INTERNATIONAL ARTS MAGAZINE D ISSUE NO.5
HEART
RED
from the EDITOR
Dear HEART readers, a brand new year has just started and everybody is hoping that is going to be better. 2009 has been a tough one, with the economy paralyzed and all the problems that go with it; nevertheless, in 2009 our magazine “has seen the light� in late spring and since then we have published 4 numbers, always improving our standard. Now, in the beginning of this new year, our fifth issue wants to join this call for change and for positivity that is in the air: our RED issue is bigger than ever and comes with a new logo, new graphics, but without forgetting the spirit that has brought us till here! Inside it you will find, as always, wonderful clothes, beautiful girls, breathtaking locations, cutting-edge design and fresh talents; this time we take you to Spain, in the vibrant capital of Madrid, in one of the most interesting design hotels of the last years, the Silken Puerta America; then we fly back to Tallinn, with the creations of some of the most talked about estonian young designers. In our photography section, you will be literally rapt in a one-breath trip along the asian continent, where the only certainty is a red thread.. Still for an Asian city, Shanghai, is the exciting proposal for the danish pavilion of one of the top european offices, while next our curiosity moves back to Europe, where we learn how a suburban area of a metropolis like Paris can be improved by high quality architecture. Before our usual reports from around the world, we still have time for another tour through France, Italy and US to discover the creations of three talented visual artists. From the staff of HEART international arts magazine, we wish you all the best for this new year and even more, for the new decade! Enjoy! Davide De Visdomini (Editor in Chief)
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COVER PAGE MODEL: PANAMBÍ PHOTOGRAPHER: DAVIDE DE VISDOMINI
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FEATURED ARTISTS LILI BERNARD
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THE LONGEST WAVELENGHT OF LIGHT - RED PHOTOS BY DAVIDE DE VISDOMINI RED WINTER PHOTOS BY MARIN SILD THE PERFECT MATCH PHOTOS BY DAVIDE DE VISDOMINI
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ARCHITECTURE
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3D I-D 3XN ARCHITECTS BIG SCALE LEGO ECDM ARCHITECTS
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NEW BLOOD
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BEAUTIFUL DIRTY RICH JACKLYN LARYEA I FEEL YOU SABRINA BARUZZI SUITE ROUGE GABRIEL RIMBAULT
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ON THE PULSE
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LONDON BEAT TEXT BY DAVE CAMPBELL TALLINN BEAT TEXT BY MARIT MIHKLEPP
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CONTENTS
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BY MARIA VIIDALEPP.
L
SCENES ON CANVAS
LILI BERNARD
8 D FEATURED ARTISTS AFRO-CUBAN AMERICAN ARTIST
LILI
BERNARD’S
LIFE IS AS COLORFUL AS HER PAINTINGS. BEING ON A HIATUS FROM A SUCCESSFUL ACTING CAREER (GOLDEN YEARS, THE COSBY SHOW, SEINFELD) AND HAVING BECOME A MOTHER OF SIX, SHE CONTINUES PAINTING AT HER STUDIO IN CHINATOWN, LOS ANGELES. IN THIS INTERVIEW SHE SHARES HER THOUGHTS ABOUT HER WORK, LIFE, AND BEING A WOMAN. HEART: YOU’VE ALWAYS HAD TWO BIG PASSIONS IN YOUR LIFE – PAINTING AND ACTING? HAVE YOU ALWAYS THOUGHT OF YOURSELF MAINLY AS OF A PAINTER AND AN ACTOR OR ARE PAINTING AND ACTING JUST TWO WAYS AMONG MANY TO EXPRESS YOURSELF? LILI BERNARD: THAT’S A VERY GOOD QUESTION. I’VE ALWAYS THOUGHT OF MYSELF BOTH AS OF A PAINTER AND AN ACTOR. THERE HAVE BEEN, HOWEVER, TIMES IN MY LIFE WHEN I’VE FOCUSED MORE ON ONE MEDIUM THAN THE OTHER. FOR EXAMPLE, GIVING BIRTH TO SIX CHILDREN IN A TEN-YEAR SPAN DICTATED THAT I’VE HAD TO CONCENTRATE MORE ON PAINTING AND LESS ON ACTING FOR THE MERE REASON THAT IT WOULD BE DAUNTING OR AT LEAST CHALLENGING TO TRY TO GET TO AUDITIONS OR REHEARSALS ON TIME. PAINTING IS SOMETHING THAT I CAN DO WITH THE SIX CHILDREN AROUND ME. I NURSE THE BABY AT THE EASEL, WHILE I STROKE THE CANVAS,AND CAN INCORPORATE THE CHILDREN AND THEIR INDOOR ACTIVITIES INTO THE WORK ENVIRONMENT AT MY ART STUDIO. THE SAME COULD NOT BE TRUE, IF I WERE A REGULAR ON A TV SERIES, THOUGH I WOULD WELCOME THE WORK, OF COURSE! I’VE THEREFORE BEEN ON A HIATUS FROM ACTING PROFESSIONALLY FOR ABOUT ELEVEN YEARS. LATELY, I’VE INCORPORATED MY ACTING WITH MY PAINTING, THROUGH A MULTI-MEDIA WORK-IN-PROGRESS WHICH I CALL CEIBA DE CUBA. IT IS A YEARS-LONG PROJECT, IN AN EMBRYONIC STAGE, WHICH WEAVES TOGETHER MY PAINTINGS, POETRY, VIDEOGRAPHY, PLAYWRITING AND DRAMA INTO ONE ON-STAGE PERFORMANCE THAT TELLS STORIES WHICH REVOLVE AROUND MY BEING AN AFRO-CUBAN EXPATRIATE OF MIXED HERITAGE. WITH REGARD TO THE MEDIUM OR GENRE IN WHICH I’VE BEEN MOST PROLIFIC AND UPON WHICH MY SOUL DEPENDS MOST FOR ITS ARTISTIC EXPRESSION -- I WOULD HAVE TO SAY, IT’S PAINTING. I DEFINITELY FEEL THAT I WOULD LIT-
LILI BERNARD AT WORK WITH HER SIX CHILDREN
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www.lilibernard.com
ERALLY DIE IF I COULD NOT PAINT. I WOULD FIND A WAY TO CONTINUE PAINTING, EVEN IF I HAD NO SIGHT, GOD FORBID. I CANNOT SAY THE SAME FOR ACTING, THOUGH I LOVE THE CRAFT VERY DEEPLY. H: YOUR PAINTINGS ARE ALL VERY EXPRESSIVE, EMOTIONAL, AND INTIMATE: THEY TELL STORIES AND LOOK LIKE MOVIE SCENES. DO YOU THINK THAT YOUR BEING AN ACTRESS HAS INFLUENCED YOU A LOT AS A PAINTER? HAVE YOU EVER CONSIDERED WORKING AS A MOVIE DIRECTOR? LB: ABSOLUTELY! MY ACTING HAS IMPACTED MY PAINTING AND VICE VERSA. I WOULD LOVE TO DIRECT A MOVIE ONE DAY,THOUGH IT WOULD PROBABLY BE A GRASSROOTS NO-BUDGET PROJECT. I HAVE SOME CLOSE FRIENDS WHO ARE REAL PROFESSIONAL FILMMAKERS AND SO I’M FAMILIAR WITH ALL THE STEPS THEY HAD TO TAKE TO GET TO WHERE THEY ARE. I WOULDN’T PRETEND TO EVER BE ABLE TO DO WHAT THEY DO WITHOUT A LOT OF HARD WORK, PREPARATION AND EXPERIENCE OF WHICH I HAVE NONE. IN THE MEANTIME, I’VE BEEN HAVING FUN DIRECTING AND EDITING MY FRIENDS IN THE LITTLE VIGNETTES THAT I PUT TOGETHER FOR THE VIDEOGRAPHY IN CEIBA DE CUBA. H: YOU ARE AS CHARISMATIC AS THE MEXICAN ARTIST FRIDA KAHLO, IF YOU ALLOW ME THE COMPARISON. HAS SHE OR ANYONE ELSE INFLUENCED THE WAY YOU THINK ABOUT AND DO ART? LB: WOW! WHAT A COMPLIMENT! HOW FLATTERING! I LOVE FRIDA KAHLO. YES, SHE INSPIRES MY ART; I HAVE SEVERAL BOOKS ON HER AND HAVE LOOKED AT HER PAINTINGS FOR HOURS AT A TIME. HER WORK IS SO SINCERE AND VULNERABLE, YET POWERFUL. I ALSO HAVE A STRANGE RELATIONSHIP WITH FRIDA KAHLO’S BIOGRAPHICAL PORTRAITS, BECAUSE I HAVE BEEN SO PROLIFIC IN AN IMPORTANT ASPECT OF LIFE IN WHICH FRIDA KAHLO (TO HER PROFOUND CHAGRIN) WAS NOT – CHILDBIRTH. SO HER PAINTINGS SPEAK TO ME IN A MOST EMPATHETIC WAY. HOWEVER, TO TELL YOU THE TRUTH, THE ONES WHO HAVE INFLUENCED MOST THE WAY I THINK ABOUT AND DO ART ARE MY PARENTS AND MY CHILDREN. FROM A VERY EARLY AGE, MY MOM AND DAD HAVE ALWAYS NURTURED MY GIFT AND TO THIS DAY THEY CONTINUE TO INSPIRE MY WORK BY SHARING INFORMATION ABOUT MY ANCESTRY AND MY “CUBANISMO” WHICH FEEDS
10 D FEATURED ARTISTS MY ARTISTIC OUTPUT. MY CHILDREN ARE BY FAR MY GREATEST EARTHLY INSPIRATION AND MY BEST CRITICS WHEN IT COMES TO CREATING ART. I’VE ALSO BEEN INSPIRED BY THEIR OWN ARTISTIC WORK WHICH IS SO PURE AND UNINHIBITED. SPIRITUALLY, MY FATHER’S FATHER, ABUELO JOSÉ IS A GREAT INSPIRATION IN MY WORK. HE WAS A MAMBÍ, AN INSURGENT SOLDIER IN CUBA’S WAR OF INDEPENDENCE FROM SPAIN, A WAR CORRESPONDENT, AN AUTHOR AND A POET, AN EVANGELICAL PASTOR WHO STARTED AND RAN CHURCHES IN CUBA AND JAMAICA, AND A PAINTER. I DO BELIEVE THAT HIS SPIRIT PUTS PAINTINGS AND POETRY IN MY MIND WHILE I SLEEP. I AWAKE WITH IMAGES OF COMPLETED PAINTINGS IN MY HEAD OR LONG POEMS THAT I’VE COMMITTED TO MEMORY IN MY DREAMS. IT’S A REALLY EFFICIENT STEP IN PRODUCING ART, THROUGH MY DREAMS WHILE I SLEEP. IT BECOMES A MATTER OF EXECUTING THE IMAGES ON CANVAS OR TYPING THE POEMS INTO MY COMPUTER AND PERFORMING THE SPOKEN WORD ON STAGE. THE WORK THEN FLOWS OUT OF ME LIKE A WATERFALL, WITHOUT MY REALLY TRYING. I RACE WITH THE LIMITATIONS OF TIME AND WITH THE OBLIGATIONS OF PARENTING TO CREATE MY ART WHICH HAS ALREADY BEEN CREATED IN MY HEAD. H: YOU ARE MARRIED AND HAVE SIX (!) CHILDREN. HOW DO YOU MANAGE TO DIVIDE YOUR TIME BETWEEN BEING AN ARTIST AND BEING A WIFE AND MOTHER? LB: I DON’T SLEEP MUCH. THAT’S THE KEY! SOME TIMES, IN ONE WEEK, I PULL TWO ALL-NIGHTERS, WITH NIGHTS OF ONE OR TWO OR THREE HOURS OF SLEEP IN BETWEEN! THEN BY THE END OF THE WEEK, I FEEL LIKE I’M GOING TO DIE OF A HEARTATTACK AND I WILL SLEEP SIX OR EIGHT HOURS ON THAT NIGHT. AND IT REPEATS LIKE THAT, CYCLICALLY. ALTHOUGH I’VE BEEN OPERATING LIKE THAT FOR SEVERAL YEARS NOW, I KNOW THAT IT’S TRANSITORY, THAT IT WILL STOP WHEN MY CHILDREN ARE GROWN AND GONE. I KNOW THAT IF IT WEREN’T FOR THE RESPONSIBILITY, WHICH I RELISH, OF TAKING CARE OF MY SIX YOUNG CHILDREN DURING THE DAY; I WOULDN’T BE DOING THIS. I WOULDN’T BE SUFFERING LIKE THIS FOR MY ART -- NOR, HOWEVER, WOULD I BE PAINTING SO MUCH. MY CHILDREN TRULY DO IMPEL ME TO CREATE.THERE IS ALSO A REAL NEED TO ASSIST MY HUSBAND IN PROVIDING FOR OUR CHILDREN. THIS IS ALSO A MOTIVATION. THE SALES OF MY PAINTINGS HAVE HELPED WITH THAT. I WATCHED MY PARENTS
JUGGLE SIX CHILDREN AND THEIR CAREERS AND PROVIDE FOR US A WONDERFUL LIFE. MY PARENTS INSPIRE ME GREATLY TO TRY AND DO THE SAME, TO STAY TRUE TO MY ARTISTIC CAREER WHILE BEING A RESPONSIBLE PARENT WHO, ALONG WITH HER HUSBAND, PROVIDES FOR THE NEED OF HER CHILDREN. H: YOUR STUDIO IN CHINATOWN ALSO FUNCTIONS AS A NONPROFIT ART GALLERY CALLED HABLA UNDERGROUND WHICH FEATURES BESIDES YOUR OWN WORK ALSO THE WORK OF OTHER ARTISTS. COULD YOU TELL ME A BIT MORE ABOUT WHY YOU’VE CREATED THE GALLERY AND YOUR FUTURE PLANS WITH IT? LB: I CREATED HABLA (HARVESTING ASIAN BLACK LATINO ARTISTS), ALMOST THREE YEARS AGO BECAUSE IT HAD BECOME APPARENT TO ME THAT THERE IS A TERRIBLE DEARTH IN THE MAIN-STREAM ART WORLD OF ARTISTS OF COLOR AND OF ARTWORK IN GENERAL THAT REPRESENTS THEMES AND IMAGES OUTSIDE OF THE WHITE REALM. AT FIRST, THE PROGRAM REVOLVED AROUND YOUTH MENTORING. LAST SUMMER, I INCORPORATED AN ADULT ARTIST COLLABORATIVE. WE CALL OURSELVES HABLA UNDERGROUND, BECAUSE THE GALLERY WE OCCUPY IS LOCATED IN THE BASEMENT OF MY ART STUDIO. BEFORE, MY CHILDREN USED TO JUST PLAY IN THAT SPACE, NOW IT’S DEDICATED TO THE COLLABORATIVE. THE IDEA IN BRINGING ADULT ARTISTS TOGETHER IS TO SHARE WITH OTHER ARTISTS, REGARDLESS OF THEIR ETHNIC MAKEUP,THE PLATFORM THAT I HAVE ENJOYED FOR ALMOST THREE YEARS NOW, IN HAVING AN ART STUDIO LOCATED IN A PREMIER, WORLD-FAMOUS ART GALLERY DISTRICT. RATHER THAN COMPLAINING ABOUT THE SITUATION IN LACK OF REPRESENTATION FOR COLORED FOLK AND RATHER THAN TRYING TO CHASE DOWN GALLERIES, ART DEALERS OR MUSEUMS THAT ARE NOT INTERESTED IN REPRESENTING OUR WORK OR IN TAKING THE “RISK” IN DOING SO; WE HAVE CREATED OUR OWN PLATFORM, OUR OWN SHOWS, OUR OWN VEHICLE OF EXPOSURE. OUR COLLABORATIVE IS COMPRISED OF PEOPLE OF ALL ETHNICITIES, INCLUDING CAUCASIAN. WE WORK TOGETHER AS A FAMILY WITH A MUTUAL INTEREST IN GETTING OUR WORK OUT TO THE PUBLIC.
MARIA VIIDALEPP mariaviidalepp.wordpress.com
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HOMAGE TO MY AFRO-JAMAICAN ANCESTORS THIS PAINTING IS A EULOGY TO BOTH OF MY JAMAICAN GRANDMOTHERS’ FORBEARERS WHO WERE SOLD ON THE AUCTION BLOCK IN JAMAICA. I MADE THAT PAINTING IN JUST SIX HOURS, CRYING A LOT AND FEELING THE SPIRITS OF MY ANCESTORS IN THE ROOM WITH ME. I RELATED MOST PROFOUNDLY TO THE PREGNANT WOMAN ON THE BLOCK AND TRIED TO SHOW THE DIGNITY AND HOPE THAT MY ANCESTORS MAINTAINED, DESPITE THE ATTEMPT OF THEIR OPPRESSORS TO STRIP IT AWAY. I FEEL THAT I OWE A LOT TO MY ANCESTORS, THAT I AM THEIR DREAM COME TRUE. I DON’T WANT TO LET THEM DOWN, SO I KEEP TOILING AWAY THROUGH MY ARTISTIC EXPRESSION TO TRY AND HELP BRING ABOUT SOME POSITIVE CHANGE TO THE WORLD, IF I HUMBLY MAY, IN HOW EVER SMALL A WAY.
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CARNAVAL EN LA TROCHA IN THIS PAINTING I TRIED TO GRASP SOME OF THAT BEAUTIFUL SPIRIT OF THE AFRO-CUBAN PEOPLE ON THE ISLAND WHICH I LEFT AS A TODDLER – A SPIRIT THAT IS ILLUMINATED THROUGH THEIR MUSIC AND DANCE, THROUGH THE COLORS THAT THEY WEAR. THEIRS IS A JOY THAT RADIATES FROM DEEP WITHIN, DESPITE THE POVERTY SURROUNDING THEM AND THE GENERATIONS OF SUBJUGATION AND OPPRESSION FROM WHICH THEY SPRUNG AND WHICH THEY STILL ENDURE IN CUBA. THAT PAINTING IS ALSO FILLED WITH IMAGES OF SANTERIA, CUBA’S AFRO-CUBAN RELIGION, BORN OF THE YORUBA CULTURE, THE IFÁ RELIGION OF THE SLAVES, MIXED WITH THE CHRISTIANITY WHICH THE SLAVE MASTERS IMPOSED UPON THEM. I’M NOT INITIATED INTO THE RELIGION, BUT I’M DRAWN TO IT, AS A CHRISTIAN AND AS AN AFRO-CUBAN.
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ELIAS’S CHRIST THE STORY BEHIND ELIAS’S CHRIST IS ONE OF MY MOST SENSITIVE ONES. MY SON ELIAS HAS HELPED ME TO LOOK AT THE GLASS HALF FULL AS OPPOSED TO HALF EMPTY. WHEN HE FIRST LOST HIS HEARING IN HIS RIGHT EAR, AT THE AGE OF FOUR, FROM A VIRUS; I MOURNED THE LOSS TREMENDOUSLY. THE HEARING LOS WAS ACCOMPANIED WITH TEMPORARY UNILATERAL PARALYSIS OF THE FACE, WHICH WAS DEBILITATING FOR HIM. NOW, I AM JUST SO GRATEFUL THAT HIS FACE IS NO LONGER PARALYZED AND THAT HE CAN HEAR AT ALL, THAT HE CAN ENJOY THE SOUNDS THAT HE HEARS THROUGH HIS LEFT EAR, AND DANCE TO THEM, THAT HE IS ABLE TO SPEAK AND COMMUNICATE WELL, THAT HE IS HEALTHY AND STRONG, AND GROWING. IT HAS NOT BEEN A HINDRANCE FOR ELIAS IN HAVING HEARING IN ONLY ONE EAR. HE EXCELS IN ALL ASPECTS OF LIFE, INCLUDING ACADEMICS, SPORTS, MUSIC AND ART. THAT PAINTING IS VERY SPECIAL, BECAUSE WE CREATED IT TOGETHER, SHORTLY AFTER THE CRISIS. THE VERY SIMPLE AND BEAUTIFUL IMAGE OF CHRIST ON THE CROSS CAME TO ELIAS ON PAPER AND PENCIL, WHEN WE WERE IN CHURCH. LATER, AT HOME, I ELABORATED ELIAS’ IMAGE, BY ADDING COLOR AND SOME OTHER ASPECTS, BUT IT’S STILL HIS IMAGE, HIS VISION OF CHRIST. THAT’S WHY I CALL IT ELIAS’ CHRIST.
ERRATA CORRIGE: WE MISSED SOME INFORMATION FROM THE WATER ISSUE. IN THE ARTICLE OF TTHORAC AT THE PAGES 88-93 THE TEXT WAS WRITTEN ALSO BY MARIAGRAZIA GIORGIO. OUR DEEPEST APOLOGIES!
ENJOY.
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THE LONGEST WAVELENGHT OF LIGHT RED
PHOTOGRAPHED BY DAVIDE DE VISDOMINI
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DESIGNERS: KAI EICHEN - kai@kaieichen.com - www.kaieichen.com KIRILL SAFONOV - kirilldesign@hot.ee STELLE SIMONLATSER - stelle83@gmail.com PHOTOGRAPHY: DAVIDE DE VISDOMINI www.davidedevisdomini.com davide@davidedevisdomini.com STYLE: KAI EICHEN kai@kaieichen.com MAKE-UP: RISTO PILLAROO ristopillaroo@gmail.com HAIR: RAIMO SUVISTE raimo79@hot.ee MODEL: RAILI
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RED WINTER CLOTHES BY XENIA JOOST PHOTOGRAPHY BY MARIN SILD
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DESIGNER: XENIA JOOST www.xeniajoost.com/xenia_joost_collections.html PHOTOGRAPHY: MARIN SILD MAKE-UP AND HAIR: KLARIKA SILD MODEL: ANNELLI JOONAS (E.M.A. TALLINN) www.ema.ee
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“One bea
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autiful April morning, I walked past the 100% perfect girl.”
PERFECT MATCH FREELY INSPIRED BY “100% PERFECT GIRL” BY HARUKI MURAKAMI PHOTOGRAPHY BY DAVIDE DE VISDOMINI
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THESE PAGES: PANAMBÍ WEARS DRESS BY ALMA AGUILAR. SHOES MODEL´S OWN
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THIS PAGE: PANAMBÍ WEARS DRESS BY ALMA AGUILAR. SHOES MODEL´S OWN
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“What a wonderful thing it is to find and be found by your 100% perfect other.”
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“It’s a miracle, a cosmic miracle”
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“After talking, we’d have lunch somewhere, maybe see a Woody Allen movie, stop by a hotel bar for cocktails. With any kind of luck, we might end up in bed ”
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DESIGNERS: ALMA AGUILAR - www.almaaguilar.com ANJARA - www.anjara.com AINO SIIDILABOR PHOTOGRAPHY: DAVIDE DE VISDOMINI www.davidedevisdomini.com davide@davidedevisdomini.com STYLING: PANAMBÍ MARTINEZ martinez.panambi@gmail.com MODELS: PANAMBÍ martinez.panambi@gmail.com RICARDO - www.flickr.com/nadainventado rgh.rgh@hotmail.com QUOTES FROM “100% PERFECT GIRL” BY HARUKI MURAKAMI ROOM INTERIOR BY ARATA ISOZAKI SHOT ON LOCATION AT THE PUERTA AMERICA HOTEL, MADRID, SPAIN www.hoteles-silken.com/hotel-puerta-america-madrid
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“As they sat and talked, however, a tiny, tiny sliver of doubt took root in their hearts: Was it really all right for one’s dreams to come true so easily?”
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But the glow of their memories was far too weak, and their thoughts no longer had the clarity of fouteen years earlier. Without a word, they passed each other, disappearing into the crowd. Forever.
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A sad story, don’t you think?
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Yes, that’s it, that is what I should have said to her.
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A JOURNEY THROUGH IMAGES IN THE HIDDEN CORNERS OF THE ASIAN CONTINENT PHOTOGRAPHY BY OTT KADARIK
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SHANGHAI EXPO 2010
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THE PROPOSAL FROM 3XN ARCHITECTS FOR THE DANISH PAVILLION AT THE 2010 SHANGHAI WORLD EXPO STANDS OUT FOR ITS CLARITY AND ITS CUTTING EDGE DESIGN 3XN ARCHITECTS
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EXTERIOR VIEW
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THE FLAG BY 3XN
OUR PROPOSAL FOR THE DANISH PAVILION AT EXPO 2010 IS EASILY RECOGNISABLE FROM A DISTANCE. WITH ITS TWO COLOURS – WHITE AND RED – AND SIMPLE RECTANGLES, DANNEBROG SAYS DENMARK MORE CLEARLY THAN ANY OTHER IMAGE OR SYMBOL. WORLD FAIRS HAVE ALWAYS BEEN AN OPPORTUNITY TO HOIST OUR FLAG – AND A CHANCE TO DISPLAY OUR SKILLS AND DARING IN TECHNOLOGY, RESEARCH, INDUSTRY AND CULTURE. AN EXHIBITION WINDOW IS AN INVITATION THAT SAYS: WELCOME INSIDE A LITTLE PIECE OF DENMARK. AND IN 2010, IN THE AGE OF GLOBALISATION, IT IS IMPORTANT TO ADD: WELCOME TO A DENMARK THAT IS PART OF THE WORLD. AS YOU GET CLOSER, YOU REALISE THAT THE FLAG IS THE BUILDING ITSELF. THE PAVILION IS IN THE SHAPE OF THE DANISH FLAG ON ALL SIDES – ALSO TOP AND BOTTOM. THE FOUR RED RECTANGULAR FIELDS, THUS, FORM EIGHT BLOCKS AND THE WHITE IN THE FLAG CAN BE OPENED IN BOTH DIRECTIONS TO FORM AN INNER SQUARE OR URBAN SPACE AT THE HEART OF THE BUILDING. THE TOTAL VOLUME IS TILTED SLIGHTLY TO ONE SIDE, AND EMPHASISED IN STRATEGIC PLACES, THUS CREATING AN ENTRANCE AND AN EXIT THAT PROVIDES SHELTER FROM THE RAIN AND SHADE ON SUNNY DAYS. THE ENTIRE CONCEPT FOR THE DANISH PAVILION IS BUILT UP AROUND THE VISION BEHIND THE FOUR SPECIAL FOCUS AREAS IN THE DANISH COMMUNICATION PLATFORM DESCRIBED IN THE DANISH MINISTRY OF ECONOMIC AND BUSINESS AFFAIRS’ ACTION PLAN FOR THE GLOBAL MARKETING OF DENMARK: DENMARK AS RESPONSIBLE AND BALANCED, WITH A FOCUS ON HIGH QUALITY, EXPERIMENTAL AND COURAGEOUS, AND CHARACTERISED BY ENVIRONMENTAL AWARENESS, SIMPLICITY AND EFFICIENCY.THE FOUR CHARACTERISTICS ARE REFLECTED MORE SPECIFICALLY IN THE FOUR RED RECTANGLES OF THE FLAG – AND THUS IN THE BUILDING ITSELF.
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PROJECT: THE FLAG (PROPOSAL FOR THE DANISH PAVILLION AT THE 2010 LOCATION: SHANGHAI, CHINA ARCHITECTS: 3XN ARCHITECTS
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ALL IMAGES COURTESY OF 3XN ARCHITECTS
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THIAIS, FRANCE
BIG SCALE LEGO THIS ADMINISTRATIVE CENTER FOR THE PARIS TRANSPORT AUTHORITY IS A WONDERFUL EXAMPLE OF HOW ARCHITECTURE CAN IMPROVE THE IMAGE OF SUBURBAN AREAS ECDM ARCHITECTS
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LOCATED IN THE SOUTHERN SUBURBAN AREA OF PARIS ALONG WIDE BOULEVARDS AND ROADWAY INTERCHANGES, IN AN INDUSTRIAL LANDSCAPE CHARACTERISED BY A SUCCESSION OF BOXES (AT BEST BASIC), THE RATP BUS CENTRE IN THIAIS CONTROLS ALL THE BUS LINES OF THE SOUTH AND EAST OF PARIS. THE CENTRE ACCOMMODATES 300 BUSES. 800 BUS DRIVERS PASS THROUGH THE BUILDING EVERY DAY, INCLUDING THE ADMINISTRATIVE, THE SECURITY AND THE MAINTENANCE STAFFS WHICH MANAGE THE BUS CENTRE. ITÍS A FLUX BUILDING. IN THIS FUZZY TERRITORY, ONLY ONE FEDERATING ELEMENT CAN BE POINTED OUT: THE 100 % INORGANIC GROUND OF THE SITE - A MIX OF ASPHALT AND CONCRETE. SO, WE REDUCED THE SITE TO ITS PRIMARY FUNCTION: A BUS PARK, A VAST MONOLITHIC SLAB, UNIFORM MINERAL TERRITORY. THE EXISTING CONCRETE CRUST THAT COVERS THE EVOLUTION AREA OF THE BUSES IS DISTORTED, MODELED TO COVER THE ADMINISTRATIVE CENTER. THE BUILDING STARTS WITH THE DEFORMATION OF THE GROUND AND CONTINUES IT WITH AN APPARENTLY SIMILAR MATERIAL, A SHEET OF ULTRA HIGH PERFORMANCE CONCRETE, PARADOXICAL AND SUPERLATIVE, 3 CM THICK DISPLAYING A NON SLIPPERY TEXTURE OF DOTS IN RELIEF LIKE A GAME OF “LEGO” (24 MM DIAMETER X 7 MM HIGH, DISTANT OF 12 MM) CONTRIBUTING TO A KINETIC MORPHING WHICH RESPONDS TO VERY SOPHISTICATED DEMANDS : INFORMALITY OF THE STRUCTURE, CONSTANT EVOLUTION OF THE
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PLANS, DENSITY, HOMOGENEITY, DEMATERIALIZATION, PRECISION, DURABILITY TOWARDS EMPHASIZED CONSTRAINTS. IT ENSURES A CONTINUITY OF THE GROUND FROM THE ROAD, TO THE SKIN OF THE FAÁADES, THE SUSPENDED CEILINGS AND THE TERRACE ROOFTOP WITHOUT ANY RUPTURE, PROPOSING A MERGING BETWEEN THE BUILDING AND ITS SUPPORT TO A POINT OF CONFUSION.THE BUILDING HAS NEITHER A BEGINNING NOR AN END. THE PLASTICITY OF THE MATERIAL COMBINED WITH ITS MECHANICAL PERFORMANCE INDUCES AN ÌALLOVERÎ APPROPRIATE TO A MULTIPLICITY OF USES AND MAXIMIZED SOLICITATIONS, POSSIBLY OPENED TO A NON-CONTROL OF THE LIMITS AND THE USES. THE BUILDING APPEARS LIKE A MONOLITH WITH ROUNDED EDGES, POLISHED SOMEHOW, REQUIRED HERE AS A MORPHING OF THE CONTEXT TO COVER THE CARCASS OF A COMPOSITE PROGRAM. THE RESULT IS A DENSE, INERT AND DEAF BUILDING, AS ENIGMATIC AS ÌTHE HULL OF A RUSSIAN SUBMARINE IN THE WATERS OF MURMANSKÎ. THE CONCRETE HULL IS CUT OUT WITH A STANLEY KNIFE, SURGICAL INCISIONS REVEALING CAVITIES OF REFLECTIVE AND COLOURED GLASS. TREATED WITH SILVER MIRROR DOTS, CHROMATICS OF THE GLASS PRODUCTS ARE INSPIRED BY THE TINTED CURTAIN WALL FRONTAGES OF THE ÌOFFICEÎ BUILDINGS WHICH BORDER THE MAIN ROAD. ASIDE THE ADMINISTRATIVE BUILDING, THE PROGRAM ALSO INCLUDES THE REALIZATION OF A NEW CHECKPOINT OF THE CENTRE AND A BIKES SHELTER.
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RATP BUS CENTRE IN THIAIS (FRANCE-94) CLIENT: RATP (RÈGIE AUTONOME DES TRANSPORTS PARISIENS) CLIENT DELEGATE: SEDP ARCHITECTS: EMMANUEL COMBAREL DOMINIQUE MARREC ARCHITECTS (ECDM) ENGINEERING: BETOM - SIT MAIN CONTRACTORS: DUTHEIL Ñ BETSINOR (PREFAB Ñ CONCRETE) LABASETERE (ALUMINUM WINDOWS, METALWORK) PHOTOGRAPHERS: BENOIT FOUGEIROL Ñ PHILIPPE RUAULT PROGRAM : ADMINISTRATIVE BUILDING LOCATION: THIAIS (FRANCE) ADDRESS: 12-14 RUE DU BAS-MARIN 94 THIAIS SITE AREA: 3.5 HA GROSS FLOOR AREA HON: 35 X 35 M Ñ 2 450 M≤ BUILDING SCALE: 2 STORIES ELEVATED ON A TECHNICAL BASEMENT BUILDING PERMIT: 2003, DECEMBER 2 COMPLETION: 2007, JUNE 27 COST: 3 540 000 Ä HT www.combarel-marrec.com
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COMA
I FEEL YOU
by SABRINA BARUZZI
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by GABRIEL RIMBAULT
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ON the PULSE
ARTS POP LIFE: ART IN A MATERIAL WORLD
ANDY WARHOL CLAIMED “GOOD BUSINESS IS THE BEST ART.” TATE MODERN BRINGS TOGETHER ARTISTS FROM THE 1980S ONWARDS WHO HAVE EMBRACED COMMERCE AND THE MASS MEDIA TO BUILD THEIR OWN ‘BRANDS’. POP LIFE INCLUDES ANDY WARHOL, DAMIEN HIRST, JEFF KOONS, TAKASHI MURAKAMI AND MORE. DATE: UNTIL 27 JANUARY 2010 PLACE: TATE MODERN, BANKSIDE, SE1 9TG PRICES: ADULT £12.50
WEBSITE: www.tate.org.uk/modern
BEATLES TO BOWIE: THE 60’S EXPOSED
THIS MAJOR EXHIBITION EXPLORES THE LEADING POP MUSIC PERSONALITIES WHO HELPED CREATE ‘SWINGING LONDON’ IN THE 1960S. OVER 150 PHOTOGRAPHS, TOGETHER WITH A RANGE OF MEMORABILIA, ILLUSTRATE HOW THE PHOTOGRAPHIC IMAGE, MUSIC AND PERFORMANCE MADE THESE POPSTARS THE LEADING ICONS OF THEIR TIME. DATE: UNTIL 24 JANUARY 2010 PLACE: NATIONAL PORTRAIT GALLERY, ST MARTIN’S PLACE, WC2H 0HE PRICE: ADULT £11.00
WEBSITE: www.npg.org.uk
BRIT INSURANCE DESIGNS OF THE YEAR 2010
NOW IN THEIR THIRD YEAR, THE BRIT INSURANCE DESIGNS AWARDS HAVE BECOME ESTABLISHED AS LEADING DESIGN AWARDS SHOWCASING THE MOST INNOVATIVE AND FORWARD THINKING DESIGNS FROM AROUND THE WORLD. LAST YEAR’S WINNER, THE UNOFFICIAL BARACK OBAMA POSTER CAMPAIGN BY SHEPARD FAIREY, DEMONSTRATED THE POWER THAT DESIGN CAN HAVE EVEN FROM GRASS-ROOT LEVEL. WHICH DESIGN WILL TRIUMPH IN 2010? THE NEW 100 STRONG SHORTLIST WILL BE ON DISPLAY IN THE EXHIBITION, MANY FOR THE FIRST TIME. DATE: 17 FEBRUARY - 6 JUNE 2010 PLACE: DESIGN MUSEUM, SHAD THAMES, SE1 2YD PRICE: ADULTS £8.50
WEBSITE: www.designmuseum.org
ICE-SKATING IN LONDON HAMPTON COURT PALACE ICE RINK
SET IN FRONT OF HENRY VIII’S PICTURESQUE OLD PAD, THIS 900-SQUARE-METRE RINK HAS SPACE FOR 250 SKATERS. DATE: UNTIL 10 JANUARY 2010 PLACE: HAMPTON COURT PALACE, SURREY, EAST MOSELEY, KT8 9AU
WEBSITE: www.hamptoncourticerink.com CANARY WHARF ICE RINK
IN A SPOT SURROUNDED BY VERTIGINOUS TOWERS, SKATERS CAN GLIDE SERENELY ACROSS THE ICE, DOWN A DRAM IN THE RINKSIDE MOOSE BAR OR JUST WATCH THE ACTION FROM THE VIEWING GALLERY. THE RINK IS LOCATED NEXT TO THE NEW PARK PAVILION WHICH HOUSES BARS AND RESTAURANTS. DATE: UNTIL 21 FEBRUARY 2010 PLACE: CANARY WHARF, CANADA SQUARE PARK, ISLE OF DOGS, E14 5AX
WEBSITE: www.canarywharficerink.com SOMERSET HOUSE ICE RINK
THE GRAND EIGHTEENTH-CENTURY COURTYARD AT SOMERSET HOUSE PROVIDES ONE OF THE MOST IMPRESSIVE SKATING BACKDROPS IN TOWN. DATE: UNTIL 24 JANUARY 2010 PLACE: SOMERSET HOUSE, THE STRAND, WC2R 1LA
WEBSITE: www.somersethouse.org.uk
LONDON BEA INFO BROUGHT TO YOU BY DAVE CAMPBELL @LONDON.UK
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FILM DOCPOINT TALLINN
FOR THE FIRST TIME DOCUMENTARY FESTIVAL „DOCPOINT TALLINN” IS ORGANISED IN COOPERATION WITH HELSINGI. THE MAIN IDEA IS TO INTRODUCE THE BEST LOCAL AND INTERNATIONAL SOCIAL DOCUMENTARIES. OPENING MOVIE IS GOING TO BE „CUBATON” WHICH SHOWS THE HOT SPOTS OF CUBA THROUGH THE EYES OF A MUSICIAN EDUCATED AS A DOCTOR. DATE: FROM 29TH OF JANUARY FROM 31ST OF JANUARY PLACE: KUMU ART MUSEUM, WEIZENBERGI 34/VALGE 1; CINEMA ARTIS (SOLARIS), ESTONIA PST 9 OPENING HOURS: FROM WEBSITE ADMISSION: 25 EEK
WEBSITE: www.docpoint.info/en/node/977
ART KNOW HOW
KNOW HOW DESIGN EXHIBITION AND THE THEME OF THE FIFTH TALLINN APPLIED ART TRIENNIAL, WILL CHALLENGE PARTICIPANTS TO CAST ASIDE ARTIST-, DESIGNER- AND PRODUCERCENTRED APPROACHES, TO SHARE THEIR PROFESSIONAL KNOW-HOW, AND TO OFFER EXHIBITION VISITORS AN OPPORTUNITY TO (RE-)CREATE THE ITEMS THEMSELVES. DATE: UNTIL 21ST OF FEBRUARY PLACE: ESTONIAN MUSEUM OF APPLIED ART AND DESIGN (LAI 17, TALLINN) OPENING HOURS: BEGINNING AT 19.30 ADMISSION: FREE OF CHARGE
WEBSITE: www.saal.ee LIGHT FESTIVAL
LIGHT FESTIVAL CONTINUES THE TRADITION OF CREATING A POSSIBILITY TO ART PROJECTS IN THE DARKEST TIME OF ESTONIA. PEOPLE CAN EXPERIENCE LIGHT INSTALLATIONS, STORYTELLERS, LECTURES, ACTUAL WARMTH OF CHRISTMAS TREES, FIRE SCULPTURES. DATE: UNTIL 30TH OF JANUARY PLACE: VARIOUS OPENING HOURS: VARIOUS ADMISSION: FREE OF CHARGE
WEBSITE: www.valgusfestival.ee/2010 IF WALKING IN THE OLD TOWN AND VISITING GALLERIES IS A BIT DULL THEN ONE COULD GO TO YOUNG ARTISTS AND DESIGNERS ATELIERS IN CULTURE FACTORY POLYMER (ÜLASE 16, MADARA 22): www.kultuuritehas.ee/residency AND DON´T FORGET TO STOP BY IN SSSPRINT STUDIO (TATARI 14), WHERE YOU COULD FIND CUTE PRESENTS AS LOCAL DESIGN PIECES AND MIRACULOUS MUSIC.
MUSIC JAZZ CLUB
ON FRIDAYS JAZZ CLUB WILL INVITE PEOPLE TO THE RED CAFÉ. IN INTIMATE SPACE AUDIBLE BOUNDARIES ARE CAREFULLY EXPLORED BY VARIOUS LOCAL AND INTERNATIONAL MUSICIANS. DATE: 8TH OF JANUARY WINDPOWER, 15TH OF JANUARY VILJANDI GUITAR TRIO FEAT. ROBERT JÜRJENDAL, 22ND OF JANUARY TANEL RUBEN & VICTORIA (BIRTHDAY CONCERT), 29TH OF JANUARY LIINA SAAR GROUP (ESTONIA-FINLAND-ICELAND) PLACE: NO99 JAZZ CLUB, SAKALA 3 OPENING HOURS: BEGINNING AT 21.30 ADMISSION: 75/50 EEK
WEBSITE: www.jazz.ee/index.php?page=events&date=2010-1-8
IMPROVISATION AND PLAYING ARE THE KEYWORDS IN IMPROTEST, WHERE ELEONORA KAMPE (SOUND ARTIST AND VOICE) AND KALLE TIKAS (IMPROVISATION AND GUITAR). THEY PUT THEMSELVES INTO SITUATIONS THEY´VE NEVER BEEN BEFORE AND IT´S WORTH LISTENING. DATE: 15TH OF JANUARY PLACE: KANUTI GILDI SAAL, PIKK 20 OPENING HOURS: BEGINNING AT 19.30 ADMISSION: 70/120 EEK
WEBSITE: www.saal.ee
DANCE MIHKEL ERNITS
MIHKEL ERNITS (A FREELANCE CHOREOGRAPHER) AND HIS PIECE „BODYSNATCHERS” TAKES THE SPECTATORS INTO A PARALLEL WORLD WITH ITS SURREAL CHARACTERS, SCAFFOLDING CAGE AND FANCIFUL STORY. CHOREOGRAPHY IS PHYSICAL AND USES ACROBATIC TECHNIQUES. DATE: 21ST, 22ND, 23RD, 27TH AND 28TH OF JANUARY PLACE: KANUTI GILDI SAAL, PIKK 20 OPENING HOURS: BEGINNING AT 19.30 ADMISSION: 70/120 EEK
WEBSITE: www.saal.ee SPEAKING THEIR MINDS
“SPEAKING THEIR MINDS!” IS A DISCUSSION SERIES WHERE TWO PEOPLE (FROM FIELDS NOT NECESSARILY RELATED TO DANCE) TALK ABOUT HOW THEY LOOK AT DANCE. WHAT KIND OF MENTAL CONNECTIONS DO THEY HAVE WITH DANCE? WHAT THE HECK IS THIS THING CALLED DANCE ANYWAY? HOW TO TALK ABOUT IT AND WHAT WORDS TO USE? (LECTURES ARE IN ESTONIAN) DATE: 26TH OF JANUARY PLACE: KANUTI GILDI SAAL, PIKK 20 OPENING HOURS: BEGINNING AT 19.30 ADMISSION: FREE OF CHARGE
WEBSITE: www.saal.ee
INFO BROUGHT TO YOU BY MARIT MIHKLEPP @TALLINN.EE
TALLINN BEA
IMPROTEST
EDITORS IN CHIEF:
DAVIDE DE VISDOMINI
- FASHION EDITOR: KAI EICHEN; PHOTOGRAPHY EDITOR: DAVE CAMPBELL; AR - FASHION EDITOR: KAI EICHEN; PHOTOGRAPHY EDITOR: DAVE CAMPBELL; AR REPORTER FROM LOS ANGELES: VIIDALEPP; REPORTER NEW YOR -REPORTER FASHION EDITOR: KAI EICHEN;MARIA PHOTOGRAPHY EDITOR: DAVEFROM CAMPBELL; AR FROM LOS ANGELES: MARIA VIIDALEPP; REPORTER FROM NEW YOR -CAMPBELL; FASHION EDITOR: KAI EICHEN; PHOTOGRAPHY EDITOR: DAVE CAMPBELL; AR REPORTER FROM BARCELONA: DAVIDE DE VISDOMINI; BRAND MA REPORTER FROM LOS ANGELES: MARIA VIIDALEPP; REPORTER FROM NEW YOR -CAMPBELL; FASHION EDITOR: KAI EICHEN; PHOTOGRAPHY EDITOR: DAVE CAMPBELL; AR REPORTER FROM BARCELONA: DAVIDE DE VISDOMINI; BRAND MA REPORTER FROM LOS ANGELES: MARIA VIIDALEPP; REPORTER FROM NEW -YOR TALLINN: MARIT MIHKLEPP; REPORTER FROM TOKIO: AYANA KOBAYASHI CAMPBELL; REPORTER FROM BARCELONA: DAVIDE DE VISDOMINI; BRAND MA REPORTER FROM LOS ANGELES: MARIA VIIDALEPP; REPORTER FROM NEW -YOR TALLINN: MARIT MIHKLEPP; FROM TOKIO: AYANA KOBAYASHI CAMPBELL; REPORTER FROM REPORTER BARCELONA: DAVIDE DE VISDOMINI; BRAND TALLINN: MARIT MIHKLEPP; REPORTER FROM TOKIO: AYANA KOBAYASHI -MA CAMPBELL; REPORTER FROM BARCELONA: DAVIDE DE VISDOMINI; BRAND TALLINN: MARIT MIHKLEPP; REPORTER FROM TOKIO: AYANA KOBAYASHI -MA TALLINN: MARIT MIHKLEPP; REPORTER FROM TOKIO: AYANA KOBAYASHI -
KAI EICHEN
DAVE C AM
PBELL
RCHITECTURE EDITORS: DAVIDE DE VISDOMINI - PHILIP TIDWELL; RCHITECTURE EDITORS: DAVIDE DE VISDOMINI - PHILIP TIDWELL; RK AND BERLIN: VERONIKA BJARSCH; REPORTER FROM LONDON: RCHITECTURE EDITORS: DAVIDE DE VISDOMINI - PHILIP TIDWELL;DAVE RK AND BERLIN: VERONIKA BJARSCH; REPORTER FROM LONDON: DAVE RCHITECTURE EDITORS: DAVIDE DE VISDOMINI PHILIP TIDWELL; ANAGER AND REPORTER FROM BOLOGNA: MARCO SILVERII; REPORTER RK AND BERLIN: VERONIKA BJARSCH; REPORTER FROM LONDON: DAVEFROM RCHITECTURE EDITORS: DAVIDE DE VISDOMINI PHILIP TIDWELL; ANAGER AND REPORTER FROM BOLOGNA: MARCO FROM SILVERII; REPORTER RK AND BERLIN: VERONIKA BJARSCH; REPORTER LONDON: DAVEFROM ANAGER AND REPORTER FROM BOLOGNA: MARCO FROM SILVERII; REPORTER RK AND BERLIN: VERONIKA BJARSCH; REPORTER LONDON: DAVEFROM ANAGER AND REPORTER FROM BOLOGNA: MARCO SILVERII; REPORTER FROM ANAGER AND REPORTER FROM BOLOGNA: MARCO SILVERII; REPORTER FROM
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