For a Liberatory Politics of Home MICHELE

LANCIONE

In For a Liberatory Politics of Home, Michele Lancione questions accepted understandings of home and homelessness to offer a radical proposition: homelessness cannot be solved without dismantling current understandings of home. Conventionally, home is framed as a place of security and belonging, while its loss defines what it means to be homeless. On the basis of this binary, a whole industry of policy interventions, knowledge production, and organizing does not provide solutions to homelessness but perpetuates violent and precarious forms of inhabitation. Drawing on his research and activism around housing in Europe, Lancione attends to the interlocking crises of home and homelessness by recentering the political charge of precarious dwelling. It is in there, if often in unannounced ways, where a profound struggle for a differential kind of homing signals multiple possibilities to transcend the violences of home/homelessness. In advancing a new approach to work with the politics of inhabitation, Lancione provides a critique of current practices and offers a transformative vision for a renewed, liberatory politics of home.

Michele Lancione is Professor of Economic and Political Geography at the Polytechnic University of Turin and coeditor of Grammars of the Urban Ground, also published by Duke University Press, and Global Urbanism: Knowledge, Power, and the City.

Middle East studies/Film studies/Media studies

Gaza on Screen

NADIA YAQUB, editor

Gaza’s long association with resistance and humanitarian need has generated a complex and ever shifting range of visual material, comprising not just news reports and documentaries, but also essay, experimental, and fiction films, militant videos, and solidarity images. Contributors to Gaza on Screen, who include scholars and Gazan filmmakers, explore the practice, production, and impact of film and videos from and about the Gaza Strip. Conceptualizing screens—both large and small—as tools for mediation that are laden with power, the volume explores Gazan film and video in relation to humanitarianism and human rights, care, community, environment, mobility and confinement, and decolonization. The volume includes visual material ranging from solidarity broadcasts on Lebanese television, mid-twentieth-century British Pathé newsreels, and fiction films to breaking news, visuals of contemporary militant resistance, documentaries, and found footage films, arguing for a visual ecosystem in which differing types of film and video affect and inform each other. Throughout, Gaza on Screen demonstrates that screens shape and sustain relationships between Gaza and the world and help to sustain the possibility of a different future.

Contributors Nayrouz Abu Hatoum, Shahd Abusalama, Samirah Alkassim, Basma Alsharif, Hadeel Assali, Azza El Hassan, Hatim El-Hibri, Mohamed Jabaly, Ahmed Mansour, Arab Nasser, Tarzan Nasser, Kamran Rastegar, Viviane Saglier, Abdelsalam Shehada, Yaron Shemer, Rebecca L. Stein, Helga Tawil-Souri, Shaira Vadasaria, Nadia Yaqub

Nadia Yaqub is Professor of Asian and Middle Eastern Studies at the University of North Carolina, Chapel Hill; author of Pens, Swords, and the Springs of Art: The Oral Poetry Dueling of Palestinian Weddings in the Galilee and Palestinian Cinema in the Days of Revolution; and coeditor of Bad Girls of the Arab World

November 312 pages, 7 illustrations paper, 978-1-4780-2530-6 $28.95/£24.99 cloth, 978-1-4780-2052-3 $107.95/£97.00