

Faux plafond dalles mdf mise en peinture acrylique mate Réf Thiénot Pantone U439 (à confirmer par MOA)

199

220

VESTIAIRE 305

SHOWROOM

240

299

VESTIBULE DE LA SALLE DE DEGUSTATION

230

290

299

SALLE DE DEGUSTATION

Rideau de velours gris chocolat Thiénot à déterminer sur échantillon selon Réf Thiénot Pantone U439 + tringlerie inox canon de fusil Réf. à définir

traitement Titane doré poli 60 X 60 HT 3 cm suspendus avec élingues inox Voir détail DA07

- évier + mitigeur Voir détail DA05

280

Faux plafond en dalles existant

90 70

LOGO

COUPE AA' Tabourets hauts Réf. à définir

Table de dégustation coque panneaux de bois cintrés + placage chêne naturel type Brut d’Ober BA Oberflex vernis extra mat + plateau verre trempé, laqué BLANC RAL 9010 intérieur en panneaux stratifiés blancs - satin ou brillant type Polyrey Voir détail DA05

Coffrage de ventilo-convecteur panneau de médium à peindre BLANC RAL 9010 + capot supérieur rainuré à peindre BLANC RAL 9010 Voir détail DA03

Meuble cave à vin habillage panneaux médium stratifiés blancs - satin ou brillant type Polyrey + soubassement panneaux de médium placage chêne naturel type Brut d’Ober BA Oberflex vernis extra mat Intégration des équipements: - caves à vin (x4) - réfrigérateur - lave-verres - évier + mitigeur Voir détail DA05

Adhésivage blanc cassé de la surface de la porte de placard définition couleur sur échantillon

Kakémono en tissus imprimé Larg: 40 CM x HT: 300 CM (à définir) Interchangeable avec glissière métallique Larg: 40 CM Réf Thiénot Pantone U439 (à confirmer par MOA) Voir détail SG02

Stèles de présentation en panneaux de médium laqué HT. 90cm dégradé Réf Thiénot Pantone U439 (à confirmer par MOA) BLANC RAL 9010 Voir détail DA01 Display de présentation en panneaux de médium laqué HT. 70cm dégradé Réf Thiénot Pantone U439 (à confirmer par MOA) BLANC RAL 9010 Voir détail DA01

Rideau de velours gris chocolat Thiénot à déterminer sur échantillon selon Réf Thiénot Pantone U439 + tringlerie inox canon de fusil Réf. à définir

Coffrage de ventilo-convecteur panneau de médium à peindre BLANC RAL 9010 + capot supérieur rainuré à peindre BLANC RAL 9010 Voir détail DA03

Kakémono en tissus imprimé Larg: 40 CM x HT: 370 CM (à définir) Interchangeable avec glissière métallique Larg: 40 CM Réf Thiénot Pantone U439 (à confirmer par MOA) Voir détail SG02

Tapis d’escalier, moquette synthétique classement UPEC fort trafic Fournisseur type EGE carpet Couleur unie gris chocolat Thiénot

Stèles de présentation en panneaux de médium laqué HT. 90cm dégradé Réf Thiénot Pantone U439 (à confirmer par MOA) BLANC RAL 9010 Voir détail DA01

CAVE A VIN ENCASTRABLE LIEBHERR WTEes 2053 CHR

HSP

3.50

RANGEMENTS

32A

ACCES SOUS-SOL

32A

Création arrivée eau froide / eau chaude + évacuation des EU pour mitigeur + lave-verres

RÉFRIGÉRATEUR ENCASTRABLE LIEBHERR IKB 3514

CAVE A VIN ENCASTRABLE LIEBHERR WTEes 2053 CHR

112

122

ACCES 1ER ETAGE

COUPE AA' 80

CPE

TABLEAU ELEC

A3-ECHELLE-1-50°

GEN

1 UP

457

Tapis Lounge diam. 200 CM Réf. à définir _ EGE CARPET

2 UP

DISPLAY DOURTHE 12 BT

HSP

2.21

95 CHAMPAGNE THIENOT 3 BT

HSFP

HSD

3.05

3.71

AUTRES 4 BT

3.00

129 HSP

BOULEVARD HAUSSMANN

HSPT

VESTIBULE SALLE DE DEGUSTATION

2.99

422

Table basse Lounge Réf. à définir

VESTIAIRE 680

175

HSP

2.99

466

147

148

HSD

3.71

190

+0.00

40 60

30 30

40 190

SALLE DE DEGUSTATION

LOUNGE

117

HSP

3.71

VITRINE

Fauteuil Lounge Réf. à définir

HSP

3.71

100

122

+0.00

SHOWROOM

130

2.29

3.58

2.29

HSFP

KRESSMANN-DELOR 4 BT

173

110

BAIE INFO

HSFP

CVBG MAISON DE GRANDS CRUS 3 OU 4 BT

147

VESTIBULE SANITAIRES

HSPT

COUR INTERIEURE

510

HSP

7.84

0 R1

95 SANITAIRES

CPE-01

Stèles en panneaux de médium laqué HT. 40cm dégradé Réf Thiénot Pantone U439 (à confirmer par MOA) BLANC RAL 9010 Voir détail DA01 Vitrine de présentation fermée dalle de sol plexiglass Satinice rétro éclairée Voir détail DA02

CHAMPAGNE JOSEPH PERRIER 3 BT 128

CHAMPAGNE CANARD-DUCHENE 3 BT

140

2.28

100

HSFP

100

280

127

32A

ENTREE PRINCIPALE 151 HSP

3.04

CHARTIL

Coffrage de ventilo-convecteur panneau de médium à peindre BLANC RAL 9010 + capot supérieur rainuré à peindre BLANC RAL 9010 Voir détail DA03

Maintien de la baie informatique au RDC Dépose et modification des portes de la baie info : découpe et pose de grilles de ventillation thermo laqué blanc

Meuble TV Larg: 422 CM x HT: 290 CM x Prof: 25 CM panneaux de médium laqués Réf Thiénot Pantone U439 (à confirmer par MOA) + partie présentation bouteilles: placage chêne naturel type Brut d’Ober BA - Oberflex vernis extra mat Voir détail DA06

Stèles de présentation en panneaux de médium laqué HT. 90cm dégradé Réf Thiénot Pantone U439 (à confirmer par MOA) BLANC RAL 9010 Voir détail DA01

Rideau de velours gris chocolat Thiénot à déterminer sur échantillon selon Réf Thiénot Pantone U439 + tringlerie inox canon de fusil Réf. à définir

Kakémono en tissus imprimé Larg: 40 CM x HT: 300 CM Interchangeable avec glissière métallique Larg: 40 CM Réf Thiénot Pantone U439 (à confirmer par MOA) Voir détail SG02

Faux plafond en dalles 60 CM x 60 CM + éclairage intégré

Faux plafond en dalles + éclairage intégré

Plafond peint Blanc

PLAN D'AMENAGEMENT

PLN ACCES SOUS-SOL

A3-ECHELLE-1-50°

GEN

GEN-01

ACCES 1ER ETAGE

HSP

3.50 TABLEAU ELEC

HSFP

COUR INTERIEURE

SALLE DE REUNION

CUMULUS

HSP

HSPT

7.84

3.58

HSP

VESTIBULE SANITAIRES

3.71

BAIE INFO

HALL D'ACCUEIL

570

664 HSFP

2.29

173

HSFP

2.29

VITRINE

BOULEVARD HAUSSMANN

SANITAIRES

440

2.28

HSP

3.71

HSP

2.99

190

3 HSP

2.99

VESTIBULE SALLE DE REUNION 466

175

3.00

HSFP

HSD

3.05

3.71

424

HSP

2.21

147

HSP

3.50

1 HSPT

HSD

3.71

ENTREE PRINCIPALE

680

2 HSP

3.04

CHARTIL Plafond peint Blanc

Grille de rideau d'air chaud

INTERVENTIONS SUR L'EXISTANT:

Faux plafond en dalles + éclairage intégré

1 - Lessivage / grattage / ponçage + 2 couches de peinture acrylique satin de l’ensemble du plafond à corniches - Couleur blanc cassé à contretyper sur murs mitoyens existants 2 - Dépose des luminaires encastrés + remplacement de dalles de faux plafond 60 X 150 cm après dépose des éclairages existants + mise en peinture du faux plafond Réf Thiénot Pantone U439 (à confirmer par MOA) finition mate 3 - Dépose de la suspension + stockage + remplacement par spot en applique GENERAL - modification du réseau de câblage CFO / CFA existant en faux plafond pour intégration nouveaux appareils d'éclairage et équipements meuble cave et meuble TV

PLAN DE PLAFOND ETAT EXISTANT

PLN

EXI

A3-ECHELLE-1-50°

EXI-07

Adhésivage sur châssis existant de vitrine coté rue - Couleur unie gris chocolat Thiénot à déterminer sur échantillon selon Réf Thiénot Pantone U439 Mobile "maille" en carrés de tôle inox traitement Titane doré poli 10 X 10 assemblés avec agrafes même matériau Voir détail DA08

254

LOGO

45 30

THIENOT

BORDEAUX - CHAMPAGNE

133

RDC- PORTE DE DROITE

249

Condamnation de la porte d'entrée Adhésivage gris opaque de la surface vitrée de la porte d’accès existant coté rue Couleur unie gris chocolat Thiénot à déterminer sur échantillon selon Réf Thiénot Pantone U439

Panneaux en médium peint finition satin Interieur vitrine Couleur unie gris chocolat Thiénot à déterminer sur échantillon selon Réf Thiénot Pantone U439 Stèles en panneaux de médium laqué HT. 40cm dégradé Réf Thiénot Pantone U439 (à confirmer par MOA) BLANC RAL 9010 Voir détail DA01

Plaque signalétique directionnelle sérigraphiée en laiton avec logo Thienot Bordeaux -Champagne et fléche directionnelle - Dimensions : 30 X 45 cm

Kakémono en tissus imprimé Larg : 100 CM X HT: 250 CM Interchangeable avec glissière métallique Larg : 100 CM Finition glissière Couleur unie gris chocolat Thiénot à déterminer sur échantillon selon Réf Thiénot Pantone U439 Voir détail SG-02

Mobile "maille" en carrés de tôle inox traitement Titane doré poli 10 X 10 assemblés avec agrafes même matériau Voir détail DA08

Kakémono en tissus imprimé Larg: 40 CM x HT: 300 CM (à définir) Interchangeable avec glissière métallique Larg: 40 CM Réf Thiénot Pantone U439 (à confirmer par MOA) Voir détail SG02

2 mobiles en tôle inox traitement Titane doré poli 60 X 60 HT 3 cm suspendus avec élingues inox Voir détail DA07

Luminaire Lounge Réf. à définir

2 mobiles en tôle inox traitement Titane doré poli 60 X 60 HT 3 cm suspendus avec élingues inox Voir détail DA07

ELEVATION COTE RUE

A3-ECHELLE-1-50°

GEN

ELE-01

371

260

ELE

SHOWROOM

SANITAIRES

SALLE DE DEGUSTATION

220

240

290

305

LOUNGE

299

VITRINE

COUPE BB' Fauteuil Lounge Réf. à définir

Fourniture et pose d’adhésifs sur châssis existant de la porte d’entrée coté show room Couleur unie gris chocolat Thiénot à déterminer sur échantillon selon Réf Thiénot Pantone U439 + adhésivage dégradé Couleur unie gris chocolat Thiénot - transparent sur le vitrage de la porte existante + fourniture et pose de 1 paire de poignées de porte recto/verso en laiton à adapter sur prises de main existantes

Table basse Lounge Réf. à définir

Stèles en panneaux de médium laqué HT. 40cm dégradé Réf Thiénot Pantone U439 (à confirmer par MOA) BLANC RAL 9010 Voir détail DA01

Mise en peinture - couleur blanc cassé à déterminer selon murs mitoyens Finition satinée

Stèles de présentation en panneaux de médium laqué HT. 90cm dégradé Réf Thiénot Pantone U439 (à confirmer par MOA) BLANC RAL 9010 Voir détail DA01

Table de dégustation coque panneaux de bois cintrés + placage chêne naturel type Brut d’Ober BA - Oberflex vernis extra mat + plateau verre trempé, laqué BLANC RAL 9010 intérieur en panneaux stratifiés blancs - satin ou brillant type Polyrey Voir détail DA05

Display de présentation en panneaux de médium laqué HT. 70cm dégradé Réf Thiénot Pantone U439 (à confirmer par MOA) BLANC RAL 9010 Voir détail DA01

Coffrage de ventilo-convecteur panneau de médium à peindre BLANC RAL 9010 + capot supérieur rainuré à peindre BLANC RAL 9010 Voir détail DA03

Dalles de moquette collées sur revêtement pierre

Moquette escalier type haussmannien

Dalles de moquette collées sur revêtement pierre

Moquette escalier type haussmannien

ACCES SOUS-SOL

Sol cabochon en pierre (pierre de Bourgogne + cabochons noirs)

ACCES 1ER ETAGE

HSP

TABLEAU ELEC

HSFP

COUPE BB'

CPE

2.28

SANITAIRES

HSP

HSPT

7.84

3.58

A3-ECHELLE-1-50°

GEN

00 5

COUR INTERIEURE

+0.00 HSP

VESTIBULE SANITAIRES 570

SALLE DE REUNION

HSFP

HSP

3.71

2.99

HSFP

2.29

173

2.29

HSD

3.71

BAIE INFO

HALL D'ACCUEIL

HSP

3.71

664

CPE-02 VITRINE

BOULEVARD HAUSSMANN

440

3.50

12 466

HSPT

3.00

424

11 6

HSP

2.99 VESTIBULE SALLE DE REUNION

HSP

2.21

147

+0.00

190

HSFP

HSD

3.05

3.71

ENTREE PRINCIPALE

680

175

6+8 HSP

3.04

CHARTIL INTERVENTIONS SUR L'EXISTANT: Sol cabochon en pierre 1 - Dépose et évacuation moquette en dalle existante. (pierre de Bourgogne + cabochons noirs) Nettoyage NON ABRASIF colle sur RVT pierre existant 2 - Dépose des panneaux séparatifs de la salle de réunion + stockage 3 - Dépose et évacuation de la moquette zone escaliers (accès sous-sol et accès R+1) Conservation de la tringlerie. 4 - Carrottage de la dalle dans l'emprise d'un cabochon, pour passage de câble alimentation 5 - Coffrage existant à modifier selon les plans de détails DA02 + mise en peinture contretypage des murs mitoyens finition satinée Lessivage / grattage / ponçage + 2 couches de peinture acrylique satin de l’ensemble du mur de vitrine - Couleur blanc cassé à contretyper sur murs mitoyens existants. 6 - Ponçage pour éclaircissement et vernissage extra mat de l’ensemble des cadres / portes / plinthes existants en bois (option) 7 - Condamnation de la porte d'entrée --> Adhésivage opaque gris chocolat Thiénot à déterminer sur échantillon selon Réf Thiénot Pantone U439 sur surface vitrée de la porte + déplacement visiophone vers l'entrée Chartil 8 - Fourniture et pose d’adhésifs sur châssis existant de la porte d’entrée coté show room - Couleur unie gris chocolat Thiénot à déterminer sur échantillon selon Réf Thiénot Pantone U439 + adhésivage dégradé Couleur unie gris chocolat Thiénot - transparent sur le vitrage de la porte existante + fourniture et pose de 1 paire de poignées de porte recto/verso en laiton à adapter sur prises de main existantes 9 - Création arrivée d’eau chaude / eau froide /évacuation des EU pour évier et lave verres depuis le WC mitoyen 10- Lessivage / grattage / ponçage + 2 couches de peinture acrylique Réf Thiénot Pantone U439 (à confirmer par MOA), sur l'ensemble de l'alcôve vitrine + adhésivage ou peinture gris chocolat Thiénot à déterminer sur échantillon selon Réf Thiénot Pantone U43 (à confirmer par MOA) sur châssis existant vitrine côté rue 11- Adhésivage BLANC CASSE à déterminer selon murs mitoyens sur porte placard 12- Lessivage / grattage / ponçage + 2 couches de peinture acrylique satin de l’ensemble du mur côté fenêtres et une partie du mur côté couloir Couleur blanc cassé à contretyper sur murs mitoyens existants + reprise / grattage / ponçage + 2 couches de peinture acrylique satin des zones où ont été déposées le cloisons accordéon - couleur blanc cassé à contretyper sur murs mitoyens existants. 13- Dépose pour modification par agenceur des portes zone baie info 14- Dépose et stockage provisoire en zone cave R-01 de la barrière de sécurité zone escalier vers R-01 15- Déplacement du visiophone existant coté rue vers l’entrée Chartil / pose en applique + modification du câblage

Sol cabochon en pierre (pierre de Bourgogne + cabochons noirs) Sol revêtement pierre de Bourgogne

PLAN DE SOL ETAT EXISTANT

PLN

EXI

A3-ECHELLE-1-50°

EXI-06

ASPEN MUSEUM Architecture: Shigeru Ban Photography: Michael Moran

The Aspen Art Museum, in Colorado, in the United States of America, opened a new building designed by Shigeru Ban. The 33,000 m2 building is located at 637 East Hyman Avenue in the heart of downtown Aspen, providing on the inside a 17,500 m2 space for exhibitions. The architect express his intentions towards the new building by saying that “in designing the Aspen Art Museum, I wanted to create a site-specific sequence that took into account the mountain views and the building’s purpose as an art museum, and to open the building to the outside so visitors could appreciate the beauty of Aspen from inside the building. I made the entrance foyer on the rooftop. It is like the experience of skiing — you go up to the top of a mountain, enjoy the view, and then slide down. I also achieved this sequence by opening the Museum to the beauty of nature with five important design features: the Grand Stair, the Moving Glass Room Elevator, the Woven Wood Screen, the Wood Roof Structure (Wood Truss System), and the Walkable Skylights.” The project was based on transparency and open view planes, in order to invite those outside to engage with the building’s interior, and providing those inside the opportunity to see their exterior surroundings. The main entrance allows access to the reception area and two ground-floor galleries. It is the starting point for visitors and from there they can choose their way through museum spaces. The path to the upper levels could be done either via Ban’s Moving Room glass elevator, in the north-

east corner, or through the Grand Stair on the east side. The Grand Stair it’s a three-level passageway between the building’s woven exterior screen and its interior structure, which is intersected by a glass wall dividing it into a ten-foot-wide exterior space and a six-foot-wide interior space. This passage allows for the natural blending of outdoor and indoor spaces, and will also feature mobile pedestals for exhibiting art. The exterior of the building, a so called Woven Wood Screen, it’s a structure made of the composite material Prodema. This material is an amalgam of paper and resin encased within a dual-sided wood veneer. The roof, working as a deck sculpture garden, takes full advantage of the clear views giving it’s visitors a good perspective of Aspen’s environment and the Ajax Mountain. The deck program goes beyond than just a place for site seeing, it is prepared for hosting exhibitions and events space, featuring the café So, a bar and an outdoor screening space. Inside the new museum box different amenities could be found like include an education space, the shop/ bookstore, and a non-site artist apartment, as well as art storage and preparation spaces.

Second Floor Plan 10 ft

20 ft

First Floor Plan 10 ft

20 ft

Lower Level Floor Plan 10 ft

20 ft

Third Floor Plan 10 ft

20 ft

E-W Section 10 ft

Third Floor RCP 10 ft

20 ft

N-S Section 10 ft

20 ft

BOOK RECOMMENDATIONS

Illustration Now! 5 Julius Wiedmann Taschen

The volume number 5 of Illustration Now is a compilation of recent illustration works of 150 illustrators from all over the world. The volume has the edition coordination by Julius Wiedmann, a Brazilian graphic design and marketing professional working for Taschen as developer in the fields of digital and multimedia areas. This new volume gives the reader a perfect notion on how illustration is been approached in nowadays. The illustration techniques showed contribute to our awareness on how this secular Art is treated by the hands of different artists. They are all also illustrative about the artistic perspectives, those more humorous, political, naïf, realistic or surreal ones. Simplicity and complexity seem to be the two major goals for illustrators but beyond that it is the quality of the working techniques that underlines the best succeed illustrations. Like any other art illustration plays with our affinities as spectators or buyers, so illustrators must have the power of connecting with us either from a vision of the world in all its facts – anthropological and cultural – or through balances and aesthetic harmonies. There is also something that we viewers have in mind that is trying to get inside an illustrator spirit and find out if he’s working on the power of an image with a variety of intentions, if he’s producing passionate transpositions of thoughts or if he’s just expressing a pure and simple intentionality. In most cases, mainly on those illustrators that are combining mixed techniques we sense a conflict between the artistic approach and the producer attitude. The new technologies and the constant evolution of digital tools are putting a big question to all: art and geniality on one side and the on the other cleverness based on easy handling of software. Only a few seemed to be capable of touching us emotively, it’s our humble opinion.

The Danish architects, names like Arne Jacobsen, Hanne Kjaerholm, Erik Christian Sørensen, Jørn Utzon, Vilhelm Wohlert among others, gave material and historical facts about the Danish architecture. Not wanting to talk about a school or an architectonic approach to Danish architecture, the thing that comes in mind about is modernism and a perfect notion about the primordial importance of nature and the landscape. Through 14 housing projects we can travel through a spirit of what architecture should stand for to such different architects gathered is this album. Well written texts, good photos and fine illustrations allow us to keep in memory the overall quality of the projects and far most important the acknowledgment of a number of architects who were able to understand the primordial importance of nature to Man’s life activities and spatial environment equilibrium.

Landmarks Hatje Cantz Verlag The Finn Juhl’s house is the starting point of this book which leads the reader through the reality of the Danish architect and designers. The house was built in 1942, located at the Kratvaengt 15 in Ordup, north of Copenhagen. This good architecture project is the sum of Finn Juhl’s skills and perception of the world. From the suburb to the world this house works since 2008 has a museum complex, giving it’s visitors a broad perspective of Finn Juhl’s work and points the facts that gave him the aura for the Danish Modern spirit. The preface of Anne-Birgitt Fonsmark, museum director, makes the fundamental introduction to the reason of this book, giving general context about the architect/designer and expressing how buy the kindness and generosity of Birgit Lyngbye Pedersen the whole thing was possible to capture and to endure for time. The author of the book, Per. H. Hansen, was able to produce fine research and also to produce a contextualized text about the man and his conjectural lifetime aspects.

Finn Juhl and his house Per H. Hansen Hatje Cantz Verlag

MUSIC RECOMMENDATIONS

Rainer Trueby, photo courtesy of Compost Records

Born in Stuttgart, Germany, on 1972, Rainer Trueby began his dj perfomances in the 90’s. Three years later he met Michael Reinboth the founder and creative director of Compost. After some 12”s with A Forest Mighty Black and some compilations (“Glücklich”) he teamed up with Christian Prommer and Roland Appel to form the Trüby Trio. Some 12”s, one album (“Elevator Music”), one remix album (“Retreated”), a DJ Kicks compilation for K7 records and numerous remixes followed for artists such as Frederic Galliano, Thievery Corporation, Nitin Sawhney, Bebel Gilberto, Turntablerocker, US3, Kim Sanders, Wagon Cookin ́ and Klaus Doldinger amongst others.

This Slouse – Fishing In Slower Territories it’s the newest compilation by Rainer Trueby for Compost Records. The CD versions gather’s 12 themes while the vinyl version has 2 Lp’s. We are facing a compilation of soulful music under the 116 beats per minute. Rainer Trueby selected what he finds the best grooves of the moment alongside rare material like Maurice Fulton remix for Alice Smith or a Laid Back remix. The dj’s intention it is quite clear, he wants us to enjoy fully a selection designed to pleasure those different club listeners. For us the Moonstarr “C-Minus Particles” is one of our favorites.