Duke University Press Spring & Summer 2018 Catalog

Page 38

FILM & T V

Bright Signals

A History of Color Television

Television Cities charlot te brunsdon

susan murr ay In Television Cities Charlotte Brunsdon traces television’s

First demonstrated in 1928, color television remained little more

representations of metro‑

than a novelty for decades as the

politan spaces to show how

industry struggled with the con‑

they reflect the medium’s

siderable technical, regulatory,

history and evolution, thereby

commercial, and cultural com‑

challenging the prevalent assumptions about televi‑

plications posed by the medium.

Courtesy of the National Museum of Scotland.

Only fully adopted by all three

sion as quintessentially suburban. Brunsdon shows how the BBC ’s

networks in the 1960s, color

presentation of 1960s Paris in the detective series Maigret signals

television was imagined as a new

British culture’s engagement with twentieth-century modernity and

way of seeing that was distinct from both monochrome television

continental Europe, while various portrayals of London—ranging

and other forms of color media. It also inspired compelling popular,

from Dickens adaptations to the 1950s nostalgia of Call the

scientific, and industry conversations about the use and meaning

Midwife—demonstrate Britain’s complicated transition from Victorian

of color and its effects on emotions, vision, and desire. In Bright

metropole to postcolonial social democracy. Finally, an analysis of

Signals Susan Murray traces these wide-ranging debates within

The Wire’s acclaimed examination of Baltimore marks the profound

and beyond the television industry, positioning the story of color

shifts in the ways television is now made and consumed. Illuminating

television, which was replete with false starts, failure, and ingenuity,

the myriad factors that make television cities, Brunsdon complicates

as central to the broader history of twentieth-century visual culture.

our understanding of how television shapes perceptions of urban

In so doing, she shows how color television disrupted and reframed

spaces, both familiar and unknown.

the very idea of television while it simultaneously revealed the ten‑

Charlotte Brunsdon is Professor of Film and Television Studies at the

sions about technology’s relationship to consumerism, human sight,

University of Warwick and the author of several books, including London in

and the natural world.

Cinema: The Cinematic City Since 1945 and The Feminist, the Housewife,

Susan Murray is Associate Professor of Media, Culture, and Communication

and the Soap Opera.

at New York University, the author of Hitch Your Antenna to the Stars: Early

SPIN OFFS A series edited by Lynn Spigel

Television and Broadcast Stardom, and the coeditor of Reality TV: Remaking Television Culture. SIGN, STOR AGE, TR ANSMIS SION A series edited by Jonathan Sterne and Lisa Gitelman

“A very welcome addition to both TV and urban studies, Television Cities combines spatial analysis and attention to the changing nature of TV production and viewership to suggest how urban space is produced and experienced

“What a terrific, innovative book! In this pioneering study of the development

in particular televisual ways.”— PAMEL A ROBERTSON WOJCIK , author

of color television, Susan Murray brilliantly intertwines the technological

of The Apartment Plot: Urban Living in American Film and Popular Culture,

evolution of the device with prevailing notions about how people perceive

1945 to 1975

color and its affective impact on our subjectivity and how we view the world. Murray breaks new ground by tracing how an understanding of the human eye was built into the technology from the very start. Highly original, engaging, and, yes, eye-opening.”— SUSAN J. DOUGL AS , Catherine Neafie Kellogg Professor of Communication Studies, University of Michigan

36

TELE VISION/HISTORY OF TECHNOLOGY

TELEVISION/URBAN STUDIES

June 328 pages, 105 color illustrations

February 248 pages, 74 illustrations

paper, 978‑0‑8223‑7130‑4, $26.95/£21.99

paper, 978‑0‑8223‑6920‑2, $24.95/£20.99

cloth, 978‑0‑8223‑7121‑2, $99.95/£83.00

cloth, 978‑0‑8223‑6894‑6, $94.95/£79.00

Available as an e‑book

Available as an e‑book


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