When did you first truly start to express yourself artistically
Where is the balance between a sense of realism and the abstract for you
When I have discovered that I will tell you!
Most of the time how we see things confirms what those things present to us. For example, we see few pieces of metal with some screws and rubber and plastic and glasses together, it is quite abstract scene. But in the other hand, we also can call them ‘a car’, it is realism. So I think realism and the abstract is the same thing for me.
Tell us a little about the relationship between the organic and the synthetic in your work Synthetic as a bird, organic as flight. When the sky is filled with different kinds of man made flights, then it is time for us to realise that we are missing a great variety of birds. Most of the time organic and synthetic are hard to live together, so I want to create a fantasy that mixes them up into one thing.
There is a skeletal feel to much of your work – that somehow spirals into a whole – can you give us some insight into that Skeletal as foundation framework, spirals as the ever growing trajectory for the material elements. They are naturally work together create our body and the physical world that the body can feel. So I just learn from nature about that.
Tell us about the metallic black – almost vinyl colour scheme I just use normal black.
How do you feel about the geometry and patterns of nature I always think that nature is the best artist and scientist which can naturally create images with romance and wisdom.