L3 Magazine | Life. Love. Lyrics.| August, 2017 ft. Adahzeh www.L3Magazine.com
L3 M A G A Z I N E
Kings Daughtaz
Music Charts Video Charts
LEEE John and his Imagination
Loud City Music Gets Loud Worldwide
Adahzeh
Album Releases: Jayz Sizzla Chronixx
Music We Love: MDEEZ Yashae Rayzolution
L3 Magazine | August | 2017 | No. 46 CEO and Editor-in-Chief
Natasha Von Castle – natashavoncastle@gmail.com
Chief Creative Officer
L3 Group of Companies – L3Magazine@hotmail.com
Operations and Distribution Directors Christopher Miller
Publisher
L3 Group of Companies
Director of Caribbean Promotions Keisha Pinnock
Contributing Editor and Caribbean Affairs Editor Tricia ‘ZJ Sparks’ Spence
Contributing Editor and Music Editor Tre Carn
Travel Editor Stacia Von Castle
Music Review Editor Jennifer Menster
Beauty Editor Kay Cunningham
UK Editor Evelyn Germain
Political Editor: Maxine Tomlinson Senior Writers & Photography
Song River | Marcus Weller | Joah Baston | Zakada Milton | Raul Dunkley Fashion Contributor
Lady Ann Contributing Writers Portia Clarke | Mimi Mamichula | Ayeola George | Zakada Milton | Rico Vibes | Andre Gomez | Pia Jordine Roger Lashley | Gelina aka Baby G – UK Correspondent | Michelle Parker | April Stanford | David Peters | SteffyT
Editors Heart... Calling all ‘Optimistic Souls,’ we need you on earth ‘stat!’ That’s the call that has gone out to the Universe on behalf of we earthlings who are here, trying to make things work in a fair and balanced way. All of a sudden (or perhaps it was brewing and we didn’t pay attention), the world appears to be out of balance and not spinning on the correct axis – we need those optimistic souls to come in and reset the course. Influenced by what is happening in the White House, I find myself not wanting to watch the daily news, or read the newspaper out of anxiety about the President’s latest ‘move.’ Between firings, non-hirings and phone calls that did or did not happen, as well as a lack of obvious interest in the shenanigans of world leaders testing of missiles, and an oversight on trade partnerships that provide balance, it seems the greatest office in the land has lost its’ way … in a global way. There are theories floating around that the President is being set up to look bad; whether that’s true or not, he controls the words that come from his mouth, and his actions, and so far, they are far from positive, uplifting or optimistic. Whether we like it or not, we all need each other, and the world needs that one country who keeps a balance making sure that fellow countries or people don’t get too far out of control. With that kind of responsibility, and with the need for all to have the right example to follow, we need the right people in position; people who have the right moral compass – personally and professionally. As we move closer to the goal of world peace, now more than ever, Optimistic Souls are needed … education and previous experience may not be necessary.
Agree or disagree via Twitter @NatashaVonC
August, 2017 Pg. 12-16 JayZ, Sizzla and Chronixx have new albums they’ve just released. We give you reasons why you’ll love all three albums, and the breakdown of our dates for JayZ and Chronixx in support of their projects! Pg. 33 - 35 When Ireland and Jamaica link, it happens via Bazza Ranks and Peppery for the chune “So Futuristic!” This pulsating single has all the right sounds thanks to the Shank I Sheck Riddim. Pg. 40 - 41 If you love music from the 90’s (which we know you do), you’re going to love what Larger Than Life Records and Green Lion Crew did with the Digital Salute Riddim. Artist line up and more. Pg. 46 - 49 Performing artist MDEEZ is half Jamaican, half Bahamian and 100% worldwide! His flow is a mix of Reggae and Dancehall. He’s got lyrics for the men, and honey for the ladies. Yup, he’s got the HEETAH turned on! Pg. 54 - 55 All you need is 10 minutes to work your waistline and Konshens says ypi’ll “Turn Me On!” Pg. 74 - 83 If you’re in the UK, you have access to LEEE John all the time. If you’re here in North America, not so much. Our UK Editor speaks to Mr. John about when he began performing, why he spent time in the US as a child, and where he is now musically. This one is called Up Close and Personal! Pg. 84 - 91You’ve been listening to Loud City Music for years and you didn’t know. The duo is responsible for some of the best Reggae and Dancehall riddims released in the past few years. Not only are they producing music, they’re on the stage performing. Some think they’re an overnight success story but think again. They worked hard to be where they are!
On the Cover: Adahzeh, which means daughters of the King, is in a unique position within the Reggae landscape as they are one of the few all female Reggae bands. They know this and haven’t allowed that fact to alter how they work, or who they work with, or their overall goal for their career. We have the details! L3 Magazine | August, 2017 ft. Adahzeh - Pg. 7
10 Sounds Clash for the Coveted
Fully Loaded 2017 Title Saturday September 30th, 2017 at Topaz Catering and Event Centre 1230 Sheppaed Ave. W. Toronto
Royalty Sound Outlaw International Noble Works Don Rankin Sound Killa Assassin Majestic Vybes Turbulence Black Lion Sound King Vower Sound X-Loaded Sound
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Studio session with Super Producer Jay ‘Messi Fingers’ Crazie Kingston, Jamaica - May, 2017
JayZ’s 4:44
Scripture Music By: Beezie Vibes
JayZ’s album 4:44 is an urgent call for the black community to wise up and rise up. Songs such as “The Story of OJ,” “Caught Their Eyes” featuring Frank Ocean, and “Family Feud” go beyond having catchy titles, they deliver the message that we have to pull up our pants because ‘they’ are tightening up on laws that discriminate which are aimed directly at the minority communities. Lyrics such as “I told him / (please don’t die over the neighborhood) / that your mama rentin’ / take your drug money and buy the neighborhood / that’s how you rinse it…” are so ‘belligerent’ (‘belligerent’ in this case is defined as a necessity for everyone to hear) that an entire course should be offered in school to make sure the youths, and even adults, avoid the pitfalls that have been designed to entrap us. With regard to family, Jay says “nobody wins when the family feuds … and a man that don’t take care of his family can’t be rich.” As the levels of consciousness grows, Jay gives the younger generation a not so subtle destination to focus on. If we are to continue and prosper, we must make family a priority. Using what he knows is going to reach the masses quickly, Jay’s lyrical structure, as well as beat selection makes his entire album ‘mass appeal’ and has every person in a barber shop, hair salon and domino table sharing lyrics that stand out to them. No matter how we look at it, Jay’s album is a wakeup call for the black community. We have to walk a straight line and be aware of the climate we’re in. As he says “it’s time to be smart / make wise and precise decisions based on future and family.” This is the only way we’re going to survive. JayZ’s music is frequently referred to as anthems because of his lyrical delivery and the beats to match. “Empire State of Mind” and “Hard Knock Life” are just a few that fans rate as some of the best in his catalog and of all time. He is also one of the best selling musicians of all times. Selling more than 100 million records over the span of his career which began in 1995, the Rapper and Philanthropist has received 21 GRAMMY Awards. His albums The Blueprint (2001) and The Black Album (2003) have been included in the 500 Greatest Albums of All Times. Included on this album is “Bam” featuring Damian Marley which was recorded in Jamaica. The video has been seen more than 8 million times in one week! To support the album 4:44, JayZ will be on tour. Check the dates and cities and make it a point to take him in. You can stream his album at Tidal.com
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Tour Life Tour Life
We “Can’t Believe Kranium By: Jennifer Menster
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Being at the forefront of the resurgence of Jamaican influence over American Pop makes Kranium one of the most desired targets of music aficionados on both sides of the genre coin. Pop / Hip Hop / R&B wants him, and Reggae / Dancehall wants him too! His signature blend of Dancehall and R&B comes naturally to the Jamaican-born but US based (and raised) artist. His collaborations with stars Ty Dolla $ign, Major Lazer and Tory Lanez reignited the good times experienced in the 90’s when these types of unions were common and selling singles. Ed Sheeran tapped Kranium for his mega hit “Shape of You” remix, Drake sang a few bars of his hit single “Nobody Has to Know” during a concert in Houston, Texas, and now the two will be on stage together in Toronto for the OVO Festival in August. There is no doubt that Kranium is the centerpiece for the Caribbean to Urban cultural exchange. Following the release of the viral songle “Meet & Beat,” Kranium is back to share a new video. The previously released single “Can’t Believe” which features Ty Dolla $ign and WizKid, received a visual treatment courtesy of director RAGE that sees the trio enjoying the good life in a tropical setting. This isn’t the first time the trio have linked to create magic! They all appear on Major Lazer’s “Boom”, and Ty was featured on Kranium’s “Nobody Has to Know” single. The three on set resulted in an all out party. “Can’t Believe,” produced by Jamaica’s ZJ Liquid, is already approaching 4 million global plays on Spotify and is currently on Apple Music’s Dancehall Bangers playlist. In the UK, the single has seen considerable support on the BBC 1Xtra and Capital Xtra playlists. Kranium’s new EP The Spark is due later this summer via Atlantic Records, and he is coming off of a successful string of European shows. He has also announced several festival performances for the summer, including the West Indian Independence Celebration in Hartford, and Hot 97’s On Da Reggae Tip in New York. Recently it was announced that Kranium will be featured on Bebe Rexha’s All Your Fault: Pt. 2, set for release later this month, and he is also on UK sensation Kojo Funds new single “My Wish.”
L3 Magazine | August, 2017 ft. Adazeh - Pg. 17
M1 and Bonnot Get “Open.” By: Contributed
Dead Prez’s M-1 and Italian producer Bonnot has the summer bussing with the “Open” Remix, delivering a sweet summer hit! Featuring Jamaican Dancehall / Reggae artists Assassin aka Agent Sasco and Irie Child, each artist brings a different element to the remix, creating a musical blend that some call the perfect summer love track, happening at a perfect moment. The connection between Hip Hop and Reggae is one that has always been powerful. When done correctly it adds a spark of inspiration to a song. “Everyone is influenced by this kind of hook up and connection” M1 expresses, “I am excited about this song coming to the world in this form and fashion. The timing of it; it couldn’t have come at a better time. We talk about love and what we need is love in a revolutionary way, in a world that is filled up obviously with so much hate.” Definitely a club banger, it will have you moving. The beat is infectious with a hot melody and chorus. “Open” is on M1 and Bonnot’s album, Between Me and The World. The “Open” remix is one of the most Reggae distinguished tracks on the album thanks to its’ strong Caribbean influence. “We decided we wanted a vibes to exist in the Dancehall … to make you dance. I wanted to tell a story, Reggae’s tradition culturally about revolution and resistance. It has always been the main thing of what I speak about in my music,” explains M1. “I decided to animate the revolution into a lover. In my eyes it was the shape of a woman, who I had been in a long time relationship with and had gone through our ups and downs over the years, that got me to “Open.” When the song speaks of that revolution, M1 and Bonnot want people to know they are talking about this progressive concept but in a way lyrically that is sometimes disguised and even hidden. “In the lyrics of Irie Child and Assassin it sounds definitely like a masculine / feminine relationship which to me, makes it even more interesting. I know you want me near you, so I can tell you, love is all we need. I want you near too, so I can hear you, love is all we need. I am really talking about revolutionary love,” says M1. M1 and Bonnot produced the entire album including the original track for Open and the Open G-Mix. This is not their first production in Reggae. They have worked with Heavy Hammer Sound for original tracks and dubs. Bonnot is an established DJ in Dancehall and the jungle scene. He has recorded with some amazing legends in Reggae. The forthcoming video is directed by Francesco Bando, who also directed the video for “Number 1 With a Bullet,” M1 and Bonnot’s collaborative song with Prodigy. The animated video is due to be released this summer. “Open” debuted on HOT 97’s Morning Show and iHeart Radio.
L3 Magazine | August, 2017 ft. Adahzeh - Pg. 21
The 14th Annual Montreal International Reggae Fest!
With only one month left until the return of the annual Montreal International Reggae Festival, and under the banner of United Against Violence, a most impressive lineup is set to rock the Old Port featuring the best international and national artists and DJs. Canada’s #1 and largest Reggae Fest, which sees an average of 10,000 patrons per evening over their three days (August 18-19-20, 2017), unites the Caribbean’s most popular genres of music: Reggae, Dancehall and Soca and the people of Montreal can’t get enough! Not only do they hear and interact with the hottest artists, they also get to enjoy the tastes and flavours of the Caribbean thanks to hand selected vendors, and shop the latest arts, crafts, clothing and accessories from stores who import good especially for the MIRF audience. Jerk drums are set up onsite to cook delicious jerk chicken, while artisans make custom jewellery to the measurements of patrons. Children are also happy in their own section as they have games, activities and face painting souvenirs to document they too were at the festival. This years lineup which includes headliners Inner Circle and Sanchez on Friday, Charly Black, Konshens, Ultimate Rejects and Ricky T on Saturday, and Tanya Stephens, Etana, R. City, Pressure and Lt. Stitchie on Sunday, fans will have the ultimate festival experience. Internationally renowned comedian, Majah Hype, will host the festivals adding Caribbean humor so many fans love! Now in its’ 14th year, the Montreal International Reggae Festival is ranked as 1 of the top 13 festivals around the world. It is one of the few festivals that artists personally request to perform on because of the hospitality of festival staff, and the genuine love of festival fans. Tickets are available via ticketpro.ca, or ticket outlets (see flyer on the following pages for details).
L3 Magazine | August, 2017 ft. Adahzeh - Pg. 23
Team L3 Magazine, Real Flava Music Group, Anthony Richards, Claude Darroux, Mechelle Melledee and DJ Teflon as well as all associates wishes UK Editor Evelyn Germain a Happy 50th Birthday! With the theme of #givethanksforlife, Evelyn walks into this special year managing artists and co-hosting a show with John & Gina Carey called ‘Monday Night Live.’ Evelyn is also working closely with Phillip Gadd promoting UK and International artists. This year will be a stellar year for our Gem!
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Music We Lov / Single / Bazza Ranks ft.
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Peppery “So Futuristic” By: Jennifer Menster and KudosRecords.co.uk
Bazza Ranks (Dirty Dubsters) links up with Mancunian based Jamaican Reggae / Dancehall artist, Peppery on a new Dancehall cut in which Peppery sets his sights firmly to the future. The track, entitled “Futuristic” is about people who have set their sights on the future, and cannot be deterred from reaching the destination. Emphasizing the point are the incredible horns that speak of triumph, echoing the lyrics that Peppery delivers. Adding to the horns is the familiar rift from the Shank I Sheck riddim made famous in part to Sanchez and the chune “Brown Eyed Girl.” We really appreciate how the Dirty Dubsters team brought 1994 together with 2017 mixing a little old with a little new. Not ones to limit the musical offerings, fans are treated to remixes in the form of Jungle & Garage from Greek badboy FLeCK. Bazza Ranks also adds an additional dance/Garage mix for good measure. Digging deeper we discover that Dirty Dubsters aka Jay Sharpe & Bazza Ranks (Jason Rymer & Barry O Brien), purveyors of Reggae inspired bass music and culture, had a chance meeting in Dublin in 2005 at POD nightclub. Australian born Jason, was peddling mixtapes of breaks and beats and got chatting to Barry who was handing out flyers for the Irish Capitals club nights. Sparked by their passion for music, it was very soon after that, the DJ’s linked up and began making music as a duo. In the two years between their feature length albums the co founders of Irish Moss Records Label and Rub A Dublin Reggae Festival have toured extensively across Europe, Canada, Ireland and the U.K at many club nights with appearances at both major and independent festivals including Electric Picnic (IRE) Boomtown (UK) Shambala (CA) Uprising Reggae Festival (RO) & curated Main stage shows for Life Festival (IRE). When not on the road, the relentless work schedule continues in the studio with the duo producing a wealth of remixes and EP’s for various artists and establishing their own one day festival “Rub A Dublin, inviting International artists Sir David Rodigan (MBE), General Levy, Trojan Sound system, Radikal Guru and Capitol 1212 to perform alongside Irish Reggae artist Cian Finn & many, many more. If you’re looking for more HOTTT music from the Dirty Dubsters family, check out their MixCloud via https://www.mixcloud.com/DirtyDubsters/ or http://dirtydubsters.com/
L3 Magazine | July, 2017 ft. Bugle - Pg. 33
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Music We Lov
/ Album / Sizzla ‘I’m Yours
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By: Jennifer Menster One of the most significant voices in Reggae is that of Sizzla. The artist has released approximately 73 albums, and this summer, prepares to add to his list of titles with the release of ‘I’m Yours.’ Produced by Jon Fx, ‘I’m Yours’ comes on the heels of “Grateful,” the first single on DJ Khaled’s album of the same name. New fans (the 3.3 million plus streamers) made it clear that they wanted to know more about Sizzla, and got answers through his catalog that goes back to his days at Caveman Hi Fi Sound System where the young artist completed his apprenticeship and developed his distinguished sound. Simultaneously, Jon Fx was a young engineer at the label and worked with Sizzla on some of his earliest recordings. Fast forward to 2017, both Jon and Sizzla felt it best to give fans fresh material resulting in this new album. Behind the scenes, Jon Fx treated us to live streams on his Facebook stream in which we see the talented producer test beats and instrumentals to accompany Sizzla’s sound. Taking the creative process a step further, Jon made sure that all songs were in the right key, and every instrument played, was played by Jon personally. Jon explained “it was important to not only have Sizzla’s voice be heard, it was important to have each instrument customized to his sound. We want his new fans to fall in love with his sound, and have returning fans appreciate how Sizzla delivers musically in today’s landscape!” Currently, “I’m Yours” is the most played song on Spotify, and pre-orders of the artists 11 track album is available via iTunes: https://itunes.apple.com/us/album/im-yours/id1259934978 We are treated to Ska and Reggae as well as a Hip Hop vibe and features from Afrobeats Super Star Stonebwoy (“Shoot You”) and Mz. Vee (“I’m Yours”). Stand out songs for my ears include “Fair Chance” which asks the powers that be to give ghetto youths a chance in life, and “Incomplete;” a love song from a man to his girl. Jon Fx is a Billboard charting producer who is an international record producer. He has worked with GRAMMY winning artists Shabba Ranks and Akon. He’s also worked with award winning artists Gyptian (“O Can Feel Your Pain”), and I-Wayne (“Book of Life”). He has produced records for Yo Gotti, Actress KD Aubert, Mýa, Kevin Lyttle. JonFX is also known for his reggae remixes of popular artist such as Nicki Minaj, Adele, Carly Rae Jepsen, Mindless Behavior, Sade, Mýa just to name a few. L3 Magazine | July, 2017 ft. Adahzeh - Pg. 37
Music We Lov
/ Album / VP Records Reg
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ggae Gold The Reggae Gold compilation series from VP Records has presented the best of Dancehall, Roots and Lovers Rock Reggae for more than decades. Now in its 24th year, Reggae Gold continues its run as the ultimate reggae music compilation for reggae mavens and those new to the genre. The 2017 edition of Reggae Gold offers current hits and future classics plus, multiple exclusive tracks from some reggae’s biggest stars. Among the exclusives on Reggae Gold 2017, the new hit from R&B diva Estelle, ‘Love like Ours’ featuring Tarrus Riley is already getting major attention with the international reggae audience. Estelle’s laid back vocals are a natural fit with Tarrus Riley. The smooth melodies and down-tempo groove make this summer smash a pure celebration of love. Other notable duets on Reggae Gold 2017 are Queen Ifrica ‘Trueversation featuring Damien Marley,’ the current single and video from her album “Climb.” Powerhouse vocalist Ikaya is featured with ‘Leave You Alone’ featuring Jesse Royal, another Reggae Gold 2017 exclusive. And the breakout dancehall smash of the year, ‘Loodi’ from Vybz Kartel and Shenseea, whose video has amassed over 10 million views on YouTube is also included. The international dancehall smash ‘Now’ from reggae heart throb Romain Virgo is another highlight on Reggae Gold 2017.The set also includes current hits from reggae stars Jah Cure, Chronixx, Christopher Martin and Spice. Crossover radio hits ‘Gyal you a Party Animal’ by Charly Black and ‘Luv’ by Tory Lanez round out the set of offerings on the disc. A bonus DJ mix disc by Jamaica’s Chromatic Sound marks the 1st time in the compilation’s history that a DJ/Sound has been selected to do the official mix back to back. The incredibly talented comedian Majah Hype, will also be debuting an exclusive Reggae Gold 2017 skit on release day. Reggae Gold cover art has always been a key component of the brand. Reggae Gold 2017 features cover model Lilian Uwanyuze @lili_ann (Instagram – 30k + followers) with creative direction by Savanah Baker (Photographer) and Philippa Price (Director). VP’s Creative Directors, Stephanie and Christina Chin spoke about the concept for 2017. “We wanted to highlight the moto culture in Jamaica which is such an essential part of the lifestyle. Reggae and motorcycles go hand in hand. The idea morphed into a beautiful dystopian theme with hand-painted body art and a desert terrain. It was also a pleasure working as an all-female team; being able to strike a balance between beauty and empowerment was key,” they concluded. Stream or Download Reggae Gold 2K17 now: https://VA.lnk.to/RG2K17 L3 Magazine | August, 2017 ft. Adahzeh - Pg. 39
Music We Lov
/ Riddim / Digital Salute Ri
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iddim A few months ago, LTL Records in partnership with Green Lion Crew released Chino McGregor’s song on the Digital Salute Riddim. His chune “Bars” was rated by selectors around the world because of the vibe he brought as he DJ’d between old school style lyrical delivery with the spitfire content the younger generation expects with the nowadays flow. Chino went hard on the riddim and fans LOVED it! Tosh, Trees and Green Lion Crew stopped by the L3 offices to give is the exclusive pre-release of the full riddim and all we can say is there’s even more ammunition on the riddim! Adding to the greatness of Chino, we have Burro Banton, Gappy Ranks and Bobby Hustle. Each artist went hard in their own lane and compliment what Chino brought to the table. All the artists maintain the vibes from foundation … the days when a sound would string up on a lawn and a DJ / artist would take to the microphone to perform. In those days artists performed to get a Fawud from the crowd and for bragging rights that ‘they’ mashed up the dance. Sample Burro Banton’s lyrics: “come in ah mih town wid yuh something weh chrome / an yuh get beat down / shut dem down / ask me fih ah loan / yuh nah get it to me zone / two year you nuh work / shut dem down….” Based on recent stream statistics, we know that Reggae and Dancehall fans love the 90’s era when music was made, and still want to hear that vibe so the Digital Salute Riddim delivers. If the level of radio play is any indication, we know that fans worldwide are going to get behind this riddim. Definitely have to big up Tosh and Trees and Green Lion Crew for this wicked riddim. If you love the 90’s, this riddim is definitely for you! Listen to the mix on YouTube: https://www.youtube.com/watch?v=n_HwbX28N6U
L3 Magazine | August, 2017 ft. Adahzeh - Pg. 41
Music We Lov
/ Album / Chronixx’s Chro
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onology Instead of diving right into my album review of Chronixx’s album Chronology, I’m going to make a statement, then back up my words with information about the album. Jackie Mittoo is singing and dancing alongside Chronixx with the release of this album. You might be wondering what the legend, and icon, and half of the reason why Studio One is the everlasting label that it is, has to do with Chronixx, or this album. The short answer is he has nothing to do with it. The long answer is Chronixx and his Zinc Fence Redemption Band became so creative with this body of work, they crossed boundaries, and made music that I am sure Jackie would be proud of. Not able to Chronixx in a category, he proves with this album that he belongs to music and music has proudly claimed him. People who understand the zodiac of music will understand the realms Chronixx houses in Chronology. Songs like “Christina” for its’ Funk, “I Can” because it’s a vibe we can hear Drake or Chance the Rapper on, and “Legend” because of the chord progression are hallmarks of why Chronixx is labeled exceptional. The bass line in “Ghetto Paradise” is absolutely dirty! Not competing with the necessity of the delivery of the artists lyrics, both elements of the song sing to the audience simultaneously, placing fans in the picture being painted through song. “I Know Love” is one of my favourites as I feel Chronixx had a personal conversation with the great Spirit. In that conversation, they spoke of many things, particularly creation. The Spirit in that conversation explained that it was Love that created the universe, solar system, you and me. The artist sings: “In the beginning / according to the old would say / there was nothing / then the great Spirit came down and said ‘let there be’ / and then there was / that’s how it began….” Any person who feels disconnected (and loves music), will immediately feel connected after hearing this song which makes clear that they, the individual, was called into being. Also on the album are favourite anthems such as “Smile Jamaica,” “Majesty” and “Likes.” “Spanish Town Rocking,” the artists love song to the town where he was born and grown, ultimately says ‘no matter where I go, I will always love Spanish Town cause that’s where I come from!’ If you don’t have this album in your possession, buy it. It’s one of the purchases you will look back on saying “that is one of the best albums ever made!” Purchase or Stream Chronixx’x ‘Chronology’ here: https://chronixx.lnk.to/Chronology L3 Magazine | August, 2017 ft. Adahzeh - Pg. 43
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Tour Life August 4 – Reggae Geel Festival (Geel, Belgium) August 5 – RUHR Reggae Summer Festival (Ruhr, Germany) August 6 – Reggae Sun Ska Festival (Bordeaux, France) August 11 – Les Forges de Fraisans (Comte, France) August 12 – Uppsala Reggae Festival (Uppsala, Sweden) August 13 – Les Forges de Fraisans (Compte, France) August 13 – Fort de Saint Pere (Saint-Malo, France) August 14 – Fort de Saint Pere (Saint-Malo, France) August 18 – Rototom (Benicassim, Spain) August 21 – Paradiso Grote Zaal (Amsterdam, Netherlands August 22 – De Oosterport (Groningen, Netherlands) August 24 – Square Bayard (Charleville Mezieres, France) August 25 – Melomane Club (Montpellier, France) September 7 – Huntington Bank Pavilion – Chicago, IL September 8 – Michigan Lottery Amphitheatre – Sterling Heights, MI September 9 – Grog Shop – Clevland Heights, OH September 10 – Budweiser Stage – Toronto, Canada September 12 – Blue Hills Bank Pavillion – Boston, MA
Tour Life For a complete concert list visit chronixxmusic.com
Music We Lov / Artist / MDEEZ
ve Jamaican-Bahamian reggae artist / songwriter / producer and entertainer MDEEZ is taking the world by storm. His last album, titled Classics, is a mix of reggae and dancehall. His reggae style can be described as lover’s rock and conscious, while his dance-hall tracks are sure to make the listener move. There is no rest for the weary, and MDEEZ is energized as he releases singles, independent from his album. With the DNA of a hustler, self-motivation and always ready for the next move, MDeez continues to advance as an explosive artist with the evolution of his lyrical prowess and diverse imagery via his music and videos. Do It Like Nike and HEETAH are MDEEZ’s current singles. The former is a song about pushing through all obstacles. A combination of witty wordplay and an equally entertaining feature from Chan Dizzy, allows Do It Like Nike to fit in while still being unique for the dancehall scene. HEETAH stays on the dancehall tip and adds that “…the whole world sweat this year when me tun up di HEETAH”. This Bahamian Icon Award nominee and Elevation Award nominee is always on the move. A few performances to note are: The Love and Harmony Cruise (2017), Grenada Invitational (2017), at Best of the Best in Miami (2013-2016), The Orlando Carnival (2016) and the Adamari Caribbean Festival in California (2016). He also performed in Canada, Houston, Cancun and Belize. He is a top ten requested artist on several local radio stations, and was also named the top artist in the Caribbean in the 2015 Direct Music TV Americas contest. With a slate of new projects lined up for release, MDEEZ continues to write music frequently, like a doctor writes prescriptions. He writes Reggae, Hip-Hop, R&B and Soca for other artiste. Most notably, he wrote Telephone Love - the new Jah Cure hit. A few years ago, his affinity for the performing arts and multiple voices, led to several recurring roles on a local radio sitcom. The opportunities are endless for MDeez. With doors wide open and a promo tour on the horizon for his upcoming LP - get ready! L3 Magazine | August, 2017 ft. Adahzeh - Pg. 47
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Music We Lov / Band / Raysolution
ve You may have noticed lately the resurgence in bands in the Reggae scene which ties in nicely with the Reggae Revival theme. Stepping more to the forefront, bands are helping music lovers reconnect with how songs are put together … the coming together of instruments with vocals. In years past, Bob Marley and the Wailers, Joseph ‘Culture’ Hill and Inner Circle filled the stage as the main attraction. Rayzalution All Female Reggae Band, is right now the only all-female reggae band in Toronto, Canada. The band was founded this year by Chantel McKnight who is the bands leader and bass player. Combining heavenly harmonies with exceptional musicianship and dynamic performances, this powerhouse of talented female musicians, captures their audiences with the very first note. The band’s repertoire consists of cover arrangements of classic and present-day reggae hits which entertain all groups of people, and, keep music lovers moving on the dancefloor. Because of the natural vibe that people receive when the band plays, industry and fans alike have called the group ‘a force to recon with!’ Rayzalution Band live performances promises not just harmonic music for your ears, but also an influential experience you’ll never forget. The band promotes positivity and spreads a conscious message while still having a good time entertaining the audience. The Group musical influences include Bob Marley, Freddy McGregor, Marcia Griffiths, Rita Marley, Pam Hall, Third World, Rihanna, Lauryn Hill, Destiny’s Child, and Jill Scott to name few. The band has an exceptional sound blending Reggae with other Caribbean & Western flavors of music generating something diverse for the Canadian Reggae Music-Industry. The band’s objective is to represent and showcase female musicians and to deliver reggae music expressing the love, peace, togetherness and spirituality needed in our world today! As fans get more music from Rayzalution, they want more. This summer they will be performing at various outdoor events and festivals. Catch them when you can – you’ll love hearing what this band can do! L3 Magazine | August, 2017 ft. Adahzeh - Pg. 51
Music We Lov / Artist / Yashae
ve By: Jennifer Menster Born and bred in the cool mountains of Jamaica, Yashae is a singer-songwriter who has cast a spell on the music industry from ‘yaad’ to abroad. Her sultry sound and refreshing take on Urban music; her lyrics and musical style are reflective of her Caribbean roots, while her embrace of Hip Hop elements into her compositions rounds out her rich and dynamic sound. Being raised by music fanatics enabled Yashae to proactively work on her artistry; she started penning songs from as early as seven years old. A former competitive Indian dancer and a staple in local pageants, she used the confidence gained from often being on stage to augment her vocal delivery and strengthen her performing skills. Despite being offered several opportunities to study at some of the world’s most renowned institutions, Yashae remains steadfast in her pursuit to take her music to the masses. Fresh from recording her debut single “Boomerang” with the Grammy-nominated production duo KUYA, the Jamaican songstress is ready to make her mark. Feedback to the single was immediate in the L3 offices as seasoned veterans called Yashae’s sound as ‘politely sassy’ who has brought ‘fun and spunk’ to modern R&B. Lyrics that caught us are “when you throw me like a boomerang I come right back / why don’t you do me like that!” It’s absolutely HOTTT how Yashae incorporated an aspect of social media in her song and made it so catchy. No matter the age, we all want a partner who can give us that boomerang effect. Her track “Let This Beat Sing” takes a slower course to let her dude know that he puts a spell on her, she becomes a little shy and has to make the beat sing instead of her. If Yashae’s introductory singles are a reflection of her time in the industry, you can be guaranteed that she will be like a boomerang and keep coming back. Fans will keep her on their playlists!
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Work Your W
/ Music / The Best 30 Min By: SteffyT
Summer has finally arrived in the 6 - and there’s absolutely no reason why you can’t turn and tel a likkle whine! Increase your heart rate and feel the burn! This weekend will be C ties in the city - be safe out there and mek sure I see you on di road!!
Waistline
nutes of Workout Music
n up these beats Caribanna festivi-
Vol. 4 Aug 1
Kalado - Drop It Suh Swappi - Ana Freezy - Split in di middle Motto ft problem child - Bend Dong Davido ft Danagog - Hooka Psquare - Personally K Adu - Slow Wine Jeo da Dancer - Just Dance Alkaline - Pretty Girl Team Popcaan - Addicted One Love - Atumpan Marq Pierre - BFF QQ & Salty - Waist Line Bunji Garlin - Turn Up Konshens - Turn Me On Triplets Ghetto Kids - Sampo Yemi Alade - Johnny Savage - Mold Yuh Back L3 Magazine | August, 2017 ft. Adahzeh - Pg. 55
Tickets available by calling 647-702-9545 or email niyah.myc@gmail.com
L3’s Top Independent Spins
TOP DIGITAL SPINS
1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20.
Alkaline ft. Sean Paul – Gyalis Pro Konshens – Turn Me On Shenseea – Nothing Them Have Ova Mi Damian Marley ft. Stephen Marley – Medication Ultimate Rejects – Full Extreme Vybz Kartel – Eagle Charly Black – You’re Perfect Dexta Daps – Owner Sizzla – I’m Yours Bunji Garlin – Big Bad Soca Fayann Lyons – Girls Chronixx – Likes Busy Signal – Phone Stress Mavado – Memory Protoje – Blood Money Machel Montano – Fast Wine Spice – Sheet Razor B – Gyal Yu Good Jahmiel – Strongest Soldier Charly Black – Right Deh Suh
*Charts are based on radio airplay in Canada / YouTube Views / Live Event Selection Fan Feedback L3 Magazine | August, 2017 ft. Adahzeh - Pg. 57
WATCHED VIDE O ’ S
Rico Vibes Top 10 Watched Video’s 1. 2. 3. 4. 5. 6. 7. 8. 9. 10.
JayZ ft. Jr. Gong – Bam Damian ‘Jr. Gong’ Marley ft. Stephen Marley – Medication Alkaline ft. Sean Paul – Gyalis Pro Konshens – Turn Me On Kranium – Shape of You (Ed Sheeran Remix) Alkaline – After All Tarrus Riley – Just The Way You Are Charly Black – Momentum Spice – SIDDUNG Ultimate Rejects – Full Extreme *Based on recent YouTube views
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Adahzeh
Kings Daughtaz By: Maxine Tomlinson | Political Editor
A
Jamaica, the quintessential home of Reggae, has produced many great musical icons in its time. The only other milestone that it has yet to crack is the production of a recognised international all-female band. It is into this space that Adahzeh has stepped – and quite powerfully so! Formed by Karissa Palmer in 2013, Adahzeh is currently taking Jamaica by storm and by the look of things, will soon be making a similar impact worldwide. This unique quartet of vibrant, bright and highly empowered young women simply radiates energy - an energy that flows effortlessly throughout their music. L3 recently caught up with the lively ensemble that is Karissa Palmer (keyboard), Chevanese Palmer (bass guitar), Tashana Barnett (drums) and Tara-Dean Williamson (lead vocalist, guitar) in Kingston, Jamaica. MCT: I understand that the name “Adahzeh” means “the Kings Daughters”. How did this name come about, and how is it applicable to you as individuals as well as a Band? A:
Well, the name was brought to our attention by Ashleigh Baldwin, a friend of ours. We were looking for a name that would define us, and she suggested “Adahzeh”. When we found out that it meant “The Kings Daughters”, we were immediately struck by it as we felt that it represented us perfectly. Individually, we are not your “regular” kind of girls – we all have our own individual and unique styles. Collectively this works for us as a Band because it stands for everything that the Almighty represents, which is love, light and empowerment. As the “Kings Daughters”, we feel that the name Adahzeh summarises us as a positive force.
MCT: Adahzeh was formed in 2013 by you, Karissa. How did this formation take place, and what was your vision for the Band? Karissa: Yes, the idea originated from me. I had a vision of a strong, positive and empowering all-female Band that would take their art seriously. When I saw Tashana on Smile Jamaica, she immediately fitted the idea that I had in mind as did Tara-Dean who I met at the Edna Manley College of the Visual & Performing Arts. Chevanese, as my younger sister, really had no choice other than to join the Band (laughs). With these three ladies on board, the vision was complete. MCT: How would you describe yourself as a Band? What do you consider to be your Unique Selling Point? A:
We would describe ourselves as female musicians in a male-dominated industry striving to create musical history. Music is our art, calling and as well as our choice of career and we intend to use it as a force through which to empower others – especially young women like ourselves. We’re all really passionate about music and empowerment and we consider our ‘blended uniqueness” to be our unique selling point. We’re not just identifiable by our musical abilities alone, we consider ourselves to be multi-skilled “entertainers” above anything else; this is the whole focus of our live performances – to use the stage as a platform for positive empowerment and entertainment.
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MCT: As you know the music industry, especially as far as Reggae is concerned, is very male-dominated. What has been your experience of this so far? A:
Actually, we have had a very positive response from all areas of the industry. We haven’t had any negative experiences at all - in fact, we’ve had amazing support. Generally, the feedback has been that we are liked, supported and appreciated for the fresh and vibrant flavour that we bring to the industry.
MCT: How would you describe your music? What message(s) are you seeking to convey? A:
We’d say that our music is a fusion of Reggae, Dancehall and Pop with a focus on roots and culture. We would urge listeners to listen to our lyrics as we consider our music to be “message music” with the aim of feeding the mind and soul. Our influences are many, varied and diverse and include artists such as Bob Marley, Marcia Griffiths, Queen Ifrica, Maroon 5, the Shuga Mamas, Rihanna, Beyonce, Chronixx, Stephen Marley and Damien Marley to name a few.
Through our music we’d also like to send a message to all people, but especially to young people, that anything is possible if you remain positive and work hard. The other aspect of our music that we like to promote is love – love for self, love for others, but most of all Love for the Most High. With positivity and love, we truly believe that mountains can be moved.
MCT: I’m noting that you have a strong management team who clearly puts a lot of thought into your music as well as how you are projected. Tell us more about this. Karissa: Yes, we do have very strong and focused management in the form of Caniggia Palmer and Delroy Escoffery. Ifidel Williams also plays an important role in the development of the Band as Musical Co-ordinator and Christopher Lewis as well as my parents, Mr Uriah Palmer and Mrs Alderine Palmer, have also been extremely supportive in terms of guidance and our overall well-being. A:
Working with the right people is very important to us, and we believe our team to be spirit-led as we all came together through the vision, the love of music and the message. Over the past year, or six months in particular, our management team have worked hard to position us in the wider global market which has resulted in a slight shift in focus.
Our first major single – ‘Island Girl’, had very much of a Caribbean “girl meets boy” feel to it and continues to be one of our more popular tracks to date. This was followed by Good Vibes’, which has a fun, energetic feel good factor which was more up-tempo and demonstrated our versatil ity. Our latest release ‘Africa’, brings us closer to our true calling and speaks very much of Mother Nature and love. Our soon-to-be released EP (Journey) will feature a number of new tracks, including our latest single Africa, and will have more of a blended Roots Reggae vibe.
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MCT: You attended the World Reggae Concert in Ostroda, Poland in August of last year. Tell us about that experience. A:
Our experience in Poland was awesome. We were one of 5 finalists out of a total of 81 contestants which was amazing given the quality of the field – it was a truly magical experience! Although we’ve played quite extensively across Jamaica at major events such as Sumfest, St Mary Me Come From and Rebel Salute, we’d never played outside of Jamaica before, so playing in Europe was a completely different experience. Generally, in Jamaica, the audiences are quite critical so you have to work a little harder to win them over. Once there, however, they’re right in the moment with you and you definitely feel the “Good Vibes” (writers pun intended). Performing in Poland was com pletely different - the audience absolutely adored Reggae music as well as the whole culture, and they showed so much love. It was wonderful for us to represent Jamaica so positively in a place that clearly appreciated us and our music.
MCT: So, what else is on the horizon for Adahzeh? What are your plans for the future? A:
Well, for the immediate future we’ll be performing at Carifesta which will take place in Barbados between 17th and 27th of August. In the longer term, we have a number of exciting developments in the pipeline that we’ll be sharing with you all very soon. There are definitely plans to tour more extensively - we are especially keen to tour more of Jamaica and the Caribbean as well as the US, Canada, the UK and wider Europe.
We really do believe that the world is there for the taking, which is exactly what we intend to do we are determined to leave Adahzeh’s musical footprints across the globe.
MCT: Finally, as you know the name of our magazine is L3 and each L has a meaning. The first is for Life, the second for Love, and the third for Lyrics. What general advice would you give to our readers on Life, Love and Lyrics?
Wow! Those are powerful words and they certainly resonate with us as individuals as well as a Band and we feel that most people will relate to all three words on some level. We find life amaz ing and we spread love, respect and empowerment through our music. In short, we would say “Use your Lyrics to express your Love for Life.”
L3 certainly agrees with Adahzeh’s sentiments, and would further add that the “Kings Daughters” does exactly that… Be on the lookout for Adahzeh’s Upcoming EP, ‘Journey’ which will be available soon on iTunes, Amazon and all major distribution sites. For Bookings: D’Empire Management (JAM: +1876. 754. 6621) or (USA: +1305. 359.3445) Email: admin@dempiremanagement.com Website: www.adahzeh.com
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Music We Lov / Video / Adahzeh - Island
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Girl
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Music We Lov
/ Video / Adahzeh - Good V
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Vibes
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LEEE John
Up Close and Personal By: Evelyn Germain | UK Editor
L
From Humble beginnings in Hackney, East London to New York, to Worldwide Super Star! LEEE John, Lead Singer of the UK Soul Group “Imagination” has become a household name “ten times over” and well deserved too! And with the new album “Retropia” by Imagination (featuring LEEE John) and the album’s lead single “Do It Right Now” on Cristal Records topping the UK Soul Chart, LEEE John has every reason to celebrate. Let’s meet the man behind the music! EG:
Taking you right back to the very beginning, and I won’t do a lot of that, because I want to concentrate more on now, but I feel that beginnings are key. So, you are from Hackney, an original East Ender, one of us (both chuckle), but you were schooled in New York. How did that come about?
L:
I lived in New York for five years. My parents split, so I went to New York and I studied there.
EG:
How old were you?
L:
I was 9 years old. I went to Bishop Loughlin Memorial High School which was a track school, but they also did music. I was in the Glee Club, as they call it. I was also at Church in the choir. I actually got signed at maybe 11 to Worldwide Records which was like a company that dealt with people such as Irene Cara and Stephanie Mills.
At this point my Father felt the education system in the States was too loose and he wanted me to have an English education, so I came back and then I got signed to EMI at 14.
EG:
“Body Talk” is my favourite song by Imagination! It’s beautiful, it’s soft, it’s sexy, it’s lovely!
L:
It’s like the first baby! And for me it’s so important, so every time I sing that song I wanna make sure that I can still evoke the same feelings and freshness. Even when we talk about Live shows, I try and make sure that I add something a bit different to it – even if I’m singing the same songs, like when we did the Jazz Café last year. I wanted to make sure I did something special that night.
EG:
I think it would be really rude of me to not mention “Flashback” the movie. So you are directing and producing?
L:
Directing, producing, writing and editing. My co-Producer has a company called UPL Films. They are based in France and Geneva. If we’re talking about Flashback, we have been working on that for about 4/5 years over 400 hours. We have about over 200 interviews. The first two years I was finding my feet and then gradually we kind of found the track and how we wanted to portray it. It’s a snapshot of different British Black individuals who have contributed to British Black Music from the turn of the century; not just the 60s or 70s and 80s. It’s the whole spectrum up until the 90s. We show a little bit of 21st century Artists and where they have come to now, but 90s was the last time that you got record company support for British Black Artists.
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Flashback we pray will be out sometime this year. I have been told not to rush it, because I thought that British Black history is something that is important and I think it’s relevant and I think that I cannot be something that we rush. And as Black people sometimes we are being pushed.
EG:
What about Beverley Knight? Is she in there?
L: Yes, you’ve got Beverley Knight. She’s in there. She’s the 90s and is one of the very last Artists who had a deal. First she went independent and then she we went majors and then she went back inde pendent. EG:
What else have you been up to?
L:
I’m working with The British Collective as well right now and that’s with Omar (Lye Fook), Don-E, Junior Giscombe and Noel McKoy. We’ve done an album and it’s a collection of British RnB singers and it’s great. We’ve spent the last two or three years putting it together.
EG:
I’ve been checking you out and I’ve noticed that you have been very busy, so I’d like to just go through a few of the things that I have been finding out about you!
LEEE: OK. EG:
I’ve been listening to “Feel My Soul!”
LEEE: Oh, you have?! EG:
I like that it has a bit of a Jazz feel to it. I really like that! So tell me a bit more about how it start ed, who did the writing?
LEEE: OK, “Feel My Soul”. In 2004 I did this show called, “reborn in the USA. And a company came to me in France and said, “we love you! We’d love to do something with you. What do you want to do?” Five or six years, maybe even ten years prior to that, I wanted to do a Jazz album, but Spiritually, emotionally and vocally, I didn’t think that I was ready yet. I had to be at THAT level and then I was asked to do it in the UK. I wanted to do something that was very organic where my voice is the instrument and therefore I could evoke different tones, different moods, different flavours of my vocal sound.
I’m very proud of the album. It became a big seller for me in Europe and the States. Over here, they did not have a platform for it. They did not have Black Jazz Singers that they promote in the UK. I got the greatest reviews, and every Summer, people are rediscovering the album all the time and I got a top 10 in America!
Someone remixed “Sensuality”. The first track on the album and I got a Top 10 Billboard Hot 100 record! L3 Magazine | August, 2017 ft. Adahzeh - Pg. 79
EG:
Fantastic! Because every single track on the album is very different! I love “Sensuality”, because obviously, that’s me! (Both laugh!). What’s nice about the album is that every single track has a different feel to it which is what captures the flavour of the whole album, so to me, that’s amazing!
L:
Thank you very much!
EG:
So, you’re celebrating 36 years in the music industry.
L:
Yes. 36 years! I decided to do a new album called “Retropia” which was released in the UK in June 2017. You can see a bit of it on www.retropia.co.uk. The website should be up shortly and there will be some bonuses there as well. The Retropia Album is more of a tribute to the fans; definitely, more than any other album that I have done because it crosses a lot of things.
EG:
Finally, the name of our magazine is L3. Each “L” stands for something different. The L is for Life, the second for Love and the third for Lyrics. What general advice would you give to our readers on Life, Love, Lyrics?
L:
For Life I think, live life to the fullest. Let every moment count! For Love, Love the moment, Love the person you’re with and Love yourself even more, because if you can’t love yourself, who else are you gonna love? Lyrics are part of your day to day and I think we don’t listen to enough of the lyrics, especially in the past. Those beautiful Love Songs from Smokey Robinson or Curtis Mayfield or Stevie Wonder. The lyrics are what made the melodies come alive because you believed them. I listen to Motown records. Even if it was “Stop In The Name Of Love” or whatever, you be lieved the lyric! It came across to you. We need to listen to lyrics a bit more. No cursing or putting people down. Let’s keep it positive, people. There are ways of saying the same thing, but in a way that we can all comprehend through the lyrics.
EG:
Spread the light?
L:
Peace, Love and Light. That’s my motto and let every moment count!
I’ve done a version of “Highway To Hell”. There’s a track called “Brighter Day” which is kind of a message song, and there’s another song called, “I Did The Best I Could” which kind of takes you back to the early days of – a bit of “Imagination”, a bit of the “Chi Lites”, “The Stylistics”. It’s a bit of those kinds of songs you would hear. And then I’ve got a duet with Mike Lindup from “Level 42”. We’ve done a version of Stevie Wonder’s “Visions”. And then we’ve got Bluey from “Incognito” play ing guitar and on two tracks I wrote with Steve Nichol from “Loose Ends”. So it’s got a retropic feel to it.
To learn more about Imagination featuring LEEE John, visit: www.leeejohn.com.
Photo Credit: Six Degrees Entertainment.com
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Music We Lov
/ Video / LEEE John - Music
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c and Lights (Live)
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Loud City Music Worldwide Kinda Loud By: Natasha Von Castle | Editor-in-Chief
LCM
Sitting down to speak to Dan and MG is like having an exclusive party that everyone wants to be a part of, but only few are chosen to attend! This high energy and literally dynamic duo known to the world as Loud City are two of the most authentic people you will ever meet. As much as they are opposite is as much as they are the same. Their same passion for music has made them the go-to people for creating riddims (Reggae, Dancehall, EDM, Pop), their research about people and events in our genre’s history makes them extremely knowledgeable, and their charisma and charm make them fan favourites on the stage. This my friends, is Loud City live and direct from Seattle, Washington! NVC: How did two white boys from Seattle get into Reggae - not just from a listening / fan perspective, but from an active perspective - produce, perform and collaborate? MG:
We originally started off DJing in high school. We bought records and played at house parties and made mixtapes. We both play instruments. Dan plays the guitar and I play the piano and we just transition to making our own riddims and that turned into production. I’ve always been writing songs and everything lined up to be producing songs.
NVC: For some looking from the outside in, it seems like the two of you started at the top. You’ve got production credits with Bunny Ruggs (rest in peace), Sizzla, Kranium, Jesse Royal and so many others. Can you understand why people think of you as being at the top already? Dan: If you look at the time stamp of those songs and projects, you’ll see that it’s spread out over a number of years. We’ve been doing this for almost 10 years. One of the first riddims we produced and released was with Vybz Kartel. That was a great look for us in the very beginning. NVC: Some of the heavy hitters that we know you’ve worked with include ZJ Sparks (Zip FM – Jamaica), Larger Than Life Reocrds (Boston, MA), Breadback Productions. Can you give us a few more names? MG:
There are so many but Collie Buddz and the Movement and Devin da Dokta on his GRAMMY nomi nated album are just a few that come to mind.
NVC: Now that you’re in the recording booth as opposed to being on the engineering side of the glass, have artists that you’ve recorded on your projects offering comments on your vocals?! Dan:
Yes! The feedback we’ve had so far has been overwhelmingly positive. Some people are shocked to know that it’s us! We’re explaining the story to friends and colleagues as to why we’ve been doing so many shows in Jamaica and how we got the chance to do them. They knew we produced, but didn’t know we perform too!
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NVC: Both of you are well researched. It’s not just a matter of knowing the voices of different artists, you’re aware of the works of producers; about Reggae, about the genre’s history, major milestones etc. Where did that knowledge come from? MG:
Basically we paid attention and listened carefully to what was being said in songs. Also, when we were younger, we bought vinyl from Jamaica, and on those albums, you’d see liner notes. We could see who produced, who wrote the lyrics, who the musicians were etc so we paid attention to a lot of that stuff and followed up with what we read.
NVC: If we got a hold of your music player (iPod / Spotify Playlist etc), who would we find you listening to? LCM: (They both laugh) Everything! There’s no limit to what we listen o. Pop to R&B to Hip Hop to 50’s and 60’s R&B to Wilson Pickets to French Montana, to Sounds of Blackness to Alkaline to Vybz Kartel – everyone! NVC: Are there any similarities between West Coast culture and Caribbean culture? LCM: West Coast is a little more formal – that’s a US thing, but the main similarity is the weed! NVC: Is the weed better in Jamaica or the West Coast?! LCM: Definitely there! No it depends. Jamaica weed is a little rougher in the sense that it’s straight from the earth whereas West Coast weed is a little smoother because it’s not outside and it has different strains! We love the vibe we got from Jamaican weed. Definitely gave us inspiration! NVC: There’s not a doubt about the fact that Jamaica LOVES you! Describe the energy you guys felt when you were onstage at Jamaica Grand Prix! LCM: That was incredible! We felt a lot of anticipation and energy, then we touched the stage and every thing was amazing. We had been practicing one set and then had to adjust because it was a high school setting so some songs were not appropriate for that age group. All the same it went off great – we got a crazy reaction from the crowd and Usain (Bolt) was there and liked what he heard. There were nerves before we went on stage but once we got the mic, all the nerves went away. NVC:
Going back to your roots in music, would you say the two of you are a combination of being a DJ, of being players of instruments, of being a fan of all genres of music – would you say your presen tation is a combination of everything or have you defined yourselves based on your music and not your past.
LCM: No it’s definitely a combination of everything. It’s also us working together on creative stuff and coming together on records. It’s respecting Dan as an incredible engineer and just knowing what
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fits and what doesn’t. It’s also knowing all the sounds and respecting MG as a writer. That balance makes us who we are on stage, in the studio and wherever we go!
NVC: As we close out this interview, the name of our magazine is L3 and each L has a meaning. The first is for Life, the second for Love and the third for Lyrics. What general advice can you give our read ers on Life, Love and Lyrics? LC:
Laughs! This is deeper than all the other questions! Live life to the fullest and always bring Love to whatever it is that you’re doing. As artists and musicians that’s what we embody in our music in one way or another. The lyrics have to have life and love in them!
Connect with Loud City Music on Instagram: @loudcitymusic
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