PALM technology July-August 2017 by PALM AV-ICN Expo Magazine

ow sh st po

PALM technology ™

Show Review

ue iss

DJ TECHNOLOGY

SOUND & STAGE

11 Questions

PALM EXPO 2017 PALM 2017 welcomes 21, 506 unique visitors across 27,000 sqm exhibit area, 10 highlight pro features

John Meyer, Founder & CEO, Meyer Sound

A Note from the Editor: Post PALM market growth dynamics HOW and Hospitality change AV Install market

Features: Install Case Study - HOW Sumi Baptist Church integration scales heights Install Case Study - HOSPITALITY Playboy Delhi gets a taste of TW Audio AV Install & Integration AV Today’s Trend in Hospitality

Product Focus: Clubland Stars: Line-up of Install Speakers

INSTALL ISSUE

40+ INTEGRATED REAL-TIME FPGA VINTAGE FX including BAE, Gyraf Audio and Lang classics

Zen Tour / Orion Studio rev. 2017

Different sizes. Same pristine sound.

Since its release in 2015 Orion Studio has become one of the biggest stars in the Antelope Audio line of Thunderbolt™ & USB audio interfaces. And now we made it even better. With 12 Class-A Mic Pres make it’s one and only piece of gear you’ll need to record a full band and do it like a pro. For 2017 Orion Studio got brand new AD converters, raising its dynamic range to an industry best 124 dB and features superior low latency performance. Now coming in a gorgeous carbon grey faceplate, Orion Studio has a ton of new features inside its powerful Control panel and FPGA engine.

Zen Tour is one of the hottest members of the Antelope Audio family of Thunderbolt™ & USB interfaces. The portable interface offers 4 switchable Mic/Line inputs and 4 more HiZ/Line ins. Two reamp outs and a Talkback button on the front panel plus two independent headphone amps and two separate pairs of monitor outs. Packed to its very top with authentic FPGA FX models of cult studio gear and offering more than generous analog and digital connectivity for its tiny size, Zen Tour has proven itself as a great and powerful studio tool.

Imported and distributed in India by

RIVERA DIGITEC (I) PVT. PVT.LTD. LTD.

Technical Support: Support: +919819516715 022-24983080/81/82 E: rivera@riveradigitec.in rivera@riveradigitec.in || Technical

SD10 Features: 132 Input Channels 56 Aux / Sub-Group Busses LR/LCR/LCRS/5.1 Master Bus 24 x 24 Full Processing Matrix 2 Solo 218 Dynamic Equalizers Di 218 DiGiTuBes 218 Multiband Compressors 24 Digital FX 24 Graphic Equalizers Optional Waves Integration 48/96 kHz Sample Rate Standard Optics

D2 Rack Authorized India Distributor: Hi-Tech Audio Systems Pvt. Ltd. Head Office: F-12, Okhla Industrial Area, Phase 1, New Delhi - 110020 Tel: +91 11 43174317 , 42633400 Works: A-97, Sector - 4, Noida- 201301, U.P. Branch Office: Mumbai : +91 22 26863200 Email: rajan@hitechaudiosytems.com Website: www.hitechaudiosystems.com

Tel: +91 120 4327571

note

from the editor

Anil Shiv Raj Chopra

Post PALM market growth dynamics HOW and Hospitality change AV Install market

PALM analytics - post show - each year, is a good guidance for me on what to expect in the year ahead. Yes! The year is divided into two – BP before PALM and PP Post PALM! I mean this probably is actually true for the pro sound industry! The proactive industry present at PALM 17 [200 + companies, ‘00s of brands, ‘00s of products] present new product, receive orders and PP new market dynamics establish. New distributors are appointed, dealers appointed for new cities, towns. Continuing the momentum of spreading distribution. New equations are set with rental companies, AV consultants, system integrators and actual users. 2017 PALM clicked estimated floor business at US$ 20 million. New Line Arrays is a hot product category each year. It’s amazing to discover innovation in line array design. Size, weight, application features are improvised for pricing advantage as well as defining specifications for niche applications. Another high business product is Sound Reinforcement, also Install sound, a segment which is charged with new auditoria in turn charged with house of worship and education. The last lap into the show is abuzz with excitement among exhibitors on the next killer product from their own portfolio they hope to take the market. This excitement generates from assurance of business driven by robust market demand in India which surpasses all other markets in the world. I am greatly pleased in PALM Technology, your much loved magazine has it on record from none other than John Meyer, Founder of Meyer Sound declaring “India has

International flavour at PALM Conference & Seminar; with Rob Cowan CEO, Point Blank Music School UK and internationally acclaimed and feted sound engineer Resul Pookutty

more concerts than the rest of the world put together!”

This got me thinking and I reckoned - just between Durga Puja and Ganesh Utsav, sound systems employed could exceed a million! This is just two states, then there is the Dandiya dance festival, another ‘00s of ‘000s of dance music. Then there is Holi with DJs, and Janamashtami in North states. Punjab we all know is on party through-out the year. Not to forget the Mad Indian Wedding, which is just another excuse for ‘Naach Gaana’. I realised our pro sound industry is actually having the biggest party ever selling literally in the millions. So back to guidance on the year ahead – Live sound, concert, stage sound segment is going to rock the year ahead. Stage sound occupied 35.5% of exhibit. Exhibit of audiovisual (system integration) product was next at 20.7%. Lighting third highest exhibit product at 13%. Studio and music production 12.6%. The % factor for each segment reflects quite accurately market business dynamics. This issue focus is Install. HOW (House of Worship) stories from North East, like the rocking stage gig’s, strike the imagination as much financially, as opportunity for best practise design and gear. Our edit team led by Smita Rai lined up three such Install stories revealing design trend, AV consultant trend, equipment trend, all trends!! HOW is trending and how!! PALM Technology trends where the action is. Hospitality audiovisual is overall the highest in Install. Chandra Shekhar (CS) to our team contributes a learning guide. Pushing best practises is this magazine prime mantra. Raising the bar in tech and technique. Watch in our future issues AV Install design software. Research and reportage in tandem provides your business with sufficient impetus to drive this segment.

10 yr old DJ Atom – Bass Boy wins DJ Competition. From l-r: DJ KD – Championship Judge, Mother Of Electronica in India - Ma Faiza, PALM Exhibition Director - Ramesh Chetwani, Pankaj Agrawal of Trimac, Nelson Swamy – second runner-up, DJ Atom, Prathamesh Walawalkar – first runner-up, Anil Chopra – Founder of DJ Championship Founder and DJ Reji – Championship Director.

I must remark on the IRAA awards this year achieving probably the largest gathering of sound engineers in India than ever before under one roof. The emotion of winning an IRAA award by the fraternity, for the fraternity, is evidently very meaningful. The entire team performed splendidly in deciding and recognising this nucleus talent which records music that rocks the nation. Recording is an art form. I am indeed proud of the belief and perseverance shown by the fraternity of sound engineers in India. My motivation for PALM 2018 is Make in India. July - August 2017

Anil Shiv Raj Chopra - Editor

For more details, please call at 011-4659 9025 or email at in_prosales@bose.com

pro.Bose.com

PALM TECHNOLOGY EDITOR Anil Shiv Raj Chopra achopra@palmexpo.in

MANAGING EDITOR Smita Rai srai@palmexpo.in Mob: +91 98209 43398

63 Donal Whelan, Hafod Mastering UK and Vijay Dayal, YRF Studios, Mumbai “Cultural differences in Production and Mastering practices”, at the PALM Conference & Seminar Programme 2017

SUB-EDITOR Ankita Bhadrawale ankita.b@abec.asia

Features

Mob: +91 89668 12132

ADVERTISING MANAGER Karan Bhardwaj

kbhardwaj@palmexpo.in

A Note from the Editor Post PALM market growth dynamics

HOW and Hospitality change AV Install market

Mob: +91 91673 23756

Install Case Studies

PALM Post Show Review 2017

Product Focus

AV - Today’s Trend in Hospitality

Install Case Study

Stage Market Report

DTP maNAGER Peter Pereira: ppereira@palmexpo.in Lalita Tengle: ltengle@palmexpo.in

Circulation & Subscription Vaishali Teli vaishali.t@abec.asia

IMPRINT LINE Editorial & Advertising Office PALM TECHNOLOGY 530, Laxmi Plaza, 5th Floor, Laxmi Industrial Estate, New Link Road, Andheri (W), Mumbai – 400 053. T: +91 22 4286 3900

PRINTED BY ABEC Exhibitions & Conferences Pvt. Ltd. 530, Laxmi Plaza, 5th Floor, Laxmi Industrial Estate, New Link Road,

101

HOW - Sumi Baptist Church integration scales heights

PALM 2017 welcomes 21,506 unique visitors across 27,000 sqm exhibit area, 10 highlight pro features

Clubland Stars: Line-up of Install Speakers

A.R. Chandrashekhar, ICT-AV-CCTV-Automation Consultant elaborates on the latest trends in commercial AV installations in Hospitality

Hospitality - Playboy Delhi gets a taste of TW Audio

The Big Stage by Akhil Varma – Project Head – Sales, PALM Expo

11 Questions With John Meyer, Founder & CEO, Meyer Sound

Andheri (W), Mumbai – 400 053.

Printed at: M/s. Dhote Offset Technokrafts Pvt. Ltd. 2nd Floor, Paramount Etstate, Plot No-5a, Off Aarey Road, Near Kotkar Estate, Dindoshi Village, Goregaon (E), Mumbai-400063

July - August 2017

Contents 06

Contents News 12

Sound & Stage Adam Hall group launches new corporate positioning; Audio Genetics becomes first owner of dLive C Class C3500; Allen & Heath launches DX168; Amate introduces NITID active speaker series; B&C Large Motor Coax now shipping; Celto Acoustique’s IWAC210 demoed in New Delhi; Electrocraft purchases AVID VENUE S6L; Linear 3 Series & new liner sub basses introduced by HK audio; Mackie in Udaipur; NJSM deploys d&bAudiotechnik; OHM signs local channel partners; QSC TouchMix Series Update; Sun Infonet stages launch event; Sungandar Light House invests in First SD10; Dev Electronics host Audio Fest 2017; Lavoce partnership with Narain audio & Lightning.

Adamson launches IS-SERIES; Audio Genetics invests in dLive C3500; Audio-Technica introduces ATDM-0604; Latest Auditorium at Government Degree College; Beyerdynamic expands Senior Team; Bose Professional introduces new products at Infocomm; Galaxy Audio Introduces AS-1400; Mackie installations at gym and church; BLACKLINEX installed at Sacred Heart Church; PreSonus Announces New Commercial Division; Q-SYS Integration with Atlona Solutions; Riedel announce partnership with PIDSO; d&b Audiotechnik Y-Series at Sir Mutha Venkatasubba Rao Concert Hall; Studiomaster announces Flex 3 Gooseneck Microphone and new A 400; Sun Infonet’s Microflex Advance certification; Yamaha Announces UC Department; Barco and Visual Display Solutions partnership; New Genelec Experience Centre in Bangalore.

Audio and Music Production

Lighting

Studio Analogue

Stage Sound & Tech

100

Arturia unveils AudioFuse; Boss announces RV-500; DPA Microphones introduces MMA-A Digital Audio Interface; HK Audio’s LUCAS NANO 600 series system; Mackie launches MR Series; M-Audio launches BX-D3 Series monitors; Rich Nevens, Focusrite’s new Vice President ; sE Electronics introduces sE8; Sennheiser Top 50; Shure Names Mark Humrichouser VP of Sales; AUDAC teams up with KEI.

Recording & Microphones: Part 2 of Soundideaz column by Pramod Chandorkar wherein he offers expert tips on achieving a good recording

Tamil Teri Maa: Warren D’souza share his experience and insight on AR Rahman’s ‘Netru Indru Nalai’ Wembley Concert for which he was called in as FOH engineer

The Bright Spark Install: Viraf Pocha touches on the topic of Technical Facilities like lights always being an afterthought in install projects and the need to educate potential clients that technology can be easily installed into most facilities for a very nominal cost.

“

Altman Lighting appoints Jaime Friedstadt & JR Chai; Chauvet unveils Épix Strip IP; Elation Professional introduces Fuze PAR Z175; Philips launches Lighting Vari-Lite VL1100 LED; Vizi BSW 300 moving head by ADJ; Work Pro debuts lightShark desk; Canara Canara Lighting’s new digital lighting; MA Lighting bans copies at PALM expo.

For an AV designer, supplier, installer or consultant, PALM Expo 2017 had it all under one roof. There was something new & interesting for everyone, be it an AV novice or an AV Expert.

DJ Technology Ableton acquires Max maker Cycling ’74; CHAUVET DJ to Distribute SoundSwitch; Pioneer introduces INTERFACE 2; Stanton launches ST.150 M2 and STR8.150 M2; Virtual DJ 8 adds more supported controllers; VJ software with windows support; Denon DJ launches MCX8000.

– A.R. Chandrashekhar, ICT-AV-CCTV-Automation Consultant

July - August 2017

Columns

Install Sound

102

Playboy Club Delhi gets a taste of TW Audio

“

Advertisers Index ADVERTISEMENTS Aerons India Pvt Ltd, New Delhi

PAGE NO.

ADVERTISEMENTS

Opp IBC

Pope Professional Acoustics Ltd, Tamil Nadu

13 37

Ahuja Radios, New Delhi

Premier Industrial Importers, Mumbai

Alphatec Audio Video Pvt Ltd, Kolkata

Rivera Digitec, Mumbai

A-Plus, New Delhi

Rivera International, Mumbai

Audioplus, Mumbai

Sennheiser Electronics India Pvt Ltd, Haryana

Beyerdynamic India Pvt Ltd, Bangalore

SKE Audiotech, New Delhi

Bose Corporation India Pvt Ltd, New Delhi

PAGE NO.

Sonotone Audio LLP/JTS, Mumbai

IFC, 43, 97 29 IBC 25 35, 87

Calibre Sound Systems Pvt Ltd, Mumbai

Star Megatech, Ahmedabad

CINETEKK, Chennai

Stonewater Professional Audio, Pune

Circle Pro LLP, Mumbai

Sun Broadcast Equipments Pvt Ltd, New Delhi

Dev Electronics, Mumbai

Sun Infonet Pvt Ltd, New Delhi

Global Pro Audio Management, New Delhi

TOA Electronics India Pvt Ltd, Haryana

11 27

Hi - Tech Audio, Noida

Trimac Products Pvt Ltd, New Delhi

Integrated Entertainment Solution, Mumbai

Vardhaman Megatech Private Limited

Kiran Sales Corporation, Mumbai

Video Wall India Pvt Ltd, Mumbai

Kripa Electronics India Pvt Ltd, Mumbai

Yamaha Music India Pvt Ltd, Haryana

Krystal Cables India Pvt Ltd, Haryana

52, 53

YODN Lighting Corp, Taiwan

1 41 3, 93, BC 15

LBT Electronics Pvt Ltd, New Delhi

HALF PAGE

Modern Stage Service Pvt Ltd, New Delhi

Audio Wizard

Audio X

Narain Pro Audio Lighting Pvt Ltd, Mumbai

31, 89

31 May-2 June 2018 Bombay Exhibition Centre, Goregaon (East), Mumbai

PLAN YOUR PARTICIPATION www.palmexpo.in July - August 2017

... yet still hear every lyric loud and clear.

HX-7

Variable Dispersion Line Array The HX-7 is a powerful and compact variable dispersion line array with SYNC-Drive™ waveguide technology and flexible mounting options. Thanks to its award winning enclosure design, employing four modules per unit, the HX-7 allows precise adjustment of sound dispersion angles of 0 - 15 - 30 - 45 and 60 degrees. The line array offers pristine clarity in a wide range of applications from sports venues, auditoriums, concert halls and challenging houses of worship. With the HX-7 you’re getting affordable quality and stellar performance.

We supply sound, not equipment. www.toa.co.in

TOAINDIA

Sound & Stage

Celto Acoustique’s IWAC210 Line array loudspeaker demoed in New Delhi Celto Acoustique IWAC210 Line array loudspeaker was demoed in New Delhi, India to a large number of sound rental companies, sound engineers, dealers and consultants. The event was organised by AG Acoustics, the master distributor for the company in the Indian Sub continent. Celto’s Technical Director - Nicolas Lucas showcased the versatility of IWAC line array system at the event, with varied music pieces right from Drum and Bass to soft vocal melodies revealing the application of the line array. Nicolas also delivered a presentation about the entire range of Celto Acoustique, sharing his experiences from Europe and global pro sound market. This was followed with a very talented band from New Delhi – Noor, performing for the rest of the evening. The event was attended by leading people from the Audio Industry.

Technical Director, Nicolas Lucas also imparted a training session to the engineers and the team on aspects including rigging, aiming and ease focusing with respect to the IWAC system. The entire planning and conceptualizing of the event was done by AG Acoustics along with rental partner - Modern Stage Services Pvt. Ltd., who recently took delivery of the IWAC line array system. They offered the same for the event along with the venue, production, LED wall, trussing and staging. Mr. Siddharth Sood, CEO AG Acoustics said, “In a very short span Celto Acoustique has made a place in the hearts of industry colleagues who are passionate about sound and look upon audio products as more than just a speaker or amplifier. After having worked with major international brands I am extremely proud to be associated with such a

Celto Acoustique’s IWAC210 demonstration young and dynamic company, which truly puts its heart and soul in each product. I would like to thank Nicolas for his time and effort in coming to Delhi to help make this event a success.” “It was truly an amazing experience for me to be here in India and experience how things are done in this part of the world,” said Nicolas. “It is always great to interact with our customers and get a first hand feel of market and operating conditions. It helps us to better develop global products and solutions. I was

extremely happy to come and be a part of this fantastic event. I want to thank AG Acoustics for all their support and effort towards making our brand a success,” he added. Moshe Aston, Country Head (India) for Celto Acoustique said, “We saw some prominent industry colleagues right from dealers, sound engineers, rental business heads, DJ’s from all over India attend this event and celebrate the IWAC movement. There were interesting interactions with Nicolas which imprinted very insightful reminiscences.”

Dev Electronics organizes AUDIO FEST 2017 One of India’s leading professional

Held at Mumbai’s Nehru Center

audio solutions provider lived up to its promise of showcasing a plethora of industry favorite legacy pro audio products as well as state-of- theart pro audio technologies from its vast portfolio of world class brands, through the successful culmination of the inaugural edition of the highly anticipated ‘Audio Fest 2017’.

on 19th and 20th July 2017, The Audio Fest 2017 was conceptualized and organized by Dev Electronics as a platform for Indian pro audio professionals across applications to explore a tasteful and eclectic mix of products &amp; technologies, knowledge and serious business networking.

Industry Veteran Roger Drego inaugurating the Audio Fest at Nehru Centre

July - Aug 2017

Sole Distributors in India of world-class powerhouse brands PowerX and Wharfedale Professional; Authorized Regional Distributors for market leader brands like Pioneer DJ, Yamaha, Harman Group (JBL, DBX, Soundcraft, Crown, Lexicon, AKG, BSS), Narain Group (NX-Audio, Proton, Phonic, Satan Pro Lighting, Wegner Lazers, Raytech), Krystal Cables &amp; Connectors, QSC, and Studiomaster; Prime Dealers for industry favorite brands like Shure, Sennheiser Group, Behringer Group, Denon, Allen&amp;Heath, P.Audio, Dynatech, Mackie, Bose, LBT Lighting etc. and a host of other leading options; Dev Electronics has built a legacy of providing world class comprehensive pro audio solutions across application segments including live/rental, install (corporate, government, houses of worship, education, entertainment, cinema, retail etc.), DJ and music production. At the show, Dev Electronics showcased a variety of technologies from the above reputed brands spanning product segments such as Point Source Loudspeaker Systems, Line Array Systems, Drivers and Components, Digital Mixing Consoles, Power Amplifiers, Digital Processors,

Install Sound Gear, and DJ Gear. And true to the management’s word of the show, The Audio Fest 2017 did offer ‘great technologies and products at the best rates available anywhere in the market today’. The Audio Fest 2017 also delivered several seminars and product training sessions. The first day witnessed sessions by Sennheiser (who talked about distribution antennas, wireless systems and selecting wired microphones), Harman Professional (who discussed digital crossovers and loudspeaker management systems in addition to the latest parameters in loudspeaker control and system alignment), and Pioneer DJ (presented a detailed insight into the world revered TOUR 1 system which was on active display for the first time in the city, in addition to an introductory session about their Rekordbox software). Day 2 was backed with knowledge sessions by Yamaha (sharing detailed insight into the CL5 digital console), Harman Professional (shared details about Vi3000 and Impact digital consoles from Soundcraft), and Pioneer DJ (delivered an exhaustive session on

(Continued on page 48)

Sound & Stage

Mackie Thump lifts the gig spirit in Udaipur with Blue Star Sound Blue Star Sound, an audio rental company catering to local entertainment scene in Udaipur, recently invested into adding multiple units of active loudspeaker system – the Mackie Thump to their line of inventory. The purchase, as confirmed by Blue Star Sound, came as a direct result of a sharp increase in the number of gigs over the span of many months. Arshad Khan of Blue Star Sound said, “We reinforce gigs of all kinds and over time we have realized that audiences these days are quite particular about the quality of sound. They react with more energy and enthusiasm if they notice the quality of sound

is good. We experienced that personally when we bought our first pair of the Mackie Thump15

loudspeakers which became a part of our inventory for every gig that we did. As expected, people loved the

Mackie Thump15 and Thump18S enhances sound, energy and overall vibe at gigs

music even more because of the quality of sound.” “With the Mackie Thump18S, the added low frequency delivery only enhances the sound, energy and overall vibe at gigs in general. The gigs are livelier than ever before and the fact that events just keep pouring in should say it all. The recent corporate event that we commissioned at the Ananta Resort in Udaipur turned out to be spectacular, where the audience of 200 professional delegates absolutely enjoyed the music and praised the quality of sound. I am extremely pleased with my decision to go with Mackie!” he further exclaimed.

HK AUDIO INTRODUCES LINEAR 3 SERIES AND NEW LINEAR SUB BASSES HK Audio has introduced a brand amps, Intelligent Multiband Limiters new series of high-performance active ensure tonal integrity at every speakers – LINEAR 3 – and has added volume level, and precision directivity two new active models to the LINEAR means the sound will go straight to SUB family of subwoofers. the audience, with few unwanted LINEAR 3 delivers quality sound reflections occurring. for bands and DJs in every scenario, They are also offering beautifully balanced, high definition sound, impressive lowend, clear speech reproduction, and advanced DSP technology, all packaged in a strong and confident design – and all made to premium standards in Germany. The first members of the LINEAR 3 family are the 12”/1” L3 112 FA, the 15”/1” L3 115 FA and the multipurpose 12”/1” L3 112 XA – which functions both as a top and as LINEAR 3 making it simple for performers to achieve great audio results an onstage monitor. The technology behind LINEAR 3 makes it simple for performers to achieve great audio results every time, even if they have no sound engineer or a thorough pro audio knowledge themselves. Four EQ presets – Bass Boost, Flat (LF), Flat (HMF) and Contour, two of which are active at any one time – provide plenty of options for shaping the sound to ideally fit the music style, venue and audience. In addition, the LINEAR 3 mid/high units offer plenty of headroom thanks to their 1,200-watt class D power

July - Aug 2017

Alexander Wollenberg, HK Audio’s Product Manager, said: “LINEAR 3 is the easiest way to impress your audience. Whether you’re a PA system expert or prefer to focus entirely on giving your best possible performance, LINEAR 3 gives you optimal results in seconds thanks

to our groundbreaking technology, a bunch of logical yet innovative design features, and made-in-Germany quality. Plus, if you need an extra dose of thumping low-end power, the new LINEAR SUB basses are the ideal add-on.”

B&C Large Motor Coax now shipping Released at the ProLight & Sound show in Frankfurt, Germany, the new B&C Speakers 12CXN88 and 15CXN88, high output coaxial transducers are now shipping! These larger motor alternatives feature a long throw, 88mm (3.5”) voice coil woofer, combined with a 75mm (3”) diaphragm high frequency driver. “With the success of our 88mm coil NDL series woofers in 2016, making coaxials with an 88mm low frequency coil was a logical progression”, said Alessandro Pancani, Director of Engineering for B&C Speakers. “The 12CXN88 and 15CXN88 offer a superior balance between HF and LF output, allowing cabinet designers to increase performance without compromise,” he added.

ideal to be used in conjunction with LINEAR SUB subwoofers, including the new 15” L SUB 1500 A and the 18” L SUB 1800 A. The serious lowend punch the L SUB 1500 A and the L SUB 1800 A deliver is similarly suited to the LINEAR 5 series, and they can also be used to extend the ELEMENTS ‘Base’ systems. Flexible and powerful, the new subwoofers are each equipped with a stereo input, meaning they can be easily be configured in half stacks, full stacks, 2.1 setups, and in mono sub clusters.

These high sensitivity coax units are rated at 1000w (program power), with an 80°nominal coverage pattern. The shared Neodymium magnet assembly features an aluminum demodulation ring for reduced distortion, a double silicone woofer spider with optimized compliance, a waterproof woofer cone (front side), and a pure titanium high frequency diaphragm.

Sound & Stage

Adam Hall Group Launches New Corporate Positioning and Continues Growth Expansion The Adam Hall Group has announced its repositioning with a specific focus on business customers. Its newly launched corporate image campaign and a range of expansion measures pave the way. The company aims to increase the transparency of its solution portfolio and its service commitment to customers, partners and event technology professionals worldwide. With an investment of more than 20 million euros in two building complexes, it is laying new foundations for the future. With this claim, the company makes its focus on event technology solutions for the four professional customer segments – rental companies; AV installers; music instrument retailers and industrial flightcase manufacturers.

With a growing portfolio of pro audio, LED lighting, stage equipment and hardware products, and a newly launched Corporate Website, the company proves that it is solutionsoriented and the completely redesigned B2B Webshop provides enhanced customer-orientation features, such as individual pricing, real-time inventory visibility, and detailed information on products, orders and invoice history, and has been designed to provide customers with transparency and increased usability. Further international market expansion via partnerships, such as those with the Musical Distributors Group in the United States; Siam Music Yamaha Ltd. in Thailand; Great Wall Musical Instrument Co. Ltd. in China; and many others in Asia and

QSC TouchMix Series Update Taking small-format mixing to the next level for both professional and novice users alike, QSC has introduced Version 3.0 for the TouchMix-8 and TouchMix-16 Series and Version 1.2 for the TouchMix-30 Pro. The new firmware is available as a free download for current users and will be factory-installed in new production units going forward. Version 3.0 for TouchMix-8 and -16 includes twenty significant enhancements, making these models powerful and

Paste, playback of MP3 files on a USB drive, Input Delay, Output PEQ, 15 dB Digital Gain, Channel Overview, USB Drive Formatting and improved graphics and screen layout. A number of additional, all-new enhancements to the mixer are also provided including Channel Safe, Tap Tempo, Tablet Follows Mixer, additional User Buttons (on connected tablet) and the ability to configure Aux 7/8 and Aux 9/10 as balanced, mono outputs (TouchMix-16). QSC loudspeaker tunings are also present in Version 3.0, including presets for the company’s new K.2 Series. Ray van Straten, Sr. Director of Marketing for QSC Professional QSC Elevates Compact Mixer Category with TouchMix Series Updates stated, “With these new enhancements, particularly comprehensive, yet easy-to-use with Version 3.0, any user can now compact mixers. Many features enjoy the features and capabilities previously available exclusively on the of the world’s largest and mostSeries’ flagship TouchMix-30 Pro are esteemed consoles in a package now implemented, including Antithat’s right-sized for their own Feedback and Room-Tuning Wizards, application. It’s an amazing time to Real-Time Analyzer (RTA), Copy-andbe in the market for a new mixer!”

July - Aug 2017

Adam Hall lays new foundations for the future. the Pacific, the Middle East, Africa and Latin America, are clear indicators that the Adam Hall Group is also growing outside of Europe. The growth is also evident at the company headquarters in Neu-Anspach. With an investment of over 20 million euros, the new 14,000 m2 (150,000 sq. ft.) Logistics Park is currently being built to increase warehouse capacity. Almost 10,000 pallet spaces and 17,000 container spaces will be available upon completion in late 2017. In 2018, the Adam Hall Group plans to next open the new Experience Center located in the new Adam Hall Str. 1. The architectural hallmarks, designed with business customers, partners, associations and employees in mind, include a fully-equipped

product showroom, a large theatre auditorium for live demonstrations, facilities for the Adam Hall Academy and the company restaurant- ‘Come Together’. The integrated R&D department located in the other half of the Experience Center houses an anechoic measuring room, various endurance and climatic test rigs, a photometric laboratory and ample space for designing, modelling and 3D prototyping. “The dynamic markets of our time require bold courage, mobility, innovation and high customer

orientation”, said Alexander Pietschmann, CEO. “Our new positioning underscores the identity of the Adam Hall Group and clearly expresses what drives us. Our customers’ needs are our main focus, and we want to provide professionals with innovative, user-friendly and affordable event technology solutions to enable more people to realize their creative ideas”, continued Pietschmann. “After more than 40 years serving the industry, we are proud that Adam Hall is a well-established name among professionals in event technology”, said Markus Jahnel, COO. “With so much growth and expansion, especially in the last ten years, the company has gradually evolved into a manufacturer and full-scale provider of event technology solutions. The comprehensive range of pro audio, LED lighting, stage equipment and hardware underlines this,” he added. Nikke Blout, Global Marketing Director said, “Future-oriented innovations – created with passion by people for people – and increased focus on delivering customer-oriented solutions are just a few of the key messages, which the new positioning and new corporate design aims to transport. All of this gives customers, partners and the industry a clearer picture, and above all, an understanding of the values of the Adam Hall Group.”

Sound & Stage

SUN INFONET STAGES LAUNCH EVENT FOR AUDIO FOCUS Sun Infonet, the Indian distribution partner for Audiofocus recently staged a launch event to formally introduce the Belgian manufacturer’s products to the market. The event took place at the Kitty Su at Lalit Hotel in Mumbai and was attended by sound engineers, rental company owners and Sun Infonet channel partners. Audiofocus sales director Alexandre Kostenko demonstrated a presentation covering the manufacturer’s history, functionality and execution of the equipment and support offered. Products displayed included six FR-X 15

loudspeakers stacked over four MTSub218MKII subwoofers, a pair of CM 12a stage monitors on speaker stands and three FR-X 12 also mounted on stands. Sun Infonet director Neeraj Chandra provided assurance of the continuous pre and post sales support that the distributor will provide. “Based on the response we received from our current and future perspective customers, we consider the decision to go for Audiofocus at Prolight + Sound, Frankfurt was the right one,” said Mr. Chandra. “We are confident that with our consistent service support, customers will opt for Audiofocus along with us,” he added.

The event which took place at the Lalit Hotel in Mumbai was attended by sound engineers, rental company owners and Sun Infonet channel partners

Sungandar Light House invests in First SD10 in Karnataka Sungandar Light House (SLH), a Bengaluru-based rental company, recently invested in Digico SD10 and the purchase was handled through Authorized India Digico Partner, HiTech Audio Systems Pvt. Ltd., New Delhi. Over past 4 decades, SLH has been providing lighting and sound for occasions like product launches,

company has grown into a wide Pro A/V Technical Solution Entity. Mr. Prabhakar, Head of Operations at SLH, stated,” We were looking for a solution that would be ideal for the diverse range of events we cater to while also serving as a solid long-term investment. Digico SD10 came across as the right fit to our requirement. Its 132 Input Channels, 56 Aux / Sub-

plenty of mixing capacity.” Mr. Shiva, Managing Director, SL said, “DiGiCo’s new Stealth Core 2 engine provides great flexibility and stability to the whole system. All Waves compatible plugins are preloaded, and as this is integral within the console, with an added advantage of touch screen control; and all shapshots and session files are saved within the console. A great palette of On-board effects gives us much more room to our creativity. And it is light to travel and can be used for multiple applications.” “SD10 is a truly rider friendly console,” said Rajan Gupta, Managing Director, Hi-Tech Audio Systems Pvt. Ltd. “SD10 and D2 Rack combination

provides a very important solution of splitting input channels. The independent head amp gain control for FOH and MOH application is clean and crisp without using an analog split snake system. Its flexible and clear approach has made it one of the most sought after digital consoles in the market today. We are pleased to serve Sungandar Light House with this amazing console and are confident that we will see many more such associations happening in the near future,” added Rajan. “It is dynamic, sturdy and a complete powerhouse and we are hoping that with SD10 SLH’s support to number of events will increase remarkably,” stated Prabhakar.

ULTRA Worldwide broadens International footprint; India added to 2017 schedule

With a clear aim to provide premiere service for all events with state of the art technology, Sungandar Light House adds Digico SD10 to its inventory. conferences, road shows, exhibitions, conventions and concert tours, in and around the country. SLH brings the first Digico SD10 Digital Mixing Console to Bengaluru, Karnataka and under the strong leadership of Mr. Saravana Velu, the

July - Aug 2017

Group Busses, LR/LCR/LCRS/5.1 Master Bus, 24 x 24 Full Processing Matrix, 2 Solo, 218 Dynamic Equalizers, 218 DiGiTuBes, 218 Multiband Compressors, 24 Digital FX and Graphic Equalizers, Optional Waves Integration, 48/96 kHz Sample Rate and Standard Optics offer

Having already united twenty countries across five continents since embarking upon its global journey in Brasil, the world’s most international, independent music festival brand is adding India to its unmatched international repertoire. Ultra Music Festival will make its debut in Australia in 2019, with a precursor event,

dubbed “Road to Ultra”, planned for February 2018 in Melbourne. The brand new Road To ULTRA events will be landing in New Delhi, India at the India Exposition Mart, Greater Noida in September, followed by another event in Mumbai in February, 2018.

Sound & Stage

Electrocraft Purchases AVID VENUE S6L Sound rental company Electrocraft, recently purchased two comprehensive VENUE S6L live mixing systems – a VENUE S6L 32D system and a VENUE S6L 24D system. The purchase was made through Indian Avid distributor, Ansata. Roger Drego, director of Electrocraft stated, “We’ve worked with Leslie and his team at Ansata several times before, and we’ve known them to be a company that has always maintained high standards; be it the

Aftab Khan, FOH engineer of SalimSulaiman great range of products that they represent or the sales experience or the impeccable quality of service and technical support that they render. In addition to the impressive pre-sales and sales experience, they also provided our team with extremely helpful training support. When you invest into next generation technology, it’s important that you work with good people who know their technology and are able to back you up on anything whenever needed. That’s what we opted for when choosing to purchase the VENUE S6L from ANSATA.” The system boasts comprehensive delay compensation feature, customizable Stage 64 racks with I/O, power to support over 300 processing channels with real-time processing HDX-powered DSP engine, Ethernet AVB connectivity across all system components with ability to connect to MADI, Dante, or Thunderbolt devices, option to share the same I/O across multiple networked S6L systems without any loss of audio quality, direct support for AVID and third-party 64-bit AAX DSP plug-ins, and the system’s massive mix bus

July - Aug 2017

capacity. Dwayne Das, one of Electrocraft’s chief engineers shared that the rental company quite identifies with AVID when it comes to foresight in revolutionary pro audio technology. The rental company has kept pace with AVID’s technological offerings to the live sound market. Yohann Fernandes who is also a chief audio engineer at Electrocraft shared, “AVID has introduced stateof-the-art technology especially when it comes to their VENUE series of consoles. They’ve always been years ahead of their time and have been game changers in the way live sound mixing was perceived and executed. The same goes with the S6L. Its features - the solid build quality, and the unhinged power and dexterity is unique, while the fact that it maintains the lineage of the previous VENUE series consoles makes the entire process of transition so simple and efficient. For example, anybody who’s worked on an SC48 would find it easy to familiarize themselves with the S6L, in terms of the workflow, features and even in some cases, the layout. The system is faster, efficient and versatile. We were impressed with the system the very first time we worked on it during a demo session. Hence, opting for the S6L was quite a natural decision in many ways. And to experience the complete extent of the S6L’s potential, both in terms of feature sets as well as scalability, we opted to add the 32D as well as the 24D.” Electrocraft have deployed the VENUE S6L 32D system for a few large scale events, one of them being the performance of the Bollywood composers - Salim-Sulaiman at Laxmi Lawns in Pune, which drew an attendance of approximately 10000 people. Aftab Khan, FOH engineer to Salim-Sulaiman commented, “This was the first time for me working on the S6L, and I was really impressed. Familiarizing yourself with the board is quite easy, especially if you’ve worked on any of the VENUE consoles earlier. The system is really adept and responsive, and the wide range of features delivers all the versatility that an engineer would ever need to recreate just the ideal sound.” Yohann affirmed “We were working an extremely tight schedule for this show, and this is exactly where we

experienced how efficient the system really is in terms of setup and sound checks. A quick run through and we were pretty much good to go. Working in action during the show, some key features like gain tracking, really impressed us all. Plus, the systems extremely efficient layers and screens and incredibly efficient DSP engine made working through any scenario quite Electrocraft deployed VENUE S6L 32D system easy. Finally, the fact that for Salim-Sulaiman at Laxmi Lawns in Pune the system sports AVID’s software that we’re all help team Electrocraft in solving familiar with, made it an absolute challenges of even the most breeze to navigate around the new demanding live sound productions, surface.” and deliver only the best sound Team Electrocraft exude a calm quality, while enjoying familiar VENUE confidence about their newly workflows with total show file acquired VENUE S6L consoles and compatibility. We’re extremely happy the kind of role they will play in the to note all the raving reviews about future mix of things. the new VENUE S6L consoles from Leslie Lean of Ansata Computer Roger and his team at Electrocraft.” Systems said, “The VENUE S6L will

Audio Genetics becomes the first owner of dLive C Class C3500

The dLive was inaugurated by renowned Bollywood Music Director Pyarelal Sharma Mumbai-based PA company, Audio Genetics, has become the first owner of Allen & Heath’s dLive C Class C3500 system. The company already has a GLD Chrome mixer in its hire stock “We kept running short of inputs, so when I discovered GLD, I was amazed with the features on offer. When the business grew and it was time to expand the hire stock, there was only one brand in the

picture,” comments Audio Genetics owner, Nitish Phanse. The dLive system debuted at the Laxmikant Pyarelal Concert at Dinanath Hall Parle Mumbai, and was inaugurated by renowned Bollywood Music Director Pyarelal Sharma. “There were 40 musicians, 8 singers and 2 conductors. Set up and soundcheck for the show was easy and speedy, all thanks to dLive’s workflow,” concludes Phanse.

ES Series Legendary Point Source System

Renowned for clarity, output and versatile capabilities that has amazed audio professionals around the globe. Arrange a demo of ES today and hear the KV2 Difference. www.cinetekk.co.in

The Future of Sound. Made Perfectly Clear.

Sound & Stage

OHM signs up local channel partnerships across India Continuing with its approach of partnering up with local channels across India, Ohm has appointed Pro Audio Video Solutions – Chandigarh as its channel partner for Punjab and SRV Infratech for Himachal Pradesh. ‘We are setting up a service and sales centre for Ohm to create new relationships for the brand and to rekindle the relationship with the existing Ohm user base in the region,’ said Bhanu Ahuja, Director at Pro Audio Video Solutions. ‘The finish is flawless and the tone is unique, so much so that

the products have gained a huge following within Punjab,’ added Raman Sinduria, Co-director at Pro Audio Video Solutions.

Ohm has established this partnership with the Chandigarhbased company to boost its presence in the touring and integration markets within the state. According to Kappil Ghosh, regional sales manager

at Ohm, Pro Audio Video Solutions has a great history with the brand and this appointment would enable the company to quickly turn around sales and support services within the region. On the other hand, SRV Infratech’s primary focus is home automation. The company would therefore be introducing OHM’s premium home theatre solutions to the market, while also strengthening the manufacturer’s pro audio business in the region. ‘SRV Infratech have a great team and understand the essentials

required to pitch in a luxury brand. Their access to the home and pro verticals in the region is extremely strong and with OHM’s rep amongst the integrators, this could be a winning combination,’ says Gosh. According to Rakhi Sharma, SRV Director, the agreement with the British based company would open up new opportunities for the company. ‘We are in the process of setting up a dedicated team and experience centre for OHM, to enhance customer experience,’ said Sharma.

PreSonus Announces New Commercial Division PreSonus Audio Electronics, a manufacturer of audio-recording and live-sound software, hardware and related accessories, has announced the launch of the company’s new PreSonus Commercial Division. In addition to products previously sold and marketed under the WorxAudio and PreSonus brands, PreSonus has for years offered a comprehensive range of mixing consoles, processors and other products that complement WorxAudio offerings. By combining all these products under the PreSonus brand and into the new PreSonus Commercial Division, the company effectively unifies all commercial audio related products under the PreSonus brand umbrella. The new WorxAudio series of professional sound reinforcement products offer a streamlined selection of loudspeakers with much more to come. By combining these with the PreSonus ULT and AIR loudspeaker line, the PreSonus Commercial Division offers a comprehensive assortment of loudspeakers ideally suited to commercial applications while also encompassing a full range of mixing, DSP and signal routing solutions. The creation of the new PreSonus Commercial Division coincides with the launch of PreSonus’ new commercial division website. The new website is focused specifically on high-end products for commercial install applications, provides detailed

July - Aug 2017

product information, technical specifications and an abundance of related materials that are essential for the creation of project documents. Jim Odom, PreSonus’ President and Chief Strategy Officer, commented on the corporate re-structuring, “The new PreSonus Commercial Division enables us to leverage the well-known PreSonus name to boost visibility of all these excellent products. Whereas in the past, integrators would periodically seek clarification as to what products were available to them, the new product structure resolves this. Be it a mixer, a Danteequipped rack mixer, a power amp, or one of our many other commercial product offerings, they are all an integral part of the new Commercial

L-R: Hugh Sarvis, Tony Flammia, Stephen Fraser, Jim Odom, Rick Naqvi Division. I am confident this will help broaden the PreSonus brand name while streamlining other aspects of the business.” Hugh Sarvis, Chief Designer of PreSonus’ Loudspeaker Division and founder of WorxAudio Technologies, shared, “When WorxAudio Technologies became a member of the PreSonus family, I knew there

would be changes. While the WorxAudio name may no longer be the dominant brand in terms of customer recognition, it has been a truly rewarding experience to see how our products have become part of a family with a firmly entrenched brand presence the world over and for that I am most appreciative.”

Amate introduces NÍTID active speaker series Amate Audio has introduced the first model in its new ‘NÍTID’ ultracompact performance loudspeaker series – the N12SM. NÍTID comes from the Latin word nitidus, meaning bright, glistening or lustrous, and nitēre, to shine. The name is an inspiration for the loudspeaker series that celebrates 45 years of Amate Audio. The new N12SM is a highly portable and powerful stage monitor with superb musical performance and pristine sound, offering outstanding vocal response, low-distortion mid and low range frequencies, thanks to its exceptional 12” LF and 1.75” HF neodymium drivers. NÍTID is a new active system

series that employs the very latest digital amplification and processing technologies, in symbiosis with advanced acoustic research, to achieve exceptional performance levels from ultra compact speaker cabinets. Distinguishing details include the speaker grille, designed for an attractive appearance, maximum protection, and with the best perforation coefficient in the market, for improved sound quality. The Polyurea finish offers durable protection for

the birch-ply cabinet, and electronic circuits and controls are smartly protected against moisture. A wide range of accessories is provided for whatever the application is. The integrated ‘plug & play’ active power and control system includes DSP presets for rapid setup and amazing sound, and the comprehensive control interface includes instantly recallable presets for setting up the NÍTID in just a few seconds. The accurate match between transducers, DSP and amplifiers provide a fully optimized system for the most demanding applications. Amate NÍTID active speaker series the N12SM

DT 770 Pro DT 880 Pro DT 990 Pro –

PROFESSIONAL Audio Products – made in Germany

Shaik Ahmed, Sales Manager India - Consumer & MI Division

beyerdynamic India Private Limited #1,14th Cross,10th Main, Malleswaram, Bangalore-560003 | Mob: +91-9916544483 Tel: +91-80-23310101 | Email: Shaik@beyerdynamic.com | www.beyerdynamic.com

Sound & Stage

Sennheiser Top 50 gives impetus to Independent Music in India We started as an Strengthening only digital leader its commitment of board – the first building a platform for ever in India and independent music in this year, we have India, Sennheiser has scaled it up to 4 announced the third zonal finales to be edition of Sennheiser able to reach bands Top 50 which is in every nook and a battle of Indian corner of India. bands to compete Our strategy is and make their way simple – to support to the coveted list of the emerging Top 50 best bands independent music in India. Sennheiser scene in India and Top 50 season 3 will enable these bands to hold an on ground Saahil Kumar, Head Marketing, Sennheiser India and Vipin Pungalia, Director, Sennheiser Professional Segment India explore their talent. We battle amongst four only plan to scale it up zones, North-Delhi, talent everywhere but not enough further from here.” South-Bangalore, East-Shilong and platforms to showcase it. We thereby The last two editions of Sennheiser West-Pune. Sennheiser is further encourage having zonal finales along Top 50 saw good response and raising the stakes this year with a with the grand finale this year. “ engagement. Over 2000 musicians credible jury in the music fraternity. Sennheiser Top 50 Season 3 will from 75 cities across all genres - pop, The winning bands will win prizes conclude with a grand finale in rock, fusion, classic, metal, jazz and worth INR 20 lacs and a 2 year Mumbai where the top 4 bands blues were engaged in this initiative endorsement deal with Sennheiser. will battle it out live to find their by Sennheiser. The jury this year constitutes of– way to the top rank. The event Renowned composer and singer Shankar Ehsaan Loy, Raghu Dixit provides a platform for Indian

The Sennheisher Top 50 Jury Ehsaan, Shankar, Loy, Raghu Dixit and Papon

and Papon. Vipin Pungalia, Director, Sennheiser Professional Segment India, commented, “The great response from the last two editions has encouraged us to come back with yet another season of Sennheiser Top 50 in helping in bands recognition across various genres. There is great talent in the country and we want to offer them the right platform to showcase it. We are very excited to bring the credible jury on board to recognize our Top 50 and we believe that we will be witnessing great potential and talent through this journey. We are also hoping for a great response from different zones, as there is enormous

July - Aug 2017

bands to showcase their talent and helps create a place for them in the competitive and growing music industry. Saahil Kumar, Head Marketing, Sennheiser India, commented, “As a company, we are known for innovations and shaping the future of audio. Hence, it is obvious that our marketing efforts are also aligned to the same. We see Sennheiser Top 50 as a platform for young talented musicians, semi-professional bands who have the grit and guts to pursue music as a career but might lack the right support and resources. Our every endeavour is to help these bands scale up, get known better and produce or create better music with the help of quality equipment.

trio, Shankar–Ehsaan–Loy said, “We are very excited to be a part of this innovative hunt for India’s best bands for the third time in a row! It is a great initiative by Sennheiser in providing a platform for budding musicians to not just showcase their talent but also start their journey to become the next big thing in the music industry. We are expecting diverse talent across genres and can’t wait to start this journey!” Internationally reputed Singer Songwriter, Raghu Dixit, said, “It is a good effort by Sennheiser of bringing the Independent music scene to the forefront! In the previous editions also the bands have showcased great potential and zeal to make it big in

the professional music industry. I wish all the bands luck and hope to see more bands coming ahead and using platforms like Sennheiser Top 50.” Popular Singer & Composer, Papon said, “Music is an integral part of the fabric of India and the North East is no exception. Assam, where I was born and a place I proudly call home, has a lot of talented musicians and bands waiting for the right platform to help them turn their dreams into reality. Sennheiser as a brand has always focused on revolutionising the music industry, which is something I appreciate. And I really hope that all the talent out there in North East gets recognised and we have a winner from my region!” The registration period for the most coveted trophy was from 1 June 2017 till 1st July 2017. The top 100 shortlist was announced on 12 July. The basis of selection was both by internal as well as external jury from the entries submitted. The next phase will involve voting within zones to choose top 3 bands from each zone, who will then battle out at regional finales to get into top 4 as well as revealing ranks from 5 to 50 basis 70% jury decision and 30% public voting. The winners of each zone will be announced followed by a grand finale in Mumbai where the top 4 bands will battle out in front of the jury for the number 1 spot.

Sound & Stage

NJSM deploys d&b Audiotechnik at the 10th Annual Boroplus Gold Awards NJSM one of the major sound rental company based out of Mumbai recently was hired for executing the Audio section at the 10th Annual Boroplus Gold Awards which is one of the most prestigious television awards and is conceptualized, planned, produced and executed by White Leaf Entertainment Pvt. Ltd. a Mumbai based Event Management and Production company. NJSM Deployed its much-trusted d&b Audiotechnik rig with the V Series where 5 tops a side was flown using the trusted CM Loadstar motors, along with two tops as center fills, and the powerful B22 Subs. “We had to fly the system at the height of over 50 Feet from the ground; having the right calculations and planning was essential for such a setup and great support from team Whiteleaf on accurate data helped us make this easy” says Sudharshan Shetty the Senior Sound Engineer and System Rigging expert at NJSM. The whole system was ArrayProcessed on the D80 Amplifiers. They also used the Shure QLX-D Handheld and Bodypack transmitter along with the trusted Circle Pro Audio Antenna Distribution system which was used with the receivers. “Gold Awards was a televised event and hence working on audio with esthetics was an important aspect

of the show, we had to make sure we had the right audio dispersion at the same time making sure we are not coming in between the camera frames. The d&b ArrayProcessing and correct data from ArrayCalc helped us achieve this with ease” Says Sachit Subramanian the System Engineer for the show. NJSM used The NJSM Team; from (L-R) Sancheth Suvarna - Chief Mix Engineer, Abhijeet Khedekar - System their brand-new Technician, Sudharshan Shetty - Senior Sound Engineer, Sachit Subramanian - System Engineer, Vivek Reddy - System Technician, Aniket Patil - Audio Tech/ DJ, Sandeep Chavan - System Technibaby the S6L 24D, “It was easier cian, Jebakumar Nadar - Stage Tech and Ajit Palghamol - Stage Tech. than operating a new cell phone” exclaims Sancheth CAT6 cable, The team also provided who constantly update themselves Suvarna the Mix Engineer for the the recording breakouts for the TV and hence adding value to every show. Sancheth had made layouts which was powered by the Yamaha show we do with them” Says Vikaas pertaining to different acts and made QL5 having a completely separate Kalantri the Managing Director of snapshots for the wireless mics based redundancy support. Whiteleaf Entertainment Media Pvt. on the show flow that the team had “We have been working with team Ltd. provided to him and the ease of use NJSM for the last two years and “The show is a benchmark for of the S6L and robust engine made we’ve seen how the team has grown us at NJSM, our vision of providing the live experience of the event with their execution and quality of quality audio and flawless execution amazing. He also recorded multitrack work, the specialty of this team is the is on the right track” smiles Nixon audio on Protools that now connects group of young working professionals Johny the founder of NJSM. directly with the S6L using just a

LAVOCE PARTNERS WITH NARAIN IN INDIA; Announces Partnership at PALM 2017 Lavoce Italiana, the transducer company with a heritage of over 30 years designing and manufacturing loudspeaker components, announced the appointment of Narain Audio & Lighting as their exclusive distributor for India at the 17th edition of the PALM expo in in Mumbai. With over 50 years’ experience, Narain Audio & Lighting are one of the largest professional audio distributors in India with a large network of customers. ‘We are so excited to be working with Narain Audio & Lighting and to have officially launched our partnership at PALM Expo this year’, says Kevin Shove, Business Development Manager,

July - Aug 2017

‘Manoj and the team at Narain are very focussed on offering new and innovative products to their customers and with Lavoce they will be presenting many interesting products for this exciting market.’ ‘After our team visited the Lavoce facility in China, we knew there was something special about the Lavoce proposition. Their factory is world class and their product range is perfect for the India market. We will be offering a really competitive package to our customers, which will include cabinet designs and spares support, to help ensure Lavoce is a big success in India in the coming years’ added Manoj Motwani, Partner at Narain Audio & Lighting. Kevin Shove, Business Development Manager of Lavoce with Manoj Motwani of Narain Audio & Lighting

Install Case Study - HOW

ainted in blue and white, the Sumi Baptist Church - Zuneheboto is situated in Nagaland, bordering onto China, and is 212km from Dimapur Airport. Situated on the highest point in Zuneheboto, the church was originally designed by Mrs. Hunihoto, a local Kohima Architect to seat 10,000 people, but can now house 8500 people, making this the largest church in India. It took nearly a decade to build this leap of faith. The construction of Sumi Baptist Church began in May 2007 and was completed in March 2017, over the course of 10 years at a cost of Rs. 36 crore by a 2000 strong work-

force. It was inaugurated on April 22, 2017. Standing tall and majestic at a height of 1,864.9 meters above sea level, the 166 ft. high structure- Sumi Baptist Church provides amenities such as offices, conference and training rooms, 27 rooms for the sick, a baptism pool, dressing rooms for the bride and groom, and a cafeteria, apart from other Church-related facilities.

Client’s Brief

The brief from the client was to provide the solutions in their scheme for praise and worship church; so this included speech reinforcement, choir and patio, live band and

Sumi Baptist Church

integration scales heights Covering 23,73,476 sq. ft., the Sumi Baptist Church in Zunheboto, Nagaland is believed to be the largest church built in Asia. Harman Professional India engaged its expertise and provided sound, light and video control systems while T2 Consulting Group rendered the Acoustic, Audio Visual, Stage Lighting, Architectural Lighting Designs and Audio consulting for this project. In its pursuit for excellence, Kelvin Ashby-King of T2 Consulting Group points out the intricacies of the complete sound design and audio set up. PALM technology shares the solutions implemented.

July - August 2017

The team at Harman along with System Integrator - Calvin Baker and Mr. Kelvin Ashby-King suggested a Distributed Point Source System, which would boost speech intelligibility and deliver uniform audio distribution across the venue.

dramatic events. It was recommended to keep the variety of equipment used, to be invisible within the space as it was a church. In addition, another complicated task was to achieve all these under a certain challenging budget.

Roadmap to Excellence Owing to the height, the project posed many technical and other challenges from start to completion including transportation of the equipment. All the essentials for this project, from the

Inventory List

marble to sand and to the electronics were brought in by road. Mapping out audio and lighting solutions on paper was one thing, but while translating it into execution, it was a completely different ballgame for Kelvin. “While this project was memorable for many reasons, the travel involved in getting to the site was certainly not one of them!” He says.

Systems Integration Calvin Baker of Toshniwal World was called in as Systems Integrator for this project. Talking about his experience with the installation, he says, “The equipment had to be transported via a combination of exceptionally bad roads and 9-10 hour drives through remote forest areas. Akum Jamir from Crescendo, Dimapur had executed the installation on our behalf. The structure posed to be quite challenging, since it was similar to a 9 storey building. We unboxed about 60-70 boxes of speakers which were then mounted on brackets and hoisted up. Tuning the systems was also a mammoth task. It was fun to watch Venkatesh Vishwanathan from HARMAN climb up to fix the Martin Professional lights! On the inauguration day, there were more than 10,000 people inside, with a couple of thousand people standing outside as well! It was one of the most memorable installations.”

The HARMAN influence Harman Professional India came on board for sound, light and video control systems. The Church had already received a suggestion of utilizing Line Array Systems for sound and being a

July - August 2017

dome-shaped structure, this would have worked against intelligibility of sound, rather than in favor of it. The team at Harman along with System Integrator Calvin Baker and Mr. Kelvin Ashby-King suggested a Distributed Point Source System, which would boost speech intelligibility and deliver uniform audio distribution across the venue. The project housed 5 Harman brands in all. The JBL AM series (AM7315, AM7200, AM5212) formed the main P.A. system, while the AC series (AC18, AC28) also played a part. Amplification was taken care of by Crown, with the main unit being the XTi6002, with DCi4|1250N and DCi|600N also playing their parts. The Soundcraft Si Performer 3, a 32 Channel Digital Mixer along with the Soundcraft Mini Stagebox 32 formed the console setup. AMX took care of the Video over IP needs, with the NMX-ENC-1122 and the NMX-DEC-1222,

Description

Make

Model

Qty

32 Digital Mixing Console

Soundcraft

Si Performer 3

32 Channel Stagebox

Soundcraft

Mini Stagebox 32

Ethernet to USB Bridge

Crown

USB-X

15” 3-Way Passive Loudseaker

JBL

AM7315/64-WH

MF HF Down Fill

JBL

AM7200/95-WH

4ch Power Amplifier DSP LF

Crown

DCi4|1250N

4ch Power Amplifier DSP MF HF

Crown

DCi4|600N

2ch Power Amplifier

Crown

XTi6002

Compact 2-way Loudspeaker with 2 x 8”

JBL

AC18/26-WH

U‐Bracket for the above speaker

JBL

MTU‐18 - WH

12” 2-Way Passive Loudseaker

JBL

AM5212/95-WH

U‐Bracket for the above speaker

JBL

MTU-3-WH

Dual 8” 2-Way Passive Loudseaker

JBL

AC28/26-WH

U‐Bracket for the above speaker

JBL

MTU-28-WH

HDMI/VGA Encoder Video Over IP

AMX

NMX-ENC-1122

4x1 HDMI Switcher

AMX

SDX-410-DX

HDMI/VGA Decoder Video Over IP

AMX

NMX-DEC-1222

POE Gigabit Network Switch

AMX

NMX-ENT-300

Network Controller

AMX

AMX N-8001

Touch Panel Controller

AMX

NT-ST-701

RUSH PAR 2 CT Zoom

Martin

RUSH PAR 1 RGBW

Martin

VC-Dot 4 CW 200mm pitch 64pcs 2m lead-in

Martin

Set of 10 VC-Dot 4 Diffuser Domes

Martin

Set of 10 VC-Dot 4 Mounting Clips

Martin

Set of 10 VC-Dot String Termination Caps

Martin

VC-Feeder

Martin

Martin IP66 PSU, 48VDC, 240W,100240VAC

Martin

Hybrid Adapter Cable XLR5+TripixPowerIP6

Martin

(Continued on page 83)

Install Sound

Beyerdynamic APPOINTS NEW MANAGING DIRECTOR The Administrative Board of beyerdynamic GmbH & Co. KG has named Dutchman Edgar van Velzen as the company’s new Managing Director with effect from 1 June 2017. Together with Wolfgang Luckhardt long-standing Managing Director, he is now at the helm of the Heilbronn-based audio specialist. “We value the extensive experience that Edgar van Velzen brings to the company and are delighted to have acquired such an accomplished audio industry executive and someone who knows exactly how to handle the challenges of the digital age,” commented Professor Wolf

Michael Nietzer, Chairman of the Administrative Board of beyerdynamic GmbH & Co. KG. “He is an expert in developing global distribution strategies and understands the importance of a strong brand. He is able to harness his knowledge in order to drive the company forward on the international stage with innovative product ideas and advance the business as a whole by means of strategically smart optimisations across the board. We look forward to a successful working relationship with Edgar van Velzen at beyerdynamic,” he added. “I am highly motivated when it comes to driving forward the strategic development of the company. The great thing about beyerdynamic is

that the company is a one-stop shop, with both product development and production under one roof. I am full of admiration for what the workforce and managing director Wolfgang Luckhardt have achieved in the past few years. Teamwork is a top priority for me, as I believe that this is the key to success. Together, we will provide our customers with the best headphones, microphones and conference solutions and ensure sustainable and profitable growth at the company on the basis of many new and innovative products,” said Edgar van Velzen. Edgar van Velzen began his career in 1990 as a product manager at Sony Netherlands, taking on the role of VP Marketing/Sales at Harman

Edgar van Velzen Becker Automotive Systems in 2004. Most recently, he played a key role in shaping the success of Teufel GmbH as the company’s CEO.

Adamson Expands Install-Focused IS-SERIES with IS10 & IS119 Adamson Systems Engineering launched the IS10 and IS119 installation-tailored loudspeakers at InfoComm 2017, the larger siblings to the highly-acclaimed IS7 and IS118 cabinets introduced earlier this year. “The IS-SERIES puts the technology

Adamson IS10 array. and performance of Adamson’s revered touring products, including Kevlar drivers, into an exterior design specifically developed for the architectural market, offering architects

and designers outstanding audio performance and rider acceptance that blends perfectly into the aesthetics of the venue,” commented Brian Fraser, Adamson’s Senior Applications Engineer and Product Manager. “The IS-SERIES is ideally suited for a wide range of applications, including performing arts centers, live performance venues, sports venues, conference centers, and houses of worship,” he added. The IS10 is a two-way, full-range line array cabinet containing two ND10-LM, 10” Kevlar Neodymium drivers and an NH4TA2, 1.5” exit compression driver. The critically optimized waveguide produces a slightly curved wavefront with a nominal dispersion pattern of 110°x 10°(H x V). The waveguide’s efficiency allows for increased vertical dispersion without sacrificing high-frequency presence in the far field while the patent-pending Controlled Summation Technology further eliminates the low-mid lobing normally associated with two-way line source systems. For ultra-precise impulse response,

the companion IS119 subwoofer is loaded with a lightweight, long excursion 19” ND19 Kevlar Neodymium driver utilizing Adamson’s Advanced Cone Architecture and a 5” voice coil for exceptional power handling. It is mounted in an ultraefficient, front-loaded enclosure, designed to reproduce clean, musical low-frequency information. The grill profile of the IS119 has been

replicated in the rear of the cabinet, allowing for cardioid deployments that appear visually identical from the audience’s perspective. The IS-SERIES cabinet construction uses marine-grade birch plywood and aircraft-grade steel. All IS-SERIES products come standard with two NL4 connections and can also be ordered with barrier strips.

Studiomaster Professional introduces Flex 3 Gooseneck Mic Studiomaster Professional has introduced the new Flex 3 Gooseneck Microphone that features fully adjustable gooseneck and sleek unobtrusive design. It is ideal for use in installed sound reinforcement applications, including corporate facilities, houses of worship and government institutions. This 21” Electret Condenser Gooseneck Microphone provides high quality full articulation and accurate sound reproduction

while offering wide frequency response and high gain capabilities. Each unit of the Flex 3 sports a balanced XLR connector, offers easy connection options and a sturdy base that houses the main power (on/off) switch with designated LED to indicate “Mic Active” status. The Flex 3 can be powered through a nominal +48V phantom supply or alternatively can also be powered through 2AAA batteries.

31 May-2 June 2018 | Bombay Exhibition Centre, Goregaon (East), Mumbai

July - August 2017

Install Sound

Martin Audio spruces up the sound at Mumbai HOWs First BLACKLINE X system installed at Sacred Heart Church in India Built in 1993, Sacred Heart Church has taken delivery of the first Martin Audio BlacklineX system in the country. Mumbaibased system integrators Zoodio, carried out this new sound system upgrade at the Roman Catholic church in the Mumbai township of Vashi. Zoodio, who have been specifying Martin Audio solutions for around a decade, had been recommended to the project by the priest of the neighbouring St John the Baptist Church, following the installation of a Martin Audio O-Line as part of a major renovation project. (Complete Install details in adjoining box). However, this time Zoodio turned to the new BlacklineX range for the first time. BlacklineX is described as “a classic suite of passive loudspeakers for the modern era” which builds on the heritage of the original, and extremely popular Blackline installation and portable series. Zoodio project manager and coordinator, Dylan Hilton, describes the rationale behind the change of Martin Audio system. “Sacred Heart Church is much wider than St John’s, with its wings extended on one side. The ceiling heights are also different and the reverberation time much higher than St John’s.” He therefore reasoned that the church required the loudspeakers to be much lower and closer to the congregation — and in addition to its suitability, BlacklineX also worked within the budget they were given. “There had been a lot of complaints about the old system as the vocals were not very audible and was quite old and outdated,” said Cleo Pereira from Zoodio. The installation team assessed the challenges of providing coverage for a congregation that can amount to 2,500 people. “The task was to not only cover the centre of the church but also every corner with evenly distributed sound, and we felt that BlacklineX offered best solution for meeting this kind of installation requirement.”

July - August 2017

Sacred Heart Church, Vashi Consequently, the company has installed a pair of X15’s for the PA, a pair of X12’s for the wings and two pairs of X8 as delay for the PA and the wings. Fed from a series of choir vocal

mics, acoustical instruments, lectern mic and further altar mics, the new system also needed to set a benchmark for the future. In summary, Pereira said, “The response we have received from the

community has been excellent, and the priest also confirmed that the clergy now really enjoyed delivering the mass, as they could clearly hear themselves speak while doing so.”

MARTIN O-line installed at John Baptist A Portuguese style Christian church tracing its origins back 500 years, St. John the Baptist, is situated in the Thane, North

Mumbai, recently underwent a massive restoration project spanning 18 months, including a complete sound system upgrade.

The older system had consisted of multiple speakers that were spaced along the wall of the church, and neither provided suitable intelligibility nor venue coverage. With the extension to the church (enabling it to expand the congregation size to around 5,000 for Sunday mass), the parish priest had initially requested a demo from another vendor to provide coverage for the growing number of people. “We were not very impressed with the sound,” admits Cleo Pereira, from Martin Audio partner Zoodio, who has been specifying the British brand for the past decade. “Instead, we suggested the Martin Audio O-Line as a brand, since we use it in most of our installs.“ Zoodio’s Dylan Hilton, who also happens to be one of the

(Continued on page 36)

St. John the Baptist Church, Thane

Install Sound (Continued from page 34) parishioners, coordinated the project. He set up a demo of this discreet, premium micro line array through Integrated Entertainment Solutions (IES), official distributors for Martin Audio in India. “We suggested that this would do the trick, at the same time reducing the number of speakers required and enhancing the overall worship experience.” O-Line was duly adopted, with Zoodio supplying the components and their team of engineers, technicians and riggers worked on the fit out, to meet Dylan Hilton’s specification, with four sets of O-Line (eight elements per side).

O-Line was supported with Martin Audio’s CDD8 Differential Dispersion

loudspeakers for the delays as well as in the corridors. “The reason,” said Pereira, “was that we had a lot of constraints from the Heritage committee; they wanted an extremely compact system that would not block any of the murals and paintings present in the church and also a system that sounded good.” He also emphasised that this was the first time both the O-Line and CDDs had been used in India. The biggest challenge had been rigging the O-Line as the walls of the church were not concrete but limestone, and so the utmost care and safety measures needed to be taken during

the mounting phase. “The O-Line did a perfect job in reducing the reverberations within the church as the limestone walls had no acoustical properties.” Feeding the system is a combination of six vocal mics for the choir, an acoustic guitar and keyboards, a podium mic for the clergy and three mics on the altar. In conclusion, Cleo Pereira said, “Having dealt with all the sound challenges, and taken proper care to avoid any further issues, Zoodio has brought back the voice of the church once more.” The Parish Priest - Rev. Fr. Allwyn D’Silva is also delighted with the system, which he says provides him with excellent sound quality.

Auditorium at Government Degree College, Dharamshala features an impressive audio architecture from FBT The progressive and the latest auditorium at the Government Degree College, Dharamshala features an impressive audio architecture from the global leader FBT, and has been designed and integrated by the team from New-Delhi based Delhi Light & Music Center, who are also the official sole distribution partners for FBT pro audio products in India along with the local dealer Dynamic Systems. The auditorium delivers clear audio delivery across every inch of the space as a result of the FBT’s premium line array range FBT Line Array MITUS 206 L Speaker system, MITUS 212 SUBS DLM-26 Management Controller, VERVE & MITUS stage monitors that provide the necessary mid and high frequency coverage, while the low end fidelity is delivered through the use of FBT’s powerful and compact FBT J-5 Speakers and FBT Amplifier AX 3000 & 2000. On the other hand, in stage lighting the PLS & DLM products were used. Pooran Rawat of Delhi Light & Music Center stated, “We’re extremely proud and happy to have had the

opportunity to be a part of this project. Our team, led by engineer Mr.Sovit Rajdan, Rajender and Onkar Kapoor, have worked extremely hard on this project and have done a fantastic job with the design and

extremely pleased with the FBT system and said that they’ve never felt the auditorium sound so lively and energetic. Government Post Graduate College- Dharamshala, carries a long

Post Graduation in different subjects. The college is also accredited by National Assessment and Accreditation Council, Bengaluru (NAAC). The college has the honor of being given Star College Project by the

FBT forms the significant audio architecture at Government Degree College, Dharamshala installation of the audio system and I have to say that the FBT system sounds absolutely brilliant”. The management and the authorities at the College are

magnificent history of its own and the institution is eighty four years old. It was the first college in the state to introduce the faculties of Arts, Science and Commerce and also

Department of Bio-Technology, Govt. of India. The newly built state of the art Auditorium houses one of the superior technological infrastructures in Himachal Pradesh.

31 May-2 June 2018 | Bombay Exhibition Centre, Goregaon (East), Mumbai

July - August 2017

Install Sound

New Genelec Experience Centre Opens in Bangalore Following the remarkable success of the Genelec Experience Centre, which opened in London last summer, the concept of bringing state-of-the-art demonstration facilities direct to Genelec customers has spread to Bangalore, India, where a new Experience Centre has just been unveiled. Situated on the prestigious St Mark’s Road, the downtown showroom has been created in partnership with Genelec by regional AV specialist - The Audio Video People. Inside, visitors can select their own source material and evaluate a wealth of Genelec monitors in stereo, surround and immersive audio configurations. The opening of this new facility is intended as the latest step in a long-term plan to upgrade existing high-end showrooms worldwide to reach Experience Centre status, and additionally to develop other Experience Centres at brand new locations over the coming months. “The Experience Centre in London has proven to be a tremendous success, appealing both to existing Genelec customers and those who are yet to install our products in their studios, homes and businesses,” said Genelec’s Clifford Pereira, who worked alongside The Audio Video People during the development of the new Centre. “This new facility in Bangalore continues this comprehensive approach to showcasing Genelec products, and we expect it to generate a lot of interest as both The Audio Video People and Genelec spread the word in the months to come.” Established in 1987, The Audio Video People is counted among

set-up includes three 1238A largeformat monitors accompanied by six 8350A compact nearfields and a 7073A subwoofer. This SAM system can be configured and calibrated thanks to the use of Genelec’s powerful GLM software application. “The wide range of products in this new Experience Centre covers all applications in the latest formats and with the ability to suit any type of ambience or room size,” added Pasha. “We have a

In development for more than a year, the new Experience Centre entrance showroom features an extensive selection of Genelec Professional, AV Install and Home Audio products to fulfil both reference and listening requirements India’s most respected audio providers, with a distinguished track record in supporting Genelec customers. A strong engineering background and service facility means that the company is frequently enlisted to work with architects, interior designers, systems integrators and other stakeholders to help deliver the perfect balance between aesthetics, acoustics and audio delivery. It previously opened a successful Genelec retail showroom, also in Bangalore, in 2013. In development for more than a year, the new Experience Centre entrance showroom features an extensive selection of Genelec Professional, AV Install and Home Audio products to fulfil both reference and listening requirements. “The aim with this room was to give visitors as broad an overview of the Genelec range as possible in the space available – hence a selection

of products that covers a lot of bases within the current line-up of monitors and subwoofers,” explained Farooq Pasha from The Audio Video People. Included within the room are the newly launched ‘The Ones’ family of coaxial point source nearfield monitors, comprising the 8331, 8341 and 8351. In addition, visitors can audition monitors from the 8000 Series, the G Series and the AIW25 in-wall speakers. A second inner room provides the main hands-on demonstration space – designed to facilitate configurations up to 5.1.4 Dolby Atmos – where the

distinguished clientele that covers the ‘who’s who’ of South India, and we have provided high-end audio solutions to homes, offices, restaurants, gymnasiums, studios and entertainment facilities. This Experience Centre will be an invaluable asset as we seek to reach even more customers in these and other markets.” In celebration of the opening of the new Genelec Experience Centre, The Audio Video People are presenting a programme of special events, open days, seminars and more, over the coming months.

Barco partners with Visual Display Solutions for its ProAV Projector Series Global leader in professional visualisation and collaboration solutions - Barco, has appointed Visual Display Solutions Pvt Ltd. (VDSPL) as the national distribution partner for its ProAV Projector series in India. The tie-up is aimed towards facilitating more robust market and channel penetration for Barco’s projection solutions to meet the rising demand

July - August 2017

in visitor attractions, museums, theme park, 3D mappings and large venues in the Indian market. Speaking on the partnership, Rajiv Bhalla, Managing Director, Barco Electronic Systems India, said “The demand for projection solutions guaranteeing better performance and enhanced operational efficiency, along with a more immersive end-user

experience, is on the up. This market requirement in India is what we aim to fulfil with our cutting-edge ProAV Projector series. With VDSPL as our national distribution partner, we are confident of meeting the growing demand for future-ready projection solutions with our extensive range of world-class offerings”. Ramya Chatterjee, Director Sales

– Entertainment & Visualization of South Asian Region, added, “Barco is pleased to announce this partnership with Visual Display Solutions as the national distribution partner for its ProAV Projector range. In 2017, Barco in India is going to target customer segments with various user applications including convention

(Continued on page 40)

Install Sound

Sir Mutha Venkatasubba Rao Concert Hall chooses d&b Audiotechnik Y-Series The Sir Mutha Venkatasubba Rao Concert Hall (SMVRCH), an initiative of the Madras Seva Sadan now boasts a state-of-the-art audio architecture from global pro audio brand d&b Audiotechnik, designed and installed by Ansata who are the official distributors of d&b Audiotechnik in India. The d&b Audiotechnik Y-Series provides bespoke aural reproduction for live concerts, theatrical productions and lecture style presentations. SMVRCH is one of Chennai’s revered live performance spaces that promotes, preserves and propagates all forms of art and culture- both Indian and international. The concert hall is also equipped with state-of-the-art theatrical microphone systems from global leaders DPA, mainly comprising multiple models from the d:fine series of headset microphones and the d:screet series of miniature omnidirectional microphones; all of which were also provided by Ansata. SMVRCH now features a total of 12 units of the Yi8line array elements along with 4 units of the larger format Yi10line array elements, together reproducing the mid and high frequencies, while a total of 4 units of the actively driven Yi-Sub deliver the low frequency impact that brings the performances to life. The entire loudspeaker setup is powered through 3 units of the sublime D80 power amplifiers.

Located in Chennai, the SMVRCH complex consists of a comfortable two level air-conditioned theatre that boasts a lavish 1920 sq.ft. stage, an intriguing art school, a gallery/lounge in the basement and a coffee shop for patrons to relax. Krish Kumar, a key member of the managing committee of SMVRCH, commented on the quality and performance of the new d&b Audiotechnik rig and said, “The d&b Audiotechnik Y-Series offers a really smooth and clean sound, plus the power to really impress when required.” “We were quite pleased with the performance of the audio system that was previously installed here. We realized that integrating the space with d&b Audiotechnik would be far more beneficial to us, not just because of the technological superiority of its products, but mainly because of its stellar representation and service here through Leslie and his team at Ansata. Working closely with Ansata has been extremely important on this project and having direct access to their product specific expertise and onsite support has ensured a smooth and timely system rollout to the complete satisfaction of everyone at the SMVRCH,” he further commented. Leslie Lean, director of Ansata commented, “We would like to thank Krish and all of the committee at Sir Mutha Venkatasubba Rao

Concert Hall for choosing to entrust Ansata with the responsibility of commissioning the concert hall with the kind of effective, powerful and high quality audio system that it so richly deserves, and has finally found in the d&b Audiotechnik Y-Series. The leadership is extremely dynamic with reference to the advanced technology, with a clear realization of how using world class technology can only result in positive outcomes, and we’re grateful for all the help and support that our team received from them during the entire process of commissioning. I believe that is why the end result is such a magnificent sounding hall. It has been an honour for us at team Ansata to have been of service to the SMVRCH and while we look forward to being of service to them soon, we’re confident that their new d&b Y-Series system along with the DPA microphone inventory

Studiomaster Professional launches A 400 Active Loudspeaker Studiomaster Professional’s new A 400 is an affordable self-contained, portable PA system with the compact and light-weight unit sporting a biamplified design that provides maximum efficiency; and high quality LF driver (12” woofer + 2” voice coil) and HF driver (1”exit + 1.35” voice coil) that assure

July - August 2017

superior quality sound with a max SPL of 125dB at RMS power rating of 275 watts (peak power of 550 watts). The presence of a swift 2 band EQ affords unparalleled flexibility in tailoring the user’s sound, while the integrated soft-clip limiter provides added reassurance and safety. The A 400

features standard connectivity options with a combo jack/XLR as the input and an XLR as the output, while the line output allows for the A 400 to be linked with additional speakers and be controlled through a master control. The A 400 also delivers ease of media playback as a result of its USB/Bluetooth MP3 connectivity. Also, its ergonomically shaped handles allows for easy logistics, making the A 400 the ideal mix of power, performance and proven quality in a compact package.

will live up to every expectation.” The luxuriously furnished concert hall has hosted some of the most elegant events in various forms of art encompassing music, dance, recital, playwriting and more - from solo performances, to street plays, to philharmonic orchestra ensembles including events hosted by the U.S. Consulate, Alliance Francaise, Russian Cultural Center, in addition to gigs like the Hindu International Music Festival, the KongMyong, ICCR, and the Ultimate Elton John and the Rockets tribute band performance in recent times.

(Continued from page 38) centres, hotels, houses of worships, stadiums and arenas, visitor attractions (like Water Fountain etc.), fashion retail, automotive retail, advertising, utilities segment and the 3D mapping space. With this partnership, we shall enhance our geographical & channel reach and cater to the vast unexplored Indian market. We remain committed to offer our world-class technology products to India”. Sanjay Dhuria, Director – Visual Display Solution, commented, “We are very excited to partner with Barco. This partnership will add more depth to our product range with innovation-led projection technologies which are not available with any other brands in the industry. With Barco’s wide range of unique projection solutions and technologically superior products, we shall be able to address the requirements for a variety of customers across multiple industry verticals”.

Install Sound

Bose Professional Introduces New Products at InfoComm 2017 speakers mounted in the center of coverage and are intended for inrooms, or surface-mount loudspeakers ceiling mounting near room corners. mounted on walls. And because of EdgeMax EM180 models provide their unique design and consistent nominal 180-degree horizontal coverage pattern, EdgeMax coverage and are intended for inloudspeakers enable installers to move ceiling mounting near wall boundaries efficiently through the installation, centered along target coverage creating a great-looking and greatzones. Both models feature 75-degree EdgeMax In-Ceiling Premium sounding end result. Additionally, asymmetrical vertical coverage, which Loudspeakerswith PhaseGuide EdgeMax loudspeakers produce is optimized for ceiling heights Technology superior intelligibility for speech and between eight feet and 20 feet. EdgeMax in-ceiling premium full-frequency response for music, loudspeakers feature proprietary Panaray MSA12X Modular making it ideal for retail, commercial, Steerable Array Loudspeaker Bose PhaseGuide technology, which industrial, institutional and residential provides room-filling coverage while The self-powered Panaray MSA12X applications. improving overall sound quality features a slim, unobtrusive acoustic “The new EdgeMax in-ceiling compared to the performance of design with twelve full-range premium loudspeakers really create 2.25-inch transducers (with 75 Hz a new category of – 14 kHz response) in a columnar loudspeakers,” stated line array Arun Kumar, Divisional configuration, Manager, Bose Professional to provide – SAARC. “Combining the consistent audio superior coverage patterns levels with typical of larger surfaceoutstanding mount loudspeakers with vocal the visually appealing intelligibility aesthetics of in-ceiling Models- EM90 and EM180, Bose EdgeMax in-ceiland fullloudspeakers – which ing premium loudspeakers with magnetic grille off range music are preferred by most conventional ceiling loudspeakers. reinforcement architects, interior designers and Designed for mounting near wall in acoustically system integrators – EdgeMax boundaries, EdgeMax loudspeakers challenging loudspeakers can provide superior project high-frequency sound spaces. audio quality and coverage while throughout rooms up to 65 feet The MSA12X reducing the number of in-ceiling (20 m) wide using only perimeter model loudspeakers required, compared to mounting locations, and can includes 12 conventional models,” he added. effectively cover an area that would internal power EdgeMax in-ceiling premium require up to four conventional amplifiers (50 loudspeakers are available with conical-coverage models. Thus, watts per two different horizontal coverage Bose Panaray MSA12X Modular EdgeMax loudspeakers can eliminate patterns. EdgeMax EM90 models Steerable Array Loudspeakers in the need for conventional ceiling provide nominal 90-degree horizontal black and white finishes. Bose Professionalintroduced a series of new products at InfoComm 2017, Orlando. The line-up included- the new MB210 compact subwoofer, Panaray MSA12X Modular Steerable Array Loudspeaker and EdgeMax inceiling premium loudspeakers.

channel; total 600-watt rated power) and onboard DSP to allow digital control and beam steering of array vertical coverage patterns. Proprietary Articulated Array configuration allows wide, 160-degree horizontal coverage. Independent level and EQ control is supported for two separate beams per array, and onboard memory stores up to 10 user-selectable presets. The MSA12X features both Dantenetwork connectivity and linelevel analog input. The modular design allows up to three MSA12X units to be vertically arrayed to increase coverage distance and low-frequency pattern control. The slim, low-profile elegant enclosure mounts close to surfaces, blending in with the visual aesthetic of a space, and its digital control eliminates protruding pitch brackets. An integrated mounting bracket allows up to 90-degrees of pivot away from surfaces. Design, setup, and control of beam coverage are provided by Bose Professional Modeler

Bose Professional MB210 compact subwoofer and ControlSpace software. The MSA12X is available in either black or white finish and is paintable. Panaray MSA12X Modular Steerable

(Continued on page 44)

Sun Infonet carries out Microflex Advance certification in India Sun Infonet along with Shure MEASA conducted back-toback technical certifications in Mumbai and Bengaluru focusing on the Microflex Advance Array Microphones. Corporate clients, AV consultants and System Integrators attended the sessions conducted by Ritendra Poddar- Technical Support Engineer - Shure MEASA. The certification covered applications in meeting environments, challenges that users face, determining the appropriate solution and best practices for implementing such technologies. “The technical certifications was followed with the launch

July - August 2017

of Microflex Advance at InfoComm India and ensured that our integration partners apply the right process when they are designing, installing or supporting any installations using the array microphones across India,” commented Neeraj Chandra, Director at Sun Infonet. Corporates, AV consultants and System Integrators attended the Microflex Certification “As global organizations invest in their presence in they are accustomed to,” commented consultants, system integrators and India, we are keen to support IT/AV Chicco Hiranandani, Director at Shure even end users have the necessary departments that are seeking partners MEASA. information to quickly deploy in-country who can provide them the He added, “Carrying out such meeting rooms that are consistent knowledge, service and support that technical certifications enable local and dependable.”

Install Sound

Yamaha Announces New Dedicated UC Department and launches CS-700 Yamah anannounced its commitment to the unified communications (UC) market with the development of a dedicated UC department. Leveraging the expertise of Revolabs, a subsidiary of Yamaha that will be part of the new department, Yamaha will focus on solutions that enhance communication and continue to develop products that help organizations reach their business goals. “Yamaha has more than 10 years of experience within the UC industry from working with our enterprise customers in Japan,” said Hirofumi (Hogan) Osawa, executive officer, senior general manager of audio business division and general manager of UC Department, Yamaha.

“Our latest organizational change and solutions developments are natural steps toward cultivating those relationships worldwide. With music and sound technology as one of our core strengths and an investment in significant resources across the company, we’re wellpositioned to expand our presence in this global market segment with

our current and future product suite,” he added. Yamaha acquired Revolabs in 2014, broadening Yamaha’s portfolio and knowledge in the UC field and further opening the gate for Yamaha into the UC market. Revolabs is well-known in the The CS-700 Video Sound Collaboration System for Huddle Rooms couples Revolabs’ industry for its highmicrophone expertise with Yamaha’s audio expertise and strict quality control quality audio and conferencing solutions communications across all vertical comprehensive, high-quality voice, and excellent technology integration market segments. By fusing their audio, and video that eliminates with leading UC service providers technology and expertise, Yamaha any operational challenges and and software leaders, including and Revolabs will provide crosscreates more productive, intuitive Microsoft, Google, Cisco, and Zoom. solution support that will address collaboration experiences within the growing range of business huddle spaces. communication applications. “Successful communication The recently announced Yamaha that connects remote meeting CS-700 Video Sound Collaboration participants is dependent upon System for Huddle Rooms is the exceptional audio and being able Combined with Yamaha’s first jointly engineered UC product to have a high-resolution picture world-class quality, Revolabs develops from the two companies. It couples that captures the nuanced facial superior conferencing products for its Revolabs’ microphone expertise with expressions that are part of effective customers. Yamaha’s audio expertise and strict conversation,” said Osawa. “With Revolabs will continue to design, quality control. Alongside incredible our mission focused on enhancing produce and sell UC conferencing audio, the CS-700 incorporates a customer experience through our products under the Yamaha brand. wide-angle HD camera that ensures products and services, the CSThe new products will combine meeting participants can see facial 700 is a natural evolution of our the strength of both companies expressions and body language that communication portfolio. This in their definition, design, and are vital to successful, productive offering is just the beginning of production to address the projected meetings. This solution, the first our joint quest to enable perfect widening product space in business to include video technology from voice and video that create fulfilling Yamaha, provides users with unified communications experiences.”

(Continued from page 42) Array Loudspeaker is designed for use in houses of worship, auditoriums, museums, transportation facilities, lecture halls, conference facilities and theaters.

MB210 compact subwoofer MB210 is designed for background/ foreground music and small soundreinforcement systems that require low-frequency extension down to 37 Hz. The MB210 subwoofer features two 10-inch high-excursion woofers, derived from the awardwinning Bose Professional F1 portable powered subwoofer, in a compact Baltic-birch plywood enclosure optimized for fixed-installations. Featuring outstanding performanceto-size ratio, the MB210 is designed to complement Bose Professional

July - August 2017

FreeSpace, Panaray, and RoomMatch Utility loudspeaker models with additional bass impact. The key features of the MB210 compact subwoofer include- two 10-inch high-excursion woofers, 500 W long-term power handling, lowfrequency response down to 37 Hz, 123 dB SPL continuous with 129 dB peak SPL (half-space loading), Baltic Birch plywood enclosure optimized for fixed installations, compact 26” x 11.5” x 18” (660 x 292 x 457 mm) dimensions, 41 pounds (18.6kg), scuff-resistant polyurethane paint with black or white finish and U-bracket included for easy horizontal or vertical mounting. The Bose Professional MB210 compact subwoofer is scheduled for fourth-quarter 2017 availability.

Galaxy Audio Introduces AS-1400 The new AS-1400 is the latest addition to Galaxy Audio’s highly acclaimed line of Wireless Personal Monitors, offering high end features and performance at an affordable price. The transmitter features stereo XLR/1/4” inputs, headphone output with volume control, input level control, and LCD display for

AS-1400 features Mixed Mono Mode

channel and input level. The Receiver features Mixed Mono Mode for your own personal mix, volume, and an LCD display with channel, battery level, and RF level. Galaxy Audio’s new comfort EB4 premium earbuds feature titanium drivers, extended bass response, aluminum alloy construction, and now come standard with all WPM models. The AS-1400 is ideal for the working musician, House of Worship or any application requiring an affordable, reliable WPM system.

farbe true brightness

ENTTEC

F-27/5 Okhla Industrial Area, Phase II, New Delhi-110020 Mobile No.: +91 9312976084 / 9871622883 / 9811314206 info@mssworld.com, sales@mssworld.com, www.mssworld.com

Deals in

LIGHTING / TRUSS / SOUND / VIDEO / INTEGRATION

Install Sound

Dev Electronics LIVENS Lord Of The Drinks WITH HARMAN Products With its name drawing inspiration from J.R.R Tolkein’s immensely popular novel titled “The Lord Of The Rings”, Mumbai is now home to “The Lord

further enhance future programming prospects. Another aspect that our patrons absolutely love is the way the place sounds – through experience

respectively. The powerful audio system at The Lord Of The Drinks has been designed and commissioned by the team from Dev Electronics Mumbai, official distribution partners of Harman Professional products in the western region of India. After carrying out an extensive research and detailed analysis of the space, the Dev Electronics team, lead by Ketan Shetty, devised an impeccable audio solution for each of the venues, where in cabling and power solutions, placement of loudspeakers and most importantly the acoustical properties

we know how crucial it is to have a good audio system in place that can ably support and reproduce great quality music. And to ensure that this aspect was covered thoroughly was always a priority for us. So it’s really a shot in the arm when our patrons commend The Lord Of The Drinks for being a venue that sounds every bit as good as it looks¬.” The venue is laced with a comprehensive audio architecture from Harman Professional. The loudspeaker system comprises JBL products, while the amplification and routing comprises of Crown and dbx

of each of the individual venues were taken into consideration while designing the PA. The main PA at the Mumbai venue consists of ten units of the JBL SRX712 two way compact loudspeaker along with four units of the JBL STX828 subwoofers, while multiple units of the JBL Control 28-1 speakers form the satellite audio system that work as fills The entire system is powered using amplification from Crown, with the XTI6002 and the MAI9000 power amplifiers in active use. And a single unit of the dbx360 loudspeaker management

The powerful and efficient audio system at The Lord Of The Drinks Of The Drinks” - new rage where the youth of all ages congregate for an amazing confluence of great food, drinks and ambience. The Lord Of The Drinks adorns is further enhanced by an awesome music schedule – programmed by none other than the supremely talented DJ CAM. From commercial to hip-hop and everything else in between, The Lord Of The Drinks has a whole lot of something for everyone to enjoy. A representative of the The Lord Of The Drinks management shares a few insights about the response that they’ve had from the audience to their gig programming, saying “It’s been very positive and encouraging so far. People have supported the gigs whole-heartedly by enthusiastically attending in numbers. We’ve also received a great deal of positive feedback regarding the music, and have implemented this to

processor is used for all routing and processing applications. The DJ booth is features gear from Pioneer including DJM 900 NXS2 mixers and CDJ 2000 NXS2 players to delight along with a single unit of the JBL PRX715M acting as the superefficient monitoring solution Talking to the installation team about the challenges encountered during the project, they mention that one of the main work-around was the low ceiling of the indoor section. The placement of the loudspeakers had to be done in an innovative manner so as to ensure that the aesthetic appeal of the venue would be maintained while assuring that the projection path of each of the loudspeakers delivered maximum coverage and impact. Ketan and team also suggested appropriate placements for the subwoofers too, so that all the energy would be focused on the dance floor and there would be no low-frequency cancellations. Plus, with the help of the Dbx260, the installation team provided a novel way of controlling the audio level and maintaining optimum audio performance at all times. The management are quick to compliment the installation team. “The pro audio system designed and integrated by Dev Electronics has had a super positive impact on the overall ambience of the venue. The owners are extremely happy with the overall sound quality as well as with the look and placement of the loudspeakers. The entire setup looks neat and attractive, and the performance is absolutely spot on! All in all, The Lord Of The Drinks truly is one of the best sounding places in the city!”

Q-SYS Platform Offers Integration with Atlona Solutions QSC, and Atlona have announced a collaboration to co-develop plug-ins for the Q-SYS Platform. These plugins provide networked audio stream compatibility with Atlona OmniStream AVoIP products, and offer direct system control for CLSO Series video switchers. The OmniStream plug-in allows the Q-SYS Platform to ingest a direct audio stream from encoders as it does for any other input, and Q-SYS can process, route and mix those audio channels anywhere on the

July - August 2017

network. The CLSO Series plug-in he added. enables direct control of switcher “We are very excited to operations from within Q-SYS user partner with QSC and deliver control interface. solutions that minimize “Atlona is an ideal partner complexity for the integrator,” for QSC as they offer a solid said David Shamir, Director and reliable video distribution of Product Management infrastructure that pairs perfectly for Atlona. “Our best-inwith Q-SYS,” said Mike Brandes, class OmniStream platform The OmniStream plug-in allows the Q-SYS Platform and CLSO Series are now Product Manager, Installed Systems for QSC. “One of the key to ingest a direct audio stream from encoders enhanced by adding easy and capabilities of the Q-SYS Platform direct control through one of ins offer cutting-edge and native is its unique ability to easily integrate the most powerful IT-based platforms integration for Atlona products for with third-party devices. These plugin the industry,” he added. corporate enterprise environments,”

NLT4FX

NLT4FX-BAG

NLT4MX

NLT4MX-BAG

NLT4FP

NLT4MX-BAG

NLT4MP-BAG

INCLUDES BOOM ARM WITH DOUBLE THREAD FITTINGS

METALLIC ADJUSTING SYSTEM

Ref.STA-03

Aluminium ST-113 + STA-03 Aluminium INCLUDES CABLE CLIP

ROSCA 3/8" y5/8" 3/8" & 5/8" THREAD FITTINGS

Ref.ST-113

Kiran Sales Corporation 52, C/A Jyoti Estate, Chottani Building, Proctor Road, Mumbai - 400 007. Tel:+91-22-23862749/23876147 Fax:+91-22-23800818 | Email: biren@kiransales.com | Website: www.kiransales.com

Install Sound

Riedel AcquireS Majority Stake in Antenna Company PIDSO Riedel Communications has brought on board a powerful new center of expertise through a partnership with PIDSO, a leading manufacturer of innovative and lightweight antennas and antenna systems based in Vienna. With the deal, Riedel assumes a majority financial position in PIDSO, accelerating development of solutions that leverage PIDSO antenna systems with Riedel’s industry-leading family of communications systems. “With its innovative solutions in the field of high-performance antennas, PIDSO not only complements our product portfolio, but also fits right into our company philosophy. Embracing advanced technologies and delivering visionary solutions to real-world

challenges have always been part of Riedel’s trademark,” said Thomas Riedel, Founder and CEO of Riedel. PIDSO offers specialized expertise in the development and manufacture of lightweight antennas and antenna systems that can be integrated easily into existing building spaces. The company’s antennas are widely used in the automotive industry, aircraft construction (particularly for unmanned aircraft), logistics control systems, and video/cinema production. With this partnership, Riedel gains an experienced team and deep expertise in custom antenna systems, together with access to new markets such as automotive and aircraft, and the growth market of unmanned systems. PIDSO’s addition to the Riedel group will create synergies between the two

With the deal, Riedel assumes a majority financial position in PIDSO, accelerating development of solutions that leverage PIDSO antenna systems with Riedel’s industry-leading family of communications systems companies’ research and development operations in Vienna that will benefit

partners and customers alike.

Audio-Technica debuts ATDM-0604 Digital SmartMixer Audio-Technica has introduced the ATDM-0604 Digital SmartMixer which is a six-channel automatic mixer ideal for meetings, and conferences, and other applications involving the use of multiple microphones or other media inputs. Among its many features, the ATDM-0604 combines intuitive use with superior echo cancellation and flexible web remote functionality for a seamless experience. SmartMixer technology produces a high-quality output from all inputs in a setup by automatically mixing channels in gate or gain sharing mode. This process eliminates feedback, excessive ambient noise

and comb filtering.

Media Setup The ATDM-0604 includes a number of inputs, outputs and ports that includes- four balanced microphone inputs, two balanced Mic/Line inputs, one unbalanced stereo input, one unbalanced stereo and two balanced mono outputs along with network -Cat5e or better, and USB ports. Additionally,the mixer includes A/B Audio-Technica Link ports that enable users to create an expanded setup. These ports allow for up to six ATDM-0604 mixers to be connected via Cat5e cable for simultaneous use.

Dev Electronics organizes AUDIO FEST 2017 (Continued from page 12) the key functions of the Nexus 2 system in addition to speaking about the latest updates for some of their

July - August 2017

market favourite controllers). The Audio Fest 2017 reportedly drew visitors from across the state of Maharashtra as well as the rest of the country, with the visitor profile mainly comprising live sound rental company owners and professionals, live sound engineers, installers and system integrators, DJs and music producers, and other industry

Usability The SmartMixer is equipped with Parametric EQ, compressor and limiter, and feedback control are available for input and output control and processing. From ATDM-0604 Digital SmartMixer is a six-channel the front panel, controls and automatic mixer ideal for meetings and conferLED indicators allow users to ences easily - adjust input/output gives users the flexibility to make and gain levels, set and recall presets, adjustments from a Windows-based turn on/off phantom power, low-cut PC, Mac, iOS or Android device. The filter, automatic mixing and acoustic Web Remote also allows users to echo cancellation (AEC) and change change input and output settings, IP configuration (Auto or Static). select gate or gain sharing mode and These options can also be found adjust other advanced settings. on the Web Remote interface, which

professionals. Noted industry stalwarts such as Manish Mavani, Prakash Ahuja, Jitendra More, Sachin Nasre, etc graced the event emphasizing their support and commendation towards this initiative. Also present at The Audio Fest 2017 was the iconic Roger Drego, who inaugurated the event and was subsequently felicitated by Dev Electronics’ director – Mr. Dilip Devjani Dilip Devjani, director of Dev Electronics shares his comment about The Audio Fest 2017 saying, “The Audio Fest 2017 has truly been a festival of professional audio in every sense of the word. From showcases of the best in pro audio technologies across application segments to

intense knowledge sessions to serious and meaningful business networking – The Audio Fest 2017 had it all. The show catered to every single need of all industry professionals, and thanks to the support of all our partners, our dedicated clientele, and all our respected industry fraternity who graced the show with their presence and showered us with all their support and good wishes, the Audio Fest 2017 turned out to be every bit as amazing as we had imagined it to be. A great big thank you to the industry once again for all their support – you have boosted our confidence and morale to a whole new level; and now we’re eagerly looking forward to 2018!”

Presents

THE GTO LINE ARRAY FAMILY

GTO

GTO DF

GTO LOW

GTO SUB

from our Patented V-Power Concept (US D500,306 S) and D.P.R.W.G. Wave Guide (EP1532839) .Extremely compact package: H 14.3” (363 mm) - W 44.3” (1126 mm) - D 25.8” keeps weight to a minimum. Same foot print as the full sized GTO - makes all hardware and accessories fully compatible. Single 12 GTO C-12’s for weight restricted venues.

OUTLINE. PASSIONATEMANAGEMENT PURSUIT OF PERFECTING PRO AUDIO SINCE 1973 GLOBALTHE PRO-AUDIO OUTLINE ITALY SRL Tel.: +39 030 35.81.341 - mail to: info@outline.it Tel: +91-11-42576264 | Mobile: +91-9811225230 | Email: info@globalpro-audiomanagement.com ; gaurav@globalpro-audiomanagement.com

www.outline.it

https://www.facebook.com/Global-Pro-Audio-Management-1760733594210454/ | Website: www.globalpro-audiomanagement.com

Install Sound

Dev Electronics adorns Glasshouse with outstanding sound Located in the bustling suburb of Malad in Mumbai, Glasshouse has quickly gained repute as the city’s latest uber-chique party hotspot thanks to its perfect mix of

products from global pro audio leader brand – QSC – comprising products from the brand’s latest globally acclaimed E-Series, with a total of 6 units of the E15 high

class industry standard DJ system from global leaders Pioneer takes center stage with 2 units of the CDJ2000NXS player/controller + 1 unit of the DJM850 Dj mixer; with the DJ monitoring completed through a pair of B400 two-way multi-utility loudspeakers from reputed brand Studiomaster. Talking about the kind of impact the overall vibe of the place has had on patrons who visit the place, a senior member of the Glasshouse management mentions “Ask any of

quality two-way loudspeakers deployed in tandem with 5 units of the E18S 18” subwoofers, each of which are placed strategically to deliver uniform coverage with great clarity and impact. The loudspeaker system is powered through 3 units of the inimitable XTi6002 power amplifiers from global leaders Crown by Harman, which provides ample juice to the system, capable of easily pumping levels to match those of full-blown nightclubs. There’s magic at the DJ console as well – a world

our patrons and they will tell you that they absolutely love the vibe at Glasshouse. The people who stay in and around the surrounding area have always wished for a space that delivered a premium chill-out experience with good food and a great ambience. And we’re proud to say that Glasshouse has delivered just that, and quite emphatically. Apart from the food and drinks which the people absolutely fawn over, many of our patrons rave about the quality of music they experience at

The audio scheme at Glasshouse consists of a loudspeaker system from QSC’s latest E-Series amazing food and beverage, chilled out sheesha options, and a regale ambience that only sweetens the experience. No chill-out experience is ever complete without music, and this is where Glasshouse scores high. Glasshouse elevates the leisure experience for their patrons through a spectrum of music, and what makes this aural experience even more enchanting and heightened is the comprehensive world class pro audio setup integrated at the space. The superlative audio system at Glasshouse has been designed and integrated by Mumbai based comprehensive solutions provider Dev Electronics, wherein the audio scheme consists of a prominent loudspeaker system

Glasshouse. They say it’s clear and impactful yet unobtrusive, which makes their leisure experience even more enjoyable. And as a part of the management, that’s exactly the kind of experience we wish for all our customers. The entire team at Dev Electronics have done a fabulous job with the audio setup, and there’s absolutely no doubt about it. As of now the crowds are loving the music, and we know for a fact that the system here is so versatile and incredible that we can host parties with high energy DJ music playing without even having to think once if the system would be able to handle it. And we know for sure that the crowd would absolutely love it!” And speaking about the experience that he and his team have had on being associated with the Glasshouse project, Ketan Shetty of Dev Electronics shares “It has been our pleasure to be a part of such a memorable project. The place in itself has a great charm to it, and so we realized that having the right audio system in place would only make it even more fantastic and unforgettable. And thanks to the effort and support of each and every person who was a part of the project, that’s exactly what Glasshouse is right now - one of the most happening places to be at in the city. The management have done a great job with the entire project, and we’re sure that the string of success will just keep growing in the future!”

Mackie lifts Energy Levels at Cloud 9 Gym and fosters divine experience at caramel church, hyderabad Cloud 9 Gym, Mumbai Cloud 9 Gym in Andheri, Mumbai has deployed four units of the Mackie Thump12 loudspeakers, each of which are strategically placed, delivering optimum coverage and maximum impact. Elaborating on the choice of products for the project, Jaison of Sonotone Electronics commented “The gym contacted us and mentioned that they needed a system that was not only aesthetically appealing and easy to maintain, but also high on performance in terms of accurately reproducing

July - August 2017

the wide range of music they played with maximum impact. We knew that the Mackie Thump12 would definitely deliver the kind of supreme sonic experience that the management desired, while maintaining high standards of usability and durability, which is why we decided to go ahead with it. The high quality system has had an amazingly positive impact on the gym, as the management claim that their patrons love working out there, thanks to the increased energy level, while their staff finds this to

be one of the best ‘easy to use and maintain’ audio system ever.”

Carmel Church, Hyderabad The Carmel Church in Motinagar Hyderabad is one of the city’s iconic religious structures in the city, and boasts of a strong followership of thousands of locals. The church has reinvigorated its services with great audio and speech intelligibility with the newly acquired Mackie SRM650 powered loudspeakers. Mr. Arun, who consulted the

church in the install process, shared: “The priests and management of the Church were seeking an efficient and aesthetically pleasing loudspeaker system that would improve the quality of speech and music delivery for their regular services. After a brief look at the options available, they opted to go for the Mackie SRM650 powered loudspeakers owing to its great quality and delivery, and also because it was the most priceefficient product in its range. In the end, it worked out great.”

www.krystals.in

The Biggest Range of Audio Cables

Cables India Pvt. Ltd.

Pro Analog

Eco Digital

Pro Digital

New Range of Connectors & Interconnects

New Range of Multi-core Systems

Beta Digital

Made in India for the World

When Trussing becomes a work of art

Lockable Mojo Barrier

Inter Lockable Aluminium Stage www.krystals.in

Show Review

PALM 2017 welcomes 21, 27,000 sqm exhibit area, PALM Content creates pride and position for professionals establishing credible, reputed platforms with awards, conferences, championships

Alpha

tec dis

playe

d the

entire

July - August 2017

bouq

uet of

TX A 1

d JBLV

er en m high

ts fro produc sity of ro r p e 1 iv d n gs a le Eo AN brin ultra-portab HARM the ray to line ar

ALM 2017 got off to a roaring start with long queues for the registration before opening hour at 11am. Total visitors on day 1 clocked 7682 with nearly 2000 participants, representing the exhibitors. It was thumbs up across the exhibit floors from all exhibitors signaling a very high quality crowd - knowledgeable and representing prospects. The three day event from June 1- June 3, 2017, once again at

the Bombay Exhibition Centre, was the largest PALM expo in its 17 consecutive year, growing consistently year on year at more than 10 to 15 percent. PALM expo covered in all 27,000 sqm across the demo qubes, line arrays, live arena, conference halls and exhibit area.

NUMBERS say it all

Witnessing the maximum number of new products this year, Day 2 clocked 7440 unique visitors, with a

brand

s from

princ

ipals

Music

r play b ata dis s n A d se lore ba audiotechnik Banga &B d , A P Avid, D

Group

cipals

eir prin

om th ands fr

Show Review

506 unique visitors across 10 highlight pro features A packed registration hall

ange

r layed a s disp m te s sy . audio tics etc Hi-tech CF, L-Acous R , DigiCo

Bose d isplaye d the n with o ther pr e oducts w ShowMatc h De

ltaQ at

their b

ooth a

long

record 10186 footfalls. Over the three days of the show, total unique visitors registered were 21506, an increase of 17.5% from 2016. The show hosted a total footfall of 27,191 visitors across three days. “We were here two years ago in 2015 and when we compare 2015 with 2017, we found that the attendance was much higher, very high quality attendance and I guess the whole show is much more satisfying than it was in 2015. The response has been better both in terms of attendance and quality of attendance,” said Sonu Khurana of Ahuja Radios. “PALM 2017 welcomed 225 exhibitors across five halls and two demo grounds. This large expo replete with the latest technology from leading brands exhibited latest products from across the world. ABEC is proud to serve the pro sound &

nt from

ipme of equ

als

princip

light industry in this remarkable expo which saw a total footfall of over 27,191 this year and which we shall build bigger and better in 2018,” said Manish Gandhi, Director & COO of ABEC Exhibitions & Conferences Pvt. Ltd. Stage sound & lighting indeed was the biggest chunk of the visitor pie. Remarkably systems integrators looking for solutions across AV, Audio–for-Video, cinema, represents the second highest piece of the pie. Studio recording and music production solutions represented the third biggest piece of the pie. The visitors mix for each segment was a healthy average between professional talent and business buyers. “ITE takes pride in ownership of this dynamic platform, infusing energy to the event entertainment industry in India. ITE is committed to develop content to drive professional growth

July - August 2017

Show Review

In co ll Corp aboratio n wi orati th o Sour ce L n has bu Precisio ouds i n peak lt the Sto Device s er new ater , UK, MP P800 T 0 Po V int

in India’s changed stage sound & light market. The show’s success can only be attributed to the enthusiastic attendance of 21,506 unique trade professionals. ITE is happy to serve this dynamic community,” said Gordon Payne, Asia Regional Director, ITE Asia Exhibitions Limited.

DISTRIBUTION Network & Partnerships

PALM has always been instrumental in expansion of sales distribution and dealer network, which has grown exponentially over the last decade. As is the norm every year the floor abounded in news about new brand distribution alignments. While Nexo was in the fore with its ground-breaking sound reinforcement solutions on new Indian Distributor YAMAHA Music’s booth, the Belgian Audio Focus made its mark at Delhi distributor Sun Infonet’s booth. While Modern Stage Service has tied-up with Dutch

Modi D

special effects solutions provider MagicFX, Australian LED Manufacturer, Enttec announced its partnership with Modern Stage Service Pvt. Ltd. Narain Audio has been appointment as India Distributor for the Italian Lavoce Speakers and this year, the German Nova could be seen with a complete range of products at new distributor Rivera International’s booth. While Antelope Audio is all set to penetrate the Indian market with Rivera Digitec as its exclusive distributor for the country, Hyderabad-based H Audio brought the British premium audio brand VOID to Palm 2017 and Tasker has been added to the portfolio of Delhi Light & Music. “Indian market is huge, and it’s growing; we believe it’s time we pitched in ourselves,” said Kevin Shone, Business Development Manager, Lavoce. “Indian market is vast, one of the rapidly growing in the region; and what better way to announce our

coming here than a show like this. We are excited about our partnering with Modern Stage Service Pvt. Ltd. through this platform,” echoed Nicoloas Moreau, Director of Enttec.

NEW products in plenty

As the pro sound and light market continues to mature across India, the expo attracts the biggest rental companies and most influential systems integrators looking for solutions across stage sound & lighting AV, Audio –for-Video, cinema sound, studio recording and music production solutions. Over the three days, top honchos and tech gurus in the event business are present in strength at the show in anticipation of the new products on the floor. Exhibits were divided into the sound and display hall and the lighting hall. The expo floor in Hall 1 was replete with a range of new products

Star Dimensions, official distributors for Elation and Global Truss at the show

July - August 2017

e Aud

ses Ev

owca ital sh

on display with many exhibitors organizing special product launch events. Sonodyne from Kolkata launched a range of speakers for Pro Audio and Cinema. The new launches included ceiling and in-wall products for installations. For the installed space, Sonodyne launched a complete new range of wall mount speakers fettering new moulds, and transducers. Expanding the Sonus range from Avant, Sonodyne introduced new kevlar woofers. New Delhi based Hi-Tech Audio Systems Pvt. Ltd. showcased the prestigious DiGiCo SD5 digital mixing console, along with the DiGiCo SD12, a smaller variant of the ambitious SD5. “PALM 2017 is been a very successful exhibition for us. We had a Digico training area conducted by Fali, and we got a very good response for this product. Also on display is the new SD5 from Digico. We have brought a lot of new products from all our brands. As far as RCF is concerned, we got the new RCF HD 3, and with respect to L’Acoustics we have brought the Syva. Other new products on our booth include the Bose ShowMatch and new microphones from Shure,” informed Rajan Gupta of Hi-tech Audio. Kolkata-based audio distributor, Alphatec, brought to the expo a wide display of equipment from its principal - Music Group. The entire bouquet of brands from Music Group - Lab.gruppen; Midas; Klark Teknik; Tannoy and Behringer was showcased on the floors. “I take a lot of pride sharing that one of the most amazingly

G.M. A

udio g

oes all

out wit

h D.A.S

Show Review popular product like DeepMind which is an Analog synth developed by Behnringer is actually being demonstrated live over here. We had some of the musicians coming here and playing live and they were amazingly happy with this. Another product that we have showcased here is DMA 1000 which was the recent DSP we have launched under Klark Teknik and we have actually received a fantastic response,” said Karan Kathuria of Music Group. “PALM is one of the most important shows for the pro audio industry in India, and we really recon the importance of this show. It is one platform where all the brands actually get a chance, not only to connect with the end costumers but also to showcase what we have and what we will have in the future. It is one of the platforms where we really understand from the customers what exactly they need, and we actually drive our product development as per their needs and not vice versa. We don’t actually want to be developing products what we feel sells but developing products what the customers want us to sell and develop. It is a very important forum for us to understand, to hear and to see the audience live,” he added. Bose Professional besides challenging decibel levels in the PALM Demo Qube area, also displayed its range of products at its booth in Hall 1, highlighting its exhibits with its latest ShowMatch DeltaQ loudspeakers and ControlSpace EX boardroom conferencing solution. “PALM Show has been gaining traction through the country gradually. Early on, the visitor

The

ime

First t

AA ors GP

exhibit

profile was mostly focused on west, especially Gujarat and Maharashtra. This time I saw a lot of people from South and North India coming here. In one platform I can reach out to a large audience. Lot of people we met from two tier cities, which is a plus for PALM and for us. For us at Bose, our objectives get met. It is much better organized and they have been improving every year,” said Arun Kumar – Divisional Manager, Bose Corporation India Two of the biggest exhibitors at the show – YAMAHA and HARMAN were present with a range of new products. “This year we have brought a complete diversity of products for PALM. On the higher end we have got the new JBLVTX A12 line array, and the lower end we have got something like the ultraportable JBL EON 1 pro. The JBLVTX A12 line array is on display and we are also playing the HARMAN live arena on it and all the artists love it. It is a brilliant peace of technology

Kripa E for A lectroni c dam Hall, s India (K keep E visito I), officia ld rs ho oked istributo rs

as showc

which we launched at PALM. We are also unveiling at the PALM this year an exciting concept called the Connected PA, which allows you to store presets for certain microphones, “ said Prashant Govindan of HARMAN. HARMAN Connected PA is a one of a kind integrated PA system that automatically identifies and configures your connected equipment with a single app. YAMAHA once again booked its own dedicated space in Hall 2B and 2C, highlighted by an impressive display of technology. Besides a comprehensive range of speakers from Nexo and Yamaha for applications ranging from live events and fixed installs like pubs, clubs and HOWs to solutions for corporate events and venues, also on exhibit were the WX series wireless speakers, VXS Series M and S models, MX series and Montage synthesisers and many more. For the music industry YAMAHA launched a new CLAVINOVA Digital Sereies including the CLP-625, CLP-635,

ables

stal C he Kry

at t e way

s all th

Cable

ne e Outli

booth

Aero

ns b

ooth

at th

e sh

CLP-645 and in the keyboard section two new products PSR-E263 and PSR-E363. The YAMAH Live Stage in the YAMAHA Hall boasted of some of the finest Indian artists from genres like hard rock to jazz fusion – Louiz Banks, Gino Banks, Stephan Devassy and Master Lydian Nadhaswaram to name a few beyerdynamic India exhibited a wide range of solutions that included the manufacturer’s legendary studio headphones DT 770; 880; and 990, TG Series wired microphones, and the TG 1000 Digital Wireless System. “PALM is getting better with the organizational perfection, and quality visitors. It is the single largest platform for the ProAudio industry, and coming here is a right step forward for the existing and the new comers as well,” said Naveen Sridhar, Director-Sales (SAARC), beyerdynamic. Mumbai based Vardhaman Mega Tech made headlines at PALM 2016 with its acquisition news of British Acoustics and OHM and this year

IES br ing Ma drix, R PALM obe, M 2017 artin

Audio

, Avoli

tes, et

c. to

udio arain A ibitor N h x ce e o r v a regula ipal L w princ ches by e n n u m la o w Ne cts fr d produ include

ting ge ligh of sta n y io a t r r projec uge a ed a h interactive y la p td. dis ns and an Pvt. L MSS solutio in s us g case and tr w o ing sh mapp

OHM highlighted its presence on the floor with the launch of a revolutionary new line array system – CORA which boasts of 143 dB of SPL and weighs just 23.1 kilos. Integrated Entertainment Solutions (IES) exhibited a vast range of solutions from Avolites, Powersoft, Madrix, Powersoft and Martin Audio. The highlight of the display, was, the CDD Live 218 dual driver, direct radiating powered subwoofer from Martin Audio. “PALM 2017 has been a wonderful show. Lot of interests and lot many new customers, so it has been a good experience. We have brought a range of new products at the show. We have the Blackline X from Martin Audio, the Titan v10 from Avolites, Madrix is promoting the new software Virgin 5 and we are also displaying the new amplifiers Quattrocanali and Ottocanali series from Powersoft. This year Sennheiser made the stakes go higher with new and innovative showcase of professional

PALM expo is a great platform where music and sound industry people come together and share their experience and skills. It’s opening the doors for many Indian professionals to meet the world standards of music/audio technology. I am delighted to see such a brilliant effort to uplift and better the entertainment industry. – Sanchit Balhara – Music Composer, Bajirao Mastani Digital 6000 among others. Other products on display also included wide range of products from Neumann and Apart along with installed sound products. “We, at Sennheiser have been committed to the audio industry and have always created products that will help audio professionals to capture

needs of the present generation customers, who are dynamic and open to advancement. We are happy to showcase this range at PALM Expo as it is a great platform covering key topics on the trends in pro audio, lighting & staging technology, studio & music production, post production, broadcast, and key technologies that shape the present and future

of audio“- said Mr. Vipin Pungalia, Director Professional Segment at Sennheiser Electronics India Pvt. Ltd. AG Acoustics, Indian distributor for Belgium headquartered Celto Acoustique, showcased the manufacturer’s range of products which included the IWAC series Line Array speakers, the iFIX Series, ultra compact installation series, the VCM coxial monitor and CT series full range loudspeakers. In collaboration with world renowned transducer manufacturer Precision Devices from UK, Pune based MPTV Corporation has built the Stonewater P8000 Point Source Loudspeaker which was launched at the PALM expo. While first time exhibitors Jinali Enterprises introduced 100 mtrs VGA & HDMI Cables at the show, Sontone Electronics who have been exhibitors at PALM Since its first edition, demoed new launches from its principals Marani, Dynatech & JTS. “We have brought two new products at the show. One is the wooden 15 inch active cabinet, fully powered, the other one is plastic cabinet, 15 inch fully powered and then there are two new line arrays that we expect to go pretty well in the live sound market,” said Karan Nagpal of Sonotone Electronics. The new launches by regular exhibitor Narain Audio included besides Lavoce products, their own Rock EUR, Rock UR, UHF100 and UHF200. Adding an extra flavour to the showcase, was the introduction of NX Audio’s Slam 5, M5K, N14K, IT Series Amps, DJ Media 6000V, DJ Media 4000 DJ Midi, Carbon3 BU Mixer, Symphony Series, FMU14 Mixer, DC26Q, ARIA and VOX mics, techno

s at

sines

s bu usse

c al dis Nagp n a r Ka oth ’s bo tone’s Sono al P.audio ip princ

and create audio in the best possible way by making products that are a perfect blend of engineering and unmatched design. This year our products portfolio been very customer-oriented, catering to the

audio equipment at the Premier Industrial booth for consumers to experience and gain deeper insight. The showcase included the newly launched Ambeo VR Microphone, Go-Pro Microphone, XS Wireless 1-2,

Show Review

Aspiring DJs flock to the Pioneer booth

Sennh eis Premie her ups the ante a re Elec td tronics ’ booth istributor

Show Review

Sun In fonet s ho Heath and Au wcases Shu re, Qu diofoc est, A us

llen &

and club series speakers. First time exhibitors at the show - Sun Broadcast Equipments Pvt. Ltd. presented the TASCAM range of products. The new product arrangement comprised of DA-6400 – a powerful tool to record/play 64 channels in a live show and a multipurpose CD-A580 that plays from cassette, CD or USB flash media. Group company Sun Infonet was as always present in a big way with technologies from brands like Shure, Quest Engineering, Allen & Heath and Audiofocus. Audio-Technica introduced the AT-One entry level UHF system. With a 2x4 channel frequency plan for enhanced flexibility, sturdy but stylish build quality and a simple user interface, AT-One is ready to become an ideal wireless companion. Krystal Cables launched their premium range of interlockable aluminum stage and Lockable mojo barriers along with their latest addition to the Microphone cable family – BETA Digital Cable. The

A once

YAMAH

July - August 2017

company claims that it has been able to achieve 110 ohms impedance with a larger conductor size. The Denon MCX8000 was launched at the Trimac booth. The MCX8000 has been designed by the Denon DJ development team as either a standalone media player or as a fully featured DJ controller. Built with onboard sound effects and a 24-bit pristine sound, the MCX8000 delivers a high-quality controller with XLR outputs for both the DJ booth and PA system, representing the cutting edge of controller technology that melds versatility with practical utility, all in a contemporary package that’s built like a tank. Some other new products and launches included one of India’s first modular synthesizer displaying an array of specialized modules by Mumbai based Modular Analog; Flight Cases made by non biodegradable plastic aluminum composite board at the Rajratan booth; Osram debuted the Kreios wedding PAR 100 W; Ultracoustic

booth

OHM h ig launch hlighted its p of a th e COR resence on the flo A ine array system or with the

lay of

disp essive

n impr

d by a

lighte C, high

nd 2

ll 2B a

e in Ha

spac icated

wn ded

d its o

ooke gain b

Denon

0 was CX800

rimac t the T

ed a launch

logy

techno

World’s Highest Selling Digital Mixer

Behringer X32 now @

only*

USA For 3 Straight Years 2014, 2015, 2016

40-input Channels 25-total-bus Digital Mixer 32 Gain-Programmable Mic Preamps 16 XLR outputs plus 6 addi onal line in/outputs • 2 phones connectors • 1 talkback sec on with integrated or external mic • • • •

• • • • •

Virtual FX Rack 7" Color TFT 25 Motorized Faders 32 x 32 channel USB 2.0 audio interface iPad and iPhone apps for professional charge —no host PC required

OFFER VALID FOR A LIMITED PERIOD! Terms & Condi ons: * Taxes extra as applicable

** Exchange your old 24/32 channel analog interna onal brands in working condi on

Importers: Alphatec Audio Video Pvt Ltd Kolkata Oﬀ.: 2nd Floor, Arsuday Sarat Bose Rd, Kolkata .: (91)-33 -24758025

Contact: Mr. Mayank @ 8860616614 | Mr. Nanik @ 9821281536 Email: info@alphatec.co.in Facebook: www.facebook.com/alphatecAV

Our Distribu on Partners: North Gigatronics

West Shah Audio Infotech P. Ltd

Central Music Ville Pvt Ltd

Sa n Malik | 9212244448

Akshay Shah | 9825010980

Gajendra Agarwal 9300014266

Gujarat Delhi, Rajasthan, Punjab, Himachal Pradesh

MRH Digital Systems P. Ltd Prakash Thakur | 9820648108 Maharashtra, Madhya Pradesh, Goa

Cha shgarh, Bihar, U ar Pradesh, U arakhand, Jharkhand

East Ace Acous cs & Audio Video Solu ons Pvt Ltd

Siddharth Lulla | 9840099221

Ramanuj | 9435145612 Debabrat | 9864013861

Tamil Nadu, Kerala, Karnataka

North East, West Bengal, Odisha

South Vision Hire Entertainment

Deccan Music Sunil Kothari | 9399955236 Telangana, Andra Pradesh

Show Review

Celesti

on spe

akers

adorn

distrib

utor D

m Osra

ecibel

ted th

debu

ding

wed reios

PAR

Pro’s b

launched five new designs of planar hybrid acoustic panels – LIVIA, VITA, NERO, ZENA and ROMAN; HV & Company launched several new woofers and drivers from its principals PRV Audio, Brazil; Projection major Epson came on to the PALM platform for the first time to showcase their range of projection solutions for the entertainment and event industry; Pink Noise Professionals Pvt. Ltd that caters

ooth

to many industries like corporate, broadcast, live sound, public sector, hospitality, studios and others, launched the Icon Pro Audio ULTRA 4, an audio interface with superior quality AD/DA Convertors and dynamic range. In Hall No. 5, the Modern Stage Service booth headed by Varinder, Sahil and Kartik Wadhwa displayed a huge array of stage lighting and trussing solutions that comprised

This was our first visit to the PALM Expo in Mumbai. I was very impressed by both the warm welcome from the organisers and the professionalism and positivity of the show and awards. We are looking to expand our business in India and this exhibition certainly provides an excellent opportunity to network with the Indian audio market. We had numerous positive meetings at PALM 2017 and look forward to increased Funktion-One activity in India as a result.

new launches from its principals MA Lighting and its brand Showlite besides others. From MA Lighting, the company launched the new Network Switch designed to simplify the set-up and management of today’s lighting networks. From Showlite, the new launches comprised Raiden 1000 RGB LED colouring strobe, meant for colourful strobe effects and uniform RGB mixing system, and Vulcan 400 LED blinder. One of the highlights at the MSS booth was the demo of Dutch special effects solutions provider MagicFX’s product range. “It feels great to be in a marketplace like this. We see a huge potential for our solutions here, and we believe our coming to this show opens up all that to us,” declared Cars Dercksen, International

Accounts Manager, MagicFX Demoing visual splendor on the show floor, Modern Stage Service Pvt Ltd showcased an intense and ingenious amalgamation of technologies. “It is an interaction of IP protocols, edge blending projection, and content mapping, with WatchOut 6.0, the industry standard for server 6.2, playing at the heart of the lot.” said Vijay Sabhlok who spearheaded the 3D mapping booth creation. The booth also displayed a wide array of solutions from new princiapls - Enttec. MSSPL also launched its new brand – Farbe brand of AV control precision signal management solution. “Aimed at mid-range segment of entertainment industry comprising live events, rock shows, and even conferences, the system is a rugged and reliable, cost-effective solution all signal control management, “ said Pratik Wadhwa. Fly Dragon Lighting Equipment Co. Ltd., launched its LIGHT SKY brand at PALM. On display was Light Sky’s new product – F33011, a 15R beam that can clearly display under sunshine. Sound Emporium, a leading supplier of pro light and sound system launched a range of new lighting products which included models XMlite – MS 440W, Bean 350 W, FS 280, Fs 350/440 and LM 285.

– David Bruml – Funktion One Research Limited

ump

udio p

KV2 A

how

t the s

tion a

he ac s up t

Hyder abadbased audio H Aud brand io VOID to Palm brought the British 2017 pre

mium

July - August 2017

Show Review PERPETUAL Enhancement – PALM Content & Exhibit Features “PALM over the years has been curated, nurturing engagement, equally from the trade as well as from the engineering talent. The philosophy of PALM has always been to develop the ever hungry and eager manpower in India, as much as to build a distribution for quality sound and light. This year the PALM conference hosted some of the leading talent globally. The IRAA is the largest gathering of sound engineers. The excitement of the professional community at PALM is contagious and this is one of the reasons, why unlike any other show in the world, the PALM show has an air of enthusiasm in the aisle. It is not just a trade show, it’s a celebration of sound and light technology.” states Mr. Anil Chopra, Founder of PALM Expo, who continues to lead the show. “ABEC

successfully produced this 17 edition of the PALM expo. We met the challenge to provide an international class show production featuring championships, demos, creative showcase conferences, stage arenas and sound reinforcement. ABEC deployed resources and experience in conducting such an expansive expo covering 27,000 sqm. All the events at the expo were held smoothly with appreciative audiences from trade and creative professionals,” he adds.

through a range of topics covering pro audio & light, AV Install & Integration and Music Production. Support from Platinum Partners YAMAHA this year provided crucial impetus to the staging of the programme. YAMAHA was also the sound partner for the 2017 PALM Conference & Seminar. “The industry has been expanding, and so have been the expectations,” says Ramesh Chetwani of the PALM Expo. “Visitor profile has

PALM Conference & Seminar Programme Curated by PALM technology magazine, it is the learning and networking platform where the best talent and high caliber top notch professionals from the country and across the world, share their expertise, skills and knowledge on technology and industry trends

been widening year after year, they come with bigger expectations, and exhibitors too want more and more market-interactive opportunities on the show floor,” he explains. “As it

Tundatil, who has lit up stages like Sunburn, IIFA, EDC, to name just a few, along with Pankaj Pawan; Toshifumi Kunimoto Fellow - Research & Development Division Technology Unit, YAMAHA Corporation educated delegates on VCM technology; One of India’s most sought after live sound engineer Fali Damania in an exclusive Q&A session let delegates in on the tips and secrets in the live sound realm; Amit Relan - Co Producer, WOOT factor, Vinod Bangera - CEO, Systematic Inc. and Vikaas Kalantri - CEO, White Leaf Entertainment Media Pvt. Ltd. came together for an Entertainment Event Management panel discussion on “How To Plan A Mid-Scale Event - Tech Perspective”, moderated by Sachit Subramanian Director, Circle

For an AV designer, supplier, installer or consultant, PALM Expo 2017 had it all under one roof. There was something new & interesting for everyone, be it an AV novice or an AV Expert. – A.R. Chandrashekhar, ICT-AV-CCTV-Automation Consultant

a nkaj P nd Pa a il t a Tund rence Confe PALM

ion at

versat

con wan in

the

is, it’s been a constant endeavour at PALM Expo to explore newer opportunities to bring more valueadds to the exhibitors and visitors; these initiatives are just part of the same endeavour.” Speakers this year included ace visual &lighting designer Becket

ltural ” e “Cu r lo tices p yal ex tering prac ay Da s ij a V M d d lan an uction an d l Whe Dona ces in Pro en differ

Semin ar on VCM t Toshif ec umi K unimo hnology by Develo to, Fe pmen llow tD Yamah a Corp ivision Tec - Research hnolo oratio gy Un & n it,

in ience he aud g Film t g in ress ordin ty add Art Of Rec ookut “ P e l h t u s n o Re ession aestro The m -one Q&A s pective” s n r o e a onedern P – A Mo Song

Pro Audio LLP. The theme of Music Production on day three witnessed a fantastic turnout from India’s top sound engineers. Rob Cowan, CEO of Point Blank Music School, UK, started the day’s sessions with a masterclass by awardwinning Bollywood composer Sanchit

July - August 2017

Show Review

Ace FOH engineer Fali Damania unravels the secrets in the live sound realm

PLAM

Confe

Balhara, wherein, Balhara gave insights into his creative process, showing his approach from original composition through to orchestration and recording using a working example score from the Indian epic Bajirao Mastani. This session was followed by an interesting and informative discussion on “Cultural Differences in Production and Mastering Practices” between Donal Whelan of Hafod Mastering, UK and Vijay Dayal, Recording Engineer, YRF Studios. “I enjoyed the PALM Conference & Seminar Programme. I thought it worked well having Vijay Dayal up there with me to bounce ideas off,” said Whelan. Addressing a packed audience was Academy Award winning sound designer – Dr. Resul Pookutty who presented his expertise and provided knowledge on the “Art of Recording a film song – a modern perspective.” Day three concluded with the hugely popular Open Forum for sound engineers in association with AES, convened by Aditya Modi, of AES. Others on the panel included

July - August 2017

use

ed ho

s pack

itnes nces w

Vinod B an discuss gera, Sachit S ubrama ion on How To nian, V ikaas K Plan a alantri Mid-Sc and Am ale Eve nt - Tec it Relan h Persp in a pan ective el

Chairman of Audio Engineering Society, India – Uday Chitre and renowned sound engineer Mahesh Amberkar. Day two was highlighted by presentations from leading manufacturers and AV Consultants. Speakers included Michele Marani of Seed Digital Asia conducting a “Presentation on Loudspeaker Management Systems”; ICT-AV-CCTV-Automation Consultant, A.R. Chandrashekhar of Anuvin Consultants provided info on “SIN for IT / AV”; The HARMAN Session on Audio Install & Integration was led by Ashish Barje of HARMAN; Colin Kavanagh, of Philips Entertainment Lighting enlightened on “LED Innovativeness and the Future in Entertainment Lighting” while Technical Evangelist – Vijay Sabhlok presented “The Art of Multi Imaging” using different technologies. “The Conference and Seminar topics selected were so relevant to today’s and tomorrow’s world. There was a lot for the attendees to learn from industry experts and co-relate with the products on the floor. For an AV designer, supplier, installer or consultant, PALM Expo 2017 had it “All under one roof”. There was something new & interesting for everyone, be it an AV novice or an AV Expert. I personally feel the organisers should think of increasing the show by a day,” said A.R. Chandrashekhar

PALM Soundscape Each year, this feature of PALM brings together top decision makers and influencers, shaping the present and future of the DJ, electronic music production & event entertainment industries on a platform encompassing interactive panel discussions, high value educational workshop and music deconstruction master classes. This year the Soundscape evolved to greater heights with DJ Championship Director Reji Ravindran, curating the Soundscape sessions too. The Soundcape programme with OHM as sound partners and Video Wall as LED partners was upgraded with an amalgamation of powerpacked Electronic music and DJ centric panel discussions, workshop,

and product presentations. Experts on the panel across the three days included Prateek Pandey, Sameer Bhalla, Vinay Khilnani, Vivek Dudani and Aneesh Prasad in a panel discussion on “Entertainment Event Management at Venues.” Ali Safdar, Kunal Khambhati, Parampreet Singh Dhanoa, Warren D’souza and Tuhin Mehta discussed “Mega Stage Events 101”

DJ Reji conducts a workshop - DJing - From Then till Now - at PALM Soundscape 2018

n the

. 33 o

J with D ation s r e v n In Co p 100 DJs To MAG

Che

o orld N tas - W

Circle Pro Audio’s wireless equipment not only made me logistically independent but also made me sound like I never did! - Anand Bhaskar

info@circleproaudio.com

facebook.com/circleproaudio

circleproaudio.com

Show Review

In a session titled “Hybrid DJing - When Music Production meets Live DJing” Ashwin, Ashrith Baburao, DJ Skip, Tanseer Jabbar, and Varun Desai elaborated on how they have diversified their setup & performances, giving them a unique edge over their peers. The panelists in the panel discussion titled “The Importance of Music Mentorship & Talent Scouting” exchanged notes and spoke about their respective journeys, how they scout for the right talent & build a brand/personality out of these.” Panelists included Aayushman Sinha, Jeet Mehta, Pranav Sanghvi and Shoven Shah. Panel Discussion titled ‘Reiventing the Wheels of Steel’ boasted of Akbar Sami, Ivan Nilkon, Ma Faiza, Russell Almeida and DJ Reji “The Indian Hip-Hop explosion” was discussed by hip-hop artists, Enkore, SEZ, Shah Rule, HHB and

e PALM

g at th hting ri

ade lig stom m e The cu as Showc Design

Stunnah Beatz. Aneesh Prasad, Ankit Narang, Varun Patra, Richy Dave and Parth Taco talked about “Market presence.... through the social media lens.” Besides panel discussions Soundscape also hosted a workshop by Reji, a one-on-one conversation with DJ Chetas, a song deconstruction session by Point Blank Music School Alumni - Kumail, a Bollywood Remix Deconstruction by A-Myth and “How to go DAW-less in 2017” - A Synthfest Workshop by United Machines (HimanshuPandey) with gear provided by Sound.com.

Lighting Design Showcase This brilliant feature, launched at PALM Expo 2017, attracted young aspiring lighting designers to display their programming and designing skills. A stage with a custom made lighting rig was specially created

e events

ent standards & practices for stag

a Stage Events 101 discuss curr

Panelists in the session titled Meg

for this ingenious feature which fulfills in providing opportunity for building professional talent. Each day featured two budding lighting design talents who were given one hour to program a lighting design and up to 10 minutes to showcase it.

PALM DJ Championship The center of gravity for Indian DJs, the championship is the only platform of its kind in India which promotes and fosters upcoming DJ talent, through a National DJ Talent Hunt judged by some of the best DJs in the country. This year, the DJ championship brought to the fore a DJing phenomenon - ‘DJ Atom - Bass Boy,’ a 10-year-old child prodigy who awed the audiences and judges alike, with his insane skills. Competing amongst 19 DJs he left

the audience enthralled with his traverse rhythms and beat perfect fades, eventually winning the coveted title to become the youngest PALM DJ Champion ever. The PALM DJ Championship has opened up more avenues for a budding career for the young DJ, with his talent management company busy handling enquiries that they have been inundated with. The positions of first runner-up and second runner-up were raked up by Mumbai boys Prathamesh Walawalkar and Nelson Swamy respectively. The gear for the championship was provided by Pioneer and Denon – PALM DJ Championship Premium Prize Partner sponsored the Denon MCX 8000 for the winner. The first and second runners up took home the Denon MC 7000 and Denon MC 6000MK2 respectively.

rom l-r: tition. F India e p m o s DJ C ica in Boy win er Of Electron ni, Pankaj – Bass a th o tw m e M , to h , A e C J Atom ld DJ ip Judg amesh 10 yr o er-up, D n ctor -R pionsh r of e n e m ir d a ru D n h d u C n – hibitio – secon il Chopra – Fo x DJ KD y E m M r. a L to w , An a, PA on S Direc Ma Faiz f Trimac, Nels nner-up ionship ru p t m rs a fi h o l r– –C Agrawa lawalka DJ Reji esh Wa der and Pratham ionship Foun mp DJ Cha

Lightin

July - August 2017

Show Review Indian Recording Arts Academy Awards (IRAA) Since 2006, the annual IRAA awards, honours and recognises exceptional talent in music, soundtrack recording and mixing in Indian music for albums and movies. With 31 awards over five categories, the 11th edition of the Indian Recording Arts Academy IRAA Awards, which took place on 3rd June 2017, once again celebrated and recognized technical excellence and expertise. Under the guidance of Pramod Chandorkar as the Awards Director, the 2017 IRAA Awards were presented in the following segments: • Audio Engineering

• Audio Post Production • Music Production • Recording Facility • Education Awards For 2017, IRAA introduced several new awards segments and award categories that are crucial to the recording and music Host for the evening – Aditya Modi, VC production industry. With the AES India objective of recognizing the which included ten new awards regional music industry, the IRAA namely - • Dubbing Engineer for Awards also constituted “Regional Film - Hindi • Dubbing Engineer awards” in all the award categories. for Film - Regional • Sound Editor Also new to IRAA 2017 was the (Effects & Ambience) - Hindi • Sound Audio Post Production category Editor (Effects & Ambience) - Regional

Indian Recording Arts Academy Awards (IRAA) Winners JURY AWARDS

AUDIO POST PRODUCTION

Lifetime Contribution to Audio Engineering: D.O. Bhansali

Sound Designer for Feature Film (Hindi): Subash Sahoo for Neerja

Mahaguru Award for Contribution in Music Education: Ustad Fazal Qureshi

Sound Designer for Feature Film (Regional): Anmol Bhave for Half Ticket

Lifetime Contribution to Music: Kishore Sharma

Dubbing Engineer for Film (Hindi): Lochan Kanvinde for Shivaay

AUDIO ENGINEERING AWARDS

Dubbing Engineer for Film (Regional): Anindit Roy for Byomkesh Pawrbo

Independent Song Recording & Mixing: Harshad Sathe for “What They Not Telling you”

Sound Editor, Effects & Ambience (Hindi): Lochan Kanvinde for Mirzya Foley Artist (Hindi): Mohammad Iqbal for Phobia

Film Song Recording & Mixing - Hindi: Vijay Dayal for “Jag Ghumeya” from the movie Sultan

Foley Artist (Regional): Karan Arjun Singh, Shankar Singh, Anil Pawar, Foley Engineer/Editor – Ram Kishan Nath for Half Ticket

Film Song Recording & Mixing - Regional: Vijay Dayal for “Yad Lagla” from the movie Sairat

Broadcast Mixing, Music Oriented (Hindi): Mahesh Amberkar for The Voice India Kids - & TV

Classical Recording & Mixing: Darshan Kataria for “Dil e Nadaan” from the album Gulzar

Sync Sound Recording (Hindi Film): Subash Sahoo for Neerja Film Mixing (Hindi): Alok De for Neerja

Instrumental & Fusion Recording & Mixing: Pramod Chandorkar (Mixing Engineer), Shamik Guharoy (Recording Engineer) for “Shirngara” from the album Maya

Film Mixing (Regional): Alok De for Ventilator

RECORDING FACILITY

Promising Talent In Audio Engineering: Nitesh Bisht for “Laila Main Laila” from the album Raees

Music Recording Studio: Studio H, Chennai ADR Studio (Dialogue & Dubbing): Sound & Vision India, Mumbai

Advertisement Mixing: Tilak Goswami for “Honda BR-V Launch #LetTheHunt Begin”

Foley Studio: Just Foley, Mumbai Surround Mix Studio: Sound & Vision India, Mumbai

MUSIC PRODUCTION AWARDS

EDUCATION AWARDS

Music Producer (Hindi Film Song): Meghdeep Bose for “Bol Do Na Zara” from the movie Azhar

Dronacharya Award for Teachers In Audio Education: Hozaifa Sayed, Seamedu School of Pro – Expressionism

Music Producer (Regional Film Song): Ajay-Atul for “Vaat Disu De” from the movie Sairat

Best Audio Education Programme: Soundideaz Academy

Music Producer (Independent): Ashish Manchanda & Aman Moroney for “Like A Sufi – Alif” from the album Sufayed

Rudolph David from Sound Wizard Auroville who designed the awe inspiring H studio received the award on behalf of Harris Jayraj

Music Producer (Electronic Music): Tamzid Rahman for “Purva Ashadha-To Forget”

Ashish Manchanda delivers the vote of thanks after winning the award for Music Producer (Independent) along with co-producer Aman Moroney

• Foley Artist – Hindi • Foley ArtistRegional • Broadcast Mixing (Dialogue Oriented) – Hindi • Broadcast Mixing (Dialogue Oriented) - Regional • Broadcast Mixing (Music Oriented) – Hindi • Broadcast Mixing (Music Oriented) - Regional Spearheaded by IRAA Director Pramod Chandorkar, the nominations were screened by an 11 member Jury comprising of Ashish Saxena, Bishwadeep Chatarjee, Indrajit Sharma, Mujeeb Dadrkar, Sandeep Shirodkar Shantanu Hudlikar, Vijay Benegal, Vijay Dayal and Yogesh Pradhan.The adjoining box enlists the full list of the IRAA 2017 winners

Soundideaz Academy won the award for Best Audio Education Programme

Anmol Bhave, Winner of Sound Designer for Feature Film – Regional with Sound Engineer Avinash Oak, Anil Chopra and Pramod Chandorkar

Subash Sahoo with his award for Sound Designer for Feature Film (Hindi)

11thedition

Mahesh Amberkar – winner of Broadcast Mixing (Music Oriented)-Hindi

Ustad Fazal Qureshi accepted the Mahaguru Award for Contribution in Music Education from the IRAA Jury. From l-r: Indrajit Sharma, Anil Chopra, Pramod Chandorkar, Ustad Fazal Qureshi, Ashish Saxena, Mujeeb Dadarkar, Vijay Benegal and Vijay Dayal

IRAA audience was a large gathering of sound engineers and the pro sound industry

July - August 2017

Atul Gogavale addressing the audience after winning the award along with Ajay Gogavale for the track Vaat Disu De from the movie Sairat

480MHz

490MHz

500MHz

510MHz

520MHz

530MHz

introducing axient ® digital

540MHz

550MHz

integrity you can hear.

Configure your wireless system for today’s needs and upgrade it for tomorrow’s challenges. With Quadversity™ , High Density mode, and ShowLink® remote control, Axient Digital delivers innovative engineering for uncompromising performance – anywhere, every time.

Karan Arjun Singh with his team from Just Foley accepts the award for Foly Artist – Regional

Megdeep Bose accepts the award for Music Producer (Hindi Film Song) from yesteryear musician, music arranger & composer – Mr. Kishore Sharma

Promising Talent in Audio Engineering - Nitesh Bisht accepting the award from Donal Whelan of Hofod Mastering. From l-r: Anil Chopra - Founder of IRAA Awards, Donal Whelan, IRAA Director – Pramod Chandorkar, Nitesh Bisht and Manish Gandhi, COO & Director, Asian Business Exhibitions & Conferences Ltd

Alok De bagged the Film Mixing award in both categories – Hindi and Regional

Vijay Dayal of YRF Studios bagged the award for Film Song Recording & Mixing for both Hindi and Regional Category

Tilak Goswami won the award for Advertisement Mixing

Sound & Vision India bagged the award for Best ADR Studio (Dialogue & Dubbing) & Surround Mix Studio for. Director Mona Shetty accepts the award

July - August 2017

Anindit Roy wins Dubbing Engineer for Film - Regional

Show Review The 7th consecutive PALM Sound & Light Awards, presented by PALM Expo was held at the Jade Room of the Sahara Star Hotel Mumbai on 2nd June, 2017. The evening’s event was a celebration of excellence. Those who were honoured are doing exceptional work in the live sound realm and the audience gathered for the event comprised of the who’s

PALM SOUND & LIGHT AWARDS who of the body of live event organizers, rental companies, sound engineers and industry leaders and professionals. The quality of stage sound and light production in India today is improving dramatically and the PALM Sound & Light awards motive is to up the paradigm of excellence in sound and light production in India. Spread over 16 technical and

creative categories, the awards recognized individuals and organizations for their unparalleled contribution to the live event entertainment industry by rendering outstanding services in the field of staging, lighting & live sound in the year 2016-2017. The awards for professional excellence in stage sound and light were presented in 3 categories: Sound & Light

Audio Systems Engineer - Mark Thomas

Audio Monitor Engineer - Rohit Poredi

Corporate Executive Excellence in Indian Pro Sound & Light Industry - Prashant Govindan, Sr. Director, India & Sri Lanka, HARMAN Professional Solutions

Audio FOH Engineer - Fali Damania

July - August 2017

Professionals, Event Organizers, and Pro Sound and Light companies. The awards were presented by Mr. Manish Gandhi – COO & Director, ABEC Exhibitions & Conferences Pvt. Ltd., Mr. Gordan Payne - Asia Regional Director, ITE Asia Exhibitions Limited and Mr. Anil Chopra – Founder of the PALM Sound & Light Awards.

Install & Rack-Mount Products Solid-state Recorders/Players 64-Channel Digital Multi-Track Recorder/Player

Networkable Solid-State/CD Recorders /Players Solid-State Audio Recorder

SS-R200

SS-R250N and all SS-Series available.

Traditional Recorders/Players CD Player/Recorder for Professional Installations

CD Players

Other Peripheral Audio

for Sales, Service & Support

tascam@sungroup.net

tascam at India

Tel.: 011-49808900, Ext-124. or +91-7827807468

sungroup.net/sunbroadcast

NEW DELHI l MUMBAI l HYDERABAD l CHENNAI l KOLKATA

Show Review

Dinesh Shetty, Vikas Menon and Vivek Menon of Production Crew Entertainment Pvt. Ltd., Mumbai bagged the award for Stage Production

Santana Davis of J Davis Prosound & Lighting, received the award for his company for excellence in Sound Rental services

Ashish Mehta received the Lighting Rental award which went to Star Dimensions India Pvt. Ltd.

LED Rental went to Video Wall India Pvt. Ltd., Mumbai. Anil Girkar and his wife received the award

Excellence in AV and Lighting Integration went to Modern Stage Services. Sahil Vadhwa accepts the award

Innovative Projection Mapping award went to Modern Stage Services Pvt. Ltd. Pratik Vadhwa, Davinder Vadhwa and Vijay Sabhlok accept the award

Technology Innovation in Touring Line Array went to Bose Corporation India Pvt. Ltd.

July - August 2017

YAMAHA Music India Pvt. Ltd. took the award for Technology Innovation - Network Audio

Lighting Designer - Becket Tundatil

Stage Design & Concept was bagged by PIXADOO. VJ Kaycee accepted the award

Hi-Tech Audio Systems Pvt. Ltd., New Delhi, once again won the award for Distributor of the Year

PALM SOUND & LIGHT AWARDS WINNERS Audio Systems Engineer: Mark Thomas Audio FOH Engineer: Sunil Karanjikar and Fali Damania Audio Monitor Engineer: Rohit Poredi Lighting Designer: Becket Tundatil Sound Rental: J Davis Prosound & Lighting, Bangalore LED Rental: Video Wall India Pvt. Ltd., Mumbai Lighting Rental: Star Dimensions India Pvt. Ltd. Stage Design & Concept: PIXADOO, Bangalore Stage Production: Production Crew Entertainment Pvt. Ltd., Mumbai Excellence in AV and Lighting Integration: Modern Stage Services, New Delhi Innovative Projection Mapping: Modern Stage Services Pvt. Ltd., New Delhi Distributor of the Year: Hi-Tech Audio Systems Pvt. Ltd., New Delhi Technology Innovation - Touring Line Array: Bose Corporation India Pvt. Ltd., New Delhi Technology Innovation - Network Audio: YAMAHA Music India Pvt. Ltd., , New Delhi Corporate Executive Excellence in Indian Pro Sound & Light Industry: Prashant Govindan, Sr. Director, India & Sri Lanka, HARMAN Professional Solutions

July - August 2017

Show Review PALM Demo Qube The Demo Qube feature has been an ideal concept for audio companies to demonstrate their high end speaker systems and products with ease in a private cube structure without decibel level restrictions. Conceptualized to serve as a live demo area where key prospective clients could be invited, this year visitors to the show got an opportunity to experience products from four brands – Bose, Pope Professional, RCF, and Rivera Digitech. Each Demo Qube displayed and demonstrated an array of sound systems and equipment from their respective brands. Mumbai based Rivera Digitech presented new products from their brands Roland, Samson, Antelope Audio and Zildjian. Also on display was the new db technologies VIO series, a full powered line

array and sub series intended for large sound reinforcement applications. The Rivera Demo Qube also had live performances on all three days by renowned artists like Sivamani, Rythmn Shaw, Mohini Dey and Darshan Doshi. The Bose Qube had a series of scheduled presentations on the DeltaQ ShowMatch followed by the demo. “We are showing the quality of the sound system in the vocal range and also exhibiting how it sounds in a concert, high energy track,” informed Arun Kumar, Divisional Manager, Bose Corporation. A lot of action could also be seen in the RCF and Pope Professional Demo Qubes.

Open Air Line Array Demo Conducted in the open space at the venue, this feature facilitates exhibit and demo of line array systems in realistic outdoor conditions. This year 11 line array exhibits from brands including Audiocenter, Carlton Audio, Stonewater, Ewing, KV2 Audio, TW Audio, NEXT Pro Audio, Outline, Sound Capital, Star Acoustics and Nova. showcased their line arrays to interested buyers from the rental and event segment.

31 May-2 June 2018 Bombay Exhibition Centre, Goregaon (East), Mumbai

July - August 2017

PALM HARMAN Live Arena This most loved IP entered its 7th year with the PALM expo 2018. This feature facilitates live demonstrations of advanced sound and lighting systems through a three day musical stage extravaganza featuring the most popular and budding artists and bands from the country’s independent music scene. Since the last 7consecutive years, HARMAN has powered this IP with top of the line/ newly launched products & solutions from brands the HARMAN bouquet, culminating in an audio-visual feast for the senses. Every year there is a new product at the Live Arena and this year HARMAN announced the unveiling of the latest from JBL VTX series A12, the next generation Dual 12” Line Array Loudspeaker system. The HARMAN endorsees who debuted at the Live Arena included “Liquid Bass Project” by Sherrin Varghese and a young energetic band from True School of Music “Aankh Micholi”. TSM also featured its “All Stars” band which featured foreign faculty

at the school. Other first timers at the HLA stage included - The SKA Vengers, Viveick Rajagopalan, Anand Bhaskar Collective, Sanah Moidutty, The Khush Upadhyay Group and Paradigm Shift. Tejas Menon and Voctronica made a re-entry to the line-up with all-time favourites Sivamani, Ranjit Barot and Niladari Kumar.

Product Focus

Installation Speakers

Clubland Sound

Music is today crucial to the success of a hospitality venue, but it can get overwhelming for a venue owner to wade through all the sound system options available today. This issue focus being Install, PALM technology puts spotlight on some installation speakers that have made their presence felt in some of the most happening pubs, clubs, bars and lounges across India. Weighing in on the right factors during the planning phase could help concoct a solution that engages patrons. This focus is purely for info purpose and only intended as a guide. Audiocenter PF8+ The Pf8+ is a 2-way passive crossover full range, compact loudspeaker, highly suitable for small scale fixed installation at locations like multi-functional halls, museums, and houses of worship, night clubs, pubs and lounges. In addition, it comprises customized BEYMA HF driver with1.75” voice coil, composite membrane and unique driver protection circuit, and customized BEYMA 8” LF driver with 2” voice coil all with advanced cooling system. HF horn is manufactured with DMF composite material; ensure very warm and dynamic sound. The coverage angle is (H° ×V° ) 80° ×70° and the horn is 90°rotatable to achieve accurate coverage irrespective of its direction. To ensure stability, consistency and zero consumption, even with very high dynamic sound pressure, American Benelec XPP audio capacitor, iron-core inductor, customized metal resistor and manually soldered fiber board are installed. The cabinet is constructed with CNC made Russian birch plywood, and is tongue and groove assembly, finished with emery spraying. Main Features include: • Customized driver from BEYMA • American Benelec XPP audio capacitor with stable quality, reliable performance • Manually soldered fiber board to ensure zero consumption even in very high dynamic

July - August 2017

• Unique driver protection circuit and highefficient cooling system of the driver • DMF composite material HF horn design, coverage angle 90°rotatable • Solid CNC cabinet made of original Russian birch plywood, exquisite outlook and waterproof enclosure • Tongue and groove assembly, compact and seamless CNC cabinet design ensures low resonance • Touring grade emery spraying. Tech Specifications: Type: 2-way passive crossover full range speaker Frequency Response (-6dB anechoic chamber): 60 Hz-20 KHz Rated Power (AES): 200W Sensitivity: 94dB/1W/1M Maximum SPL: 123dB Horizontal Coverage Angle (Symmetrical): 80° Vertical Coverage Angle (Symmetrical): 70° LF Driver: Customized BEYMA ferrite driver, 2” voice coil, 200W (AES) HF Driver: Customized BEYMA ferrite driver, 1” exit, 1.75” voice coil, 50W (AES) Crossover Point: 2000Hz Impedance: 8Ω (+1, -1) 1 Way Amplifier: 2pcs maximum, 4Ω Hanging Hardware’s: M8 screw Pole Mount: Base hole Φ35mm Input Connectors: 2×NEUTRIK® NL4MP Cabinet Material: Russian birch plywood CNC made Cabinet Color: Black and white available, can be customized according to the RAL code Dimension (W×H×D): 256×424×274mm Net Weight: 11.5Kg–

JBL SRX815P JBL is setting new performance standards by delivering excellence in methodology and tools since 70 years. Its SRX800 series is a fully professional powered PA system comprising three full range and two subwoofer models with an array of features that elevate

the SRX800 Series to the best in class of all competitive systems. SRX815P is the full range 15” two-way, SRX815P features legendary JBL Drivers, proprietary 2,000 Watt Crown amplification, Crown FrontEnd DriveCore Technology, premium JBL userconfigurable DSP, V5 Tunings compatible with Vertec and VTX touring systems, and HiQnet Network control options via iOS and Android applications. Drawing on JBL’s long history of groundbreaking technology and loudspeaker design, the SRX800 Series meets the needs of touring houses, installations, and the most demanding live sound applications ensuring they can deploy a no-compromise, all-in-one solution featuring legendary JBL sound and performance, a wide array of configurability, and compatibility with JBL’s flagship touring systems. Main Features include: • Purposeful Design: Rugged, Intuitive to Use and Easy to Transport • JBL Premium Transducers • Drivecore Amplification By Crown • Full User Configurable DSP • Network Control • JBL Engineered Application Presets • LCD Screen and Glow in the Dark Ink on Back Panel • M10 Suspension Points • Standard 35mm Pole Cup • Feet for Monitor Angle. Tech Specifications: System Time: Self-Powered 15”, Two-Way

Bass Reflex Max SPL Output: 137dB Frequency Range (-10 dB): 36 Hz-21 kHz Frequency Response (-3 dB): 44 Hz - 20 kHz Coverage Pattern: 90°x 50° Amplifier Design: Class D Power Rating: 2000 W Peak Dimensions: 691 x 458 x 478 (mm) (H x W x D): 27.20 x 18.03 x 18.82 (in) Net Weight: 28.6 kg (63 lb)

KV2 Audio ES Series This series is a truly scalable, compact and modular system includes ES1.0, ES1.5, ES1.8, ES2.5, ES2.5, ES2.6 range of speakers and subwoofers housed in separate - portable units – the EPAK 2500 and 2500R. Placing the active electronics package outboard results in a lighter, easier to handle and its compact size reduces transport, it is quick and easy to setup, cutting labor costs dramatically. The ES series ES1.0 Mid/High speaker and the EPAK2500/R make up the core of the amazing sounding, incredibly dynamic ES system. Each ES1.0 requires an EPAK2500/R to power it and the three ways cabinet includes a 12” horn loaded mid bass driver, 6” horn loaded mid speaker, and 1.75” Titanium compression driver. You can rotate the ES 1.0 horn assembly in order to run the system in a vertical or horizontal configuration, and couple two ES1.0 cabinets together horizontally to create a very powerful, long throw solution. As well as driving the three ways ES1.0 cabinet, a fourth amplifier channel in the EPAK2500/R control unit is dedicated to powering a choice of ES series subwoofers. The ES1.5 is a lightweight single 15” enclosure, the ES1.8 a horn reflex, single 18” subwoofer and the ES2.5 /2.6 a double 15”, twin asymmetrical design, available in either four Ohm (ES2.5) or eight Ohm (ES2.6) versions. The meticulously designed control electronics inside the EPAK2500/R constantly monitor and preserve the relationship between each amplifier and component, delivering exactly the right amount and type of power throughout the system. When you’re able to perfectly match an amplifier with a

transducer you start to unlock incredible performance that is impossible to achieve with passive systems. Total system reliability increases dramatically as does sound quality. With this kind of precision and efficiency built in, you’ll be amazed at the quality, depth, level and resolution produced by an ES system. Main Features include: • Specifically designed as an extreme high output, compact mid-high enclosure as part of ES systems • For live performance and music playback • Small to large live concerts • Small to medium nightclubs • Houses of worship • Portable PA Tech Specifications for ES2.5:

System Acoustic Perfomance Max SPL Long-term: 134dB Max SPL Peak: 137dB -3dB Response: 38Hz to 130Hz -10dB Response: 34Hz to 130Hz Impedance: 4Ω Crossover Point: 130Hz Low Frequency Section Acoustic Design: Twin Asymmetrical loading Number of drivers: 2 Subwoofer Amplifier Requirement: 1600W / ES2.5 from EPAK2500/R Woofer Size / Voice Coil Diameter / Design: 15” / 4” / Inside Outside Diaphragm Material: Epoxy Reinforced Cellulose Magnet Type: Ferrite Speaker Input Speaker Input: AP4 Cabinet Cabinet Material: Baltic birch Handles: 4 Pole Mount: M20 Color: “Orange peeled” Matt Black or any RAL Physical Dimensions Height 600 mm (23.62”) Width 700 mm (27.55”) Depth 750 mm (29.52”) Weight 69 kg (151.8lbs)

OHM TRS-112 The TRS-112 cabinet is specifically designed as a floor monitor including all other potential applications making this a truly multipurpose loudspeaker. Comprising symmetrical wall angles due to which it can be also used as a double wedge without needing dedicated left or right versions. This is a well braced, rugged cabinet with a long life span making it an ideal addition to any rental company stock giving a high and

quick return on your investment. TRS-112 uses a single Ohm 12″with 2.5″ voice coil driver unit with 1″compression driver mounted on a custom design 90° (h) x 40° (v) horn. The performer is able to move freely in the extended sweet spot, even all the way to the monitor, made possible by the 45°baffle angle along with the 90°x 40° horn. These passively crossed over at 1.5 kHz Phase and impedance corrected crossover networks are designed for high power applications. Used with the TRS-218 Subwoofer the TRS-112 can provide high SPL levels for front of house, sidefill and other applications. The rear mounted backplate has two speakon connectors aligned at 45 degrees and recessed to minimise the risk of damage when used in stage applications. The monitor is fitted with feet on both sidewalls allowing the cabinet to be used for right or left hand monitoring. Fitted with 6 mounting point’s gives versatility to the cabinet when used for install purposes. Main features include: • UK made Ohm 12″driver • True multipurpose cabinet • Voicing designed for vocal presence Tech Specifications: Design: 12”Full Range Cabinet/Monitor, Reflex Tuning Impedance: 8 Ohm Power Handling (AES): 300 Watts (continuous) Max. Power Handling (AES): 600 Watts (program), 1200 Watts (peak10ms) Sensitivity 2.83V / 1m: 100 dB Max. SPL: 124 dB (cont. max SPL / 1m) 130 dB peak Frequency Response ±3 dB: 83 Hz – 19 kHz Dispersion: 90°x 40° Recommended Amplification: 300 - 600 Watts System Controller: Ohm DSP Solutions, only HPF required Speaker Cables: Min 2 x 2.5 mm2, Preferred 2 x 4 mm2 Components: 1 x 12” Low Frequency Driver, 1 x 1” Horn loaded Compression Driver Crossover: Passive Connectors: 2 x 4 pole Speakon Connectors

July - August 2017

Outline EIDOS 218 S As a leading manufacturing brand of premier sound reinforcement systems outline lounged all-new design, compliments the existing EDIOS installation range by providing a unit whose low-frequency extension and power handling capabilities exceed those of the dual-15″EIDOS 215 S module; ideal for applications requiring super-powerful sub bass delivery, including live music and dance venues. The EIDOS 218 S is particularly well-suited to reproducing modern dance music as the design provides extended low-frequency reproduction (down to 28 Hz) with tremendous ‘punch’ in and around the frequencies normally produced by real and synthetic

location • Proprietary Outline design provides tremendous ‘punch’ • Outline ‘E.R.P.’ (‘Energy Retentive Porting’) design assists airflow and enhances transducer efficiency • Finished with Polyurea, featuring amazing durability and superior physical properties • Design file for Outline ‘Openarray’ 3D acoustic simulation software • Conceived, designed and manufactured exclusively in Italy (as are all Outline products). Tech Specifications: Frequency Response (-10 dB): 28 Hz – 250 Hz Suggested Cross-Over: max 120 Hz Nominal Dispersion: Quasi-Omni directional Impedance (Nom/Min): 2 x 8 Ω / 2 x 5.5 Ω Watt AES (Continuous/Peak): 2 x 1200 W / 2 x 4800 W Maximum SPL Output *: 148.5 dB SPL Component: 2 x 18″direct radiation woofers Connectors: 2 x NL4 Pins 1+/1-, 2+/2Cabinet Material: Baltic birch plywood Cabinet Finish: Black polyurea coating Grill: Epoxy powder coated Installation Points: 16 x M8 threaded points Pole Mount: M20 threaded point Height: 570 mm – 22 4/8″ Width: 1140 mm – 44 7/8″ Depth: 730 mm – 28 6/8″ Weight: 85 kg – 187.4 lb

Wharfdale Programme Series

bass drums. This focus and clarity enhances the reproduction of program material and makes the most efficient use of amplifier power. This is a result of Outline’s proprietary ‘E.R.P.’ (‘Energy Retentive Porting’) design. Based on the principles of fluid dynamics and successfully applied to the science of controlling pneumatic forces within a loudspeaker enclosure, this unique arrangement of specially-shaped ports ensures an optimum laminar airflow. This reduces internal turbulence, maximizing the efficiency of the transducers and thus allowing more amplifier power to be converted into acoustic energy. Such a design requires high-precision manufacturing techniques, and Outline’s engineering teams have applied some original production techniques to turn an exciting concept into a physical reality. Main features include: • Highly efficient, powerful low-frequency loudspeaker fitted with two 18″transducers • Exceptional size-to-power ratio (148.5 dB SPL short-term peak @ 1 m) facilitates

July - August 2017

This Series of loudspeakers includes range of Programme 30E/30ET, 35E/35ET, 105E/105ET, 205/205ET, 206E/206ET, 108E/108ET, 406/406ET and Programmesub as subwoofer companion. The discreet and stylish appearances of the Programme series are designed to seamlessly integrate into any architectural environment; deliver accurate, high power sound in a lightweight, compact and easy to install package. Frequency response has been optimized to be smooth and natural across the vocal range for high intelligibility in difficult environments, while retaining the neutral and uncoloured sound essential for unobtrusive reproduction of background music. Each Programme Series speaker may also be used in constant voltage distributed systems. With an internal, switchable transformer, you can economically install background music or paging system, while still only using one amplifier. With the included mounting brackets, transformer option, you will be impressed with the ease of wall or ceiling mounting as well as the clear, accurate sound produced by these speakers.

Main Features include: • 2-way installation speaker systems • Mylar, silk and titanium HF drivers used across range • Low distortion, high power woofers • High strength • M6 or M8 high hanging points • Speakon, parallel spring crimp and barrier strip inputs • Supplied with adjustable heavy duty steel bracket • Models available with 70v/100v Transformer (‘T’ model) • For venues including houses of worship, retail shops and other public areas • White finishes also available Tech Specifications of Programme 406T: Type: 2 – way Frequency Response: 60Hz-20KHz Continuous Power: 250W Peak Power: 1000W Sensitivity dB-SPL (1W @1M): 96dB Max SPL: 126dB Impedance: 8 ohm Dispersion angle (degrees): 60 x 60 LF driver: 6.5” x 4 HF driver: 1” Titanium HF protection type: compression driver Protect (BULB) Crossover Point: 2.3KHZ Enclosure shape: Trapezoidal Dimensions HxWxD (mm): 980 x 215 x 275 Weight (kg): 17.8Kg Finish colour: Black/ white Paint Grille : MDF Black/ white full (steel) Rigging: M8 x 18 Input Connectors: 2 x Speakon + barrier strip Input Connectors (T): barrier strip Transformer (T) : 100V/70V Transformer Taps (70v): 15,30,60,120W Transformer Taps (100v): 15,30,60,120W Included accessory: black/ white bracket

AV INSTALL & INTEGRATION As AV sets new standards beyond traditional applications, ICT-AVSecurity-Consultant - Mr. A.R. Chandrashekhar, touches on the topic of the latest trends in AV installations for the Hospitality segment with LED screens, displays and inter-

AV T

oday there is a heavy demand for customer response – “LIKES” and “SHARES” in the business of Pubs, Lounges, Clubs & Hospitality industry. The customer rating adds a lot of value for future prospect customers. An innovative AV system design and professional implementation in these locations would definitely be a crowd puller. The Hospitality and public entertainment sector known and named for its welcoming nature today finds itself under very modern pressures of media & reputation as well.

Social Media Pressure Hotels, pubs, Lounges, Clubs and other hospitality businesses, including restaurants and coffee bars, are also reeling from very real social media pressure. A seemingly endless number of consumer-review sites online have been raising consumer expectations, sometimes beyond what can realistically be achieved. Much of that is driven by customer experiences with their own AV devices. Social media and the rise of non-traditional, web-based entrants into established industries have evolved their expectations. Customers use digital channels to find and share information and reviews.

All on wall – Visible & Invisible That’s where AV has been enter-

July - August 2017

Today’s Trend in Hospitality

ing the picture, in ways beyond its traditional applications such as television channels in the sports bars and background music in lobbies and restaurants. It’s all about interactive touch screens now. “We don’t want anything

the venue. In fact, many of them might not even be staying there. It’s just about creating the right vibe. Invisible speakers is catching up these spaces, leaving the onlookers surprised and searching for the speakers.

active video now contributing to the overall interior design of the hotel.

First impression – best Impression Video is often the first interaction with the hotel that many guests will have. He’s seeing displays become more

on the floor, all display devices should be wall mount, ceiling suspended and audio speakers invisible”, property owner’s say. “Hotels are starting to take their cues from airports. Everyone wants to touch the screen to get exactly the information they want right then – from menu to way finder. Hotel clients initially requested larger multi-touch displays to accommodate more users and increase the “wow” factor. Instead of a large to very large multi-touch display actually smaller displays seem to be the most comfortable size. It’s not bigger would be better, but integrators and consultants are also seeing LED video walls and micro tiles now finding their way into lobbies and reception areas. That’s also driven by consumer expectations for larger (non interactive) video with higher resolutions, and it’s being enabled by tighter-pitch screens, reducing costs, lower power consumptions.

Lobbies – Invisible Sound Hotel lobbies are for short meetings, business discussion and welcome area for the guests. BGM & Live music is now part of attracting the right people to

A.R. Chandrashekhar presenting a session on “SIN for IT/AV” at the PALM Conference & Seminar Programme 2018

numerous and their content more engaging, with applications ranging from their use as greeting points that direct guests to their rooms (which they’ll open using their smartphones), to informational kiosks. Interactive smart display screens “acknowledges” him or her with a welcome message. This has also placed more importance on AV over IP, media servers to manage and distribute that content. Video now contributes to the overall interior design of the hotel. Interactive video is showing up more often in hotel lobbies and other areas, for informational applications such as way finding and event announcements, integrating programs & multi-touch displays.

User Experience Awareness of user experience and nature is normally a strong suit of AV professionals, who know the optimal viewing distances of various-sized displays and the space that a 60Hz sound wave requires to fully unravel. With the concept of BYOD ( Bring Your Own Device) the property owners provide for multi format connectivity including Bluetooth.

Hotel Sound Audio continues to be a key compo-

nent of hospitality, and even though most of that takes the form of background music or audio for televisions tuned to sports in bars, or tube music in reading area, the overall quality level has been on the upswing. “Audio Everywhere” has become a strategy for hotels, even as they want it kept in the background. All of the common areas, such as the bars, the lobbies, the pools will get speakers now. But they’re supposed to be heard but not be distracting. Except, when it’s a DJ playing. Most lobbies and other common areas now will have at least line inputs that portable DJ rigs can be efficiently plugged into. This is part of an industry-wide trend toward making every open space monetary event space. It means installing rigging points for projectors, screens and small lighting trusses, as well, turning almost any space into a stage anytime, if needed. This means that they need full-range speakers everywhere, even areas that just used to get paging audio, like the lobby. Some of those areas also routinely get subs in the ceiling, too. In addition, it has meant more individual zoning of those distributed sound systems to allow greater granularity in where and how loud music is throughout the property. And, that has come to require wireless iPads that let

managers monitor audio in person, everywhere, and make adjustments on the spot. Restaurants and bars that typically aren’t being used early hours, become potential event spaces because the AV is already in place.

Value-adds & Additonal Facilities Hospitality customers are asking that streaming products like Audio Everywhere and Audio fetch be added to interactive video installations, to send streaming audio to personal mobile devices relating to concierge, advertising or loyalty-program functions. They’re also being used in hotel workout rooms to achieve the “silent gym” effect that’s actually bringing millennial guests into those often-underused spaces. Installations in the gym have the ability to individually choose the audio and the methods of connectivity.

AV Meeting Culture As video displays become more ubiquitous and integrated into the hotel guest interface, they could also pose for a larger issue. Hotels wanting to have their video displays more seamlessly integrated into hotel properties’ architecture also reflects a desire on

the part of meeting planners who want venues to look more polished, without AV components simply wheeled in for events. That could become a challenge for the rental companies at some point. All AV, including that used in event and meeting spaces, is trending toward greater transparency. Users expect it to do its job efficiently and effectively and without making its presence overtly felt. It works but you don’t notice it’s there. The screens are permanently on the walls, and [installed] LED is replacing projection screens.

Banquets & DJ During live event, banquet bookings and DJ the audio level s in the room and lighting plays a major roll for applaudes. Today the concept of “Digital Ceiling” is on its way entering the niche market. Integration of AV, IT, Security systems, BMS, Lightings & Controls, all over IP platform shall be the future. Products and services are already available for AV over IP, and SDVoE (Software Defined Video over Ethernet). A.R.Chandrashekhar ICT-AV-Security-Automation Consultannt cs@anuvinconsultants.com

Sumi Baptist Church integration scales heights (Continued from page 30) along with AMX N-8001 being the network controller and the NT-ST-701 being the touch panel controller. Martin Professional lit up the scene with its Rush PAR 2 CT Zoom, the Rush PAR

The Dome Structure at a height of almost 160ft. meant we have to keep individual Loudspeaker levels in control, while providing even coverage and maximize direct sound across the venue. SUNIL KARANJIKAR, Sr. Manager - Application Engineering, HARMAN International India

1RGBW, Mac Quantum Profile Moving Head Spots and the VC-Dot 4 CW 200mm, controlled by the Martin M2Go. Sounding impressed with the outcome, Mr. Kiyello Yepth, Chairman of

the Sumi Baptist Church said “We are very satisfied with the light and sound fixtures. Harman products are a class apart. I am surely recommending Harman to others!” Kelvin asserted, “What was memorable was the opportunity to work on a project of this scale, with a group of amazing people who had a vision they wanted to fulfill now, and leave it as a legacy for the future.” Sunil Karanjikar, Sr. Manager - Application Engineering at HARMAN International India felt that:“Working on this project was an uphill task (pun intended). Kelvin Ashby King is extremely particular with the way an install is executed. He has a great ear for music and knows exactly how a place should sound once he has designed it and imagined it in his mind. With 58 Loudspeakers mounted at different levels across the building, we had to design the Amplification and DSP is a way that we could exercise maximum control over the system to be able to time align every Loudspeaker and ensure coherent localization of the source. The Dome Structure at a height of almost 160ft. meant we have to keep individual Loudspeaker levels in control, while providing even coverage and maximize

The structure posed to be quite challenging, since it was similar to a 9 storey building direct sound across the venue. We also managed to add a fair bit of color to the inside of the building and altar with the Rush by Martin series of LED PARs. The PARs also provide ambient and reading light to the congregation sitting under the dome since conventional lighting fixtures would not be able to provide the same intensity considering the physical mounting distance. The entire Audio Lighting Video and Control solutions being from HARMAN made it easy to integrate since the same team was coordinating the entire install.

This also simplified logistics in the sense that just two Application Engineers from HARMAN could be at site to supervise and commission the entire install across Sound Lighting and Video.” This massive project seems to have opened up doors to more such colossal ventures in the House of Worship Segment in East India. HARMAN Professional has already been recommended to an upcoming 12000 seating capacity church in Dimapur. PALM technology will be sure to cover this story after the project has been completed. Look for this space for more such stories.

July - August 2017

Studio Analogue Pramod Chandorkar

- Founder, SoundideaZ Academy

Recording & Microphones Chandorkar offers expert tips on achieving a good recording with details about room dynamics, good microphones and their placement, and more.

Part 2. Recording Duff and Dhols Indian percussions have a large variety of sounds. We have these sounds changing as per the region they belong to. For example the Dhol, which while played in Maharashtra, sounds completely different than the Dhol, we hear from Punjab. Though both the instruments are called Dhol but the construction, skins and style of playing varies. Its important that we should understand the style with which a specific instrument is being played before we decide to record it. As a recording engineer you should take effort to spend some time listening to the raw sound of the instrument when the musicians are doing rehearsals. Unless you know the raw sound well its difficult to get a good-recorded sound. Instruments played by sticks like Dhol, duff, Chanda, Tasha etc. are very loud in nature. First we should identify the nature of the sound like a Dhol is used to create the low energy with an attack on the hit or the Tasha is used for the rattling sound in the high Mids. This information helps us to decide the kind of microphone we should use for recording them. One important tip I would like to share is you will never get the right sound of these instruments if you end up doing a spot micking to them. These instruments are loud in nature and they need room for them to sound natural. I remember that for one of the popular song, we ended up recording 10 dhols and Tasha in a silent space, which was open air. That gave us the exact sound we were looking for. If you have a small room with very limited height and you intend to get the right sound from these instruments you will have to be creative to capture the ambience sound while thy are played. In one more session when I was recording them in a small studio I ended up keeping the Studio door open and putting one Mic in the Lobby, which was very reflective and the combination of lobby Mic and studio Mic gave a me a great sound. Bottom line is you should be creative and then there would be no limitation for experimenting. Generally I would place a U 87 almost 3-4 feet away from a Dhol in the center and add two KM 184 on a height to capture the room. For a duff I would use a Condenser Mic at

Recording Backing Vocals (Chorus Sections) Though this was covered in the previous issue, I thought of some more points to cover in this part Good Recording of a group of singers together is a far difficult task than imagined. The most common practice used is to put 2 or 4 mics and let the singers adjust themselves. But it does not yield the best results always. It’s very important to ensure that the totality sounds as a group. To ensure that you should make you’re self aware of the individual tones of the singers in the session. You can get to know that when you attend the rehearsal. You can note the loud voices and specifically voices which stand out in the group. Ideally I would make a male and female voice section separate in the same room then depending on the number of singers decide the number of microphones. Generally with a condenser Mic like AKG414 on a Omni pattern, I would accommodate 4-6 vocals making a circle. If space is an issue you can use a cardioid pattern and place them on one side. When we are doing stacking its important to ensure that the distance from the microphones is changed for each take. We tend to do multiple tracks of the same part of music; during this if you change the vocalist positions and distance from the microphone it will give you a very interesting sound of group vocals. If the part is really high and loud ensure that the singers step back and belt it out. This distance take will capture a lot of room and add life in to a track. Bottom line is again experimenting to get the right sound. Close mics don’t work always. It has to be the right combination of close and distant mics . Also I would never use an EQ while recording. I would want to achieve the tonality by microphone placement. I would use a compressor just to ensure that I am not peaking.

Bottom line is you should be creative and then there would be no limitation for experimenting.

E: pramod@soundideazacademy.com

July - August 2017

about 2 feet from the top and incase I need to capture the Low sound I would add an SM58 from the bottom with a distance of 8-10”. Keep in mind the phase when using Mics like this.

Recording Strings Section Recording good Strings Can be the Most rewarding and satisfying experience for a Sound engineer. The factors, which affect a good recording, are too many to consider.

Define the Space Figure out where the strings will be in the mix, and the tracking will fall into place. Are the strings up front and bold, or are they providing a backdrop? If you are going for a “soul style” string section, you can place the string overheads surprisingly close to the players, because you may want the heavy harmonics and a sense of “in-your-face.” For classical inspired rock, your power is really going to come from the guitars and drums. You’d be surprised how far you can place the string overheads because the strings are meant to create width and — and not fight with the power instruments. With an orchestra, you will probably have both a close overhead set and a far room capture as you want both power and depth from your ensemble. Figuring out the strings role, and spatial relevance is half the battle.

Microphones Essentially, choosing the mikes is about that which fits the role best. Ribbons and Condensers can both sound fantastic on any string set with the right placement. It’s more about what kind of image you want.

If the Strings are a part of strings in the background, I’m going to reach for a set of ribbons. I want a lot of space, but not necessarily a lot of room, if that makes sense. And that ribbon tone seems connotative of that rock sound. For Upfront Sound, I’m going for some condensers, set as cardioid, because I want those buzzing harmonics. For classical, I want some Omni condensers — a pristine capture with the sound of the hall equally involved. Remember, these are just starting points. You may find that you’re getting results that don’t match up with expectations and that means figure out what you want and making adjustments. Phase is a complex thing when it comes to strings. With all those harmonics hoping around, it’s practically impossible to get a spaced pair to have perfect phase. Perfect phase on a string ensemble of any size is impossible. A spaced pair, even from an imaginary center point, will always leave some strings in phase and some strings out — and the harmonics will alternate between in phase and out of phase. But don’t worry! There’s an advantage to an out of phase capture: a wider stereo image. So how does one get a wide stereo image and keep a solid mono sound? Two ways. One is to set up an XY or ORTF configuration. The sound all reaches the mics at essentially the same time, so you stay safe. Another technique is to use a third “glue” mic. Your stereo pair might never be in phase with the strings, but they can be in phase with a third, omni directional mic. If you place that mic somewhere that seems to gather the whole ensemble sound evenly it will help the stereo pair feel concentric. And, when you fold to mono you won’t lose the sense of evenness of the entire ensemble. Usually this glue mic sounds like crud in solo. It’s meant to be tucked underneath the stereo pair, which is doing the majority of the work. The more glue mic you can get (or conversely less of the stereo pair) while still keeping an acceptable sense of width and tone, the better your mono fold will be. There’s usually a sweet spot that makes everything happy. Finally The Bottom Line Is Experimentation is the Key. Only a good writing can lead to a good recording and eventually a great sounding Mix. Happy recording.

Install Case Study - HOSPITALITY

Playboy Delhi

gets a taste of TW Audio

fter a high magnitude success with its first superclub in Mumbai, the city of glamour, the Playboy club is now rocking the country’s capital, New Delhi. The city’s party animals got a major reason to rejoice with the opening of the new Playboy Club (which also happens to be the first Playboy club in North India) at Samrat Hotel, Chanakya Puri, courtesy Gaurav Verma of New Era Feast and Hospitality Pvt. Ltd. The club has wooed patrons with its premium liquor, vintage wines, private dining area, lavish gourmet meals, personal butler services and last but not least - the live music. “Playboy being an international brand wanted a great sounding system that could cater to their functional and performance needs. Acoustic Arts was called for discussions and performed a demo for the promoters. Sidharth Chhibber and his team were involved right from the beginning when the venue was first acquired for Playboy club,” said Krishna Singh of TW Audio

India who led the installation along with the brand’s distributor, Acoustic Arts, New Delhi. “The audio system needed to be capable of high SPLs for DJ sets, but needed to be flexible enough to cater for live performances on occasion. We were briefed by the owners, PB Lifestyle Limited, on the requirements for each area of the club. First on the list was the elevated stage over the bar area. This is the position both DJs and live performers inhabit to mesmerise the audience. With the stage located at the top of this triple height venue - 40ft high in total - it was imperative that the stage area was equipped with proper and powerful loudspeakers to ensure optimum sound coverage,” explained Sidharth. Acoustic Arts selected the T24Ns, two per side on top of each other. The upper T24Ns are equipped with a 60°x 40°horn and the ones underneath are the 90°x 50°version. 6 x S18 single 18-inch subwoofers - three per side - as well as 2 x BSX dual 21-inch infra subwoofers, add plenty of sub sound to the system.

With the stage located at the top of this triple height venue - 40ft high in total - it was imperative that the stage area was equipped with proper and powerful loudspeakers to ensure optimum sound coverage

July - August 2017

“The Playboy is a brand known for its flamboyant entertainment and clubbers can now experience the true Playboy experience in Delhi,” continued Sidharth. “I think the owners were looking for the ultimate sound system - as per international standards - and they

had shortlisted a few brands in advance. With our presentation and demo, I think we were able to convince them that we were their best option.” “The audio set up at Playboy club in New Delhi is something that hasn’t been experienced on the clubbing circuit before. International artists such as Christina Novelli and JP Candella, to name a few, have spoken highly about the TW AUDiO system. With the audio set up installed, it brings a whole new level of experience to the clubbing circuit in India,” says Gaurav Verma. In addition to the main stage PA,

Acoustic Arts also supplied and installed 2 x M8 and 2 x M10 as fills for the central area around the bar, to ensure evenly distributed sound. A further 2 x M10 are used in the VIP area - which is located on level one - and another 4 x M8 were specified for the balcony area overlooking the dancefloor. A separate VIP area - away from the main dancefloor - has been kitted out with 4 x M10, but this time with the addition of 2 x B30 subwoofers to extend the low frequency in this area of the club. It is used primarily for exclusive VIP parties and if desired the partygoers occupying the room can play their own music, independent of the music being played in the main club. Powersoft was chosen as the amplification partner. “All the amplifiers are controlled and monitored via Powersoft’s Armonia Pro Audio Suite software, which allowed us to optimise and commission the system easily,” explained Krishna. Sidharth summed up his thoughts on the project: “We’re delighted to have been involved in this project and extremely pleased with the results achieved. Playboy is a global brand and I’d like to thank the owners for choosing our equipment and our principals for the exceptional support they provided.”

Bring Music to Life New to P.Audio for 2017, the GM Series offers ultra high power handling and reliability. Newly developed insulation systems, winding processes and suspension designs yield remarkable increase in thermal and mechanical capability.

GM Series Find out more

www.sonotone.in Innovative Sonic Technology

Introducing V-8000 & V-9000 Power Amplifiers Model V-8000 V-9000 Sonotone

Innovative Sonic Technology

102, Savoy Chambers, Above Mini Cooper, Link Road Opp. Masjid, Santacruz (West), Mumbai 400054, India +91-22-66439999 +91-22-66439900 www.sonotone.in info@sonotone.in

V Series 2W 3600 3800

4W 2500 2600

8W 1500 1600

Stage Market Report

The Big Stage by AKhil Varma – Project Head, PALM Expo

ore than 50% of India’s population is below the age of 25 and more than 65% below the age of 35. It is expected that, in 2020, the average age of an Indian will be 29 years. Considering the demographics, it is given that the Media & Entertainment Industry is set to bloom. In the last five years, entertainment events have witnessed huge followings. Be it big scale EDM festivals like Sunburn and EDC with a heavy international line-up, or local bands performing in unchartered territories of the country, or be it college festivals, audience numbers indicate that entertainment events are today drawing in more diverse and deeply engaged audiences.

Tuning in to music festivals A great amount of Indians are now tuned in to international music, dance festivals and even stand-up comedy acts for that instance, and entertainment events have gradually evolved into money-spinners for organizers. Young audiences today, comprising largely of executives, professionals and students are earning a lot more than they did a decade ago and the desire for experiential entertainment has driven this lot to the live stage. Moreover, this trend is true of not just the top cities but also tier 2 and tier 3 centres, which have gradually warmed up to the idea of music events and gigs as the ultimate entertainment option.

Statistics The organized events industry in India had grown to a staggering Rs. 4,258 crore in 2014-15, marked by heavy footfalls. Continuing its upward journey it is expected to touch Rs. 5779 Crores by the end of 2017, which is close to a growth of 15%, as per a study by Ernst & Young. Stage events drive investment into stage equipment and technology. This surge in events has given a major impetus to the professional audio, lighting, AV and staging solutions industry in India and this is reflected

July - August 2017

by the huge investments being made by the Music industry into high-end pro audio equipment. Major Sound rental companies are today increasingly seeking the best quality line arrays, FOH consoles, microphones, speakers etc. in order to accommodate the demanding technical riders by International artists performing in India. High quality lighting and truss is required for setting up the perfect stage. Debuting in India for the first time in November 2016, the Electric Daisy Carnival (EDC) was supported with technical reinforcement that included an L-Acoustics K2 loudspeaker system, over 15,000 lighting fixtures and approximately 7,500 sqm of LED screens. The sheer size of these concerts

number of sound rental companies & equipment dealers in a number of these cities. It has now become very easy for all the smaller cities to cope up with the equipment demand. These rental companies and dealers have everything that is needed for even a big scale stage show. Some years ago the equipment would have to be transported from major metros but today the vendors in the tier II and III cities have all the required inventory. Manufacturers of Pro Audio & Lighting equipment are one of the most sought after today. The increasing numbers of dealers of Pro Audio – Lighting Equipment & Rental companies in these cities, have been a major source of encouragement for these manufacturers and distribu-

The industry is changing faster than ever before and the stage market in India is evolving and growing, but at the same time it is tiding over some grave challenges.

warrants a massive inventory which has in turn propped up the several Sound & Light rental companies in the country. In addition to concerts and dance festivals, major sporting events like Pro Kabaddi, IPL and Pro Wrestling league with grandiose design and equipment requirement have provided a further push to the rental companies to purchase larger number of equipment to keep up with increasing demand.

Increase in dealers and service centers in Tier 2 & 3 cities The substantial increase in the number of smaller local stage events in Tier 2 & Tier 3 cities of India has resulted in a significant growth in the

tors to further expand their presence. Many major players like Harman, Sennheiser etc. have opened up service centers in these cities.

Challenges The industry is changing faster than ever before and the stage market in India is evolving and growing, but at the same time it is tiding over some grave challenges. There is an inconsistency when it comes to the ticket revenue earned by mainstream stage events. When compared to International events, the average ticket price paid by attendees in India is considerably lower, despite full-house audience for certain events. This has mandated event organizers to depend on corporates for sponsorships, which is not always

viable. Like in western countries, India would need to work out a formula wherein the major revenue of a mainstream concert or music festival would be derived from gate money. The need for skilled manpower when it comes to implementing large scale events is imminent. For instance, number of institutes providing formal training in Lighting Design is next to zero. Hence, the number of personnel with complete knowledge on executing a particular job is on the way down. Support from the Government for events can also be seen lacking, prime example of which is the lack of a single window clearance in obtaining permissions. Strict restrictions when it comes to time limit of concluding the event and unjustified regulations with regards to the decibel level allowed, also dampens the success of the event, thus discouraging increased attendance. Certain controlled relaxation when it comes to these regulations, can go a long way in encouraging the event organizers in putting together more events and bringing more international artists to the country. This will encourage more attendance and will contribute to increasing ticketing sales consistently. Attendees pay a hefty amount on tickets only when they are assured of great artists at an equally great venue. The number of world class venues in the country is severely lacking. In conclusion, the Indian Stage Market always has showcased great potential, a promising market which somehow has not been able to grow in stature and show consistency as compared to the markets in Europe and The Americas. Its upto the stakeholders in the Industry to come together and work towards overcoming these challenges. Overcoming these challenges, brings more stability & growth to a long chain of members involved - event companies, rental companies, dealers and distributors, manufacturers and a large number of workforce which will be employed in executing these events.

Audio & Music Production

MACKIE ANNOUNCES NEW MR SERIES POWERED STUDIO MONITORS Mackie has announced a complete refresh of its popular, powered studio monitors – MR Series Powered Studio Monitors. Designed for home studios, content creators and multimedia, the MR Series is available in the 5” MR524, 6.5” MR624, and the 8” MR824 plus the 10” MRS10 companion powered subwoofer. The MR Series aims to deliver unmatched performance and superior mix translation so artists, producers, and content creators can listen with confidence knowing that their mix will sound great anywhere. “The MR Series has been very popular for a wide array of users and applications thanks to their solid design and professional sound quality,” commented Jon Rundle, Mackie Product Manager. “These

new MR monitors take everything you know and love about MR to the next level.” The MR Series features proven logarithmic waveguide which provides an ultra-wide listening sweet spot and enhanced stereo imaging for higher fidelity and consistent sound over a wide listening area. Utilizing extensive tuning by Mackie acoustic engineers, precision transducers, and high-performance amplifiers, MR Series monitors reportedly delivers an honest, accurate representation of the mix, so users can count on their projects to always sound the way they intended. “With MR, we saw an opportunity to really take advantage of some of our best studio monitor technology,” remarks Rundle. “By borrowing design elements from our flagship HR and

XR Series, we can offer incredible fidelity and accuracy at prices that fit into even more conservative budgets.” Equipped with versatile Acoustic Space Control and HF filters, MR monitors can be easily optimized for environments to ensure a flat response. There are three different acoustic space settings that adjust for monitor placements close to walls, in corners, etc. Plus, the high-frequency EQ control allows for further adjustment to ensure an accurate response for your room. Included with each monitor is an acoustic isolation pad that decouples the monitor from the desk or stand for increased performance and accuracy. “With more and more people turning their bedrooms and garages into studios, it is important to have

monitors that can adapt,” Rundle concluded. “When you dial in your monitors with the Acoustic Space Control, you can mix with confidence knowing that there won’t be any deceiving boosts or cuts across the frequency spectrum.”

AUDAC signs a Strategic Partnership with KEI HiFi for the distribution of Professional Audio Products AUDAC has announced a new partnership with India’s leading audio distributor KEI HiFi for the exclusive distribution of AUDAC audio products. KEI, which has over 200 trade partners across the country, is already established in the distribution of high quality home audio products. The addition of AUDAC, to KEI

HiFi’s portfolio will enable them to effectively serve the market and meet the demand for professional audio equipment in the Indian Market. Since beginning, a company, committed to deliver reliable and great-sounding solutions in Belgium, AUDAC has evolved to become one of the world’s most innovative

Mark Asselberghs, Export manager at AUDAC with Sanjay Chawla, founder, KEI hi-fi

July - August 2017

audio companies, specialising in commercial audio and an AV solution that make a difference. With an extensive engineering team, AUDAC designs, engineers and manufactures market leading audio solutions. With a solid history of innovation including the world first steerable column array and the world’s first web based multimedia matrix. AUDAC offers a range of installed sound products that embrace technology and innovation that meet and exceed the demands of system integrators. Likewise, KEI privately held Marketing and Distribution Company with exclusive distribution rights in India, established in 2006; being technology-based, growthoriented today KEI enjoys the distinction of being the custodian of a number of world renowned brands - responsible for effectively managing the presence and growth of these brands in India. KEI has adopted a multi- pronged approach to growth - one is growth through increasing sales via growing our network and the other has been through getting complementary offerings together to strengthen our portfolio and enable us to offer greater value to our customers. Currently KEI

has two divisions; first to focus on addressing the needs of Home Audio and Pro Audio market in the Indian market another is to Lighting that focuses on fulfilling the needs of High Mast & High Bay LED lighting market in India. Sanjay G Chawla, founder, KEI HiFi, is passionate about quality sound. He understands the importance of putting together the right components to deliver quality sound for an application. This with the immense customer orientation that he and his team have established themselves in the market for, makes them a perfect AUDAC partner. Mark Asselberghs, Export manager at AUDAC said: “KEI HiFi is the logical choice for AUDAC, given their strong position in the market complimented by their experienced staff. Their extensive geographic spread throughout the country will allow us to reach our customers effectively across the country both for sales – and technical support.” Sanjay Chawla, founder, KEI hi-fi said:”We are very excited about the association as it gives us an opportunity to not only strengthen our offerings in the Professional audio segment but also bring into India the unique AUDAC experience through its innovative products and solutions”

Audio & Music Production

Shure Names Mark Humrichouser VP Of Sales America And Asia Shure Incorporated announced an expanded, global role for Mark Humrichouser, as Vice President of its Americas and Asia/Pacific Sales organizations. In this role, Mark leads the Sales, Marketing, Customer Training and Education, Customer Service, and Product Technical Support functions for these regions. Prior to this appointment, Mark served as VP and General Manager of the Company’s Americas

Business Unit. His other positions at Shure were General Manager of the U.S. Business Unit and Director of U.S. Sales. Mark began his career at Shure in 2006, after a nine-year tenure at Sennheiser U.S., where he served in several roles, including Team Manager for Professional Systems and the Music Industry, Regional Sales Manager, and Regional Market Development Manager. “Mark provides valuable and

successful sales and marketing leadership,” said Ray Crawford, Senior Vice President, Global Marketing and Sales. “His impressive knowledge of our industry has been instrumental in helping Shure achieve its strategic sales objectives in The Americas. I am confident that Mark will lead Shure sales in the Americas as well as in Asia with the same ability and resolve that he has demonstrated so effectively, and I congratulate him on this expanded position.”

Mark Humrichouser, VP of Sales America & Asia, Shure Incorporated

sE Electronics Introduces sE8 Small-Diaphragm Condenser Microphone The sE8 condenser microphone utilizes a handcrafted gold-sputtered small-diaphragm true condenser capsule manufactured by sE in their own capsule room, with this capsule’s brand new backplate design resulting in a more even, balanced sound and superior transient response as compared to other small-capsule condensers of comparable price. According to sE’s Product Manager Thomas Stubics, “You can apply any

shelving filters or peak EQ without harshness, unpleasant colorations or distorted transients – it just stays natural.” This is accomplished with an extremely short, efficient signal path, without the use of ICs or transformers - and according to Stubics, the sE8 is one of the quietest SDC microphones available today. The sE8 also includes two low-cut filters (switchable between 80Hz and 160Hz) and two attenuation pads (-10dB or - 20dB), which provide it with the highest SPL handling capability and dynamic range in its class. The body is finished with the same new high-quality paint as sE’s latest microphones, plus a unique diamond-cut edge around the capsule, and the XLR connector is gold-plated for loss-free, reliable, and

Arturia unveils AudioFuse Arturia has unveiled AudioFuse, which fuses sound of high-end mixing consoles. Its two DiscretePRO microphone preamps provide a circuit that goes

beyond the limitations of integrated circuits. AudioFuse’s 24-bit AD/DA (Analogue-to-Digital and Digital-toAnalogue) convertors are of the latest generation, delivering audio at up to 192kHz sampling rate. AudioFuse also acts as a three-port USB/MIDI hub as well as offers a ‘TALKBACK’ feature to give directions to talent in another room using the built-in microphone and insert connections to add external line level devices, such as compressors or other effects processing, into the signal flow before the digital conversion stage.

long-lasting use. The sE8 will arrive in stores worldwide in August 2017. It ships

with a newly-designed mic clip, mic stand thread adapter, and protective wind screen.

Boss announces RV-500 RV-500 Reverb from BOSS is the latest addition to the company’s ‘500’ series of guitar effects pedals. RV-500, is reportedly the most powerful and versatile reverb processor BOSS has ever produced. This multifaceted creation machine features class-defying 32-bit AD/DA along with 32-bit/96 kHz floating point processing and immense programmability, putting pro-level studio reverb and more at your feet. Twelve modes and 21 newly developed reverb algorithms deliver a huge range of textures, from complementary ambience to deep, immersive sonic atmospheres. And the RV-500’s high-octane DSP, allows

RV-500 Reverb from BOSS access to a full-featured digital delay along with every reverb patch, and even run two reverb patches at once! Adding in MIDI I/O, support for external footswitch/expression control, and USB for connection to the free RV-500 Editor/Librarian software, the

RV-500 is one of the most advanced reverb pedal available. Key Features Include: • Studio-level sound with first-inclass 32-bit AD/DA, 32-bit floating point processing, and 96 kHz sampling rate. • 12 modes with 21 reverb types, all with deep editing parameters • Includes a wide range of reverb types from standard to advanced, plus Roland classics such as the SRV-2000 Reverb and RE-201 Space Echo. • A/B Simul mode allows you to use two reverb patches at once • Selectable carryover function allows reverb tails to continue with patch change or effect bypass. • Powerful DSP provides independent digital delay with modulation along with each reverb patch. • Graphic LCD and intensive realtime control options. • 297 onboard patch memories and hands-on controls. • Selectable buffered-bypass or truebypass operation. • MIDI I/O for interfacing with MIDI control devices. • USB-MIDI for connecting to the RV-500 Editor/Librarian or a DAW. • Runs on four AA-size batteries or PSA-series AC adapter.

July - August 2017

Audio & Music Production

M-Audio launches BX-D3 Series monitors M-Audio have announced the introduction of two new studio reference monitors, the BX5-D3 and BX8-D3. Driving the low-end and midrange, BX5-D3’s and BX8- D3 are rigid and light weighted, delivering transient response whilst negating unwanted “cone breakup”. BX5- D3’s treated silk dome tweeter provides the ideal combination of low mass and the absence of audible resonances that plague conventional tweeters. Together, the BX drivers deliver critical detail, nuance and dynamic accuracy, for mixes to have the veracity and transparency that the user demands. With M-Audio’s BX5-D3 and BX8-D3 have a rear- mounted bass port, meticulously engineered to the exact length and diameter, resulting in deep, defined bass response

with maximum bass extension and resolution. When it is combined with a smoothly-flared port, the monitors markedly reduce the audibly-intrusive air turbulence that is when bass is played back at high sound pressure levels (SPLs). BX5-D3’s tweeter is mounted in a custom waveguide for reliably accurate dispersion that eliminates unwanted high-frequency “scatter,” whilst ensuring a soundstage that remains consistently wide and stable.

to complement the characteristics of its companion driver. A precisiontuned crossover guarantees each driver only handles the frequencies that it produces The new BX-D3 range features XLR balanced and 1/4most efficiently for inch balanced/unbalanced inputs. a sound that is nuisance standing waves. cohesive across the entire frequency spectrum.

High-Current, High Headroom Class A/B Bi-Amplified Power

Tailor-Made Sound

Driving the BX5-D3 D3 and BX8-D3 monitors are two Class A/B internal amplifiers that power the woofer and tweeter separately - each optimized for the specific frequency range it handles and engineered

The BX5-D3 D3 and BX8-D3 monitors custom tailors the user’s sound to their environment, allowing to experience sonically-true and accurate sound reproduction. The user can negate problematic bass frequencies and limit the impact of

Connectivity Covered

BX5-D3 D3 and BX8-D3 Studio monitors assimilate into the user’s existing setup with ease. Combining conveniently-located, rear-mounted XLR and 1/4- inch balanced inputs, BX5-D3 connects to virtually all studio equipment including audio interfaces, mixers, DJ gear and more.

Rich Nevens announced as Focusrite’s Vice President of Worldwide Sales: Commercial & Pro Audio Focusrite has appointed Rich Nevens as the Vice President of Worldwide Sales: Commercial & Pro Audio, and he will lead the newly formed business unit which consists of RedNet, Red interfaces and the ISA range of products. Damian Hawley, Focusrite’s Director of Global Marketing & Sales said: “Our Dante-based RedNet and Red ranges are experiencing substantial growth and, as such, we have decided to form a

dedicated business unit to focus on the professional audio community; Focusrite Commercial & Pro Audio.” Focusrite Group CEO Tim Carroll stated: “Rich Nevens is a highly respected professional audio business leader with many years of experience operating at the senior decision-maker level. Rich will initially be focused on developing a world-class network of distributors, resellers and system integrators to accelerate our growth in the broadcast, post-production and

professional markets.” Nevens joins Focusrite from Avid, where he held a number of positions for the last 12 years, most recently Director Strategic Solutions, WW Audio Sales. Nevens said: “Focusrite has taken a clear leadership position in providing the most expansive line of greatsounding, Dante-enabled modular audio products, and I’m thrilled to lead a team focused on improving the workflow of the professional

Rich Nevens audio community with our powerful networked audio solutions.”

DPA introduces new d:vice MMA-A Digital Audio Interface DPA Microphones “This is the first introduces new d:vice pocket-sized digital MMA-A Digital Audio audio interface that Interface which is can deliver sound a high-quality, twothat rivals studio channel microphone recordings,” says preamp and A/D René Mørch, Product converter offering Manager at DPA mono, dual and stereo Microphones. capabilities. “The d:vice Digital The d:vice comes Audio Interface can with interchangeable be used for recording lightning and USB music and filming d:vice MMA-A Digital Audio Interface is a high-quality, two-channel cables for connectivity. on location. With microphone preamp and A/D converter Its MicroDot inputs this interface, users Headset, d:vote Instrument and even allow the d:vice to be connected can portably record and stream clear the d:dicate recording microphones to all DPA miniature microphones, and professional audio from the with the optional MMP-G preamp. including the d:screet Miniature, d:fine connected microphones,” he added.

July - August 2017

At about two inches in diameter, the d:vice Digital Audio Interface is ultra-compact, easily fitting in the users’ pocket. It provides superior audio quality and is controlled through a remote application on any iOS device. An exclusive DPA app is available for download from the Apple App store. The app makes the users’ job even easier, allowing them to store gain settings and low-cut filters for ongoing and future personalized use in dedicated presets. Thirdparty applications can be used to accomplish specific tasks, including but not limited to high quality recordings.

YAMAHA MUSIC INDIA PVT. LTD.

Email : support_in@inquiry.yamaha.com www.yamahaproaudio.com; in.yamaha.com

Tamil Teri Maa Had the privilege of mixing the FOH for AR Rahman’s ‘Netru Indru Nalai’ Wembley Concert last week not by choice but by substitute, when the visas don’t make it back on time. Anyways I have been doing this for all the guys who have worked with me over the past two decades and my role has varied in no ascending order from FOH, Systems, Monitors, RF Tech, Stage Tech, Audio Supplier. On AR’s concerts I wouldn’t mind even being the Backline tech. It was pretty precarious as I hadn’t been to any of the production rehearsals and Mark Thomas was at the helm of Monitorland for the first time; it was like pulling someone out of semiretirement back into the pitch and a rookie at the crease. Like two opening batsmen we braced the occasion. Big shows are always about stamping your authority on the audio production and having total control of every audio parameter from the test & measurement tools, sound systems administrator controls, FOH commandeering & a bit of aural musical creativity. Now here is where this helps, having been in every nook and cranny of his audio production, coming into the show wasn’t like it was an entry barrier and we pulled of a blinder all thanks to a little help from the music director & the legendary Shridhar’s son helping me with the solo’s entries or the names of some of the backing singers. Wembley went like a dream with barely a day prior of PA rigging, alignment and show day’s line test, sound-check into show. So what it’s like doing gigs for the man himself. I guess you put all your experience you have learnt over the years on this gig and every little thing matters. We have always strived for excellence on his technical productions, leaving Wembley with a great sense of pride of our ‘Made In India’ music, whilst I was appalled to hear later about anti-social media cribbing about being a ‘Tamil’ & not ‘Hindi’ concert. Firstly, of all the shows I have done, this hasn’t even occurred to me. Since when do our audiences demand language and ‘Made In Hindi’ is the only acceptable medium or musical instruction. Secondly this whole thing about walking out was one big lie as everyone stayed glued to their seats

July - August 2017

or danced in the aisles, I was at FOH and hence a witness! The few who left early were elderly or physically challenged people who wanted to break away from the exit crowds post the concert. A friend of mine interestingly mentioned to me about the expats

from the audiences that you barely can even hear the PA system during the highlights of the concert. Such is the love and adulation this man receives. The News7 concert for Live & TV in Chennai was such a sonic spectacular, we had 168 inputs of his

being called “Coconuts” - Brown from the outside and very white from the inside. This reminds me a lot of the snob value they have developed from living in western countries where even the popular musicals on West-End are called ‘Touristy Musicals”. No point educating these pseudo-highbrow’s about anything. All they have is their opinion on app based phones. They should never be dancing to ‘Despacito’ and thanks to Hindi dubbed versions

entire elaborate band, two sets of strings sections, a grand brass, north & south Indian classical instruments from sitar, veena, tabla, mrindagam, thaval & the works. Some of the arrangements were so awe-inspiring that my hair was standing through practically 30% of the set. How do you control your emotions when ‘Karma Veeran’ is being performed live with such amazing orchestration, the grandeur of horns section and the classical instru-

Thanks to Hindi dubbed versions of Tamil films you have Humma & Urvashi in Hindi. Are you saying your body is not going to get on the floor when you hear Urvashi in Tamil!!

of Tamil films you have Humma & Urvashi in Hindi. Are you saying your body is not going to get on the floor when you hear Urvashi in Tamil!! Sorry to burst your bubble folks but the best concerts I have worked on, are Rahman’s Tamil concerts and his ‘Nenje Ezhu Tour” & News7 Concert in Chennai are the most spectacular shows I have been witness to. The gigs open to such loud screams

ments infused altogether to make a phenomenal sound and an audience continually yelling in oblivion to the fact that it is also a Rajnikant flick. But the highlight of the evening was for me Kalpana’s vocal rendition of ‘Kannodu Kanbathellan’ with such amazing support of the Indian classical musical instruments. That song just left me blown away! Imagine this mans discography of

hits are so many that it would practically take him a weeklong concert to complete his “Greatest Hits LIVE”. And working with the composer himself, is always a journey of learning as he has been at every step of the way making the songs. So if it’s the orchestration in Jab tak hain jaan, the bass-line in ‘Humma Humma’, the drums & guitars in ‘Naadan Parinde’ or the piano in ‘Dil Se’ which by the way is something I have discovered. He has changed his set list in all his concerts but I haven’t attended or worked on a single concert without ‘Dil Se’ seems like this song is closest to his heart! We cannot fathom AR’s contribution to “Made In India” the superlatives are in the awards and in the recognition. And to all those Hindi concert audiences for your pleasure, be happy he even made a record like the music for ‘Taal’ which according to me is his ‘Masterpiece’ in your language. Why don’t you make a song in Tamil for the world to appreciate before you even decide to jig to a Latin or Middle Eastern song on the dance floor. I also find it extremely distasteful when people make internet parodies of India’s Global Ambassador of Music whilst these deadbeats who have not achieved anything, could actually spend their time doing some social work or making better music. We have to respect people for their work and contribution to the world of music and this doesn’t mean just the top tier music directors, producers or singers, this also goes out to small resto-bars & clubs where Live music is performed. Everybody’s voice or music has a place under this sun. Being disrespectful just brings us discredit and puts us in very poor light. PS – Whilst all of us fans & colleagues who are standing by him on social media or our blogs, he himself was deeply hurt and wants what’s best for his fans and owes his success to his fans. Humbled beyond words. And Thank You! AR it is a privilege and honour to serve you Sir. Warren D’souza - Founder, Managing Director, & Working Member of Sound. Com

#SoundGuyForlife | #AudioEvangelist

Lighting

Philips Lighting launches the new Philips VariLite VL1100 LED luminaire Philips Lighting has launched the new Philips Vari-Lite VL1100 LED luminaire, which is a high quality LED moving head spotlight for stage applications. The new Philips VL1100 LED has been designed as a seamless, lowenergy replacement for the popular VL1100 ellipsoidal reflector spotlight, a favorite tungsten moving head fixture for many lighting designers. High quality, high-CRI light output, consistent color reproduction and ‘tungsten’ color shift emulation are therefore key to its design. These characteristics are all delivered by an

exclusive new 3200K Philips LED light engine, which succeeds in making the Philips VL1100 LED one of the first moving head fixture to offer a true alternative to the traditional tungsten source. In addition, the Philips VL1100 LED offers the added flexibility of allowing the user to remotely manage the balance between light output and fan level. When the user sets the fan noise level, the fixture will automatically set the total power output to align with the required noise level, and vice versa. Martin Palmer, Philips

Elation Professional introduces new Fuze PAR Z175 Elation Professional expands the the zoom function, the fixture Fuze series with the addition of can be used in noise sensitive the new Fuze PAR Z175, a fullenvironments and an advanced color LED PAR light. cooling system keeps the fixture Fuze PAR Z175 uses singlesurprisingly cool to the touch. lens RGBW COB LEDs to project The Fuze PAR Z175 offers many a single homogenous beam of of the useful design features and light with an evenly lit lens face its fast 8°to 35°zoom offer more that appears as one color instead precise beam control, electronic of individual LED diodes. It also strobe and variable dimming curve houses an advanced 175W RGBW modes. It enables user convenience COB LED engine for a wide palette with 64 color presets and 14 of color choice with unique color macros smooth, single included when source color programming time mixing that gives is limited. fully premixed The Fuze PAR looks and an Z175 is outfitted extremely flat with all the field of light, the professional control quality of light that features that many designers designers should demand. Besides expect from a their non-pixel look, modern luminaire. designers have valued A gel frame and barn the Fuze series for The Fuze PAR Z175 is outfitted with doors are professional control features that their ability to wash included and designers expect from a modern a surface or subject luminaire dual adjustable without the multiyokes allow for shadows created from traditional precise positioning when mounting LED wash fixtures. on the floor. The Fuze PAR Z175 is powerful With the Fuze series Elation has and can be used in all sizes of given the market an option when rigs and can project 15,026 LUX it comes to LED wash fixtures. The @ 6.6 ft (2m) when used full on Fuze PAR Z175 joins other moving at an 8°beam angle. Max power head and PAR lights in the Fuze consumption is low for such a series to offer the new technology powerful luminaire at only 200W. of a modern luminaire with classic Silent in operation including wash looks.

Entertainment Lighting Vari-Lite segment manager, said: “With this new fixture we have really responded to what lighting designers have been telling us they need. It’s a true refocusing moving head profile, with innovative new features such as the noise-to-output control, but most importantly it continues the legacy of the VL1000 Series, which has long been one of the most specified fixtures for theater applications.” The Philips VL1100 LED uses the same color mechanism as the lampbased version, but the color system has been tuned with the LED light engine to match the original fixture’s color reproduction. To maximize cooling efficiency, the fixture features a new, hybrid system of liquid cooling and forced air, keeping fan noise levels to a minimum whilst maintaining the high quality light output. Colin Kavanagh, General Manager Philips Entertainment Lighting said, “At Philips Entertainment Lighting we are committed to using our resources and expertise to develop innovative lighting products that serve the precise needs of the market. We believe the VL1100 LED drastically

Philips Entertainment Lighting’s innovative new LED luminaire provides stage lighting designers with a high quality, low power alternative to tungsten raises the bar for high quality, versatile, professional stage and television lighting tools.” The VL1100 LED will be available in an HP (high power/high color temperature) version, delivering a bright, flat and even field at 6500K, with consistent color temperature reproduction throughout the dimming curve, providing a low-power replacement for the existing VL1100 Arc luminaire.

Work Pro debuts LightShark desk Work Pro launched a new concept of lighting - the LightShark project, lighting software that is neither installed nor operated entirely from a console. It is a system based on WEB, offering the possibility to be controlled from many devices as PC / MAC, tablets or smartphones, operating with the software within

of a touch monitor in another device.

Features The graphics power of the monitors is developed by the PC or tablet leaving the console only DMX processing work. The console works totally and independently of the PC or tablet and even if the WIFI connection is lost it doesn’t stop

LightShark offers enough power to perform small and medium events. the light console. The console named LS-1, has playback faders, flash buttons, encoders and a 4.7 “screen that interacts with the processor and at the same time via Wifi it’s showed a graphical interface and the power

and is totally operative. Via WEB it can connect up to 3 monitors with 3 different screens and with up to 8 DMX universes, LightShark offers enough power to perform small and medium events.

July - August 2017

Lighting

Altman Lighting Appoints Jaime Friedstadt as International Sales Director and JR Chai as Asia-Pacific Sales Director In a move to expand their International sales division, Altman Lighting has announced the appointment of Jaime Friedstadt as their new International Sales Director. With a wealth

General Manager. Friedstadt has over 20 years of experience providing quality sales support and generating client relationships for a number of entertainment and architectural

multinational client relationships and further strengthen our position as a market leader.” Continuing expansion of International Sales, Altman has appointed industry-veteran Jimmy “JR” Chai as the new APAC Sales Director. Chai will oversee all sales channels across Asia, Australia and New Zealand, while strengthening key relationships with distributors, dealers and lighting professionals throughout the region. “We are very fortunate to have him join our sales team to strengthen our client relationships,” stated Julie Smith, Altman Lighting General Manager. Having most recently worked as the EAP Head of Projects for ARRI Asia, Chai has also served as the APAC Sales Manager for Philips

Jaime Friedstadt, International Sales Director and JR Chai, Asia-Pacific Sales Director of knowledge in both the architectural and entertainment lighting industries, Friedstadt will now manage the Altman Lighting sales channels in the Caribbean, Latin American, European, Middle Eastern and African markets. “With the expansion of our product offerings and our growth in a worldwide market, we are very fortunate to have Jaime join us to reinforce our efforts and expand our market presence accordingly,” stated Julie Smith, Altman Lighting

Canara lighting launches new lighting fixture JAGLE Panel

lighting manufacturers. Prior to joining Altman Lighting, Friedstadt worked with Chauvet Lighting, Philips Vari-Lite, Philips Strand Lighting and Hubbell Lighting. “The global lighting markets are expanding exponentially with the introduction of many groundbreaking and energy-efficient lighting technologies,” said Friedstadt. “When reviewing both the current and upcoming solutions provided by Altman Lighting, I am confident we will be able to expand our

Canara lighting launched its new LED digital lighting fixture at the Broadcast Asia in Singapore. This product has been developed with many features based on digital technology. The lighting fixture is a solution for all possible lighting applications, primarily in TV and film studios. JAGLE Panel is a digitally designed, smart and intelligent lighting fixture based on green technology, user

MA Lighting identifies and bans copies at PALM expo, Mumbai with support from organizers During the Palm Expo Mumbai trade show, MA team members kept a keen eye on companies offering and selling MA copies. In a couple of cases, these copies were identified and MA successfully ensured that they were immediately banned from the booth of the offering company. MA Lighting products are protected by a wide range of patents, which include software, hardware and design, whether used on Linux or Windows platforms. Furthermore, MA made it extremely

July - August 2017

Entertainment, as well as the Chief Technology Officer for 5 Star Media in China. As a graduate of Loughborough University, Chai joins Vice President of North American Sales Nick Champion and EMEA/ Latin American Sales Director Jaime Friedstadt to complete the Altman Lighting International Sales division. “Over the last several years, the Asia-Pacific market has experienced a sustainable growth in the architectural and entertainment lighting industries,” said Chai. “Knowing the history behind Altman Lighting, and the passion behind the leadership team, I am very excited to be joining their International Sales division and I look forward to continuing to build on our strong client relationships.”

clear to these companies that it will not tolerate anyone selling or distributing copies and that MA reserves the right to take legal action against anyone engaging in this practice. Additionally all companies offering MA copies were prompted to delete all catalogues, brochures etc. displaying or referring to MA copies. MA Lighting appreciated the support given by the organizers of PALM expo and by all companies staying true to the original brand.

Jagle Panel LED digital lighting fixture friendly operation and excellent performance. The name JAGLE Panel is inspired by the properties of the lighting fixture which provides the lighting design agility of a Jaguar and the clarity of an Eagle’s sight. Hence

the name JAGuar + EagLE = JAGLE.

Key Features of the JAGLE Panel include: • Provides extensive range of CCT from 2700K to 12000K. • While changing CCT, no compromise on CRI or TLCI. • Colour correction mechanism compatible for all camera makes. • Provides colour wash with customised colours with fade and enrich options. • RGBW microprocessor colour mixer to achieve millions of colour shades. • RGBW colour with HSI control. • Adjustable system settings to suit and comfort all users and designers. • Many play modes • USB supported on board firmware upgradation. • Save and load, light effects and system settings. • Compatible with all DMX 512 protocols. • Multiple DMX mode functions and operations. • Green colour correction. • CRI > 95. • TLCL > 90. • LED lifetime > 50,000 hours. • CE certified.

Lighting

Chauvet’s Unveils New Épix Strip IP for indoor and outdoor use Chauvet Professional launched the time,” said Albert Chauvet, CEO of of diffused and high contrast looks. new Épix Strip IP and its new one “We designed Épix Strip IP to be a Chauvet. “This is an ideal product for meter LED strip features a quick very flexible tool. Every designer has one-offs, events and festivals, as well programming mode that greatly as the touring and rental markets,” he a unique approach, so we worked reduces the amount of time needed added. hard to make this product as versatile to set up pixel mapping programs as possible from the way it can be With 100 RGB SMD 5050 LEDs by allowing access controlled to the to several prebuilt different looks and effects while using viewing angles just a few DMX you can get with Channels. lens covers,” said Chauvet Professional Épix Strip IP Features Quick Programming Mode Épix Drive 2000 Chauvet. that greatly reduces the amount of time needed to set up pixel mapping IP is required with Épix Strip IP programs this product and offers a variety designers can control the Épix Strip of programming options. As an lined up in a row, the Épix Strip IP IP via Art-Net, Kling-Net, or sACN to alternative to the quick programming produces a superior bright output and configure and program shows in a mode, designers can opt to control high resolution graphics. It has three matter of minutes rather than hours. each pixel individually, or they can different lens covers -Stealth Black, “We made it easier to create divide the fixture into 5, 10, 20, or Round Milky and Square Milky, which stunning pixel mapped looks in less 50 pixel sections. They can also use a can be used to create a wide range

media server to control every pixel or section. Ruggedly built, the Épix Strip IP is ideal for touring. The strips themselves are IP65 rated along with the 4-pin XLR connectors that link them to the Épix Drive 2000 IP. These connectors are also fast and easy, enabling ease for end users. The Épix Drive 2000 IP is also IP65 rated, so it can be used directly on outdoor rigs without concern about the elements. “We talked to a lot of designers to learn what was important to them in their real life applications. In the end, this led us to develop a product that not only creates great looks, but is easy to work with as well,” stated Chauvet.

ADJ Introduces Vizi BSW 300 moving head effects. The first wheel contains six ADJ introduces Vizi BSW 300 duties, able to produce soft-edged static metal GOBO patterns along moving head with an innovative washes at a beam angle variable with three different-sized beam fixture that offers hybrid output – between 12- and 23-degrees. apertures, while the second wheel is functioning interchangeably as a Offering pan and tilt ranges loaded with seven indexed rotating beam, spot or wash effect as well of 540-degrees and 270-degrees GOBOs. This second wheel is supplied as an incredibly powerful 300W LED respectively, the Vizi BSW 300 is a with a useful selection of patterns light-source and a host of professional deft and agile mover. It is equally (six colored glass and one metal), features to help aid creative lighting suited to big and fast beam but these are design all replaceable professional. allowing users to The Vizi BSW swap in their own 300 boasts custom patterns a speciallyif, and when, designed and they are required. bright 300W Offering even white-light LED more creative engine, that potential, each is its output wheel is capable is sufficient of continuous for most scrolling as well large venues as a GOBO shake and event effect. productions. The Motorized Vizi BSW 300 is focus means a hybrid fixture that projected that can switch Vizi BSW 300 is a flexible & powerful LED hybrid moving head with beam, spot & patterns can be almost instantly wash in one fixture kept sharp over between varying projection distances, with beam, spot and wash output. As a movements as it is to slow and focus adjustments made remotely via beam effect, the unit offers tight smooth GOBO projection sweeps. It DMX. Two independent color wheels and potent shafts of light variable also features 16-bit fine positioning, are also built-in to the fixture, each between 1- and 9-degrees and is allowing for precise control when it offering seven color slots in addition ideal for creating impactful midcomes to the positioning of projected to open white. A professional-caliber air effects. While, when used as a GOBOs and beams. fixture, the Vizi BSW 300 is fitted spot, the fixture is capable of sharp Fitted with two separate GOBO with both 3-pin and 5-pin XLR input pattern projections and well-defined wheels, the Vizi BSW 300 offers a and output sockets, allowing for spotlighting at a beam angle of huge amount of creative potential maximum flexibility when the unit between 10- and 20-degrees. Finally, for projecting patterns onto a surface is connected into an existing DMX the unit is equally suited to wash or generating awe-inspiring mid-air

July - August 2017

system. Users have a choice between two different DMX channel options (18 and 21) and a large backlit LCD screen on the front of the unit makes DMX addressing and mode selection simple. The unit is also equipped with professional locking powerCON mains input and output sockets, which can be used to link the power supply of multiple fixtures to reduce cable runs. As a Beam fixture, it is capable of impactful mid-air effects that can fill a large space with light and color. As a Spot fixture, it’s varied GOBO and prism options allow for a huge variety of projected pattern effects. Finally, as a Wash fixture its motorizing zoom, Frost Filter and twin color wheels make the fixture a versatile light source for venue or stage illumination. “Demonstrating our commitment to innovation, we’re very proud of the new Vizi BSW 300 here at ADJ,” enthused ADJ USA’s National Sales Manager, Alfred Gonzales. “Not only is it ADJ’s brightest LED-powered moving head to date, it is the first hybrid fixture to feature an LED light-source. This means that the advantages of LED can now be utilized by lighting designers and installers working in venues, and on productions, too large for previous generations of LED-powered moving heads. It also means that fewer fixtures can be specified, as just one unit can interchangeably perform beam, spot or wash duties.”

Early Bird Discount Closes

30th September, 2017

Hurry, Book now for an Early Bird 5% discount and save costs! Ramesh Chetwani Exhibition Director Mobile: +91 916 744 7440 Email: rchetwani@palmexpo.in

install Imagine this scene. Client: I want to build a house – How Much? Contractor: What would you like to build? How many bedrooms? Any particular style? Client: Don’t bother me with details. Just tell me the budget? Contractor: You decide boss! Client: Ok Done. Rs. 2 Crores. Start tom. What time will your bricks come? Contractor: But Sir ….. Please give me some idea on what to build? Client: Arre – You are the Contractor – you should know what to build. And listen – I don’t want to see any cement bags on site. If you want to use – then use, but cover with cloth at all times – my wife does not like to see a mess. Clear. Now imagine what the building will look like. Any chance the client or contractor will ever end this happily? Lots of money and time will be spent while the client pictures his dream house and the contractor stands around wondering where to begin, just happy he has some work. This in a nutshell seems to be the basis of every install project I been asked to look into. Except in my case the entire building is built. A few token light points have been installed in a few rooms. Nobody remembers the capacity of any cabling. Nobody has ever laid any control cables. And I am told – Now light it! Apart from a very very few projects, why is lighting (and I suspect sound and video) always an afterthought. Even in hotel ballrooms and Theater spaces, the space provided for technical areas is (usually) woefully inadequate. Why are Technical Facilities always an Afterthought?

We enter a vicious cycle. Because of all the compromises we need to make – the project is usually never properly realized. And I sincerely hope that exhibitions like PALM attract builders and owners so that they can see some of the equipment that can enhance their projects and facilities. Hopefully a technical consultant can be hired at the initial stages to insist on the design to include all the cabling, install positions (with load factors calculated) and sufficient place to install a control system. A

I hope we can educate our potential clients that this technology can be easily installed into most facilities for a vey nominal cost. Systems that can enhance every user’s convenience, safety and security.

system designed by geniuses to be managed by simple people. Then the revolution can begin. Waiting for the enlightened owner managers of these facilities that embrace technology – are a huge bag of goodies. I have not seen the heart of these systems – But I am sure we have all noticed how technology helps our new airports and the newer transport systems run. We don’t see the cables, as they been planned for. Well disguised in the brackets and positions around

these massive spaces. I am sure there is an intricate system of cables and switchers that are running below the marble floors to ensure we know where to unload cars, check in and find the closest gates. Without being obvious our passage through these buildings has become so easy. Likewise so many of our newer multiplexes, install and disguise their technology to enhance the movie experience. I hope we can educate our potential clients that this technology can be easily installed into most facilities for a vey nominal cost. Systems that can enhance every user’s convenience, safety and security. Our public buildings are becoming larger and used in multiple ways. Why can’t airport passenger systems be adapted into hospitals, courts, office buildings where it can be used to direct people to the right rooms within the building? Once there, technology can be used to ensure information is shared with clear voice and sufficient visuals to make our experience both comfortable and quick. It is now understood that malls have grown from simple retail into social meeting points and the entire experience is converted to an entertainment opportunity. Perhaps you may have seen the Burj Khalifa tower in Dubai lit with the Indian Flag last independence day. Was that entertainment, experience, social, political? Perhaps it was some combination of all these. Does ‘Edutainment’ convey the idea. New words and concepts will need to be coined. That’s it for traditional spaces. Technology today can define entirely new experiences. Virtual walk through, 3D modeling and video graphics can create a whole new

world of experience and entertainment. We are beginning to see this within museums. It’s only a matter of time before the entertainment opportunity can be commercially implemented. Like all disruptive technologies – these will be slow to implement. Then accelerate at a massive speed. We have seen the velocity of this embrace is usually massive. Video games took a decade to become mainstream. Then in a few short years the industry overtook Hollywood in worldwide takings. That generation of gamers is still young. But in time they will control spends. They will not know entertainment as we know it. They will demand the video game experience in every building they will use for work and play. What we see as entertainment today, may become basic. Interaction will be key. The big difference between movies and gaming is that the gamer can customize its surroundings. He can choose who wins. Will the hero get the girl? And when he gets her will he kiss her or steal her car? We can choose to live in our own worlds. Philosophically that will raise a thousand issues. Social media and social commentators will go crazy defining the NEW World. If you in the technology world that made it all happen, you can look at all that chatter on one screen while the opposite corner of the screen shows your mounting bank balance. (The views expressed by the author are his own personal comments and the magazine does not subscribe to them).

31 May-2 June 2018 Bombay Exhibition Centre, Goregaon (East), Mumbai

July - August 2017

100

11 QUESTIONS WITH

John Meyer

As John and Helen Meyer celebrate 50 years together and 50 years of innovative audio solutions, PALM technology catches up with John Meyer. The Founder of the Berkeley based pro-audio manufacturer fields 11 questions on his perceptions about speaker system designing, overcoming challenges, current global market scenario for pro-audio and his expectation for Meyer Sound for the next five years. What is your approach to designing a speaker system? I think that sound quality is a given so what needs to be done is to figure out how to configure systems so they’re practical to use for different types of environments. When I start on a design I always pay attention to the space they’ll be used in and also how they interact with each other. Meeting the specifications in small and large numbers is essential.

You have contributed directly to a long list of breakthrough developments that have earned the company 100 US and international patents as well as numerous industry awards. But which of the Meyer speakers would you say is your favorite and why? It’s very difficult to choose a favorite. So many of our products have been inspired by the artists who work closely with us. I think our small mm4xp is an example of a product that was inspired by the artist, Bill Fontana, to use in the light rail system in Lyon, France for both music and announcing. We developed the mm4 specifically to fit within the tight spaces in the stations. The product has evolved into the mm4xp and mm4xpd which is a directional, powered version. I’m also pleased with our evolution of line arrays because they have shown exceptional versatility and sound fidelity. I think the Leopard system is a real milestone in this technology.

The UPA-1, has been one of your top selling products. What do you think made it such a big success? The UPA-1 was aimed specifically to be powerful and small to fit easily into Broadway show sets. It was a huge advance at the time and it was ten db more powerful than anything on the market. We later made it self-powered which increased its versatility and ease of use.

Looking back over your long and illustrious career, what do you think has been the highlight of your career? I’m very proud of the company that I’ve built and the dedicated team that also believes that innovation is an ongoing effort.

You are a renowned inventor, but you are also a businessman per se. How do you balance both? Is it a challenge? As in, being an inventor is it important to give priority to design over financial gains or vice-versa?

Founder and CEO, Meyer Sound

I think it’s important to recognize that you may have strong strengths in one area and weaknesses in others so inventing and developing are obviously my strong points. However I seek help and expertise in other areas of the business.

Your wife Helen is also your business partner. What is her role in the company and what aspects does she look into? Helen maintains the relationships which include sales, marketing, admin, operations and all the things that make the company run. The two of us work closely together on all strategic aspects of the company but we have a division of labor since I handle all of the engineering and visionary work. We are supported by an incredible team of people in all areas of our business.

How do you think the live-sound and install industry has changed globally in the past decade? The industry has changed from supporting bands directly which was originally supported by record sales to the bands making their money on touring itself. Originally the tours were a promotion for records but records sales have dropped with the start of the internet and iTunes etc. So the tours have to make money on their own. So speed and set up time, the amount of equipment and cost of fuel all have affected the way tours are run these days and everything must be done more quickly and more cost effectively. The install market has been more stable and it’s a growing market for us.

Today, Line arrays have become a norm for live sound reinforcement. What do you think is the single most important factor that has led to this wide scale adoption? And what do you think comes next?

I think we’ll see more and more multi-channel and multi-spacial sound systems, more immersive systems so that every single performer can have the sound originating from where he or she is even when they move around

101

I think line arrays have been around since the 1940’s and the “grateful dead” used them in their ‘wall of sound’ so each musician could have his own line array because they only take up vertical space. This helped in all kinds of shows - touring and Broadway - because space is always at a premium. I think we’ll see more and more multi-channel and multi-spacial sound systems, more immersive systems so that every single performer can have the sound originating from where he or she is even when they move around.

What is your perception of the global market for pro-audio products and how does India fit into this global scenario? I think that concerts will continue to grow and my understanding is that India has more concerts every day than the rest of the world combined. So the market in India is huge.

Tell us a little bit about your engagement with the Indian market and what does Meyer have in store for India in the near future? We’re going to continue to work in India because everyone loves music and Indian musical instruments have a huge range of complicated sounds. There’s a spirit and energy in India that is special and exciting and we want to help support it. We recently added Sandeep Braganza as sales manager for the region as part of our commitment to this thriving market.

What is your vision for Meyer Sound for the next five years? We expect the company to continue growing, innovating and expanding into our core markets as well as into new, interesting sound adventures.

July - August 2017

DJ Technology

Denon DJ launches MCX8000 AT PALM 2017 Denon DJ has been a major player in DJ history, creating industry standard CD players in the 90’s to their latest range of controllers, interfaces, monitors etc. The new MCX8000 by Denon has been designed from Denon DJ development team and works as either a stand alone media player or as a fully featured DJ controller. No Computer needed as it takes command of the DJ booth with the all new standalone MCX8000 and transform an ordinary set into a full concert experience. Two hi-definition display screens control Denon DJ’s revolutionary standalone Engine 1.5 software and Serato® DJ operation. It’s fully loaded with a 4-channel digital mixer that comes with 3 built-in instant effects for Engine software and line inputs. The solid metal construction is buttoned-up with velocity-sensitive performance pads for cues, rolls, slicer and samples. It has built in exclusive revolutionary Engine software under the hood of the MCX8000

that enables you to perform without a laptop. This amazing software brings you front and centre to play your sets with the ability to just use a thumb drive with Engine. Engine 1.5 software has many advantages once installed on PC/Mac to create your playlists/ crates set cue points and analyze entire library. MCX8000 by Denon With Serato DJ it has while in sync with the vibe. There the advantage of having the best are two USB ports for flash drives of both worlds, since the MCX8000 and around the back of the MCX8000 is compatible with the latest there is a powered USB port for Serato DJ software and enables external hard drive used with Serato to use 4-channels. There is also a DJ. DVS upgrade package, giving the Built with onboard sound effects MCX8000 unlimited possibilities. and a 24-bit pristine sound, the Transition between two DJs with ease! There are no interruptions between sets as Engine software enables the DJ to either plug into the MCX8000 via USB or Serato DJ

Ableton acquires Max maker Cycling ’74 Ableton has fully acquired Cycling ’74, the California-based company known for producing Max and Max for Live. Both

new partnership with Cycling ‘74 remaining a separate and independently run entity, wholly owned by Ableton. Ableton’s investment in Cycling ‘74’s unique product vision will see Max’s development continue indefinitely while creating an exciting opportunity to join forces David Zicarelli of Cycling ’74 with Gerhard Behles in the spirit of of Ableton shared research, companies have worked together exploration and innovation. for over three decades. For the customer, everything will Cycling ‘74 are the developers remain the same: Live and Max of Max – the visual programming for Live licenses will continue to language for music and be administered by Ableton. The multimedia, as well as it is the Max owners will continue to have platform on which Max for Live a licensing agreement with Cycling devices and instruments are made. ’74, and it will be looked after for The two companies have sales, support and everything else now agreed to enter into a by the same team at Cycling ‘74.

July - August 2017

MCX8000 delivers a high-quality controller with XLR outputs for both the DJ booth and PA system. The Denon DJ MCX8000 represents the cutting edge of controller technology that melds versatility with practical utility, all in a contemporary package that’s built like a tank.

CHAUVET DJ to Distribute SoundSwitch

Chauvet & Sons LLC has entered into an agreement with New Zealand-based Onesixone Ltd to have Chauvet DJ distribute the SoundSwitch hardware/software package in North America as well as throughout much of the world. A revolutionary control solution, SoundSwitch allows DJs to trigger and keep their lighting in sync while playing any song, in any order. “This is a game changer for DJs who wish to create their own complete live lightshow,” said Chauvet CEO Albert Chauvet. “SoundSwitch puts the total show experience under the control of the DJ by seamlessly integrating DMX lighting with live audio.” DJs can use SoundSwitch to attach lighting cues to their audio tracks and video files then automatically play them back in sync while performing live from the mixing or controller board. SoundSwitch works with any DJ mixing board or controller

102

equipped with Serato DJ, the leading DJ control software. Teaming up with a lighting industry leader like Chauvet will further accelerate the global adoption of this breakthrough technology according to SoundSwitch Chief Executive Officer Zak Meyers. “SoundSwitch is a firstof-its-kind lighting solution for DJs

and Chauvet DJ is clearly a leader in DJ lighting,” he said. “So there is a great deal of synergy created by the two of us joining forces.” Under the terms of the agreement, SoundSwitch will be sold through most of the Chauvet DJ dealer network worldwide.

DJ Technology

Pioneer introduces INTERFACE 2 – 2-channel audio interface for using rekordbox dvs with any DJ set-up Pioneer has opened up the rekordbox ecosystem to all DJs by releasing the Interface 2. The new 2-channel audio interface allows users to use rekordbox dvs to scratch and control digital music on their computer using any DJ set-up. Interface 2 can be connected quickly and simply to Pioneer DJ products or other hardware. It features LED lights to indicate signal flow and warn about signal problems, while delivering clubstandard sound quality. Licence keys for rekordbox dj

and rekordbox dvs as well as two timecoded vinyl records are bundled with the INTERFACE 2. Key Features Of The Interface 2 Include: 1. High-quality sound: Supporting audio up to 96 kHz, it features a high-quality D/A converter and the S/N ratio exceeds 110 dB, so it’s well suited for use in clubs. 2. Compact, robust chassis: The unit is compact and portable, and its seamless aluminium casing makes it highly robust, while the extended edges protect the terminals.

Virtual DJ 8 Adds More Supported Controllers Virtual DJ 8 has just included more DJ controllers in its compatibility list. Joining the line-up are the Pioneer DJ DDJSZ2, and the XDJ-RX standalone all-in-one system. Notable inclusions before these are the Roland DJ808, Denon DJ MC7000, and the Reloop` Mixon4. Out of all the big DJ apps in the

market, Virtual DJ 8 continues to be the one with the largest list of supported DJ controllers. It’s also quite the pacesetter when it comes to digital DJ features: it was the first laptop DJ app that allowed to stream music during DJ sets, a feature found on almost all DJ software.

3. LEDs indicate signal flow: Connect the INTERFACE 2 to any DJ setup quickly and easily, even in a dark club. After plugging into the laptop via USB, LED indicators on the INTERFACE 2’s top panel show signal flow, giving a visual grasp of the setting status. Users can immediately see if there’s a signal failure or a problem with a connection, or if the signal level is too low or high, for example, when a turntable is incorrectly

Numark launches NTX1000 Direct Drive Turntable Numark has introduced a new, high-torque direct-drive turntable, the NTX1000 that suits demanding professional gigs, with highest starting torque, 12” platter and rugged, and precision tonearm. It has start-up torque (4kg), an S-shaped tone arm with height adjustment, damped cueing and antiskate controls that ensure accurate tracking and precise song selection. DJs can customize their performance with an adjustable start/stop control. The variable pitch range of ± 8, 16, and 50% enables any DJ to create the perfect effect. Additionally, the NTX1000’s special isolation design easily resists feedback and external vibrations, even in the loud, bass-

connected to the line input. The LEDs flash if a signal is in mono only. 4. Includes control vinyl plus licences for rekordbox dj and rekordbox dvs The INTERFACE 2 comes with bundled licence keys for professional DJ performance application rekordbox dj and the rekordbox dvs Plus Pack, so scratch digital tracks stored on the computer can be controlled.

Stanton launches ST.150 M2 and STR8.150 M2 Stanton has launched two new turntables, the ST.150 M2 and STR8.150 M2. The ST.150 M2 -standard S-shaped tonearm and STR8.150 M2 -“skip-proof” straight tone arm, are built to quality standards. Both models are feedback-resistant, durable construction with industry leading torque motors—up to 4.5 Kgf-cm, complemented by an ultra-stable platter and tone arm. It also features reverse and up to 50% pitch adjustment. Some additional features include the removable target light, 33, 45 and 78 RPM platter speeds and

NTX1000’s special isolation design easily resists feedback and external vibrations heavy environment. “The professional-level turntable takes a back seat to no one in terms of performance, versatility and rugged design,” said Chris Roman, Senior Product Manager for Numark. “Pro DJs will especially love it’s amazing start-up torque and adjustable pitch. With this turntable, the performance, features and value are unsurpassed,” he added.

103

ST.150 M2 and STR8.150 M2 feature heavy-duty aluminium housing that makes them lighter than their predecessors. adjustable pitch ranges of 8, 25 and 50%. A full version of Deckadance DVS comes bundled. Both turntables are updates to the original ST.150 and STR8.150 decks.

July - August 2017