L3 Magazine | Life. Love. Lyrics.| July, 2016 ft. Jah9 www.L3Magazine.com
L3
M A G A Z I N E
Music Charts iTunes Review Speak Jesse! Fashion from Stylista Ghana The Music of Tatiana DeMaria aka TAT! Super Producer Jay Crazie
Jah9
The Influence Of
UK Special: Honoring Mary Seacole
L3 Magazine | June | 2016 | No. 40 CEO and Editor-in-Chief
Natasha Von Castle – natashavoncastle@gmail.com
Chief Creative Officer
L3 Group of Companies – L3Magazine@hotmail.com
Operations and Distribution Directors Christopher Miller and Rohan Beckford
Publisher
L3 Group of Companies
Director of Caribbean Promotions Keisha Pinnock
Contributing Editor and Caribbean Affairs Editor Tricia ‘ZJ Sparks’ Spence
Contributing Editor and Music Editor Tre Carn
Travel Editor Stacia Von Castle
Music Review Editor Jennifer Menster
Beauty Editor Kay Cunningham
UK Editor Evelyn Germain
Political Editor: Maxine Tomlinson Senior Writers
Song River | Marcus Weller | Joah Baston | Zakada Milton Fashion Contributor
Lady Ann Contributing Writers Portia Clarke | Mimi Mamichula | Ayeola George | Zakada Milton | Rico Vibes | Andre Gomez | Pia Jordine | Gelina aka Baby G – UK Correspondent | Michelle Parker | April Stanford | David Peters Contributing Writer and Intern Deidre Carrington
Editors Heart... Now more than ever the world needs great music – I’m talking Soul stirring, consciousness awakening music that takes deep root in every fiber of our being. There are unfortunate souls in our realm who have made greed and violence their gods, the only energies they will worship, and those gods have declared war on those of us who have made Love our God and our Religion – the ones who don’t need greed or violence to survive, rather use unity and respect to live. My Granny used to tell me ‘as above, so below’ and I can only imagine the war being raged in the spiritual realm which is being acted out here in the physical. I can imagine the agents of doom trying to take over the heavens, and God saying ‘no, not happening.’ This rejection has lead to greed and violence seeking that which it cannot have, and the only way it can continue, is to invade the bodies of people on earth. This invasion of the minds of the rich and powerful who want more and don’t want to share, as well as their counterparts of weapons wielding life stealers – that invasion has to stop. The mass shooting in Orlando, the bombings in Brussels, the innocent lives lost at a church in South Carolina, and the too numerous killings of unarmed men and women are all examples of evil occupying bodies to advance their agenda. Why? In evil’s hubris, it can’t see that from the beginning of time, Love has always conquered; so then, so now. In evil’s hubris, it forgets that music, the one language everyone understands, is Love in disguise, and comes like a thief in the night, reclaiming what has been stolen. Love is the revolution. Muisc is the revolution. Play on! Agree or disagree with me on Twitter @NatashaVonC
JULY
2016 | Volume 40 | Number 5 Features Pg. 67 There is no doubt about the influence of Jah9 on Reggae lovers around the world. There is also no doubt that her listeners want to be influenced. How does Jah9 do it in the year of the ‘9?!’ Pg. 79 From the time you see Tatiana’s hair, and the guitar in her hand, you know you’re going to get a heavy dose of Rock n Roll, BUT, she plays a major role in other genres. There’s more to this Rocker than a guitar! Pg. 89 Jay Crazie is a Super Producer whose style and innovation has ushered in a new sound in Dancehall called The New Wave. As much as some producers want to keep the sound traditional, Jay gets ‘Messi’ by pushing the boundaries. Pg. 15 Jesse Williams has the movement on fire! His inspirational speech at the 2016 BET Awards had to be repeated, so we put it in print. You’ll be inspired all over again. Pg. 25 Stylista Ghana is one of Ghana’s premiere fashion destinations for those who want to make a statement in the boardroom, or out on the town. Ladies, time to be emboldened! Pg. 41 Busy Signal gets us so hot, he makes us “Colder!” Another hit record on the 1’s and 2’s for the Super Star!
On The Cover:
Jah9 Photography: Sameel ‘Kush-I’ Johnson
L3 Magazine | July, 2016 ft. Jah9 - Pg. 7
Happy
40th Birthday L3 Magazine! July, 2016 Marks 40 Issues of L3 Magazine! Congratulations!
L3 Magazine | July, 2016 ft. Jah9 - Pg. 9
LIFE
E...
Honoring Mary Seacole By: Zakada Milton
At long last, Mary Seacole gets the credit she deserves! The Jamaican born nurse became famous during the Crimean War (1853-1856) as she nursed wounded soldiers back to health. Using remedies of herbs, Mary achieve what many thought would be impossible, and did so behind the lines of the Crimean wall. In particular, Mary tended to British soldiers through a hotel she opened which acted as a hospital to heal the wounded. Many credit Mary as the reason why the English – French – Ottoman Empire collective were able to defeat the Russians. Honoring Mary and her pivotal role in the Crimean War by way of her statute in London, is thanks to Baroness Benjamin. The Trinidadian born actress, author, television presenter, singer, businesswoman and politician has worked for 12 years to make this statute a reality. The statue was created by sculptor Martin Jennings and stands opposite the Houses of Parliament in the grounds of St Thomas’ Hospital. It is inscribed with words written in 1857 by The Times’ Crimean War correspondent, Sir William Howard Russell: “I trust that England will not forget one who nursed her sick, who sought out her wounded to aid and succour them, and who performed the last offices for some of her illustrious dead.” Evelyn Germain, L3’s UK Editor says “this statue is significant because it’s a public representation and acknowledgement of Mary’s contribution to winning the Crimean War.” Political Strategist Maxine Tomlinson adds “this is the first statue of a black person in London which publicly shows one aspect of what we (Caribbean people) have contributed to England. The statue cost ₤500,000 or $700,000 USD.
Pictured Center with Headwrap Baroness Banjamin
Photocredits: Sickle Cell Society Kings Health Partners.org
L3 Magazine | July, 2016 ft. Jah9 - Pg. 13
Actor Jesse Williams There are many reasons to remember the 2016 BET Awards. One reason is the Soul moving tribute to Prince, and the second reason is Jesse Williams acceptance speech for the Humanitarian Award. Jesse is a human rights activist who executive produced the documentary Stay Woke: The Black Lives Matter Movement. Speaking about the hundreds of victims of Police brutality the Actor / Activist said: Before we get into it, I just want to say I brought my parents out tonight. I just want to thank them for being here, for teaching me to focus on comprehension over career, and that they make sure I learn what the schools were afraid to teach us. And also thank my amazing wife for changing my life. Now, this award – this is not for me. This is for the real organizers all over the country – the activists, the civil rights attorneys, the struggling parents, the families, the teachers, the students that are realizing that a system built to divide and impoverish and destroy us cannot stand if we do. It’s kind of basic mathematics – the more we learn about who we are and how we got here, the more we will mobilize. Now, this is also in particular for the black women in particular who have spent their lifetimes dedicated to nurturing everyone before themselves. We can and will do better for you. Now, what we’ve been doing is looking at the data and we know that police somehow manage to deescalate, disarm and not kill white people everyday. So what’s going to happen is we are going to have equal rights and justice in our own country or we will restructure their function and ours. Now… I got more y’all – yesterday would have been young Tamir Rice’s 14th birthday so I don’t want to hear anymore about how far we’ve come when paid public servants can pull a drive-by on 12 year old playing alone in the park in broad daylight, killing him on television and then going home to make a sandwich. Tell Rekia Boyd how it’s so much better than it is to live in 2012 than it is to live in 1612 or 1712. Tell that to Eric Garner. Tell that to Sandra Bland. Tell that to Dorian Hunt.
Photo Credit: Digital Spy L3 Magazine | July, 2016 ft. Jah9 - Pg. 15
Alton Sterling
Now the thing is, though, all of us in here getting money – that alone isn’t gonna stop this. Alright, now dedicating our lives, dedicating our lives to getting money just to give it right back for someone’s brand on our body when we spent centuries praying with brands on our bodies, and now we pray to get paid for brands on our bodies. There has been no war that we have not fought and died on the front lines of. There has been no job we haven’t done. There is no tax they haven’t levied against us – and we’ve paid all of them. But freedom is somehow always conditional here. “You’re free,” they keep telling us. But she would have been alive if she hadn’t acted so … free. Now, freedom is always coming in the hereafter, but you know what, though, the hereafter is a hustle. We want it now. And let’s get a couple things straight, just a little side note – the burden of the brutalized is not to comfort the bystander. That’s not our job, alright – stop with all that. If you have a critique for the resistance, for our resistance, then you better have an established record of critique of our oppression. If you have no interest, if you have no interest in equal rights for black people then do not make suggestions to those who do. Sit down. We’ve been floating this country on credit for centuries, yo, and we’re done watching and waiting while this invention called whiteness uses and abuses us, burying black people out of sight and out of mind while extracting our culture, our dollars, our entertainment like oil – black gold, ghettoizing and demeaning our creations then stealing them, gentrifying our genius and then trying us on like costumes before discarding our bodies like rinds of strange fruit. The thing is though … the thing is that just because we’re magic doesn’t mean we’re not real. Thank you. Connect with Jesse on Twitter >>> @ijessewilliams
L3 Magazine | July, 2016 ft. Jah9 - Pg. 17
#ALTONS
STERLING L3 Magazine | July, 2016 ft. Jah9 - Pg. 19
#MIRF2016
Montreal’s Reggae Fest Contributed
The Montreal International Reggae Festival (MIRF) brings The Old Port of Montreal to life August 26, 27, 28 with the sweet sounds of Reggae and Dancehall for their 13th annual music festival! Headliners at this years’ festival are Cocoa Tea, Mavado, Barrington Levy, Elephant Man, Sanchez, Spragga Benz, Vershon, Romain Virgo and Jahmiel. Each artist has a catalog of hit records that are enjoyed by Reggae and Dancehall fans young and mature. In addition to these international greats, 2 time JUNO nominee and Canadian Songstress Ammoye will grace the stage as will musical siren Sielle, roots influenced Kaisha Lee, and upcoming Soulstress Mel Dube, Soca sensation Olatunji and Vern Maytone. In addition to the incredible line up of artists, MIRF is pleased to confirm that a tribute to Sound System culture will be held on Friday August 26th before the start of the festival. Deemed the ‘Festival within the Festival,’ the Sound System fest is the first of its’ kind in Canada, and will showcase another aspect of Jamaican culture through the dubplates of some of Canada’s most elite sounds. Pioneers in Sound System culture are Charlie Chaplin, Josey Wales and Brigadier Jerry who will also perform a special live set backed by a Sound System. This set will be an hour and a half in length and will see each artist rotate their performances within that segment which has been dubbed 3 the Hard Way! Known in Canada as being the best and largest Festival, MIRF has become the destination for those wanting to enjoy some of the best entertainment, surrounded by vendors offering the best in food, crafts and culture. The Montreal International Reggae Festival has also been named 1 of the 13 best Reggae Festivals in the world. World recognized media outlets Tre Marsh TV as well as L3 Magazine will be on hand providing live media updates of artist performances and fan reaction! For more information visit www.montrealreggaefest.com or call 514-482-7921
L3 Magazine | July, 2016 ft. Jah9 - Pg. 21
Ghana’s Central Music Awards
December 26th, 2016
Stylista Ghana Fashion Focus By: Lady Ann
One of the most reputable Fashion brands in Ghana is Stylista Ghana. Making their debut at the Glitz Africa Fashion Week in 2014, this fashion house has successfully merged beautiful bold colors with African prints, creating a fashion forward look that puts all eyes on the person wearing the piece. The fashion houses formal / smart casual collection exceeds the definition of the word beautiful. Born out of a passion for fashion and a quest to enhance women’s beauty, the Stylista Ghana brand features contemporary, stylish, unique, ready-to-wear African clothing that celebrates femininity and womanhood in all shapes, sizes and colors. The Stylista aesthetic often combines African print in bold, exciting colors with luxurious fabrics such as silk, taffeta, chiffon or lace from all parts of the world. Featuring well fitted and beautifully draped clothes that accentuate a woman’s curves, Stylista brings the fun and elegance back into dressing up. All pieces are versatile and transition fabulously from day to night. From looking perfectly professional at a business meeting to cocktails after work, women always look extraordinary in Stylista. Our garments have interesting details such as a dress that can be worn from back to front, or a sash or sleeve that can be worn in multiple ways to give different looks. This gives the Stylista woman flexible ways of wearing her clothes and allows her to express her individuality. Photo Credit Photography: Charlene Asare (Instagram: @charleneasare) Makeup: Lawrencia Owusu (Instagram: @lawrebabe_the_makeupartist) The shop is located in Kanda, Accra on the Afrikiko premises, near TV 3 and opposite the French Embassy. For questions, please call 054 781 9527 or check us out on Facebook.com/Stylistagh.
L3 Magazine | July, 2016 ft. Jah9 - Pg. 25
Stylista Ghana Fashion Focus By: Lady Ann
L3 Magazine | July, 2016 ft. Jah9 - Pg. 27
Blaze Entertainment Records Presents Future Fambo “Rick Flair” Request it from your favorite Radio Jock or hear it when Selector Bishop Escobar plays live!
Soundtrack For Yoga! By: Marcus Weller
With all the madness going on in the world, it’s easy to allow the body to become a vessel for stress. Practicing Yoga is a great way to relieve stress. Not only will you relieve stress, you will connect with self and unite your spirit with your body, and with your mind. Our Front Cover feature interview with Jah9 has inspired this piece! 1. Mountain pose – standing with my feet hips width apart, hands hang alongside my body and my palms face forward to bring in more energy. The song “Thank You Father” by Luciano the Messenjah plays from the Hypocrite Riddim >> https://www.youtube.com/watch?v=6fqQWx1wovs 2. Downward Facing Dog – from the mountain pose, reach your hands down to the floor, bending your knees if you need. Walk your hands out 3 or 4 feet in front of your toes. Pushing in to your palms , lift your hips up toward the sky and press back into your heels. Press your heels in to the ground. The song “Not Afraid to Live” by Junior X plays >>> https://www.youtube.com/watch?v=sIykG3DtK_g 3. Cobra – lower your body to the ground so that you are laying on your stomach. Press your palms into your may alongside your chest. Roll your shoulders back and begin to lift your chest off the ground while keeping your hops firmly planted. The song “Sex Mih” by King Cosmos plays >>> https://www.reverbnation.com/kingcosmos/song/25054281-sex-mih-love-me-now 4. Plank Pose – press up on your tip toes and come into a high push up position. Take a few deep breaths. Make sure your wrists are directly in line under your shoulders and heels are lifted towards the sky. As I feel the burn from this pose, the song “Smile Jamaica” plays by Chronixx >>> https://www.youtube.com/watch?v=vofff0Ei3kk 5. Seated Forward Bend – sit with your feet stretched out in front of you. Reach your hands up towards the sky and begin to hinge forward at your hips allowing your arms to drop toward the ground while reaching forward towards your toes. When you can’t reach any further, plant your palms and lower your forehead down towards your legs with your nose towards your knees. The song “Rockstone” by Stephen Marley, Capleton and Sizzla Plays >>> https://www.youtube.com/watch?v=mOpCL3ggpCQ
L3 Magazine | July, 2016 ft. Jah9 - Pg. 33
L
L VE
The BIG CHUNE!
Click the image to play
L3’s Top Independent Downloads
TOP DOWNLOADS
1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20.
Vershon – Inna Real Life Alkaline – Conquer the World Nesbeth – My Dream Spice – Indicator Busy Signal – Colder Gyptian – Jiggle Jiggle Chronixx – Queen Majesty Kranium – Lifestyle Spice – Needle Eye Busy Signal – Bad Long Time Jah Cure – Show Love Mavado – Progress Tifa – Big Bumpa Exco Levi – Siren Romain Virgo – Love Sick Sizzla ft.Popcaan – Wish Bad Romain Virgo – Fade Away Mikey Dangerous – Africa the Beautiful Christopher Martin – I’m a Big Deal IAmStylezMusic – It’s a Pitty
*Charts are based on radio airplay in Canada / YouTube Views / Live Event Selection Fan Feedback L3 Magazine | July, 2016 ft. Jah9 - Pg.39
Busy Signal “Colder”
Contributed
And just like that, Busy Signal drops another chune that is so HOTTT, it’s “Colder!” The Dancehall Super Star has been working on his new album, and to quench the thirst of fans who have been asking for new music, drops this new single “Colder” which is built on a re-introduced The Score Riddim. Produced by Turf Music Entertainment, the chune has every Man, Woman and Child rocking as they hear the artist DJ the lyrics: “hey girl just come over / when the night get colder / rest yuh head pon mih shoulder / gyal say she want a ring cah man ah King inna dih ting inna dih pack mih nuh joker / from dih bed to dih sofer / position like a yog-er / she know seh mih nuh lame / anno Drake Busy ah dih real control-er!” Taking a page from Edi Fitzroy’s lyrical delivery book, the Turf President has us singing along, placing an emphasis on the ‘Rrrrrrrr’ sound which helps to make the hook of the chune so appealing. K-A-B-O-O-M! Once again Busy demonstrates why he is one of the most significant artists in the music fraternity. “Colder” hears the artist switch up his flow making fans fall in love with him all over again! When you run this chune, friends will insist that you wheel up from the t-o-p! As much as we like hearing the nowadays Dancehall, we love hearing new lyrics on a classic riddim like this one! So far, Sompa FM in Ghana, G98 in Toronto and Real FM in London have “Colder” on repeat! Make sure you connect with Busy on IG @busysignal_turf and hashtag “Colder!”
L3 Magazine | July, 2016 ft. Jah9 - Pg. 41
Patexx
“You Can Make It”
Contributed
Ah bwoy! This thing called ‘Life’ can be a tricky thing. At some points you are doing so well, and then in the blink of an eye you lose what you’ve gained. The actions of another person causes you great loss and you have to rebuild, and it’s the rebuilding that’s the hardest part. Patexx understands the struggle of having to overcome. His personal journey is one to be proud of. He’s overcome obstacles to the point that he can sing about it and inspire others. In comes the musical ting called “You Can Make It!” Produced by The Streetz Productions and Patexx’s own label Journey Music, the song speaks to the person or people who are in the struggle. The artist sings: mih seh the journey of life it nuh easy / whole heap ah struggles believe me / sing dah song yah for the poor and needy / ah dih most High alone can free we / you can make it if yuh try / lift your head up high / yuh haffi have a purpose inna life / yes I know you can make it if you try…” To accompany the song, Patexx shot a music video live on location in New York. No green screen business – straight reality on the streets! The next time you play on the radio, select this chune for all people going through their struggle. Please also mention that the single is available for sale on iTunes and is digitally distributed by Zojak. Connect with Patexx on IG >>> @patexxanydaynow
L3 Magazine | July, 2016 ft. Jah9 - Pg. 43
Lover’s Rock Michael Gordon Contributed
With a passion for Reggae, Soul and RnB, influenced by the likes Legends in the industry such as John Holt, Ken Boothe, Dennis Brown, Slim Smith, Gregory Isaacs, Marvin Gaye, Al Green, Heatwave, Earth, Wind & Fire (to name a few), Michael began practising and experimenting with his voice to some of his favourite songs by his favourite Artists. Experiences such as being the lead vocalist of a local Reggae band called The Investigators led to the recordings of hit Lover’s Rock gems such as “Turn Out The Lights,” “Baby I’m Yours,” “Love Is What You Make It,” “Summertime Blues” (and many more) on the bands own Recording Labels Inner City and Private Eye. All of these great songs (with the exception of “Woman I Need Your Loving”) were No.1 Hits in the UK Reggae Singles Charts. Entering the top One Hundred in the UK National Charts and climbing to No. 67, circa 1984/1985. In 1991 Michael started his own record label called Sweet Freedom and released “The “Investigators Greatest Hits” package which saw the album reach No.1 on the UK Reggae Album Charts. The Investigators solidified their position in The Hall of “Lovers Rock” Fame. As a solo Artist, Michael has released many singles on his own “Sweet Freedom” Music Recording Label including albums Rootz Luvvaz, Changing Circles, Poems & Rhymes and Journey. Reflextions is a 16 track album which reflects just how much the man and his “Muzik” has evolved and grown in stature, maturity and confidence in all aspects of his work - drawing on life experiences and a sheer passion for music in general. Michael Gordon has established himself as one of the UK’s most consistent, prolific, ground breaking and original Singer / Songwriters of his generation. He is respected amongst his peers and fans alike and after staying in the game, now celebrates his 40th Year in the UK Reggae Music Fraternity. He shows no sign of slowing down and is still as imaginative and enthusiastic as ever, with his song writing, production, creative skills and abilities that have been developed, maintained, honed and sustained over the years since 1976.
L3 Magazine | July, 2016 ft. Jah9 - Pg. 45
Sandra Cross #1 Contributed
With a track record of five No.1 singles and 10 top 10 selling albums, eight UK Reggae Music and Entertainment Awards winner Cross is only getting started. The singer returns just as fierce and compelling on her 11th studio album, entitled “Just As I am …” soon to be released on North West London’s reggae label, Stingray Records. The album projects an amazing performance from the stunning and talented singer/ songwriter diva of Reggae. Indeed Cross has earned herself thousands of devoted fans thanks to her positive and life-related lyrics. Her past No.1 hits such as “Country Living” “You’re Lying,” “Put It On,” “It’s You,” and “ I Adore You” all produced on UK’s Mad Professor labelAriwa, are bold empowerment anthems, which are well known and loved by her fans all over the world. Top ten hits such as ‘Put It On’, ‘I Just Don’t Care’ and ‘I Can’t Let You Go’ followed on the Studio 16 record label, later to be re-released on the Ariwa record label five years later. Over the following years, 4 more No.1 hits followed as she teamed up with the notorious Mad Professor of Ariwa records, who produced her biggest hit to date ‘Country Living’. Country Living spent a whopping 10 weeks at the No.1 spot in the UK and European reggae charts in 1985, and was followed by twelve top 10 albums. Cross went on to accumulate popularity and fame in the reggae industry and became one of the most admired female reggae singers in the business. She earned the title of the BBC listener’s “Britain’s Best Female Reggae Singer” for six consecutive years, has received resounding accolades from reggae radio and sound system personalities worldwide, she released the album entitled ‘Now’, which is currently causing waves in the international music arena. As she continues her multi-faceted journey with Stingray Records, one constant that remains for Cross, are her fans. “Being connected with my fans is what keeps me going,” she says. “They’re the reason why I am where I am today, they are the reason for the re-injection of confidence and the ability to produce great music. Everything I do, every song I sing, each album produced, is a continuation of me excelling to higher heights in this music industry.”
s
L3 Magazine | July, 2016 ft. Jah9 - Pg. 47
Reggae Soul Mel Dube Contributed
Independent artist, Mel Dubé brings passion to ignite her audience as well as her powerful vocals that combine neo-soul and reggae in a melodic pop fusion. Mel Dubé is musically trained in music theatre and jazz which highlights her Jamaican heritage and inspires her soulful reggae sound. As a live performer and recording artist, her single “Extra Side” was chosen to feature on Music 311 – a new phone system initiative managed by the City of Toronto that spotlighted local indie artists and connected them with millions of listeners in her hometown. Mel Dubé has performed in music festivals such as: Redemption Toronto Reggae Fest, Caribana Lime at Albert Campbell Square in Scarborough and Toronto’s Centre Island along with the international Exit Festival in Serbia, rated by the New York Times as one of the top ten world festival destinations. As an indie artist, Mel Dubé has performed live in venues including Atlantis Pavillon’s Pan Am Games celebration, G 98.7 FM’s Island Fever concert series at the Hard Rock Cafe, Honey Jam at the Mod Club. She has been on televised stations such as Caribbean Vibrations on OMNI Channel 4 and on various Canadian and international radio stations. Mel Dubé brings her unique talent to events and always captures her audience with her passion and love of music.
L3 Magazine | July, 2016 ft. Jah9 - Pg. 49
Video PLAY!
Click the image to play
WATCHED VIDE O ’ S
Rico Vibes Top 10 Watched Video’s 1. 2. 3. 4. 5. 6. 7. 8. 9. 10.
Spice – Indicator Gyptian – Jiggle Jiggle Marsha Ambrosious – Have You Ever Popcaan – Never Sober Mavado – Progress Romain Virgo – Love Sick Nesbeth – My Dream IAmStylezMusic – It’s a Pitty Spice – Sight and Wine Busy Signal – Free Up
*Based on recent YouTube views
L3 Magazine | July, 2016 ft. Jah9 - Pg. 55
DJs on the World Map: The General - UK
Tony Carr pictured Center Freddie McGregor Right - Christopher Martin pictured left
It is impossible to talk about Reggae in Washington DC / Baltimore / Maryland and not call on the name of Tony Carr. Tony has been broadcasting every Sunday live on air on WPFW 89.3 FM since 1979 with his show This is Reggae Music. A part of what has made Tony’s broadcasting career so exceptional is his insistence on playing the best of the classics and new music, and balancing that with his discovery of new talent. Whether you come from the US, the UK, Canada, Europe or Africa, good is what gets you on the air. In addition to playing the best releases on air, Tony has made a name for himself hosting some of the area’s most signature events such as the Grace DC Jerk Festival and countless stage shows with the likes of Luciano, Beres Hammond and Marcia Griffiths. Tony’s commitment to Reggae, Dancehall and the positive promotion of Jamaican and Caribbean culture makes him one of the best Ambassadors for the genre! Tune in to Tony’s show every Sunday from 10pm to 12am via http://www.wpfwfm.org/ radio/
L3 Magazine | July, 2016 ft. Jah9 - Pg. 57
New Music Releases on iTunes
Freddie McGregor - True to My Roots There is nothing like seeing the Big Ship sailing on the ocean, and the Captain, Freddie McGregor doesn’t disappoint and has delivered. Performances in Toronto and New York, and radio interviews in the UK and Europe solidify our expectations that this album is one of the best. Calling the album “one of the best” and “an instant classic,” the Captain and his fans agree that this is a must have disc. Blue Book Riddim Froggy MaddSquad and Real Squad Records released the Blue Book Riddim which is fully loaded! From Alison Hinds to Taranchyla to Gappy Ranks to Patexx and so many more artists make this riddim shine. A little Soca mixed with a little Dancehall mixed with a little Pop come together making the perfect platform for each artists performance. Additional artists on the riddim are Wayne Wonder, Delly Ranx, Fire Lion ft. Kristin Lasonta, Bencil, Tru Diva, Raytid, Baby Boom and X-Ale. This riddim is perfect and ready to play for the summer!
L3 Magazine | July, 2016 ft. Jah9 - Pg. 59
Pretenders Riddim FME Recordings and Chief Records collaborate with Super Producer Ricky Blaze to deliver the Roots riddim called Pretenders. We love the fact that the riddim features IWayne whom we haven’t heard in a while, and at the same time feature Dancehall heartthrob Kranium. Only a Super Producer like Eicky Blaze can pull this off and make the entire production bang! We Remember - Dennis Brown We Remember Dennis Brown is a celebration of the life and music of ‘one of the top 50 voices of the 20th Century’ as pro-claimed by National Public Radio. Brown is also one of the most influential vocalists among Reggae musicians and was noted to be Bob Marley’s favorite singer. His iconic status and pivotal place in the history of Reggae is highlighted by the range of artists and power in the musical selections on the album. The project blends romantic love songs and ballads with roots and revolutionary songs made famous and (mostly) written by Brown. His voice and his music are with us and we remember Dennis Brown.
New Music Releases on iTunes
L3 Magazine | July, 2016 ft. Jah9 - Pg. 61
Super Producer
Jay Crazie His Catalog of Hits includes work with Vybz Kartel Demarco Mavado Aidonia and more...
LYR
RICS
The Influence of Jah9
By: Natasha Von Castle | Photograghy by: Sameel ‘Kush-I’ Johnson
9
L3 Magazine | July, 2016 ft. Jah9 - Pg. 67
There is only one word I can use to describe Jah9, and that word is influential. Without question, this young powerhouse from Jamaica has come into our lives to give us fruits of wisdom by way of music. Not only does Jah9 enter our lives through carefully selected chord structures, she comes through carefully selected words, divinely agreed upon between her and The Universe; back to the word influence…. Many artists would love to have what Jah9 has: the ability to share her environment with the world through music, which just so happens to be what the world needs! NVC: Jah9, you are so many things to so many people, but to the Universe, you are a vessel for change. When did you know music would be the medium for you to be THAT change? 9:
Around the time I was in University studying Psychology and Human Resources Development and Criminology. I didn’t know at the time that music is what I would use, but music has always been a part of my life.
When I completed University and started working in Corporate Jamaica, I knew this was not what I wanted to do, but it allowed me to meet a wide cross section of people; from the top echelon to the poor and destitute. This cross section made me realize that there are few ways to impact people: become a politician, or become a musician. These are the people who have influence on the people in Jamaica.
I started to put my poetry to music and I saw the impact it had on the people. When I introduced this to small gatherings, I saw the reactions and that’s when the path began to open up even more so I knew I was on the right track – that this was how I was going to reach the masses – people on a broader spectrum.
NVC: One of the lanes you have carved within the music industry is the Jazz on Dub genre. You’ve used the attention as a platform to help open eyes and ‘I’s.’ What was your influence for this choice; Jazz on Dub as opposed to Reggae the way most people are used to hearing? 9:
Well the poetry and the music were there from before, but the journey started to refine itself when I started to delve more into particular authors like His Imperial Majesty; when I started to learn more about him by reading his autobiography; his life, his journey, his speeches; he became a huge part of my transition.
I was always Afrocentric. I was always reading about Kemet and seeing the spiritual ties through out the ages. His Majesty’s words were not about knowing everything, it was about the way we deal with each other. I took that as a great example.
L3 Magazine | July, 2016 ft. Jah9 - Pg. 69
I realized that the revolution will not be joining the Army and being in fighter jets; no, the revolu tion is within me and finding peace. It is also about using Love to overcome obstacles.
My meditation changed from the world to my inner environment so my music reflects that. That change allowed me to see people connect to that. It began with me reading – that was the influ ence. NVC: Your new album, ‘9’ is one of the most highly anticipated albums for 2016. In a sense, we know what to expect, but in making the album, did you encounter any ‘unexpec-ted’s?!’ 9:
Well this album has been a journey. It’s three years in the making. I didn’t rush back to the studio after making my first as it marked one part of my journey that didn’t need to be rushed. I waited until I had the opportunity to do my album the way I envisioned it. I made it as a producer and as an artist.
The album is called ‘9,’ but the campaign is called the Year of the 9 because we are in the year 2016, 2+0+1+6 equals 9! This year is the appropriate year to drop the album which features 9 tracks, and each track has enough seconds that equals to 9. That energy and Spirit science is in sync. These things trigger in people.
Our tradition as African people is to use symbology more than it is in written word. We are impact ed by symbols. 9 is a symbol.
The unexpec-ted’s came in having other well respected producers allow me the freedom to experi ment, and give me so much positive reinforcement reviews on the results of my efforts.
NVC: We are struck by your lead single “Humble Mi.” Based on the lyrics, would you say that the more successful one becomes, is the more we need to converse with humility? 9:
That is exactly right. The idea is Humility is how we empty ourselves when we get to a certain point. You can’t add to a vessel that is already full. The things that you learn, let them wash over you and soak in to yourself. The idea is not to have knowledge to judge and compare, but let what is true affect and wash over you. Prepare to receive more. The journey is not about knowing which can be an infantile way of looking at things.
We have access to all knowledge when we need it. Your primary goal is to work on self. There is nothing to prove but to learn and grow. You are not a savior – you are not here to save people. You are here to save and change yourself. That liberated me greatly. Humility.
NVC: What are some of your favorites from the album? It could be favorite song / bass line / lyric(s) etc. 9:
And for different reasons! One of them is “Baptized!” That is a favorite because I did a lot of experimentation with that production. My bredin Bregt Puraman played some special drums on
L3 Magazine | July, 2016 ft. Jah9 - Pg. 71
that track. He muted all of the drums with fabric under the skins so it had an eery sound. The engineers had a difficult time working with that sound but I insisted on finding a way to make it all work!
Another song is the last track called “Greatest Threat to the Status Quo” which is the only song I featured another artist on. His name is Vaughn Benjamin. That song is really special to me.
A third is “Unafraid.” I didn’t have a hand in the original production as it was originally produced in the 70’s with the Gladiators. The song is special because it talks about we Women in the community and our role as the true leaders and protectors – the bearers of the standards of righteousness. That song is a platform to pull some Sisters together, especially places where there is still violence happening towards women and children.
NVC:
One of the images that captured our attention is the image of an artists painting of you with predominantly blue hues, and surrounded by a yellow / green and pinkish paint brush stroke outlining your image. This communicates energy – your energy. Did you plan this, or is this what your artistic director felt from you? Either way, it works!
9:
That is the artwork for “Humble Mi.” The artist name is Jouvan Puran. He’s a person whom I have known for many years. He’s deeply spiritual and is familiar with my journey. I connect with him on many levels.
I didn’t know what he was going to come up with. I shared the song with him and gave him the freedom to interpret. He wanted to communicate the essence of calmness and stillness to attain peace. I think he captured it perfectly, especially the head and the heart being connected which is where the higher Spiritual works happens.
NVC: The more your energy spreads, is the more comes to you by way of fans letting you know what’s on their minds. How influential are they, the fans, on the music you make? Is your influence based on your experiences? 9:
I don’t think my fans influence what I am making. They influence the way I perceive the world. That influence’s the music I make. That’s where it comes from.
NVC: One more question regarding the music making process, do you hear bass lines as you write your lyrics? The reason why we ask is the bass line in your songs is so accurately dominant, much like the heartbeat. 9:
I definitely do – that is the first sound I hear. When I’m penning, it comes out as poetry or prose, but when it is song writing, it’s usually a bass line that I hear first. For this record, 9, it was the bass line that I heard first, I would give that to the bass man to play for me, and he would play exactly what I wanted. After the bass, I hear the riddim guitar, the horns, percussion etc. But yes, it begins with the bass!
L3 Magazine | July, 2016 ft. Jah9 - Pg. 73
NVC: Looking at your social media handles, it’s clear your fans appreciate you. Have you ever seen any comments that made you pause and say ‘wow?’
9:
I get that through the personal messages sent to me. Some of the things that people have shared with me have really moved me. The things that people are going through, things I might take for granted because I was never exposed to, or from which I was liberated early. Things that I don’t experience because I live in a country that is predominantly populated by black people, and racism is largely a concept to me, more than an experience.
There are some who want to express their spirituality but their parents or peer groups make it difficult for them by not accepting the changes; same thing with partners who are not supportive of the awakening happening in their spouse – those are the stories that surprise me in how willing they are to open up.
I’m told ‘your music has liberated me, your music has given me strength’ these are things that make me pause and say ‘wow.’ Music is doing all of this and more for so many people. That is humbling! NVC: Delivering your energy to fans in person requires travel ie tour! What are some of the things you do to make tour life easier on the body (referring to the time zone differences, food changes and lack of home comfort). 9:
Temperature is the biggest adjustment, and then the environment. I don’t like cities, I like Country! I like Switzerland where there’s bush and grass as well as Africa where there’s just green. I do have to go to Paris, London, New York, but I prefer Country!
When we’re on the road, Yoga is essential to keep a routine, and keep the circulation going.
NVC: The name of our magazine is called L3. Each L has a meaning. The first is for Life, the second for Love and the third for Lyrics. What general advice would you give our readers on Life, Love and Lyrics? 9:
On Life I would say breathe deeply and as often as you can; 3 inches below your belly button; if we can do that we clear tension from the body and clear our minds to make better decisions. Breath is key to life.
For Love, love unconditionally. Love in spite of. Don’t count and measure, love works towards your karmic and akashic record. Use love as the measure of your growth – to detoxify your heart and mind.
For lyrics; be responsible with your words. Remember, word sound is power. Don’t sing about or speak about things you don’t want to manifest. We are way more powerful than we know. When we say words like ‘I Am,’ we be mindful of what we declare next.
Connect with Jah9 online via www.jah9.com. Her album, ‘9’ will be available for pre-order on July 22nd, with an official release on September 9th, 2016. The artist will be performing live in Vancouver at the Fortune Sound Club on July 27th, and in Toronto at the Island Soul Festival at Harbourfront on July 30th, 2016! L3 Magazine | July, 2016 ft. Jah9 - Pg. 75
One of the most anticipated Reggae Albums of 2016
Jah9 ‘9’
Permanent TAT
By: Song River | Photography By: Jered Scott
TDM
Tatiana DeMaria is to Rock n Roll what water is to grass – we need them to grow! Unlike other Rockers, Tatiana confidently mixes with other genres, especially Hip Hop. Her fearlessness was nurtured as a child at school, and her confidence solidified the deeper she traveled in music. I caught up with TAT while on the Warped Tour, and found her to be as ‘rocker’ off stage as she is on stage. She is candid and bright, and one of the reasons why music, especially lyrics, are in great hands when they’re in hers. Connecting with TAT…! SR: Some people are born with a gold spoon in their mouths, Tatiana were you born with the gift to rock? TDM:
(laughs) Oh I don’t know about that, but I appreciate the compliment. I do know I had a propensity to yell. The first thing that the nurse said when I came out was that I should be a singer. I was yelling so much they nicknamed me Aretha! Poor Aretha! The rock part; well, season me a little angry, and frustrated with some growing pains and I guess that’s what cooks.
SR:
Prior to the age of 15, what were your inclinations to be or do? Did they always seem to lean towards keeping a beat or was it that you saw or heard your world in words?
TDM: Depends really. I’m a sucker for lyrics, great melody and a great beat. Sometimes I’ll think of a line I want to run with, a beat that sparks a whole song or just melodies I can’t shake that I piece together into songs. I have a few ways of writing and love to vary how I function within the process. SR:
While still in school Tatiana were you known as the tough punk rock kid, so don’t mess with me? Did you feel like you fit in with the others?
TDM:
I went through phases. I was beat on when I was young at school for a very short stint until I stood up for myself when I was 3 and beat back. I was the kid who’d beat the older bullies up for beat ing on my friends, so if you’d call that tough, sure. I was a tomboy. Loved the outdoors and at times was happier than others. I had my fair share of darkness and oblivion. Music kept me going, once I got hooked on punk rock and gangsta rap that was it for me. I was that kid who would always be singing my favourite songs and jamming. I didn’t belong to a clique. I didn’t like being pigeon-holed, so I was generally friends with anyone I thought was cool and kind and just did my best to be good to people, fair and never let a day go to waste.
SR:
What was this time like for you?
L3 Magazine | July, 2016 ft. Jah9 - Pg. 81
TDM:
By the time I was in my early teens I was lying about my age and promoting nightclubs in London (England), dancing the nights away, getting smashed, making good money to pay for my music gear and getting my friends in free. I guess I lived several lives through high school trying to live it all and not miss a beat, but music was always there and a very present direction in my heart. I’d come home from the clubs having loved the music and after school, before club, would get back to making my own - be it punk rock, hip hop or club jams.
SR:
You’ve been able to hold the two worlds of masterful and raw together, a gift in truth. First, is it natural for you to be able to take both worlds and keep them working together? Second, being able to do this, have you found it beneficial in expanding many sides of fandom? Meeting the rock ers, the punks, the hip hop, hard, etc...
TDM:
Well, (pauses) that is a tall compliment. Honestly, marrying the best songwriting I have in me with the most raw sentiment and honesty is where my base-line standard lies. If I don’t feel I’ve achieved that, I feel I haven’t done it right and don’t love the work I’m doing. That’s what I believe great songwriting to be. Raw sentiment and emotion in writing and performance, whilst writing well constructed great melodies and songs. Writing and producing in many styles I’ve certainly been lucky enough to work a lot of different projects. I found that rappers wanted to guest appear on my rock tracks because they felt it align with how they felt and the same with rock artists and Hip Hop so and I ended up making beats, tracks and MC-ing as a teen alongside TAT and that never stopped. Ultimately, whatever style you live in, if a song - in any style - makes you feel something, it’ll pull you in. I make what I make and if people dig it, all the better.
SR:
Your abilities have taken you into song writing for commercials/movies and other artists as well. What have been some of the scores you’ve written, and for who? Did you do them for some of the commercials and movies as well?
TDM:
I have performed a bunch of the work I wrote and produced for movies and commercials and some songs I’ve given to other artists. Some tracks I can’t spill yet as they’re not out, but I wrote, produced and performed the recent theme song/ jingle for 7Up, have done work with Pepsi, Universal Pictures for Blue Crush 2 to name a few. I love the challenge of getting a brief or a scene and running with it. My bottom line with writing is... if I enjoy it and I enjoy the people working on it, I do it. I have my beliefs and things I stand for, but I am also a writer at the end of the day and love experimenting with projects and styles, so if it all aligns, I’m in.
SR:
You have been on 4 Warped Tours, correct? How has the band developed and changed with each new Warped Tour round?
TDM: Yes. The songs are now new songs off the new album which I’m excited about, still a 3 piece, but taking steps within a sonic evolution, towards a new sound which will come to fruition which started the end of 2015 and continues in 2016 with the new album.
L3 Magazine | July, 2016 ft. Jah9 - Pg. 83
SR:
How is your second album different? Does it carry the same flavor as the previous so fans know that is TAT?
TDM:
I wrote “Soho Lights” when I was 15/16, so this album certainly has more maturity to it, stylisti cally and lyrically. I’m still the same person however, this is still my writing, so I imagine it will sound like an evolution and sonically on the production side, different, yes. Our fans have grown as have I, and so far have received the songs brilliantly so I’m grateful for that and look forward to delivering the album and hoping they feel it.
SR:
Tatiana is your writing the foundation to which everything else is built upon?
TDM: (Without hesitation) Yes. SR: Living or Passed Tatiana who is someone you would love to perform live on stage with, and what song would you want to be singing / playing? TDM:
I’ve been asked that question for years and honestly have never fantasized about that. I love watching those I love, I don’t feel the need to be a part of it. The Clash, MJ and 2pac would be right up there, but throwing me in the mix would fuck it up, so I’d rather watch and let the fan in me take it in.
SR:
As the trio of TAT plays on... what have been some of your fondest memories as a band playing together so far? One of the weirdest or wonkiest memories of a place you performed and an incident that occurred?
TDM:
(laughs) There are so many! I forget them and then we get together over beers and the stories start spilling out as do the bellyaching laughs and tragedies we now laugh at. It’s been a wild ride. To keep it PC and Private friendly, I’d refer back to a time we got stuck in a blizzard on a mountain top between Colorado and Utah with no snow chains on an old beater van and heavy trailer for the night. We were sliding along the side of a cliff till we had to get towed to safety. That was wonky and a half. There was a very genuine fear of not making it out alive that night for most of us. Then of course the blow, strip clubs and hookers, but you know... what happens on the road stays on the road and all.
SR:
Lastly, back home Tatiana, when you’re back with family and friends from the place you come... how do you feel and relate? Are you still the same from whence you came?
TDM:
That’s a very good question. Honestly, I’ve tried living elsewhere - not in London, and coming home from tour has been a struggle. Relating is hard because the solid foundation isn’t there. You have the text-book tour adrenaline, meeting new people, seeing new places, experiences and coming home can seem like you’re slamming on the brakes and moving in slow motion. I struggle to relate when I’m trying to live in a place that doesn’t stimulate me to pick up the adrenaline slack. London however, always feels like home and my family helps me relate and pick up where I left off.
L3 Magazine | July, 2016 ft. Jah9 - Pg. 85
They’re a powerful bunch of nutters, it’s great. As for being the same, I think so yes. What I put out there and write about is very much me, so I don’t have to shift roles and maybe it’s laziness, but I can always just be me. I think being honest in my music keeps me level-headed between it all.
Connect with TAT >>> https://www.facebook.com/TatianaDeMariaMusic/
L3 Magazine | July, 2016 ft. Jah9 - Pg. 87
Getting Messi Jay Crazie
By: Jennifer Menster | Photography By: 6 Diciplez
JC
i
L3 Magazine | July, 2016 ft. Jah9 - Pg. 89
Every Super Star artist needs a special person in their corner whom they can trust. They need that go to person who, no matter what, will deliver so they can deliver! In the Dancehall world, that person has a label, and the label is Producer! Jay Crazie is the go to reliable hit beat maker that every artist dreams of working with. He is quiet and low-key in person, but catch him in the studio and he’s in beast mode – always! I ventured into the studio to speak to the Super Producer and was pleasantly surprised to get a look at the Man, as well as the Beast! JM:
Jay, you make everything about production look easy – as if you come in to the studio, and pow, a hit riddim. How easy or hard is it for you where production is concerned?
JC:
First thing, it’s not hard. It’s only hard when I step out of my regular zone or my regular beats. If I’m trying to do something different it can take a while but it’s never hard. Never! I can think about music, and it happens. Sometimes I just touch the keys; I don’t know what I’m going to make until I start playing it.
JM:
A lot of people know you because of the hot Vybz Kartel song “Bet Mi Money” running the charts internationally. Tell us some of your other riddim productions so people can get familiar with some of your catalog aka your ‘belly!’
JC:
I did “We Love the Vibe” by IOctane, the first riddim I did when I came in to Dancehall is Aurora Skies Riddim (produced by SoUnique Records), I also did the Igloo Riddim (also produced by SoUnique Records), Vybz Kartel “Supervisor,” Mavado’s “At the Top It’s Just Us,” Demarco “Lazy Body,” Aidonia “Like So” and so many more!
JM:
When you composed the riddim for Mavado’s “At the Top It’s Just Us,” did you compose it hearing Mavado on the riddim?
JC:
When I composed that beat I was going for a hardcore sound. I didn’t know it would become as successful as it did. I didn’t know it would contribute to the change in the sound of Dancehall – I didn’t know any of that, I was just doing me! I just wanted to do a hard riddim, not concerned about the critics and what they felt would ‘sound good.’ I aimed to please me!
JM:
Not only are you a producer, you’re also an Engineer! Is this where the ‘Messi’ comes in?!
JC:
Ah it comes in that way and from the melodies and the beats. It also comes in because of the top footballer, Messi, and when he goes for goals he doesn’t really miss. I took the name upon myself because when I make a beat, it doesn’t really miss. It goes far.
L3 Magazine | July, 2016 ft. Jah9 - Pg. 91
JM:
There are a lot of artists who would sell house and land to work with you. How do you decide which artists you’re going to work with?
JC:
I run from hype, and I don’t work with artists because ‘there’s something going on for them.’ What makes my music different from most others is because of how I connect with an artist. With that being said, I don’t work with artists that my energy / vibe isn’t with. I think that’s why my productions feel so close and connects with everybody – the artist and I are together in sync and that comes through in the music.
I have to connect with them on an energetic level. I believe in Karma and the Law of Attraction which is reflected in my music.
JM:
Out of all the artists you’ve worked with so far, who have you broke bread with before recording in the studio?
JC:
Good question! Demarco! That is how I got to know Demarco as a person. I knew of his music prior to meeting him (of course) but I didn’t know him. When I worked with him, I really got to know how seriously talented he is, even more than what we hear on the radio or see in the video’s, and that [breaking bread] made me connect with him even more.
Also, Raytid is the same way. The work that we did last year became a hit sensation, and that wasn’t the intention. We just had a vibes and made music, but something I had never done before. So Raytid was and is cool. One more person is Kartel.
JM:
Kartel is a master in his realm. You are a master in your realm.
JC:
And the result was “Bet Mi Money.” I never thought it would go that far, and it did, and it’s still going! I am so happy with that song’s success!
JM:
Fame! How are you adjusting to the Fame factor? Whether you like it or not, you are famous!
JC:
I basically deal with it the same as everything else; I don’t let it get to my head. I stay humble – I won’t lose my humility. When I hear how people refer to me, I can’t believe they’re talking about me. I am simple, and not what they describe me as being (referring to being one of the best producers of this time), but I am humbled by the description! My work is not being done in vain – it’s being appreciated.
JM:
Have you ever been out and heard what people are saying about you, but they don’t realize you’re in their presence?
JC:
No, that hasn’t happened to me. It’s happened to other people but not to me. I’ve heard people talk about specific songs I’ve produced, and what stands out to me is their interpretation of the song. I find myself saying ‘hmmm, I never thought about it that way. When I was doing it I wasn’t
L3 Magazine | July, 2016 ft. Jah9 - Pg. 93
thinking about that!’
JM:
We’ve heard you mention that you did not come from privilege – you worked your way to success. What was the first instrument you used to make a riddim / beat and do you still have it?
JC:
I wasn’t from a privileged background, and I didn’t know music which is what makes my success ironic. It was my keen hearing, and yes, I still have that instrument. I’ve given away a lot of things, but that is my most prized possessions. I can give away a lot of things, but I can’t give away that keyboard. It has given me so many hits – I still have it!
JM:
You have contributed to the new wave of Dancehall coming from Jamaica. Did you ever think you would be a musical revolutionary? Especially in an industry that clings to traditions?!
JC:
Ummm no. Never. My success in music has come, but I don’t feel like ‘I’m there.’ Even though I’m a part of music creation, I didn’t expect it to happen – for me to help change music coming from Jamaica, or the way people listen to music, or change what people like to hear in music.
I look up to people who make music, and now people are saying that to me, and I feel like I’m ‘not there yet!’ It’s still strange for me to hear that!
JM:
When you’re not in the studio, and driving to a destination, what sounds do you like to hear? Radio? People talking? Tires on the road?
JC:
Ok, when I’m driving, I listen o my own music or the radio. I also have an iPod that, whatever music is there, is there because it’s really good. I don’t listen to just anything. I don’t want anything to influence my creativity.
Believe it or not, when I listen to the radio, I’m listening to understand the edits that need to be done to a song. Jamaica is very strict when it comes to what is played on the radio, so I’m still learning what words can and cannot be used in a song.
JM:
If you as an adult, could have a conversation with you, but at the age of 5, what words of encour agement would you give you?!
JC:
Learn everything. I would also tell my younger self to tell my Mom to send me to music school so I could learn to play more instruments and not just the one I know right now.
JM: The name of our magazine is L3 and each L has a meaning! The first ‘L’ is for Life, the second for Love and the third for Lyrics. What general advice would you give out readers on Love, Love and Lyrics?! JC:
I can sum it up by saying live the Life you Love, so you can Love the Life you live. From the time I walked away from my last job, I decided I was going to do what I love, and that is music, and my life has been great ever since then!
L3 Magazine | July, 2016 ft. Jah9 - Pg. 95
Connect with Jay on Instagram >>> @jaycrazie_rec