L3 Magazine 2016 May ft. Randy Valentine by L3 Magazine

L3 Magazine | Life. Love. Lyrics.| May, 2016 ft. Randy Valentine www.L3Magazine.com

L3 M A G A Z I N E

Randy

Bridal Beauty Tips Model of the Month: Charlii Fletcher

Thank You Jimmy Riley Ammoye Remembers Prince

Valentine Phoenix Afrobeat Orchestra Canadian Chanteuse Sielle

Cocoa Tea: The Lion Still Roars

L3 Magazine | May | 2016 | No. 38 CEO and Editor-in-Chief

Natasha Von Castle – natashavoncastle@gmail.com

Chief Creative Officer

L3 Group of Companies – L3Magazine@hotmail.com

Operations and Distribution Director

Christopher Miller - christophermiller.media@gmail.com

Publisher

L3 Group of Companies

Director of Caribbean Promotions Keisha Pinnock

Contributing Editor and Caribbean Affairs Editor Tricia ‘ZJ Sparks’ Spence

Contributing Editor and Music Editor Tre Carn

Travel Editor Stacia Von Castle

Music Review Editor Jennifer Menster Senior Writers

Editors Heart... So you’re a young up and coming artist, and you’re ready to make your mark in the industry. You’ve practiced all your musical scales, you know the range in which you can sing and now you want to take center stage so the world can taste your talent. All of that sounds good – really good, but unfortunately, the music industry is not as straight forward as it seems. The reality is just as you put in hard work in the studio and visiting your vocal trainer, is the same, or even harder you have to work behind the scenes with your manager (not damager) to make your stage and career goals a reality. As easy as it looks is as hard as it is. All too often artists enter the business with an incorrect perception of how this thing called music works, and all too often my phone rings, or I receive emails from innocent souls asking for help which I gladly offer. Most times I begin by saying ‘Drake deceived you!’ The success of his singles and albums makes it look easy, but some forget the years he spent writing for himself and others, perfecting his stage presence, touring which helped him learn to read audiences, and surrounding himself with people who are experts in their field. All of that was developed long before you met the Drake you know now. The greatest piece of advice I can give you is to make sure you have the best manager in the business. Don’t ask cousin Joe to manage you unless he has a degree in artist management! Your manager must be as good or better than the music you make. How will you know when you’re ready for a manager? The day you decide you want to be a Billboard recording artist who wins GRAMMY’s and tours the world 11 months out of 12! Agree or disagree with me on Twitter @NatashaVonC

May

2016 | Volume 38 | Number 3 Features Pg. 60 Randy Valentine By: Natasha Von Castle One of the greatest voices to be added to the Reggae and Dancehall genres, is Randy Valentine. He’s Randy when giving straight talk, and Valentine when speaking to the ladies and we love both! Pg. 72 Phoenix Afrobeat Orchestra By: Song River Bet you didn’t think you would ever hear of an Afrobeat Orchestra, but here it is! This unique group of musicians make Arizona stand out on the map of music because of the energy and passion with which they perform. You don’t want to miss this! Pg. 82 Cocoa Tea By: Joah Baston Cocoa Tea is an elder in the world of Reggae. With a career that spans more than 40 years, the artist is performing at the top of his pinnacle and gives a live interview side stage. This lion still roars! Pg. 26 Most Brides are concerned with the dress, but Beauty and Fashion Editor Kay Cunningham wants you to be concerned about the Makeup too! Pg. 40 Some of the hottest iTunes releases comes from Gappy Ranks, Sizzla Kalonji, ZJ Liquid and Chronixx. Our reviews tell you why!

On The Cover

Randy Vaelntine

Life

FE... Photo Credit: BMW Motorrad.com

Jimmy Riley Thank You

It started as “My Conversation” and ended with the world singing along to his music, and many an artist trying to imitate his vocal style and delivery. Jimmy Riley was the artist who made singing sound as if he were speaking, and made the art of stage presence seem like a neighbor talking to you over an adjoining fence. His music spoke to your soul, and so too he would speak to you if he met you in his travels. We first met Jimmy Riley at a show in Toronto called ‘Like Father Life Son’ produced by Action Promotions. It was the first time he and Tarrus performed together outside of Jamaica, and patrons filled the hall to capacity to show the Senior Riley love! Fans of all generations sang song like “Love and Devotion,” “Rougher Yet” and “Give Thanks and Praise” giving the member of Reggae Royalty little to do – the crowd just wanted Jimmy to know how much he was loved, and that’s the way it was wherever and whenever he performed. Whether you appreciated Jimmy as a part of The Uniques, or you appreciated his solo career, the common thread that binds us, is our love for Jimmy’s voice, and the void that is with us because he is not here. Thank you Jimmy Riley for the years of sweet music you have given us. Your music will forever be played so we can continue that conversation….

Tall Glass Of Lemonade Please! By: Jennifer Menster

Some people hate her and don’t understand why she commands so much attention. Other people love her (the Beyhive) and shower her with praise and adoration because she pushes the creative boundaries to the limit. We love her because in one artistic expression, she has spoken for the masses of people who have experienced hurt at the hands of a significant other. She is Beyoncé! Her 60 minute visual album called Lemonade is the beverage fans around the world are drinking, and haters around the world are trying to spike. Keith from the UK wrote on Facebook, “She has effectively pulled off a once in a generation coup d’etat in the hearts and minds of everyone who comes in contact with her wake.” Yes Keith that’s true, but she also did something few performing artists know how to do – she connected to the raw exposed nerve within those of us who have been hurt, and acted out our pain in such a way that we can walk away from the past trama saying ‘Bey looked after that for me … I’m done.” The scene of Beyonce smashing a car with a baseball bat, the scene of her driving over a row of cars with a monster truck, and the scene of her giving the heartbreaker the middle finger are all things we have imagined doing to the ones who have hurt us, but refrained knowing the consequences would be to great. No, Beyonce acting this out gave us the liberation we sought, and the freedom of not getting caught. On this day, we’ll take this tall glass of lemonade please; and we’ll drink it very slowly!

Easy Mistake For Sielle and Sean Paul

Billboard recording artist Sean Paul has collaborated with Canadian chanteuse Sielle to make an “Easy Mistake” which is impacting radio and causing a stir in parties! The duo teamed in the studio in Jamaica with the goal of giving fans an infectious song that they will sing along to, while introducing the young starlet, Sielle, to an international audience. The collaboration resulted in a certified banger which is being loved by all who hear it. With ingredients that include a crossover Dancehall rhythm, Sielle’s silky smooth voice and sweet lyrics to compliment perfect melodies and harmonies, both Sean Paul and Sielle are winning fans who not only appreciate the two working together, they also appreciate the concept of the song! “We’ve all done it at some point in time” says Sielle, “we’ve all fallen in love with a person which turned out to be a mistake, so this song is about moving on from this mistake!” Produced by the hit-makers Matthew ‘Esco’ Thompson; 957 Muzik and Smokin Acez Media, “Easy Mistake” is on track to be the summer anthem and have the season buzzing. The song, written by Sielle, was welcomed by Sean Paul as a project to work on. Impressed with the young vocalist, Sean has high hopes for the song as it is one that most people can relate to. Since the age of 5, Sielle has been trained in classical music and attended performing arts schools. Her passion for music led her to produce, write and perform her own material; honing her sound. This has allowed her to claim a presence across multiple genres which includes Pop, Reggae, Folk, Classical, Opera and R&B. Growing up in Little Burgundy, Montreal and being exposed to a plethora of cultures, Sielle is bilingual and sings in French. She has performed at Nappa Valley’s Bottlerock Festival 2014 and 2015, where Jim Peterik featured her on hit song Eye of the Tiger. She has also performed at the Montreal International Reggae Festival two years in a row, and smaller festivals and clubs throughout Canada. Previously released songs, include “Little Girl,” “Change You,” “Runaway” and “Together” which was penned by the legendary

David Pack of Ambrosia. Although Sielle’s sound is characterized as alternative soul; the collaboration with Sean Paul has allowed her a chance to tap into her Jamaican roots to deliver a masterpiece. “I want to touch people with my music, my music is a dairy, what I feel, what I have been feeling throughout my life,” explains Sielle with hopes of changing lives through her music. However, working with Sean Paul on Easy Mistake, has had a major impact on Sielle. This collaboration has allowed her to go into her Jamaican roots with all of her life’s experience as an artist to deliver a masterpiece. The goal is to propel into the international market that is ready to accept another musical star named Sielle. Follow Sielle at www.sielle.ca; FB:Sielle Live; IG: @Siellemusic & @siellelive Tw:@Siellelive

Vicky Sola is Oh So “Broken!” Carving a niche for herself as an ‘Afro Brit’ artist, 23 year old Londoner Vicky Sola has been amassing kudos from some of the most respected names on the African pop music circuit including 2Face Idibia (2Baba), Omawumi, Yemi Alade and Tiwa Savage. She describes her music as “international sound adding flavours of Africa with a British twang,” and also says “I am proud to represent both my African roots and my British upbringing.” The young starlet debut single ‘OMG’ entered the UK Urban Club Chart at Number 18 and remained in the Music Week Top 30 Chart for an incredible 7 weeks. Her new single ‘Broken’ is a romantic ballad featuring Moelogo. ‘Broken’ showcases a delicate mix of blissful, rich musical harmonies that are overlaid with strong vocal delivery from both Sola and Moelogo. A stripped down track pays homage to the ‘90’s R&B with a melodic version of Blackstreet’s ‘No Diggity’ riff. The single also features a stand out dance remix courtesy of C.R.G.L., completely flipping the original taking the ballad into dance floor territory. The remix brings to the fore the Blackstreet riff and delivers a slab of addictive house beats opening doors to a scene outside of the Afrobeats circuit. Sola, has performed to arena crowds and at the 2012 London Olympics opening ceremony and reached the boot camp stage during the X Factor 2010. She is currently a nominee for the Best Female Award at the UK Afrobeat Awards this year. She won the ‘Best Unsigned Act’ at the BEFFTA’s (Black Entertainment, Film, Fashion and Television Awards) in 2014. The new single ‘Broken’ featuring Moelogo was released in April via 6060 Music. The single will be available on iTunes and key digital retailers.

Saying Goodbye to Our ... Prince

Though it’s been a week since the world learned of the passing of Prince, the hurt knowing that the music icon will never perform again is a tough pill to swallow. Both fans and fellow musicians regarded the icon as one of the best – feelings shared by Canada’s songstress Ammoye. Emigrating to Canada at a young age, and leaving behind the comforts she knew back home in Jamaica, music became a refuge, and Prince was one of the main artists to inspire her. “Prince is the icon that taught us how to be fearless” said Ammoye from her recording studio in Toronto. “Fearless when it comes to expressing yourself as an artist was first and foremost where Prince was concerned. I always felt that he was ahead of his time but a bridge with the legends who have gone on like James Brown because of the way he moved and his charisma. He mastered playing instruments and ushered in a new way for artists to be – themselves. He was an incredible live performer – a source of undying light to all of us here who call ourselves artists.” Prince never met Ammoye, but his impact on her is what causes the music star to be known to fans around the world. As we say an earthly goodbye to Prince, we remember his most infamous lyrics: “dearly beloved / we are gathered here today / to get through this thing called life.”

Model In Focus Charlii Fletcher

Charli Fletcher is an international model from London. Her modelling experience is varied, ranging from runway, print, TV/ film and promotional. Charli is currently signed in London to Oxygen Models and has recently been signed to Miah Management in Barcelona. Her experience includes modeling in New York, London, Paris, Latin and Pakistan Fashion Week. Charli has appeared in publications such as Vogue and Glamour magazine to name a few. Charli has also worked with brands and clients including Vivienne Westwood, NARS Cosmetics, Make Up Forever, Jonathan Simkhai, Rachel Comey, myhairdressers.com, as well as many others and is currently the face of M-SEW. In addition to modelling Charli also has a degree in Politics & International Studies. In the future she hopes to use this to regenerate impoverished areas in the third world, through her own charity. Other areas of interest include song writing for international artists and acting. Her passion for acting was sparked at a young age and she has attended Barbara Speakes Stage School, as well as the London School of Drama. Clients have described Charli as being down to earth, reliable, enthusiastic and determined. Her catwalk style has been described as unique, versatile and adaptable to meet her client’s needs. To quote designer Anna Lukindo of Anna Luks Clothing, “Her energy before the camera and her photogenic qualities, are the factors that make her a truly extraordinary individual in the field of high fashion modeling.”

Model of the Month: Charlii Fletcher

Title of shoot: The Royal Heiress Location: New York City Model: Charli Fletccher Agency: Oxygen Models Jewelry Designer: Royal Oases by Shekera Mercer Clothes Designer: Joyce Leslie & Lena Santana Mua: A.Love Shoes: Steve Madden Look 1 Herring Fish Bone by Royal Oases Look 2 Pharoah skirt and top by designer Joyce Leslie Isis Chain by Royal Oases Shoes by Steve Madden Look 3 Red dress by Lena Santana Lotus Leaf set by Royal Oases Shoes by Steve Madden www.charlifletcher.com Instagram: @charliiamlegend

Bridal Survival & Makeup Tips By: Kay Cunningham

Bridal season is approaching and it can be frustrating if you don’t get things done in time. Back in London, I visited a lovely bridal store as I wanted to see what a bride to-be experiences when selecting a dress for their big day. I spoke to a few brides and they all had different ideas; some were getting married in a years’ time, and some within a couple of months. I also asked if they selected a makeup artist and most said it was the last on their to-do list but the dress and location was first. Hmmm! Having been featured in “The Wedding Survival Guide” (How To Plan Your Big Day Without Losing Your Sanity) written by Catherine Belavage, I can see why brides look to the makeup artist as a final decision, but after reading this interview, they should consider this an essential service! Tell us about your experience as a Makeup Artist. My experience as a Makeup Artist varies from working for luxury cosmetics brands to doing film projects, creative photoshoots, music videos, demos, make overs at studios, events, private clients and bridal makeup. I enjoy every project, it’s never a dull moment and I get to meet so many lovely clients along the way. Do you think hiring a Makeup Artist on your wedding day is important? Absolutely! It might be the most important day of your life. You want to look flawless and that way you are not pressuring any of your friends that saying they can do it.

What kind of looks do you recommend? If itâ&#x20AC;&#x2122;s a traditional wedding ceremony can keep it a natural look for eye makeup with pastel shades, along with gold, for the lips I love to see a bride in a rose or nude lip colour. Some brides love it fierce but your wedding day is not over at the ceremony, a lot of brides change their makeup for the reception some brides prefer to keep the same look throughout the day. What if the bride is unsure of what look she wants? Bridal trial is strongly advised before the wedding day, in that way the makeup artist can make suggestions, social media is also useful for makeup ideas with an inspiring creative makeup artist. What things should a bride take into consideration when she is making decisions on her wedding make up? Think of how you would love your husband to remember you after the wedding day! After the trial run, you can share the images and if he gives a thumbs up, you are good to go! Do you have any tips for brides who want to do their own make up? No DIY please! Book a bridal makeup artist, and to avoid a rush, itâ&#x20AC;&#x2122;s better to book one way in advance of your special date. Please remember, this is important as your face will be the most looked at, apart from you wedding dress! What is your favourite wedding look? My favourite is the natural flawless look with gold or natural eye shadows, rose or nude lip colour and highlights with a bit of soft blush.

What are your top beauty tips? There are too many, here are some to be useful for brides or any female: 1. 2. 3. 4. 5.

When doing your makeup for an occasion (medium to full makeup) Start with your eyes, then foundation and concealer etc. That way you wonâ&#x20AC;&#x2122;t need to clean the eye shadow dust from under your eye and it saves a lot of time. Ever wonder why your makeup slips off your face after 3 hours? The reason is due to how you dress your face! For longer lasting makeup, use a face and eye primer that way it will keep your foundation and eye shadow intact, especially for normal or oily skin tone. For a fuller coverage you can build up a medium foundation (liquid) by applying it first with a brush then after apply concealer to the main area needed on your face (this depends on your skin condition) followed by your choice of powder (I prefer compress powder for going out) Do not wear a darker foundation for a tan effect, I always tell all my clients to stick with a perfect match, then add bronzing powder or contouring shades to compliment and create a contour effect. If you are unsure please pop over to your favourite beauty brand for consultation. After applying lipstick add lip liner for defining the lip shape if small lip apply on the lip line for a fuller effect, for medium or full lips apply liner on the inner lip line and re member anyone can wear a red lipstick by choosing the correct one for your skin tone!

Enjoy the bridal journey! It should be an amazing experience! Follow me on Twitter & Instagram @makeupbykayce Website www.kaycunningham.us Credits for Collaboration Photographer Alfanso Scarpa Model - Cleopatra Wood (@cleopatra.wood) Jewelry by Sarah May Jewellery (@sarahmayjewellery) Art Direction, Styling Makeup & Hair Kay Cuningham Location: Capulet Gallery @capuletgallery Dresses Courtesy of Reflections Bridal www.reflectionsbridal.co.uk

Start Summer Sipping on Singapore Sling By: Andre Gomez

It took a long time for spring to finally get here, so now that it has, let’s rush summer in too! I’m thinking friends and family hanging out on the back patio, the grill humming with chicken and skewers of vegetables, and great music playing on the Jukeboxx! To compliment this visual, we need the right drink, and that drink is the Singapore Sling! ½ oz Grenadine Syrup 1 oz Gin 1 oz Papaya Juice ½ oz Cherry Brandy Club Soda Directions: 1. 2. 3. 4.

Pour Grenadine in to the bottom of the glass and fill with ice Add Gin and Cherry Brandy Add Papaya Juice and top with Club Soda Garnish with Pineapple

Cheers,

Andre!

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DJs on the World Map: Don Rankin Sound

When it comes to Sound Clash, it is hard to compete with the depth of the dub-box possessed by the world renowned Don Rankin Sound! Based in Toronto, Canada, Don Rankin Sound was born in the East side of the City known as Scarborough. Formed in 1995 by Photi Rankin (pronounced Futty), the sound took the city by storm as they played at the hottest parties and selected music that fans wanted to hear. Members Thriller Currie, Krazy-Hype (aka The Boss), Blood Splash and Problem Child were happy to accommodate the tastes of fans, but they also were determined to be in the Clash arena. The Sounds music collection dates back to 1989 when Vinyl was the only way to play music. As demand for the sound increased, dubplates became the norm, and a thirst for killing Sound Systems in Sound Clash became the focus. The objective of the sound is to clash and kill sounds and to one day be the undisputed champion of clash in Canada and beyond. Having appeared in Ron Nelson’s Fully Loaded Sound Clash series, the Sound made its premiere on Night 2, and won with a landslide victory. On the final night of the 3 part series, Don Rankin went up against some of the best Sounds in Canada (such as Black Reaction, SuperFresh, Lexus Supreme, King Klepto, WhiteBoy and StudioMixx) and finished 3rd - quite impressive given the fact that we had only played in two professional Clashes. From those times to now, Don Rankin Sound has competed in the many of Canada’s elite Sound Clashes such as Fully Loaded, Statement (West edition and East edition), Back to Basics, “Canada Edition” (against Sound Troopa and King Turbo), Time to Shine Sound Clash, Sound Rage Sound Clash, Modern Warfare, and US Rumble to name a few. As 2016 moves forward, Don Rankin continues to Clash in Canada, and is ready to defend its countries honor on the international Clash circuit! Let us hear you say “Raaaaaaaankin!” >>> https://soundcloud.com/don-rankin-sound

New Music Releases on iTunes

Super Producer Nicko Rebel teams with Gappy Ranks for the Roots Reggae driven single “Don’t Trouble Anyone.” Fans have given the single the thumbs up and have added it to rotation! uu Sizzla Kalonji has reached Reggae mega star status and this latest album from the icon lives up to all the hype talked about. The 13 track disc features gem tracks such as “Beautiful Place,” “Breath of Life,” and “Love Me” which is one of the best modern day Reggae love songs! If you think Sizzla is limited to Reggae, think again! The artist includes a Hip Hop track which is fire! This album is a must uuu

If you thought you knew the talents of ZJ Liquid from Zip FM in Jamaica, think again! Not only is Liquid an incredible DJ, he is equally or better a producer, and his album, M Squared is so good, you will have it on repeat! The Star studded guest appearances by Beenie Man, Mr. Vegas and Safaree speaks to the caliber of music. Add this album to your collection! uuu What can we say about Chronixx and his Mixed CD Roots & Chalice?! We can tell you it’s a masterpiece! If you don’t have this rootical mix in your collection, you’re sleeping! uuu

New Music Releases on iTunes

L3’s Top Independent Downloads

TOP DOWNLOADS

1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. ylists

Nesbeth – My Dream Alkaline – Conquer the World Spice – Needle Eye Busy Signal – Bad Long Time Kranium – Lifestyle Dwayne “DJ Bravo” – Champion Demarco – Bun Friend Killer Charly Black – Hoist and Wine Exco Levi – Do The Maths Ammoye – Woman of the Ghetto Jah Cure – Show Love Christopher Martin – I’m a Big Deal Romain Virgo – Fade Away Tifa – Big Bumpa Mikey Dangerous – Africa the Beautiful Romie Se7en – Bad Gyal Agent Sasco – Country Bus Colin Levy – Smile Tanto Blacks – Real Rich Maya Blu – Slow Dance

WATCHED VIDE O ’ S

Rico Vibes Top 10 Watched Video’s 1. 2. 3. 4. 5. 6. 7. 8. 9. 10.

Nesbeth – My Dream Alkaline – Champion Boy Busy Signal – Free Up Spice – Needle Eye Jahmiel – True Colors Sean Paul – Never Give Up Mr. Easy – Bashment Girl Kemar Highcon – Oh Gosh Raine Seville – Touch Jah Cure – Show Love

*Based on recent YouTube views

SEKOUBA BOLOMBA: African Roots Reggae By: Joah Baston

Born in the Ivory Coast to Gambian parents, Sekouba Bolomba created his own sound, calling it Bolomba stylee, An infectious mix of roots reggae, dancehall and traditional West African rhythms. Based in New York City, Sekouba is no stranger to NJPAC and NYC’s SummerStage, Brooklyn’s International African Arts Festival, or to Music Festival in Mali. At Abi Reggae Fest 2015 (Abidjan), the sweet-faced musician appeared alongside headliners Ky-Mani Marley, Third World and Morgan Heritage. Senior Artistic Director of Go Africa Network 2016 (NYC), Sekouba also offers an open-air performance at Festival Nuits d’Afrique 2016 (Montreal) before returning to the studio to record more work. Sekouba’s first album, ‘’I’m So Glad’’ (2004), was self-produced in NYC. Sidney Mills, keyboardist for the legendary reggae band Steel Pulse, co-produced his second international album, ‘’Sejo’’ (2010), which also features Bob Marley’s guitarist, Junior Marvin on the beautiful track ‘’Mandela. On stage, the humble Ivorian artiste plays with ease of his best instrument: his superstar soul-filled voice, while showcasing smooth African dance moves. His locks-shaking ragga style has been complimented the world over! For what some call a quiet day at work, Sekouba takes the stage (his office) to heartily perform in English, French, Malinke and Bambara. Sekouba is influenced by his older brother, vocalist Ismael Isaac, as well as roots reggae and dancehall acts. Sekouba’s next album ‘’Imagine’’ will be released later in 2016. More info on Sekouba Bolomba www.Sekouba.com | facebook.com/sekouba.bolomba

Ones to Watch! By: Cricket

There is dub and then there is “DUB.” Janine Cunningham grew up in Trelawny Jamaica, West Indies. Her story is so poetic. She evolved into Jah9 the artist, first via underground poetry and then transitioned into the dub scene. Her style smooth and laid-back. The Jazz and Blues elements also part of her style. She recorded “Mr. Right” with the help of Roy Gilligan of Stone Love Sound, and later worked with producer, Rory Stone Love. The single ignited her fan base and “New Name” the EP was born. Her circle of Rastafarian friends sparked her interest to the culture itself. She studied, and embraced it as her own. Songs like “Avocado,” “Jungle,” “Legitimate” featuring Proteje and “Gratitude” (Yoga on Dub) also produced by Rory Stone Love provide amazing examples of Jah9’s incredible vocals. Jah9, an artist to keep an eye on. Jamaica’s hidden jewel. One to Watch.

Her vocals immediately caught my attention. I followed this artist on YouTube and connected with her Beyoncé vibey-soulful sound. She was able to go from cover remakes to original songs. “Perpetual Nights” proved that point, quickly! This song was on heavy rotation every day - I played it multiple times. Maxine Ashley, a native out of the Bronx caught the eye of Pharrell Williams a few years back. He kept an eye on her for four years, before contacting and working with her. The chance of a lifetime, right? What artist would not jump at that opportunity? She followed up with other songs, another favorite “By Your Side” and her haunting girl in love single “Glory Box”, which are all off her “Mood Swings” EP. “Between You and I” is easily a hit too! She has been mentored by Pharrell and signed to Neptunes. She worked with Kerry “Krucial” Brothers, Zeke MacUmbers and the Outsyders. She is definitely an artist who has perfected her craft. She has an International sound with is a blend of Pop, R&B and Dance. She is eccentric and different! Her style is one that you cannot ignore. Maxine Ashley, an artist to keep an eye on. She is the definitely one to watch.

When you first hear her, she sounds like she is straight of Jamaica…but it turns out, she is from Germany. “Locked Away” off of her “What About Love” EP, was the first song that made me do a double take. Sara Lugo, is one of those artists whose voice could fit any genre. Her father is from Puerto Rico and her mother is from Munich. Sara has her thumb on the pulse of the Dub and Reggae music scene, and its popularity in Germany. She is soul, R&B, Dub and Ska. She has big vocals and a vibe that you would instantly fall in love with. The lyrics and melodies fit so perfectly. Sara is truly onto something. “More to Love,” and “Criminal” are both produced by Rory Stone Love and “They Know Not Love” featuring Lutan Fyah are just some of her amazing singles. Sara Lugo. One to Watch.

When you first listen to new artist, Janelle Artis captivating single “Fever” you can appreciate why it is getting a lot of buzz; a universal thumbs up amongst music enthusiasts and her peers. You can notice some of her influences right away... Sevyn Streeter, Aaliyah, Beyonce’, Kehlani and Chris Brown, to name a few. Her style is alternative soul, trap pop and R&B. This Brooklyn native comes from a musical family and she plays the flute. She is currently working on her debut EP and excited to flex her musical muscles, amongst the fraternity of artist she is a member of. “It took me a while to shape my craft and hone in on my style and my sound. I love R&B, Pop, Dancehall…Rock, and Hip Hop, I basically love all music styles”, says Janelle. I model as well, but I am happy with my upcoming project, because music is truly where my passion lies”. She too, is the One to Watch.

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Bringing Back The Love By: Natasha Von Castle Photography: www.RandyValentine.com

His is one of the most refreshing voices to join the Reggae and Dancehall genres. At times his voice is innocent (when singing about Love), at times forceful (when singing about change), and at all times, his voice is engaging. You can’t help but listen to what he has to say. Readers have been asking for an interview with Randy for more than a year. They want to know about him, and, so do I so here we go! NVC: Your name suggests you have a duality! Randy – the straight talker, and Valentine – the lover! Is this close to accurate? RV: I’ve never seen it like that, but now that you mention it, I guess yes, that’s close to accurate. I’m an advocate. I’m an advocate for love, and I’m an advocate for Randy the straight talker. So yes … that is accurate. NVC: North America was introduced to your voice on the Bring Back the Love project which featured foundation riddims from Studio One, Peckings and Joes Gibbs and we loved you on that. Years later, you released original material, and another mixtape, Radio Music, which features throwback Hip Hop riddims. How do you explain your love for the old, and our love, your fans love, with your new sound?! RV: It’s coming from me growing up amongst people older than me. I have to mention my Father because he always had me around music; all genres of music, and the classics in particular. Also, I worked in production and was working with Juvenile kids who were having trouble in school or just coming out of prison; they would send them to my studio – J.O.A.T Productions and we would work with them. Working with them, and seeing and hearing their love for the older chunes as well stayed with me. Merging those together became an easy thing, and that became a part of how I like to make my music. NVC: Your fearlessness becomes bolder as the years forward. Your cover of Justin Beiber’s “Sorry” is original while respecting the greatness of the song. How much influence did you have on that production in addition to the vocals? RV: The instrumental was done 100% by Kheilstone Music from New York. Kheilstone is the same man who produced the song “Treat Her Right.” He’s a very talented producer. He forwarded the instrumental, and when he did, he said I have a riddim for you – Justin Beiber. When he said that, I passed it up thinking “yeah right!” When I got the riddim and the words, without me even knowing the song, the riddim and the words fell right in to place. I couldn’t help but love the chune because it was really, really good. The reason why it doesn’t sound like the original song is because I wasn’t listening to it and hadn’t heard it when I recorded this version. What you’re hearing is me reading the lyrics and performing them as I’m hearing the music.

NVC: Who are some of the voices that have influenced you whether it be to make music, or to shape your vocal style? RV: One of my Mentors who was meant to be my Manager, my previous manager and my #1 inspiration, Kevin aka Blemish. He’s the CEO of J.O.A.T. Productions. We had many a conversation about life and music and experiences. We would talk about Sam Cooke; I grew up listening to Lucky Dube; my Dad would always play him around the house. Also, Tracy Chapman – to hear her truth and not what people think she should sound like – it’s just her voice, unapologetic. Her music sounds like it was recorded yesterday. Let me mention Peter Tosh and Tony Rebel, Beres Hammond (especially with matters of the heart), Dennis Brown and Mutabaruka in poetry and using Spoken Word to express himself and connect the people. Sanchez who did a lot of covers, yet still as soon as you heard his voice, you knew it was him, and he made the cover his own. NVC: We recently lost Prince, the music Icon. Out of curiosity, did he have an influence on you and you’re approach to your making of music? RV: Oddly enough I can’t say yes. Imagine, growing up in Clarendon, and my Dad being my only source of music, we didn’t listen to Prince growing up. We didn’t have Prince albums in the store where we could go and pick it up, and there was no internet at the time so we couldn’t go online and buy Prince’s music, so I didn’t know about Prince until I came to England. What I can say is that “Purple Rain” is the one song that when I did hear it, I connected to immediately and I think everyone who hears it can too … and that’s just one of his songs. We are here for a time to do what we have to do; my condolences to his family and fans. The outpouring of love for Prince is amazing and well deserved – he left a legacy and there’s no denying that. NVC: iTunes lists your top 5 songs (based on sales) as being “Winter Mornings,” “Hold On,” “Marijuana Session,” “My Team” and “I’ll Be There.” How would you list your top 5 songs based on your enjoyment of the making of the music? RV: So my chunes would be “Hold On” because I wrote that chune out of truth, “Bring Back the Love” for what it represented at the time, and now, and because my bredrens in Jamaica called me to tell me it’s playing on the radio all over the country. “Carry On” is an amazing song because of the conversations it brought about for everyone listening including with me and my Father. “Let’s Pretend” is unreleased and I know that people are going to love it. It’s 5 years old, but still one of my favorites.

And then there’s “Sing My Blues Away!” That’s my ultimate favorite and I saved that one for last. I recorded that when I was thinking that music and me nah guh work out. I was also thinking life in the UK nah guh work out – I was saying I’m going to leave the studio, and “Sing My Blues Away” was the last song I recorded that day and man it kept me going. I performed it in London and to this day it’s one of my favorite songs to perform. It was released long before I was ‘known,’ long before I recorded with Hemphigher, but the first release under J.O.A.T – our big moment! That was the start of everything which is ironic because it was made at the point I was going to give up. There are so many more that are unreleased, but those are the top 5! NVC: You’ve toured Europe, the US and the Caribbean. How are the audiences the same – or different? RV: They’re the same when it comes to the love of Reggae and love for the culture. There are a lot of places we go to in which people just want to be around the music, they want to be around something Jamaica, something island. Then you have people who want to be around to eat Jerk Chicken, nit because they like it but because they want to be able to say they did it. Across the globe there is love and appreciation for the culture. In Trinidad & Tobago (big up the Rocking Time Family), we were surrounded by a crowd of people who latched on to every word we said. There was no language barrier, no barrier at all and they were absorbing it – no separation at all. Great crowd. Sometimes in Europe, people go for the festival atmosphere, and others go for the vibes. There are some differences but really the music is the unity. NVC: Can we talk about your faith for a moment – as in being a Rasta. How important is Faith when traveling the musical journey you’re on? RV: To me, I believe in the purpose. I believe everything happens for a reason, and every thing is every – thing, and yet still everything is nothing at the same time. I don’t follow any told path, I just follow spirit … I follow energy. I don’t do anything because I’m told to do it, I do it because the spirit says to do it. I’m not a conformist. When it comes to religion and cults and following groups of people, I can’t do that because I am not a separatist. My view is I respect your view – whatever it is. I will not tell you what to do or how to live, that’s for you to decide. I say Bless and respect. The core of everything is love. Love is my religion.

NVC: A part of the Rastafarian faith is the sacrament ie smoking. When the cameras stop rolling and the microphone is turned off, where do you practice your sacrament? RV:

In the studio! My safe haven is in the studio; that’s where I go.

NVC: One of the Monikers you go by or went by is Jack of All Trades or J.O.A.T. Is that the same, or have you fine tuned your trade to concentrate on just music? RV: I’m still working with Jack of All Trades with my brother Blemish. Jay 5 is starting his production unit, and I’m starting mine called ‘Call Me Ronald’ or CMR Productions. I’ve been doing a lot of producing so this will give me a chance to express a lot of different beats such as House, Reggae, Dancehall, EDM – all genres. We’re standing strong as individuals, and together! NVC: We love your music videos! How much input to you have in the treatment? Your energy crosses through the screen and you begin to feel like a good friend we’ve known for the longest time. I wonder if that was intentional? RV: It’s not rehearsed or a part of a plan. We turn on the camera ad start shooting. The most input I had in a video is for ‘Wake The Town.’ A few days before the video shoot, we didn’t have plans in place, so I had to improvise. The hat I was wearing is a chair, Lionhearts Moms chair to be exact, the sword I had in my room as well as my turntables, so I decided I wanted to be a Samurai DJ – ah so we ah bring the music; same concept as ‘Sound the Alarm’ which is spiritual warfare. We’re attacking via the music! NVC: What is your greatest fan moment – anywhere – any country? RV: It’s hard to pick and choose because there are so many, but I can tell you that one fan sent an email saying that they sang some of my songs at their Sons funeral as the Son was a big fan. They sent the lyrics, and told me about what he talked about most. It was touching. Also, there are times that fans will tell me the lyrics of songs, and just when I think no one is paying attention to the lyrics, I get a surprise such as fans telling me how my lyrics touch them. Those are the greatest moments to me. NVC: 2016 is shaping up to be an incredible year for you. Is there anything you are most looking forward to? RV: I’m really looking forward to Reggae on the River! I’m also looking forward to Keep it Real Jam in Germany – really looking forward to that one too! I’ll be meeting up with Tarrus Riley and having great conversations with him and other artists. Different conversations bring different inspirations!

NVC: The name of our magazine is L3 and each L has a meaning. The first L is for Life, the second for Love and the third for Lyrics. What general advice can you give our readers on Life, Love and Lyrics? RV: Let it be true. Let the Life you live be true, the Love you give be true and the Lyrics you speak be true! Put the work in, and youâ&#x20AC;&#x2122;ll get the work out! Connect with Randy Valentine and download is FREE Mixtape Radio Music at: www.RandyValentine.com | @RV_JOAT

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Phoenix Afrobeat Orchestra By: Song River Photography: CowGirl Zen Photography

PAO

It’s not easy to sit down with an entire Orchestra, especially of you’re the Phoenix Afrobeat Orchestra, but on this great day, I sat with Camille Sledge (Singer/Front Woman), Aldy Montufar (Trumpet/Musical Director), and Zach Vogt (Keyboards). When I approached Phoenix Afrobeat Orchestra (PAO) about doing an interview I had a feeling it would take a collective conversation. PAO is more than just a group of people, and more than just a band. PAO is a force of music passion that is a whole body and soul experience. This is truly an honor speaking with three of PAO’s forces about their passion. SR: Time began with a rhythm or a melody? Aldy: Wow, didn’t know we we’re going to start with such a tough question. That’s like the chicken or the egg conundrum. I’m going to go with rhythm. I can see cavemen hitting sticks or rocks to a beat. Zach: Time is rhythm; literally the distance between any two events is a rhythm. All melody is contextual and socialized, but rhythm exists outside of the human imagination. Melody requires rhythm to provide context and meaning, a note by itself is not a melody. The stars will still pulse with light and the seasons would still change without us here to measure them. Expect a book from me some day, I’ve tried to parse the iconic philosophy of this exact question for the last 15 years. Camille: As a singer, rhythm is everything to me, but melodies and song are where time began. A lullaby, a bird’s song, water flowing these are all melody. SR:

When was PAO founded, and why?

Zach: David Marquez started this whole narrative a few years ago, spending a few years of jamming and false starts before he got a serious group of people thinking realistically about Afrobeat. SR:

Where does the heartbeat for PAO come from?

Camille: I think the heartbeat of PAO is there because we are all so different yet have the same vision, we thrive together for a common cause and sound and groove. SR: How did all the members come together and is there a process which is required for entering the circle of PAO? Zach: Early on, after Marquez had a sizable group together, we spent a fair amount of time having discussions about music, politics, philosophy; seeing what core values we share and how our personal agendas line up with the spirit of Afrobeat as defined by Fela and Tony. At that point it’s about developing musical habits that honor the music and seeing how new additions fit into that, both musically and ideologically. We’ve built ourselves slowly and methodically, to the point where there is now a foundational PAO identity

which is beyond the influence of any individual change to the lineup. SR: When it comes to creating a new song, how does the effort work? Is it a collaboration and what part does each person bring? Aldy: It really depends on the piece, but for the most part it is a collaboration. Sometimes a certain member will spark an idea and we build on it. Other times a member can come with something more fully composed and everyone can add a little spice. Or we all just hang out in our rehearsal space and jam out a gem. SR: Where do you draw your sound from? What are your influences? Aldy: Fela Kuti and Tony Allen are the fathers of Afrobeat music. So they definitely play a role in what we create. Jazz and improvisation is also a defining character of our music, so we admire musicians like Miles Davis, Herbie Hancock, and Sun Ra. Also, musicians that play the type of music we play today like Antibalas and The Daktaris. SR:

How much does the past, present and future merge itself into the group as a whole?

Zach: Because Afrobeat is such a unique fusion of African and Black American music it demands an active engagement with history, be it musical, political or social. To play Afrobeat without understanding how it related to Fela social and political reality would be parody or, at best, mere mimicry. That the same conditions exist today, both in Nigeria and elsewhere, demands that we engage with the social realities of the present. Lyrically Afrobeat is a descriptive genre, able to highlight issues and present them in a focused manner. The model for the future comes from improvisation, interpretation and group interaction, as it is in group improvisation that you find humans interacting honestly and collectively in the moment towards a unified goal. SR: Performing seems to be your most comfortable place to be. It as if all the lights come on and a unification of souls takes place. Describe the magic from your point of view. Aldy: We all love what we do as musicians and as members of our community. On stage performing and projecting our message is where we want to be. The magic comes when our audience is feeling what we are putting out there. We feed off of each other to create this inexplicable feeling which can only happen when we are one. Zach: There is no point to a funky beat if there is no one dancing. This is a social music. The level of improvisation in our music guarantees that no performance is ever the same. Camille: Performing is also more of where our music comes to life. We make a funky groove and SEE them dance to it, we give a real and sincere message and watch them UNDERSTAND it. Itâ&#x20AC;&#x2122;s not as powerful if there is no audience to build with us in our music.

SR: The words vibrant colour come to mind when listening and watching you perform. I’m presenting you with a box of crayons what colors are most important to you and why? Zach: Great art creates dynamic experiences. I bet you’ll find that food tastes better when you’re listening to us as well. Camille: There are so many feelings and emotions that portray color. I could never really give just one color to any of my feelings, they are so vast. I do feel that sound has color as well, and when you change the sound with your own improv and light, you change these colors as well. They are ever-changing. SR: With the advent of download ‘streaming’ at .99 cents a song, has it affected the dynamics of how you as a group create, produce and sell your music? Zach: Yes and no. The Internet has changed how music moves through culture, but in reality there was never an economic system in place to create an industry around this music in the first place. What we used to call Artistic Identity we now call branding. Luckily, with 16 people, there are a few with some business and marketing savvy. Aldy: I don’t tend to think about it when writing or producing our music. I try to focus on creating music that we are proud of and stimulates us as musicians and music lovers. SR: Reading your lyrics over again. Each song carries a message with it. What is it about music that brings the message out? Aldy: Our music is the vehicle for our message. Keeping it funky and interesting is what makes it consumable for the listener. Zach: That inspiration comes from the political awareness of figures like Fela, Nina Simone and John Coltrane, all of whom directly addressed the issues of their time. If you don’t honor that legacy then you can’t play the music, simple as that. Dishonest art is for politicians and commercials. Camille: message. SR:

I fully agree with Zach, we are not afraid or feel threatened into a mild, or ineffective music

Which songs carry the most relevance to who you are and your story?

Zach: Each song has its own function, but as of now “Come with Us” is the most overt distillation of our agenda. Camille:

We also have some very powerful new material we are working on, very directly related to

to our country’s current state of protest and discontent. SR: What have been some of the important lessons you have learned as you’ve been a part of PAO since its inception? Zach: Becoming a better artist requires becoming a better person, true democracy takes work and time, and the people of Arizona are desperate to dance. Aldy: Ha, totally! With so many of us, communication is key. It takes a village, and we have one. Camille: I’ve learned that IT CAN BE DONE! Against all odds, we are fully able to have a collective of like-minded people that have a common goal. The revolution has begun. SR: 2016 is unfolding... where are you going as a group? Aldy: To know where you’re going you have to realize from where you’ve come. 2015 has been a great year for PAO! We have reached more ears, hearts, and minds than ever before. We have also been lucky enough to share the stage with some of our favorite artists like The Roots, George Clinton, and Ozomatli and so many more. That being said we are still a relatively young band with me being one of its newest members, so I’m stoked to see all we have done in a short period of time. It shows that our hard work is justified and people are into what we are doing. As the musical director I will keep us on this path and am looking forward to writing more music and sharing it with the masses. In 2016, PAO will release its first full length album! We are looking at an early spring release. We are excited to say that it will be released on vinyl and of course have digital mediums for download. It was recorded live to tape with all 15 of us playing together. No computers were on during the entire recording process to try and capture the real and organic sound that Afrobeat is. It is our goal to spread the message of love, unity, collaboration, and celebration. Zach: Since we’re already deep into a second album’s worth of tunes, chances are we might have two LPs out or ready to release by this time next year. Create. Collaborate. Celebrate. Camille:

The REVOLUTION HAS BEGUN

Connect with Phoenix Afrobeat Orchestra: http://www.phoenixafrobeatorchestra.com/

The Lion Still Roars Cocoa Tea By: Joah Baston Photography: CowGirl Zen Photography | Maurie Alioff

Reggae is a genre that embraces the longevity of its’ senior artists. As a matter of fact, the older you become, the more respect you’re given, and the more fans want to see you perform. These statements are especially true for the lion who is still roaring string – Mr. Cocoa Tea. Recording new material as if he just started in the business, his latest single “Ladies Ball” has been doing very well. As a matter of fact, it’s a mainstay on most programs; a popular hit with young and mature listeners. Instead of doing a typical interview with Cococa Tea in a studio setting, I decided to catch up with him fresh off the stage after performing for 10,000 plus adoring fans! JB: We just witnessed history! We saw you, Shabba Ranks and Tarrus Riley perform for fans who didn’t know this combination was coming! How would you describe your energy right now?! CT:

Crazy!

JB: Thank you and bravo for your performance tonight! How do you feel about being back in treal?

Mon-

CT: Well, I’m feeling good. Anytime and anything to come and perform for the people, I’m ready, you know what I mean? I love it! I just strive and I’m performing for the people. Making people feel good, having a good time. In a world that is full of war and strife, you know what I mean? A lot of violence and crime... If I can make people feel good, it’s a joy! JB: You were here in Montreal a couple of years ago (2013). I guess the Montreal International Reggae Festival and your fans just had to bring you back, to (mash) cheer up the place! CT:

Yeah! Yeah!

JB:

Your energy on stage is so communicative. We love you!

CT:

Give thanks – I love you too!

JB: You pointed out the victory and the accession to the White House of Barack Obama in a catchy song titled ‘’Barack Obama.’ Obama was in Jamaica last year. Did you get to meet him? CT:

No, I wasn’t in Jamaica at that time.

JB:

OK, but did you hear about his speech?

CT: Yes, anything that’s happening, and whatever is going on in Jamaica, I’m in tune! There is no President of the United States of America who has come to Jamaica and literally asked ‘Wha gwaan?’ That alone captured the hearts of Jamaicans, because it’s like him saying: I’m one of you, and Jamaicans were also saying: you’re one of us. Because as long as one can come to Jamaica and say: Wha gwaan, Jamaica?, we have a special love for you. JB: Excellent! What’s up with Cocoa Tea? Where are some of the places you’ll be heading to this season? CT: I’m heading to Tobago with Sizzla and Sanchez. Trust me, it’s going to be another festival like this. The festivities are going to be just like this. It’s going to be nice! I’m just hoping that we can deliver the same type of way we delivered here. That’s the way we like it to go: deliver and make the people feel all right. People in Montreal work hard for their money; for people to come out and pay $70 to see you, that means people really appreciate and love what you’re doing! Once we are here, we have to perform for the people. I’m feeling good because I want to go there and deliver for the people. What the people have done for us and the music is important! We could have never done it for ourselves. We appreciate, we love the people and we thank the people for supporting us over all these years. JB:

You’ve been here to Montreal so many times. Do you have a special liking for Montreal?

CT: I have a special liking for every place in the world! Like I said, it’s the people that let me come. If the people don’t want to see Cocoa Tea, then the promoters would not bring me here. There are so many artists in Jamaica that I don’t see the promoters calling for them. If they call for me, that means I must have been doing something that the people appreciate and love. I love and respect the people! The only thing that is a down thing for me is that I don’t have enough time to perform for the people! If I had another hour, trust me, it would have been something even more exceptional, tonight. But, I’m still giving thanks because I came already and I sang. I’m all right, still. If there was any doubt as to the ability of Reggae ruling lion, there shouldn’t be anymore doubt. Cocoa Tea is young, willing and able to mash up any stage and perform for 2 hours and more! Follow Cocoa Tea on Facebook (Cocoa Tea), connect: with the artist at http://cocoateamusic.com/ Twitter @cocoatea13

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