THE COLLECTOR’S SALES Furniture & Decorative Arts, Design, Art
THE COLLECTOR’S SALES Furniture & Decorative Arts, Design, Art AUCT IONS
Sales 1639, 1639A, 1639B Furniture & Decorative Arts, Tuesday, September 10, 2019 at 10 am Design, Tuesday, September 10, 2019 at 11:30 am Art, Wednesday, September 11, 2019 at 10 am 1808 Chestnut Street, Philadelphia, Pennsylvania 19103
D EPAR TM ENTS
CLIE NT SE RVICE S
Don Walter Head of Sales dwalter@freemansauction.com 267.414.1224
Mary Maguire Director | Client Services mmaguire@freemansauction.com 267.414.1236
Andrew Taggart Associate Specialist | Fine & Decorative Arts ataggart@freemansauction.com 267.414.1225
Joslyn Moore Bidding Registration jmoore@freemansauction.com 267.414.1207
Shannon Jeffers Associate Specialist | Art sjeffers@freemansauction.com 267.414.1231
Justin Cook Post-Sale Administrator jcook@freemansauction.com 267.414.1226
Furniture & Decorative Arts September 10, 2019
1 A George III inlaid mahogany two-door specimen cabinet circa 1800 H: 14 1/4, W: 15, D: 9 1/2 in. provenance: Estate of a Washington, D.C. collector $350-450 2 A George III inlaid mahogany dressing or sewing table circa 1800 H: 34 1/2, W: 21 1/2, D: 11 in. provenance: Estate of a Washington, D.C. collector $400-600 3 A Regency string inlaid mahogany secretary bookcase early 19th century H: 89 1/2, W: 49 1/4, D: 24 in. $700-900 4 A Regency style mahogany dining table Kensington Furniture, New York, NY, 20th century L: 59 1/2 in., W: 48 in., H: 28 in. (not extended) $400-600 5 A set of nine George III style mahogany ribbon-back dining chairs 20th century Comprising two armchairs and seven side chairs. (9). H: 39 in. (tallest) $500-700 6 A Regency style mahogany sideboard 20th century H: 40 in., W: 79 in., D: 27 1/2 in. $500-700 7 George III mahogany and parcel-gilt looking glass 18th century H: 42 in. W: 27 in. $500-800 8 A Regency style mahogany flip-top breakfast table 19th/20th century L: 55 1/2 in., W: 39 3/4 in., H: 30 in. $150-250 9 A set of eight Chippendale style mahogany dining room chairs 19th/20th century H: 39 in. $1,000-1,500 10 A Regency style string inlaid figured mahogany double pedestal dining table mid 20th century H: 30, W: 36, L: 87 in. $100-200
11 A set of nine George III style mahogany dining chairs likely 19th century H: 38, W: 24 1/4, D: 19 1/2 in. $800-1,200 12 A George II pierced and carved mahogany looking glass 18th century H: 37 1/2 in. $100-200 13 A provincial George III pine sideboard late 18th/early 19th century H: 36 51/2, W: 54, D: 16 in. provenance: The Estate of Mark J. Bojanowski, Philadelphia, Pennsylvania. $400-600 14 An English carved oak Bible box 18th century H: 19 3/4, W: 30, D: 15 3/4 in. provenance: The collection of a Margate, New Jersey lady. $400-600 15 A George III style mahogany partners desk Maitland Smith, 20th century L: 63 in., W: 39 1/2 in., H: 31 in. $1,000-1,500 16 A Federal walnut drop-leaf table circa 1820 H: 29 in. W: 61 in. D: 48 in. (open) $200-300 17 Set of eight Federal carved mahogany shield-back chairs Maryland, 19th century With overupholstered seats on inlaid tapering legs ending in spade feet. H: 40 1/4 in. $2,000-3,000 18 A pair of Federal style mahogany dining table ends 20th century L: 44 1/2 in., W: 22 1/2 in., H: 30 in. (each) $200-300 19 Late Federal two-part mahogany dining table Circa 1825 Each part with “D” form top and deep leaf on spiral-turned and leaf-carved legs, turned feet on casters. H: 29 5/8 in. W: 42 in. L: 78 5/8 in. (open) Length of one piece closeDd 20 1/4 in. $600-800 20 Chippendale mahogany and parcel-gilt looking glass late 18th century The pediment pierced with foliate device. L: 41 in. $400-600
21 A Chippendale mahogany and parcel-gilt looking glass 18th/19th century With carved eagle at crest. 44 in. x 22 in. $100-200 22 A Queen Anne mahogany tilt-top tea table possibly Newport, RI, 18th century H: 28 in. Dia: 30 in. $600-800 23 A set of five Chippendale mahogany side chairs 18th/19th century H: 38 in. $1,000-1,500 24 Chippendale walnut pembroke table Philadelphia, PA, late 18th century Single drawer, x-form stretcher. H: 29 in. L: 36 in. W: 19 1/2 in. $700-900 25 Federal inlaid mahogany card table Possibly Boston, MA, circa 1800 H: 28 in. W: 38 in. D: 19 in. provenance: Collection of Mr. and Mrs. Richard E. Oldenburg. $300-500 26 Federal maple chest of drawers early 19th century H: 39 in. W: 43 in. D: 20 in. provenance: Collection of Mr. and Mrs. Richard E. Oldenburg. $300-500 27 A Classical mahogany chest of drawers of Civil War interest circa 1845 With inscription to reverse, “RPP/45 Cold Spring.” L: 42 in., W: 19 1/2 in., H: 45 1/2 in. provenance: Found in Philadelphia, Pennsylvania. note: This chest of drawers may have belonged to Robert Parker Parrott (1804-1877). Parrott, born in New Hampshire, was a second lieutenant during the Civil War, but he is probably best-known for his invention of the Parrott rifle in 1860. This achievement is credited in part due to Parrott’s role as superintendent of the West Point Iron and Cannon Foundry, located at Cold Spring, New York. The inscription on the reverse of this chest, “RPP/45 Cold Spring”, suggests Parrott’s ownership, and is further supported by the initials “RPP” also found on his invention. $200-300 28 Federal inlaid walnut slant-front desk late 18th century H: 42 1/2 in. W: 22 in. L: 40 in. $700-900
29 A Federal brass-mounted mahogany pier mirror circa 1815-1820 H: 38 in., W: 19 1/2 in. $100-200 30 A Chippendale mahogany chest of drawers late 18th century L: 40 in., W: 21 1/4 in., H: 36 1/2 in. provenance: The Estate of Robert Morrison, Philadelphia, Pennsylvania. $350-450 30A A pair of George III provincial elm side chairs possibly Scottish, circa 1800 With pine plank seats. H: 37 1/2 in. provenance: The Estate of Robert Morrison, Philadelphia, Pennsylvania. $150-250 31 A Federal style mahogany dressing table together with a three-panel dressing mirror and bench 20th century L: 42 in., D: 21 in., H: 28 1/2 in. (table) $200-400 32 A Federal mahogany and burl maple work table 19th century The work table with two drawers, brass pulls, early 19th century;. L: 19 in., W: 18 1/2 in., H: 29 1/2 in. (table) $200-400 33 Late Federal mahogany drop-leaf table Probably Boston, MA, circa 1810 With “D” form leaves, above single working drawer and spiral-turned legs ending in peg feet. H: 28 1/2 in. W: 47 in. D: 36 in. provenance: Property from the Dumbarton House Collection, Washington D.C., sold to benefit future acquisitions. According to Curwen family tradition, the table belonged to Tobias Lear. Gift of Elinor Ewing Curwen, Pennsylvania Society and Mrs. Edward F. McKeen (Alice Osbourne Curwen) of Winterport, Maine, to Dumbarton House, 1963. $500-800 34 Federal mahogany corner washstand Massachusetts, circa 1800 H: 50 in. W: 29 in. D: 19 1/4 in. provenance: Property from the Dumbarton House Collection, Washington D.C., sold to benefit future acquisitions. Purchased George W. Reynolds, Washington D.C., 1934, Gift of The California Society of the Colonial Dames. $250-350
35 Classical carved walnut chest of drawers New England, circa 1825 With glove drawers above chest with bowed front flanked by carved and spiral-turned posts. H: 46 1/2 in. W: 42 1/2 in. D: 23 1/4 in. $800-1,200 36 Federal style paint-decorated chamber table with single drawer 19th century L: 36 in., W: 18 in., H: 29 1/2 in. $100-150 37 Painted and faux-grained blanket chest circa 1830 The faux-grain with roosters and clouds. H: 23 in. W: 18 1/2 in. L: 37 1/2 in. $200-300 38 Painted, stenciled, and decoupaged center table Mid-Atlantic, circa 1820 The top decoupaged with various Chinoiserie, Classical and political motifs including portraits of George and Martha Washington, the base stencil- decorated. H: 28 1/4 in. L: 28 3/4 in. W: 28 in. provenance: Property from a Mid-Atlantic Institution. $1,000-1,500 39 Abraham B. Rockey (1799-1875) Portrait of young Samuel Castner, Jr. (1843-1929) of Philadelphia, PA and pet dog, 1853 Sitter identified on frame verso, signed and dated “A. B. Rockey 1853”, l.l., oil on canvas, framed. 57 in. x 41 in. (sight) provenance: The Estate of Mark J. Bojanowski, Philadelphia, Pennsylvania. $2,000-3,000 40 American School 19th century In the manner of Gilbert Stuart (1755-1828) Portrait of a gentleman Oil on canvas, framed. 29 in. x 24 in. (sight) provenance: Sold on behalf of the Pennsylvania Academy of the Fine Arts (PAFA) to benefit future acquisitions. Gift of Mrs. John Frederick Lewis (The John Frederick Lewis Memorial Collection), 1933. $1,500-2,500
41 A hand-colored lithograph of the Plan of Phildelphia S. Augustus Mitchell, Jr., Philadelphia, 1867 Inscribed, “Entered according to Act of Congress in the year 1867 by S. Augustus Mitchell Jr. in the Clerks Office of the District Court for the Eastern District of Pennyslvania”, matted and framed. 13 3/4 in. x 11 1/2 in. (sight), 19 1/4 in. x 17 1/4 in. (frame) provenance: The Philadelphia Print Shop, Ltd., Philadelphia, PA. Philadelphia Collection. $100-150 42 American School 19th century Hudson River View Oil on canvas, framed. 26 in. x 19 in. (sight), 30 1/2 in. x 23 in. (frame) $800-1,200 43 Two fraktur style watercolor drawings of birds on branches Estella L. Moore (1882-1900), dated “1898” Both signed and dated lower right, “Estella Moore 1898”; the reverse of one with inscription, “Painted by Estella L. Moore1882-1900 (Irvin K. Moore’s sister) died of diphtheria”; matted and framed. 5 in. x 3 1/2 in. (sight), 10 1/2 in. x 7 1/2 in. (frame, taller) $200-400 44 Two frakturs- engraved and hand-colored birth and baptism records nazareth and rockland township, pennsylvania, dated 1880/1881 and 1876 The first with printed text in English, inscribed with parental names, child’s name, witness names (indistinct), and dates, “Alfed Walter/Sabina/daughter of Siegfried/11 November 1880 (birth)/Nazareth, Northampton Co./Pennsylvania/20 February 1881 (baptism)/Mariel (?) Alice”; the second with printed text in German, inscribed with parental names, child’s name, witness names, and dates, “William W. Grimm/Mary S./daugther of Hottenstein/16 February 1876 (birth)/Rockland Township, Berks County/Pennsylvania/27 February 1876 (baptism)/Alfred Herman/George Austin”; engraving, watercolor, and ink on paper. 16 1/4 in. x 12 1/4 in. (sight) $150-250 45 “Viva La Plume -The Writing Master’s Invitation and Instruction” Philip Knap, Newburyport, MA, 1799 Signed and dated “N. Port, Sth School, Philip Knap/Dec. 6th, 1799”, the back inscribed in graphite, “Written for Matt. Haskell when he lived in Newburyport in 1799,” worked with poems, decorated with flower clusters, the border inscribed with the alphabet, watercolor and ink on paper, framed. 16 1/2 in. x 13 in. (sight) provenance: Property from a Mid-Atlantic Institution. $1,000-1,500
46 A painted metal pub sign: “Bass - Gibraltar Rock” English or Irish, 20th century H: 51 1/2 in., W: 38 in. $200-400 47 (AFTER) FRANK FELLER (swiss, 1848-1908) “THE LAST GRIP” Signed ‘Frank Feller’ in plate bottom left, chromolithograph Sight size: 25 x 19 1/2 in. (63.5 x 49.5cm) $25-50 48 Two handguns and a brass powder flask circa 1840-1870 Comprising a single shot, percussion, circa 1840; a Hopkins & Allen “Dictator”, patented 1870; and a brass powder flask, circa 18401860. (3 items). L: 7 1/2 in. (longest) $200-300 49 Modified Model 1884 Springfield trapdoor carbine Springfield Armory, Springfield, MA Serial no. 3148. L: 41 in. provenance: Property of a New Jersey gentleman. $200-400 50 Painted and decorated tinware tray 19th century Oblong form decorated with spray of fruit and a seashell, enclosed by a striped rim, pierced at ends with handholds. L: 27 3/4 in. $300-500 51 Iron kitchen spatula 18th century L: 9 1/2 in. $50-100 52 Federal brass, iron and wirework fender Circa 1800 Of serpentine form ornamented with three urn-form brass finials. H: 11 in. L: 32 1/2 in. provenance: Property from the Dumbarton House Collection, Washington D.C., sold to benefit future acquisitions. Purchased from Caroline Faison Antiques, Greensboro, North Carolina, 1982. $300-500 53 An assembled group of brass and iron fireplace fenders and andirons 18th-20th century Comprising four fenders and four pairs of andirons. (8). L: 52 in. (longest) $100-200
54 A large assembled group of iron and brass fireplace tools 19th century Comprising four shovels, seven tongs, five pokers, and a large candle snuffer. (approx. 17 items). L: 49 1/2 in. (longest) $100-200 55 Cast iron fireback 18th/19th century Depicting three religious figures. 30 1/2 in. x 23 in. $50-100 56 Cast iron fireback Thomas Potts, mid-18th century 25 1/2 in. x 19 in. (approx.) provenance: Broken in half, and previously resoldered $50-100 57 A pair of Baroque style brass andirons 20th century H: 27 in. provenance: Sold on behalf of the Philadelphia Museum of Art to benefit future acquisitions. $100-200 58 An engraved brass clock face and movement 18th/19th century 8 1/4 in. x 8 1/4 in. (face) $50-100 59 A pair of Regency tôle peinte vases on cast paw form feet early 19th century H: 8 1/4 in. provenance: Estate of a Washington, D.C. Collector. $150-200 60 Chinese Export porcelain famille rose scalloped and lobed bowl circa 1770 Decorated with a floral spray, gilt highlights. Dia: 10 1/2 in. $120-180 61 Two Chinese Export ‘Imari’ porcelain shellform dishes circa 1720 L: 7 1/2 in. W: 7 1/2 in. (largest) $500-800 62 A Chinese export porcelain famille rose punch bowl late 18th century Decorated with pomegranate and floral sprays, gilt simple inner border. H: 5, Dia: 11 in. provenance: Estate of a Washington, D.C. collector $350-450
63 Native American painted basket probably Anasazi, American Southwest, circa 1500 H: 12 1/4 in. provenance: Property from the Collection of Dr. Steven KM Tim and Nancy Tim, Brooklyn, New York $400-600 64 Large Native American basket tray probably Sioux, American Plains, 19th century Dia: 16 in. provenance: Property from the Collection of Dr. Steven KM Tim and Nancy Tim, Brooklyn, New York $200-300 65 Black and white painted pottery vessel Anasazi, American Southwest, circa 1500 With handle and painted geometric designs. H: 7 in. provenance: Property from the Collection of Dr. Steven KM Tim and Nancy Tim, Brooklyn, New York $250-400 66 Two Pre-Columbian pottery vessels possibly mexico and peru, circa 300-400 CE and 1000-1470 CE Comprising a figural stirrup pot, possibly Western Mexico, circa 300-400 CE, and a bowl with anthropomorphic handles and geometric designs, probably Chancay, Peru, circa 1000-1470 CE. (2). H: 10 1/2 in. (tallest) provenance: Property from the Collection of Dr. Steven KM Tim and Nancy Tim, Brooklyn, New York $400-600 67 Group of 15 assorted copper molds Comprising: seven plain tall ring molds; two shaped jelly molds; set of six two-part “pumpkin” molds, stamped “Rd. 121218/ JONES BROS/4 DOWN St. W. H: 4 in. (tallest) provenance: Property from the Collection of Dr. Steven KM Tim and Nancy Tim, Brooklyn, New York $400-600 68 Group of 18 assorted copper and brass utinsels and vessels Comprising: a brass basin; an oval copper shallow pan; eight assorted copper pans, trays and pourers, one pourer stamped “CC” another stamped “J. H. & M. CO/N.Y./...& 45 WOOSTER”; one oval pan stamped “...BERLIN”; a tin sifter, a French brass sauce heater; a brass scoop; and five assorted ladles and strainers. L: 23 1/4 in. (longest strainer) provenance: Property from the Collection of Dr. Steven KM Tim and Nancy Tim, Brooklyn, New York $300-500
69 Group of five assorted copper sauce pans and covers, a stew pot and cover, and an oval cover Oval cover stamped “D.H.&M. CO/N.Y./43 &45 WOOSTER St. L: 17 5/8 in. (oval cover) provenance: Property from the Collection of Dr. Steven KM Tim and Nancy Tim, Brooklyn, New York $400-600 70 Group of 14 assorted copper pots and pans Smallest stamped “WALDOW/BROOKLYN N.Y.; one saucepan stamped “MADE IN FRANCE”; largest pan stamped “BAR...& SON/NEW YORK/...32 COOPER SQ”; one pot stamped “MUTUAL/N.Y. CITY/...CATHERINE ST., RAILROAD/CLUB”, another, similarly stamped “MACHINERY CLUB”, the largest similarly stamped and with “DA”; three graduated deep pots engraved with “B”; second largest pot stamped “PAUL A. RUNG/EQUIPMENT/NEW YORK “ and “ROBERT TREAT” H: 8 1/2 in. (largest) provenance: Property from the Collection of Dr. Steven KM Tim and Nancy Tim, Brooklyn, New York $400-600 71 Group of six copper and brass larger vessels Comprising a tapered ewer with handle; a cylindrical pot with two short handles, stamped “E.M./128/S.5 AV. N.Y; a coal scuttle; a large covered vessel; a twinhandled large vessel with rounded base; and a brass and metal milk(?) pail. H: 15” (tallest) provenance: Property from the Collection of Dr. Steven KM Tim and Nancy Tim, Brooklyn, New York $300-500 72 Group of nine copper and brass copper basins, vessels, pails and bowls Comprising: two graduated hemisherical bowls; two brass buckets/pails; two copper buckets/pails; two large copper basins; and a wide shallow copper basin. D: 23 1/2” in. (largest, across handles) provenance: Property from the Collection of Dr. Steven KM Tim and Nancy Tim, Brooklyn, New York $300-500 73 A group of five assorted copper and brass watering cans One head embossed “HAWS GENUINE” H: 15 1/4 in. (tallest) provenance: Property from the Collection of Dr. Steven KM Tim and Nancy Tim, Brooklyn, New York $300-500
74 Group of three copper kettles One with handle stamped “J. WIKSTRUM/WASSER. approx H: 12” (tallest) provenance: Property from the Collection of Dr. Steven KM Tim and Nancy Tim, Brooklyn, New York $200-300 75 Group of 30 copper and brass measures and vessels Comprising: a cone mold; two graduated ewers, stamped “ MADE IN ENGLAND/J.S. & S./SOLID COPPER; four assorted syrup pitchers; three warmers with handles; three assorted cylindrical vessels; two small domed measures; two 1/2 gill measures; two miniature ewers, one stamped ...NAGGIN...; a Victorian pewter 1/2 pint measure; a braod ewer, a set of 9 graduated brass measuring scoops, one stamped “MADE IN GERMANY” H: 12 1/2 in. (tallest) provenance: Property from the Collection of Dr. Steven KM Tim and Nancy Tim, Brooklyn, New York $300-500 76 Group of tramp art items late 19th century Comprising a planter, two lidded boxes, and two frames. (5). Planter: H: 27 1/4 in., W: 16 in. (widest area) $400-600 77 Two Micmac floral quilled birch bark scissor cases late 19th/20th century L: 5 3/4 in. (longest) $100-150 78 Carved and painted deer head late 19th/early 20th century With real antlers; together with a figure of a standing deer and corner shelf with silhouetted figures of deer and birds. H(s): 17 1/2 in. and 22 in. provenance: The Grant Collection, New York $120-180 79 Violin-shaped wood container 20th century L: 18 in. W: 12 in. H: 5 1/2 in. provenance: The Grant Collection, New York $150-200 80 Dalmation figure butler tray 20th century Height: 26 inches provenance: The Estate of George A. “Frolic” Weymouth, Chadds Ford, PA $50-80
81 American School 19th century Portrait miniature of a lady Watercolor on ivory, gilt metal case. 2 1/4 in. x 1 3/4 in. (sight) $150-250 82 A group of six European portrait miniatures 18th-early 20th century Comprising a circular “naughty box” depicting a monk and lady, probably 19th century, tortoiseshell box; a portrait of a young 18th-century style lady wearing a hat and holding a sickle, probably French, 19th century, framed; a small round portrait of a young lady in an ivory frame, late 19th/early 20th century; a portrait of a lady in a blue dress, French, circa 1785, gilt metal frame; a portrait of an 18th-century style lady in a white dress, English or French, 19th century, gilt metal frame; and a portrait of a young 17th-century style European nobleman, 19th century, gilt metal frame. (6). 3 in. x 2 1/2 in. (European nobleman by sight) $400-600 83 American School 18th century Portrait miniature of Reverend James Sproat (1722-1793) of Philadelphia, PA, circa 1790 Inscribed to reverse in pencil, “This is...Rev James Sproat D. D. by either Joseph or Richard ...sons of Richard/Presbyterian Church Philadelphia 1768-1793”, watercolor on ivory, gilt metal case with églomisé back with reserve for hairwork reading “Esperance.” 2 1/2 in. x 2 in. $200-300 84 After James Peale (1749-1831) Pair of portrait miniatures of a lady and gentleman, late 19th/early 20th century Watercolor and gouache on paper, matted and framed. 3 3/4 in. x 2 3/4 in. (sight), 8 3/4 in. x 6 1/2 in. (frames) $200-400 85 Attributed to Benjamin Trott (1770-1843) Portrait miniature of a gentleman, said to be Caleb Alexander Taylor of Virginia, early 19th century Watercolor on ivory, gilt metal case. 2 3/4 in. x 2 1/4 in. (sight) $200-300 86 Continental School 19th century Portrait miniature of a young man, early 19th century Watercolor on ivory, matted and framed. 2 1/4 in. x 1 3/4 in. (sight), 4 1/4 in. x 3 3/4 in. (frame) $150-250 87 American School 18th/19th century Portrait miniature of a young lady Watercolor on ivory, gold case with reserve to obverse for hairwork. 1 3/4 in. x 1 /2 in. (sight) $150-250
88 Attributed to Elizabeth (Betsey) Way Champlain (1771-1825) Portrait miniature of a man in yellow waistcoat, early 19th century Watercolor on ivory, gilt metal case. 1 1/2 in. x 1 in. (sight) $300-500 89 Attributed to Thomas Birch (1779-1851) Portrait miniature of Dr. James Freeman, early 19th century Watercolor on paper, framed. Dia: 2 in. (sight), 4 1/2 in. x 4 in. (frame) $300-500 89A American School 19th century Portrait miniature of a lady, said to be M. K. Stuart, by Anne Mhom Inscribed to reverse, “M. K. Stuart by Anne Mhom”, watercolor on ivory, framed. 3 1/2 in. x 2 3/4 in. (sight), 6 in. x 5 1/2 in. (frame) $150-250 90 American School 19th century Portrait miniature of a young man Watercolor on ivory, gilt metal and velvet case. 2 3/4 in. x 2 1/4 in. (sight) $200-300 91 American School 19th century Pair of portrait miniatures: lady and gentleman Watercolor on ivory, matted and framed. 3 3/4 in. x 2 3/4 in. (sight), 6 in. x 5 in. (frames) $200-400 92 American School 19th century portrait miniature of a gentleman, early 19th century Signed “D. Nathan”, lower right, watercolor on ivory, framed. 2 1/8 in. x 1 3/4 in. (sight) $150-250 93 American School 19th century portrait miniature of Mrs. J. P. Loote, dated “1895” With hair work bow and heart and gold sypher “J & L” to obverse, gilt case inscribed “Mrs. J. P. Loote” and “d- 28th Nov. 1895”, watercolor on ivory, gilt frame. 3 1/4 in. x 2 3/4 in. (sight) $100-200 94 Georgian watercolor, ivory, and mixed metal mourning pin early 19th century Depicting a mourner beneath a tree by the water, the back inscribed “M. C. Ingalls”; together with an unrelated backing to another portrait miniature. Dia: 1 in. $100-200
95 A National Society of the Colonial Dames of America medal for Anna Canby Janney Bailey, Banks & Biddle, Philadelphia, PA, dated, “1906” Inscribed, “Anna Canby Janney/No. 1005/1906”, marked to reverse. L: 2 3/4 in. (including ribbon) $300-500 96 Two Russian medals mid 20th century Comprising an Order of the Patriotic War medal and an Order of Glory medal with original ribbon. (2). L: 1 3/4 in. $100-200 96A One rare Compagnie Générale Transatlantique or French Line souvenir bronze medallion from the S.S. Île de France 20th century Retaining original box. Dia: 2 1/8 in. $80-120 97 Two Continental orphrey panels 16th/17th century or later Probably from a cope, embroidered in metal and colored threads, each worked to show a depiction of the Virgin Mary surrounded by strapwork. W: 8 1/2, L: 43 in. $100-200 98 An American sterling silver three-piece coffee service black, starr, & frost, new york, ny, 20th century Comprising coffeepot, open sugar, and creamer; each marked stamped to underside “REPRODUCTION/CIRCA 1750.” (3). H: 8 3/4 in. Total weight: 28 oz. t. $500-700 99 An assembled group of twelve coin silver and sterling silver table items various American and English makers, 18th/19th century Comprising a set of seven coin silver teaspoons, three coin silver serving spoons, a sterling silver marrow scoop, and a coin silver cup. (12). L: 8 3/4 in. (marrow scoop), Total weight: 12.84 oz. t. (approx.) $100-150
100 Three American coin silver and two British sterling silver serving spoons and ladles circa 1815-1870 Comprising: a large tablespoon, Chauncey Johnson, Albany, New York, circa 1825-1830, with basket-stamped terminal, mongrammed MJR; a sauce ladle, Francis A. Bunnell & Co., Syracuse, New York, with shell bowl, retailed by S. J. Child, monogrammed CHS; a sauce ladle, E. F. Miller, monogrammed SAG; a gravy ladle, Dublin, 1815, maker’s mark LN, engraved with tree and coursing greyhound crest; a mustard spoon, London, 1852, maker’s mark GA. L: 9 in. (tablespoon) provenance: Johnson tablespoon: White Whale Ltd., Hudson, New York Acquired from the above by the present owner $200-300 101 A pair of American sterling silver Japonesque serving pieces, Whiting Mfg. Co. circa 1880-85 Retailed by James S. Wilkins, Memphis, Tennesee, decorated with bright-cut pine boughs and chrysanthemum, monogrammed “O”. L: 9 1/2 in. provenance: White Whale Ltd., Hudson, New York Acquired from the above by the present owner $300-500 102 A fine Regency brass-inlaid bookmatched rosewood pedestal table first quarter 19th century The brass-inlaid rosewood base further fauxgrain painted. H: 30 1/2, L: 54, W: 41 1/2 in. $2,000-3,000 103 Chippendale mahogany and parcel-gilt looking glass late 18th century 41 1/2 in. x 21 1/4 in. provenance: Westchester County, New York collection $200-300 104 George III style mahogany and parcel-gilt looking glass 19th/20th century With eagle cartouche. 55 in. x 29 in. provenance: Westchester County, New York collection $400-600 105 A George III inlaid mahogany card table circa 1810 With reeded legs, on casters. L: 35 3/4 in., W: 17 1/2 in., H: 30 1/2 in. provenance: Westchester County, New York collection $350-450
106 A pair of Regency style carved ebonized and giltwood mirrors early 20th century L: 48 in., W: 28 1/2 in. provenance: Westchester County, New York collection $400-600 106A A Turkish carpet contemporary 14 ft. 5 in. x 9 ft. 9 in. $400-600 106B Kashan carpet 20th century 12 ft. 5 in. x 9 ft. 5 in. $400-600 107 Kerman carpet 20th century 12 ft. 3 in. x 8 ft. 10 in. $1,000-1,500 108 A Kerman carpet 20th century 15 ft. 9 in. x 13 ft. 4 in. $1,500-2,000 109 A Kerman carpet 20th century 14 ft. 4 in. x 9 ft. 8 in. $2,000-3,000 109A A Sarouk carpet 20th century 16 ft. 5 in. x 10 ft. 5 in. $500-700 109B A Kashan carpet 20th century 14 ft. 4 in. x 10 ft. 1 in. $700-900
Design September 10, 2019
110 An American leaded glass table lamp Attributed to J.A. Whaley, circa 1915 With floral shade atop white metal base. Apparently unmarked. H: 22 in., Dia: 18 1/2 in. $400-600
117 A pair of American modern armchairs purportedly from the SS United States, circa 1950-1951 Leather, painted steel. H: 32 in. $400-600
111 Louis Comfort Tiffany (American 18481933) Favrile glass vase with trailing heart and vine decoration, circa 1912 Engraved signature: “844G L.C.Tiffany Favrile” H: 10 1/2, Dia: 4 in. $1,500-2,500
118 A pair of aluminum floor lamps mid-20th century Aluminum, formica, paper shade. H: 55 in. $500-700
112 Louis Comfort Tiffany (American 18481933) Favrile glass vase with pulled feather decoration, circa 1910 Engraved signature: “L.C.T. U7850” H: 8, Dia: 5 1/2 in. $2,000-3,000 113 A bronze door knob Tiffany Studios, New York, NY, late 19th century Together with associated period door knob and two knob plates, unmarked. L: 5 1/2 in., Dia: 2 3/8 in. (knob) $600-800 114 A pair of American Aesthetic movement andirons and crossbar, attributed to Tiffany Glass and Decorating Co. late 19th/early 20th century With tapered uprights, partially ornamented with acanthus leaf scrollwork, retaining traces of the original dark patination to stippled ground, raised on lion-paw feet. note: For other examples of Tiffany andirions and related metalwork, see the pair of andirons sold Sotheby’s New York, June 14, 2006, lot 188; a pair of andirons with original crossbar sold Sotheby’s New York, June 14, 2008, lot 68; and a plant stand, sold Sotheby’s New York, December 17, 2009 lot 408. H: 26 in. (uprights); W: 45 in. (crossbar) provenance: Estate of Cash Williams Haggerty, Rocky Mount, North Carolina, sold Ruggiero & Associates, 2010 Acquired from the above by the present owner $3,000-4,000 115 A Howard Keyser Gothic-style brass candlestick 1947 Underside signed, dated, and incised “PHILA”. H: 4 1/4 in. $100-200 116 An Arts & Crafts style figural painted wood screen 20th century H: 77 1/2 in. $400-600
119 An aluminum table lamp mid-20th century H: 18 in. (without shade) $200-400 120 Ludwig Mies van dehr Rohe (GermanAmerican, 1886-1969) and Lilly Reich (German, 1885-1947) A pair of Barcelona chairs, Knoll Associates, circa 1960 Leather, chrome. Applied labels: “Art Metal-Knoll Corp. Knoll Associates” H: 29 in. $800-1,200 121 Harry Bertoia (Italian-American, 19151978) Diamond chair, Knoll, circa 1953 Applied labeL: “H.G. Knoll Products Inc.” H: 28 in., W: 44 in. $300-500 122 Eero Saarinen (Finnish-American, 19101961) A set of four Executive armchairs, Knoll Associates, circa 1950s Leather, bentwood, steel One chair bearing applied “Knoll Associates label” H: 31 in. $800-1,200 123 A pair of mid-century modern armchairs mid-20th century Stained wood, vinyl. H: 29 in. $50-150 124 A modern sofa and two chairs circa 1965 Comprising a sofa, armchair, and a Florence Knoll parallel bar chair. (3). H: 30 in., W: 34 in., L: 84 in. (sofa) $300-500 125 A mid-century modern upholstered chrome bench likely American, mid-20th century H: 17 1/2 in., W: 18 1/2 in., L: 73 in. $150-250
126 Robert Venturi (American, 1925-2018) Two miniature “Chippendale” chairs, Knoll International, Japan, circa 1980 In original boxes printed with “Grandmother’s tablecloth” pattern, the boxes marked “© Robert Venturi Knoll International Japan” Together with ceramic trop l’oeil “paper bag” vase. H: 7 1/2 in. (chair) $150-250 127 A pewter creamer and sugar set Shirley Charron (American, b. 1935), circa 1970 Each signed to base with designer’s mark: “Shirley Charron” H: 3 1/2 in. $100-200 128 A black-enameled two-light table lamp, designed by Robert Sonneman for George Kovacs circa 1970s H: 21 in. $400-600 129 Style of Jane and Gordon Martz A pair of teak wood and white marble table lamps, circa 1960s Unmarked. H: 27 1/2 in., Dia: 16 in. (overall) $80-120 130 A root wood table lamp mid-20th century Root wood, fabric shade. H: 34 in., Dia: 21 in. (overall) $200-400 131 Contemporary A stitched red leather table lamp Unmarked. H: 28 in., W: 16 in. sq. (overall) $40-60 132 A pair of Tommi Parzinger brass five-light wall sconces, for Dorlyn Silversmiths Back of one with Dorlyn stamp, the other with triangular “solid brass” label. H: 20 1/2 in. provenance: Reform Vintage Modern, Philadelphia Acquired from the above by the present owner, March 13, 2010 $1,000-1,500 133 Two modern polished limestone octagonal pedestals (2). $100-150
135 PAUL EVANS (AMERICAN, 1931-1987) COLLECTION OF FIVE “CITYSCAPE” TABLE ARTICLES, PAUL EVANS STUDIO, NEW HOPE, PENNSYLVANIA, CIRCA 1970 Including ice bucket, lighter, ashtray, and two boxes Chrome, brass, stainless steel, suede. H: 8, W: 9, D: 9 in. (ice bucket) provenance: Gifted by Paul Evans to his studio assistant, George Fry Jr. The Fry Family Collection $500-700 136 PAUL EVANS (AMERICAN, 1931-1987) “PATCHWORK” WALL-MOUNTED CABINET, NEW HOPE, PENNSYLVANIA, CIRCA 1968 Patinated copper, brass and pewter. H: 36, W: 22, D: 12 in. provenance: Gifted by Paul Evans to his studio assistant, George Fry Jr. The Fry Family Collection literature: Jeffrey Head, Paul Evans Designer and Sculptor, pp. 67-73 (for illustrations of related works from the series) Constance Kimmerle, Paul Evans Crossing Boundaries and Crafting Modernism, pp. 154-156, 179 (for illustrations of related works from the series) $3,000-5,000 137 Paul Evans (American, 1931-1987) Patchwork table, circa 1965 Patinated copper, brass, pewter, and slate. Unmarked. H: 23 in., W: 30 in. sq. $2,000-3,000 138 PAUL EVANS (AMERICAN, 1931-1987) FINE AND UNIQUE “PATCHWORK” SHELVING UNIT, NEW HOPE, PENNSYLVANIA, CIRCA 1968. Verdigris-patinated copper, glass. H: 78, W: 48, D: 15 1/2 in. provenance: Gifted by Paul Evans to his studio assistant, George Fry Jr. The Fry Family Collection literature: Jeffrey Head, Paul Evans Designer and Sculptor, pp. 67-73 (for illustrations of related works from the series) Constance Kimmerle, Paul Evans Crossing Boundaries and Crafting Modernism, pp. 154-156, 179 (for illustrations of related works from the series) $2,000-4,000 139 New Hope School Carved walnut mirror, American, circa 1960s Walnut, mirrored glass. Unmarked. H: 56, W: 11 1/2, D: 7 in. $600-800
140 Style of George Nakashima pair of side tables, circa 1960s H: 19 in. $800-1,200 141 A custom wood and mirrored glass singledoor cabinet George Fry Jr., Lambertville, New Jersey, circa 1960 H: 49 1/2 in., W: 26 1/2 in., D: 13 1/2 in. $50-150 142 A chrome vanity mirror and pair of wallmounted cabinets George Fry Jr., Lambertville, New Jersey, circa 1960 L: 72 1/2 in., W: 36 1/2 in. (vanity mirror) $250-350 143 A chrome ceiling light George Fry Jr., Lambertville, New Jersey, circa 1960 L: 72 1/2 in., W: 36 in. $100-200 144 Angelo Lelli (Italian, 1911-1979) An adjustable three-light “Triennale” floor lamp, Arredoluce, Italy, circa 1950s Brass, enamel The shades and handles over-painted Base markeD: “Made in Italy Arredoluce Monza” Handle ends with impressed manufacturer’s mark. H: 75 in., W: 19 1/2 in. (approx.) $3,000-5,000 145 A Fornasetti “Bullseye” mirror Decorated with a floral border, backing with company ink stamp. Dia: 19 in. $400-600 146 A pair of modern design leather armchairs probably Italian, mid-late 20th century H: 30 in. $150-250 147 Two “Boalum” lamps Designed by Castiglioni and Frattini, Artemide, Italy, circa 1980 Molded marks: “Artemide Made in Italy” L: 158 in. each (approx.) $300-500 148 ALDO CIBIC (ITALIAN B. 1955) BELVEDERE TABLE, MEMPHIS GROUP, MILAN, CIRCA 1980s Marble granite lacquered wood metal. L: 39 in., H: 32 1/2 in. $1,500-2,500
149 A MEMPHIS STYLE TABLE CIRCA 1980s Veneered plywood. L: 41 in., H: 30 in. $500-700 150 ETTORE SOTTSASS (ITALIAN, 1917-2007) “TAHITI” TABLE LAMP, MEMPHIS GROUP, MILAN, ITALY, CIRCA 1980s H: 25 in. $500-700 151 Paolo Soleri (Italian, 1919-2013) Collection of four bell / wind chimes, circa 1970 Cast bronze, copper. Signed in mold with artist’s cypher. H: 39 in., W: 10 1/2 in. (largest) $800-1,200 152 A group of three sculptures 20th century Comprising two figural sculptures, the Art Deco cast bronze sculpture listed as Robert Laurent (French, 1890-1970), signed to base; and one abstract sculpture. (3 items). H: 13 in. (tallest) $250-350 153 After André Derain (French, 1880-1954) Le Grand Visage Bronze, on associated wood base (not attached) Bronze with indistinct markings. H: 11 1/2 in. (with base) $300-500 154 Dame Elizabeth Frink (British, 1930-1993) Bust of Benjamin Bernstein Signed and numbered “Frink 2” verso Dark bronze with dark bronze patina On a sqaure slate base. H: 16 1/2 in., W: 9 1/2 in., D: 11 in. (including base) $800-1,200 155 Two figural glazed ceramic sculptures 20th century Head stamped “WA” to underside of base. H: 9 1/2 in., L: 13 in. (head, with base) $150-350 156 Arman (American, b. France 1928-2005) “Hommage à Marcel Duchamp/To and For Rose Selavy”, 1973 Including chess pieces, cigars and printed photographic images cast in acryclic with card chessboard and wooden box. Each acrylic work individually signed and numbereD: “Arman 11/90” From the edition of 90 plus 20 artist’s proofs. L: 18 in. W: 9 in. (box) $600-800
157 Miguel Ortiz Berrocal (Spanish 1933-2006) “Many More Horses” Necklace and Puzzle Sculpture, Designed 1976 Patinated bronze, gold-tone metal, enamel The sculpture signed and numbereD: “Berrocal 617/5000” Together with original fitted box and instruction manual. H: 8, W: 7 in. (box), H: 3 3/8, W: 2 in. (puzzle sculpture / pendant) $800-1,200 158 Hans (Jean) Arp (German-French, 18861966) Relief Documenta III, published by the Documenta Foundation, Kassel, Germany, 1964 Brass, aluminum. H: 10 in. $300-500 160 HERB STRATFORD (aemrican b. 1965) “PROCEDURE” 2000, mixed media. 12 x 11 x 7 in. (30.5 x 27.9 x 17.8cm) provenance: OK Harris, New York, NY. Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above). $200-300 161 FRED DIFRENZI (american b. 1953) GLASS CHARGER “ANOTHER AMERICAN BEAUTY”, 2000 Signed and dateD: “Fred di Frenzi 2000 LVA4 2000 Auction” H: 5 in., Dia: 22 1/2 in. provenance: Property from a Private Collection sold to benefit the Kentucky Museum of Art and Craft $100-200 162 A Richard Marquis, Noble Effort Design murrini vase 1988 Underside with dated studio murrine. H: 9 1/8 in. $400-600
163 An Ercole Barovier internally-decorated glass vase 1957 With fine dark green and golden yellow inclusions; underside signed, dated, and inscribed “Murano”, remnants of a paper label. H: 11 in. provenance: Barbara D’Arcy White (1928-2012), acquired directly from Barovier, sold Sotheby’s.com, July 17, 2000, lot 1IQY Acquired from the above by the present owner. Barbara D’Arcy White may best be known for her innovative and highly influential model rooms designed for Bloomingdale’s Manhattan flagship store at 59th street and Lexington avenue, from 1958 to 1973. $500-700 164 A Seguso Vetri D’Art sommerso glass vase designed by Maurizio Albarelli, 1998 Underside signed and dated. H: 6 1/2 in. $200-300 165 A Holmegaard glass “Hullvase” designed by Michael Bang, circa 1970s Underside incised “Holmegaard MB”. H: 7 in. $100-200 166 A Kosta Boda acid-etched art glass vase with birds Designed by Ove Sandeberg, Sweden, circa 1960s Engraved mark: “Kosta 06045”. H: 8 3/4 in., Dia: 6 in. provenance: Private Collection, Pittsburgh, Pennsylvania $150-250 167 Bruno Mathsson (Swedish, 1907-1988) Dining table, Karl Mathsson, Sweden, circa 1960 Teak Applied labels: “Bruno Mathsson Firma Karl Mathsson Made In Varnamo Sweden” and “Bruno Mathsson Mobler” Branded mark: “Bruno Mathsson Design Made in Sweden” H: 28 1/2 in., W: 35 1/2 in. (closed) $200-400 168 Peter Hvidt (1916-1986) & Orla MolgaardNielsen (1907-1993) A pair of FD 130 lounge chairs, France & Sons, Denmark, 1960s Teak, leather Applied manufacturer’s buttons. H: 30 1/2 in., W: 27 in., D: 30 in. $700-900
169 Peter Hvidt (1916-1986) & Orla MolgaardNielsen (1907-1993) Coffee table, France & Sons, Denmark, 1960s Teak Applied manufactuer’s button SigneD: “FF Made in Denmark”. H: 18 in., W: 55 in., D: 26 1/2 in. $300-500 170 Danish Modern Sideboard cabinet, Denmark, circa 1965 Teak apparently unmarked. H: 32 1/2 in., W: 79 in., D: 20 in. $500-700 171 Ernst Henriksen Two Danish modern teak table lamps, circa 1960 Both marked. H: 19 in., W: 5 in. $200-400 172 A Thomas Toft enamel-decorated brown stoneware bowl circa 1950s Underside incised “TT”, stamped “DENMARK 10 1”. L: 9 1/4 in. $300-500 173 A pair of Swedish brass two-light candelabra O.H. Lagerstedt, Eskiltuna, first half 20th century Underside with applied and stamped factory marks. H: 7 1/2 in. $200-300 174 A Danish silver cream jug 1950 Maker’s mark for Grann & Laglye, Copenhagan date mark, and SJ monogram stamped to underside. H: 6 in. $50-75 175 Arne Vodder (Danish, 1926-2009) Rosewood sideboard, H. P. Hansen, Denmark, circa 1960s StampeD: “Made in Denmark” H: 32 1/2 in., D: 18 1/2 in., L: 80 in. provenance: Private Collection, Pittsburgh, Pennsylvania $700-900
176 A Scandinavian rosewood dining table and set of six armchairs circa 1960s The table designed by Torbjørn Afdal for Bruksbo, Norway with single table leaf. The chairs in leather designed by Kai Lyngfeldt-larsen for Søren Willadsen, Denmark. H: 28 1/2 in., L: 49 in. (table, without leaf) H: 31 in. (chair) provenance: Private Collection, Pittsburgh, Pennsylvania $2,000-3,000 177 Arne Jacobsen (Danish, 1902-1971) Six-star series round dining table, Fritz Hansen, Denmark, circa 1960 Rosewood, cast aluminum Applied Fritz Hansen foil label. H: 28 in., Dia: 57 in. $500-700 178 Hans Wegner (Danish, 1914-2007) rosewood sideboard, RY Møbler, Denmark, circa 1960 Rosewood, aluminum. H: 31 in., D: 19 1/4 in., L: 79 in. $500-700 179 Hans Wegner (Danish, 1914-2007) Coffee table, Andreas Tuck, Denmark, circa 1965 Rosewood, chrome-plated steel BrandeD: “FRABRIKAT: ANDR. TUCK ARKITEKT: HANS J. WEGNER DENMARK MADE IN DENMARK”. H: 19 in., W: 59 in., D: 24 1/2 in. $1,500-2,500 180 A Scandinavian modern rosewood dining table 20th century H: 29 in., L: 75 in., D: 35 1/2 in. $700-900 181 Hans Wegner (Danish, 1914-2007) Peacock Chair, Johannes Hansen, Denmark, circa 1950s Ash, teak, paper cord Branded marks. H: 43 in. $600-800 182 Hans Wegner (Danish, 1914-2007) Daybed, Getama, Denmark, circa 1960 Teak, cane, upholstery. H: 29 in., W: 80 in., D: 34 in. $600-800 183 Hans Wegner (Danish, 1914-2007) A pair of Papa Bear chairs, AP Stolen, Denmark, circa 1965 Teak, upholstery Each with applied Danish control tags and stamped “16”. H: 39 in., W: 39 in., D: 36 in. $8,000-12,000
184 HANS WEGNER (DANISH, 1914-2007) CABINET, RY MØBLER, DENMARK, CIRCA 1958 Teak, glass Signed with manufacturer’s metal button: “Danish Furnituremakers Control”. H: 71 in., W: 71 in., D: 20 1/2 in. $400-600
191 A large assorted group of studio pottery late 20th/21st century Sixteen works included vases, bowls and lided jars. Primarily glazed stoneware Several signeD: “RE CUCA” H: 7 3/4, W: 9, D: 5 in. (largest) $80-120
185 Peter Voulkos (American, 1924-2002) A decorated stoneware bowl, circa 1950s Glazed stoneware SigneD: “Voulkos” H: 4 1/2 in., Dia: 11 3/4 in. $800-1,200
192 Francis McCarthy (American, 1923-2005) Tiled panel with nude figures, dated 1981 Signed “McCarthy 81.” 52 1/4 in. x 26 1/4 in. $200-300
186 Toshiko Takaezu (American, 1922-2011) Two decorated stoneware bowls, mid20th century Glazed stoneware Both marked with incised artist’s cypher: “TT” H: 3 1/2 in., Dia: 9 3/4 in. (larger) $600-800 187 Toshiko Takaezu (American, 1922-2011) Two decorated stoneware jardinieres, mid-20th century Glazed stoneware Both signed with incised artist’s cypher: “TT” H: 8 in., Dia: 10 in. (larger) $700-900 188 Toshiko Takaezu (American, 1922-2011) A closed-form glazed porcelain “moon pot” with rattle, circa 1980 Of ovoid form with a partial olive green glaze, burgundy, blues and greens. Incised TT Together with: A small spherical vessel in the manner of Takaezu with a partial olive green and black glaze, apparently unmarked. H: 7 1/2 in. (larger) $1,000-1,500 189 Robert Winokur / Paula Winokur Three ceramic works, circa 1970s/1980s Including glazed stoneware jugs by Robert Winokur and porcelain vase by Paula Winokur. (3). All with incised artist’s signatures to base. H: 13, W: 9 1/2 in. (largest) $200-400 190 A collection of ten modern and contemporary studio pottery works mid-20th century to present Including lidded casserole, four vases, two covered jars, small bowl, and handled bowl with lid. Some marked. H: 7 1/2 in., W: 13 in. (casserole) $100-200
193 Rockwell Kent for Vernon Kilns, New York City from “Our America” circa 1939 Together with Homer Laughlin, 1940 New York World’s Fair “The American Potter” souvenir plate. Dia of eacH: 10 3/8 in.; 7 1/8 in. $100-200 194 A Richard Ginori large molded earthenware vase, designed by Giovanni Gariboldi circa 1940s Molded with a recumbant stag among foliage, underside with Ginori marks “5-523”, “780”, impressed “74 10”. H: 12 1/2 in. $300-500 195 An Italian glazed ceramic vase circa 1950 H: 13 in. $200-300 196 A Pierrefonds crystalline-glazed “Beetles” vase circa 1912-1928 H: 7 1/4 in. provenance: Acquired in France Terra Mare Antiques Acquired from the above by the present owner $150-250 197 A Mishima ware studio pottery bowl Japanese or Korean, late 20th/early 21st century Impressed mark. H: 4 3/4 in., W: 9 in., D: 8 in. $200-300 198 A collection of five Japanese studio pottery works second half 20th century Including three round chargers including one in the style of Shoji Hamada, a square bowl, and a teacup (yunomi) attributed to Shoji Hamada. (5). Dia: 14 3/4 in. (largest) $300-500
199 A collection of six Japanese modern studio pottery works second half 20th century Some marked. H: 8 3/4 in., Dia: 8 1/2 in. (largest) $200-400 200 A twin-handled contemporary studio pottery vase by Hiroko Oba Wood fired with ash glaze With siganture to body and inscribed marks to base. H: 8 1/4, W: 6 1/2, D: 5 1/2 in. $150-250 201 Three Japanese studio pottery teabowls (chawan) third quarter 20th century Including two with white Shino glaze and one Hagi style bowl. (3). Shinos marked Box unmarked. H: 3 3/4 in., Dia: 5 1/4 (shino, largest) $150-250 202 Contemporary Japanese tea set fourth quarter 20th century Comprising teapot, four small plates, one large plate and four cups. Teapot marked. H: 9 in. W: 6 in. (teapot) $60-80 203 Four Japanese Bizen-type contemporary pottery wares late 20th century Included three lidded vessels and tall square vase. All marked. H: 11 in. (tallest) $250-450 204 Two Japanese studio pottery vases late 20th Including a bizen-type vase attributed to Takeuchi Kimaki (b.1948- ) together with a signed wood box, and a Shigaraki-type faceted vase attributed to Ohira Kazumasa (b.1943- ) with unmarked cloth box. H: 10 3/4, Dia: 5 in. (larger, vase only) provenance: Toyobi Arts New York, 1994 By repute, from the Collection of Dr. Baekeland $300-500 205 A large collection of ten Japanese modern studio pottery teabowls (chawan) late 20th century Some marked. H: 3 1/4, Dia: 5 in. (largest) $300-500
206 A collection of eight historical Japanese pottery wares 18th-20th century Including vase with rabbits, bowl, plate, two small dishes, bottle, and sumo figure. All unmarked. H: 8 1/2 in., Dia: 7 in. (vase) $300-500 207 A collection of seven historical Asian pottery works 18th century and later Including five bowls and two vases Unmarked. H: 4 3/4 in., Dia: 3 in. (small flambe vase) $200-400 208 FUMIO YOSHIMURA (JAPANESE, 19262002) FRENCH HORN CARVED SCULPTURE No visible signature Carved linden wood. H: 16 in. $50-150 209 FUMIO YOSHIMURA (JAPANESE, 19262002) APPLE CORER CARVED SCULPTURE No visible signature Carved linden wood. H: 15 in. $50-150 210 FUMIO YOSHIMURA (JAPANESE, 19262002) CARVED SCULPTURE OF A BOUQUET OF FLOWERS Unsigned panel Carved linden wood Mounted on panel. H: 43 in. W: 27 in. $50-100 211 FUMIO YOSHIMURA (JAPANESE, 19262002) KNIFE AND FISH SKELETON SCULPTURES No visible signatures Carved linden wood. L: 15 in. (knife) $300-500 212 Charles L. Madden A woven wool tapestry “Sea Birth”, France, mid-20th century Signed in weave: “Madden” Numbered in weave to verso: “2/8” Applied fabric label to verso: “Tapisserie d’Aubusson carton original de Charles L. Madden”. H: 83 in., W: 65 1/2 in. $300-500 213 A collection of tribal artifacts 19th/20th century Eight works including figures, masks, and axe. (8). H: 22 in. (tallest) $200-300
214 A collection of auction catalogues mostly Quittenbaum Design Approximately 30 catalogues. Various sizes $50-150
Art September 11, 2019
1 MANNER OF ROBERT PEAKE THE ELDER (british, b.c. 1551-1619) PORTRAIT OF A GENTLEMAN, PRESUMABLY SIR ROBERT KNOLLYS, THREE-QUARTER LENGTH Oil on canvas. 50 1/8 x 39 15/16 in. (127.3 x 101.4cm) provenance: Private Collection, New Jersey. $2,000-3,000 3 ATTRIBUTED TO NARCISSE VIRGILE DIAZ DE LA PEÑA (french, 1808-1876) MOTHER AND CHILD ON A WOODLAND PATH Bears signature ‘N. Diaz’ bottom right, oil on panel 10 7/8 x 12 in. (27.6 x 30.5cm) provenance: The Virginia Museum of Fine Arts, Richmond, Virginia. $500-800 4 FRENCH SCHOOL (19th century) PORTRAIT OF A GIRL IN A LANDSCAPE Signed illegibly and dated ‘1861’ bottom left, pastel on paper. 16 7/8 x 13 1/8 in. (42.9 x 33.3cm) provenance: Private Collection, New Jersey. $500-800 5 FRENCH SCHOOL (19th century) PORTRAIT OF A MAN AND HIS DAUGHTER Oil on canvas. 21 1/4 x 18 in. (54 x 45.7cm) provenance: Private Collection, New Jersey. $800-1,200 6 BRITISH SCHOOL (19th century) PORTRAIT OF A GIRL WITH SHAWL Oil on canvas. 17 1/2 x 14 1/2 in. (44.5 x 36.8cm) provenance: Private Collection, New Jersey. $800-1,200 7 WILHELM ALEXANDER MEYERHEIM (german, 1815-1882) PEASANT FAMILY IN A LANDSCAPE Signed and dated ‘W. Meyerheim/1854’ bottom center, oil on canvas. 21 1/8 x 28 1/8 in. (53.7 x 71.4cm) provenance: Private Collection, Pennsylvania. By descent in the family. $1,500-2,500
8 HENDRIK PIETER KOEKKOEK (dutch, 1843-1895) WOMAN ON A WOODED PATH Signed ‘H.P. Koekkoek’ bottom right, oil on panel 8 x 10 in. (20.3 x 25.4cm) provenance: Sotheby’s, London, 1990 n.d. Acquired directly from the above sale. Private Collection, Virginia. note: We wish to thank the Rijksbureau Voor Kunthistorische Documentatie, also known as the R.K.D. for confirming the authenticity of this painting on the basis of photographs. $1,000-1,500 9 BRITISH SCHOOL (17th-18th century) PORTRAIT OF A SEATED BOY WITH DOGS Oil on canvas. 39 3/4 x 30 in. (101 x 76.2cm) provenance: Private Collection, New Jersey. $1,000-1,500 10 JOHN HALL, AFTER JOHN WEBBER (british, 1739-1797) “POULAHO, KING OF THE FRIENDLY ISLANDS” C. 1785, engraving with hand coloring. Plate: 11 1/4 x 8 3/4 in. (28.6 x 22.2cm) provenance: Private Collection, Philadelphia. note: John Webber was an artist on Captain James Cook’s third Voyage (1776-1780), Cook described meeting Poulaho in May 1777 and refers to the distinctive diadem of colored feathers worn here. $100-200 11 ALFRED GILBERT (british, 1854-1934) “PORTRAIT OF FATHER CHRISTMAS” 1902. Signed with monogram and dated; also inscribed ‘Xmas’. Backing inscribed ‘Ever Yours as always, Alfred Gilbert. P.S. Compliments and best regards to all yours’ by the artist. With original frame. Fumed and incised enameled metal dish. 8 1/2 in. diameter (21.6cm) provenance: Private Collection, Philadelphia. $300-500 12 THOMAS ROWDEN (british, 1842-1926) A PAIR OF HUNTING DOG SCENES “SETTERS AT THE END OF THE DAY” or “A GOOD RETRIEVER” Signed ‘T. Rowden’ bottom right; also with artist and title on label verso, oil on canvas 6 5/8 x 9 3/4 in. (16.8 x 24.8cm) Together with: “A SURPRISE ENCOUNTER” or “FOUND-A STRONG RUNNER” Signed ‘T. Rowden’ bottom left; also with artist and title on label verso, oil on canvas 6 5/8 x 9 3/4 in. (16.8 x 24.8cm) (2) $1,500-3,000
13 OTTO MARIA PORSCHE (czech, 1858-1931) WOMAN RIDING SIDESADDLE Signed ‘O. Porsche’ bottom left, oil on board. 25 1/8 x 19 1/4 in. (63.8 x 48.9cm) provenance: Private Collection, Pennsylvania. $500-800 14 ALFRED RUYTINX (belgian, 1871-1908) STILL LIFE WITH COPPER PLATE, LANTERN, CANDELABRA AND BOOKS Signed ‘Alfred Ruytinx’ top left, oil on canvas. 27 1/2 x 17 1/4 in. (69.9 x 43.8cm) provenance: Private Collection, Philadelphia. $200-300 15 LAZAR KRESTIN (lithuanian, 1868–1938) PORTRAIT OF A RABBI Signed bottom right, oil on canvas. 10 1/4 x 8 1/4 in. (26 x 21cm) provenance: Private Collection, New York. $1,000-2,000 16 UNKNOWN ARTIST WOMAN WITH CAT Signed indistinctly bottom left, oil on canvas. 36 x 24 in. (91.4 x 61cm) provenance: Private Collection, New York. $200-300 17 two ink drawings KATE GREENAWAY (british 1846-1901) “MISSY, BONNETT, AND RETICULE” and “MISTRESSES AND MUFF” The first signed with the artist’s initials ‘KG’ bottom right; the second also signed with the artist’s initials ‘KG’ bottom left, pair brown ink on paper drawing, with ink-drawn borders on the first one Sheet size (both): 6 3/8 x 4 7/8 in. (16.2 x 12.4cm) (2) provenance: The Drawing Room, Princeton, New Jersey (per label verso). Rago Auctions, Lambertville, sale of April 20, 2013, lot 1276. Acquired directly from the above sale. Collection of Bonnie O’Boyle, Bucks Country, Pennsylvania. $150-250
18 two drawings UNKNOWN ARTISTS (american, 21st century) “BLUE REX BUCK” Pencil signed “K. Stevenson’ bottom right and titled bottom left, ink signed, titled and dated 2015 verso, pencil and gesso on Masonite. 8 x 13 in. (20.3 x 33cm) together with; UNKNOWN ARTIST STUDY OF BULL Pencil drawing. 4 1/4 x 4 1/4 in. (10.8 x 10.8cm) (2) $100-150 19 two prints UNKNOWN ARTIST (20th century) ‘DORONICUM AMERICANUM AND TULIPA VARIEGATA’ AND ‘CAMPANULA MINOR AND VIOLA MONTANA’ Two color reproductions botanical prints. each: 8 1/2 x 6 in. (21.6 x 15.2cm) (2) provenance: Private Collection, Philadelphia. $50-100 20 CONTINENTAL SCHOOL (19th century) PAIR OF FLORAL STILL LIFES Oil on canvas. Each: 28 x 20 1/2 in. (71.1 x 52.1cm) (2) provenance: Private Collection, New York. $300-500 21 THOMAS EDWIN MOSTYN (british, 1864–1930) “EVENING REVERIE” Signed ‘Mostyn’ bottom left, oil on canvas 20 x 27 in. (50.8 x 68.6cm) Executed circa 1918. provenance: Private Collection, Richmond, Virginia. $2,000-3,000 22 UNKNOWN ARTIST (20th century) WOMAN IN A MARKET WITH FRUIT BASKET Signed ‘Ernestine Nagy’ (?) bottom left, oil on canvas. 23 1/2 x 29 1/2 in. (59.7 x 74.9cm) provenance: Private Collection, Philadelphia. $200-300 23 UNKNOWN ARTIST (20th century) MIDDLE EASTERN AFTERNOON SCENE Signed ‘Carl Winning’ and dated ‘06’ bottom right, watercolor on paper. 10 x 14 in. (25.4 x 35.6cm) provenance: Private Collection, Pennsylvania. $150-250
24 EDWIN LORD WEEKS (american, 1849-1903) MALABAR HILL, BOMBAY Oil on canvas laid down on board. 10 3/8 x 8 1/4 in. (26.4 x 21cm) provenance: Mark Murray Fine Paintings, New York, New York. Private Collection, Philadelphia. $2,000-3,000 25 ACHILLES-CONSTANT-THEODORE-EMILE PRISSE D’AVENNES (french, 1807-1879) “ABABDEH RIDING DROMEDARIES” 1851. Inscribed ‘Drawn by E. Prisse Esq. on stone by Mouilleron & Lehnert’ in plate bottom left; also inscribed ‘Madden & Malcolm, London & Paris’ bottom center and ‘Printed by Lemercier, Paris’ bottom right, tinted lithograph on paper. Image: 10 1/4 x 13 3/4 in. (26 x 34.9cm) Sheet: 13 7/8 x 18 in. (35.2 x 45.7cm) provenance: Private Collection, Philadelphia. $400-600 26 CHARLES WILLIAM BARTLETT (british, 1860-1940) “PESHAWAR” Signed ‘Charles W. Bartlett’ and inscribed ‘Original Sketch for Woodblock Print “Peshawar”‘ bottom left, pastel on paper. 9 3/4 x 14 1/4 in. (24.8 x 36.2cm) provenance: Private Collection, Philadelphia. $1,000-1,500 27 T. VITALE (19th/20th century) TURKISH MARKET SCENE Signed lower right, oil on canvas. 35 x 47 in. (sight) provenance: Private Collection, Philadelphia. $200-300 28 three prints CHARLES WILLIAM BARTLETT (british, 1860-1940) “FRUIT SELLERS, MADURA INDIA” Pencil signed bottom left, numbered bottom right; also stamped in plate with initials and title, colored etching on paper. 7 3/4 x 11 1/8 in. (19.7 x 28.3cm) together with “MADURA” 1916. Signed and titled bottom right, colored etching on paper. 8 1/4 x 12 3/4 in. (21 x 32.4cm) and “GATEWAY IN AGRA, INDIA” Pencil signed ‘Charles W. Barlett’ bottom left and titled bottom center, color etching on paper. 8 x 6 in. (20.3 x 15.2cm) (3) provenance: Private Collection, Philadelphia. $1,200-1,800
29 two prints CHARLES WILLIAM BARTLETT (british, 1860-1940) GATEWAY IN AGRA, INDIA Signed bottom left and numbered ‘12/75’ bottom right, colored etching on paper. 6 1/4 x 9 in. (15.9 x 22.9cm) together with “DANCING GIRLS” Signed bottom left; also numbered ‘NY 5675’ bottom right, colored etching on paper. 8 x 11 1/2 in. (sight) (2) provenance: Private Collection, Philadelphia. $800-1,200 30 UNKNOWN ARTIST (20th century) INDIA WATERFRONT SCENE WITH CAMEL Oil on panel 10 3/4 x 14 3/4 in. (27.3 x 37.5cm) provenance: Private Collection, Philadelphia. $200-400 31 GEORGE OVERBURY HART (american, 1868-1933) “NATIVE BAPTISM-TRINIDAD” 1924. Pencil signed ‘Pop Hart’ bottom right; also signed ‘Hart’ in plate bottom left, aquatint on paper. 6 1/4 x 9 1/4 in. (15.9 x 23.5cm) provenance: Private Collection, Philadelphia. $200-300 32 UNKNOWN ARTIST (20th century) SAMURAI KNEELING Signed with red characters bottom right, oil on canvas. 9 1/2 x 14 1/2 in. (24.1 x 36.8cm) provenance: Private Collection, Philadelphia. $150-250 33 UNKNOWN ARTIST (20th century) PORTRAIT OF A SEATED FIGURE Signed with Japanese characters bottom right and inscribed with characters verso, oil on canvas. 14 5/8 x 10 3/8 (37.1 x 26.4cm) provenance: Private Collection, Philadelphia. $100-200 34 UNKNOWN ARTIST (20th century) MARTIAL ARTS TRAINING SCENE Signed in characters bottom right, oil on canvas. 9 1/2 x 17 1/2 in. (24.1 x 44.5cm) provenance: Private Collection, Philadelphia. $100-200
35 AFTER DAVID WILKIE (british 1785-1841) “BLIND MAN’S BLUFF” Oil on canvas 16 1/2 x 24 in. (41.9 x 61cm) provenance: Private Collection, Philadelphia, Pennsylvania. $1,000-1,500 36 VLADIMIR MIHAILOVICH SHATALOW (russian, 1917-2002) GEORGE WASHINGTON (AFTER STUART) Oil on canvas. 24 1/4 x 20 1/4 in. (61.6 x 51.4cm) provenance: Private Estate, Philadelphia. $1,000-2,000 37 UNKNOWN ARTIST (american, 20th century) “PORTRAIT OF BENJAMIN FRANKLIN” C. 1930, oil on canvas. 27 1/4 x 23 1/2 in. (69.2 x 59.7cm) provenance: Private Estate, Philadelphia. $1,000-2,000 38 RUSSELL SMITH (american, 1812-1896) “PARNELL KNOB NEAR LOUDON, PA” Inscribed with title verso, oil on paper. 7 1/8 x 11 1/2 in. (18.1 x 29.2cm) provenance: Private Estate, Philadelphia. $1,000-1,500 39 WILLIAM BRUCE (american, 1861-1911) “SUSQUEHANNA RIVER NEAR ATHENS, PA” 1880. Signed ‘W. Bruce’ bottom left, oil on canvas. 14 x 20 in. (35.6 x 50.8cm) provenance: Private Estate, Philadelphia. $1,000-2,000 40 FRANKLIN DULLIN BRISCOE (american, 1844-1903) “TWO CLOSE FOR COMFORT” C. 1890s, oil on canvas. 20 1/4 x 33 3/4 in. (51.4 x 85.7cm) provenance: Private Estate, Philadelphia. $800-1,200 41 ADRIANUS JOHANNES ZWART (dutch, 1903-1981) “NEAR THE HAGUE” Signed ‘A.J. Zwart’ bottom right, oil on canvas. 19 1/2 x 27 in. (49.5 x 68.6cm) provenance: Private Collection, Pennsylvania. $1,000-1,500
42 MANNER OF GUSTAVE COURBET (french, 1819-1877) ROCKS OF ORNAN Bears signature bottom left, oil on canvas 40 x 60 in. (101.6 x 152.4cm) provenance: Private Collection, Pennsylvania. $2,000-3,000 43 FOLLOWER OF WILLIAM TROST RICHARDS (american, late 19th century) SAILBOATS IN A LAKE Oil on canvas. 5 x 8 3/4 in. (12.7 x 22.2cm) provenance: Estate of a Washington, D.C. Collector. $200-300 44 FOLLOWER OF WILLIAM TROST RICHARDS (american, late 19th / early 20th century) ON THE COAST OF IRELAND Inscribed with title and ‘William Trost Richards’ verso, oil on panel. 3 1/2 x 6 in. (8.9 x 15.2cm) provenance: Estate of a Washington, D.C. Collector. $100-200 45 JAMES ABBOTT MCNEILL WHISTLER (american, 1834-1903) “I AM FLO” (FLORENCE LEYLAND) C. 1873. Titled in plate at right center; also monogrammed with butterfly bottom right, drypoint etching. 8 x 5 1/4 in. (20.3 x 13.3cm) provenance: Private Estate, Philadelphia. $800-1,200 47 FRANK WESTON BENSON (american, 1862-1951) “EARLY GUNNERS” Pencil signed bottom left, etching. 1 1/2 x 4 3/4 in. (3.8 x 12.1cm) provenance: Private Estate, Philadelphia $400-600 48 FRANK WESTON BENSON (american, 1862-1951) “HARBOR LANDSCAPE” Pencil signed bottom left, etching. 3 3/4 x 5 3/4 in. (9.5 x 14.6cm) provenance: Private Estate, Philadelphia. $300-500 49 ARTHUR BURDETT FROST (american, 1851-1928) “WE FLEW FOR HOME” Signed ‘A.B. Frost’ bottom left, pen and ink on paper. 9 3/4 x 16 7/8 in. (24.8 x 42.9cm) provenance: Private Estate, Philadelphia. $400-600
50 FRANK MARTINO (american, d. 1941) “THE CONFRONTATION” C. 1930. Signed bottom right, oil on board. 19 x 12 1/8 in. (48.3 x 30.8cm) provenance: Private Estate, Philadelphia. note: The present painting is an illustration for “The Family” by L.M. Hussey. Illustration caption: “Later in the evening when they separated to go to sleep, the father and son said good night to each other.” $300-500 51 FRANK WESTON BENSON (american, 1862–1951) “THREE GEESE ALIGHTING” Pencil signed bottom left; also initialed and dated “F.W.B. 1926(?)” in plate bottom right, charcoal transfer reproduction. 12 x 16 1/4 in. (30.5 x 41.3cm) provenance: Private Collection, Philadelphia. $500-800 52 FRANK WESTON BENSON (american, 1862–1951) “THE PUNTER” Pencil signed bottom left, etching. 8 1/4 x 12 in. (21 x 30.5cm) provenance: Private Collection, Philadelphia. $600-1,000 53 FRANK WESTON BENSON (american, 1862–1951) “YELLOWLEGS NO. 2” Pencil signed bottom left, etching. 8 1/4 x 10 1/4 in. (21 x 26cm) provenance: Private Collection, Philadelphia. $500-800 54 FRANK WESTON BENSON (american, 1862–1951) “SUNRISE” Pencil signed bottom left, etching. 7 1/4 x 11 in. (18.4 x 28cm) provenance: Private Collection, Philadelphia. $500-800 55 FRANK WESTON BENSON (american, 1862–1951) “GUNNERS BLIND” Pencil signed bottom left, etching. 8 1/4 x 10 in. (21 x 25.4cm) provenance: Private Collection, Philadelphia. $600-1,000 56 FRANK WESTON BENSON (american, 1862–1951) “STUDY OF GEESE” Pencil signed bottom left; also inscribed “42” bottom right, etching. 4 1/2 x 6 1/2 in. (11.4 x 16.5cm) provenance: Private Collection, Philadelphia. $300-500
57 FRANK WESTON BENSON (american, 1862–1951) “WINTER WILDFOWING” Pencil signed bottom left, etching. 12 x 9 3/4 in. (30.5 x 24.8cm) provenance: Private Collection, Philadelphia. $600-1,000 58 FRANK WESTON BENSON (american, 1862–1951) “WOODCOCK” Pencil signed bottom left, etching. 12 x 9 1/2 in. (30.5 x 24.1cm) provenance: Private Collection, Philadelphia. $500-800 59 FRANK WESTON BENSON (american, 1862–1951) “FLYING GEESE” Pencil signed bottom left, etching. 8 x 10 in. (20.3 x 25.4cm) provenance: Private Collection, Philadelphia. $400-600 60 CHARLES H. GIFFORD (american, 1839-1904) SAILBOAT AT DUSK Signed bottom right, with pencil inscriptions verso, oil on panel 4 1/8 x 6 in. (10.5 x 15.2cm) provenance: Property from the Collection of Mr. and Mrs. William M. Schaefer. $1,500-2,000 61 ALBERT JEAN ADOLPHE (american, 1865-1940) STILL LIFE WITH VASE OF FLOWERS 1926. Signed and dated bottom right, also inscribed ‘To Mary Campbell’, oil on canvas. 19 1/2 x 15 1/2 in. (49.5 x 39.4cm) provenance: Private Estate, Philadelphia. $400-600 62 ROBERT TAIT MCKENZIE (canadian, 1867-1938) “AFTER A HOP, TWIST AND CHANGE OF FEET - THE MOMENT BEFORE DELIVERY” Signed and dated ‘R.T. McKenzie 1923’ on base, bronze. 11 3/4 x 7 x 7 in. (29.8 x 17.8 x 17.8cm) provenance: Private Collection, Pennsylvania $1,000-1,500
63 REYNOLDS BEAL (american, 1867-1951) “CIRCUS WITH TIGER” Signed bottom right, pencil and color chalk on wood panel. 11 x 16 1/4 in. (27.9 x 41.3cm) provenance: Estate of Robert Slack. Red Baron Auction, sale of March 15-17, 2002. The Collection of John Reben, Indiana. Acquired from the above. The Collection of D.C. Price, Mississippi. Acquired from the Estate of the above. Private Collection, Philadelphia, Pennsylvania. $1,200-1,500 64 ABEL GEORGE WARSHAWSKY (american, 1883-1962) THE OPEN DOOR Signed ‘A.G. Warshawsky’ bottom right, oil on canvas 17 1/8 x 20 5/8 in. (43.5 x 52.4cm) provenance: Swarthmore Presbyterian Church, Swarthmore, Pennsylvania. Acquired by the above by donation. $1,000-1,500 65 KARL ALBERT BUEHR (american, 1866-1952) COTTAGE SCENE Signed ‘K.A. Buehr’ bottom right, oil on Masonite 17 1/4 x 21 in. (43.8 x 53.3cm) provenance: Private Collection, Bronxville, New York. $2,000-3,000 66 GEORGE OVERBURY HART (american, 1868-1933) “THE PLAY GROUNDS AT THE MELLA FEZ” Signed, dated and located ‘Hart 1929 FezMaroc’ bottom right, ink and watercolor on board. 16 3/4 x 20 5/8 in. (42.5 x 52.4cm) provenance: Private Collection, Pennsylvania. $500-800 67 WILLIAM EDWARD BLOOMFIELD STARKWEATHER (american, 1879-1969) “A SCENE IN ENDLESS CAVERNS, NEW MARKET VA” Titled on plaque at top of painting, oil on canvas. 57 x 96 in. (144.8 x 243.8cm) provenance: Private Collection, Virginia. $800-1,200
68 HOWARD RUSSELL BUTLER (american, 1856-1934) “MAINE COAST, GIRL ON ROCKS WATCHING SPRAY” Signed ‘H.R. Butler’ bottom right; also with artist’s name and title on label verso, oil on board 15 3/8 x 19 3/8 in. (39.1 x 49.2cm) provenance: Private Collection, Philadelphia. $1,000-1,500 69 EARL HORTER (american, 1881-1940) “CORSON’S QUARRY” C. 1930. Pencil signed bottom right, watercolor on paper. 15 7/8 x 20 3/4 in. (40.3 x 52.7cm) Philadelphia collection, IXIX, Plate 14. provenance: Private Estate, Philadelphia. $400-600 70 JAMES MAGNER (american, 20th century) “SUMMER CAT BOAT, THE BRECK MARSHALL” Signed ‘James Magner’ bottom right, oil and watercolor on paper. 15 3/8 x 19 3/8 in. (39.1 x 49.2cm) provenance: Private Estate, Philadelphia. $300-500 71 JOHN J. DULL (american, 1859-1949) “THE BEACH AT BARNEGAT LIGHT” Stamped ‘Dull’ bottom right, watercolor on paper. 12 3/4 x 16 3/8 in. (32.4 x 41.6cm) provenance: Private Estate, Philadelphia. $200-400 72 MELVILLE F. STARK (american, 1903–1987) “FAIRHAVEN, MASS.” Signed ‘M. Stark’ bottom right; also titled verso, oil on paperboard 8 x 9 7/8 in. (20.3 x 25.1cm) provenance: Collection of Mr. and Mrs. P. Berman, Pennsylvania. Sotheby’s, New York, sale of December 14, 2005, lot 140. Acquired directly from the above sale. Dr. Tom Folk’s Art Gallery, Far Hills, New Jersey. Private Collection, Pennsylvania. $600-1,000 73 FRED WAGNER (american, 1861-1940) “SLOOPS AT THE DOCK” Oil on board. 4 x 5 1/4 in. (10.2 x 13.3cm) provenance: Private Collection, Pennsylvania. $800-1,200
74 F. HUMPHREY W. WOOLRICH (american, b. 1868) THE GRAND CANAL Signed ‘F.H. Woolrich’ bottom left, oil on canvas. 35 1/2 x 59 1/4 in. (90.2 x 150.5cm) provenance: Private Collection, Philadelphia. $1,000-1,500 75 FREDERICK R. WAGNER (american, 1864-1940) “PHILADELPHIA STEAMSHIPS” Oil on board. 5 x 5 3/4 in. (12.7 x 14.6cm) provenance: Private Estate, Philadelphia. $200-300 76 FRED WAGNER (american, 1861-1940) “NORRISTOWN ALONG THE RIVER” Oil on board. 4 1/2 x 6 1/2 in. (11.4 x 16.5cm) provenance: Private Collection, Pennsylvania $800-1,200 77 ROY CLEVELAND NUSE (american, 1885-1975) “MASONIC HOME FROM THE CREEK” Signed ‘Nuse’ bottom left, oil on canvas. 23 x 18 in. (58.4 x 45.7cm) provenance: Private Collection, Pennsylvania. $1,000-1,500 78 WALTER EMERSON BAUM (american, 1884-1976) “BRIDGE NEAR JUDGE KNIGHT’S HOME” Signed ‘W.E. Baum’ bottom right; also inscribed with title verso, oil on Masonite. 11 3/4 x 13 3/4 in. (29.8 x 34.9cm) provenance: Private Estate, Philadelphia. $1,500-2,500 78A WALTER EMERSON BAUM (american, 1884–1956) “LEHIGH RIVER” Signed bottom left, signed again, dated 3/28/46 and inscribed ‘The Lehigh River at Hokendoqua PA’ verso, oil on canvas. (26 x 33cm) provenance: Private Collection, Lambertville, New Jersey. $600-1,000 79 WALTER EMERSON BAUM (american, 1884-1956) “BRIDGE ACROSS THE CREEK” C. 1943, oil on board. 11 3/8 x 15 3/8 in. (28.9 x 39.1cm) provenance: Private Estate, Philadelphia. $1,000-1,500
80 ETHEL HARRICK WARWICK (american, 1885-1969) “HEADING INTO MANAYUNK” Signed bottom left, oil on canvas. 19 1/2 x 23 1/2 in. (49.5 x 59.7cm) provenance: Private Estate, Philadelphia. $500-800 81 ELIZABETH FISHER WASHINGTON (american, 1871-1953) “MORET SIENE ET MARNE” Signed ‘E.F. Washington’ bottom right, oil on canvas. 10 1/2 x 13 1/4 in. (26.7 x 33.7cm) provenance: Private Estate, Philadelphia. $600-1,000 82 ELIZABETH FISHER WASHINGTON (american, 1871-1953) “EARLY EVENING ON THE COAST” Signed ‘E.F. Washington’ bottom left, oil on canvas. 11 1/2 x 13 1/2 in. (29.2 x 34.3cm) provenance: Private Estate, Philadelphia. $600-1,000 83 ELIZABETH FISHER WASHINGTON (american, 1871–1953) ON THE OTHER SIDE OF THE BRIDGE Signed ‘E.F. Washington’ bottom right, oil on canvas 32 1/4 x 38 in. (81.9 x 96.5cm) provenance: Newman Galleries, Philadelphia, Pennsylvania. $3,000-5,000 84 ELIZABETH FREEDLEY PRICE (american, 1891-1988) “GREY WILLOW” Signed ‘E. FREEDLEY’ bottom right; also inscribed ‘GREY WILLOW - E. Freedley’ verso, oil on canvas 15 5/8 x 19 1/4 in. (36.7 x 48.9cm) provenance: Private Collection, Philadelphia. $600-1,000 85 EDITH MOREHOUSE (american, 1899-1979) FLORAL STILL LIFE Signed ‘E. Morehouse’ top right, oil on canvas. 29 3/4 x 23 1/2 in. (75.6 x 59.7cm) provenance: Private Collection, Philadelphia. $200-300 86 ELMER LIVINGSTON MACRAE (american, 1875-1953) FLOWERS Signed and dated ‘E.L. MacRae 1915’ bottom right, watercolor on paper laid on board. 12 x 18 in. (30.5 x 45.7cm) provenance: Private Collection, Pennsylvania. $800-1,000
87 JANE FERGUSON (american, 20th century) “IRIDESCENT IRIS” Signed ‘Ferguson’ bottom right; also inscribed with title on stretcher verso, oil on canvas 29 x 47 in. (73.7 x 119.4cm) provenance: Private Collection, Bronxville, New York. $800-1,200
94 LEON KELLY (american, 1901-1982) YELLOW FLOWERS 1926. Pencil signed and dated ‘Leon Kelly/ 1926’ bottom right, watercolor and gouache on paper 18 1/2 x 13 1/8 in. (47 x 33.3cm) provenance: Private Collection, Philadelphia. $800-1,200
88 UNKNOWN ARTIST (20th century) FLORAL STILL LIFE Signed illegibly in print, color facsimile. 13 1/2 x 15 in. (34.3 x 38.1cm) provenance: Private Collection, Philadelphia. $100-200
95 CAROL SIRAK (american, 1906-1976) RIVER LANDSCAPE Oil on board. 7 1/2 x 10 in. (19.1 x 85.4cm) provenance: Private Estate, Philadelphia. $300-500
89 UNKNOWN ARTIST (20th century) FLORAL STILL LIFE WITH FRUIT Signed illegibly in print, color facsimile. 13 1/2 x 15 in. (34.3 x 38.1cm) provenance: Private Collection, Philadelphia. $100-200
96 HENRY MARTIN GASSER (american, 1909-1981) “MOUNTAIN PASS” Signed ‘H. Gasser’ bottom left, ; and inscribed with title verso, watercolor and pencil on paper. 6 7/8 x 9 in. (17.5 x 22.9cm) provenance: Private Collection, Pennsylvania. $800-1,200
90 MURRAY PERCIVAL BEWLEY (american, 1884-1964) “BARBARA” Signed ‘Murray Bewley’ bottom right, oil on canvas. 29 1/4 x 24 1/4 in. (74.3 x 61.6cm) provenance: Private Collection, Pennsylvania $2,000-3,000 91 MURRAY PERCIVAL BEWLEY (american, 1884-1964) “ADELE” Signed ‘Murray Bewley’ bottom right, oil on canvas. 29 1/4 x 24 1/4 in. (74.3 x 61.6cm) provenance: Private Collection, Pennsylvania. $2,000-3,000 92 ARTHUR MELTZER (american, 1893-1989) SNOW SCENE Signed bottom right, watercolor on paper. 6 1/4 x 10 1/4 in. (15.9 x 26cm) provenance: Private Collection, Pennsylvania. $500-800 93 HOBSON PITTMAN (american, 1900-1972) FLORAL STILL LIFE Signed top left; also stamped ‘Strathmore’ bottom right, pastel on paper. Image: 24 x 18 in. (61 x 45.7cm) Sheet: 25 x 19 in. (63.5 x 48.3cm) provenance: Private Collection, Pennsylvania. $1,000-1,500
97 ROBERT WOOD (american, 20th century) “SUNLIGHT & SHADOW” Signed ‘Robt. Wood’ bottom right, oil on canvas. 24 3/4 x 29 1/2 in. (62.9 x 74.9cm) provenance: Private Collection, Pennsylvania. $2,000-3,000 98 RANULPH BYE (american, 1916-2003) SNOW SCENE Signed ‘Ranulph Bye’ bottom left, watercolor on paper. 7 1/2 x 13 1/2 in. (19 x 34.3cm) provenance: Private Collection, Pennsylvania. $500-800 99 BEN SOLOWEY (american, 1900-1978) TREE STUDY Signed ‘Ben Solowey’ bottom right, ink and wash on paper. 17 1/8 x 11 1/4 in.43.5 x 28.6cm) provenance: Private Collection, Pennsylvania. $1,000-1,500 100 BEN EISENSTAT (american, 1915-2001) SUMMER IN RITTENHOUSE SQUARE Signed ‘B. Eisenstat’ bottom right, oil on board. 17 1/4 x 23 1/4 in. (43.8 x 59.1cm) provenance: Private Estate, Philadelphia. $100-200
101 GIOVANNI MARTINO (american, 1908-1988) “POINT PLEASANT ON THE DELAWARE” Signed and dated bottom right, oil on panel. 29 1/4 x 35 1/4 in. (74.3 x 89.5cm) provenance: Private Estate, Philadelphia. $600-1,000 102 RANULPH BYE (american, 1916-2003) FARM AND SYCAMORE October 1971. Signed ‘Ranulph Bye’ bottom right, watercolor on paper 9 x 14 1/2 in. (22.9 x 36.8cm) provenance: Private Collection, Philadelphia. $600-800 103 CHARLES ABEL CORWIN (american, 1857-1938) “THE WINDWARD SHORE OF LAYSAN ISLAND” 1911. Signed ‘Charles Abel Corwin’ bottom left; also inscribed ‘The Windward Shore of Laysan Island/ Mid Pacific/ June 1911’ verso, oil on board 9 3/4 x 13 5/8 in. (24.8 x 34.6cm) provenance: Private Collection, Wisconsin. $1,000-1,500 104 EDMUND MARTINO (american, 1915-2000) “COBBS CREEK BRIDGES” Signed and dated ‘Edmund Martino 41’ bottom right, oil on panel. 11 1/2 x 15 3/8 in. (29.2 x 39.1cm) provenance: Private Estate, Philadelphia. $300-500 105 PETER GEOFFREY COOK (american, 1915-1992) “MARS ISLAND” Signed ‘Peter Cook’ bottom right, oil on panel. 19 1/8 x 23 1/4 in. (48.6 x 59.1cm) provenance: Private Estate, Philadelphia. $600-800 106 CHRISTA KIEFFER (american, 1940-2004) PARIS EVENING STREET SCENE Signed ‘C. Kieffer’ bottom right, oil on canvas 10 1/4 x 13 1/4 in. (26 x 33.7cm) provenance: Private Collection, Bronxville, New York. $2,000-3,000
107 WALTER L. BROWN (american, 1924-1994) CHAMPIONS ALL 1985. Signed bottom right, oil on canvas. 34 x 42 in. (86.4 x 106.7cm) provenance: Property from the collection of Mr. and Mrs. William M. Schaefer. note: The present work depicts four of the Schaefer’s champion horses: American saddlebred Horses: Shadow’s Creation. Broadway News and Olympic Flame; a the Hackney Road Pony Dunhaven’s Infatuation. $500-700 108 VIRA B. MCILRATH SCHEIBNER (american, 1889–1956) TWO SCHOONERS Signed ‘V. Scheibner’ bottom left, oil on board 6 x 4 in. (15.2 x 10.2cm) provenance: The Artfull Eye Gallery, Lambertville, New Jersey. Acquired directly from the above. Private Collection, Pennsylvania. $1,000-2,000 109 DONALD PURDY (american, b. 1924) “NEW ENGLAND HARBOR” Signed and dated bottom left, oil on Masonite. 23 1/4 x 29 1/4 in. (59.1 x 74.3cm) provenance: Private Estate, Philadelphia. $600-1,000 110 CLYDE ASPEVIG (american, b. 1951) MOUNTAIN LANDSCAPE Signed ‘C. Aspevig’ bottom left, oil on canvas 11 3/8 x 15 1/2 in. (28.9 x 39.4cm) provenance: Private Collection, Bronxville, New York. $2,000-3,000 111 CHRISTOPHER WILLETT (american b. 1959) “TAKING A STROLL” Signed ‘Christopher Willett’ bottom center left; also inscribed with title verso, oil on canvas 16 x 20 in. (40.6 x 50.8cm) provenance: Collection of Dr. James Lee, New Jersey. Private Collection, New Jersey. $500-800 112 HELEN MIRKIL (american, 20th century) GUSTY Signed, titled and dated with copyright 2008 and 2010 on stretcher bar verso, oil on canvas. 12 x 16 in. (30.5 x 40.6cm) $150-250
113 CARL BUERGERNISS (american, 1877-1956) BARNEGAT BAY Signed with initials bottom right, oil on canvas. 8 x 9 in. (20.3 x 22.7cm) provenance: Pedersen Gallery, Lambertville, New Jersey. $300-500
118 UNKNOWN ARTIST (american, 20th century) “HYDE PARK” Pencil titled and dated ‘Sept. ‘69’ upper right, watercolor and pencil on notebook paper. 8 1/4 x 11 1/2 in. (21 x 29.2cm) provenance: Private Estate, Philadelphia. $50-100
114 WALTER MATIA (american, b. 1953) TWO HERONS 1995. Inscribed and dated ‘W. T. MATIA’ at base; also numbered ‘3/10’, bronze with mottled green and brown patina. Height: 22 1/2 in. (57.2cm) provenance: Property from the collection of Mr. and Mrs. William M. Schaefer $1,000-1,500
119 ARTHUR BEECHER CARLES (american, 1882-1952) “SUMMER LANDSCAPE” Watercolor on paper. 6 3/4 x 10 3/8 in. (17.1 x 26.4cm) provenance: Private Estate, Philadelphia. note: The present lot is #117 from the sketchbook of Arthur B. Carles. $100-200
115 WHARTON H. ESHERICK (american, 1887-1970) TWO PRINTS “HEDGEROW” Pencil signed bottom right and titled bottom left, woodblock print on paper. 6 3/4 x 5 1/8 in. (17.1 x 13cm) [Print of the lighted entrance of the Hedgerow Theater in Rose Valley, PA.] Together with: “ACTRESS KATE RISER” 1941, pencil signed bottom left and description bottom right “Kate-New Year’s Party 1941,” pencil on paper. 10 1/2 x 8 1/4 in. (26.7 x 21cm) (2) provenance: Private Collection, Pennsylvania. $1,000-1,500
120 WILLIAM LAWRENCE EGGLETON III (american, b. 1920) A SET OF 10 NUDE DRAWINGS Mixed media. largest: 11 7/8 x 9 in. (30.2 x 22.9cm) smallest: 10 1/2 x 8 in. (26.7cm) (10) $100-150
116 UNKNOWN ARTIST (american, 20th century) STANDING CHILDREN Signed “Marcellino” indistinctly and dated ‘78’, charcoal and red chalk on paper. sight: 15 1/4 x 12 1/2 in. (38.7 x 31.8cm) $50-100 117 JANE AU (american, 20th century) TWO DRAWINGS OF WOMEN “RED COAT” Color pencil on paper. 6 1/4 x 2 1/2 in. (15.9 x 6.4cm) Together with: WOMAN SEATED Inscribed on mat with artist’s name, colored pencil on paper. 6 1/8 x 3 3/4 in. (15.6 x 9.5cm) (2) provenance: Private Estate, Philadelphia. $100-150
121 ARTHUR BEECHER CARLES (american, 1882-1952) VALENTINE LOVE NOTE AND DRAWING Signed illegibly, ink on paper Drawing: 6 3/4 x 5 in. (17.1 x 12.7cm) Letter: 4 x 6 in. (10.2 x 15.2cm) provenance: Private Collection, Philadelphia. $300-500 122 ARTHUR BEECHER CARLES (american, 1882–1952) “NUDE LEANING” Oil on canvas 26 x 20 3/8 in. (66 x 51.8cm) provenance: The Estate of the Artist. Vendo Nubes Gallery, Germantown, Pennsylvania. Acquired directly from the above. Collection of Mr. Fite, Pennsylvania. By descent in the family. Private Collection, Pennsylvania. note: We wish to thank Dr. Barbara A. Wolanin for confirming the authenticity of the present lot. $2,000-3,000
123 JULIUS BLOCH (american, 1888–1966) “AT MYKANOS” Signed bottom left, oil on canvas. 24 x 20 in. (61 x 50.8cm) provenance: Private Estate, Philadelphia, Pennsylvania. exhibited: “Third Annual Fall Review of Paintings and Sculpture,” The Pyramid Club, Philadelphia, Pennsylvania, 1957. $800-1,200 124 JULIUS BLOCH (american, 1888-1966) TWO PORTRAITS GIRL WITH A RED HAT 1965, signed and dated ‘Bloch ‘65’ bottom left, oil on canvas. 9 3/4 x 7 1/2 in. (24.8 x 19.1cm) together with: PORTRAIT OF A MAN WITH A BEARD Signed “Bloch” top right, oil on canvas. 10 x 7 7/8 in. (25.4 x 20cm) (2) provenance: Private Estate, Philadelphia. $1,000-1,500 125 JULIUS BLOCH (american, 1888–1966) “TO THE NEW WORLD” Signed bottom right; also signed, titled, dated ‘1955’, and located ‘Philadelphia’ on stretcher bar verso, oil on canvas. 30 x 25 in. (76.2 x 63.5cm) provenance: Private Estate, Philadelphia. $600-1,000 126 JULIUS BLOCH (american, 1888–1966) CLOWN KING Signed bottom left, oil on canvas. 32 x 25 in. (81.3 x 63.5cm) provenance: Private Estate, Philadelphia. $600-1,000 127 JULIUS BLOCH (american, 1888–1966) “YOUNG AEGEAN ISLANDER” Signed, titled and dated ‘1961’ on stretcher bar verso, oil on canvas. 24 x 20 in. (61 x 50.8cm) provenance: Private Estate, Philadelphia. $500-800 128 DONALD SEXAUER (american, 1932-2003) “I KNOW WHY NOT” 1965. Signed, dated, titled, and numbered ‘8/20’ along bottom edge, etching. 18 x 23 1/2 in. (45.7 x 59.7cm) provenance: Kenmore Galleries, Inc., Philadelphia, Pennsylvania. Private Collection, Philadelphia, Pennsylvania. $100-200
129 JOHN B. LEAR (american, 1910-2008) TWO DRAWINGS CIRCUS FIGURE 1993, pencil signed and dated bottom right, pencil on paper. 11 3/4 x 9 1/4 in. (29.8 x 23.5cm) Together with: MASKS 1988, pencil signed and dated ‘John Lear ‘88’ bottom right, pencil on paper. 16 3/8 x 19 3/4 in. (41.6 x 50.2cm) provenance: Private Estate, Philadelphia. $200-300 130 three works SEYMOUR REMENICK (american, 1923-1999) FEMALE NUDE Signed lower left, oil on panel. 7 1/8 x 5 1/4 in. (18.1 x 13.3cm) Unframed together with VILLAGE SCENE Signed bottom center right, oil on panel. 4 7/8 x 5 7/8 in. (12.4 x 14.9cm) Unframed together with SMALL BRONZE BUST Signed “Remenick” on base. with base: 3 1/4 x 2 7/8 x 2 5/8 in. (8.3 x 7.3 x 6.7cm) (3) provenance: Private Estate, Philadelphia. $300-500 131 GEORGE OVERBURY HART (american, 1868-1933) THE HOSTESS, TAHITI Pencil signed bottom right and dated ‘39’ bottom left; also inscribed ‘The Hostess/ Tahiti/ Monotype Etching/ 22,’ on sheet monotype etching on paper. Image: 7 x 8 3/4 in. (17.8 x 22.2cm) Sheet: 10 3/4 x 13 1/4 in. (27.3 x 33.7cm) provenance: Private Collection, Philadelphia. $150-250 132 UNKNOWN ARTIST (20th century) “CHINESE PLANTATION” Pencil signed illegibly bottom right and titled bottom left, etching on paper. 12 3/4 x 15 1/2 in. (32.4 x 39.4cm) provenance: Private Collection, Philadelphia. $50-100
133 two prints HUC-MAZELET LUQUIENS (american, 1881-1961) “KAHALUU” 1926. Pencil signed bottom right and titled bottom left; also signed and dated in plate bottom left, etching on paper. Image: 12 x 8 in. (30.5 x 20.3cm) Sheet: 15 1/8 x 11 1/2 in. (38.4 x 29.2cm)). together with “MORNING KUALOA FISHPOND” 1936. Pencil signed bottom right and titled bottom left; also signed and dated in plate, etching on paper. 10 1/2 x 8 1/4 in. (26.7 x 21cm) provenance: Private Collection, Philadelphia. $200-300 134 UNKNOWN ARTIST (american, 20th century) TANTALUS PATCHES Signed ‘Leonis Schwallis’ (?) bottom right and titled ‘Tantalus Patches’ bottom left, etching on paper. Image: 7 7/8 x 8 3/4 in. (20 x 22.2cm) Sheet: 9 x 10 3/4 in. (22.9 x 27.3cm) provenance: Private Collection, Philadelphia. $50-100 135 ELIZABETH KEITH (british, 1887-1956) “OLD HOUSE MALACCA/ MOONLIGHT” Pencil signed bottom right, color woodblock on paper. 15 x 10 1/4 in. (38.1 x 26cm) provenance: Private Collection, Philadelphia. $300-500 136 DANIEL THOUROUDE DE LOSQUES (french, 1880-1915) MISTINGUETT POSTER C. 1911. Signed in print bottom left; also imprinted ‘Imp. H. CHACHOIN.108.rue FolieMéricourt, Paris’, lithograph. 70 1/2 x 37 1/2 in. (179.1 x 95.3cm) provenance: Private Collection, Philadelphia $800-1,200 137 PIERRE-AUGUSTE RENOIR (french, 1841-1919) ÉTUDE POUR UNE BAIGNEUSE Signed bottom right; also inscribed with artist and title verso, etching. Image: 8 3/4 x 6 3/4 in. (22.2 x 17.1cm) provenance: Private Collection, New York. $800-1,200
138 LOUIS ICART (french, 1888-1950) “ZEST” (“L’ELAN”) 1928. Pencil signed bottom right; also stamped ‘Copyright 1928 by L. Icart Paris’ top left, etching, drypoint and aquatint on paper laid down on board. Image: 19 1/4 x 14 1/4 in. (48.9 x 36.2cm) Sheet: 28 3/4 x 21 3/4 in. (73 x 55.2cm) provenance: Private Collection, Pennsylvania. $400-600 139 THÉOPHILE ALEXANDRE STEINLEN (french/swiss, 1859–1923) “FRENCH CHILDREN” 1915, pencil signed and numbered 87/100. Lithograph on wove paper. image: 16 x 10 1/2 in. (40.6 x 26.7cm) sheet: 22 3/16 x 14 5/16 in. (56.4 x 36.4cm) provenance: Private Collection, Massachusetts. $400-600 140 THÉOPHILE ALEXANDRE STEINLEN (french/swiss, 1859–1923) “E BIEN POILU A PETAIN” (ON TO PETAIN SOLDIER) 1916, pencil signed bottom right and numbered 96/100. Lithograph on wove paper. image: 14 3/4 x 10 1/4 in. (37.5 x 26.0cm) sheet: 21 15/16 x 14 3/8 in. (55.7 x 36.5cm) provenance: Private Collection, Massachusetts. $400-600 141 OSKAR KOKOSCHKA (austrian, 1886-1980) GOLDA MEIR Pencil signed bottom right and numbered ‘93/150’ bottom left, lithograph. 25 3/8 x 19 3/8 in. (64.5 x 49.2cm) $150-250 142 MANÉ-KATZ (french/ukranian, 1894-1962) LE JOUEUR DE FLUTE Bronze. 15 x 4 1/8 x 4 1/2 in. (38.1 x 10.5 x 11.4cm) provenance: Private Collection, New York $800-1,200 143 GEORGES ROUAULT (french, 1871-1958) “LES VISAGES” Signed ‘G. Rouault’ in print, wood engraving. 6 1/8 x 7 7/8 in. (15.6 x 20cm) provenance: Private Collection, Philadelphia. $300-500
144 GEORGES ROUAULT (french, 1871-1958) “CHANTEZ MATINES, LE JOUR RENAÎT” (PLATE FROM “MISERERE”) 1922. Signed and dated ‘1922 GR’ in plate bottom left, aquatint and drypoint on paper. Image: 20 x 14 1/4 in. (50.8 x 36.2cm) Sheet: 24 x 18 1/4 in. (61 x 46.4cm) provenance: Private Collection, New York. $300-500 145 AFTER GEORGES BRAQUE (french, 1882-1963) TORERO Pencil signed ‘G. Braque’ bottom right, also numbered ‘69/75’ bottom right, color lithograph. 13 x 9 in. (33 x 22.9cm) provenance: Private Collection, Maryland. $800-1,200 146 GEORGES BRAQUE (french, 1882-1963) LE NID VERT Ca. 1950. Pencil signed ‘G. Braque’ bottom right and numbered ‘260/300’ bottom left, Atelier Crommelynck, Paris, publisher (and with their blindstamp). Etching and aquatint in colors on BFK Rives Image: 9 x 12 1/2 in. (22.8 x 31.7cm) Sheet: 15 x 19 3/4 in. (38 x 50.1cm) $800-1,200 147 JEAN COCTEAU (french, 1889-1963) RAOUL T. DE C. Signed ‘Jean’ bottom right; also inscribed ‘Raoul’ top left and ‘T. de C.’ top right, ink on paper 7 3/8 x 4 3/4 in. (18.7 x 12.1cm) provenance: Private Collection, New York. $800-1,200 148 AFTER PABLO PICASSO (spanish, 1881-1973) TÊTE DE FAUNE BARBUE Bears signature in pencil top left. Color offset lithograph on wove paper laid to board. 18 1/4 x 13 7/8 in. (46.4 x 35.2cm) provenance: From the Estate of Alma Cohen, Philadelphia, Pennsylvania. $400-600 149 JOAN MIRÓ (spanish, 1893-1983) UNTITLED from les penalties de l’enfer ou les nouvelles-hebrides” 1974, pencil signed bottom right and numbered ‘25/50’ bottom left, color lithograph. 10 1/4 x 29 1/4 in. (26 x 74.3cm) provenance: Private Collection, Philadelphia. $400-600
150 LEONARD BASKIN (american, 1922-2000) “FRIGHTENED BOY AND HIS DOG” 1954. Pencil signed bottom right; also titled and numbered ‘159/210’ bottom left; also initialed in print bottom left, woodcut in two colors. 13 x 16 1/4 in. (33 x 41.3cm) [Fern and O’Sullivan, 248] provenance: Private Collection, New Jersey. $150-250 151 LEONARD BASKIN (american, 1922-2000) “OWL” 1960. Titled and numbered ‘Owl, Artist’s Proof’ bottom left, woodcut on paper. 14 3/4 x 16 3/4 in. (37.5 x 42.5cm) [Fern and O’Sullivan, 406] provenance: Private Collection, New Jersey. $150-250 152 BERNARD BUFFET (french, 1928–1999) INSECTE BLEU 1964. Pencil signed and numbered ‘40/50 A.’, color drypoint on Arches paper. 18 1/8 x 23 1/2 in. (46 x 59.7cm) [M. Reims, 45] provenance: Private Collection, Maryland. $500-800 153 CONRAD MARCA-RELLI (american, 1913–2000) LOVE TUNNEL Ca. 1970. Signed, dated and numbered indistinctly, from the edition of limited but unknown size. Mixed media monotype on linen mat board. image: 26 x 20 in. (66 x 50.8cm) board: 29 x 23 1/4 in. (73.7 x 59.1cm) provenance: Private Collection, New York. $2,000-4,000 154 ALDO PAGLIACCI (italian, 1913-1991) “POMEGRANATE” 1959. Signed and dated lower right, oil on canvas. 8 1/4 x 10 in. (21 x 25.4cm) provenance: Palm Beach Galleries, Palm Beach, Florida (according to label). Mrs. V. C. Spaulding, Palm Beach, Florida. Itta’s Antiques. Acquired from the above by the present owner. Private Collection, Philadelphia, Pennsylvania. $400-600
155 HARALD ENGMAN (danish, 1903-1968) “LES QUATRE DIABLES” 1931. Signed and dated ‘Harald Engman 1931’ top left and titled top right, oil on canvas. 20 1/4 x 21 3/4 in. (51.4 x 55.2cm) provenance: Private Collection, Philadelphia. $800-1,200 156 CAMILO EGAS (ecuadorian, 1889-1962) MELON HARVEST Signed and dated ‘C. Egas 26’ bottom right, oil on canvas. 15 3/4 x 11 in. (40 x 27.9cm) provenance: Private Collection, Washington, D.C. $800-1,200 157 CECIL BEATON (british, 1904-1980) TWO PAINTINGS- MASKS The first signed ‘Beaton’ bottom right, oil on board 17 1/4 x 13 1/4 in. (43.8 x 33.7cm) The second signed ‘Beaton’ top right, oil on board 23 1/4 x 19 1/4 in. (59.1 x 48.9cm) (2) provenance: Private Collection, Philadelphia. $600-800 158 BEN KAMIHIRA (american, b. 1925) STILL LIFE WITH MELON Signed bottom left, oil on canvas. 22 1/4 x 32 in. (56.5 x 81.3cm) provenance: Private Estate, Philadelphia. $800-1,200 159 RICHARD PETER HOFFMAN (american, 1911–1997) “SYMBOLS IN THE NIGHT” Signed with initials and dated ‘1948’ bottom right; also signed, titled and inscribed with address verso, watercolor on paper 40 x 35 1/2 in. (101.6 x 90.2cm) provenance: Private Collection, Philadelphia. $800-1,200 160 RICHARD PETER HOFFMAN (american, 1911–1997) “INDIAN PIPES” Signed with initials and dated ‘1951’ bottom right; also signed, titled and located verso, watercolor and gouache on paper. sight size: 28 x 21 1/4 in. (71.1 x 54cm) provenance: Private Collection, Philadelphia. $800-1,200
161 RICHARD PETER HOFFMAN (american, 1911-1997) ANTIQUE TABLE 1960. Pencil signed ‘R.P. Hoffman’ bottom right; also inscribed with artist, title, and date verso , watercolor and pencil on paper. 29 x 21 in. (73.7 x 53.3cm) provenance: Private Collection, Philadelphia. $800-1,200 162 REUBEN NAKIAN (american, 1897-1986) SCULPTURE Initialed and stamped with number ‘2/9’ and ‘3L’, bronze. 7 3/4 x 5 1/2 x 4 in. (19.7 x 14 x 10.2cm) Attached to base: 1 1/4 x 6 x 4 in. (3.2 x 15.2 x 10.2cm) provenance: Private Collection, Philadelphia. $400-600 163 MARINO MARINI (italian, 1901-1980) DANCER II Initialed bottom right and numbered ‘46/90’ bottom left, etching and aquatint. 19 x 14 in. (48.3 x 35.6cm) provenance: Private Collection, Philadelphia. $300-500 164 REUBEN NAKIAN (american, 1897-1986) THREE PRINTS from “myths and legends” series (suite of 8) 1979, each pencil signed bottom right and numbered bottom left 27/75, three drypoints on tan paper. one: 13 3/8 x 16 3/8 in. (34 x 41.6cm) two: 16 3/8 x 13 3/8 in. (41.6 x 34cm) provenance: Private Collection, Philadelphia. $300-500 165 WIFREDO LAM (cuban, 1902-1982) LE MASQUE Pencil signed bottom right and numbered ‘46/99’ bottom left, color lithograph. 25 1/4 x 19 1/4 in. (64.1 x 48.9cm) provenance: Private Collection, Philadelphia. $500-800 166 UNKNOWN ARTIST (20th century) WEESPERZIJDE Signed indistinctly bottom right; also signed, dated ‘1952’, and located ‘Weesperzijde Mauritzstr / Amsterdam’ verso, oil on canvas. 19 3/4 x 23 3/4 in. (50.2 x 60.3cm) provenance: Private Estate, Philadelphia. $100-200
167 HENK WILLEMS (dutch, 1915-1980) STILL LIFE Signed and dated top left; also inscribed verso, oil on canvas. 49 3/4 x 42 1/2 in. (126.4 x 108cm) provenance: Private Estate, Philadelphia. $200-300 168 ALEXANDER CALDER (american,1898-1976) COMPOSITION Signed ‘Calder’ bottom right, color lithograph. 25 x 19 in. (63.5 x 50.2cm) provenance: Private Collection, Florida. $600-1,000 169 JOSEF ALBERS (american/german, 1888–1976) I-SK from “homage to the square” 1973. Pencil signed, titled and dated, numbered ‘43/100’, with wide margins, IvesSilman, Inc., New Haven, publisher. Color screenprint on wove paper. image: 25 x 25 in. (63.5 x 63.5cm) sheet: 29 7/8 x 29 3/4 in. (75.8 x 75.6cm) [Danilowitz, 221] provenance: From the Estate of Alma Cohen, Philadelphia, Pennsylvania. $1,500-2,500 170 SONIA DELAUNAY (french/ukrainian, 1885–1979) COMPOSITION 1967. Pencil signed and dated, numbered 76/100, with wide margins. Color lithograph on Arches. image: 12 3/4 x 13 in. (32.4 x 33cm) sheet: 25 7/8 x 19 3/4 in. (65.7 x 50.2cm) provenance: Private Estate, Philadelphia. $600-1,000 171 CARLOS CRUZ-DIEZ (venezuelan, 1923-2019) UNTITLED 1987, pencil signed bottom right and numbered ‘61/75’, screenprint on paper. 24 1/2 x 24 1/4 in. (62.2 x 61.6cm) provenance: Private Estate, Philadelphia. $600-1,000 172 UNKNOWN ARTIST (20th century) FIGURE WITH ITALIAN “AL MERITO” MEDAL Signed in ink bottom right; also titled illegibly bottom left, oil on upholstery fabric with found object. 12 x 10 in. (30.5 x 25.4cm) provenance: Private Estate, Philadelphia. $100-150
173 UNKNOWN ARTIST (german, 20th century) “PREPARATION FOR MASQUERADE BALL (VORBEREITUNG ZUM MASKENBALL)” Signed illegibly and titled bottom right, watercolor on paper mounted on board. 19 1/2 x 15 1/2 in. (49.5 x 39.4cm) provenance: Private Collection, Philadelphia. $50-100 174 UNKNOWN ARTIST (20th century) PORTRAIT OF A MAN WITH A FALCON Signed ‘Gérard.v’ bottom left, gouache and pencil on paper mounted on card. Sheet: 24 3/8 x 19 1/8 in. (61.9 x 48.6cm) provenance: Private Collection, Philadelphia. $150-250 175 UNKNOWN ARTIST (20th century) PORTRAIT OF SOLDIER WITH PLUMED HAT Signed ‘Gérard.v’ bottom left, gouache and pencil on paper mounted on card. Sheet: 24 3/8 x 19 1/8 in. (61.9 x 48.6cm) provenance: Private Collection, Philadelphia. $150-250 176 UNKNOWN ARTIST (20th century) PORTRAIT OF A JESTER WITH A PARROT Signed ‘Gérard.v’ bottom left, gouache and pencil on paper mounted on card. Sheet: 24 3/8 x 19 1/8 in. (61.9 x 48.6cm) provenance: Private Collection, Philadelphia. $100-200 177 UNKNOWN ARTIST (20th century) ABSTRACT STILL LIFE Signed ‘Graver’ bottom right, oil on Masonite 12 x 8 3/4 in. (30.5 x 22.2cm) provenance: Private Estate, Philadelphia. $100-150 178 HARRY SEFARBI (american, b. 1917) UNTITLED Pencil signed bottom left “Sefarbi,” watercolor on paper mounted on board 8 1/8 x 4 7/8 in. (20.6 x 12.4cm) provenance: Private Estate, Philadelphia. $200-300
179 LLOYD RAYMOND NEY (american, 1893-1964) UNTITLED ABSTRACTION 1963. Signed and dated ‘Ney ‘63’ bottom right; also inscribed with pencil markings throughout indicating colors, and with Veritable Papier’ blindstamp bottom left, gouache and pencil on paper 29 x 21 in. (73.7 x 53.3cm) provenance: Private Collection, Philadelphia. $800-1,200
185 LEE LIPPMAN (american, 20th century) “PHILADELPHIA 2-STEP” Signed and dated ‘L.Lippman 10/84’ bottom right; also inscribed with title, artist, date, dimensions and medium verso, oil and encaustic on canvas. 48 1/4 x 40 1/4 x 2 in. (122.6 x 102.2 x 5.1cm) provenance: Private Collection, Philadelphia. $400-600
180 NICHOLAS TAKIS (american, 1903-1965) STILL LIFE Signed ‘TA Takis’ bottom left, oil on canvas 14 1/8 x 23 1/8 in. (35.9 x 58.7cm) provenance: Private Collection, Pennsylvania. $400-600
186 LOUIS K. STONE (american, 1902-1984) UNTITLED ABSTRACTION Signed ‘Louis Stone’ bottom right, watercolor on paper 8 5/8 x 11 5/8 in. (21.9 x 29.5cm) provenance: Private Collection, Philadelphia. $800-1,200
181 JOSEPH MEIERHANS (american/swiss, 1890-1981) UNTITLED (ABSTRACTION) Signed ‘Jos. Meierhans’ bottom right, oil on fiberboard 22 1/2 x 28 3/4 in. (57.2 x 73cm) provenance: Private Collection, Philadelphia. $600-800 182 JOSEPH MEIERHANS (american/swiss, 1890-1981) ABSTRACT Signed ‘Meierhans’ bottom left; also inscribed with artist name and title verso , oil on panel. 7 x 10 in. (17.8 x 25.4cm) provenance: Private Collection, Philadelphia. $300-500 183 JOSEPH MEIERHANS (american/swiss, 1890-1981) UNTITLED (ABSTRACTION) Signed ‘Jose. Meierhans’ bottom right, oil and pencil on card 8 x 12 1/8 in. (20.3 x 30.8cm) provenance: Private Collection, Philadelphia. $500-800 184 LEE LIPPMAN (american, 20th century) “PHILADELPHIA 2-STEP #2” Signed and dated ‘L.Lippman 11/84’ bottom left; also inscribed with title, artist, date and dimensions verso, oil and encaustic on canvas. 48 1/4 x 40 1/4 x 2 in. (122.6 x 102.2 x 5.1cm) provenance: Private Collection, Philadelphia. $400-600
187 AFTER LEROY NEIMAN (american, 1921-2012) “JOCKEY” Oil on canvas. 16 x 20 in. (40.6 x 50.8cm) provenance: Private Collection, Philadelphia. $50-100 188 four works SANFORD GREENBERG (american, 1926-2011) ABSTRACT COMPOSITION 2005, signed and dated bottom left “S.G. 05,” oil and pencil on board. 10 1/2 x 11 1/2 in. (26.7 x 29.2cm) and JOSEPH AMAROTICO (american, 1931-1985) SQUARES 1964, signed and dated on verso “Amarotico ‘64,” oil on canvas. 10 7/8 x 10 7/8 x 1 1/2 in. (27.6 x 27.6 x 3.8cm) and JIM LEE SUNSLIDE Pencil signed, dated and numbered 2/15 top right, mixed media assemblage in plexiglas box. 8 1/4 x 10 1/4 x 1 1/4 in. (21 x 26 x 3.2cm) and ROLAND CABOT (brazilian, b. 1929) Pencil signed and numbered near bottom “Cabot 76/200,” acrylic on wood in plexiglas box. 10 1/2 x 6 1/4 x 5 1/4 in. (26.7 x 15.9 x 13.3cm) provenance: Private Estate, Philadelphia. $600-1,000
189 MEL FISHER (american, 20th century) QUANTUM 1987, pencil signed, dated with copyright and titled indistinctly “Quantum**”. Wooden wall sculpture. 42 x 45 x 4 3/4 in. (106.7 x 114.3 x 12.1cm) $200-300 190 GEORGE SEGAL (american, 1924–2000) FEMALE FIGURE Plaster wall hanging. 19 x 9 x 7 in. (48.3 x 22.9 x 17.8cm) provenance: From the Estate of Alma Cohen, Philadelphia, Pennsylvania. $500-800 191 SARAH SZE (american, b. 1969) “NIGHT” Lithograph in colors with screenprint. 37 1/8 x 70 1/2 in. (94.3 x 179.1cm) provenance: Private Collection, New York. $3,000-5,000 192 HARRY WILKS (american, b. 1942) “WORLD TRADE CENTER BACKDROP” Signed and dated ‘Wilks ‘77 ‘lower right, silver gelatin print. 8 1/4 x 12 1/4 in. (21 x 31.1cm) provenance: Private Collection, Philadelphia $200-300 193 YVONNE JACQUETTE (american, b. 1934) “LIGHTS AND TOWERS” 2005, pencil signed and numbered 7/50, the full sheet. Woodcut on wove paper. sheet: 38 x 27 in. (96.5 x 68.6cm) provenance: Private Collection, Minnesota. $300-500 194 UNKNOWN ARTIST (20th century) “SUMMER’S END” Signed indistinctly, dated ‘2001’ and numbered ‘1/4’. Photograph. sight: 18 x 14 3/8 in. (45.7 x 36.5cm) $50-100 195 LUIS GONZÁLEZ PALMA (guatemalan, b. 1957) “WINGED MAN (HOMBRE ALADO)” 1998. Signed and numbered ‘21/25. Photogravure. image: 7 x 7 in. (17.8 x 17.8cm) sheet (presumably): 16 x 13 in. (40.6 x 33cm) $600-1,000
197 LUIS GISPERT (american, b. 1972) “GRAVE” 2005, edition 5/6. Color coupler print. sheet: 34 x 60 in. (86.4 x 152.4cm) $1,000-2,000 198 KARL GUSSOW (german, 1843-1907) THE WHITE ROSE Signed and dated ‘C. Gussow. Wr. 1872’ bottom right, oil on canvas 58 1/2 x 32 1/2 in. (148.6 x 82.6cm) provenance: McColl Fine Art, Charlotte, North Carolina. Private Collection, North Carolina. $3,000-5,000
PURCHASE REMOVAL, SHIPPING AND OFFSITE STORAGE INFORMATION To ensure the safety of your property Freeman’s requests removal within 10 business days of the sale date. Collection hours are Monday–Friday, 9:30am–4:30pm. For larger items, please email Megan Latona at mlatona@freemansauction.com to schedule a loading dock appointment. For purchase release to persons not listed on your contract or invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating receipt/item(s) or sale/lot(s) and name of third party collecting property. Freeman’s does not handle packing or shipping. The shippers listed have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property. Annie Hauls Michael Topley Lambertville, NJ 08530 609.577.5133 annie@anniehauls.com *East Coast deliveries only
Mr. C’s Charles Cohen 1615 North 10th Street Philadelphia, PA 19122 267.977.9567 mrcees61@gmail.com
Art In Transit Nick Clarke 2052 Coral Street Philadelphia, PA 19125 540.550.7080 nclarke@artintransit.net
Malca Amit ‡ Christine Duke 153-66 Rockaway Blvd New York, NY 11434 718.525.6100 | Fax: 718.425.3703 maa.nyc@malca-amit.com
Atelier Art Services ‡ Katie Campbell 1330 North 30th Street Philadelphia, PA 19144 215.842.3500 | Fax: 215.235.0421 estimates@atelierfas.com
A. Mastrocco Jr. Moving & Storage Roseanne Gebler 1060 Louis Drive Warminster, PA 18991 215.491.0346 | Fax: 215.444.9327 mastroccomovers@snip.net
Aiston Fine Art Service ‡ Mark Aiston P.O. Box 3434 Grand Central Station New York, NY 10163 212.715.0629 | Fax: 718.361.8569 info@aistonart.com
The Packaging Store ‡ Alex Long 1513 Gehman Road Harleysville, PA 19438 215.361.6940 | Fax: 215.361.6941 hello@packandshipnow.com
Cadogan Tate Fine Art ‡ Stacey Ferguson Cadogan House 41-20 39th Street Sunnyside, NY 11104 718.706.7999 | Fax: 718.707.2847 s.ferguson@cadogantate.com Crozier Fine Arts ‡ Catherine Erickson New York, NY 10011 212.741.2024 / Fax: 212.741.5513 shipping@crozierarts.com
U.S. Art ‡ Jessica Pierce 37-11 48th Avenue Long Island City, NY 11101 800.472.5784 | Fax:718.472.5785 jpierce@usart.com FURNITURE & LARGE ITEMS For larger pieces where delivery time is not the primary concern, we suggest getting your items freighted: www.plyconvanlines.com www.freightquote.com
‡ Shippers that can fulfill international deliveries
IMPORTANT INFORMATION FOR BUYERS Registration All potential buyers must register for the sale prior to placing a bid. Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale. Buyer’s Premium A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of the hammer price of each lot, 20% on the portion from $200,001 through $3,000,000, and 12% thereafter. Sales Tax All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor. Catalogue Descriptions All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale. Bidding At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid. By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale. In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit. On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Freeman’s is not responsible for errors or failure to execute bids. Payment Payment is due within ten (10) working days of the sale. Lots purchased will not be released until we have received full payment. Payment may be made in cash, by check, money order, or debit card. Payments by check must clear the bank before goods will be released. Removal of Purchases Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed within ten (10) working days of the sale. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser. Shipping and Packing Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us. Endangered Species Lots marked * are manufactured in whole or in part of restricted materials that may include tortoiseshell, ivory, mother-of-pearl, coral, rhinoceros horn, whalebone or marine ivory. Such materials may require specific licenses, certificates, or CITES documentation for import, export, moving between states in the U.S., or resale. Obtaining these documents may require scientific, laboratory or other expert analysis, in order to establish which species or genus the material came from. Freeman’s is unable to provide this information, and the obligation is on the purchaser of a lot containing any of these materials to ensure that they are able to obtain all the necessary or required documents should they need to, prior to bidding on the lot. If proper documentation or licenses etc. cannot be obtained for a purchased lot, the purchaser will still be required to make an on time payment for the lot as per our standard terms and conditions. Freeman’s cataloguing of the lots marked with this symbol * represents the best of our opinion, and the absence of this symbol from any lot description does not form a warranty that the lot will be free from any licensing or certification restrictions.
v10.2019
TERMS & CONDITIONS All property offered and sold (“property”) through Samuel T. Freeman & Co, (“Freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. By bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions.
1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor. 2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale. 3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property. Therefore, all property is sold “AS-IS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property. 4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer. 5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots. 6 The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects. 7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.
8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require. 9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/ her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent by Freeman’s to a public warehouse, at the sole risk and charge of thebuyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of 1%of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency in the original purchase price and will also be responsible for all
costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to Freeman’s. Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code. 10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest. 11 No “buy” bids shall be accepted at any time for any purpose. 12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid.
13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of the hammer price of each lot, 20% on the portion from $200,001 through $3,000,000, and 12% thereafter. 14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state. 15 Freeman’s may, as a service to buyer, arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier is recommended by Freeman’s. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer. 16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid. 17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion. 18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.
v2.2016
DIRECTORY Officers
Specialist Departments
Representatives
Alasdair Nichol Chairman
20th Century Design Tim Andreadis tandreadis@freemansauction.com
New England Darren Winston dwinston@freemansauction.com
American Art & Pennsylvania Impressionists Alasdair Nichol anichol@freemansauction.com
Mid-Atlantic Samuel T. Freeman III sfreeman@freemansauction.com
Margaret D. Freeman Director Emeritus Paul S. Roberts President Hanna Dougher Chief Operating Officer Samuel T. Freeman III Senior Vice President
Departments
Appraisals Amy Parenti aparenti@freemansauction.com Business Development Thomas B. McCabe IV tmccabe@freemansauction.com Client Services Mary Maguire Carroll mmaguire@freemansauction.com Finance Whitney Long wlong@freemansauction.com Marketing & Communications Whitney Bounty wbounty@freemansauction.com Museum Services Thomas B. McCabe IV tmccabe@freemansauction.com Photography Thomas Clark tclark@freemansauction.com Shipping & Receiving Megan Latona mlatona@freemansauction.com Trust & Estates Amy Parenti aparenti@freemansauction.com
American Furniture, Folk & Decorative Arts Lynda Cain lcain@freemansauction.com Antiquities & Tribal Art Alex Tweedy atweedy@freemansauction.com Asian Arts Benjamin Farina bfarina@freemansauction.com Books, Maps & Manuscripts Darren Winston dwinston@freemansauction.com British & European Furniture & Decorative Arts Tessa Laney tlaney@freemansauction.com European Art & Old Masters David M. Weiss dweiss@freemansauction.com Jewelry & Watches Virginia Salem, GIA GG vsalem@freemansauction.com Modern & Contemporary Art Dunham Townend dtownend@freemansauction.com Musical Instruments Sawyer Thomson sthomson@freemansauction.com Oriental Rugs & Carpets David M. Weiss dweiss@freemansauction.com Prints Dunham Townend dtownend@freemansauction.com Silver & Objets de Vertu Tessa Laney tlaney@freemansauction.com
Southeast Colin Clarke cclarke@freemansauction.com West Coast Michael Larsen mlarsen@freemansauction.com Main Line Sarah Riley, GG sriley@freemansauction.com
PURCHASE REMOVAL, SHIPPING AND OFFSITE STORAGE INFORMATION To ensure the safety of your property Freeman’s requests removal within 10 business days of the sale date. Collection hours are Monday–Friday, 9:30am–4:30pm. For larger items, please email Megan Latona at mlatona@freemansauction.com to schedule a loading dock appointment. For purchase release to persons not listed on your contract or invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating receipt/item(s) or sale/lot(s) and name of third party collecting property. Freeman’s does not handle packing or shipping. The shippers listed have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property. Annie Hauls Michael Topley Lambertville, NJ 08530 609.577.5133 annie@anniehauls.com *East Coast deliveries only
Mr. C’s Charles Cohen 1615 North 10th Street Philadelphia, PA 19122 267.977.9567 mrcees61@gmail.com
Art In Transit Nick Clarke 2052 Coral Street Philadelphia, PA 19125 540.550.7080 nclarke@artintransit.net
Malca Amit ‡ Christine Duke 153-66 Rockaway Blvd New York, NY 11434 718.525.6100 | Fax: 718.425.3703 maa.nyc@malca-amit.com
Atelier Art Services ‡ Katie Campbell 1330 North 30th Street Philadelphia, PA 19144 215.842.3500 | Fax: 215.235.0421 estimates@atelierfas.com
A. Mastrocco Jr. Moving & Storage Roseanne Gebler 1060 Louis Drive Warminster, PA 18991 215.491.0346 | Fax: 215.444.9327 mastroccomovers@snip.net
Aiston Fine Art Service ‡ Mark Aiston P.O. Box 3434 Grand Central Station New York, NY 10163 212.715.0629 | Fax: 718.361.8569 info@aistonart.com
The Packaging Store ‡ Alex Long 1513 Gehman Road Harleysville, PA 19438 215.361.6940 | Fax: 215.361.6941 hello@packandshipnow.com
Cadogan Tate Fine Art ‡ Stacey Ferguson Cadogan House 41-20 39th Street Sunnyside, NY 11104 718.706.7999 | Fax: 718.707.2847 s.ferguson@cadogantate.com Crozier Fine Arts ‡ Catherine Erickson New York, NY 10011 212.741.2024 / Fax: 212.741.5513 shipping@crozierarts.com
U.S. Art ‡ Jessica Pierce 37-11 48th Avenue Long Island City, NY 11101 800.472.5784 | Fax:718.472.5785 jpierce@usart.com FURNITURE & LARGE ITEMS For larger pieces where delivery time is not the primary concern, we suggest getting your items freighted: www.plyconvanlines.com www.freightquote.com
‡ Shippers that can fulfill international deliveries
IMPORTANT INFORMATION FOR BUYERS Registration All potential buyers must register for the sale prior to placing a bid. Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale. Buyer’s Premium A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of the hammer price of each lot, 20% on the portion from $200,001 through $3,000,000, and 12% thereafter. Sales Tax All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor. Catalogue Descriptions All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale. Bidding At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid. By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale. In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit. On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Freeman’s is not responsible for errors or failure to execute bids. Payment Payment is due within ten (10) working days of the sale. Lots purchased will not be released until we have received full payment. Payment may be made in cash, by check, money order, or debit card. Payments by check must clear the bank before goods will be released. Removal of Purchases Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed within ten (10) working days of the sale. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser. Shipping and Packing Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us. Endangered Species Lots marked * are manufactured in whole or in part of restricted materials that may include tortoiseshell, ivory, mother-of-pearl, coral, rhinoceros horn, whalebone or marine ivory. Such materials may require specific licenses, certificates, or CITES documentation for import, export, moving between states in the U.S., or resale. Obtaining these documents may require scientific, laboratory or other expert analysis, in order to establish which species or genus the material came from. Freeman’s is unable to provide this information, and the obligation is on the purchaser of a lot containing any of these materials to ensure that they are able to obtain all the necessary or required documents should they need to, prior to bidding on the lot. If proper documentation or licenses etc. cannot be obtained for a purchased lot, the purchaser will still be required to make an on time payment for the lot as per our standard terms and conditions. Freeman’s cataloguing of the lots marked with this symbol * represents the best of our opinion, and the absence of this symbol from any lot description does not form a warranty that the lot will be free from any licensing or certification restrictions.
v10.2019
TERMS & CONDITIONS All property offered and sold (“property”) through Samuel T. Freeman & Co, (“Freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. By bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions.
1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor. 2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale. 3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property. Therefore, all property is sold “AS-IS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property. 4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer. 5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots. 6 The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects. 7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.
8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require. 9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/ her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent by Freeman’s to a public warehouse, at the sole risk and charge of thebuyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of 1%of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency in the original purchase price and will also be responsible for all
costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to Freeman’s. Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code. 10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest. 11 No “buy” bids shall be accepted at any time for any purpose. 12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid.
13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of the hammer price of each lot, 20% on the portion from $200,001 through $3,000,000, and 12% thereafter. 14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state. 15 Freeman’s may, as a service to buyer, arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier is recommended by Freeman’s. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer. 16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid. 17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion. 18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.
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DIRECTORY Officers
Specialist Departments
Representatives
Alasdair Nichol Chairman
20th Century Design Tim Andreadis tandreadis@freemansauction.com
New England Darren Winston dwinston@freemansauction.com
American Art & Pennsylvania Impressionists Alasdair Nichol anichol@freemansauction.com
Mid-Atlantic Samuel T. Freeman III sfreeman@freemansauction.com
Margaret D. Freeman Director Emeritus Paul S. Roberts President Hanna Dougher Chief Operating Officer Samuel T. Freeman III Senior Vice President
Departments
Appraisals Amy Parenti aparenti@freemansauction.com Business Development Thomas B. McCabe IV tmccabe@freemansauction.com Client Services Mary Maguire Carroll mmaguire@freemansauction.com Finance Whitney Long wlong@freemansauction.com Marketing & Communications Whitney Bounty wbounty@freemansauction.com Museum Services Thomas B. McCabe IV tmccabe@freemansauction.com Photography Thomas Clark tclark@freemansauction.com Shipping & Receiving Megan Latona mlatona@freemansauction.com Trust & Estates Amy Parenti aparenti@freemansauction.com
American Furniture, Folk & Decorative Arts Lynda Cain lcain@freemansauction.com Antiquities & Tribal Art Alex Tweedy atweedy@freemansauction.com Asian Arts Benjamin Farina bfarina@freemansauction.com Books, Maps & Manuscripts Darren Winston dwinston@freemansauction.com British & European Furniture & Decorative Arts Tessa Laney tlaney@freemansauction.com European Art & Old Masters David M. Weiss dweiss@freemansauction.com Jewelry & Watches Virginia Salem, GIA GG vsalem@freemansauction.com Modern & Contemporary Art Dunham Townend dtownend@freemansauction.com Musical Instruments Sawyer Thomson sthomson@freemansauction.com Oriental Rugs & Carpets David M. Weiss dweiss@freemansauction.com Prints Dunham Townend dtownend@freemansauction.com Silver & Objets de Vertu Tessa Laney tlaney@freemansauction.com
Southeast Colin Clarke cclarke@freemansauction.com West Coast Michael Larsen mlarsen@freemansauction.com Main Line Sarah Riley, GG sriley@freemansauction.com
1808 Chestnut St
Philadelphia PA
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