Beat 1703

Editorial Note

EDITOR Lucas Radbourne

ASSISTANT EDITORS  Sidonie Bird de la Coeur Talia Rinaldo

STAFF WRITER Kaya Martin

GRAPHIC DESIGNER Nathan Mossop GIG GUIDE

Jacob Colliver

CONTRIBUTORS

Ben Lamb, Bryget Chrisfield, Bridget McArthur, Fred Carlyle, Joanne Brookfield, Jacob McCormack, Kosa Monteith, Tammy Walters, Zachary Sanderson, Andy Brewer, Andrew Handley FOR

In December, we’re packing them in like sardines. Our cover stars are Spacey Jane, who’ll be playing Falls Festival’s one-off Melbourne CBD spectacular this New Year’s Eve. We also speak to Yothu Yindi, who’ll be headlining BLAKTIVISM at Hamer Hall, as well as a little festival called Meredith that you mighta heard of. We chat to Dry Cleaning, Ty Segall, Telenova, Lipstereo, Smoke Stack Rhino, Shannon Cannon and recount wall stories with one of Melbourne’s most infamous graffiti artists.

We also preview Live at the Bowl and all of its amazing events coming to Melbourne this summer, one of which - Midsumma Festival - we have a separate celebration of in this month’s mag. We also have our regular guides to the best festivals, theatre productions and art exhibitions happening across the city this month. Plus, we even have a gift guide. Merry Christmas, ya filthy animals.

Acknowledgement of Traditional Owners

Our magazine is published on the lands of the Bunurong Boon Wurrung and Wurundjeri Woi Wurrung peoples of the Eastern Kulin Nation, and we wish to acknowledge them as Traditional Owners. We pay our respects to their elders, past, present and emerging.

SOCIALS

DISTRIBUTION

Beat Mag will be distributed free every month to hundreds of locations around metro Melbourne, to enquire about having it at your venue email distribution@furstmedia.com.au

COVER

Our December cover stars are Spacey Jane, photographed by Sam Hendel

It’s our last issue for 2022 and maybe our last issue ever, if Elon Musk’s proposed takeover goes through (we have a pretty lofty asking price of $10 and a bag of hot chips). News that Neighbours is returning to TV has ruined 2023 already, but you can keep reading us online over New Year’s regardless. Don’t worry about our skeleton holiday editorial staff either - we run a pretty tight ship over here at Bear Magazine.

Meet St Kilda’s brand new entertainment venue, The Palace Foreshore Set against the backdrop of Port Phillip Bay, St Kilda’s new Palace Foreshore outdoor entertainment venue is prepar ing for a red-hot summer of live music. With the capacity to host up to 5,000 people, the venue will play host to music fans across the country in celebration of incredible musical talent.

Section 8 is putting on a six-month-long event series showcasing Melbourne’s diverse art forms

Taking place on the second Sunday of each month, Section 8 will ride the city through a balmy summer through a collection of sampling, breaking, MCing, DJing and beatboxing - all showcasing the dynamic creative communities of Melbourne.

Australia’s favourite outdoor cinema, Moonlight Cinema, returns to Melbourne for the summer Australia’s favourite outdoor cinema is back for its 27th summer season with an incredible lineup of new release movies, preview screenings and fan favourites. It will return to its home at the Royal Botanic Gardens Victoria from December 1.

The Summer Night Market is set to return to Queen Vic Market this month

Make the most of these upcoming long summer nights with more than 125 shops, stalls and bars to explore: the iconic Summer Night Market will return to Queen Victoria Market for a 15-week season until March 15.

Big Scary, Hatchie, The Merindas and Chris Cheney to perform at Palais Theatre’s unique Onstage series

Melbourne’s iconic Palais Theatre is putting on a couple of super unique gigs that will see the audience and band on the venue’s iconic stage together in January next year, featuring Chris Cheney, The Merindas, Big Scary, Hatchie and more.

The Rocky Horror Show is coming to Melbourne with Jason Donovan, Myf Warhurst

A brand-new Australian tour will kick off global celebrations in honour of the iconic Rock ‘N’ Roll musical The Rocky Horror Show as it marks its 50th Anniversary in 2023 at Melbourne’s Athenaeum Theatre in May 2023.

Us And All Of This:

Melbourne’s

new

Cirque

Du

Soleil returns in 2023 with acrobatics on ice

From trapeze, banquine and pendular poles, the new performance CRYSTAL from Cirque Du Soleil adds ice-skating to their famously unorthodox repertoire. It

100-person

public dance wants you to be involved

A sculptural and meditative public dance work is coming to Arts Centre Melbourne on March 11 next year and the organisers are looking for up to 100 local participants for this gentle, improvisational dance. If you’re willing and curious, no dancing experience is necessary.

Melbourne Music Week and Knowledge Week are combining into one mammoth new festival

A major new festival is coming to Melbourne in August 2023, taking the best bits of Melbourne Music Week and Melbourne Knowledge Week, in what’s sure to heat up your winter imaginations.

Gang of Youths headline Party In The Paddock’s 2023 lineup

Reincarnating in 2023 from February 10 until 12, the North Tassie festival is back for the same old Party but in a new Paddock. Joining the lineup is Gang Of Youths, Benee, The Presets, Vera Blue, Meg Mac, Methyl Ethel, Hockey Dad, Genesis Owusu and an unannounced secret headliner.

Australia’s first Female Founders Festival is happening in Melbourne in December

Supporting woman-owned local businesses just got a lot easier: femalefounded businesses in Melbourne are fighting back against the lack of invest ment in women-owned enterprises by holding the first Female Founders Festival in Collingwood on December 10.

Yann Tiersen, The Chills, Parsnip, Nakhane, Kav Temperley announce Melbourne shows

As if Melbourne Recital Centre needed any more stellar acts in its summer program - the all-star cast will add to an already impressively varied musical spectrum with Season One: Horizon with some very cool new acts.

Orchestra and DJ mashup concert Synthony announces 2023 Australian summer shows

Following back-to-back sold-out events across Australia and New Zealand, SYNTHONY is returning to Australia this summer with a brand new show. The tour will start outdoors on February 17 at Melbourne’s Sidney Myer Music Bowl, as part of the Live at the Bowl summer event series.

Bluesfest is heading to Melbourne for the first time next year

Australia’s favourite contemporary blues and roots music festival is heading to Melbourne for the first time, on April 8 and 9 next year. It will feature performances from some huge international and local talent, including Ash Grunwald, Buddy Guy, The Doobie Brothers, Greensky Bluegrass and many, many more.

Baker Boy, Kerryn Fields lead Music Victoria Awards 2022 Nominees

Courtney Barnett, Baker Boy, Camp Cope, thndo, Mo’Ju and Julia Jacklin are among the nominations for Music Victoria Awards as public voting opened last month. The winner will be announced at the Music Victoria Awards on December 13.

ACMI’s crazy new exhibition explores the world of Red Dead Redemption 2

ACMI is launching a world-premiere exhibition, opening December 8, where visitors will step outside the confines of the digital realm and discover what lies beyond as a gang of wayward artists known as The Grannies escape the limits of one of gaming’s biggest online worlds.

Rod Stewart and Cyndi Lauper team up for huge Australian tour in 2023

Sir Rod Stewart has announced that he will hit the road in 2023 on a massive Australian Tour with support from very special guest Cyndi Lauper. Catch them when they head to Melbourne’s own Rod Laver Arena on March 14.

A pop-up 130-metre zipline across the Yarra is coming to Melbourne this summer

The pop-up will land in Melbourne on December 16 and run through to January 28. Better still, it’s a dual-line zip-line, which means you’ll find yourself nine meters up into the heavens alongside someone just as adventurous as you. First date idea? We think yes.

After three great years, Colour is closing at the end of 2022

Citing “ever-increasing financial pressures in our industry”, the best nightclub in Carlton is sadly shutting its doors at the end of this year. They’re gearing up to go out in style, however, with a full month and a half of upcoming farewell parties.

Australia’s biggest barbecue festival

Meatstock returns to Melbourne in 2023

Expect full-on days of live music, barbecue and grilling competitions, low and slow barbecue, butcher wars, demonstrations, barbecue expo and much more: the two-day festival will return to Melbourne Showgrounds on March 18 to 19, 2023.

Birdz, The Grogans lead beachside festival NinchFest 2023

They will take centre stage at Mornington Peninsula’s NinchFest 6, alongside William Crighton, DJ Dexter, Nice Biscuit, and more at Andrew’s Beach Recreation Club on February 10 and 11. Tickets are on sale now, with free entry for kids under 13.

Mo’Ju announces Hamer Hall show with Melbourne Symphony Orchestra

They will be appearing In an exclusive performance with the Melbourne Symphony Orchestra on March 17 next year. Having been bestowed the coveted crown of Rainbow Champion in conjunction with WorldPride for their outstanding contribution to Australian LGBTQIA+ community and culture, this is not a performance to be missed.

Nai Palm,

30/70,

Electric Fields headline NGV Friday Nights this summer

The NGV has released the live music line-up for the return of NGV Friday Nights this summer with three-time Grammy-nominated singer-songwriter Nai Palm headlining the opening night on December 16.

Sugar Mountain drops 2023 lineup led by DJ Bone, John Talabot Sugar Mountain and Boiler Room are teaming up again for another iconic, sweaty, dancefloor moment that will take over one stage and run from early afternoon until late, with all sets to be shown on the Boiler Room platform on January 21.

Prominent First Nations cultural activist Gurridyula is joining the BLAKTIVISM lineup for one night on December 8, amidst ongoing protests against the Adani coal mine. The one-day concert features the truth-telling of Blak activists in a line-up of living legends and rising voices of First Nations musical activism.

‘We have reoccupied our homelands’: Gurridyula joins BLAKTIVISM lineup

Victorian government announces $34 million funding for live music sector

With the 2022 Victorian state election imminent, Labor have pledged a total of $34 million towards the ongoing support of the live music sector as one of their latest policy announcements. It includes funding for music mental health charity Support Act.

Beloved smalltown rave returns with an all-star DJ line up

One of Melbourne’s favourite party series has announced a new event featuring German legends Sven Väth and the Adana Twins. Hosted by Novel and Now & Again, it will take place at Port Melbourne’s Industrial Centre of the Arts on February 19.

Golden Plains adds more acts to the sold-out 2023 festival lineup

Beachside festival By The Pier releases its 2023 lineup

Taking place in Queenscliff during the last weekend of March, By The Pier will host Thelma Plum, King Stingray, SAFIA and more. Taking place on March 24 and 25 in Queenscliff, By The Pier is the perfect way to soak up the last few rays of summer.

After dropping an absolutely crackin’ lineup that has seen tickets sell out, Golden Plains has got another couple of killer acts for the 2023 lineup, including Mo’Ju EXEK and DJ Kiti. Aunty Meredith really is the cool Aunt that just keeps on giving.

The 10th Koorie Art Show to feature more than 100 artists at Fed Square

For 10 years, the Koorie Art Show has championed the art of First Peoples from South East Australia, and they have announced their 10th anniversary exhibition that will run from December 3 until February 19 at Yarra Building in Fed Square.

The Curtin has been saved: Current publicans sign 10 year lease

Call off the funeral – the beloved John Curtin Hotel will live on. Melbourne’s cherished live music mainstay has secured a crucial lease just days before doors were set to close for good. As one of Australia’s oldest pubs, The Curtin has been a fixture of the Melbourne music scene for decades.

There’s a new music festival coming to Sandringham foreshore next month

End of the Line Sandy is a new mini music festival coming to the Sandringham foreshore on December 3 with an all-female lineup. Chitra, Maple Glider, The Merindas and Jen Cloher are set to perform at this free festival.

The Coburg Night Market returns this December with something for everyone

Last-minute gift buyers and lovers of all things local, mark your calendars. The Coburg Night Market is back for a three-day community celebration running from December 9 to 11. The free market will also host daily live performances and fun activities for the whole family.

Fatboy Slim is heading to Australia in 2023

Funk soul brother, check it out now: Fatboy Slim is heading to Melbourne for a show at Sidney Myer Music Bowl on April 28. He’ll also be appearing in Sydney, Brisbane and Perth on his Australian tour.

Meadow Festival 2023 to be led by English prog-rockers Black Midi

The surf coast’s beloved Meadow Festival has teased their first headliner, English math-rockers Black Midi, for their 2023 festival from March 31 until April 2 next year. As the ninth edition of the festival its an intimately beautiful BYO weekend of camping and live music.

Ice Cube, Cypress Hill and The Game are teaming up for a huge Australian tour in 2023

In a holy union of 90s Hip-Hop, legendary rap banners Ice Cube, Cypress Hill and The Game have announced their joint tour of Australia. The tour kicks off on March 23 at Melbourne’s own Rod Laver Arena.

SPACEY JANE

Words by Bridget McArthur

Credit Sam Hendel

By

2019, Harper and bandmates Kieran Lama (drums), Ashton Hardman-Le Cornu (guitar) and Peppa Lane (bass) had progressed from the mosh to the stage, opening Falls Fremantle in the triple j unearthed slot. “Ashton broke a string. I remember we didn’t have spare guitars or anything, and ended up playing four songs in total – which is pretty embarrassing, but we had a good time.”

This year, the indie pop-rock darlings have broken out of Fremantle and are playing all three festival locations – Victoria, New South Wales and Western Australia – alongside headline acts like Arctic Monkeys, Lil Nas X, Peggy Gou, CHVRCHES and Jamie xx. It’s a progression that reflects the band’s broader narrative arc – from music-loving punters, to rookie support act, to crowd-pulling festival favourite.

And not only in Australia. The band has just returned from their first ever North American tour, which saw all 24 dates sold out. “We played a show in Denver to over 1,000 people. That was wild, because it took so long to get to that level in Perth, let alone the East Coast.”

Speaking to me from a sunny porch in Canberra just 24 hours after flying in from Los Angeles, Harper has one week to recover before Spacey Jane kicks off their summer festival season with Spilt Milk Festival in Ballarat.

“I think we probably feel more pressure playing at home. Now that we’re playing later in the day and on the mainstage, it’s really this pressure to earn that spot, and show our appreciation.”

Perhaps that’s the burden that comes with a seemingly charmed rise to fame – the need to prove that they deserve their rapidly accrued popularity on the Aus music scene. But while their first album, Sunlight, may have only come out in 2020, Spacey Jane’s been at it for coming-on seven years.

“There’s definitely been a lot of work for us that’s laid the groundwork for everything that is happening now. And many months, even years, of not necessarily plateauing, but gathering the skills and the experience that would allow us to do this. It’s been a slog, and we’ve put it first, prioritised it, above lots of other parts of our life.

“At the same time, when we put Sunlight out in 2020, and Booster Seat got that traction, things definitely happened much quicker. Before COVID hit, versus after, we went from playing 200 or 300 capacity rooms, to playing multiple 1,000 capacity rooms. So we can’t deny the fact that it was quick in that way. But also, we’ve been at it for a long time.”

That’s evident in the considered way Harper talks about show craft. While a song or an album might climb up the charts with some help from the whims of luck, a good performance can’t be faked. The audience either loves you or they don’t. And, scrawling through Instagram and YouTube comments following live shows, boy do they love Spacey Jane.

“We’ve always just worked on being as energetic as we can be. And that hasn’t really changed. I think the only thing that’s different now is, depending on the size of the show, what level of production we bring. The goal is to deliver shows for people where they’re like, ‘wow, that was an event’, not just a band on stage.”

They’ll be bringing that energy to the 10,000+ capacity Sidney Myer Music Bowl on December 30th as part of Falls Downtown – the first ever Falls Festival Victoria to take place in Melbourne’s CBD, after Birregurra residents appealed to VCAT and forced a temporary relocation.

Unlike some festival-goers, Harper’s not too bummed. “I was excited to see the grounds [in Birregurra], but we love Sidney Myer Music Bowl so much. We’ve done our own show there a few times, and played Beyond the City there this time last year. It’s just such an amazing venue. I know the Falls team are disappointed because they want to have it at the camping

grounds and that’s sort of what Falls means to people. But I think that it will be just as special, different. And it’s always fun being in Melbourne in the CBD.”

The last time they were here it was for a five-show series at The Forum, where they also shot a series of acoustic versions of It’s Been A Long Day, Lots of Nothing and Hardlight - the latter of which is Harper’s current favourite, and the track he’s rooting for in the upcoming triple j Hottest 100 (though if history’s anything to go by they’re likely to see more than one make that list).

They come off Spacey Jane’s latest album, Here Comes Everybody, which debuted at #1 on the ARIA album chart in June. The title is borrowed (with permission) from the working title of Wilco’s Yankee Hotel Foxtrot. While it’s received some criticism for being a tad hubristic, drawing parallels between the almost 30-year-old global music icons and the comparatively young West Australian group, to Harper, it’s just a nice phrase.

“I just really liked it. And I’m a massive fan of Yankee Hotel Foxtrot – probably my favourite album of all time. But I find with certain phrases, you hear them, and you feel this weight. It seems to have a certain gravity that you’re drawn to. There’s sort of two ways of looking at it. One where Here Comes Everybody is like, you’re alone, and there’s everybody. A sense of being overwhelmed by this crowd, or whatever it is that you’re looking up at. Or it’s an empowering feeling, because you’re a part of the everyone. There’s this sort of strength in the unity of people.”

The album carries that sense of dichotomy in the odd dissonance between the predominantly upbeat, compulsively dancey chorus break-outs, and the pretty exclusively unhappy lyricism, suggesting maybe that there’s something redeeming or hopeful in the universality of human suffering. And in a postCOVID, mid-climate crisis, generally anxiety-riddled kind of world, maybe that’s exactly the weird sort of comfort we all need. So go on, grab a goon sack. Let’s get messy.

Jane are playing Falls Festival from December 29-31 at Sidney Myer Music Bowl.

Spacey

“I think we probably feel more pressure playing at home. Now that we’re playing later in the day and on the mainstage, it’s really this pressure to earn that spot, and show our appreciation.”

LIVE AT THE BOWL

Words

As if Falls Festival relocating to the inner city of Melbourne wasn’t news enough, one of the biggest bands in the world are set to grace the Sidney Myer Music Bowl not once, but twice! Bon Iver? Lorde? Boris Brejcha? Seriously! Live at the Bowl is back with a newfound inspiration; and they haven’t left a stone unturned.

When it comes to venues; Melbourne is a special place. Every corner you turn there’s a bar and a stage. So, what’s making Art Centre Melbourne’s comeback program so good? Since 1959, the Sidney Myer Music Bowl has been a versatile space that’s been a beloved venue for touring musicians. When it comes to capacity, it boasts one of the largest spaces - with around 2000 seats, and space for 11,000 people on their lawn. For a return to summer, this spacious venue is a welcome sight. And with ample reception for your phone and reasonable transportation options; it removes all the nagging disadvantages of a major festival.

For everyone who wasn’t up for the NYE road trip this year; Falls Festival is your calling. Featuring names such as Lil Nas X, The Arctic Monkeys, Fatboy Slim and Jamie XX, enjoy the festival vibe right in the heart of the city. Falls will be going ahead on its usual dates, from December 29, 30 and 31. And if you just wanted to see the legendary Arctic Monkeys on their own, they’re playing the Bowl on January 4.

Occurring later in January is the biggest pride celebration ever. Midsumma Extravaganza is coming to the bowl on January 21, hosted by the legendary queer comedian Joel Creasey and RuPaul’s Drag Race Down Under’s Kween Kong. With over 20 drag artists to grace the stage, you can expect a jam-packed night of celebrating pride in all it’s facets.

You can also catch Kehlani with their brand-new album release Blue Water Road. The Grammy award-winning sing er-songwriter is coming to the Bowl on January 27.

What about free classical music? A Tchaikovsky Spectacular is coming to the bowl on February 8, bringing all his known works to life. The entire Melbourne Symphony Orchestra will be gracing the bowl next year, perhaps to give you a moment to rest and kick back after a jam-packed program.

That’s before Live at the Bowl dishes up huge electronic acts as we enter February – Boris Brejcha plays January 29, then Kolsch and Cristoph headline Piknic Electronik on February 5, before SYNTHONY host another extravaganza on February 17.

With the 40-year anniversary of the Australian classic Great Southern Land coming up, what better way to commem orate the unofficial national anthem by catching ICEHOUSE. The legendary band are playing the Bowl February 11 next year. Since the release of their skyrocketing single, they’ve cemented themselves as a household name across Australia, and earned themselves praise from around the world. This program truly does have everything.

The utterly mesmerising Bon Iver will play the Bowl on March 4 and 5, showcasing Justin Vernon’s reputation as not only one of the greatest songwriters of his generation, but as a force majeure live. From intimate, confessional indie folk into increasingly expansive and abstract realms, Bon Iver will both soothe and inspire us.

On March 10 and 11, pop legend Lorde will play huge Friday and Saturday night shows alongside MUNA.

Ultra Australia will bring the world’s biggest EDM acts to the Bowl on April 15 with a capacity crowd expected.

Then on April 28, Fatboy Slim - one of the most legendary DJs of all time - graces the Bowl again. His last performance at the venue in 2020 has since become one of the most famous dance music educations on YouTube. Expect wall-to-wall uplift ing classics from a master of his craft.

Check out the full Live at the Bowl program on the Arts Centre Melbourne website. Beat is an official media partner of Live at the Bowl.

From Arctic Monkeys to Fatboy Slim, the return of Live at the Bowl is looking to be a real treat.

by Zachary Sanderson

TY SEGALL

Words by Andrew Handley

His home isn’t far from where he grew up in Laguna Beach, Orange County, where he surfed and skated from an early age. The sun-drenched waves and skate punk videos of his youth shine through the psychedelic garage rock Segall is known for. Though pigeon-holing a musician to a genre can be futile at the best of times, let alone one as prolific as Segall.

At age 35, Segall has released more records than most artists do in a lifetime. He has 14 studio albums to his name, not including the many side projects he’s a part of. 2012’s Slaughterhouse is a wildly noisy rock ‘n’ roll affair, while the next year’s Sleeper has him strumming an acoustic guitar. Some of the loudest music Segall has released has been with the band Fuzz, which has him behind the drum kit, the instrument he learnt before guitar.

Creating so much music doesn’t seem like a chore to Segall. “I know I’m a prolific musician, I guess, but I never see myself as that because it’s all intentional,” he explains. “I don’t think I’m spending a tonne of time making music because I’m lucky enough that that’s my job.”

“I get to have fun with my friends, and just run around the studio like kids… banging on the drums, and knocking a synth on the floor and seeing how it sounds,” says Segall. “You look up and you’re like ‘oh shit, we’ve been in this room for eight hours.’”

Segall draws inspiration from all around him. “That just comes from everything, I have no idea where and how,” he laughs. “I do feel that I’m influenced by a conversation that I had at a bar, or a drive I had where I’m on the phone to a friend, or waiting at a bus stop and you see someone talking to somebody else, or whatever your daily experience is.”

The pandemic did briefly put a hold on Segall’s creative flow. “I think as soon as I had more normal interactions with people, and seeing people out and about, it broke the writer’s block thing for me, or gave me a bit more inspiration,” he says. “Not just me staring at myself in the mirror on the wall and being like ‘what the hell’s going on?’”

His debut record was released by his friend John Dwyer’s record label Castle Face Records. Segall met Dwyer and his band, the legendary Osees (formally Thee Oh Sees) while performing in the same garage rock scene. “He was helping me every step of

the way and was like a big brother,” he says. “He just wanted me to succeed, so I was very lucky in that regard.” Segall returned the favour and produced Thee Oh Sees’ 19th album Orc in 2017.

This began a string of good record label relationships for Segall, now primarily on Drag City. “I’m so lucky I’m friends with everyone I work with,” he says. “Everyone that works at Drag City, we’re friends, and I’ve been friends with them since I started working with them.”

“I’ve never had an interest in working with a label that wanted me to change the songs that appear in my record. I’m so lucky to work with the people I work with, and that they trust me and how I want to put out my music, and I trust them. It goes both ways.”

Segall will return to Australia with his Freedom Band in early 2023, for the first time since 2014. Having created so much music in the meantime, remembering the music even seems a challenge. “I think the older I get, the harder it is to remember all the words,” he laughs. “It really depends on the tour.”

“For this tour, we’re going to learn some old songs, because by the time we get there it will be nine years. It’s a long, long time, so we’re going to try and mix it up. Lately, we’ve been doing some pretty harsh sets. I think when we go over there it’s going to be pretty all-over-the-place set, which will be fun.”

Having learnt the hard way, Segall, who has a history of tinnitus, is eager to remind people to look after their ears at his show and every show. “I can almost say that I’m old,” so listen to the almost old guy,” he laughs. “You have to wear your earplugs. Period.”

Ty Segall is playing The Forum on January 21.

Speaking over Zoom from his Topanga Canyon home, Ty Segall is warm and relaxed despite giving his last interview of the day. “It’s just north of LA in the mountains,” he explains. “I love it here, I’ve decided I’m staying.”

Words by Tammy Walters

Credit John Elliot

BLAKTIVISM, as premiered in 2021, is responsive to the Black Lives Matter Movement that erupted in the United States in 2020 and sparked global attention and action, offering the indigenous Australian perspective on colonialism, racism and representation through a unique lens and presentation style. The conversation and conception of BLAKTIVISM are deep-rooted in our history, surfacing before the global movement.

“I started thinking about this in 2018 when I was living back in Cairns,” explains BLAKTIVISM artistic director and renowned musician Deline Briscoe.

“The concept was there and I was thinking about things that started opening up in the industry and generations of artists coming through. There was a whole new generation of music, artists and workers and that filtering across industries. Then I saw research come up and thought ‘Hold on, you’re not the first Blak doctor, you’re not the first person of colour to do that.’ That just comes out of ignorance, maybe not necessarily from the artist or person but maybe from their manager or representation or someone else making that claim.

“So I thought, ‘Right, I really want to acknowledge the ones that have been doing it for a long time and are still here and they have a song and story and to create a space, not just on stage, but off the stage to acknowledge these people. That’s the core of BLAKTIVISM. It’s still a cultural practice in this new political landscape that we have. To transfer the knowledge and acknowledgement of our elders is a cultural practice so it’s just continuing that and somewhere there was a disconnect from that. I wanted to create a space where everyone can be celebrated; the young ones, the mid-career people and the ones that have been doing it for a long time so we can learn from each other. That’s why I thought this was an important show to put on.”

Delivered by First Nations curators, artists, activists and performers, BLAKTIVISM provides a space for gathering of Mob to share stories, educate and celebrate our unique history and identity through music.

Under Briscoe’s artistic direction, living legends and emerging artists Yothu Yindi, Lou Bennett, Emma Donovan, Fred Leone, Kee’ahn, Sprigga Mek, Tasman Keith, Sorong Samarai, and Bart Willoughby will unite on stage to deliver a one-off concert of First Nations activism, as led by Musical Director Airileke and the BLAKTIVISM house band.

Yothu Yindi are pivotal in representing First Nations music since their 1986 merger. The ARIA Hall Of Fame music group are responsible for placing indigenous Australian music on the map whilst bringing attention to issues facing indigenous commu nities through anthems Tribal Voice, Djapana and Treaty. They are seated well within the BLAKTIVISM framework but activism was not the primary intention of the group.

“Activism can be based on our cultural resilience,” explains Yothu Yindi vocalist Jodie Cockatoo Creed. “I believe that was never the ambition, it was simply to make people aware of our cultural beliefs and spirituality to the forefront, to acknowledge and to recognise our people/mob in our country. By doing music is the perfect expression.”

“It’s about education,” explains Briscoe. “No one knows about our history because it’s not in the books. It’s also about bringing Blak artists together on stage – three generations of one family together. That’s one thing that is very special and beautiful about BLAKTIVISM, and shows like this, is that we all come together and celebrate our brothers, cousins, uncles, aunts.

“It’s about educating our young ones first, our mob, and then allowing people to see that from the audience’s perspective so they can see that and understand. When we are talking about sovereignty and activism in the current political climate, there

are a lot of different views out there and in BLAKTIVISM we cover all of them so it’s not just one agenda.”

The one-night concert holds space for artists to feel empowered and encouraged to tell their individual Blak history through song and collaboration across a variety of genres, disciplines and discourse.

“BLAKTIVISM is about Blak beauty, it’s about silences, it’s the Blak voices. It’s about feeling beautiful, using our voices and singing our story and feeling empowered and empowering each other to reach that place. The show is so dynamic because that’s who we are as people and that’s how we get our message across to reach a whole diverse range of people. We have really beautiful moments that are quite subtle and intimate, to the big hip hop hits, and anthems by Uncle Bart Willoughby, all honoured on the same stage,” says Briscoe.

The event further welcomes community through acknowl edging the land on which they are presenting, with Mundanai, five Kulin Nation Songwomen, Mandy Nicholson (Wurundjeri), Renee Sweetman (Boonwurrung), Corrina Eccles (Wadawurrung), Isobel Paipadjerook (Taungarung) and Aunty Dr. Lou Bennett (Dja Dja Wurrung) opening the special event by leading a healing ceremony.

“It’s very special this time around because each show is slightly different. We want to support artists and enrich them and their voices but the most beautiful part of that concept that has developed for this show at Hamer Hall is that we are bringing five songlines from the Kulin nation from each tribe group to open each show with their healing song.”

Additionally, the event will also see newly added cultural activist Gurridyula join the event whilst visual displays are contributed by Jody Haines. It all culminates in a powerful performance by prolific First Nations band, Yothu Yindi.

“ALWAYS LIVE are responsible for bringing Yothu Yindi to the event and we really thank them for their ongoing support of our project. We are very lucky that Yothu Yindi are joining us again for these shows,” Briscoe says.

Yothu Yindi artists will be performing songs from their impressive six-album multi-award boasting catalogue. Their position in BLAKTIVISM continues their three-decade repre sentation and treaty mission.

“[BLAKTIVISM] is a multicultural representation of how Australia has evolved as a nation. To extend the importance of why and how we are a multicultural nation and how we have to accept all cultures regardless, because when you look we, indigenous, have so many similarities, and acknowledgement should be another, and embracing everyone of same equality for value of life for all people and all culture as one by implementing traditional and contemporary which reflects of two different worlds,” says Creed.

“It’s so relevant to today’s society. I think it’s a kind reminder of who we are and where we came from and we all need to listen to our tribal voices and maybe one day we will have a Treaty.”

Elevating the powerful one BLAKTIVISM show and headline performance, Creed teases that the band will further bring unity to the stage with strong female representation: “A great Yothu Yindi show, like always, I’d like to think, may have some special beautiful sisters join us – never know some women power. Yothu Yindi are grateful and thankful to still be able to bring love and song back to all of the community. Big love everyone.”

BLAKTIVISM will be happening 8 December 2022, tickets are available at Arts Centre Melbourne’s website. This article was made in partnership with Arts Centre Melbourne.

MIDSUMMA FESTIVAL 2023

Melbourne’s Midsumma Festival announces 2023 line-up and new signature program.

Words by Fred Carlyle

With a spectacular variety of festivities and events including live music, visual art exhibitions, superb performances, social events, theatre, open panels and more, Melbourne’s revered LGBTQIA+ arts and cultural festival, Midsumma, is returning to 2023, kicking off the new year with an explosion of over 200 events, in 120 venues, running between January 21 and February 12.

2023 will see the return of Midsumma’s major outdoor events such as the iconic Midsumma Carnival – Kicking off the three-week festival in its usual stunning fashion at Melbourne CBD’s Alexandra Gardens (Jan 22) and the cherished Midsumma Pride March where over 7400 marchers will be taking to the streets in St Kilda and Catani Gardens (Feb 5).

Made up of 17 events and representing an increasing number of commissioned works that highlight the depth of talent and the immediacy of queer stories, The Midsumma Presents program will also be returning to 2023 with a variety of fan-favourite events including the treasured Midsumma Extravaganza which will enter its fifth year in style with Australia’s queer comedy royalty Joel Creasey and RuPaul’s Drag Race Down Under favourite Kween Kong hosting the Sydney Myer Music Bowl stage in style (Jan 21).

The fan favourite event Homphonic! will also be returning to the Midsumma Presents Program for its 13th year of fabulous new classical chamber that will be bringing the disco ball to the concert hall at Tempo Rubato by cele brating homosexual harmonies, Sapphic symphonists, and the sound world of today’s queer composers (Jan 27 & 28).

A new addition for Midsumma Festival 2023 is the new curated signa ture program, A Safe(R) Space; Consisting of 21 works from a range of artists across the LGBTQIA+ spectrum, this new signa ture program will be delving into the topic of what defines a safe space for artists and communities.

“It’s been a joy and a journey for all of us to work with the artists, venues, and producers from the A Safe(R) Space program and to explore the provocation of safer spaces and what this means to people from our LGBTQIA+ communities,” says Midsumma’s program manager, Brendan Cooney. “We look forward to

watching this wide range of events explore the concept of “safer spaces’’ and illuminate how it can be vastly different for individual members of our diverse communities.”

There’s something for everyone within the A Safe(R) Space as the program delivers a multitude of events such as the Big Thick Energy festival located at Malthouse Outdoor Stage which will be promoting body positivity and libera tion through movement, creativity and high energy entertainment curated by performance artist Demon Derriere (Feb 10 & 11).

Other unmissable highlights include the visual narratives of gender diverse and non-binary identifying artists; Kin Francis, Caleb Thaiday, Luce NguyenHunt, Ari Tampubolon and Indra Liusuari at the The Body Is More Than This exhibition at the Immigration Museum (Jan 26 – Feb 12) and the compelling one-man show Transmansplaining by self-described “Short balding, bearded, gay trans man”, Ben MacEllen (Jan 25 &).

Also included in the A Safe(R) Space program is Stranger Than Usual, a unique, awe-inspiring musical performance designed for Deaf people that uncovers Australian artist Asphyxia’s personal experience of being Deaf, queer, chron ically ill and needing to use a wheelchair (Feb 2-4).

“We are invited to declare our access needs and feel secure that every practical effort will be made to include us, and it won’t be as an afterthought,” Asphyxia explains. “It’s not expected that we fit into binary gender norms nor that we are heterosexual - it is assumed that we could be any of multiple sexualities. Experiences of marginalisation and oppression are well understood so they don’t need to be explained but can be shared and commiserated. We don’t need to educate people about our disabilities, gender or sexuality. We don’t get mans plained, especially about our disabilities, sexuality, gender and experiences of marginalisation (and naturally Stranger Than Usual will be a Safe(R) Space).”

The Melbourne Midsumma 2023 Festival will be running between January 21 and February 12 across metro Melbourne and regional Victoria. Head to midsumma.org.au for the full program. This article was made in partnership with Midsumma.

I’m sitting with Bailer in his Prahran gallery, Let’s Pretend, soaking in a tale of one of his many escapades. I should butt out of his cold open – perhaps we’ll rewind a little and let him paint some context.

“I was in Prague with my mate Rumba. Rest in peace, he was an international graffiti king. He was, sadly, I don’t think he’s around any longer. He was a unique character. I visited him in Leipzig, he just threw me the keys to his Audi and let me drive and, you know, they had a few graf shops in town. They were probably getting up to no good and laundering their money or whatever. They had their own DVDs, their own clothes, their own paint in these multiple shops, (whereas) if somebody in Melbourne goes, ‘I’m going to open a graf shop’ more than likely five years later they’re still talking about it, you know what I mean? And we’re there and he’s like, ‘We’re gonna open another

guard has a dog. One guard has a fucking gun’.” This is embellished with Bailer’s best European accent.

“So I’m like, ‘Alright. I guess we’ll paint quickly then’. We run in, and it’s mixed, a hodgepodge crew, a couple of Polish guys, a Russian guy, a Spanish guy, a German guy. And Rumba he can speak a little bit of each language. So on the way there, he’s practising his Russian, trying to learn a bit more of each language

WALL STORIES

like, “Oh, shit”, and they’re surrounding us and shouting at us in Czech, or whatever they speak in Prague, you’d have to ask Rumba only he can’t tell you now – but he would have known what they were saying. I just knew they were  mad. And we all went back to back and I’m shouting, and because there was like six of us and four of them they didn’t rush us – they kept a few metres back and flicked out extendable batons. Then when they came at us we all rushed at one guy so he stepped back and we made a gap and went through it, ran through that door, jumped a fence and then just hit the legs and we’re running running running running. We got away, nearly having a spew, not quite but nearly spewing you know?

(And) Rumba is like ‘Okay, I guess we go to za other yard’.

“Like ‘Fucking hell bro, can’t we go have a beer or chill or something?’ So we went to some other trainyard and we’re watching the guard

shop’, and I’m like, ‘Oh, yeah, cool’. And then the next day, we’re helping him put up shelves and shit in a new shop that they’ve opened when they’ve already got multiple. So these guys are doers. They’re not shit talkers.”

“So him and his mates like Acid and Evil and Moner, these dudes they go hard, they’re real good painters. We went on a few trips, we went and painted in Berlin, we painted a few different places and we went to Prague one time. We went to this big hanger, and they’re like, ‘Okay, Aussie guy, there’s gonna be some guards. One

so that when he goes and paints the systems in these countries, he’s able to communicate better. Anyways, we get to this spot, we jump a fence, we snip a fence, we boot a door open and we rush in there painting away. We’re doing this spot and, you know, we get 10 or 15 minutes, we’ve painted like six people in a row on the side of this train.”

We’re full circle now…

“And then we hear this shouting and there’s like, four dudes, and one or two German shepherds. I can’t remember as it was pretty hectic at the time but it was

doing laps then jimmied open a window and painted again. They’re like that, extreme dudes.”

Bailer is telling me all this because he has spent a decade compiling a book of photos and epic stories of the Melbourne graffiti scene, and I knew we had to get a tale that didn’t feature in his deluxe hardcover tome Wall Stories. For more, you’ll have to read the book.

Wall Stories is out now.

Visit Let’s Pretend Gallery at 204 Commercial Road, Prahran.

“We get to this spot, we jump a fence, we snip a fence, we boot a door open and we rush in there painting away. We’re doing this spot and, you know, we get 10 or 15 minutes, we’ve painted like six people in a row on the side of this train. And then we just hear this shouting….”

Words by Andy Brewer

My chat with Dry Cleaning may have gotten off on the wrong foot, musing on how they have broken out as an indie darling at a more mature adulting age than is typical.

DRY CLEANING

Words by Andy Brewer

Credit Steve Gullick

I’ve already christened their full band Zoom appearance a democracy, an institution perhaps on the wane in the UK, but in this house the speakers perform sentences by committee.

My initial suggestion that they’re getting on in years (if not as much as myself) is taken on the chin as Nick Buxton (drums) retorts: “We’re pretty close. Closer than you might expect.”

Florence Shaw (vocals): “We look beautiful and young and youthful but we’re not.”

Lewis Maynard (bass): “And we feel fresh.”

Florence: “We’re feeling very fresh. But yeah we’re not. We’re mouldy.”

and boom there was Dry Cleaning?’, unfortunately that was true. It would be easier if there was more of a story, like we made a plan - but it was very casual.

“It was born out of what we each like to do and partly out of me being a beginner and wanting to do something accessible like talking.”

“We had snippets of conversation, I was nervous to come to the rehearsal so Nick sent a few songs to me, like ‘You don’t have to just belt out a number, you can be a front person in whatever way you want’.” Reading elsewhere you’ll find these songs may have included Grace Jones, but I’ve granted an exemption from naming names. “(It was) just to remind me that I shouldn’t get in my head too much. But that was literally a text, it wasn’t, ‘Now let’s have a meeting’. It was one text and then I went ‘Oh yeah’. It was very organic, which sounds like such bullshit, but it was.”

Unbeknownst to me, this fungal issue is likely relative to their having fully savoured the night airs of Cologne the night before - hence their being propped up in hotel beds and gifting the conference call a bare minimum of eye contact.

Nick continues, “I don’t think any of us would have handled this situation well in our twenties. It is a lot of fun, it’s an amazing experience, but I think if this had happened to me when I was younger I would have really fucked it up”.

Tom Dowse (guitar): “We wouldn’t have been on this call for a start.”

Lewis: “We wouldn’t have woken up. We’re now responsible adults.”

Florence: “We’re very mature.”

Starting a band at such a ripe old age could mean that in place of youthful naïveté one could even be jaded, but Nick quickly jumps in, “Oh if we were jaded we wouldn’t be doing it”. I clarify that the musical knowledge and fully formed influences they’ve garnered grants a perspective where they might hear something new and instantly know the derivation, “Oh they’re ripping off blah”.

Nick takes my lead, “I know what you mean and I feel a bit of that and at the same time I feel like this is the richest creative period of my musical life. Obviously I’ve got more time to put into it now. But also I feel very free and I think this band offers us a space to operate in that we didn’t necessarily have in other projects.”

This seems as good a time as any to throw a hoary music journo cliche into the pot, but I’ve an excuse for the aberration which I nervously attempt to detail while gesticulating wildly. For all the glorious albums that have emerged to offer some small recompense from the COVID era, Dry Cleaning was one that made me sit up straight and say, “What’s all this then?” before keenly pondering unlikely relationships to artists like spoken word dabbling stoners Bongwater, council estate lo-fi Television Personalities, niche peculiarities Midget Handjob, rock poet Patti Smith and, now familiar with Florence Shaw’s inquisitive, contrasting and just damn effective collage lyricism, most pertinently, William Burroughs’ tape collages on Break Through In Grey Room. Knowing the likelihood of disappointmentthese are no conceptual art rock wankers- one still cannot resist asking if there’s an origin story. Not Peter Parker meets spider, but could there have been a conceptualisation of their sound or was it entirely organic?

Florence breaks the news gently, “The real answer is prob ably annoying. Right there when you were like, ‘Was it organic

Florence is still feeling guilty for trampling on my dreams, “The references you mentioned are nice to hear really because we get a lot of ‘Oh it’s like The Fall’ or whatever. I really like The Fall but I don’t see a massive parallel.” I forcibly interrupt her to agree in that Mark E Smith was frequently completely unintelligible, a foible Shaw does not suffer. With mirth, she proceeds, “Even something like Patti Smith is interesting because I don’t have any memory of anyone ever mentioning her before. Which I find really surprising. People always stick to the usual suspects. So it’s interesting, that’s a broader pond that you mentioned.” While Poppies (Radio Ethiopia) is a fun counterpoint, it is a beat poet friend of Patti’s that fans of Dry Cleaning’s lyrical methodology should look up. Explaining how Burroughs spliced and manipulated tape recordings to achieve his own collage technique even piques the band’s interest. Aside from attributions to The Fall, Magazine, Wire, journalists far and wide have been twisting themselves in knots to provide a moniker for their sound; while post punk seems lazy, I profess some glee for one encompassing label “post punk anti poet”, particularly its possible glancing aside to NYC’s Sidewalk Cafe music scene. While amused, Florence is having none of it. “I don’t get the anti”. The collage perhaps? “Yeah but I think that’s a legit way to write. All these terms, if you get stuck into them they drive you a bit mad.” It is entirely legitimate; Burroughs deemed his tape poetry collages an attempt to evolve his art form to keep up with modern visual art movements.

“Sometimes I think we should start calling ourselves pre punk,” says Nick. “We have much more direct influences from bands like Sabbath or the movement in the mid 70s that came just before punk. Those early rock and roll bands. It’s a weird thing the post punk, it gets used a lot.”

Listening now, adorned in a “PRAISE IOMMI” hoodie, it’s not Sabbath that emerges, rather the expertly produced maelstrom of guitar, bass and drums with Florence floating singularly above the eye of the storm. In fact, I rather wish for a yarn with Tom about the interplay between Morrissey and Marr, but one might infer from reticence that his night in Cologne had extra sauce. Indeed, Tom draws the curtain for Nick, “This stuff only happens in interviews, we don’t ever talk about what we are - we just get on with it.”

Lewis provides more finality, “The post punk (comparison) is so weak unless you view almost all guitar music post Sex Pistols as post punk.” Indeed.

In farewell, and querying what audiences can expect from the band’s upcoming Australia tour, I’m promised a bouillabaisse of material from the records and Lewis has some discoveries awaiting, “I’m still confused by chicken salt - I heard that it’s green.”

Dry Cleaning are playing Meredith from December 9-11 and The Corner Hotel on December 12 and 13.

“It was born out of what we each like to do and partly out of me being a beginner and wanting to do something accessible like talking.”

DAREBIN ARTS SPEAKEASY

Although it can pass in what feels like the blink of an eye, surviving ten years in show biz is no small feat, and even more impressive when you throw a global pandemic into the fray. However, that’s exactly what Darebin Arts Speakeasy is celebrating – an entire decade of ground-breaking and award-winning performing arts.

Words by Joanne Brookfield

Since 2013, Darebin City Council’s Speakeasy program has invested in contemporary dance, circus, theatre and multi-disciplinary work that speaks to issues that matter to the community, celebrate cultural diversity and reflect the times we’re living in.

Behind it all is a team led by Beau McCafferty, Head of Programming, who works closely with a diverse curatorial panel of artists when selecting each year’s offerings, which are performed at the Northcote Town Hall Arts Centre and the Darebin Arts Centre.

He admits, when he was first brought on from Melbourne Fringe to set things up, that he didn’t quite expect to hit this milestone. “Most arts programs last only a few years,” he laments. While Darebin Arts Speakeasy “has defi nitely changed and adapted over time” he says that one of the keys to their success was the fact they focused on building trust with audiences and artists.

“I brought with me my knowledge and networks of creative workers whom we consulted with for months before setting up a program that would provide certainty for planning ambitious works, whilst also elevating under represented voices,” McCafferty says of the program that is designed to best suit the needs of artists and creative companies “in an in-depth way”.

They are not a venue for hire, in that artists must pay to play. Instead, what they offer is the space, equipment, staff ing and a generous fee up front for artists. “This means that artists don’t have to rely so heavily upon the risk involved with box office earnings,” he explains, adding that the financial certainty this provides, often being shored up early in the creative process, means other funding bodies can also come on board. “By coordinating across the arts sector and having longer timelines, it opens up more opportunities,” he says.

It’s been a winning strategy, and they have the impressive stats to prove it. So far Darebin Arts Speakeasy has supported over 1,500 artists to create over 150 original works presented to over 75,000 patrons, receiving 40 creative industry awards and a further 116 nominations.

“There are so many artists and creatives who have worked on multiple shows with us over the years and also work on main stage productions, tour

work with different companies and organisations and have created impres sive careers,” says McCafferty, who when asked to nominate some examples names companies like RAWCUS, The Hayloft Project and Little Ones Theatre.

“One that is hard to go past is ILBIJERRI Theatre Company’s show Coranderrk with Uncle Jack Charles in the lead. It sold out before opening night and then got 5 star reviews,” recalls McCafferty. “Another would be Hot Brown Honey which now tours the world…. Presenting Stella Young’s only solo comedy show Tales From the Crip is something I’m so glad we got to do before she sadly passed away,” he says.

McCafferty points out that the program has also launched the careers of those who don’t appear on stage themselves. “Lighting designer Amelia Lever-Davidson and designer Romanie Harper. Another example is Stephanie Lake, who is now one of Australia’s hottest choreographers currently expe riencing a lot of international success. When she first took the plunge to form her own company we presented two of their earlier works. It was wonderful to be a part of the arts ecology that helped support a newer company as it estab lished itself”.

Darebin Arts Speakeasy show no signs of slowing down, having just announced their 2023 season. The first half of the season, which takes place from March through to July, will feature wellknown companies, hot young ensembles, and talented emerging artists, presenting two new plays, three contemporary dance works, and a cutting edge First Nationsled circus company.

McCafferty says at Darebin Arts the top priority has always been about supporting new works by Australian artists and arts organisations to reflect community diversity and share stories that matter, to offer audiences “thrilling arts experiences”.

For more information on the Darebin Arts Speakeasy 2023 program, head to arts.darebin.vic.gov.au. This article was made in partnership with Darebin Arts.

WOMADELAIDE 2023 TICKETS

2022 was like a frosty fruity on a 40-degree day, melting away faster than you can say Jack Robinson.

So we stand here in December with our Santa sacks empty, naive of the shopping avalanche that awaits. Now’s the time to pounce my friends because our 2022 Gift Guide is your one-stop shop for presents that your friends and family won’t re-gift next year.

First up are tickets to the massive 31st edition of WOMADelaide, which is returning to Adelaide’s astounding Botanic Park from March 10-13. Florence + The Machine, Bon Iver, Youssou N’Dour, AURORA, Sampa The Great, Nightmares on Wax, The Proclaimers, Soul II Soul, Angel Olsen, Billy Bragg and Genesis Owusu & The Black Dog Band are just a few of the legend-stacked lineup, spanning over 26 different countries.

Renowned as one of the world’s most extraordinary aerial performances, Place des Anges, by French company Gratte Ciel, will also feature at WOMAD 2023. Featuring a host of feathered angels who dance and descend from high above the treetops in a celebratory ethereal ballet, Place des Anges will be performed nightly as an Australian exclusive, transforming Botanic Park into a magical wonderland of music, acrobatics and death-de fying theatrics. A giant hanging recreation of planet Earth, and Mexico’s Foco alAire performers will also highlight the incredible artistic diversity the festival is famous for.

WOMAD tickets are a no-brainer for our gift guide, given the festival is among Australia’s best at providing an experience for everyone. It’s the gift that keeps on giving, as anyone who’s ever been to WOMAD will tell you, it leaves you with memories you keep for a lifetime.

Four-day, three-day and single-day and night tickets are on sale now, with children 12 and under able to attend for free.

Head to womadelaide.com.au for more information. This article was made in partnership with WOMADelaide.

BY THE PIER 2023

TICKETS

We’ve all been there! If you’ve got someone on your list who is constantly overworked and in need of a little R&R, tickets to By The Pier will do them wonders. The Queenscliff festival is the perfect way for music fans to unwind by the beach and soak up the last of the summer.

Running on March 24 and 25, this year’s By The Pier will feature Thelma Plum, SAFIA, Holy Holy, King Stingray and a whole handful of other beloved Aussie acts. It is designed as an offshoot of the beloved Queenscliff Music Festival held earlier in November. Taking place on one big outdoor stage, By The Pier offers fans a more intimate and easygoing experience than its bigger sister, with plenty of down time to explore the gorgeous Bellarine Peninsula.

Less than a two hours drive out of metro Melbourne, the festival makes for a great excuse for a weekend getaway to one of Victoria’s sweetest seaside towns. Visitors can enjoy gourmet food trucks, bars and hot local talent at the festival, while spend ing their idle hours sunbathing on one of Queenscliff’s many sandy beaches. With plenty of heritage buildings, cute cafes and restaurants to check out on a stroll down Hesse street, the town has just enough attractions to keep visitors busy while still hanging onto that laid back coastal vibe.

Queenscliff also has a rich Victorian era history, as it has been adored as a holiday destination since the 1880s. Step back in time with a stay at the extravagant Vue Grande or Ozone Hotel, or book one of the many other hotels, motels and holiday homes. And don’t forget to pack a beach towel!

Last year’s debut By The Pier event became a beloved fixture of the festival season, hosting the likes of San Cisco, Vera Blue and Julia Stone.

Two-day adult tickets to this year’s festival cost $198.65, are up for grabs now (Nov 30) at www.bythepier.com.au. Trust us: there’s no better gift than a chilled-out weekender. This article was made in partnership with By The Pier.

Sometimes, after an especially crazy Christmas, it’s like you almost need a second holiday to unwind from your first holiday.

Credit Jack Fenby

AUDIO-TECHNICA EARBUDS

Next up, give the gift of better music with AudioTechnica’s ATH-CKS50TW earbuds.

Sure, the name might be a bit hard to remember, but you certainly won’t forget hearing all of the subtle intricacies of your favourite track for the first time. Designed with a focus on top-of-the-line audio quality, these earbuds deliver crystal-clear sound just as the artist intended.

What gives these luxury buds the extra oomph is the specially-designed 9mm drivers. For the uninitiated, drivers are the part of the headphone that converts the electric current into sound – the bigger the driver, the better the bass. With a whopping 9mm diameter as well as audio-enhancing ducts in the back, the low-end in these little guys packs a heavy punch. If that special someone on your list is a fan of booming bass and earth-shattering wubs, these earbuds are an easy choice.

But it’s not just the high-tech drivers that sets this product apart. Audio-Technica has really thought of everything when it comes to crafting the perfect listening experience. The sleek, matte black earbuds are wireless, meaning there will be no need to untangle a death knot every time your gift-recipient takes them out of their pocket. They’re also Bluetooth-enabled, quick to charge, and can bump tunes for 50 hours with the battery life of the case and the earbuds combined. That’s a two day non-stop dance party! If your recipient is a sporty type, they’ll be happy to take advantage of the earbud’s comfortable, stable fit and splash-proof design.

To tune out the rest of the world, users can just tap the build-in button on the left bud to activate noise-cancelling mode – a feature that’ll be much appreciated after a hectic Christmas morning with the family. Coming in hot at $249, they’re a bit of a splash, but hey – it’s the holidays, and can you really put a price on this kind of quality? A great gift for anyone who enjoys listening to music (so, everyone basically), these earbuds will have your loved one slam-dunking their tinny old headphones in the trash and never looking back.

For all the specs and to grab your pair, head on over to www. audio-technica.com/en-au/ath-cks50tw. This article was made in partnership with Audio-Technica.

AUDIO-TECHNICA WIRELESS TURNTABLE

Easy to use and with an audio quality that can’t be beat, this is the go-to choice for those in need of a sound system upgrade. This is especially true if they’re new to vinyl, still rocking with a vintage spinner from the 1960s, or worse, that janky suitcase turntable all of the hipsters had in 2014. A great record collection deserves a great record player, right?

Audio-Technica’s AT-LP60XBT will not only treat those LPs with care, but it also comes with some modern bells and whistles that grandpa’s gramophone couldn’t even imagine. The streamlined design is Bluetooth enabled, allowing users to listen to their vinyl through speakers or headphones without wasting time with all that pesky plugging and unplugging. This is especially convenient for first-time turntable owners, as they are able to hook it up to any device with Bluetooth functionality, meaning there’s no need to go out and buy a new set of speakers.

And it’s not just your average Bluetooth either – thanks to a CSR BT chipset, the player is even compatible with aptX codec devices, which sound quality fanatics know allows for a much higher fidelity than the standard SBC code. However, if your recipient still wants to go for that old-school vibe (or they’re partial to a set of speakers that pre-dates the Bluetooth era), the device still has the necessary jacks to use a RCA output cable.

The turntable has a simple and stylish design that will add a classy touch to any aesthetic, whether they’re the type that keeps their records spilling messily out of milk crates or mounted on a feature wall.

To get your hands on the AT-LP60XBT wireless belt-drive turntable before the holidays, head to https://www.audio-technica.com/ en-au/at-lp60xbt. This article was made in partnership with Audio-Technica.

If you want to introduce someone to the everything-sounds-better-on-vinyl analog addiction, look no further than the AT-LP60XBT wireless belt-drive turntable.

STICKS

Whether it’s a pressie for colleagues, a gift to bring round to a friendmas dinner or a stocking stuffer for the parents, wine is the present we really want this Christmas. If you’re stuck wondering which wine to bring, we recommend you stick to one of the Yarra Valley’s most well-known producers –Sticks.

Sticks has been producing modern takes on the Yarra Valley classics since 2001. They craft wines with maximum drinkability in mind, making any choice from their range a safe bet. In fact, it’s an even better choice this season, with their exclusive discount code PICKUPSTICKS wiping 20% off on their online store.

Now the question simply becomes which wines to select. Here’s our rundown:

Pinot Noir – Sticks’ tried and true. It’s high on charm and exuberance, but certainly not lacking in depth or complexity. Sitting happily at the delicate end of the pinot scale, it’s perfect to pair with that charcuterie board on Christmas day.

Chardonnay – Not a buttery bomb. Poised yet approach able, it has an underlying richness and plenty of personality. If you know you’re having barbecued seafood, bring this zesty chardy along to start the party!

Blanc de Blancs - This one is a wee bit wow. Generous and creamy, this sparkling just feels decadent – it’s the perfect choice for a moment of celebration. If you’re on the hunt for something to pop as the clock strikes midnight, this one is sure to make a great start to the new year.

Pinot Grigio – Zippy, minerally, pear-y, blossom-y, and other similarly evocative words with a ‘Y’ tacked on the end. It’s a crowd pleaser. Pair Pinot Grigio with prawns and you’ll look like the cleverest of wine connoisseurs.

Rosé – It’s easy on the eye and just as easy to drink. Think just-ripe strawberries, juicy white peaches and a texture that’s creamy yet crunchy. No pairing necessary. You know the drill.

Cabernet Sauvignon – Broody, silky, juicy, statuesque and well defined. This wine is everything you never knew you wanted. There’s a reason why Cabernet was king of the Yarra for so long. Pour up with your lamb chops on Christmas eve.

Sticks is offering 20% off and free shipping for orders of six bottles or more with the code PICKUPSTICKS. To pick up a few Sticks sippers, head to sticks.com.au. This article was made in partnership with Sticks.

MELBOURNE GUITAR SHOW TICKETS

Happening on March 4 and 5 at the Caulfield Race Course, it’s the event’s first time back in three years, so guitar fanatics will surely be itching to get their hands on some new equipment.

Featuring all kinds of retailers from the big boys to the boutiques, the Melbourne Guitar Show is the perfect place to pick up a new axe. Licks and riffs will echo throughout the space as music enthusiasts test out what’s on offer. The expo gives guests the opportunity to try before they buy, so they can make sure the sound, feel, and general vibe of their new instrument is just perfect.

There are over 50 exhibitors expected to show their wares, so the selection of acoustics, electrics, and electro-acoustics will beat heading down to your local music shop by a mile. There will be guitars, of course, but all the fixings as well – effects pedals, amps, capos, straps, and a host of other quirky toys.

But it’s not just a place to shop. The Melbourne Guitar Show is a gathering of nearly 5000 of the city’s most dedicated musos, so it’s a great place to meet new people who share the love of the craft. There will also be information sessions and seminars for those interested in hearing about all the ins and outs of their favourite instrument.

And what would a guitar expo be without live music? Musicians of all types will take to the stage, gracing event-goers with blues, metal, jazz fusion, classical, and good-old-fashioned rock n roll. There are some extremely talented guitarists set to perform, which will serve as solid inspiration to the young strummers who are just figuring out how to do power chords.

Presented by Australian Musician with the support of Marsh Entertainment, the Melbourne Guitar Show is gearing up to be one of the music industry’s most exciting pop-up events.

To learn more about the convention and pick up your tickets, head on over to www.melbourneguitarshow.com.au. This article was made in partnership with Melbourne Guitar Show.

Looking for wines that are easy to drink and easy to love this silly season? Pick up Sticks.

If you’re buying for a gear-head but you don’t know the difference between a jaguar and a stratocaster, tickets to the Melbourne Guitar Show should do the trick.

PIONEER DJ CONTROLLER

Summer is a time for entertaining and for anyone looking to dip a toe into the tactile world of DJ’ing, the various social engagements surrounding the silly season can serve as the perfect low risk setting to work on your DJ fundamentals, while also adding an entirely new dimension to the listening experience for the casual music fan.

Words by Rob Gee

Perhaps there is no better entry point into the world of DJ’ing than something like the new DDJ-FLX4 2-Channel DJ Controller by industry stalwarts, Pioneer DJ.

Serving as the perfect gateway drug into the world of mixing and beatmatch ing, the DDJ-FLX4 has all the familiarity and standardised layout you’ve come to expect across Pioneer DJ’s ubiquitous range of mixers and DJ products, as encountered across the lion’s share of DJ booths worldwide.

The beauty of the DDJ-FLX4 (or DJ controllers in general for that manner) is the way in which this workflow neatly parlays into such a convenient and mobile DJ option, with instant plug and play functionality and a compact physical footprint, ideal for anyone looking to get into mixing with a minimum of fuss.

Whether you want to connect to a PC, Mac, iPhone, iPad, or an Android phone or tablet, the DDJ-FLX4 is compatible with all of the above, with Bluetooth functionality on its way with the next update, for even more flexibility of use.

Connecting to a laptop via USB, the bus-powered DDJ-FLX4 interfaces with its associated software in a way which can really help fill in the blanks, in turn giving a leg up to beginners by visualising basic DJ concepts like cue functionality, crossfading, beatmatching, and transi tions in a clear and concise way. With access to both Rekordbox and Serato DJ Lite software for Mac and PC as a download, the DDJ-FLX4 has everything you need to hit the ground running, with industry-standard folder navigation and plenty of handy little tricks up its sleeve.

Along with the Hot Cue, Pad FX, and Sampler functions that make use of the eight touchpads beneath each deck, there are some cool additions in the mixer section that make it easier for the beginner DJ to pull a mix together faster than ever. The new Smart CFX knob, found just below the EQ controls in the central mixing panel, applies a combination of effects that can be dialled in and out to your liking. It kind of reminds me of the Effects button that was introduced on the early DJM mixer models in the back in the ‘90s. Great fun, with sometimes unexpected effects and no need to worry about adjusting features, just wind it up and let it whirl.

For beginners, the ability to scroll through and cue potential tracks by order of BPM will definitely go a long way to help ward off those awkward silences, at the very least. With a host of streaming services working in conjunction with Pioneer DJ, you can have seamless library integration and access to Beatport, Tidal, Soundcloud, and more. Literally millions of tracks can be streamed directly to your laptop, so you shouldn’t have any issue filling the space.

For the more experienced users looking for a scalable controller for advanced use, an upgraded licence for Serato DJ Pro can be purchased to unlock greater feature sets and functionality.

But the real draw card on the DDJ-FLX4 has got to be the Smart Fader feature. Over the years we’ve seen the development of BPM matching and other functions to help create a seamless mix, but this has just taken it to a whole new level. Engaging the Smart Fader button allows you to use the crossfader as a ‘do it all’ mix feature. It adjusts the BPM of the outgoing channel to match up to the incoming channel, as well as adjust ing Bass Volume and Level of the two channels as you slide the fader across. This is applied to both the crossfader and the channel faders, depending on which method of mixing you prefer to use. It’s that simple. Just don’t let the audience know and they’ll think you’re a seasoned professional on the decks.

If this one isn’t on your Christmas list already, there’s still time to drop a subtle hint or two. The box is even compact enough to be wrapped with a standard roll of Christmas wrapping paper. Pioneer has thought of everything!

For more info, head to pioneerdj.com. This article was made in partnership with Pioneer.

ARTS GUIDE see in December

Words by Benjamin Lamb

Nigel Sense – Going Troppo: The Darwin Years

Nigel Sense is one of Australia’s most renowned neo-expressionist artists, his work being seen across many galleries world-wide. Now based in South East Asia, his work has taken some new inspiration, including vivid colours, giving his pieces a whole new life. His very local-feeling pieces will easily put a smile on your face, and make you want to book a trip up north.

Going Troppo: The Darwin Years will be taking place at the Fox Galleries from December 10.

Memory-Go-Round 2022

One of the most intriguing exhibitions is coming to the Abbotsford Convent this December, the Memory-Go-Round, an exhibition featuring five disabled artists creating an immersive experience that’ll take place in a number of different locations within the gallery. It hones in on the sensory experience, aiming towards senses of sound and smell. You’ll be able to get something out of this that isn’t common among art galleries across Melbourne.

Memory-Go-Round is taking place at the Abbotsford Convent from December 1.

Banyule Youth Services are an organisa tion dedicated to doing good in the world. This December, they’ll be showcasing photos taken over the last decade by influential young people within the

is taking place at the Ivanhoe Library and Cultural Hub on December 8.

The MARS Christmas Show

SMALL!

Fortyfivedownstairs will be home to a selection of artworks from the commu nity this December. The exhibition will feature paintings, drawings, sketches, prints, textiles, and sculptures. The works are submitted by members of the public, who spend $20 - $30 to submit their work. Each artwork will be on sale for $150 during the exhibition.

SMALL! is taking place at fortyfivedownstairs from December 6 and runs until December 17.

Art Apron Project Auction

Alexander McQueen –Mind, Mythos, Muse

This December, the NGV will become home to a brand-new exhibition from one of the world’s most renowned fashion designers, Alexander McQueen. In partnership with the Los Angeles County Museum of Art, the exhibition will showcase over 100 garments, giving patrons a unique look at the designer’s originality and style. Mind, Mythos, Muse will be separated into four sections, each with a distinct style.

Alexander McQueen’s Mind, Mythos, Muse will be taking place from December 11 at the National Gallery of Victoria.

It’s hard to believe that good old Santa Claus is about to wreak havoc upon us, and many spots across Australia are wrapping up their proceedings with end of year celebrations. The MARS Gallery will be showcasing work from a selection of Melbourne’s best up and coming artists, who will be displaying work that has yet to be seen by the public. Some of the artists involved include Jo Bertini, Archer Davies, Emily Galicek, Ruth Li, and many more.

The MARS Christmas Show is taking place at the MARS Gallery from December 6.

Martin Tighe – Lines

Coming to the uber-cool Blackcat Gallery this month is Lines, a new exhibition from artist Martin Tighe. The gallery will contain art pieces from Tighe that are inspired by abandoned railways, with the artist travelling to a number of railways across Australia, and noting how many of them have been reclaimed by nature.

Lines is taking place at The Blackcat Gallery until December 11.

Aprons are becoming canvasses with this exhibition. A number of Australia’s most talented artists will be involved, including Brett Ferry, Hannah Quinlivan, Margaret Ackland and Michael Simms, among many more. As the name suggests, there’ll be an auction, with all profits earned of the auction supporting the good people at Food Bank.

Art Apron Project Auction is taking place at the Flinders Lane Gallery on December 10.

Tell Me A Story

With all the weird, wacky and wonderful art pieces out there, sometimes it’s a little bit hard to fully understand the story behind the artwork. This exhibi tion remedies that, with artists joining patrons on a gallery tour, explaining the story behind their great works. There’ll be textile pieces, paintings, and other types of artworks, with many featuring stories of love and personal struggles.

Tell Me a Story is taking place at Hawthorn’s Town Hall on December 10.

JUICY FEST 2023

Prepare for that freshly squeezed hip hop and RnB nostalgia on Sunday 15 January at Burnley Circus Park, Melbourne.

Words by Kaya Martin

Hip hop heads, get ready for a summer festival you won’t want to miss. In January, Juicy Fest is bringing an all-star lineup of hip hop and RnB legends across Australia and New Zealand for an epic day-long event.

Presented by the global streetwear empire Culture Kings, Juicy Fest will host shows in Brisbane, Sydney, Melbourne and Perth, with New Zealand stopovers in Auckland, Napier, Tauranga, Palmerston North and Whangārei.

This year’s roster of artists is a force to be reckoned with. The legend ary Nelly, Ne-Yo and Ja Rule will headline the festival, bringing that hip hop golden age sound Down Under. Bow Wow, Xzibit, Chingy, Pretty Ricky, Mya, Lloyd and Twista are also set to play, making for a jam-packed day of music.

Juicy Fest co-founders Rawiri Nelson and Kane Sala said the marketing approach was about genuine connection to an entire genre that influenced pop culture for so many.

“With 90s and 2000s music on the resurgence through a multitude of samples in the top 100 pop charts of the last year,  it makes sense to bring this music back to the southern hemisphere. We’re really focused on triggering some deep nostalgia for so many who grew up to this era of hip-hop and RnB,” Sala said.

Hailing from the world’s hip hop epicentre, the triple-threat of headlin ers have all carved out a unique spot in music history. With countless awards and accolades under their belts, they’re sure to make Juicy Fest one of the most coveted events of the festival season.

The RnB legend Ne-Yo will be tour ing in support of his ninth studio album, Self Explanatory, released in July 2022. His upbeat dance floor anthems are a fixture of the 2000s, with tracks like Miss Independent and Closer lodged deeply within our club night memories.

The same could be said for rapper Ja Rule, who collaborated with singer Ashanti on unforgettable hits like Mesmerize and Always on Time. The triple-platinum selling artist was signed to the foundational Def Jam records.

Nelly is also expected to bring the heat. Fans will go wild to high-energy hits like Dilemma, Hot in Here, and Just A Dream, shouting “Hey, must be the money!” along to Ride Wit Me. His wide discography is full of party-ready tracks. In 2014, he ranked as the fourth best sell ing rap artist in American music history, with upwards of 21 million albums sold in the United States alone.

With such a star-studded lineup, Juicy Fest promoters Glenn Meikle and Matthew Spratt said they’ve already seen

a lot of interest in the event. Tickets sold out quickly for the Tauranga and Brisbane shows, and the promoters had to find bigger venues to accommodate the wide range of fans.

“Ticket sales are strong across all shows and many people are buying tickets to events outside of their home centres, which is not only good news for the local economy but for tourism as a whole,” Spratt said.

It seems the party people are itching to get out and about after a few quiet years during the pandemic. The resurgence of concerts and festivals means so much to Melbournians, who are known for their undying love of live music. Meikle says he is excited to see fans showing so much enthusiasm for the event.

“People want to be out and enjoy ing themselves. We’ve all faced Covid restrictions in recent years and people are very much ready to enjoy the freedom of attending festivals once again. We’re all pleased to see the comeback of the live music scene,” he said.

The Juicy Fest Melbourne is an 18+ event and will take place on January 15 at the Burnley Circus Park. The massive outdoor festival will have food and drinks available, and super fans even have the chance to book meet and greets with some of their favourite artists from the line up.

To make tickets more accessible Juicy Fest has set up a payment plan option to pay off your ticket for as little as $9 per week. To purchase tickets, go to www. juicyfest.co/. This article was made in partnership with Juicy Fest.

“Ticket sales are strong across all shows and many people are buying tickets to events outside of their home centres, which is not only good news for the local economy but for tourism as a whole.”

TELENOVA

Words by Jacob McCormack

With two EPs already released just two years into their history as a band, Telenova has a cohort of listeners that’s growing exponentially. Made up of Angeline Armstrong, Edward Quinn and Joshua Moriarty, the multi-instrumental expertise of Ed (Slum Sociable) and Josh (Miami Horror) and the hypnotising vocals of Ange have proven to be an enthralling combination.

After churning out their two richly filled EPs they are preparing to record and release their debut LP, with a date purposely left unspecified.

“We have been working on a debut album,” says Ange. “And most of the songs that have made the final cut for what we plan to record have come in the last 12 months. We all have different influences and spread the songwriting process among the three of us.

“We trust each other. Someone can leave the session one day because they might be really zapped and exhausted and whoever remains can keep working away at a track.

“As you write more and more, you can get better at recog nising what is going to work and what isn’t,” says Ed. “So, if a track isn’t sounding like it would fit well on the album, you move onto the next one.

“With that in mind we will start an idea with the intention of finishing it, but realise that we might need to move on at any stage. We really just keep on making songs all the time, which is made easier because we all like hanging out with each other and writing music together.”

The success of Telenova’s approach is evidenced by nominations for Best Pop Work and Best Group at the Music Victoria Awards, and a coveted slot at Falls Festival this month.

“We had a show at 170 Russell,” says Ange. “Before we went on stage our manager told me ‘You know the first show you played was like 100 people and now it’s like 1000.’”

The Music Victoria Awards ceremony will be held on December 13. Telenova will play Falls Festival at Sidney Myer Music Bowl from December 29-31.

SMOKE STACK RHINO

Words by Kaya Martin

With a band name that’s ‘one heavy animal away from the blues’, Smoke Stack Rhino are celebrating a bumper year and a new single at The Toff in Town on Thursday December 22.

“We always get asked where the band name comes from. Some people think it’s a reference to a new psychedelic drug, or an environmental statement, but the weirdest one was definitely the pizza-flavoured aphrodisiac,” says Ash King, singer-guitarist of blues-rockers Smoke Stack Rhino.

Taking their name from legendary blues vamp Smokestack Lightning, the Yarra Valley-based trio is still buzzing after their recent appearance at Blues at Bridgetown, Western Australia’s premiere blues and roots festival.

“Being our first time in WA, I’m not sure anyone had ever heard of us, but as an audience they were so appreciative and into it, it was amazing: wild, crazy, positive energy,” Ash says.

Smoke Stack Rhino isn’t afraid of getting a little rowdy. Unapologetically old school and sometimes as heavy as their namesake itself, the band are bringing the heat on latest single, Old Silver Bullet.

The track, released by the band’s own JAMALAMA record label, is a party anthem for those who like to get groovy. With a classic blues-rock vibe, it has a satisfying bite to it. Crunchy guitar riffs are peppered over a thudding kick drum pulse. It’s the kind of rev-up music Thomas Shelby would listen to before a backcountry shoot-out in the next season of Peaky Blinders.

The band will be celebrating with a show at The Toff in Town on December 22, with support from Nathan McCormick Band and Bill Barber Trio. When it comes to their live set, these guys do not disappoint – coming off a whole stack of Aussie tours and festival rounds, they know how to get the party started.

The upcoming show will finish off a banger year, with an even brighter one on the horizon (we’ve heard whispers about an album coming in early 2023).

Tickets via https://www.thetoff.com.au. This article was made in partnership with Smoke Stack Rhino.

Telenova are fast becoming a new Australian favourite.

Credit Clint Peloso

THE DETROIT COBRAS TRIBUTE

Words

It’s fair to say that owners Rusty and Rhys are long-time, dyedin-the-wool fans, along with Kit Atkinson, their new booker.

For the uninitiated, The Detroit Cobras were icons of the Michigan garage punk scene. Led by frontwoman Rachel Nagy and guitarist Mary Ramirez, with a rotating cast of support musicians, they smashed out albums of popular 60s hits – a classic rock ‘n’ roll energy, by way of a 90s garage sound.

Since Rachel’s passing earlier this year, The Gem have been looking for the chance to honour her life and music in true rock style. When they discovered Shannon Cannon of Juliette Seizure & the Tremor Dolls was also a huge fan and ready to lead a tribute band for the night, the plan finally came to life.

There’s no better date than Saturday December 17 – what would have been Nagy’s birthday weekend. It’s free entry, all are welcome to gather and commemorate this badass legend of rock ‘n’ roll in the way she would’ve wanted: a rowdy party with good booze, good food, a good crowd and a Cha Cha Twist.

The Gem is no stranger to tribute events either, holding annual Patsy Cline and Hank Williams shows and the Grand Final Eve Johnny Cash Karaoke Night featuring The Boys Named Sue ensemble band. Every rock-lover in Melbourne knows The Gem can throw one hell of a hoedown.

So what can you expect from this particular shindig? A raucous good time with two sets of live rock ‘n’ roll classics belted out with love by a band of Nagy superfans. A high-energy crowd tearing up the dancefloor (perfect time to bust out the choreography, if you’ve got it).

For eats, you’ll be chowing down on the purest flavours of Americana: Sonny’s Fried Chicken and Burgers will be grillin’ and fryin’ up a storm in the kitchen – “damn fine food”, according to The Gem team – complete with the slaws, fries and sides you need to power through the party. For bevs, they’re slinging house cocktails, craft froths, and all the usual booze (and booze-free) suspects. And when the tribute act is done, DJ Shauna Ceratops takes over and keeps the vibe going long into the night.

The tribute band is a killer ensemble of Detroit Cobras fans: Shannon Cannon (vocals) and Graeme Coles (guitar, JS & The T-Ds), Kit Convict (guitar, Blowers), Shannon Driscoll (bass, Blowers, JS & The T-Ds, The Reprobettes), and Kate Alexander

(Ute Root/ Party Pest/ Mightiest of Guns/ The Hot Blood). It is a labour of love for all involved. And Nagy was hugely influential on Cannon in particular.

“I think the first time I listened to Detroit Cobras I was about 17 working at Big Star Records and I put the Life Love & Leaving album on in the shop because somebody had recom mended it to me for the Ronettes cover,” Cannon said. “I was instantly in love and just wanted to be Rachel. I would have settled for being even marginally as cool as her.

“The 60’s girl group revival thing has definitely been a major part of Juliette Seizure & the Tremor-Dolls. Pretty much everything I write has backing vocal parts that I treat as integral instruments in the band – a main ingredient, not just a garnish.”

The ensemble will be keeping their covers faithful to the Detroit Cobras sound. Although, if you want to hear a killer version of ‘Hotdog’, check out Juliette Seizure & the Tremor Dolls’ version of ‘Hotdog’ from their Seizure Salad album. Even if you’ve never heard of The Detroit Cobras, chances are you’ll catch tunes you recognise in the set of greatest hits.

Whether you’ve memorised every line and riff of The Detroit Cobras tracks, want to pay your liquored-up respects to a powerful woman of the genre, or you’re a complete newcomer to the garage punk scene who just loves a damn good party, this promises to be a brilliant night of music, booze and great food at The Gem. Swing by, party hard, rock on and make Nagy proud.

Songs The Detroit Cobras Taught Us is happening at The Gem on Saturday December 17. This article was made in partnership with The Gem.

If you’ve spent enough time in the Gem, you’ll have heard The Detroit Cobras on regular rotation in their garage rock playlist.

by Kosa Monteith

LIPSTEREO

Lipstereo have exploded onto the scene, in Australia and globally after having just released their maiden EP on Friday November 11. Entitled Modern Mythology, the opening track Stop is as rampant as the impact they’re currently having.

Words by Jacob McCormack

They released Stop as a single, with an accompanying music video that’s already been viewed 56,000 times on YouTube. Visually and sonically, it is evident the band has drawn inspiration from The Strokes and The Ramones, which is affirmed by band members Sam Stranges and Andrew Stainsby.

“[Stop] is 2 minutes long, which was certainly influenced by that ‘70s thing,” says Stranges. “Like the Ramones where it’s all killer no filler. I think we said it like 20 times throughout the song.”

Despite the high-octane energy pulsating within Stop, Stranges outlines that the lyrics themselves are meaningless and rather act as an exportation of pent-up angst.

“When I was writing it, there was probably a lot of angst. If I look back at the words, they mean nothing. It’s not something you can release halfway through your career.”

Stainsby also adds that the short nature of the track ensures that audience members’ attention span isn’t tested or stretched to a point where they lose interest.

“[Stop] doesn’t take two minutes to get to the good bit of the song, which sometimes puts off listening to longer songs.”

The condensing of songs was largely impacted by the influence of renowned producer Mark Opitz AM who worked on the record with Lipstereo. His involvement meant that the band members were forced to adapt during their time spent in the studio.

“Before we went into the studio I was imagining playing with clean guitars,” says Stainsby. “Kind of like the first Arctic Monkeys album, which has a lot of clean guitar stuff on it. I started playing the song Feedback and I was like ‘I might turn off my dirt here’, and then Mark was like ‘don’t worry about that, put it back’.”

As a result of Opitz’ production the EP has been refined to highlight the musical quintessence that Opitz has become famous for.

“I think the EP has a distinct Mark Opitz sound,” says Stranges. “Identified in this prog-rock guitar tracking. We recorded all together, when we first tracked everything all together, we were a full band. We really had this live thing and we double-tracked all the guitars and the vocals to make it sound big. It’s definitely a lot of Mark’s influence on that.”

Throughout the recording it was the refrain of relating to how something felt when playing the songs, as opposed to the finished sound that saw the ultimate recordings mould into the EP.

“When we went into the studio, we thought we wanted to record it properly and make all the tracks right,” says Stranges. “But Mark kept saying ‘what does it feel like, what’s the feeling?’ and that’s super important, if it feels right, it doesn’t matter if it has the perfect tone.”

bend all the way,

it was just the nicest feeling within the take that I did. Which made it the best in other ways, not technical ways. It’s kind of

As the bands following expands globally, the concept behind the EP’s artwork maintains a high level of importance. With the intention to depict a narrative that symbiotically includes visual art and the music on upcoming releases, the first EP uses a painting entitled ‘The Savage State’ to commence the story.

“You could tell a second story within your career,” says Stranges. “Tell the rise and fall of an empire with the things that are presented in different musical styles, lyrics and different motifs that will reappear throughout the different releases. In our heads we created a story out of it.”

Modern Mythology is out now. This article was made in partnership with Lipstereo.

“A prime example of that is the solo in Take The Bus,” says Stainsby. “I did a bunch of takes of that and the one we ended up going with was the last one we did and I made a bunch of mistakes in it and I didn’t

but

the mistakes that end up on the album that I like listening to.”

Adalita INLAND

Album Reviews

by Bryget Chrisfield

You know when someone’s so incredibly alluring and charismatic it’s as if they move around the world in slow-mo? Well that’s similar to the impact of Dazzling’s chorus: “You’re da-aaazz-Ii-hiiing” – addi tional, languorous syllables are added, elongating the word almost beyond recognition. This lead single boasts a stark, expansive kind of beauty, much like its accompanying film clip and also the monochrome self-portraits Adalita created for this album’s artwork. Toward song’s close, a dulcet, nursery-rhymey piano hook enters the arrangement –unexpectedly – as if floating by on a coastal breeze.

good time. As she takes a leap of faith, Adalita’s vocals soar come the chorus: “And I WI-I-I-I-I-LL!” With its delightful surprise-banjo flourishes, Savage Heart (“Just take a number babe girl/ And sit yourself down…”) navigates a dangerous liaison.

Hypnotic and soul-searching, latest single Hit Me is a whirlpool of atmospheric guitar distortion that’s further enhanced by Laura Jean’s flawless BVs. To shoot this accompanying music video, Adalita and director Adam Harding ignored a Keep Out sign and scaled a fence to access an abandoned house (which in turn inspired Inland’s closer, Abandoned Houses).

Listened Hard’s pulsing waltz rhythms and driving, hypnotic riffs evoke recurring, obsessive thought patterns – like someone you already know is bad news still relentlessly hogging your brain space. Then, finally, some much-needed clarity: “I’m glad I’m not the girl for you.” Tropic, a short instrumental interlude, washes in with piano melodies that land like gentle rainfall. Textured and vibratory, Blue Smoke hovers and lingers much like the song title suggests.

The day has again bruised me

Of Bridgette Winten’s stunning blackand-white photograph – which graces this album’s cover and features Hannah McKittrick melting into a sea stack, her long blonde hair cascading down a rock face – McKittrick commended, “The scale of it really makes me believe in things.”

This South Gippsland-born, Melbourne-based ambient folk artist’s plaintive vocals are alluring like a siren’s song. She obviously feels incredibly deeply and is not afraid to be, and sound, vulnerable through her work. “I have had my circuits broken/ It’s not enough to keep me from wanting…” – delicate piano accompaniment gradually intensifies throughout opener Shells before a flurry of cymbals ushers in reverberating beats.

Opener Private Feeling establishes Inland’s sonic landscape: metallic, rhythmic riffs; subtle, throbbing bass; occasional swelling drum patterns that enhance the emotional turmoil of select lyrical phrases – all of which serve to complement Adalita’s captivating vocal performances. “I keep bringing you in/ And I keep shutting you out…” – we can feel the push-pull cycle of sexual tension here, but is it actually worth exploring or just another potentially toxic mindfuck?

Equations glistens with tambou rine jangles: “So I lie here and I do the equations/ I lie here bathed in frustra tion” – ooh, that does not sound like a

Throughout her stunning third solo album – which explores “universal themes of obsessive love, the inner void and reclaiming of the self” – Adalita’s unconventional phrasing often demands that we lean in and work a bit harder than usual to decipher lyrics. But it’s totally worth the effort. And Adalita is a force.

Label: Liberation Release date: 2 December

The piano-led Big Plan (“It hurts to love you through this... How not to hate you through this…”) explores a family reconciliation broached too soon. During Threshold, McKittrick’s voice quivers with emotion as she challenges the upper reaches of her vocal range. “It’s not getting better/ I’m not better yet…” –Perfect Struggler (such a gut-wrenching concept!) closes out with a single, forlorn saxophone note; like a distant whale cry.

A richly rewarding, meditative listening experience, these seven songs of loss and love remind us that music conveys so much more than mere words. When life gets sticky, choosing music that matches our mood helps us make sense of it all and can even offer some much-needed comfort.

Label: Independent  Release date: 29 November

Hannah McKittrick

Lipstereo Modern Mythology

Like jumping the fence to crash a festi val then legging it through the crowd to outwit security, opener Stop storms in with exhilarating, dangerous energy. “Stop, I don’t wanna get caught...” –intensifying drums, party-starting riffs, belligerent vocal delivery... What’s not to like? There’s obvious The Strokes influences here, but this lead single also channels What’s My Scene by Hoodoo Gurus.

Then Beatles-tinged follow-up track Little Spaceships beams in some bells and mellotron. Dripping with effortless, insouciant rock’n’roll spirit, Sam Stranges absolutely nails his vocal deliveries throughout Lipstereo’s debut four-track EP, but especially during song two.

“Take the bus to the station/ Don’t get impatient/ I’m there for the ride..” –closer Take The Bus takes it down a notch, until Andrew Stainsby’s luxurious guitar solo strikes like white lightning, melting our faces into sloppy grins of surrender.

This four-piece indie-rock band from Melbourne – who also clearly love R U Mine?-era Arctic Monkeys – wrote Modern Mythology very much inspired by the painting that graces its cover: a moody, intricate mountain scene featur ing partially clad archers on the move, with deers in sight. There are four more paintings in this series, which Lipstereo also intend to translate into sonic land scapes for our listening pleasure.

Jimmy

Barnes

Blue Christmas

Full disclosure: prior to pressing play on Barnesy’s Christmas album, the very idea of him scream-singing carols – in his signature style – gave me the heebie-jeebies. But how very wrong I was! (Sorry, Jimmy.) I mean, have you heard the title track/Christmas song? Who knew Jimmy Barnes could croon like Elvis!? Don’t believe me? Just listen! You’d never guess it were Barnes without foreknowledge – no shit!

Also, if you’re tipping Jimmy belts out the loudest-ever rendition of Silent Night, think again. This yuletide classic is delivered in melodious fashion with pleasing vibrato and features delicate glockenspiel accents.

Check out the so-Aussie blue Holden Monaro on the album cover as well: its number plate was switched out for the serial number of The King’s original Blue Christmas single release – how’s that for attention to detail?

The story goes that when he was gifted a collection of carols one Christmas morn, which his children had secretly recorded, Barnesy was reduced to a blubbering mess. So he decided to record his first Christmas album as a gift back to his kids, grandkids and fans.

NO ZU  Heat Beat EP

The passing of NO ZU’s beloved vocalist Daphne Camf (also of GAY, Rat Vs Possum and SaD) in 2021 devastated Melbourne’s underground music community and plunged this band into silence. Now the collective makes a welcome return with this intriguing five-track EP, named after their own self-identified genre and featuring Camf’s final recordings.

Opening lead single Liquid Love’s  bass groove conjures Pressure On by Spandau Ballet and the unexpected “LI-QUID!” call-outs channel Freeze-Frame by The J. Geils Band. Mind Melt sounds like a loose Arabian shindig with occasional cowbell, rim clicks, brass blasts and a hotline-inspired outro: “Hello, I need help/ My mind is melting from my skull...” – call “1300 Heat Beat” at your own risk (see: closing track Phone Call Melt Down). A referee’s whistle and percussive, breathy “ha-ha-ha”s punctuate Cosmetic Beat, which lists cosmetic brands in deadpan fashion a coupla minutes in.

11 November

Elsewhere: Barnsey sounds the most like his usual raucous self during upbeat rockers Run Run Rudolf and Rockin’ Around The Christmas Tree, Little Drummer Boy is resplendent with military drum rolls and closer Auld Lang Syne pays tribute to his Scottish heritage (bagpipes and all).

Label: Bloodlines  Release date: 25 November

There’s something Supernatural Amphitheatre-level wild about NO ZU (if you’ve been there, you know) and agile basslines weave a horny thread throughout. Yello and also Tom Tom Club (particularly Wordy Rappinghood) spring to mind – nothing is sonically out of bounds when it comes to NO ZU, which makes for a thrilling ride.

Surrender to these tunes and block out the world, ‘Fuck off, I’m dancing!’-style. You can’t not dance to Heat Beat.

Label: Chapter Records  Release date: 18 November

Label: Pop Preservation Society  Release date:

Stage shows in December

Words by Benjamin Lamb

Jimmy O Yang

Jimmy O Yang is perhaps best known for his appearances in shows and movies like Love Hard, Space Force, Crazy Rich Asians and Silicon Valley. But he’s a talented stand-up comedian in his own right, with his special Good Deal being one of the most seen on Amazon Prime Video.

Jimmy O Yang will be hitting the Playhouse (Arts Centre) stage on December 2.

The Kings of Christmas

As the silly season approaches, the time for carolling is almost here. The Kings of Christmas consist of Rob Mills and Bobby Fox, two icons of the stage world in Melbourne. Joining Bobby Fox and Rob Mills will be the voice of Aussie Christmas, Dennis Walter.

The Kings of Christmas are appearing at the Costa Hall (Geelong) on December 18.

The Muppet Christmas Carol

One of the most popular family friendly Christmas flicks will be immortalised in orchestra form this December, with the iconic score re-created by an orchestra. The songs throughout are written by Paul Williams, who was also behind Rainbow Connection, and Evergreen.

The Muppet Christmas Carol will take place at the Hamer Hall on December 16.

A Christmas Carol

Not the musical starring David Wenham, but an operatic version is making its way to the Palais Theatre stage this December. Composed by Graham Koehne, the story finds a new life through the musical retelling. It stars Samuel Dundas (La Boheme) as Ebenezer Scrooge and Simon Meadows (La Traviata) as Ghost of Christmas Present, among many more.

A Christmas Carol is playing at the Palais Theatre from December 14.

Jay Pharoah

Former Saturday Night Live star Jay Pharoah came to prominence with his impersonations of Andre 3000, Barack Obama, Jay-Z, Tracy Morgan and Will Smith, among many more. After SNL he went on to star in Family Guy, Resort to Love, and The Simpsons. His stand-up will feature jokes, observations, impressions, and plenty of laughs.

Jay Pharoah will be hitting The Comics Lounge stage on December 1.

Pathways to Regeneration

Farmer’s Footprint is an Australian not for profit organisation dedicated to impart ing knowledge of regenerative food techniques. The head of the organisation Zach Bush will hold a series of events across Australia, chatting all about the food system. In Melbourne, he’ll be joined by local legends of the food scene.

Pathways to Regeneration is taking place at The Alex Theatre on December 8.

Home Alone in Concert

Continuing the movie music collabora tion is another iconic Christmas themed movie, Home Alone. Joined by the MSO and the MSO Chorus, the movie will be find a new life with grand musical performances.

Home Alone in concert is playing at the Arts Centre’s Playhouse from November 10 until November 27.

Slava’s Snowshow

Slava’s Snowshow is quickly becoming one of the world’s most popular shows, and it’ll be making it’s triumphant return to Melbourne stages this December. The family friendly show mixes circus, music, and lots of fun, you’ll be bound to get into the Christmas spirit with this show.

Slava’s Snowshow hits the Playhouse at Arts Centre Melbourne from December 29.

Oshun

La Mama Theatre will host a cool new play this December, in which protagonist Oshun receives word that she will become a goddess of femininity - but in the world of Ile Ife, Oshun and other gods face a great deal of conflict. The play is written and produced by Amarantha Robinson, and is directed by Jaime Wilson.

Oshun will be at La Mama from December 1 until December 3.

Marcus Elvis Jackson & Tony Jones

Marcus Elvis Jackson and Tony Jones are two of the best cover artists in Australia, covering Elvis Presley and Tom Jones respectively. They’ll be bringing their popular cover show to the Birds Basement stage this December, so be prepared to hear all of your favourite hits.

Marcus Elvis Jackson & Tony Jones will be at the Birds Basement on December 10.

Alchemy Brewing

LIVE MUSIC takes place on special occasions at Alchemy Brewing, with incredible musicians providing live accompaniment while you enjoy their large array of beers and delicious food.

FAMOUS FOR their unique range of beers, that are simultane ously approachable and diverse. “I’ve always wanted to make real beer for real people,” says owner Pim Muter. “You won’t see me making a Peanut Butter Marshmallow Imperial Pastry Stout or anything like that. That’s not my style.”

INFAMOUS FOR their selected Thursday $8 pints. It’s the perfect place to enjoy a great quality cheap pint in their happy hour that lasts all night. Be prepared to be a little dusty heading to work on Friday morning.

When you enter into Alchemy Brewing, you’re immediately greeted by the venue’s inviting and stylish open-plan seating, lush pot plants that dangle from its ceiling, pool tables and industrial-style barstools. “My vision for Alchemy was for it to be a venue first and a brewery second,” says Alchemy Brewing owner, Pim Muter.

Kitted out with a full kitchen, bar and brewery, Alchemy Brewing is the perfect place for your next group booking or party. They can even design and brew a unique, one-off beer for your special occasion to make your event extra memorable.

“We brew a wide range of styles catering to beer enthu siasts and traditional beer lovers alike, we also pride ourselves in keeping a great wine list plus a tailored selection of spirits and house cocktails.”

Known far and wide for their delicious food, Alchemy Brewing’s extensive menu has all the pub highlights with an irresistibly gourmet twist. “The venue has a fabulous gastro pub-style menu and DJ Manchild can often be seen playing a diverse range of records on Friday and Saturday nights,” Muter continues. With an approachable and welcoming atmosphere, Alchemy Brewing is the perfect place to grab a pint, enjoy the tunes and sip on some delicious beer crafted by a team who know their stuff.

Feel the magic of Alchemy Brewing by heading to 296 Lygon Street, Brunswick East. They’re open from 4 pm Monday through Friday and midday on the weekend.

The Espy

LIVE MUSIC at The Espy has completely reinvigorated the Southside. With their new Espy Live program, catch anything and everything from live gigs, open mics and comedy in the basement or some pretty big-name acts in the iconic Gershwin room.

FAMOUS FOR The Gershwin Room at The Epsy being the live filming location for the Australian quiz show RocKwiz – where years before, host Julia Zemiro used to work as a waitress at the hotel.

INFAMOUS FOR the venue’s crazy past – from the home of the NGV’s enigmatic and extremely wealthy benefactor in the 19th Century, to a steamy and smoky jazz venue in the 1920s, to a disco in the ‘70s … The Espy has seen it all.

An iconic and longstanding music venue, there’s nowhere in the south quite like the Hotel Esplanade – lovingly known as The Espy by the locals.

The Epsy has seen many transformations throughout the ages - from a steamy and smoky jazz and dance venue in the 1920s, to a disco in the 1970s – but one thing has remained throughout its storied history: it has always been a good commu nity venue in support of local musicians.

Situated on the St Kilda foreshore and overlooking both the bay and Catani Gardens, The Espy is a laid-back hangout in an extremely versatile space. With a 1950s-style Studio Bar on the ground floor, Cantonese restaurant Mya Tiger on the first floor and mezzanine-level function room, The Espy is a live music and entertainment labyrinth ready for you to discover.

Live music shows, open mic nights and comedy sessions are always happening across the expansive venue, showcasing everything from intimate jazz and acoustic sets to heavier rock bands all weekend and most weeknights.

Whether it’s a gig in the prolific Gershwin Room or a weekly free show in the basement, The Espy’s past, present and future is as the home of live music located right at the heart of St Kilda.

Visit The Espy at 11 The Esplanade, St Kilda. They’re open from midday, everyday.

Bar 303

LIVE MUSIC at 303 is constantly varied. With an eclectic mix of performances spanning all imaginable genres - and some unimaginable ones - you’ll be treated to a vastly different band each time you go.

FAMOUS FOR their iconic Hammond Sessions Kickin’ the B that go down the first and last Thursday nights of the month. Monday night Bohjass jasshuB and regular jazz and electronica residencies.

INFAMOUS FOR being open ’til the wee hours of the morning, even on weeknights. If a good chat and a cheeky bev at 2 am on a Monday is your absolute jam, Bar 303 is the place for you.

303 (that’s three-o-three, not three hundred and three, aka Bar 303 or Cafe 303) is a cool and groovy Northcote hotspot perfect for late-night drinks. A chill dive bar with a great atmosphere and acoustic or jazz bands playing in the front room by the window, Northcote’s oldest live music bar lets you get up close and personal with the acts that you’re there to see.

Open until 3 am, even on weeknights, 303 is a bastion of livelihood in the wee hours of the morning, inviting you to dance the night away while the rest of High Street sleeps. Or just chill out and read a book at 2am, if that’s your thing.

They also have occasional Comedy nights that take place in the back band room, which has seen residencies from the likes of Ross Noble and Alan Davies.

With fair prices, great tunes and talkative bartenders, this High Street institution is loved by locals for its friendly atmosphere, retro vibes and a ridiculous variety of quality acts.

Come check out what the fuss is all about at 303 High Street, Northcote. They’re open from 5pm – 3am every day, except for some Sundays, where they’re open from 3:03pm.

Football Music Culture Studio

FOOTBALL MUSIC CULTURE – I mean, it’s all in the name isn’t it? It should be noted that the ‘football’ in question is the global definition (AKA soccer) so as not to catfish any Aussie Rules obsessives. The unique venue fuses sports with music and art with the goal of making our world a little better.

FAMOUS FOR its Match Mixer series, taking place during the FIFA World Cup 2022. The studio has been airing both live and delayed games as part of the world-renowned event, happening this year in Doha, Qatar, as well as fundraising through merch sales.

INFAMOUS FOR speaking out about the human rights violations that took place during the construction of Qatar’s World Cup infrastructure. The studio is raising money for the families of the workers who died while building the controversial venues (there are reports that the number is somewhere near 6500).

Tucked away on a Fitzroy backstreet, the FMC Studio is dedicated to being an advocate for equality, kindness, and human rights through its work as a creative communications social enterprise. The founder and director, Shane Boyle, said Qatar’s FIFA World Cup challenged the studio’s morals.

“With the World Cup in Qatar, we had two options, 1) boycott the event and say nothing; or 2) do something about it,” he said.

In the end, they chose to use the tournament as a force for good. They linked up with local artists to create merch featuring provocative designs, with all the proceeds to be donated to aggrieved families in Qatar. The merch in question is available online and could serve as a pretty sweet stocking stuffer for any soccer fans.

“Art and music can influence the way football fans respond and engage with the issues,” said Shane Boyle. They’re a licensed bar and they encourage punters to drop in and check them out. You can also head to their website to buy a fundraising Match Mixer t-shirt and check out the space and the professional services they offer.

Visit Football Music Culture at 61a Leicester St, Fitzroy.

FESTIVAL GUIDE Festivals in December

Words by Benjamin Lamb

Grinchfest ‘22

As the year draws to a close, there are end of year festivals and wrap-up events happening across Melbourne’s stages. There’ll also be food from Good Gnocchi, and drinks from Moon Dog, each making sure it’s a fun night out.

Grinchfest ‘22 will be taking place at the Collingwood Town Hall on December 17.

Meredith Music Festival

One of Australia’s favourite music festi vals is coming this December, Meredith Music Festival returning after a few years out of action. It’ll feature Yothu Yindi, Caribou, Private Function and Dry Cleaning among many more.

Meredith Music Festival is taking place from December 9 until December 11 in Meredith.

Spilt Milk

Another music festival will be hitting Victoria this month; Spilt Milk will be returning after a few years out of action for obvious reasons. This year’s incarna tion will feature music from internationals like Steve Lacy, and locals like Telenova, Genesis Owusu and G Flip.

Falls Festival

This year’s incarnation of Falls Festival will be making its way to Sidney Myer Music Bowl. International artists include Arctic Monkeys, Lil Nas X, and Jamie XX, and the strong local line-up features Beddy Rays, King Stingray and Telenova among many more.

Falls Festival is taking place at the Sydney Myer Music Bowl over New Years.

Wild Horses

Hitting stages in Carapooee West this December is the Wild Horses Festival, a psy-trance-centric bush doof that cele brates music, arts and nature. There’ll be music from artists like Atia, Martian Arts, and Synthtik Chaos, among many more.

Wild Horses is happening from December 9 until December 11 in Carapooee West.

NYE On the Hill

Good Things

It’s been a hot minute since we’ve had a full blown international metal festival hit our shores. Good Things is a new music extravaganza hitting the Flemington Racecourse. There’ll be a spread of genres with artists like Bring Me The Horizon, Deftones, TISM, Gojira, and Regurgitator appearing.

Good Things is taking place at the Flemington Racecourse on December 2.

LUFT Festival

A techno festival is making its way to Melbourne this December, the LUFT Festival brings a different sort of experience, immersing audiences in the music. Involved artists include Alex Stein, Kuniyuki Takahashi, Township Rebellion, and many more.

The LUFT Festival is taking place at PICA on December 3.

It’s time to start organising your NYE, and why not spend it in Gippsland? NYE on the Hill brings the region music from Hockey Dad, Slowly Slowly, Ruby Fields and Birdz, and more.

NYE On the Hill is happening at The Farm over New Years.

Spilt Milk is taking place in Ballarat on December 3.

Mornington Country Music Festival

A celebration of the genre will be coming to The Briars this month, the Mornington Country Music Festival will be headlined by The Wolfe Brothers.

The Mornington Country Music Festival is taking place at The Briars on December 3.

Jamaican Music and Food Festival

A celebration of culture is coming to Williamstown this December, this time celebrating all things Jamaica. There’ll be music, food, and plenty more.

The Jamaican Music and Food Festival is taking place at Seaworks on December 10.

Beyond The Valley

After a toned down 2021 version renamed Beyond The City, Beyond The Valley is back in full swing at their new home in Barunah Plains. You can catch artists such as Denzel Curry, Nelly Furtado, Benee, Yeat, and many more.

Beyond The Valley is taking place at Barunah Plains over New Years.

Ocean Sounds Music Festival

As the weather (hopefully) warms up over the next little bit, there’s a bunch of outdoor festivals on the horizon, one of which is taking place in Phillip Island this December - Ocean Sounds is an all Australian affair, headlined by Tash Sultana.

The Ocean Sounds Music Festival is happening on December 10 in Phillip Island.

Thursday December 8

ADORE DELANO The Croxton. Thornbury. 8pm. $65.

JACK JOHNSON. EMILY WURRAMARA, ZIGGY ALBERTS Sidney Myer Music Bowl. Melbourne. 6pm. $116.95.

LISA MILLER Brunswick Ballroom. Brunswick. 8pm. $38.86.

THE NORTHERN FOLK. JOTHI, CODA CHROMA Gasometer Hotel. Collingwood. 7pm. $20.

RAIN DOGS: THE SONGS OF TOM WAITS & KATHLEEN BRENNAN Open Studio. Northcote. 8pm. $20.

OSCAR LADELL

The Drunken Poet. West Melbourne. 9pm. Free.

BURNING GRACE Bar 303. Northcote. 8pm.

DEEP END The Tote Hotel. Collingwood. 8.30pm. $17.35.

TV TABLOID DARLINGS. SLIMY & THE FISHSTIX, SINCE THERE WAS SCIENCE Bar Open. Fitzroy. 8pm. $17.35.

NASHVILLE PUSSY. MAMMOTH MAMMOTH, THE BLACKTIDES Northcote Social Club. Northcote. 8pm. $56.15.

NU GENEA Night Cat. Fitzroy. 9pm. $70.09.

BEYONCE’S FIANCES. DON’T TEXT UR EX, ANNA

LEEWORTHY Old Bar. Fitzroy. 8pm. $15.

THE KIDS NEXT DOOR. WILLOWBANK GROVE, BAZ

RAVISH Leadbeater Hotel. Richmond. 8pm. $23.75.

EASTBOUND BUZZ + TOMMY GUN Hotel Esplanade (aka The Espy). St Kilda. 8pm. Free.

RAMBLE TAMBLE Bird’s Basement. Melbourne. 7.30pm. $45.

TAXIRIDE Sooki Lounge. Belgrave. 8pm. $35.70.

MONDAY MOURNING. PSYCHIC SOCIAL CLUB, SHE SAID SUN The Workers Club. Fitzroy. 8pm. $13.

SHOW ME THE BODY Stay Gold. Brunswick. 9pm.

BOB ‘BONGO’ STARKIE SKYHOOKS SHOW

Memo Music Hall. St Kilda. 7pm. $30.

MINAMI DEUTSCH

Bendigo Hotel. Collingwood. 7.30pm. $40.71.

LA FURIA Cherry Bar. Melbourne. 8pm.

FOOTBALL MUSIC CULTURE’S MATCH MIXER SERIES FMC Studio. Fitzroy. 9pm.

BLAKTIVISM FEATURING YOTHU YINDI Hamer Hall (Arts Centre Melbourne). Melbourne. 7.30pm. $59 - 79.

MWIJF

PRESENTS: ANITA

WARDELL & DAVE MCEVOY + STAT The Jazzlab. Brunswick. 7.30pm. $25 - 30.

RAGTIME TAVERN OPEN MIC Ragtime Tavern. Preston. 7.30pm. Free.

JACKIE BORNSTEIN + TIM WILSON WITH JOHN MONTESANTE QUINTET

Golden Gate Hotel. South Melbourne. 6.30pm. $11.

KATANKIN Wesley Anne. Northcote. 6pm. Free.

BLACK CAB Colour Club. Carlton. 9pm. $28.78.

KOTA THE FRIEND 170 Russell. Melbourne. 7pm. $54.90.

DALE BURRIDGE: AT THE CROSSROADS Chapel Off Chapel. Prahran. 8pm. $40 - 49.

Friday December 9

MAKING GRAVY WITH PAUL KELLY. AMYL AND THE SNIFFERS, THE BETHS, ALEX THE ASTRONAUT Sidney Myer Music Bowl. Melbourne. 4.30pm. $102.50.

INTERNAL ROT. DIPLOID, SLIME CITY, CLOGGED The Tote Hotel. Collingwood. 9pm. $11.25.

LAMA REUNION SHOW. CHEEKY B Bar Open. Fitzroy. 9pm. $22.45.

DJ BRETT WOLFIE Old Bar. Fitzroy. 11.45pm. Free.

KANDALINI. PERSECUTION

BLUES, SNUB The B.East. Brunswick East. 9pm. Free.

TUDOR CLUB. AMONG THE RESTLESS, BAREFOOT SPACEMEN Leadbeater Hotel. Richmond. 8pm. $20.40.

BEL KIL The Toff in Town. Melbourne. 7:30pm. $20.

EL BEBE. WITH WITCH, NIGHTEYES Whole Lotta Love. Brunswick East. 7.30pm. $15.

AUSTRALIAN JOE COCKER SHOW: 50TH ANNIVERSARY OF MAD DOGS & ENGLISHMEN TOUR & ALBUM The Thornbury Theatre. Thornbury. 7.30pm. $39.80.

JEFF MARTIN Sooki Lounge. Belgrave. 8pm. $61.20.

METAL DESTRUCTION FEAT: KUNTSQUAD, COFFIN CAROUSEL, SPACEGOAT, GHOST ENGINE The Workers Club. Fitzroy. 8pm. $18.10.

HANDS LIKE HOUSES Max Watt’s. Melbourne. 8pm. $45.90.

PEACH FUZZ. THE BRADS, GOODBYE BUTTERFLY Retreat Hotel. Brunswick. 7.30pm. $12.

THE RAMSHACKLE ARMY. SIDESPLITTER, VON STACHE, LOVELY PLACE, MORE Bendigo Hotel. Collingwood. 8pm. $15.

A KILLER CELEBRATION OF JERRY LEE LEWIS FEAT: EZRA LEE, DAMON SMITH, SUN RISING BAND Cherry Bar. Melbourne. 8pm. $44.02.

PRIMAL. OZERGUN, JOSHCIRI, TERRA ROUGE BAD Decisions Bar. Fitzroy. 7pm. $20.

FOOTBALL MUSIC CULTURE’S MATCH MIXER SERIES FMC Studio. Fitzroy. 9pm.

TEK TEK ENSEMBLE Open Studio. Northcote. 9pm. $30.

SAMPA THE GREAT. COOL OUT SUN, TEMGAZI Hamer Hall (Arts Centre Melbourne). Melbourne. 7.30pm. $59.90.

ONE DIRECTION VS HARRY STYLES CHRISTMAS PARTY Stay Gold. Brunswick. 11pm. $10.

A VERY MERRY MARIAH CAREY CHRISTMAS FEAT: SARAH C, GREG GOULD, MELANIE LEWIN, THE MARIAH CHOIR Memo Music Hall. St Kilda. 7pm. $35.

RIDDIM METHOD FEAT: MISS FEE, BELLYAS, ANITRA, DJ R.T.R.B Section 8. Melbourne. 6pm. Free.

COSMICA Ferdydurke. Melbourne. 8pm. Free.

GREATEST HITS Yah Yah’s. Fitzroy. 9pm. $12.37.

APLEGATE. FAIRTRADE NARCOTICS The Tote Hotel. Collingwood. 8.30pm. $11.25.

OPA BATO! BALKAN BRASS Brunswick Ballroom. Brunswick. 8.30pm. $38.86.

NU GENEA Night Cat. Fitzroy. 9pm. $75.19.

ARRUMADINHO DE CHORO Wesley Anne. Northcote. 8pm. Free.

MWIJF PRESENTS: REBECCA BARNARD & THE D’AFFINOIS SINGLE LAUNCH + SUNNY REYNE The Jazzlab. Brunswick. 8pm. $35 - 40.

THE SYNCOPATORS Bird’s Basement. Melbourne. 7.30pm. $44.

THE HORNSTARS Post Office Hotel. Coburg. 9pm.

MEL SEARLE PRESENTS: A NAT KING COLE & FRIENDS SWINGIN’ CHRISTMAS Paris Cat Jazz Club. Melbourne. 8.30pm. $40.

MISS GEORGE: TRIBUTE TO DIANA KRALL Paris Cat Jazz Club. Melbourne. 6pm. $45.

BOOF! SINGLE LAUNCH Ragtime Tavern. Preston. 8pm.

MOUNT KUJO Bar 303. Northcote. 8pm.

THE FOUR SCOOPS Bar Open. Fitzroy. 6pm. Free.

LOWER PLENTY Gem Bar. Collingwood. 8pm. Free.

TILLERMAN PETE. AGE OF IGUANA, THE KIDS NEXT DOOR Hotel Esplanade (aka The Espy). St Kilda. 8.30pm. Free.

SEAL PRINCE & THE ROOF RATS. DAISY KILBOURNE, WELL INTO WINTER Daylesford Hotel. Daylesford. 8pm.

CXXNTRY YEEHAW. THE PICTURES Prince Bandroom. St Kilda. 9pm. $24.50.

MISTY HARLOWE The Drunken Poet. West Melbourne. 8.30pm. Free.

PABLO NARANJO

The Thornbury Local. Thornbury. 8pm.

TRADITIONAL IRISH MUSIC SESSION The Drunken Poet. West Melbourne. 6pm. Free.

RUNNING TOUCH (DJ SET) Hotel Esplanade (aka The Espy). St Kilda. 8pm. $22.95.

DJ JEEPSTER Rebel Rebel. Preston. 8pm. Free.

TROTH. RAEV, KUCELI Colour Club. Carlton. 8.30pm. $17.57.

ZION ARC X REVOLVER FRIDAYS FEAT: SCARDA, DANIEL CUDA, SERENE MELANIE, IN BETWEEN, JENDEX, MORE Revolver Upstairs. Prahran. 10pm.

SEASON OF CHANGE #39: PARTNERS IN CRIME Revolver Upstairs. Prahran. 5pm.

MONIKA ROSS. APOLETT, MORE OneSixOne. Prahran. 9pm.

BINGO LOCO MELBOURNE CHRISTMAS SPECIAL 170 Russell. Melbourne. 6.30pm.

VIRUS SOUND SYSTEM Geddes Lane Ballroom. Melbourne. 10pm. $30.

TRIPLE DROP FEAT: COE-XST, TRIP HAZARD, DALE BURRIDGE: AT THE CROSSROADS Chapel Off Chapel. Prahran. 8pm. $40 - 49.

Saturday December 10

MAKEPISI: SOUNDS OF SOUTH AFRICA MELBOURNE RECITAL CENTRE. Southbank. 7pm. $25.

OSCAR REUNION SHOW Bar 303. Northcote. 8pm.

THE COMET IS COMING Corner Hotel. Richmond. 8.30pm. $54.90.

FAMILY JAMS: JOELISTICS + CHARLIE NEEDS BRACES

Brunswick Ballroom. Brunswick. 1pm. $7.75.

ARRUMADINHO

FORRÓ ROOTS Hotel

Esplanade (aka The Espy). St Kilda. 8.30pm. $22.95.

MWIJF PRESENTS: MORGANA + SANDY EVANS & ANDREA KELLER + MIA IN MOTION The Jazzlab. Brunswick. 7.30pm. $35 - 40.

THE MELBOURNE SALSA OSCARS BALL LATIN DANCE SHOWCASE The Thornbury Theatre. Thornbury. 7.30pm.

BROWN SUGAR: ROLLING

THE STONES Palace Hotel. Camberwell. 8.30pm.

MARCUS ELVIS JACKSON & TONY JONES. THE BELLATONES Bird’s Basement. Melbourne. 7.30pm. $44.

WE MAY NEVER MEET AGAIN: THE MUSIC OF AMY WINEHOUSE WITH ELLY POLETTI Paris Cat Jazz Club. Melbourne. 8.30pm. $45.

YID! Memo Music Hall. St Kilda. 9.30pm. $30.

THE BAND WHO KNEW TOO MUCH Open Studio. Northcote. 9pm.

DOGGEREL The Thornbury Local. Thornbury. 8pm. Free.

MARC PIANTELLA. OVEN GLOVES, DARCY FOX

The B.East. Brunswick East. 9pm. Free.

THE AUSTRALIAN BOYS CHORAL INSTITUTE: HOME FOR THE HOLIDAYS

Melbourne Recital Centre. Southbank. 5pm. $55.

MELBOURNE SYMPHONY ORCHESTRA PRESENTS SIR ANDREW’S MESSIAH Hamer Hall (Arts Centre Melbourne). Melbourne. 7pm. $75.

HOMETOWN: ALICE SKYE

Sawyer Park Sound Shell. Horsham. 1pm. Free.

WHISKEY DRAM. MADIGAN’S WAKE, WITH WITCH Bar Open. Fitzroy. 8.30pm. $17.35.

RICH WEBB BAND Union Hotel Brunswick. Brunswick. 5pm. Free.

MIDLAND Max Watt’s. Melbourne. 7.30pm.

THE JUMP CATS

The Drunken Poet. West Melbourne. 9pm. Free.

PAT MCKERNAN

The Drunken Poet. West Melbourne. 3pm. Free.

TOM WAITS DAY Ragtime Tavern. Preston. 8pm. Free.

DAREBIN SONGWRITERS

GUILD Bar 303. Northcote. 3.30pm. Free.

DOGGEREL The Thornbury Local. Thornbury. 8pm. Free.

HARDWARE 30: TRUE FAITH FEAT: RICHIE HAWTIN, JOSEPH CAPRIATI, VICTOR RUIZ, SAMA’ ABDULHADI, DJ HMC, CJ BOLLAND, MORE

Sidney Myer Music Bowl. Melbourne. 2pm. $103.15.

HOT DUB TIME MACHINE Northcote Theatre. Northcote. 7.30pm. $66.30.

HUSAIM BEY Rebel Rebel. Preston. 8pm. Free.

WITH FRIENDS. MOUSSE, KOVAC The Toff In Town. Melbourne. 11pm. $15.

ROLÊ FEAT: DJ WHIPR SNIPR Colour Club. Carlton. 9pm. $17.57.

BINGO LOCO MELBOURNE

CHRISTMAS SPECIAL 170 Russell. Melbourne. 6pm. $51.41 - 53.55.

THE OPERATIVES: WE ARE 18 The Industrique. Coburg North. 12pm. $50.

FRANKENBOK 25TH ANNIVERSARY SHOW. DEMONHEAD, DEADWEIGHT 80, ARMOURED EARTH, FALL & RESIST The Tote Hotel. Collingwood. 8.30pm. $28.60.

FUTURE STATIC. REVOID, THE MOTION BELOW, SILVER FANG Northcote Social Club. Northcote. 7.30pm. $19.90.

MONOLIYTH. VIPERTHRONE, AS FLESH DECAYS, ANARAZEL Old Bar. Fitzroy. 8pm. $17.35.

TRAVALLEY. MT MAZE, RINK & THE RAYES Leadbeater Hotel. Richmond. 8pm. $15.

BLOWERS Gem Bar. Collingwood. 4pm. Free.

THE KRUGERS. FIREPOWER, LEGMOUTH Whole Lotta Love. Brunswick East. 7pm. PALEDUSK. STARVE Stay Gold. Brunswick. 7pm. $23.50.

RHYSICS. THE VOVOS, GARAGE SALE, MORE Retreat Hotel. Brunswick. 3pm. $15.

POTION + MARIJANNAH Bendigo Hotel. Collingwood. 7pm. $27.46.

FOOTBALL MUSIC CULTURE’S MATCH

MIXER SERIES FMC Studio. Fitzroy. 9pm.

RAGING HORMONES Gem Bar. Collingwood. 8pm. Free.

ROYAL DRUE Night Cat. Fitzroy. 7.30pm. $30.

QUEEN P The Workers Club. Fitzroy. 8pm. $18.10.

PLAYBOI CARTI NIGHT II Stay Gold. Brunswick. 11.15pm. $10.

Thursday December 15

OMEGA ENSEMBLEMELODIES & MELODRAMA Melbourne Recital Centre. Southbank. 7pm. $49 - 69.

HOME ALONE IN CONCERT Hamer Hall (Arts Centre Melbourne). Melbourne. 7.30pm. $75.

A HOLLY JOLLY HOTMESS - CABARET DINING EXPERIENCE Speakeasy Theatre. Melbourne. 6pm. $99.

AKOSIA Night Cat. Fitzroy. 8pm. $20.

CHAMBER JAZZ TRIO Wesley Anne. Northcote. 6pm.

A SONG FOR YOU: MICHAELA JAYDE CELEBRATES DONNY HATHAWAY The Jazzlab. Brunswick. 7.30pm. $20 - 25.

GRACE KNIGHT Bird’s Basement. Melbourne. 7.30pm. $55.

THE 20TH ANNUAL DMJO CHRISTMAS PARTY WITH TAMARA KULDIN Paris Cat Jazz Club. Melbourne. 7pm. $45.

AMERIGOS: WITH NATHAN SLATER, SAL GRECO AND ENZO RUBERTO Open Studio. Northcote. 8pm. $22.19.

RAGTIME TAVERN OPEN MIC

Ragtime Tavern. Preston. 7.30pm. Free.

WOMEN IN JAZZ: AN INVITATION TO FREEDOM ALBUM LAUNCH FEAT: JACKIE BORNSTIEN Paris Cat Jazz Club. Melbourne. 8pm. $40.

THE ARTIE STYLES QUARTET Bar 303. Northcote. 8pm.

WILBUR WILDE WITH JOHN MONTESANTE QUINTET

Golden Gate Hotel. South Melbourne. 6.30pm. $11.

HUMBLE. SANDBROTHERS, ANNUAL LEAF The Tote Hotel. Collingwood. 8.30pm. $11.25.

FLOOD. FLOWER FIELD FOLLY, COCO JUMBO Bar Open. Fitzroy. 8pm. $17.35.

CITRUS. NICOLE HALFORD & THE ROSE LIMBS, WORKING PROFESSIONALS Old Bar. Fitzroy. 8pm.

SILVIE MAY AND THE SILVERBEETS + CALEB GREEN & LACHIE SMITH Gem Bar. Collingwood. 7pm. Free.

DAYDREAMERS + WALIENS Hotel Esplanade (aka The Espy). St Kilda. 8pm. Free.

JOHN 5 & THE CREATURES. JARED JAMES NICHOLS Prince Bandroom. St Kilda. 8pm. $78.55.

FOOTBALL MUSIC CULTURE’S MATCH MIXER SERIES FMC Studio. Fitzroy. 9pm.

GUTTERBOY. JIMMY HARWOOD, DREST, LASHES Leadbeater Hotel. Richmond. 8pm. $18.

KIRKLANDD. SLOE JACK, DREAMING SODA Bad Decisions Bar. Fitzroy. 6pm. $15.

SEAL PRINCE & THE ROOF RATS Wesley Anne. Northcote. 8pm.

JON HOPKINS. SUCHI, BEATRICE Max Watt’s. Melbourne. 8pm. $59.90.

HOT STEPPIN FEAT: ANNA B, 3RD ORBIT, PRIYA, PRIZE FIGHT, POISON IZY Section 8. Melbourne. 6pm. Free.

Friday December 16

BASS CULTURE & MELBOURNE STOMP COLLECTIVE PRESENTS CROSSY & TRAFIC MC. ZERO1, SYSTEM, BAKER, GRUMBL, KUDOS Rubix Warehouse. Brunswick. 10pm. $16.91.

COALESCE PRESENTS: #ITSANUWORLD. NUUM, LACES, KENTA204, TJWEAVER, DARCY BAYLIS, PROPHECY GIRL The Tote Hotel. Collingwood. 8.30pm. $17.35.

EMPRESS. FRANKO GONZO, PLASTIQ Northcote Social Club. Northcote. 8.30pm. $24.

CUT COPY. GLASS BEAMS, RONA Northcote Theatre. Northcote. 7.30pm. $61.20.

QUESTACHRONIC 2 Rebel Rebel. Preston. 8pm. Free.

REBEL YELL. NAPE, HEMLOCK LADDER, ELA STILES Colour Club. Carlton. 8pm. $23.67.

THE CRYSTAL METHOD 170 Russell. Melbourne. 8pm. $65.

THE OPERATIVES FEAT: JPS, NAM, MORE Section 8. Melbourne. 6pm. Free.

BEETHOVEN’S CHRISTMAS Melbourne Recital Centre. Southbank. 7.30pm. $75.

THE MUPPET CHRISTMAS CAROL IN CONCERT Hamer Hall (Arts Centre Melbourne). Melbourne. 7pm. $70.35.

NGV FRIDAY NIGHTS: NAI PALM. C.FRIM NGVNational Gallery of Victoria. Melbourne. 6pm. $35.

HARMANIAX Bar Open. Fitzroy. 6pm.

SUGAR FED LEOPARDS Night Cat. Fitzroy. 11pm. $18.15.

LABCATS The Jazzlab. Brunswick. 8pm. $30 - 35.

MUCHO MAMBO Bird’s Basement. Melbourne. 7.30pm. $49.

MINNIE COLLECTIVE: AN EVENING IN LA LA LAND WITH AMELIA EVANS Paris Cat Jazz Club. Melbourne. 8.30pm. $45.

THE BLACK SORROWS CHRISTMAS SHOW Memo Music Hall. St Kilda. 7pm. $45.

ANJA & ZLATNA ENSEMBLE: MUSIC FROM THE BALKANS & BEYOND Open Studio. Northcote. 9pm. $27.46.

NAT BARTSTCH Ragtime Tavern. Preston. 8pm. Free.

DIDIRRI Hotel Westwood. Footscray. 8pm. $32.74.

DUSTY SESSIONS Bar 303. Northcote. 8pm. $15.

JIM ALXNDR. WOLFJAY The B.East. Brunswick East. 9pm. Free.

MATT BOURKE & THE DELUSIONAL DRUNKS. SLEDGEHAMMER, DESTRENDS Old Bar. Fitzroy. 8pm. $11.25.

BRIAN CAMPEAU. ESTHER Brunswick Artists’ Bar. Brunswick. 8.30pm. Free.

MEZZ COLEMAN’S ANNUAL CHRISTMAS SHOW Wesley Anne. Northcote. 8pm.

BEN ABRAHAM’S CHRISTMAS SPECIAL 11 The Thornbury Theatre. Thornbury. 7pm. $55.60.

FUNDRAISER FOR BARNGARLA: FOLK AND COUNTRY FEAT: THE DOUBLE DOLE STRINGBAND, SUZIE BLUE, BILLI SINCLAIR, CHARLOTTE LE LIEVRE Mamma Chen’s. Footscray. 6pm.

THE DUSTY SESSIONS: SINGER-SONGWRITER SHOWCASE VOL. 9 FEAT: DOM BRINKLEY, TIARN TONI, CONOR MORRISSEY Bar 303. Northcote. 8pm. $10.

TRADITIONAL IRISH MUSIC

SESSION

The Drunken Poet. West Melbourne. 6pm. Free.

TILLY O’BRIEN BAND The Thornbury Local. Thornbury. 8pm. Free.

THE FCKUPS. THE COFFINS, VICIOUS BLONDE, THE DEADBEATS The Tote Hotel. Collingwood. 9pm. $11.25.

YOURS TRULY Corner Hotel. Richmond. 8.30pm.

DJ WOLFIE Old Bar. Fitzroy. 11.45pm. Free.

JAMES NORBERT IVANYI Leadbeater Hotel. Richmond. 8pm. $24.90.

PLASTIC SECTION + STU MANCHU & HIS CHOSEN FEW Gem Bar. Collingwood. 8pm. Free.

BAKERS EDDY Night Cat. Fitzroy. 7.30pm. $23.24.

CIVIC. THE PRIZE, THE WAX EATERS Sooki Lounge. Belgrave. 8pm. $30.60.

THE MEAN TIMES. LOS DOMINADOS Post Office Hotel. Coburg. 9pm.

KOSMETIKA. THE BELAIR LIP BOMBS, BAYONET Retreat Hotel. Brunswick. 7.30pm. $15 - 20.

HOLIDAY HAVOC - NO RING DEATHMATCH ACTION FEAT: DEVILMONKEY, TONGUE SCUM, RATTLEBACK Bendigo Hotel. Collingwood. 8pm. $20.

ICECREAM HANDS XMAS SHOW. THE PICTURES Prince Bandroom. St Kilda. 8pm. $35.70.

RUBY MAE. KAITLIN KEEGAN, THE FILLMORES Cherry Bar. Melbourne. 8pm. $17.48.

FOOTBALL MUSIC CULTURE’S MATCH MIXER SERIES FMC Studio. Fitzroy. 9pm.

GIANT CLAM. LACK THE LOW, CAUSTIC GRIP, THE WORLD AT A GLANCE Bar Open. Fitzroy. 8pm. $15 - 20.

FRANJAPAN Hotel Esplanade

(aka The Espy). St Kilda. 8.30pm. Free.

ASTON The Workers Club. Fitzroy. 8pm. $18.10.

Saturday December 17

REGGAE DANCEHALL MEETS AFROBEATS FEAT: KEVINO, ANITRA, ZARE DEMUS, JERRY C, DJ VERSE@ILLE, TROUBLEMEKKA, RICK HOWE, BINGHI FIRE, STRYKA D, STICK MAREEBO, GWAAN

GAL Corner Hotel. Richmond. 8pm. $18.40.

NOCTURNE NIGHT Night Cat. Fitzroy. 11pm. $23.24 - 29.31.

SEZZYTHELEZZY Rebel Rebel. Preston. 8pm. Free.

KIAZMA PIANO DUO - THE COMPLETE MOZART

SONATAS: MOZART & VINE

Melbourne Recital Centre. Southbank. 3pm. $25.

CENTRAL AUSTRALIAN ABORIGINAL WOMEN’S

CHOIR Hamer Hall (Arts Centre Melbourne). Melbourne. 7.30pm. $109.

SUZI Hotel Westwood. Footscray. 8pm. $16.91.

HOMO ALONO X-MAS PARTY: UGLY CHRISTMAS JUMPER CATWALK, KARAOKE, FESTIVE COCKTAILS & DRESS-UPS. DJ DIRTY VERSACHI, DJ TINY TEXT

The B.East. Brunswick East. 8pm. Free.

BONES & JONES + FOLK BITCH TRIO (XMAS SHOW)

Northcote Social Club. Northcote. 8.30pm. $29.10.

BEN ABRAHAM’S

CHRISTMAS SPECIAL 11

The Thornbury Theatre. Thornbury. 7pm. $55.60.

GUITAR KINGDOM FEAT: ROSE DE LA MONTAÑA, RICHARD TEDESCO Open Studio. Northcote. 5.30pm. $22.19.

2RU + FJ & THE SWITCH + CITRUS Bar 303. Northcote. 8pm. $15.

PIZZA DEATH. WOMB TO TOMB, CREEP DIETS, SCRAPE

The Tote Hotel. Collingwood. 8.30pm. $17.35.

LORD ROCHESTER. TASHMINTS, THE WRAYLETTES Old Bar. Fitzroy. 8pm. $15.

FIREBIRD SCHOOL OF MUSIC Brunswick Ballroom. Brunswick. 1pm. Free.

PHIL & THE TILES + SILVA Gem Bar. Collingwood. 4pm. Free.

SONGS THE DETROIT COBRAS TAUGHT US: A TRIBUTE TO RACHEL NAGY Gem Bar. Collingwood. 7.30pm. Free.

DREAMWORM. VERONA LIGHTS, SENTIA, SKIN THIEF

Whole Lotta Love. Brunswick East. 7.30pm. $15.87.

COLOSSUS RECORDS PRESENT HARD TIMES FEAT: THE VOVOS, CARPET BURN, SPECCY MCGEE The Toff In Town. Melbourne. 7pm. $20.

SOCIETY OF BEGGARS. TROUBLE PEACH, WITH WITCH Retreat Hotel. Brunswick. 7.30pm. $12.

FRANKIE J HOLDEN & WILBUR WILDE ROCKIN’ XMAS Memo Music Hall. St Kilda. 7pm. $40.

DAMON SMITH Ragtime Tavern. Preston. 7.30pm.

KAKU. THE SHADOW MINISTERS, JAYNE DOE Bendigo Hotel. Collingwood. 9pm. $10.

THE EXILES Cherry Bar. Melbourne. 8pm. $22.59.

SANTINO SALVADORE The Thornbury Local. Thornbury. 8pm.

FOOTBALL MUSIC CULTURE’S MATCH MIXER SERIES FMC Studio. Fitzroy. 9pm.

TAKING BACK SATURDAY: EMO & POP PUNK XMAS PARTY Stay Gold. Brunswick. 11.15pm. $15.30 - 20.

EMMA DONOVAN & THE PUTBACKS. DANIKA SMITH TRIO Brunswick Ballroom. Brunswick. 8.30pm. $38.86.

ALICE BISSCHOPS TRIO Wesley Anne. Northcote. 6pm. Free.

CANNONBALL WITH CHANTAL MITVALSKY The Jazzlab. Brunswick. 8pm. $30 - 35.

GRAND WAZOO. THE BELLATONES Bird’s Basement. Melbourne. 7.30pm. $55.

CRAIG SMITH QUINTET PLAYS BILLY JOEL: IN A JAZZ STATE OF MIND Paris Cat Jazz Club. Melbourne. 6pm. $45.

LOS COJONES Open Studio. Northcote. 9pm. $16.91.

Saturday December 31 (New Year’s Eve)

NEW YEAR’S EVE GALA CONCERT Hamer Hall (Arts Centre Melbourne). Melbourne. 8pm. $90.

NYE AT THE ESPY HOTEL Esplanade (aka The Espy). St Kilda. 8pm. $22.95.

STEPPERS - NEW YEARS EVE SHOW. FLOWER FIELD FOLLY, COCO JUMBO Bar Open. Fitzroy. 10.30pm. $17.35.

SOUL-A-GO-GO NYE WITH SURPRISE CHEF. STUCKEY, DJ LADY SOUL, SUGAR D, VINCE PEACH, ANDREW YOUNG, RICHIE 1250 Brunswick Ballroom. Brunswick. 8pm. $64.87.

NYE CELEBRATION WITH MELBOURNE SKA ORCHESTRA Memo Music Hall. St Kilda. 8pm. $59.

“YOU CAN’T STOP THE

MUSIC” NEW YEARS EVE DISCO PARTY FEAT: DJ 789 Open Studio. Northcote. 8pm. $35 - 40.

NYE AT THE FARM: WHEN PIGS FLY FEAT: BLACK JESUS EXPERIENCE, CLOSE COUNTERS, EMMA VOLARD, FEIGN JIMA, KALYANI, MILDLIFE, SADAR BAHAR, MOTHAFUNK, SOPHIE MCALISTER, DJ LUV YOU, LOVE SENSATION ALL STARS, MZRIZK, O HONEY, ZEPHERIN SAINT

Collingwood Children’s Farm. Collingwood. 3pm.

FALLS FESTIVAL 2022: FALLS DOWNTOWN FEAT: ARCTIC MONKEYS, LIL NAS X, PEGGY GOU, CHVRCHES, JAMIE XX, MORE Sidney Myer Music Bowl. Melbourne. 10am. $189.

STALKER! NEW YEAR’S EVIL. THRALL, CHOOF, TRUE BELIEVER, CULT OF THE NIGHT Bendigo Hotel. Collingwood. 7pm. $35.08.

BABBA - BACK TO THE 70S NEW YEARS EVE SHOW Yarraville Club. Yarraville. 9pm. $50.

DONNY BENÉT NYE. OUR CARLSON, DELIVERY Corner Hotel. Richmond. 8.30pm. $67.

NATTY DAY PARTY FEAT: CHARLES-EDDY, ED KENT, JOHAN ELGSTROM, KING DELICIOUS, MORE Section 8. Melbourne. 6pm. Free.

NYE AT THE GEM FEAT: SIN CITY, JB BONES, ELWOOD BLUES, DARTH BROOKS Gem Bar. Collingwood. 7pm. Free.

DJ BRONTESAURUS SEX

The B.East. Brunswick East. 6pm. Free.Dagger The B.East. Brunswick East. 9pm. Free.