JOURNAL by LE GRAND MAG / Milan Highlights / Issue3 / DEC 2021 by Le Grand Mag Media

MILAN CITY GALLERY

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newsroom@legrandmag.com issue 3 December 2021/January 2022

JOURNAL MILANO is a pubblication by LE GRAND MAG MEDIA GROUP - CEO Bruno Facchetti - Chief Financial Officer Robert Willcox - Business Development Tom Scott - Executive Vicepresident and Chief Digital Officer Stephen Smith - Chief Administrative Officer William Bright - NEWS ROOM newsroom@legrandmag.com - Contents Manager Valeria Borghi - Head Of Communication Ben Thompson - Art Director William Boulton - Fashion & Trends Paola Valpreda - Digital Platform Editor George Smith - Blueprint Assemble Davide Metozzi - Writers James Cadoghan, Patrick White, Matt Smith, Tom Bolton, Valerie Pompadour, Rita Brooke, Sir William Walton, Margot du Saint Maló, Maggie Langwaltz, Henry Neuteboom , Charles O’Sullivan, Marta Marcucci, Nick Tedson, Nick Wurth, Scott Weiner, Lauren Touley, Jeff Platt, Debbie Dearwood, Will Hoffman, Jurgen Wells, Magnus McStuart, Pat Johansson, Luke Smith, Harrison Ludwing Jefferson, Lorenzo Rossi, Michelangelo Guglielmini, Michelle Rubie, Roland Buguillé, Marlene Schultz, Robbie Krall, Roberta Wurttstrasse, Julie Mulberry, Heinz Zwack, Peggy Sloane, Norbert Karnig, Jean-Philippe Verlag, Aurora Eastwood, Melanie Gerlis, Adam Towler - ADVERTISING 129 New Bond Street, Mayfair, London, W1S 1EA - United kingdom - newsroom@legrandmag.com Le Grand Mag is a registered trademark. All rights reserved. The views and opinions by contributors to this magazine may not necesarily represent the views of the publisher. Le Grand Mag takes not responsibility for claims made in advertisements featured in this magazine. The Publisher and the Management Team cannot guarantee that prices of products and services mentioned in the articles and advertising pages of this magazine are correct. For information on prices, please contact the brands commercialising these product or services. www.legrandmag.com

THE EYE OF THE BEHOLDER

PRECISE, PERSISTENT AND PERPETUAL TIMEKEEPING AT ITS BEST THE OYSTER

CASE, SYMBOL OF WATERPROOFNESS

Celine’s Womenswear Winter 21 campaign was photographed by Hedi Slimane, featuring Quinn Elin Mora.

Celine’s womenswear winter 2021 fashion show took place in Chateau De Vaux-Le-Vicomte. The inspirations for the setting were drawn from the visionary verses of several literary greats of France: Paul Verlaine, Charles Baudelaire, Arthur Rimbaud and others. But the greatest inspiration was the location itself. “The gardens of Versailles would not exist were it not for those of Vaux-Le-Vicomte design by André Le Nôtre. They mark the invention of “French Gardens.” The “great century” was foretold insofar as it was born at Vaux-Le-Vicomte in 1656.” Nicolas Fouquet received King Louis XIV on its opening day. The chateau went through several ownerships over the centuries and was acquired, in 1875, by an ancestor of the Vogüé family, who have been The Oyster Perpetual Submariner, the archetype of the divers’ watch, epitomizes the historic link between Rolex and underwater exploration. The precision of a Rolex Superlative Chronometer is of the order of −2/+2 seconds per day. restoring it ever since.

RELIABILITY AND R O B U S T N ES S Launched in 1953, the Submariner was the first divers’ wristwatch waterproof to a depth of 100 metres (330 feet). Some years later, in 1969, Rolex unveiled the Submariner Date, a version of the model with a date function. Since then, the two watches have moved beyond the ma-

High Jewellery, Higher Ground Pictured here, La Passion necklace is inspired by the mallettage that lines the interiors of Louis Vuitton’s traditional trunks, this lattice necklace in white gold set with diamonds and a precious collection of 75 round rubies was designed to feel like a second skin. La Constellation d’Hercule is tribute to the birth of Louis on August 4th, 1821, these colourful pieces of organic

magnificence reference a constellation only visible at that time of year through the unique pairing of tanzanites, opals, tsavorites, and a mist of LV Monogram Star and Flower-cut diamonds. L’Elan Vital expresses the strength of character that led Louis to leave his native Jura for Paris, this fluid, rope-like necklace is reminiscent of the way trunks were carried on a journey, reinterpreted using more than 2,500 brilliant-cut diamonds. L’Aventure represents the 400 kilometres of roads and forests that separate the Jura region from Paris, this necklace intersperses Colombian emeralds in three rows of platinum, yellow gold and white gold which are entirely pavé-set with diamonds in Damier checkerboard stone marquetry. The necklace is

PERFORMANCE, IN AND OUT OF THE WATER

rine depths, becoming the watches of choice for a wide range of sports and other activities. Great attention was paid to the legibility of this divers’ watch. On the dial, the Chromalight hour markers and hands are filled or coated

with a luminescent material emitting a long-lasting blue glow – for up to two times longer than traditional phosphorescent materials. On the bezel, the triangular ‘zero’ marker of the graduation is visible in the dark thanks to

Besides functional and technical qualities, the bezel contributes to the very strong visual identity of the Submariner. an embedded capsule containing the same luminescent material. Like all Rolex watches, the Submariner and Submariner Date are covered by the Superlative Chronometer certification redefined by Rolex in 2015.

The Oyster case of the Submariner and Submariner Date, 41 mm in diameter and guaranteed waterproof to a depth of 300 metres (1,000 feet), is a paragon of robustness and reliability. The middle case is crafted from a solid block of Oystersteel, a particularly corrosion-resistant alloy, or from 18 ct gold. The case back, edged with fine fluting, is hermetically screwed down with a special tool that allows only certified Rolex watchmakers to access the movement. The Triplock winding crown, fitted with a triple waterproofness system and protected by a crown guard that is an integral part of the middle case, screws down securely against the case, offering watertight security. The crystal, with a Cyclops lens fitted on the Submariner Date for easy reading of the date, is made of virtually scratchproof sapphire. The waterproof Oyster case provides optimum protection for the watches’ movement. The Submariner and Submariner Date are fitted on the 3-piece link Oyster bracelet. Equipped with a Rolex-designed and -patented Oysterlock safety clasp that prevents accidental opening, this bracelet also features the Rolex Glidelock extension system, designed and patented by the brand. This inventive toothed mechanism, located under the clasp cover, enables fine adjustment of the bracelet length, without tools.

HAPPY BIRTHDAY, MR. LOUIS VUITTON LOUIS VUITTON’S BRAVERY HIGH JEWELLERY COLLECTION PAYS TRIBUTE TO THE MAISON’S SIGNATURES, MARKING THE 200TH ANNIVERSARY OF ITS FOUNDER’S BIRTH IN 1821. further enhanced by the presence of a 3+ carat LV Monogram Flower and a 5.21 carat DFL pear-shaped diamond of remarkable colour and purity. The Arrow is both a metaphor for Louis’ journey and a literal interpretation of the V in his name, the diagonally pavé-set Arrow necklace features a central V set with custom-cut rubies, sapphires and diamonds in an ode to the personal emblem of the founder’s grandson Gaston-Louis Vuitton. Reflecting Louis’ early use of his personal signature, Le Mythe is a multi-layered piece of jewellery combining several emblematic Louis Vuitton motifs: the Damier pattern, trunk lock- inspired details, studs, rope, and the now-iconic Monogram flower. As an epilogue to this collection and the light that guides Mr. Louis Vuitton on his journey, La Star Du Nord set depicts the metaphorical figure of the North Star with two rows of refined, graphic diamonds punctuated by a knot reminiscent of those used on the interior of trunks.

FASHION

MILAN CITY GALLERY

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Journal

newsroom@legrandmag.com issue 3 December 2021/January 2022

La Scala is regarded as one of the world’s leading opera and ballet theatres. It is home to the La Scala Theatre Chorus, La Scala Theatre Ballet, La Scala Theatre Orchestra, and the Filarmonica della Scala orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy, which offers professional training in music, dance, stagecraft and stage management. Every year, La Scala’s season opens on 7 December, Saint Ambrose’s Day, the feast day of Milan’s patron saint. All performances must end before midnight, and long operas start earlier in the evening when necessary.

LA SCALA MUSEUM IT CAME TO BE AGAINST ALL ODDS, THANKS TO THE ITALIAN STATE AND THE INITIATIVE OF 50 CITIZENS.

“LA SCALA IS THE CITY’S MEETING PLACE,” WROTE STENDHAL IN 1817. THEN AND NOW, LA SCALA THEATRE

In 1910 some of Milan’s most important figures met around a table at the Teatro alla Scala - librettist and composer Arrigo Boito, artist Lodovico Pogliaghi, and the Pinacoteca di Brera director Ettore Modigliani - to talk about opening a theatrical museum and the antique dealer Jules Sambon’s collection of theatre memorabilia appeared to be the perfect starting point. The sum of Lire 450,000 was raised thanks to the aid of the Italian State and the initiative of 50 citizens. But, when everything was ready, Sambon rejected the offer, citing “a most powerful person whom I cannot name” wanted the collection. They found out that the mysterious person was J.P. Morgan, one of the wealthiest and most powerful men in the world. Against With 135 musicians, the Teatro alla Scala Orchestra is considered one of the world’s best orchestras for opera productions, and its all odds, the men from Milan symphony activity also has a prestigious international position. The orchestra’s main characteristic is its ability to obtain a uniform and succeeded in convincing the distinguished sound, typical of the Teatro alla Scala style, handed down from generation to generation. tycoon to abandon his bid. Since Alberto Just under two years later, thanks to the acquisition of Mazzuccato first stood the collection, the Museo up at the podium Teatrale alla Scala opened.

Ve r s a t i l e a n d soft sound

Italian music in the 19th century was dominated by a “melodrama pain” as Gian Francesco Malipiero wittily called it. The lack of a chamber and symphonic tradition in Italy delayed the appearance of symphony orchestra and opera conductors. In melodrama, the first violin orchestra leader had existed for a long time, with eminent examples like Alessandro Rolla and his pupil Eugenio. It was only in 1854, with Al-

La Scala Academy, 200 years in the making The La Scala Academy traces its beginnings to 1813 when the Imperial Regia Accademia di Ballo was founded, which grew to today’s Ballet School. Over a century later, the Scuola dei Cadetti della Scala opened in 1950, forebore today’s distinguished Academy of Lyric Opera, followed by the Course for Charge Artists in 1970. The progressive diversification of the curriculum under the stewardship of Carlo Fontana led to the creation of the Schools, Training and Development Department in

1991 and the institution of the independent Fondazione Accademia Teatro alla Scala in 2001. Partnering with Teatro alla Scala in this initiative are the Region of Lombardy, the Milan Chamber of Commerce, Bocconi University, the Milan Polytechnic, Fondazione Bracco and the City of Milan. Today, there are four departments – Music, Dance, Stage Workshops, Management – with some 30 courses for over 1,000 students from every corner of the world: approximately 500 for professional courses and 500 for beginning courses. The teaching method focuses daily field experiences in the form of concerts, performances, exhibitions and seminars, culminating in the Academy Project, a yearly feature of the Teatro alla Scala opera season produced entirely by students.

TEATRO ALLA SCALA, THE TEMPLE OF WONDERS.

with a baton in 1854, the Teatro alla Scala Orchestra has maintained a noble tradition of great berto Mazzuccato, that the Franco Faccio had the ho- conductors. first real conductor stood up on a podium with a baton. Mazzuccato started the glorious dynasty of the Teatro alla Scala conductors, with members like Franco Faccio (champion, against Verdi’s will, of a symphonic life of the orchestra), Leopoldo Mugnone, Edoardo Mascheroni and, finally, Arturo Toscanini.

nour to conduct the première of Othello in 1887, Edoardo Mascheroni that of Falstaff in 1893, while Toscanini, after a long battle, transformed the Teatro alla Scala from private theatre to Autonomous Board (1921/22 season). The orchestra’s international prestige kept growing, thanks to great conductors

like Toscanini and Victor de Sabata, Wilhelm Furtwängler and Herbert von Karajan, Guido Cantelli and Leonard Bernstein, Gianandrea Gavazzeni, Carlo Maria Giulini, Carlos Kleiber and Claudio Abbado, Riccardo Muti, Daniel Barenboim and Riccardo Chailly.

In 1965 Claudio Abbado made his début at the Scala and in 1972 was named conductor of the Scala Orchestra. Until 1986 he directed among other works Il barbiere di Siviglia, Cenerentola, L’Italiana in Algeri by Rossini, Simon Boccanegra, Macbeth and Don Carlo by Verdi, the recent Al Gran Sole Carico d’Amore by Luigi Nono, and Pelléas et Mélisande by Claude Debussy. He also conducted numerous concerts. The chorus-master was Romano Gandolfi. Among other contemporary composers, up till 1986 the Theatre continued to give works by Luciano Berio (La vera storia), Franco Donatoni (Atem) and Karlheinz Stockhausen (Samstag aus Licht). In 1991 Roberto Gabbiani took over the directorship of the chorus. In 1997 La Scala was converted into a Foundation under private ownership, thus opening a decisive phase of modernisation, as well as major restoration which began in January 2002. The 2005-2006 Season, dedicated to the 250th anniversary of Mozart’s birth, was inaugurated by Idomeneo conducted by Daniel Harding. The 2006/07 season saw the return on 7 December of an opera by Verdi, Aida, conducted by Riccardo Chailly, and the launch of the Celebrations for the 50th Anniversary of Arturo Toscanini’s Death. The 2007/08 season opened with Tristan und Isolde conducted by Daniel Barenboim. The opera marked the beginning of a closer collaboration between the Teatro alla Scala and the Israeli-Argentinian Maestro.

WHEN YOUNG DREAMS COME TRUE LA SCALA ACADEMY IS COMMITTED TO SUPPORTING THE MOST DESERVING STUDENTS WITH SCHOLARSHIPS, EXEMPTIONS AND LOANS. Every year, young people between the ages of 6 and 35 - from all over the world - choose the La Scala Academy to excel in the artistic, technical and managerial fields. Admission is based on talent, commitment and strong motivation. To ensure that no student is turned away for reasons of economic necessity, the Academy offers support based on both their merit and financial situation. Scholarships, tuition fees exemptions and honour loans, along with other forms of subsidies, allow students to undertake a course of study characterised by undisputed artistic quality and close contact with the job market. Annually, more than 160 students benefit of the concessions offered by the Academy, for a total amount of over €600,000, thanks also to the support of patrons and partners.

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MILAN CITY GALLERY

Journal

newsroom@legrandmag.com issue 3 December 2021/January 2022

CREATED JUST FOR HER www.moussaieff-jewellers.com The House of Moussaieff has been commissioned to create some of the most exceptional bespoke high jewellery pieces ever fashioned. The rarest gems and imaginative designs are combined with the finest Parisian workmanship. The client is a key element of the creative process, involved in every step of a very special journey. Pictured here is a necklace with Sri Lankan sapphire weighing 85.27 carats and 68.44 carats of D-E-F colour diamonds, and earrings with 29.89 carats of diamonds.

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MILAN CITY GALLERY

Journal

newsroom@legrandmag.com issue 3 December 2021/January 2022

THOUGHTFULLY DESIGNED FOR MAVERICKS OF STYLE WHO INSPIRE OTHERS TO COME TOGETHER AND ENJOY THE FULLNESS OF THE LIFE AROUND THEM.

COMING TOGETHER

2 3

1. The bottle is

crafted with sharp angles that are cool to the touch. The gunmetal design features a hinged cap detailed with the Ralph’s Club monogram.

2. The scent

1 Ralph’s Club, as its name suggests, inspires people to come together and enjoy the fullness of the life around them. Master Perfumer Dominique Ropion exclusively crafted this Eau de Parfum with ingredients distilled to their highest quality with an exceptionally high level of naturality. Fresh notes of Lavandin and Clary Sage, both grown and harvested in Provence, France, are balanced with the warm richness of Virginia Cedarwood and luxurious Vetiver grown and harvested in Haiti. A long-lasting blend of notes includes lavandin, apple and grapefruit as top notes, clary sage, geranium and orange blossom as mid notes, finally cedarwood, vetiver, patchouli and cashmeran as base notes. Ralph Lauren selected a diverse young cast to embody the essence of Ralph’s Club, including model, artist, actor and creative entrepreneur Luka Sabbat, international supermodel Gigi Hadid, and musician, actor, and model Lucky Blue Smith. The campaign also features artist Fai Khadra, who joins real-life friends Sabbat, Hadid and Smith as they discover the modern energy and timeless style of Ralph’s Club. They navigate the art deco-inspired club and meet people from all over the world who have come together for one unforgettable night. / www.ralphlauren.com

comprises lavandin, apple, frapefruit, clary sage, geranium, orange blossom, cedarwood, vetiver, patchouli and cashmeran.

3. Ralph’s Club is

personified by a diverse young cast including musician, actor, and model Lucky Blue Smith.

MILAN CITY GALLERY

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MILAN CITY GALLERY

Journal

newsroom@legrandmag.com issue 3 December 2021/January 2022

WITH ITS JEWELLED FLACON HANDCRAFTED IN MURANO GLASS BY FORNACE MIAN – ONE OF THE WORLD’S TOP GLASS-MAKERS – AND ADORNED WITH GOLD AND COLOURED GEMSTONES BY THE EXPERT CRAFTSMEN AT BVLGARI’S HIGH JEWELLERY ATELIER IN ROME, L’OPERA GRANDIOSA BOTTLES ITALIAN EXPERTISE AND ITS VALUES OF EXCELLENCE.

MESSAGE IN A UNIQUELY HANDMADE BOTTLE www.bulgari.com

Master of gems of nature. Maker of dreams. Creator of wonder. Relentless innovator. For Bulgari, uniqueness and beauty have always gone hand in hand in the art of pursuing all that is exceptional. After having crafted the luxurious perfume flacon Opera Prima, and following its quest for excellence, Bulgari Parfums has created L’Opera Grandiosa, a unique perfume masterpiece that celebrates Bvlgari’s extraordinary high jewellery expertise and the traditional Venetian art of glass-making. With its jewelled flacon handcrafted in Murano glass by Fornace Mian – one of the most world-renowned glassmakers, based in Murano Island, Venice – and exuberantly adorned with gold and coloured gemstones by the expert craftsmen at Bulgari’s high jewellery atelier in Rome, L’Opera Grandiosa is a luxurious expression of Italian expertise and its values of excellence.

Bulgari uses 18 kt rose gold and some of its favourite gemstones to craft a precious necklace on the bottle’s neck. Its hexagonal gold scales are reminiscent of the Serpenti design, set with rubellites (5.39 ct), amethysts (4.86 ct) and citrines (4.56 ct), topped with spherical malachite cap of 2,485 carats, like Bulgari’s cabochon-cut signature. The Bulgari logo engraved on the bottle’s neck is framed by two brilliant-cut diamonds. Paying tribute to Venice’s heritage and tradition of glassmaking, Bulgari begins a new journey with L’Opera Grandiosa. It all starts with a single breath: artisans at Fornace Mian blow into a long pipe to create a bubble of glass, thus beginning an intricate game of balance between fire, the artist’s vision and the innermost nature of the raw material. Only through the sbruffo technique can the color journey begin: the artisan blows several layers of glass, working on different shades, translucencies and consistencies. For Bulgari, precious stones need to be cut, shaped and polished until they reach their purest essence and most expressive brilliance. Likewise, the master glassmaker achieves something unique by adding strata of colors: through his own art he recreates a deep, bright and rich nuance that evokes Bulgari jewel-creations.With its glorious layers of color, the mouth-blown flacon captures the shade of an intense amethyst.

The bottle flaunts the “1/1” inscription on its base, revealing that this glass creation is unique – as a true masterpiece must be. After Venice, the Bulgari Gems Road leads to Rome, the cradle of Bulgari and endless source of inspiration.With its unique concentration of culture, vision, color, effervescent extravagance and unmatched sense of beauty, the Eternal City is at the heart of Bulgari’s daring creativity. It is in Rome’s high jewellery atelier that expert Bulgari craftsmen bring the most complex one-of-a-kind designs to life, and it is here that the L’Opera Grandiosa flacon ornament and cap are artfully crafted with rose gold and colorful gems. Bulgari uses 18 kt rose gold and some of its favorite gemstones to craft a precious necklace on the bottle’s neck. Seductive and coiling, the sensual motif is made of hexagonal gold scales, reminiscent of the iconic Serpenti design, meticulously set with rubellites (5.39 ct), amethysts

(4.86 ct) and citrines (4.56 ct). The gem-rainbow is topped by a voluptuous and smooth, spectacular spherical malachite cap of 2,485 carats, suggestive of Bulgari’s cabochon-cut signature. The Bulgari logo engraved on the bottle’s neck and framed by two brilliantcut diamonds finishes the luxurious piece. A combination of vibrant stones, chosen and mixed with audacity and exuberance: once more, Bulgari’s jewellery design is based on striking color juxtapositions and an ability to take up new and daringly bold challenges. This jewel piece requires more than 250 hours of work by a single artisan.The result is inestimable, because nothing is more precious than what exists only once in the world. L’Opera Grandiosa will be sold as a worldwide exclusive at La Samaritaine, in Paris. The masterpiece will make its debut at the historical department store’s grand re-opening.

MILAN CITY GALLERY

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Journal

newsroom@legrandmag.com issue 3 December 2021/January 2022

CHANEL HIGH JEWELLERY

NO. 5, MORE THAN A LUCKY NUMBER To celebrate the 100th year of the N°5 perfume’s fame, Patrice Leguéreau, Director of the Chanel Fine Jewellery Creation Studio, has imagined the “Collection N°5”, the first High Jewellery collection ever to be dedicated to a perfume. From the bottle to the sillage, these 123 extraordinary pieces express the different facets of the N°5 perfume. In 1921, the first “perfume for women with the scent of a woman” composed by Ernest Beaux and Gabrielle Chanel made a sound of commotion. The modernity of the fragrance, the purity of the bottle and the mystery of the name, the N°5 perfume was nothing short of a revolution. In 1932, Mademoiselle shattered the codes of French High Jewellery with her one and only collection in platinum and diamonds. These “Bijoux de Diamants” introduced new ways of wearing jewellery and took jewellery into a new realm... that of allure. In 2021, Patrice Leguéreau decided to bring these two domains together with the “Collection N°5”. “Gabrielle Chanel approached these two universes with the same visionary values, focusing on audacity and the quest for excellence. I wanted to rediscover that creative gesture with this collection, which has been conceived like a journey through the meanderings of the N°5 perfume’s soul, from the architecture of the bottle to the olfactive explosion of the fragrance. The highlight of this unprecedented collection is an emblematic and exceptional necklace set with a 55.55-carat diamond.” Daring creativity, noble materials, and an accentuated femininity together with an intimate character and a powerful timelessness, the “Collection N°5” reflects the main features of the iconic perfume. Through the 123 flexible and architectural pieces of jewellery, Chanel offers its vision of the contrast between the graphic design of the bottle and the sensuality of the fragrance. The Creation Studio magnifies five of the N°5 perfume’s identifying elements through compositions of rare and exceptional gemstones. The emerald cut, the rectangular shape recalls the place Vendôme. Exquisitely crafted from rock crystal or set with diamonds, onyx, pearls and yellow sapphires, the precious octagon is at the heart of the elegant and sophisticated graphic jewellery sets. Through a skillful play on transparency, the rings adorned with rock crystal reveal beds of dia-

monds that underline the purest of profiles. On other gold rings, Chanel exalts the beauty of symbolic gemstones such as this 5.21-carat diamond on the Diamond Stopper ring. Rendered even more feminine with a ribbon of diamonds, the stopper symbolizes the start of an imaginary world of the N°5 perfume. Instantly recognizable, the geometric silhouette of the bottle can be seen through the lines of white diamonds, yellow diamonds and yellow sapphires cascading over sautoir necklaces, brooches and pendant earrings. Just like the N°5 Abstraction necklace whose subtle gradient colours reveal a perfect pairing of yellow and white diamonds. From these bottles with their ethereal lines, escape tears of pear-shape diamonds and pink morganite that flow over the skin like droplets of a divine perfume. In black and white, Chanel reveals the body of the N°5 perfume in onyx, floating over a supple diamond plastron. In contrast, the silhouette of the bottle is hidden behind an exquisite small clock in mother-of-pearl and black ceramic lacquer fillet with a floral décor of jasmine, rose and ylang-ylang. Driven by a powerful and sensual line, the outline of the number ‘5’ becomes one of To celebrate the 100th year of the N°5 perfume’s fame, Patrice Leguéreau, Director of the Chanel Fine Jewellery Creation Studio, has imagined the “Collection N°5”, the first High Jewellery collection ever to be dedicated to a perfume. the signatures of the collection drawing a joyful line between the pieces at the stroke of pen. It sits mischievously off-center on a yellow gold and diamond choker with a drop of golden beryl. In the XL version, the 5 heightens the ardor of the Eternal N°5 necklace that can transform into a choker, and whose 5 can also be worn as a brooch. This spectacular design composed of a sublime cacophony of round, pear, navette and oval-shaped diamonds is completed with a 10-carat emerald-cut diamond. Mixed with yellow sapphires and in a contemporary fashion the number is haloed in light of diamonds. Wrapped in diamond ribbons on necklaces and bracelets, the 5 possesses the same voluptuousness reminiscent of the scented elixir. Like this

Photo © Chanel High Jewellery majestic brooch where the famous number is accompanied by a flamboyant 4-carat sapphire in orange and pink sunrise hues, and an amber topaz drop of more than 30 carats. At the heart of the fragrance, the jasmine, the may rose and the ylang-ylang blossom over the colorful jewellery sets. Worked in volume, the flowers retain all of their delicacy, while their appearance in the shape of the star, the moon and the sun, echo the symbols in the 1932 platinum and diamond collection. The freshness of the jasmine which resembles a star - perfumes a cloud of diamonds. As for the may rose, Chanel

“Gabrielle Chanel approached these two universes with the same visionary values, focusing on audacity and the quest for excellence. I wanted to rediscover that creative gesture with this collection, which has been conceived like a journey through the meanderings of the N°5 perfume’s soul, from the architecture of the bottle to the olfactive explosion of the fragrance. The highlight of this unprecedented collection is an emblematic and exceptional necklace set with a 55.55-carat diamond,” says Patrice Leguéreau, Director of the Chanel Fine Jewellery Creation Studio.

interprets it generously through a round, moon-like flower with its many petals dipped in pink sapphires. The gemstones sparkle in all their beauty on a long sautoir pearl necklace and a diamonds-set chain. Intricately crafted like a sun, the ylang-ylang glows at the center of luminous necklaces with a dew-like sprinkling of diamonds. Finally, an asymmetrical bouquet of white flowers representing the jasmine, the rose and the ylang-ylang adorns the Absolu N°5 plastron set with a multitude of diamonds. A 5-carat diamond highlighting the central motif can also be worn as a brooch. / www. chanel.com

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MILAN CITY GALLERY

Journal

newsroom@legrandmag.com issue 3 December 2021/January 2022

ROLEX’S MOST ICONIC AND SIGNIFICANT TIMEPIECES SHARE SEVERAL CHARACTERISTICS THAT SERVE THE END USER: RELIABILITY, DURABILITY AND FUNCTIONALITY.

FOR PROFESSIONALS AND AFICIONADOS

The Yacht-Master’s functional bezel – which allows the wearer to calculate, for example, the sailing time between two buoys – is a key component in the model’s distinctive visual identity. The Perpetual Day-Date watch was the first wristwatch to indicate, in addition to the date, the day of the week spelled out in full in an arc-shaped window at the 12 o’clock marker. Today, the Day-Date 36 is available in numerous languages. Rolex presents a new version of the GMTMaster II; the watch, originally introduced in 1955, has become one of their iconic models. With the rapid expansion of intercontinental travel, the GMT-Master II was designed to help aid pilots in navigation featuring a two-tone 24-hour bezel that made it possible to tell time in two different time zones. Rolex Professional watches offer exceptional legibility in all circumstances, and especially in the dark, thanks to its Chromalight display. The broad hands and hour markers in simple shapes – triangles, circles, rectangles – are filled with a luminescent material emitting a long-lasting glow. By operating its own exclusive foundry, Rolex has the unrivalled ability to cast the highest quality 18kt gold alloys, which are made with only the purest metals and meticulously inspected in an in-house laboratory with state-of-the-art equipment. The gold is then formed and shaped with the same painstaking attention to quality. The Oysterflex bracelet, developed and patented by Rolex, offers a sporty alternative to metal bracelets. The bracelet attaches to the watch case and the Oysterlock safety clasp by a flexible titanium and nickel alloy metal blade. The blade is overmoulded with highperformance black elastomer which is particularly resistant to environmental effects, very durable and perfectly inert for the wearer of the watch. For enhanced comfort, the inside of the Oysterflex bracelet is equipped with a patented longitudinal cushion system that stabilises the watch on the wrist and fitted with an 18kt white gold Oysterlock safety clasp. It also features the Rolex Glidelock extension system, designed and patented by the brand. This inventive toothed mechanism, integrated beneath the clasp, allows fine adjustment of the bracelet length by some 15 mm, in increments of approximately 2.5 mm, without the use of tools. The Yacht-Master 42 in 18kt white gold with an Oysterflex bracelet features a bidirectional rotatable 60-minute graduated bezel with a matt black Cerachrom insert in ceramic, polished raised numerals and graduations, complementing its black dial. Waterproof and robust qualities make it the ideal watch for water sports and sailing. The calibre 3235 is a new-generation movement entirely developed and manufactured by Rolex. This self-winding mechanical movement boasts 14 patents, including the new Chronergy escapement which combines high energy efficiency with great dependability. Made of nickel-phosphorus, it is also insensitive to magnetic interference. The new Oyster Perpetual Day-Date 36 is equipped with a new generation self-winding mechanical movement with a Calibre 3255 that has been entirely developed and manufactured by Rolex and incorporates the brand’s Chronergy escapement, known for its high energy efficiency and dependability, which permits a power reserve of approximately 70 hours. The case, which is hermetically screwed down by Rolex watchmakers to secure the movement, is crafted from a solid block of 18-karat yellow gold. Like the original model, the GMT-Master II is equipped with a 40 mm Oystersteel case, one of the brand’s hallmarks with its shock-resistance and waterproofness, and is fitted onto a five-link Jubilee bracelet. This model marks the first time that Oystersteel, twocolor Cerachrom insert and the Jubilee bracelet have been combined in a GMT-Master II watch. It also includes Rolex’s innovative Cyclops lens at 3 o’clock for ease of reading. The watch features self-winding mechanical movement with a 3285 Calibre that incorporates the Chronergy escapement patented by Rolex, which combines high-energy efficiency with great dependability. / www.rolex.com

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newsroom@legrandmag.com issue 3 December 2021/January 2022

A POWERHOUSE OF TECHNOLOGY Named after the racetrack on which it was modeled and fine-tuned, the new Pagani Imola is a roadworthy hypercar with a wholly racing temperament that embodies the maximum expression of Pagani Automobili’s track technology. With a limited edition of only five examples built, the Pagani Imola has gone through the severest on-track validation test ever applied to a Pagani car. A major step forward in the technological and scientific progress of Pagani Automobili, the Pagani Imola is a vehicle-laboratory where important innovations have been devised, tested and developed. “The aerodynamic technology behind the Pagani Imola is evident in three of its key features. The general outline, the internal aerodynamics and the external aerodynamic details, such as the fins, winglets and deflectors”, explained Horacio Pagani, Founder and Chief Designer of Pagani Automobili. “We can’t say that it’s an elegant car. We wanted an efficient vehicle, and just as you’d expect if you were looking at an F1 single-seater, this led us to design a car with additional aerodynamic features. So, although on the one hand these details may detract from the lines and overall aesthetics of the vehicle, on the other, they also allow to improve lap time, ease of driving and especially safety. Speaking of safety, we could have reduced the ground clearance so as to increase the downforce effect by taking advantage of

the vehicle’s flat bottom. But don’t forget, the public roads are very uneven and can lead to the loss of several hundred kilograms of downforce in just a few instants. Well aware of these dangers, we worked very carefully on the upper part and details of the car.” Pagani Imola uses the active aerodynamics system introduced by the Huayra, the first road vehicle ever to be equipped with this technology. This means that each of the four mobile winglets behaves according to the driving circumstances in a dynamic and immediate way and even when braking, by generating an aerodynamic braking action. The suspension geometry has been newly designed to transfer the power and lively 1100 Nm torque to the ground, reduce the dive effect and sway when braking. So much so, the driver can take a corner by braking at the last thousandth of a second. Pagani applied an electronically controlled system of active shock-absorbers to each wheel and interconnected them with each other. The front suspension is able to vary

the ride height in a smart and automatic way. It dialogues with the Central Unit, which handles active aerodynamic control as well as controlling the engine, differential and gearshift functions. Introduction of the SMART GAS system reduces the shift time and enhances the racing character of the Imola, while driving pleasure is ensured thanks to active dumpers. As always, Pagani Automobili is strongly committed to research into advanced composite materials. The new formula of the Carbo-Titanium HP62 G2 and Carbo-Triax HP62, developed for the ultra-reinforced central monocoque of the Pagani Imola, was created to reduce weight while increasing torsional and bending stiffness. Pagani Imola takes the fanatical attention to weight-saving to new heights, with the introduction of Acquarello Light, a new bespoke painting system that represents a further evolution of Pagani’s advanced state of the art, allowing to reduce the weight of the paint by 5 kg while maintaining color richness, depth and shine unchanged. / www.pagani.com

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newsroom@legrandmag.com issue 3 December 2021/January 2022

THE NEW DIOR ROSE HIGH JEWELLERY COLLECTION CELEBRATES THE REVAMP OF THE HÔTEL PARTICULIER AT 30 AVENUE MONTAIGNE IN THE FRENCH CAPITAL.

ATRUE ROSE FROM PARIS

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1. DIOR ROSE

NECKLACE Rose Couture Abstraite necklace in white gold, diamonds and sapphires by Dior Joaillerie

2. DIOR ROSE

1 Following the figurative rose unveiled in early 2021, this new Dior Rose high jewellery collection celebrates the full renovation of the hôtel particulier at 30 Avenue Montaigne. The House’s historic home, which will be reborn with an added rooftop garden and an exhibition gallery, inspired Victoire de Castellane, the Artistic Director of Dior Joaillerie for over 20 years, to create a “Planet Dior”. In this as-yet unexplored galaxy, one hundred and sixteen jewels flourish; among them converse the romantic rose, the stained-glass rose, the futuristic rose and the abstract couture rose. The abstract narrative that entered the House’s lexicon for its 20th anniversary continues in the form of a more symbolic evocation. Enhanced by oval or cushion cuts, Sri Lankan sapphires reveal a sea of blues with subtle violet undertones, on pendants or medallion chokers. Playing with different setting heights, pear-cut rubies and yellow diamonds dazzle on necklaces and earrings. Featured on the backs of certain stones, a gold mesh punctuated with diamonds might reveal a secret mechanism, like a hidden treasure. / www.dior.com

BRACELET Rose Couture Abstraite bracelet in white gold, diamonds and sapphires by Dior Joaillerie

3. DIOR ROSE

RING Rose Couture Abstraite ring in white gold, diamonds and sapphires by Dior Joaillerie

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newsroom@legrandmag.com issue 3 December 2021/January 2022

REAL EMOTIONS SHAPE THE AUTOMOTIVE FUTURE: THE LAMBORGHINI AVENTADOR SVJ www.lamborghini.com

Lamborghini created the Aventador SVJ to embrace challenges head-on, combining cutting-edge technology with extraordinary design, while always refusing to compromise. In a future driven by technology, it’s easy to lose the genuine thrill of driving. But in the future shaped by Lamborghini, this won’t be left behind, because there will always be a driver behind the wheel. Enhanced aerodynamic profiles, a fully redesigned front end, larger side skirts, the omega-shaped rear wing and lighter, and higher exhaust outlets are incorporated into the feather-light carbon-fibre chassis. A special edition of just 63 examples, known as the SVJ 63 and featuring an exclusive colour and finishes, highlights the extensive use of carbon fibre. The use of carbon fibre and its derivatives is among the characteristics that give the Aventador SVJ, entirely manufactured at Lamborghini’s plant in Sant’Agata Bolognese, its phenomenal driving precision. The monocoque of the Aventador SVJ offers incredible weight reductions and, at the same time, unprecedented rigidity. The ALA system is optimized for the Aventador SVJ and is now known as ALA 2.0, which incorporates new air intake

A special edition of just 63 examples, known as the SVJ 63 highlights the extensive use of carbon fibre. The V12 engine boasts 770 CV at 8,500 RPMs, capable of accelerating from 0 to 100 km/h in 2.8 seconds, Aventador SVJ provides new thrills.

and aero channel designs. The system has been recalibrated, taking into account the enhanced lateral acceleration of the vehicle. The ALA system actively varies the aerodynamic load to achieve high downforce or low drag, depending on the dynamic conditions. Electronically actuated motors open or close active flaps in the front splitter and on the engine hood, optimally directing airflow in the front and rear sections. Photographer of these images, Leo Sposito of Sposito Studio remembers, “In response to the request from the Lamborghini store in São Paulo, I took these photos to promote this car on their social media. I photographed it in their own parking lot and then changed the background of the images. It was the sixth SVJ that I shot here in Brazil.”

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Journal

newsroom@legrandmag.com issue 3 December 2021/January 2022

THE SPARTACUS PROJECT Sajdin Osmancevic envisions what a Bugatti SUV would look like as he pushes the limits of design that has a stronger and more distinctive character. The entire car architecture is based on the oval lines without which any Bugatti model would be unimaginable.

THE SPARTACUS PROJECT, A VISIONARY SUV

Bugatti Spartacus is an electric SUV design that embodies a wild spirit combined with Bugatti heritage. The result is a moving statement whose body reminds one of a strong, top-trained soldier, as the name suggests. In the front of the long and high hood is the prominent

Bugatti grill, which, together with the lower air openings, creates a homogenous sculpted front. The headlights are sleek, emphasising the vehicle’s silhouette. The rear and trunk rest on a unique oval surface which is a direct result of the influence of Bugatti’s iconic side frame.

Sleek Yet Powerful The back light outlines the entire aerodynamically designed rear, while the front and rear glass panels meet seamlessly in the middle of the roof.

URUS GRAPHITE CAPSULE

UNLOCK ANY ROAD It’s time to reveal yourself to the fullest. Venture into new challenges and declare your most authentic self aboard the world’s first Super SUV. Unlock any road… unlock your personality. Fuel consumption* (l/100 km): combined 12,3. CO2 emission: 279** g/km *In line with the directive EU 80/1268/EEC **With COD (Cylinder On Demand)

Availability of the Lamborghini models may vary depending on the country. For more information, contact your local dealer: www.lamborghini.com

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Journal

newsroom@legrandmag.com issue 3 December 2021/January 2022

LIKE A PRIVATE JET F OR THE ROAD

PRESENTING THE AUDI GRANDSPHERE CONCEPT

Like a first class flight, the 5.35-metre-long grandsphere sedan combines the luxury of private travel in the greatest of comfort with a comprehensive onboard experience offering. Level 4 automated driving makes new dimensions of freedom possible.

Not only does Level 4 change the interior space of the traditional driver-oriented cockpit and passenger seats into a spacious lounge, reducing the steering wheel and pedals. It also opens up new levels of freedom, offers everyone onboard individually variable experiences: communication or relaxation, work or withdrawal into a private sphere as desired.

WWW.AUDI.COM The Audi grandsphere concept illustrates the brand’s claim that it is becoming the trendsetter at the top of the automotive industry for technological transformation and completely new, holistic mobility offerings, from being strictly an automobile in an “experience device.” Audi grandsphere reimagines the interior and the passenger compartment as the centre of the vehicle. This is reflected in the variable layout of the interior, the disappearance of the controls,

and the sheer expanse of the cabin, in addition to linking them to new service offerings. For example, the doors of the Audi grandsphere concept are reversed so front and back touch; there is no B-pillar. The whole world of the interior opens up to passengers as soon as they climb in. But even before that, the Audi grandsphere has identified its passengers with a pathway identification – an innovative feature – that opens the doors and welcomes them with individually

staged displays and ambient light. The driver and passenger positions are automatically detected and an array of personal comfort features – such as the climate control settings and the seats – are adjusted for the individual seats. At the same time, the infotainment system accesses the passengers’ most recently used services and seamlessly resumes them inside the car. The vehicle comes to life at the touch of a fingertip: there are displays – but they take

the form of projections on the wooden surfaces under the windshield. Depending on the driving status – whether manual with a steering wheel or level 4 – they are either distributed across the entire width of the interior or segmented for the driver and front seat passenger. All the information that is necessary while traveling is there in high resolution and precisely readable. A sensor directed at the eye detects the line of sight when the control unit is to be engaged. And the pas-

senger only needs to make analogous hand motions – without leaning over – that are similar to haptic operation and can use the system just as well that way – without touching a thing. Whether it is eye tracking, gesture or voice control, handwritten input, or touch, the same thing applies to all operation modes: the Audi grandsphere concept adjusts to the individual user and learns his or her preferences and frequently used menus – and on that basis it can not

only sensibly complete rudimentary commands, but also give personal proposals directly to the user. Control panels are even integrated into the armrests on the doors. That way, the car always offers passengers invisible touch surfaces using an optic indicator to show its position. At the same time, there are VR glasses in the armrests on the left and right doors that can be used in conjunction with infotainment options – for instance for the holoride system.

H O T E L S T H AT D E F I N E ™ T H E D E S T I N AT I O N Discover the magnificence of Hotel Danieli, a Luxury Collection Hotel, Venice, flagship of Venetian hospitality and a magical storyteller of the city’s historic grandeur. Experience the true essence of each destination at The Luxury Collection, a curated ensemble of the world’s most iconic hotels. EXPLORE THE DESTINATION AT HOTELDANIELI.COM

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OFF-ROAD ELECTRIFICATION

THE CONCEPT EQG IS CLEARLY A “G” NOT ONLY IN TERMS OF DESIGN, BUT ALSO BECAUSE OF ITS INNER VALUES, MAKING IT AN UNCOMPROMISING OFF-ROADER. ITS BODY IS ALSO BASED ON THE ROBUST LADDER FRAME. THE CHASSIS DESIGN REMAINS EXTREMELY OFF-ROAD CAPABLE, AS IS TYPICAL OF THE G-CLASS: WITH INDEPENDENT SUSPENSION ON THE FRONT AXLE AND A RIGID AXLE AT THE REAR, NEWLY DEVELOPED FOR THE INTEGRATION OF THE ELECTRIC DRIVE.

With the Concept EQG, Mercedes-Benz presents the near-production study of an all-electric model variant of its utilitarian off-road icon. Visually, the concept car combines the unmistakably striking look of the G-Class with selected design elements typical of all-electric models from Mercedes as contrasting highlights. The 4x4 qualities of the “G”, which have always set the highest standard, will not only find their way into the age of electric mobility, but will be developed even further in some areas. The Concept EQG thus offers a promising preview of what a Mercedes-Benz G-Class with battery-electric drive will be capable of.

The origins of the successful G-Class model date back to 1979. For more than four decades, the “G” has thus embodied the luxury off-road vehicle from Mercedes-Benz. The exterior appearance of the Mercedes-Benz off-road legend has changed only marginally over the entire period. Even as part of the extensive redesign in 2018, which brought with it the biggest technological leap in the model’s history, Mercedes-Benz only cautiously developed the unmistakably striking design further. For good reason: because its once purely functional components have long since become iconic style elements. These include, for example, the distinctive door handle and characteristic closing sound, the robust exterior protection strip, the exposed spare wheel on the rear door and the eye-catching front turn indicators. The Concept EQG is also very much in the design tradition of the model series and can be recognised at first glance as a G-Class. The near-production study adopts the G-Class’ angular silhouette including its iconic elements. Illuminated stripes make the robust exterior protective strips stand out visually. The separating edge of the attractive two-tone paint finish – gloss black on top, gloss aluminium beam on the bottom – runs in the area of

the front end directly under the overlying bonnet, thus emphasising this design feature even more clearly. The front view of the Concept EQG looks familiar, not least because of the typical round headlights. Instead of a radiator grille, as on the conventionally powered model versions, this all-electric variant features a continuous deep black radiator grille. In this Black Panel Grille, the illuminated star with 3D effect sets a striking accent. Around it, the animated pattern of “round squares” (squircle pattern) in the familiar blue of the Mercedes-EQ models creates a visual link. An all-round illuminated band wraps the Black Panel, which, alongside the white illuminated circles in the exterior mirror housings, complements the daytime running light graphic of the headlights. The Concept EQG rides on 22-inch polished aluminium alloy wheels in an exclusive design. Instead of the usual spare wheel cover, there is a lockable box with white illuminated accents on the rear door, whose design is reminiscent of a wallbox. This could be used, for example, to store the charging cable within easy reach. “We’re travelling into the future with the new EQG! This car epitomises the fusion of state-ofthe-art off-road capabilities with the dawn of electric mobility that we all need to

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strive for. It stands for our relentless pursuit of the utmost desire and luxury. For us, the most important thing was to keep the full G-Class DNA but beam it into the EQ age: Like the G-Class but different. Modern accents like the white LED technology and a wallbox on the rear of the vehicle illustrate the difference.” says Gorden Wagener, Chief Design Officer Daimler Group. Another highlight of the exterior design is the flat roof rack in high-gloss black. The central element of its minimalist design is the centrally shaped “G”, which is unmis-

takable in the top view. The white LED strip integrated into the front edge of the roof rack is a modern interpretation of the searchlight indispensable for demanding off-road adventures – and thus underlines the seriousness of the Concept EQG in this area: not despite of, but precisely because of its all-electric drive. Another LED strip in red finish forms the rear end of the roof rack. “We are proud of the more than 400,000 G’s we have produced to date,” emphasises Dr Emmerich Schiller, Managing Director of Mercedes-Benz G GmbH and

Head of the Off-Road Vehicle Product Division at Mercedes-Benz AG. “In its more than 40-year model history, the G-Class has always used the most modern and suitable drive technology at the time – from the pre-chamber naturally aspirated diesel of the early days to the AMG 4.0-litre V8 in the current top model, the G 63. Against the background of our ‘Electric only’ strategy, the electrification of this off-road legend is simply the logical next step – and an absolutely fascinating project. Our icon is and remains ‘stronger than time’ in every respect.” / www. mercedes-benz.com

The batteries integrated into the ladder frame ensure a low centre of gravity. Since the electric motors provide their maximum torque practically with the first revolution, an all-electric off-road vehicle like the Concept EQG and the later production model boast enormous pulling power and controllability – which also proves to be an advantage on steep slopes and deep terrain.

ON AND OFF ROAD With four electric motors close to the wheels and individually controllable, the vehicle will offer unique driving characteristics both on- and off-road. As with any real 4x4, the Concept EQG’s off-road reduction can be activated via a shiftable 2-speed gearbox.

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THE MANY SHADES OF BEAUTY Two new make up treasures for eyes and lips bring rich, dazzling colour and jewel-like shine to create royal holiday looks in packaging adorned with the iconic Dolce & Gabbana crown.

Dolce & Gabbana’s Limited Edition Makeup, inspired by the holidays www.dolcegabbanabeauty.com lume and sensuality. The liquid Royal Shadow creates a magnetic gaze. Available in vibrant green for a bold statement, and baroque bronze for a warm version of the classic smoky eye, these eyeshadows deliver intensity in just one stroke. Giulia Maenza, the face of the new Holiday Collection Campaign shot by the renowned photographers Mert & Marcus, embodies a playful and sensual personality embellished by the Royal Shadow in bibrant green for her gaze, and the Royal Gloss in divine nude for her lips, expressing the perfect regal look for festive days and nights.

Two new make up treasures for eyes and lips bring rich, dazzling colour and jewellike shine to create royal holiday looks in packaging adorned with the iconic Dolce&Gabbana crown. For an immediate and long-las-

ting volumizing effect on the lips, The Royal Gloss is the perfect accessory to give elegance to every look. Available in Precious Red for a touch of passion, and Divine Nude for a delicate effect, these lipsticks add shine, vo-

Gloss Over

The Royal Gloss is the perfect accessory to give elegance to every look. Available in precious red for a touch of passion and divine nude for a delicate effect, these lipsticks add shine, volume and sensuality.

academy

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WATCH OUT, BRIGHT LIGHTS AHEAD IN MILAN

DOLCE & GABBANA SPRING/SUMMER 2022 COLLECTION Light, embroideries and colours, femininity and sensuality, as well as key pieces like miniskirts, laced pants and underwear, minimal beachwear and last but

not least, stiletto heels Dolce & Gabbana’s spring/ summer 2022 collection is a strong meeting between the light and the reinterpretation of aesthetic codes of

the past with the new generations in mind. Embroideries and colours present on the looks (103 in total) fuse together with slim and cargo silhouettes.

A re-interpretation of the brand’s runway shows in the early 2000s - and a reminder that 2003 was the year when

Dolce & Gabbana opened its new flagship which sprawled multiple floors in Milan, the new waist appears lower, mi-

niskirts make an unbridled Embroideries and colours, femininity and sensuality, as well as key pieces like miniskirts, laced pants comeback, pants are enri- and underwear, minimal beachwear and last but not least, stiletto heels. ched with laces. The beachwear stands out for its minimal touches and swimsuits allowing the lace underwear underneath to be half-seen. Footwear includes exclusively stiletto heels, emblem of quintessential femininity and sensuality. This collection represents a memory of the past with a look towards the future, a symbol of restart and optimism. In fact, one of Dolce & Gabbana’s latest projects is the Virtual Boutique Experience, through which you can explore some of the most beautiful boutiques in the world with a 360° virtual tour. It is currently available for the Tokyo Aoyama boutique, presenting a new way of discovering and living the brand’s universe. The Dolce & Gabbana collections are framed by the majestic architecture of the boutiques for a unique shopping experience at any time and at any place on virtualboutique.dolcegabbana.com. To make the shopping experience even more complete, you can also book a virtual appointment with a client advisor who, via telephone or video call, will guide you to discover the boutique and the collection, create a wish list and select products to purchase.

Per la propria collezione privata Cusi ricerca i suoi oggetti storici e di alta gioielleria

Milano +39 02 76014323

VIA MONTENAPOLEONE 21/A w w w. c u s i m o n t e n a p o l e o n e . c o m

Portofino +39 0185 269241

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©Gucci Hollywood Forever 2021 campaign, Creative Director: Alessandro Michele, Art Director: Christopher Simmonds, Photographer/Director: Harmony Korine, MakeUp: Thomas de Kluyver, Hair: Paul Hanlon

THE LAST FEW DECADES HAVE WITNESSED A FRUITFUL COLLABORATION AND PARTNERSHIP BETWEEN LUXURY FASHION BRANDS AND SUNGLASSES MANUFACTURERS.

EYES OF THE BEHOLDERS

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1 The first tinted spectacles intended specifically for sun protection were worn in Venice, Italy in the late 18th century. They were known as Goldoni Glasses, named after the famous playwright Carlo Goldoni who popularised the style. They were most often worn by gondoliers who needed protection while working in the sunny canals of Venice, according to the Science Museum in South Kensington, London. Also in the 18th century, therapeutic eye-preservers became popular in Britain for those who suffered from pre-existing conditions that made them sensitive to light. Some of the first examples of inexpensive mass-produced sunglasses were made by Foster Grant and sold to beach-goers in Atlantic City, United States in 1929. The utilitarian appeal and value of sunglasses truly emerged when the US Army Air Corps enlisted the help of eyeglasses maker Bausch & Lomb, who developed the

1. Marchon Eyewear started working with Lanvin’s Creative Director, Bruno Sialelli, to develop and manufacture sunglasses for the Lanvin Spring 2020 runway show in Paris.

2. As part of Kering Eyewear, Gucci’s new Hollywood Forever eyewear collection and campaign feature a selection of crystalstudded sunglasses like the stars from yesteryears.. 3. Chanel launched its first-ever eyewear collection in 1999 and has been working with Luxottica Group for over 20 years.

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newsroom@legrandmag.com issue 3 December 2021/January 2022

CELINE’S WOMENSWEAR WINTER 2021 CAMPAIGN WAS PHOTOGRAPHED BY HEDI SLIMANE IN IBIZA IN MAY 2021 FEATURING QUINN ELIN MORA. THE COLLECTION’S VISION: “A UTOPIAN PARADE AND MELANCHOLIC DAYDREAM OF YOUTH INTERRUPTED” PROVIDES A FRESH PERSPECTIVE.

NEW PERSPECTIVES

iconic Ray-Ban Aviator in 1939. In the wake of WWII, Hollywood was having an increasingly powerful impact on what people wore, once they had been seen on screen legends such as James Dean in 1955’s Rebel Without a Cause and later on Audrey Hepburn in 1961’s Breakfast at Tiffany’s, Robert De Niro in 1976’s Taxi Driver, Peter Fonda in Easy Rider, 1969, Clint Eastwood in Dirty Harry, 1971, Denzel Washington in Malcolm X (1992) and Tim Roth in Reservoir Dogs (1992). 1997 saw Will Smith and Tommy Lee Jones wearing Ray-Ban Predator in Men in Black while Johnny Depp wore a pair of Ray-Ban Shooter in 1998’s Fear and Loathing in Las Vegas. When Marchon Eyewear, Inc. and Lanvin S.A. entered into an exclusive, long-term global licensing agreement for sun and optical eyewear under the Lanvin brand name, the maison’s first men’s and women’s eyewear collections under this partnership launched in September 2020. In advance of that, a capsule collection comprised of four sunglasses, were previewed in March 2020. Marchon Eyewear started working with Lanvin’s Creative Director, Bruno Sialelli, to develop and manufacture sunglasses for the Lanvin Spring 2020 runway show in Paris, which was exclusively sold through Lanvin’s flagship stores. Crafted in Italy, the new men’s and women’s eyewear collections embodied Lanvin’s new aesthetic and attitude under the creative direction of Sialelli, who added his distinctive touch to the brand’s new signature style since his arrival.” I am delighted to announce this new partnership,” says Jean-Philippe Hecquet, CEO of Lanvin. “I am convinced that the combination of Bruno Sialelli’s creativity with Marchon’s strong expertise and global vision will assure great success to Lanvin eyewear.” Nicola Zotta, President and CEO of Marchon Eyewear, Inc. commented, “We are very proud to collaborate with Lanvin and contribute to the brand’s future global growth. Lanvin’s prestigious legacy and modern vision have already begun to inspire our teams. We look forward to being a part of the forward momentum of the Lanvin brand and working closely with Bruno and his team to realise his vision, while extending our category expertise and positioning within the luxury eyewear segment.” Marchon Eyewear, Inc. is one of the world’s largest manufacturers and distributors of quality eyewear and sunwear. The company markets its products under prestigious brand names including: Airlock, Calvin Klein, Chloé, Columbia, Diane von Furstenberg, DKNY, Dragon, Etro, Flexon, Karl Lagerfeld, Lacoste, Liu Jo, Longchamp, Marchon NYC, Marni, MCM, Nautica, Nike, Nine West, Salvatore Ferragamo, Skaga and Victoria Beckham. As part of Kering Eyewear, Gucci took inspiration from the mesmerising, eclectic spirit of the Hollywood stars of yesteryear, who shined both on and off screen. First launched in 2017, the Hollywood Forever eyewear concept is reinvigorated for 2021 to bring a touch of fabulous vintage glamour to a thoroughly contemporary selection of sunglasses. Mixing retro allure and modern refinement, the imagery for the campaign sees the ‘actors’ in colourful tiled bathrooms taking extravagant bubble baths, wearing their Gucci sunglasses. Shot by cult artist, photographer and director Harmony Korine, the luxurious bubbles and bright tiled walls frame these glamourous and lively vignettes. Perfectly representing Gucci’s vision of creativity and self-expression, the campaign images encourage an attitude of proud freedom: the focus is on personality and character, as is also suggested by the design of the sunglasses. Every style is enriched with glittering crystals that are meticulously applied by hand to capture and reflect Hollywood’s dazzling appeal. President of CHANEL’s Fashion and CHANEL SAS Bruno Pavlovsky, commented: “CHANEL has developed a very strong and valuable partnership with Luxottica over the past 20 years. Together we have built an exceptional product line, combining CHANEL’s creation with Luxottica’s expertise and manufacturing capabilities. We are convinced that CHANEL’s eyewear will continue to be one of the most desirable fashion accessories thanks to Luxottica’s innovative know-how which magnifies CHANEL’s creation and our further enhancement of the client experience in the coming years. We are absolutely delighted to continue this success story with Luxottica.” Leonardo Del Vecchio, Executive Chairman at Luxottica, commented: “We are extremely pleased with this strategic agreement for our Group. For 20 years, Luxottica and CHANEL have shaped the idea of luxury eyewear together, with outstanding, highly exclusive and iconic products, starting with the launch of CHANEL’s first-ever eyewear collection in 1999. We are proud and thankful for this collaboration which has brought mutual success and satisfaction.” Luxottica is a leader in the design, manufacture and distribution of fashion, luxury and sports eyewear. Its portfolio includes proprietary brands such as Ray-Ban, Oakley, Vogue Eyewear, Persol, Oliver Peoples and Alain Mikli, as well as licensed brands including Giorgio Armani, Burberry, Bulgari, Chanel, Coach, Dolce&Gabbana, Ferrari, Michael Kors, Prada, Ralph Lauren, Tiffany & Co., Valentino and Versace.

MILAN CITY GALLERY

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newsroom@legrandmag.com issue 3 December 2021/January 2022

CHANEL COSMETICS

CHANEL FACTORY 5, A CENTENNIAL CELEBRATION www.chanel.com The launch of the first Chanel perfume, N°5, took place in 1921. This “women’s perfume which smells like a woman”, revolutionary due to its composition, name and presentation, was born out of Gabrielle Chanel’s partnership with perfumer Ernest Beaux. The following year, Beaux created Chanel N°22. Its name was a reference to the perfume’s year of creation, 1922. It was inspired by the same revolutionary spirit that characterised N°5. The powdery floral fragrance was a seductive scent carried by tuberose. In 1924, Chanel’s first cosmetics line launched comprising face powders and lip colours - whose timelessly designed packaging remained mostly unaltered over the decades - while the Societe des Parfums Chanel was founded to capitalise on the brand’s growing beauty and fragrance business. Gabrielle Chanel created Gardénia with Beaux in 1925. A white flower like the camellia, Chanel’s iconic flower with a scent that cannot be extracted, the Gardénia had a more distinctive olfactory signature. Beaux created Cuir de Russie in 1925. This leather oriental fragrance evoked the saddlery of the equestrian world. Its trail and name were a reference to birch tar, which was used by Russian soldiers to waterproof their boots. In 1927, the brand’s first skincare line launched offering 15 products aimed at helping women gain the perfect complexion. Again, the minimalistic and iconically designed bottles set the tone of an innovative collection that’d become one of today’s best skincare products. Bois des Îles, created by Beaux in 1928, was one of the first woody oriental fragrances in the history of women’s perfumes. With accords of ylang-ylang and sandalwood, its name was a reference to the 1920s and this era’s characteristic penchant for exoticism and travel. In 1955, Henri Robert, succesor of Beaux as the perfumer for the House of Chanel, created Pour Monsieur, the only men’s fragrance launched during Mademoiselle’s lifetime. This fresh Chypre scent revealed top notes of lemon, spicy middle notes and a woody trail. In 1965, Jacques Helleu became the Artistic Director of perfumes and beauty products for Chanel. As the Ar-

tistic Director for the fragrance and beauty division, and watches and fine Jewellery, he was responsible for its image. The iconic advertising films created under his direction resulted from the dialogue that he maintained with the directors, to whom he granted great freedom of expression. Created in 1970 by Henri Robert, N°19 owed its name to 19 August, Gabrielle Chanel’s date of birth. This green floral scent was characterised by its main floral note, the iris, which gave it a powdery touch. In 1978, Jacques Polge became the third perfumer for the House of Chanel, following Ernest Beaux and Henri Robert. He created the Coco, Coco Mademoiselle, Allure, Chance and Bleu fragrances. In 1984, the first model to sign an exclusive contract with a couture house by becoming a Chanel spokesperson, Ines de la Fressange was selected as the face of Coco. Inspired by the Venetian style and baroque universe of Mademoiselle Chanel, this floral oriental was the first women’s perfume In 1927, the brand’s first skincare line launched offering 15 products. The minimalistic, laboratory-inspired packaging set the tone of an innovative collection that’d become one of today’s best skincare products. created by Polge. In 1990, the Égoïste perfume was launched. This original fragrance disrupted the codes of men’s fragrances with its notes of sandalwood and Madagascan vanilla. Jean-Paul Goude’s advertising film was awarded the Golden Lion at the 37th International Advertising Film Festival in Cannes. In 2001, Coco Mademoiselle was created by Polge, a fresh oriental scent that brought the chypre fragrance family back in style with its exclusive fractional patchouli note. Kate Moss was the face of its campaign. In 2002, through the Chance fragrance, sensuality and rose entered the codes of the House, followed by Chance Eau Fraîche in 2007, Chance Eau Tendre in 2010 and Chance Eau Vive in 2015. With Allure Homme Sport, Polge created a new interpretation of masculine allure

in 2004, and the same year, Jacques Helleu selected Nicole Kidman to be the new face of N°5. The campaign and the film were produced by director Baz Luhrmann. In 2006, Sublimage Crème Régénérante Fondamentale was launched. This cream with global anti-aging effectiveness was developed through Chanel research on the power of plants, as well as polyfractionation, which concentrated the active molecules of a flower. During this same year, Chanel launched Rouge Allure, a lipstick with intense colours. Keira Knightley became the face of Coco Mademoiselle perfume in 2007.

Industrial Chic Turns 100 “There can be as much value in products that you use very regularly as in products that you use for very special occasions. It’s all about the experience that these products give you. By taking consumer goods, popular by definition, out of their context and dressing them in the aesthetics of N ° 5, we come back to Chanel’s first creative gesture: that of transforming a functional object into a luxury object, This is the whole point of Chanel FACTORY 5: to offer the experience of luxury on a daily basis,” specifies Thomas de Pré de Saint Maur, General Manager of Creative Resources Parfums Beauté.

The creation of Bleu de Chanel, a new men’s fragrance by Polge, was interpreted by Gaspard Ulliel in a film directed by Martin Scorsese in 2010. Gabrielle perfume, by Olivier Polge in 2017, son of Jacques Polge, was a floral bouquet, composed of jasmine, ylang-ylang, orange blossom and tuberose. On the occasion of the 100th anniversary of the world’s most famous perfume, Chanel imagines Chanel Factory 5, a limited edition collection of cult products in pop art packaging with an industrial allure, presented in the French capital’s pop-up store.

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14/07/14 16.37

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newsroom@legrandmag.com issue 2 June 2021

ALL UNDER ONE BAROQUE ROOF

The Brera Gallery was officially established in 1809, even though a first collection with educational purpose existed already from 1776 – and then expanded over the years – alongside the Accademia di Belle Arti. Mary Therese of Austria offered the students the opportunity to study art masterpieces close up. So unlike other important museums in Italy such as the Uffizi, Brera did not start out life as the private collection of a prince or nobleman but as the result of a deliberate policy decision. Paintings confiscated from churches and convents throughout Lombardy with the religious orders’ dissolution began to pour into the museum in the early years of the 19th century, in addition to artworks of similar provenance from other areas of the Kingdom of Italy. This explains why the collection comprises chiefly religious works, many of them large altarpieces, and accounts for Brera’s special aura on which later acquisitions have had only a minor impact. Palazzo Brera was built on the remains of a 14th century monastery of the Umiliati order which was subsequently given to the Jesuits, who founded a school here. Francesco Maria Richini began in the early 17th century to turn it into the solidly austere building we see today. When the Jesuits were disbanded in 1773, the Collegio di Brera became state property and Empress Maria Theresa of Austria decided to use it to house several of the city’s leading cultural institutes. In addition to the Accademia di Belle Arti and the Istituto Lombardo di Scienze e Lettere, she also assigned the Biblioteca Nazionale Braidense, the Osservatorio Astronomico and the Orto Botanico to her new foundation. The man commissioned to design and execute the work was Giuseppe Piermarini, one of Italy’s leading Neoclassical architects. He was responsible for renovating the library (one room of which can be seen in Room I in the Pinacoteca, or picture gallery), for building the solemn entrance on Via Brera and for completing the courtyard. A bronze statue of Napoleon in the guise of Mars the Peacemaker, cast in Rome to a design by Antonio Canova, was erected in the

centre of the courtyard in 1859. Porticos, courtyards, hallways and corridors were chosen throughout the 19th century as settings for monuments publicly celebrating artists, benefactors, humanists and scientists associated with Brera and the Braidense. The best works in this extremely rich and little-known collection include the monuments to Cesare Beccaria by Pompeo Marchesi and to Giuseppe Parini by Gaetano Monti which can be admired on the monumental staircase leading up to the Pinacoteca. Palazzao Brera houses several institutions. Accademia di Brera, one of the oldest such schools in Italy, is a living em-

blem of the history and the artists that have forged Italian art, making their mark on Italy’s history and contributing to interaction between science, literature and the arts since 1776. The school continues today to play a leading role in the world of cultural creativity with unflagging enthusiasm. Istituto Lombardo Accademia di Scienze e Lettere, founded by Napoleon in 1797, modelling it on the Institut de France, for the purpose of collecting and cataloguing discoveries and of perfecting the arts and sciences. The Orto Botanico di Brera or Brera Botanical Garden, created under Empress Maria Theresa of Austria in 1774, offers visitors a small haven of peace in the heart of the bustling city. It hosts rwo of the oldest examples of the ginko biloba tree in Europe, a 40-metre lime tree and a Caucasian walnut tree. The Museo Astronomico, or Astronomical Museum, is located here, with a collection of old scientific instruments belonging to the Osservatorio Astronomico. The palazzo is also home to one of the oldest associations in Milan - the Amici di Brera, or Friends of Brera, which promotes the conservation and enhancement of the historic Palazzo di Brera.

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Journal

newsroom@legrandmag.com issue 3 December 2021/January 2022

THE NEW BOCCONI CAMPUS, FROM AN INNOVATIVE VISION TO AN ARCHITECTURAL REALISATION Designed by Kazuyo Sejima and Ryue Nishizawa from architecture firm SANAA of Tokyo Many academic complexes have transformed, from isolated entities, into well-structured spaces related to each other, to the city and to the urban fabric. This is what happened to the Bocconi complex, situated next to the historical centre, that over time became a contemporary complex but still far away from being a real Anglo Saxon-inspired campus. In this perspective, the objective of Progetto CMR was to adjust and renovate the entire city campus paying close attention to the usability of the structure from all the users. The will to enlarge the complex towards the portion of territory of the former Centrale del Latte, a strategic area for logistics, and the consequent coordination of the existing buildings of the area aims at meeting the space and relational requirements concerning educational activities. Interventions will improve the whole area functionally and organisationally while adding value to the existing buildings and to their historical value. Transparency and visibility of the various buildings are the fundamental characteristics of the project. Those will allow a constant connection between the inside of the buildings and the park around them. Every building has a reduced depth and contains a curvilinear area on the inside. The new campus conveys great agility and transparency. The project also involves the realisation of a recrea-

Level 1 is home to the fitness area managed in collaboration with Virgin Active, featuring the latest equipment for cardio training, fitness rooms and wellness area. Level 2 hosts the Team Sport Arena, with standard fields for team sports, such as basketball, volleyball and 5-a-side football. Level 3 is the running track, also managed in collaboration with Virgin Active, a ring of about 220 metres for running, directly connected to the fitness area overlooking the fields of the Team Sport Arena. The jewel of the sports facility is the new Myrtha aquatic centre, open to both students and the community. Visible from the hall of the building, the view from above highlights the beauty of the pool, equipped with Myrtha’s split, movable bulkhead. The 2-piece bulkhead makes it simple to configure the pool for multiple uses. The well-equipped pool meets all FINA competition standards and is ideal for training and competition in swimming, water polo, and artistic swimming. In addition to the Olympic tional sports centre with addition to the ground floor the-art technologies inclu- competition pool, the facility Olympic-size swimming which houses the reception). ding an advanced lighting also includes a Myrtha 25-mepool, gyms and fitness cen- Level -1 is the swimming system and the AngelEye tre available to the Bocconi pool area managed in co- underwater drowning decommunity and to the who- llaboration with the partner tection system, which uses le city, and the realisation Aquamore, with a 50-metre underwater cameras with of three buildings destined and a 25-metre Olympic efficient LED lights installed for different uses. Among swimming pool. along the walls of the tanks the main objectito provide high saves, the creation fety standards. Every building contains of a solution to the Additionally, two growing residenlanes in the coma c u r v i l i n e a r a re a o n t h e tial demand, with petition pool have i n s i d e , c o n v e y i n g a g i l i t y. a new university been equipped with residence that can the Virtual Trainer, host 300 students and/or vi- The Olympic Pool, measu- an intelligent LED system that siting professors. ring in at 51.5 m (50 m, plus allows swimmers to follow preThe Bocconi Sport Center is the width of the bulkhead), cisely programmed training structured on four level (in is equipped with state-of- speeds set by their coaches.

LIGHTNESS, TRANSPARENCY AND OPENNESS FOR EDUCATION AND BEYOND THE CAMPUS, DESIGNED BY THE JAPANESE STUDIO SANAA, SPRAWLS OVER 50,000 SQM CONSISTING OF A RESIDENTIAL TOWER, FOUR LARGE BUILDINGS, A PARK AND A SPORTS CENTRE, WHICH AIMS TO PROVIDE STUDENTS AND CITIZENS WITH A STATE-OF-THE-ART SPORTS FACILITY. The idea of openness is have a ring shape: the outer novative solutions employed achieved through the sig- perimeter faces the city and guarantee energy self-suffinificant continuity between the park and, from the insi- ciency on an annual basis, interior and exterior spaces de, the buildings’ courtyards the absence of harmful emisthat characterises Japanese form a natural and green en- sions and heat pumps and architecture, and in particu- vironment. Each core is set lar that of the SANAA archi- on a reduced building size, tectural firm. The perimeter guaranteeing the interiors walls of the buildings are exposure to light and offetransparent, creating the fe- ring wide openings to the eling of interior spaces that park’s courtyards, so as to flow towards the exterior, optimise natural ventilation and the lines are supple. and reduce the use of artifiThe traditional sections of cial lighting and ventilation. urban planning in Milan As a continuation of the (streets, city blocks, yards, buildings’ profiles, the park courtyards) have been rein- is characterised by a system terpreted, demonstrating of organically-shaped arcaa strong awareness of the des/canopies, which guides urban context of reference. and protects the internal “We tried to integrate the pedestrian paths. university with the park by “When constructing the new using the architecture of the complex, there was maxicourtyard,” say Kazuyo Seji- mum focus on environmental ma and Ryue Nishizawa. sustainability,” says the RecTo enhance lightness and tor of Bocconi, Gianmario transparency, the buildings Verona, “The numerous in-

water-powered refrigeration units without physical water consumption, which is taken and then returned to the Ticinello waterway.” Of the 35,000 sqm of the area, 17,000 are reserved for greenery, with native species already present in the adjacent Parco Ravizza, such as oak, European hornbeam and black poplar.

tre training pool, perfect for lane swimming, Aquagym, Aquabike and other aquatic fun; and it’s also home to a wellness centre that includes a steam bath, sauna, Jacuzzi and showers provided by Myrtha Wellness. Myrtha’s modular stainless-steel pool system reduces CO2 emissions by up to 50% compared to a traditional concrete tank. And Myrtha’s many environmental advantages are evidenced by our contributions to international sustainability and energy efficiency certifications like LEED, BREEAM and Green Star. In the case of the Bocconi campus, the Myrtha Research & Development team went to work on a plan to reduce water consumption in the new facility. An algorithm was developed that analyses water quality data as well as the number of accesses (or, swimmers), and can pro-actively reduce water consumption while maintaining optimal water quality. Innovative, versatile and eco-sustainable environment, the Bocconi new camus is a modern and evolved place, the fulcrum of the social and sporting life of the university.

All building roofs are equipped with high-efficiency photovoltaic panels, which produce over 1,200kW of nominal power. Energy savings are guaranteed by the use of heat pumps and refrigeration units to balance the heat requirements of different buildings, from an energy-efficient building shell and by an advanced lighting management system with automatic control of brightness levels in every single space.

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newsroom@legrandmag.com issue 3 December 2021/January 2022

ST. MORITZ GETAWAY WITH THE ACH130 www.airbus.com

BALANCING

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The ACH130’s alluring presence is unmistakable, right from your first encounter. Striking and assertive, its charisma draws you in. As enjoyable to ride in as it is to pilot, and with an interior that complements its impressive performance, this helicopter strikes the perfect balance between power and elegance. With its shrouded tail rotor and auto-variable speed, you’ll make subdued approaches and landings. With up to 6 forwardfacing seats and luxurious cabin accents, you’re giving them a rare joy—and it’s pretty nice up front, too. The cabin is designed to provide passengers with an unmatched visibility and comfort, offering a remarkable flight experience. Proven engineering, performance and security— your ACH130 comes from a pedigreed clan, with 10% more power and lower fuel consumption. Tom Claeren is an artistic director who founded his eponymous company in Monaco two years ago. His passion for aesthetics and his unique taste for chic push him to always surpass himself to produce unique creative digital campaigns for luxury brands. Tom Claeren masters the visual codes of luxury aesthetics and perfectly knows how to translate them for every niche such as the supercar industry, travel, fashion, lifestyle, watches and jewellery, yachting... Airbus Corporate Helicopters is Airbus Helicopters’ high end and bespoke brand dedicated to private and business aviation customers. ACH provides an exclusive platform from which customers can benefit from best in class products, tailored completion and service. Mirroring the successful sister brand Airbus Corporate Jets - ACJ, ACH provides current and future customers an end-toend exclusive ownership experience ranging from advice helping customers to choose the right aircraft to designing a bespoke style. The unique capabilities of rotary wing aircraft primarily provide point-to-point transport for business and corporate customers and an enhanced lifestyle for VIP customers enabling luxury travel between assets or even to remote, inaccessible locations. During his St. Moritz weekend getaways, writer, actor and film director Tom Claeren, accompanied by model Aurianne Sinacola, says, “With [the ACH 130’S] stealth black livery and light cream leather interior, even I cannot help but crack a smile! The strikingly seductive design is enough to evoke excitement from even the most frequent of flyers. The shrouded tail rotor is particularly eye catching, designed to maximise safety and the sleek appearance of the ACH130.

The crew take our luggage and we climb aboard into the cocoon of cream leather and spacious seating, which radiate design cues similar to those found in a sports car. Bubble windows provide maximum viewing pleasure of the valley as the rotor begins to whir and the helicopter lifts off the

The ACH 130 accommodates up to six passengers and has a maximum endurnace of 4 hours and 13 minutes, a maximum cruise speed of 134 knots, up to 347 nautical miles or 643 kilometres and MTOW of up to 2500 kilograms or 5512 pounds. tarmac.”After settling in for the evening, Claeren is ready for a new day of adventures. “Once again we board our Airbus ACH130 accompanied by our mountain guide in search of the highest peaks in the region for some incredible heli skiing away from the conventional tourist covered slopes.

The helicopter handles the alpine winds incredibly well, giving us a smooth and relaxed flight up into the clouds. Yet again the bubble windows of the cockpit provide allround visibility allowing us to fully appreciate the beauty of our location, something you could never experience from ground level.” The smooth ride is thanks to the fact that beneath the ACH130’s sleek exterior sits a powerful engine: The Arriel 2D can provide up to 952 shp at take-off, thanks to a new axial compressor, high pressure compressor diffusor, new material in the high pressure turbine and a new generation double channel FADEC. Tom Claeren, with a true understanding of the requests from prestigious brands, puts his vision and personal touch on campaigns that are highly noticed both locally and internationally in the luxury field. Numerous luxury brands have already recognised and experienced his team’s talent, with regular requests for tailor-made digital campaigns. A few of these brands include Aston Martin, Bentley, Brooks Brothers, Château d’Yquem, Chopard, Dom Pérignon, La Réserve, Louis Vuitton, Monte-Carlo Société des Bains de Mer, Panerai, The Ritz-Carlton and more.

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newsroom@legrandmag.com issue 3 December 2021/January 2022

DELVE INTO MILAN’S WONDERLAND FAO Schwarz is the oldest toy store in the United States, first opening its doors in 1862 in Baltimore before moving to New York City. The dance-on piano, made famous by the 1988 Tom Hanks film “Big”, brought national attention to the brand. Now, you can experience the magic again at its new flagship on Via Orefici 15, Milan. FAO Schwarz was founded in 1862 in Baltimore under the name “Toy Bazaar” by German immigrant Frederick August Otto Schwarz. He dreamed of a wonderful shop filled with extraordinary, one-of-a-kind toys from all over the world. Visiting the FAO Schwarz shop is an experience different from all the others. Children and those young at heart are the protagonist of the story which ignites their imagination. FAO Schwarz is known for its large assortment of plush animals and the Piano Dance Mat, a smaller version of The Walking Piano featured in the Tom Hanks film Big. Through the years, the FAO Schwarz logo has had versions that included a teddy bear, toy blocks, a toy soldier, rocking horse and an animated clock tower. In 2010, the FAO Schwarz logo was redesigned in colors of red and silver. The new logo emphasized the initials of company founder, Frederick August Otto Schwarz. It also debuted a company mascot, Wit. In 2017, FAO Schwarz hired design studio, Mattson Creative, to rebrand the FAO Schwarz logo and packaging. Mattson Creative also created the store’s reopening tagline and hashtag, “Return to Wonder”. / www.faoschwarz.it

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The

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1. PIAGET Altiplano Watch in White Gold & Diamonds (www.piaget.com). 2. Gieves & Hawkes Hay Dark Navy Fine Wool Dinner Suit (www.gievesandhawkes.com). 3. DOLCE & GABBANA Silk Bow Tie (www.dolcegabbana.com). 4. CHANEL No. 5 Eau de Parfum (www.chanel.com). 5. LOUIS VUITTON La Passion Necklace (www.louisvuitton.com). 6. JO MALONE Scarlot Poppy Cologne Intense (www. jomalone.com). 7. HARRY WINSTON Necklace with a Cushion-Shaped Sapphire Weighing 111.73 Carats, auctioned by Sotheby’s (www.harrywinston.com). 8. PRADA Ardesia Sunglasses (www.prada.com). 9. BROOKS BROTHERS Detachable Collar (www.brooksbrothers.com). 10. PASOTTI OMBRELLI Black Panther Walking Stick Umbrella K (www.pasottiombrelli.com). 11. CARTIER Grande Complication Skeleton Pocket Watch Calibre 9436 MC (www.cartier.com).

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12. ALFA ROMEO Tipo B P3 Tim Scott ©2016 Courtesy of RM Sotheby’s (www.rmsothebys.com). 13. ROLEX Yacht-Master 42 Titanium Prototype (www.rolex.com). 14. FABERGE Colours of Love Teardrop Earrings with Mozambican Rubies (www.faberge.com). 15. BROOKS BROTHERS Regent Fit Bib Front Spread Collar Tuxedo Shirt (www.brooksbrothers.com). 16. TOM FORD Velvet Bow Tie (www.tomford.com). 17. RALPH LAUREN Ralph’s Club Fragrance (www.ralphlauren.com). 18. HARRY WINSTON Necklace with a 31.13-Carat Sapphire (www.harrywinston.com).

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1. HENRY POOLE Formalwear (www.henrypoole.com). 2. PIAGET Altiplano Watch (www.piaget.com). 3. LOUIS VUITTON Stellar Times High Jewellery Necklace (www.louisvuitton.com). 4. DOLCE & GABBANA Fall/Winter 2021 Footwear (www.dolcegabbana.com). 5. BVLGARI High Jewellery Design (www.bulgari.com). 6. BILLONAIRE ITALIAN COUTURE Shirt & Bow tie (www. billionaire.com). 7. CHAUMET Joséphine Aigrette Impériale Ring (www.chaumet.com). 8. AUDI Grandsphere (www.audi.com). 9. ROLEX Submariner Dial (www.rolex.com).

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10. HILL HELICOPTERS HX50 (www.hillhelicopters.com). 11. TOM FORD Spring/Summer 2022 Womenswear Runway (www.tomford.com). 12. TIFFANY & CO Novo Ring with Sapphire (www.tiffany.com). 13. HUGO BOSS Patent Leather Oxford Shoes (www.hugoboss.com). 14. YVES SAINT LAURENT Y Le Parfum (www.yslbeauty.com). 15. MIKIMOTO Pearl Necklace (www.mikimoto.com). 16. JACOBS & CO Brilliant Flying Tourbillon Peru Mountain Colours (www.jacobsandco.com). 17. Moussaieff Jewellers Jewellery Suites (www. moussaieff-jewellers.com). 18. BVLGARI Opera Grandiosa Fragrance (www.bulgari.com). 19. CHANEL No. 5 Eau de Parfum (www.chanel.com). 20. TURNBULL & ASSER Pre-Tied Cotton Piqué Bow Tie (www.turnbullandasser.co.uk). 21. BVLGARI Bulgari Serpenti Watch (www.bulgari.com).

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1. PAGANI Imola (www.pagani.com). 2. DIOR Rouge Dior (www.dior.com). 3. BVLGARI xxx (www.bulgari.com). 4. MANOLO BLAHNIK Black Satin Finamu Mule (www.manoloblahnik.com). 5. FABERGE Colours of Love Sapphire Ring (www.faberge.com). 6. BVLGARI Splendida Tubereuse Mystique Eau de Parfum (www.bulgari.com). 7. DOLCE & GABBANA Spring/Summer 2022 Womenswear Runway (www. dolcegabbana.com). 8. ROGER DUBUIS Excalibur Watch (www.pisaorologeria.com). 9. SAINT LAURENT Opyum Patent Leather Pumps (www.ysl.com). 10. SAINT LAURENT Sunglasses (www.ysl.com). 11. CHAUMET Joséphine Aigrette Ring (www.chaumet.com).

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1. FERRARI 1957 Ferrari 250 GT Berlinetta Competizione Tour de France by Scaglietti. 2. UNBRANDED LABEL British Derby Cap in Wool (www.unbrandedlabel.com). 3. WALLY 118 Wallypower (www.wally.com). 4. JACOB & CO Caviar Tourbillon Baguette Blue Sapphires (www.jacobandco.com). 5. CHANEL No. 5 High Jewellery Collection (www.chanel.com). 6. ROLEX Day-Date Watch (www.rolex.com). 7. BYREDO Blanche Eau de Parfum (www.byredo.com). 8. ROLLS-ROYCE Phantom Tempus (www.rolls-roycemotorcars.com). 9. MB&F Legacy Machine Perpetual Movement (www.mbandf.com). 10. DREAMBOULE Bubble Ruby Ring (www.dreamboule.com). 11. BOMBARDIERI Global 7500 Four living spaces, limitless possibilities (www.businessaircraft.bombardier.com).

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20 12. HUBLOT Big Bang Integral Tourbillon Rainbow (www.hublot.com). 13. SAINT LAURENT Spring/Summer 2021 Womenswear Runway (www.ysl.com). 14. CHANEL Rouge Allure Luminous Intense Lip Colour (www.chanel.com). 15. CHOPARD Happy Sport Watch (www.chopard.com). 16. PORSCHE 911 FT3 (www.porsche.com). 17. TOM FORD Shirt & Pre-Tied Silk Bow Tie (www.tomford.com). 18. BENTLEY EXP 100 GT (www.bentley.com). 19. HARRY WINSTON Diamond and Sapphire Cascading Drop Necklace (www.harrywinston.com). 20. AIRBUS CityAirbus Helicopters (www.airbus.com).

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1. CHANEL Chanel Factory 5 Limited Edition Collection (www.chanel.com). 2. DOLCE & GABBANA Royal Gloss (www.dolcegabbana.com). 3. TSUM Moscow (www.tsum.ru). 4. FORTNUM & MASON Rose Pouchong Tea (www.fortnumandmason.com). 5. DIOR Rose Couture Abstraite Bracelet in White gold, Diamonds and Sapphires (www.dior.com). 6. STEFANO RICCI Octagon Chronograph Diamond Lux Limited Edition Watch (www.stefanoricci.com). 7. SAN MARZANO WINES Edda (www.sanmarzanowines.com). 8. BOODLES Asoka Ring (www.boodles.com). 9. HARRODS (www.harrods.com).

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10. TOM FORD Evening Shirt and Bow Tie (www.tomford.com). 11. CHOPARD Precious Chopard Necklace (www.chopard.com). 12. GRAFF Sapphire and Diamond Scroll Necklace (www.graff. com). 13. HARRODS English Breakfast Tea Bags (www.harrods.com). 14. SAINT LAURENT Women’s Fashion Show (www.ysl.com). 15. TIFFANY & CO Return To Tiffany Ring (www.tiffany. com). 16. LE GRAND MAG (www.legrandmag.com). 17. ROLEX Day-Date Watch (www.rolex.com). 18. DOLCE & GABBANA The Only One (www.dolcegabbana.com). 19. CHOPARD Red Carpet Collection, Rubellite Earrings (www.chopard.com).

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1. FINCANTIERI Vanitas (www.fincantieri.com, Fincantieri S.p.A. All Right Reserved). 2. FABERGÉ Colours of Love Collection (www.faberge.com). 3. BACCARAT Be@rbrick (www.baccarat.com). 4. GIORGIO ARMANI Armani Privé Spring 2021 Collection (www.armani.com). 5. BOUCHERON Lumière de Jodhpur Ring (www.boucheron.com). 6. HUGO BOSS Pre-Tied Cotton-Velvet Bow Tie (www. hugoboss.com). 7. BUCCELLATI Ombelicale Vintage Collection (www.buccellati.com). 8. ZACAPA Zacapa XO (www.zacaparum.com). 9. FERRARI 250 GTO (www.ferrari.com). 10. MAISON FRANCIS KURKDJIAN BACCARAT ROUGE 540 (www.franciskurkdjian.com).

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11. BUGATTI Ceramique Smartwatch (www.bugatti-smartwatches.com). 12. ROLLS-ROYCE Culligan (www.rolls-roycemotorcars.com). 13. BRIONI Bow Tie (www.brioni.com). 14. BVLGARI Divas’ Dream Watch (www.bulgari.com). 15. CHANEL No. 5 Collection (www.chanel.com). 16. CELINE Winter 2021 Womenswear Campaign (www.celine.com). 17. FERRARI 250 GTO, Auctioned by RM Sothebys (www.rmsothebys.com). 18. CHOPARD The Garden of Kalahari Necklace (www.chopard.com). 19. PRADA Moonlight Shadow (www.prada.com). 20. RALPH LAUREN Wellington Watch (www.ralphlauren.com).

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1. GUERLAIN Shalimar Fragrance (www.guerlain.com). 2. CHANEL Visor Sunglasses (www.chanel.com). 3. SAINT LAURENT A recent campaign (www.ysl.com). 4. ROLLS-ROYCE Black Badge (www.rolls-roycemotorcars.com). 5. FRAGRART Soap (www.fragrart.com). 6. DOLCE & GABBANA Royal Gloss Collection (www.dolcegabbana.com). 7. GRAFF Blue Sapphire Jewellery (www.graff. com). 8. GUCCI Lip Colour (www.gucci.com). 9. FORTNUM & MASON Royal Blend Tea Bags (www.fortnumandmason.com). 10. SAJDIN OSMANCEVIC Bugatti SUV Concept (IG @sajdin_germond).

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11. CHANEL No. 5 High Jewellery Collection (www.chanel.com). 12. OSCAR HUNT Men’s Tailoring (www.oscarhunt.com.au). 13. CHAUMET Fluted Engagement Ruby Ring (www.graff.com). 14. LEONARDO’S WINE La Malvasia di Milano (www.vignadileonardo.com). 15. GRAFF Ruby and Diamond Bracelet (www.graff.com). 16. BACKES & STRAUSS Ashoka Collection (www.backesandstrauss.com). 17. MOUSSAIEFF Bespoke Jewellery (www.moussaieff-jewellers.com). 18. PRADA L’Homme Intense Eau de Parfum (www.prada.com). 19. CHANEL Escale à Venise Collection, Lion Secret Ring (www.chanel. com). 20. BVLGARI Opera Grandiosa Fragrance (www.bulgari.com).

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1. BVLGARI Divas’ Dream Collection, Divina Watch (www.bulgari.com). 2. GRAFF Ruby and Diamond Necklace (www.graff.com). 3. GRAFF Sapphire and Diamond Ring (www.graff.com). 4. PRADA Cleo Bag (www.prada.com). 5. TOM FORD Fabulous Eau de Parfum (www.tomford.com). 6. HENRY JACQUES Haute Parfumerie (parfumshenryjacques.com). 8. CARTIER Ballon Bleu crown detail (www.cartier.com). 9. GIORGIO ARMANI BEAUTY Ecstasy Shine Lipstick (www.giorgioarmani.com). 10. AUDI E-Tron (www.audi.com).

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21 12. SAINT LAURENT Sunglasses (www.ysl.com). 13. FABERGE Emotion White Gold Blue Sapphire Ring (www.faberge.com). 14. PRADA Spring 2022 Womenswear Runway (www.prada.com). 15. TOM FORD Shirt and Bow Tie (www.tomford.com). 16. FABERGE Colours of Love White Gold Blue Sapphire Fluted Ring (www.faberge.com). 17. BACCARAT Be@rbrick (www.baccarat.com). 18. CHOPARD Imperiale Earrings (www.chopard.com). 19. CHAUMET Joséphine Éclat Floral Ruby Ring (www.chaumet.com). 20. TOM FORD Velvet Bow Tie (www.tomford.com). 21. ADRIANO RAELI DESIGN Hypercar Concept by Adriano Raeli (www.adrianoraeli.com).

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1. MIRROR IN THE SKY; STUDIO TATO SOSSAI www.tatosossai.com 2. SANTA MARIA NOVELLA Acqua di Colonia Santa Maria Novella; www.eu.smnovella.com. 3. MIRROR IN THE SKY; STUDIO TATO SOSSAI www.tatosossai.com 4. CHURCH church shoes sale; www.church-footwear.com 5. MERU’ www.merugioielli.it 6. BIFFI GIANLUCA CAPANNOLO 41 SS22 www.biffi.com 7. SLOWEAR www. slowear.com 8. CAPPELLERIA MELEGARI Cilindro; www.cappelleriamelegari.com 9. PASTICCERIA MARCHESI www.pasticceriamarchesi.com 10. PELLINI www.pellini.it 11. LORENZI www.lorenzimilano.com

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12. SUNNY H MILANO www.sunnyh.it 13. MIRROR IN THE SKY; STUDIO TATO SOSSAI www.tatosossai.com 14. BIFFI www.biffi.com 15. LISA CORTI www.lisacorti.com 16. BIFFI GIANLUCA CAPANNOLO 41 SS22 www.biffi.com 17. GIOLINA E ANGELO Rainbow; www.giolinaeangelo.com 18. CAPPELLERIA MELEGARI Cappello donna; www.cappelleriamelegari.com 19. ROSSANA ORLANDI www.rossanaorlandi.com 20. PUPI SOLARI www.pupisolari.com. 21. BIFFI GIANLUCA CAPANNOLO 41 SS22 www.biffi.com 22. COVA MONTENAPOLEONE 1817 www.pasticceriacova.com

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BRAVERY HIGH JEWELLERY COLLECTION BY LOUIS VUITTON

www.louisvuitton.com

Actress and Louis Vuitton House Ambassador Alicia Vikander showcases pieces from the new Bravery High Jewelry Collection, which includes this La Passion necklace, inspired by the mallettage that lines the interiors of the maison’s traditional trunks. Born in the Jura region of France, Louis Vuitton was a teenager when he decided to embark on a journey on foot across France to Paris where he would become a legendary master trunkmaker. In honour of his courageous spirit, Bravery is a collection of 90 emblematic pieces that retraces that remarkable saga in a metaphorical manner, from the birth of travel to modern times. Pictured here, La Passion necklace is inspired by the mallettage that lines the interiors of the maison’s traditional trunks, this lattice necklace in white gold set with diamonds and a precious collection of 75 round rubies was designed to feel like a second skin. La Constellation d’Hercule is tribute to the birth of Louis on 4 August, 1821, these colourful pieces of organic magnificence reference a constellation only visible at that time of year through the unique pairing of tanzanites, opals, tsavorites, and a mist of LV Monogram Star and Flower-cut diamonds. L’Elan Vital expresses the strength of character that led Louis to leave his native Jura for Paris, this fluid, rope-like necklace is reminiscent of the way trunks were carried on a journey, reinterpreted using more than 2,500 brilliant-cut diamonds. L’Aventure represents the 400 kilometres of roads and forests that separate the Jura region from Paris, this necklace intersperses Colombian emeralds in three rows of platinum, yellow gold and white gold which are entirely pavé-set with

Marking the 200th anniversary of Mr. Louis Vuitton’s birth in 1821, the Bravery High Jewellery collection pays tribute to an exceptional destiny by reinterpreting the maison’s signatures.

diamonds in Damier checkerboard stone marquetry. The necklace is further enhanced by the presence of a 3+ carat LV Monogram Flower and a 5.21 carat DFL pear-shaped diamond of remarkable colour and purity. The Arrow is both a metaphor for Louis’ journey and a literal interpretation of the V in his name, the diagonally pavé-set Arrow necklace features a central V set with custom-cut rubies, sapphires and diamonds in an ode to the personal emblem of

the founder’s grandson Gaston-Louis Vuitton. Curling around the hollow of the neck like an ultra-precious scarf, The Arrow necklace’s tip sparkles with a 2.61-carat D IF LV Monogram Flower diamond and s Sri Lankan Sapphire with a royal blue crystal weighting over 26 carats. Echoing the motif at the centre of the necklace, The Arrow earrings are also crafted in the maison’s ateliers. Reflecting Louis’ early use of his personal signature, Le Mythe is a multi-layered piece of jewellery combining several emblematic Louis Vuitton motifs: the Damier pattern, trunk lock- inspired details, studs, rope, and the now-iconic Monogram flower. Requiring over 1,300 hours of work to create, this 3-row diamond necklace presents three sugarloaf cabochons: a 19.70-carat Sri Lankan sapphire in a royal blue colour, an 8.64-carat Colombian emerald with a deep bright green colour and a 7.11-carat Madagascan sapphire. As an epilogue to this collection and the light that guides Mr. Louis Vuitton on his journey, La Star Du Nord set depicts the metaphorical figure of the North Star with two rows of refined, graphic diamonds punctuated by a knot reminiscent of those used on the interior of trunks. Actress and Louis Vuitton House Ambassador Alicia Vikander showcases pieces from the new Bravery High Jewellery Collection.

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Angelo Inganni (1807-1880): OLD MILAN SCENES Born in Brescia, he worked as a frescoe decorator with his father and brother. At the age of 20 he joined the Alpenjägers as a trumpeter in Milan. His drawing ability was so well known among his fellow soldiers that Oprandino Arrivabene wrote, “they allowed him to use colours and brushes, giving him work, and let him return

Born in Brescia, 1807, Angelo Inganni was taught the basics of art by his father Giovanni and his elder brother Francesco, with whom he worked on fresco decorations from when he was young. Distinguished during his military service as a draughtsman and portraitist, he was noticed by Marshal Radetzky. the Austrian military man so appreciated the portrait he painted of him that he spared him from military service and got him into the Brera Academy in 1833. The work he presented regularly at the Brera exhibitions from 1834 to 1859 constitutes a vast series of urban views of Milan capturing all the details of its architecture and including likenesses of real people. This new approach to perspective painting proved a great success with the public and critics alike, as shown by a number of prestigious com-

missions, including from the Austrian emperor in 1839. Inganni exhibited views of various Italian cities in national and international exhibitions. It was in the 1850s, above all after his return to Brescia, that he began to produce genre works of Flemish inspiration with new subjects drawn from rural life and telling effects of light. He frescoed the churches of San Marco and San Carlo in Milan as well as the parish church of Gussago. In 1856, three years after the death of his first wife, he married his long-time pupil and model, Amanzia Guérillot, who was 21 years his junior. They settled down near Gussago and often collaborated on canvases as well as small-scale decorative work. One might say Radetzky and Milan were also connected to his death, in a way, because Inganni died while he was creating a painting for the monument to the Five

Days of Milan – the 5-day rebellion of the city against Austrian power, represented by Radetzky. Inganni portrayed a rapidly developing Milan, as it went from a population of barely 120,000 people living within its 16th-century Spanish walls in 1816 to almost 200,000 people in less than 50 years. Inganni’s “vedutas” are a beautiful example of urban painting, in which the city’s story is told by representing its bustling streets, squares and channels. Angelo Inganni’s (1807-1880) “vedutas” are a beautiful example of urban painting, in which the city’s story is told by representing its bustling streets, squares and channels. He portrayed a rapidly developing Milan which grew from a population of barely 120,000 to almost 200,000 in less than 50 years.

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home to study at his ease.” He described one of his first paintings as “a beautiful picture for the difficulties he was able to overcome and for the effect he obtained.” One day the commander of the company caught Inganni sketching the portrait of Radetzky from memory; he took possession of it to show it to the marshal, who, impressed by the valor of his trumpeter, ordered that he be dispensed from all barracks services so that he could enroll and attend the Brera Academy. The event was decisive for the artistic life of Inganni. From that 1834 he was able to follow the lessons of Giovanni Migliara, Pelagio Pelagi, Francesco Hayez, having as co-disciples Renica, Induno, Sala, Conconi, Verazzi and others.

Already in 1834 Inganni was among the most esteemed painters of Milan, and was praised by Cesare Cantù. “Mr. Angelo Inganni of Brescia, according to that powerful natural vocation to which he gives himself the name of genius, cultivates painting with such warm affection that will certainly draw him to run towards perfection without the need for a sting.” Having taken up residence in the church of San Marco in Milan near the house of his major client Francesco Medici. After leaving military life for good in 1837, he resolutely entered artistic life

by successfully participating in exhibitions in Brera, Milan and Brescia, where he received praise. In 1838 he confirmed himself as a portraitist with four portraits made for the Ubaldo Medici. In 1839 the Austrian emperor Ferdinand I commissioned him to commission a View of Piazza del Duomo in Milan, a variation of another from 1837. From these years it is also the “Corsia dei Servi” repetition of a painting of the same name by Giuseppe Canella. Rosci and Gazzoli draw some considerations from these works: “From the very beginning Inganni

demonstrated a decidedly professional mental attitude, specialising in two genres of rare traditional combination, such as the portrait and the view. Equally professional is his ability to immediately grasp the fashion in its leading expressions, represented at this date by the urban views of Giuseppe Canella, and no more than Migliara.” The two scholars attribute the character of a ”manifesto” to the painting”A View of Piazza del Duomo from Coperto dei Figini“ of 1838 for the merger excellent “between urban view and contemporary news”.

This page, clockwise from top left: A view of Piazza della Scala, an evening view of the Duomo, another view of Piazza della Scala, a view of La Scala Theatre, “View of Piazza del Duomo from the Coperto dei Figini”, 1842, oil on canvas, Superintendence for Architectural Heritage and Landscape, Milan. Rosci and Gazzoli wrote that the chimney sweeps, the fruit-maker, the lamplighter, the knife grinder together with bourgeois figures are emphasised in this picture. A departure away previous urban panoramic “long shots” in the tradition of everyone from Migliara to Canella, Inganni’s intrinsic and really evolutionary perspective is is constituted by the consequent shifting of the interest - optical and mental - of the spectator from the architectural spatial structure to the human and customary chronicle.” Opposite page, clockwise from top left: various views of the Duomo from the direction of San Babila Square, from Coperto dei Figini and from the inside, all oil on canvas.

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BUILDING AN URBAN AIR MOBILITY ECOSYSTEM IN ASIA PACIFIC Eve Urban Air Mobility plans to deploy up to 100 aircraft to be marketed by Ascent on its current and future routes. Eve Urban Air Mobility, LLC, an Embraer company, and Ascent Flights Global Ltd. announced a deepening of their partnership aimed at developing a robust Urban Air Mobility (UAM) ecosystem in the Asia Pacific region. Beginning in 2026, Eve will provide Ascent with up to 100,000 hours of flight time per year on its electrical vertical takeoff and landing (eVTOL) aircraft, also known in the market as EVA (Electrical Vertical Aircraft), for use in key cities such as Bangkok (Thailand), Manila (Philippines), Melbourne (Australia), Singapore, and Tokyo (Japan). Backed by Embraer’s more than 50-year history of aircraft manufacturing and certification expertise, Eve unveils a unique value proposition by offering a comprehensive suite of UAM products and services. Eve’s zero-emission and low noise EVA represents a simple and intuitive design that continues to reach development milestones. The first flight of the engineering simulator happened in July 2020, while a proof of concept (POC) followed in October 2020. In parallel, Eve’s Urban Air Traffic Management (UATM) project reached a new milestone in its collaboration with the United Kingdom’s Civil Aviation Authority (CAA) to develop a scalable environment needed to host UAM flights. “Eve’s innovative technology, combined with its manufacturing expertise and global servicing footprint through Embraer, comfort us in bringing a solution fitting the region’s complex requirements. With Ascent operating system onboarding Eve’s

fleet and connected to Eve’s ruption that can be filled with an independent on-demand UATM, air operator partners our low-emission aircraft. This platform, will pay for flight time will be empowered to eleva- is the right recipe for sustaina- utilised on Eve’s aircraft while te UAM operations at scale,” ble growth,” said Andre Stein, operating in combination with highlighted Lionel Sinai-Si- President & CEO of Eve. partners in the Asia Pacific and nelnikoff, Founder other markets. This & CEO of Ascent. new agreement is The on-demand platform will pay “Ascent is one of the part of Eve is comgreatest players of UAM for flight time on Eve’s aircraft while prehensive Urban Air Mobility in strategy to position operating with partners in Asia Pacific. the company as a the Asia Pacific and its strong presence leader in the industry. in the region makes it an ideal Eve plans to deploy up to 100 The deployment of Eve aircraft partner for Eve’s operations. aircraft to be marketed by As- across the Ascent network is The region holds a massive cent on its current and future subject to the parties entering demand for transportation dis- routes. Ascent, which acts as into definitive final agreements.

CityAirbus NextGen: Safe, Sustainable and Integrated CITYAIRBUS NEXTGEN IS AN ALL-ELECTRIC, 4-SEAT MULTICOPTER CONCEPT WITH AN 80-KM RANGE AND A CRUISE SPEED OF 120 KM/H – PERFECT FOR URBAN AIR MOBILITY. Airbus has signed a trilateral agreement with Thales and Diehl Aerospace for the joint development of the flight control computers of CityAirbus NextGen. The central flight control system of CityAirbus NextGen, the electric vertical take-off and landing vehicle (eVTOL) being developed by Airbus, will combine extraordinary computing power with lightweight design and highest safety standards. Thales is responsible for the primary computing system, while Diehl is developing the secondary flight control computer. The system ensures that the second, independent flight control computer monitors the data of the primary computer system permanently, and it can also take over the flight control itself. “I’m delighted to announce today the first system partnership for the development of

our CityAirbus NextGen” said Jörg Müller, Head of Urban Air Mobility (UAM) at Airbus. “UAM is a joint effort. Nobody can do it alone. Airbus is reaching out to potential partners from the industry to design and build an optimised vehicle for safe and efficient air transport in urban environments. With Thales and Diehl, we are proud to have two excellent partners with a lot of expertise on board.” “In the future, eVTOLs will be a key part of mobility and will enormously enrich it – in our cities but also beyond. For this, the safe operation of the innovative aircraft, of course, plays an essential role”, said Josef Köcher, CEO at Diehl Aviation. “We see a trend-setting partnership in the close collaboration with Airbus and Thales for the reliability and safety of the CityAirbus. We

are proud to be on board with our expertise, and we are looking forward to seeing the CityAirbus in the skies soon.” “We are thrilled to see that our

close cooperation with Airbus and Diehl is once again delivering concrete results through an agreement that will add a whole new dimension to air mobility,” said Yannick Assouad, Thales Executive Vice President, Avionics. “With this safe and innovative flight control solution, we are working together to build an airspace environment we can all trust.”

The fully electric CityAirbus NextGen was revealed in September 2021 at the Airbus Summit. It is equipped with fixed wings, a V-shaped tail, and eight electrically powered propellers as part of its distributed propulsion system. It is designed to carry up to four passengers in a zero emissions flight in multiple applications. CityAirbus is being developed to fly with a 80 km range, reach a cruise speed of 120 km/h, and is optimised for hover and cruise efficiency, while not requiring moving surfaces or tilting parts during transition. Designed with simplicity in mind, CityAirbus NextGen will offer best-in-class economic performance in operations and support. The first prototype flight is planned for 2023.

3 EAST 95TH STREET Re p re se nte d b y S ta n Po n te & Ra n d a ll G i a n op u l os

3 East 95th Street, Duplex | $23,9 0 0,000 | 3e a st9 5.c o m Upon entering the 1916 landmarked Carhart Mansion at 95th Street and 5th Avenue, one is awestruck by the immense original marble grand foyer. This 10,350 square foot duplex begins on the Parlor Level (etage noble) which is reached by either the private elevator landing or ascending the sweeping staircase one floor to its Reception Hall with 18+ foot ceilings. To the south is the Grand Salon which is 44 x 25 feet with a wood burning fireplace. A planting balcony running the entire width is accessible through three pairs of arched French doors. To the north is an enormous Dining Room with wood burning fireplace.

Stan Ponte

Senior Global Real Estate Advisor, Associate Broker stan.ponte@sothebys.realty 212.606.4109 | stanponte.com

Randall Gianopulos

Senior Global Real Estate Advisor, Associate Broker randall.gianopulos@sothebys.realty 212.606.7622 | randallg.com East Side Manhattan Brokerage | 650 Madison Avenue | New York, NY 10022 | 212.606.7660

MILAN CITY GALLERY

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Journal

newsroom@legrandmag.com issue 3 December 2021/January 2022

by FROM HAMPSHIRE TO THE HIGH SEAS Tony Castro Yacht Design’s 62m Sloop was developed to reach the 500GRT limit.

Tony Castro Yacht Design has completed over 500 motor and sailing yacht designs. Today there are over 10,000 of its boats on the water. With unrivalled and proven in-house skillsets for exterior and interior design, underpinned by solid and experienced naval architecture resources, it caters to every production and custom yacht design. The studio is set in the beautiful sailing village of Hamble in Hampshire. Operating from a traditional thatched manor house, it provides an ideal environment to create high quality design-work and the friendly atmosphere helps to build good relationships with clients. From the early 1970s when Tony received his BSc in naval architecture from Strathclyde University and an MSc from Glasgow University in Aero/ Hydrodynamics, he has amassed a wealth of experience through the design and engineering of some 500 yachts, working with some of the top yards worldwide in all materials, from classic timber to advanced composites. Embracing the benefits that new technology brings, he and his team have extensive experience in utilising the latest software to create automotive quality 3D surfaces, Collaborative Project Management, Virtual reality visualisation, CAM / CAE machined tools and video conferencing. The addition of Oculus Rift technology to their extensive 3D modelling capabilities enables realistic walks through yachts very early in the design process, allowing clear reviews of

Creating the largest possible sailing yacht design “WE WANTED TO DESIGN A SLEEK AND SEXY PERFORMANCE SAILING YACHT ON THE ONE HAND AND ON ANOTHER A LAYOUT AND DECK SPACE TO BE ENJOYED AT ANCHOR...” volumes, heights, sight lines, stairs and more - opening new capabilities to evaluate design for production, potentially reducing assembly and manufacturing hours. “This 62m design was developed in order to reach the 500GRT limit with the largest possible sailing yacht. Above this limit the rules become more onerous and the yacht is more expensive to build and operate. We wanted to design a sleek and sexy performance sailing yacht on the one hand and on another a layout and deck space to be enjoyed at anchor in your favourite idyllic location,” the design team expresses. The main deck saloon

and outside space are all in one level, with excellent visibility incorporating a shaded area for seating and eating that can be closed or not, as the weather dictates, even air conditioned. The interior layout is for the usual 12-passenger capacity, with a large owner’s quarters and five guest cabins plus 10 crew. Every conceivable feature for enjoyment on board is included, two large tenders, splash pool and more. A retractable keel gives the yacht the power and stability it needs to become a serious performance yacht under sail, and yet access to ports and to be able to anchor close to the shore.

The Tony Castro team is a highly talented group of individuals with expertise in naval architecture, graphic, production and interior design, automotive/yacht styling, CAD/CAM, engineering and project management. They have always been at the forefront of the application of technology in yacht design and today employs the latest technologies to design and develop state of the art custom yachts.

@unbranded_label

THE RIGHT PLACE

SW105GT TANIWHA

SMART CUSTOM PERFORMANCE SAILING YACHTS FROM 24 TO 40 METERS

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MILAN CITY GALLERY

Journal

newsroom@legrandmag.com issue 3 December 2021/January 2022

BRINGING THE OUTSIDE IN

Architect Milad Eshtiyaghi describes his Black House project, “This project is located in Santa Clara, New York. The client was very interested in black and asked us to design a house that had a sense of splendour, luxury and at the same time mystery. So we decided to consider black as the dominant colour of the house and design it by creating colour contrast in the interior. We got the main idea of the project from the surrounding mountains near the project site. Also, the shape of the house was designed to be sloping due to the climate, and throughout the house we considered the sense of visual connection between the inside and the outside. Through the skylight as well as the north and south windows, we maintained this connection with the forest, with the objective that a person can experience having a frame of the forest while enjoying his space throughout the house.“

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MILAN CITY GALLERY

Journal

newsroom@legrandmag.com issue 3 December 2021/January 2022

A TASTE OF LA DOLCE VITA Tancredi, Donnafugata’s red wine with the creativity of Dolce & Gabbana, is back this year in a new limited and numbered edition of the 2017 harvest. The name Tancredi evokes one of the protagonists of “The Leopard” novel, an endless source of inspiration also for Dolce & Gabbana, recalling its passionate and irrefutably Sicilian character. In the novel and in the homonymous movie, Tancredi is the prince of Salina’s favourite nephew, fated to live the contradictions of a changing era and to face the challenges of history. The special coordinated image realised by Dolce & Gabbana is a tribute to “The Leopard”, not only in the choices of shapes and colours, but also in the contrast between tradition and modernity that Tancredi embodies. Tancredi 2017 Limited Edition, the rosé Rosa and the last prestigious productions from Mount Etna Isolano and Cuordilava represent a collection of wines that are perfect ambassadors of two Made in Italy excellences. / www.dolcegabbana.com

MILAN CITY GALLERY

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Journal

PINACOTECA DI BRERA: MUCH MORE THAN THE FINE ARTS

Maria Theresa of Austria also founded the Brera Fine Arts Academy in 1776

www.pinacotecabrera.org

CREATIVITY CONTINUES www.accademiadibrera.milano.it

The Accademia di Belle Arti di Brera, or also known as Brera Fine Arts Academy, is a state-run university situated in the Palazzo di Brera.

It is one of the oldest such schools in Italy, a living emblem of the history and artists that have forged Italian art, and contributing to interaction between science, literature and the arts since 1776. The school continues today to play a leading role in the world of cultural creativity with unflagging enthusiasm.

newsroom@legrandmag.com issue 3 December 2021/January 2022

UP CLOSE & PERSONAL WITH THE MASTERS

di Brera that also supported the restoration of Giambattista Tiepolo’s masterpiece: La Madonna del Carmelo fra i Santi. Conservation has become part and parcel of the visitor experience in the Pinacoteca. Visitors have a The Pinacoteca di Brera’s co- unique opportunity to track llection of works of art inclu- the various steps in the resdes several of the greatest toration of a painting from masterpieces in the history close up, even viewing the work from diffeof art anywhere rent angles (such in the world: The KEEP YOUR EYES as the back, which Dead Christ and Three Mourners by PEELED FOR THE is not normally NUMEROUS visible to the puAndrea Mantegna, MASTERPIECES blic). The worksSaint Mark Preaching in a Square AT THE PINACO- hop, which also in Alexandria in TECA DI BRERA takes an active part in the orgaEgypt by Gentile Bellini and Giovanni Bellini, nisation of exhibitions and The Marriage of the Virgon events, plays a key role in by Raffaello, Pieta’ by Gio- researching and diagnosing vanni Bellini, The Virgin with the state of conservation of Child, Angels and Saints by the Pinacoteca’s paintings. Piero della Francesca, Su- The Pinacoteca’s less wepper at Emmaus by Carava- ll-known collections include ggio, The Kiss by Franceco a collection of drawings daHayez, The Finding of the ting back to the first half of Body of Saint Mark by Tinto- the 19th century, part of a retto, Human Flood by Pelli- group of drawings that bezza Da Volpedo, Riot in the gan as teaching aids when Gallery by Umberto Boccio- the Accademia di Belle Arti ni, Enfant Gras by Amedeo was first established. According to a tradition dating Modigliani and more. The restoration workshop in back to the School of the the heart of the Pinacoteca Carracci brothers, drawings was designed by Ettore So- form the basis of an artist’s ttsass in 2001; it has been training. For the viewer, completely restored thanks drawings provide insights to the support of Bank of into the creative processes America Merrill Lynch, main as artists move ever closer to sponsor of the Pinacoteca the final product.

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MILAN CITY GALLERY

Journal

newsroom@legrandmag.com issue 3 December 2021/January 2022

by MOSCOW’S FEDERATION TOWER, TALLEST SKYSCRAPER IN EUROPE SPRAWLING 2180 SQUARE METERS OVER THREE STOREYS, FROM THE 95TH TO 97TH FLOORS, AND PRICED AT $35,000,000.

Owned by Christine Cabaret and fully renovated, the Chateau de Tailly is the perfect base from which to discover the charm of Burgundy. Ideal for family vacations and also for events. revedechateaux.com

Situated at 360 metres above the city, Moscow’s Federation Tower literally changes your point of view. Sprawling 2180 square meters over three storeys, from the 95th to 97th floors, and priced at $35,000,000, this penthouse under a glass dome with private elevators will without doubt provide a fresh perspective. Winner of the Grand Prix International Property Awards 2019-2020, it affords sweeping views of Moscow

through panoramic 1.7-metre-wide windows without walls, windows, bars or handrails, 13-metre-high floor-toceiling, high-speed personal elevators. The penthouse’s open plan in combination with the prestigious location of Moscow City provides many possibilities for this property: a representative office or a high-rise residence, an event-hall or a status apartment, a unique wellness studio or a concept art gallery.

Within Federation Tower, residents can enjoy Nebo, a wellness club that houses Europe’s highest swimming pool, Sixty, a panoramic restaurant, a 24/7 supermarket, shopping gallery, in addition to the downtown location of Moscow City, a new architectural capital and business hub coined the “Moscow Manhattan”, teeming with trendy restaurants and bars, gyms, boutiques, banks and many services.

INSPIRATIONAL ARCHITECTURE AND DESIGN

THE GRAND DANDOLO SUITE, DECKED OUT IN DAMASK Hotel Danieli spotlights Rubelli’s blue damask, in addition to antiques. Occupying all floors of the 14th Century Palazzo Dandolo, these refined retreats carry the signature of French designer Pierre Yves Rochon and offer views of Calle delle Rasse, the suggestive Rio del Vin, the Church of San Zaccaria, or Venice’s iconic rooftops. Soothing colour schemes complement terrazzo Veneziano floorings or opaque parquet floors with decorative carpeting.Window treatments comprise grey or blue damask drapes with silk curtains. Damasks by Rubelli Group’s Venetian weavers also adorn some walls, while others feature stucco or etched Venetian mirror panels. Antique mirrors, framed Venetian prints and paintings or antique portraits of Venetian doges are prominently displayed throughout. Each suite’s separate living area houses such precious Murano glass elements as a chandelier, decorative vases, and appliques. Furnishings include a wooden writing desk with a chair and lamp. A small oval glass coffee table is surrounded by a 2- or 3-seat sofa, as well as one or two armchairs or ottomans with velvet upholstering. Modern technology includes a 40-inch flat screen TV and complimentary high-speed internet access.

MILAD ESHTIYAGHI STUDIO’S GREEN DESIGNS FOCUSING ON MINIMALISTIC, GREEN AND SUSTAINABLE ARCHITECTURAL STYLE.

SURROUNDED BY VENETIAN BEAUTY

The distinctive décor carries into the bedroom, where one king-size or two twin Luxury Collection beds are accompanied by bedside lamps and lighting controls.

Milad Eshtiyaghi was born 1994 in Tehran, Iran. He received his Master’s degree in sustainable Architecture at Iran University of Sciences and Technology and worked in several architectural offices until he was able to create his own Architectural office in 2016. He is currently designing architecture around the world focusing on minimalistic, green and sustainable architectural style. Slope House, has a similar silhouette as the Black House. Its location is in Gilan on a sloping land near the river. “In designing the project, an effort has been made to make the building away from the ground, in addition to the distance from the ground moisture, to create ventilation on all sides. So we designed it on a truss-shaped structure, connected the building to the ground with a bridge for the entrance path.

Due to the climate, the shape of the house is designed to be sloping. There are terraces all round the house, even on the entrance side of the house.” Even more innovative is the Suspended House in Mendocino, California. “The location of the land of this project was the edge of the cliff, so we decided to separate the house from the land of the project so that it is suspended and our client has a chance to experience different sensations... We want the client to experience a sense of liberation, weightlessness, like floating in the air. The weight of this part of the house is borne by the cables. The lack of the branching cables on the route turns it into a slippery bridge, leading to fear and excitement on the way to the end space, where branching cables introduce the feeling of peace, calm and stability.”

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THE GUIDE

Journal

THE GUIDE

Giorgio Armani, Via S. Andrea 9, 20121, www.giorgioarmani.com Givenchy, Via S. Andrea 11, 20121, www.givenchy.com Gucci, Via Montenapoleone 5/7, 20121, www.gucci.com Hawico, Piazza Nicolò Tommaseo 2, 20123, www.hawico.com Hermès, Via Montenapoleone 12, 20121, www.hermes.com Herno, Via Montenapoleone 3, 20121, www.herno.com hotels Il Gufo, Via San Pietro all’ Orto 22, 20121, www.ilgufo.com Armani Hotel, Via Manzoni 31, 20121, www.armanihotelmilano.com Imarika, Via G.Morelli 1, 20129, www.imarika.com Bulgari Hotel, Via Privata Fratelli Gabba 7B, 20121, www.bulgarihotels.com Incontri, Via Belfiore 11, 20145, www.incontrishop.com Excelsior Hotel Gallia, Piazza Duca d’Aosta 9, 20124, www.marriott.com Isabel Marant, Via Santo Spirito 17, 20121, www.isabelmarant.com Four Seasons Milano, Via Gesù 6, 20121, www.fourseasons.com Isaia, Via Pietro Verri 8, 20121, www.isaia.it Grand Hotel et de Milan, Via Manzoni 29, 20121, www.grandhoteletdemilan.it Issey Miyake, Via Bagutta 12, 20121, www.isseymiyake.com Mandarin Oriental Milan, Via Andegari 9, 20121, www.mandarinoriental.com Jacob Cohen, Via della Spiga 29, 20121, www.jacobcohen.it Palazzo Parigi, Corso di Porta Nuova 1, 20121, www.palazzoparigi.com Jil Sander, Via Pietro Verri 6, 20121, www.jilsander.com Kiton, Via Sant’Andrea 16, 20121, www.kiton.it fashion & tailoring La Double J, Via S. Andrea 10a, 20121, www.ladoublej.com 7 For all Mankind, Via Manzoni 43, 20121, www.7forallmankind.com La Tenda, Via Mario Pagano 69/A, 20145, www.latendamilano.com Al Bazar, Via A. Scarpa 49, 20145, www.albazarmilano.it La Tenda, Via Plinio 5, 20129, www.latendamilano.com Alberta Ferretti, Via Montenapoleone 18, 20121, www.albertaferretti.com La Tenda, Via Solferino 13, 20121, www.latendamilano.com Alex Boutique, Via Padova 173, 20127, www.boutiquealex.com Lanvin, Via Pietro Verri 8, 20121, www.lanvin.com Alexander McQueen, Via Sant’Andrea 21, 20121, www.alexandermcqueen.com Lardini, Via Gesù 21, 20121, www.lardini.com Angela Orsolani, Via Vincenzo Monti 32, 20123 Larusmiani, Via Montenapoleone 7, 20121, www.larusmiani.it Animal House Concept Store-Dynamo, Via A. Saffi 7, 20123, Laura Urbinati, Viale Col di Lana, 8, 20136, www.lauraurbinati.com www.animalhouseconceptstore.it Loewe, Via Montenapoleone 21, 20121, www.loewe.com Antonia, Via Cusani 5, 20121, www.antonia.it Lorena Antoniazzi, Via della Spiga 36, 20121, www.lorenantoniazzi.it Antonioli, Via Pasquale Paoli 1, 20143, www.antonioli.eu Loro Piana, Via Montenapoleone 27, 20121, www.loropiana.com Aspesi, Via San Pietro all’ Orto 24, 20121, www.aspesi.com Louis Vuitton, Via Montenapoleone 2, 20121, www.louisvuitton.com Bagutta, Via San Pietro all’ Orto 26, 20121, www.bagutta.net Luciano Barbera, Via Gesù 9, 20121, www.lucianobarbera.com Balenciaga, Via Montenapoleone 23, 20121, www.balenciaga.com M Bardelli, Corso Magenta 13, 20123, www.mbardelli.com Balmain, Via Montenapoleone 27/D, 20121, www.balmain.com Maje, Via Manzoni 16, 20121, www.maje.com Banner, Via S. Andrea 8, 20121, www.biffi.com Maje, Corso Como 9, 20124, www.maje.com Barba Napoli, Via Gesù 19, 20121, www.barbanapoli.com Malo, Via Montenapoleone 18, 20121, www.malo.it Beatrice B, Corso Venezia 6, 20121, www.beatriceb.com Margiela, Via S. Andrea 5, 20121, www.maisonmargiela.com Bel Boutique, Corso Monforte 21, 20122, info@belboutique.it www.belboutique.it Mari, Via Bigli 10, 20121, www.marimilano.it Beretta, Via Hoepli 3, 20121, www.beretta.com Mariza Tassy, Via Molino delle Armi 45, 20123, www.marizatassy.it Biffi, Corso Genova 6, 20123, www.biffi.com Massimo Alba, Via Brera, 8, 20121, www.massimoalba.com Boglioli, Via San Pietro all’Orto 17, 20121, www.bogliolimilano.com Mega Fashion, Via della Spiga 36, 20121, www.megamilano.com Bottega Veneta, Via Montenapoleone 27/A, 20121 www.bottegaveneta.com Mezzanotte Store, Viale Premuda 13, 20129, www.mezzanottestore.it Boule De Neige, Corso Como 3, 20154, www.bouledeneige.it Michael Kors, Via della Spiga 8, 20121, www.michaelkors.it Brian & Barry, Via Durini 28, 20122, www.brianandbarry.it Miki Thumb, Via G. Fiamma 40, 20129, www.mikithumb.com Brunello Cucinelli, Via Montenapoleone 27c, 20121, www.brunellocucinelli.com Milaura, Corso Garibaldi 20, 20121, www.milaura.com Burberry, Via Montenapoleone, 12, 20121, www.it.burberry.com Missoni, Via S. Andrea 3, 20121, www.missoni.com Canada Goose, Via della Spiga 18, 20121, www.canada-goose.com Miu Miu, Via S. Andrea 21, 20121, www.miumiu.com Canali, Via Pietro Verri 1, 20121, www.canali.com Modica, Via Borgospesso 25, 20121, www.modicami.com Carlo Tivioli, Via Santo Spirito 24, 20121, www.carlotivioli.com Moncler, Via Monteapoleone 1, 20121, www.moncler.com Celine, Via Montenapoleone 25/2, 20121, www.celine.com Montezemolo Store, Corso Garibaldi 20 angolo Via Palermo, 20121, www.montezemolostore.com Cesare Attolini, Via Bagutta 14/16, 20121, www.cesareattolini.com MooRER, Via Montenapoleone 21, 20121, www.moorer.clothing Chanel, Via Sant’Andrea, 10/A, 20121,www.chanel.com Mosca, Corso Venezia 39, 20121 Chiara Boni, Via S. Andrea 8, 20121, www.chiaraboni.com Moschino, Via S. Andrea 25, 20121, www.moschino.com Chicchi Ginepri, Via Daniele Manin 13, 20121, www.chicchiginepri.it North Sails, Via Durini 27, 20122, www.webstore.northsails.com Chloè, Via della Spiga 30, 20121, www.chloe.com Numero 21, Via Santo Spirito 14, 20121, www.numeroventuno.com Collini, Via Santo Spirito 5, 20121, www.collini.com Off-WHite, Via Bigli 2, 20121, www.off---white.com Daad, Via Santo Spirito 24a, 20121, www.daad-dantone.com Pal Zileri, Via Manzoni 38, 20121, www.palzileri.com De Molfetta, Corso Vercelli 11/13, 20144, www.corsovercellimilano.it Paladini, Via Pietro Verri 4, 20121, www.paladinilingerie.com Desert Fish, Vicolo Privato Lavandai 6, 20144, www.desertfish.it Parosh, Via Santo Spirito 14, 20121, www.parosh.com Diego M, By Appointment, www.diegom-store.com Pasì, Piazza Risorgimento 10, 20129, www.pasimilano.it Dior, Via Montenapoleone, 12, 20121, www.dior.com Paul and Shark, Via Montenapoleone 16, www.paulandshark.com Ditta Guenzati, Via Agnello 8, 20121, www.dittaguenzati.com Paul Smith, Via Manzoni 30, 20121, www.paulsmith.com Dolce & Gabbana, Corso Venezia 15, 20121, www.dolcegabbana.com Philipp Plein, Corso Venezia 7, 20121, www.plein.com Dolce & Gabbana, Via della Spiga 2, 20121, www.dolcegabbana.com Prada, Galleria Vittorio Emanuele II 62, 20121, www.prada.com Dolce & Gabbana, Via Montenapoleone 4, 20121, www.dolcegabbana.com Prada, Galleria Vittorio Emanuele II 63/65, 20121, www.prada.com Doriani, Via S. Andrea 2, 20121, www.doriani.it Prada, Via Montenapoleone 8, 20121, www.prada.com Drome, Via Santo Spirito 18, 20121, www.drome.it Prada, Via S. Andrea 21, 20121, www.prada.com Drumhor, Via Manzoni 45, 20121, www.drumhor.com Pupi Solari, Piazza Tommaseo 2, 20123, www.pupisolari.com Dsquared2, Via Pietro Verri 4, 20121, www.dsquared2.com Ralph Lauren opens new flagship “World of Ralph Lauren” in 2021, Eddy Monetti, Via San Pietro all’Orto 22, 20121, www.eddymonetti.com Via della Spiga 5, www.ralphlauren.it Eligo, Corso Venezia 18, 20121, www.eligo-milano.com Red Valentino, Corso Venezia 6, 20121, www.redvalentino.com Eral 55, Piazza Venticinque Aprile 14, 20124, www.eral55.com Rick Owens, Via Monte di Pietà 13, 20121, www.rickowens.eu Eres, Via S. Andrea 3, 20121, www.eresparis.com Roberto Cavalli, Via Montenapoleone 6, 20121, www.robertocavalli.com Erika Cavallini, Via della Spiga 19, 20121, www.erikacavallini.com Roccobarocco, Via della Spiga 50, 20121, www.roccobarocco.com Etro, Via Monte Napoleone 5, 20121, www.etro.com Rosso 35, Via Pontaccio 7, 20121, www.rosso35.com Fabiana Filippi, Via della Spiga 42, 20121, www.fabianafilippi.com Royal Britannia Boutique, Via S. Clemente 1, 20122 Falconeri, Via della Spiga 1/3, 20121, www.falconeri.com Falconeri, Via Montenapoleone angolo Via Manzoni 20, 20121, www.falconeri.com Rubinacci, Via Gesù 1, 20121, www.marianorubinacci.com Saint Laurent, Via Montenapoleone 8, 20121, www.ysl.com Farfalle, Via Varese 12, 20121, www.farfallemilano.com Salvatore Ferragamo Via Montenapoleone 20/4, 20121, www.ferragamo.com Fedeli, Via San Pietro all’ Orto 26, 20121, www.fedelicashmere.com Salvatore Ferragamo Via Montenapoleone 3, 20121, www.ferragamo.com Fendi, Via Montenapoleone 3, 20121, www.fendi.com Sandro, Via Bigli 21, 20121, www.sandro-paris.it Feru, Corso Matteotti 3, 20121 Seeds, Via Palermo 1, 20121, www.seedsonweb.it Flavio Castellani, Corso Venezia 11, 20121, www.shop.flaviocastellani.it Simonetta Ravizza, Via Santo Spirito 13, 20121, www.simonettaravizza.com Fortela Store Milano, Via Melzo, 17, 20129, www.fortela.it Simonetta, Via Manzoni 42, 20121, www.simonetta.it Frankie Morello, Corso Venezia 2, 20121, www.frankiemorello.it Slowear Venezia,Via Solferino, 18, 20121, www.slowear.com Genny, Via della Spiga 6/A, 20121, www.genny.com Stefano Ricci, Via Gesù 3, 20121, www.stefanoricci.com Giada, Via Montenapoleone 15, 20121, www.giada.com Stella McCartney, Via Santo Spirito 3, 20121, www.stallamccartney.com Gianluca Saitto, By Appointment, www.gianlucasaitto.it Stone Island, Via G. Matteotti 18, 20121, www.stoneisland.com Gio Moretti, Via della Spiga 4, 20121, www.giomoretti.com

MILAN CITY GALLERY

newsroom@legrandmag.com issue 3 December 2021/January 2022

Suede, Via Marghera 16, 20149, www.suede.it Suede, Viale Piave 33, 20129, www.suede.it Sunny H, Via Vincenzo Monti 36, 20123 Super, Piazza S. Marco 1, 20121, www.superboutique.it Tearose, Via Croce Rossa 2, 20121, www.tearose.it Tom Ford, Via Pietro Verri 3, 20121, www.tomford.com Transit, Via Fiori Chiari 2, 20121, www.transit.it Valentino, Via Montenapoleone 20, 20121, www.valentino.com Versace, Via Montenapoleone, 11, 20121, www.versace.com Vivienne Westwood, Corso Venezia 25, 20121, www.viviennewestwood.com Wait and See, Via Santa Marta 14, 20123, www.waitandsee.it Wolford, Via Manzoni angolo Via Bigli, 20121, www.wolford.com Woolrich, Corso Venezia 3, 20121, www.woolrich.com Wp Store, Via Borgogna 3, 20121, www.wplavori.com Zadig et Voltaire, Via Santo Spirito 18, 20121, www.zadig-et-voltaire.com Zimmermann, Via Santo Spirito 19, 20121, www.zimmermannwear.com shoes

bags

Almini, Via Bagutta 24, 20121, www.almini.com Aquazzura, Via S. Andrea 12, 20121, www.aquazzura.com Baldinini, Via Montenapoleone 25, 20121, www.baldinini-shop.com Bally, Via Montenapoleone 29, 20121, www.bally.it Barrett, Via Gesù 9, 20121, www.barrett.it Berluti, Via Montenapoleone 27, 20121, www.store.berluti.com Calzoleria Rivolta, Via della Spiga 17, 20121, www.calzoleriarivolta.com Casadei, Via Sant’Andrea 1, 20121, www.casadei.com Church’s, Via S. Andrea 11, 20121, www.church-footwear.com Coccinelle, Via Manzoni 28 angolo Via Bigli, 20121, www.coccinelle.com Colombo, Via della Spiga 9, 20121, www.sgcolombo.com Cromia, Corso Venezia 3, 20121, www.cromia.it Devi Kroell, Via Montenapoleone 21, 20121, www.devikroell.com Doucal’s, Via Gesù 15, 20121, www.doucals.com Fratelli Rossetti, Via Montenapoleone 1, 20121, www.fratellirossetti.com Gianni Chiarini, Via della Spiga 46, 20121, www.giannichiarini.com Gianvito Rossi, Via Santo Spirito 7, 20121, www.gianvitorossi.com Giuseppe Zanotti, Via Montenapoleone 8, www.giuseppezanotti.com Hogan, Via Montenapoleone 5, 20121, www.hogan.com Il Bisonte, Via Santo Spirito 14, 20121, www.ilbisonte.com Jimmy Choo, Via Sant’Andrea 1/A, 20121, www.jimmychoo.com Le Silla, Via S. Andrea 3, 20121, www.lesilla.com Longchamp, Via della Spiga 6, 20121, www.longchamp.com Loriblu, Via Manzoni 40, 20121, www.loriblu.com Nero Giardini, Corso Venezia 9, 20121, www.nerogiardini.online Philippe Model, Via S. Andrea 17, 20121, www.philippemodel.com Pollini, Via della Spiga 15, 20121, www.pollini.com Premiata, Via Sant’Andrea 12, 20135, www.premiata.it René Caovilla, Via Bagutta 38, 20121, www.renecaovilla.com Rimowa, Via S. Andrea 8, 20121, www.rimowa.com Roberto Festa, Corso Venezia 21, 20121, www.robertofesta.it Santoni, Via Montenapoleone 6, 20121, www.santonishoes.com Save My Bag, Via Manzoni 37, 20121, www.shop-smb.com Serapian, Via della Spiga 42, 20121, www.serapian.com Silvano Lattanzi, Via Gesù 11, 20121, www.silvanolattanzi.com Tiziano Colasante, Via Borgospesso 25, 20121, www.tizianocolasante.it Tods, Via Montenapoleone 13, 20121, www.tods.com Valextra, Via Manzoni 3, 20121, www.valextra,com accessories

leisure

Bolaffi, Via Manzoni 7, 20121, www.bolaffi.it Borsalino, Via S. Andrea 5, 20121, www.borsalino.com Cappelleria Melegari Dal 1914, Via Paolo Sarpi 19, 20154, www.cappelleriamelegari.com De Bernardi, Via Pattari 6, 20121, www.debernardisrl.it E Marinella, Via Manzoni 23, 20121, www.emarinella.com Gallo, Via Manzoni 16, 20121, www.gallo1927.com High Tech, Piazza Venticinque Aprile 12, 20124, www.cargomilano.it Loox, Via Borgogna 4, 20121, www.loox.it Lorenzi, Piazza F. Meda 3, 20121, www.lorenzi-milano.com Montblanc, Via Montenapoleone 27b, 20121, www.montblanc.com Ottica Manzoni, Via Manzoni 12, 20121, www.otticamanzonimilano.com Pineider, Via Manzoni 12, 20121, www.pineider.com Roger Vivier, Via Sant’Andrea, 17, 20121, www.rogervivier.com Sermoneta, Via della Spiga 46, 20121, www.sermonetagloves.com Ulturale, Via Bigli 6, 20144, www.ulturale.com watches

jewellery

apm, Via della Spiga angolo Via Borgospesso, www.apm.mc Audemars Piguet, Via Montenapoleone 6, 20121, www.audemarspiguet.com Bijoux de Paris, Via Manzoni 12, 20121, www.bijouxdeparis.it Boutique Dodo, Corso Genova, 12, 20123, www.dodo.it Boutique Dodo, Corso Giacomo Matteotti, 9, 20121, www.dodo.it Buccellati, Via Montenapoleone 23, 20121, www.it.bucellati.com Bulgari, Via Montenapoleone 2, 20121, www.bulgari.com Busatti, By Appointment, www.busattimilano.com Cartier, Via Gesù 4, 20121, www.cartier.com Chantecler, Via Santo Spirito 5, 20121, www.chantecler.it

w w w. l e g r a n d m a g . c o m

THE GUIDE

Journal

Charis, Via Palermo 11, 20121, www.charismilano.it Crivelli, Via della Spiga 1, 20121, www.crivelligioielli.com Cusi, Via Montenapoleone 21, 20121, www.cusimontenapoleone.com Damiani, Via Montenapoleone 10, 20121, www.damiani.com Franck Muller, Via della Spiga 19, 20121, www.franckmuller.com Gagà, Corso Venezia 8, 20121, www.gagamilano.com Gioielleria Liviani, Corso Venezia 23, 20121 Gioielli Sas, Via dell’Orso 3, 20121, www.gioiellisas.com Giolina e Angelo, Via Solferino 22A, 20121, www.giolinaeangelo.com Giorgio Gregato, Via San Fermo 1, 20121 Giovanni Raspini, Corso Monforte 7, 20121, www.giovanniraspini.com Giovanni Raspini, Via della Spiga 33, 20121 www.giovanniraspini.com Iwc, Via Montenapoleone 1, 20121, www.iwc.com Jaeger LeCoultre, Via Montenapoleone 1, 20121, www.jaeger.lecoultre.com La Caramella D’Oro, Via Fiori Chiari 5, 20121, www.lacaramelladoro.com Les Nereides, Via dell’Orso 18, 20121, www.lesnereides.com Locman, Via Manzoni 11, 20121, www.locman.it Lucia Odescalchi, Via Gerolamo Morone 8, 20121, www.luciaodescalchi.com Malvezzi, Via Borgospesso 6, 20121, www.malvezzigioielli.it Marina Fossati, Via Gesù 15, 20121, www.marinafossati.com Merù Gioielli, Via Solferino 3, 20121, www.merugioielli.it Moreschi, Corso Venezia 5, 20121, www.moreschi.it Nomination, Corso Venezia 6, 20121, www.nomination.com Panerai, Via Montenapoleone 1, 20121, www.panerai.com Pasquale Bruni, Via Montenapoleone 5, 20121, www.pasqualebruni.com Passatempo, Via dell’Orso 18, 20121 Pederzani, Via Manzoni 29, 20121, www.gioielleriapederzani.com Pellini, Via Morigi 9, 20123, www.pellini.it Pennisi, Via Alessandro Manzoni 29, 20121, www.gioielleriapennisi.com Pianegonda, Via Gesù 3, www.pianegonda.com Pisa Orologeria, Via Verri 7, 20121, www.pisaorologeria.com Pomellato, Via Montenapoleone 17, 20121, www.pomellato.com Pomellato, Via San Pietro all’Orto 17, 20121, www.pomellato.com Salvini, Via Montenapoleone 25, 20121, www.salvini.com San Babila Gioielli, Via Umberto Giordano 2, 20121 Scavia, Via Rossari 5, 20121, www.scavia.it Tiffany, Piazza del Duomo angolo via Ugo Foscolo 1, 20121, www.tiffany.com Tiffany, Via della Spiga 19a, 20121, www.tiffany.com Ultima Edizione, Corso Venezia 8, 20121, www.ultimaedizione.com Van Cleef & Arpels, Via Montenapoleone 10, 20121, www.vancleefarpels.com Vhernier, Via Montenapoleone 21, 20121, www.vhernier.it Villa, Via San Carpoforo 3, 20121, www.villa.it cosmetics

Acqua di Parma, Via Gesù 1, 20121, www.acquadiparma.com Arts Design, Via dell’Orso 12, 20121, www.arts-design.it Jo Malone, Via Manzoni 18, 20121, www.jomalone.com Mazzolari, Corso Monforte 2, 20121, www.mazzolari-milano.com Santa Maria Novella, Corso Magenta 22, 20123, www.smnovella.com home

interiors

Alimonti, Corso Venezia 53, 20121, www.alimontimilano.eu Antonio Lupi Design, Via di Porta Tenaglia 7, 20121, www.antoniolupi.it Arclinea, Via Durini 7, 20122, www.milano.arclinea.com Areae, Via Palermo 5, 20121, www.areae.eu Armani Casa, Corso Venezia 14, 20121, www.armani.com/casa Artemide, Corso Monforte 19, 20121, www.artemide.com B&B Italia, Via Durini 14, 20122, www.bebitalia.com Barovier & Toso, Via Durini 5, 20121, www.barovier.com Binova, Via Durini 17, 20122, www.binovamilano.it Blanc Mariclò, Via dell’Orso 6, 20121, www.blancmariclo.com Borgospesso Interiors, Via Borgospesso 18, 20121, www.borgospessointeriors.com Cappellini Milano, Via Santa Cecilia, 4, 20122, www.cappellini.com Cassina, Via Durini 16, 20122, www.cassina.com Ceramica Cielo, Via Pontaccio 6, 20121, www.ceramicacielo.com Colefax and Fowler, Via Palermo 8, 20121, www.colefax.com Dalla Rosè, Via dell’Orso 12, 20121, www.dallarose.it De Padova, Via Santa Cecilia 7, 20129, www.depadova.com Design Republic, Piazza del Tricolore, 2, 20129, www.designrepublic.com Fendi Cucine, Via Durini 19, 20122, www.lmfmilano.it Flos, Corso Monforte 9, 20121, www.flos.com Foscarini, Corso Monforte 19, 20121, www.foscarini.com Frette, Via Manzoni 11, 20121, www.frette.com Funky Table, Via Santa Marta 19, 20123, www.funkytable.it Gervasoni, Via Durini 7, 20122, www.m.gervasoni1882.it Gessi, Via Manzoni 16/A, 20121, www.gessi.com Green Wise, Via Palermo 5, 20121, www.greenwiseitaly.com Interni, Via Turati 8, 20122, www.internionline.it Lenzuolissimi, Via dell’Orso 14, 20121, www.lenzuolissimi.it Lisa Corti, Via Lecco 2, 20124, www.lisacorti.com Luxury Living, Via Durini 11, 20122, www.luxurylivinggroup.com Luxury Living, Via Durini 23, 20122 www.luxurylivinggroup.com Natuzzi, Via Durini 24, 20122, www.natuzzi.it Nemo, Via Santa Cecilia 2 angolo Corso Monforte, 20121, www.nemolighting.com Officine Gullo, Via Dell’Annunciata 12, 20121, www.officinegullo.com

Palermo Uno, Via Santa Maria alla Porta 5, 20123, www.palermouno.it Poltrona Frau, Via Manzoni 30, 20121, www.poltronafrau.com Porada, Via Borgospesso 18, 20121, www.porada.it Porro, Via Durini 15, 20122, www.porro.com Raw, Corso Magenta 10, 20121, www.rawmilano.it Raw, Via Palermo 1, 20121, www.rawmilano.it Sahrai, Via Manzoni 45, 20121, www.sahrai.com Salvioni, Via Durini 3, 20122, www.salvioniarredamenti.it Sawaya & Moroni, Via Clerici 1, 20121, www.sawayamoroni-architects.com Spotti, Viale Piave 27, 20129, www.spotti.com MC Selvini, Via Carlo Poerio 3, 20129, www.mcselvini.it Talenti, Via Pontaccio 19, 20121, www.talentisrl.com Unopiù, Via Pontaccio 9, 20121, www.unopiu.it Vetrerie di Empoli, Via Montenapoleone 22, 20121, www.vetreriediempoli.it Visionnaire, Piazza Cavour 3, 20121, www.visionnaire-home.com art

design

Fornasetti, Corso Venezia 21a, 20121, www.fornasetti.com Galleria d’arte Il Segno, Via dell’Orso 1, 20121, www.arteilsegno.it Galleria Silva, Via Borgospesso 12, 20121, www.galleriasilva.com Kartell, Via Turati 1, 20121, www.kartell.com Nilufar, Via della Spiga 32, 20121, www.nilufar.com Rossana Orlandi, Via Matteo Bandello 14, 20123, www.rossanaorlandi.com Venini, Via Montenapoleone 10, 20121, www.venini.com Walter Padovani, Via Santo Spirito 26a, 20121, www.walterpadovani.it vintage

antiques

Altomani & Sons, Via Borgospesso, 14, 20121, www.altomani.com Antichità Poliarts, Via Vigevano, 33 , 20144, www.antichitapoliarts.it Antichità Subert, Via della Spiga, 42, 20121, www.subert.it Cavalli e Nastri, Via Brera 2, 20121, www.cavallienastri.com Eleuteri, Via S. Andrea 7, 20121, www.eleuteri.nyc Giorgio Baratti Antiquario, Via Bigli, 11, 20121, www.giorgiobaratti.it L’Angolo D’Oro, Via Fratelli Bronzetti 9, 20129, www.langolodorowatches.it Le Gioie di Funaro, Via Pontaccio 17, 20121, www.legioiedifunaro.com stationery

Antica Cartoleria Novecento, Piazza Risorgimento 3, 20129 Fratelli Bonvini, Via Tagliamento 1, 20139, www.bonvini1909.com I Giorni Di Carta, Corso Garibaldi 81, 20121, www.igiornidicarta.it Pettinaroli, Via Brera 4, 20121, www.fpettinaroli.it Rigadritto, Via Brera 6, 20121, www.rigadritto.com toy stores

Città Del Sole, Largo Settimio Severo 4 (Corso Vercelli), 20144, www.cittadelsole.it FAO Schartz, Via Orefici 15 , 20123, www.faoschwarz.it L’Orso Poeta Daelli Arte e Gioco,Via Lazzaretto 2, 20124, www.artegioco.com Mihai Bambini e Dintorni, Corso Indipendenza 14, 20129 Nano Bleu, Corso Vittorio Emanuele II 15, 20122, www.nanobleu.it Tofy Toys, Via Fratelli Ruffini 9, 20123, www.tofytoys.it Tondomondo, Via San Calogero 27, 20123, www.infotondomondo.it flower

MILAN CITY GALLERY

newsroom@legrandmag.com issue 3 December 2021/January 2022

plants

Clori Home & Flowers, Corso di Porta Vigentina 36, 20122, www.clorimilano.it, +39 02 3952 5740 Fioraio Bianchi, Via Montebello 7, 20121, www.fioraiobianchicaffe.it, +39 02 2901 4390 Green Fingers Market, Via Savona 21, 20144, www.greenfingers.market, +39 02 5004 3657 If Creative Hub, Via Vigevano 15, 20141, www.ifcreativehub.it, +39 351 599 4549 La Fioreria, Via Cuccagna 2, 20135, www.lafioreriacuccagna.info, +39 339 392 7781 Numero 9, Via Pastrengo 9, 20159, www.numeronove.it, +39 02 6680 1669 Offfi, Via Carmagnola 8, 20159, www.offfi.com, +39 02 8341 2117 Potafiori, Via Salasco 17, 20136, www.potafiori.com, +39 02 8706 5930 Wild - Living With Plants, Via Sirtori 11, 20129, www.wildmilano.it, +39 02 2952 6732 book stores

Fondazione Feltrinelli, Viale Pasubio 5, 20154 Milan Libreria Bocca, Galleria Vittorio Emanuele 12, 20121 Milan Libreria dello Spettacolo, Via Terraggio 11, 20123 Milan Libreria Malavasi, L.go Ildefonso Schuster 1, 20122 Milan Libreria Punto Einaudi, Via Orti 19, 20122 Milan Libri Senza Data, Ripa di Porta Ticinese 57, 20143 Milan Rizzoli, Galleria Vittorio Emanuele 11/12, 20121 Milan pâtisseries

Bastianello, Via Borgogna 5, 20121, www.bastianello.com Cova, Via Montenapoleone 8, 20121, www.pasticceriacova.com, +39 02 76005599 Cucchi, Corso Genova 1, 20123, www.pasticceriacucchi.it, +39 02 89409793 Ernst Knam, Via Anfossi 10, 20135, www.eknam.com Galli, Corso di Porta Romana 2, 20122, www.giovannigalli.com, +39 02 86453112 Gatullo, Piazzale di Porta Lodovica 2, 20136, www.gatullo.it, +39 02 58310497 Iginio Massari, Via G.Marconi 4 ang. Piazza A.Diaz, 20122, www.iginomassari.it Leonardo, Via Aurelio Saffi 7, 20123, +39024390302 Lorini, Via Castel Morrone 23, 20129, www.pasticceria-lorini-milano.it, +39 02 29516086 Marchesi, Via Montenapoleone 9, 20121, www.pasticceriamarchesi.com, +39 02 76008238 Marotin, Via Archimede 59, 20129, +39 02 73957790

Pasticceria Giacomo, Via Pasquale Sottocorno 5, 20129, www.giacomopasticceria.com, +39 02 76319147 Pasticceria Marchesi 1824, Via Montenapoleone 9, 20121, www.pasticceriamarchesi.com/it, +39 02 76008238 Pasticceria Marchesi 1824, Via Santa Maria alla Porta 11/a, 20123, www.pasticceriamarchesi.com/it, +39 02 862770 Ravizza, Via Hoepli 3, 20121, www.food4love.it San Carlo, Via Matteo Bandello 1, 20123, www.pasticceriasancarlo.it, +39 02 4812227 Sissi, Piazza Risorgimento 6, 20129, +39 02 76014664 St. Ambreus, Corso Matteotti 7, 20121, www.santambreusmilano.com, +39 02 76000540 bars

restaurants

a Santa Lucia, Via San Pietro all’Orto 3, 20121, www.asantalucia.it, +39 02 7602 3155 Antica Trattoria della Pesa, Viale Pasubio 10, 20154, www.anticatrattoriadellapesa.com, +39 02 6555741 Armani Ristorante at Armani Hotel Milano (Seventh Floor), Via Alessandro Manzoni 31, 20121, www.armani.com, +39 02 8883 8897 Assunta Madre, Via Vittor Pisani 2, 20124, www.ristoranteassuntamadre.it, +39 02 6706138 Bar Il Cigno Nero, Via Della Spiga 33, 20121, +39 02 7602 2620 Bar Luce Fondazione Prada, L.go Isarco 2, 20139, www.fondazioneprada.org Bar Martini, Corso Venezia 15, 20122, www.world.dolcegabbana.com Berton, Via Mike Bongiorno 13, 20124, www.ristoranteberton.com, +39 02 67075801 Bice, Via Borgospesso 12, 20121, www.bicemilano.it, +39 02 795528 Boeucc, Piazza Belgioioso 2, 20121, www.boeucc.it, +39 02 76020244 Bottiglieria Spartaco, Via Spartaco 11, 20135 Bulk, Via Aristotile Fioravanti 4, 20154, www.morellimilano.it Camparino Galleria, P.za del Duomo 21, 20121, www.camparino.com Contraste, Via Giuseppe Meda 2, 20136, www.contrastemilano.it, +39 02 49536957 Cracco, Corso Vittorio Emanuele II, 20121, www.ristorantecracco.it, + 39 02 876774 D’O, Piazza della Chiesa 14 San Pietro All’Olmo, 20100, www.cucinapop.do, +39 02 9362209 Dim Sum, Via Nino Bixio 20, 20129, www.dimsummilano.com, +39 02 29522821 Don Carlos at Grand Hotel et de Milan, Via Alessandro Manzoni 29, 20121, www. grandhoteletdemilan.com, +39 02 723141 Don Lisander, Via Alessandro Manzoni 12/A, 20121, www.donlisander.com, +39 0276020130 El Brellin, Alzaia Naviglio Grande 14, 20144, www.brellin.it, +39 02 58101351 El Porteno Arena, Viale Elvezia 4, 20154, www.elporteno.it, +39 02 58437593 Finger’s Garden, Via Giovanni Keplero 2, 20124, www.fingersrestaurants.com, +39 02 606544 Giacomo Bistrot, Via Pasquale Sottocorno 6 , 20129, www.giacomobistrot.com, +39 02 76022653 Giacomo Rosticceria, Via Pasquale Sottocorno 36, 20129, www.giacomomilano.it, +39 02 76023313 Giannino dal 1899, Via Vittor Pisani 6, 20124, www.gianninoristorante.it, +39 02 36159520 Horse, Viale Montenero 21, 20135, www.horsecafe.eatbu.com, +39 02 550120169 Il Luogo di Aimo e Nadia, Via Privata Raimondo Montecuccoli 6, 20147, www.aimoenadia.com, +39 02 416886 Il Salumaio di Montenapoleone, Via Santo Spirito 10 - Via Gesù 5 at Palazzo Bagatti Valsecchi 20121, www.ilsalumaiodimontenapoleone.it, +390276001123 La Briciola, Via Marsala 2, 20121, www.labriciolamare.com, +39.02.6551012 La Brisa, Via Brisa 15, 20123, www.ristorantelabrisa.it, +39 02 86450521 Langosteria, Via Savona 10, 20144, www.langosteria.com, +39 02 58111649 Latteria San Marco, Via San Marco 24, 20121, +39 02 6597653 Lubar, Via Palestro 16, 20121, www.lubar.it, +39 02 83527769 Mandarin Bar & Bistrot at Mandarin Oriental Milano, Via Monte di Pietà 18, 20121, www.mandarinoriental.com, +39 02 8731 8898 Morelli, Via Aristotile Fioravanti 4, 20154, www.morellimilano.it, +39 02 80010918 Nobu at Armani Hotel Milano, Via Gastone Pisoni, 1, 20121, www.armani.com, +39 02 62312645 Omega 3, Via Francesco Guicciardini 8, 20129, www.ristoranteomega3.it, +39 02 76024111 Peck, Via Spadari 9, 20123, www.peck.it, +39 02 8023163 Pescatore, Via Atto Vannucci 5, 20135, www.trattoriadelpescatore.it, +39 02 58320452 Potafiori Salasco, Via Salasco, 17, 20136, www.potafiori.com, +39. 02 87065930 Ralph Lauren opens new flagship “World of Ralph Lauren” in 2021, Via della Spiga 5, www.ralphlauren.it Ribot, Via Marco Cremosano 41, 20148, www.ribotmilano.it, +39 02 33001646 Ristorante Da Giacomo, Via Pasquale Sottocorno 6, 20129, www.giacomomilano.com Ristorante Olmetto, Via Disciplini 20, 20123, www.ristoranteolmetto.it, +39 02 91663899 Romito at Bulgari Hotel Milano, Via Privata Fratelli Gabba 7b, 20121, www.bulgarihotels.com, +39 02 805 8051 Sadler, Via Ascanio Sforza 77, 20141, www.ristorantesadler.it, +39 0258104451 Savini Milano 1867, Via Ugo Foscolo 5, 20121, www.savinimilano.it, +39 02 72003433 Seta at Mandarin Oriental Hotel Milano, Via Monte di Pietà 18, 20121, www.mandarinoriental.com, +39 02 8731 8897 Sine, Viale Umbria 126, 20135, www.sinerstaurant.com, +39 02 36594613 Sumire, Via Varese 1, 20121, www.ristorantesumire.com, +39 02 9147 1595 TakeAway Bistrot, Via San Marco 33, 20121, www.takeawaybistrot.it, +39 02 6552204 Terrazza Gallia at Excelsior Hotel Gallia, Piazza Duca D’Aosta 9, 20124, www.terrazzagallia.com, +39 02 67853514 Terrazza Martini, P.za del Duomo 36, 20121, www.martini.com The Doping Club, Piazza Ventiquattro Maggio 8, 20123, www.aethoshotels.com/ milan/the-doping-club The Manzoni, Via Manzoni 5, 20121, www.themanzoni.com, +39 02 8909 4348 The Doping Bar, The Yard by Aethos Hotels, Piazza XXIV Maggio, 8, 20123, www.theyardplaces.com, +39 02 89415901 Voce Aimo e Nadia, Piazza della Scala 6, 20121, www.voceaimoenadia.com, +39 02 40701935 Voce in Giardino, Via Manzoni 10, 20121, www.voceaimoenadia.com, +39 02 40701935 Yuzu, Via Lazzaro Papi 2, 20135, www.yuzumilano.it, +39 02 87087152

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