L3 Magazine ft. Christopher Martin - February, 2019 by L3 Magazine

February, 2019 | L3 Magazine ft. Christopher Martin | Life. Love. Lyrics. | www.L3Magazine.com

M A G A Z I N E

Julian Marley’s New Album ‘As I Am’ Black History Month Canada and United States Niyah’s MYC Entertainment Is International

The Big Deal

Music Charts Music News Tandra & Jamila Woman Tingz Editorial: The Role Model You Are Morgan Heritage Year of Return

Christopher Martin

L3 Magazine | February | 2019 | No. 59 CEO and Editor-in-Chief

Natasha Von Castle – natashavoncastle@gmail.com

Publisher

L3 Media Group Inc. – L3Magazine@hotmail.com

Managing Partner Rohan Beckford

VP Marketing & Special Events Niyah of MYC Entertainment

VP Strategy Neil Pearl Music Review Editor Jennifer Menster

Charts Analyst Emelio Lynch aka Melio Sounds Contributing Editor and Caribbean Affairs Editor Tricia ‘ZJ Sparks’ Spence

Contributing Editor and Music Editor Tre Carn

Director of Caribbean Promotions Keisha Pinnock

Special Consultants Camille aka Talent Promo | Tilsa Wright

UK Editor Evelyn Germain Senior Writers & Photography

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Editors Heart... … and then veteran Reggae performing artist Bushman touched off a firestorm of conversation on topics related to music and individuals, and the upbringing of our children, and I am compelled to touch on one topic: what it is to be a role model. Bushman said, and I quote “Role model is not something of choice. As long as you are an entrepreneur and dominant in what you do, someone wants to be you. We need self-awareness; self-value then we will have self-confidence. Once we have self-confidence we will not be defeated.” Sometimes, in our quest to achieve our goals, our view becomes so narrow that we don’t notice the pairs of eyes watching us. Whether small or large eyes, every act towards others, every word uttered in public, everything is judged and interpreted – by the very people who want to be like the role model they see. Many times, role models say “I didn’t ask for this; I didn’t ask to be a role model” which is true and cannot be used as an excuse to commit bad behaviour. We’re living in a time of social media, and messaging within that media, and behaviour influencing others to act whether positive or negative. It is guaranteed that we are going to be copied. For entertainers who cater to adult themed content, balance that conduct with visuals of family life, and the responsibilities that come with being a parent or guardian. If fans only see one side, they are bound to think that only one side exists and will duplicate that side. We cannot expect all to follow the doctrine “do what I say and not what I do.” How others, especially children view us cannot be controlled. It is up to us to control as much as possible what people see and hear from us. Agree or disagree via Twitter @NatashaVonC

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Poverty and injustice in the society and lack of public confidence in the central authority, urged Bogle to lead a protest march to the Morant Bay courthouse on October 11, 1865. In a violent confrontation with full official forces that followed the march, nearly 500 people were killed, and a greater number was flogged and punished before order was restored. Bogle was captured and hanged on October 24, 1865; but his forceful demonstration achieved its objectives. It paved the way for the establishment of just practices in the courts and it brought about a change in official attitude, which made possible the social and economic betterment of the people. In recognition of his efforts, Bogle was conferred with the Order of the National Hero in 1969 as per the second schedule of the National Honours and Awards Act.

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“My evolution really comes down to my trust in my ear and my pen. I’ve grown to trust my instincts a lot more so I know which lyrics suit which melody the best. I’m not afraid to make corrections and say ‘maybe this should go ‘here’ instead of ‘there.’ I’ve definitely grown and I’m confident in what I’m delivering to my fans.”

- Chris Martin

L3 Magazine interview on page 62

February, 2019 featuring Christopher Martin

Pg. 16 Our Black History Month highlights begins with ‘Black Excellence’ features on Synthyche Clarke and Stonebwoy. Both are leaders and innovators in their fields respectively, and both add an element of glamour to thier imagery which we love. This Queen and King shine beautifully! Pg. 28 The success of an event can come down to how effective promotions are, and Niyah of MYC Entertainment is one of the Queens of event promotion. From humble beginnings in Toronto, to an international platform, Niyah is the person to call and works with the best of them all! Pg. 30 Senora Goldman is the newest writer to join the L3 team and is focused on our health. Her first article takes a look at herbicides and the effect this weed killer has on the foods we eat. Time to eat for life. Pg. 38 Yashae and her ‘Love Oasis’ has a few people in the L3 offices very happy. With the release of her EP comes more tracks to the already loved “Boomerang.” Yashae explores the topic of love neatly in 6 tracks. Pg. 48 Super producer and master engineer Tandra Jhagroo adds to her already impressive list accomplishments, only this time, she adds A&R. Overseeing the ‘Woman Tingz’ compilation, Tandra teams with Jamila among others and hits all the right chords. Pg. 68 Julian Marley delivers everything we want and more in his new album ‘As I Am.’ Fans are given 17 tracks that they will appreciate, and might even hear some of the songs as being prevention so they never have a need for the cure. Excellent music and perfect sound - we love this album.

On the Cover: Christopher Martin is such a big deal! He is Reggae gold every time he takes to the microphone to perform. Whether in the booth or live on stage, Christopher has mastered the art of thrilling the ladies and giving men the right ideas. With a new album coming soon, we had to speak to him about what we can expect musically! L3 Magazine | February 2019 ft. Christopher Martin - Pg. 13

FE Photo Credit: The Oklahoma Eagle.net

Black Excellence

Syntyche - Syle Executive QUEEN-ing as she should be is Synthyche Clarke! Curator for Caribbean Style Phyle, this February editorial is picture perfect. Shot by @waderhoden | Makeup by @suethemakeupgirl | Wardrobe by @etalstore

Black Excellence

Stonebwoy - Performer Award winning performing artist Stonebwoy has shown excellence in the field of performing arts. Mastering his craft, Stonebwoy has paved the way for artists to follow in his footsteps. This is Black Excellence.

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2019 MOIS DE Lâ&#x20AC;&#x2122;HISTOIRE DES NOIRS 2018 2019 BLACK HISTORY MONTH 2018

FEMMES NOIRES CANADIENNES : DES HISTOIRES DE FORCE, DE COURAGE ET DE VISION BLACK CANADIAN WOMEN: STORIES OF STRENGTH, COURAGE AND VISION

Canada’s Black History Month By: The Government of Canada

During Black History Month, Canadians celebrate the many achievements and contributions of Black Canadians who, throughout history, have done so much to make Canada the culturally diverse, compassionate and prosperous nation it is today. People of African descent have been a part of shaping Canada’s heritage and identity since the arrival of Mathieu Da Costa, a navigator and interpreter, whose presence in Canada dates back to the early 1600s. The role of Blacks in Canada has not always been viewed as a key feature in Canada’s historic landscape. There is little mention that some of the Loyalists who came here after the American Revolution and settled in the Maritimes were Blacks, or of the many sacrifices made in wartime by Black Canadian soldiers as far back as the War of 1812. Few Canadians are aware of the fact that African people were once enslaved in the territory that is now Canada, or of how those who fought enslavement helped to lay the foundation of Canada’s diverse and inclusive society. Black History Month is a time to learn more about these Canadian stories and the many other important contributions of Black Canadians to the settlement, growth and development of Canada, and about the diversity of Black communities in Canada and their importance to the history of this country. The commemoration of Black History Month dates back to 1926, when Harvard-educated African American historian Carter G. Woodson proposed setting aside a time devoted to honour the accomplishments of African Americans and to heighten awareness of Black history in the United States. This led to the establishment of Negro History Week in 1926. Celebrations of Black history began in Canada also shortly thereafter. During the early 1970s, the week became known as Black History Week. It was expanded into Black History Month in 1976. In December 1995, the House of Commons officially recognized February as Black History Month in Canada following a motion introduced by the first Black Canadian woman elected to Parliament, the Honourable Jean Augustine. The motion was carried unanimously by the House of Commons. In February 2008, Senator Donald Oliver, the first Black man appointed to the Senate, introduced the Motion to Recognize Contributions of Black Canadians and February as Black History Month. It received unanimous approval and was adopted on March 4, 2008. The adoption of this motion completed Canada’s parliamentary position on Black History Month. For a listing of Black History events in Toronto visit: http://www.blackhistorysociety.ca/

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Photo Credit: Heather Greenwod David

Uncle Tom’s Cabin is in Sydenham, Ontario - Canada By: Heather Greenwood Davis

Josiah Henson was born into slavery in the United States in 1789. By 1852, his dictated Canadian memoir, The Life of Josiah Henson formerly an enslaved person, would help to inform one of the most popular books of the era, Harriet Beecher Stowe’s Uncle Tom’s Cabin. The novel, which channeled Beecher Stowe’s anti-slavery ideals, sold more than 300,000 copies in its first year of print and was recognized by President Lincoln as a catalyst of the American Civil War. The life lived by Josiah Henson between those moments and beyond are explored at Uncle Tom’s Cabin Historic Site in Dresden, Ont., the place he called home for much of his free life. It’s a complicated story. Over the course of Henson’s life, he was a slave, fugitive, refugee, community builder, conductor on the Underground Railroad (which brought between 30,000 and 40,000 fugitive slaves to Canada), preacher, author and abolitionist. But he was also an overseer — at one time he was responsible for reporting on the actions of other black enslaved people to his white masters on a plantation in Maryland. After Beecher Stowe’s novel, minstrel shows popped up across Canada and the United States where white actors in blackface would perform racist depictions of step-and-fetch-it, unintelligent “Uncle Tom” characters to the delight of white audiences. “[In the shows] Uncle Tom was a sellout,” explains Brenda Lambkin, assistant manager at the historic site. “Those shows ran for 70 to 80 years. That’s a lot of ingraining in people that Uncle Tom wasn’t any good.” That reputation is one of the reasons why Uncle Tom’s Cabin Historic Site aims to present a more layered telling of Henson’s story. Artifacts, film clips, preserved buildings and story boards trace his harrowing journey with his wife and four children from slavery in Kentucky to freedom in Ontario in 1830 (sometimes literally carrying his family on his back). Exhibits detail his involvement in the founding of the British American Institute in 1841, a trade school attended by Underground Railroad refugees, and the Dawn Settlement, which provided housing to former enslaved people, both in Dresden, Ont., as well as the more than 118 people he guided to freedom in Canada through the Underground Railroad. Henson died in 1883 at the age of 94, and both his last home and his grave are located on the historic site. Every August, Emancipation Day celebrations at the historic site commemorate the end of slavery in Canada and bring together enslaved descendants who trace their history to the area. As Canadians, says Lambkin, we’ve dropped the story of black history in this country. “We need to pick it up and show our children we have something to be proud of.” L3 Magazine | February 2019 ft. Christopher Martin - Pg. 23

Photo Credit: BuffaloBean

The History of Black Wall Street By: Jennifer Menster

Tulsa Oklahoma was one of the most prominent concentrations of African-American businesses in the United States during the early 20th century. It was popularly known as America’s “Black Wall Street” until the Tulsa race riot of 1921, in which white residents massacred hundreds of black residents and razed the neighborhood within hours. The riot was one of the most devastating massacres in the history of U.S. race relations, destroying the once thriving Greenwood community. During the oil boom of the 1910s, the area of northeast Oklahoma around Tulsa flourished, including the Greenwood neighborhood, which came to be known as “Black Wall Street.” The area was home to dozens of prominent black businessmen and a variety of thriving black-owned businesses that were very successful up until the Tulsa Race Riot. Not only did black Americans want to contribute to the success of their own shops, but there were also racial segregation laws that prevented them from shopping anywhere other than Greenwood. Detroit Avenue, along the edge of Standpipe Hill contained a number of expensive houses belonging to doctors, lawyers and business owners. The buildings on Greenwood Avenue housed the offices of almost all of Tulsa’s black lawyers, realtors, doctors, and other professionals. In Tulsa at the time of the riot, there were fifteen well-known black American physicians, one of whom, Dr. A.C. Jackson, was considered the “most able black surgeon in America” by one of the Mayo brothers. Dr. Jackson was shot to death as he left his house during the race riot. Greenwood published two newspapers, the Tulsa Star and the Oklahoma Sun, which covered not only Tulsa, but also state and national news and elections. The buildings that housed the newspapers were destroyed during the destruction of Greenwood. Greenwood was a very religiously active community. At the time of the racial violence there were more than a dozen black American churches and many Christian youth organizations and religious societies. In northeastern Oklahoma, as elsewhere in America, the prosperity of minorities emerged amidst racial and political tension. The Ku Klux Klan made its first major appearance in Oklahoma shortly before one of the worst race riots in history. It is estimated that there were about 3,200 members of the Klan in Tulsa in 1921. Within ten years after the massacre, surviving residents who chose to remain in Tulsa rebuilt much of the district. They accomplished this despite the opposition of many white Tulsa political and business leaders and punitive rezoning laws enacted to prevent reconstruction. It resumed being a vital black community until segregation was overturned by the Federal Government during the 1950s and 1960s. Desegregation encouraged blacks to live and shop elsewhere in the city, causing Greenwood to lose much of its original vitality. Since then, city leaders have attempted to encourage other economic development activity nearby.

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Reggae Month 2019 By: Tara John

On January 9th 2008 the Government of Jamaica announced that the month of February was to be officially declared as Reggae Month. This was done to highlight and celebrate the impact of the musical genre on the country’s social, cultural and economic development. Additionally, the birthdays of two of Jamaica’s and Reggae Music’s late icons are commemorated during the month of February: The late Dennis Brown also known as the ‘Crown Prince of Reggae’, is celebrated on February 1, while the late Robert Nesta ‘Bob’ Marley, the renowned ‘King of Reggae’ is celebrated on February 6. The genre that evolved in the 1960s has been added to the list of global cultural treasures by UNESCO, the United Nation’s cultural and scientific agency. The sound, which reached international acclaim thanks to artists like Toots and the Maytals and Bob Marley, is attributed for giving voice to the oppressed in Jamaica. Its inclusion to UNESCO’s collection of “intangible cultural heritage” means that it now has protected status, joining a list of more 300 other cultural traditions like the Spanish art-form flamenco, Mongolian knuckle-bone shooting, and yoga in India. Reggae music’s “functions as a vehicle of social commentary, as a cathartic experience, and means of praising God remain unchanged, and the music continues to provide a voice for all,” UNESCO said. “Students are taught how to play it from an early age, and festivals and concerts are central to ensuring its viability,” it added. The announcement came at UNESCO’s meeting in Mauritius, where 40 proposals were under consideration -- including Jamaica’s inclusion of reggae, AFP reports. Around the the 1960s, Reggae became popular in Britain and the United States -- countries where many Jamaican immigrants had moved to after World War II. Its bass heavy and drum sound has inspired the dancehall and dub genre; as well as influence a number of artists. Reggae artist Sister Nancy’s “Bam Bam” has been heavily sampled by the likes of Lauryn Hill and Kanye West. Reggae is also associated with the religion Rastafarianism. Reggae music often celebrates Jah, which means god, ganga (marijuana) and Ras Tafari -- the former Ethiopian Emperor Haile Selassie who is deified in the religion. Some of the activities for the inaugural observation of February as Reggae Month included the hosting of the Reggae Academy Awards, the Bob Marley Photographic Exhibition, Africa Unite/Smile Jamaica Youth Symposium, the annual Bob Marley Lecture, the African Film Festival, the Reggae Film Festival, the annual Irie FM Reggae Music Awards and the Bob Marley Creative Expression Day. For more information visit: http://reggaemonthjamaica.com/ L3 Magazine | February 2019 ft. Christopher Martin - Pg. 27

Promotions Queen: Niyah of MYC Entertainment! By: Jennifer Menster

MYC Entertainment is Canada’s premiere marketing and promotions company founded in 2009. Standing out as one of the most reliable and industry recognized entertainment companies based in Toronto, MYC Entertainment is rated as one of the best! Founded by Niyah, MYC Entertainment has become synonymous with connecting party and event goers with the hottest DJs and prestigious venues. Her 18 years of experience has seen her work showcased in Toronto’s famed entertainment district, particularly with Club Orchid and the Barcode Saturday’s brand. Her every Saturday event sees capacity crowds while stars such as Firekid Steenie, and MC Crazy Chris make patrons party like it’s 1999! Not restricted to Toronto, Niyah has produced successful events in Montreal, Edmonton, Atlanta, New York, Jamaica (Kingston and Montego Bay) as well as Barbados. Being one of the only female promoters who specializes in Caribbean and Urban events, Niyah has hosted and produced shows featuring the talents of Popcaan, Charly Black, Demarco and Bobby Valentino to name just a few. Just recently Niyah has added hit-making urban trio Taylor Girls to her roster as well as Brooklyn’s own Rooftop Rep and DJ Cory from Vendetta Sound. “One of the first major concerts I promoted and sold-out” reflects Niyah, is the Serani show held at the legendary venue Kool Haus in Toronto. I personally interacted with the 5,000 patrons who attended the show. I delivered tickets, and I greeted fans as they came through the doors. That experience will always stand out to me because I remember how good people felt knowing that the promoter of the show had a personal interest over and above making money.” Whether you need a customized event to launch your brand, or you want a great concert experience, or need help with the marketing and promotion of your career, Niyah and the MYC Entertainment team is who you should call! Niyah’s next event is Beachorama in Jamaica on April 27th. Niyah is also L3 Magazine’s VP Marketing and Special Events.

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Eat for Life

Herbicides in Foods By: Senora Goldman Photo: lifelinescreening.com

It is alleged that the herbicide called “Round up” is not a weed killer but rather a disease creator. The infamous dandelion killer that makes your grass weed free has an active ingredient called glyphosate, which, according to studies, is a chelator of minerals, rapidly stripping the soil and crops of essential minerals needed by the human body. Eating crops sprayed with this herbicide makes us nutrient deficient, and nutritional deficiency leads to all disease; every disease is caused by nutrients deficiency. Pre-harvest treatment of crops with glyphosate helps farmers to harvest their crops more efficiently and lower their costs. Glyphosate used by farmers averages an increase of 75% or more in crop yield. The types of crops we are referring to are non-organic food such as grains, nuts, grass seeds, wheat, beans, peas, figs, plums, prunes, grapes, kiwi, lemons, grapefruit, and pomegranates just to name a few.

A March 2015 report by the World Health Organization identified glyphosate as a probable human carcinogen (causes all cancer). Several European countries have banned it as a result of the report. It is unbelievable to think that a progressive continent such as North America allows farmers to use glyphosate. It continues to remain as the #1 herbicide and crops desiccant (spray crops with glyphosate to make them dry faster). This form of drying process make glyphosate absorb into your food, not just the skin. When it comes to disease, these are the studies that have been done on glyphosate: 37 studies on DNA damage. 29 studies on glyphosate toxicity. 24 studies on hormonal disruption in children. 22 studies on low testosterone. 21 studies on pesticides toxicity 40 different studies that glyphosate is linked to non-hodgkin lymphoma. 20 studies proven it link lymphoma, prenatal chemical exposure, multiple myeloma, rhinitis, Parkinson’s disorder, neurological disorders, endocrine disease, liver disease, chemical poisoning, low dopamine. Low dopamine shows the enormous rate of depression in our lives today; infertility in males and the list goes on. One of the prominent researchers in this field, Stephanie Seneff from MIT University, shows that if we continue to consume food sprayed with glyphosate, by the year 2027 half of all boys born will be autistic and, for black children specifically, the rate will be higher. Despite so many studies this chemical is not regulated and the EPA, CDC, along with other health agencies turn a blind eye to this major disease creator, eventually the #1 killer in our lives; ‘did someone say weapon of mass murder?’ It’s time we let the government know that they must stop subsidizing GMO crops with tax payer’s money. Start subsidizing organic crops so real food can be cheaper than GMO and processed food. If the government starts subsidizing organic food, it will be cheaper and we will become healthier thereby reducing health care costs. Tell the government to ban round up. L3 Magazine | February 2019 ft. Christopher Martin - Pg. 31

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Music We Love Yellostone

Hit Maker on the Rise Music has a beautiful way of captivating the hearts of beautiful individuals whom it selects to sing and perform. One such individual whom we discovered thanks to Jedi Promotions is the artist who goes by the name Yellostone. Coming from a strict preacher / evalngelist home run by his grandparents, Yello was kept under heavy guard in the church. As far as his grandparents were concerned, the world was not going to lead their grandson down the wrong path. Despite their best intentions, Yellow knew that music was his calling. Moving to Connecticut with his mother, Yellow readily showcased his talents at dances. He began writing songs and recording for producers. After high school, he began selecting music, recording dubplates and working on sound systems with Busy Signal (formerly Hype Up), and playing special events both local and international. 2006 was a break out year with the release of his single “Get Mad” which gained rave reviews in Japan which pushed his rise within the Dancehall fraternity. In 2010, he was ready to take the stage at the Connecticut Music Festival where he impressed patrons as an opening act for Bounty Killa, Elephant Man, Mavado and Tarrus Riley. Yello’s reputation continued to grow and soon caught the eyes of Tanto Metro and Devonte who collaborated with him on the single “Hey Ya Hey” in 2013 which was produced by Grammy legends Sly & Robbie. Additional singles “Nuh Wifey” produced by Bulby York, and “Hold Me” in 2014 garnered significant radio play causing the artist to round out the year with two more singles “What a Feeling” featuring Lukie D and “Step Out Pon Dem.” Not neglecting his love for the stage, Yello performed extensively in 2015 both locally and abroad. He performed at the Atlanta Jerk Festival, enjoying the spotlight with Inner Circle, Barrington Levy, Konshens and Christopher Martin. In 2019 Yellostone is back rhyming prolifically over his infectious riddims with energy and guile. The young artist is set to perform at several events throughout this year. There’s no doubt he will hold his own performing coast to coast. https://instagram.com/yellostonemusic L3 Magazine | February 2019 ft. Christopher Martin - Pg. 37

Music We Love Yashae and her

Love Oasis EP The moment we heard Yashae’s breakout single “Boomerang” we knew this artist is destined for greatness where the world would eventually be her playground. Based on her EP ‘Love Oasis,’ we are even more sure that success is the only street her address will be recorded. The title track, “Love Oasis” is mature R&B with a few bars of Rap letting people know Yashae’s ‘got it like that.’ The gist of the song is when a girl has a problem, her dude has a problem and vice versa. How those problems get resolved is where you’ll find the love oasis. Very well written with excellent chord structure. “Why Did You Go” is a thought-provoking song that questions the reason why a lover left for no apparent reason. Definitely relatable, Yashae speaks for many women who have found themselves in this predicament which sets up a perfect collaboration in the future where we hear the mans perspective by way of a duet. Jazz meets R&B via the song “Your Heart is Pure.” The infectious piano loop brings home the sweet lyrics of a girl who has met the right man by way of what she was not looking for. The conclusion to the EP hears “You’ve Got My Love” which is a fitting end! Born and bred in the cool mountains of Jamaica, Yashae is a singer-songwriter who has fans spell bound as well as the music industry with her sultry sound and refreshing take on Urban music. Her lyrics and musical style are reflective of her Caribbean roots, and she embraces and incorporates Hip Hop elements into her compositions to create a rich and dynamic sound. Being raised by music fanatics enabled Yashae to proactively work on her artistry; she started penning songs as early as seven years old. A former competitive Indian dancer and a staple in local pageants, she used the confidence gained from often being on stage to augment her vocal delivery and strengthen her performing skills. Despite being offered several opportunities to study at some of the world’s most renowned institutions, Yashae remains steadfast in her pursuit to take her music to the masses. Fresh from recording her debut single “Boomerang” with the Grammy-nominated production duo KUYA, the Jamaican songstress has made her mark with ‘Love Oasis.’ L3 Magazine | February 2019 ft. Christopher Martin - Pg. 39

Music We Love Sean Taylor

Ghana’s New Sound

By: Pia Jordine | Photo: Media Gang

Sean Taylor is the New Sound Out Of Ghana! The music scene in Africa is growing significantly, commercially and with likes of Stonebwoy and Shatta Wale, I’ve grown to admire the reggae and dancehall scene within Ghana. A few months ago I heard a new voice from the cocoa country called Sean Taylor who had a collaboration with Jamaica’s own Vershon on a track called “Vybz Deh Yah” so I had to investigate to find out more about this artist. I discovered his subsequent single and music video for the song “Ginger;” a dope concept of vibrant colors, a bit of luxury, and an excellent showcasing of the lush countryside of Ghana. Of course, I was sold and followed his musical journey thereafter. Sean Taylor’s compelling approach with his lyrical content and style with Dancehall and Reggae is superb. The hardcore heart thumping music that he composes has a twist of his African dialect and Jamaican patios. Being an artist on the rise takes dedication, fan appreciation and of course consistency. I must say that for Sean Taylor, despite not having been to Jamaica, has significantly waved the flag with his musical style. Another project to make note of is ”Osu Boy” which features a local artist name Vybz Flair on a Stonebwoy production that was released after the ”Ashaiman to the world concert.” Bringing out close to one hundred thousand people, Sean Taylor’s performance made it clear that he is traveling in the right musical footsteps. Fans were happy with what they heard and are eager to support his latest releases. Sean Taylor is signed to a recording company in England called Paper4lfe that is working hard on his behalf. They are closely monitoring his career and making sure his brand and image is impactful by doing more shows, tours, songs and collaboration as he works towards his album.

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Music We Love Lt. Stitchie

“Masterclass”

Described as the LEXICON of Reggae and Dancehall when it comes to writing lyrics, this gifted lyrical genius, with a superb and fast-talking unique style with matchless storytelling abilities, combined with his powerful vocal delivery, makes his music stand up to the harshest of critics and stay the tests of time. Cleve “Lt. Stitchie” Laing, enthroned and revered as the dancehall Governor, has been one of the genre’s most acclaimed icons; his energetic and mesmerizing live appearances, coupled with his message of Love, Peace and Righteousness, makes him one of the most sort after artiste in the Reggae Music Industry globally. Although not one to revel in awards and take any praise unto himself, the excellence of this living Reggae and Dancehall Icon and Ambassador for Christ has been recognized Nationally and Internationally since the release of his very first Album, “Wear Yu Size”, by various awarding bodies too numerous to start naming. By becoming the very first Dancehall Artiste to be both signed to Atlantic Records and hitting the Billboard Charts, plus his ability to continuously raise the height of his career bar from then to present, Stitchie has cemented his status as one of the greatest of all times who’s always on top of his game. His feature on LL Cool J’s Gold Album “14 Shots to the Dome” is another accolade to the Governor’s huge catalog and repertoire still growing with the sizzling hot powerful new release of “Masterclass.” Totally purposed on the message in the music, the Governor, like the great Reggae Ambassadors before him, pursues his mandate with even a greater passion, uniqueness and unrelenting devotion, than in the days when he became king of the dancehall on Stereo One sound system as Lt. Stitchie, The Governor, where his lyrical prowess literally drove fear in the hearts of all his opponents. Since his rise to fame in the late 1980’s, he has been touring extensively as a headliner at various Reggae Music Festivals and Concerts globally and this only intensified as he improves on his craft over the years. This trendsetter, who is credited in the analogs of history of Reggae Music in Germany, as the first artiste to bring dancehall music to Europe as a whole, and, the only Dancehall Artiste to date that have received 14 #1 songs in one calendar year, he continues to set a blistering pace extremely hard to follow and simultaneously, reinforcing in Reggae and Dancehall Music fraternity, why there is only one “Lt. Stitchie, THE GOVERNOR” with each Single and Album he releases. His 22nd album, Masterclass is available now on iTunes! L3 Magazine | February 2019 ft. Christopher Martin - Pg. 43

Music We Love D.O.V.E. Muzik

“Vital Energies”

D.O.V.E. Muzik [Development of Vital Energies Muzik] is a Chicago, IL (USA) based Reggae, Dancehall and Hip-Hop record label and studio. D.O.V.E. Muzik, founded by Tzaddi Wadadah I aka “Fada T” and friends in 1986 had one mission which is to produce, record and publish their own music. Presently Tzaddi Wadadah II, son of Fada T, is in the position of producer, engineer, DJ and songwriter and has been leading D.O.V.E. Muzik since 2012. Proceeding with the vision of creating “vital energies” for the people all over the earth in need of vital energy to edify their soul, the label prominently features the music of Princess Kazayah, Nego Hights, Ras I-Dre and Ras Arcane. Not limited to these artists, D.O.V.E. Muzik is responsible for producing and publishing singles from various other artists as well. Blending a deep roots and culture Reggae sound with Dancehall & Hip Hop fusions and influences, D.O.V.E. artists and producers work consistently to bring great music to edify and uplift with full enjoyment. The label has had recent successes in releasing music and building its catalogue. The first recording released on the label was one called “Sentimental Girl + Sentimental Dub” featuring world-renowned brass horn player “Rass Brass” (featuring Dean Fraser, Ronald “Nambo” Robinson & Cedric) which was released in 1986 on 12” vinyl. In 2013 Princess Kazayah released her debut work called “Troddin: The DubTape” a mixtape featuring 12 selections from the songstress. Working with Ras I-Dre D.O.V.E. released various singles and videos as well as a mixtape entitled “Ras I-Dre: The No Limit Ras Mixtape.” “Steaming Team” a song produced by Wadadah II and co-written by Ras I-Dre and Princess Kazayah was recently released in 2017. Also Princess Kazayah remixed her song “You Can Do It” from the “Chimurenga” project with a major feature from international reggae artist Warrior King. Spreading the music and work internationally, D.O.V.E. Music’s artists have performed on stages in Jamaica, Chicago, Mexico, Belize and more. D.O.V.E. Muzik has also collaborated with young South African producer named Riddim Yut on the project entitled Chimurenga: The People’s Struggle EP which was released internationally in 2016 with artists from Trinidad & Tobago, Tanzania, Jamaica and the United States. Connect on the ‘Gram!’ https://www.instagram.com/dovemuzik/ L3 Magazine | February 2019 ft. Christopher Martin - Pg. 45

Music We Love EarthKry

“Last Survival Tour” Jamaica’s self-contained band EarthKry has been delivering strong doses of authentic roots, rock, reggae to the “land down under.” Keyboardist Phillip Mcfarlane, Vocalist / Guitarist Aldayne Haughton, Drummer Kieron Cunningham and Bassist Kamardo Blake joined legendary New Zealand band Katchafire as special guests on their “Legacy Love Today” tour.

Kicking off in St Kilda, Australia, EarthKry was introduced to a new land and new music lovers that quickly became fans. “The tour was super great, great crowd every night, so many people who didn’t know us now know. They embraced the roots, our music and the band, I can’t express enough the positive feedback that we got. We played about 22 shows from Eastern to South, North to West, so many venues, so many new fans. Working with Katchafire was a labour of lov; it feels like family, like they were one of us and we were one of them. We worked hard but had laughter and fun every day. We have also learned so much from them as they have been together 20 years. Great experience that we will never forget” expressed Phillip Mcfarlane. He further added, “We are humbled and want to thank Katchafire for really giving us the opportunity, fly us from Jamaica and exposing us to their audience. Big up and maximum respect, we are forever family. Big Up to all the other supporting acts that showed us love, and to all the fans and to Australia WE LOVE YOU” No rest for the weary, as EarthKry continued on to their “Last Survival Tour” in the US which began in Utah and ended in December in New York. “Survival is based on the title of our debut album, we branded our Survival tour that has taken us across all seasons from the US, to Europe, so this is bitter sweet at it is our last, but also a early beginning for our next chapter” explained Kemardo Blake. Speaking on what patrons can expect, Aldayne Haughton. related “For those who haven’t yet see us perform live, we invite you to celebrate life with some music. See who EarthKry is. Real reggae roots rock from Jamaica” said Kieron Cunnigham. This month the band will join two-times GRAMMY nominated J Boog on his continental “ROSE PETALS WINTER TOUR” slated to kick off February 9th, 2019 in Chandler, Arizona and end March 27th in Los Angeles, California! Connect on the ‘Gram!’ https://www.instagram.com/earthkry L3 Magazine | February 2019 ft. Christopher Martin - Pg. 47

Music We Love Tandra & Jamila

Woman Tingz Woman Tingz

“Woman Tingz”

Just in time for International Women’s History Month (March, 2019) comes the release of an awesome women’s anthem by Kingston artist, Jamila Falak. Also known for playing upright bass and Jazz vibe, Falak has now found her voice with the release of her very first original song, “LA AAA ADY.” Women’s History Month is an annual declared month that highlights the contributions of women to events in history and contemporary society. It is celebrated during March in the United States, the United Kingdom, Australia and many countries around the world, and it corresponds with International Women’s Day. “LA AAA ADY” was previously included on the soundtrack of the AMC Original Series movie Jacqueline & Jilly, and is the debut video of the sizzling “Big Woman Tingz” compilation album. Falak, who hails from Montego Bay, Jamaica, has successfully merged her love for music (all genres) with Caribbean culture and expression. Featuring multiple producers and the creative guidance of the legendary Mikey Bennett, the project’s A&R is one of Kingston Jamaica’s top female music producers, Tandra Jhagroo. Toronto born to Jamaican parents (though repatriated back to Kingston in 2004), Jhagroo has production credits for projects with iconic Pop, Rap, Reggae, Dancehall, Country and Alternative artists like Toots & the Maytals, Amy Whinehouse, Drake, Sean Paul, Vybz Kartel, Popcaan, Kenny Chesney, The Jolly Boys, Major Lazor, Gorillaz, Busy Signal, and many more. Always in a studio session creating, mixing and producing, Tandra is living her dream. Graduating from mere studio monkey to high profile recording sessions with Grammy-Awarding producers, Platinum-selling artists, music legends, the infamous and the supremely talented, Tandra is worthy of the praise she receives, especially with the profile of Women’s History Month. She has evolved from “DJ Lytes” from club and circuit DJ to producer and mixing Engineer. “Big Woman Tingz” is Jhagroo’s first solo A&R project which features an all female line up of amazing music with meaning and is slated for official release in the Spring of 2019. Connect on the ‘Gram!’ @MixedByLytes and @jamilafalak VIDEO: https://youtu.be/z_4sobLzEVY L3 Magazine | February 2019 ft. Christopher Martin - Pg. 49

Music We Love Errol Bonnick

Lover’s Rock

It is impossible to turn on your radio, listen to a Lover’s Rock or Conscious segment of Reggae, and not hear the voice of Mr. Errol Bonnick! Blessed with a voice as fine as the finest silk, and lyrics that make the ladies feel like they are the most desired creatures in the world, Errol doesn’t stop until his listeners get the best of him. For men, getting the girls of their dreams is not a problem once they play a little Errol. Born in Jamaica, Errol started his musical journey in Kingston inspired by his brother Trevor Bonnick. Introduced to Mr. Glen Browne from the great Browne brothers, a family of musicians, song writers and producers, they quickly noticed Errol’s talent and signed him up as lead vocalist for a group called K.R.U (Knowledge, Respect & Unity)}. During that time, Errol was headhunted by a group called Live Wyya to be their lead vocalist. As Ambassadors for Jamaica, The Caribbean, Reggae & Rastafari, Live Wyya competed against 24 bands across the world in a musical show down emerging a fantastic 8th position. After compiling their album, Solid Meditation, the group toured the world with the cool ruler Gregory Isaacs. When you first meet Errol, you will very quickly experience and notice that he has a very artistic spiritual persona and presence that fills the room, whilst radiating peace, love and serenity, not to mention the fact that he is oozing with confidence and charisma. It is so easy to allow yourself to bask in the calming, reassurance of his presence and truth. Errol’s wise, mature, rich amd sultry sounds penetrate the very essence of your being. The more you listen to his music, the more you are totally absorbed in the music and the person as you allow Errol to take you on your journey of self discovery with his unique sounds and the way he easily and effortlessly fuses and synthesizes Errol Bonnick is Lovers Rock and Roots Reggae together. Today, Errol is a smooth Reggae rebel pursuing his solo career and moving with the spirit of the conquering lion on his path of creating a repertoire of upbeat and uplifting Lovers Rock and Roots Reggae. He is on his solo path with his band De Lionz and are considered to be a Reggae Force. Connect on Facebook: https://www.facebook.com/errolbonnickreggaeartist/ L3 Magazine | February 2019 ft. Christopher Martin - Pg. 51

Music We Love

Morgan Heritage

Year of Return By: Embukane Libosso Photo: Morgan Heritage Twitter

The first enslaved Africans were bought and sold in 1619 in Jamestown, Virginia. Hold onto that thought. I know you are wondering what kind of writer would start an article this way. This December 2018, all eyes were on Ghana, and in case you keep up with the Instagram pages of Morgan Heritage and Tarrus Riley, you know a number of well known British and American entertainers were in the country too. Hold on to that thought as well! Morgan Heritage guest headlined the Wasafi Festival New Year’s Eve in Nairobi as part of their Africa-Jamaica Tour which saw them perform in Ghana, Kenya, Tanzania, Zambia and Zimbabwe with more dates to be added and a possible 2019 spring concert in Nairobi. At the media brief, Gramps expressed his joy about the Year Of Return saying “Ghana has consistently drawn the interest of the African Diaspora and 2019 they have declared their door open us to come back home.” Remember those thoughts I told you to hold on to earlier? The year 2019 marks the prophetic 400 years The Wailers sang about since the first enslaved Africans were bought and sold in Jamestown. “Year of Return” events include a “Come Home” concert hosted by Damien Marley in January in Ghana. “As Ambassadors of Reggae and Jamaica, it is our duty to create a cultural exchange between our island the continent of our origin. Our hope is that this will inspire our leaders to build upon this bridge we are creating through song and dance.” Morgan Heritage notes. Hailing from Saint Thomas in Jamaica, Morgan Heritage launched into an inspirational set of roots and culture reggae at the festival. Peetah, Gramps and Mr. Mojo performed a passionate set of modern roots reggae that was comprised of a wonderful mix of cultures and people of all ages. Their music speaks for itself. Their melodic gems including catalog hits such as ‘She’s Still Loving Me,’ ‘Don’t Haffi Dread to be Rasta’ and more spanned their catalogue of amazing reggae albums spruced with the message of hope and love, which ignited the crowd. Diamond Platnumz would later call them back on stage to perform their recent song, ‘Africa Jamaica’ which features Stonebwoy from Ghana as well and for the first time in the world, their earlier collaboration, ‘Hallelujah.’ The key key ingredients never missing from their menu, tight vocals, crowd connection and an extraordinary stage presence. L3 Magazine | February 2019 ft. Christopher Martin - Pg. 53

Music We Love Work Your Waistline

Dancer from DanceDeets.com

Energy Tracks For a Fit Body!

Images by Robin Claire originally created for LargeUp.com

By: Steffy T

With Carnival in Trinidad and the vibrant colors just waiting to be adroned to your body, you might be hitting the gym more frequently to tone or work off the last few pounds. If thatâ&#x20AC;&#x2122;s where you are, I have the perfect updated list for you! Here is your E-N-E-R-G-Y for February!

Rygin King - Feel Like This Stefflon Don - Senseless Remix Akaycentric - Lost Reekado Banks - Sensima Phyno ft PSquare - Financial Woman Thee Gobbs ft. Tsholo (Atjazz Floor Dub) - The Love YCee ft. Maleek Berry - Juice Dovey Magnum - Bawl Out REVOLUTION ft Msaki - Spring Tide Lisa Shaw - Matter of Time L3 Magazine | February 2019 ft. Christopher Martin - Pg. 55

L3’s Top Independent Spins

TOP DIGITAL SPINS - FEBRUARY

01. Popcaan - Silence 02. Spice – Romantic Mood 03. Munga – Nuh Mad Ova 04. Teejay – Owna Lane 05. Nailah Blackman ft. Shenseea – We Ready 06. Xyclone ft. Konshens – Make It Clap 07. Noah Powa – Same Energy 08. Vybz Kartel – Come Home 09. Shenseea – Trending Gyal 10. Ding Dong Ravers – Cha Cha Bwoy 11. Rygin King – 3ZN 12. Busy Signal – One Way 13. Deep Jahi – Hustler 14. Popcaan - Family 15. Koffee – Toast 16. Tarrus Riley – Guess Who 17. Blessed – Money Don’t Grow Pon Trees 18. Govana ft. Dre Island – The Light 19. Keisha Martin – Rocksteady 20. Tommy Lee Sparta – Blessings *Charts are based on radio airplay in Canada / YouTube Views / Live Event Selection Fan Feedback

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FEBRUARY MOST WATCHED VIDEOS

Frenz For Real Most Watched Videos - 2018 1. Koffee - Toast 2. Spice - Cool it 3. Style G x Fanatix ft Nicki Minaj x Vybz Kartel Touch Down remix 4. Spice - Romantic Mood 5. Munga - Nah Mad Ova 6. Popcaan - Silence 7. Vybz Kartel - Come Home 8. Teejay - My Type 9. Govana x Dre Island - The Light 10. Tommy Lee Sparta - Badman Linkâ&#x20AC;&#x2122;s *Based on recent YouTube views

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LYR

ICS L3 Magazine | February 2019 ft. Christopher Martin - Pg. 61

Christopher Martin

By: Natasha Von Castle | Photography: Travis Matthews

Being born on Valentine’s Day, February 14th and sharing the same name as front-man for the platinum-selling band Coldplay, it would be fair to say that Christopher Martin was purposely created with a divine purpose. As soon as we heard him sing, we knew, and the rest of time would be spent watching his greatness unfold for fans to enjoy. Fast-forward in time, and we meet Christopher Martin as a ‘millionaire.’ The millions of fans who have watched his music video’s on YouTube and the hundreds of thousands of fans who have traveled to a city to watch him perform make him one of Reggae’s premium talents. Songs like “I’m a Big Deal,” “Let Her Go” and “Cheaters Prayer,” though made years ago, are still monster hit records. So what does Christopher plan to do with his future? Make even more monster hit records of course! Keeping a fantastic balance between performances, event appearances and time in the studio, Christopher has made the art of making music look very easy. One of the items he credits at this point in his career is his growth. Talking to us about his future, this is what Mr. Martin had to say …!

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NVC: Christopher! You have a lot of people excited! A little birdie pinched us and told us that an album is coming; is this true?! CM:

Yes, it is true and I think everyone is going to like what they hear. This album is me giving my fans my heart, again, and asking them to enjoy it through the tracks presented. Of course, we are going to cover a range of topics, but I am all about the ladies so you know love is going to be involved!

NVC: Now feels like the right time for an album. You’ve had several hit records over the past few years. Tell us how you’ve evolved as a songwriter, and how your ear has evolved to hear the right ‘chune.’ CM:

My evolution really comes down to my trust in my ear and my pen. I’ve grown to trust my instincts a lot more so I know which lyrics suit which melody the best. I’m not afraid to make corrections and say ‘maybe this should go ‘here’ instead of ‘there.’ I’ve definitely grown and I’m confident in what I’m delivering to my fans.

NVC: Your fanbase is strong and demanding. Millions have watched and listened to you on YouTube. Are your fans pushing the album; are you pushing or are both sides pushing?! CM:

Both sides are pushing. It’s an interesting thing; my fans are pushing me to do better, and that’s what I’m doing. They are always pushing for an EP or for an album so I have to come up to their standards and deliver. Because of my history, as in the songs I’ve created, I have to live up to that standard so that is where I push me … I have to create music that is in me to create and that I know they are going to love to hear. Both sides are pushing!

NVC: You were recently in Miami for Art Basel. We noticed celebrities such as Fat Joe recognizing you and stopping for a picture. Are you impressed with the reach of your music and your own celebrity status? CM:

I am (laughs). It is so humbling to be recognized … to know that I have put so much into my career, and years later I’m being recognized by great talent as well. This will never get old to me, and I will never stop being humbled. It’s just amazing to know that I have fans all over the world, and some of those fans include people that I look up to and whose music I appreciate and I rock to, too! There is nothing like this. I had a great time in Miami, and really enjoyed the art installations. Let There Be Reggae was a great exhibit!

NVC: We assume your album will have a lot of appeal to the ladies, so, when they listen to it, what ‘ position’ should they be in? Curled up in front of the fireplace? Laying on their tummy on the bed? Invite a few girlfriends over for a listening party? How should women be?! CM:

L-A-U-G-H-S! What a question! I think the ladies should be how they want to be. If they want to take a drive out and listen to the album – do that. If they want to sit back with a glass of wine and listen – do that … and … if they want to invite some friends over and make it an event with a listening party, then do that too! Whatever ‘position’ as you say they want to be in, that’s what

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CM:

they should do. I’m just sure that they are going to love the album because I’m doing it for them. he fellas will get a few ideas as to what to do with the ladies too!

NVC: What is the one track on the album you think will catch peoples attention?! CM:

I can’t say just yet but it won’t be one track, I think it will be a few tracks.

NVC: Your track “Life” is gaining traction. Are you sending a message through the music? CM:

Yes, what I’m saying is that no matter what happens, I will be the same Christopher Martin where Life is concerned. It doesn’t matter about a good day or not good day, I will be me. It doesn’t matter about disappointments or not, I will be me, and I encourage everyone to view life from this angle. Whether you win a million dollars or not, be happy and appreciate life and don’t change – be you.

NVC: Who are some of the producers you’re working with, and, is there any one song that stands out as one of your favorites? CM:

I am working with Robert Livingston, and Clive Hunt. I will also produce a few tracks. There are a few others but I can’t say right now.

NVC: The last time we saw you perform was at Best of the Best in Miami. Ladies love you and men want to be like you, so, what would your 3-song playlist be for a man trying to get ‘that special girl?’ CM:

That’s tricky because it depends on their individual situation, but what I would say is maybe, and I say maybe “Under the Influence,” “Is it Love” and “Come Back.” I stress, this is a general response … if yuh inna problem – seek help!

NVC: Let’s talk dominoes for a second! You have everyone saying ‘Bembeh’ and jumping on the table?! Is this ‘Life?!’ CM: This is real life! This is how I am when I’m beating my opponent when we’re playing dominoes this is 100% me. I like that my fans want to tune in to my gram to see how wickedly I’m beating people! NVC: The name of our magazine is L3 and each ‘L’ has a meaning. The first is for Life, the second for Love and the third for Lyrics. What general advice would you give our readers on Life, Love and Lyrics. CM:

Well I would say let Love be your Lyric for Life!

Connect with Christopher Martin on social media @iamchrismartin and make sure you demand promoters bring him to your City for a performance: https://www.facebook.com/christophermartinja/

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Julian Marley ‘As I Am’

By: Zakada Milton | Photography: Joey Clay

If you had never heard of Julian Marley, and I had to describe his music to you, I would tell you his music is a reflection of life. If I had to go deeper than that (because some of our readers fly at the highest altitude of music), I would say that Julian, and his music, is the best friend you didn’t know you had. When Julian sings, he tells you the story and provides the prevention so you don’t have to seek the cure. His music is wholistic music – you can’t go wrong taking his advice. With that idea in mind, his album is, in my opinion, GRAMMY ready. I know, ‘it’s too early for that talk’ but it’s not because it’s true. The quality of sound, the quality of lyrics, and the fact that he shared his deepest thoughts makes ‘As I Am’ one of the best albums you’ll hear for 2019! Deeply rooted in family (listen to track 13 “Family and Friends), passionately in love with his country (track 5 “Cooling in Jamaica) and playful (track 12 “What’s New Pussy Cat”) you get an in-depth sense of who the man behind the music is … hence the title ‘As I Am.’

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ZM:

Julian! Musically we love you ‘as you are!’ Your new album is hitting all the right notes with all the right messages. Give us the backstory on putting together this album.

JM:

Well first I give thanks to the Almighty for giving me the inspiration to create and make music. Secondly, there were times I would be in my bedroom and I would pick up the guitar because a melody has come to me. There was a two-year span of writing and putting music together; it’s really a journey. So the backstory is that this album is really who I am musically so I had to present it to the world ‘As I Am!’

ZM:

When watching the music video for “Hey Jack,” we get the feeling that the visuals were hand selected to match the message in the music; is this the right interpretation?

JM: Yes it’s the right interpretation because what the song sings about had to be presented in the visuals; the story had to be told. When the young man tries to steal a TV, and the neighbour comes outside and says ‘hey what you doin?’ that shows us how man should live if we are not living that way. ZM:

If we remove the visuals to “Hey Jack” and just work with the person who is hearing the song, are you proving a person’s consciousness?

JM:

Yes. This song is a subliminal conscience check. The song says “can you look into ones eyes and see authenticity / does actions really show identity. So yes this song really hits the spot exactly where we want it to. So now, going back for a moment to the video; if you watch it, you get the message and if you hear the song, you get the message and when you combine the two, it’s even more powerful.

Also, regarding that song – the question is profound – simple and profound; ‘hey Jack, do you got my back?’

ZM:

The song “Are You the One” has a deep and connecting bass line, with backing vocals that sound like chants. Are you influencing us to ‘chant’ as a means of keeping our soul-eye clear as you sing “musical healing keeps working on you / comforting people from here to Peru…?”

JM:

This track is a deep-roots beat track. We were in the studio and the musicians were there, and we had some time between recordings and in comes the idea for this song. I’m sure you and the fans are familiar with the great Burning Spear! He has a song called “Do The Reggae” which is a hit in France, Germany, Australia – all over, so this song “Are You The One” has that same kind of vibe. So the same way Burning Spear was doing this in the 70’s, is the same way we are doing this today. We travel to different places to free the people spiritually, mentally and so on through the music. It’s a deep-roots song.

ZM:

When creating music with others, do you direct them based on your history with music or is it organic where they hear your direction and add to what you’re building?

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JM:

It can go different ways, but I’ll share this example. The song “Papa” was formulated on my iPad using Garage Band. I built the bass line and the drums – nothing too much, just enough for me to write to and have an idea for where I want the song to go. I wrote to it, and brought the iPad to the band and said ‘listen to this; I want to ‘lick’ this riddim.’ The bass line was there, the chord structure was there, the band listened to it and built from what they heard. So I would say it goes both ways. One more track like that is “Magic of Love!”

ZM:

“Magic of Love.” After listening to the song and the story it tells, why ‘magic of love’ and not ‘power of love.’ There is something special about the word ‘magic!’ Is the song the greatest Love story you’ve ever heard?

JM:

Well, they both are the same thing because the ‘miracle’ is the power and the ‘power’ is the miracle. Obviously, magic is a universal word and feeling, so to relate that word to the song, there is a man who seems to travel everywhere but no-one notices him. No one stops to say ‘you don’t look so good today – what’s going on.’ We have a problem with people not checking on their one-another, their neighbours and their friends. So here’s this guy looking for someone to care about him, and he’s on the brink of destruction, and here comes an Angel (whether an Angel God sent directly, or an Angel in the form of ‘man’) to save him.

ZM:

Must we be more aware with your natural eye?

JM:

Yes. More compassion is needed with each person we meet. Any moment might be ‘that’ moment when that person is going through and needs the ‘magic of love.’ We all must be that good Samaritan, just as it was told in the bible.

ZM:

“Chalice Load” is all James Brown! Are we hearing a jam session from heaven between James and your Dad?!

JM:

It’s definitely a combination of the two greats! Being a fan of the music, it’s natural that it came through the way it did. It just happened that way – it wasn’t planned but it definitely is a James Brown vibe for sure.

ZM:

Some of the collaborations on your album ‘As I Am’ includes The Tamlins (“Ting-A-Ling”), Shaggy (“It Wasn’t Me”) and Beenie Man (“Girls Dem Suga”); talk about diversity! Did you call them to the studio, or did you end up in the studio around the same time and a collaboration ensued; how did those musical unions happen?

JM:

Shaggy and Beenie Man I asked to perform on the track. Shaggy was on tour in New Zealand a few years ago, and we built a good vibe there, so as I made the track, the only person I could hear on it was Shaggy. Beenie was the only person to come to mind on the track “What’s New Pussy Cat.” If you listen to him flow, you will understand why – all the collaborations were just perfect. We have a good relationship with fellow musicians so it was a joy to have the guest vocals.

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con’d

Spragga Benz might surprise some people, but he was in the studio, heard the recording and said, ‘yeah, I need to jump on that track’ and that’s how we got “Panic Mind State.” Fans might not expect that, but just listen to what he did with the song. It’s great!

ZM:

Producers and music engineers help bring words to musical life. Who are some of the greats that contributed to this project?

JM:

Well family – Stephen and Damian which is a family unit. Lamar Brown, Uprising Band, DG Zilla from the UK, Mac Lee, Roland McDermott who is one of the greats from Tuff Gong Jamaica; we had all the greats, from musicians to producers to engineers – every aspect of this album is just great! I am happy.

ZM:

Perspective can help to define what we’re hearing so can you share some of the ‘perspectives’ you experienced in the past 10 years since your last studio album? Did you see the birth of children, the loss of loved ones, illness that was healed, travel to new destinations, experience of new culture; what were your perspectives?

JM:

Everything. Life in general that Jah blessed me with came with an experience and a perspective as you say. Traveling with the new times opened my eyes to things – we definitely never stop learning. Our mission is humanitarian so we sing about what the people need and that in a sense became my perspective.

ZM: The name of our magazine is L3 and each ‘L’ has a meaning. The first is for Life, the second for Love and the third for Lyrics. What general advice would you give our readers on Life, Love and Lyrics?! JM:

Life is to live and give thanks. Love is needed because Love extends the greater glory of life but be careful, you cannot buy love – it can only come organically. Lyrics is the cure to heal and uplift the soul. These three go together and create a powerful antidote for the people!

Connect with Julian on the ‘Gram!’ @julianrmarley

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