L3 Magazine 2017 March ft Queen IFrica

Page 1

L3 Magazine | Life. Love. Lyrics.| March, 2017 ft. Queen IFrica www.L3Magazine.com

L3 M A G A Z I N E

Cassandra London’s Lover’s Rock

Music Charts Video Charts Music News New on iTunes Indentured Servant of Pop ... Dancehall The Women of Jamaica March DJs We Love: DJ Mathematic from Switzerland to theWorld

Zosia McGregor Speak Your Truth

Ready to Climb

Queen IFrica



L3 Magazine | March | 2017 | No. 44 CEO and Editor-in-Chief

Natasha Von Castle – natashavoncastle@gmail.com

Chief Creative Officer

L3 Group of Companies – L3Magazine@hotmail.com

Operations and Distribution Directors Christopher Miller

Publisher

L3 Group of Companies

Director of Caribbean Promotions Keisha Pinnock

Contributing Editor and Caribbean Affairs Editor Tricia ‘ZJ Sparks’ Spence

Contributing Editor and Music Editor Tre Carn

Travel Editor Stacia Von Castle

Music Review Editor Jennifer Menster

Beauty Editor Kay Cunningham

UK Editor Evelyn Germain

Political Editor: Maxine Tomlinson Senior Writers & Photography

Song River | Marcus Weller | Joah Baston | Zakada Milton | Raul Dunkley Fashion Contributor

Lady Ann Contributing Writers Portia Clarke | Mimi Mamichula | Ayeola George | Zakada Milton | Rico Vibes | Andre Gomez | Pia Jordine | Gelina aka Baby G – UK Correspondent | Michelle Parker | April Stanford | David Peters | SteffyT


Editors Heart... The other night I had a dream, and within my dream I came to a door. Through the door I saw a beautiful woman sitting in a chair, beckoning me to come in. Slowly I entered her domain and took a seat across from her. She had long flowing hair and a familiar face. She looked kind and wise so my hesitation was eased. Sensing my ease, the wise lady spoke: “Natasha, there will be times on your journey that you feel like giving up. You’ll feel as if your burden is too great to bear but it is not. I have seen your future, and I know what awaits you. If you give up now, you will never know just how great you will become. Keep going; don’t stop. Your greatness is in front of you….” And just like that she was gone. Before I could ask her any questions, she vanished, but she left behind a beautiful scarf – purple – with hearts on it. How did she know I loved scarves? How did she know purple is my favorite color and that I love hearts? As I asked those questions, I looked back in the domain where the lady was. Suddenly the domain looked familiar – that was my domain! What I didn’t know then, but know now is that the lady in the chair was me. I came back from my future to give me reassurance that I am on the right path. “Don’t despair” I said to me. Every time you hear that ‘little’ voice telling you to keep going, that is your future you speaking to your today you. Listen … you will never steer you wrong!

Agree or disagree via Twitter @NatashaVonC




March, 2017 Pg. 9 Dancehall is a national asset says Prime Minister Andrew Holness. Finally, the genre is going to receive the support it needs in order to flourish. We have the video of the PM telling culinary graduates it’s time to support Dancehall. Pg. 14 The inadvertent servant of Pop is Dancehall says Simon the Writer. With so many Pop stars turning to Reggae and Dancehall for their next hit record, opinions are being discussed in open forums. Pg. 17 Women took to the streets in Kingston, Jamaica to let it be known that they are standing up for themselves and children. The violence will end. The Tambourine Army and OOMAN take a stand. Pg. 32 Rising star eShun got the help from her Church’s pastor to pursue her career as a performer. She’s gone from Ghana to the world! Pg. 36 DJ Mathematic is very calculated in the way he makes bodies move on the dance floor. He went from Angola to Switzerland to make it happen. Pg. 46 Reggae fans love to see their favorite artists freestyle on a 90’s era riddim. This month we hear from Beenie Man, Lt. Stitchie and more! Pg. 78 Cassandra London is a standout artist from the UK. She says she’s an average girl like anyone else, but we disagree. Her music is in our spotlight! Pg. 88 Zosia McGregor is performing for Girls around the world. As a matter of fact, her music, and her Pretty Girl Foundation pretty much came at the same time. The advice she gave that resonated around the world!

On the Cover:

Queen IFrica has empowered women around the world. From major cities to rural towns, all who hear her voice find the will to dig deep and ‘Climb.’ Her new album of the same name is one that all people should own. Her voice and lyrics will give you the strength to Climb. A must read on page 66 L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 7


L FE

Photo Credit: Donatella Cam Location: Dutty Reggae - Toronto Paul E Lopez Record crate at Lees Palace.



Dancehall is a Asset Click the image to watch the video


National “I am going to back the entertainment economy. We are going to review the entertainment laws to ensure that we provide and designate places where you can keep your event provided that you observe the law.� L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 11


Kingston All Stars


By: David Katz Composed of some of the most gifted musicians to ever walk the streets of Jamaica, the Kingston All Stars project is a celebration of the heyday of vintage Reggae, taking the form of a contemporary music project that pays homage to the glory days of the genre’s past. Spearheaded by Canadian producer, engineer & musician Moss Raxlen, who was also the driving force behind the great Rocksteady: The Roots Of Reggae feature documentary, and who produced Lynn Taitt’s last-ever works, Kingston All Stars revolves around a robust core of legendary session players who have been respectively responsible for the lion’s share of the greatest Jamaican music ever committed to tape. Drumming mastermind Sly Dunbar, half of the great rhythm duo, Sly and Robbie, has collaborated with a galaxy of global stars in addition to exhaustive work for every producer of note in Jamaica; bassist Jackie Jackson joined the Supersonics at the birth of rock steady, became a key player in the Reggae revolution as part of the Beverley’s All Stars, and has been a touring member of Toots and the Maytals since the early 1970s. Guitarist Hux Brown was a rhythm player in the All Stars and Toots’ band, too, and also cut key work for Lee ‘Scratch’ Perry in the early 1970s; lead axe man Mikey ‘Mao’ Chung was in the Now Generation with his brother Geoffrey and went on to make a dramatic impact in both the Revolutionaries and the Compass Point All Stars, notably backing Grace Jones and Joe Cocker in the latter. Keyboardist Robbie Lyn was an important session player at Studio One in the late 1960s and early 1970s, and was also part of the In Crowd band, as well as Now Gen, which led to work with Peter Tosh, along with Robbie & Sly. And after something of a false start in the mid-60s as a drummer and singer with the Caribbeats, Ansel Collins switched to the keyboards, making an instant splash with ‘Night Doctor’ (one of Sly Dunbar’s first recordings), and then reached the UK pop charts through hit recordings like ‘Double Barrel’ and ‘Monkey Spanner’ for Winston Riley as the musical part of the duo Dave and Ansel Collins. Jimmy Cliff, the Mighty Diamonds, Marcia Griffiths and Black Uhuru are just a few of the noteworthy acts to subsequently benefit from Collins’ recording and touring input, and he has enjoyed success as a solo artist too. Such a powerhouse of talent would overwhelm most album rosters, but the Kingston All Stars project does not end there: the resident drummer of Lee Perry’s Black Ark, Mikey ‘Boo’ Richards also contributed, as has the sax and trombone team of Everton and Everald Gayle. There are kette drums from Supersad and Calvin, lilting steel pan from Dean Barnett, and guitar and percussion from Roger White and Mossman, as well as Stranger Cole and Trevor McNaughton of the Melodians on backing vocals. The album’s guest vocalists are in keeping with this music pedigree, since select numbers are tackled by Cedric Myton of the Congos, his singing sparring partner, RZee Jackson, and the original Greenwich Farm Rastaman, Prince Allah, along with the otherwise unknown Alana Jonsana, an elder dread from the downtown trouble zone brought to the project by Mikey Chung. Everything was captured on tape at Mixing Lab studio in Kingston during the winter & spring of 2016, with further overdubbing and mixing overseen by Moss in Montreal. With a corresponding dub album in the works and a set of prominent live performances to come in different international locations, this album is only the beginning for the Kingston All Stars, whose continued presence speaks to the general longevity of Jamaican popular music. Long may they continue to reign! L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 13


The Indenture of Pop ... Dance By: Simon The Writer

Originally shared via nanookonline.com

I really fell in love with dancehall in the mid 90’s. Bounty Killer, Spragga Benz, Merciless, Beenie Man and many more were among my favorites. Dancehall has a dominant sound that stands out. It is this ability to stand out that made reggae such a global phenomenon. Dancehall music is used globally but rarely does it seem that people are investing in dancehall. It seems more evident that other genres are using the sound and imagery of dancehall as a means of diversifying the sound of THEIR music. Dancehall tends to do a lot of work for other musical genres and rather than an investment into our culture the artists are given a small wage and sent on their way. Diversifying other genres:

Pictured: Dancehall Artist Shenseea

Adding dancehall to another genre is like adding spices to food giving Caribbean flavor to the look and sound of the musical piece. No Doubt recorded their album Rock Steady in Jamaica and included features from Lady Saw and Bounty killer. More recently artistes like Drake and Torey Lanez have collaborated with and included blatant samples of dancehall in their music. There is also the use of the Jamaican image as we see Tyga and Drake shooting videos in Jamaica in an effort to let our culture diversify their


ed Servant ehall

image. Justin Bieber’s video for ‘Sorry” could easily be muted and a dancehall dub over included. The look and style is so obviously rooted in dancehall’s persona. The list of references is massive. The question to ask is; how can we turn these dancehall collaborations into cultural investments? Investing in Dancehall: Dancehall management needs to be improved and the musicians need to collaborate with people who have an interest in the CULTURE of dancehall and not just the SOUND of dancehall. Dancehall is more than putting patois accent on a chorus it includes the dancing, the narrative of struggle, flow, and rhythm. If the musician isn’t interested in incorporating these traits then I believe managers should find people who are. The next step is to use collaborations as a platform for opportunity. A perfect example of this is Major Lazer and their involvement in performing in Jamaica and collaborating with legends, up and coming artistes, dancers and designers in Jamaica. This allows more people to be seen on a global level and can also bring more revenue to Jamaica through added tourism. If you are unwilling to perform in Jamaica, don’t make songs with Jamaicans, simple. The last step is a call to fans to also support artistes who are trying to pave the way. Sometimes we are our own roadblocks to progression. Appreciate the artistes who and put more emphasis on the hard work of an artiste with less focus on ’keeping it real.’ If we don’t fully support our own music then Dancehall will continue to be nothing but a feature on a song and our artistes will do massive work for little or nothing, continuing this trend of musical indentured servitude.

Discover more online at www.nanookonline.com

L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 15


Marches - Mu By: Joan Wembly

Originally shared via nanookonline.com


usic - Message On March 8th the world celebrated International Women’s Day. In Jamaica, there were a plethora of female-themed activities, but March, 2017 saw the addition of two public marches being organised to raise awareness of the issue of violence against women and children.

The first was a state-planned activity; which took place on International Women’s Day and culminated in a spectacular concert. Some of the most highly rated performing artists were on the bill, including dancehall icon Bounty Killer. Many women, familiar with the artists past, voiced marked objection on his inclusion in the lineup as reported in the Jamaica Observer: http://m.jamaicaobserver.com/mobile/latestnews/ Group-wants-Bounty-Killa-removed-from-line-up-for-concert-against-gender-violence. The artist has since apologized for his actions in the past. The second event is a collaborative effort organised by two citizen-led groups “OOMAN” – Our Own Means And Needs and the Tambourine Army. Both groups coordinated the Million Ooman March. The march ended with a concert, but more importantly, ended with increased awareness for the struggles and needs of women and children who are affected by violence. OOMAN: A movement created by women in support of women - A social advocacy forum for JAMAICAN women and girls against social and domestic violence and bias’. These are OUR own means and needs (– https://www.facebook.com/ownmeansandneeds) Tamborine Army: The #TambourineArmy is a radical social justice movement committed to uprooting the scourge of sexual violence and safeguarding the rights of women and girls (– https://www.facebook.com/ tambourinearmy) For some reason, now more than ever, the women of Jamaica feel a need to let their voices be heard! It’s also pretty clear that they feel that using music is a primary way to build AWARENESS of their issues and hopefully inspire ACTION towards SOLUTIONS! In recognition of these efforts and the increasing levels of violence towards women, I here are my Top 5 songs recognising the views of women in Jamaica from then till now! Tanya Stephens – These Streets Queen IFrica – Daddy Althea & Donna – Uptown Top Ranking Jah9 – Brothers Nanny Mystik – Eva Bless Dawn Penn – No, No, No L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 17




L

Life. Love

. Lyrics.


VE


Music We Lov

/ Single / Adeeno ‘Haad Wo

Sometimes we need a record, or records that speak to the Soul for motivation. A record that articulates our life struggle, hope and triumph; one that we can press play knowing it speaks for us and to us. One of those records to add to that soundtrack is Adeeno’s “Haad Work.” Produced by one of our favorite producers, Nicko Rebel of Nicko Rebel Music, the record shares the story of a young artist who never stopped believing, and never stopped dreaming even when people tried to discourage him. Not ashamed of his beginning, the artist talks about walking with a backpack on his back and driving in a ‘pop dung’ car. These are just some of the struggles that go with the territory of being an independent artist doing it 100% solo. How many of us have had that experience?! Combining elements of Hip Hop with stronger elements of Dancehall, Adeeno gets to show off the fact that he’s a versatile artist who’s willing to explore and embrace all genres while delivering a much needed message. What is especially appreciated about the record is it’s recorded as if the successful Adeeno is singing to the ‘unsuccessful’ Adeeno ie, your future self speaking to your now self. Only your future self sees that you will make it. The artist hits the nail on the head. Stream “Haad Work” on YouTube (https://www.youtube.com/watch?v=P963Jj0kWAc), or on SoundCloud and make sure you add it to your playlist!


ve

ork’

L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 23


Music We Lov / Singles / Inner Circle ft. The legendary Reggae Band, Inner Circle, has join forces with Kabaka Pyramid, another member of the Reggae Revival movement, to give fans their latest single “We the People.” The two were able to formulate a catchy, yet deep and thought provoking record that discusses issues that many people are currently facing. “Shedding light on the struggles of the world was our main focus on this song. The average man or woman doesn’t really have a voice and we intend to speak for them,” said Ian Lewis, co-founder of Inner Circle. Kabaka Pyramid and Inner Circle hosted a private DJ Meet & Greet in Miami at the worldrenowned Circle Village. DJ’s such as Bad Boy Rue from 99 Jamz, Tantoe Irie from Hot 105, Humble Lion from WAVS 1170, and Eddie Edwards (The CEO of the Grace Jamaican Jerk Fest) were among some of the who’s, who of South Florida’s caribbean radio circuit to attend the evening dedicated to the DJ’S.

Connect with Inner Circle: http://badboysofreggae.com/ Connect with Kabaka Pyramid: https://www.facebook.com/KabakaPyramid/


ve

Kabaka Pyramid / Eljai International Reggae artist, Eljai, released his album ‘The Other Side of Eljai’ and was immediately greeted with positive feedback. What started out as a local effort has grown into an international effort to infect the world with good and positive music. The artists first and lead single, “Everything I Do,” is a cover of Canadian Rocker Brian Adams 1991 hit single. Adding Caribbean charm and flair, Eljai is happy with the praise being thrown at him from his fans. He says “I am overjoyed to release this new single and album for my fans and to be working with a company with a historic legacy such as Tuff Gong.” Tuff Gong International’s executive label manager, Myshjua Allen stated, “Reggae music is loved and respected by fans and artists worldwide. Tuff Gong International’s roster of labels and artists reflects the power and popularity of the music and the core messages.” Eljai, who is a Belizean born singer is not new to music. His debut CD, Da Rebirth, was released in 2006, and has been followed by 2 more. His music has topped Reggae charts on TV and Radio, and his song “I’m Looking Out For You” is the theme song for the TV show Real Stories of the Highway Patrol. Connect with Eljai on Facebook >>> HERE <<<

L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 25


Music We Lov

/ Singles / Bunji Garlin / Fa When the Vi-King aka Bunji Garlin releases his hot new track “Road Bunx,” right behind his energetic “1995,” you know the Soca world is saying ‘Carnival caan duun!’ Soca fans worldwide are ready for the next Fete so they can jam to the monster hit from Bunji! It’s no secret that some of the most beautiful people in the world come from the Caribbean, and with those beautiful people come goodies that go on display when the Soca riddim drops! Bunji commands his fans to ‘push dem ting on de road,’ allowing one and all to enjoy the sights and moves as waists roll in unison to the jab-jab beat.

Bunji is a prolific lyricist who is a Lyrical King. His blend of Soca and complimentary genres of music make him one of the most sought after artists to perform on stages worldwide. You don’t have to wait until Carnival to so the road bunx, stream the chune today and let your waistline roll! Stream it >>> https://www.youtube.com/watch?v=fqKE58k1GpI


ve

ayann Lyons There is nothing men like to see more than the sweetest women having the sweetest time, whining to a sweet chune from Fay-Ann Lyons called “Girls!” We know wherever the hot girls are, there the hot boys will be too! The latest release from the Soca Queen compliments lets it be known that when beautiful women put themselves together to go out, everything is air tight. From the hair to the clothes to the perfume to the shoes; everything is in check and pleasing to the eyes. Fay-Ann sings: “when the girls look good yeah / the boys they come around / come around come around / Carnival is woman!”

Plenty bam-bam will be rolling to this groovy Soca track much to the delight of men and all in praise of “Girls!” Make sure you stream it on Spotify or YouTube: https://www.youtube.com/watch?v=qxnC92x3sIQ

L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 27


Music We Lov

/ Singles / Shenseea / Chr If you’ve never heard of Shenseea before, you’ve definitely heard of her now! Her breakout his single “Loodi” featuring Vybz Kartel is impacting Dancehalls worldwide! The female powerhouse is so hot, Vybz can’t help but say “yuh juss a throw double six like Loodi!” Not missing a beat, Shenseea is proud that her slim physique makes men stand at attention as soon as she walks into the room, the artist sings: “when me walk me ah buss out mih jeans thread / to how mih fluffy like sheet spread / me get everything weh dih street said ….” This is definitely a ladies anthem. If you’re a hot gyal who makes heads turn everywhere

you go, press play on this track and let Shenseea do the talking for you! Stream the hot girls anthem here: https://www.youtube.com/watch?v=50jyn6_rLFA


ve

ristopher Martin Christopher Martin is a very big deal to the ladies. His new chune “My Love” tells the story of a man who has met the woman of his dreams who becomes his love. So strong is his love for this special lady, he’s whisked her away to the sweet island of Jamaica, and she has him speaking Spanish! The artist sings: “sweet mamacita you deserve all of the sun / so nice to meet you can you tell me where you’re from / never seen a girl like you yuh hotta than the sun….” Having traveled the world performing for adoring fans, the women he’s singing about in this song must be very special! Whether you’re getting ready for a night out with friends, driving to work, or getting in a good work out at the gym, you definitely want to add “My Love” to your playlist. Let Christopher Martin romance you musically! Stream the song here: https://www.youtube.com/watch?v=dShzX5I4JS0

L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 29


Music We Lov

/ Artists / Double Dee fro


ve

om DC to the World! Get familiar with the name Double DDee, as this powerhouse female is moving full speed ahead to make her mark in the Dancehall industry, one that’s most often billed as a “fraternity,” consisting of predominately men. The artist, who “doubles” as a business woman, is bubbling in the splendor of her empire, which boasts her Davgion music label and management company, home to super Dancehall talent Shawn Ice, and loads of red-hot songs. Adding to her already impressive resume is her new self-produced VIP Riddim, which is causing havoc in the Dancehall and beyond. The explosive 7-track VIP Riddim is inevitably certifying Double DDee’s position as a “kick ass female producer.” Powered by OGE Beats and mixed by Jay Crazie, the Davgion released VIP Riddim, which Double DDee describes as “sexy, aggressive and awesome,” boasts infectious songs from a well-equipt fleet of Reggae and Dancehall artists. The riddim’s lineup includes Double DDee, Shawn Ice, Posh Morris, Cubanis, Nevaramo, Danjah and Risque. Each artist brings their diverse musical style to the pulsating VIP Riddim, painting their stories with catchy hooks, so much so every track is “pull up” and “rewind” worthy. Already leaving an imprint in 2017 since it’s February release, the VIP Riddim is enjoying radio play and without question lots of support in Dancehalls around the globe and electronic media. Noted as the second Davgion riddim production (the first was the 2014 DryWell Riddim), Double DDee says, “I initially planned to just put out a single from Shawn Ice on the riddim versus an entire production. But after the overwhelming social media feedback from a fun video of Shawn Ice and I freestyling on the riddim….I realized that the beat was a lot doper than I had imagined.”

L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 31


Music We Lov

/ Artists / eShun / From G

L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 32


ve

Ghana to the World!

Born in the leading industrial city of Ghana, Tema, eShun is the first child in a family of six. To understand the starlets entry into the music business, we start with the story of the breakup of her parents, which required her leaving Tema where she was born. eShun decided to visit her church one last time before she moves with her dad to Kumasi. She entered the church and found a guy named Emmanuel Danquah inside rehearsing with the church piano. Having heard that she sings with the Church Choir, he convinced her to sing just a song before she leaves. After the session with the church keyboardist, he convinced her to stay, to which eShun agreed. Convincing Dad this was the right decision called for the help of the head pastor of the church who was then a family friend. The Man of God agreed to take eShun through school and host her, and that was the beginning of the grooming of eShun’s heart felt voice being known to the world. “It was this guy who made me think again about my singing talent”, she told Giovani host of ETV’s Celebrity Late Night Show. At the age of 13, eShun started performing as a soloist in the Junior Gospel Choir at the Holy Fire Revival Church in Tema, Ghana, where it could be said eShun’s music talent was discovered. Her participation in two musical reality shows in the most populated country in Africa, Nigeria, has given her quite a following in Africa. First, it was Mentor Season Five where she made it to the final and came out fourth. Then in 2011, she entered the MTN Project Fame in Nigeria where 19 contestants from across Africa took part. eShun was one of two Ghanaians who participated and she ended up at the fourth place. eShun told Jeremie Van-Garshong of Live91.9 FM, a radio station in Accra – Ghana, that, “Getting into the reality shows has paid off because we are taken through voice training and stage performances so I have gotten better over the years.” She participated in the first season of GLO X Factor Nigeria where she put up some electrifying performance which made one of the judges, Onyeka Onwenu, cried twice. Her excellent performance took her all the way to the final three which included Vicky and DJ Switch. She placed second. eShun is very appreciative of Pastor Daniels who has encouraged her career a great deal along the way. She told Amanda Jissih of GHONE TV in Accra “He has done so much for me, and personally drove me to the National Theatre; the venue for the GLO XFactor audition. He still supports me in all I do!”


“One of the most important people in the Sonic Universe is the DJ or Sound System. If it wasn’t for them, masses of people wouldn’t hear the music of artists and players of instruments.” - Natasha Von Castle #Quote This month we Salute

DJ Mathematic….


L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 35


Music We Lov

/ Sound System / DJ Math

Esperança Zinga, better known under the pseudonym of Mathematics, is a DJ and music producer from Angola who lives in Lausanne. Separated from his country during the civil war, it is through his passion that this brilliant musician has transformed his destiny. Music is a strong means of expression for him where all his emotions translate into rhythm and tone that make music lovers dance across Europe. His career began with performance sets in various nightclubs in Switzerland. Through his hard work and his unwavering motivation, this self-taught turntabalist perfected his talent exploring several musical styles: Hip Hop, Electro, Pop music and contemporary Afro beats. This exploration results in a harmonious blend which gives a unique and original touch to Mathematics work . Behind the turntables, he breaks down cultural barriers but also his fears of a painful past. Ambition and diligence enable him to achieve the ultimate result: make people of all walks and all backgrounds dance! Beyond the borders of Switzerland, Mathematic’s sonic sequences have moved patrons in Belgium and France. With over 800 nights to his credit in the land of William Tell, an Afro remix of Rihanna’s song “Bitch Better Have My Money” music video with over 5 million views online and solid collaborations, he is now one of the Afro-beat DJs and Electro-Europe movement ‘s closed circle ambassadors. His song “React” featuring Jamaican Super Star Konshens continues to rack up views on YouTube and spins on Spotify! Watch the official video here: https://www.youtube.com/watch?v=QQ6onTesJKQ&feature=youtu.be To find out where Mathematic will be playing next, or to connect for projects, visit http://www.djmathematic.net/


ve

hematics from Switzerland

L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 37


Music We Lov / Video / DJ Mathematics


ve

x Konshens

L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 39


Just Press PLAY!

Click the image to play


L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 41


Honoring Edi Fitzroy 17 November 1955 – 4 March 2017


L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 43


Music We Lov

/ The 90’s Era with Tiger a

By : Joah Baston Since February 2017, Jamaican legendary DJs Tiger and Johnny P have been on a U.S. Tour. Meeting their fans, most of which are lovers of Dancehall’s golden era, has brought new life to both Tiger and Johnny P’s careers. Hits such as Bike Back, Jump and Spread Out, Fight Fi Old Bruck, Stick By Me, Look Good, Body Tune Up, or more recently Nuh Don Fi Me and Three The Hard Way (with Tiger & Anthony Malvo) have ignited a fire storm of requested dates. Tigers creative writing skills gave birth to treasured hits Me Name Tiger, Bam Bam, Ready Fi Dem, Ram Dance Hall, Puppy Love, No Wanga Gut and When, make this performing duo unparalleled on stage. With their career start in the Sound System era, these two artists have been groomed to understand the truances of the riddim, and deliver songs that match the music. « Many thought that Dancehall wouldn’t last this long » said Johnny P, « but the energy and joy it brings to fans all over the world – this just couldn’t be stopped. » A recent performance in Canada brought home the point that there is always room for Legends. Fans from the mature and younger generation attended and enjoyed every moment. On one hand, Lily said “I twas nice to relive so many memories. I remember when these songs came out like it was yesterday, and here I am an old woman still grooving!” On the other hand, upcoming artist Paul said “I learned how to work the crowd and how to deliver a solid punch line. If artists are here, they got a great lesson tonight in delivering a good stage performance!” Both Tiger and Johnny P are on tour in the US until July, 2017. For date inquiries, or to book your event contact https://www.facebook.com/harold.mclarty


ve - Reeewind

and Johnny P

Left to Right Johnny P - Harold McLarty - Tiger L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 45


Music We Lov

/ with Beenie Man - Josie Wal

Click the image to watch the video


ve - Reeewind

les - Lt. Stitchie - Bunny General

L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 47


The BIG CHUNE!

Click the image to play




L3’s Top Independent Spins

TOP DIGITAL SPINS

1. Popcaan – Nah Idle 2. Alkaline – Microwave 3. Popcaan – Stay Up 4. Vybz Kartel – Hold It 5. Spice – Indicator 6. Queen IFrica ft. Damian Jr. Gong’ Marley – Trueversation 7. Dexta Daps – F%ck U Mean 8. Spice – Sheet 9. Alkaline – Afterall 10. Aidonia – Banga 11. Spice ft. Bunji Garlin – Indicator Remix 12. Tarrus Riley – Just The Way You Are 13. Sean Paul ft. Tory Lanez – Tek Weh Yuh Heart 14. Mavado – Love the Way We Roll 15. Ed Sheeran ft. Nyla & Kranium – Shape of You (Remix) 16. Aidonia – Trigga Work It 17. Vybz Kartel ft. Bunji Garlin – Bicycle Ride (Remix) 18. Neeqah – Stamina Mami 19. Bunji Garlin – Road Bunx 20. Machel Montano – Lip Service *Charts are based on radio airplay in Canada / YouTube Views / Live Event Selection Fan Feedback L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 51



WATCHED VIDE O ’ S

Rico Vibes Top 10 Watched Video’s 1. 2. 3. 4. 5. 6. 7. 8. 9. 10.

Vybz Kartel – Hold It Kranium ft. Tory Lanez – We Can Popcaan – Nah Idle Shaggy ft. OMI – Seasons R. City ft. Tarrus Riley – Crazy Love Queen IFrica – Trueversation Queen IFrica – Ask My Granny Blessed – Cry Everyday Inner Circle ft. Kabaka Pyramid – We The People Tsunami Massive ft. General Levy – Pritty Pritty *Based on recent YouTube views

L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 53


Work Your W

/ Music / The Best 30 Min By: SteffyT

Things are getting soooo hawt! Over the past few months I have become familiar with several Dancehall Queens d right now, and it is absolutely amazing to see what these young ladies can do. They are getting women moving an dence to try new moves. There seems to be an on-going dialogue about appropriating the culture and an underlyi the dance belongs to, who should or shouldn’t do it, and how it’s done, and “who” the move belongs to. Music and bond us and yet we always find ways of destroying its true essence.

My thought is: if you work together for the same cause you’re more effective than seperately and angrily. “If you c sing. If you can walk, you can dance.” - At One - African Healing Dance (ft Wyoma) (Atjazz Remix)


Waistline

nutes of Workout Music

dominating the scene nd giving them confiing debate of “who” d dance is meant to

can talk, you can

Konshens - Mad Mi Kerwin Du Bois & Lil Rick - Monster Winer Razor B - Boom Pon It Vybz Kartel - Highest Level Mr Eazi - Leg Over (ft WizKid, Eddie Kadi & Maleek Berry) Razor B - Hanky Panky Vybz Kartel - Pretty Position Trabass - Get High Savage - Tip Pon Yuh Toe Mr Eazi - Bankulize Spice - Indicator Aidonia - Siddung Charley Blacks - Hoist & Wine L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 55


“When you look at international fashion or listen to mainstream music, there is no question about the influence we see on the runway which comes from our Caribbean culture.� - Syntyche Clarke #Quote


L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 57


Caribbean Fas

/ Irie Fashion Rave - Roose

Fashion and music have always gone hand in hand. When the designer sketches pieces for people to wear, there’s a better than not chance that music was playing in the background. When it comes to the runway … well … you know how that goes. Music is a must! Internationally known Super Star OMI will add his musical touch to Fashion when he performs at the 2017 Irie Fashion Rave! The event, hosted by Irie FM, will take place April 22nd and 23rd at the Roosevelt Mall in New York. Apart of one of the largest Mall networks in the United States, Fashion brands such as Bloomingdale’s, Macy’s, Nordsrom and Neiman Marcus will be the backdrop as models with Caribbean flair walk the IRF runway. Syntyche Clarke, who is the IRF co-producer, said “I am tremendously excited about the growth of this event. The vision for IRF has always been to take our Caribbean culture and Fashion to the world. Today, we are doing that!” Irie Fashion Rave began in 2013 at the Resort World Casino in New York. The Irie Jam team chose the now Super Star Kranium as one of their musical guests to entertain the 3,000 plus audience who know the fine detail of fashion. On an average weekend, almost half a million customers choose Roosevelt Mall for their Fashion and household needs. Clarke adds “getting an opportunity to host a major Caribbean event at Roosevelt Mall is a big deal for Jamaica and the Caribbean diaspora. When you look at international fashion or listen to mainstream music, there is no question about the influence we see on the runway which comes from our Caribbean culture. At IRF we’re accentuating and celebrating our Fashion with the world!” Aside from Fashion and Music, IRF will share traditional Caribbean dishes from two time Food Network’s ‘Chopped’ Champion, Andre Fowles at the Culinary Pavilion alongside Celebrity Chef Patrick Simpson. 93.5 Irie Jam FM will broadcast segments of IFR to listeners in the Tri-State area, and globally on IrieJamRadio.com.


shion

evelt Mall - New York

L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 59


“For me being creative is healing. I believe being positive and never giving up on our dreams is how every woman should live her life ...Positive and glamorous!� - Diane Linston #Quote


L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 61


Glitz and Glam

/ Fashion / Designer Profi

By: Macintosh Smith According to Fashion Designer Diane Linston, Fashion should always be high-key, up beat and fashionably fun. Sequins in fashion is still a hot trend for the 2017 fall season and Linston has her finger on the pulse! The designer has created glitz and glamour with style; creations that transcend from business casual to red carpet glamour. If you still think that sequins are only good for a night out, then Diane Linston, creative director of Style of Imagination Inc. has a wardrobe solution that is lifestyle changing. The Styles of Imagination collection is carried by fifteen retail boutiques throughout the United States; and the brand offers two collections for the style conscious shopper. The NGU Collection offers finer fabrics, detailing and embellishments; while the DYL Collection is moderately priced. The NGU collection means (Never Give Up), and is all about being positive, high spirited with perseverance. “I have faced very traumatic and discouraging times in my life and I praise glory to God for keeping me positive in order to persevere. By never giving up on my dream to launch my fashion line, I now create fashion designs that are uplifting and sophisticated for the everyday woman. For me being creative is healing. I believe being positive and never giving up on our dreams is how every woman should live her life ...Positive and glamorous!” explains Linston. It’s time for girls to try something new; namely sequins as daywear! Rock a sequins or rhinestone top that is moderately price, and easily match it with a basic or classic bottom piece without over spending. The NGU collection also includes denim suites and separates that are stylish and sophisticated for women ages twenty-five through sixty years of age. A sophisticated woman who wears NGU never gives up. And neither will those flirtatious guys.


mour for Girls

file - Diane Linston

L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 63



Lyrics


Queen IFrica’s Climb

By: Natasha Von Castle | Editor-in-Chief | Photos: Martei-Korley and Raul Dunkley

QI



There are few women in Reggae who can say they’ve climbed the way Queen IFrica has. She has given the world music to alleviate stress while being the ultimate cheerleader; encouraging one and all to go for their goals. When abuse was rearing its’ ugly head, she was front and center (in the midst of criticism) to speak for children who were being abused. Daddy don’t touch me there she sang … and the fire blazed. 2017 sees the release of her new album ‘Climb.’ Never one to pass judgment, Queen IFrica’s climb has little to do with where you are, and everything to do with where you want to go. Put on those hiking boots…! NVC: As you’ve done throughout your career, you’re giving us music reflective of the times. Climb is a unique title. Without presuming where you’re going with this project, can you tell us about the album? QI:

The album is called Climb, and it is speaking to an individual in the world who might find them selves to be down, and in need of strength. This album helps them pick themselves up and move on. The song (of the same name) tells people that even though they might be low and ‘down here,’ they can climb up, and be out of it.

This is what we do with music. We act as a catalyst or a conduit for those who can’t do for them selves. NVC: So when we climb, it doesn’t mean we’re at the bottom, it just means that we’re not where we want to be? QI:

Yes; most definitely.

NVC: Your single “Ask My Granny” is a beautiful reminder to take heed to Granny’s advice. Is it fair to say that ‘Granny’ is also a metaphor meaning elders and to ancestors who have gone before us. Are you musically asking us to embrace wisdom? QI:

Yes! Through it all, our elders lived it. My Grandmother died at the age of 94, so she was around for all of us, and she managed to raise us to respect us, to live within our means, to not be careless and to love ourselves. We’re living in a society where our elders are being forgotten. Some young people are not taught by their parents to respect their elders so there is a disconnect with the wisdom from the elders to the youth. It’s almost as if children are raising themselves and doing whatever they want. Grandma isn’t there to grab them by their ears and say ‘come here and listen to this!’

The song “Ask My Granny” is saying, it doesn’t matter how hard things get, Grandma always finds


L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 69


a way to ‘grow us good.’

NVC:

Fans want to know; did the riddim come first then the lyrics, or the lyrics first then the riddim?

QI:

It was the riddim that came first. When I was listening to the riddim, I noticed it had this country feeling; the way the bass line drops, the way the riddim drops, it gives you this orginal-ness; original feeling and vibe. You’re going through hardships but you’re still smiling – that’s what the riddim was saying to me. That energy … that ‘ask my Granny’ vibe, kept coming through in my focus.

Also, when I write, I don’t write my opinion, I reflect the views and opinions around me. Some of these views really need to be heard. The melody came, and the worlds came, and now we have the chune “Ask My Granny.”

NVC:

As if that is not enough, you drop the follow up single “Trueversation” with Damian ‘Jr. Gong’ Marley! Lyrically and visually feel you have restored the Love between Man and Woman. The genuine Love.

QI:

Yes! This song also came from the riddim which flows differently. It’s elemental in a way. I have to say when I was writing that song, I acknowledged that we Rastafarians don’t conform to the regular way words are used. We don’t say continually as an example, we say ‘itinually,’ so with that said, our Love is not argue during the day then make love all night. No. We do have Trueversations where we sit and talk and forget about the time. We’re not on the phone or on Skype; it’s two people indulging each other, really getting to know each other, reasoning with one another and connecting.

NVC: This year you had another outstanding performance at Rebel Salute! You have a particular energy exchange between you and your audience … there’s something magical that happens. What do you feel when you experience that? QI:

So the true feeling I get when I’m onstage, is that I have an overwhelming responsibility to not just sing and walk away but to use this magical place called stage show to connect. People fly in from all over the world; people drive from far, and when they come, they come in numbers. Whether they heard me from day one, or they have just learned about me, they have come for a reason and that reason is the music. Now, in that place, it becomes a conversation between me and my fans. It is an escape for them. When people have that escape, it gives them courage to want to do more and to do better.

Have you ever been to see a great performance, and when it’s over you feel like you can do and achieve anything? That’s the responsibility of music and that’s the place where we go – my fans and I, when we’re in that place.

NVC: Your physical stature may be a little smaller, but your occupance of our hearts, your occupance of the musical space and the universe can’t be denied. You are everywhere at the same time. Radio in Canada, the UK, America, Australia, France, they are all playing multiple Queen IFrica chunes. Is this heavy for you … being called on to that extent? QI:

I am humbled. I am so humbled you really have no idea. At the end of the day, my Father is Derrick Morgan, living legend, greatest of them all. My Mom, who has passed away was a beautiful singer with one of the sweetest voices, so I wasn’t too inclined to do music. My friends would tease me and say ‘girl, you have a voice like that and not singing?!’ So I can honestly say that I eat, sleep, drink music from then until now.

NVC:

As you mention Aleppo and Black Loves Matter, recent acts in Jamaica has finally caught the attention of the masses. You’ve been sounding this alarm for years. This is not a new phenomenon. Do you ask why more attention wasn’t shown to the issue when you brought it to the forefront years ago?


L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 71


QI:

What we try to do is to be there like the church. The church might be empty, and the Pastor having sex with 15 year olds, but what the church represents is that God watches over everything that we do. There is a supreme being there who gives us the option to do the right or wrong things. We have a choice.

We can’t be vex that they chose not to pay attention to what we were saying years ago. We know that once it goes out, the people can act on it at some point. At the end of the day it’s about being our brothers’ keeper; being a reminder and being there for that person who can’t necessarily be there for themselves.

NVC: To balance this topic, we know that Jamaica is not all bad. What are 3 great things about Jamaica?! QI:

The natural Love would be number one. The natural love of people – we love each other. Two is our ability to unite and be supportive when we get the support. Three … we can survive off of nothing at all. We have that ability and have seen it for centuries and for generations. Opportuni ties that you see other islands receive, our youths don’t get them, yet still we accomplish and achieve. It’s the only place where a person can wake up in the morning and start a little tuck shop and it becomes something great. It builds up the community.

A car company can release a brand new car that no one knows about, and Jamaicans will put their vibes on it, and all of a sudden everyone in the world wants that car, even though they had never heard of that car before. We make something out of nothing and that is one of the greatest things about us as a people.

If they invest in the people of Jamaica, we can become a hub … the hub … that the world has to come to. We are a great people.

NVC: Social media has become crucial for artists to connect with fans and for fans to connect with artists. Have any of your fans reached out to you and gave you moment to pause and say ‘this is really inspiring?’ QI:

Girl there is so much. I could pick my phone up and go on messenger, and someone from a country I can’t even pronounce is sharing their story with me. Sometimes they’re speaking to me in a language I don’t even know, but I can feel their energy just looking at the text. That person is telling me something really positive. At the same time, there are people who don’t always say something positive, but for the most part, it is men, women, girls who have been molested and they’re parents don’t understand them. It’s people who want to commit suicide but they listened to one of my songs like “Lioness On The Rise …” that song has inspired men, women – people right across the board, to hold strong and firm.

I was in Ft. Lauderdale the other day and I met a young lady in a mall who was selling items from


L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 73


her car. She looked across and saw me, and began to run towards me and cry. She told me what the song “Lioness On The Rise” does for her. She listens to it every morning before she drives out. It inspires her to this day.

These things are extremely humbling and it’s a responsibility, going back to what we talked about earlier. I remember when I wasn’t feeling good about situations I was going through on my life, and I know what I needed then. My music has to be that answer or that comfort or that inspira tion. NVC: The name of our magazine is L3 and each ‘L’ has a meaning. The first ‘L’ is for Life, the second ‘L’ for Love and the third ‘L’ for Lyrics. What general advice can you give our readers on Life, Love and Lyrics? QI:

On Life … the greatest gift given and received is life. We should be more humble, grateful, appreciative towards life. Love is so easy a word to use, but we need to love ourselves and our being first before we can love another. We need to break that word down and really understand what it is, then apply it to friendship, romantically, professionally etc. Love is most needed when the time is dread and we’re at our darkest; that’s when we need love the most. Can we give that to ourselves or to others when that time comes? Love is what pulls us out of that place. It is needed and we must be connected to the true meaning.

Lyrics are simply that. Those words are power.

Connect with Queen IFrica >>> https://www.facebook.com/QueenIfrica/


L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 75



Stream Queen IFrica on iTunes Today! L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 77


Cassandra’s Lover’s Rock By: Evelyn Germain | UK Editor

CL



Having opened shows for Artists such as, Sandra Cross, Winston Reedy, John McLean, Dawn Penn (and the list goes on), Cassandra London continues to wow audiences up and down the UK, leaving a lasting impression wherever she goes. On stage, she is this powerhouse of energy with an obvious passion for her Art which is music. Offstage she is a humble Sistar, Daughter, Mother – a Beautiful Soul who simply does what she needs to do to live a good, honest life whilst she continues to grow in the music industry. Cassandra has an incredible story. Meet the woman behind the music…. EG:

Thank you for taking the time to share your thoughts with L3 Magazine. Let’s start by asking who is Cassandra London?

CL:

I am simply a young woman with an untold story who wants to express mine and others’ stories through the art of music.

EG:

As an outsider looking in, it seems as though you came to the industry as a tree, not as a seed who became a tree. Was music always in your background?

CL:

Yes! From the age of 5 I was writing and singing songs in my bedroom. After winning a talent show I began recording in studios at the age of 14, as well as performing out with my dad at the blues / shubeens he used to play at. By the age of 15 I was offered a 5 album record contract that was linked to Arista Records which my mother turned down. My confidence took a real battering after this and I stopped performing and hid in the studio. I also studied sound engineering as I wanted to know how to run a studio.

EG:

Musically, what would you say is your biggest achievement to date?

CL:

My biggest achievement is having other humans tell me that my music helps them. It is the most rewarding feeling and quite surreal that someone at my level in this industry can touch people through words that come to me.

EG:

Career wise, what is your biggest fear?

CL:

My biggest fear WAS that I may trust the wrong people. I can only ever be as strong as my team. However, I have every faith that the most High has a plan for me as long as I continue to work hard and keep my good intentions.

EG:

What obstacles have you had to overcome as an Artiste?


L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 81


CL:

Worrying about what people think and / or say. I have had to learn to have thicker skin than I did when I first came into the industry.

EG:

How do you receive inspiration for your songs?

CL:

It’s different each time. Sometimes I sit and think, “what is it that I have to say?” (I use much of my opinions and place them in songs), and then other times it just comes to me as if being written for a higher purpose.

EG:

I love your take on Louisa Marks’ Sixth Street. Awesome! Tell us about that arrangement.

CL:

Ah bless you, I was in the studio over 6 years ago and it was actually my first attempt at singing Reggae. I had a lot of fun with that track as I love the original (R.I.E.P Louisa) and actually never meant it to leave the studio, it’s not even mixed! I sent it to a friend only for him to hear and he sent it to some DJ’s, next minute I had DJ’s asking me for the song.

EG:

That’s amazing and a real compliment to you! Must have made you feel proud that you are getting it right! Tell us about any new releases you would like to promote now.

CL:

I have a track coming out on the Senator B label called “Made For Me.” And my next release after that will be a cover track taken from my forthcoming album. The title is a secret for now!

EG:

Tell us a little bit more about “Made For Me.”

CL:

“Made For Me” is a track I absolutely love. As it starts it sounds like a regular love song, but if you listen to the lyrics I am talking about a man who saved me from my battles within etc, I know that he was Made For Me.

EG:

When producers like Stingray believe in you, do you feel a certain amount of pressure to deliver?

CL:

It was an honour to work with Stingray as he is a pioneer in UK Reggae and for that I will always be grateful. It was an exciting time. I can’t say I ever felt pressure. Dilly is a laid back Producer who is easy to work with.

I actually felt pressure to improve once starting my album! I was and still am being developed and produced by Ten Mile Media. I was and am able to see where my notes were lacking and how to sing with less effort.

EG: Your voice sounds like it’s always been here! Who are some of your influences, regardless of genre? CL:

Thank you ... My influences in music are En Vogue, SWV, Beres Hammond, Frankie Paul, Etana,


L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 83


Mary J Blige, Marcia Griffiths, Nadine Sutherland, Lauryn Hill, Sanchez, Shirley Brown, Mariah and Whitney ....all the greats really from Reggae to R&B.

EG:

Just for a second, let’s take you back to 2014. You get that call that says, “sorry for the short notice, but due to popular demand, you have been added to the line up to sing alongside Reggae Legend Sanchez and Etana at the Troxy.” What thought went through your mind at that point and how was that show for you?

CL:

Well it never went quite like that! Yes, I was added to the show because of popular demand, but I was the one to make that call and it just so happened that the Promoters were contemplating whether or not to book me, so when I called them it just solidified that it was supposed to be.

EG:

Is there one thing in your life that gives you the same buzz as music does?

CL:

I was about to say “NOTHING”, but the joy I felt holding my babies in my arms for the first time is the same joy I feel when I finish a song or sing a full set as a headline act. Generally though music keeps me balanced as do my children.

EG:

Do you feel that more can be done to give Independent Reggae Artists more exposure / sales?

CL:

I think if the Artist is clearly investing in their craft then more support could be given. I don’t believe it should just be given freely. Yes, it is nice to help and be helped, but in order to allow this industry (that I am passionate about) to flourish, we must allow the cream to rise to the top and not just support Artistes because they choose to record music. Too many corners are cut that shouldn’t be and it is a bad look for UK Reggae. Sometimes I can feel the Reggae world laughing at us ... but that is another story (wink wink).

EG:

Yup! That’s a whole new talk show! Where do you see yourself in five years time?

CL:

Hopefully alive, anything more than that is a bonus. I will always be involved in music; I have had various jobs that never stuck. If I am unable to be creative as much as I feel I need to be, then I am miserable and my days of misery are over, MUSIC FOR LIFE MI SEH!

EG:

What advice would you give up and coming Reggae Artists?

CL:

Take your time, don’t rush, there is no race! Tune, tune, tune, every minute is good if you are a master at what you do, but there’s not so many masters over here coming up in the UK. We have talent in abundance don’t get me wrong, but there is nothing wrong with coming offline, turning down SOME shows to work on your craft.

EG:

Great advice! Where can your fans reach you?


L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 85


CL:

Anywhere they want to, cassandralondon.com is a great place to start and from there they can reach out to me via my social networks which are all on my website

EG:

And finally ... The name of our magazine is L3, and each L has a meaning. The first is for Life, the second for Love and the third for Lyrics. What general advice can you give our readers on Life, Love and Lyrics?!

CL:

That is beautiful!! OK, Life... I would say live good. Be the person you expect your son or daughter to be. Love...I would say give it freely; love is not just for our loved ones or a significant other or even for self. Love is the one thing we can give to everyone freely. Lyrics...words have power so use them wisely

Everything Cassandra London is available via www.cassandralondon.com.


L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 87


Zosia McGregor Speak Your Truth By: Song River | Senior Writer

ZMc



It takes a family to raise a child and that family may come in a variety of shapes and colors. Ultimately when the unit works towards the best interest of the child or children something pretty amazing happens... a small closed bud opens itself to become a radiant beautiful flower. Not just any flower though along the garden walls, but a flower that sings along with the universe that I AM and that is enough. SR:

Zosia listening to your music there seems to be a strength that emanates from you through your voice, lyrics and from the glow of your smile. Talk to us a bit about your upbringing and your relationship with your family.

ZM: Many people might not know this but even though I am Jamaican Born, I grew up in Grand Cayman, the Cayman Islands with my Mother, younger Sister, and Aunt.

Living with two strong women shaped me into a strong young girl but girls also need the male presence and when I moved to Jamaica to live with my Father in 2010, I got father and brothers and I became more wholesome.

It is very much like having two sets of family and I am fortunate to have experienced great upbringing TWICE and my relationship with my family (on both sides) is pretty amazing.

SR: Along the way who have been some of your favorite influences both in spiritual, physical and music? ZM: My father definitely has influenced my musical career choice, seeing him come alive in the studio from father to artist and how people respond to him on stage motivated me musically.

Marcia Griffiths’ music makes me smile and wants to dance and so I am inspired by her. Then my mom is a spiritual guide, strong, resilient and loyal influences the way I treat and deal with people.

There are many wonderful adults around me who I admire and I continue to learn from as I grow.

SR: Were you always planning on following your heart to perform Zosia? ZM: To be truthful, I wanted to be a Neuro Surgeon but I soon realized that Science wasn’t my forte. Then I considered teaching because there is a long line of Early Childhood Educators in my family. But the Heart wants what it wants, and I know that I can have the same impact on the world as I would if I were a Teacher or Neuro Surgeon so doing Music and Performing definitely won in the end.


L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 91


SR:

The song “Pretty Girl” obviously touched the hearts of many people. Did you expect that songs influence to be so strong?

ZM: I knew it was an important song with a powerful message but I had no idea it would’ve gotten where it has in such a short amount of time. SR:

How was this song for you emotionally?

ZM: It was hard. This song started out as a very personal letter to myself which I eventually turned into a song thanks to Immanuel (Ras - I, Ras - I Musique). It was never to be seen, read or heard by anyone.

But after having a conversation with a friend, I sent her the song hoping it would bring her some comfort as it did for me and she told me that the World needed to hear this song, it’s special and it’s brought her a lot of happiness and encouragement.

I’m still a bit anxious because of what it means to me, but moreover, I feel great knowing that it’s helping so many Women across the Globe.

SR:

“Pretty Girl” is a multi-layered song. Listening to it, it almost seems to be a truth in its complexity, just like women - our emotions can be more complex than men. What would be the best advice you could give a man to help them understand women and their viewpoints?

ZM: [laughs] I never viewed the song like that. Great perspective / observation. The advice that I’d give to men, as I do to my Brothers, significant other and friends is to simply listen.

It may seem hard to do but it isn’t. When a Woman speaks, listen to understand rather than to just reply. Sometimes we speak in code, but it’s no excuse. Instead of staying on the surface, go further, deeper and read between the lines and I promise you’ll understand us, maybe even more than we do ourselves.

SR:

What advice would you pass along to your sisters?

ZM: It’s pretty much all there in the song [laughs again], but I’d want them to know that they are beautiful, they are Loved, they are special, and most importantly they are worth it.

I would tell them to always be strong, and never lose sight of yourself. ALWAYS be kind, and loving even in the face of despair, and don’t let the wicked ways of the world change them.


L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 93


SR:

If you were to finish this sentence what would you say, “Life is _______________....

ZM: Life is balance, and we should never forget that. Do good, and the best things follow. SR:

How politically or socially involved are you in your music?

ZM: I’m not Politically involved, my music is about empowerment, and everything that is Love. SR:

As we are now global, it seems we all are in this same weave. When one of us hurts we all feel the pain. How can today’s musicians in any part of the world help overcome or celebrate the joys through their words?

ZM: Speak your truth. You never know who is listening, and who will find comfort in your songs, whether it be just your voice, the lyrics or the instrumental itself. SR:

Thank you Zosia for your music and your time. Looking out beyond the rest of this year what are some of your goals you are working towards and what can we expect?

ZM: Thank You for your listening ears and receiving heart! Later this year you should look out for my Debut EP entitled Pretty Girl, and just more great performances and music to come.

I will continue to make music that uplifts me and hopefully uplifts women around the world and inspire another girl to dream big and follow her passion.

I’m also putting things into place to start The Pretty Girl Foundation, that’s what I’m extremely excited for, so stay tuned for that!


L3 Magazine | March, 2017 ft. Queen IFrica - Pg. 95


Stream This Mix MixCloud.com/RicoVibes


Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.