L3 Magazine ft. Spice Official - November, 2018 by L3 Magazine

November, 2018 | L3 Magazine ft. Spice Official | Life. Love. Lyrics. | www.L3Magazine.com

M A G A Z I N E

Carrie Graber An Open Artistic Heart with Light Colorism: Views From The Caribbean

Music Charts Video Charts Music News New on iTunes Rayven Amani Black Without Apology Support Independent Creators Economy Editorial: The Moment I Connected With Spice

Poetry of War Faleeha Hassan

Black Hypocrisy

Spice Official

L3 Magazine | November | 2018 | No. 56 CEO and Editor-in-Chief

Natasha Von Castle – natashavoncastle@gmail.com

Chief Creative Officer

L3 Group of Companies – L3Magazine@hotmail.com

Publisher

L3 Group of Companies

Director of Caribbean Promotions Keisha Pinnock

Contributing Editor and Caribbean Affairs Editor Tricia ‘ZJ Sparks’ Spence

Contributing Editor and Music Editor Tre Carn

Travel Editor Stacia Von Castle

Music Review Editor Jennifer Menster

Special Consultants Camille aka Talent Promo | Tilsa Wright

UK Editor Evelyn Germain Senior Writers & Photography

Editors Heart... While many fans and onlookers were concerned with Spice and the ‘bleaching’ of her skin for the marketing of her Mixtape entitled Captured, I was focused on her call for Women to come together and support each other … to become a force to be reckoned with as well as her message that Black is Beautiful. Spice’s message really connected with me. I can’t genuinely say I have experienced colorism or any discrimination within my community, but as a young girl, I recall my Dad experiencing this (colorism and discrimination) and the effect it had on me. I saw that at times, he was denied a role on TV or in a movie because he was black or too dark, and other times being denied the role because he was better than ‘expected.’ In a way I’m thankful he was denied those roles because he ended up being a high school teacher with a 34-year career with the Board of Education. Internalizing my Dad’s rejections built a determination in me to create my own and to always be in a position where no one can deny me based on how I look. I wrote my own stories and controlled my own golden pen. Most importantly, I never denied anyone based on how they looked … as a matter of fact, the more ‘different’ you looked, the more I liked you! I, up until now, was a minority. Today, we have multi-million-dollar creations and we need talent to drive them to reality. We don’t have the luxury of saying ‘no’ to a qualified person because of the shade of their skin; if we do that, we see the death of many dreams. Colorism will be experienced with more Women than Men. Thanks to Spice standing firm in the midst of this issue, we can finally address it honestly, then remove it from our consciousness. It’s time we be the community we deserve to be: the best! Agree or disagree via Twitter @NatashaVonC

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Saturday December 1, 2018

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“I had to use my voice to bring attention to a few issues that are important. Colorism is an issue that I couldn’t keep silent on anymore, and the treatment of my album couldn’t silence me either. For too long darker skinned women are being frowned upon; not because they lack intelligence or qualifications, but because of the darkness of their skin.”

- Spice

L3 Magazine interview on page 62

November, 2018 ft. Spice Official

Pg. 14 It’s one thing to hear the term ‘colorism’ and it is quite something else to hear how colorism affects both men and women. Nowhere is it more experienced than in the Caribbean: Jamaica and Trinidad and Tobago being the worst. Danielle Dixon investigates with first hand feedback. Pg. 24 More and more it’s becoming ‘cool’ to wear clothing, and support artwork made by independent creators. Supporting this economy is a little more than tokenism; it represents being a stakeholder as opposed to shareholder, and it keeps the dollar ‘independent’ instead of corporate. Pg. 30 Stay Golden with the newly relaunched cosmetics company couldn’t be easier! Their lip colors will make sure you make an entrance before you say your first words. We’ve got the details to make your lips ‘Pop!’ Pg. 34 It is appropriate that Beres Hammonds new album ‘Never Ending’ debuted at #1 on Billboard and iTunes charts around the world. He is the undisputed Godfather of Lovers Rock, and his new album contains classics to add to the many he’s already recorded. Read the reviews! Pg. 38 Rayven Amani recorded “Black Without Apology” to address the effects European beauty standards has placed on Black women. Rayven also shares that she has returned to her naturally coiled hair. Don’t miss this. Pg. 70 Carrie Graber is a self-confessed introvert, but her art is anything but! Her use of shadows, as well as warm and vibrant colors has put her work in the company of the late David Bowie and Leonard Nimoy. We were granted the special opportunity to speak to this incredible creator.

On the Cover: Spice is a marketing genius, who, with the change in her appearance got millions of people around the world talking about Colorism. Sharing deeply personal feelings, this Dancehall Super Star explained the devastating impact Colorism has on women - this while she dropped a Mixtape that debuted at #1 on charts. Spice is RUNNING the world! L3 Magazine | November, 2018 ft. Spice Official Pg. 11

LIF

Novel November! A novelty is something or someone that has never, or rarely been seen before, so it’s fitting that Spice was unanimously elected by the L3 Magazine team to be the calendar girl for November. Never before in the history of the genre of Reggae or Dancehall have we seen a Super Star boldly use her voice or her platform to bring attention to an issue that has deeply divided many families and many women as the issue of Colorism has. Social media was set ablaze when images of Spice with seemingly bleached skin made their rounds. People’s ignorance was exposed as comments reached a crescendo with speculation she bleached as a ‘publicity stunt.’ Her lead single from her mixtape is called “Black Hypocrisy” as it’s a video we invite you to watch. The message Spice delivers couldn’t have been said any better. For all women who are discriminated against because of the blackness of your skin, Spice understands and represents you! Check out the video for Black Hypocrisy:

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Colorism By: Danielle Dixon | Originally published at srmagonline Despite an increase during the past few years in the encouraging of persons of African descent of all shades to embrace their skin tone, colorism remains a very real and largely unaddressed problem within the Caribbean region known as the West Indies. The belief that lighter skin signifies class and beauty has been handed down from one generation to the other in many West Indian countries; chiefly of these, Jamaica and Trinidad and Tobago, with skin-bleaching to achieve a lighter complexion deemed almost a regular part of a beauty routine in the former. In Trinidad and Tobago, light-skinned individuals, commonly referred to as “reds,” (these individuals would be referred to as “redbones” or “yellowbones” in the African-American community) are much sought-after romantically, particularly if they happen to be female, and often considered more desirable than darkskinned persons. In Jamaica, light-skinned persons, known as “brownins,” are regarded almost with a sense of awe and with much respect and admiration, based solely on their light skin. Soulreflectionz.com spoke with a few locals residing in Trinidad and Tobago and Jamaica on the on-going issue of colorism within both islands. Here’s what some had to say: Kerl, Trinidad and Tobago: “I’m from Tobago; the smaller of the twin island known as Trinidad and Tobago. If you think light-skinned people are held in high regard in Trinidad, you haven’t seen anything yet; it’s a lot worse in Tobago. Here, (in Tobago) people automatically assume that you’re upper-class if you’re light-skinned. And men consider ‘locking down a reds’ (getting into a relationship with a light-skinned woman) to be a huge accomplishment, since light-skinned women are seen as difficult to woo. And then there’s the way light-skinned people in Tobago behave. The majority of the population here in Tobago is dark-skinned, so the few that are light-skinned act as though they are the cream of the crop, largely because they well aware of how so many Tobagonians view them.” Michael, Trinidad and Tobago: “There’s no question that in Trinidad and Tobago, a lot of people see light-skinned individuals as superior to those with darker skin. Here, light-skinned means ‘exotic’ to many, and exotic, in turn, is considered to be more interesting. Light-skinned people tend to have the advantage/upper hand when it comes to the way they are treated by the general public. I’m not just saying that. I’ve seen it with my own eyes, and, being dark-skinned, have been on the receiving end of negativity because of my shade of black. Slavery definitely has a part to play in this mindset. If you study the history of West Indian slavery, you’ll see that L3 Magazine | November, 2018 ft. Spice Official Pg. 17

Photo Credit: Paul Phillips

Colorism con’d slaves were house slaves, while the dark-skinned slaves were put to work in the fields. The light-skinned slaves found more favor with the slave-masters, so, because they all sought this type of favor that light skin afforded, a lighter complexion became a coveted thing. Slavery may be over, but a large part of Trinidad and Tobago’s society, and by extension, West Indian society, is still struggling with being mentally enslaved.” David, Trinidad and Tobago: “As a light-skinned person from Trinidad and Tobago, I can speak from the perspective of the lightskinned individual. First of all, it’s not all rainbows and butterflies for people who look like me (light skinned/biracial). It’s as though we’re not seen as ‘Caribbean enough’ by Caribbean people, even though we were born and raised in the Caribbean. Many people also seem to expect us to be snobs; we’re judged even before we open our mouths. I’ll admit that, as a light-skinned person, I’ve seen light-skinned people being hired faster by employers than darker-skinned people. But if, for example, a light-skinned or biracial girl is sent to represent Trinidad and Tobago at an international beauty pageant, she usually won’t receive much support from her own countrymen, simply because she is light-skinned and/or biracial, and there’s some unspoken rule that people who look like that shouldn’t represent the Caribbean anywhere because they don’t ‘look’ West Indian enough. So colorism discrimination really goes both ways here.” Sherz, Jamaica: Here in Jamaica, we call light-skinned people (especially women) ‘brownins.’ Now a brownin can be any shade between caramel and beige. In Jamaica, a light-skinned person or ‘brownin’ tends to be considered more beautiful, and the preference of many Jamaican men. How many dark-skinned girls have you seen sent to represent us (Jamaica) at Miss World or Miss Universe level? If you’re a dark-skinned girl in Jamaica, it doesn’t matter how pretty you are; you’re out of luck with the men. The brownins get all the guys. My honest opinion on this, as a dark-skinned girl, is that it makes us dark-skinned girls feel as though we’re ugly; as if we’re lacking somehow. I was born into a society that pushes this light-skinned thing; this obsession with light skin, so I can’t say I know how it came to be, but, after studying slavery, I think it certainly has something to do with that.” Peggy, Jamaica “Many people don’t realize how deeply engrained in the Jamaican mind is the obsession with what we call ‘color,’ or light skin. Light skin is the equivalent of beauty and status here, and dark skin is seen as the opposite of beauty and status. Not only are ‘brownings’ considered more desirable in terms of physical attraction and romantic potential, but people automatically think that when you’re a browning, you’re financially well-off. You think ah lie me ah lie? (You think I’m kidding)? There’s something we call ‘brown skin tax’ here, or light-skin tax, if you may. If a light- skinned person goes to a store to make a purchase, he/she will be charged more for an item than a dark-skinned person who attempts to purchase the same item. If a light-skinned person is seen using public transportation here, he/she is looked upon with surprise, as ‘brownings’ are expected to be well-off enough to afford their own vehicles. L3 Magazine | November, 2018 ft. Spice Official Pg. 19

Colorism con’d There are even employment vacancy ads where they ask specifically for a ‘pretty browning’ and bluntly state that a they are not looking to hire a dark-skinned candidate. So this should help you to understand why a brown complexion is so desired or preferred over a dark one. And people will go to any length to get that brown complexion. You have young men and women here who mix together five different bleaching agents at the same time to apply to their skin; you have people putting hydrogen peroxide into bleaching lotions to make the lotions stronger and more effective. We have people walking around with umbrellas to ward off the sun, covered from head to toe, just to avoid getting ‘dark’ again after bleaching their skin. People end up severely and permanently damaging their skin due to the long-term use of harsh products for bleaching that ought not to be used on skin at all. People walk around looking like duppy (zombies) because that’s not their natural complexion. And the men? they don’t like dark-skinned women at all. If you’re dark, it’s like they don’t see you. It isn’t easy to be a dark-skinned person in Jamaica at all.” Soulreflectionz.com and L3 Magazine will like to thank those who participated in the interviews for this article. What are your views on colorism in the Caribbean? Sound off in the comments section of our social media posts @L3Magazine.

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Poetry of War Faleeha Hassan

Poetry From the Despair of War Faleeha Hassan, who is currently in the United States, was born in Najaf, Iraq, in 1967. She earned an M.A. in Arabic literature and has published several collections of poetry in Arabic: Being a Girl, A Visit to the Museum of Shade, Five Titles for My Friend-The Sea, Though Later On, Poems to Mother, Gardenia Perfume, and her collection of children’s poetry, The Guardian of Dreams. Her works of Arabic prose include Hazinia or Shortage of Joy Cellsand Water Freckles (a novella). The first six poems featured here come from Qasa’id Ummi (Poems to Mother), which was published in 2010 by Dar al-Yanabia in Damascus, Syria. Her poems have been translated into English, Italian, German, French, and Kurdish. She has received awards from the Arab Linguists and Translators Association (WATA) and the Najafi Creative Festivalfor 2012, as well as the Prize of Naziq al-Malaika, the Prize of al-Mu’tamar for poetry, and the short story prize of the Shaheed al-Mihrab Foundation. She serves on the boards of Baniqya, a quarterly in Najaf, Sada al Nahrain (Echo of Mesopotamia), and the Iraqi Writers in Najaf association. She is a member of the Iraq Literary Women’s Association, The Sinonu (i.e. Swift) Association in Denmark, the Society of Poets Beyond Limits, and Poets of the World Community.

In Nights of War My mother forced us to go to sleep before sunset She told us the warning siren will take the sleep from your eyes Just as the raid will take the houses from their streets We run toward everything We eat from fear of running out of food We drink water without thirst And like chicks We crawl into her abaya And sleep without sleeping At dawn We run toward the windows And open our eyes wide When we start counting all the destroyed houses around us And thank God for the blessing of sleep

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Support Our Independence

Support Independence By: Steffy T and Zakada Milton Let’s face it, we are living in a world where major brands and designer clothes are the preferred acquisitions of the majority, and some would argue that we should all aspire to be able to dress ‘to impress.’ On the other side of that coin are the believers that we should support independent designers because they are the ones whose revenue goes back into the community, therefore keeping the economic engine going for stakeholders as opposed to shareholders. Both sides have a valid point. We held a round table discussion asking the simple question: ‘why should we support independent business’ and the feedback was incredible. While we can’t give you all of the responses we received, what we can do is share some of the responses that represent the majority. 1. Economic Empowerment. There is no better way to create and maintain future millionaires than to invest in what they produce. Whether you support the local Tailor or Seamstress, the local artisan or mechanic, spending as little as $20 adds up when other like minded people support as well. 2. Controlling Culture. Several respondents were adamant that independents continue to thrive so that cultural history can be maintained and promoted for the power it holds as opposed to being promoted as a ‘story / tradition / sculpture’ of old, lessoning its significance. 3. Giving Back. Stockholders are focused on making money and keeping it to themselves, whereas independent creators are seen as people who give back to the community by re-investing dollars earned in fellow creators. Over and above the three points listed above, there is no greater feeling than to know you are wearing an original design, or you have a limited painting that not many other people in the world have. There is a commonality between the things we buy and our personality: they are exclusive to us. By no means are we suggesting that the world stop buying major or mass produced brands, but what we are suggesting is adding independent labels to your wardrobe, and local artisan produced paintings and works of art for your walls … that’s what we call balance! Agree or Disagree via Instagram @L3Magazine

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Digital Trends In Music....

VP Records in association with CITE Collective and Style & Vibes, is proud to present an in-depth panel discussion titled “Digital Trends in Music” next Wednesday November 7th at the WeWork at 24 Broadway in Manhattan from 6:00pm-9:00pm. The event will be an informative and detailed conversation on digital analytics, playlist curation, social media, podcasts and more. Moderated by Mikelah of Style & Vies, the FREE event is ideal for anyone interested in learning more about the digital segment of the music industry and beyond. When it comes to music, digital has changed the way artists reach their fans and how fans consume artists’ music. With so many avenues to discover new music putting some context behind how the digital landscape has impacted Caribbean artists. The panel is dedicated to discussing digital trends as it relates to music, there will be discussions on how analytics, playlist curation, social media and podcasts are changing the way artists reach their fans and make money with the tools within their reach. The panelists, Ronnie Tomlison (Music Publicist & CEO of Destine Media PR), Sean Lynch (Marketing Specialist), Ravi Ramkeesoon (CEO of Findmyfans.co) and Carter Van Pelt (Director of Catalog for VP Records) represent the best in marketing, publicity and more. “VP Records is excited to be associated with this event because as technology continues to change, we need to adjust to the needs of the fans,” said Chelsea Grant, Project Manager of VP Records. “This panel gives us a way to have a direct dialogue with consumers and experts in one room, at the same time.” “As a blogger, I understand that the people are pushing the trends for new needs to consume content on all fronts, so understanding these changes is imperative to everyone within the music industry from artists to listeners,” states Mikelah of Style & Vibes. “This event gives us the opportunity to share in what we know, dissect the trends and connect with people who can drive impact. CITE has a great imprint of talented innovation and technology career individuals that move in various industries so it’s a great fit.” About VP Records VP Records, founded by Vincent Randy Chin and wife Patricia Chin in 1979, is the world’s largest record label for reggae music. Together, the Chins have acquired a roster of reggae legends including Shaggy, Sean Paul Beenie Man, Bounty Killer, Mavado and more. Their adoration and ardor for reggae music, the history, the present and the future has been instrumental to the label and its artist’s monumental achievements. VP Records is also the parent label to Greensleeves Records, Riddim Driven Clothing, 17 North Parade, Reggae King Radio and Dub Rockers. Through all their numerous ventures, VP Records continues to be miles ahead in reggae and soca music.

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Stay Golden

Leading Cosmetics

Staying Golden By: Pia Jordine One of the first things people pay attention when speaking face to face, are a person’s lips! If even for a brief moment, we can’t help but notice a person’s lips; from the shape to the words being spoken to the color being worn – lips are a focal point! Danielle Edmond a Jamaican firebrand who makes sure our lips ‘pop’ with the creation of one of the most the quintessential cosmetics lines called Stay Golden Cosmetics. The Glitter Lip Kit is the epitome of ‘turn up’ proof. People are fascinated with the lip line’s staying power as it was created with four themes in mind: bold, the unicorn, the wildflower and of course the party animal. You can “LITerally” light up a room with how dazzling your lips will become while wearing Stay Golden lippies. This cosmetic line is guaranteed to turn heads, followed by a compliment. The selling point for Stay Golden Cosmetics is that it doesn’t smudge, which is hardly seen in the ‘Glitter Lips’ world. It dominates what cosmetics should be which is cruelty-free with some added bonuses which include being completely kissable proof, waterproof, eatable proof, and the infamous ‘drinking from a straw’ proof. It is by far suitable for all four seasons, as we emphasize on inclusivity as it relates to all ages and skin tones. As you can tell, this lip kit is like no other! Edmond created this line of product because, being a former model, she believes in a woman’s empowerment, and that empowerment must shine in how she looks - feeling like her best self which is staying golden and being bold. Edmond says “our lip-kit ranges from holographic to metallic, with fifteen colors in our collection (Regal, Plum Yum, Glitz, Peachy, It’s Coco, Galactica, Burlesque, Stay Golden, Vamp, Risque, Baeby, Audacity, So Bae, Deja Vu, and Stellar). We found our niche by creating an exquisite brand that is out of this world. We recently expanded by adding matte lipstick and lip gloss. I strategized on developing and promoting colors one may be interested in or never thought of experimenting upon, especially when it graces the topic of skin tone.” Stay Golden Cosmetics was officially established in April 2017, with the goal of focusing on inclusion. Their packaging proudly features three models with skin tones ranging from light, medium and dark. In 2018, they re-launched with a brand new aesthetic to reach a broader spectrum of individuals soon after lip kit line of expansion. This effort became a reality once they launched the Authorized Retailer Program which allows them to distribute their colorful products worldwide.

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Music We Love Singer & Songwriter

Beres Hammond “Never Ending” Legendary reggae artist Beres Hammond’s new album “NeverEnding” has debuted at number one on the Billboard Reggae Chart in its first week. The album was also number one on iTunes in the US, UK, and Japan, within the first hour of its release. To launch the album, Beres participated in a whirlwind promotional tour that included media and consumer events in Jamaica, Florida and New York. Highlights included a live radio simulcast / unveiling hosted by the RJRGleaner Group, in store meet and greet events at VP Records retail outlets in Miramar, Florida and Jamaica, New York and a Today at Apple appearance at the SoHo, New York location where Hammond was interviewed by journalist Rob Kenner of Mass Appeal. Music at the Apple event was supplied by Massive B Sounds. At the VP Retail Store in Jamaica Queens, hundreds of people waited outside in the cold for their chance to meet Beres for an event that lasted over 6 hours. All told, hundreds of fans got to meet the singer and receive autographed copies of the “Never Ending” CD and LP. Digital sales were also strong with Hammond making his strongest debut with album downloads earning him #1 rankings on the iTunes platform in the US, UK and Japan. Another monumental achievement came when Apple Music, the music and video streaming service of Apple Inc., expanded its BeresHammond Essentials playlist to highlight 75 of the lovers rock maestro’s greatest songs across three playlists: Essentials, Next Steps, and Deep Cuts. Beres is only the seventh reggae artist to have such an expansive profile of his work on the streaming platform. Hammond’s latest single “I’m Alive” from “Never Ending” is also featured on Apple’s influential The A-List; Reggae playlist. “Never Ending” is Hammond’s third #1 album on the Billboard reggae chart. It was preceded by “A Moment in Time” released in 2008 and “One Love, One Life” released in 2012. Over the span of his three-decade career, the legend has obtained 8 Top 10 hits on the Billboard Reggae Chart, including “In Control”, “Love From A Distance”, “A Day in the Life”, “Music is Life”’ and “The Ultimate Collection: Beres Hammond.” A forthcoming video for “Land of Sunshine” will be released in the coming months. The visual for “I’m Alive”, directed by RD Studios, premiered on Billboard earlier this month. “Beres Hammond continues to make music that is timeless and the ‘Never Ending’ album is no different,” said Christopher Chin, CEO of VP Records. “We are delighted that the album has debuted at number one in the U.S. and even more excited to share this great music with the world.” Get “Never Ending” Here: https://BeresHammond.lnk.to/NeverEndingPR L3 Magazine | November, 2018 ft. Spice Official Pg. 35

Music We Love Producer & Composer

Bulby York “Master Blaster” Legendary Jamaican producer Collin “Bulby” York released his sophomore LP Master Blaster to much critical acclaim. The genre-spanning album has been lauded as an “11 track masterpiece” by leading reggae website World A Reggae. Of the accolades, Bulby said “I’m just happy about the support and truly humbled by the response so far.” Recorded at some of Kingston’s most distinguished studios like Tuff Gong, Big Yard, Mixing Lab, and Harmony House, Master Blaster features a role call of reggae’s top shelf vocalists and musicians. “Freedom” finds Beres Hammond, Marcia Griffiths, J Boog and Lutan Fyah joining forces over a music bed supplied by the elite crew of drummer Sly Dunbar, bassist Flabba Holt, keyboardist Steven “Lenky” Marsden, guitarist Garth “Duckie” Forester, saxophonist Dean Fraser, and percussionist Alvin Haughton. On “Never Bow,” the late great Joseph Hill is joined by Leego and Kumar Bent (former lead singer of Raging Fyah) chanting over a nyabinghi riddim provided by drummer/percussionists Sticky Thompson and Bongo Herman, guitarists Earl “Chinna” Smith and Jai Vatuk, keyboardist Christopher Birch, and bassist Danny Dennis. “Lots of Signs” features superstars Christopher Martin and Beenie Man delivering a modern take on this cover of Tenor Saw’s classic cut. The song recently sparked a social media challenge where dozens of hopeful dancers submitted their best skanks to Bulby’s Instagram. On “Cherry Oh Baby,” Busy Signal and Trinidadian Soca star Patrice Roberts team up for what Jamaica Observer call a “raucous dancehall” version of Eric Donaldson’s celebrated tune that has been covered by the likes of the Rolling Stones and UB40. Check the official “Cherry Oh Baby” video here: https://youtu.be/jZ03YV2hoHk The prolific engineer and producer is best known for creating pillars of reggae music like Beenie Man’s “Stop Live in a de Pass” and Yami Bolo’s “Put Down Your Weapon” and has also handled live and studio engineer duties for A-list artists like Chaka Khan, Madonna, and Jimmy Cliff, among many others. York has also served as resident selector for Michael Franti since 2010 and will once again join him on a North American tour in October. Connect on Social Media @bulbyyork

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Music We Love Composer & Songwriter

Rayven Imani “Without Apology” Rayven Imani has been putting the message in her music for the longest time. With the perception that ‘the fairer you are the more likely it is to become successful’ so common among African descendants / Black people, many have adapted what is called the ‘European standard of beauty’ which sees women wearing wigs, weaves (false hair) and both genders bleaching their skin. These trends are seemingly growing out of control in spite of how harmful it can be. This lack of self esteem or little to no knowledge of self is what Rayven Amani addressed with her single “Black Without Apology.” Originally released in January of 2017 on various media platforms, the singer not only sang about the issues, but shared her own struggles with embracing her own hair before returning to her natural coil little over a year ago. With Black History Month quickly approaching, and the need for dialog on the topic of Black Beauty, Rayven hopes that her music, combined with the voices of others, sparks deeper conversations that will empower people struggling with these issues. Rayven and her “Mission Driven” band are on the road performing at various live music spots to promote her music which she describes as a “different kinda riot” meaning music for social change. Rayven Amani grew up in Montego Bay, Jamaica where she passionately pursued her dream of becoming an Artiste and Songwriter. Her first song, “Wanna Be Free” received favourable feedback and was added to rotation on local radio and television stations. It wasn’t long before her talent began to be front of mind with industry and fans alike, so she became the on-air personality for the hit TV show YaadBeat! Her captivating personality held viewers as Rayven interviewed some of the most talked about performing artists in the music industry. Feeling the spark of creativity, Rayven went on to produce one of her crowning achievements: Jamaica’s Best School Band! With this endeavour, the artiste travels across Jamaica shining a spotlight on some of the best musicians emerging from high school! Creative, dedicated, determined, multi-faceted are few words one could use to describe Rayven Amani, as she is now poised to take her place among the finest in the creative industry. Fans can connect on Instagram @rayvenamani L3 Magazine | November, 2018 ft. Spice Official Pg. 39

Music We Love

Upcoming Artist Spotlight

Jabarii “Handcart Driver” By: Bubbles St. Louis of Island Beats Magazine

Every once in a while, we are treated to a new talent whose voice causes our ears to perk at attention. Jabarii, an upcoming conscious artist from Jamaica has done just that with the real-life story of the handcart boy. When we hit the ‘play’ button on Jabarii’s music, it’s hard to believe that this is the voice of an artist who has just started his journey in Reggae … his journey began this year! Born with a passion for life and music, Jabarii made a vow to sing consciously so that he could tell his life story and share how he overcame challenges in his own life beginning with his breakout single “Hand Cart Boy!” Jabarii described his major milestone since he began in the music industry this year as continuing to sing even with financial barriers which he says “has proven difficult” and presented themselves as being a potential and permanent set back. He uses his passion to keep him moving. Still early in his career Jabarii has not graced the stage with his conscious vibes and soothing voice however it is something that he is working on and very actively. Island Beats asked Jabarii if his first track to touch the airwaves was a true story and he revealed that it was indeed his life story as a handcart boy in Jamaica. Many doubted that his dream to sing his story to the world would manifest however he pushed that handcart to see his dream become a reality so to speak. Though he has just begun and has not reached his pinnacle of success yet, we count getting into the business as a first round ‘win!’ With that, we asked Jabarii to render his advice to the youth’s that have gravitated to violence and crime as their source of survival. His response “hold on to a positive mindset and although life is filled with changes, continue to believe in yourselves and never give in to the dark side no matter the circumstances.” Jabarii is no doubt on his way to the top with his musical testimony of hardship and trials with a strong will to share the passion and dedication he holds to succeed and motivate others through his music. Connect with Jabarii on instagram @Jabarii_muzik or Facebook Fan Page: https://www.facebook.com/jabarimusic/ L3 Magazine | November, 2018 ft. Spice Official Pg. 41

Sound We Love World Clash Turns 20

This is How You ‘Kill’ a Sound! For Caribbean entertainment specialists Irish and Chin, sound clash is a way of life. And with roots firmly planted in New York and Jamaica, Irish and Chin has thrived as a purveyor of Jamaica’s indigenous sound clash culture for over two decades. The distinctive company, which has amassed an incredible following over the years, has skillfully navigated the times and has helped bring sound clash to international, mainstream status. Remarkably, Irish and Chin has accomplished this feat via the success of their diverse portfolio of signature events, including the famed World Clash, which is celebrating it’s 20th Anniversary all year long. A commemorative edition of World Clash during Reggae Sumfest kicked off the celebrations, captivating international audiences far and wide. Now, the lights, dubs, excitement and action of sound clash are set to erupt in Toronto, Canada at the Tibetan Cultural Center, as the milestone anniversary of World Clash culminates with its official staging on Saturday, November 17, 2018. Compliments of the Irish and Chin Rumble Series, qualifying sound clashes held in several countries each year, the iconic World Clash will feature some of tomorrow’s sound system stars competing in a clash of epic proportions, one reminiscent of a high-profile sports event. In fact, throughout it’s tenure, World Clash has been revered as the “Super Bowl” of sound clash, a competition that every sound heralds as a pinnacle of their career. The long awaited 20th Anniversary sound clash, which has garnered a monstrous hype, will see Rumble Series winners facing off against 2x World Clash champion King Turbo, who proudly represents Canada. The buzzin’ line up of sound systems and selectors who have gained notoriety while climbing the ranks in their respective countries includes DeeBuzz (Euro Rumble), 3 Sevens (Caribbean Rumble), Jah Works (Japan Rumble), Dynamq (U.S. Rumble), Empire Sound/Mour Dan (UK Rumble) and Mystic Sound (Canada Rumble). “We are extremely proud that World Clash has stood the test of time,” says Garfield “Chin” Bourne of Irish and Chin with a beaming smile. “Our goal is to have the World Clash brand and the phenomenal art of sound clash continue to wow International audiences for years to come.” Bourne adds, “I am equally interested for new sound system stars to achieve notoriety and success, while new fans are introduced to the allure and thrill of sound clash.” With sound clash enthusiasts and scores L3 Magazine | November, 2018 ft. Spice Official Pg. 43

World Clash Con’d of new followers of the culture in a frenzy, tickets for World Clash are moving at a rapid rate. Although many clash fans have been gearing up for #WorldClash20 for over a year, there are still some who can’t make the trek, peaking the demand for pay-per-view. And for this reason, despite Irish and Chin’s emphasis on the authentic, in-person sound clash experience, the esteemed promoters are offering just 500 pay-per-view subscriptions for international fans. Contributing to the already impressive World Clash vibes is the Pre-party, which will be curated by premiere Canadian sound, Nitro. What makes the Pre-party a special treat, also held at the Tibetan Cultural Center, is the fact that now juggling/bashment fans will have a chance to celebrate World Clash and hopefully be motivated to attend the renowned clash. Pay-per-view subscriptions, tickets for World Clash and the Pre-party are available exclusively on www.irishandchin.com. Irish and Chin’s love of sound clash dates back to the 80’s and 90’s, but it was when two fellow sound men joined forces in 1998 to revive New York’s then fading sound clash scene that World Clash was born. The inaugural clash, which was held at Amazura in Queens, New York, featured Kilimanjaro (winner), Coxsone and Downbeat. Incredibly, Irish and Chin catapulted sound clash to another stratosphere with World Clash. Comparable to a theatrical production, World Clash comes to life with a bevy of lights, visuals, staging and sound systems and selectors as stars. The unmatched clash has been held in numerous countries including the United States, Jamaica, Canada, England and Antigua. The World Clash brand has set an unprecedented standard over the years, spawning loads of similar, mostly corporate, staged iterations. The long awaited World Clash 20th Anniversary in Toronto, Canada is set to exceed expectations. Fans are guaranteed an electrifying and authentic sound clash experience chock full of dubs, speech and robust talent from some of the most promising international sounds and selectors in the game. Get there!

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Sound Update Super Fresh Sound

‘Killing’ Sounds For 26 Years

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Music We Love Work Your Waistline

Dancer from DanceDeets.com

Energy Tracks For a Fit Body!

Images by Robin Claire originally created for LargeUp.com

By: Steffy T Hello waistline Queens! It may be a little chilly outside, but there’s no reason for It’s a new season, and we’re bringing a fresh new vibe! Now is the time to step up your cardio game to keep your heartrate healthy while keeping good energy around you as the colder temperatures sets in. We all need a good mix to get into workout mode so plug these songs in to your playlist and watch it all burn away ... The calories, the fat and anything else that doesn’t serve you anymore!

MaleeMoris Beat & A-Star - Kupe Dance Tekno - Pana Rygin King - Tuff MHD - MulaGang Vybz Kartel - Good Man Mical Teja - Want Rickey Reid - Suga Lump Nadia Baston - Catching Feelings Machel Montano - Waves Spice - Tik Tak Jus D - 9 ( NaNaNi ) KHXOS - Been On My Mind Paper Tiger - Illuminated (Blacksmif Re-Lick) L3 Magazine | November, 2018 ft. Spice Official Pg. 49

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L3’s Top Independent Spins

TOP DIGITAL SPINS

1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20.

Popcaan – Silence Vybz Kartel – Real Bad Gyal Shenseea – Pon Mi Wayne Marshall – Glory to God Beres Hammond – I’m Alive Tarrus Riley – Guess Who Popcaan – Family Alkaline – Dutty Badmind Shenseea – Shen Yeng Anthem Aidonia – VVS Patexx – Stronger Spice – Black Hypocrisy Kranium – Sidung Jae Prynse – Try Harder Busy Signal – Stay So Rygin King – Tuff Spice – Tick Tack Mavado – Father God Aidonia – Big Baller Popcaan – My Type

*Charts are based on radio airplay in Canada / YouTube Views / Live Event Selection Fan Feedback

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WATCHED VIDE O ’ S

Frenz For Real Top 10 Watched Videos 1. Spice – Black Hypocrisy 2. Teejay - Uptop Boss 3. Ding Dong - Cha cha bwoy 4. Popcaan - Family 5. Govana - Champ 6. Teejay – Uptop 7. Masicka – Stay Strong 8. Shenseea – Shen Yeng Anthem 9. Rygin King – Tuff 10. Jae Prynse - Try Harder *Based on recent YouTube views

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LYR

RICS L3 Magazine | November, 2018 ft. Spice Official Pg. 59

Spice

‘Black Hypocrisy’ By: Natasha Von Castle | Photography: Bryan R Smith

There is no other Dancehall Super Star in the history of the genre to cause millions of people around the world to talk about her, and her alone regarding a topic she brought to the table. Spice did that. With the launch of her Mixtape entitled ‘Captured,’ Spice controlled the narrative by appearing to have bleached her skin. Most fans immediately saw it for what it was: a means to convey a point about how dark-skinned women are treated. Suddenly, the ‘woke’ audience members on her social media began using her picture as their profile picture. From Facebook to Instagram to Whats App to Twitter, Spice was front and center not only visually, but conversationally as well. Spice is running the show. R-U-N-N-I-N-G the show. As her own record label handling marketing, radio plugging, touring and the releases of her singles, Spice has a natural PhD in understanding what makes her fans ‘tick’ and what keeps them ‘tocking.’ She singlehandedly grew her fan base from thousands to millions who come from all walks of life.

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Stepping to center stage, handling the microphone and controlling the audience (commandeering them to have a good time, be free and be positive) is her craft. Using her voice to bring awareness to issues affecting many dark-skinned women across the Caribbean and various parts of the world, well, that was genius. NVC: Spice! Clearly it is not business as usual with you. Beginning with you, and with the backing of millions of Smurfettes worldwide, you have shaken the earth with your Mixtape ‘Captured.’ S:

I had to. I had to use my voice to bring attention to a few issues that are important. Colorism is an issue that I couldn’t keep silent on anymore, and the treatment of my album couldn’t silence me either. For too long darker skinned women are being frowned upon; not because they lack intelligence or qualifications, but because of the darkness of their skin. Some of the worst discrimination comes from our own.

As for my label, I have been pushing to have my album released – for 10 years – and all now it’s not here, so, I released a mixtape. My fans are happy, the pre-orders and sales are better than I expected, and the lead single “Black Hypocrisy” is trending worldwide. My voice is being heard.

NVC: We should never underestimate a Woman ‘Scorned.’ S:

No the world shouldn’t.

NVC:

A part of your message to women in particular is that we become unified and support each other. This was clearly spelled out in the video “Black Hypocrisy” which you begin by saying ‘I have a dream that one day black women will support each other, rather than bash each other….’ This is personal to you.

Yes, it is personal, and yes the time has come for women to support each other. Also, in the video I make it clear that we are beautiful, lovely, attractive, courageous and kind. The first letter of each word spells ‘black.’ It is time to eradicate the perception that light skin is better than dark skin. It is simply not true. I have experienced this first hand which I sing about. Since the release of the video and the mixtape I have received apologies from people who discriminated against me because of the melanin in my skin. Now that we are addressing the issue, we can move on in a healthier way. I am black without apology and I am beautiful.

NVC: Another topic you have ‘addressed’ in a sense with your Mixtape is the lack of support you say you are not receiving from your record label. Can we talk about that? S:

Yes we can. What I’d like to say is I have produced a project, the Captured mixtape, I marketed it and put it out on my own. If I did it on my own, they could have done it. I have given them 10 albums over 10 years – I’m an independent woman, I’m very strong, I’ve grown, I’m ready and I won’t be held back – no matter what.

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NVC: Tell us about Captured – the project. S:

It’s a 20-track mixtape that has a clean version and a raw version and it’s a huge success in Dancehall. During the making of this project, I was very hands on with the process. I didn’t leave the studio – I slept in the studio and I made sure everything sounded how I wanted it to sound. I did not hesitate to buy my plane ticket to fly in at whatever time was necessary to make sure every track was done to perfection. If I had to do a 10-hour session, I was there for the full 10 hours. I am very serious about what I do and what I give to my fans.

For the songs on the project, they were produced by my own record label which I have named Spice Official Entertainment. This was forced because of the situation I am in with this label and me being ‘Captured.’

NVC: You really embody female empowerment and because of that embodiment, you empower females worldwide. You have your career that you created, a record label; you do everything singlehanded ly. Should we start saying ‘Spice for President?’ Maybe ‘Spice for Prime Minister?!’ S:

Girl!!! (laughs) I would do a damn good job and that is something I am sure of!

NVC: Your organization, The Women Empowerment Foundation has a focus on women who are experiencing abuse and economic hardship. What has the feedback been like and when did you know this was an organization you had to launch? S:

The foundation was created to reach women through education and entrepreneurship. While I do believe education is the key to a successful future, I also know for a fact that not everyone was born to be a lawyer or doctor. Those women who are not doctors and lawyers have to be given a chance too; they must be given the tools to start a business. They cannot become stagnant and turn to destructive ways, so I want to give women a second chance at life. Some of these women don’t have the finances to go to College, so my foundation is about giving them a second chance.

We sponsored a woman to go to College in the amount of $300,000 JA dollars because that is what the tuition fee was. We handed her the check, and she has gone to school and is doing very well. I get updates regularly, so I know this second chance is important to her, and she is looking forward to her future and I am too!

This movement birthed itself. It happened when I shared a post on Instagram about not feeling like myself (even though I am always bubbly); sometimes women wear masks that everything is ok, when really it is not. We’re going through so much and hiding behind the smile on our face. So the post resulted in so many women reaching out to me, and expressing what they are going through. My conclusion was that there are a lot of women who are desperately in need in certain situations and that’s what started the Women’s Empowerment Foundation.

NVC: Are there plans to expand the foundation; various countries – even worldwide?

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Yes, that is the plan. I hear from my fans worldwide, so I know my organization is needed globally.

NVC: To go back for a moment, and to touch on Education, would you agree that travel is an important form of education? S: The more I travel, the more I know what’s happening around the world. I’m not getting my news from CNN, I’m getting my news from being on the ground – seeing and hearing. With that said, I know the issues affecting women in London, in Russia, in Toronto, across the Caribbean because I’m there and I see and hear. I will definitely say that Travel is education and I am able to teach others.

I see what works in other countries, so I can share that knowledge with women who can apply what I’m saying. We can all improve our lives.

NVC: You always give your dancers time to shine within your show. Again, a real-life example of the message in your mixtape: women must support each other. What do you say to other women who are trying to keep other women down and not have their light shine as brightly? S:

If women come together, we will create a force that cannot be reckoned with – that cannot be stopped. Just as you say, I do make time in my show for my dancers to shine. It’s better that way. The audience needs to see the real Dancehall style of dancing – it just adds to the show – and I like to see the crowd interact with our culture!

Another point to add is that when fans come to see me perform, they’re looking for a show; not just to see me perform my songs on the stage and leave, they want a show. My dancers add to my performance and together we are a show – a force to be reckoned with!

NVC: During your live performances we’ve seen you bring up some great audience members on stage with you. Are there any moments that make you say ‘wow?!’ S:

I’ve had a lot of those moments! I never hand-pick who comes up on stage, I just go with the vibe. In Europe, the Caucasian girls get really wild and when they come back stage for pictures and I say, ‘thank you very much for coming on stage,’ they look at me and don’t say anything because they can’t even speak English. That’s how powerful music is, and thankfully my music. They can’t speak English, but they can sing every word to my songs; It’s amazing to see how they enjoy my music!

NVC:

Every now and again you give us a glimpse of you with your children having fun, participating in school activities or traveling. How much of the business of Dancehall do you expose them to? Are they aware of the many counties you visit in a year, how many lives Mommy touches every time she takes the microphone?

No I don’t expose them to the business of Dancehall. When I’m in my black wig I’m Grace Hamilton

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con’d

and I am Mommy. I don’t allow them to listen to my music and I am careful with what I allow them to see and hear. One day they will get to know about the business, but we are a long way from that, and one day they will know about the impact of my career on my fans. For right now, it’s school work and school activities!

NVC: The name of our magazine is L3 and each ‘L’ has a meaning. The first is for Life, the second for Love and the third for Lyrics. What general advice would you give readers on Life, Love and Lyrics? S:

On Life, I leave the readers with my motto which is ‘good, better, best, never let it rest until your good becomes better and your better becomes best.’ Always be determined, keep going; you are blessed with one life. Fight until you can’t fight anymore. For Love, always tell your loved one that you love them. It doesn’t have to be an intimate relationship; just tell the people you care about that you love them. Lyrics: stay genuine!

Connect with Spice on all platforms: @spiceofficial

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Carrie Graber

‘The Open Artistic Heart’ By: Song River | Visuals by: Carrie Graber

“I think that it’s important for me to realize that things are coming together - skill, observation, and consideration. As an artist, I pursue what will give me the greatest satisfaction and joy, a communication filled with discovery and triumph.”- Carrie Graber “Just insist on being the artist you know you are inside. I think that is the best thing to do.”- David Bowie There isn’t any better introduction to a creative soul that speaks louder and more poignantly than the artists’ words about themselves. Artist Carrie Graber brings her radiance of warm colors and light into the joy of each mid-century painting she creates, even her ceramic works breathe that same radiance of warmth. I recently had the chance to talk with Carrie about her work and touch on her life’s journey that shows in each of her creations.

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SR:

Let’s open the painter’s box shall we Carrie? Often artists see the world in a way that is unique. At what age did you come to realize that painting, drawing, and other artistic modalities were going to be your way of expressing your perspectives?

CG:

I don’t know that we do, really. Maybe it’s just what our minds select for us to notice? Either way, I was pretty young ... maybe 6? When I figured visual language was my preferred one I was, and am still, very shy and enjoyed construction paper projects and whatnot in school in lieu of written and verbal ones.

SR:

Do you recall a particular influence that encouraged you along the way?

CG: Nearly everyone in my life. My father taught arts & crafts for 34 years, so supplies were always around, and we were encouraged to use them. My mom, who thought I was good at it and was creative in her own ways in the garden. Of course David Bowie (literally, and I have it on tape if you’re interested), and my friends were all very supportive, and without pause, I was sure my future was in the arts. I never took the SATs and never applied to anywhere other than the Art Center. SR:

After your time at the Art Center College of Design, you began apprentice work with impressionist Aldo Luongo. How did this relationship form and talk about the influences Aldo brought to your style as you continued to develop?

CG:

Fresh out of ACCD I was looking for ANY job in my field, which was Illustration, and would take some time to establish. I drove to his studio in Beverly Hills; I was living in a beat-to-hell loft in South Pasadena and drove a beat-to-hell car in the pouring rain to meet a rather boisterous personality, who was having a cocktail with a lifelong Argentine friend. It was intimidating and totally foreign to me to go there. In between laughing it up, he looked at my portfolio with clear admiration, then remarked on the refined nature of my work: “She must be a real pain in the ass.” I was hired, and as his assistant for about a year, learned about movement, pose, composition, contrast, and soccer. He and his publisher offered to sponsor me for the year so that I could start my own body of work. Aldo and I maintain a rambunctious and fun relationship.

An apprenticeship more often than not is more valuable to individuals than a college diploma as ‘hands-on’ builds a deeper sense of connection to the job at hand.

SR:

You sense the light to shadow in your work, much in the same way Aldo formed in his own works, however to the lay person’s eye one can see two distinctive differences. One, your time period. You have embraced a mid-century time / place in your figures, architecture, and style. What drew you to this?

CG:

I think the most valuable thing I learned from him was that “it’s not what you paint but how you paint it.” Strong light and shadow had been with me since childhood, maybe because of the sun in Southern California. We spent summers free as a bird ... I have a love of warmth and the sun

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and would often just sit in it for hours. Probably a combo of observation and osmosis, haha! I studied Dutch masters like Vermeer heavily in college. Mid-Century architectural interests likely developed over the decades as well. My folks recently found a report I did in grade school in which I mentioned “preservation of historic buildings” as being important. I think the catalyst was when Richard Neutra’s Kronish House (ironically also in Bev Hills) was threatened with demolition. A very interesting group of people came forward to speak up against this, eventually accomplishing the passage of the Mills Act. During this process, I became friends with Richard’s son Dion, who formed a book club which met in Silverlake for snacks and thought exchange. This little group got bigger, I met more people who had interests in both art and architecture, and eventually connected with Palm Springs. Because Mid-Century structures are reaching an age at which systems and integrity start to fail, there are more and more being razed in favor of the new. What could I do, in this group, to contribute to their preservation / restoration? I think to portray them for what they are - art. I could influence people to see them as such in paintings.

SR:

Who are some of your favorite architects, designers, fashion, craftspeople, etc ... who embrace this style?

CG:

Neutra, Lautner, Cody, Koenig, Eyvind Earle, Kagan, Juhl, McGinnis, Leyendecker, gosh an endless list. Trina and Mr. Turk (who tragically just passed away) designed the fashion and look of Palm Springs, in my opinion. This list is seriously endless, I don’t know if I can remember everybody.

SR:

Second, the figures portrayed in your oil works display so many emotions, most of the times without seeing any facial gestures at all. Did you study as part of your form communications in order to interpret body language onto canvas?

CG:

Ha! Awesome observation, thanks! I think my strongest skill through school was figure drawing. We did 30-second poses in Hogarth’s class often, so we HAD to nail the gesture immediately. It’s one of the strongest forms of communication, our physical presence.

SR:

What emotion do you feel most often your figures are displaying and what most often do you hear relayed back to you that viewers are digesting?

CG: I think what’s picked up on most often is a strength, seclusion, confidence, reflection, and sex appeal. SR:

What are your favorite palette colors to use?

CG:

I lean unfailingly warm. Even my cools tend to be warm-cools.

SR:

Is there a particular client who has commissioned your work that left you gobsmacked because they requested a piece from you?

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con’d CG:

It wasn’t exactly a commission, but I have one of Leonard Nimoy’s photographs, and he has / had / RIP one of my paintings.

SR: When inspiration strikes, do you find yourself drawn to a certain pencil to begin and / or paint brush? CG:

It’s funny, people ask about inspiration a lot. There’s not much ebb and flow for me; it’s just a constant. There’s SO MUCH everywhere, most everything around you can be seen as a composi tion. I start paintings with paint - pencil is a little too constricting even with things so linear like architectural spaces. A painting is kind of “alive” and moving as I paint.

SR:

Challenges for yourself ahead? Other avenues and adventures you have set goals for yourself to explore?

CG:

Abstract and nonrepresentational pieces. Ceramics.

SR:

Do you, yourself Carrie, have a favorite painting you have created and do you still own it?

CG:

I do! One is the first painting I did for my gallery career of the Mission Inn. It’s on plywood. The other, created years later and ironically also on plywood may be in Bowie’s estate. Or intercepted along the way. It’s currently on the lamb!

I must say though I really, really appreciate everybody who helped me along the way. I’m pretty reclusive but it takes a village to make an artist.

For more information please reach out to Carrie Graber on Facebook: https://www.facebook.com/CarrieGraberOfficial/

Galleries: Chloe Gallery 645 Beach St. San Francisco CA 91409 415-749-1000 https://chloefinearts.com/

Haya Modern Art 1007 N Palm Canyon Palm Springs CA 92262 702-279-1919

Art on 5th 3005 South Lamar Blvd Suite C 110 B Austin, Texas 78704 512-481-1111 arton5th.com

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