LSD Magazine - Issue 9 - Chasing Dragons

Page 264

happen. Some do better than others, some have serious memory lapses, some don’t realize that the ones who are doing well are simply repeating stuff from 20/30 years ago, but at the end of the day it doesn’t really matter anyway. It is what it is. But there’s no doubt - when I started seeing the big auction houses selling pieces off for silly money, it made me squirm a little and I can see why some brilliantly talented graff artists have diversified into other mediums, a bit of a dash to get back under the rocks to the less commercial, graffiti on a birthday card darkside.

Onto the current musical side of things – do you feel you’re now writing songs rather than slices of music to be mixed? I’ve always written songs, I’m probably writing less dance floor fuelled instrumentals than before - There’s obviously an age factor involved. The last time I was in Ibiza doing a 7 week residency at Space, I remember looking up and thinking ‘you stupid old git – you’re the oldest f*kker in the building’. I have to acknowledge that there are kids younger than MY kids going to the clubs these days and I have to ask myself whether I really know what those kids want to be dancing to. And the simple answer to that is that I probably don’t. So the message is always going to change, but saying that, I still think my ears are good and my musical instincts are sharp, and while I do what everyone’s parents do – namely cringe a bit when I listen to some of the new music coming through, I think my music’s solid. Yes – it is firmly anchored in the past, but I believe it’s got a bloodshot eye on the future as well.

there, but the tracks that stood out more were probably the more ‘industrial’ ones. I think Unique 3 has always had two sides to its coin and maybe one side has come out and accentuated itself more as time went on … like the grey hairs on my chest.

Are you a bit of a sentimental old fool? I’m a broken hearted old fool, aren’t you?! Or at least the songs I write might make you draw that conclusion. My wife tells me that you need to take at least 4 Co-Codamols to listen to any of my songs & funnily enough … we regularly do.

Way ahead of you – done at least 4 this Do you feel you’ve embraced melody more as morning. So look – you’ve seen all the twists and turns in the dance music scene – how do the years rolled on? you feel about the demise of the DJ as a role I’m not sure that’s the case actually. I think in it’s own right as producers get all the gigs Unique 3 has always been melodious – if whether they’re any good at working a crowd you look at tracks like Rhythm Takes Control, or not? No More & Take This Love – it’s always been I don’t think it’s something that DJ’s can moan Early sleeve art sketches by Lewis Campbell


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