LONE WOMEN by Victor LaValle

Kent, Minka Thomas & Mercer (239 pp.) $16.99 paper | March 7, 2023 9781662505393

A woman’s disappearance unleashes a series of shocks, some of them buried for many years, from a master of dysfunctional family values. This isn’t the first time Celia Guest has gone missing. As one of three daughters of Jim Fielding, a draconian police officer in Cross Beach, Florida, she tried running away from home when she was 15. Her escape lasted only a few hours before her father caught her and shipped her off to the Heavenly Soldiers Reformatory, a nightmare site where young sinners were washed clean by the Church of True Believers. The second time—her taking off from Cross Beach College and going into hiding—was much more successful except for its effect on her sisters, Genevieve and Celeste, who felt that she’d abandoned them. But the third time is the poisoned charm. The day after a 40th birthday party during which her buddies in Schofield, Connecticut, shower her with unwanted gifts to celebrate their friendship and an anonymous correspondent tells her, “YOU DON’T DESERVE ANY OF THIS,” she leaves a note for her significantly older husband, hospital administrator Rob Guest, assuring him that she’s gone out on an errand and will return shortly, and takes off without a backward glance. To the surprise and resentment of her husband, pastor’s son Brad Jacobs, Genevieve launches a frantic search for her missing sister. As Kent skips gleefully between the present and selected highlights from the sisters’ pasts, Genevieve uncovers enough evidence to earn their relations a permanent spot in a chamber of horrors.

Landay, William Bantam (336 pp.) $28.99 | March 7, 2023 9780345531841

A woman vanishes, leaving her kids to wonder whether their father is a murderer. It’s 2015, and author Philip Solomon has spent two years in search of an idea for his next project. Inspiration finally strikes while he’s out for drinks with his childhood friend Jeff Larkin. In 1975, Jeff’s younger sister, Miranda, came home from school to find the Larkins’ Newton, Massachusetts, house locked and her mother, Jane, missing. Jane’s purse was still in the front hall, so Miranda assumed she was running an errand. Hours passed, though, and Jane failed to return before night fell and Miranda’s brothers, Jeff and Alex, and father, Dan, arrived home. The cops and Jane’s sister, Kate, suspected Dan—a greedy, philandering criminal defense attorney—of foul play; without proof, however, the district attorney couldn’t charge Dan, and the investigation went cold. Construction workers found Jane’s body in 1993, but it provided no clues. As adults, the Larkin children now stand divided: Alex believes Dan’s claims of innocence, while Jeff and Miranda do not. Although the novel begins with Phil as its narrator, Landay breaks the Larkins’ tale into a series of “books,” each set in a different era of the case and featuring a different storyteller and style. This approach allows Landay to explore how Jane’s disappearance—and Dan’s presumed guilt— impacts key players over the course of their lives but regrettably also leaves most characters half-sketched and bleeds what should be a riveting mystery of tension and drive.

LaValle, Victor One World/Random House (304 pp.) $27.00 | March 21, 2023 9780525512080

A woman heads to Big Sky Country with some unusual baggage—actual, metaphorical, and psychological. As LaValle’s beguiling, genre-blending fifth novel opens, it’s 1915, and something so awful has happened to Adelaide Henry’s parents that she’s set the family’s California farmhouse ablaze with their corpses inside. With little but rumor to go on, she high-tails it to Montana, believing the state will be welcoming toward a young Black woman with farming skills and an urge to erase an ugly past. Early on, she seems proven right—the residents of Big Sandy are friendly, supportive, and not too inquisitive about what’s inside her unusually heavy steamer trunk. But in time the region’s secretive nature comes into view, starting with a woman with four blind children who prove to be at the center of a host of deceits. And once the contents of that steamer trunk are unleashed, Adelaide is further pushed into self-preservation mode than she already was as the sole Black woman in a very White and very cold place. LaValle is prodigiously talented at playing with stylistic modes, and here he deftly combines Western, suspense, supernatural, and horror—his prose is unfussy and plainspoken, which makes it easier to seamlessly skate across genres. But LaValle’s fluidity when it comes to style is balanced by a focused thematic vision: Through Adelaide (and that steamer trunk), he explores isolation and division across race, within families, and through communities. Her struggle to find her place is complicated by everyone being tight-lipped and eager to create pariahs. (“The silence is the worst part of this suffering,” as Adelaide puts it.) The closing chapters get somewhat knotted as LaValle labors to corral a Pandora’s box full of plot points. But the novel overall is a winning blend of brains and (occasionally violent) thrills.

Lucas, Madelaine Tin House (272 pp.) $16.95 paper | March 7, 2023 9781953534651

Australian writer Lucas’ debut charts the tides of love, memory, and longing as it explores not why love ends but how it ebbs and flows. The novel opens with the narrator’s discovery, found through online sleuthing, that a former lover is now a father. She casts back to when she was 24, on vacation with her mother at Sailors Beach. Swimming alone, she encounters Jude, a former actor almost 20 years her senior who lives nearby and restores furniture. Their attraction is immediate, like an undertow. The narrator, an aspiring writer, whom Jude calls “Sharkbait,” then “love,” quickly trades her dreams of travel for the desire that Jude awakens in her, making “everything suddenly unbearably erotic, alive.” Their intimacy is compelling in its urgency while also leaving room for silence as they navigate the tension between Jude’s perspective that love is “a gift” and the narrator’s understanding of it as a “need.” When they find a dog on the beach, it becomes a stand-in for their bond, as a child would; and though the narrator dreams of a baby, she finds herself counseling Maeve, a potential rival, about a pregnancy. Throughout, the narrator reflects on her relationship with her mother; at times, these passages eclipse the love story: “As a child, I’d imagined her as something diffuse, like vapor or air. Necessary, and all around me, but somehow elusive, ungraspable.” Water imagery is everywhere, threatening to make the novel’s metaphors predictable: Orgasms are waves, as is grief, and the ocean and the shore are lovers. While Lucas’ meditation on relationships is masterful, the ending falls flat—in a book where love leaves an indelible mark, it’s hard to believe that the final conflict sets its characters adrift.