VLAK

One can picture: a child on the curb of a street in Europe, elder German producer addresses captive peers at a Greek film festival, a young woman eyeballs a passerby in the Czech Republic where she sells puppets. An ekphrastic synecdoche for the filmmaker’s procession of still images, adduced for a discourse e.g., this is a Europe thickly inhabited by an active, supra-generational zeitgeist

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