November 12, 2014

Page 36

MC KEESPORT LITTLE THEATER EATER PRESENTS...

DEATH BY CHOCOLATE A comedy/farce by Paul Freed

NOVEMBER 14, 15, 16, 21, 22, 23 Friday and Saturday performances at 8:00 p.m. Sunday matinees at 2:00 p.m. TICKETS ARE $15.00, $7.00 FOR STUDENTS GROUP RATES AVAILABLE. HANDICAPPED ACCESSIBLE.

1614 COURSIN ST. ST.

McKEESPORT

(412) 673-1100 For Reservations www.mckeesportlittletheater.com

{PHOTO COURTESY OF VINCENT NOE}

Madrid Vinarski and Jay Garcia with “Trekkie Monster”

[PLAY REVIEWS]

PUPPET MASTERS {BY ALAN W. PETRUCELLI} IF MR. ROGERS had grown up on Avenue Q, there could still be beautiful days for a neighbor … provided the neighbors were racist, homeless, gay, unemployed, abusive, penniless and addicted to porn. Avenue Q can be thought of as an adultsized Monsters, Inc., a puppet show for grown-ups (with puppet buggery!), two hours of sheer funny fodder for those with filthy mouths and filthier minds. A new University of Pittsburgh Stages production is exceedingly well-done, sharply directed and boasts a flawless cast. Within minutes the “people of fur” (as director Bria Walker dubs them in the program) become real. This is easy, even when confronted repeatedly by the cast who have arms shoved up the puppets’ rears.

theme is symbolized by child star Gary Coleman (played by Daria Sullivan), who had to sue his parents over his fortune. Robert Lopez and Jeff Marx shared a Tony for the show’s music and lyrics, work at which Lloyd Webber and Sondheim would cringe … then wish they had thought of such genius. Gianni Downs has done a superb job at using the small space for an incredibly functioning set. A handful of performers (and remember, these are Pitt students, some of them making their Stages debut) become their characters, and remind us that Broadway will embrace them one day. It’s rude to name the Best of the Best, but if Mr. Rogers can have a favorite sweater, I can name a favorite actor. Tim Kaniecki is a senior chemistry and theater-arts double-major at Pitt, proof that he has chemistry as he brings his closeted character to life. I N F O@ P G H C I T Y PA P E R. C OM

AVENUE Q continues through Sun., Nov. 23. Studio Theatre, Cathedral of Learning (basement), 4200 Fifth Ave., Oakland. $12-25. 412-624-7529 or www.play.pitt.edu

TOUCHING {BY TED HOOVER} AFTER LAST week’s election, I needed a

The musical opened on Broadway in 2003, and though TV and stage shows have crossed more boundaries, Avenue Q is still solid. Jeff Whitty’s book won the Tony; its warped plot of coming-of-age is so wellwritten, as we all continue looking for purpose in life. After all, life isn’t always easy, and probably always will be politically incorrect. Though funnier a decade ago, this

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PITTSBURGH CITY PAPER 11.12/11.19.2014

good cry. So it’s kismet that Little Lake Theatre would be presenting The Miracle Worker — William Gibson’s warhorse about Helen Keller and her teacher, Anne Sullivan. This show which never fails to tear me up. An attack of scarlet fever before her second birthday left Keller deaf and blind. Over the next several years, her parents


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