the collector’s sale part iii: furniture & fine art
auction july 12, 2018
july 10
part i:
ocean liner memorabilia
july 11
part ii:
objects & curiosities
july 12
part iii:
furniture & fine art
the collector’s sale
the collector’s sale auctions Sale 1608 | Part I: Ocean Liner Memorabilia Tuesday, July 10, 2018 at 10am Sale 1609 | Part II: Objects & Curiosities Wednesday, July 11, 2018 at 10am Sale 1610 | Part III: Furniture & Fine Art Thursday, July 12, 2018 at 10am
viewing times Friday, July 6
10 AM - 5 PM
Saturday, July 7
12 PM - 5 PM
Sunday, July 8
12 PM - 5 PM
Monday, July 9
10 AM - 5 PM
For more information, please contact: Andrew Taggart ataggart@freemansauction.com 267.414.1225
client services Mary Maguire Director | Client Services mmaguire@freemansauction.com 267.414.1236
Joslyn Moore Bidding Registration jmoore@freemansauction.com 267.414.1207
1808 Chestnut Street, Philadelphia PA 19103
Melissa Arundel Post-Sale Administrator marundel@freemansauction.com 267.414.1226
650 FRIDA MINET AND ADRIEN AUDOUX (FRENCH, ACTIVE 1940s-1950s) PAIR OF ROPE CHAIRS, CIRCA 1940s Maple and rope. H: 26 1/2 in., W: 24 3/4 in., D: 25 in. $600-800 651 CLIFFORD PASCOE (AMERICAN) SET OF FIVE CHAIRS, MODERNMASTERS INC., CIRCA 1950s Bentwood, iron, and upholstery. Signed with applied manufactuer’s paper labels. H: 28 1/2 in., W: 16 in., D: 17 in. provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania $400-600 652 REX GOODE (AMERICAN) “PIG” PLANTER, MODEL G-99, ARCHITECTURAL POTTERY, 20TH CENTURY L: 41 1/2 in., W: 26 in. (widest), H: 14 in. $2,000-3,000 653 YNGVE EKSTROM FOR SWEDESE HIGHBACK LAMINO CHAIR, DESIGNED 1956 Retaining original faux reindeer upholstery. H: 41 in., W: 27 in., D: 28 in. provenance: Sold Freeman’s, Philadelphia, November 18, 2001, lot 66 Acquired from the above by the present owner $400-600 654 DUNBAR SWIVEL CLUB CHAIR, CIRCA 1950s H: 32 in., W: 30 3/4 in., D: 32 in. $300-500 655 TOMMI PARZINGER (GERMAN/AMERICAN 1903-1981) CONSOLE TABLE OR WRITING DESK, PARZINGER ORIGINALS, CIRCA 1950 Lacquered wood, brass Unmarked. L: 50 in., W: 20 in., H: 30 in. $400-600 656 LISA JOHANSSON-PAPE (FINNISH, 1907-1989) TWO TABLE LAMPS, STOCKMANN ORNO, FINLAND, CIRCA 1950s H: 17 1/2 in. (tallest) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania $500-700
657 MODERN “HIS AND HERS” LOUNGE CHAIRS, CIRCA 1950s H: 37 in., W: 29 1/2 in., D: 29 in. (largest) $500-700 658 MID-CENTURY MODERN BENCH, CIRCA 1950s Painted wood, iron, slate, upholstered cushions. L: 72 in., W: 18 in., H: 17 in. (with cushions) $300-500 659 SWEDISH FLATWEAVE CARPET, INGEGERD SILOW, 1950s/60s Woven monogram: “IS” L: 90 1/2, W: 65 in. $250-500 660 AMERICAN MODERN LOUNGE CHAIR, MID-20TH CENTURY H: 30 3/4, W: 30, D: 27 in. provenance: The Collection of Joseph and Geraldine Ostrov, Cherry Hill, New Jersey. $200-300 661 PAUL FRANKL (AUSTRIAN-AMERICAN, 18861958) BEDROOM SUITE, JOHNSON FURNITURE CO., CIRCA 1950 Comprising vanity, stool, king-size headboard, nightstand, and chest of drawers. (5). Vanity, chest and nightstand signed with branded manufacturer’s mark: “Johnson Furniture Co.” Additional measurements: Vanity H: 27, W: 47 1/2, D: 30 3/4 in. Stool: H: 22 3/4, Dia: 20 in. Nightstand: H: 23 3/4, W: 24, D: 17 in. H: 44, W: 39 1/2, D: 21 in. (chest of drawers) provenance: The Collection of Joseph and Geraldine Ostrov, Cherry Hill, New Jersey. $800-1,200 662 HERITAGE FURNITURE INC. SET OF FOUR CHAIRS, CIRCA 1950s Signed with applied paper labels: “Heritage Furniture Inc.” H: 30 3/4, W: 21 1/2, D: 20 1/4 in. provenance: The Collection of Joseph and Geraldine Ostrov, Cherry Hill, New Jersey. $600-800
663 JOHN STUART / DUNBAR A DINING TABLE AND SET OF SIX CHAIRS, CIRCA 1950s The table Dunbar The chairs John Stuart. H: 37 in., W: 20 1/2 in., D: 22 in. (chairs) $1,000-1,500 664 MID-CENTURY MODERN CREDENZA, CIRCA 1960s Teak, with ebonized base. L: 95 in., W: 19 7/8 in., H: 31 3/4 in. $800-1,200 665 ERNST HENRIKSEN (DANISH, 20TH CENTURY) PAIR OF SCULPTURAL TEAK TABLE LAMPS, DENMARK, CIRCA 1960 Signed: “Ernst Henriksen Denmark”. H: 25 in. (with shades) $400-600 666 AMERICAN MODERN DESK AND CHAIR, MID-20TH CENTURY H: 29 in., W: 24 in., L: 46 in. (desk) provenance: The Collection of Joseph and Geraldine Ostrov, Cherry Hill, New Jersey. $300-500 667 An American Adirondack rocking chair Early 20th century H: 44 1/2 in., W: 26 in., D: 48 1/2 in. $600-800 668 An American Adirondack rocking chair Early 20th century H: 39 in., W: 22 1/2 in., D: 25 in. $600-800 669 A large decorated faux grain-painted blanket chest Probably Pennsylvania, dated 1890 With painted floral motifs to surface; stamped to front exterior, “129”; paint-inscribed to interior lid, “KM 129”; bearing wrought iron hinges and shaped escutcheon. L: 79 in., H: 19 1/4 in., D: 25 in. $300-500
670 Two pieces of American painted cottage furniture circa 1870 Comprising a dressing stand and washstand. (2). H: 73 in., W: 46 in., D: 17 1/4 in. (dressing stand) provenance: The Collection of the late Gloria G. Einbender. $250-350 671 A painted and stencil-decorated bench Pennsylvania, circa 1840 L: 71 1/4 in., W: 25 in., H: 35 in. $800-1,200 672 Federal painted and grained tall case clock with Masonic face Silas Hoadley (1786-1870), Plymouth, CT, circa 1815 The wooden face decorated with Masonic devices and inscribed, “S. Hoadley Plymouth.” H: 84 in. provenance: Private New Jersey Collection. $1,000-2,000 673 A maple slat-back side chair with rush seat Delaware river valley, 18th century H: 44 in., W: 14 3/4 in., D: 18 3/4 in. $300-500 674 A maple and ash slat-back armchair Pennsylvania, 18th century H: 49 3/4 in., W: 22 3/4 in., D: 17 3/4 in. $100-200 675 Late Federal painted and veneered chest of drawers New England, circa 1815 Rectangular top above case with four graduated drawers, each with veneered facade, on turned feet. H: 46 in. W: 40 1/4 in. D: 18 5/8 in. provenance: Private New Jersey Collection. $350-450 676 Classical grain-painted chest of drawers Attributed to John Rupp (1809-1899), Hanover, PA, circa 1835 H: 45 in. W: 42 1/4 in. D: 20 1/4 in. provenance: Private Collection, New Jersey. $350-450
677 A colonial revival oak tall case clock circa 1900 With brass dial, mounts, and finials. H: 92 in., W: 24 1/2 in., D: 15 in. $1,500-2,500 678 A late Federal walnut drop-leaf table Possibly Pennsylvania, circa 1830 L: 37 1/4 in., W: 20 1/4 in., H: 29 1/2 in. provenance: Property of a Bucks County, Pennsylvania collection. $200-400 679 A Sheraton cherrywood work table American, circa 1830 H: 27 in., W: 24 3/4 in., D: 18 1/4 in. provenance: Property of a Bucks County, Pennsylvania collection. $200-300 680 A Sheraton figured mahogany work table American, circa 1830 H: 28 3/4 in., W: 20 3/4 in., D: 15 1/2 in. provenance: Property of a Bucks County, Pennsylvania collection. $200-300 681 An American classical giltwood and gesso overmantel mirror circa 1830 L: 60 in., H: 26 1/4 in. provenance: Property of a Bucks County, Pennsylvania collection. $400-600 682 A Federal brass-mounted mahogany pier mirror circa 1815-1820 H: 38 in., W: 19 1/2 in. provenance: Property of a Bucks County, Pennsylvania collection. $400-600 683 A Federal walnut pembroke table English or American, circa 1790-1800 Appears to bear the original brass handles. L: 33 in., W: 18 1/2 in., H: 27 1/2 in. provenance: Property of a Bucks County, Pennsylvania collection. $300-500
684 Pair of Federal carved mahogany heart-back side chairs Possibly Maryland, early 19th century H: 36 in. provenance: By descent in the Barringer Family of Cabbarus and Mecklenburg Counties, North Carolina, to the present owners. $500-750 685 A Federal inlaid walnut candlestand Mid-Atlantic region, circa 1790 With spade feet. H: 27 in., Dia of top: 20 in. $500-700 686 A Federal walnut candlestand circa 1800-1810 H: 28 3/4 in., L: 26 in., W: 18 1/2 in. provenance: Property of a Bucks County, Pennsylvania collection. $500-800 687 A Sheraton mahogany two-tier work table American, circa 1830 H: 31 1/2 in., W: 21 1/4 in., D: 17 3/4 in. provenance: Property of a Bucks County, Pennsylvania collection. $200-300 688 A classical faux grain-painted birch footstool Probably mid-Atlantic region, circa 1840 H: 15 1/2 in., L: 21 1/2 in., W: 20 1/2 in. $200-400 688A A Federal upholstered mahogany easy chair Early 19th century H: 44 in., W: 31 in., D: 30 in. $600-800 689 A late Federal mahogany pier glass with églomisé panel circa 1820 19 1/4 in. x 13 in. provenance: Property of a Bucks County, Pennsylvania collection. $100-200
690 Federal walnut candlestand New Jersey or Pennsylvania, early 19th century 21 3/4 in. x 18 3/4 in. (top) H: 27 5/8 in. provenance: By descent in the Bacon Family of Philadelphia, Pennsylvania and Greenwich, New Jersey, to the present owners. $350-450 691 A Queen Anne cherrywood candlestand 18th century H: 28 1/4 in., Dia of top: 19 in. provenance: Property of a Bucks County, Pennsylvania collection. $500-800 692 A Federal mahogany candlestand circa 1800-1810 H: 28 1/2 in., L: 19 1/4 in., W: 17 in. provenance: Property of a Bucks County, Pennsylvania collection. $500-800 693 A Federal style inlaid mahogany card table 19th century L: 35 1/4 in., W: 17 3/4 in., H: 30 1/2 in. provenance: From the Collection of a Philadelphia Lady $300-500 694 A painted blanket chest Pennsylvania, late 18th/early 19th century Decorated with floral motifs. L: 54 in., W: 24 in., H: 22 in. $800-1,200 695 A Queen Anne style walnut candlestand Kittinger, 20th century Stamped to underside of dish top, “Kittinger/A Williamsburg Adaptation.” H: 27 in., Dia of top: 20 1/4 in. provenance: Property of a Bucks County, Pennsylvania collection. $300-500 696 A Federal mahogany armchair probably new york, circa 1790 With leather-upholstered seat. H: 39 1/2 in., W: 21 3/4 in., D: 19 in. $700-900
697 A Federal inlaid mahogany and maple twodrawer work table circa 1810 The top inlaid with cornucopia motif, the bottom drawer with false two-drawer front. H: 28 3/4 in., W: 22 in., D: 16 3/4 in. provenance: From the Estate of a Main Line Lady $800-1,200 698 An American Empire gilt pier mirror circa 1830 38 in. x 26 in. $200-400 699 A Federal walnut Pembroke table circa 1815 Appears to retain original brass pull. L: 41 3/4 in., H: 28 3/4 in., W: 19 1/4 in. $400-600 700 A pair of finely carved Chippendale style mahogany side chairs late 19th/early 20th century H: 40 1/2 in., W: 21 1/2 in., D: 17 in. provenance: Property of a Bucks County, Pennsylvania collection. $300-500 701 A Chippendale mahogany and parcel gilt looking glass late 18th century Accompanied by a type-written letter with an assessment of the mirror by Arthur Sussel of Arthur Sussel Antiques, Philadelphia, dated June 22, 1939. H: 28 in., W: 14 in. provenance: From the Estate of a Main Line Lady. $400-600 702 A classical style round gilt wood and gesso mirror late 19th/early 20th century Surmounted by a shell and carved laurels. H: 40 in., W: 31 in. provenance: From the Estate of a Main Line Lady. $400-600
703 HARRY BERTOIA (ITALIAN-AMERICAN, 19151978) PAIR OF DIAMOND CHAIRS, KNOLL ASSOCIATES, 1960s Applied Knoll Associates labels. H: 31 in., W: 33 1/2 in., D: 28 in. $400-600 704 AMERICAN MODERN TWO SIDE TABLES AND LAMP TABLE, CIRCA 1960 H: 56 in. (lamp) $300-500 705 LE CORBUSIER (SWISS-FRENCH, 1887-1965) LC4 CHAISE LONGUE, CASSINA, CIRCA 1960s Steel, leather, upholstery. Signed with impressed manufactuer’s mark: “Cassina No. 81134 LC4 Le Corbusier ®” L: 61 in. $800-1,200 706 IN THE STYLE OF MAISON BAGUES PAIR OF FAUX BAMBOO BRASS AND GLASS SIDE TABLES, CIRCA 1970 L: 23 in., W: 14 1/4 in., H: 15 1/2 in. $300-500 707 ATTRIBUTED TO TOMMI PARZINGER (GERMAN-AMERICAN, 1903-1981) FLOOR LAMP, MID 20TH CENTURY Patinated, wrought iron. H: 61 3/4 in. $800-1,200 708 PIERRE PAULIN (FRENCH, 1927-2009) TONGUE CHAIR, ARTIFORT, NETHERLANDS, CIRCA 1960s Tubular steel, fabric, latex foam. L: 35 in., W: 32 in. $500-700 709 DANISH MODERN DESK, SELIG, DENMARK, CIRCA 1960s Stamped “Made in Denmark.” L: 49 1/2 in., W: 31 1/4 in., H: 29 in. provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania literature: Decorative Art: The Studio Year Book 1958-59, p. 29 $300-500
710 FRANCIS MCCARTHY (AMERICAN, 19232005) TILED LIFT-TOP CHEST WITH NUDE FIGURES, 1972 Signed and dated: “McCarthy 72” L: 32 1/4 in., W: 15 1/8 in., H: 15 1/4 in. provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania $1,000-2,000
715 CHARLES AND RAY EAMES (AMERICAN, 1907-1978 AND 1912-1988) AND GEORGE NELSON (AMERICAN, 1908-1986) OTW COFFEE TABLE AND PEDESTAL SIDE TABLE, HERMAN MILLER, CIRCA 2010 Molded plywood, laminate, metal. Each signed with applied Eames/Herman miller tags. L: 36 in., W: 22 in., H: 14 in. (coffee table) $600-800
722 A provincial Louis XV chestnut and kingwood marquetry and parquetry table en chiffonnière circa 1770-75 The oval floral marquetry top over three drawers raised on four cabriole legs. H: 28 3/4, W: 12 1/2, D: 10 in. provenance: The collection of Georges Perrier, Philadelphia, Pennsylvania. $300-500
711 FRANCIS MCCARTHY (AMERICAN, 19232005) OVAL TILED COFFEE TABLE WITH NUDES, 1962 Signed and dated: “McCarty 62” L: 48 1/2 in., W: 18 1/2 in., H: 15 1/2 in. provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania $2,000-3,000
716 SORI YANAGI (JAPANESE, 1915-2011) “BUTTERFLY” STOOL, 21ST CENTURY Molded plywood and brass. H: 15 1/2 in., W: 16 1/2 in., D: 12 in. $300-500
723 A Louis XVI style gilt-bronze mounted marquetry-veneered commode 20th century Topped with pink marble. H: 41 1/2 in., W: 21 1/4 in., H: 34 1/2 in. $400-600
712 AFTER EILEEN GRAY (IRISH-FRENCH, 18781976) PAIR OF E-1027 STYLE SIDE TABLES, 20TH CENTURY Chrome and glass. H: 21 in., Dia: 19 3/4 in. provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania $500-700 713 AFTER LE CORBUSIER (SWISS-FRENCH, 18871965) PAIR OF LC2 STYLE LOUNGE CHAIRS, 20TH CENTURY H: 26 1/2 in., W: 29 3/4 in., D: 27 in. provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania $600-800 714 AFTER LUDWIG MIES VAN DER ROHE (GERMAN-AMERICAN, 1886-1969) BARCELONA STYLE LOUNGE CHAIR, 20TH CENTURY Together with an Eero Saarinen style side table. H: 29 in., W: 30 in., D: 30 in. (chair) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania $500-700
717 A custom Louis XVI style ormolu mounted mahogany bibliothèque à deux corps 20th century H: 96, W: 98, D: 25 in. provenance: The collection of Georges Perrier, Philadelphia, Pennsylvania. $1,000-1,500 718 A Louis XVI style eight-light crystal chandelier 20th century H: 35 1/2 Dia: 28 in. provenance: The collection of Georges Perrier, Philadelphia, Pennsylvania. $200-300 719 A Louis XV style kingwood parquetry commode French, early 19th century The serpentine marble top with molded edge over bombe case enclosing three long drawers, the case mounted with gilt-bronze leaf-form terms, raised on short splayed feet. H: 37 in. $1,500-2,500 720 A Louis XVI style gilt-bronze mounted walnut and marble side table late 19th century In two tiers, the upper gilt mounts depicting ram’s heads. H: 29 in., Dia: 23 in. $200-400 721 A pair of Louis XV walnut bergeres circa 1750 Upholstered in toile printed cotton to front and gingham to reverse. H: 36 in., W: 25 1/2 in., D: 20 in. $300-500
724 A Louis XVI style gilt-bronze mounted marquetry-veneered bureau plat 20th century With leather inset writing surface. L: 43 3/4 in., W: 21 3/4 in., H: 31 in. $400-600 725 A group of three rugs and mats late 19th/early 20th century Comprising two Oriental wool and cotton mats and a Kazak rug. (3). 3 ft. 9 in. x 1 ft. 8 in. (largest) $400-600 726 A Kashan carpet 20th century 6 ft. 6 in. x 4 ft. 3 in. $1,000-1,500 727 A Kashan carpet 20th century 7 ft. 5 in. x 4 ft. 7 in. $1,500-2,000 728 A pair of Neoclassical style pine and marble wall mounted console tables 20th century L: 43 1/2 in., W: 14 in., H: 34 in. $800-1,200 729 A Directoire style mahogany sidechair 19th century H: 38 3/4 in. $200-400
730 A pair of Napoleon III style vitrine cabinets 20th century H: 70 in., W: 29 in., D: 16 in. $1,500-2,500 731 A Napoleon III boulle marquetry sewing table French, 19th century The shaped rectangular top opening to a mirror on the reverse and fitted interior with a sliding shelf above a slide out basket, raised on cabriole legs cast at knees with chutes continuing to leafcast sabots. H: 29 in. $500-1,000 732 A Charles X mahogany table a pot de chambre Circa 1840 With later Carrara marble top. H: 30 1/2, W: 15 1/4, D: 12 1/2 in. provenance: The collection of Georges Perrier, Philadelphia, Pennsylvania. $200-300 733 A small French porcelain rotating table early 20th century Marked to underside, “France handpainted,” with maker’s mark. H: 21 in., Dia: 15 in. $200-300 734 A Biedermeier fruitwood vitrine possibly austrian, 19th century Including three interior shelves. H: 69 in., W: 35 in., D: 16 1/2 in. provenance: Property of a Bucks County, Pennsylvania collection. $600-800 735 A large scale classical marbleized wood console table 20th century The top supported by eight Ionic columns. L: 98 in., W: 24 1/2 in., H: 35 1/2 in. provenance: From a prominent Monument Avenue estate, Richmond, Virginia. $800-1,200 736 A gilt bronze figural lamp 20th century With lamp shade. H: 29 in. $200-300
737 An Italian Baroque walnut church pew 17th/18th century With carved armorial crest to backrest, retaining an old sticker to reverse with handwritten inscription, “Pew from an Italian church given by Walter and Katie Louchheim to Christine and Dick Coe on their wedding, May 1946.” H: 38 in., W: 56 1/2 in., D: 17 in. $700-900 738 A Chinese hardwood small cabinet Measurements:L: 31 in., H: 21 in. $800-1,200 739 A Southeast Asian round wood and cane occasional table 20th century H: 25 1/4 in., Dia: 21 1/2 in. $200-300 740 A Chinese hardwood, possibly huanghuali, square recessed-waist low table Measurements:H: 13 3/4 in., 34.9cm; W: 30 in., 76.1cm; D: 30 in., 76.1cm provenance: Property from a private collection, Bryn Mawr, PA; thence by descent. $400-600 741 A Chinese hardwood, possibly huanghuali, rectangular low table Measurements:W: 24 in., 61cm; D: 18 3/4 in., 47.6cm; H: 15 3/4 in., 40cm provenance: Property from a private collection, Bryn Mawr, PA; thence by descent. $250-350 742 A pair of Chinese hardwood, possibly huanghuali, stools, fangdeng Measurements:H: 19 in., 48.3cm; W: 16 in., 40.6cm; L: 16 in., 40.6cm $400-600 743 Chinese hardwood display cabinet Measurements:L: 52 in., W: 18 in., H: 72 in. $1,500-2,500 744 A Chinese “coromandel-type” screen Measurements:Each leaf: H: 72 in., 183cm; W: 16in., 41cm. $200-400
745 A George III mahogany chest of drawers late 18th century H: 33 1/2, W: 31, D: 19 in. $400-600 746 A gilt and ebonized gesso and carved wood oval beveled glass mirror first half 20th century, possibly Continental H: 35, W: 29 in. $200-400 747 A George IV featherbanded mahogany chest of drawers early 19th century With later American style pulls. H: 34, W: 29, D: 19 1/2 in. $400-600 748 A Queen Anne style mahogany drop leaf table late 18th century H: 28, W: 56, D: 18 in. (closed) $300-500 749 An Anglo-Dutch style brass six-light chandelier 19th/20th century H: 18 in., Dia: 19 1/2 in. provenance: Property of a Bucks County, Pennsylvania collection. $300-500 750 An Anglo-Dutch style brass six-light chandelier 19th/20th century Presently wired for electrical use. H: 18 in., Dia: 20 in. provenance: Property of a Bucks County, Pennsylvania collection. $300-500 751 An unfinished carved pine frame 20th century H: 24, W: 30 in. (opening) $200-400 752 A George III style side chair late 18th/early 19th century H: 34 1/2, W: 22, D: 18 in. $300-500
753 Inlaid mahogany slant front desk Late 18th/early 19th century With banded and shell motif inlays. H: 40 1/2 in., L: 38 1/2 in. (at base), D: 19 1/2 in. $300-400 754 A George II style mahogany armchair 20th century H: 35 1/2, W: 24 1/2, D: 18 1/4 in. provenance: The Collection of Joseph and Geraldine Ostrov, Cherry Hill, New Jersey. $300-500 755 A George III style mahogany demilune sideboard 20th century With radiating veneers, centered by a drawer flanked by two cabinet doors. H: 34 1/4 in., W: 48 1/2 in., D: 24 1/2 in. provenance: Property from the Collection of Mr. and Mrs. Gaylord and Pamela Watkins. $400-600 756 A pair of George III style inlaid mahogany demilune side cabinets Smith & Watson, 20th century H: 33 1/4, W: 37 1/4, D: 18 3/4 in. provenance: The Collection of Joseph and Geraldine Ostrov, Cherry Hill, New Jersey. $1,000-2,000 757 A pair of Queen Anne style giltwood pier mirrors Smith & Watson, 20th century H: 53 in., W: 26 in. provenance: The Collection of Joseph and Geraldine Ostrov, Cherry Hill, New Jersey. $1,000-2,000 758 A group of Georgian style fire implements 19th century Comprising a pair of andirons and a set of steel fire tools. (6). H: 36 1/2 in. (tallest) provenance: The Collection of Joseph and Geraldine Ostrov, Cherry Hill, New Jersey. $500-700
759 An Adamesque style giltwood overmantel mirror early 20th century H: 57 in., W: 38 in. $200-400 760 A Regency style mahogany extending pedestal dining table 20th century H: 28, W: 48, L: 95 in. (closed); L: 137 in. (extended) provenance: The Collection of Joseph and Geraldine Ostrov, Cherry Hill, New Jersey. $1,000-1,500 761 A set of eight Hepplewhite style dining chairs circa 1890 H: 40, W: 21, D: 17 1/2 in. provenance: The Collection of Joseph and Geraldine Ostrov, Cherry Hill, New Jersey. $2,000-4,000 762 A Queen Anne style inlaid mahogany tilt top tea table 19th/20th century H: 27, Dia: 22 in. provenance: The Collection of Joseph and Geraldine Ostrov, Cherry Hill, New Jersey. $250-350 763 A George III mahogany chest of drawers 18th century L: 44 in., W: 20 1/2 in., H: 35 in. provenance: From the Estate of a Main Line Lady. $300-500 764 A George III mahogany side chair circa 1790 H: 38 in., W: 22 in. $400-500 765 A George II mahogany dressing table circa 1750 L: 36 in., W: 19 3/4 in., H: 27 3/4 in. provenance: From the collection of Ann Ward Spaeth. $400-600 766 A George III mahogany hanging corner cabinet Late 18th century H: 44 1/2 in., W: 31 in., D: 19 in. $600-800
767 A George III Queen Anne mahogany tilt-top tea table mid-late 18th century With pad feet. H: 27 3/4 in., Dia of top: 39 1/4 in. $600-800 768 A George III mahogany demilune dining table late 18th century With one leaf. L: 61 in., W: 48 in., H: 30 1/2 in. (including leaf) $500-700 769 A George III Hepplewhite mahogany dressing mirror circa 1800 H: 22 1/2 in., W: 17 in., D: 7 3/4 in. $400-600 770 A Kazak runner Caucasus region, late 19th century 113 in. x 39 3/4 in. $800-1,400 771 A silk Kashan carpet late 19th/early 20th century 6 ft. 10 in. x 4 ft. 9 in. $2,000-3,000 772 A George III mahogany night table early 19th century H: 29 in., W: 20 1/4 in., D: 14 1/2 in. provenance: Property of a Bucks County, Pennsylvania collection. $200-400 773 A George III inlaid mahogany Pembroke table circa 1790 L: 30 in., W: 18 1/4 in., H: 28 1/4 in. provenance: Property of a Bucks County, Pennsylvania collection. $700-900 774 A Sheraton walnut work table on casters circa 1830 H: 32 in., W: 26 1/4 in., D: 16 1/2 in. provenance: Property of a Bucks County, Pennsylvania collection. $300-500
775 A Regency mahogany round dining table 19th century The top secured to base via wood pegs. H: 29 3/4 in., Dia of top: 45 1/2 in. provenance: Property of a Bucks County, Pennsylvania collection. $800-1,200 776 A Regency mahogany round dining table 19th century The top secured to base via wood pegs. H: 29 3/4 in., Dia of top: 45 1/2 in. provenance: Property of a Bucks County, Pennsylvania collection. $800-1,200 777 A Tabriz rug Pakistan, 20th century 5 ft. 7 in. x 3 ft. 11 in. $200-400 778 A pair of George II style mahogany armchairs late 19th/early 20th century The shaped backsplat with carved tassels, with volute-ended armrests and hairy paw feet. (2). H: 38 1/4 in. $400-600 779 Two custom square blue silk accent pillows with fringe contemporary 20 in. x 20 in. $200-300 780 A George III style inlaid mahogany sideboard possibly irish, circa 1890 L: 48 in., W: 20 1/2 in., H: 34 in. provenance: Property of a Bucks County, Pennsylvania collection. $800-1,200 781 A George II style giltwood mirror early 20th century 41 in. x 30 in. provenance: Property of a Bucks County, Pennsylvania collection. $400-600
782 An English early Victorian burl walnut canterbury circa 1840 H: 21 1/2 in., L: 19 in., W: 15 in. $300-500 783 A set of eight George III style ‘tassel back’ mahogany dining chairs 19th century Comprising two armchairs and six side chairs, with hairy paw feet. (8). H: 39 1/2 in., W: 26 in., D: 22 in. $800-1,200 784 An English Regency mahogany tilt-top breakfast table 19th century The top is removable. L: 47 in., W: 34 in., H: 29 in. $600-800 785 A George II Queen Anne mahogany games table mid-18th century With reverse baize top. L: 36 in., W: 16 1/2 in., H: 29 1/2 in. (closed) $600-800 787 A Regency style inlaid mahogany sofa table late 19th/early 20th century L: 40 in., W: 24 in., H: 28 in. $400-600 788 A George III inlaid mahogany card table late 18th century Appears to bear original brass handles. L: 35 3/4 in., W: 17 in., H: 29 1/4 in. (closed) $400-600 789 A Belouchistan rug late 19th/early 20th century 6 ft. 4 in. x 3 ft. 5 in. provenance: The Collection of Joseph and Geraldine Ostrov, Cherry Hill, New Jersey. $400-600 790 A Victorian mahogany pedestal dining table mid 19th century The circular top raised on heavily carved quadripartite pedestal with four paw feet. H: 30, Dia: 59 1/2 in. $1,000-1,500
791 A pair of Regency mahogany side chairs circa 1840 H: 56 3/4, W: 15 3/4, D: 18 3/4 in. provenance: The collection of Georges Perrier, Philadelphia, Pennsylvania. $300-500 792 A Regency parcel-gilt maroon lacquer tray in the Chinese taste circa 1820 Decorated with flowers and butterflies, on modern parcel-gilt ebonized stand. H: 19, W: 29 3/4, D: 22 in. provenance: The Collection of Joseph and Geraldine Ostrov, Cherry Hill, New Jersey. $500-700 793 A set of Regency style nesting tables Smith & Watson, 20th century H: 25, W: 19, D: 13 in. (largest) provenance: The Collection of Joseph and Geraldine Ostrov, Cherry Hill, New Jersey. $300-500 794 A George II style mahogany games table 19th century With intricately carved surface. L: 29 1/2 in., H: 27 1/2 in., D: 13 1/2 in. $400-600 795 A Regency style parcel-gilt black lacquer armchair Smith & Watson, 20th century H: 33 3/4, W: 22, D: 19 1/2 in. provenance: The Collection of Joseph and Geraldine Ostrov, Cherry Hill, New Jersey. $300-500 796 An Edwardian mahogany veneered pedestal desk circa 1900 With leather writing surface. L: 43 3/4 in., W: 19 3/4 in., H: 30 in. provenance: Property of a Bucks County, Pennsylvania collection. $600-800 797 A pair of silverplated table lamps 20th century With linen lamp shades. H: 19 1/4 in. (without shades) $100-150
798 A conical brass umbrella stand 20th century With strap handle. H: 34 3/4 in. $100-150 799 A Baroque Revival walnut dropleaf dining table and four dining chairs 20th century The chairs with needlepoint upholstery. (5). L: 38 in., W: 38 in., H: 29 1/2 in. (table when closed) $500-800 800 A Chinese Nichols wool carpet circa 1920 13 ft. 9 in. x 10 ft. 1 in. provenance: Private collection, Philadelphia. $600-800 801 A crystal eight-light chandelier early 20th century H: 18 in., Dia: 21 in. provenance: Property of a Bucks County, Pennsylvania collection. $300-500 802 A Napoleon III boulle and walnut hexagonal wall clock late 19th century H: 27 in., W: 26 in., D: 5 1/2 in. $400-600 803 A Continental marble and alabaster figural lamp late 19th century Including putti supporting a basin, with domed top. H: 45 in. approx. $600-800 804 A pair of Chinese export style blue and white garden seats 20th century H: 18 1/4 in., Dia: 12 in. provenance: Private collection, Philadelphia. $400-600 805 A Sarouk runner late 19th/early 20th century 19 ft. 3 in. x 2 ft. 10 in. $1,000-1,500
806 A Tabriz or Qum pictorial rug 20th century 4 ft. 7 in. x 3 ft. 3 in. $1,500-2,000 807 A pair of silk warp Isfahan rugs 20th century 5 ft. x 3 ft. $1,200-1,800 808 Two Chinese cloisonnĂŠ floor lamps early 20th century H: 70 in. (tallest) $700-900 809 A bespoke Orientalist style pillar telephone likely French, first half 20th century H: 41 1/2, W: 10 1/2 in. provenance: The Collection of Joseph and Geraldine Ostrov, Cherry Hill, New Jersey. $300-500 810 A Napoleon III ebonized leopard skin upholstered tabouret circa 1865 H: 15 1/4 in. $300-500 811 A Venetian style etched glass mirror 20th century H: 50, W: 31 1/2 in. provenance: The Collection of Joseph and Geraldine Ostrov, Cherry Hill, New Jersey. $400-600 812 A Chinese bronze foo dog mounted as a lamp 19th/20th century With lamp shade. H: 28 in. provenance: The Collection of the late Gloria G. Einbender. $400-600 813 A Victorian giltwood pier mirror circa 1870 H: 87 in., W: 32 3/4 in. provenance: Property of a Bucks County, Pennsylvania collection. $400-600
814 A pair of Baroque Revival upholstered oak armchairs late 19th century Upholstered in flame stitch embroidery. H: 47 in., W: 23 1/2 in., D: 23 in. provenance: Property of a Bucks County, Pennsylvania collection. $500-700 815 A Renaissance Revival style oak and stained fruitwood extending dining table 20th century H: 30 1/2 W: 60, D: 40 in. provenance: The collection of Georges Perrier, Philadelphia, Pennsylvania. $400-600 816 A pair of Renaissance Revival carved walnut fauteuils a la reine 19th century With machine woven Aubusson-style verdure tapestry upholstery. H: 50 in., W: 27 in., D: 23 in. $800-1,200 817 A Renaissance Revival walnut bracket clock late 19th century H: 50 in., W: 16 in., D: 7 in. $300-500 818 A brass twin light candelabrum with firetools 19th/20th century H: 52 in., W: 12 in. $100-200 819 A Lesghi rug East Caucasus, late 19th/early 20th century 4 ft. 4 in. x 2 ft. 10 in. $1,200-1,800 820 A Napoleon III style brass mounted boulle and inlaid ebonized wood mantel clock late 19th/early 20th century H: 18 in., W: 8 1/2 in., D: 5 in. $200-300 821 A Renaissance Revival oak armchair American, circa 1900 The backsplat and arm ends carved with dolphins and grotesques, with hairy paw feet. H: 38 in., W: 13 1/2 in., D: 20 in. $200-400
822 An alabaster floor lamp circa 1920 H: approx. 70 in. provenance: Private collection, Philadelphia. $600-800 823 A small Napoleon III style gilt side chair late 19th/early 20th century H: 34 5/8 in., W: 17 1/4 in., D: 15 in. provenance: From the collection of Ann Ward Spaeth. $200-300
830 A needlepoint-upholstered gilt bench 20th century L: 46 in., W: 20 in., H: 20 in. $200-400 831 A silverplated copper and Imari porcelain lamp late 19th century Possibly converted from an oil lamp, presently electrified. H: 35 in. $200-300
824 A Napoleon III Renaissance revival parcel ebonized and burled walnut veneered desk circa 1865 H: 48 in., W: 29 3/4 in., D: 21 1/2 in. $1,000-1,500
832 A small crystal five-light chandelier mid-20th century H: approx. 23 in., Dia: 17 1/4 in. provenance: Property of a Bucks County, Pennsylvania collection. $300-500
825 A Tabriz rug 20th century 4 ft. 10 in. x 3 ft. $800-1,200
833 A diminutive upholstered armchair 20th century H: approx. 34 in. $100-200
826 A Tabriz carpet 20th century 9 ft. x 6 ft. $1,000-1,500
834 A Victorian gilt wood and gesso overmantel mirror late 19th century Topped with a putti flanked by doves and swagged garlands. H: 80 in., W: 42 in. provenance: From the Cavalier Hotel, Virginia Beach, Virginia. $600-800
827 A robustly carved Victorian mahogany armchair circa 1860 Upholstered in green chintz. H: 41 in., W: 25 in., D: 19 in. provenance: Formerly in the collections of the College of William & Mary, Williamsburg, Virginia. $300-500 828 An early Victorian mahogany dressing mirror circa 1840 H: 23 in., W: 21 1/2 in., D: 9 3/4 in. provenance: Property of a Bucks County, Pennsylvania collection. $100-200 829 A pair of brass inset and mother-of-pearl inlaid ebonized low tables late 19th century The inset brass medallions bearing figural motifs, with glass tops. H: 17 1/2 in., Dia: 22 1/2 in. $400-600
835 An American Arts and Crafts stained glass panel late 19th/early 20th century 60 1/2 in. x 33 3/4 in. (with wood frame) provenance: Jeffrey M. Kaplan, Washington, D.C. $400-600 836 An Aesthetic Movement oak and leather armchair and footstool circa 1900 H: 36 3/4 in., W: 27 in., D: 22 3/4 in. provenance: The Collection of Joseph and Geraldine Ostrov, Cherry Hill, New Jersey. $400-600
837 AFTER LE CORBUSIER (SWISS-FRENCH, 18871965) PAIR OF LC1 “BASCULANT” STYLE CHAIRS, CIRCA 1980s Chrome and leather. H: 24 in., W: 24 3/4 in., D: 25 1/2 in. $500-700 838 DE SEDE “NON STOP” DS-600 SECTIONAL SOFA, STENDIG, SWITZERLAND, CIRCA 1970s Brown leather, upholstery. Signed with applied Stendig labels. L: 140 in. (when fully extended straight), W: 36 in., H: 29 in. $7,500-9,500 839 HANSEN PAIR OF FLOOR LAMPS, NEW YORK, CIRCA 1970s Lucite, brass. Signed with impressed manufacturer’s mark: “Hansen Lamps New York” H: 62 3/4 in. $1,000-1,500 840 PAUL EVANS (AMERICAN, 1931-1987) DINING TABLE, DIRECTIONAL, USA, CIRCA 1975 Lacquered burl walnut veneered top, brushed, nickel-plated steel over wood base. Unmarked. L: 67 in., W: 56 in., H: 30 in. (without leaf) note: We would like to thank Dorsey Reading for his assistance in the cataloguing of this lot. $2,000-3,000 841 STYLE OF PAUL EVANS (AMERICAN, 19311987) DINING TABLE, CIRCA 1970 Welded steel, bronze, glass. L: 49 1/4 in., W: 24 in., H: 28 in. (base) provenance: Property from a Private Collection, Villanova, Pennsylvania $3,000-5,000 842 STYLE OF PAUL EVANS (AMERICAN, 19311987) SET OF SIX DINING CHAIRS, CIRCA 1970 Welded steel, bronze. H: 38 in., W: 16 1/2 in., D: 19 1/4 in. provenance: Property from a Private Collection, Villanova, Pennsylvania $1,500-2,500
843 MODERN BLACK LACQUERED CHINESE STYLE DINING ROOM SIDEBOARD, CIRCA 1980s L: 78 1/2 in., W: 20 1/2 in., H: 29 1/2 in. $800-1,200
851 ETTORE SOTTSASS (ITALIAN, 1917-2007) “TAHITI” TABLE LAMP, MEMPHIS GROUP, MILAN, ITALY, CIRCA 1980s H: 25 1/4 in. $1,000-2,000
844 MODERN PEDESTAL TABLE, CIRCA 1980s Concrete, granite, chrome. L: 28 3/4 in., W: 15 3/4 in., H: 31 in. $300-500
852 ETTORE SOTTSASS (ITALIAN, 1917-2007) “TREETOPS” FLOOR LAMP, MEMPHIS GROUP, MILAN, ITALY, CIRCA 1980s H: 71 in. $1,000-2,000
845 VLADIMIR KAGAN (GERMAN-AMERICAN, 1927-2016) SET OF SIX DINING CHAIRS, VLADIMIR KAGAN DESIGNS INC, NEW YORK, 1980s Two armchairs and four side chairs Rosewood, mohair Each signed with applied label: “Vladimir Kagan Designs Inc.” H: 37 in., W: 23 in., D: 24 in. $1,500-2,500
853 MICHELE DE LUCCHI (ITALIAN, B. 1951) “OCEANIC” TABLE LAMP, MEMPHIS GROUP, MILAN, ITALY, CIRCA 1980s H: 29 in., L: 35 in. $800-1,200
846 CONTEMPORARY CENTER TABLE WITH GREYHOUND SUPPORTS, 20TH CENTURY Coconut parquetry and bronze. H: 34 in., Dia of top: 39 1/4 in. $700-900 847 PEARSON CHESTERFIELD SOFA, CONTEMPORARY Leather. L: 82 in., W: 38 in., H: 32 in. $300-500 848 SIRMOS FLOOR LAMP, CIRCA 1980 In the style of Giacometti Painted composite, linen Signed with applied label: “Sirmos” H: 64 1/2 in. (with shade) $600-900 849 MODERN DECORATIVE IRON FOLDING SCREEN, CIRCA 1980s H: 71 3/4 in., W: 49 1/2 in. (when fully extended) $150-250 850 A pair of art deco style iron and and stone torchieres 20th century H: 71 in. $300-500
854 ETTORE SOTTSASS (ITALIAN, 1917-2007) “DIVA” MIRROR, MEMPHIS GROUP, MILAN, ITALY, CIRCA 1980s Signed with applied metal plaque: “Memphis Milano Ettore Sottsass 1984 Made in Italy” W: 22 in., H: 44 in. $800-1,200 855 ROBERT VENTURI (AMERICAN, B. 1925) PAIR OF “CHIPPENDALE” CHAIRS, KNOLL INTERNATIONAL, 1986 Stained birdseye maple, upholstery Signed with applied labels: “Knoll International” H: 37 in., W: 23 1/2 in., D: 18 in. $4,000-6,000 856 ROBERT HOLMES (AMERICAN, B. 1927) TWO-PIECE BRONZE FIGURAL SCULPTURE, LATE 20TH/21ST CENTURY L: 13 1/2 in., W: 7 1/2 in., H: 11 in. (largest) $200-300 857 JAMES LANGSTON “DANTE” LOW TABLE, 2006 Satinwood, mahogany, bronze Signed: “J.L., 2006” H: 21 1/2, W: 56 1/2, D: 25 3/4 in. $1,500-2,500
858 DEL COVER (AMERICAN, b. 1946) AMERICAN STUDIO CHEST, “THE APPRENTICE,” CIRCA 2007 African mahogany, Port Orford cedar, mirrored glass. . H: 80 in. note: This cabinet won the Art Furniture division of the San Diego Fair in 2007 and was featured recently in the Furniture as Art as Furniture/LAX 2016 catalogue. Its satirical content relates specifically to America’s pop culture from the early 2000s, heavily derived from reality television shows such as The Apprentice. $2,500-3,500 859 ASPY KHAMBATTA WALL MIRROR, CIRCA 2005 Mixed materials. H: 39 1/2 in., W: 20 1/2 in. provenance: All proceeds from this sale benefits the Center for Art in Wood’s exhibition and programming. $500-700 860 HARRY ANDERSON (AMERICAN) FOUND OBJECT CHANDELIER, 1995 Signed and dated: “Harry Anderson, 95” H: 48 in., W: 48 in. provenance: All proceeds from this sale benefits the Center for Art in Wood’s exhibition and programming. $800-1,200 861 LYNN GODLEY (AMERICAN, B. 1956) WINEGLASS CHANDELIER, 2008 Incorporating wine glasses made and signed by Steven Maslach, commercial wine glasses, glass beads, and plastic zip ties. H: 18, Dia: 38 in. (overall) $1,000-1,500 862 ARTHUR BEECHER CARLES (american 1882-1952) LADY WITH A FAN Etching on paper Plate size: 3 x 3 in. (7.6 x 7.6cm) together with: YOUNG GIRL PLAYING Etching on paper Plate size: 3 1/2 x 3 1/2 in. (8.9 x 8.9cm) (2) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $300-500
863 ARTHUR BEECHER CARLES (american 1882-1952) STANDING NUDE Charcoal on paper Sheet size (sight): 11 1/4 x 7 1/2 in. (28.6 x 19.1cm) together with: LOUNGING NUDE Pencil on paper Sheet size (sight): 9 3/8 x 12 1/8 in. (23.8 x 30.8cm) together with: RECLINING NUDE Pencil on paper Sheet size (sight): 7 x 9 in. (17.8 x 22.9cm) (3) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $300-500 864 ARTHUR BEECHER CARLES (american 1882-1952) PORTRAIT OF A WOMAN Numbered ‘8’ (edition of 12), etching on paper Plate size: 7 x 5 in. (17.8 x 12.7cm) together with: LADY IN PROFILE Numbered ‘1’ (edition of 12), etching on paper Plate size: 6 3/4 x 4 7/8 in. (17.1 x 12.4cm) (2) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $200-300 865 ARTHUR BEECHER CARLES (american 1882-1952) STANDING NUDE Charcoal and crayon on brown paper Sheet size: 29 3/4 x 19 1/2 in. (75.6 x 49.5cm) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $300-500
866 ARTHUR BEECHER CARLES (american 1882-1952) THREE FACES (KATHARINE RHOADES) Etching on paper Plate size (each): 4 1/4 x 5 1/4 in. (10.8 x 13.3cm) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. note: After graduating from Brearley School in New York in 1904, Katharine Nash Rhoades (18851965) studied painting for several years with Robert Henri. When Rhoades participated in the famous Armory Show of 1913, she met with Alfred Stieglitz and became a prominent member of his circle, often posing for his photographs along with Agnes Ernst Meyer and Marion Beckett, collectively known as “The Three Graces.” Right around this time, Rhoades was introduced to Arthur B. Carles, and posed for a portrait. The present etching is a direct quotation from the oil; both share the shimmering motif of the pearl earrings, which Rhoades was wearing in all circumstances. $100-200 867 ARTHUR BEECHER CARLES (american 1882-1952) “CLASSICAL HEAD” Pencil on brown paper Sheet size (sight): 15 x 11 in. (38.1 x 27.9cm) together with: “PORTRAIT OF A WOMAN” Pencil on paper Sheet size (sight): 9 1/2 x 7 1/8 in. (24.1 x 18.1cm) (2) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $300-400 868 ARTHUR BEECHER CARLES (american 1882-1952) “REARVIEW WITH STOCKINGS” Drypoint on paper Plate size: 3 7/8 x 6 7/8 in. (9.8 x 17.5cm) together with: “LADY IN A FUR COAT” Pencil signed ‘A.B. Carles’ bottom center, etching on paper Plate size: 3 5/8 x 4 1/2 in. (9.2 x 11.4cm) (2) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $200-300
869 ARTHUR BEECHER CARLES (american 1882-1952) WOMAN WITH A HEADDRESS; WITH A PENCIL SKETCH OF A CAT VERSO Pencil on paper Sheet size: 7 5/8 x 4 15/16 in. (19.4 x 12.5cm) together with: UNFINISHED HEAD OF A WOMAN Pencil and black ink on paper Sheet size (sight): 8 x 7 1/2 in. (20.3 x 19.1cm) (2) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $500-800 870 ARTHUR BEECHER CARLES (american 1882-1952) A GROUP OF FIVE NUDE STUDIES Charcoal on paper Largest sheet size (sight): 17 3/8 x 11 1/2 in. (44.1 x 29.2cm) (5) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $800-1,200
871 ARTHUR BEECHER CARLES (american 1882-1952) “SELF-PORTRAIT IN STUDIO” Circa 1915. Etching on paper Plate size: 3 3/8 x 5 in. (8.6 x 12.7cm) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. exhibited: “Arthur B. Carles (1882-1952): Painting with Color,” Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, September 23November 27, 1983; and The Corcoran Gallery of Art, Washington D.C., April 28-June 17, 1984; and The National Academy of Design, New York, New York, September 11-November 4, 1984, no. 43 (traveling exhibition, illustrated in the exhibition catalogue p. 57). together with: “NUDE WITH STILL LIFE PAINTING I” Etching on paper Plate size: 3 11/16 x 7 7/16 in. (9.4 x 18.9cm) provenance: Fleisher/Ollman Gallery, Philadelphia, Pennsylvania. Acquired directly from the above. Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. note: In the background of the self-portrait etching, one can notice “White Nude with Apple,” a composition directly inspired from Manet’s “Olympia” and Matisse’s striking palette, which had a special significance for the artist. $500-800 872 ARTHUR BEECHER CARLES (american 1882-1952) POSING NUDE; WITH SIGNATURE SCRIBBLES ABOVE Signed various times upper center, black ink and pencil on paper Sheet size: 9 5/16 x 7 3/16 in. (23.7 x 18.3cm) provenance: Christie’s East, sale of September 20, 1984 (per sticker verso). The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $100-200 873 ARTHUR BEECHER CARLES (american 1882-1952) A GROUP OF FIVE NUDE STUDIES Charcoal on paper Largest sheet size (sight): 17 1/4 x 11 in. (43.8 x 27.9cm) (5) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $800-1,200
874 ARTHUR BEECHER CARLES (american 1882-1952) “THE HARPIST” (EDNA PHILLIPS ROSENBAUM) Numbered ‘13’ (edition of 15), etching on paper Plate size: 4 7/8 x 3 7/8 in. (12.4 x 9.8cm) together with: LOUNGING MODEL Numbered ‘12’ (edition of 12), etching on paper Plate size: 3 7/8 x 4 7/8 in. (9.8 x 12.4cm) together with: LADY IN A FUR COAT Numbered ‘9’ (edition of 120, etching on paper Plate size: 3 5/8 x 4 1/2 in. (9.2 x 11.4cm) (3) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. note: Edna Phillips Rosenberg was the first woman to occupy a principal position with a major American Symphony, when she became first harpist with the Philadelphia Orchestra in 1930. The present etching is based on the portrait Carles executed circa 1930, and which sold at Freeman’s in 2004. $300-500 875 ARTHUR BEECHER CARLES (american 1882-1952) NUDES IN VARIOUS POSES - A GROUP OF SIX ETCHINGS Each numbered in the margin bottom left, etchings on paper Largest plate size: 6 7/8 x 4 3/4 in. (17.5 x 12.1cm) (6) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $400-600 876 ARTHUR BEECHER CARLES (american 1882-1952) A GROUP OF FIVE NUDE STUDIES Charcoal on paper Largest sheet size (sight): 19 1/4 x 11 1/8 in. (48.9 x 28.3cm) (5) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $800-1,200
877 ARTHUR BEECHER CARLES (american 1882-1952) “CLEOPATRA” Circa 1915, third state, dark inking. Etching on paper Plate size: 6 7/8 x 4 7/8 in. (17.5 x 12.4cm) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. exhibited: “Arthur B. Carles (1882-1952): Painting with Color,” Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, September 23November 27, 1983; and The Corcoran Gallery of Art, Washington D.C., April 28-June 17, 1984; and The National Academy of Design, New York, New York, September 11-November 4, 1984, no. 42c (traveling exhibition, illustrated in the exhibition catalogue p. 61). note: Carles experimented with various techniques and media as well as styles of painting. Around 1914-1915, he worked with etchings and monoprints. About that time, Carles made an etching after his famous painting “An Actress as Cleopatra” (1914, now at the Pennsylvania Academy of the Fine Arts). In the third (and final) state, he manipulated the ink so that the dress and the curtains were left dark, wiping a halo of light around the figure and not inking the lower part of the plate. Through these manipulations, the present work takes on an air of mystery. Carles never explored tonal variations in etching to this extent again. $200-300 878 ARTHUR BEECHER CARLES (american 1882-1952) HEAD OF A WOMAN Charcoal on paper Sheet size (sight): 10 3/8 x 9 3/4 in. (26.4 x 23.8cm) together with: STANDING NUDE Charcoal and mixed media on paper Sheet size (sight): 11 1/2 x 7 1/2 in. (29.2 x 19.1cm) (2) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $200-300 879 ARTHUR BEECHER CARLES (american 1882-1952) RECLINING NUDE Crayon and pastel on blue paper Sheet size: 18 1/2 x 24 3/4 in. (47 x 62.9cm) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $500-800
880 ARTHUR BEECHER CARLES (american 1882-1952) “NOTES ON COLOR AND MUSIC” Pencil on paper Sheet size (sight): 11 5/8 x 16 3/4 in. (29.5 x 42.5cm) exhibited: “Arthur B. Carles (1882-1952): Painting with Color,” Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, September 23November 27, 1983; and The Corcoran Gallery of Art, Washington D.C., April 28-June 17, 1984; and The National Academy of Design, New York, New York, September 11-November 4, 1984 (traveling exhibition, not illustrated in the exhibition catalogue). together with: ABSTRACT COMPOSITION Pencil on paper Sheet size (sight): 12 x 16 5/8 in. (30.5 x 42.2cm) (2) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $300-500 881 ARTHUR BEECHER CARLES (american 1882-1952) A GROUP OF TWO CITY SCENES Charcoal and pencil on paper Largest sheet size (sight): 10 1/8 x 7 3/4 in. (25.7 x 19.7cm) together with: ATTRIBUTED TO ARTHUR BEECHER CARLES american 1882-1952 CITYSCAPE Charcoal on paper Sheet size: 20 3/8 x 23 1/2 in. (51.8 x 59.7cm) (3) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $200-400 882 ATTRIBUTED TO ARTHUR BEECHER CARLES (american 1882-1952) ROOF STUDY; AND MAN READING IN A CHAIR VERSO Watercolor and black ink, respectively Sheet size (sight): 6 1/2 x 4 3/4 in. (16.5 x 12.1cm) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $100-200
883 ATTRIBUTED TO ARTHUR BEECHER CARLES (american 1882-1952) CATHEDRAL INTERIOR Bears signature ‘ABC’ bottom right, oil on canvas 10 3/8 x 7 1/2 in. (26.4 x 19.1cm) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $600-1,000 885 ATTRIBUTED TO ARTHUR BEECHER CARLES (american 1882-1952) PORTRAIT OF A SEATED WOMAN Oil on canvas laid down to board 9 1/2 x 7 3/4 in. (24.1 x 19.7cm) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $600-1,000 887 MERCEDES MATTER (american 1913-2001) HAYSTACKS IN THE SUN Watercolor on paper Sheet size: 4 x 6 in. (10.2 x 15.2cm) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $100-200 888 JANE PIPER (american 1916-1991) SEATED FIGURE Pencil signed ‘Jane Piper’ bottom right, crayon and pastel on paper Sheet size (sight): 7 3/8 x 4 7/8 in. (18.7 x 12.4cm) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $400-600 889 JANE PIPER (american 1916-1991) FLOWER BOUQUET Signed ‘Jane Piper’ bottom right, crayon, pencil and gouache over traces of pencil on paper Sheet size (sight): 17 1/2 x 23 1/2 in (44.5 x 59.7cm) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $600-1,000
890 JANE PIPER (american 1916-1991) MOUNTAINOUS LANDSCAPE Crayon and pastel on paper Sheet size (sight): 12 1/4 x 9 1/4 in. (31.1 x 23.5cm) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $400-600 891 JANE PIPER (american 1916-1991) FLOWER STILL LIFE Signed ‘Jane Piper’ bottom left, crayon, pencil and gouache over traces of pencil on paper Sheet size (sight): 18 1/2 x 23 1/2in. (47 x 59.7cm) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $600-1,000 892 ATTRIBUTED TO JANE PIPER (american 1916-1991) ABSTRACT COMPOSITION; WITH STUDY OF A NUDE VERSO Crayon and pastel, and charcoal, respectively Sheet size (sight): 13 1/8 x 10 3/8 in. (33.3 x 26.4cm) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $200-400 893 ATTRIBUTED TO JANE PIPER (american 1916-1991) THROUGH THE WINDOW Watercolor over traces of pencil Sheet size (sight): 5 5/8 x 3 7/8 in. (14.3 x 9.8cm.) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania $200-300 894 ELIZABETH OSBORNE (american b. 1936) “DORDOGNE II” Signed and dated ‘Osborne ‘94’ bottom left, watercolor on d’Arches paper Sheet size: 7 x 10 1/8 in. (17.8 x 25.7cm) provenance: Locks Gallery, Philadelphia, Pennsylvania. The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $600-1,000
895 FRANCIS MCCARTHY (american 1923-2005) “THE JUMP”; TOGETHER WITH SIX NUDE WATERCOLORS Each signed and dated, watercolors on paper Largest sheet size (sight): 12 3/8 x 7 3/4 in. (31.4 x 19.7cm) (7) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $300-500 896 ELIZABETH OSBORNE (american b. 1936) UNTITLED Signed and dated ‘Osborne ‘92’ bottom right, screenprint on paper 12 5/8 x 13 7/8 in. (32.1 x 35.2cm) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $400-600 897 FRANCIS MCCARTHY (american 1923-2005) A GROUP OF FIVE INK DRAWINGS Four signed and dated, black ink on paper Largest sheet size (sight): 9 x 4 1/4 in. (22.9 x 10.8cm) (5) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $200-300 898 ELIZABETH OSBORNE (american b. 1936) “MANCHESTER” Titled, signed and dated ‘Osborne ‘79’ bottom left; also inscribed ‘AP VIII’ bottom left, color lithograph on d’Arches paper Sheet size: 30 x 22 1/2 in. (76.2 x 57.2cm) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $500-800 899 FRANCIS MCCARTHY (american 1923-2005) A GROUP OF THREE NUDE PAINTINGS Each signed and dated, oils on panel Largest: 8 1/4 x 7 1/4 in. (21 x 18.4cm) (3) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $300-500
900 ELIZABETH OSBORNE (american b. 1936) SEATED NUDE Signed and dated ‘Osborne ‘87’ bottom left, charcoal on paper Sheet size: 22 7/8 x 28 7/8 in. (58.1 x 73.3cm) together with: KNEELING NUDE ON A CHAIR Signed and dated ‘Osborne ‘80’ bottom right, charcoal and colored pencil on paper Sheet size: 22 7/8 x 14 1/4 in. (58.1 x 36.2cm) (2) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $600-1,000 901 ARMAND CARMEN WARGNY (french 1878-1947) “THE FARM” Signed ‘A. Wargny’ bottom right, oil on canvas laid down to board 16 x 20 in. (40.6 x 50.8cm) provenance: The N. Gallery, Philadelphia, Pennsylvania. The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. together with: “NYMPHS HIDEAWAY” Signed ‘A. Wargny’ bottom right, oil on canvas laid down to board 16 x 20 in. (40.6 x 50.8cm) (2) provenance: Gallery Abrams, New York. The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $800-1,200 902 MORRIS BLACKBURN (american 1902–1979) HOUSE BY THE RIVER Watercolor on paper Sheet size (sight): 10 1/8 x 14 1/4 in. (25.7 x 36.2cm) together with: “DUNE” Signed ‘Niblock’ bottom right, oil, pastel and gouache on Rives paper Sheet size (sight): 8 3/4 x 11 3/4 in. (22.2 x 29.8cm) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $600-1,000
903 MARGERY NIBLOCK (american b. 1937) “BETTY #4”; TOGETHER WITH THREE COMPANION DRAWINGS All signed and titled, pencil on paper Largest sheet size (sight): 12 x 8 7/8 in. (30.5 x 22.5cm) (4) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $200-400 904 MARGERY NIBLOCK (american b. 1937) “JUNE #2” Signed ‘Niblock’ bottom left, oil on canvas 20 x 16 in. (50.8 x 40.6cm) together with: “MARGARETH” Oil on canvas 20 1/4 x 16 in. (51.4 x 40.6cm) together with: PORTRAIT OF A GIRL Oil on canvas 16 x 20 in. (40.6 x 50.8cm) together with: PORTRAIT OF A MAN Signed ‘Morris Blackburn’ bottom left, oil on Masonite 16 x 11 3/4 in. (40.6 x 29.8cm) (4) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $400-600 905 CHRISTINE MCGINNIS (american 20th century) RECLINING NUDE Signed illegibly bottom left, oil on canvas laid down to board 13 7/8 x 17 7/8 in. (35.2 x 45.4cm) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $200-300
906 HELEN B. SHULIK (american 20th century) “MEAT WILL NOURISH US”; TOGETHER WITH FIFTEEN COMPANIONS All signed and titled, woodcuts on paper and pencil on paper Largest sheet size (sight): 32 1/2 x 18 1/8 in. (82.6 x 46cm) 5 Unframed. (16) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $600-1,000 907 DAVID ALFARO SIQUEIROS (mexican 1896–1974) “WOMAN EMBRACING A CHILD” - TOGETHER WITH FOUR WOODCUTS FROM THE FOLIO “13 GRABADOS” 1931. Edition of 100. Each signed with the artist’s initials in the margin bottom left, woodcuts on orange paper Largest sheet size (sight): 4 1/2 x 5 3/4 in. (11.4 x 14.6cm) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $800-1,200 908 EUGENE FELDMAN (american 1921-1975) “RANDOM LINESCAPES” Color Lithographic Poster on perforated yellow paper. From “Random Linescapes,” Provident National Bank, Philadelphia, Pennsylvania, August 20-October 12, 1973. provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $100-200 909 DORIS STAFFEL (american 1921-2013) ABSTRACT COMPOSITION Signed, dedicated and dated ‘D. Staffel/for Perry/Dec 1981’ bottom right, acrylic on paper Sheet size (sight): 21 7/8 x 19 7/8 in. (55.6 x 50.5cm) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $200-300
910 JIMMY LUEDERS (american 1927-1994) UNTITLED Signed and dated ‘Lueders 63’ bottom left, acrylic and watercolor on paper Image size: 23 x 19 in. (58.4 x 48.3cm) Sheet size: 28 x 22 in. (71.1 x 55.9cm) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $600-1,000
914 SAMUEL CALMAN MAITIN (american 1928-2004) “THE ANGEL” Signed ‘S. Maitin’ bottom right, watercolor over traces of pencil on paper Sheet size (sight): 12 1/2 x 21 in. (31.8 x 53.3cm) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $300-500
911 WILLIAM P. DALEY (american 20th century) A GROUP OF FOUR INK DRAWINGS Each signed, some dedicated ‘to Perry and June’, black ink on paper Largest sheet size (sight): 10 7/8 x 8 7/16 in. (27.6 x 21.4cm) (4) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $150-200
915 UNKNOWN ARTIST LION AND DRAGON Etching. Image size (sight): 4 1/4 x 5 13/16 in. (10.8 x 14.8cm) Sheet size (sight): 4 3/4 x 6 1/2 in. (12.1 x 16.5cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $150-250
912 EDYTH KRIEGER (american 20th century) THE TURTLE Signed and dated ‘Edyth Krieger ‘87’’ in the margin bottom right; also numbered ‘1’ in the margin bottom left (edition of 3), woodcut on paper Image size: 11 x 14 1/8 in. (27.9 x 35.9cm) Sheet size (sight): 12 3/4 x 15 5/8 in. (32.4 x 39.7cm) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $100-200 913 JOSÉ LUIS CUEVAS (mexican 1934-2017) “THE WORLDS OF KAFKA AND CUEVAS: AN UNSETTLING FLIGHT TO THE FANTASY WORLD OF FRANZ KAFKA” 1959. Number 49, edition of 600. Falcon Press Publishers, Philadelphia, Pennsylvania. Elephant size folio: 17 x 22 in. (43.2 x 55.9cm) provenance: The Collection of Perry & June Ottenberg, Philadelphia, Pennsylvania. $400-600
916 two prints framed together@lotheader:ludwig krug (german, 1489-1532) “‘THE FALL OF MAN’ AND ‘EXPULSION FROM EDEN’” 1927. Woodcuts on paper. Sight size: 6 14/16 x 13/16 in. (17.5 x 12.2cm) and: 6 14/16 x 4 3/4 in. (17.5 x 12.1cm) provenance: Pia Gallo, Chicago, Illinois. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1990). $600-800 917 ANTONIO LAFRERI (french/italian, 1512–1577) “TRIUMPH OF SCIPIO” from “speculum romanae magnificentiae” Engraving. Sight size: 8 x 9 1/2 in. (20.3 x 24.1cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $150-250 918 JAN VAN DE VELDE II (dutch, c. 1593-1641) PLATE II from “sixty landscapes, part v” 1616. Etching on paper. Sight size: 4 10/16 x 7 in. (11.7 x 17.8cm) provenance: Pia Gallo, New York, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above). $300-500
919 two prints JAN DIRKSZ. BOTH (dutch, 1618-1652) “THE PONTE MOLLE” (OVER THE TIBER) 1650. Etching with narrow margins. Image size (sight): 7 7/16 x 10 7/16 in. (18.9 x 26.5cm) Sheet size (sight): 7 3/4 x 10 5/8 in. (19.7 x 27cm) [Bartsch, 5] and: “THE WOODEN BRIDGE, SALMONO NEAR TIVOLI” Circa 1640. Etching with narrow margins. Image size (sight): 7 x 10 1/4 in. (17.8 x 26cm) Sheet size (sight): 7 3/8 x 10 5/8 in. (18.7 27cm) [Bartsch 10] provenance: Pia Gallo, New York, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1988 and 1989). (2) $800-1,200 920 JUSEPE DE RIBERA (spanish, 1591–1652) “SAINT JEROME READING” Circa 1624. Etching on laid paper with thread margins. Sheet size (uneven): 7 1/2 x 10 1/16 in. (19.05 x 25.6cm) [Bartsch 3] provenance: Pia Gallo, New York, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 2009). $2,000-3,000 921 GIULIO CARPIONI (italian, 1613–1679) “THE HOLY FAMILY WITH THE VIRGIN READING A BOOK” Circa 1640. Etching on paper. Image size (sight): 8 1/4 x 5 1/2 in. (21 x 14cm) Sheet size (sight): 8 1/2 x 6 in. (21.6 x 15.2cm) [Bartsch 5] provenance: Pia Gallo, New York City, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 2010). $600-1,000
922 SALVATOR ROSA (italian, 1615-1673) “SOLDIER IN PROFILE WITH SWORD AND CANE, FACING RIGHT” from the series “figurines” Circa 1656-1657. Etching with drypoint. Sheet size (sight): 5 1/2 x 3 1/5 in. (14 x 9cm) provenance: Pia Gallo, New York City, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 2010). $400-600 923 two prints@lotheader:francisco goya (spanish, 1746-1828) “EL SÍ PRONUNCIAN Y LA MANO ALARGAN AL PRIMERO QUE LLEGA” (PLATE 2 FROM LOS CAPRICHIOS) Circa 1799, printed later. Etching and aquatint on paper. Image size (sight): 7 x 4 3/4 in. (17.8 x 12.1cm) Sheet size (sight): 8 1/4 x 5 3/4 in. (21 x 14.6cm) provenance: Craddock and Barnard. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1985). (2) and: “RUEGA POR ELLA” (PLATE 31 FROM “LOS CAPRICHIOS“) Circa 1799, printed later. Etching and aquatint on paper. Image size (sight): 7 x 5 1/4 in. (17.8 x 13.3cm) Sheet size (sight): 8 x 6 1/2 in. (20.3 x 16.5cm) provenance: Craddock and Barnard. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1985). $1,200-1,800 924 UNKNOWN ARTIST TWO VIENNESE PORTRAITS OF YOUNG MEN Both pencil and charcoal on paper. Sight size (each): 8 3/4 x 7 1/4 in. (22.2 x 18.4cm) (2) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $300-500
925 KOLOMAN (KOLO) MOSER (austrian, 1868-1918) “THE FATES” 1902. Woodcut in two colors on cream wove paper. Image (sight): 5 3/4 x 5 5/8 in. (14.6 x 14.3cm) Sheet size (sight): 6 x 6 in. (15.2 x 15.2cm) provenance: William Weston Gallery, London, United Kingdom. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1993). $600-800 926 CARL THEODOR THIEMANN (austrian, 1881-1966) “CHRYSANTHEMUMS” 1934, pencil signed and titled, inscribed in German bottom left. Color woodcut on paper. Image size (sight): 18 x 13 1/4 in. (45.7 x 33.7cm) Sheet size (sight): 19 x 14 in. (48.3 x 35.6cm) provenance: Pia Gallo, New York, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 2009). $500-700 927 LOVIS CORINTH (german, 1858–1925) “DER KUSS (THE KISS)” Circa 1921, pencil signed and numbered 36/100 bottom left. Drypoint on soft wove paper. Image size (sight): 9 x 6 3/4 in. (22.9 x 17.1cm) Sheet size (sight): 10 3/4 x 8 in. (27.3 x 20.3cm) provenance: Jorg Mass, Berlin, Germany. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 2007). $600-1,000
928 three prints@lotheader:lovis corinth (german, 1858–1925) “PARTIE AUS DEM TIERGARTEN” 1920, pencil signed bottom right and numbered ‘42’ bottom left, drypoint on laid paper. Image size (sight): 9 1/2 x 7 1/4 in. (24.1 x 18.4cm) Sheet size (sight): 11 x 8 3/4 in. (27.9 x 22.2cm) provenance: Jorg Mass, Berlin, Germany. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 2007). and: “AUS DEM TIERGARTEN” 1920/1921, pencil signed bottom right and numbered ‘47/50’ bottom left, drypoint on firm wove paper. Image size (sight): 9 1/2 x 12 1/4in. (24.1 x 31.1cm) Sheet size (sight): 11 1/4 x 13 3/4in. (28.6 x 34.9cm) provenance: Jorg Mass, Berlin, Germany. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 2007). and: “BENCH IN THE WOODS II” 1917, pencil signed bottom right. Etching on watermarked laid paper. Image size (sight): 10 x 15in. (25.4 x 38.1cm) Sheet size (sight): 10 1/2 x 15 1/4 in. (26.7 x 38.7cm) provenance: C & J Goodfriend, New York, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 2001). $1,500-2,500 929 EUGEN KIRCHNER (german, 1865-1938) “NOVEMBERSTRASSE” 1896, from the edition of 37, Pan GmbH, Berlin, publisher and with their printed text in bottom margin. Aquatint on wove paper. Image size: 12 7/16 x 7 1/2 in. (31.6 x 19.1cm) provenance: Andrew Terry Keats, San Francisco, California. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1990). $500-800 930 HEINRICH VOGELER (german, 1872-1942) “LIEBE” 1896, pencil signed bottom right. Etching and aquatint. Image size: 13 1/8 x 14 1/8 in. (33.3 x 35.9cm) Sheet size: 15 1/2 x 17 5/8 in. (39.4 x 44.8cm) provenance: Collection of Jeffrey M. Kaplan, Washington D.C. $800-1,200
931 FRANZ MARC (german, 1880-1916) “TIERLEGENDE (ANIMAL LEGEND)” 1912. Woodcut on pale cream wove paper. Image size (sight): 7 1/2 x 9 1/4 in. (19.1 x 23.5cm) Sheet size (sight): 8 1/2 x 10 1/4 in. (21.6 x 26cm) provenance: William Weston Gallery, London, United Kingdom. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1986). $300-500 932 MAX KLINGER (german, 1857-1920) “WEIBLICHER AKT IN SCHABKUNST” 1891. Singer’s second or third (final) state, with no evidence of the letterpress text indicative of the third state, with wide margins. Etching and mezzotint on laid paper. Image size: 11 5/16 x 6 5/8 in. (28.7 x 16.8cm) Sheet size: 12 7/16 x 16 1/4 in. (31.6 x 41.3cm) [Singer 271] provenance: Falteri Grafica Antica e Moderna di Antonio Berni & c.sas, Florence, Italy. Collection of Jeffrey M. Kaplan, Washington, D.C. Collection of Neal Kaplan, New York, New York. $500-700 933 HONORÉ DAUMIER (french, 1808-1879) “VAULABELLE” from “les reprÉsentants representÉs” Pencil initialed bottom left. Color lithograph. Sight size: 12 x 8 1/4in. (30.5 x 21cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $1,000-1,500 934 AUGUSTE LOUIS LEPÈRE (french, 1849-1918) “FORÊT DE FONTAINEBLEAU: PLATEAU DE BELLE-CROIX, LE CLOVIS” 1890, from the bound volume of 34, A. Desmoulins, publisher. Wood engraving. Image size (sight): 9 x 6 1/2 in. (22.9 x 16.4cm) Sheet size (sight): 12 1/2 x 10 1/2 (31.8 x 26.7cm) provenance: AAA, New York, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1986). $800-1,200
935 MAXIME LALANNE (french, 1827-1886) “L’ÉTANG” (THE POOL) 1874, signed and dated bottom right, watercolor and chalk on off-white laid hollande paper. Sight size: 10 1/2 x 16 in. (26.7 x 40.6cm) provenance: William Weston Gallery, London, United Kingdom. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1987). $400-600 936 JEAN-ÉMILE LABOUREUR (french, 1877-1943) “PAYSAGE AU TUNNEL” 1920, pencil signed and inscribed ‘essai pour le 1 ère fois.’ Etching on paper. Image size (sight): 7 3/4 x 8 3/4 in. (19.7 x 22.2cm) Sheet size (sight): 8 1/4 x 9 1/8 in. (21 x 23.2cm) provenance: Wingrove Gallery. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1987). $400-600 937 FÉLIX HILAIRE BUHOT (french, 1847–1898) “UN DÉBARQUEMENT EN ANGLETERRE” 1879, with the artist’s red ink stamp, presumably from the fifth state (of 5), with wide margins. Etching, drypoint, aquatint and roulette on paper. Image size: 12 x 7 1/8 in. (30.5 x 18.1cm) Sheet size: 13 15/16 x 9 3/4 in. (35.3 x 24.8cm) [Bourcard & Goodfriend 130] provenance: Mason Fine Prints, Gelen Head, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1985). $1,000-1,500 938 GUSTAVE DORÉ (french, 1832–1883) BIBLICAL SCENES A collection of 21 prints, various sizes. provenance: Collection of Jeffrey M. Kaplan, Washington D.C. $100-150
939 FÉLIX HILAIRE BUHOT (french, 1847–1898) “UNE MATINÉE D’HIVER AU QUAI DE L’HÔTEL-DIEU” (THE CAB STAND) 1876, with the artist’s red ink stamp, titled in pencil and inscribed indistinctly bottom right, from the second state (of 15). Etching and drypoint with aquatint, roulette, and stamp out on paper. Image size (sight): 9 x 12 1/2 in. (22.9 x 31.8cm) Sheet size (sight): 9 3/4 x 13 in. (24.8 x 33cm) [Bourcard & Goodfriend 123] provenance: Pia Gallo, New York City, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 2010). $1,000-1,500 940 FÉLIX HILAIRE BUHOT (french, 1847–1898) “WESTMINSTER PALACE” 1884, with the artist’s red ink stamp. Etching and drypoint on paper. Image size (sight): 11 x 15 1/2 in. (27.9 x 39.4cm) Sheet size (sight): 12 x 16 1/2 in. (30.5 x 41.9cm) [Bourcard & Goodfriend 155] provenance: Pia Gallo, New York City, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 2010). $800-1,200 941 PAUL CÉSAR HELLEU (french, 1859-1927) “ÉTUDES D’APRÈS WATTEAU” Signed and inscribed ‘Helleu/D’après Watteau’ bottom right, red chalk heightened with white chalk on cream laid paper Sight size: 10 1/2 x 8 3/4 in. (26.7 x 22.2cm) provenance: Pia Gallo, New York, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 2010). $2,500-4,000 942 OROVIDA CAMILLE PISSARRO (french, 1893-1968) “LA TOILETTE” 1916, pencil signed and dated, annotated ‘trial proof.’ Etching and aquatint on paper. Image size: 4 3/4 x 3 3/4 in. (12.1 x 9.5cm) Sheet size (sight): 5 1/2 x 4 3/8in. (14 x 11.1cm) provenance: Chris Beetles Gallery, London, United Kingdom Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1993). $200-300
943 UNKNOWN ARTIST (early 19th century) PEACOCK AND BLOSSOMS Paint on silk. Sight size: 26 1/4 x 14 in. (66.7 x 35.5cm) provenance: E & J Frankel, New York, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 2005). $250-400 944 AFTER SAKAI HOITSU (japanese, 1761-1828) “BLOOMING IRISES” Circa 1920s. Color woodblock on paper. Sight size: 9 x 12 1/4 in. (22.9 x 31.1cm) provenance: Pia Gallo, New York, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 2010). $300-500 945 KEISAI EISEN (japanese, 1790-1848) “THREE GEESE FLYING AGAINST THE MOON” Signed and titled in Japanese characters upper right. Color woodblock on paper. Sight size: 6 1/2 x 9 1/4in. (16.5 x 23.5cm) provenance: Egenolf Gallery, Burbank, California. Collection of Jeffrey M. Kaplan, Washington D.C. (acquired directly from the above in 2005). $500-700 946 UNKNOWN ARTIST WOLF IN THE MOONLIGHT Inscribed top right and bottom left with Asian characters. Color woodblock. Sheet (sight): 13 1/2 x 9 1/4in. (34.3 x 23.5cm) provenance: Jeffrey M. Kaplan, Washington, D.C. $200-300 947 JOE HING LOWE (chinese, b. 1934) FLORAL STILL LIFE Signed, dated ‘81’ and indistinctly inscribed bottom right, pastel on paper. Sight size: 25 x 19 in. (63.5 x 48.3cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $200-300
948 UNKNOWN ARTIST “BIRD ON A BRANCH” Color woodblock. Sight size: 11 x 9 15/16 in. (27.9 x 25.2cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $150-250 949 UNKNOWN ARTIST TOWN BY THE RIVER Watercolor on paper. Image size (sight): 6 7/8 x 10 in. (25.4 x 42.9cm) Sheet size (sight): 7 1/4 x 10 1/4 in. (18.4 x 26cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $150-250 950 JOHN VARLEY THE ELDER (british, 1778-1842) “THE HOUSE BY THE BRIDGE” Watercolor on paper. Sight size: 7 1/2 x 10 1/2 in. (19.1 x 26.7cm) provenance: Chris Beetles Gallery, London, United Kingdom. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1994). $600-1,000 951 THOMAS UWINS (british, 1782–1857) “PAST THE PASS OF SAN ANGELO” Inscribed ‘St. Angelo’ bottom right, pen and ink on paper. Sight size: 11 1/4 x 8 1/2 in. (28.6 x 21.6cm) provenance: Abbott and Holder, London, United Kingdom. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1997). $200-300
952 two prints@lotheader:thomas rowlandson (british, 1756-1827) “A CART RACE” 1788, William Hollande, London, publisher. Hand-colored etching and aquatint. Sheet size (sight): 13 3/4 x 19 6/16 in. (34.9 x 49.2cm) provenance: Chris Beetles Gallery, London, United Kingdom. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 2003). and: “ACTRESS DRESSING ROOM AT DRURY LANE” Signed and titled in ink, pen and watercolor on paper. Image size (sight): 8 x 6 1/4 in. (20.3 x 15.9cm) Sheet size (sight): 8 1/4 x 6 3/4in. (20.1 x 17.1cm) (2) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $1,200-1,800 953 JOHN GLOVER (british, 1767-1849) “LOCK KATRINE, SCOTLAND (FISHING THE WEIR POOL)” Watercolor on paper. Sight size: 7 3/4 x 12 in. (19.7 x 30.5cm) provenance: Chris Beetles Gallery, London, United Kingdom. Collection of Jeffrey M. Kaplan, Washington D.C.Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 2007). $1,000-1,500
954 three works@lotheader:edward dayes (british, 1763-1804) THE ESTUARY CASTLE Watercolor on paper. Image size (sight): 5 1/2 x 8 in. (14 x 20.3cm) Sheet size (sight): 5 3/4 x 8 1/2 in. (14.6 x 21.6cm) provenance: Chris Beetles Gallery, London, United Kingdom. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 2007). and: “KELSO ABBEY, ROXBURGHSHIRE” Watercolor and pencil on paper. Image size (sight): 6 1/2 x 8 1/2 in. (16.5 x 21.6cm) Sheet size (sight): 6 3/4 x 8 3/4 in. (17.1 x 22.2cm) provenance: Chris Beetles Gallery, London, United Kingdom. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 2002). and: “ST. AUGUSTINE’S MONASTERY, CANTERBURY” Pencil signed ‘E. Dayes’ verso, watercolor on paper. Sight size: 4 3/4 x 7 14/16 in. (12. 1 x 20cm) provenance: Chris Beetles, London, United Kingdom. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1997). (3) $1,200-1,800 955 HUBERT CORNISH (british, 1757-1832) “HENLEY-ON-THAMES” Pencil signed and titled ‘Henley Bridge’ bottom center, watercolor on paper. Sight size: 6 3/4 x 10 1/4in. (17.1 x 26cm) provenance: Abbott & Holder, London. Collection of Jeffrey M. Kaplan, Washington , D.C. (acquired directly from the above in 2007). $400-600 956 WALTER FREDERICK ROOFE TYNDALE (british, 1855-1943) PINE AND PINK LOTUSES AT KOFU Signed bottom right, watercolor on paper. Sight size: 10 1/2 x 14 3/4 in. (26.7 x 37.5cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $500-800
957 UNKNOWN ARTIST (19th century) STRAWBERRY HILL, 1882 Color engraving on paper. Image size (sight): 5 1/2 x 8 1/4 in. (14 x 21cm) Sheet size (sight): 6 x 8 3/4 in. (15.2 x 22.2cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $100-200 958 UNKNOWN ARTIST PORTRAIT OF BENJAMIN DISRAELI, FRAMED WITH ENVELOPE IN HIS HANDWRITING TO HIS DOCTOR Engraving on paper. Portrait size (sight): 7 x 5 in. (17.8 x 12.7cm) Envelope size (sight): 3 3/4 x 2 3/4 in. (9.5 x 7cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $150-250 959 SEYMOUR HADEN (british, 1818-1910) “FULHAM” Circa 1859. Etching. Image (sight): 4 1/4 x 10 3/4 in. (10.8 x 27.3cm) Sheet size (sight): 5 1/2 x 11 1/2 in. (14 x 29.2cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $200-300 960 HENRY BARLOW CARTER (british, 1803-1867) ABBY RUINS Watercolor on paper. Sheet size (sight): 14 x 10 1/4in. (35.6 x 26cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $200-300 961 LESLIE MATTHEW WARD (“SPY”) (british, 1851–1922) “POWER AND PLACE-VANITY FAIR, DECEMBER 16, 1879” 1879, signed bottom right. Color lithograph. Sight size: 13 1/4 x 8 1/4 in. (33.7 x 21cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $300-500
962 three prints@lotheader:sir francis seymour haden (british, 1818-1910) “KENSINGTON GARDEN (THE SMALL PLATE)” 1859. Etching and drypoint on paper. Image size (sight): 6 1/4 x 4 3/4in. (15.9 x 12.1cm) Sheet size (sight): 6 3/4 x 5 1/2 in. (17.1 x 14cm) provenance: Kennedy Galleries, New York, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1981). and: “MYTTON HALL” 1859. Drypoint on paper. Image size (sight): 4 3/4 x 10 1/4 in. (12.1 x 26cm) Sheet size (sight): 5 x 10 1/2 in. (12.7 x 26.7cm) provenance: Craddock and Barnard. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1985). and: “SUNSET IN IRELAND, 1863” 1863, pencil signed bottom right. Etching and drypoint on paper. Image size (sight): 5 1/4 x 8 1/4in. (13.3 x 21cm) Sheet size (sight): 6 1/2 x 9 in. (16.5 x 22.9cm) (3) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $600-800 963 ARTHUR RACKHAM (british, 1867-1939) “GENTLEMAN SMOKING” Pencil on tinted paper. Sheet size (sight): 9 x 6 1/2 in. (22.9 x 16.5cm) provenance: The Estate of Barbara Edwards (the daughter of the artist). Chris Beetles Gallery, London, United Kingdom. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1997). exhibited: “The British Art of Illustration 1800-1995,” No. 505. $1,000-1,500 964 WILLIAM FRASER GARDEN (british, 1856-1921) “ST. JAMES CHURCH ON THE HOUSE AT HEMINGFORD GREY, HUNTINGDONSHIRE” Ink signed and dated 94 bottom right, watercolor on paper. Sight size: 7 1/4 x 10 3/4in. (18.4 x 27.3cm) provenance: Chris Beetles Gallery, London, United Kingdom. Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 2003). $1,000-1,500
965 MARGARET BARNARD (british, 1901-1992) THE OARSMEN POSITANO Color woodcut on tissue paper, with margins. Image size: (approx.): 13 3/8 x 10 1/8 in. (33.9 x 25.7cm) Sheet size: 15 7/16 x 11 15/16 in. (39.2 x 30.3cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $500-800 966 CYRIL POWER (british/canadian. 1898-1992) ROWING STUDY Inscribed ‘No. 2’ bottom left, pencil on tracing paper. Executed circa 1930. Sight size: 7 1/2 x 15 in. (19 x 38cm) provenance: Osborne Samuel, Ltd., London, United Kingdom. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 2010). literaature: Philip Vann, Cyril Power Linocuts: A Complete Catalogue,” Farnham: Lund Humphries, 2008 (illustrated p. 62). $600-1,000 967 two prints@lotheader:ernest david roth (american, 1879-1964) “PONTE DEL TRINITA, FLORENCE” 1908, pencil signed and dated bottom right. Etching on laid paper. Image size (sight): 8 5/8 x 10 5/8 in. (22 x 27cm) Sheet size (sight): 11 x 9 in. (28 x 22.9cm) provenance: Harbor Gallery, New York, New York. Collection of Jeffrey M. Kaplan, Washington D.C. (acquired directly from the above in 1979). and: “THE MILL AT CORTOSSA” 1937, pencil signed and dated bottom right. Etching on paper. Image size (sight): 8 3/4 x 11 1/2 in. (22.2 29.2cm) Sheet size (sight): 9 1/2 x 12 1/2in. (24.1 x 31.8cm) (2) provenance: Harbor Gallery, New York, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1979). $300-500
968 GEORGE BELLOWS (american, 1882-1925) “THE MURDER OF EDITH CAVELL” 1918, pencil signed and titled, numbered ‘no 11.’ Lithograph on paper. Image (sight): 18 3/4 in x 24 1/2 in. ( 47.6 x 62.2cm) Sheet size (sight): 19 3/4 x 25 1/2 in. (50.2 x 64.8cm) provenance: Christie’s, New York, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1983). $800-1,200 969 HARRY SHOKLER (american, 1896-1978) “PROMENADE, BROOKLYN HEIGHTS” Pencil signed bottom right. Color screenprint. Image size (sight): 10 x 15 1/4in. (25.4 x 38.7cm) Sheet size (sight): 11 x 16 in. (27.9 x 40.6cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $300-500 970 JOHN MARIN (american, 1870-1953) BROOKLYN BRIDGE Circa 1913, pencil signed bottom right, pencil on paper. Sight size: 6 1/2 x 5 in. (16.5 x 12.7cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $2,500-4,000 971 JOHN MARIN (american, 1870–1953) MOVEMENT, NASSAU STREET Signed bottom right, pencil on paper laid down to paper board. Executed circa 1932. Sheet size: 9 13/16 x 7 7/16 in. (24.9 x 18.9cm) Support size: 15 1/2 x 12 1/2 in. (39.4 x 31.7cm) provenance: The Downtown Gallery, New York, New York. The Kennedy Galleries, Inc., New York, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. exhibited: “Art of the 30’s,” Bronx Museum of the Arts, New York, New York, February 18 - April 29, 1988. $1,000-2,000
972 JOHN MARIN (american, 1870–1953) “MARKET PLACE, FRAUEN KIRCHE, NUREMBERG” 1910, pencil signed, the second state (of 2), from the edition of 10, with wide margins, Alfred Stieglitz, New York, publisher. Etching on Japan. Image size: 7 3/4 x 9 5/8 in. (19.7 x 24.4cm) Sheet size: 11 5/8 x 15 3/4 in. (29.5 x 40cm) provenance: Kennedy Galleries, Inc., New York, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. $800-1,200 973 LEO JOHN MEISSNER (american, 1895-1977) FUTURE NEW YORK #2 1929, pencil signed, titled, and numbered 30/30. Woodcut on paper. Image: 12 1/2 x 8 1/2 in. (31.8 x 21.6cm) Sheet size: 13 1/4 x 9 1/4 in. (33.7 x 23.5cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $1,000-1,500 974 HARRY STERNBERG (american, 1904-2002) “THE DANCE” Circa 1936, pencil signed and with ‘Federal Art Project / NYC WPA’ stamp in margin. Etching and aquatint. Image size (sight): 4 3/8 x 9 in. (11.1 x 22.9cm) Sheet size (sight): 4 3/4 x 9 1/2 in. (12.1 x 24.1cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $300-500
975 three drawings@lotheader:abraham walkowitz (american, 1878-1965) “FOOT BATH” Signed bottom right, charcoal on paper. Sight size: 12 1/4 x 9 1/4 in. (31.1 x 23.5cm) provenance: Pensler Galleries, Washington, D.C. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1997). and: “LINE DRAWING 1” Ink signed bottom right, watercolor and ink on paper. Sight size: 9 3/4 x 7 3/4 in. (24.8 x 19.7cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. and: “LINE DRAWING 2” Ink signed, bottom center, watercolor and ink on paper. Sight size: 10 x 8 in. (25.4 x 20.3cm) (3) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $1,500-2,500 976 ANTON SCHUTZ (american/german, 1894–1977) “CITY HALL PARK” 1927, pencil signed bottom right. Etching on laid paper. Image size (sight): 12 3/4 x 9 3/4 in. (32.4 24.8cm) Sheet size (sight): 14 x 10 3/4in (35.6 x 27.3cm) provenance: Harbor Gallery, New York, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1985). $400-600 977 REGINALD MARSH (american, 1898–1954) “ST. JEAN DE LUZ” 1928, pencil signed and annotated ‘40 proofs’, with wide margins. Lithograph on Chine appliqué to wove paper. Image size: 8 1/4 x 12 5/8 in. (20.95 x 32.1cm) Sheet size: 12 5/8 x 18 1/8 in. (32.1 x 46.04cm) [Sasowsky 12] provenance: Christies, New York, sale of September 9, 1984. Collection of Jeffrey M. Kaplan, Washington, D.C. (purchased directly from the above sale.) $500-800
978 three prints@lotheader:kerr eby (american, 1889-1946) “NEW ENGLAND WINTER” 1930, pencil signed bottom right, etching on laid paper, watermarked paper. Image size (sight): 6 14/16 x 13 10/16 in. (17.5 x 27cm) Sheet size (sight): 7 3/4 x 14 1/4 in. (19.7 x 36.2cm) provenance: Harbor Gallery, New York, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1980). and: “HARBOR LIGHTS (NOCTURNE)” 1930, pencil signed and annotated ‘Ed. 90.’ Etching on wove paper. Image size (sight): 12 x 10 1/2 in. (30.5 x 26.7cm) Sheet size (sight): 15 3/8 x 12 7/8 in. (39.1 x 32.7cm) provenance: Collection of Jeffrey M. Kaplan, Washington D.C. and: “POLPERRO” 1920, pencil signed and inscribed indistinctly. Etching on laid paper. Sheet size (sight): 15 3/8 x 10 1/8 in. (39.1 x 25.7cm) (3) provenance: Collection of Jeffrey M. Kaplan, Washington D.C. $1,500-2,500 979 JOHN TAYLOR ARMS (american, 1887-1953) FROM KNOEDLERS WINDOW 1936, pencil signed, dated, and numbered ‘III’, etching on paper. Image size: 5 1/2 x 5 1/2 in. (14 x 14cm) Sheet size: 12 1/2 x 8 in. (31.8 x 20.3cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $400-600 980 JOHN TAYLOR ARMS (american, 1887–1953) “DREUX” 1942, pencil signed and dated, from the edition of 231. Etching. Image size: (sight): 7 14/16 x 2 3/4 in. (20 x 7cm) Sheet size: (sight): 11 11/16 x 4 9/16 in. (29.7 x 11.6cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $400-600
981 JOHN TAYLOR ARMS (american, 1887–1953) “VENETIAN MIRROR” (THE GRAND CANAL, VENICE) 1935, pencil signed and dated bottom right, inscribed ‘II Private Collection ed.’ Etching on paper. Image size: 6 1/4 x 14 in. (15.9 x 35.6cm) Sheet size: 14 3/4 x 7 in. (37.5 x 17.8cm) provenance: Sylvan Cole Gallery, New York, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1986). $1,500-2,500
985 JOHN TAYLOR ARMS (american, 1887–1953) “STOCKHOLM” 1940, pencil signed, dated and dedicated ‘To my friend Victoria Heirsley/from John Taylor Arms 1941,’ from the edition of 395. Etching and aquatint on paper. Sight size: 7 1/2 x 13 9/16 in. (19.1 x 34.4cm) [Fletcher, 346] provenance: The Old Print Shop, New York, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 2009). $800-1,200
989 JOSEPH STELLA (american, 1877-1946) “THE IMMIGRANT” Charcoal and white chalk on cream laid paper Sheet size: 21 1/8 x 15 3/8 in. (53.7 x 39.1cm) provenance: Mrs. Giovanni Stella. Josephine M. Lettera (acquired directly from the above). Pensler Galleries, Washington, D.C. (acquired from the above). Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1996). $300-500
982 JOHN TAYLOR ARMS (american, 1887–1953) “QUAI DES MENETRIERS” 1924, titled in pencil and dated bottom right, inscribed with artist’s note bottom left, pencil on buff paper. Image size (sight): 8 x 7 1/4 in. (20.3 x 18.4cm) Sheet size (sight): 8 3/4 x 8 1/4 in. (22.2 x 21cm) provenance: Sylvan Cole Gallery, New York, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1986). $400-600
986 CARL SPRINCHORN (american, 1887-1971) “NEW YORK” Signed ‘Carl Sprinchorn’ bottom left, crayon on paper Sheet size: 14 7/8 x 19 13/16 in. (37.8 x 50.3cm) provenance: Pensler Galleries, Washington, D.C. Collection of Jeffrey M. Kaplan, Washington, D.C. Acquired directly from the above in 2000. Collection of Neal Kaplan, New York, New York. $500-700
990 FISKE BOYD (american, 1895-1975) UNTITLED (LANDSCAPE) Pencil signed and numbered #92 and 10/58. Woodcut and black ink on paper. Image (sight): 5 3/4 x 10in. (14.6 x 25.4cm) Sheet size (sight): 6 1/4 x 10 1/2 in. (15.9 x 26.7cm) provenance: Jack Vanderryn, Bethesda, Maryland. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1990). $400-600
987 ATTRIBUTED TO BERTHA JACQUES (american 1863-1941) “FLORAL DRYPOINT IN COLORS” Drypoint with graphite and hand-colored additions on tissue-thin Japan. Sight size: 12 1/4 x 7 1/4in. (31.1 x 18.4cm) provenance: Egenolf Japanese Prints, Burbank, California. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 2010). $200-300
991 UNKNOWN ARTIST H.M.S PINAFORE 1977, numbered 38/200 verso. Woodcut on paper. Sight size: 29 1/2 x 13 in. (74.9 x 33cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $150-250
983 JOHN TAYLOR ARMS (american, 1887–1953) “THE RED MILL” 1922, pencil signed bottom right. Color etching and aquatint on paper. Image size (sight): 10 3/4 in x 7 in (27.3x 17.8cm) Sheet size (sight): 11 3/4 x 7 3/4 in. (29.8 x 19.7cm) provenance: Harbor Gallery, New York, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1986). $400-600 984 JOHN TAYLOR ARMS (american, 1887–1953) “THE DRAGON SHIP” 1922, pencil signed, dated 1938 and dedicated ‘to my friend Helen Loggie.’ Color etching and aquatint on paper. Image size (sight): 12 1/2 x 9 3/4 in. (31.75 x 24.8cm) Sheet size (sight): 13 1/4 x 10 1/4 in. (33.7 x 26cm) provenance: The Old Print Shop, New York, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired from the above in 2009). $400-600
988 BERNARD RICE (austrian, 1900–1998) “TOWN OF TROVNICK IN BOSNIA” 1925, pencil signed and titled, numbered 1/40 II, presumably the second state, woodcut on paper. Image size (sight): 11 1/2 x 9 1/2 in. (29.2 x 24.1cm) Sheet size (sight): 12 x 10 in. (30.5 x 25.4cm) provenance: Wingrove Gallery, Washington, D.C. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from above in 1986). $200-400
992 LEONARDO NIERMAN (mexican, b. 1932) ABSTRACT Signed and dated 66 bottom right, mixed media on paper laid down to masonite. Sight size: 12 x 17 1/2 in. (30.5 x 44.5cm) provenance: Private Collection. Collection of Jeffrey M. Kaplan, Washington, D.C. (gifted directly from the above in the 1960s). $1,000-1,500
993 CHAIM GROSS (american, 1904-1991) “ACROBATS” Pencil signed and annotated ‘A.P.’ bottom center. Color lithograph on wove paper. Sight size: 16 3/8 x 5 7/8 in. (41.6 x 14.9cm) provenance: The artist’s studio. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1980). $250-350 994 MARCUS UZILEVSKY (american, 1937-2015) “THERE IS A RIVER, THE STREAMS THE OF MAKE GLAD THE CITY OF GOD” Pencil signed indistinctly and dated ‘78, color screenprint. Sight size: 12 x 25in. (30.5 x 63.5cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $150-250 995 SHERRY KIRCHNER (20th century) “UMBRELLAS” Signed ‘S. Kirchner’ bottom right, inscribed ‘Sherry Berz’ verso, oil on canvas. Sight size: 19 1/2 x 35 1/2in. (49.5 x 90.2cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $400-600 996 two works@lotheader:paul ellis (20th century) TWO UNTITLED STUDIES Both pencil signed bottom right, graphite on paper and oil on paper. Executed in 2003 (oil on paper). Sight size: 13 3/4 x 12 3/4 in. (34.9 x 32.4cm) and; 19 3/4 x 18 1/2in. (50.2 x 47cm) (2) provenance: Paul H. Ellis, Washington, D.C. Collection of Jeffrey M. Kaplan, Washington D.C.Jeffrey M. Kaplan, Washington, D.C. (graphite on paper acquired directly from the above in 1999). $200-300
997 two works@lotheader:christopher cook (british, b. 1959) “JACOB’S LADDER” 2001, graphite, resin, and oil on coated paper. Sight size: 25 1/4 x 37 1/2 in. (64.1 x 95.3cm) and: “CLOUD MOUNTAIN” 2008, graphite, resin, and oil on coated paper. Sight size: 39 1/4 x 27 3/4 in. (99.7 x 70.5cm) (2) provenance: Mary Ryan Gallery, New York City, NY. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 2010). $600-800 998 ISABELLE BRENT (british, b. 1961) “SMALL YELLOW CAT” Pencil signed bottom right. Color offset lithograph with gold additions. Image size (sight): 2 3/8 x 2 in. (6 x 5.1cm) Sheet size (sight): 6 1/2 x 7 in. (16.5 x 17.8cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $200-300 999 two watercolors@lotheader:dennis page (british, b. 1926) “THE TREVI FOUNTAIN, ROME” Ink signed bottom left, watercolor on paper. Sight size: 13 3/4 x 13 1/2 in. (34.9 x 34.3cm) provenance: Chris Beetles Gallery, London, United Kingdom. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 2002). and: “FONTANA DEL NETTUNO, PIAZZA NAVONA, ROME” Ink signed bottom right, watercolor on paper. Sight size: 9 3/4 x 13 3/4 in. (24.8 x 34.9cm) (2) provenance: Chris Beetles Limited, London, United Kingdom. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired from the above) exhibited: “Dennis Page,” Chris Beetles Gallery, London, March 2002, No. 28. $300-500
1000 two works@lotheader:pamela kay (british, b. 1939) “WILD DAISIES AND TWO WHITE POPPIES” Signed bottom left, watercolor on paper. Sight size: 20 x 28 in. (50.8 x 71.1cm) provenance: Chris Beetles Gallery, London, United Kingdom. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1987). and: “STRAWBERRIES AND JAM TARTS UNDER THE APPLE TREE“ Signed bottom right, watercolor on paper. Sight size: 22 x 18 in. (55.9 x 45.7cm). (2) provenance: Collection of Jeffrey M. Kaplan, Washington D.C. $400-600 1001 three works@lotheader:paul cox (british, b. 1957) “RUMPOLE’S CHRISTMAS PARTY” 2001, watercolor with pen and ink on paper. Image size (sight): 8 3/4 x 7 in. (22.2 x 17.8cm) Sheet size (sight): 9 x 7 1/4in. (22.9 x 18.4cm) provenance: Chris Beetles Gallery, London, United Kingdom Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 2002). and: “ACROSS THE ATLANTIC” Inscribed in pencil ‘they aint going to cross the Atlantic p. 46’ bottom left, watercolor with pen and ink on paper. Sight size: 18 x 24 1/4in. (45.7 x 61.6cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. and: “HAMPTON COURT” Ink signed and dated ‘89’ bottom right, pencil inscribed ‘and ran to *** past Hampton Court .. p. 55’ bottom left, watercolor and ink on paper. Sight size: 17 3/4 x 24in. (45.1 x 61cm) (3) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $1,500-2,000 1002 FISKE BOYD (american, 1895-1975) “CONCEPT” 1951, pencil signed bottom left, from the edition of 100. Woodcut on Japan. Image size: 12 1/16 x 9 1/8 in. (30.6 x 23.2cm) Sheet size (approx.): 14 5/8 x 10 9/16 in. (37.15 x 26.8cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $400-600
1003 JOSEPH MARGOLIES (american, 1896–1984) “FOREVER STRUGGLING” Pencil signed and titled. Etching and aquatint. Sight size: 9 2/16 x 12 3/4 in. (23.2 x 32.4cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $200-300 1004 RICK WEAVER (american, b. 1924) MOTHER AND CHILD Signed upper right, oil on canvas. Sight size: 11 1/4 x 8 1/4 in. (28.6 x 21cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $150-250 1005 MICHAEL AVIANO (american, b. 1927) “ITALIAN VASE” Pencil signed and titled, numbered ‘3 of 250.’ Lithograph on paper. Image size (sight): 25 1/4 x 19 3/4 in. (64.1 x 50.2cm) Sheet size (sight): 26 1/2 x 21 in. (67.3 x 53.3cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $200-300 1006 FREDERICK MERSHIMER (american, b. 1945) WOOLWORTH BUILDING 1989, pencil signed, dated, titled, and numbered 36/100. Color mezzotint. Image size (sight): 11 1/2 x 8 3/4 x in. (29.2 x 22.2cm) Sheet size (sight): 12 1/2 x 9 1/2 in. (31.8 x 24.1cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $300-500 1007 LEONARD BASKIN (american, 1922-2000) FLORAL 1970, pencil signed and numbered XV/XV. Drypoint on paper. Sheet size (sight): 20 x 14 in. (50.8 x 35.6cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $200-300
1008 two prints@lotheader:leonard baskin (american, 1922-2000) “INDIAN” AND “CHIEF WETS IT ASSINNBOINE” 1972, each pencil signed, one annotated A.P. and dedicated ‘For Harold,’ lithographs on paper. Sight size (each): 34 1/2 x 23 3/4 in. (87.6 x 60.3cm) (2) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $800-1,200 1009 two works@lotheader:michael mazur (american. b. 1935) “AMARYLLIS/CALLA I” 1982, each pencil signed, dated and titled, numbered 17/20 and A.P. 1/1 respectively, Pace Editions, New York, publisher. Monoprint with etching, aquatint and monotype in colors, on wove paper. Sight size (each): 43 x 31 1/2 in. (109.2 x 80cm) (2) provenance: Mary Ryan Gallery, New York, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 2005). $1,000-1,500 1010 CAROLYN BRADY (american, 1937–2005) “AUGUST BREAKFAST, MAINE” 1998, pencil signed and dated, numbered 8/150, the full sheet. Color lithograph on Somerset. Sight size: 27 1/2 x 37 in. (69.9 x 94cm) provenance: The Smithsonian Associates, Washington, D.C. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 1998). $1,500-2,500 1011 FREYA GRAND (american, b. 1947) “MIST, DEEP COVE” Pencil signed, titled, and dated 8/03 bottom right, oil on Mylar. Image size (sight): 9 1/4 x 15 14/16 in. (23.5 x 40.3cm) Sheet size (sight): 9 3/4 x 16 in. ( 24.8 x 40.6cm) provenance: The Artist. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 2003). $800-1,200
1012 PATRICIA TOBACCO FORRESTER (american, b. 1940) “MOUNT LA SALLE NORTH” Watercolor on paper Executed in 2007 40 x 60 in. (101.6 x 152.4cm) provenance: ACA Galleries, New York, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired from the above). $400-600 1013 PATRICIA FORRESTER (american, 1940-2011) “LITTLE ARC” Signed ‘Patricia Tobacco Forrester’ bottom center; also titled and dated ‘2003’ verso, watercolor and gouache on paper Sheet size: 26 x 40 3/4 in. (66 x 103.5cm) provenance: Collection of Neal Kaplan, New York, New York. $500-800 1014 PATRICIA FORRESTER (american, 1940-2011) “SHATTERED ROSES” Signed ‘Patricia Tobacco Forrester’ bottom right; also titled and dated ‘2001’ verso, watercolor on paper Sheet size: 30 x 22 1/8 in. (76.2 x 56.2cm) provenance: Collection of Neal Kaplan, New York, New York. $400-600 1015 PATRICIA FORRESTER (american, 1940-2011) “SHATTERED GARDEN” Signed ‘Patricia Tobacco Forrester’ bottom right; also titled and dated ‘2001’ verso, watercolor on paper Sheet size: 22 x 30 in. (55.9 x 76.2cm) provenance: The Artist. Collection of Jeffrey M. Kaplan, Washington D.C. Acquired directly from the above in 2009. Collection of Neal Kaplan, New York, New York. $400-600 1016 JAY HALL CARPENTER (american, b. 1959) “INTO THE DEPTHS” Incised with signature and dated ‘94, numbered A.P. 1/10. Bronze with patina. height: 39 in. (99.1cm) provenance: Jeffrey M. Kaplan, Washington, D.C. $600-1,000
1017 three drawings@lotheader:robert liberace (american, b. 1967) DRAWING OF OUTSTRETCHED ARMS Signed bottom right, watercolor wash, pencil and white chalk on paper. Sight size: 10 3/4 x 10 1/2 in. (27.3 x 26.7cm) provenance: Classical Gallery, Alexandria, Virginia. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 2002). and: BACK OF MAN Signed bottom right, watercolor wash, pencil and white chalk on paper. Sight size: 19 1/2 x 14 1/2 in. (49.5 x 37cm) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. and: “MALE NUDE WITH CANDLE” Signed bottom right, watercolor wash, pencil and white chalk on paper. Sight size: 19 1/2 x 14 1/2 in. (49.5 x 37cm) (3) provenance: Collection of Jeffrey M. Kaplan, Washington, D.C. $1,500-2,500 1018 SEAN CAVANAUGH (american. b. 1969) “STREAM IN WINTER” 2001, pencil initialed ‘SAC’ and dated, numbered 3/5. Linoleum cut on paper. Image size: 9 x 6 in. (23 x 15.2cm) Sheet size: 6 3/4 x 9 3/4 in. (17.1 x 24.8cm) provenance: Long Fine Art, New York, New York. Collection of Jeffrey M. Kaplan, Washington, D.C. (acquired directly from the above in 2001). $250-400 1019 AFTER ANTHONY VAN DYCK (flemish 1599–1641) CUPID PREPARING HIS BOW Oil on canvas 38 x 28 in. (96.5 x 71.1cm) provenance: Private Collection, Virginia. $1,000-1,500 1020 FOLLOWER OF PAUWELS CASTEELS (flemish c. 1649-1677) MILITARY SKIRMISH Oil on canvas 29 1/8 x 62 1/2 in. (74 x 158.8cm) provenance: Private Collection, New York. $1,000-2,000
1021 SOUTHERN NETHERLANDISH SCHOOL (18th century) BATTLE SCENE Oil on canvas, unframed 23 1/2 x 32 1/2 in. (56.7 x 82.6cm) provenance: Private Collection, New York. $800-1,200 1022 FOLLOWER OF KAREL DUJARDIN (dutch 1626-1678) FIGURES WITH THEIR ANIMALS IN A LANDSCAPE With artist and title printed on label verso, oil on canvas laid down to panel 13 7/8 x 21 1/2 in. (35.2 x 54.6cm) provenance: Private Collection, New York. $1,000-2,000 1023 DUTCH SCHOOL (17th-18th century) THE ADULTERESS KNEELING BEFORE CHRIST; AND JESUS AND THE CENTURION Pail oils on copper, octagonal form Each: 13 x 9 3/4 in. (33 x 24.8cm) (2) provenance: Private Collections, Houston, Texas (until 1995). Private Collection, Washington, D.C. By direct descent from the above. note: We wish to thank the Netherlands Institute for Art History, also known as the R.K.D., for their kind assistance in cataloguing the present lot. $1,500-2,000 1024 MAURITS VERVEER (dutch 1817–1903) FISHING BOATS AT LOW TIDE Signed and indistinctly dated ‘Maurits Verveer H. (?) 18*2’ bottom right, oil on panel 14 1/4 x 20 1/8 in. (36.2 x 51.1cm) provenance: Private Collection, Florida. $1,500-2,500
1025 CIRCLE OF PIETRO DA CORTONA (italian 1596-1669) “ASSUMPTION OF MARY” Black chalk heightened with white chalk on brown paper Sheet size: 24 5/8 x 18 in. (62.4 x 45.7cm) provenance: Private Collection, New York, New York. note: The present work follows the central portion of Pietro da Cortona’s fresco in the apse in Santa Maria in Vallicella, also called Chiesa Nuova, in Rome. $1,000-1,500 1026 ITALIAN SCHOOL (17th century) THE LAST SUPPER Pen and brown ink with gray wash on paper, arch form Sheet size: 8 7/8 x 10 5/8 in. (22.5 x 27cm) provenance: Private Collection, Washington, D.C. $500-700 1027 FOLLOWER OF FRANCESCO SOLIMENA (italian 1657-1747) ADORATION OF THE MAGI Oil on canvas 27 1/4 x 36 in. (69.2 x 91.4cm) provenance: Private Collection, New York. $1,000-2,000 1028 ITALIAN SCHOOL (18th-19th century) OUTDOOR STILL LIFE WITH MIXED FLOWERS; AND A COMPANION Pair oils on canvas Each: 15 x 11 in. (38.1 x 28cm) (2) provenance: J.J. Gillepsie, Pittsburgh, Pennsylvania. Private Collection, New York, New York. $500-800 1029 ITALIAN SCHOOL (18th-19th century) FIGURES IN AN ITALIAN LANDSCAPE Oil on canvas 43 1/8 x 63 in. (109.5 x 160cm) provenance: An Estate, Philadelphia, Pennsylvania. $2,000-3,000
1030 ITALIAN SCHOOL (19th century) VIEW OF THE PORTA DELLA CARTA IN VENICE Signed ‘Pasini V.’ bottom left, watercolor on paper Sheet size (sight): 14 1/8 x 18 3/8 in. (35.9 x 46.7cm) provenance: Private Collection, Philadelphia, Pennsylvania. $200-300 1031 ITALIAN SCHOOL (19th century) PONTE VECCHIO, FLORENCE Signed ‘I. Bensa’ bottom left, watercolor on paper Sheet size (sight): 14 5/8 x 25 in. (37.1 x 63.5cm) provenance: Private Collection, Philadelphia, Pennsylvania. $400-600 1032 ITALIAN SCHOOL (19th century) PORTRAIT OF A LADY WITH A GOBLET Oil on panel over print 16 1/8 x 12 3/4 in. (41 x 32.4cm) provenance: Private Collection, New Jersey. $200-300 1033 ITALIAN SCHOOL (19th century) “GIACOMO PADRE DI GIO. ANTONIO” Oil on canvas 40 1/2 x 32 1/2 in. (102.9 x 82.6cm) provenance: An Estate, Philadelphia, Pennsylvania. $1,000-1,500 1034 ITALIAN SCHOOL (19th century) “GIO. FEDERICO PADRE DI GIACOMO” Oil on canvas 40 1/2 x 32 1/2 in. (102.9 x 82.6cm) provenance: An Estate, Philadelphia, Pennsylvania. $1,000-1,500 1035 ITALIAN SCHOOL (19th century) PORTRAIT OF A WOMAN WITH HEADSCARF Signed illegibly bottom right, oil on canvas 25 x 15 1/2 in. (63.5 x 39.4cm) provenance: Private Collection, Richmond, Virginia. $500-1,000
1036 AFTER STEFANO BRUZZI (italian 1835-1911) “LA PICCOLA GUARDIANA” Signed ‘S. Bruzzi’ bottom left, oil on canvas 18 x 10 in. (45.72 x 25.4cm) provenance: Private Collection, Richmond, Virginia. $2,500-3,500 1037 ENRICO TARENGHI (italian 1848-1938) PORTRAIT OF A WOMAN IN COSTUME Signed ‘E. Tarenghi’ bottom right, watercolor on paper Sheet size (sight): 14 3/8 x 10 1/4 in. (36.5 x 26cm) provenance: Private Collection, Philadelphia, Pennsylvania. $100-200 1038 ITALIAN SCHOOL (19th century) YOUNG GIRL PLAYING WITH A KITTEN Signed ‘F. Muchelli’ bottom right, watercolor on paper Sheet size (sight): 18 1/2 x 23 3/8 in. (47 x 59.4cm) provenance: Private Collection, Philadelphia, Pennsylvania. $300-500 1039 ITALIAN SCHOOL (19th century) PORTRAIT OF A SEATED BOY Signed and located ‘C. Grilli, Roma’ bottom right, watercolor on paper Sheet size (sight): 14 1/2 x 10 3/8 in. (36.8 x 26.4cm) provenance: Private Collection, Philadelphia, Pennsylvania. $200-300 1040 LUIGI PASTEGA (italian 1858-1927) TWO ITALIAN STREET SCENES Each signed ‘Pastega’ bottom right, watercolor on paper Sheet size, each (sight): 11 1/4 x 15 1/8 in. (27.9 x 38.4cm) provenance: Private Collection, Philadelphia, Pennsylvania. $200-400
1041 FEDERIGO PEDULLI (italian b. 1860) VIEW OF A CLOISTER Signed and dated ‘F. Pedulli ‘89’ bottom left, watercolor on paper Sheet size (sight): 16 7/8 x 11 7/8 in. (42.9 x 30.2cm) provenance: Private Collection, Philadelphia, Pennsylvania. $200-300 1042 AGUSTO MORIANI (italian 19th-20th century) PORTRAIT OF A MAN Signed ‘A. Moriani’ bottom right, watercolor on paper Sheet size (sight): 11 x 8 in. (27.9 x 20.3cm) provenance: Private Collection, Philadelphia, Pennsylvania. $100-200 1043 Gabrielle Parente (Italian, 19th-20th century) and Crenda (unknown) two bronze figures of boys: jumping the column and runner late 19th/early 20th century Both signed to reverse/base; mounted on marble and cast stone support bases. (2). H: 21 1/2 in. provenance: Private collection, Philadelphia. $600-800 1044 A marble sculpture of a sleeping boy 19th century The boy depicted resting on draped pillow and holding a small saber, apparently unsigned. L: 23 1/2 in., H: 13 in. provenance: Private collection, Philadelphia. $600-800 1045 CIRCLE OF NICOLAS POUSSIN (french 1594-1665) THE INTERVENTION OF THE SABINE WOMEN Inscribed ‘Pussen inv.’ bottom left, pen and black ink with gray wash on paper Sheet size: 10 x 12 1/2 in. (25.4 x 31cm) provenance: Collector’s mark on recto and verso, attributed to A. Bengo, London 1759-1841 (not in Lugt). Private Collection, Washington, D.C. note: The present drawing is based on a drawing by Nicolas Poussin, completed circa 1627, and now in the Royal Collection in London. $500-700
1046 MANNER OF GASPARD DUGHET (french 1615-1675) LEADING THE CATTLE Oil on canvas 24 x 33 1/2 in. (60.96 x 85.09cm) provenance: Private Collection, Richmond, Virginia. $750-1,250 1047 MANNER OF FRANÇOIS BOUCHER (french 1703-1770) HEAD OF A YOUNG WOMAN; AND A COMPANION Pair black and red chalk drawings laid down to board Each: 9 3/8 x 7 3/8 in. (23.8 x 18.7cm) (2) provenance: Private Collection, New York, New York. $500-800 1048 After Michel Clodion (French, 1738-1814) The Abduction of Persephone Bronze, heavy gold patina, signed in cast “Clodion” and mounted on marble base. H: 19 in. $400-600 1049 A pair of decorative prints depicting the Emperor Napoleon and the Empress Josephine of France 20th century Matted and framed. (2). 21 1/2 in. x 12 1/2 in. (sight) $200-300 1050 ÉDOUARD MANET (french 1832-1883) “LE CHAT ET LES FLEURS” 1869. Etching and aquatint on paper. Sixth (final) state. Rothschild Publishers, Paris. From Notre Ami Le Chat 6 3/4 x 5 1/8 in. (17.1 x 13cm) [Guérin 53; Harris 65] provenance: Private Collection, Colorado. $400-600 1051 PIERRE AUGUSTE RENOIR (french 1841-1919) “LE CHAPEAU ÉPINGLÉ” (LA FILLE DE BERTHE MORISOT ET SA COUSINE) Circa 1894. Etching and drypoint on paper. Second (final) state. Plate size: 4 3/4 x 3 1/4 in. (12.1 x 8.3cm) [Delteil 8; Stella 8] provenance: Collection of Dr. Leopold S. Moreno, New Jersey. $500-800
1052 PAUL CHARLES EMMANUEL GALLARDLEPINAY (french 1842-1882) VENETIAN VIEW WITH GONDOLA AND PIAZZA SAN MARCO IN DISTANCE Signed ‘E. Gallard-Lepinay’ and indistinctly dated bottom left, oil on canvas 19 x 29 in. (48.3 x 73.7cm) provenance: Holland Galleries, New York, New York. $1,500-2,500 1053 After Pierre Marie Oge (French, 1849 - 1913) le lierre Bronze, brown patina, signed in cast “Oge sculp”. H: 32 3/4, W: 9, D: 9 1/2 in. $1,000-1,500 1054 Francois Alphonse Piquemal (French, 19th/20th century) buste de jeune fille en costume médieval Bronze doré with carved ivory face, mounted atop an integral onyx base, signed in cast “Piquemal”. H: 8 in. $800-1,200 1056 FRANÇOIS NARDI (french 1861-1936) STREET MUSICIANS Signed with conjoined letters, located and dated ‘F. Nardi/ROMA 82’ center right, watercolor on paper Sheet size (sight): 21 x 14 3/8 in. (53.3 x 36.5cm) provenance: Private Collection, Philadelphia, Pennsylvania. $200-300 1057 FRENCH SCHOOL (19th century) FINAL PREPARATIONS Oil on sheet metal 11 1/2 x 15 in. (29.2 x 38.1cm) provenance: Private Collection, Richmond, Virginia. $200-400 1058 FRENCH SCHOOL (19th century) BUNCH OF GRAPES (TROMPE L’OEIL) Signed “Dumont’ bottom left, oil on canvas 8 x 10 in. (20.3 x 25.4cm) provenance: Private Collection, Richmond, Virginia. $300-500
1059 PIERRE BONNARD (french 1867–1947) WOMAN SITTING IN THE BATHTUB Signed ‘Bonnard’ bottom right, color lithograph on wove paper Sheet size: 9 3/4 x 12 11/16 (24.8 x 32.2cm) provenance: Galerie Chalette, New York, New York. Private Collection, New Jersey. $400-600 1060 JEAN DUFY (french 1886-1964) AU DESSUS DE LA BARRIÈRE (OVER THE FENCE) Signed ‘Jean Dufy’ bottom right, watercolor on paper laid down to canvas Sheet: 13 1/4 x 19 7/8 in. (33.7 x 50.5cm) provenance: Private Collection, Florida. note: We wish to thank Mr. Jacques Bailly for confirming the authenticity of the present lot. The watercolor will be included in the forthcoming new edition of the Catalogue Raisonné of the artist’s work, and will be accompanied by a Certificate of Authenticity. $2,000-3,000 1061 JEAN DUFY (french 1886-1964) AU BAL DU MOULIN ROUGE Signed ‘Jean Dufy’ bottom center right, watercolor over traces of pencil heightened with white gouache on paper Sheet size: 17 7/8 x 22 1/8 in. (45.4 x 56.2cm) provenance: Private Collection, Florida. note: We wish to thank Mr. Jacques Bailly for confirming the authenticity of the present lot. The watercolor will be included in the forthcoming new edition of the Catalogue Raisonné of the artist’s work, and will be accompanied by a Certificate of Authenticity. $1,500-2,500 1062 GEN PAUL (french 1895-1975) “LE MUSICIEN” Signed ‘Gen Paul’ bottom left, crayon on paper Sheet size: 11 1/2 X 8 1/8 (29.2 x 20.6cm) together with: MUSICIANS Signed and dated ‘Gen Paul 1961’ bottom right, crayon on paper Sheet size: 16 7/8 x 12 3/4 in. (42.9 x 32.4cm) (2) provenance: An Estate, Philadelphia, Pennsylvania. $1,000-1,500
1063 ANDRE BOUQUET (french b. 1897) “SAINT PAUL” Signed and dated ‘Bouquet 1969’ bottom left; also titled verso, oil on canvas 18 x 21 3/4 in. (45.7 x 55.2cm) together with: “LE THOULT” Signed and dated ‘Bouquet 1966’ bottom right; also titled verso, oil on canvas 18 x 21 3/4 in. (45.7 x 55.2cm) (2) provenance: An Estate, Philadelphia, Pennsylvania. $700-1,000 1064 ATTRIBUTED TO VICTOR BRAUNER (french 1903-1966) PORTRAIT OF A MAN Signed and inscribed indistinctly ‘V. Brauner/***’ bottom right, watercolor on paper Sheet size (sight): 8 1/4 x 11 1/4 in. (21 x 28.6cm) provenance: Private Collection, Richmond, Virginia. $400-600 1065 ANDRÉ DURANTON (french b. 1905) “AU LAPIN AGILE” Signed ‘Duranton’ bottom left; also titled and signed verso, oil on canvas 18 1/4 x 21 3/4 in. (46.4 x 55.2cm) together with: “PONT DES ARTS ET INSTITUT” Signed ‘Duranton’ bottom left; also titled and signed verso, oil on canvas 18 1/4 x 21 3/4 in. (46.4 x 55.2cm) (2) provenance: An Estate, Philadelphia, Pennsylvania. $800-1,200 1066 M. EDWARD GRIFF (20th century) VIEW OF MONTMARTRE Signed ‘Griff’ bottom right, oil on canvas 18 3/4 x 24 in. (47.6 x 61cm) provenance: Private Collection, Richmond, Virginia. $200-300 1067 PIERRE ÉMILE LELONG (french 1908-1984) PORT SCENE Signed ‘P. Lelong’ bottom right, oil on canvas Sight size: 9 3/4 x 13 in. (24.8 x 33cm) provenance: The Collection of the Late Gloria G. Einbender. $500-700
1068 ANDRE COTTAVOZ (french 1922-2012) “NU DEBOUT” Signed and dated ‘Cottavoz 81’ bottom right; also signed, titled and dated verso, oil on canvas 21 5/8 x 14 7/8 in. (54.9 x 37.8cm) provenance: Private Collection, New York, New York. $400-600 1069 ANDRE COTTAVOZ (french 1922-2012) “ROME” Signed ‘Cottavoz’ bottom right; also signed, titled and dated ‘61’ verso, oil on canvas 21 1/2 x 28 7/8 in. (54.6 x 73.3cm) provenance: Private Collection, New York, New York. $600-800 1070 FRANÇOIS GALL (french 1912-1987) EUGÈNIE DANS LES CHAMPS Signed ‘F. Gall’ bottom right, oil on canvas 19 3/4 x 24 in. (50.2 x 61cm) provenance: Private Collection, New Jersey. $2,000-3,000 1071 ROGER BERTIN (french, 1915-2003) PICADOR Incised with initials and dated 1963, painted iron sculpture on marble base. height (with base): 35 1/2 in. (90.2cm) provenance: Galerie Reine, New York, New York. A Private Estate, Philadelphia, Pennsylvania (acquired from the above in 1968). $400-600 1072 PIERRE BAZIRE (french b. 1938) “LES DEUX CHAUMIÈRES” Signed ‘Bazire’ bottom right; also titled verso, oil on panel 8 7/8 x 15 3/8 in. (22.5 x 39.1cm) together with: “LE POTAGER DU PÈRE NICOLO” Signed ‘Bazire’ bottom left; also titled verso, oil on panel 9 3/4 x 16 1/4 in. (24.8 x 41.3cm) (2) provenance: An Estate, Philadelphia, Pennsylvania. $300-500
1073 PAUL LEMASSON (belgian, 1897-1971) A PAIR OF VILLAGE SCENES Both signed ‘Paul Lemasson’ bottom right, pair oils on Masonite Each: 8 1/2 x 10 1/2 in. (21.6 x 26.7cm) (2) provenance: An Estate, Philadelphia, Pennsylvania. $600-1,000 1074 BRITISH SCHOOL 18th century PORTRAIT OF A LADY WITH BONNET, HALFLENGTH Pastel on paper laid down to canvas Sheet size: 24 x 19 in. (61 x 48.3cm). In an antique, gilded frame. provenance: Private Collection, Bryn Mawr, Pennsylvania. By descent in the family. Private Collection, Ardmore, Pennsylvania. $1,000-1,500 1075 BRITISH SCHOOL (19th century) PORTRAIT OF A MILITARY OFFICER, HALF LENGTH Oil on canvas laid down to panel, oval 34 5/8 x 27 1/4 in. (88 x 69.2cm) provenance: Newman Galleries, Philadelphia, Pennsylvania (per label verso). Private Collection, Pennsylvania. $500-800 1076 BRITISH SCHOOL (19th century) VIEW OF JACOBEAN MANOR HOUSE Signed indistinctly bottom left, oil on canvas 23 3/4 x 18 3/4 in. (60.3 x 47.6cm) provenance: Private Collection, Richmond, Virginia. $300-500 1077 FREDERICK WATERS WATTS (british 1800-1862) “A GYPSY CAMP” Signed ‘F.W. Watts’ bottom right, oil on canvas 17 7/8 x 23 7/8 in. (45 x 58cm) provenance: Private Collection, Richmond, Virginia. $500-1,000
1079 JAMES DROMGOLE LINTON (british 1840-1916) MIDDLE EASTERN SCENE Signed ‘J.D. Linton’ bottom left, oil on canvas 20 1/4 x 30 1/4 in. (51.4 x 76.8cm) provenance: Health & Brown, Houston, Texas (until 1966). Private Collection, Houston, Texas (until 1995). Private Collection, Washington D.C. By direct descent from the above. $1,500-2,500 1080 HENRY THOMAS SCHAFER (british 1854-1915) VIEW OF REGENSBURG CATHEDRAL Located and signed “Ratisbon, Germany/Regensburg/H. Schafer” bottom right, watercolor on paper Sheet size (sight): 17 1/2 x 14 1/4 in. (44.5 x 36.2cm) provenance: Private Collection, Philadelphia, Pennsylvania. $500-700 1081 HENRY MOORE (british, 1898–1986) “RECLINING FIGURE BONE” 1982, pencil signed and numbered 40/50, published by the Raymond Spencer Company Ltd. Color lithograph. Image (sight): 13 3/4 x 9 3/4 in. (34.9 x 24.8cm) Sheet (sight): 15 3/4 x 11 3/4 in. (40 x 29.8cm) [Cramer, 652] $1,000-1,500 1082 EDWARD POVEY (british b. 1951) EMBRACING COUPLE Signe, dated and numbered ‘Povey/1999/22/41’ at base, bronze with brown patina Height: 19 in. (48.3cm) Width: 16 in. (40.6cm) provenance: Private Collection, New Jersey. $800-1,200 1083 SALVADOR DALI AND DAUM “OEIL DE PAQUES” Incised ‘Daum’ and ‘Dali’ and dated ‘68, numbered 46/150. Pate de Verre crystal sculpture. height: 9 in. (22.9cm) width: 5 in. (12.7cm) depth: 5 1/2 in. (14cm) provenance: Private Estate, Philadelphia, Pennsylvania. $2,000-3,000
1084 After Salvador Dali (Spanish, 1904-1989) the two nikes, victory of samothrace, homage to raymond roussel, 20th century Poly-resin, on faux marble base, bearing signature to base. H: 8 3/4 in. provenance: Property of a Bucks County, Pennsylvania collection. $100-150
1090 MANNER OF CHRISTIAN GEORG SCHÜZ THE YOUNGER (german 1758-1823) EXTENSIVE LANDSCAPE WITH FIGURES ON A TRACK Oil on canvas laid on board 39 1/2 x 49 in. (100.3 x 124.5cm) provenance: Private Collection, Pennsylvania. $500-800
1085 AMADEO GABINO (SPANISH, 1922-2004) MODERNIST SCULPTURE, CIRCA 1960s Bronze. 12 3/4 in. x 13 1/4 in. x 14 1/2 in. $1,500-2,500
1091 A group of three small prints and one etching of German cities various makers, 19th century Comprising a print of Bremen, inscribed “I.H. Sander del./Leipzig d. Engl. Kunst. Anstalt/A.H. Payne sculp.”; two prints of Frankfurt; all matted and framed; and an etching of Frankfurt, signed “Wersel” and numbered 23/100, framed. (4). 7 in. x 5 1/4 in. (largest print, by sight) $150-250
1086 CONTINENTAL SCHOOL (19th century) VIEW OF PRAGUE Watercolor on paper Sheet size (sight): 15 3/4 x 11 3/4 in. (40 x 29.8cm) provenance: Private Collection, Philadelphia, Pennsylvania. $200-300 1087 CONTINENTAL SCHOOL (19th century) COMFORTING THE DISTRAUGHT Signed indistinctly bottom right, watercolor on paper Sheet size (sight): 15 x 20 3/4 in. (38.1 x 52.7cm) provenance: Private Collection, Richmond, Virginia. $200-400 1088 CONTINENTAL SCHOOL (20th century) THE DINING ROOM Oil on canvas 16 3/8 x 13 1/2 in. (41.6 x 34.3cm) provenance: Private Collection, Philadelphia, Pennsylvania. $150-200 1089 Anton Radl (Austrian, 1774-1852) after Christian Georg Schütz (German, 1718-1791) Three engravings of European river views, early 19th century Framed. (3). 26 3/4 in. x 21 in. (largest, by sight) $300-500
1092 KARL GEBHARDT (german 1860-1917) THE CHURCH’S PULPIT Signed ‘Gebhardt’ bottom left, watercolor on paper Sheet size (sight): 15 3/4 x 11 in. (40 x 27.9cm) provenance: Private Collection, Philadelphia, Pennsylvania. $100-200 1093 ALBERT SCHIESTL-ARDING (german, 1883–1937) DOUBLE-SIDED PORTRAIT STUDY Signed with artist’s initials ‘A.D.A.’ bottom right, oil on cardboard 23 1/4 x 18 1/2 in. (59.7 x 47cm) provenance: Elsa Koppel, Bochum, Germany (acquired circa 1930). By family descent. Private Collection, Washington, D.C. (acquired in 1965). By family descent. Private Collection, Needham, Massachusetts (acquired in 2017). $500-800
1094 GERMAN EXPRESSIONIST SCHOOL (20th century) GERANIUMS AND APPLES Signed indistinctly bottom right, oil on metal support. Executed circa 1920-25. 26 x 30 3/4 in. (66 x 78.1cm) provenance: Elsa Koppel, Bochum, Germany (acquired circa 1930). By family descent. Private Collection, Washington, D.C. (acquired in 1965). By family descent. Private Collection, Needham, Massachusetts (acquired in 2017). $300-500 1095 KLAUS IHLENFELD (german, b. 1934) “PLANTS” Bronze with green patina. Executed in 2005. 8 x 7 x 3 3/4 in. (20.3 x 17.8 x 9.5cm) provenance: Private Collection, Barto, Pennsylvania. $400-600 1096 Two spelter figures of Ottoman knights late 19th/early 20th century H: 27 in. provenance: The Estate of Nancy duPont Reynolds Cooch $300-500 1097 LEOPOLD VON STOLL (austrian, 1808-1889) DER TIGER Signed and dated ‘L. Stoll 1825’ center right, watercolor on paper Sheet size (sight): 11 3/4 x 8 1/4 in. (29.8 x 21cm) provenance: Private Collection, Philadelphia, Pennsylvania. $300-500 1098 KARL SCHWENINGER THE YOUNGER (austrian 1854-1903) VISITING WITH THE CARDINAL Signed ‘C. Schweninger’ bottom right, oil on board 8 1/2 x 12 in. (21.6 x 30.5cm) provenance: Private Collection, Virginia. $500-800
1099 An Austrian cold-painted bronze of Napoleon early 20th century Stamped “Real Vienna Bronze” to reverse; mounted to stone base. H: 18 in. provenance: Private collection, Philadelphia. $200-400 1100 NICHOLAS CIKOVSKI (polish-american, 1894-1984) JEWISH DOCTORS PLEADING Signed ‘N. Cikovski’ bottom right, oil on board 11 1/2 x 15 1/4 in. (29.2 x 38.7cm) provenance: Private Collection, Richmond, Virginia. $200-400 1101 KAREL DOHNALEK (czech 1879-1945) LADY BY A STREAM Signed ‘K. Dohnalek’ bottom right, oil on canvas 30 1/4 x 22 1/4 in. (76.8 x 56.5cm) provenance: Property of a Bucks County, Pennsylvania Collection. $800-1,200 1102 MÁRIA SZÁNTHÓ (hungarian 1898–1984) RESTING NUDE Signed ‘Szantho M’ bottom right, oil on canvas 21 3/4 x 26 1/2 in. (55.2 x 67.3cm) provenance: Private Collection, New Jersey. $800-1,200 1103 ISAAC PAILES (ukrainian 1895-1978) “PARIS” “ Signed ‘Pailes’ bottom left; also dated, located and signed ‘1966/Paris/I. Pailes’ verso, oil on canvas 23 9/16 x 31 7/8 in. (59.8 x 81cm) provenance: Collection of Dr. and Mrs. Solomon Feffer (per exhibition label verso). Private Collection, Connecticut. exhibited: “Pailes Exhibit,” Yeshiva University, New York, New York, March-June, 1975. $2,500-3,000 1104 ZVI MAIROVICH (israeli, 1911-1973) UNTITLED Signed lower center, oil on canvas. Sight size: 20 x 24 in. (50.8 x 61.0cm) $800-1,200
1105 GILA STEIN (israeli, b. 1945) SCULPTRESS VISION Signed and numbered ‘Gila J. Stein 2/12’ at base, bronze with dark green patina 12 x 6 1/2 x 12 in. (30.5 x 16.5 x 30.5cm) provenance: The Collection of the late Gloria G. Einbender. $200-300 1106 An Indian ink and watercolor manuscript leaf probably 19th century Depicting Krishna and Radha, with sanskrit to reverse side; matted and framed. 3 7/8 in. x 6 1/2 in. (sight) $100-200 1107 CHINESE SCHOOL late qing dynasty LADIES AND CHILDREN IN A GARDEN PAVILION Ink and color on silk, framed, matted and glazed sight H:16 1/4 in., 41.5cm.; W: 19 1/2 in., 49.5cm provenance: Property from a private collection, Bryn Mawr, PA; thence by descent. $350-450 1108 JAPANESE SCHOOL 19th century TEN ASSORTED COLOR WOODBLOCK ACTOR PRINTS Comprising ten figural woodblock prints including one from Utagawa Yoshika, one from Utagawa Kunisada III, and two figures in Chinese costume by Toyohara Kunichika. sight H: 13 3/4 in., 34.9cm; W: 9 1/4 in., 23.5cm $500-750 1109 JAPANESE SCHOOL 19th century TWO COLOR WOODBLOCK DIPTYCHS AND TWO TRIPTYCHS Comprising: a diptych, possibly by Kinateru, of a mounted Samurai in battle; a diptych, depicting five military figures; two triptychs by Kunisada, depicting a male figure by a cistern, three bijin looking on; the other of a couple gazing in a mirror with two female attendants; framed, matted, and glazed. Diptychs sight H: 13 1/2 in., 34.3cm; W: 19 3/4 in., 50.2cm; Triptychs sight H: 13 1/2 in., 34.3cm; W: 29 in., 73.6cm; $400-600
1110 IMAO KEINEN (1845-1924) 11 BIRD AND FLOWER COLOR WOODBLOCK PRINTS Matted, unframed sight H: 13 in., 33cm; W: 9 in., 22.8cm provenance: NOTE: This artist is well known for his bird and flower prints. His works are in the collections of many museums including the Metropolitan Museum of Art, New Yorkand RIJKS Studio. $200-300 1111 JAPANESE SCHOOL TWO ZENGA PAINTINGS The taller painting inscribed with two seals to upper side, by Kongai Yano; the shorter painting bearing three seals, one possibly reading “Oryu”. sight of taller H: 41 1/4 in., 104.8cm; W: 10 in., 25.4cm sight of shorter H: 35in., 88.9cm; W: 11in., 27.9cm $150-250 1112 JOKON AND YAMAGUCHI SOKEN edo period COCKEREL, AND PEACOCK, TWO WORKS Ink and color on paper; peacock painting inscribed, signed and matted, by Yamaguchi Soken; cockerel painting signed with one seal, by Jokon, mounted and framed. sight of cockerel H: 49 1/2 in., 126cm; W: 12 in., 30.5cm sight of peacock H: 53 in., 134.6cm; W: 22 1/2 in., 57.1cm $400-600 1113 JAPANESE SCHOOL DARUMA, JUROJIN, DAIKOKU, THREE WORKS Ink on paper, matted, Daruma inscribed and signed, by Shoraku Suejin(?); Jurojin wtih two seals to lower left, seal says Kano; Daikoku signed with a seal to lower right, by Hokkyo Yoshiobu. sight of Daruma H: 48 1/2 in., 123.2cm; W: 10 3/4 in., 27.3cm sight of Jurojin H: 34 in., 86.4cm; W: 9 1/2 in., 24.1cm sight of Daioku H: 40 in., 101.6cm; W: 17 in., 43.2cm $200-300
1114 JAPANESE SCHOOL KANZAN AND JITTOKU, DAIKOKU, TWO WORKS Ink and color on paper, each signed with two seals, matted; the Kanzan and Jittoku by Fuzan Hangetsu; the Daikoku by Seiun. sight of taller H: 45 in., 114.3cm; W: 13 1/4 in., 33.6cm sight of shorter H: 35 in., 88.9cm; W: 11 1/2 in., 29.2cm $150-250 1115 A group of four Japanese prints 19th/20th century H: provenance: The collection of Georges Perrier, Philadelphia, Pennsylvania. $100-150 1116 AFTER HIRAFUKU HYAKUSAI (1877-1933) bearing date guiyou year, summer, corresponding to 1933 MOUNTAIN LANDSCAPE Printed ink on paper, mounted as a hanging scroll; Approximate sight: H: 15 3/4 in., 40cm; W: 18 in., 45.7cm provenance: Property from a private collection, Pennsylvania $200-300 1117 AKIKO SUGIYAMA (japanese-american, b. 1947) TWO WORKS: AKARI-I PART 2 AND SUMMER NIGHT BLOOM Both signed lower center, larger one dated 1992 to reverse, mixed media on canvas, framed in plexiglass case. 32 in. x 23 1/2 in. (cased) provenance: The Collection of the late Gloria G. Einbender. $1,200-1,500 1118 American School 19th century portrait of a gentleman, circa 1820 Apparently unsigned, oil on canvas, framed. 21 1/4 in. x 15 in. (sight) provenance: Property of a Bucks County, Pennsylvania collection. $800-1,200 1119 American School 19th century John Young Mason (American, 1799-1859) Enscribed on verso “John Young Mason 17991859” oil on canvas, framed. 23 1/2 in. x 19 1/2 in. (sight) $600-800
1120 AMERICAN SCHOOL (19th century) LANDSCAPE Oil on canvas 22 1/4 x 36 in. $200-300 1121 AMERICAN SCHOOL (19th-20th century) TWO BATTLING WARRIORS ON HORSEBACK Bronze Height: 13 1/2 in. (34.3cm) provenance: Private Collection, Philadelphia, Pennsylvania. $400-600 1122 AMERICAN SCHOOL (20th century) PORTRAIT OF A P.A.F.A. INSTRUCTOR IN HIS OFFICE Oil on canvas 30 1/4 x 28 1/2 in. (76.8 x 72.4cm) provenance: Private Collection, Pennsylvania. $1,000-2,000 1123 ARTIST UNKNOWN 20th century ABSTRACT COMPOSITION Signed illegibly and dated ‘80’ in the margin bottom right; also numbered ‘1/10’ in the margin bottom left, lithograph on paper Image size: 21 3/4 x 14 3/4 in. (55.2 x 37.5cm) provenance: The Collection of the late Gloria G. Einbender. $100-200 1124 UNKNOWN ARTIST (20th century) “PROCESSION” Pencil signed and dated ‘99’ bottom right; also titled bottom center, etching on paper. Image size: 23 1/2 x 15 1/2 in. (59.7 x 39.4cm) Sheet size: 29 x 21 1/4 in. (73.7 x 54cm) (2) provenance: Private Collection, New York, New York. $300-500 1125 A. WERNER (american 20th century) “THE CUCUMBER TREE” Signed ‘A. Werner’ bottom right; also inscribed with title on upper stretcher verso, oil on canvas 20 x 24 in. (50.8 x 61cm) provenance: Rudolf Lesch Fine Arts, New York, New York. Collection of a Philadelphia Lady. $300-500
1126 Manner of Thomas Sully (American, 17831872) preparatory two-sided painting: portrait of a woman and classical landscape with figure and animals, 19th century Oil, watercolor, and graphite on board. 12 1/2 in. x 10 in. $300-500 1127 WILLIAM LOUIS SONNTAG (american 1822-1900) “THE WATERFALL” Signed and dated ‘W.L. Sonntag N.A. 97’ bottom right, watercolor on paper Sheet size (sight): 6 x 5 in. (15.2 x 12.7cm) provenance: Chapellier Galleries, New York, New York. Collection of Dr. Leopold S. Moreno, Virginia. exhibited: Chapellier Galleries, New York, New York, 1970 (no. 6 in the exhibition catalogue). literature: Nancy Dustin Wall Moore, William Louis Sonntag: Artist of the Ideal, 1822-1900, Goldfield Galleries, Los Angeles, 1980, no. 22 (illustrated p. 31 as figure no. 30). $800-1,200 1128 PAUL WEBER (american/german 1823-1916) CLOUDS IN THE VALLEY Signed ‘Paul Weber’ bottom left, oil on canvas 11 1/4 x 14 5/8 in. (28.6 x 37.1cm) provenance: Private Collection, Philadelphia, Pennsylvania. $1,000-2,000 1129 HERMANN HERZOG (american/german 1832–1932) “COWS WATERING IN THE MOUNTAINS” Watercolor on paper Sheet size (sight): 5 1/2 x 8 1/4 in. (14 x 21cm) provenance: The Artist. The Estate of the Artist. Auslew Gallery, Norfolk, Virginia. Collection of Dr. Leopold S. Moreno, Virginia. $800-1,200 1130 CHARLES ORCHARDSON (american 1835-1918) STORMY SEASCAPE Signed and dated ‘C. Orchardson/1907’ bottom right, oil on canvas 28 x 17 3/4 in. (71.1 x 45.1cm) provenance: Private Collection, Richmond, Virginia. $400-600
1131 EDMUND DARCH LEWIS (american 1835-1910) COTTAGE ON A LAKE Signed and dated indistinctly ‘Edmund D. Lewis 188*’ bottom right, oil on canvas 30 x 50 in. (76.2 x 127cm) provenance: Property of a Main Line Lady. $3,000-5,000 1132 ARTHUR COX (canadian 1840-1917) A VILLAGE SCENE; AND A COMPANION Pencil signed ‘Arthur L. Cox’ bottom right, handcolored aquatint on paper. Alfred Bell & Co. Publishers, London Sheet size (sight): 18 3/4 x 23 in. (47.6 x 58.4cm) (2) provenance: Private Collection, Pennsylvania. $30-50 1133 BENONI IRWIN (american 1840-1896) REBECCA AT THE WELL Signed ‘Benoni Irwin’ bottom right, oil on Masonite 33 1/2 x 23 1/2 in. (85.1 x 60cm) provenance: Collection of Dr. James Lee, New Jersey. $1,000-1,500 1134 CHRISTOPHER HIGH SHEARER (american 1846-1926) “WOODLAND STREAM” Signed and dated ‘C.H. Shearer. 1894.’ bottom left, oil on canvas 22 x 36 in. (55.9 x 91.4cm) provenance: Newman Galleries, Philadelphia, Pennsylvania. Private Collection, Philadelphia, Pennsylvania. $800-1,200 1135 WILLIAM BAPTISTE BAIRD (american 1847–1899) COWS WATERING Signed ‘W.B. Baird’ bottom left, oil on canvas 23 3/4 x 36 1/4 in. (60.3 x 92.1cm) provenance: Collection of Dr. James Lee, New Jersey. $600-1,000
1136 AUGUST LAUX (american 1853-1921) KITTEN IN A BASKET Signed ‘A. Laux’ bottom right, oil on canvas 14 x 18 in. (35.6 x 45.7cm) provenance: An Estate, Maryland. $500-700 1137 ARTHUR BOWEN DAVIES (american 1862-1928) “GREEN HILLS” Signed ‘A.B. Davies’ bottom right, watercolor and pastel on paper Sheet size (sight): 8 3/4 x 11 5/8 in. (22.2 x 29.5cm) provenance: Collection of Dr. Leopold S. Moreno, Virginia. $1,000-2,000 1138 FRANK W. BENSON (american 1862-1951) Pair of Pintails | Woodcock Original etchings, both signed in pencil bottom left, both framed 11 1/2 x 9 3/4 inches (Pair of Pintails) 8 x 10 inches (Woodcock) (2) $800-1,200 1139 ROBERT HENRI (american 1865–1929) “MODEL IN STUDIO” (SKETCH) Signed ‘Robert Henri/JCL’ bottom right, pencil on paper Sheet size (sight): 9 3/4 x 8 in. (24.8 x 20.3cm) provenance: Chapellier Galleries, New York, New York. Collection of Dr. Leopold S. Moreno, Virginia. $1,000-1,500 1140 WARREN DAVIS (american, 1865-1928) THE WAVE Pencil signed ‘Warren Davis’ bottom right, etching on paper Plate size: 7 3/4 x 6 in. (19.7 x 15.2cm) Sheet size: 9 3/4 x 7 1/2 in. (24.8 x 19.1cm) provenance: Private Collection, Pennsylvania. $400-600
1141 ARTHUR DUGMORE (american 1870-1955) BUFFALOS IN THE SAVANNAH Signed ‘A.R. Dugmore’ bottom right, oil on canvas 22 x 30 in. (55.9 x 76.2cm) provenance: Collection of Dr. James Lee, New Jersey. $300-500
1145 PAUL DOUGHERTY (american 1877–1947) OCEAN SURF Signed and dated indistinctly ‘Paul Dougherty **’ bottom right, oil on panel 11 3/4 x 16 in. (29.8 x 40.6cm) provenance: Private Collection, New York, New York. $1,500-2,500
1150 HENRY MARTIN GASSER (american 1900-1981) STREAM IN WINTER Signed ‘H. Gasser’ bottom left, watercolor on paper Sheet size: 10 1/4 x 14 1/2 in. (26. x 36.8cm) provenance: Collection of Dr. James Lee, New Jersey. $800-1,200
1142 IDA MARIE PERRAULT (american 1872-1929) YOUNG GIRL WITH BABY Signed ‘I. Marie Perrault’ bottom center, watercolor on paper mounted to board Sheet size: 21 1/2 x 15 1/2 in. (54.6 x 39.4cm) provenance: Private Collection, Virginia. $200-300
1146 ABRAHAM WALKOWITZ (american 1878–1965) “DANCING FIGURE” (ISADORA DUNCAN) Signed ‘A. Walkowitz’ bottom right, watercolor on paper Sheet size: 12 x 7 1/2 (30.5 x 19.1cm) provenance: An Estate, Pennsylvania. $800-1,200
1151 HENRY MARTIN GASSER (american 1909-1981) “RIVER’S EDGE” Signed ‘H. Gasser’ bottom right, watercolor on paper Sheet size (sight): 14 3/4 x 19 in. (37.5 x 48.3cm) provenance: Collection of Dr. James Lee, New Jersey. $800-1,200
1143 Gordon Hope Grant (American, 1875-1962) “The South West Wind” Signed, lower right, “Gordon Grant”; the title inscribed on verso, oil on canvas, framed. 11 3/4 in. x 15 3/4 in. provenance: Grand Central Art Galleries, New York, New York. Kennedy Gallery, New York, New York. $1,500-2,500
1147 FRANCIS WILLIAM VAN VREELAND (american 1879-1954) MATERNAL CARES Signed ‘Van Vreeland’ bottom left, watercolor on paper laid down to board Sheet size: 11 x 14 5/8 in. (27.9 x 37.1cm) provenance: Private Collection, Virginia. $200-300
1144 KENNETH HAYES MILLER (american 1876-1952) “PLAY” Signed and dated ‘Hayes Miller ‘18’ bottom center left, oil on canvas 26 1/4 x 30 1/2 in. (66.7 x 77.5cm) provenance: Collection of Mrs. Thelma Cudlipp Whitman. Gifted from the above in 1937. The Virginia Museum of Fine Arts, Richmond, Virginia. exhibited: “Kenneth Hayes Miller: A Memorial Exhibition,” The National Academy of Design, New York, September 23-October 11, 1953, no. 17. literaature: Lincoln Rothschild, To Keep Art Alive: The Effort of Kenneth Hayes Miller, American Painter (18761952), The Art Alliance Press, Philadelphia, 1964, fig. 19 (illustrated). $1,000-1,500
1148 WALTER EMERSON BAUM (american 1884-1956) “THE WATER TOWER” (NEW HOPE) Signed ‘W.E. Baum’ bottom right; also inscribed with title and location verso, oil on canvasboard 20 x 24 in. (50.8 x 61cm) provenance: Collection of Dr. James Lee, New Jersey. $800-1,200 1149 JOHN COSTIGAN (american 1888-1972) “BATHERS” Signed ‘Costigan’ bottom left, oil on canvasboard 10 x 12 in. (25.4 x 30.5cm) provenance: Christie’s, New York, sale of December 14, 2015, lot 522. Private Collection, New Jersey. $2,000-3,000
1152 HENRY MARTIN GASSER (american 1909-1981) “BEACH FRONT” Signed ‘Gasser’ bottom right, watercolor on paper Sheet size (sight): 14 3/4 x 20 3/4 in. (37.5 x 52.7cm) provenance: Collection of Dr. James Lee, New Jersey. $800-1,200 1153 HENRY MARTIN GASSER (american 1909-1981) “SPRINGTIME IN PARIS” Signed and located ‘H. Hasser/Paris’ bottom right, watercolor on paper laid down to board 31 1/4 x 17 1/2 in. (79.4 x 44.5cm) provenance: Grand Central Art Galleries, New York, New York. Collection of Dr. James Lee, New Jersey. $1,000-1,500 1154 HENRY MARTIN GASSER (american 1909-1981) THE ANTIQUES SHOP Signed ‘H. Gasser’ bottom right, oil on board 18 x 24 in. (45.7 x 61cm) provenance: Collection of Dr. James Lee, New Jersey. $1,500-2,000
1155 ELIAS NEWMAN (american 1903-1999) “BLESSING OF THE FLOAT” Signed ‘Elias Newman’ bottom right; also signed and titled on stretcher verso, oil on canvas 12 x 16 in. (30.5 x 40.6cm) provenance: Collection of Dr. James Lee, New Jersey. $800-1,200 1156 JUNE GROFF (american 1903-1973) UNTITLED (ABSTRACT) Signed and dated ‘J.G. Groff 62’ verso, oil on canvas 36 x 18 in. (91.4 x 45.7cm) provenance: Property of a Bucks County, Pennsylvania Collection. $400-600 1157 JUNE GROFF (american 1903-1973) RUNNING HORSE Signed and dated ‘June G. Groff 1956’ verso, oil on canvas 36 x 24 in. (91.4 x 61cm) provenance: Property of a Bucks County, Pennsylvania Collection. $400-600 1158 JUNE GROFF (american 1903-1973) UNTITLED (GEOMETRIC SQUARES) Signed and dated ‘J.G. Groff 61’ verso, oil on canvas 36 1/2 x 36 1/2 in. (92.7 x 92.7cm) provenance: Property of a Bucks County, Pennsylvania Collection. $600-800 1159 JUNE GROFF (american 1903-1973) UNTITLED (NUDE ON STAGE) Signed and dated ‘June Groff ‘52’ bottom right, carved and painted Masonite 9 3/4 x 8 in. (24.8 x 20.3cm) provenance: Property of a Bucks County, Pennsylvania Collection. $300-500
1160 JUNE GROFF (american 1903-1973) GEOMETRICE Signed and dated ‘J.G. Groff 62’ verso, oil on canvas 24 x 16 in. (61 x 40.6cm) provenance: Property of a Bucks County, Pennsylvania Collection. $300-500
1165 JUNE GROFF (american 1903-1973) UNTITLED (CITYSCAPE) Signed and dated ‘J. Groff ‘58’ verso, oil on canvas 26 x 10 in. (66 x 25.4cm) provenance: Property of a Bucks County, Pennsylvania Collection. $300-500
1161 JUNE GROFF (american 1903-1973) “THE MAN WHO WAS TURNED INTO A TIGER” Titled verso, oil on canvas 24 x 12 in. (61 x 30.5cm) provenance: Property of a Bucks County, Pennsylvania Collection. $300-500
1166 JUNE GROFF (american 1903-1973) A PAIR OF CAT SKETCHES Both signed and dated bottom right, ink on paper Sheet size, each (sight): 17 x 11 1/2 in. (43.2 x 29.2cm) provenance: Property of a Bucks County, Pennsylvania Collection. $200-400
1162 JUNE GROFF (american 1903-1973) UNTITLED (ABSTRACT COMPOSITION) Signed and dated ‘J.G. Groff ‘61’ verso, oil on canvas 30 x 18 in. (76.2 x 45.7cm) provenance: Property of a Bucks County, Pennsylvania Collection. $400-600
1167 JOHN FALTER (american 1910-1982) THE GRASSHOPPER HELICOPTER Signed and dated ‘J. Falter © ‘70’ bottom left, oil on board 12 x 15 in. (30.5 x 38.1cm) provenance: Collection of Ann Ward Spaeth, Philadelphia, Pennsylvania. $200-400
1163 JUNE GROFF (american 1903-1973) FLOWERS Signed and dated ‘Groff ‘40’ bottom right, oil on canvas 30 x 12 in. (76.2 x 30.5cm) provenance: Property of a Bucks County, Pennsylvania Collection. $300-500
1168 ANN WYETH MCCOY (american 1915-2005) BOUQUET BY THE WINDOW Signed (twice) ‘Ann Wyeth McCoy’ and ‘McCoy’ bottom right, watercolor over traces of pencil on paper Sheet size (sight): 20 1/8 x 15 1/4 in. (51.1 x 38.7cm) provenance: Private Collection, Pennsylvania. $800-1,200
1164 JUNE GROFF (american 1903-1973) UNTITLED (ABSTRACT COMPOSITION) Oil on canvas 16 x 12 in. (40.6 x 30.5cm) provenance: Property of a Bucks County, Pennsylvania Collection. $300-500
1169 DONALD STANLEY VOGEL (american 1917-2004) ARRANGING FLOWERS IN THE GREENHOUSE Signed ‘D. Vogel’ bottom right, oil on Masonite 40 x 40 in. (101.6 x 101.6cm) provenance: Collection of a Philadelphia Lady. $800-1,200
1170 ANDRÉ GISSON (american 1921-2003) ON THE TERRASSE Signed ‘A. Gisson’ bottom right, oil on canvas 16 x 20 in. (40.6 x 50.8cm) provenance: An Estate, Pennsylvania. $1,000-1,500 1171 ANDRÉ GISSON (american 1921-2003) “SEATED NUDE” Signed ‘Gisson’ bottom right, oil on canvas 12 x 16 in. (30.5 x 40.6cm) provenance: Newman Galleries, Philadelphia, Pennsylvania. $400-600 1172 GLORIA VANDERBILT (american b. 1924) BASKET OF FLOWERS Signed ‘Gloria Vanderbilt’ bottom right, watercolor on paper Sheet size (sight): 23 1/4 x 19 1/2 in. (59.1 x 49.5cm) provenance: An Estate, Philadelphia, Pennsylvania. $300-500 1173 VARUJAN YEGAN BOGHOSIAN (american b. 1926) EURYDICE, 1966 Wood, glass front, accompanied by a separate wood base 24 x 19 3/4 x 66 in. (61 x 50.2 x 167.6cm) Applied paper gallery label to verso provenance: Private Collection, New York, New York Stable Gallery, New York $2,000-3,000 1174 STANLEY BORACK (american b. 1927) GALLOPING IN THE WILDERNESS Signed ‘Borack’ bottom right, oil on board 23 x 14 in. (58.4 x 35.6cm) provenance: Private Collection, Texas. $500-800 1175 STANLEY BORACK (american b. 1927) RIFLEMAN ON HORSE Signed ‘Borack’ bottom right, oil on board 23 1/2 x 15 3/4 in. (59.7 x 40cm) provenance: Private Collection, Texas. $500-800
1176 PEDRO FRIEDEBERG (mexican b. 1936) “ELEFANTITO HERMAFRODITA APRENDIENDO RUSO” 1968. With artist’s signature stamp bottom center; also titled bottom center, mixed media on paper Image size (sight): 15 x 15 in. (38.1 x 38.1cm) provenance: La Galería de Antonio Souza, Mexico. Private Collection, Pennsylvania. $800-1,200 1177 PEDRO FRIEDEBERG (mexican b. 1936) STAINED GLASS ROSETTE Signed ‘Pedro Friedeberg’ bottom right, mixed media on board Image size (sight): 15 x 19 1/2 in (38.1 x 49.5cm) provenance: Private Collection, Pennsylvania. $800-1,000 1178 NELSON SHANKS (american, 1937-2015) “SKETCH FOR DENNIS” 1970, signed lower right, inscribed in marker on panel verso ‘Seated Nude #28, By Nelson Shanks, New Hope, PA, 1970’, oil on masonite. Sight size: 18 x 12 in. (45.7 x 30.5cm) $1,000-1,500 1179 HEATHER ST. CLAIR DAVIS (american 1937-1999) THE POLO GAME Signed ‘Heather St. Clair Davis’ bottom right, oil on canvas 30 x 40 in. (76.2 x 101.6cm) provenance: Collection of a Philadelphia Lady. $800-1,200 1180 JOSEPH BARRETT (american b. 1936) “DELAWARE RIVER TOWN” Signed and located ‘Jos. Barrett Lahaska’ bottom center; also signed, located and titled verso, oil on canvas 32 x 30 in. (81.3 x 76.2cm) provenance: Collection of Dr. James Lee, New Jersey. $2,000-3,000
1181 JOSEPH BARRETT (american b. 1936) “LITTLE RIVER ROAD” Signed and located ‘Jos. Barrett/Lahaska’ bottom right; also signed, located and titled verso, oil on canvas 32 x 34 in. (81.3 x 86.4cm) provenance: Collection of Dr. James Lee, New Jersey. $2,000-3,000 1182 Christopher Parks (American, b. 1949) two figures: boy with calf and man with dog and pig, 20th century Both signed to bases, cast bronze. H: 10 in. provenance: Private Collection, Philadelphia, Pennsylvania. $300-400 1183 Unknown Artists (20th century) Two figures: a woman applying floral crown and a woman with book No visible signatures, cast bronze, one mounted on marble base. (2). H: 16 1/2 in. provenance: Private Collection, Philadelphia, Pennsylvania. $300-400 1184 CHRISTOPHER WILLETT (american b. 1959) “TAKING A STROLL” Signed ‘Christopher Willett’ bottom center left; also inscribed with title verso, oil on canvas 16 x 20 in. (40.6 x 50.8cm) provenance: Collection of Dr. James Lee, New Jersey. $400-600 1185 CHRISTOPHER WILLETT (american b. 1959) “LOOKOUT ON THE RIDGE” Signed ‘Christopher Willett’ bottom right,; also inscribed with title verso, oil on Masonite 36 x 23 3/4 in. (91.4 x 60.3cm) provenance: Collection of Dr. James Lee, New Jersey. $200-400 1186 CHRISTOPHER WILLETT (american b. 1959) “BUFFALO HUNT” Signed ‘Christopher Willett’ bottom right; also signed and titled verso, oil on canvas 24 x 29 7/8 in. (61 x 75.9cm) provenance: Collection of Dr. James Lee, New Jersey. $200-400
1187 ROBERT COURTRIGHT (american 1926-2012) UNTITLED Pencil signed and dated, mixed media on paper. Sheet (sight): 21 1/2 x 25 in. (54.6 x 63.5cm) Image (sight): 12 x 12 in. (30.5 x 30.5cm) $1,000-1,500 1187A RONALD FRONTIN (american b. 1964) CLAM DIGGERS Signed ‘Frontin’ bottom left, oil on canvas 26 x 34 in. (66 x 86.4cm) provenance: The Artist. Acquired directly from the above. Private Collection, New Jersey. $1,500-2,500 1188 UNKNOWN ARTIST (20th century) PORTRAIT OF A GIRL Signed indiscernibly and dated 1954 upper left, mixed media on masonite. 16 3/8 x 11 1/4 in. (41.6 x 28.6cm) provenance: Private Collection, Connecticut. $200-300 1189 LOUISE NEVELSON (american, 1899–1988) “BICENTENNIAL DAWN” 1976, signed and dated, numbered 57/100, Pace Editions, New York, publisher. Color silkscreen. Sight size: 24 1/4 x 34 in. (61.6 x 86.4cm) $500-800 1190 JAMES HAVARD (american, b. 1937) “GHOST SHIRT” Pencil signed and dated 77 bottom right, titled bottom center, acrylic on rag board. Sight size: 23 1/2 x 20 1/2 in. (59.7 x 52.1cm) provenance: Marion Locks Gallery, Philadelphia, Pennsylvania. Private Estate, Philadelphia, Pennsylvania. $1,000-1,500
1191 ROBERT RAUSCHENBERG (american, 1925–2008) “FEATURES FROM CURRENTS” one print 1970, pencil signed and dated, numbered 32/50, co-published by Dayton’s Gallery 12 and Castelli Graphics, New York. Screenprint in black and white. Image (sight): 35 x 35 in. (88.9 x 88.9cm) Sheet (sight): 40 x 40 in (101.6 x 101.6cm) [Foster, 128] $800-1,200 1192 TED MINEO (american, b. 1981) DIGGER Graphite on paper Sheet size (sight): 7 x 7 in. (17.8 x 17.8cm) provenance: Deitch Projects, New York, New York. $200-300
PURCHASE REMOVAL, SHIPPING AND OFFSITE STORAGE INFORMATION To ensure the safety of your property Freeman’s requests removal within 10 business days of the sale date. Collection hours are Monday–Friday, 9:30am–4:30pm. For larger items, please email Jake Gravelding at loadingdock@freemansauction.com to schedule a loading dock appointment. For purchase release to persons not listed on your contract or invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating receipt/item(s) or sale/lot(s) and name of third party collecting property. Freeman’s does not handle packing or shipping. The shippers listed have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property. Annie Hauls Michael Topley Lambertville, NJ 08530 609.577.5133 annie@anniehauls.com *East Coast deliveries only
Mr. C’s Charles Cohen 1615 North 10th Street Philadelphia, PA 19122 267.977.9567 mrcees61@gmail.com
Art In Transit Nick Clarke 314 North 12th Street Philadelphia, PA 19107 540.550.7080 nclarke@artintransit.net
Malca Amit ‡ Christine Duke 153-66 Rockaway Blvd New York, NY 11434 718.525.6100 | Fax: 718.425.3703 maa.nyc@malca-amit.com
Atelier Art Services ‡ Lynn Smith 1330 North 30th Street Philadelphia, PA 19144 215.842.3500 | Fax: 215.235.0421 estimates@atelierfas.com
A. Mastrocco Jr. Moving & Storage Roseanne Gebler 1060 Louis Drive Warminster, PA 18991 215.491.0346 | Fax: 215.444.9327 mastroccomovers@snip.net
Aiston Fine Art Service ‡ Mark Aiston P.O. Box 3434 Grand Central Station New York, NY 10163 212.715.0629 | Fax: 718.361.8569 info@aistonart.com
The Packaging Store ‡ Alex Long 2333 Welsh Road Lansdale, PA 19446 215.361.6940 | Fax: 215.361.6941 hello@packandshipnow.com
Cadogan Tate Fine Art ‡ Stacey Ferguson Cadogan House 41-20 39th Street Sunnyside, NY 11104 718.706.7999 | Fax: 718.707.2847 s.ferguson@cadogantate.com Crozier Fine Arts Catherine Erickson New York, NY 10011 212.741.2024 / Fax: 212.741.5513 shipping@crozierarts.com
U.S. Art ‡ Jessica Pierce 37-11 48th Avenue Long Island City, NY 11101 800.472.5784 | Fax:718.472.5785 jpierce@usart.com FURNITURE & LARGE ITEMS For larger pieces where delivery time is not the primary concern, we suggest getting your items freighted: www.plyconvanlines.com www.freightquote.com
‡ Shippers that can fulfill international deliveries
IMPORTANT INFORMATION FOR BUYERS Registration All potential buyers must register for the sale prior to placing a bid. Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com. We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale. Buyer’s Premium A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of the hammer price of each lot, 20% on the portion from $200,001 through $3,000,000, and 12% thereafter. Sales Tax All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor. Catalogue Descriptions All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale. Bidding At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid. By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale. In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit. On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the website and will receive email confirmation of their bid. Freeman’s is not responsible for errors or failure to execute bids. Payment Payment is due within ten (10) working days of the sale. Lots purchased will not be released until we have received full payment. Payment may be made in cash, by check, money order, or debit card. Payments by check must clear the bank before goods will be released. Removal of Purchases Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed within ten (10) working days of the sale. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser. Shipping and Packing Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us. Endangered Species Lots marked * are manufactured in whole or in part of restricted materials that may include tortoiseshell, ivory, mother-of-pearl, coral, rhinoceros horn, whalebone or marine ivory. Such materials may require specific licenses, certificates, or CITES documentation for import, export, moving between states in the U.S., or resale. Obtaining these documents may require scientific, laboratory or other expert analysis, in order to establish which species or genus the material came from. Freeman’s is unable to provide this information, and the obligation is on the purchaser of a lot containing any of these materials to ensure that they are able to obtain all the necessary or required documents should they need to, prior to bidding on the lot. If proper documentation or licenses etc. cannot be obtained for a purchased lot, the purchaser will still be required to make an on time payment for the lot as per our standard terms and conditions. Freeman’s cataloguing of the lots marked with this symbol * represents the best of our opinion, and the absence of this symbol from any lot description does not form a warranty that the lot will be free from any licensing or certification restrictions.
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TERMS & CONDITIONS All property offered and sold (“property”) through Samuel T. Freeman & Co, (“Freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. By bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions.
1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor. 2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale. 3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property. Therefore, all property is sold “ASIS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property. 4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer. 5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots. 6 The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects. 7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.
8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require. 9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of 1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency
in the original purchase price and will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s. Checks will not be deemed to constitute payment until cleared. Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to Freeman’s. Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code. 10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor. Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest. 11 No “buy” bids shall be accepted at any time for any purpose. 12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid.
13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of the hammer price of each lot, 20% on the portion from $200,001 through $3,000,000, and 12% thereafter. 14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state. 15 Freeman’s may, as a service to buyer, arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier is recommended by Freeman’s. Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer. 16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid. 17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion. 18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.
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bidding & registration form sale no
bidder no
name
1808 Chestnut Street, Philadelphia PA 19103 Tel-215.563.9275 Fax-215.599.2240 e-mail: bids@freemansauction.com www.freemansauction.com
client no
business name
address city
state
zip code
phone (primary)
phone (secondary)
country
fax
resale / tax identification
state
A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $200,000 of hammer price of each lot, 20% on the hammer from $200,001 through $3,000,000, and 12% thereafter. All lots must be paid for and removed within 10 days.
lot no
description
maximum bid
please adhere to the bidding increments $10 until $200 is reached $25 until $500 is reached $50 until $1,000 is reached $100 until $3,000 is reached $250 until $5,000 is reached $500 until $10,000 is reached $1,000 until $30,000 is reached $2,500 until $50,000 is reached $5,000 until $100,000 is reached over $100,000 auctioneer’s discretion
bank reference bank name
account no
contact name
telephone
I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.
signed (signature required to execute your bids)
q id confirmed
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DIRECTORY Officers
Specialist Departments
Representatives
Alasdair Nichol Chairman
20th Century Design Tim Andreadis tandreadis@freemansauction.com
New England Kelly Wright kwright@freemansauction.com
Margaret D. Freeman Director Emeritus Paul S. Roberts President Hanna Dougher Chief Operating Officer Samuel T. Freeman III Senior Vice President
American Art & Pennsylvania Impressionists Alasdair Nichol anichol@freemansauction.com American Furniture, Folk & Decorative Arts Lynda Cain lcain@freemansauction.com
Departments
Asian Arts Benjamin Farina bfarina@freemansauction.com
Appraisals Amy Parenti aparenti@freemansauction.com
Books, Maps & Manuscripts Benjamin Truesdale btruesdale@freemansauction.com
Business Development Thomas B. McCabe IV tmccabe@freemansauction.com
British & European Furniture & Decorative Arts Nicholas B. A. Nicholson nnicholson@freemansauction.com
Client Services Mary Maguire Carroll mmaguire@freemansauction.com Finance Whitney Long wlong@freemansauction.com Marketing & Communications Micah Dornfeld mdornfeld@freemansauction.com Museum Services Thomas B. McCabe IV tmccabe@freemansauction.com Photography Thomas Clark tclark@freemansauction.com Shipping & Receiving Stephanie Parker sparker@freemansauction.com Trust & Estates Amy Parenti aparenti@freemansauction.com
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European Art & Old Masters David M. Weiss dweiss@freemansauction.com Jewelry & Watches Virginia Salem, GIA GG vsalem@freemansauction.com Modern & Contemporary Art Dunham Townend dtownend@freemansauction.com Musical Instruments Frederick Oster foster@freemansauction.com Oriental Rugs & Carpets Andrew Taggart ataggart@freemansauction.com Prints Anne Henry ahenry@freemansauction.com Silver & Objets de Vertu Nicholas B. A. Nicholson nnicholson@freemansauction.com
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