EMMIE Magazine Spring 2012

Page 57

rapper’s best friend 2 6000 V+/(#K()*,#)7!(*#*(0(),+%8#'+,#$*,!#/"05.(#"7#Rapper’s Best Friend instrumental tracks, the producer who has cut for the likes of Nas, Raekwon, Lil Wayne and Linkin Park is back with another collection. Rapper’s Best Friend 2 is a mix of gritty >()!,#='(#?0<'(.+,!#<"%<"<!(&;#,".(#"7#-'+<'#'(#')&#.)&(#7"*# other artists’ songs and some newbies for this production. The ,)%,S0K*+<,#,"%8,#)*(#6(*7(<!#7"*#*'K.+%8#"/(*#w#"*;#&)*(#H#,)K;# <"50&#(/(%#>(<".(#)#*)66(*I,#>(,!#7*+(%&9 “Perfection,” which was the tune for Rick Ross and Meek Mill’s “Perfectionist,” has a range of honeyed keys between blaring '"*%,9#='+,#,!)%&,#+%#,!)*@#<"%!*),!#!"#E=(%#A"00)*,;i#)#.(%)<+%8# rhythm that Capone-N-Noreaga snatched for his song “Follow !'(#A"00)*9i EW)%8,!(*#J'+!#D!9#`i#)%&#ED!9#Pi#')/(#650,)!+%8#F)]]K#25!(,#)%&# strange laser noises, with “Pt. 2” pacing at a slower grind, but %5*,+%8#!'(#,).(#/"<)0#,).60(#),#ED!9#`9i

hand, showcases a dark, blaring buzz, and tinkling keys are the only things to keep the beat 7*".#8(!!+%8#!""#2)!9 “Whole Lotta Thug,” has a taste of reggaeton, and aspiring LC,#-'"#-+,'#!"#,'"-#"77#!'(+*#<'"6,#<)%#,5>.+!#)#/+&("#"7# !'(.,(0/(,#*)66+%8#"/(*#!'(#!*)<@#7"*#)#<')%<(#!"#-"*@#-+!'#='(# ?0<'(.+,!#)%&#*(0(),(#)#!*)<@#!'*"58'#'+,#0)>(0;#A(<"%9 The album as a whole crawls with creepiness, with its rolling >),,#)%&#'K6%"!+<#,"50#>()!,;#>5!#='(#?0<'(.+,!#)&&,#60(%!K# of huge drums to add some punch. The producer experiments with a brew of tasty beats and mesmerizing synths to make an (N60",+/(#)0>5.9#G)66(*,#-+00#$%&#<)!<'K#+%,!*5.(%!)0,#!"#,6+!# "/(*;#)%&#%"!;#+%#!'+,#<),(;#"%9 kaitlyn SCHNELL

“Wet Wipes” is one of the most contagious tracks off the album. H!I,#)#-+*(&#F).#!')!#C).I*"%#5,(&;#-+!'#)%#",<+00)!+%8#8*""/(# that stammers at the end of each loop. “Pain,” on the other

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ghostory

I’m not gonna lie, Ghostory is probably my most anticipated release of the year (so far), so it has a lot of my preconceptions !"#0+/(#56#!"9#H#')&%I!#(/(*# '()*&#"7#J<'""0#"7#J(/(%#M(00,#ceJaHHMI#7*".#'(*(#"%#+%d#5%!+0#H# stumbled across their single for the new album, “Lafaye.” I was instantly hooked. Ghostory couldn’t come out soon enough. H#-),#,"#(N<+!(&;#+%#7)<!;#!')!#-(%!#)%&#0+,!(%(&#!"#JaHHMI,#"0&# albums, only to be met with disappointment. I didn’t like them! ?';#>5!#!'(*(#-),#,!+00#'"6(g#b%(#"7#!'(#"*+8+%)0#>)%&#.(.>(*,# 0(7!#>(!-((%#JaHHMI,#6*(/+"5,#)0>5.#A+,<"%%(<!#V*".#A(,+*( and Ghostory, so perhaps in her absence the band would 2"5*+,'#)%&#$%)00K#6*"&5<(#)%#)0>5.#H#(%F"K(&g• In short, they did, but it could be better. Well, comparing the album to the initial impression garnered from “Lafaye,” it’s a bit of a disappointment, but compared to their old albums, it rules. So what separates Ghostory#7*".#JaHHMI,#"0&(*#-"*@;#>(,+&(,# the lineup change?

Not a lot, honestly. The changes are pretty subtle. There are points on Ghostory that )*(#)88*)/)!+%80K# similar to their old albums, but there is also some cool new stuff too. b/(*)00;#!'(#+%,!*5.(%!)!+"%#+,#7)+*0K#,6)*,(;#-+!'#!'(#6(*<5,,+"%# )%&#A('(])I,#/"<)0,#0)*8(0K#<)**K+%8#!'(#)0>5.;#)0!'"58'#!'(K# &"#')/(#,".(#<""0#>)<@8*"5%&#85+!)*#)%&#@(K>")*&#(77(<!,h melodies here and there. The production is also top-notch, and it sounds like they learned a lot about mastering from dream6"6#7)/"*+!(#Lo[9#='(K#.+N#56#+%,!)%!0K#<)!<'K#!*)<@,#0+@(#E='(# Night,” “Lafaye” and “When you Sing” with slower, tranquil !*)%,+!+"%,#0+@(#EX"/(#D0)K;i#EG()66()*i#)%&#EJ'"-#L(#X"/(9i The album begins and ends strongly, and only a few tracks feel 0+@(#$00(*;#>5!#%"!#+%#)#>)&#-)K9#Ghostory is more of a strictly &*().S6"6#6*"F(<!#!')%#!'(+*#()*0+(*#(77"*!,;#,"#%"!#(/(*K#!*)<@# %((&,#!"#>(#)%#+%,!)%!#'+!#)%&#')/(#)!!(%!+"%S8*)>>+%8#0()&,9# The slower tracks on the tail end of the album are much more 0)<@)&)+,+<)0#)%&#<"%!(.60)!+/(;#)%&;#)0!'"58'#,+.60(;#)*(# ,""!'+%8#!"#0+,!(%#!"9#A"+%8#'".(-"*@#!"#Ghostory is awesome, 5%0(,,#K"5#@((6#8(!!+%8#!')!#+!<'#!"#*(60)K#EX)7)K(i#)8)+%9#?%&# )8)+%9#?%&#)8)+%9 pat CASSIDY

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