Betur Design Jay Yao
Contents Digital Pacific Carpet & Pamana Rugs American Society of Tropical Hygiene Taiping Palumbo Anderssen Modern Yun-Mo Ahn Become a Butterfly Branding Valerie Goodman Gallery Aldine Specialty Printing William Travis Brawley Together Each Achieves More Physical Color Theory JY Memorial Typesetting Siege of Leningrad Silkscreened Poster Lucky Rabbit Tea New Museum Carsten Hรถller
Digital
Pacific Carpet & Pamana Rugs
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CONTACT US
PRODUCTS > RED
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+(632) 299-5823
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+(632) 45 599-5869
pcmcexport@paman
Please visit us in our
http://taipingcarpets
LOT B BER
Lot B Berthaphil I Co
Jose Abad Santos Av
ClarkямБeld, Pamapan
D STRIPES
RED STRIPES The red stripes create a contrast that brings some energy in the room it encapsulates.
170 cm by 230 cm
9
nacarpets.com
r domestic retail website Share
s.com.ph
RTHAPHIL I COMPOUND,JOSE ABAD SANTOS AVE., CSEZ, CLARKFIELD, PAMAPANGA, PHILIPPINES TEL: (+632) 299-5823
EMAIL: PCMCEXPORT@PAMANACARPETS.COM
ompound,
ve., CSEZ
nga, Philippines , 2009
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The rugs Theofrugs theofClassical the Cla HOMEHOME
Aubusson Aubusson inspired inspired and are a
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exclusive exclusive Heritage Heritage Quality Q
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wool yarn woolwoven yarn woven in a low inan a
PRODUCTS PRODUCTS OUR COLLECTION OUR COLLECTION CONTACT CONTACT US US
100% 100% wool yarn. wool Random yarn. Ran
to giveto angive elegant an elegant antique ant lo
Damask Damask carpets carpets are co
nationnation of cut pile of cut forpile thefor de
and loop andpile loop forpile thefor field/b the
made in made 100% in virgin 100%wool virgin&w
oz./yd2 oz./yd2 weight). weight). The recom The
is one is level, onebut level, a 2-level but a 2-le fin
designs) designs) can likewise can likewise be sp
features features different different variation va
ask designs ask designs that include: that inclu M
1-color1-color dyelot); dyelot); Polychrom Polyc
colors);colors); and combining and combin co
striation striation techniques techniques on fie
on design on design motifsmotifs (in cut)(in orc
The Inlay-Elegance The Inlay-Elegan rug
tiles inlays tiles but inlays given but agiven fresh
pet. The pet. carpet The carpet constructio const
of ourof Century our Century Quality Qual (cu
Quality Quality (loop pile (loop 72pile oz/yd 72
virgin virgin wool. The wool.resulting The resu s
cut and cutloop andconstruction loop constru
carving carving on selected on selected designs d
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assical Collection are French
and are manufactured in our
Quality which is of fine/thin
a low and tight loop pile, using
ndom tip-shearing is applied
tique looking appearance.
Classical Selection
s are constructed in a combithe designs and border band field/background. These are
wool & in HW450 Quality (72 recommended surface finish
evel finish (embossed cut pile
Damask
e be specified. This collection
ariations of interpreting dam-
lude: Monochromatic (use of
ychromatic (use of 2 or more
ning colors thru stippling or on field/ground (in loop) or
cut) or on both.
nce rugs are inspired by floor a fresh interpretation in car-
truction is in the combination
lity (cut pile) and Centennial
2 oz/yd2 weight) using 100%
ulting surface is in one level,
uction finished with hairline
designs from the accents.
Inlay-Elegance
Pamana Rug & Carpets
Pamana Rug & Carpets
http://www.Pamanacarpets.com
http://www.Pamanacarpets.com
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Pacific Carpets makers HOME
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cated in an EPZA Zon
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6,120m2 and one hun
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ployees. From the fam
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and Europe to the pa
OUR COLLECTION
tans and sheiks in the
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pet quickly gained a
OUR COLLECTION CONTACT US
international clients.
Today, the Compan
increasing demand for i
in its growth, the com
and true to its corporat
in quality and service. W
crafted rug and carpet RED STRIPES
fit for prestige installati
LOT B BERTHAPHIL I COMPOUND,JOSE ABAD SANTOS AVE., CSEZ, CLARKFIELD, PAMAPANGA, PHILIPPINES TEL: (+632) 299-5823
EMAIL: PCMCEXPORT@PAMANACARPETS.COM
LOT B BERTHAPHIL
TE
Pamana Rug & Carpets
Pamana Rug & Carpets
http://www.Pamanacarpets.com
http://www.Pamanacarpets.com
OUR COLLECTION
CONTACT US
The rugs of the Classical Collection are French
+(632) 299-5823
HOME
Aubusson inspired and are manufactured in our
HOME
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exclusive Heritage Quality which is of fine/thin
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ABOUT US
wool yarn woven in a low and tight loop pile, using
ABOUT US
PRODUCTS OUR COLLECTION CONTACT US
PRODUCTS
100% wool yarn. Random tip-shearing is applied to give an elegant antique looking appearance.
Classical Selection
OUR COLLECTION CONTACT US
Damask carpets are constructed in a combi-
+(632) 45 599-586
pcmcexport@pama
Please visit us in ou
http://taipingcarpe
nation of cut pile for the designs and border band and loop pile for the field/background. These are
Lot B Berthaphil I C
made in 100% virgin wool & in HW450 Quality (72
Jose Abad Santos A
oz./yd2 weight). The recommended surface finish is one level, but a 2-level finish (embossed cut pile
Clarkfield, Pamapa Damask
designs) can likewise be specified. This collection features different variations of interpreting damask designs that include: Monochromatic (use of 1-color dyelot); Polychromatic (use of 2 or more colors); and combining colors thru stippling or striation techniques on field/ground (in loop) or on design motifs (in cut) or on both. The Inlay-Elegance rugs are inspired by floor tiles inlays but given a fresh interpretation in carpet. The carpet construction is in the combination of our Century Quality (cut pile) and Centennial Quality (loop pile 72 oz/yd2 weight) using 100%
Inlay-Elegance
virgin wool. The resulting surface is in one level, cut and loop construction finished with hairline carving on selected designs from the accents.
LOT B BERTHAPHIL I COMPOUND,JOSE ABAD SANTOS AVE., CSEZ, CLARKFIELD, PAMAPANGA, PHILIPPINES TEL: (+632) 299-5823
EMAIL: PCMCEXPORT@PAMANACARPETS.COM
Pamana Rug & Carpets http://www.Pamanacarpets.com
PRODUCTS > RED STRIPES
s of Pamana Carpets Is lo-
RED STRIPES
ne with a factory of about
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ndred twenty skilled em-
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mous hotels in the USA
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alatial homes of the sul-
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The red stripes create a contrast that brings some energy in the room it encapsulates.
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e Middle East, Pacific Car-
170 cm by 230 cm
CONTACT US
an impressive roster of
ny has grown to meet the
its fine products. But even
mpany remains committed
te philosophy of excellence
With Pamana, every hand-
t is an elegant masterpiece
ions anywhere in the world
Shangri-La Lobby Lounge
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LOT B BERTHAPHIL I COMPOUND,JOSE ABAD SANTOS AVE., CSEZ, CLARKFIELD, PAMAPANGA, PHILIPPINES TEL: (+632) 299-5823
EMAIL: PCMCEXPORT@PAMANACARPETS.COM
I COMPOUND,JOSE ABAD SANTOS AVE., CSEZ, CLARKFIELD, PAMAPANGA, PHILIPPINES
EL: (+632) 299-5823
EMAIL: PCMCEXPORT@PAMANACARPETS.COM
Pamana Rug & Carpets http://www.Pamanacarpets.com
PRODUCTS
HOME
69
NEWS ABOUT US PRODUCTS
manacarpets.com
OUR COLLECTION
ur domestic retail website
CONTACT US
ets.com.ph
Compound,
Ave., CSEZ
anga, Philippines , 2009 ZEBRA
RED STRIPES
BLACK STRIPES
SERENE
FRENCH LEAVES
OUR CLASSICAL SELECTION
BEIGE
PRE
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NXT
LOT B BERTHAPHIL I COMPOUND,JOSE ABAD SANTOS AVE., CSEZ, CLARKFIELD, PAMAPANGA, PHILIPPINES TEL: (+632) 299-5823
EMAIL: PCMCEXPORT@PAMANACARPETS.COM
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illness called Lassa fev
strain of Lassa virus was Go
ness acquired in Nigeria pers of the time and in
and suffering Penny expe
might have driven persons
a career change. Not Pen
Lassa fever, surviving a cated much of her life's tions in West Africa.
Three Lassa fever surviv
Nigeria Medical auxiliary
Video: Watch "Penny's Sto rience with Lassa fever. Penny was born February
Her father was a doctor a
lings followed suit the time. Penny elor's degree
Bible Institu
School for N
visitors fr
applied and
Christmas E ern Nigeria
She was init
boiled syring
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TMH REMEMBERS PENNY PINNEO, N COMBATING LASSA FEVER (1917-2012) MPH&TM, ASTMH Councilor, Tulane University Medical Center, NAMRU-6, Lima, Peru;
Sudan Interior Mission, Sebring, Florida
r known as Penny, died on August 17, 2012, at age 95. In the biomedical science
own for being the first confirmed case of a newly discovered viral hemorrhagic
ver. What subsequently became known as the "Pinneo" or "LP"
s isolated from her blood after a severe hemorrhagic illin 1969. Penny's story was dramatically told in newspathe 1974 novel, Fever!, by John G. Fuller. The pain
erienced at the hands of this new and fearful agent
s of lesser fortitude into retirement, or at least to
nny. In contrast, she won her personal battle with
after a severe and prolonged illness, and then dediwork to combating Lassa virus that threatened popula-
THREE LASSA FEVER SURVIVORS: PENNY WITH JORDI CASALS AND RAPHAEL ADEYEMI, y, at the hospital in Jos, Nigeria, circa 1970. A NIGERIA MEDICAL AUXILIARY, AT THE HOSPITAL IN JOS, ory," in which Penny and Hal White discuss their expeNIGERIA, CIRCA 1970. Video by Lee Fritz.
vors: Penny with Jordi Casals and Raphael Adeyemi, a
21, 1917, in Newark, New Jersey, into a deeply medical and religious family.
and her mother had been a missionary in India before marriage. Penny and her sib-
t--the two girls pursuing nursing and the boy, medicine, as was the custom at later added training in midwifery and anesthesiology. After obtaining her bachfrom Maryville College in Tennessee in 1940 and a one-year stint at the Moody
ute in Chicago, she obtained her nursing degree from the Johns Hopkins Hospital
Nurses. Called by her deep faith and impressed by the Africa prayer band and
rom the Sudan Interior Mission (SIM) that she met while attending Moody, Penny
d was accepted by the SIM for overseas service, arriving in Lagos, Nigeria, on
Eve 1946. After attending Hausa language school in Lagos, Penny trekked to northto work to open a new healthcare center, Bingham Hospital, in the city of Jos.
tially the only staff member, making bedside tables out of orange crates. "We
ges on an alcohol Sterno stove before electricity was installed," she recalled.
Taiping
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For the past six years children with au Korea have shared the magic they see artist Yun-Mo Ahn’s acclaimed museu
Valerie Goodman Gallery in partnersh McCarton Foundation is honored to b latest project “Become A Butterfly” to
The exhibition has been expanded to with autism from the tri-state area and works by French artist and designer J shares Yun-Mo Ahn’s respect for the c outside the mainstream.
March 14 - April 12 Exhibition at Valerie May 4 - June 22 Exhibition at the Art G Rockefeller State Park Preserve in Ple
Join us at MoMA , Queens Museum an workshops and installations. For a full Valerie Goodman Gallery 315 East 91st Street New York NY 10128 212 348 2968 www.ValerieGoodmanGallery.com
hip with the bring Yun-Mo Ahn’s o the United States.
Betur Design, Photography By Karin Kohlberg
utism all over South e by participating in um exhibition series.
include children Yun-Mo Ahn d is paired withBecome a Jacques JarrigeButterfly who creativity of people
e Goodman Gallery Gallery of the easantville NY
nd other places for l schedule visit:
Yun-Mo Ahn
with Jacques Jarrige and Autistic Fri
2014 03 05 Become a Butterfly AnnouncementC.indd 1
riends
Yun-Mo Ahn
with Jacques Jarrige and Autistic Friends THURSDAY, MARcH 16, 2014, 11AM-1pM (museum opens at 12noon for those who would like to arrive before the general public) in studio b
About For families affected by autism Join Yun-Mo ahn for an art workshop for children Become a Butterfly
Directions BY SuBwaY via #7 Flushing IRT, exit Willets point/Shea Stadium Follow the yellow signs on a ten-minute walk through the park to the museum, which is located next to the unisphere BY BuS via the following lines: Q48 to roosevelt avenue and 111th Street, walk south through the park. Q23, Q58 to Corona avenue and 51st avenue, walk east through the park. BY Car via the Grand central parkway: exit at Shea Stadium and follow the signs to the museum. Free parking.
P h y s i c a l In v i t a t i on and
3/5/14 12:04 PM
POster for Queens Museum
Address New York city Building, Flushing Meadows corona park, Queens, NY 11368 http://www.queensmuseum.org Telephone 718 592 9700
Yun-Mo Ahn with Jacques Jarrige and Autistic Friends
About
Get Involved
Artists
Contact
Email Address
About
Learn More About Become a Butterfly English author and playwright, Eden Phillpotts wrote, “The world is full of magic things, patiently waiting for our senses to grow sharper.” At the McCarton Foundation we admire the unique ability that children with autism have to see the magic. They help us to recognize and appreciate the beauty in aspects of everyday life that we otherwise wouldn’t see. For the past six years children with autism all over South Korea have shared the magic they see by participating in Korean artist Yun-Mo Ahn’s acclaimed museum exhibition series. Each has a captivating title that embodies the potential to go beyond perceived limits. The latest, Become a Butterfly is no exception and for the first time it is an international project. During the fall of 2013 thousands of butterflies were displayed at various exhibits throughout Asia highlighting the positive impacts of participation in the visual arts for children with autism and emphasizing autism empowerment. The exhibition also features a sculptural contribution selected by Yun Mon Ahn. of French artist Jacques Jarrige and the patients of a psychiatric hospital in Paris. The McCarton Foundation is excited to partner with the
Yun-Mo Ahn with Jacques Jarrige and Autistic Friends
About
Get Involved
Artists
Email Address
Contact
Join
About
Learn More About Become a Butterfly English author and playwright, Eden Phillpotts wrote, “The
world is full of magic things, patiently waiting for our senses to grow sharper.” At the McCarton Foundation we admire the unique ability that children with autism have to see the magic. They help us to recognize and appreciate the beauty in aspects of everyday life that we otherwise wouldn’t see.
For the past six years children with autism all over South Korea have shared the magic they see by participating in Korean artist Yun-Mo Ahn’s acclaimed museum exhibition series. Each has a captivating title that embodies the potential to go beyond perceived limits. The latest, Become a Butterfly is no exception and for the first time it is an international proj-
ect. During the fall of 2013 thousands of butterflies were displayed at various exhibits throughout Asia highlighting the
positive impacts of participation in the visual arts for children with autism and emphasizing autism empowerment. The exhibition also features a sculptural contribution selected by Yun Mon Ahn. of French artist Jacques Jarrige and the patients of a psychiatric hospital in Paris.
The McCarton Foundation is excited to partner with the Valerie Goodman Gallery to bring Yun Mo Ahn’s Become a
butterfly to North America for the first time. To kick off the project, children with autism around the tri-state area will be
invited to participate in designing their own butterflies which will be displayed at the Valerie Goodman Gallery in March followed by a special exhibit at the Port Authority of NY & NJ in April, and at the Rockefeller Preserve Gallery in May. Participation is open to all people with autism at no cost. To learn more about the Become a Butterfly project, or if you have questions about participation, please contact us at butterfly@mccarton.org. For information about the artists contact vg@valeriegoodmangallery.com
Yun-Mo Ahn believes that like the butterfly—which begins its life as a seemingly odd caterpillar—people may not immediately notice the magic possessed by children on the autistic
spectrum. Art provides them with a means to express their extraordinary perspectives. And it is their power to reach the emotional and direct source of creation that makes Become a Butterfly a transformational experience breaking down barriers between all people all over the world
Get Involved Join our Events
Children with autism around the tri-state area are invited to participate in designing their own butterflies to be displayed at galleries and exhibitions around New York City. If you are part of a school or organization, you can request larger quantities of butterflies on the link below. All butterflies must be returned by March 6. Otherwise, we invite you to join us at one of our open sessions. Yun-Mo Ahn will be in New York City for the month of March working with various children on the spectrum creating butterflies. Please join us at one of our events open to the public. Also, you will be able to see the butterfly exhibits in person at multiple venues around NYC. Check back for updates on new locations.
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Location Brooklyn High School Join School Name Join School Name Join
Date Monday, March 12th Wednesday, March 15 Friday, March 14
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Artists
Yun-mo Ahn & Jacques Jarrige
Yun-Mo Ahn has been exploring painting and sculpture as a universal language for more than a decade. After graduating from Seoul’s Hong Ik University, he left his native Korea to study at The City University of New York and became−as a resident of a foreign country−increasingly interested in art as a medium of instant communication beyond cultural borders. Back in Korea, Yun-Mo Ahn’s preoccupation with the utopian dimension of iconic images as an instant means of communication was infused with a new sense of urgency when he began working with a small group of developmentally challenged children six years ago. Autism severely restricted their verbal skills, but their vivid, radiant drawings spoke eloquently of a rich interior world. Like many artists before him−Kandinsky and Picasso among them−Yun-Mo Ahn became fascinated by the children’s colorful and sophisticated creations. He embarked with his six young collaborators on an ambitious walking and exhibition tour, hoping for the “butterfly effect” of the large impact of a small event. And indeed, great acclaim met their work, as the experienced artist lent his sense of structure and order to the children’s exuberant paintings. The resulting wall installations are clearly related to his own works, which often display multiple emblems spread over a large surface
Jacques Jarrige initially studied architecture before turning to sculpture and also, eventually, to furniture design. The disciplines of architecture and sculpture overtly inform his delicate yet dimensionally territorial objects. The large screens of his most recent Meanders series exude the ephemeral quality of drawings while simultaneously defining the space around them, especially as they create airy enclosures. These objects have been created with an eye educated early on through the art of Derain and Vlaminck in his childhood home and later refined by examining the works of Moore and Calder as well as of Nakashima and Noll. Jarrige’s lean and agile lines embody a gestural approach translated into furniture with all the tension of an antelope ready to spring off. That kinetic quality is not only present in his actual mobiles, but also in pieces such as his tall secretaire and his multi-panel screens: all are carefully calibrated balancing acts, their will to movement barely contained.
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AFFINITIES
Reception 6PM to 9PM Tuesday, May 14th Sebastian + Barquet Gallery +1 212 488 2245 601 West 26th Street Suite 300, 3rd floor, New York, NY, 10001
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Gallerists and Curators Helena Barquet & Valerie Goodman are Pleased to Invite You to the Opening Exhibit of:
6PM to 8 PM, Monday, June 10, 2013 Valerie Goodman Gallery +1 212 348 2968 315 East 91st Street, New York, NY 10128 Dedicated book signing of the Jacques Jarrige collection catalogue, co-written by Jeannine Falino and Claudia Steinberg
AFFINITIES May 15-22 To Celebrate ICFF Featuring Coupled Design Installations of Contemporary and Period Master Works By:
Jacques Jarrige Gio Ponti Jean Royère Nakashima
Johnny Swing Donald Judd Charlotte Perriand
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August 29 – September 29, 2013 Il San, South Korea at Lotte Gallery The sculptural designs of Jacques Jarrige will also be featured at a Joint exhibit with artist Yu- Mo Ahn
RSVP: Courtney@GothamPR.com
Valerie Goodman Gallery 315 East 91st Street, New York, NY, 10128 +1 212 348 2968 www.valeriegoodmangallery.com
D i g i t a l In v i t a t i on | P r i n t In v i t a t i on s
DESIGN BY JAY YAO (JOSE CAMPOS III)
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Johnny Swing Donald Judd Charlotte Perriand
PHOTOGRAPHY BY KARIN KOHLBERG
Gio Ponti Jean Royère Nakashima
Jacques Jarrige
AFFINITIES
Reception 6PM to 9PM Tuesday, May 14th Sebastian + Barquet Gallery +1 212 488 2245 601 West 26th Street Suite 300, 3rd floor, New York, NY, 10001
2
Gallerists and Curators Helena Barquet & Valerie Goodman are Pleased to Invite You to the Opening Exhibit of:
6PM to 8 PM, Monday, June 10, 2013 Valerie Goodman Gallery +1 212 348 2968 315 East 91st Street, New York, NY 10128 Dedicated book signing of the Jacques Jarrige collection catalogue, co-written by Jeannine Falino and Claudia Steinberg
AFFINITIES May 15-22 To Celebrate ICFF Featuring Coupled Design Installations of Contemporary and Period Master Works By:
Jacques Jarrige Gio Ponti Jean Royère Nakashima
Johnny Swing Donald Judd Charlotte Perriand
3
August 29 – September 29, 2013 Il San, South Korea at Lotte Gallery The sculptural designs of Jacques Jarrige will also be featured at a Joint exhibit with artist Yu- Mo Ahn
RSVP: Courtney@GothamPR.com
Valerie Goodman Gallery 315 East 91st Street, New York, NY, 10128 +1 212 348 2968 www.valeriegoodmangallery.com
D i g i t a l In v i t a t i on | P r i n t In v i t a t i on s
DESIGN BY JAY YAO (JOSE CAMPOS III)
1
Johnny Swing Donald Judd Charlotte Perriand
PHOTOGRAPHY BY KARIN KOHLBERG
Gio Ponti Jean Royère Nakashima
Jacques Jarrige
V a l e r i e Goo d m a nG a l l e r y . com Website
Jacques Jarrige The Searching Line
Jacques Jarrige
Jacques Jarrige Torquemada side tables, 2009 Lacquered wood H: 29.5" (75 cm) L: 19.75" (50 cm) W: 15.75" ( 40cm)
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Cloud Cocktail tables, 2010 Lacquered wood or custom H: 15" (38 cm) L: 24" (61 cm) W: 15" (38 cm) H: 16.75 (42,5 cm): L: 35" (89 cm) W: 21" (53,3 cm) H: 17" (43 cm) L: 39" (99 cm) W: 19.5"(49,5 cm)
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The Searching Line Book Design Meander Mobile, 2012 Mobile Sculpture plywood H: 6'8" (207,25 cm) W: 9'6" (292 cm)
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La Bibliothèque, 2012 Plywood and custom finish H: 6'2" (189 cm) D: 18.5" (47 cm) W: 35" (89 cm)
©Garret Linn
©Garret Linn
Meander Armchair, 2011 Painted wood and natural hand-stitched leather H: 35" (89 cm) W: 23.5" (59,7 cm) D: 31" (78,75 cm)
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Little Mobiles, 2009 Found Wood, balanced mobile sculpture H: 31"(78,7 cm) D: 52" (132 cm) , H: 20" (51 cm) D:11" (28 cm) H: 20" ( 51 cm) D37" (94 cm)
J a cq u e s J a r r i g e Boo k
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Osselet, 2010 Stained or natural Wood H: 18"(45,72 cm) L: 13" (33 cm) W: 14.5" (35,8 cm)
Jacques Jarrige
in the moment by Jeannine Falino
Jacques Jarrige
his first exhibition at the gallery, his gilt Klimt lamp of 1991 was made of twisted wire, arranged in a tall, rather Klee-like construction, with twinkling bits of mirror here and there. The seemingly imbalanced appearance of Klimt and its playful arrangement of forms and textures were harbingers of what would become the core of Jarrige’s style.
Organic forms It was not long before Jarrige began to expand his notion of furniture-making beyond metalwork to include wood. By the mid-1990s he was making lush biomorphic forms, on which he lavished great energy, shaping them into subtle hollows and swells, lacquered and sometimes accented with gold leaf. For inspiration, in addition to the sculptors mentioned earlier, he looked to Alexandre Noll, the French master of the sensual and primordial in ebony and other rare woods, and an occasional maker of furniture. Since Jarrige had not formally studied furniture-making, however, he initially grappled with the techniques of the genre, the constructive means of achieving his ends. In this way he resembles American master Wendell Castle, who considers himself a sculptor who makes furniture; at the beginning of his career, Castle also lacked the basic skills of the craft. For both men, this dilemma had unexpected benefits, enabling them to think more broadly about the kind of forms that interested them before turning to the technical aspects of fabrication. As Jarrige recalls, it allowed him to view furniture with “fresh eyes.”5 Key to this unburdened approach was his choice of medium-density fiberboard (MDF) and plywood as his primary materials. The poverty of these materials had the benefit of freeing Jarrige from the classic constraints of furniture-making, allowing him to shape objects irrespective of wood grain or color and offering an opportunity to add layers or carve as he saw fit. His sculptural method is an exploration of positive and negative space, of solid and void, a reductive method that
in Jarrige’s hands yielded a palpable zoomorphic quality, whether one is looking at his dining tables and desks with their curvaceous, rounded edges and swelling legs, at case pieces such as Toro, a rather bullish fall-front secretary, or at a coffee table whose undulating edge resembles the sleekly muscled shoulders and hindquarters of a walking panther. Other pieces resemble primordial shapes, such as his compact, sculpted Osselet stool, which he produces in both MDF and solid wood. His Torquemada series, with its tremulous and slender, branchlike legs, offers the tensed energy of a dancer ready to leap on the stage. Perhaps most elegant is the standing lamp that Jarrige calls Leda, a supple form with a contraposto pose, a beckoning figure in abstraction. The surface effects of high-gloss paint, black lacquer, or French polish add to the sensuous nature of these forms. As with Leda, lighting has presented a different set of challenges and solutions for Jarrige. Early in his career, he developed cast-bronze table lamps that emulated stones randomly set upon one another. Moving toward a lighter profile, he created a hanging, basketlike lamp composed of metal strips loosely woven into an elongated shape. Since the mid-nineties, he has been working on a lively series
Jacques Jarrige
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meanders fiori disclosures presences
Jacques Jarrige
In the Moment
ŠNoelle Hoeppe
by Jeannine Falino
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Toro Coffee Table, 2010 Stained layered MDF or white lacquer or custom H: 17" (43 cm) L: 53" (134,6 cm) W: 32" (81,3 cm)
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New Museum Carsten Hรถller
Untitled (Slide), 2011
Giant Triple Mushrooms, 2010
This autumn, the New Museum will present the first New York survey exhibition of the work of the German artist Carsten Hรถller (b. 1961, Brussels, lives and works Stockholm). Over the past twenty years, Hรถller has created a world that is equal parts laboratory and test site, exploring such themes as childhood, safety, love, the future, Mirror Carousel 2005 and doubt. This autumn, the New Museum will present the first New York survey exhibition of the work of the German artist Carsten Hรถller (b. 1961, Brussels, lives and works Stockholm). Over the past twenty years, Hรถller has created a world that is equal parts laboratory and test site, exploring such themes as childhood, safety, love, the future, and doubt. Hรถller left his early career as a scientist in 1993 to devote himself exclusively to art making, and his work is often reminiscent of research experiments. His pieces are designed to explore the limits of human sensorial perception and logic through Untitled (Slide), 2011
carefully controlled participatory experiences.
2 S i d e d In v i t a t i on TR a n s f o r m s i n t o a Po s t e r 1 1 x 1 7 i nc h e s
Po s t e r TR a n s f o r m s i n t o 2 S i d e d In v i t a t i on 1 1 x 1 7 i nc h e s
Höller’s art has often taken the form of proposals for radical new ways of living. He has created sculptures and diagrams for visionary architecture and transportation alternatives, like his renowned slide installations and flying cities. These concepts may seem impossible in the present day, but suggest new models for the future. The artist’s proposals and structures invite the viewer to re-imagine the social and sensorial possibilities of domestic space. During the 1990s, Höller collaborated with
Over the past twenty years, Höller has created a world that is equal parts laboratory
artist Rosemarie Trockel to create structures shared between humans and animals
and test site, exploring such themes as childhood, safety, love, the future, and doubt.
such as pigs, birds, and mosquitoes, calling into question hierarchies of species and
Höller left his early career as a scientist in 1993 to devote himself exclusively to art
the roles of the observer and the observed. Recently, Höller has invited viewers to
making, and his work is often reminiscent of research experiments. His pieces are
share the exhibition space with a variety of creatures from reindeer to canaries to
designed to explore the limits of human sensorial perception and logic through
mice.
carefully controlled participatory experiences.
At the New Museum, viewers will be encouraged to test a variety of sculptural experiences. In Höller’s Psycho Tank (1999), visitors will float weightlessly in a sensory deprivation pool, providing a strange out-of-body experience. In these scenarios, as in his other work, Höller treats the viewer as the subject and audience for his radical and disorienting experiments.
Höller also has exhibited a variety of adapted amusement park rides, their speeds
such works, Höller invites us to reconsider the meanings of play and participation. In
slowed until they move almost imperceptibly. His Mirror Carousel (2005) provides riders
concert with his giant mushroom sculptures and hyperrealistic sculptures of animals,
with a radically different physical experience than the traditional fairground merry-go-
the artist creates a visionary world that hovers below the surface of what we
round, while at the same time reflecting and illuminating the space surrounding it. In
experience every day.
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