This is a test.
SENDER One way to approach X’s practice is to coax ratio, proportion and measure through unpronounceable phenomena of nature. Do you agree? SENDER Then, too, the laws of probability inspire form. How does this work for X in practice: how does an equation for probabilistic situations translate into either spatial studies or sound scores?
SENDER Considering B’s antipathy for X’s approach to music, I wonder whether B ever had invited X to IRCOM in any capacity? SUBJECT [Any answer.] SANCTION
END. This is a test. Permit her to live in the strange land. SANCTION CHANGE OF STATE
END What to do with a stranger? Bathe her and anoint her in oils, permit her to feast. Then interview her.
SENDER is to issue a few central questions in advance of the interview to allow the SUBJECT a chance to think—I do not believe in provoking the subject to tilt at some sort of spontaneity in flight! HELPER may indeed have three or four questions also and ours, kindred may overlay. Infer her. Test test test test coincidence of number emitted in collapse.
Then interview her. Ask her name and from whence she came. Then how she came to this pass. This is a test. Color code streaming protocols, invading camps SENDER: What is the relation of drawing to either of these practices?
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This is a test. Plot sound stream along y-axis
SENDER To approach X’s practice is to revoke ratio, proportion and measure as laws of phenomena. Do you agree?
SENDER Then, too, the laws of probability inspire form. How does this work for X in practice: how does an equation for probabilistic situations translate into either spatial studies or sound scores? Raise pulley. Stop wave.
SENDER Considering B’s antipathy for X’s approach to music, I wonder how it came about that they appeared together at IRCOM? SUBJECT [Any answer.] SANCTION ateliers.
END. This is a test. Permit her to live in the strange land.
SANCTION CHANGE OF STATE Crack research over rock; hurl rock at research; rethink torrent.
END Then interview her.
Within sound of floor characteristics confer Permit her to live as a stranger or do not permit her to live as a stranger Figure 1: Osaka, 1956 gives a permit gives permissive flooring scheduled scan To demonstrate irregular flooring a permit underfoot. If you are within the sound If you are circa 1956, Osaka, Permit or Do Not Permit, Park morpheme in festival, text only. Test test test flooring. Pause.